Podcasts about crosstown arts

Dr. Artina McCain joins us today on Sonosphere. Dr. McCain curated the Mahogany Chamber series in partnership with PRISM ensemble and Crosstown Arts. The series is about bringing voices to the stage you don't often hear. The first one was around poetry and music, second was supporting MLK holiday and the next one features rhythms from around the world. Piano-flute duo and piano-piano duo make up the Dazzling Duos exploring Caribbean rhythms! You can check out this concert on Feb 23rd at Crosstown Arts Green Room, 2-4pm!

This week on Beale Street Caravan, we have an electrifying performance by the Reba Russell Band, recorded live at The Green Room at Crosstown Arts in Memphis, Tennessee. Fronted by the iconic Reba Russell, this show featured a special appearance by her niece, Brittany Russell, whose soaring vocals added yet another dynamic layer to the performance. Grammy nominated blues man, Guy Davis, will also be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame.

Beale Street Caravan is on the soulful road to glory this week with the Queen of Sacred Soul, Elizabeth King, celebrating the release of her third album, Soul Provider, live from the Green Room inside of Crosstown Arts. The queen is backed by the Sacred Soul Band, which features Memphis music stalwarts Will Sexton, Matt Ross-Spang, Mark Edgar Stuart, and Will McCarley. Grammy nominated blues man, Guy Davis, will be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame, here in Memphis, TN.

This week on Beale Street Caravan, we feature Paul Taylor and Three Springs live from the Green Room in Crosstown Arts. The episode marks Memphis multi-instrumentalist Paul Taylor's first show home in Memphis since relocating during the recent pandemic.

For today's episode I am joined by Eve Essex, who just released her latest album The Fabulous Truth. We discuss her unique approach to songwriting, delivery and phrasing, and what the anti-hero archetype teaches us about survival. ✨ MORE ABOUT EVE ESSEX ✨ Eve Essex is a singer-songwriter and multi-instrumentalist based in Brooklyn, New York whose work consists of woodwinds, saxophone, and voice. She is currently spending the summer as a Composer in Residence at Crosstown Arts in Memphis, TN. ✨ KEEP UP TO DATE WITH EVE ESSEX ✨ Web: https://eveessex.com Instagram: instagram.com/seevexes/ X: x.com/seevexes Soundcloud: soundcloud.com/eveessex Bandcamp: eveessex.bandcamp.com/ YouTube: youtube.com/@eveessex Spotify: open.spotify.com/artist/1g80vffuP Apple Music: music.apple.com/us/artist/eve-essex/ ✨ CONNECT WITH IZZY ✨ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠agrrrlstwosoundcents.com⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/agrrrlstwosoundcents/⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/grrrlsoundcents⁠

This week on Beale Street Caravan, we feature blues from the Mississippi Delta and around the globe. Willie Farmer, Ryan Lee Crosby, and others take us on a musical journey, live from The Green Room at Crosstown Arts, in Memphis, TN. Grammy nominated blues man, Guy Davis, will be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame, here in Memphis, TN.

Beale Street Caravan is on the soulful road to glory this week with the Queen of Sacred Soul, Elizabeth King, celebrating the release of her third album, Soul Provider, live from the Green Room inside of Crosstown Arts. The queen is backed by the Sacred Soul Band, which features Memphis music stalwarts Will Sexton, Matt Ross-Spang, Mark Edgar Stuart, and Will McCarley. Grammy nominated blues man, Guy Davis, will be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame, here in Memphis, TN.

This week on Beale Street Caravan, we're back in the Green Room inside of Crosstown Arts for a collaboration between beloved singer, songwriter, and producer, Mark Edgar Stuart, and contemporary chamber music group, Blueshift Ensemble. Grammy nominated blues man, Guy Davis, will be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame, here in Memphis, TN, brought to you by the Blues Foundation.

Eve Essex is a composer and multi-instrumentalist based in Brooklyn, NY. She performs with woodwinds and voice, accompanied by instrumental ensembles, and by electronic arrangements that use synthesizers, drum machines, live processing, and other sounds. Her work slides easily from structured electronic pop to open-ended melodic explorations and big-band arrangements. She has scored film soundtracks, written music for installation and performance art, and explored prog, jazz, and electroacoustic ideas with groups including The Fabulous Truth, Das Audit, and a host of other collaborations. Essex's second solo album The Fabulous Truth will be released in LP, cassette and digital formats by Soap Library in June 2024. Her debut solo album, Here Appear, was jointly released by Soap Library (cassette) and Sky Walking (LP) in 2018. In the summer of 2024, she will be Composer In Residence at Crosstown Arts in Memphis, TN. As a featured instrumentalist she has contributed to works by The God In Hackney, Peter Gordon & Love of Life Orchestra, James K, Kevin Kenkel, Liturgy, Colin Self, Mike Shiflet, UCC Harlo, and Peter Zummo, among others.https://eveessex.comhttp://eveessex.bandcamp.comLinktreeInstagramWe also requested Eve to share with us some of her favorite things.Catch them all in our newsletter: https://putf.substack.com/The PUTF show is an interview series, dedicated to showcasing inspiring creatives from the PUTF community and beyond. Guests are invited to share their unique career journeys, stories, and visions.The PUTF show is produced by WAVDWGS, a video production company based in NYC.https://wavdwgs.com/Pick Up The Flow, is an online resource based in NYC striving to democratize access to opportunities. Opportunities are shared daily on this page and website, and weekly via our newsletter.More on https://putf.substack.com/Listen to this episode on audio platforms:Spotify: https://tinyurl.com/spotify-putfApple: https://tinyurl.com/putf-applepodcast Hosted on Acast. See acast.com/privacy for more information.

This week on Beale Street Caravan, we groove with soul/jazz/funk sensation, Hope Clayburn. From sharing the stage with icons like The Temptations to leading her own ensemble, Clayburn's music moves hearts worldwide. Tune in to catch Hope Clayburn's Soul Scrimmage live at the Green Room in Crosstown Arts as they celebrate the release of their album, Y'all So Loud. Guy Davis, returns to deliver another segment on the musical heroes enshrined in the Blues Hall of Fame.

Birdcap, who was born Michael Roy, has an exhibit on display at Crosstown Arts through the end of April, with paintings and mosaics inspired by his interpretation of Homer's Iliad.

MadameFraankie's work is centred around recontextualizing the day to day documentation of black life. She is drawn to highlighting the various ways Black people hold space and occupy their time. Within her work she attempts to capture micro-communal moments, gestures of love, and curiosity. MadameFraankie's work draws comparison of these documented themes against the social and ethical norms within American Culture as a means to reshape black narration and photographic storytelling.She attributes the  reshaping of her understanding of community and artistry to the arts and music scene in Memphis, specifically working with Tone Memphis . Having recently exhibited with the space during Miami Art Week 2023,  MadameFraankie is excited for her work to take on a larger scale in both size and subject matter during her residency with Crosstown Arts. She explains how aspects of her identity like being both Black and Southern impacts how she thinks about and creates art. We learn about her upbringing in the military and how moving around the world produced a longing for aspects of identity and a sense of home that she now conjures in her photographs. Living in Memphis, MadameFraankie turns her camera towards the mundane aspects of Black life, championing the joy and tenderness in her community.  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

This week on Beale Street Caravan, we feature Paul Taylor and Three Springs live from the Green Room in Crosstown Arts. The episode marks Memphis multi-instrumentalist Paul Taylor's first show home since relocating during the recent pandemic.      

This week on Beale Street Caravan, we feature Paul Taylor and Three Springs live from the Green Room in Crosstown Arts. The episode marks Memphis multi-instrumentalist Paul Taylor's first show home in Memphis since relocating during the recent pandemic.

This week on Beale Street Caravan, we feature blues from the Mississippi Delta and around the globe. Willie Farmer, Ryan Lee Crosby, and others take us on a musical journey, live from The Green Room at Crosstown Arts, in Memphis, TN. Grammy nominated blues man, Guy Davis, will be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame, here in Memphis, TN.

J.D. Reager hosts a star-studded show in front of a live audience at the Green Room in Crosstown Arts alongside Jason Pulley at the piano. Solo musicians Josh Shaw (Blvck Hippie), Steve Selvidge (the Hold Steady, MEM_MODS, Big Ass Truck), and Mark Edgar Stuart perform live and chat with J.D. at the desk, pro wrestler Trace Lee Hunt shares tales of grit and victory, chef/comedian Joshua McLane teaches the room to make pesto, rock duo S p a c e r (Cheyenne Marrs and Neal Lathem) tears the house down, and everyone joins in for a big grand finale. This episode was recorded on December 8, 2022. backtothelight.net

Brief summary of episode:Zoë Charlton (Baltimore, MD) creates figure drawings, collages, installations, and animations that depict her subject's relationship to culturally loaded objects and landscapes.  Charlton received her MFA degree from the University of Texas at Austin and participated in residencies at Artpace (TX), McColl Center for Art + Innovation (NC), Ucross Foundation (WY), the Skowhegan School of Painting (ME), and the Patterson Residency at the Creative Alliance (MD). Her work has been included in national and international exhibitions including The Delaware Contemporary (DE), the Harvey B. Gantt Center (NC), Crystal Bridges Museum of American Art (AR), Studio Museum of Harlem (NY), Contemporary Art Museum (TX), the Zacheta National Gallery of Art (Poland), and Haas & Fischer Gallery (Switzerland). She is a recipient of a Pollock-Krasner grant (2012) and a Rubys grant (2014). Museum collections include The Phillips Collection (DC), Crystal Bridges Museum of American Art (AR), Birmingham Museum of Art (AL), and Studio Museum in Harlem (NY). Charlton co-founded ‘sindikit, a collaborative art initiative, with artist Tim Doud to engage their respective research in gender, sexuality, and race. Charlton is a Professor of Art at American University in Washington, D.C., holds a seat on the Maryland State Arts Council, a board member at the Washington Project for the Arts (DC), and a national board member at Threewalls (IL).Her work is included in “A Movement in Every Direction: Legacies of the Great Migration”, a traveling group exhibition co-curated by Chief Curator Ryan Dennis of the Mississippi Museum of Art, and Curator and Department Head of Contemporary Art Jessica Bell Brown of the Baltimore Museum of Art.  Charlton was an artist in-residence at The Brodsky Center at the Pennsylvania Academy of the Fine Arts in spring 2022 and participated in the Crosstown Arts residency in Nashville, TN in summer 2022.  Charlton is serving on an 8-member steering committee at the Baltimore Museum of Art to reimagine equitable and accountable structures and functions of cultural institutions within diverse local and regional communities.As ‘sindikit, Zoë Charlton and Tim Doud co-edited Out of Place: Artists, Pedagogy, and Purpose available through Punctum Books.  Broad in scope, Out of Place: Artists, Pedagogy, and Purpose presents an overview of the different paths taken by artists and artist collectives as they navigate their way from formative experiences into pedagogy. **photo Credit Grace Roselli, Pandora's BoxX ProjectThe Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. Mentioned in this episode:Zoë Charlton To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

The head of Crosstown Arts' artist in resident programs, Mary Jo Karimnia, joins Eric Barnes to talk about opportunities for artists, the role of the arts in the Crosstown building and community, and her near 10-year-history with the Crosstown project.

Host J.D. Reager and musician Jason Pulley attempt to provide context for the slightly abnormal (in a fun way) live performance that follows. Most of this episode was recorded live on March 17, 2022 in Memphis, TN at The Green Room in Crosstown Arts.

Todd Richardson is the President of Crosstown Redevelopment Cooperative, a co-founder of Crosstown Arts, and a former professor of Art History, Criticism, and Conservation. He shared his story from childhood in Tupelo, Mississippi, to a PhD from Leiden University in the Netherlands, to the dream of redeveloping the Crosstown Concourse in Midtown Memphis.

Todd Richardson is the President of Crosstown Redevelopment Cooperative, a co-founder of Crosstown Arts, and a former professor of Art History, Criticism, and Conservation. He shared his story from childhood in Tupelo, Mississippi, to a PhD from Leiden University in the Netherlands, to the dream of redeveloping the Crosstown Concourse in Midtown Memphis.

Host J.D. Reager shares an on-stage moment with guests Graham Burks (Loose Opinions) and HEELS. This episode was recorded live on March 17, 2022 in Memphis, TN at The Green Room in Crosstown Arts.

Show notes: In this solo episode I have some MSCA member/meeting news, more updates on upcoming conventions/events such as Free Comic Book Day and the Memphis Comic Expo(DonnieCon), as well as some memories of mine and Nicki's Saturday in midtown Memphis visiting The Art Center, attending MidTown Con at Black Lodge, seeing a photo exhibit at Crosstown Arts, discovering the Memphis Listening Lab at Crosstown Concourse, and shopping at The Cellar and Comics & Collectibles. Plus I talk about Antonio Johnson's Clip Studio Paint demo at the April MSCA dinner meet-up, and me sliding by 901 Comics, Goner Records, and Burke's Bookstore in the Cooper-Young neighborhood. Also feature the Little House Art Project and their current Autism Awareness art show with the Southaven Arts Council (which runs through April at the Southaven Library), the DeSoto Camera Club's latest photo display at the Hernando Library, plus other mid-south art happenings. The back-half of the episode is about a Facebook post I shared about "high functioning anxiety". I discuss my anxiety/depression/health issues. If you want to skip that part of the show, the local art/event news is at the front ("Anxiety" section begins at 40min 50sec). If you are dealing with any mental or physical issues I hope that you listen to the whole episode and that my sharing what's going on in my head and hands these days helps you. Definitely therapeutic for me to talk out loud about it. Please don't keep whatever you're going through to yourself.- talk to someone and/or seek help(988). Stay well, stay tooned, and keep drawing funny! Theme: “Silly Bank Heist” by Steve Oxen. ©2020 Fesliyan Studios Inc.– music and sound effects used by permission. Movie quotes/add. sounds - 101soundboards.com. Run time: 1hr 44min 17sec

Host J.D. Reager shares an on-stage moment with guests Cory Branan and Alicja Trout (Alicja-Pop, River City Tanlines). This episode was recorded live on March 17, 2022 in Memphis, TN at The Green Room in Crosstown Arts.

Host J.D. Reager shares an on-stage moment with guests Jeff Hulett (Snowglobe) and Michaela & Will Forrest (Rosey). This episode was recorded live on March 17, 2022 in Memphis, TN at The Green Room in Crosstown Arts.

We are releasing a conversation we had with turntablist and composer Maria Chavez, and singer/songwriter and musician Christina Carter on their performance at Memphis' Crosstown Concourse in May 2018. Christina Carter's call and response with Maria Chavez's shattered records had folks heading to the stairs at Crosstown Arts spiral staircase. In this episode we hear from Christina and Maria's vision for the space in their first site specific duet. www.sonospherepodcast.com

This week on Beale Street Caravan we have the soulful sounds of Kortland Whalum in a special show, live from the Green Room at Crosstown Arts. Grammy nominated blues man, Guy Davis, will be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame, here in Memphis, TN, brought to you by the Blues Foundation.

May 27, 2020 Hello internet, it's Jerry Gogosian. I hope you and your family are doing well in these troubling times. It's been a while since I last released an episode of the podcast. Like many of you, life got real real and I have had to really focus on the brass and tacks for a while. However, during all of this, I’ve had the privilege of reflection. Time to finally start absorbing the reality of where we’ve come to as a species, as a culture, as a community of art lovers, as an industry… The inevitability of change is here and its time to start deciding what we want to do about it. (This is a longer conversation meant for another time.) ***But, I'm good. There will be several more podcast releases in the coming weeks so you have that to look forward to. For this episode, I decided to speak with the artist Kenturah Davis about her paintings and her practice's relationship liminality, language, and how textiles manage to weave their way into the history of human communication. It was truly a pleasure and I hope you enjoy our conversation as much as I did. But before we get started, I wanted to announce that after much searching for a quality Zoe + Chloe, I think I’ve found him. That's right. His name is Gunner Dongieux. I decided to record our interview to get your opinion. What do you think? Is he a good hire? Is he a Zoe or a Chloe? ________ Kenturah Davis lives and works in Los Angeles, CA with regular trips to Accra, Ghana. The artist earned her BA from Occidental College, CA and MFA from Yale University School of Art in 2018. Davis recently opened her first solo institutional exhibition, Everything That Cannot Be Known at the Savannah College of Art and Design Museum (SCAD) in February (2020). Other solo and two-person exhibitions include Blur in the Interest of Precision, Matthew Brown Los Angeles (2019); a two-person exhibition with Desmond Lewis at Crosstown Arts, Memphis, TN in coordination with the traveling venue, Seed Space (2019); and Narratives and Meditations (2014) and sonder (2013), Papillion, Los Angeles. Public projects include Four Women, a commissioned mural by Alliance Francaise to commemorate International Women’s Day, in Accra, Ghana and Metamorphose, comprised of five portraits commissioned by architect Elliott Barnes, featured in Barnes’ installation at the Lâ Exposition AD Interieurs, Paris, France. Her work has been in institutional presentations in Africa, Asia, Australia, and Europe. Recent exhibitions include Plumb Line: Charles White and the Contemporary, curated by Essence Harden and Leigh Raiford at the California African American Museum, Los Angeles, CA (2019); Punch, curated by Nina Chanel Abney, at Jeffrey Deitch, Los Angeles, CA (2019); and Afrocosmologies: American Reflections, at the Wadsworth Atheneum Museum of Art, Hartford, CT (2019). Other notable institutional exhibitions include: Must Risk Delight, organized in collaboration with the 56th Venice Biennale (2015); Linked in Tradition, Inspiring in Vision: A Selection of Works by African American Women Artists, Robert and Frances Museum of Art, San Bernadino, CA (2017); Black Joy, Yale University, New Haven, CT (2016); We Must Risk Delight, at the Accademia di Belle Arti di Venezia, Venice Biennale (2015); The Silence of Ordinary Things, The Mistake Room, Los Angeles (2015); i:23, The Yokohama Triennial, Yokohama, Japan (2014); An American Water Margin, Ucity Museum, Guangzhou, China (2014); Mass Attack, Torrance Art Museum, Torrance, CA (2013); and Mis-Design, Ian Potter Museum, Melbourne, Australia (2011). --- Send in a voice message: https://anchor.fm/jerrygogosian/message

In this debut episode of the Matthew Brown Los Angeles Podcast, artist Kenturah Davis conducts an interview with artist Diedrick Brackens in a conversation that spans the politics of pandemics, the history and process of Brackens' tapestry weavings, and Brackens' parallel, though lesser-known, practice of basket weaving.Using text as a point of departure, Kenturah Davis explores the fundamental role that language has in shaping how we understand ourselves and the world around us. This manifests in a variety of forms including drawings, photographs and performances. Davis recently opened her first solo institutional exhibition, Everything That Cannot Be Known at the Savannah College of Art and Design Museum (2020). Other solo and two-person exhibitions include Blur in the Interest of Precision, Matthew Brown Los Angeles (2019); a two-person exhibition with Desmond Lewis at Crosstown Arts, Memphis, TN in coordination with the traveling venue, Seed Space (2019); as well as Narratives and Meditations (2014) and sonder (2013) at Papillion, Los Angeles. Davis lives and works between Los Angeles, CA and Accra, Ghana.Diedrick Brackens is best known for his woven tapestries that explore allegory and narrative through the artist’s autobiography, broader themes of African American and queer identity, as well as American history. Recent solo exhibitions include blessed are the mosquitoes, Jack Shainman Gallery, New York (2020); If You Have Ghosts, Alabama Contemporary Art Center, Mobile, AL (2020); Allegiance, University Art Gallery, The University of the South, Sewanee, TN (2019); Diedrick Brackens: darling divined, The New Museum, New York (2019); and unholy ghosts, Various Small Fires, Los Angeles (2019). Brackens lives and works in Los Angeles, CA  

Visits to Crosstown Arts and Beale Street. Interviews with Garrett McQueen, Orrin Evans, Jazzy Miller and more.

“We (originally) called it Memphis Spillit Center Stage, and we curated the stories. We had people invited to come up and tell their stories, and they had ten minutes to tell their story. Sometimes you have to have an audience to understand what ‘your' story is – it's not a monologue, it's a dialog where only one person is speaking, and one has to relate. Everyone has a shared moment, but it's really about connecting.” That's Josh Campbell, Executive Director of Spillit Memphis, the program where an individual gets on stage and tells their story to an audience of dozens. Host Mark Fleischer sat down with Josh and talked about the process of bringing these moving and sometimes emotional, or cathartic, or funny, shared experiences to the stage, and about the final Spillit Grand Slam of 2019, at Crosstown Arts.

Jennifer Biggs talks with Raymond Jackson, the chef at the café at Crosstown Arts.

Welcome to Sonosphere radio, today we welcome Robert Traxler, founder of the Memphis Concrete experimental music festival happening this month in Memphis – June 29th and 30th. In its third year, the Memphis Concrete music festival is featuring headliners Matmos, Moor Mother, Rapoon, Mykel Boyd, Tavishi and featuring a live score of the original Tron – all right here in Memphis at Crosstown Arts.  For more information and a track list visit sonospherepodcast.com

Frances Berry is a photographer, painter, and collage artist from Memphis, Tennessee. By re-working vintage photographs via digital collage and other photoshop techniques, she gives life to interesting surrealistic works. Her work has appeared at the 2014 Biennial Roadshow in Marfa, Texas, the Los Angeles Center for Digital Art, as well as spaces around Memphis, including Crosstown Arts, Mind Body Haus in Cooper-Young and Society Memphis Skatepark & Coffee. Born and raised in Columbus, Mississippi, Frances is an alum of The University of Alabama and Memphis College of Art, where she earned her MFA. She has also completed residencies in France, Talkeetna, AK, and upstate New York. instagram.com/where_is_frances/ www.whereisfrances.com

Welcome to Sonosphere radio. Occasionally, Sonosphere will post playlists curated by artists, record label owners, music enthusiasts, DJs, and sometimes by us. This week we’ll hear a collaborative mixtape session with from Natalie Hoffman of the band NOTS fame. She has a project now with Memphis DJ and electronic artist Ben Bauermeister called Optic Sink. Check out Optic Sink at the Memphis Concrete Festival June 29 and 30th – tickets on sale now. Learn more at facebook.com/memphisconcrete/ Don’t miss Memphis Concrete this month at Crosstown Arts and enjoy this mix! Track list at sonospherepodcast.com

Justin Gillis of the Crosstown CDC and Porsche Stevens of Crosstown Arts reveal more about the greater Crosstown neighborhood, from its long history to its diverse mix of small businesses.

Sonosphere's last Sound Observations series for 2018 ended on a high note. We welcomed Nicole Mitchell to perform flute with electronics. Thanks to Nicole Mitchell and Crosstown Arts for their partnership in this series. More information at sonospherepodcast.com and subscribe on itunes, follow us on social media @sonospod

Lately, the first place I take visiting friends and family is Crosstown Concourse. It never disappoints. The vendors, the gallery, the (slowly becoming iconic) red staircase, the building’s enormity, etc, eventually lead to them saying “Wow…but…what is this place?” Well in this episode we only get into the question of “What is Crosstown Arts” while scratching the surface of the rest. We chat with Caitlin Hassinger, Eso Tolson, Jenny Davis, and Joy Marseille for a better understanding of the initiative known as Crosstown Arts. Enjoy!

Jazzy Miller of Crosstown Arts (host of the #FM15 Friday Night Event)

Peek behind the scenes as the art is being created for the #FM15 celebration at Crosstown Arts. Artist Lauren Keras speaks with Katie Moore and Lead Pastor John Bryson on the artwork (as she is creating it!) that will be displayed and auctioned during the Nov 16th party.

On this episode of Memphis Musicology, we sit down with the Stax Museum’s Jane White to discuss the new exhibit “Give a Damn!” on display now at Crosstown Arts. The exhibit focuses on Stax’s late-era legacy of political activism, both through the label’s music and direct action, and shines a particular light on co-owner Al Bell who spearheaded the change. Following the interview, we survey some of the best songs from this particular era from artists like the Bar-Kays, Johnnie Taylor, and John Gary Williams.

In today's episode, teacher and poet Rachel Edelman explains how writing poetry is akin to The Great British Bake Off. Then, she reads a love poem and we discuss her own work. This is a 40 minute episode, so clearly I am not keeping my 20 minutes or under promise. Stay tuned for updates on the project! More on Rachel -- Raised in a Jewish family in Memphis, TN, Rachel Edelman's poems examine how humans confront and evade the destruction we have wrought. Her work has been published or is forthcoming in Beloit Poetry Journal, The Threepenny Review, Poetry Northwest, and elsewhere. She has received fellowships and residencies from Crosstown Arts, Mineral School, the Academy of American Poets, and the University of Washington. She holds an MFA in poetry from the University of Washington and a BA in English and geology from Amherst College. She works as an Upper School English teacher at Seattle Academy of Arts and Sciences. ● The Poetry Vlog is a YouTube Channel and Podcast dedicated to building social justice coalitions through poetry, pop culture, cultural studies, and related arts dialogues. Subscribe to our YouTube channel to join our fast-growing arts & scholarship community (youtube.com/c/thepoetryvlog?sub_confirmation=1). Connect with us on Instagram (instagram.com/thepoetryvlog), Twitter (twitter.com/thepoetryvlog), Facebook (facebook.com/thepoetryvlog), and our website (thepoetryvlog.com). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In today's flash briefing reading, we get you to the last sneak peek before Thursday's episode. Rachel reads "Aubade with Burning City" by Ocean Vuong. Listen in, enjoy the poem, and prepare yourselves for tomorrow on The Great British Baking Show. Ocean's poem: https://www.poetryfoundation.org/poetrymagazine/poems/56769/aubade-with-burning-city Rachel: Raised in a Jewish family in Memphis, TN, Rachel Edelman's poems examine how humans confront and evade the destruction we have wrought. Her work has been published or is forthcoming in Beloit Poetry Journal, The Threepenny Review, Poetry Northwest, and elsewhere. She has received fellowships and residencies from Crosstown Arts, Mineral School, the Academy of American Poets, and the University of Washington. She holds an MFA in poetry from the University of Washington and a BA in English and geology from Amherst College. She works as an Upper School English teacher at Seattle Academy of Arts and Sciences. Flash Briefings are 2 minutes or less "flash" readings for you to jumpstart your weekdays. They are published M - F. Feel free to comment, request, or chat with me via the links below. Subscribe to our YouTube channel to join our fast-growing arts & scholarship community: youtube.com/c/thepoetryvlog?sub_confirmation=1 Connect with us: instagram.com/thepoetryvlog twitter.com/thepoetryvlog facebook.com/thepoetryvlog thepoetryvlog.com Support TPV: anchor.fm/thepoetryvlog/support

To prepare you for Rachel's lesson plan on poetry and The Great British Bake Off, Aka The Great British Baking Show on Thursday, listen in to her reading one of her August-perfection poems, "Stone Way North." More on Rachel -- Raised in a Jewish family in Memphis, TN, Rachel Edelman's poems examine how humans confront and evade the destruction we have wrought. Her work has been published or is forthcoming in Beloit Poetry Journal, The Threepenny Review, Poetry Northwest, and elsewhere. She has received fellowships and residencies from Crosstown Arts, Mineral School, the Academy of American Poets, and the University of Washington. She holds an MFA in poetry from the University of Washington and a BA in English and geology from Amherst College. She works as an Upper School English teacher at Seattle Academy of Arts and Sciences. Flash Briefings are 2 minutes or less "flash" readings for you to jumpstart your weekdays. They are published M - F. Feel free to comment, request, or chat with me via the links below. ● The Poetry Vlog is a YouTube Channel and Podcast dedicated to building social justice coalitions through poetry, pop culture, cultural studies, and related arts dialogues. Subscribe to our YouTube channel to join our fast-growing arts & scholarship community (youtube.com/c/thepoetryvlog?sub_confirmation=1). Connect with us on Instagram (instagram.com/thepoetryvlog), Twitter (twitter.com/thepoetryvlog), Facebook (facebook.com/thepoetryvlog), and our website (thepoetryvlog.com). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode of Memphis Type History: The Podcast, Rebecca has a conversation with Erica S. Qualy to learn all about the art of zines. What are they? What is the purpose? Can anyone make their own? We answer those questions and more for your enlightenment and for the annual Memphis Zine Fest that is open for all to attend!   If you're familiar with our book, you may recognize Erica's name from our chapter of the Lorraine Motel. She's actually the one who sparked Rebecca's interest in zines in the first place. So, what is a zine? A zine is a do-it-yourself publication produced in editions of less than 100. Usually it's just an 8.5x11 piece of paper folded up and stapled with whatever content you want to tell. At first, everything was cut and paste and hand-drawn, but now people have the ability to include photoshop elements. Erica states that she herself is a purist and sticks to the cut and paste method. She also gives insight on what her process is which you can hear on this episode. For example, Erica uses her own typewriter. Where did the zine start? That's a good question. Some people would consider tracing zines back to Martin Luther's Ninety-five Theses written in 1517. But the fandom of science fiction works in the 1930s is what really set it off. Fans published and traded their own stories and those became known as "fanzines" the abbreviation of fan magazine and later shortened to just zine (zeen). Erica touches on some great material she researched but makes a point to call out that the zines we most commonly reference came from 70s because that was the start of newer technologies that allowed these to be easier to produce. In the 70s and 80s is when the punk scene entered influencing the voice and art of zines. Even into the 90s a lot of band used zines to produce their own voice, awareness, feminism, and empowerment. Most importantly, visit the Memphis Zine Fest! Thanks to Erica and Crosstown Arts, artists are able to showcase and sell their own zines each year during the Memphis Zine Fest. This year's fest will be Friday, July 20 at the theater stairs in the central atrium of Crosstown Concourse. It's free to attend and open to all ages from 4P–7P but bring some cash so you can buy some fun zines and support the arts. And if you're interested in becoming a zine maker (which you probably are now), you can apply to be a vendor at the event! Just visit crosstownarts.org.   For full show notes, visit memphistypehistory.com/zine

New York City-based composer collective ICEBERG New Music was in residence at Crosstown Arts for two weeks of concerts, workshops, and lectures back in June of 2017. We spoke with composers from the second of the two concerts in the Crosstown Arts series, and attended their workshops and lectures that ranged from a “Sound Scavenger Hunt” to a lecture on “Popular and Classical Music in 1960s America.” Memphis-based contemporary chamber group Blueshift Ensemble collaborated with ICEBERG and performed the collective’s original compositions for the concert series. I hope you enjoy our talk about Iceberg's mission, the future of new music, collaboration, blending genre's and more!  Visit sonospherepodcast.com for track listing.

Dorothy had the chance to sit down with Beth Winterburn, an abstract fine artist and discuss how she started creating abstract thanks to a friend's request.  Beth discusses how she prices her artwork and how she releases collections online, which helps with seasons of creating, packaging, uploading online, and helps give herself breaks. For more Beth Winterburn: http://www.ebw-artwork.com/ (3:00) Art 101 elements and principles of art as her guide (5:00) @ebw_artwork (6:00) Beth's art background (17:00) growing her studio from kid mode (19:00) her first abstract piece 4 years ago (20:00) started selling from Instagram, her online portfolio (26:00) using acrylic inks (31:00) starting to sell at festivals, Double Decker, Memphis Maker Market (33:00) went to workshops and one-on-one online classes, learning taxes and being a small business owner (34:00) good advice on pricing her artwork  (36:00) on selling artwork at restaurants, currently selling her artwork at Catherine & Marys, River Oaks (37:00) Falling into Place, Pickering Boxwood, selling wholesale to France (40:00) on releasing collections online  (46:00) Crosstown Arts, Ken Hall curating, Janet Smith, Kat Gore, Lisa Williamson, Grit (49:00) how she creates commission pieces (54:00) collaboration with Artfully Walls and getting into Anthropologie    

In this episode of Memphis Type History: The Podcast, Rebecca and Caitlin have a treat for all the Elvis fans out there celebrating this week. They talk about Graceland Too, the offbeat museum of Elvis memorabilia you can't visit anymore because of its closing in tragic circumstances. But you can hear all about it from from people who did see it firsthand on Memphis Type History: The Podcast. Graceland Too is no longer open to the public. However, memories of the eccentric owner of the Elvis memorabilia museum are still spoken of with fondness. Paul MacLeod drove into Holly Springs, Mississippi, in the 1980s dressed like Elvis and in a pink Cadillac. He took up residence in the small town and soon his reputation as an Elvis fan garnered him visitors of his own. He loved Elvis so much his entire home was filled with rare and strange memorabilia. He said to have even named is son Elvis Aaron Presley McLeod. So where did the name come from? The house itself was just as eccentric as the man who ran it. There was memorabilia covering every wall of the house. It changed colors regularly according to various themes: Blue for Blue Hawaii, Pink for the Cadillac, and Gray for Jailhouse Rock, among others. Unfortunately Paul McLeod was found dead suddenly on his porch in the front of his house from a health issues. Two days earlier he had shot and killed a man at his front door. Although MacLeod was not convicted with anything, people claim the stress of the situation caused his death. The death was sudden and just as suddenly his home and belongings were auctioned off. Rebecca only even experienced any of it at an exhibit at Crosstown Arts which is why she looked for people who could help fill in memories with their firsthand accounts. The first person interviewed is Darrin Devault. He went to the museum the first time with a friend who was always looking for the opportunity to take good photos. Only box fans cooled the house in the sweltering July heat. Darrin described the house as being at one time a "stately home." At the time of their visit it was painted in the blue. After that, it was painted "Pepto Bismo Pink. Darrin went to McLeod's funeral. They let everyone at the funeral back to the house for the final tour. Darrin talks about Paul's "photographic memory" and his "wall of fans" for people visited consistently over the years including the Elvis garment you had to wear for your "wall of fans" photo to be displayed in the home. You'll have to listen to the podcast to get the details, though. Second, we hear from Aimee who was a lifetime member. She took one of those middle-of-the-night visits that were apparently very popular among college students. It was the mid-nineties. Upon arriving she was taken aback by the number of items and its location just off a main city street. She also talks about how it was a much different experience in the middle of the night than during the day. Aimee took the trip when she was relatively new to Memphis and was very curious about the Elvis culture that exists. She describes it as a place you had to see to believe and describes McLeod as every bit of what you hear about when people describe him. Rebecca also talked to Emily Van Gilder and her boyfriend Evan Daws. Evan was actually a lifetime member and has his picture on that "wall of fans" you read about earlier and is the owner of several Lifetime Member cards. Evan talks about his many adventures at Graceland Too, and shares what he'd have kept if he could have anything from the collection. Emily had her own unique experience there. Listen to the podcast to get all those details. For full show notes go to memphistypehistory.com/gracelandtoo

In this special, bonus episode of Sonosphere, we present An Evening with Wu Fei in collaboration with Crosstown Arts. This is Fei's live performance at the Crosstown Arts gallery on Cleveland Street in Memphis, TN on June 30, 2017. The intimate space lent itself to an interactive performance between the audience and Wu Fei, as she showcases what the guzheng can do through its thousand-year history. Wu Fei is a composer and guzheng player. She is a native of Beijing and a current Nashville resident. She is a master of the guzheng, the ancient 21-string Chinese zither. At this performance Fei told stories of her upbringing in Beijing, her relentless practice with the guzheng and how she found improv at Mills College and through her time in New York's improv scene. She mixes her Western and Chinese traditional sensibilities with a contemporary, experimental dialect that only Fei can convey in her "down-to-earth," personable way. We thank her and Crosstown Arts for an amazing show!

We talked with Jazmin Miller with Crosstown Arts about the creative process of an artist, youth theater, and artist residency at Crosstown Arts. http://crosstownarts.org/

On two consecutive nights in April 2016, the first mellotron duet concert took place in a packed Crosstown Arts in Memphis, TN. Robby Grant and Jonathan Kirkscey played Mellotrons provided by collector Winston Eggleston. After Winston finished building his own Mellotron, Robby was invited over to test it out and the idea for the World’s first duet for mellotron concert was born. We interviewed Robby, Jonathan and Winston on the impetus for the concert, their fascination with the mellotron and other fun facts and personal experiences with this unique instrument. The World's First Duet for Mellotron LP comes out January 13, 2017. Available at Crosstown Arts in Memphis. Featured "Joan Folds Towels" track written and performed by Robby Grant and Jonathan Kirkscey.

In this episode with photographer Tommy Kha we dig deep into recognition and reconciliation particularly with the people of his past, his hometown of Memphis, and graduating from Yale and somehow becoming a stand-up comedian.   He's already held the book signing for A Real Imitation, which we talk about in this episode, but until Sept 17th can run by Crosstown Arts to feast your eyes on Tommy's curated photography and video gallery titled, Anthology: Somewhere Not Here, which we also discuss.    Anthology: Somewhere Not Here August 19 through Sept 17, Tuesday-Saturday, 10 am - 6 pm Crosstown Arts - 422 N Cleveland St, Memphis, Tennessee 38104   Tommy Kha Instagram | Twitter | Email

Ground breaking for Crosstown Arts is coming up and Todd Richardson came onto the podcast to discuss. We learn about the past five years of development, future plans, some floor plans, and how it all came together. Surprising to hear just how well things went during planning phases from great reception, to partners with similar plans, and how having art history background worked in Todd's favor. Crosstown wants you to know that you too can be a part of this historic building, they will be looking for residents to help occupy what looks to be a premier culture center in Memphis. CrosstownArts.orgFacebookTwitterCrosstown Events Calendar