Podcasts about Halloween

How Haunted? is a fortnightly paranormal podcast hosted by Rob Kirkup from the north east of England, who is a published author and ghost hunter, as well as being a podcaster. Each episode of How Haunted? focuses on one of the world's scariest locations, and Rob dives deep into the bloody history and terrifying ghost stories. This is usually somewhere in his native UK, with occasional trips overseas. Rob occasionally has guests join him to discuss these scary sites, or polterguests as he prefers to call them.There are special on-location episodes and audio ghost walks. Each October the podcast goes weekly for the scariest month of the year, and there is a themed month of episodes building up to a big Halloween spooktacular. The episode you're about to hear was part of 2024's spooky season, which was Vampire Month.Rob also does something very special for his Patreon supporters, where every month he puts on a ghost hunt episode where he'll tell you the history and ghost stories of the place, everything that happened on the night, as well as playing actual audio from the night itself. These are exclusive for around a year and then hit the standard feed, so there are over 25 of these special episodes available for free right now.Search How Haunted? wherever you get your podcasts, join Rob every other Friday, and ask... how haunted?https://www.how-haunted.com/  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today's spooky story comes from brave Story Club members Hudson and Remi, who asked for a terrifying mystery about the legendary Bermuda Triangle. Two cousins and their uncle sail straight into one of the most mysterious places on Earth, where ships vanish, compasses spin, and the ocean keeps its darkest secrets. Perfect for young listeners who love spooky stories, mysterious legends, and gentle Halloween-style thrills.

Let's talk about an incredibly adaptable project in which students experiment with creative ideas across modes. It's easy to plug into a variety of units and times of year, and ready to tap at a moment's notice. It remixes easily for Valentine's Day on the horizon, but it could also work well at Halloween, or as part of a creative writing unit, or when you're reading any verse novel or graphic novel. This project starts with fiction, moves into verse, and lands in a multimodal combination of verse and imagery. I call it a multimodal flash verse project, informed along the way by the brilliant mode collaborations of Jason Reynolds. Let's dig into it. Links Mentioned: Jason Reynolds' Interview with the Kennedy Center: https://www.youtube.com/watch?v=cuXNsJvNaFs  Book Trailer for Ain't Burned all the Bright: https://www.youtube.com/watch?v=EjqvOyAh36Y  Reynolds on his collab with Novgorodoff: https://www.youtube.com/watch?v=0ErpAXd7Swg  There was a Party for Langston Read-Aloud: https://www.youtube.com/watch?v=m4MYO4WmR9s  Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Get my popular free hexagonal thinking digital toolkit Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the 'gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!   

A woman recalls the most disturbing encounter one Halloween night involving three strange children and the death of her mother. (If you see any mistakes in this episode, my apologies. I've run through it a dozen times now because the recording got corrupted a few days ago and I had to redo and fix a TON of it.) Find me on X! https://x.com/darkprevails And on YouTube! https://youtube.com/darknessprevails Learn more about your ad choices. Visit podcastchoices.com/adchoices

Download Welcome to LOTC episode 463 and it is a new year which means the crew is tackling a new decade. This year the decade of 2000 will be covered and we begin with the year 2000. A new millennium and new group of movies. We are joined by the Unknown Caller during the show and we want to thank him for bringing the heat. We hope you enjoy us breaking down our top 5 horror movies from 2000. We also want to congratulate Bill Van Veghel for his 7 years of Podcasting with LOTC. Bill was not able to make the live show but you still get to hear from him as he gives his list. Sit back and grab those favorite snacks and beverages as you journey with us through the Land Of The Creeps.HELP KEEP HORROR ALIVE!!TOP 5 LIST'SDAVE1. SHADOW OF THE VAMPIRE2. AUDITION3. GINGER SNAPS4. AMERICAN PSYCHO5. FINAL DESTINATIONUNKNOWN CALLER1. SUBCONSCIOUS CRUELTY2. CITIEN TOXIE : THE TOXIC AVENGER IV3. THE CELL4. BATTLE ROYALE5. FINAL DESTINATIONPEARL1. GINGER SNAPS2. FINAL DESTINATION3. WHAT LIES BENEATH4. DRACULA 20005. BLESS THE CHILD / BLAIR WITCH 2 : BOOK OF SHADOWSGREG1. GINGER SNAPS2. FREEZE ME3. SHADOW OF THE VAMPIRE4. FINAL DESTINATION5. FAUST : LOVE OF THE DAMNEDBILL1. BATTLE ROYALE2. AUDITION3. FINAL DESTINATION4. CHERRY FALLS5. THE PERFECT STORMLOTC Links :Land Of The Creeps InstagramGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdDr. ShockDVD Infatuation TwitterDVD Infatuation WebsiteFacebookHorror Movie PodcastJay Of The Dead's New Horror Movies PodcastYouTube ChannelLetterboxdDVD Infatuation PodcastThe Illustrated Fan PodcastBill Van Veghel LinkFacebookLetterboxdMusic,Movies,Sports & Stuff PodcastFacebook Music Movies Sports & StuffTwisted Temptress LinkLetterboxdLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebook

Jack Seavor McDonald Take a walk with me down Fascination Street as I get to know Jack Seavor McDonald. Jack is an actor and an improv player in television & film. In this episode, we get to know Jack, and why he decided to become an actor. He shares stories of growing up and always finding a way to make people laugh. Jack tells the story of the unique way that he was able to join the SAG / AFTRA actors union, and how he raised the funds to pay for it. We also discuss Jack's experiences on the sets of some of the projects he has worked on, including Hacks, the TV show TED, Never Have I Ever, and my personal thoughts on both Hacks and Young Sheldon. Jack breaks down what it is like to work with and for Mindy Kaling, as well as working with and for Seth MacFarlane. I dive deep into what would make Jack get into improv, and what he has gained from it. You can find Jack and his improv group performing around the Los Angeles area as HEAT WAVE. Look for Jack on all of your favorite tv shows; as well as his new film "Ick". Bonus points if you can sneak up and scare the daylights out of him on Halloween!

When the wins keep coming, but fulfillment fades, what's really missing? In this unforgettable episode, Mike welcomes Derek Strokon, CEO of Soul Summit Ventures, three-time international bestselling author, TEDx speaker, and philanthropic force, for a raw, inspiring conversation about redefining success and living with intention. Derek opens up about his journey from the high-pressure world of corporate finance and material excess to a life grounded in gratitude, service, and authentic connection. After downsizing from a 5,100-square-foot home, he discovered that less can truly become more…more impact, more meaning, and more fulfillment. At the heart of the conversation is Derek's powerful philosophy of "Hero Culture," sparked by a simple yet profound Halloween moment with his son. He also introduces the concept of "tipping time," a mindset shift that allows future goals to be accessed in the present, transforming how we think about success, time, and purpose. Woven throughout the episode are personal stories about family, fatherhood, and the role Derek's wife and children have played in keeping him grounded and aligned. His message is equal parts heart, wisdom, and action. This episode is a powerful reminder that true success isn't measured by what you accumulate, but by the lives you impact along the way. IN THIS EPISODE: ➡️SUCCESS REDEFINED: Trading material excess for purpose, gratitude, and meaningful impact ➡️HERO CULTURE IN ACTION: How everyday moments create leaders who give first ➡️THE TIPPING TIME MINDSET: Accessing future goals by serving others in the present ➡️PHILANTHROPY THAT SCALES: Building community funds that create real, local change  

Giannina the Cat Giannina the cat lived in a house with a garden. The garden wall bordered a park where children gathered to play. The town was small but charming — from the windowsills of the houses, pots of geraniums and petunias tumbled down like colorful cascades. Her owner, Signora Mafalda, often took her around the town center. All the children knew her, and whenever they spotted her, they would run over and shower her with affection. Giannina was quite the little rascal. During the day she loved chasing lizards, hunting insects, butterflies, and anything that moved. To rest, she would stretch out in the sun on the warm stones, then cool off among the blades of grass. In the garden, among the pomegranate tree, the lemon tree, and the olive with its silvery leaves, she and Mafalda spent their afternoons playing together. But one day, Mafalda began to notice something strange. Giannina would leap to catch her prey, but she kept missing and ending up in the rose bushes. "Ow, ow, ow! I've pricked myself and my tail is tangled in the branches!" she meowed. She barely managed to dodge trees she used to climb with ease. She reached her food and water bowls with an uncertain gait. Worried, Mafalda took her to the Veterinarian. After listening to the little cat's strange adventures, the Doctor smiled and delivered his verdict with a wise air: "This little kitty can't see well. She needs glasses." No sooner said than done — in the blink of an eye, the veterinarian searched through a display case full of frames for pets and, finding the perfect one, exclaimed: "Here we are — a pair of glasses fit for an elegant lady!" As soon as they were placed on Giannina's sweet little snout, the cat looked around in wonder. She could see everything so clearly! She rubbed against the Veterinarian's legs and leaped into Mafalda's arms as if to thank her. The Doctor, touched by her sweetness, gave her a special gift: a golden chain with a small pearl at its center that glowed with its own light. Whispering, he told her: "If you close your eyes and touch this pearl with your little nose, you will gain magical powers that only you will have. They will help you help others." Giannina thought that perhaps this Veterinarian was also a Wizard, but she said nothing to Mafalda. It was a secret between her and the strange Doctor. On the way home, people turned to look at her, thinking: that cat seems mysterious — there's something glimmering around her. At home, Giannina's first wish was to climb onto a chair and gaze out the window. The flowers shone in their colors, and even the grass was a brilliant green, as if covered in dew. She smiled, happier than ever. Mafalda, sharing in her joy, decided to take her to the park. They arrived in no time. Squirrels scampered through the trees, birds sang as they flew from branch to branch. Small creatures popped out everywhere, and the children followed them with curiosity — they ran alongside the lizards, leaped with the butterflies dancing in the air, while red ladybugs landed on their skin like good luck charms. After chases, slides, and ring-around-the-rosy, the children sat down on the grass for their snack. From their colorful backpacks came tasty treats. That's when they arrived. "Vriiip! Vriiip! Vriiip!" At full speed, a platoon of ants zoomed in on rumbling mini-motorcycles. They wore shiny little helmets on their heads, round goggles over their eyes, and tiny boots on their feet. They braked sharply in front of the children, raising little clouds of dust. "Make way! We're here too!" shouted the lead ant, lifting her visor. "Can we collect the crumbs?" The children burst out laughing. "Yes, yes! Munch all the crumbs you want!" The ants parked their mini-motorcycles in a neat row, removed their helmets with theatrical gestures, and got to work carrying crumbs twice their size, singing a little marching song. In this joyful atmosphere, Giannina and Mafalda strolled along the pathways. And suddenly, as they passed, the trees bent their branches in a bow and their leaves rustled in greeting. The roses in the flower beds opened their petals and began to sing. The lizards beat their tails on the ground like drums: "Rattatatà! Rattatatà!" And the millipedes started tap dancing to the lively rhythm. "Oh my, what a wonderful commotion!" exclaimed Giannina, who was beginning to feel a mysterious aura around her. She couldn't help but think of the Wizard Veterinarian. What could these magical powers be? And what would happen if she touched the pearl with her little nose? She told Mafalda, who was carrying a book of fairy tales under her arm. They looked at each other and, understanding instantly, seized the moment. Giannina gathered the children in a circle. Some came quickly, others more shy joined in slowly. The ants too, their bellies full, put on their mini helmets again, did one last rumbling lap on their motorcycles, then climbed off and approached the group. It was the right moment. Giannina closed her eyes and touched the magic pearl with her little nose. A golden spark flashed in the air. She took the book from Mafalda's hands, opened it, and chose the tale that seemed to be waiting for her, glowing among the pages. In a gentle voice, she began to read. "Once upon a time, there was a little rabbit who lived in the woods. He kept tripping over tree roots and pebbles. At school, he made mistakes reading letters and numbers, so he didn't want to go anymore. When the teacher saw his drawings, she said: 'Well done!' His mom and dad said the same: 'Well done!' But to him, the colors seemed faded. The truth was, he couldn't see well, but instead of saying so, he would run away and hide in a burrow beneath a talking tree. And the tree, with the rustle of its leaves, whispered a secret: talk to your parents. So he did, and they helped him get glasses. And the world became beautiful again." Giannina closed the book. She understood: with the magic pearl, she could read the hearts of children, discovering emotions and secrets waiting to be brought to light. "You know," she said to her little listeners, "not long ago, I couldn't see well either. But I put on these glasses and poof! The world became clearer and more beautiful." A boy approached her, almost embarrassed, and whispered in her ear: "Maybe I need them too, like you." Giannina gently stroked him. "I helped you open your heart. Now talk to your parents, and everything will be fine." Just then, a little rabbit appeared suddenly from the bushes. He came up to Giannina, hugged her, and said: "You are magically magical!" And — you won't believe it — that little rabbit was wearing a lovely pair of colorful glasses. From that day on, Giannina took the children of the town by the paw, teaching them to believe in themselves and to have confidence. She became the mascot with the magic glasses, and everyone wanted to wear them just like her. But the true wonder was how she now saw the world from her window: brighter, more colorful, more alive. And every evening, before falling asleep, she would touch the pearl with her little nose and smile, knowing that the next day she would help someone else see the world with new eyes. It almost seemed like it had been a dream. But as we know, reality and fantasy often walk hand in hand. _— Written by Lucia & Marco Ciappelli_ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hey, quilt-lovers! Get ready to dive deep into the mind of Julius from Julius Handmade! In this episode, he spills all the tea on his incredible journey, starting from making dog collars to becoming the foundation paper piecing (FPP) master we know and love. We get the inside scoop on his design philosophy, including why he's obsessed with blender fabrics and how he miraculously keeps his projects to 20 fabrics or less! Plus, he walks us through his sewing machine setup, the real talk about binding, and where to find his awesome, beginner-friendly patterns. It's a must-listen for anyone ready to level up their quilt game!But wait, there's more! The conversation then shifts to Julius's super-packed schedule, which includes an online FPP design class kicking off in March, teaching at Mad B's in Mesa, and the scoop on his spooky-fun Halloween-themed retreat coming this October! They also had a quick chat about all things QuiltCon, where to snag the best sewing deals on Marketplace, and even a slightly serious moment trying to figure out the legalities of reselling old patterns. Get ready for some laughs, a dash of quilt gossip, and a peek into the fun side of the quilting community!Follow our friend, Julius on Instagram at @juliushandmade, on Facebook at @juliushandmade and on his website, www.juliushandmade.com.Send us a textFollow Leslie on Instagram at @leslie_quilts and Rochelle at @doughnutwarrior

If you're craving haunted house horror stories, ghost stories, and paranormal encounters that escalate fast—this compilation is your next late-night listen. From a historic inn with a locked room and a German priest's shadow, to an abandoned murder house that turns viral for all the wrong reasons… these tales spiral through possession, poltergeist chaos, cursed objects, and the kind of dread that follows you home.Inside this compilation (in order):• Horror at the Hexagon House Inn — Bill Spears: A writer relocates to a booming Texas town for his wife's health… only to discover Room 4 is not empty—and the past isn't buried. Letters become evidence, and the haunting turns personal.• The House That Killed Me — Bruce Haney: An “abandoned places” YouTuber chases the next big upload in rural Oregon—until child-ghost warnings, a cellar secret, and hungry predators turn content into a death sentence.• Ghost Story — A.N. Onimus: A strange boy at the county fair leads two friends to a mansion that won't let them leave—where time fractures, doors lie, and something in the dark learns their fear.• Thrifting Fail - We're now Haunted! — Bruce Haney: A $1 yard-sale bowl comes with a freezing presence and an angry artist's spirit—until the couple realizes the haunting has rules… and the only way out might be to pass it on.• Lucien Greyshire and the Ghost from Applebee's — L.F. Falconer: A scarred party-producer who can see the dead recruits a teenage poltergeist—promising purpose, spectacle, and a darker “service” hiding beneath Halloween entertainment.• The House in the Woods — Bruce Haney: A lost hike, a carved jack-o'-lantern, and a bonfire reveal a house that shouldn't exist—where spiders wear human skin and desperation tempts a man to return.Hit play, lock the doors, and tell me which one crawled under your skin the most.

A few nights before Halloween, as Cork O'Connor gloomily ruminates on his upcoming birthday, he receives a call from his son, Stephen, who is working for a nonprofit dedicated to securing freedom for unjustly incarcerated inmates. Stephen tells his father that decades ago, as the newly elected sheriff of Tamarack County, Cork was responsible for sending an Ojibwe man named Axel Boshey to prison for a brutal murder that Stephen is certain he did not commit.Cork feels compelled to reinvestigate the crime, but that is easier said than done. Not only is it a closed case but Axel Boshey is, inexplicably, refusing to help. The deeper Cork digs, the clearer it becomes that there are those in Tamarack County who are willing once again to commit murder to keep him from finding the truth.At the same time, Cork's seven-year-old grandson has his own theory about the investigation: the Windigo, that mythic cannibal ogre, has come to Tamarack County…and it won't leave until it has sated its hunger for human blood.William Kent Krueger is the New York Times bestselling author of The River We Remember, This Tender Land, Ordinary Grace (winner of the Edgar Award for best novel), and the original audio novella The Levee, as well as twenty acclaimed books in the Cork O'Connor mystery series, including Spirit Crossing, Fox Creek, and Lightning Strike. He lives in the Twin Cities with his family. Learn more at WilliamKentKrueger.com.#speakingofwriterspodcast #williamkentkrueger #authorpodcast

• Opening musical parody, extended singing, parody station drops • "Time for a bath" spoken-word/rap monologue • Gas station checkout bit with donations and tiny purchases • Pop culture name-drops and exaggerated confidence imagery • AMT Friday Free Show intro • Guest Seth Petruzzel returns; callback to Halloween special at his house • Ongoing house build delays; living in a rental; stressful unsettled Christmas • Missing a "first real Christmas" with daughter; limited meaningful kid Christmases • Debate over earliest memories, neuroscience, and false memories • Stress text about childcare, construction, and overwhelm • "No Smile Seth" nickname from construction crew; tension with workers • Yard/seagrass service failures and staff turnover • Interior progress: drywall, paint; Seth paints entire house himself • DIY vs professional painters debate • Limestone flooring installed too early; damage from ongoing work • Admitted poor sequencing, rushed decisions, and contractor confusion • Money wasted on inefficiency; budget blown by ~$100k cash • Dark humor from stress; resentment toward dogs after barking wakes baby • Babysitter chaos; raised-hand gesture scares sitter; anger acknowledged without harm • Tracy working multiple jobs to cover costs; dojo staffing struggles • Teaching classes while overwhelmed; no-call/no-shows • Boat broken and unused; pods block driveway; storage and delay stress • Yelling over missed deadlines; workmanship defects; cabinet and floor damage • Cheap vs quality work discussion; timelines constantly pushed back • Contractors criticizing each other; electrician refuses unsafe wiring • HVAC ductwork never replaced; contractor ghosted after payment • Realization money was taken; lesson on hiring cheapest bids • New AC installed; marriage stressed but solid; stress seen as situational • Considering selling boat; joking about downgrading and paddleboards • Dock delays due to rain; feeling too deep to change course • No nearby family help; brother unavailable; childcare strain • Estrangement from father after emotional texts; anger over lack of involvement • Father's minimal apology; no-contact; canceled life-story emails • Grief over lost family history compared to mother's legacy notebooks • Daily micromanaging renovation; cleaning dust; weeks of painting • Acknowledging misdirected anger; dojo as emotional outlet • First daycare drop-off at age two; guilt, crying, camera-checking • Kid illnesses after daycare; stress symptoms, weight loss, graying hair • Picky eating; reliance on carbs; supplementing nutrition • Shift to processed kids foods; questioning processed meat risks • Deli ham vs cigarettes carcinogen debate; nitrates and long-term risk • Parenting tension between health anxiety and convenience • Colonoscopy and PSA results good; jokes about aging and pelvic floor • Nerve issues from past B6 toxicity; substance use reflections • Panic attack after mushroom mocktail; heightened sound sensitivity • Little Saints described; conclusion anxiety likely self-induced • Decision to stop dwelling; announcement of trying for second child • Curiosity about father–son bond; light emotional dad talk • Viral poop videos and construction bathroom chaos • Grocery store poop incident; biohazard cleanup and food waste debate • Lee & Rick's Oyster Bar shutdown and reopening; bug tolerance jokes • Extreme lack of germ aversion; belief exposure builds immunity • Childhood TV theme nostalgia; Silver Spoons, Today's Special, Eureka's Castle • Theme songs imprinting more than shows; modern shows less memorable • Tomb Raider Prime Video series announced; Lara Croft portrayal debate • Criticism of Gladiator; new Game of Thrones spinoff tone discussion • Attention span concerns; distracted concert crowds • Voicemail callouts; hoodie sale and mystery merch bags • Gym workouts at Crunch; dojo recruitment jokes • Apple Music UI complaints; updates removing useful features • Decision to move into voicemails due to show length • Merch strategy shift to preorder-only; storage cost regrets • Counterfeit jersey acceptance debate • Pro Bowl no longer in Orlando; family outing idea • Listener voicemail on weed-induced panic attack • Gross-out debate ranking bodily fluids • Team shout-outs; editor KC praised • BDM promotion, Appreciation Week, $5 shirt tease • Weekend sign-off ### Where to Find the Show – A Mediocre Time Apple Podcasts [https://podcasts.apple.com/us/podcast/a-mediocre-time/id334142682](https://podcasts.apple.com/us/podcast/a-mediocre-time/id334142682) Google Podcasts [https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2FtZWRpb2NyZXRpbWUvcG9kY2FzdC54bWw](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2FtZWRpb2NyZXRpbWUvcG9kY2FzdC54bWw) Exclusive Content [https://tomanddan.com/registration](https://tomanddan.com/registration) Merch [https://tomanddan.myshopify.com/](https://tomanddan.myshopify.com/)

 DownloadWelcome to LOTC Presents, DD 79. This week the show starts with GregaMortis and Ian Irza bringing Black Glove Mysteries . Greg and Ian are finishing up Neo-Giallo month with 2012 Tulpa as well as 2022 Dark Glasses. We hope you will enjoy this weeks episode.Lastly, GregaMortis and the Twisted Temptress are back with Mortis Vision and they are joined once again by Tammy Maguire to do a full recap in major spoiler fashion of the series finale, Stranger Things season 5. You will here us breakdown each and every episode of season 5 and remember, THERE ARE MAJOR SPOILERS IN THIS REVIEW; So, sit back and grab your favorite snacks and beverages as you journey with us through Land Of The Creeps.HELP KEEP HORROR ALIVE!!MOVIE REVIEWS2012 TUPLAIAN : 8GREG : 7.52022 DARK GLASSESIAN : 8GREG : 7.5LINKS FOR DOUBLE DOUBLEGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdTwisted Temptress LinkLetterboxdIAN IRZA LINKSBLOG SITEFACEBOOKTWITTERINSTAGRAMLETTERBOXDLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterLespecial FacebookLespecial Website

¡Qué buena se está poniendo esta temporada de Noche de Chicxs!

It may not be Halloween, but there definitely seems to be a spooky season on UK stages – with Paranormal Activity making things go bump in the night, A Ghost in Your Ear sending chills down the spine and 2:22 A Ghost Story back on the open road (all before Dracula has begun performances in the West End!). With that in mind, Sarah and Alex put on their bravest faces and discuss why fear works so well on stage. Plus, in a complete tangent, why they're both thrilled to bits about Ariana Grande and Jonathan Bailey teaming up with Marianne Elliott and Tom Scutt for Sunday in the Park with George. Hosted on Acast. See acast.com/privacy for more information.

This week the boys sit down and talk about: Assistants, Jeremy Engle, Ballers, Halloween, Rome, Palermo, Air Bnb, Pizza, Botanical Garden, Rain, Anice, MOAR PIZZA, all the sites and scenes, and getting accosted by italian policia

Mercosur is a bad deal.The European Commission has backed a free trade agreement with Argentina, Brazil, Paraguay and Uruguay. The European Parliament is set to decide on the future of the Mercosur Agreement. It has taken twenty-five years to get to this point. The European Commission has decided to support this proposition and the smart money says the Parliament will follow suit. But perhaps not. It's not over until it's over. There will be a legal challenge to the deal, including Sinn Féin's MEPs, and a vote in the European Parliament. Sinn Féin is also bringing forward a Dáil motion calling on the government to support the legal action and mandating all MEPs to vote against the deal. Nollaig na mBanSome of the traditions that surround Christmas and the New Year celebrations have changed over recent years. For example, when I was growing up Christmas decorations didn't start appearing in homes until a fortnight or so before the 25th December. Now, Halloween is barely over before Christmas decorations start appearing. Previously also, the tree, crib, and the rest all stayed in place until 6 January – the Feast of the Epiphany, the date on which it is said that the three wise men visited the baby Jesus in Bethlehem. This year decorations were mostly down from the start of the new year. And already Easter eggs are in the shops. However, one celebration that has taken on a new lease of life is Nollaig na mBan - Women's Christmas. It is celebrated on 6 January. It used to be confined to rural areas but that is changing.  Nollaig na mBan is the day when the role of women, who generally did  all the work for Christmas, was celebrated. It was the day when women get together with other women and enjoy a brief few hours of celebration on their own. Progress on Casement ParkLast week the draft budget for the Executive, announced by Finance Minister John O'Dowd, included an allocation of an additional £40 million toward the rebuilding of the new Casement Stadium.Sadly, despite the 1998 Good Friday Agreement and its principles of equality and parity of esteem, the decades since then have produced many examples of political unionism continuing to resist investment and funding allocation for nationalist areas. Casement Park is a case in point.Last week's announcement is a positive and welcome development.Irish Unity Must be Priority for EU PresidencyOn 1st July the Irish government will assume the Presidency of the Council of the European Union. This will be its eighth time holding this key administrative and political role within the EU and the first time since Brexit. The agenda for this Presidency is enormous and will affect all of our lives. It will include new legislation as well as significant negotiations around all of the major national and international issues affecting the world at this time – the Israeli genocide in the Gaza Strip, the war in Ukraine, Venezuela, threatened US Foreign Policy adventures toward Greenland, Cuba, Colombia, Nigeria and Iran, famine in Africa, climate change and migration.An Taoiseach Micheál Martin has defined the state's Presidency of the EU as “a Presidency defined by action.”All sounds impressive. But so far no one in the Irish government has said anything about using this unique opportunity to raise the issue of Irish Unity. Thus far, Micheál Martin's approach to Irish Unity can best be described as “a leadership defined by inaction.”

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Send us a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. Before we get started with today's episode, I just want to remind everyone that if you enjoy the podcast, you can show your support by leaving a rating and review of it wherever you get your podcasts. You can also visit www.buymeacoffee.com/attendancebias and donate anything you can to keep the podcast going. Now, onto today's episode:The idea of a Phishaersary–acknowledging and maybe celebrating the date of your first Phish show–is a fun part of our community. Even more fun is when Phish plays a show on the same date as your first. Even better than that is when you get to attend a show that's played on the same day as your first.Then, there's the trifecta: when Phish plays a show on the same date as your first, you're able to go, it's a decades-long round number anniversary, AND they play a big time party show all in the same night. Today's guest, Jefe from Arizona is here to tell about his experience at such a show: October 24, 2021 at the Fabulous Forum in Los Angeles, the same night exactly 30 years after his first show in 1991.The beginning of the so-called 4.0 era was an odd time in America. But in retrospect, in our small Phish community, it's an easy call to say that the fall 2021 tour featured some of the best live music since the band returned in 2009. I would guess that most people link the fall 2021 tour with the stunning and controversial, Halloween shows in Las Vegs, which featured the numbers show, the animals show, and the confounding Sci-Fi Soldier set. But there were many west-coast highlights leading up to that, including today's show from L.A.While the band blew people's minds with a psychedelic spacey show the night prior in Chula Vista, this L.A. show was more of a party night, getting off to a casual start but then literally rocking the house during the second set with a Tweezer and a surprise cover song for the ages! But this is Jefe's story. So let's join him to talk about Prescott, Arizona, unexpected song arrangements, and more, as we discuss October 24, 2021 at the Forum in Los Angeles.Support the show

This episode I talk about the zombie/alien shoot some friends and I setup, catch Hunter up more horror movies. It's just before Halloween so we talk more horror of movies and music and guns! Hunter talks about the 45Colt Anaconda 8” and what other guns for some Bear defense. Where to find us: Livefire-media.com Rangehot.com Social Links: IG - @livefirem - @rangehot.com_offical X - @LiveFireM - @rangehotdotcom FB - Live Fire Media - Range Hot

Life is busy. Loud. Exhausting. And somehow we're still supposed to be creative inside of it.In Episode 242, Silas and Samantha talk honestly about what creativity looks like when life is laughing you straight in the face. From parenting and exhaustion to guitars, Halloween theatrics, perfectionism, and letting go of the idea that creativity has to be “big” to count, this episode is part therapy session, part philosophical ramble, and part classic Black & A Half chaos.If you've ever felt like you used to be creative and aren't sure where that version of you went...this one's for you.

Flag football, Halloween masks in January, things that happen in a desert, torture porn and The Town That Dreaded Sundown!

On this week's episode of “Da” Podcast, Steve is joined by the winner of Netflix's Is It Cake? Halloween, Andrea Ortiz Fuentes as they talk about getting into baking & realistic cakes, how Andrea got on Is It Cake, choosing decoys & cake flavours, themed episodes, molding chocolate, recording times, what happens to all the cake, celebrity judges, favourite & least favourite moments, critics, favourite cake flavour, fondant, reality TV and so much more! If you're looking for “Da” Podcast merchandise, and want to support the show directly, please visit http://tee.pub/lic/KrIMP441400 We have tees, hoodies, onesies, phone cases, pillows, mugs and more! If you're into wrestling collectables, autographs, comic books, action figures, sports cards and more, make sure to visit www.firstrow.ca and use promo code: DAPODCAST20 to receive 20% off! Looking for something new to read and also into video games? Please visit www.bossfightbooks.com for great books on classic video games! You can follow Steve on all the socials, @fingastylz Send your questions and comments to dapodcastdap@gmail.com Make sure to subscribe, rate, like, follow or review on ApplePodcasts, TuneIn, SoundCloud, Spotify and iHeartRadio!

As Dish Media's new head of programmatic partnerships, Kristinnsson is helping turn advanced TV into a single, addressable marketplace.  Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:09):Today, we're joined by Liam Kristinnsson, head of programmatic partnerships at Dish Media, where he's helping shape how the company connects advertisers with premium audiences across both linear and digital environments.Damian Fowler (00:23):Dish has been pushing hard into the programmatic space. From Dish Connected, it's addressable solution across the ecosystem to Advantage, which links programmatic buying with linear inventory in real time. It's all part of a broader move to bring automation and accountability to advanced TV.Ilyse Liffreing (00:39):We'll talk with Liam about how Dish is tackling fragmentation, what premium really means in a mixed green world, and where the next phase of programmatic growth is headed.Damian Fowler (00:51):So let's get into it.Liam Kristinnsson (00:57):Dish Connected has really revolutionized our product in the marketplace. We've been able to convert an additional four million to five million households into tangible CTV devices across real-time bidding systems across the industry. And it's kind of given us a leg up against some of our more linear competition where we now have full autonomy over our inventory and can enable and provide transparency downstream to any client.Damian Fowler (01:28):That's amazing. I mean, there was a moment there where there was a sort of either all linear or CTV, but this is something that's kind of connecting thoseLiam Kristinnsson (01:38):Two worlds. I think this is the start of the convergence. I know it probably truly started post-pandemic, I would say, but the reality is now that what is perceived as underutilized impression-based audiences are now becoming tangible and kind of overlapping with their traditional legacy linear purchases. And there's much more value to it because we are not enabling people to find attribution in a more roundabout extrapolated way, but we can provide meaningful real time results to third party attribution vendors or measurement vendors.Damian Fowler (02:20):And that brings us to Advantage, which you introduced in May to Power Programmatic and Linear at the same time. Could you tell us a little bit more about that?Liam Kristinnsson (02:30):Yeah. So the beauty of Advantage is it really expands upon what we've already built for Programmatic in Disconnected, but it provides solutions across the whole suite of products we have. Our addressable business can tap into real-time kind of innovations, real-time optimizations against audiences, ensure that we are better delivering across the target audience and finding that incremental reach that in the past may have been next to impossible to verify. And now we have all that inventory in one place. It's kind of like a grocery store when I think the industry has become accustomed to going to a bodega. That's very New York with me, I understand. I like that. But sometimes bodegas have eggs, they have a deli, they might have milk, but they might not always have milk and seltzer and all the little things that you want on a day-to-day basis. And the reality is something lacking when it comes to you being able to actually fill your fridge.(03:35):Now we have all those components that the customer or the client is looking for.Damian Fowler (03:40):Yeah. I like that analogy.Ilyse Liffreing (03:41):It's a good one. Yeah, no, I like that. And now Liam, I'm curious about the advertisers you're working with. Is there a new segment of buyers that Programmatic is really opening the door to here? What is basically your sense of that cohort?Liam Kristinnsson (03:58):Yeah, I think it really has grown overnight programmatic in general, but I think it allows us to have expanded exposure across all clients that are looking for that more meaningful kind of results. I think we are seeing a lot of success in generating a lot of traction across the CPG world, the direct to consumer world. And I think we're finding a nice overlap from a category perspective of what we traditionally looked at as direct IO or addressable business, but maybe not all those brands or clients in maybe like a pharmaceutical vertical would tap or earmark dollars for commitments early in their planning phase. Now they have the liberty and the luxury to find that right audience and enable dollars downstream where we're just not hunting in that lane and now we can kind of, instead of spreading ourselves thin, the technology can enable us to really kind of tap into all those brands, whether it be the CPG or the pharmaceuticals.(05:05):Now on the CPG side, I would double down further. I think because in the linear world, traditionally there's a level of fragmentation when you were to buy linear and you're only getting a percentage of the marketplace. Now the transparency and data that we're passing downstream really changes that, right? Because now these CPG brands are looking to trade off their kind of gross rating points, but kind of understand, all right, am I serving a family that would buy my products? And now we're freeing up the inventory and making it available to those brands that maybe were not always keen on addressable or linear didn't provide enough eyeballs. We're compensating for that with the data we'reIlyse Liffreing (05:49):Providing. Do you have an example of a brand you're working with?Liam Kristinnsson (05:52):Yeah. So I mean, more specifically, even though that wasn't in some of the categories I called out, there was one or two major financial brands that we've been able to elevate our profile quite significantly with and then partner with them around some of their initiatives on the backend. And I think it kind of shows some of the flexibility that a publisher can now provide brands that I don't think they ever associated with a conglomerate or a media company like ourselves.Damian Fowler (06:23):On that point, there is a perception that the space is fragmented and that there's linear here and then there's streaming here. Do you think that that is changing that perception, maybe thanks to some of the work that you're doing?Liam Kristinnsson (06:36):I think that's a lot of our goal. I think that we are simplifying the process and enabling a household or a device level, right? And the device level tends to be at the unique user level and we have the ability to kind of triangulate that and make sure that we're providing good and strong data down to our partners. I think that as a marketplace holistically, I think the fragmentation has changed and I think a lot of that's around some consumer behavior that has changed or specifically around the way consumers are watching more free content or there's pockets where they're not required to provide a subscription. And I think that there's still a gap there and we do have some front porch access to our apps, but we are looking on our end to continue to develop and then enable through Advantage how we can kind of provide those, specifically those returning viewers, that clean look to the advertisers on the back end and really kind of leveraging deterministic data and first party signals to really define that audience more cleanly in some ways that competitors of ours maybe can't do.Ilyse Liffreing (07:53):Overall, how would you describe your measuring the success of these programmatic partnerships?Liam Kristinnsson (08:00):Yeah. So I think that that's a really unique place because that's something that has been our bread and butter. We have our own targeting and attribution team. They've worked very diligently on the direct IO side. I think a lot of the legacy information that they've been able to provide clients and the insights and the ways that we've been able to either cut our inventory or kind of group or the target audiences for these clients have helped demonstrate the programmatic partners the value in not just our audience, which I think is somewhat being underserved because Dish tends to be middle America and maybe they have less apps or maybe they leverage less apps. So they have been underserved. We have a legacy of success around specific verticals and we're able to kind of provide that to these brands. I think the challenge is it's a little bit of a black hole sometimes of how they tie it back to each other.(08:56):And I think there needs to be a little bit more assistance on our end. And by us, I mean the royal we across the industry of like providing some of those insights that I kind of alluded to earlier, whether it's, are we targeting and talking about unique users? Are we looking at success at a household level? And there is some innovation that's required there in the industry, but I think what we're doing is really at the forefront of enabling that.Ilyse Liffreing (09:23):Are there any particular channels that have surprised you in terms of performance or even advertiser adoption?Liam Kristinnsson (09:31):Sure. I mean, I think I imagine everybody talks about the success of sports. Sports has been a real catalyst to the boon of CTV enablement in general, but I think that I'd be remiss not to call out that a lot of our entertainment brands have shined, but not in the ways that traditionally they've been leveraged, right? Even though certain pockets of inventory is not super desirable in the marketplace at times, like news, there are a ton of clients that we've seen a lot of traction there and like pick up incremental success and really drive reach by anonymizing the content that they buy and focusing on the audience.Damian Fowler (10:20):That's interesting. Is there still some resistance to the idea of being around current affairs and news?Liam Kristinnsson (10:26):Yeah. I think I myself came from the website world years ago and I saw firsthand when a certain brand would be next to a certain type of content. And I understand the urgent need to not expose a valuable legacy luxury brand to something that may or may not be bad, right? Yeah. But the reality is often there is a disconnect from the content being consumed and the pod of commercials that's watched, right? Yeah. And while we often, and I'm sure we ... My mother certainly will watch news for hours and hours upon day, which is maybe not healthy for her lifestyle, but I think what's great about it, specifically when she goes to sit down, she is glued in to the TV. And that's something I think that a lot of people are trying to figure out, are people watching? Are they tuned in? Are they walking away?(11:30):And that's the black box of advertising, but I know that people that watch news are glued into the TV and consuming the content between segments. It's kind of like sports, right? Yeah.Damian Fowler (11:43):I think that's true. And I think that's true across all channels as far as I know people reading digital news as well, but I don't want to go off on a massive digression about news, but anyway. But it is fantastic. Can we pull back and look at the big picture a little bit? And we were wondering if there were any precedents or points of inspiration inside or outside of media that inform how you think about programmatic partnerships at Dish?Liam Kristinnsson (12:10):Sure. I mean, I think that back to what I was saying about evolution, I think often in the media industry, we look at things like baseball teams are run today. Not to use a sports analogy. I know you guys are probably sick of them, but- We love sports analogies here. Nelly said the trade death.(12:32):But the reality is these days people want home run hitters. And I think back in the day, that's a little bit of a cyclical history. People always want home run hitters and like big stats, but you win championships with diversity. And I think what partnerships means today is not what it maybe meant 12 or 13 years ago. I think there's a ... We're becoming a world where people, we're all playing Tetris and there's a way to make it all fit together if we cooperate and enable each other. So it's not one size fit all fits all. I think there's a lot of small partnerships and that's good for the competition of the industry and it doesn't take away from the value of these big partnerships. And I think I don't think in my time in TV there's ever been more opportunity there than there is today.Ilyse Liffreing (13:28):Something we often write about at the current is the value of like premium content versus maybe like user generated. For instance, what would you say is the importance of premium and I guess what kind of premium content is most popular? I mean, you brought up sports, but are there any others?Liam Kristinnsson (13:50):Yeah. I mean, I think premium content, I'm sure many people discuss across the course of ad week or just in the industry and in general, how valuable, unique and what's deemed as traditionally primetime TV is. But the reality is it's even more valuable than that because you are in a lot of ways demanding an eclectic audience to watch your spectrum of content and you can't always guarantee that in other places. There is also, sure there's some oversaturation for specific channels and maybe the product that they air, but the reality is it is not what everybody is consuming these days, right? It's Halloween. Everybody can find a bunch of great horror movies or Halloween's coming up, I should say. Everybody could find a bunch of great horror movies across the board, can't always guarantee what is in that content, how glued in they are versus just kind of like, "Oh, it's in season." I think with premium content, specifically around live TV, there's 365 days a year of people competing against each other from a content perspective, but it demands eyeballs.(15:07):And I think we're also starting to see a surprising jump in the youth getting app fatigue, I suppose, that is better enabling that premium content to ensure eyeballs there, but they're paying attention and I cannot stress that enough. In a world of a short attention span, they want to know what's going on and they consumeDamian Fowler (15:28):It. I would almost say it's short form content fatigue to a certain extent. There's something nice about a long form, a game,Liam Kristinnsson (15:41):ADamian Fowler (15:41):Football game,Liam Kristinnsson (15:42):A soccer game, or a movie. To that point, right? I was probably part of the problem with TV from a consumer point of view. I became like a cinephile which didn't help a company's ability to monetize myself, but the more meshed I get into the industry and the more, I don't know, popular I get, the less time I have to go find a film, right? The more time I have to maybe watch a drama about women in New York and I will watch the rerun that I just saw the week before at eight o'clock in anticipation of what's going to happen at nine o'clock, but really because I want to see the reunion or the interview at 10 o'clock, right? So now I'm consuming the same content twice, but I'm even more engaged in the live TV and there's something afterwards that is actually, maybe taped, but it feels live, right?(16:37):Yeah.Damian Fowler (16:37):And that's the proposition that Dish is getting into. I'd want to ask you, how's Dish Media building on the momentum that you've already created?Liam Kristinnsson (16:45):Yeah, I think right now it's what more can we do and how can we keep providing and enabling inventory for the right providers? I think that the assumption in the marketplace for any new product that comes out is, wow, this is it, it's here. 100% of it's enabled. That's never the case, right? It takes a year to ramp up typically for the average product, sometimes as much as three for us. We've been hitting the gas and I think now we're about to go from fifth to sixth speed and really kind of enable our inventory holistically to the marketplace. So for us, it's a little bit of crawl, walk, run from an enablement perspective and with that comes even greater insights into what are they consuming, what's the audience? How do we help define and clean up that audience downstream and then let others maybe do what they do best.(17:45):But we are really in a great position to keep kind of growing that and exposing net new insights about users that I'm not sure everybody's contemplating.Damian Fowler (17:56):Yeah, I'm sure.Ilyse Liffreing (17:57):Very cool. I have a question here about the economy and as you know, and everybody does, it's on kind of shaky ground, you don't know. How do you see spend evolving in the programmatic space at this time?Liam Kristinnsson (18:16):Well, I'm glad you asked that. I think there is marketplace concerns about what is happening on the demand side and a lot of them are valid. A lot of them are maybe being overthought perhaps, but I think there's some rocky roads ahead for specific industries, but it presents a unique opportunity. And I think from a publisher perspective, maintaining the value of inventory and the premium content that they have is absolutely a must because we are going to continue to provide insights and improve products that ultimately will provide better outcomes for backend users. If we kind of enable knee-jerk reactive spend, I think that actually goes against the grain of supply path optimization and increasing outcomes holistically under the guise of potentially lower rates or what have you. But I truly believe that if one category is down, another needs to go up. And I think advertising is like a mutual fund like that where I have lived in Europe in the past and there's a phrase in Scandinavia that like, no matter what happens to our small economy, people will advertise beer because somebody will buy it, right?(19:46):And I think that's much more universal than just in a few select small countries. And I think in a lot of ways we saw that in the pandemic, right? Direct to consumer brands, a lot more variety of entertainment companies or hardware products or TVs were able to kind of put their best foot forward and give the consumer options, right? And I think it's some of their responsibility to provide those options. What we, the publishers can do is enable and ensure they're getting the right results for the content and fitting them in the content or audiences that they really can get the best out of them, right?Damian Fowler (20:28):Absolutely. Okay. We're going to bring this home now with some quick fire questions, right? And here's the first one. What are you obsessed with figuring out right now?Liam Kristinnsson (20:38):Well, this might be a little divisive, but I am obsessed with continuing to improve supply path optimization, but I believe that comes with the slow sunsetting of linear. When I got to Dish, we were still primarily, while our bread and butter was addressable, we were still primarily from a percentage basis, linear, right? Since then, we've completely flipped the script. We are by far and away, mostly impression based. And the reality is I think that we are leveraging too many legacy tools to tell and provide stories on outcomes that are not always as accurate as they should be. We live in a world where transparency is key, maybe not full transparency all the time, but enough transparency where I, the client or brand should be getting a return on our investment or understanding why the audience or the content I was targeting is not working for me.(21:42):And I think that's, those are the pockets we need to start exploring and understanding, not so much the, how do I understand foot traffic on a day-to-day basis, but not convert that to sales when I'm extrapolating out 32 families, right? So that's really, really what I think needs to happen. And I think there's a lot of work to be done there and it's not going to happen overnight, but it starts here and starts with an advantage really.Ilyse Liffreing (22:06):Wow. And why do you think that the slow death of linear, as you said, has to happen for that?Liam Kristinnsson (22:15):I shouldn't say it has to happen. I think there is a time and a place for it, right? I think if I'm going to a bodega and I think I want a soft drink, that's their goal is to make sure that the first thing I think of is whatever the product is, but I think that time and a place is actually creating a lot of noise downstream and creating a lot of challenges for folks on the attribution and measurement side to actually understand and holistically look at their media purchases. And I think it's okay to have gross in terms of volume, ways of looking at how media should be purchased and leveraged, but I believe nine out of 10 clients really, they deserve the insights and the understanding of who is buying their products and how we can figure out how to kind of tie that together and improve into the next year.(23:10):That's how their products are going to build, especially with some of this like in certain categories. There's maybe too many brands or too little, right? Better data will inform beyond individual clients, but it'll enable people to start unique businesses that can compete in an area where there's clearly a lot of eager consumers,(23:35):Right?Ilyse Liffreing (23:36):Very cool. What's one piece of wisdom you'd pass on to other media leaders navigating the shift to programmatic?Liam Kristinnsson (23:43):Yeah. So I hate to say the same thing twice, but if I were to give one piece of wisdom is value your inventory that is going to be the future of your business and there are ways that you can improve your product and enable and improve a third party client or vendor's product, but racing to the bottom for what is happening tomorrow will not enable you next year. And it's a real concern in the marketplace, but my concern is actually twofold that it doesn't actually just hurt publishers, but it ends up ultimately hurting the brands and the people buying the inventory because they are going to receive exponentially more noise, right? And I think that as an industry with a lot of noise, we should really think about like how we can kind of isolate it into, and harness it into, into actual meaningful outcomes.Damian Fowler (24:48):If you could pick one brand that's really nailing programmatic right now, who would it be?Liam Kristinnsson (24:53):Without explicitly calling out a unique brand, but I'll give you two types of folks that are really nailing programmatic. One, I think is second tier auto brands where they are unlocking, and I really think Disconnected plays a great role here. They are unlocking and understanding how they can better access inventory for the right audiences, period. That could be isolating and understanding how I could serve ads from a reach perspective across the city of Des Moines, or it can be somebody looking for blonde-haired men that have two boxer dogs. Secondly, and I think this is part of the paradigm shift across the industry. I think there's quite a number of CPG brands that legacy-wise have really had outstanding success reaching mass eyeballs, whether it's through billboards, radio, traditional linear television. But now again, like they are able to fill a void across the whole ecosystem by getting better, more dynamic insights into the audiences that they're selling to, but also they're actually getting insights, period.(26:13):Retail data, you're talking about? Retail data, yes. And I think if I'm a chip brand, sometimes I want people to know my name first. And that's great. There's a need for that, but eventually you have to start focusing on how you can get money back from that. It's not just about getting your name out there, or it could be diversified. Maybe your name is out there, but now other names have come in, right? Now, how do you leverage the dynamic component of programmatic to diversify your creative and your ability to deliver to the same audience? It'll change the way we think and look at maybe traditional frequency capping or traditional exposure, but now the brand through Programmatic can really lead the new age of creative storytelling and how people understand or change the way people think they know products.Damian Fowler (27:13):And that's it for this edition of The Big Impression.Ilyse Liffreing (27:15):This show is produced by Molten Heart. Our theme is by Love and Caliber, and our associate producer is Sydney Cairns.Liam Kristinnsson (27:22):And remember ... We're also starting to see a surprising jump in the youth kind of getting app fatigue, I suppose, that is better enabling that premium content to ensure eyeballs there, but they're paying attention.Ilyse Liffreing (27:37):I'm Damian. And I'mDamian Fowler (27:38):Ilyse. And we'll see you next time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

REPLAYWayne is the Author of the Vampyre Tales Series. He began writing when he was in grade school because he found it relaxed him, and helped him to “escape” the real world. As time went on, he was given the opportunity to teach a drama class at a local high school, to which he accepted and focused on the importance of stage presence and character building. This later led to a request that would change everything for him. He was asked to create a “believable” Vampire character, and not only did he comply, but his character went on to become his personal persona that would later thrive as the main character of the Vampyre Tales. His books have been taking vampire fans on a journey of their own, leaving a trail of rave reviews and one award thus far, and it's only the beginning. He was also the “head vampire” for one of Canada‘s largest theme parks, for the Halloween season several years running which attracted the attention of other organizations. He was hired as a consultant, to build their theatrical haunted houses for the and Screamers in Ottawa Ontario Canada, operated by the Kiwanis was the first, then went on to become a well-known Halloween hotspot . Being non for profit, other Kiwanis divisions throughout the country have since based their Halloween haunts on the Ottawa location, and the creativity behind the origins, have come from Wayne Mallows. Wayne owned a haunted Gothic Revival Manor House for over a decade, and is no stranger to the paranormal. He has also appeared on paranormal television, with a few honourable mentions being Paranormal Survivor S3, Paranormal Night Shift, There's No Such Thing as Ghosts, Much Music, and more.WEBSITE: www.waynemallows.com

It's finally time! The Legends Movie Draft is back! We're picking an all-new slate of films to review this year, including classics and new releases, and we're upping the difficulty by adding new categories. We'll be making picks for fan-favorites like Aug-Heist, Legends of Halloween, and Chronovember, along with Movie Mash-Ups and movies from the year our hosts were born. But Legends aren't born, they're drafted, so get out your Big Board and follow along at home. It's the Legends 2026 Movie Draft!   ******* Next week: we stare at Jim Carrey through hidden cameras with THE TRUMAN SHOW!  ********** For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

 Happy Halloween, kids!  What, it's not Halloween where you are?For an extra-long treat (rather than a trick), Rish presents Daphne du Maurier's 1952 story "The Birds," about an English village beset by flocks of avian killers almost as sick of humanity as you are. Apparently, they once made a film of it.Note: This very nearly was split into two episodes, and only the promise of the greatest holiday of the year kept them stuck together.Note 2: You're welcome.If you want to download the episode, Right-Click HERE.If you want to support me on Patreon, click HERE.Logo by Gino "The Nerds" Moretto.

¡Lo vemos y no lo creemos!

Arpana Jinaga was a 24 year old Indian woman living in Redmond, Washington when she was murdered in her own apartment during a Halloween party in 2008. Her body was discovered a few days later. The killer had attempted to clean the crime scene, but multiple DNA samples were recovered. Two of these samples belonged to partygoers who were confirmed to have spent time in Arpana's apartment that evening.Contact us at: weeknightmysteries@gmail.comInstagram - https://www.instagram.com/weeknightmysteriesTikTok - https://www.tiktok.com/@weeknightmysteries

Right in the thick of awards season, Jim Hill and Drew Taylor sit down to read the tea leaves on this year's animation race while also digging into a pivotal - and often misunderstood - moment in Disney animation history. From Annie Award trends and box office signals to Don Bluth's garage-era rebellion, this episode covers how a shortage of effects animation talent helped spark one of the biggest talent walkouts the studio ever faced. NEWS • Why KPop Demon Hunters and Pixar's Elio leading the Annie nominations could matter as Academy voting begins • The third Avatar film dominates the box office again as Zootopia 2 closes in on Lion King-level numbers • GKIDS picks up Shaun the Sheep: The Beast of Mossy Bottom for a Halloween release • Remembering composer Guy Moon and his legacy across The Fairly OddParents, Danny Phantom, and more FEATURE • How shrinking FX animation departments in the 1970s quietly changed Disney's films • Why Don Bluth created Banjo the Woodpile Cat as a “training exercise pretending to be a movie” • Ron Miller's rejection of Banjo and how that decision helped trigger Bluth's mass exit from Disney • The ripple effects that delayed The Fox and the Hound, reshaped the studio, and helped set the stage for Disney's 1980s reboot HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Drew Taylor - IG: @drewtailored | X: @DrewTailored | Website: drewtaylor.work FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Save on Walt Disney World and Universal Orlando tickets - sometimes up to 12 percent off - at UnlockedMagic.com. When you book, please let them know Drew and Jim sent you. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

THE SECRET AGENT director Kleber Mendonça Filho joins hosts Josh Olson and Joe Dante to break down the movies that made him! Kleber is fresh off winning this year's Golden Globe for Best Foreign Language Film for THE SECRET AGENT this weekend. His film's star, Wagner Moura, also took home a Globe for Best Actor in a Motion Picture – Drama. Show Notes: Movies Referenced In This Episode Small Change (1976) The Secret Agent (2025) Bacurau (2019) *Walkabout (1973) *Wake in Fright (1971) The Right Stuff (1983) Don't Look Now (1973) Performance (1970) The Witches (1990) Close Encounters of the Third Kind (1977) Superman (1978) Star Wars (1977) Piranha (1978) *Fitzcarraldo (1982) Burden of Dreams (1982) Apocalypse Now (1979) The Blues Brothers (1980) Bad Lieutenant: Port of Call New Orleans (2009) Paris, Texas (1984) *The Beguiled (1971) The Beguiled (2017) Escape From Alcatraz (1979) *The Long Goodbye (1973) *Punch-Drunk Love (2002) McCabe and Mrs. Miller (1971) MASH (1970) Chinatown (1974) Boogie Nights (1997) Magnolia (1999) The Wedding Singer (1998) Happy Gilmore (1995) Assault on Precinct 13 (1975) Escape to Witch Mountain (1975) LA Plays Itself (2003) Pictures of Ghosts (2023) *Twenty Years Later (1984) The Big Shave (1967) The Longest Day (1962) Cleopatra (1963) Halloween (1978) La Jetée (1962) Green Vinyl (2004) *Gremlins (1984) *The Host (2006) E.T. The Extra-terrestrial (1982) Poltergeist (1982) The Texas Chainsaw Massacre (1974) Indiana Jones and the Temple of Doom (1984) *The Fly (1986) *Do The Right Thing (1989) Jungle Fever (1991) Other Notable Items Our Patreon! The Hollywood Food Coalition Francois Truffaut Wagner Moura Udo Kier The Lord of the Rings franchise Pedro Pascal Enzo Nunes Nicholas Roeg Ted Kotcheff Philip Kaufman The Criterion Collection TFH Guru Roger Corman Klaus Kinski Werner Herzog Nicolas Cage The Cologne Film Festival The French new wave Don Siegel Sofia Coppola Clint Eastwood Geraldine Page Paul Thomas Anderson Robert Altman Elliott Gould Jack Davis Mad Magazine Mark Rydell Roman Polanski Adam Sandler The Cannes Film Festival Columbia Pictures Philip Seymour Hoffman Robert Elswitt Emily Watson John Carpenter Kim Richards Scream franchise Eduardo Coutinho  João Pedro Teixeira Martin Scorsese The Vietnam War Bong Joon Ho Jerry Goldsmith Steven Spielberg Tobe Hooper Dick Miller Polly Holliday Phoebe Cates David Cronenberg Spike LeeThis list is also available on Movies Unlimited. Learn more about your ad choices. Visit megaphone.fm/adchoices

What role did crystal meth and other previously underreported factors play in the brutal murder of gay college student Matthew Shepard? The Book of Matt is a page-turning cautionary tale that humanizes and de-mythologizes Matthew while following the evidence where it leads, without regard to the politics that have long attended this American tragedy.Late on the night of October 6, 1998, twenty-one-year-old Matthew Shepard left a bar in Laramie, Wyoming with two alleged “strangers,” Aaron McKin­ney and Russell Henderson. Eighteen hours later, Matthew was found tied to a log fence on the outskirts of town, unconscious and barely alive. He had been pistol-whipped so severely that the mountain biker who discovered his battered frame mistook him for a Halloween scarecrow. Overnight, a politically expedient myth took the place of important facts. By the time Matthew died a few days later, his name was synonymous with anti-gay hate. Stephen Jimenezwent to Laramie to research the story of Matthew Shepard's murder in 2000, after the two men convicted of killing him had gone to prison, and after the national media had moved on. His aim was to write a screenplay on what he, and the rest of the nation, believed to be an open-and-shut case of bigoted violence. As a gay man, he felt an added moral imperative to tell Matthew's story. But what Jimenez eventually found in Wyoming was a tangled web of secrets. His exhaustive investigation also plunged him deep into the deadly underworld of drug trafficking. Over the course of a thirteen-year investigation, Jimenez traveled to twenty states and Washington DC, and interviewed more than a hundred named sources. The Book of Matt is sure to stir passions and inspire dialogue as it re-frames this misconstrued crime and its cast of characters, proving irrefutably that Matthew Shepard was not killed for being gay but for reasons far more complicated — and daunting.https://amzn.to/45JT9CvBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

On October 31, 2025, I joined DJ Mikey V on Jammin 107.7 for a special Halloween interview about my work as a paranormal investigator. I talked about three of the cases I was working on at the time -- two hauntings and a demonic case -- and I played some really spooky audio that I captured at those investigations. Mikey is an excellent interviewer, has a great sense of humor, is an outstanding DJ, and an all around great guy so I'm sure you'll love the interview. Check out the links below for info about Mikey, and for other interviews I did this year. Contact: barrypirro@yahoo.com Website: ConnecticutGhost Hunter.com Mikey's 107.7 Info: https://www.jammin1077.com/show/mikeyv/ (Listen LIVE weekdays from 6AM to Noon) My Interview at NPR (10.30/2025): https://youtu.be/W4-9W8Q5lWo

Geoff Tate kicks off a new year of Talkin' Rock episodes. The former Queensryche frontman talks about his upcoming tour (May 9th - Saint Andrew's Hall), as well as an update on Operation Mindcrime 3 that he says is going to drop this summer.Did he think he'd be playing Operation Mindcrime in its entirety this many years down the road? Why did they play the whole album while touring on Empire in the early '90s? What project did he recently work on with Kurt Diemer? All these questions get answers with many more.There's a new Rock & Brews opening in March in Royal Oak! Tony and Dan Yazbick join me to discuss the process of opening the KISS franchise location, around many other bars they own. I asked them about talking to Paul Stanley about the new venture. Tony shares a funny story of dressing up like one of the members for Halloween, as well as how to get a job at the new restaurant.Thanks for listening! Happy 2026!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Right in the thick of awards season, Jim Hill and Drew Taylor sit down to read the tea leaves on this year's animation race while also digging into a pivotal - and often misunderstood - moment in Disney animation history. From Annie Award trends and box office signals to Don Bluth's garage-era rebellion, this episode covers how a shortage of effects animation talent helped spark one of the biggest talent walkouts the studio ever faced. NEWS • Why KPop Demon Hunters and Pixar's Elio leading the Annie nominations could matter as Academy voting begins • The third Avatar film dominates the box office again as Zootopia 2 closes in on Lion King-level numbers • GKIDS picks up Shaun the Sheep: The Beast of Mossy Bottom for a Halloween release • Remembering composer Guy Moon and his legacy across The Fairly OddParents, Danny Phantom, and more FEATURE • How shrinking FX animation departments in the 1970s quietly changed Disney's films • Why Don Bluth created Banjo the Woodpile Cat as a “training exercise pretending to be a movie” • Ron Miller's rejection of Banjo and how that decision helped trigger Bluth's mass exit from Disney • The ripple effects that delayed The Fox and the Hound, reshaped the studio, and helped set the stage for Disney's 1980s reboot HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Drew Taylor - IG: @drewtailored | X: @DrewTailored | Website: drewtaylor.work FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Save on Walt Disney World and Universal Orlando tickets - sometimes up to 12 percent off - at UnlockedMagic.com. When you book, please let them know Drew and Jim sent you. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome welcome it's a brand new year and a brand new attitude. As anyone who subscribes to our supporter's shows knows we have stepped it up a gear this year. On the first Mondays With Macron of 2026 Ron meets a lady who is very upset about the quality of the cheap clothes she bought from China, Grumpy Stan has had enough of being prank called, we meet a scary spooky lady who lives in a haunted Halloween house, Bob accidentally catches a predator, one man gets very upset that the world's cheapest purse was cheap and one man really doesn't appreciate Ron's jokes about his wife receiving 12 inches, and lots more too! This is going to be a great year! Thank you to all the people that listened live on YouTube and everyone checking out our podcast. I love you very much and keep it locked to macronshow.com where Ron will be doing more supporter's shows!

Recordamos el gran soundtrack que tuvimos en octubre de especial de Halloween.See omnystudio.com/listener for privacy information.

From Tony Hawk's Luxe Cravings Box to the Taco Bell Crocs collab, Taco Bell has had countless iconic partnerships. Cierra and Zach get a behind the scenes look at how partnerships are created. Our hosts also chat about Zach's trip to Costa Rica to host Menu Blast, an international cooking competition using the Taco Bell menu, as well as why Halloween is the biggest event of the year for Taco Bell Restaurant Support Center employees.

Send us a textShow: Dateline The Day She Disappeared. S19When her identical twin sister, Nancy Cooper, disappeared, Krista knew Nancy's husband Brad did something to her. Nancy was going to leave Brad and go back to Canada. Brad was a dumb bitch and a controlling dick. Support the showCheck out our website: https://www.buzzsprout.com/837988 Linktree: https://linktr.ee/itsalwaysthehusbandpodcast Like our Facebook page and join our group!! Instagram: @itsalwaysthehusbandpodcast Twitter: @alwaysthehubs Etsy Shop: https://www.etsy.com/shop/ItsAlwaysTheHusband?ref=simple-shop-header-name&listing_id=776055218 Theme song by Jamie "I'm Gonna Kill You, Bitch" Nelson

1. EquityI'm not sure how Google would define “equity,” but my definition of equity is “stored value.”As a homeowner, you understand home equity as the stored value that it offers you.Your equity in your home is a product of all the time, energy, and money that you have put into it, plus the value that has been added by the passage of time.Relational equity is accumulated in the same way.“What have we invested in each other? What have we endured? How many years have we traveled through life together?”Relational equity is why we tolerate annoyances and troubles from the people we love. They have added value to our lives, so they have relational equity in us.Likewise, customer-bonding ads create relational equity between today's businesses and tomorrow's customers. They do this by highlighting shared perspectives, beliefs, and values.Customer-bonding ads communicate authenticity, and vulnerability. And they are always there, 52 weeks a year. Authenticity, vulnerability, and the passage of time are not easy to fake or accelerate.Keep those things in mind as you read on.2. AIEighty-seven Wizards of Ads who stay in regular touch with nearly 1,000 businesses are a reliable finger on the pulse of what is happening.This is what is happening:Google Search results have been altered in a dramatic and unexpected way. Some companies have benefited greatly from Google's new methodology while other companies have been devastated by it.You'll understand what separates the winners from the losers in just a moment.With 6,000 employees, Edelman is the world's largest PR agency. They help companies worldwide manage their reputations and trust through stories published in mass media.Edelman has been doing what they do since 1952.On October 27, 2025, Christmas decorations were vibrating in anticipation of replacing Halloween decor when Brent Nelson – Chief Strategy Officer at Edelman – was quoted in Ad Age magazine.Explaining why Google dramatically expanded their results-ranking criteria, Nelson said,“What drives visibility isn't your ad budget or keyword bids; it's earned media. Analysis shows that 90% of what appears in AI summaries is ‘earned-driven'—pulled from reviews, press, blogs, forums and cultural chatter. Paid now plays a different role, amplifying what's already there.”“The new shelf space isn't a store; it's the AI summary. Brands need to understand their earned footprint across AI-generated answers.”“Who gets cited? Who's trusted? Who's missing? That's the new baseline of visibility.”In other words, Google is now rewarding Relational Equity.3. A PredictionHundreds of new companies are about to leap into the Public Relations business. Their goal will be to get their clients mentioned in online press, blogs, forums and cultural chatter.PR is an easy business to get into. It won't be long before you are approached by someone who has a PR solution to help you improve your AEO (Ask Engine Optimization).If you remember any of today's Monday Morning Memo, let it be this:“If you don't have anything interesting to say, don't let anyone convince you to pay money to say it.”Company slogans, mush-mouth clichés and traditional ad-speak are not going to move the needle.Every month or two, you are going to need something new, exciting, different, and entirely real to say.4. A SuggestionRadio stations would be smart to start a daily or weekly blog that is fun, quick, entertaining, easy-to-read, and full of valuable things that every consumer would want to know about.If I owned a station in Austin, I would call my blog “Cool Things Austin Needs to Know”If my blog was well written

LEOPOLDO'S SECRET LIBRARYSome people are strange — they like to spend their evenings reading books.Others are even stranger — they believe in the magic found between pages, in fantastical adventures, in stories of impossible love, in ghosts that walk among the living, and they think that everything that doesn't exist — maybe does after all.In short, this story is for those who are a little strange, like you and me — you know, for those who.So… listen.If you take the road up the hill from the center of town, you'll find an old and noble villa, one that has been there for a very long time. It must be about 350 years now that it has stood there in silence, watching and breathing softly beneath the Tuscan sky.Enormous rooms filled with history, endless corridors, and windows as large as dreams — but now, instead of porcelain plates and figurines, it gives us stories on paper for those who wish to read them.Yes, now it's the town library — a bit out of the way, but so beautiful. Well, you can't have everything.Now, on a summer night, wrapped in a blanket of stars and the soft glow of delicate lanterns, the villa had filled with voices, music, smiles, and so many stories told and heard, spoken aloud or whispered, intertwining in the embrace of the celebration.A special evening already, no doubt, but pay attention, because something even more unusual was about to happen.Yes, because Elisa was there too. Eyes as wide as the sky, hair as dark as the night, and a book in her hand — as always.Despite everything happening around her, Elisa preferred to read.She was there, in the main corridor: between the garden and the inner courtyard, halfway between the certain and the perhaps, sitting in an armchair a little too big for her, lost in a mysterious and captivating story — in a world all her own.She turns a page, then another, adjusts her yellow glasses, and turns another page…When slowly, the echo of piano music reached her ears.She didn't pay much attention. Thinking it came from the courtyard, she turned another page — and then another.But before long she realized that the notes she heard were not coming from the villa's courtyard but from one of its corridors — carried by a gentle breeze, from faraway places outside of time.Without thinking too much, Elisa rose silently, tucked her book under her arm, and followed the music.She crossed ancient corridors and rooms with shelves full of volumes of every size and color imaginable — rainbows of thoughts and words lined up one by one that seemed to never end.As the music grew stronger, the light faded, the rooms she passed through began to appear forgotten, the stone stairs she climbed and descended worn by time, the side corridors were now dark passages lit only by torches on the walls, appearing and disappearing in the darkness like breaths.A staircase, a wooden door left ajar, another passage, another staircase, and still more rooms and shelves and books without end.Then, suddenly, a mist covered the floor like a gentle tide, and there, before her, a heavy curtain — half open.A little light showed through, and a few small wooden steps.She climbed them, those little stairs, and the music wrapped around her like an embrace.On the stage, candles floated in the air like fireflies on a timeless night. And there, at the center, seated before a tiny piano, was a mouse.But not just any mouse.Leopoldo wore a dark green tweed jacket, brown trousers pressed with care, and on his little snout, golden spectacles that gleamed with ancient and gentle wisdom.His fingers danced on the keys as if they were telling a secret."Welcome, Elisa," he said, without stopping his playing. "I've been waiting for you."Elisa blinked, enchanted. "How do you know my name?""Ah," Leopoldo smiled, letting the last note fade softly into the air, "those who love stories always recognize those who seek them."He stood, adjusted his jacket with an elegant gesture, and looked at her with eyes full of stars."Do you know where you are?""In the town library," Elisa answered, but her voice trembled a little, as if she knew the answer was something else."That one everyone knows," said Leopoldo, stepping down slowly from the stage. "Every town has one that everyone knows. But every town also has another — one that almost no one finds."He paused, his eyes gleaming."You have found the second."Leopoldo led her toward a large wooden door that Elisa could have sworn wasn't there a moment before. It opened slowly, without a sound, like a sigh held too long.And what she saw took her breath away.Endless shelves climbed upward, descended downward, stretched in every direction like spirals of galaxies made of paper and dreams. Candles floated everywhere, illuminating books that seemed to breathe, to pulse softly, like sleeping hearts."What is this place?" Elisa whispered."This," said Leopoldo, walking among the shelves, "is the library of books never written."Elisa followed, confused. "Books never written? But how can they exist?"Leopoldo stopped, turned, and looked at her with infinite gentleness."Every story ever dreamed exists, Elisa. Every adventure imagined before sleep. Every tale thought but never put to paper. They all live here, at the border between the world and the dream, waiting."They stopped before a shelf.Leopoldo pointed to a small book, bound in blue like a summer sky."Touch it," he said softly.Elisa reached out, hesitant, and brushed the cover.A gentle warmth passed through her fingers. And for an instant — just an instant — she heard a child's laughter, saw a dragon made of clouds, and a castle built of pillows and blankets."This," said Leopoldo, "was the dream of a six-year-old boy. A story he told his teddy bear every night. He never wrote it down. But it exists. You see? It exists."Elisa smiled, her heart light.They walked on, through corridors of silent stories, until Leopoldo stopped before another book.This one was different. Larger, bound in dark leather, with golden letters that seemed to tremble."And this one?" asked Elisa, quietly."This one," said Leopoldo, and his voice grew soft as a caress, "belonged to a grandmother."Elisa touched it.And she felt something different.Not laughter, this time. But a warm, distant voice, telling of a brave little girl who crossed an enchanted forest to bring light to a forgotten village."It was the story she wanted to leave her grandchildren," Leopoldo explained. "But time… time sometimes runs faster than dreams. She didn't have time to write it."Elisa felt her eyes sting."But it's here," she whispered."It's here," Leopoldo confirmed. "Forever."They continued walking, in silence, until they reached a shelf unlike the others.It was nearly empty. Only a few books, spaced apart, and so many open spaces, waiting.At the center, a book without a title.The cover was white, clean, like freshly fallen snow, like a page waiting for its first mark."May I?" asked Elisa.Leopoldo nodded.She touched it.Nothing. No warmth. No voice. Only silence. But a full silence, like a breath held."This book is empty," said Elisa, surprised."Not yet written," Leopoldo corrected. "Not even dreamed. Not yet. It waits for someone to find the courage to imagine it."He turned toward her, and his eyes shone like the candles floating around them."Perhaps it waits for you. Perhaps it waits for someone else. But it waits."Elisa stood still, looking at that white book.And she understood.She understood that every story she had ever imagined, every adventure invented before sleep, every dream she thought lost upon waking, existed somewhere.And she understood something else.That you don't have to be afraid to write.Because stories already exist — in the heart, in the mind, in dreams. Putting them on paper is not creating them from nothing. It is only opening a door and letting them out."I have to go, don't I?" said Elisa, softly.Leopoldo smiled. "Your world awaits you. But now you know this place exists. And you know that every story you dream will always have a place here, whether you write it or not."He paused."But if you do write it," he added with a sly smile, "it can live out there too. And that, my dear, is another kind of magic."Elisa found herself back in the villa's corridor, sitting in the armchair a little too big for her, the book still under her arm.The celebration went on, voices and music and laughter, as if no time had passed at all.But something had changed.She had changed.She opened the book she had been reading, looked at the pages, and smiled.Then she closed it.Because now she knew that the most beautiful stories are not only the ones we read.They are the ones we carry inside, the ones we dream with our eyes open, and the ones that one day, with a little courage, we dare to tell.— This story was written by Marco Ciappelli for "Storie Sotto Le Stelle"  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On Halloween 2001, 21-year-old Cindy Song went out with girlfriends dressed as a cute bunny.  After being dropped off outside of her apartment she seemingly vanished into thin air.  Listen now to her story now!NOW AVAILABLE: CRIME WITH HOLLY PATREON!www.patreon.com/crimewithhollyEnjoy ad free for just $2 a month!Enjoying the show?  Here's a way to find out where else you can follow CrimeaHolly!https://linktr.ee/CrimeaHollyCrime with Holly Case Suggestion Form:https://docs.google.com/forms/d/e/1FAIpQLScGdPu4AWAoG_-cmznwcNxnNQlEyX9nxxOwZNZfqpprL3TaUQ/viewformEpisode Sources:https://www.andthentheyweregone.com/blog/cindy-songhttps://www.news.com.au/lifestyle/real-life/true-stories/who-abducted-cindy-song-unpacking-the-cold-case-of-the-halloween-bunny-that-disappeared-into-the-night/news-story/28d615a6b6fadc898134079ac08a5f41https://www.collegian.psu.edu/archives/article_58c1b870-7171-508f-876b-b7898a5e694f.htmlhttps://www.truecrimeedition.com/post/cindy-songhttps://unsolved.com/gallery/cindy-song/https://charleyproject.org/case/hyun-jong-songhttps://www.pennlive.com/midstate/2009/11/8_years_after_penn_state_stude.htmlhttps://www.youtube.com/watch?v=rhbVPrSoy3chttps://ncmissingpersons.org/cindy-hyun-jong-song/https://www.reddit.com/r/TrueCrime/comments/syvhu2/cindy_song_21_went_missing_in_the_early_hours_of/https://www.reddit.com/r/UnresolvedMysteries/comments/78q7jd/unresolved_disappearance_what_happened_to_hyun/https://www.al.com/news/2015/01/hugo_selenski_pennsylvania_man.htmlhttps://www.collegian.psu.edu/archives/article_3cc76b85-3d81-5634-aea7-943c14e3f3fe.htmlhttps://www.collegian.psu.edu/archives/article_ae87c2db-5b10-5250-bc45-fba874d21a23.htmlhttps://www.wnep.com/article/news/local/selenski-to-represent-himself-in-murder-trial/523-8eef8b46-450f-4ba7-9602-bd67802f4ecd

We dread telling you that this is the end of our discussion of adding Halloween elements to your ttrpg.  Go watch Stranger Things season 5

On Halloween night of 1992 something happened that divided the small farming town of Kipling, Saskatchewan. A young single mother accused the town's well respected doctor of sexual assault while under his care. Wanting to save his reputation, the doctor took a blood test to prove his DNA was not a match for the samples found during the performance of a sexual assault exam. It was not a match. Despite this, Candice, the accuser, was adamant about what had happened. Join me as I tell John about the case of the ‘Good Doctor'.Sponsors:MasterclassMasterclass.com/tcc to get an additional 15% off any annual membershipSources:https://www.newspapers.com/image/497356653/?terms=john%20schneebergerhttps://www.theglobeandmail.com/news/national/the-endless-nightmare-of-lisa-dillman/article761440/https://forensictales.com/case-of-dr-john-schneeberger/https://my.clevelandclinic.org/health/drugs/19616-midazolam-injectionhttps://www.iflscience.com/a-doctor-cheated-dna-tests-by-implanting-somebody-elses-blood-into-his-arm-59380https://www.newspapers.com/image/496716610/?match=1&terms=john%20schneebergerForensic Files Interviews Season8, Episode 8

FROM THE VOID: Halle and Alison finally track down Michael Myers to ruin the original Halloween. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Pokluda sits down with Levi and Jennie for a conversation that's equal parts laugh-out-loud and deeply grounding. JP unpacks his 16-day hospital saga—how it started with a leg not working right, turned into a diagnosis of transverse myelitis, and somehow included an unforgettable “marriage moment” that belongs in the Hall of Fame. From spiritual warfare to being aware without being afraid, and what JP learned while researching Your Story Has a Villain—including the country club moment in Aspen that made everything feel painfully real. Plus: Halloween, discernment, and even the surprisingly practical question of how to use AI as a tool without letting it use you—followed by a closing story about a cold plunge that… never actually happened. Connect with us on social! JP: @jpokluda Levi: @levilusko Jennie: @jennielusko Fresh Life Church: @freshlife [Links] Your Story Has a Villain: https://bit.ly/4ai2rsH Becoming Something Podcast: https://bit.ly/4rZROB6 Get the 5 Gallon Bucket: https://bit.ly/sdl4sHY Get the Lusketeer Sticker: https://bit.ly/sdl4sHY Subscribe for more exclusive content: https://levilusko.com/hitl-subscribe Time Stamps 0:01:43 – Six-toed cats and the weird grace of being “different” 0:03:24 – JP's 16-day hospital scare and the symptoms that changed everything 0:16:54 – Real marriage: praying fire for a bowel movement 0:23:20 – Why JP wrote Your Story Has a Villain 0:28:49 – The Aspen Country Club story that made spiritual warfare unmistakable 0:44:06 – Loving God “on purpose,” AI guardrails, and using tools wisely

Part 2 of 2: In our conclusion to the Baby Lollipops case, we examine the final months of three-year-old Lazaro Figueroa's life, the investigation that followed his discovery, and the decades-long pursuit of justice that saw his mother convicted three separate times.VICTIM PROFILE:Lazaro Figueroa never had a chance at a normal childhood. Born in September 1987, just weeks after his father, drug dealer Fidel Figueroa, was murdered in Miami, Lazaro became the target of his mother's resentment as her lavish lifestyle collapsed. At three years old, he weighed only eighteen pounds, half what a healthy child his age should weigh. His left arm had been broken so many times that muscle tissue calcified into bone, freezing the limb at a permanent ninety-degree angle. Despite the relentless abuse, witnesses recalled him running across streets alone, a tiny figure navigating a hostile world without protection.THE CRIME:On the morning of November 2, 1990, Florida Power and Light employees discovered Lazaro's body hidden beneath bushes outside a Miami Beach mansion. His emaciated frame bore forty-three documented injuries: cigarette burns, defensive wounds on his small hands, a fractured skull, and two front teeth knocked out months apart. Brown packing tape secured a soiled diaper to his wasted body. Medical examiner Dr. Bruce Hyma determined Lazaro had endured eighteen months of systematic torture, including being bound, gagged, locked in closets, and left in bathtubs with scalding or freezing water. The cause of death was blunt force trauma from a baseball bat, compounded by starvation and extensive bodily trauma. Most devastating: Lazaro may have survived up to three days after being abandoned, lying alone and helpless before death finally came.THE INVESTIGATION:Police initially could not identify the child and dubbed him Baby Lollipops after the cartoon candy pattern on his T-shirt. The nickname stuck as investigators canvassed Miami Beach with flyers. On November 6, Martha Fleitas recognized the photograph on television and identified Lazaro. The investigation led to his mother, Ana Maria Cardona, and her partner Olivia Gonzalez Mendoza, who had fled to St. Cloud, Florida, stopping at Disney World after disposing of the body. Neighbor Mercedes Estrada reported hearing screams on Halloween night followed by a heavy thump against her wall, then silence. Her report to social services went unanswered.CURRENT STATUS:Ana Maria Cardona's path through the courts spanned nearly three decades. She was sentenced to death in 1992, but the conviction was overturned in 2002 due to a Brady violation. Convicted and sentenced to death again in 2011, that conviction was overturned in 2016 for prosecutorial misconduct. In 2017, prosecutors waived the death penalty, and Cardona was found guilty a third time, receiving life without parole. Judge Miguel de la O told her that wild beasts show more empathy for their offspring. Olivia Gonzalez Mendoza served fourteen years after pleading guilty to second-degree murder. Cardona's eldest son, Juan Puente, died in prison in 2018 at age thirty-seven. The only publicly available photograph of Lazaro Figueroa shows him in death.RESOURCES:Learn more about this case at mythsandmalice.com/show/obscuraSupport Obscura: https://www.patreon.com/obscuracrimepodcast/Our Sponsors:* Check out BetterHelp: https://www.betterhelp.com* Check out Chime: https://chime.com/OBSCURA* Check out Progressive: https://www.progressive.com* Check out TruDiagnostic and use my code OBSCURA20 for a great deal: https://www.trudiagnostic.comSupport this podcast at — https://redcircle.com/obscura-a-true-crime-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We're back with another Hills rewatch, and this episode hit me harder than I expected. Going home to Laguna Beach and filming with my dad and step-mom is emotional to revisit now that he's no longer in my life. It's wild how one scene can basically sum up our entire relationship. Watching how a narcissist can turn “on” for the cameras, the drama with my step-mom, and why I was genuinely floored she even agreed to film. And yes — her dressing up as me for Halloween comes up.We also get into one of the few real, intense storylines of the show: Holly's drinking. The moment that made me text Heidi, and how Holly went from that season of life to being 15 years sober and now running her own recovery center for women.Plus, the scene that reminded me of doing a wedding-dress photoshoot the day after calling off my engagement… and the dramatic twist that sent the Justin Bobby–Audrina–me love triangle straight into chaos.A word from my sponsors:ARMRA - Go to armra.com/HONEST or enter HONEST to get 30% off your first subscription orderSkims - Shop my favorite bras and underwear at SKIMS.comKa'Chava - Go to https://kachava.com and use code HONEST for 15% off your next order.Hiya - Receive 50% off your first order at hiyahealth.com/HONESTTonal - Tonal is offering our listeners $200 off your Tonal purchase with promocode HONEST at Tonal.com.Taylor Farms - Grab a Taylor Farms chopped salad kit and get your salad together!For more Let's Be Honest, follow along at:@kristincavallari on Instagram@kristincavallari and @dearmedia on TikTokLet's Be Honest with Kristin Cavallari on YouTubeProduced by Dear Media.This episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct, or indirect financial interest in products, or services referred to in this episode.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The legend of Stanley Stiers — an 11-year-old Iowa boy who allegedly murdered his family and classmates on Halloween in 1923 — bears an uncanny resemblance to a certain masked killer who wouldn't appear on screen for another 55 years. | #WDRadio WEEK OF JANUARY 04, 2026==========HOUR ONE: Was Stanley Stiers the real-life inspiration for Michael Myers in 1978's John Carpenter film, “Halloween?” (The Real Michael Myers) *** The last known words of Peter Rugg were “Let the storm increase! I will see home tonight in spite of the last tempest, or I may never see home!" Over two-hundred years later and he has yet to make it home – but that hasn't stopped his tempest! (The Eternal Ride of Peter Rugg) *** Imagine attending college for several years, only to find out that the whole time you've been studying on top of the corpses of thousands of mental patients. That's exactly what happened in 2013 when The University of Mississippi made plans to expand parking for their students and staff. (The Corpses Under The University of Mississippi) *** Dealing with a ghost or two is awful enough – but what if you're attacked by a whole gang of ghouls? It was reported as real news in 1889's Chicago Tribune! (A Whole Gang O' Ghosts) *** People With Super Powers!==========HOUR TWO: It's rumored that an arcade game from 1980 might lead to the real death of its players. We'll look at the death curse of Berzerk. (The Berzerk Death Curse, And The Polybius Urban Legend) *** And another arcade game in the early 80s was surrounded by controversy – because the game never existed, despite so many saying it did. Or did it exist? We'll look at the urban legend of Polybius. (The Urban Legend of Polybius)==========SUDDEN DEATH OVERTIME: Michael Bryson disappeared on August 5th, 2020 from Hobo Campground at Umpqua National Forest. He has yet to be found. (The Disappearance of Michael Bryson) *** When it comes to cryptids, you have many to choose from – Bigfoot, the Loch Ness Monster, the chupacabra, the list goes on and on. But I'm willing to bet nowhere on the list of your favorite cryptids, or even the cryptids you've ever heard of, do you have an entry for “The Belled Buzzard” of Texas. (The Belled Buzzard Legend) *** When the Black Plague arrived at Eyam's doorstep in the 17th century, its villagers were forced to choose between life or certain doom. It's the tragic tale of England's Plague Village. (The Black Plague Comes to Eyam)==========SOURCES AND REFERENCES FROM TONIGHT'S SHOW:“People with Super Powers” from Paranormality Magazine: https://weirddarkness.com/magazine“The Berzerk Death Curse” by Cat DeSpira: https://weirddarkness.tiny.us/yckk96tv“The Polybius Conspiracy” by Ryan Houlihan for InputMag.com: https://weirddarkness.tiny.us/2p8h6v8z“The Real Michael Myers” from Casper McFadden at TheMorbidLibrary.com: https://weirddarkness.tiny.us/yvj6ueze, and from TheScareChamber.com: https://weirddarkness.tiny.us/vmew9uvb; “Halloween” theme piano solo by Noud van Harskamp: https://www.youtube.com/watch?v=2T9m-fj8K9c, “Halloween Kills | Epic Orchestral Theme” by Mike Chibante: https://www.youtube.com/watch?v=E82MEfQiffk“The Disappearance of Michael Bryson” posted at Strange Outdoors: https://weirddarkness.tiny.us/mwvb3am8 (If you know anything that could help solve Michael Bryson's disappearance, or if you were at the Hobo Campground around August 3rd, 4th, or 5th of 2020, please reach out to the sheriff's office at (541) 682-4150, option 1, and reference case No. 20-5286.)“The Eternal Ride of Peter Rugg” posted at SlightlyOddFitchburg.com: https://weirddarkness.tiny.us/3z7pdtzn“The Corpses Under The University of Mississippi” by Erin Wisti for Ranker.com's “Graveyard Shift”:https://weirddarkness.tiny.us/2p8tdu6k“A Whole Gang O' Ghosts” posted from Strange Company: https://weirddarkness.tiny.us/2p9ynpev“The Belled Buzzard Legend” from Texas Cryptid Hunter: https://weirddarkness.tiny.us/2p875fxv“The Black Plague Comes to Eyam” by Stephanie Almazan for TheLineUp.com: https://weirddarkness.tiny.us/1aptirxk==========(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for material I use whenever possible. If I have overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it immediately. Some links may benefit me financially through qualifying purchases.)=========="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46==========WeirdDarkness®, WeirdDarkness© 2026==========To become a Weird Darkness Radio Show affiliate, contact Radio America at affiliates@radioamerica.com, or call 800-807-4703 (press 2 or dial ext 250).==========#MichaelMyers #Halloween #HorrorMovie #TrueCrime #UrbanLegends #JohnCarpenter #HalloweenMovie #CreepyStories #HorrorHistory #WeirdDarkness

On this episode: Lucy Lopez, Elizabeth Newcamp, and Zak Rosen are going into the vault. In a very special episode, we're sharing some of our favorite Slate Plus bonus episodes for freeeee!!! We bring you episodes on Halloween costumes, the best lullabies, and more. If you like what you hear, you should absolutely consider subscribing to Slate Plus! This is just a little taste of the fun we have on the Plus Playground. If you sign up you'll also get an ad-free experience across the network, bonus episodes on lots of other Slate podcasts, and much more. And, you'll be helping Care and Feeding stay on air.  Sign up now at slate.com/careplus – or try it out on Apple Podcasts. Podcast production by Cheyna Roth. Video production by Micah Phillips.  Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318. Learn more about your ad choices. Visit megaphone.fm/adchoices