Podcasts about polyphonic

It's March, so it's time for the first Now Playing episode of 2025! This time Tracey and Ian have both chosen records they somehow overlooked from their best of 2024 lists with Tracey going for Scottish indie pop melodymongers Wojtek The Bear's Shaking Hands With The NME, and Ian picking the alos massively melodic Danish prog metal band Vola's Friend Of A Phantom, while Colin goes back 20 years earlier to pick the Texan psychedelic indieprog behemoth The Polyphonic Spree and their 2004 album Together We're Heavy.You can find the Wojtek The Bear album on Spotify here.The Vola record can be found on Spotify here,and the Polyphonic Spree album can be found on Spotify here.The live Polyphonic spree gig Colin discusses in the episode can be found here.As always, if you enjoy the music please consider supporting the artists by buying their records etc.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

En resa in i Blood on the Tracks, där Dylan dissekerar kärlek, förlust och allt däremellan. 70-talets mörka baksmälla möter 60-talets krossade drömmar i en värld av cynism, kaos och briljant poesi. En blick på en man i spillror – och ett album som bränner sig fast.Köp gärna Noah/Polyphonics bok eller se på hans youtubekanal - https://www.youtube.com/@Polyphonic/featured https://www.bokus.com/bok/9798890031235/century-of-song/?srsltid=AfmBOoom-doeGEQHA-aK4THd2QHTgTkSQJ3FTz2WXppJQS2J9izsqiP-Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Down the highway : the life of Bob Dylan (Sounes, Howard 2001)Dylan Has Returned With ‘John Wesley Harding' (Rolling stone, 1968)Blood on the Tracks (Wikipedia, 2024)How Bob Dylan made Blood On The Tracks (Uncut magazine, 2021)Bob Dylan's Blood on the Tracks: The Untold Story (Peter Stone Brown Archives Newsletter, 2023)Bob Dylan's Masterpiece Is Still Hard to Find (The New Yorker, 2018) Hosted on Acast. See acast.com/privacy for more information.

Harley Schlanger discusses the fall of Assad, the Unipolar Empire, BRICS and multipolarity, Atlantic Council information operations, Trump, and more! Watch On BitChute / Brighteon / Rokfin / Rumble / Substack Geopolitics & Empire · Harley Schlanger: Fall of Syria, Weakening Unipolarity, & New Polyphonic BRICS Era #498 *Support Geopolitics & Empire! Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation Become a Member https://geopoliticsandempire.substack.com Become a Sponsor https://geopoliticsandempire.com/sponsors **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics easyDNS (use code GEOPOLITICS for 15% off!) https://easydns.com Escape The Technocracy course (15% discount using link) https://escapethetechnocracy.com/geopolitics LegalShield https://hhrvojemoric.wearelegalshield.com Sociatates Civis (CitizenHR, CitizenIT, CitizenPL) https://societates-civis.com Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Harley's Updates https://laroucheorganization.com/HarleySchlangerReport Schiller Institute https://schillerinstitute.com X https://x.com/HarleySchlanger About Harley Schlanger Harley Schlanger is spokesman of The Schiller Institute. Email: harleysch@gmail.com. *Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Harley Schlanger discusses the fall of Assad, the weakening Unipolar Empire, BRICS and multipolarity, Atlantic Council information operations, Trump, and more! Watch On BitChute / Brighteon / Rokfin / Rumble / Substack Geopolitics & Empire · Harley Schlanger: Fall of Syria, Weakening Unipolarity, & New Polyphonic BRICS Era #498 *Support Geopolitics & Empire! Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation Become a Member https://geopoliticsandempire.substack.com Become a Sponsor https://geopoliticsandempire.com/sponsors **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics easyDNS (use code GEOPOLITICS for 15% off!) https://easydns.com Escape The Technocracy course (15% discount using link) https://escapethetechnocracy.com/geopolitics LegalShield https://hhrvojemoric.wearelegalshield.com Sociatates Civis (CitizenHR, CitizenIT, CitizenPL) https://societates-civis.com Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Harley's Updates https://laroucheorganization.com/HarleySchlangerReport Schiller Institute https://schillerinstitute.com X https://x.com/HarleySchlanger About Harley Schlanger Harley Schlanger is spokesman of The Schiller Institute. Email: harleysch@gmail.com. *Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Pour ce 35ème épisode de la Boisson chaude, on va se pencher sur le format album, son prestige et ses limites.Bonne dégustation ! Les sources : https://pudding.cool/2024/03/greatest-music/https://www.youtube.com/watch?v=a2vPVbkrg_k Albums that aren't "Albums" – Polyphonichttps://www.slate.fr/story/172326/musique-mort-album-single-format-conceptTous les extraits sont faits maison.-Rejoignez nous sur Instagram, BlueSky, ou notre salon Discord, pour discuter du podcast !Et si voulez soutenir Tartine ta Culture, retrouvez-nous sur Patreon ! Get bonus content on Patreon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

How can you remember the difference between similar Chinese characters? Are flashcards better than reading for building vocabulary? And how do you learn polyphonic characters? #learnchinese #vocabulary #characters #reading #flashcards Link to article on Hacking Chinese: Student Q&A, December 2024: Learning similar Chinese characters, polyphonic characters, and flashcards vs. reading for building vocabulary: https://www.hackingchinese.com/student-qa-december-2024-learning-similar-chinese-characters-polyphonic-characters-and-flashcards-vs-reading-for-building-vocabulary/ Chinese vocabulary challenge, December 2024: https://www.hackingchinese.com/chinese-vocabulary-challenge/ Courses on Hacking Chinese: https://www.hackingchinese.com/courses/ Skritter review: Boosting your Chinese character learning: https://www.hackingchinese.com/skritter-chinese-review-boosting-your-character-learning/ Links for question 1: The building blocks of Chinese, part 1: Chinese characters and words in a nutshell: https://www.hackingchinese.com/the-building-blocks-of-chinese-part-1-chinese-characters-and-words-in-a-nutshell/ Phonetic components, part 2: Hacking Chinese characters: https://www.hackingchinese.com/phonetic-components-part-2-hacking-chinese-characters/ Remembering is a skill you can learn: https://www.hackingchinese.com/remembering-is-a-skill-you-can-learn/ How to create mnemonics for general or abstract character components: https://www.hackingchinese.com/how-to-create-mnemonics-for-general-or-abstract-character-components/ Links for question 2: Reading is a lot like spaced repetition, only better: https://www.hackingchinese.com/reading-is-a-lot-like-spaced-repetition-only-better/ An introduction to extensive reading for Chinese learners: https://www.hackingchinese.com/introduction-extensive-reading-chinese-learners/ Why flashcards are great for learning Chinese: https://www.hackingchinese.com/why-flashcards-are-great-for-learning-chinese/ Links for question 3: Should you learn Chinese vocabulary from lists? https://www.hackingchinese.com/should-you-learn-chinese-vocabulary-from-lists/ More information and inspiration about learning and teaching Chinese can be found at: https://www.hackingchinese.com/ Music: "Traxis 1 ~ F. Benjamin" by Traxis, 2020 - Licensed under Creative Commons Attribution (3.0)

This show journeys into the theme of ‘doikayt', the yiddish word for hereness: what does it mean to be here for ourselves, with each other, and in solidarity with everything around us when the systems of oppression seek to divide us? Under the guiding flow of spoken meditation, spell, and incantation, Dali Muru's show dreamily meanders between newly composed soundscapes, field recordings, samples from archival chassidic melodies, folk songs, to stories of mystical encounters in Islamic Spain, weaving a thread of overlooked forces, resonances, and spiritual intersections across time and space. Dali Muru & The Polyphonic Swarm (poet, filmmaker, vocalist-Dalia Neis, producer- Enir Da, & multi-instrumentalist-Charles Lmx) fuse troubadour poetics, film soundtracks and primordial electronics. Tracklist: Enir in Wonderland - Dali Muru & The Polyphonic Swarm Down - Dali Muru & The Polyphonic Swarm Ambient + Soundscape + Vocals by Dali Muru & The Polyphonic Swarm / mixed with an extract of Hasidic conversation The Bath Philosophers - Dali Muru & The Polyphonic Swarm Илми Јашаров - Тиквешка гајда Ambient + Soundscape + Vocals by Dali Muru & The Polyphonic Swarm Swaddledidaf Rosé - Dali Muru & The Polyphonic Swarm C''' est ainsi que les ombres dansent – Dali Muru & The Polyphonic Swarm/ mixed with Samples of Hasidic melodies Ambient + Soundscape + Vocals by Dali Muru & The Polyphonic Swarm Un Cavretico – Dali Muru & The Polyphonic Swarm Alevanta Mordehai – Mara Aranda Ambient + Soundscape + Vocals by Dali Muru & The Polyphonic Swarm / mixed with Samples of Hasidic melody Centuries ago, I wore a hat – Dali Muru & The Polyphonic Swarm / story telling by Dalia Neis Well preserved Bis (?) Instrumental – Dali Muru & The Polyphonic Swarm / story telling by Dalia Neis Ambient + Soundscape by Dali Muru & The Polyphonic Swarm / story telling by Dalia Neis La Tetlaa''i – Sanaa Moussa Ambient + Soundscape + Vocals by Dali Muru & The Polyphonic Swarm Atydia – Temir Alcy Prelude - Sheida Gharachedaghi & Mohammad Reza Aslani Cantor Shimon Kugel - Kol Nidrei (Shlomo Meir Kugel), Une lueur pas comme les autres – Temir Alcy

“Every single thing I ever wrote was rejected by myself. I burnt nearly everything I wrote throughout my twenties because I was so ashamed of how bad it was.” ~Donal Ryan Donal Ryan is an author who's not only dealt with rejection, but has flourished despite it - winning awards, writing bestsellers and becoming one of Ireland's best loved authors. But what did it take for him to succeed against the odds? Donal's latest novel, Heart, Be At Peace reintroduces us to the original cast of characters from his 2013 book The Spinning Heart. Meeting the inhabitants of this small Irish town 10 years later, we get to see how they've changed and grown - now dealing with a new demon… drugs! Discussing the book and his fascinating approach to writing, Donal explains why he chose to tell this story through so many voices - taking on a polyphonic approach. He explores the way he manipulates and plays with time, creating a beautiful rhythm to his writing. And, as someone who experienced a lot of rejection early in his career, he describes how he pushed through. In this episode, you will learn: Why it's our job as writers to shine a light on darkness.  How to approach writing the second in a series of novels. Why you sometimes need to take your art into your own hands! Find out more about Donal here. Your host is inkjockey founder Mark Heywood. Behind The Spine is an inkjockey production, and the audio accompaniment to The Writing Salon. Sign up to the newsletter here. You can buy copies of our anthology series here.  You can view the full transcript here. Connect with the show: Instagram: https://www.instagram.com/behindthespinepodcast/ Facebook: https://www.facebook.com/BehindTheSpine Twitter: https://twitter.com/BehindTheSpine Website: www.behindthespine.co.uk

It's impossible to avoid talking about the potential implications of Donald Trump's election, even as its difficult to know for sure what he intends and almost as hard to say anything that hasn't already been said. I have a go, though, after considering Putin's hour-long speech and epic (or exhausting) 3-hour Q&A on the 'polyphonic' world order at Valdai.The podcast's corporate partner and sponsor is Conducttr, which provides software for innovative and immersive crisis exercises in hybrid warfare, counter-terrorism, civil affairs and similar situations.You can also follow my blog, In Moscow's Shadows, and become one of the podcast's supporting Patrons and gain question-asking rights and access to exclusive extra materials including the (almost-) weekly Govorit Moskva news briefing right here. Support the show

La 30ème Boisson chaude mélange le passé et le présent pour vous parler de musique retro, de vieux clip polonais, d'Australiens rouges et de rap post-soviétique.Bonne dégustation !!Les extraits :Message in a Bottle - MaromaroChop Suey! - MaromaroThe Red Army is the Strongest - DustyeskyPost Soviet - Soviet SupremTous les autres extraits sonores sont faits maison.Les sources :https://maromaro.bandcamp.com/ La chaîne de Maromarohttps://www.abc.net.au/news/2020-05-25/australian-fake-russian-choir-dustyesky-goes-viral-mullumbimby/12270670 Les recos :La série de Polyphonic sur l'origine des clipsDJ Medhi Made in France - Arte-Rejoignez nous sur Instagram ou notre salon Discord, (ou encore Threads, BlueSky, Facebook) pour discuter du podcast !Et si voulez soutenir Tartine ta Culture, retrouvez-nous sur Patreon ! Get bonus content on Patreon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

I detta avsnitt av musikpodden tar vi med dig på en resa genom Bob Dylans Highway 61 Revisited – ett album som förändrade musiken för alltid. Vi utforskar hur Dylans texter speglar det turbulenta 60-talet, från protesterna i Mississippi till kaoset i Vietnam. Genom låtar som "Tombstone Blues" och "Ballad of a Thin Man" får vi se en artist som är både frustrerad och klarseende, som använder surrealism och råhet för att kritisera makten och samhällsnormerna. Samtidigt knyter vi ihop det med verkliga händelser och personliga anekdoter som visar hur Dylans musik fortfarande känns lika aktuell och brännande idag.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Mississippi Burning (FBI.gov, 2014)How Bob Dylan Mocked the Press (Youtube, PolyPhonic 2019)Bob Dylan (Heinrich Detering, 2007)Vietnamkriget 1965-73 (Smedberg, Marco 2020) Hosted on Acast. See acast.com/privacy for more information.

Salut tout le monde ! Pour cet épisode de rentrée, je vous emmène faire une tournée internationale ! J'espère que vous avez votre passeport, on va visiter tous les pays en écoutant de la soul.Bonne dégustation !Les sources :La playlist du Total World Tourhttps://www.setlist.fm/stats/concert-map/joss-stone-13d6bd1d.html?tour=3d6b9bbhttps://en.wikipedia.org/wiki/Total_World_Tourhttps://musicbrainz.org/series/ca768a13-21b0-4c39-8550-92406dafdc78https://wanderlustmagazine.com/inspiration/joss-stones-world-tour/https://www.bbc.com/news/world-asia-47556969https://www.bbc.com/news/world-middle-east-48867060https://www.reddit.com/r/MapPorn/comments/1de7110/the_crazy_world_tour_that_was_joss_stones_total/https://www.vogue.in/content/grammy-winner-joss-stone-shares-her-india-diaryhttps://www.guinnessworldrecords.com/world-records/98881-longest-concert-tour-by-a-rock-bandLes extraits :Joss Stone - Super Duper LoveSalio ft. Joss Stone - Georgia Tous les autres sons sont faits maison.Les recos : Jura'Zik Park - Saison 3The Insane Story of "Cotton Eye Joe" – PolyphonicSetlist.fm-Rejoignez nous sur Instagram ou notre salon Discord, (ou encore Threads, BlueSky, Facebook) pour discuter du podcast !Et si voulez soutenir Tartine ta Culture, retrouvez-nous sur Patreon ! Get bonus content on Patreon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Jay shares the fascinating history of the traditional American country folk song, “Cotton-Eyed Joe.” Sparked by the recent meme “Gegagedigedagedago (Cotton Eye Joe)” and a video by Polyphonic, Jay traces the song back to its 19th century roots and works his way to today. We listen to versions by the Rednex, Gid Tanner & His Skillet Lickers, Bob Wills, Burl Ives, Karen Dalton, Nina Simone (and a few others).Song: John Zorn Resource - “With Blinding Sight”Get ready for it, it's News with Nick! Finale's rough finale, Martin Shkreli loses his Wu Tang Clan album, and the Boss is here to stay.Song: Tune-yards - “Water Fountain”“Heard It Through the GREGvine” that Oasis is reuniting for a U.K. tour! Plus, what should we make of Linkin Park's countdown timer? Finally, the plot thickens in the Foo Fighters “My Hero” licensing disputes with Trump.Song: Nirvana - “Smells Like Teen Spirit (first live performance, from Hype!)”

In this podcast we meet CIIS student Lucian Dante Lazar to discuss his research at the intersections of spirituality and the arts, aiming towards the cultivation of a holistic science of creative becoming inspired by Rudolf Steiner's Anthroposophy. We discuss esoteric approaches towards a pedagogy of creative education based upon experimental methods of radical freedom and epistemologies of spiritual identity. Lucien Dante Lazar (b. June 24th, 1994 in Evanston, IL) is an interdisciplinary artist whose praxis is founded in the intersections of art, science, and spirituality. He received his BA from Bard College (2016), his MFA from California College of the Arts (2020), and is currently working on his PhD in the Philosophy, Cosmology and Consciousness program at California Institute of Integral Studies. His dissertation will concern the pedagogy of spiritual development through the diversity of the arts. Art, for Lucien Dante Lazar, is a deeply introspective and spiritual process. As a result, his work is both intimate and universal, both for the individual human being as well as for humanity as a whole. His paintings, music, sculptures, poetry, prose, as well as his interpersonal creative therapies are opportunities for healing and profound, transformative reflection. “My ultimate goal as an artist is to discover, through art, the meaning of the human being, and through this creative process, to encounter and cultivate the reality of freedom.” Lazar said. “For me, an artwork may be witnessed as a being born of, and in service to, the development of human consciousness. The more a work of art is imbued with the wide awake consciousness of humanity, the more it is capable of inviting the human being who witnesses it into a sense of one's own universality.” Lazar utilizes many mediums including drawing, painting, sculpture, and a plethora of fiber arts. He also works as a poet, an essayist, and a multi-disciplinary musician. Additionally, Lazar incorporates various therapeutic healing modalities and meditative practices into his work, which he describes under the term spiritual bodywork. Each individual work of art Lazar creates lives within this multi-dimensional creative context. The EWP Podcast credits East-West Psychology Podcast Website Connect with EWP: Website • Youtube • Facebook Hosted by Stephen Julich (EWP Core Faculty) and Jonathan Kay (EWP PhD candidate) Produced by: Stephen Julich and Jonathan Kay Edited and Mixed by: Jonathan Kay Introduction music: Mosaic, by Monsoon on the album Mandala Other music by Lucien Dante Lazar: Center of the Flute, 12 Apostles Introduction Voiceover: Roche Wadehra Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fun lil' Poly synth coming straight outta Moog and we're offering our thoughts. Is Apple allowing for the breathing of new life into the notion of radio and offering an alternative to streaming? In the Round Robin, as the modern music industry as our backdrop, with their stats and plays and clicks and hearts, we're collectively sharing our motivations and drives behind making the art we do, all in the name of bringing it back to the centre and reminding ourselves of the playful nature of our work. Help Support the Channel: Patreon: https://Patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen Setzepfandt Lars Haur - Audionaut Producer Jonathan Goode - Audionaut Producer 00:00 - INTRO 03:00 - NEW RADIO SHOW! Submissions open 09:00 - EONLAKE ENTERS 11:00 - MOOG MUSE 34:00 - COMMUNITY CORNER 50:00 - Apple MUSIC GOES RADIO 01:05:00 -ROUND ROBIN Join the conversation:

Del 1 av 10 i Bob Dylans Amerika. Tio album och en berättelse om 1900-talet. I första avsnittet talar vi om uppbyggnaden till 1960-talet och starten på Bob Dylans karriär. Vi går från kärnvapenskräck, till Kuba och vi frågar oss vad det egentligen är som blåser med luften. Dagens gäst är youtubern Polyphonic. Du kan förbeställa hans bok Century of Song: 101 Songs that Shaped American Music på amazon. https://www.amazon.com/Century-Song-Songs-Shaped-American/dp/B0CLTPTXZL/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.GmfMOtSbXGWZg9SVsfLt4w.mdFf7ZOxmRWExprIn8biaM4Pj4BmcAyDtR1V0nBlcS8&qid=1710179613&sr=1-1Du hittar hans youtubekanal Polyphonic på: https://www.youtube.com/c/PolyphonicKällor;The Strategic Importance of Cuba (Emanuel Pietrobon, Valdai 2023)The Freewheelin' Bob Dylan (Wikipedia, 07.2024)America divided : the civil war of the 1960s (Isserman, Maurice 2008)The Freewheelin' Bob Dylan (Genius, 07.2024)America, Russia, and the Cold War, 1945-1984 (LaFeber, Walter, 1985)American Society Viewed from Youths' Lens: A Study on Bob Dylan's “A Hard Rain's a-Gonna Fall” (Fauzan Rodi*, Rahmawan Jatmiko Universitas Gadjah Mada, Indonesia 2018) Hosted on Acast. See acast.com/privacy for more information.

Wahhh... Ringtone kalian apa nih? Pastinya punya favoritnya masing-masing di hape waktu itu. Beda banget ya, hebohnya ringtone dulu yang sangat menarik dan membekas dengan era sekarang yang gitu-gitu aja dan monoton. Throwback ahh era HP dengan ringtone Monophonic & Polyphonic yang banyak di temui di era 90-2000an. ------- Timestamp/chapter guys : (00:20) Intro & Ringtone HP (01:42) Nokia & Ringtone Monophonic (04:18) Ringtone Polyphonic (05:58) Ringtone Mp3 & Download Ringtone (08:48) Era Sekarang - Boring Ringtone :( (10:28) Conclution -------- Referensi Video : Nokia SMS Code Morse Making Music with Nokia 3310 ------ #podcastpadawaktuitu #throwbacktime #tbt #kilasbalik #generasi90an #generasi2000an #ringtone #throwbackthursday

We Interview Romance Fantasy Author Piper Bedwell - Piper Talks Her New Book Polyphonic Serenade On The Life Box Media Channel Radio Podcast To Buy Piper Bedwell's New Book Or Any Of Piper Bedwell Books Go To PiperBedwell.com A Huge Thank You To Piper Bedwell For Taking The Time

What are 3 great warm-ups you'll be able to fit into your busy parish choir rehearsal schedule? What are 3 motets that most choirs don't do, but that are definitely worth learning? What are 3 polyphonic Mass Ordinaries my choir should learn? Prof. Christopher Berry, an adjunct professor of the Catholic Institute of Sacred Music answers these questions, and we chat about the answers in a preview of the Catholic Institute of Sacred Music's Choral Institute.  To learn more about the July 22–26 graduate-level Choral Institute and the audition requirements, visit http://catholicinstituteofsacredmusic.org/.

The award-winning author Lisa McInerney wraps up her literary trilogy with "The Rules of Revelation", a darkly comic foray into the world of drug dealers, sex workers, property developers and struggling artists. We discuss societal shifts in Ireland, as a new generation rejects the conservative, religious national identity that has characterised the country in the past, and the platform the arts provide for voices from all sectors of society, with key support from the current government. Lisa also weighs in on the growing popularity of Gaelic as a cornerstone of Ireland's linguistic and cultural heritage.

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/beardyman_the_polyphonic_me ■Post on this topic (You can get FREE learning materials!) https://englist.me/41-academic-words-reference-from-beardyman-the-polyphonic-me-ted-talk/ ■Youtube Video https://youtu.be/M-lK5osf8mc (All Words) https://youtu.be/poHs_ci2f1s (Advanced Words) https://youtu.be/j2pDk_v8Zo0 (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

Plus lots of other stuff

Title:    Do albums/songs featuring guest performers add anything to the music?   Explicit? YES   Description/Blog Post:   #carlossantana #ozzyosborne #foofighters   On this week's Loudini Rock & Roll Circus Podcast :  At any given time as many has half of the current releases feature guest appearances by other musicians. Do these guests do anything to further the music or is it just a marketing gimick?       Topics Discussed: What we did this week: Loudini: Beau is Afraid, Mike Bloomfield leaves his '59 Les Paul at a gig, Loudini returns to Facebook, Space Ice(YT channel), submarine thing, the wrath of becky, presumed innocent, egg-corns Mr Pittsburgh: Lily:   Some of class rock's most notable guest appearances:   Stop Draggin My Heart Around   Leather & Lace   Beat It   Ride Like the Wind   Smooth   Time Stand Still   YouTube(ers) Polyphonic; How Bruce Springsteen Perfected Rock & Roll     reference:         New & Notable:   Lily :  Kevin:  Loudini:  Martin Miller; Ultimate 70 Medley       This Day In Music https://www.thisdayinmusic.com   top40weekly.com   Viewer's Comments   Offer:   Get a FREE EP HERE: http://LouLombardiMusic.com if  you love great guitar driven rock from the 70s, 80s, 90s and even  today, you will want to get my EP "The Bad Years". Get your copy while  supplies last!

Looking for fresh ideas about how to take your parish choir to the next level, developing a repertoire of well-prepared polyphonic motets and ordinaries, helping your singers develop their technique and musicianship, and integrate it all into the bigger spiritual picture of the offering of one's very self united to the sacrifice of Christ on the cross? Prof. Christopher Berry of St. Stanislaus Oratory in Milwaukee tackles all these topics, with advice about warm-ups, how to get through a bunch of repertoire with limited rehearsal time, and which motets and masses to start with.  To learn more about or apply for this summer's Choral Institute at the Catholic Institute of Sacred Music, please visit: https://catholicinstituteofsacredmusic.org/.

Space Mutiny throws Chris Hardcheese and Charlotte Manmuscle over a railing while they talk about Battlestar Galactica, Captain America, Jane Fonda, Annie Sprinkle, and body positivity.SHOW NOTES.Space Mutiny: MST3K Wiki. IMDB. Trailer.Season 13 on Pluto! (But not in Canada, it seems.)And the announcement for Season 13 on Pluto.The nicknames for Dave “Blast Thickneck” Ryder.David Winters' obituary.Our episodes on Kitten with a Whip and Starcrash.The Last Horror Film.Thrashin'.The Bad Movie Bible on Space Mutiny. There are even more great details in this video we didn't include in the episode.Sledgehammer.Captain America.Yor, The Hunter from the Future.Uncommon Valor.Barbarella.Skidoo.Polyphonic on the Yamaha DX7.“Ancient Chinese secret”? Calgon, take me away!Annie Sprinkle.Wikipedia.Chambers' Cyclopædia on chess.Diderot and d'Alembert's Encyclopédie on chess (échecs).Jane Fonda's Workout (1982).An article from Vogue about Jane Fonda's Workout.Jazzercise and aerobics.Jane Fonda is still at it!Support It's Just A Show on Patreon and hang out with us in our Discord. Thanks!

Plus the Behringer JT-2 Analog Paraphonic Synthesizer

Episode 90 The Electronic Music of Ryuichi Sakamoto Playlist Ryuichi Sakamoto and Alva Noto, “Second Dream” from The Revenant (Original Motion Picture Soundtrack) (2015 new regency Music). Composed, performed, and produced by Alva Noto, Ryuichi Sakamoto. 1:13 Ryuichi Sakamoto and Taylor Deupree, “Jyaku” from Disappearance (2013 Commons). Piano, Electronics, Ryuichi Sakamoto; Synthesizer, Tapes, Loops, Acoustic Guitar, Mixer, Taylor Deupree. 9:59 Alva Noto and Ryuichi Sakamoto, “Avaol” from Insen (2005 Raster-Noton). German release featuring Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 2:50 Alva Noto and Ryuichi Sakamoto, “ax Mr. L.” from revep (2006 Raster-Noton). German release. Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 4:20 Alva Noto and Ryuichi Sakamoto, “mur” from revep (2006 Raster-Noton). German release. Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 8:14 Ryuichi Sakamoto, “Solari” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 3:52 Fennesz and Sakamoto “0322” from Flumina (2011 Touch). Guitar, Laptop, Christian Fennesz; Piano, Laptop, Ryuichi Sakamoto. Recorded at Amann Studios, Vienna and KA+B Studios, NY and Japan. 5:35 Ryuichi Sakamoto, “Sunset” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. This album is listed as one of his special projects consisting of diary sketches in sound. Described as “an ambient oriented compilation of Sakamoto's music journal from 2001 after eye-witnessing 9/11 from his home NYC.” This one of his most moving essays in sound, consisting of his piano sketches treated with electronics. The progression of the album is presented in the order of the day and concludes with “Radical Fashion.” 8:47 Ryuichi Sakamoto, “Night” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. 7:37 Ryuichi Sakamoto, “Radical Fashion” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. 5:07 Ryuichi Sakamoto, “Zure” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 5:12 Ryuichi Sakamoto, “Out of Horse” from The Revenant (Original Motion Picture Soundtrack) (2015 new regency Music). Composed, performed, and produced by Ryuichi Sakamoto; Ondes Martenot, Motoko Oya. 3:57 Ryuichi Sakamoto, “Borom Gal” from Heartbeat (1991 Virgin). Concertmaster, strings, David Nadien; Lead vocal and words, Youssou N'Dour; Music by Ryuichi Sakamoto, Youssou N'Dour; Programmed, Performed, and mixed by Ryuichi Sakamoto. This is one of those star-studded albums that had pop appeal. Still, the electronics and digital editing of this track, especially in 1991, make this track stand out. 3:57 Ryuichi Sakamoto, “Fullmoon” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 5:13 Ryuichi Sakamoto, “Nuages” from Heartbeat (1991 Virgin). Lead Vocals, Houria Aichi; traditional song; Programmed, Performed, and mixed by Ryuichi Sakamoto. This little work from Heartbeat always reminded me of something you would have expected to hear in the movie Blade Runner. 2:15 Ryuichi Sakamoto, “Island of Woods” from Thousand Knives Of (1978 Better Days). On this album, not necessarily this track, Sakamoto plays Ryuichi Sakamoto plays: Moog III-C w. Roland MC-8 Micro Composer; Polymoog; Minimoog; Micro Moog; Oberheim Eight Voice Polyphonic w. Digital Programmer; ARP Odyssey; KORG PS-3100 Polyphonic; KORG VC-10 Vocoder; KORG SQ-10 Analog Sequencer; Syn-Drums; Acoustic Piano;Marimba. Recorded from 4/10 to 7/27, 1978 at Columbia Studio No.1, No.2, & No.4, Tokyo. 9:51 Ryuichi Sakamoto, “Stakra” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 3:41 Ryuichi Sakamoto, “Tokyo Story” from Sweet Revenge (1994 Elektra). Produced, composed, keyboards, computer programming, Ryuichi Sakamoto. Recorded at 11-K Studios, NYC, Clindton Studios, NYC, Paradise Studios, Tokyo, Unique Studios, NYC, Sedic Studios, Tokyo, Metropolis Studios, London, Westside Studios, London, Skyline Studios, NYC, Right Track Studios, NYC. 1:17 Ryuichi Sakamoto, “Plankton” (excerpt) from Plankton (Music For An Installation By Christian Sardet And Shiro Takatani) (2016 Milan). French recording of an installation piece by Sakamoto. The entire work is nearly an hour long; this is an excerpt from the beginning of that work. Mixed, produced, composed by Ryuichi Sakamoto; Producer, Lucille Reyboz, Yusuke Nakanishi; Sound programming, Satoshi Hama; Video programming, Ken Furudate, Ryo Shiraki. 7:47 Ryuichi Sakamoto, “Undercooled (Alva Noto Remodel)” from Bricolages (2006 Warner Music Japan). Rap, MC Sniper; Remix, Alva Noto. This is an interesting album of Sakamoto remixes with a rap track reimagined by the mixing of Carsten Nicolai. 4:44 Ryuichi Sakamoto, “A Wongga Dance Song” from Esperanto (1985 School). Composed, Arranged, and performed by, Ryuichi Sakamoto. This is one of Sakamoto's early explorations of the power of the digital sampler and editing. Music created for a dance performance by the company Molissa Fenley and Dancers. 10:06 Ryuichi Sakamoto, “20220214” from 12 (2023 Commons). Composed, produced, performed by Ryuichi Sakamoto. In answer to a question about how these recordings were done, Sakamoto replied: “They were all recorded in the small studio that was in my temporary abode in Tokyo. Depending on the piece, two or four mics were used to record the piano.” More answers to questions by Sakamoto are found here. 9:10 Ryuichi Sakamoto, “20220304” from 12 (2023 Commons). Composed, produced, performedby Ryuichi Sakamoto using sounding objects such as stones, chimes, and fragments of pottery. 1:09 Ryuichi Sakamoto, “Life, Life” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. Sho, Ko Ishikawa; Vocals, Luca; Spoken Word, David Sylvian; Words by, Arseny Tarkovsky. 4:24   Opening background tracks: Ryuichi Sakamoto, “Before Long” from Neo Geo (1987 CBS). Piano, Ryuichi Sakamoto. 1:20 Ryuichi Sakamoto, “Ulu Watu” from Esperanto (1985 School). Composed, Arranged, and performed by, Ryuichi Sakamoto. Music created for a dance performance by the company Molissa Fenley and Dancers. 3:57 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations. SiteSakamoto can be found here. The recent story about Ryuichi Sakamoto on NPR can be found here.

Today's episode is a presentation on Polyphony as a development from the tradition of Gregorian chant.Our guest presenter is Dr. Cynthia Nicolosi.  Dr. Nicolosi has a PhD in philosophy from the Pontifical University of the Holy Cross in Rome, Italy. She studied music composition for two years at the Claremont Graduate School in California and completed the certificate program in Gregorian Chant at Catholic University in Washington, DC.  After directing the college choir at Magdalen College in Warner, NH for seven years, Dr. Nicolosi now teaches music history and honors courses at Regent University.The music in the introduction and close of this podcast is provided by George Sarah.This program of mystagogy is hosted by the Adult Faith Programs at Saint Stephen Martyr Church in Chesapeake, Virginia.

Ben looks at how the dysfunctional Republican Party took a record number of ballots to finally elect the only candidate they had for speaker and why the next two years may be ungovernable for the Party that once saw itself as the "natural party of government". Peter Dutton has kicked on 2023 behind in the polls and desperate to find a pathway into government.  Today's press conference on The Voice was a classic polyphonic speech, talking to multiple audiences with a different set of meanings.  It was crass, it was disingenuous, it displayed how he remains beholden to far right ideologues and it had a touch of cooker sprinkled into the middle. Ben breaks down why this double speak will fail to win back the Menzian centre right and further entrenches people's distrust of Dutton and his conservative rump. Plus if you worked over the recent public holidays you should have received penalty rates, check your payslip and join your union at australianunions.org.au/wow to make sure you are getting the wages you've earned.

Lauds, Morning Prayer for the 2nd Wednesday in Advent, December 7th, 2022. Memorial of St. Ambrose of Milan. Thanks for praying with us, for inquiries, requests, feedback, please email singthehours@gmail.com. To support this work, please visit: https://www.patreon.com/singthehours. OR venmo @singthehours Deus in Adjutorium – "O God come to my assistance" (Polyphonic, StH arrangement) Hymn: "Fortem piumque praesulum," translated by the sisters of St. Cecilia's Abbey, Ryde, UK, from the "Hymnal for the Hours," by Fr. Samuel Weber, OSB Psalm 77 (Gregorian tone 3a, drone G, antiphon by StH, inspired by Verona, Antiphonae & Responsoria/Tomus III, p. 47; occasion: Psalterium Hebdomada II Feria IV) Canticle: 1 Samuel 2v1-10 (Gregorian tone 8, antiphon by StH based on "Exaltabo te Domine;" Verona, book: Antiphonae & Responsoria/Tomus III, p. 23) Psalm 97 (Gregorian tone 3a, minor drone, Dominus regnavit; antiphon by StH based on Verona, Antiphonae & Responsoria/Tomus III, p. 47) Reading Responsory Benedictus (English, Gregorian tone 8, Luke 1v68-79) Intercessions The Lord's Prayer (traditional English chant) Concluding Prayers Dominus nos benedicat – "May the Lord bless us..." (English) Ave Maria (StH English arrangement #2) The Liturgy of the Hours (Four Volumes), ©1974, International Commission on English in the Liturgy Corporation. All rights reserved. Readings and Old and New Testament Canticles (except the Gospel Canticles) are from the New American Bible © 1970 Confraternity of Christian Doctrine, Washington, D.C.

Lauds, Morning Prayer for the 34th Wednesday in Ordinary Time, November 23rd, 2022. Memorial of St. Clement. Thanks for praying with us, for inquiries, requests, feedback, please email singthehours@gmail.com. To support this work, please visit: https://www.patreon.com/singthehours. OR venmo @singthehours Deus in Adjutorium – "O God come to my assistance" (Polyphonic, StH arrangement) Hymn: "Fulgentis Auctor Aetheris," The Frankish Hymnal (6th century), English translation by Fr. Dylan Schrader Psalm 77 (Gregorian tone 3a, drone G, antiphon by StH, inspired by Verona, Antiphonae & Responsoria/Tomus III, p. 47; occasion: Psalterium Hebdomada II Feria IV) Canticle: 1 Samuel 2v1-10 (Gregorian tone 8, antiphon by StH based on "Exaltabo te Domine;" Verona, book: Antiphonae & Responsoria/Tomus III, p. 23) Psalm 97 (Gregorian tone 3a, minor drone, Dominus regnavit; antiphon by StH based on Verona, Antiphonae & Responsoria/Tomus III, p. 47) Reading: Romans 8v35, 37 Responsory: I will bless the Lord, all my life long. (StH) Benedictus (English, Gregorian tone 8, Luke 1v68-79) Intercessions: "Remain with us, Lord." The Lord's Prayer (traditional English chant) Concluding Prayers Dominus nos benedicat – "May the Lord bless us..." (English) Ave Maria (StH English arrangement #2) The Liturgy of the Hours (Four Volumes), ©1974, International Commission on English in the Liturgy Corporation. All rights reserved. Readings and Old and New Testament Canticles (except the Gospel Canticles) are from the New American Bible © 1970 Confraternity of Christian Doctrine, Washington, D.C.

In this episode Karl and Chris play songs that are first listens for each other. Check the website for the playlist

Lauds, Morning Prayer for the 30th Wednesday in Ordinary Time, October 26th, 2022. Thanks for praying with us, for inquiries, requests, feedback, please email singthehours@gmail.com. To support this work, please visit: https://www.patreon.com/singthehours. OR venmo @singthehours Deus in Adjutorium – "O God come to my assistance" (Polyphonic, StH arrangement) Hymn: "Fulgentis Auctor Aetheris," The Frankish Hymnal (6th century), English translation by Fr. Dylan Schrader Psalm 77 (Gregorian tone 3a, drone G, antiphon by StH, inspired by Verona, Antiphonae & Responsoria/Tomus III, p. 47; occasion: Psalterium Hebdomada II Feria IV) Canticle: 1 Samuel 2v1-10 (Gregorian tone 8, antiphon by StH based on "Exaltabo te Domine;" Verona, book: Antiphonae & Responsoria/Tomus III, p. 23) Psalm 97 (Gregorian tone 3a, minor drone, Dominus regnavit; antiphon by StH based on Verona, Antiphonae & Responsoria/Tomus III, p. 47) Reading: Romans 8v35, 37 Responsory: I will bless the Lord, all my life long. (StH) Benedictus (English, Gregorian tone 8, Luke 1v68-79) Intercessions: "Remain with us, Lord." The Lord's Prayer (traditional English chant) Concluding Prayers Dominus nos benedicat – "May the Lord bless us..." (English) Ave Maria (StH English arrangement #2) The Liturgy of the Hours (Four Volumes), ©1974, International Commission on English in the Liturgy Corporation. All rights reserved. Readings and Old and New Testament Canticles (except the Gospel Canticles) are from the New American Bible © 1970 Confraternity of Christian Doctrine, Washington, D.C.

Lauds, Morning Prayer for the 26th Wednesday in Ordinary Time, September 28th, 2022. Thanks for praying with us, for inquiries, requests, feedback, please email singthehours@gmail.com. To support this work, please visit: https://www.patreon.com/singthehours. OR venmo @singthehours Deus in Adjutorium – "O God come to my assistance" (Polyphonic, StH arrangement) Hymn: "Fulgentis Auctor Aetheris," The Frankish Hymnal (6th century), English translation by Fr. Dylan Schrader Psalm 77 (Gregorian tone 3a, drone G, antiphon by StH, inspired by Verona, Antiphonae & Responsoria/Tomus III, p. 47; occasion: Psalterium Hebdomada II Feria IV) Canticle: 1 Samuel 2v1-10 (Gregorian tone 8, antiphon by StH based on "Exaltabo te Domine;" Verona, book: Antiphonae & Responsoria/Tomus III, p. 23) Psalm 97 (Gregorian tone 3a, minor drone, Dominus regnavit; antiphon by StH based on Verona, Antiphonae & Responsoria/Tomus III, p. 47) Reading: Romans 8v35, 37 Responsory: I will bless the Lord, all my life long. (StH) Benedictus (English, Gregorian tone 8, Luke 1v68-79) Intercessions: "Remain with us, Lord." The Lord's Prayer (traditional English chant) Concluding Prayers Dominus nos benedicat – "May the Lord bless us..." (English) Ave Maria (StH English arrangement #2) The Liturgy of the Hours (Four Volumes), ©1974, International Commission on English in the Liturgy Corporation. All rights reserved. Readings and Old and New Testament Canticles (except the Gospel Canticles) are from the New American Bible © 1970 Confraternity of Christian Doctrine, Washington, D.C.

Lauds, Morning Prayer for the 22nd Wednesday in Ordinary Time, August 31st, 2022. Thanks for praying with us, for inquiries, requests, feedback, please email singthehours@gmail.com. To support this work, please visit: https://www.patreon.com/singthehours. OR venmo @singthehours Deus in Adjutorium – "O God come to my assistance" (Polyphonic, StH arrangement) Hymn: "Fulgentis Auctor Aetheris," The Frankish Hymnal (6th century), English translation by Fr. Dylan Schrader Psalm 77 (Gregorian tone 3a, drone G, antiphon by StH, inspired by Verona, Antiphonae & Responsoria/Tomus III, p. 47; occasion: Psalterium Hebdomada II Feria IV) Canticle: 1 Samuel 2v1-10 (Gregorian tone 8, antiphon by StH based on "Exaltabo te Domine;" Verona, book: Antiphonae & Responsoria/Tomus III, p. 23) Psalm 97 (Gregorian tone 3a, minor drone, Dominus regnavit; antiphon by StH based on Verona, Antiphonae & Responsoria/Tomus III, p. 47) Reading: Romans 8v35, 37 Responsory: I will bless the Lord, all my life long. (StH) Benedictus (English, Gregorian tone 8, Luke 1v68-79) Intercessions: "Remain with us, Lord." The Lord's Prayer (traditional English chant) Concluding Prayers Dominus nos benedicat – "May the Lord bless us..." (English) Ave Maria (StH English arrangement #2) The Liturgy of the Hours (Four Volumes), ©1974, International Commission on English in the Liturgy Corporation. All rights reserved. Readings and Old and New Testament Canticles (except the Gospel Canticles) are from the New American Bible © 1970 Confraternity of Christian Doctrine, Washington, D.C.

In this episode Meg and Tom talk about the traditional singing of Georgia. They discuss: What is Georgian Polyphonic Singing? The History Of Georgian Singing A few music styles you can discover in the different regions of Georgia And where to go in Tbilisi to experience a live performance.

Episode 74 The Polyphonic Synth Journey of Fusion Jazz   Playlist Jan Hammer, “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). I am including two versions of the same track from Jan Hammer, a master synthesist who moved from monophonic to polyphonic synths gradually, making the best used of the expressive qualities of each technologh. This track is from 1975 and uses Oberheim modules, probably the 2-voice or even 4-voice, but along with the Minimoog and what sounds like an uncredited Mellotron. Hammer was insistent in the notes for this solo album that none of the sounds were made with the guitar. This makes the contrast of this track with the next version performed live with Jeff Beck and even more interesting contrast. Producer, Engineer, Piano, Electric Piano, Moog and Oberheim synthesizers, Drums, Percussion, Composer, Jan Hammer. 4:30 Jeff Beck With The Jan Hammer Group, “Darkness/Earth In Search Of A Sun” from Live (1977 Atlantic). Here is the same tune written by Hammer for his solo album, now performed live with Jeff Beck. I think one can assume that all soloing in done on a Minimoog while all other synth sounds, including strings, are provided by the Oberheim modules and Freeman string synth. Bass, Fernando Saunders; Drums, Tony Smith; Guitar, Effects, Jeff Beck; Moog, Oberheim, and Freeman synthesizers, Electric Piano, Timbales, Jan Hammer; violin, string synthesizer, Steve Kindler. 7:55 Billy Cobham, “Leaward Winds” from Magic (1977 CBS). Early days of the Oberheim polyphonic, used again as background comping and fills to back-up the guitar and piano leads. Bass, Randy Jackson; Guitar, Peter Maunu; Piano, Oberheim Synthesizer, Mark Soskin; drums, producer, Billy Cobham. 3:38 Herbie Hancock, “Hang Up Your Hang Ups” from Man-Child (1975 Columbia). Along with Jan Hammer, Herbie Hancock was an early pioneer of using polyphonic synths in his ensemble. While I don't hear the Oberheim module being played until about the 5:30 mark in this track, I wanted to include it because Hancock uses many synths at his disposal to achieve the overall sound. The next two tracks from the Eddie Henderson album Mahal used a similar but updated keyboard ensemble, including the Oberheim 8-voice polyphonic and Prophet 5 synths. Bass, Henry Davis, Louis Johnson, Paul Jackson; Drums, Harvey Mason, James Gadson, Mike Clark; Guitar, David T. Walker, Blackbird McKnight; Guitar, Synthesizer, Melvin "Wah Wah" Watson; Percussion, Bill Summers; Piano, Fender Rhodes, Arp Odyssey, Pro Soloist, 2600, String Ensemble, Oberheim Polyphonic Synthesizer, Hohner D6 Clavinet, Herbie Hancock; Saxophone, Flute, Ernie Watts, Jim Horn; Soprano Saxophone, Wayne Shorter; Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Bass Flute, Alto Flute, Bennie Maupin; Trombone, Garnett Brown; Trumpet, Bud Brisbois, Jay DaVersa; Tuba, Bass Trombone, Dick Hyde. 7:27 Eddie Henderson, “Cyclops” from Mahal (1978 Capitol). Bass, Paul Jackson (2); Congas, Percussion, Bill Summers; Drums, Howard King; Fender Rhodes, Clavinet, ARP 2600, Oberheim 8 Voice Polyphonic, Prophet-5, ARP Strings Ensemble, Minimoog, Yamaha CS-80 Polyphonic synthesizers, Herbie Hancock; Flute, Hubert Laws; Guitar, Ray Obiedo; Piano [Acoustic], Mtume; Prophet-5 Programming, John Bowen; Tenor Saxophone, Saxophone [Saxello], Bennie Maupin; Trombone, Julian Priester; Trumpet, Flugelhorn, Eddie Henderson. 5:19 Eddie Henderson, “Prance On” from Mahal (1978 Capitol). Bass, Paul Jackson (2); Congas, Percussion, Bill Summers; Drums, Howard King; Fender Rhodes, Clavinet, ARP 2600, Oberheim 8 Voice Polyphonic, Prophet-5, ARP Strings Ensemble, Minimoog, Yamaha CS-80 Polyphonic synthesizers, Herbie Hancock; Flute, Hubert Laws; Guitar, Ray Obiedo; Piano [Acoustic], Mtume; Prophet-5 Programming, John Bowen; Tenor Saxophone, Saxophone [Saxello], Bennie Maupin; Trombone, Julian Priester; Trumpet, Flugelhorn, Eddie Henderson. 5:17 Rolf Kühn. “Cucu Ear” from Cucu Ear (1980 MPS Records). This German disc features keyboardist Rolf Kühn and highlights the Roland Jupiter 4, a 4-voice polyphonic synth. Bass, N.-H. Ø Pedersen; Clarinet, Roland Sting Synthesizer, Roland Jupiter 4 Synthesizer, Roland Amps, Rolf Kühn; Drums, Alphonse Mouzon; Engineer, Walter Quintus; Guitar, Peter Weihe, Philip Catherine; Steinway Acoustic, Fender Rhodes pianos, Roland Amps and Echoes, Joachim Kühn; Reeds, Charlie Mariano, Herb Geller; Trombone, Egon Christmann, Wolfgang Ahlers; Trumpet, Klaus Blodau, Larry Elam, Mannie Moch, Paul Kubatsch. 5:05 Rolf Kühn. “Key-Alliance” from Cucu Ear (1980 MPS Records). On this track the Roland Jupiter 4 is played by Joachim Kühn, brother of Rolf. Bass, N.-H. Ø Pedersen; Clarinet, Roland Sting Synthesizer, Roland Amps, Rolf Kühn; Drums, Alphonse Mouzon; Engineer, Walter Quintus; Guitar, Peter Weihe, Philip Catherine; Steinway Acoustic, Roland Jupiter 4 Synthesizer, Fender Rhodes pianos, Roland Amps and Echoes, Joachim Kühn; Reeds, Charlie Mariano, Herb Geller; Trombone, Egon Christmann, Wolfgang Ahlers; Trumpet, Klaus Blodau, Larry Elam, Mannie Moch, Paul Kubatsch. 5:41 Didier Lockwood, “Ballade Des Fees (Quartet Without Drums)” from Live In Montreux (1980 Disques JMS). Look who's featured on this album by French violinist Dider Lockwood—it's Jan Hammer again. Only this time he's using an unnamed “polyphonic synthesizer.” Your guess is as good as mine on this one, although he was using Oberheim and Yamaha CP70 keyboards around this same time. Bass, Bo Stief; Drums, Gerry Brown; Rhythm Guitar, Marc Perru; Polyphonic Synthesizer, Jan Hammer; Tenor Saxophone, Bob Malach; Violin, Didier Lockwood. 4:50 Didier Lockwood, “Fast Travel” from Live In Montreux (1980 Disques JMS). Another track with Jan Hammer using an unnamed polyphonic synth. There is a really smart Minimoog solo beginning as about 1:21, polyphonic fills are most apparent around beginning around 4:08. Bass, Bo Stief; Drums, Gerry Brown; Rhythm Guitar, Marc Perru; Polyphonic Synthesizer, Jan Hammer; Tenor Saxophone, Bob Malach; Violin, Didier Lockwood. 7:06 Georges Acogny, “Karimagie” from First Steps In (1981 String). This track uses a Polymoog effectively for some nice runs and comping, beginning around 3:40. I do not know what instrument was used to create the the white noise heard in the opening and throughout since I don't believe you could do that with the Polymoog. Bass, Dominique Bertram; Composed By, Khalil Chahine; Drums, Paco Sery; Guitar, Georges Acogny, Kamil Rustam; Percussion, Sydney Thiam; Piano, Patrick Gauthier; Soloist [Acoustic Guitar], Larry Coryell; Soloist [Bass], Nicolas Fizman; Soloist [Electric Guitar], Kamil Rustam; Polymoog synthesizer, Rachid Bahri. 8:30 Georges Acogny, “1st La Rosée” from First Steps In (1981 String). Acogny is a guitar player so the polyphonic synth tends to play a supporting role to the string work on this track. In this case, the Prophet 5 is used, most notably at about 30 seconds into the track. Bass, Nicolas Fizman, Electric Piano [Fender Rhodes], Olivier Hutman, Guitar, Kamil Rustam, Guitar [Ovation], Georges Acogny, Piano, Jean-Pierre Fouquey, Soloist [Trombone], Hamid Belhocine, Prophet 5 Synthesizer, Didier Egea. 4:37 Combo FH, “Zelený Muž (Green Man)” from Věci (Things) (1981 Panton). Here is a short track that uses the Italian-made Farfisa Syntorchestra, a rare keyboard made in 1978 that had a split keyboard, part polyphonic string synthesizer and part monophone synth section. Mostly used on European tracks by German composers including Klaus Schulze, here is an unusual jazz fusion example from a group in the Czechoslovakia. This group was known for its unusual instrumentation, including lead bassoon heard on this track. Bass Guitar, Václav Pátek; Bassoon, Percussion, Milan Sládek; Percussion, Richard Mader; Organ, Farfisa Syntorchestra synthesizers, Percussion, Leader, Daniel Fikejz; Percussion, Bořivoj Suchý. 1:48 String Connection, “Quasi String Waltz” from Workoholic (1982 PolJazz). Recorded in Poland and distributed by the Polish Jazz Society. This album features some strings sounds played on the Polymoog, which was still being used for its unique sounds even by this late date, because the Polymoog had been retired by this time. Listen for fills and chords beginning around 1:08. Bass Guitar [Gitara Basowa], Krzysztof Ścierański; Drums [Perkusja], Zbigniew Lewandowski; Piano [Fortepian Akstyczny], Violin [Skrypce], Polymoog Synthesizer, Krzesimir Dębski; Piano, Hammond Organ , Polymoog Synthesizer, Trombone [Puzon], Janusz Skowron; Tenor Saxophone [Saxoton Tenorowy], Soprano Saxophone [Saxofon Sopranowy], Andrzej Olejniczak. 3:19 Mike Elliott, “For Janny” from Diffusion (1983 Celebration). Another interesting album of guitar-based fusion jazz with synthesizer touches. Seemingly self-produced in Minnesota. Although the Minimoog is also used on this recording, I selected a track that was primarily using the Polymoog, beginning around 50 seconds. Fender Bass, Rick Houle; Drums, Gordy Knudtson; Flugelhorn, Bobby Peterson; Gibson ES-347 guitar, Ryoji Matsuoka Flamenco guitars, solid body kalimba; Mike Elliott; grand piano, Polymoog and Mini-Moog synthesizers, Ricky Peterson; Producer, Mike Elliott. 4:42 Martin Kratochvíl & Jazz Q, “Trhanec (The Muffin)” from Hvězdoň Asteroid (1984 Supraphon). From Czechoslovakia, a brilliant ensemble of musicians led by keyboardst Martin Kratochvíl. Here is another mix of monophonic synths and the polyphonic Oberheim 4-voice, heard in the opening riff that's repeated throughout. Bass Guitar, Přemysl Faukner; Drums [Bicí Nástroje], Pavol Kozma; Electric Guitar [El. Kytara], Twelve-String Guitar, Fender Rhodes, Minimoog, ARP Omni, Oberheim 4-Voice Polyphonic synthesizers, Leader [Vedoucí], Engineer [Recording], Recording Supervisor [Recording Director], Martin Kratochvíl. 4:34 Opening background music: Short piece by Thom Holmes using the Arturia Prophet 5 plug-in. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

We sat down with PortFringe veteran and award-winning creator and producer, Chris DeFilipp, to talk about his upcoming PortFringe22 show VILLAINY! …or Something and his upcoming trip to Reykjavik to perform his award-winning Story Gauntlet. Help Chris get to Iceland! Visit Chimera Theater Collective https://www.instagram.com/chimeratheatrecollective/ https://linktr.ee/chimeratc Buy tickets to PortFringe VILLAINY!…OR SOMETHING. (Chimera Theatre Collective) Show Description: VILLAINY! (…or something?) is afoot. Though honestly we don't know if we really thought this whole thing through… so just… give us 20 minutes of your time… or else your will shall be mine! Erm… ours? Anyway… we shall see. *dramatic cape flip* And then maybe we'll all learn something. So there! Artist Description: Forged in 2015, Chimera Theatre Collective is a Portland, Maine-based theatre collective that takes the theatrical road less traveled as often as possible. This year, we've teamed up with our friends at Polyphonic Theatre Ensemble, another local troupe with a similar mission, to bring you a villainously good time. Schedule: VILLAINY!…OR SOMETHING. is part of PF22 Event #1 and will be presented with two other short PF22 shows – JURASSIC JO'S DINO SHOW! and YOU SHOULD SMILE MORE – on the following schedule: Thursday, June 16 @ 7:30PM – at Goodfire Friday, June 17 @ 9:00PM – at PortFiber Saturday, June 18 @ 5:30PM – at PortFiber --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/balderdashacademy/support

What can a parish music director take away from historical research in terms of performance practice? Join Prof. Charles Weaver (Juilliard, CUNY) as we discuss phrasing, rhythm, vibrato, pitch, tuning, and other issues which inform the performance of Renaissance polyphony.  To learn more about Prof. Weaver's work, please visit: https://www.juilliard.edu/music/faculty/weaver-charles To download the app Prof. Weaver mentions, click here: https://apps.apple.com/us/app/pitch-trainer-harmonize/id965614965 To find out more about Prof. Weaver's summer class at St. Joseph's Seminary, please go to: https://www.dunwoodie.edu/dunwoodie-music-classes

Fiddlin' Jhani has been a travelling musician in Cortia for the better part of his adult life. However, in all that time his music never left all that much of an impact on those who heard it. That is until a few weeks back, when practically out of nowhere people started looking at him differently. His songs sounded sweeter and his smile more charming. Many have questioned how he got so good, but the answer really only concerns him and a Fey he met at the crossroads...Listen to the post show over on Patreon: https://www.patreon.com/OnceUponARolliTunes: https://itunes.apple.com/us/podcast/once-upon-a-roll/id1445605548Spotify: https://open.spotify.com/show/0IgpL0UgQHd4Nbyp8maND1Stitcher: https://www.stitcher.com/podcast/once-upon-a-rollTwitter: https://twitter.com/OnceUponARoll_Guest: Polyphonic (Twitter: https://twitter.com/WatchPolyphonic)Edited by Dony BullenArt by Jetpack Braggin: https://twitter.com/JetpackBragginMusic:A Quiet Thought by Wayne JonesOnce Upon A Roll Theme by Josiah Everhart: https://www.youtube.com/c/JosiahEverhartMusic and Sound Effects by Michael Ghelfi (honestly, this is the best source for TTRPG ambient tracks out there): https://www.youtube.com/user/MichaelGhelfiAdditional Music and Sound Effects by Epidemic Sound: http://epidemicsound.com/creatorSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

ไม่เชื่อก็ต้องเชื่อ เกม Gran Turismo 7 หนึ่งในเกมขับรถที่ขื้นชื่อเรื่องความสมจริงที่สามารถใช้ฝึกขับรถก่อนลงสนามจริง เจอข้อครหาจากแฟน ๆ ว่า ระบบเกมที่มี Microtransaction และ online DRM สร้างปัญหาทำให้แฟน ๆ ไม่ปลื้ม อย่างไรก็ตาม ทาง Polyphonic ผู้พัฒนาเกม GT7 ได้ออกมาขอโทษ พร้อมกับออก Patch ใหม่เพื่อให้เกมมีความสมดุลในเรื่องค่าใช้จ่ายปลดล็อกรถในเกม

Noah & John talk Saga issue #41, go to the Warm Sad Sunset Place, lick pots, and have a couple notes for Fiona.

On this episode of Friends Talking Nerdy, join Professor Aubrey and Tim Jousma as they talk about the new video from the YouTube channel Polyphonic, Led Zeppelin and Cultural Appropriation. Support the Polyphonic channel: https://youtube.com/c/Polyphonic As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his website for information on how to purchase his EP, Here's To You, which is available on all digital platforms. Follow us on Twitter at @FTNerdy, @TheRevTracy, @timjousma, and @genghisfaery Follow Friends Talking Nerdy on Instagram. Announcing the Friends Talking Nerdy Podcast Network. We are a collective group of podcasters that are banding together to help support each other's shows. The first member of the Friends Talking Nerdy Podcast Network is Their Voices Podcast. Each episode, they share their ancestors stories and history topics related to the times and places they lived. Follow Their Voices on Twitter @TheirVoices_Pod Check out their podcast at this link. --- Send in a voice message: https://anchor.fm/ftnerdy/message

Polyphonic Press is a podcast dedicated to exploring classic albums. Every week, Join Jeremy Boyd and Jon VanDyk will pick an an album at random that has either had an impact on the artist's career, or has changed the musical landscape in a big way, and analyze it track-by-track.Support this podcast at — https://redcircle.com/polyphonic-press1229/donations

**Airport Chronicles - this episode was recorded at the airport and may feature background noise that cannot be edited out without deleting the conversation between DuEwa and Mwalim. Raw, organic, and authentic voice on NERDACITY!!** Produced by DuEwa World - Consulting + Bookings http://www.duewaworld.com **Ep. 31 Part 1 DuEwa interviewed Mwalim, artist, poet, musician, producer, professor, Grammy-award nominated band leader/producer, and owner of Polyphonic Studios in MA!  Visit http://daphunkeeprofessor.com and Instagram.com/Mwalim. Stay tuned for Part 2 Listening Party with Mwalim! Listen to more episodes @Spotify @Applepodcasts @iHeartradio @Podcastaddict. Subscribe at YouTube.com/user/duewaworld for videos of the podcast.  Follow @nerdacitypodcast on Instagram and @nerdacitypod1. Support future episodes by donating to PayPal.me/duewaworld or Cash app $duewaworld.  BIO MWALIM DaPhunkee Professor (Morgan James Peters) is a multifaceted artist whose first love is music. A 37+ year career in music as a composer, pianist, singer, and producer of jazz, soul, and house music; Mwalim Started with the viola at age ten, he played at Carnegie before age 14 and went on to attend Music & Art HS. At 26 he was one of the youngest session players in EMI Records history. As a senior in college, Mwalim started Midnight Groove Recordings in 1989 to release and promote his music, scoring numerous achievements including awards, chart positions, and international hit club recordings. Presently, he is the owner and head of production for Polyphonic Studios in Bourne, MA and a tenured Associate Professor of English, Communications and Black Studies at UMass Dartmouth. Http://daphunkeeprofessor.com Http://Instagram.com/Mwalim Http://Facebook.com/DaPhunkeeprofessor Disclaimer: Views expressed by guests on the podcast are not necessarily those of DuEwa or any employer or organization she may work with. --- Support this podcast: https://anchor.fm/duewafrazier/support

The Total Trash Podcast is a music discussion podcast with Ben and Kelly, two indieheads once lost on the internet, now paired up for some high octane rambling attempts at coherence and critical thought. This cast we discuss the different publications for different generations, peak John Stamos and Hanif Abduraqqib's essential music memoir. If it's good, you're welcome, if it's bad, it's Total Trash. Total Trash Instagram: https://www.instagram.com/thetotaltrashpodcast/ Ben's Trash: thefriedneckbones.net/|atwoodmagazine.com/author/ben-niesen/|twitter.com/BenJamsToo|instagram.com/BenJamsToo/ Kelly's Trash: instagram.com/lilmeowmix/| instagram.com/bricks5ever/ Pink Floyd's First Masterpiece by Polyphonic: https://www.youtube.com/watch?v=U8LCqosoYsU John Stamos Playing Steel Pan: https://www.youtube.com/watch?v=fJWmbLS2_ec

Polyphonic is one of the top music analysis channels on YouTube. Alex and him discuss how he started on the site by uploading hockey clips and his process for making video today and maybe even more important, how he makes his thumbnails.LowSpecGamerhttps://twitter.com/LowSpec_Gamerhttps://nebula.app/lowspecgamerhttps://www.youtube.com/c/LowSpecGamerPolyphonichttps://twitter.com/watchpolyphonichttps://nebula.app/polyphonichttps://www.youtube.com/c/PolyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Polyphonic and Middle 8 go head to head to determine which album from The White Stripes is the best. Elephant vs Icky Thump. Who wins? You decide.

In the fifth episode of Baroque Now the Brandenburg's Hugh Ronzani and Baroque violinist Rafael Font delve into the differences between modern and Baroque violins, performance spaces, and the origins of polyphonic writing for the solo violin.

Carmen Joanne Ablack, President of the European Association for Body Psychotherapy (EABP) talks about the association as a polyphonic endeavor. Carmen Joanne Ablack holds BA Hons in Psychology and Sociology, PG Diploma in Body Psychotherapy, and an MSc in Leading and Managing Health and Social Care (Advanced Professional Practice). She is an individual, group, couples and relationships psychotherapist, trainer and […]