Podcast appearances and mentions of mike shiflet

LUNA SEES guest mix + new music from RADIUS, MILLIA, MAX COOPER, NERVOUS OPERATOR + MR FINGERS on this ABSTRACT SCIENCE podcast, hosted by CHRIS WIDMAN. Special guest LUNA SEES aka DJ LUNAR is one of the founders of the legendary Columbus, Ohio ele_mental collective, whose innovative approach to the 90s rave scene + electronic music served as an inspiration for ABSTRACT SCIENCE. Currently based out of Chicago, LUNA has returned to DJing after orbiting the local community as a dancer + connector. He begins the program with a mix of deep techno, electro + broken beat, closing out the first hour with a short ambient section. WIDMAN follows with a set of downtempo, house, IDM + dub. [aired 14 May 2026 on WLUW-Chicago 88.7FM] >LUNA SEES Farron – “Kistereo Love” on Feal (Shaw Cuts, 2024) Millsart – “Vibrations from the Other Side” from Space Outside Space (Axis, 2025) Niro – “Absolutely Unnecessary” from Rinascita (Kimochi, 2015) C. F. Noel – “Une douce surprise de funk” from Le Nid d'oiseau EP (Moto Music, 2003) Moonstarr – “The Recipe” from Tele:Port (Chair Recordings, 2001) Blackout Theory “Choke” from Tele:Port (Chair Recordings, 2001) Monolake – “Static” from Gravity (Imbalance Computer Music, 2001/Field Records, 2025) Kobe Dupree – “Fogwood” from Voice from the Inside (4Trk, 2025) Rrose x Polygonia – “Haima” from Dermatology (Eaux, 2024) Deon Jamar – “Altar Dub” from Altars 3 (Black Music, 2024) Celer/Forest Management – “7° 10° 77° 83°” from Landmarks (Constellation Tatsu, 2017) Mike Shiflet – “Omicron Serenade” from The Choir, The Army (Under the Spire, 2012) Cosey Fanni Tutti – “Sonance” from 2t2 (Mute Song/Conspiracy International, 2025) Daniela Huerta – “Coatl” from Soplo (Elevator Bath, 2024) Concepción Huerta – “We Return to the Center” from The Earth Has Memory (Elevator Bath, 2024) Seefeel – “Avatar” from (Ch-vox) (REDUX) (Warp Records, 2022) O.S.T. – “In” from Seimlste (Qlipothic, 2002) >CHRIS WIDMAN Radius Etc “One 4 Larry Heard Pt. 1” (Alive & Thriving, Consumers Research & Development, 2026) Millia “Spinwheel Glide” (Sprawll EP, Future Times, 2026) WAX “11110B” (No. 11110, Wax, 2026) Paperclip People “The Climax” (Planet E Comm., 1995) Move D “Roll Split 2026” (Beyond the Rave, Source Records, 2026) Max Cooper “Pattern Index” (Feeling Is Structure, Mesh, 2026) Nervous Operator “Critical Threats” (Spectral Remnants, Lizard Label, 2026) Mr Fingers “Enceladus 5” (Leev Ur Mynd, Alleviated Records, 2026) Om Unit “Healing Tool” (Oracles, Local Action, 2026) Batu & Donato Dozzy “Drift” (Exhale, Timedance, 2026) Norfik “Cyclic” (Dreamer, 2026) caterina barbieri + Bendik Giske “Intuition, Nimbus” (At Source, light-years, 2026) The post absci radio 1421 – luna sees + chris widman appeared first on abstract science >> future music chicago.

Eve Essex is a composer and multi-instrumentalist based in Brooklyn, NY. She performs with woodwinds and voice, accompanied by instrumental ensembles, and by electronic arrangements that use synthesizers, drum machines, live processing, and other sounds. Her work slides easily from structured electronic pop to open-ended melodic explorations and big-band arrangements. She has scored film soundtracks, written music for installation and performance art, and explored prog, jazz, and electroacoustic ideas with groups including The Fabulous Truth, Das Audit, and a host of other collaborations. Essex's second solo album The Fabulous Truth will be released in LP, cassette and digital formats by Soap Library in June 2024. Her debut solo album, Here Appear, was jointly released by Soap Library (cassette) and Sky Walking (LP) in 2018. In the summer of 2024, she will be Composer In Residence at Crosstown Arts in Memphis, TN. As a featured instrumentalist she has contributed to works by The God In Hackney, Peter Gordon & Love of Life Orchestra, James K, Kevin Kenkel, Liturgy, Colin Self, Mike Shiflet, UCC Harlo, and Peter Zummo, among others.https://eveessex.comhttp://eveessex.bandcamp.comLinktreeInstagramWe also requested Eve to share with us some of her favorite things.Catch them all in our newsletter: https://putf.substack.com/The PUTF show is an interview series, dedicated to showcasing inspiring creatives from the PUTF community and beyond. Guests are invited to share their unique career journeys, stories, and visions.The PUTF show is produced by WAVDWGS, a video production company based in NYC.https://wavdwgs.com/Pick Up The Flow, is an online resource based in NYC striving to democratize access to opportunities. Opportunities are shared daily on this page and website, and weekly via our newsletter.More on https://putf.substack.com/Listen to this episode on audio platforms:Spotify: https://tinyurl.com/spotify-putfApple: https://tinyurl.com/putf-applepodcast Hosted on Acast. See acast.com/privacy for more information.

That's it. The final page. A huge thank you to Mark Nagy for collaborating on the lion's share of this project. Thanks also to Mike Shiflet and Saint Current for helping with a few pages.Now it is time to renounce this work and go full Maoist. Let 100 flowers bloom.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Mark and I again recorded a series of pages in person, at the same time, in the same room, which was pretty thrilling. Here's one of those sessions.Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Mark and I again recorded a series of pages in person, at the same time, in the same room, which was pretty thrilling. Here's one of those sessions.Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Mark and I again recorded a series of pages in person, at the same time, in the same room, which was pretty thrilling. Here's one of those sessions.Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

That's right, bitches: 300 episodes. We did it. We made it. Perfect score if you're bowling, pretty terrible if that's your SAT score. Anyway. Fuck all the haters. Flowers and sympathy cards to all their parents; tell them their children were stupid.Anyway: Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane. (not changing it ever again).Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, sinners. It's all there in lossless, glorious stereo to arouse your darkest passions.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, ya goofs. It's all there in lossless, glorious stereo to blow your mind.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.Early warning: I'll have a side quest bonus episode next week from the duo at LV2MKRT. If you like 1esf5m, you should check out LV2MKRT. Click that 'subscribe' button, and get an additional dose of sonic explorations in your earbuds.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 75-100 of Treatise are available here, pigs. You want your filthy noises, don't you? Well, here they are in a lossless format that sounds much better than this podcast sounds.Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.Early warning: I'll have a side quest bonus episode in a few weeks from the duo at LV2MKRT. If you like 1esf5m, you should check out LV2MKRT. Click that 'subscribe' button, and get an additional dose of sonic explorations in your earbuds.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.Early warning: I'll have a side quest bonus episode in a few weeks from the duo at LV2MKRT. If you like 1esf5m, you should check out LV2MKRT. Click that 'subscribe' button, and get an additional dose of sonic explorations in your earbuds.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Mark and I got together for our first post-lockdown face-to-face recording session. Pages 124-129 were recorded live, rather than socially-distanced file swapping.Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Mark and I got together for our first post-lockdown face-to-face recording session. Pages 124-129 were recorded live, rather than socially-distanced file swapping.Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Mark and I got together for our first post-lockdown face-to-face recording session. Pages 124-129 were recorded live, rather than socially-distanced file swapping.Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Mark and I got together for our first post-lockdown face-to-face recording session. Starting this week, pages 124-129 were recorded live, rather than socially-distanced file swapping.Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Mark and I got together for our first post-lockdown face-to-face recording session. Starting this week, pages 124-129 were recorded live, rather than socially-distanced file swapping.Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Mark and I got together for our first post-lockdown face-to-face recording session. Starting this week, pages 124-129 were recorded live, rather than socially-distanced file swapping.Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com

Bastian Void, Blues Control, Pleasure Island, Super Minerals, Cenote Glow, Thou, Liveshitbingepurge, Former Selves, Red Red Ruby, Jonathan James Carr, Mike Shiflet, and an interview with Ryan McGill (Afterlife) and Franklin Teagle (Afterlife and Tranquilty Tapes)

Bastian Void, Blues Control, Pleasure Island, Super Minerals, Cenote Glow, Thou, Liveshitbingepurge, Former Selves, Red Red Ruby, Jonathan James Carr, Mike Shiflet, and an interview with Ryan McGill (Afterlife) and Franklin Teagle (Afterlife and Tranquilty Tapes)