Podcasts about latin americanists

Josh discusses Latin American security issues as a whole with Casey Wetherbee and Becky Twaalfhoven, two SSP 5-year students with a deep interest in the Western Hemisphere. The three Latin Americanists discuss topics like US-Latin American relations, corruption & governance, environmental and pandemic security, Chinese influence in the region, and institution-building.

What explains the endurance of Porfirio Díaz’s rule from 1876 to 1910 in Mexico? Dr. Jaclyn Sumner joins Carlos and Steven to discuss her research on the Porfiriato and how Tlaxcala’s indigenous governor Próspero Cahuantzi (r. 1885-1911) provides important clues to its longevity. As SECOLAS’ current president, she also describes her goals for the organization and why Latin Americanists of all stripes should join us in Oaxaca next March. Originally published on April 16, 2018.

What explains the endurance of Porfirio Díaz's rule from 1876 to 1910 in Mexico? Dr. Jaclyn Sumner joins Carlos and Steven to discuss her research on the Porfiriato and how Tlaxcala's indigenous governor Próspero Cahuantzi (r. 1885-1911) provides important clues to its longevity. As SECOLAS' current president, she also describes her goals for the organization and why Latin Americanists of all stripes should join us in Oaxaca next March. Originally published on April 16, 2018.

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history. Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoices

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history. Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoices

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history. Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoices

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history. Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoices

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history. Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoices

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history. Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoices