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It's a special Halloween episode of Cultural Manifesto. Hear an interview with Yung Rev, an Indianapolis-based musician and entrepreneur. Yung Rev is the promoter behind Dystopia, a unique event series featuring skateboarding, pro wrestling, and live music. Yung Rev's latest event is titled Spooktopia, and features performances from artists including Mula Kkhan and Mxjor. Also, hear an hour of truly terrifying music from Hoosier history, including: - Lost tapes from an occult rock musical titled “The Satanic Bible”. The musical premiered in Indianapolis in 1972, and featured the Muncie, Indiana psychedelic rock band The Ritual - Music from Gary, Indiana's Michael Esposito, a paranormal investigator and experimental sound artist. Esposito creates music utilizing EVP recordings. EVP, short for electronic voice phenomenon, is a term used by ghost hunters and paranormal researchers to describe sounds believed to be spirit voices. - Coven, a pioneering Indianapolis proto-metal band known for their 1969 album “Witchcraft Destroys Minds & Reaps Souls”. - Michael W. Ford, an Indianapolis-born occultist and musician known for his work with in dark ambient, and black metal music.
It's a special Halloween episode of Cultural Manifesto. Hear an interview with Yung Rev, an Indianapolis-based musician and entrepreneur. Yung Rev is the promoter behind Dystopia, a unique event series featuring skateboarding, pro wrestling, and live music. Yung Rev's latest event is titled Spooktopia, and features performances from artists including Mula Kkhan and Mxjor. Also, hear an hour of truly terrifying music from Hoosier history, including: - Lost tapes from an occult rock musical titled “The Satanic Bible”. The musical premiered in Indianapolis in 1972, and featured the Muncie, Indiana psychedelic rock band The Ritual - Music from Gary, Indiana's Michael Esposito, a paranormal investigator and experimental sound artist. Esposito creates music utilizing EVP recordings. EVP, short for electronic voice phenomenon, is a term used by ghost hunters and paranormal researchers to describe sounds believed to be spirit voices. - Coven, a pioneering Indianapolis proto-metal band known for their 1969 album “Witchcraft Destroys Minds & Reaps Souls”. - Michael W. Ford, an Indianapolis-born occultist and musician known for his work with in dark ambient, and black metal music.
Michael W. Ford, a practitioner and author of Apotheosis: The Ultimate Beginner's Guide to Luciferianism & the Left-Hand Path, provides context on the extremely controversial and misunderstood practice of Luciferianism. Michael explains how Luciferianism is a path to a higher state of consciousness and not a justification for evil.https://www.instagram.com/akhtyamwford/?hl=enhttps://www.facebook.com/LuciferianMichaelWFord/https://www.facebook.com/LuciferianMichaelWFord/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Author of 24 books and founder of the Greater Church of Lucifer, Michael Ford joins to discuss the dichotomy between Satanism and Luciferianism, black metal, and his philosophy.
Michael W. Ford is a leading Luciferian visionary, writing numerous books on the subject. He explains its history, what it is, and its relationship with other religions and Satanism. You will be fascinated by what he has to say about the Jeffrey Epstein case.Become a patron here: http://www.patreon.com/hiddentruthshowWebsite: http://www.hiddentruthshow.comFacebook: http://www.facebook.com/hiddentruthshowInstagram: http://www.instagram/hiddentruthshow.comYouTube: http://www.youtube.com/channel/UC6Lpl...
A deep conversation with my old friend and fellow musician occult writer and founding member of the Greater Church of Lucifer Michael W. Ford. We discuss the old days playing gigs and hanging out in the Houston Goth Scene of the early 00s, how he found the Left-Hand Path, the significance of LaVey, Crowley, Aquino et al, his approach to Zoroastrianism, the politicization of the LHP and everything in between. www.michaelwford.com www.luciferianapotheca.com
Andrieh Vitimus and Jason Colwell welcome Michael W. Ford to talk about Luciferian tradition and the Gods of Canaan through that lense. Author, musician and visionary of the Luciferian tradition Michael W. Ford. MICHAEL W. FORD has been a practicing Luciferian and Satanist/Sethanist for over 16 years. Mr. Ford’s path has led him through an initiatory system which has both inspired and changed the life for many individuals. Originally focused on obscure, “hit and run” left hand path booklets Ford’s approach to magick was from a luciferian point of view. Soon after, the demand for his works sky rocketed and Luciferian Witchcraft was published. Soon after, the obscure and hard to get published “Book of the Witch Moon” was published in a final edited edition to numerous acclaim. With the further development of THE ORDER OF PHOSPHORUS, Ford understood his role was changing and he would have to adapt from solitary practitioner to someone who could explain a growing ideology which is totally separate from Judeo-Christian and modern ceremonial magick structures. The Bible of the Adversary drew together the trans-cultural perspective of the various aspects of the luciferian spirit, utilizing various workings which would allow the adept to enter the depths of darkness and ascend with the wisdom gained from it. Michael W. Ford lists Charles Pace as one of his primary sources of inspiration, he is writing an Egyptian-Sethanic ritual book and basic biography of Pace and his works currently. In addition, Ford mentions Austin Osman Spare, Kenneth Grant, Anton Szandor Lavey, Nietzsche and Aleister Crowley as basic “teachers” and adds there are many others. Michael continues his spiritual workings, development of luciferianism and has a deep interest in the authenticity of ritual practice from the ancient near east with Canaanite, Egyptian, Persian, Babylonian, Assyrian and Sumerian with a foundation of Hellenic-Greek gods. Ford approaches the practice of magick from historical and mythological, temple and cult records of the Hellenic, Egyptian and Ancient Near Eastern ritual texts noting that this is the pure source for initiation with the gods and daemons of pre-christian religion.
Andrieh Vitimus and Jason Colwell welcome Michael W. Ford to talk about Luciferian tradition and the Gods of Canaan through that lense. Author, musician and visionary of the Luciferian tradition Michael W. Ford. MICHAEL W. FORD has been a practicing Luciferian and Satanist/Sethanist for over 16 years. Mr. Ford’s path has led him through an initiatory system which has both inspired and changed the life for many individuals. Originally focused on obscure, “hit and run” left hand path booklets Ford’s approach to magick was from a luciferian point of view. Soon after, the demand for his works sky rocketed and Luciferian Witchcraft was published. Soon after, the obscure and hard to get published “Book of the Witch Moon” was published in a final edited edition to numerous acclaim. With the further development of THE ORDER OF PHOSPHORUS, Ford understood his role was changing and he would have to adapt from solitary practitioner to someone who could explain a growing ideology which is totally separate from Judeo-Christian and modern ceremonial magick structures. The Bible of the Adversary drew together the trans-cultural perspective of the various aspects of the luciferian spirit, utilizing various workings which would allow the adept to enter the depths of darkness and ascend with the wisdom gained from it. Michael W. Ford lists Charles Pace as one of his primary sources of inspiration, he is writing an Egyptian-Sethanic ritual book and basic biography of Pace and his works currently. In addition, Ford mentions Austin Osman Spare, Kenneth Grant, Anton Szandor Lavey, Nietzsche and Aleister Crowley as basic “teachers” and adds there are many others. Michael continues his spiritual workings, development of luciferianism and has a deep interest in the authenticity of ritual practice from the ancient near east with Canaanite, Egyptian, Persian, Babylonian, Assyrian and Sumerian with a foundation of Hellenic-Greek gods. Ford approaches the practice of magick from historical and mythological, temple and cult records of the Hellenic, Egyptian and Ancient Near Eastern ritual texts noting that this is the pure source for initiation with the gods and daemons of pre-christian religion.