Podcasts about experimental

Register for Free, Live webcasts & summits:https://poweredbybhis.com00:00 - PreShow Banter™ — I just want Jorts!05:42 - Blackmailing A.I. - Talkin' Bout [infosec] News 2025-05-2707:01 - Story # 1: Experimental drones developed to neutralize mass shooters, disable weapons11:29 - Story # 2: How a global malware operation was taken down from a federal court in Georgia13:50 - Story # 3: Judge allows Workday AI bias lawsuit to proceed as collective action15:23 - Marker 1719:25 - Story # 4: Anthropic's new AI model turns to blackmail when engineers try to take it offline32:19 - Story # 5: TeleMessage customers include DC Police, Andreessen Horowitz, JP Morgan, and hundreds more34:53 - Story # 6: TikTok videos now push infostealer malware in ClickFix attacks36:57 - Story # 7: Beware, Coinbase users. Crypto thieves are taking fingers now40:56 - Story # 8: Signal now blocks Microsoft Recall screenshots on Windows 1143:16 - Story # 9: Suspected InfoStealer Malware Data Breach Exposed 184 Million Logins and Passwords44:54 - Story # 10: Google Chrome's Built-in Manager Lets Users Update Breached Passwords with One Click48:09 - Story # 11: Russian military hackers ‘Fancy Bear' target Western aid supply chains to Ukraine, NSA report says50:13 - Story # 12: Google Gemini AI assistant coming to new cars in 2025, starting with Volvo54:17 - Story # 13: Hacker Conference HOPE Says U.S. Immigration Crackdown Caused Massive Crash in Ticket Sales56:55 - Story # 13b: [HOPE_16] International Travel Tips

On this Whiskey Quickie by Bourbon Pursuit, we review Remus Master Distiller Experimental Series No. 1. This 9 year old whiskey is 107 proof and $80 MSRP. Let us know what you think. Cheers!DISCLAIMER: The whiskey in this review was provided to us at no cost courtesy of the spirit producer. We were not compensated by the spirit producer for this review. This is our honest opinion based on what we tasted. Please drink responsibly. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shadows, Tomestoner, Fenian, Wrathprayer, Dot Com Bubble, MOW, Invunche, Controlled Bleeding, and Merzbow

#152: In this episode Frauke sits down with multi-sensory artist Donna Lipowitz to talk about her various creative projects using scent. Donna takes us through her journey in film and television, and ultimately what led her to experiment with scent as a means of storytelling. She explains what inspired her to create the film Perfume Stories: 1989 Anais Anais L'Original, and shares what persuaded her to explore scented letters and smelling poems. Donna also talks about her two scent art projects at NYC's Olfactory Art Keller, as well as breaks down her latest installation at the gallery: The Scent Lending Library. If you've ever thought about creating with scent, this is the episode for you! Watch Donna's film Perfume Stories: 1989 Anais Anais L'OriginalExplore Donna's many olfactory projects @ www.lipowitzsmells.comCheck out the Scent Lending Library at Olfactory Art Keller. Follow Donna on Instagram @lipowitzsmells Follow Frauke on Instagram: ⁠⁠⁠⁠@an_aromatic_life ⁠⁠⁠⁠Visit Frauke's website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.anaromaticlife.com⁠⁠⁠⁠⁠⁠⁠⁠⁠Get No Place for Plants children's book on Amazon⁠Learn about Frauke's ⁠⁠⁠⁠⁠⁠⁠Scent*Tattoo Project

MM Serra is an experimental filmmaker, curator, author, professor at Parsons at the New School and the Executive Director of Film-Makers' Cooperative, the world's oldest and largest archive of independent media. Her first five films (NYC, 1985, Nightfall, 1984, Framed, 1984, PPI, 1986, Turner, 1987) were preserved and digitized by Anthology Film Archives Preservation series Re-Visions: American Experimental Film 1975-1990. Since 1982, MM Serra has created over 31 films. This is our second episode in this deep dive with MM Serra.

Thanks to our sponsor, Venice.AI. Get 20% off a pro plan using our link: venice.ai/coolstuff and code coolstuff. Experimental painkiller could outsmart opioids -- without the high The first US solar storm emergency drill did not go well | Popular Science Our Planet Is Woefully Unprepared For A Bad Solar Storm, Says Report By NASA And NOAA | IFLScience Mysteriously Perfect Sphere Spotted in Space by Astronomers : ScienceAlert Astronomers Discover Sphere Teleios: A Perfect Sphere Found In Deep Space | The Lifesciences Magazine Contact the Show: coolstuffcommute@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

As we lead into the release of his debut Samurai Music EP 'Flaming As A Cloud', Vardae takes over the Samurai Music Podcast series with a live DJ set that captures his techno infused psychedelic hypnotism at 170 perfectly. This set was recorded at Blitz Club in Munich for the Qeone label night on 29.03.2025

We're extremely excited to present part one of our talk with the Phil Lesh of Deerhoof, Greg Saunier. Deerhoof has been a favorite band of Brandon and me (Rob, the guy Greg keeps making fun of for saying dumb shit) for roughly 20 years. Although Deerhoof was an integral element of us becoming extremely cool dudes into challenging media that's far too intellectual for most people, I think we all agree with Greg's assessment of Deerhoof as a pop band. Of 90s/00s rock bands, it feels disingenuous to consider their noisiness more alienating than Sonic Youth, their lyrics more abstract than Pavement, or their overall vibe weirder than Bjork. Seeing Deerhoof in concert is nearly as accessible as seeing their greatest stylistic influence, the Rolling Stones.That said, the show opens with an attempt to recreate the original edit of their first 7”, The Return of the Wood M'Lady. But we close out with one of Ty Segall's daughter's favorite songs, Panda Panda Panda.Find more on Greg at Deerhoof's website or follow his political rants on Instagram.For more of Jennifer's discussions on polyamory, communism, and Christianity, check out The Dirtbag Christian. For more from me, the feature from my video zine with the POTUS of Noise, Bucko Crooks, is on his YouTube. And eventually Brandon's YA graphic novel on the history of skateboarding with AJ Dungo will be out on Flying Eye Books. Also, we're putting out a cassette for the 10th anniversary of the Edgar Allen Poecast and we're doing a new one this year. For more info on participating in that or other guest suggestions, email me at rob@undressingunderground.comPart two's up next week. Although we talked for two hours, we still didn't get a chance to ask about other members of Deerhoof, their new album, Greg's other projects, or how to pronounce Saunier.

Playlist: Ethel Smyth, Vienna Radio Symphony Orchestra - March of the WomenJohn Weinzweig, Louisville Orchestra - Symphony OdeSØS Gunver Ryberg - COEXISTENCELibby Larsen, Wind & Wood Duo - Three Pieces for Treble Wind and GuitarFlorence Anna Maunders, Philharmonia Orchestra - Bare Boss, Innit?Yoel Diaz Avila, Quatuor de saxophones Nelligan - Concerto en 6 preludesDalit Hadass Warshaw, Boston Modern Orchestra Project - Sirens: A concerto fo theremin & orchestra in three movementsMichael Torke, Sandbox Percussion - Stem

framework:afield produced in portugal by luis antero. for a full playlist see https://frameworkradio.net/2025/05/931-2025-05-18/.

We're back to discuss the sixth episode of Season 2 of New Doctor Who! Why does this episode feel so nostalgic? What do we think of the reveal (finally) of Mrs. Flood’s true identity? And what about that other character … Continue reading →

The flesh and bone of synthesis, all the power in one drum, great songs with shit mixes. The Réunion island-based electronic maloya producer discusses three important albums.Jako's picks: Danyel Waro – BatarsitéPatrick Manent – Kozmann kerEPROM – HalflifeJako's new album is called Mahavélouz and it's out on Nyege Nyege Tapes. Check it out here. Jako's website is here and he's also on Instagram.I'd also like to flag the fabulous interview with Jako by Navel Gazers, which was a helpful reference point while preparing for this interview. You can read that here.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

En los yacimientos arqueológicos encontramos restos humanos y animales, herramientas y objetos de todo tipo, restos de hogueras con alimentos cocinados… Pero, ¿cómo vivieron aquellos individuos? ¿Cómo fabricaron y emplearon esos artefactos? ¿Cómo descuartizaron sus presas? ¿A qué olían las chozas que los cobijaron? La arqueología experimental permite acercarnos al modo de vida de nuestros ancestros e interpretar los hallazgos arqueológicos con mayor precisión. Hemos entrevistado a Javier Baena Preysler, catedrático de Prehistoria y director del Laboratorio de Arqueología Experimental de la Universidad Autónoma de Madrid.En 2010, la expedición Malaspina circunnavegó el planeta a bordo del buque oceanográfico Hespérides y obtuvo una cantidad ingente de datos genéticos microbianos. Gracias a ellos, Ana Lozano del Campo nos ha contado que investigadores españoles han desarrollado dos nuevas 'tijeras' de edición genética CRISPR. Con testimonios de Julián Cerón, del Instituto de Investigación Biomédica de Bellvitge (IDIBELL), y Silvia Acinas, del Instituto de Ciencias del Mar del CSIC. Con Javier Cacho hemos recordado el rescate en 2002 del buque mercante alemán Magdalena Oldendorff, atrapado en los hielos de la Antártida. 28 años después de la clonación de la oveja Dolly, una de las principales aplicaciones de aquella técnica ha sido la clonación de mascotas, especialmente de perros. Algo que, como nos ha comentado Lluís Montoliu, es un proceso caro, ineficiente y éticamente controvertido. Eulalia Pérez Sedeño ha trazado la biografía de Leonor Ferrer Girabau, la primera mujer en conseguir el título de delineante en España en 1905. Durante 33 años trabajó en Barcelona como jefa de delineación en varias compañías telefónicas. Nos dejó un archivo personal que recoge su activismo en la educación, la emancipación y la presencia de la mujer en todos los ámbitos de la sociedad.Escuchar audio

Some people might call Jonathon Keats an artist, but he calls himself an experimental philosopher. His body of work explores the way that human life intersects with political and economic systems. His first major work, in the year 2000, involved sitting in a chair thinking for hours, and then selling his thoughts to patrons at prices calculated on the basis of their income. He once copyrighted his own mind as a sculpture. He created a ringtone based on John Cage's famous piece, 4'33”, which is four minutes and thirty-three seconds of complete silence. He built a pinhole camera that takes photographic exposures lasting 100 years. In Berkeley, California, he built a temple for the worship of science. Recently, he has been involved in efforts to formalize rights of nature. Jonathon challenges us to look carefully at the assumptions built into our markets, our democracies and our technologies, and constantly seems to do it in ways that seem abstract at the time, but end up prefiguring political or cultural issues years or decades before they erupt. He's a wonderful guide to this territory, and to the big questions it involves. In this conversation Matt and Jonathon discuss the philosophy of timekeeping. They consider the connectedness and the alienation of being on universal atomic time, the promise of alternative systems such as the river clock, and how different notions of timekeeping influence our understanding of democracy and nature.Jonathon Keats is an experimental philosopher, artist and writer. He is currently a fellow at the Berggruen Institute, a research fellow at the Long Now Foundation, a research associate at the University of Arizona, principal philosopher at Earth Law Center and an artist-in-residence at Hyundai, the SETI Institute and Flux Projects. His most recent book is “You Belong to the Universe: Buckminster Fuller and the Future” (Oxford University Press).Mentioned:Alaska RiverTimeIf you have feedback or ideas for future episodes, email us at info@radicalxchange.org.Host: Matt PrewittGuest: Jonathan KeatsProducer: Jack Henderson Connect with RadicalxChange Foundation:WebsiteXBlueSkyYouTubeLinkedInDiscord

Hoy venimos con unas propuestas peculiares. Cine italiano, del poético y metafórico para arrancar. La más reciente película de Paolo Sorrentino que aun pueden encontrar en algunas salas y que lleva por titulo "Parthenope". En la plataforma que proximamente se llamará HBO Max, actualmente es conocida como Max, y era antes conocida como HBO Max (es en serio esta historia) acaban de estrenar una de las series más originales, incómodas, complicadas, humanas, raras y geniales que hayan visto, se llama "The Rehearsal" y aquí les contamos de que va, o al menos eso intentamos.En salas de cine está la película francesa "Apocalipsis Zombie, Paciente Z", un plano secuencia de mas de hora y media con sus logros y detallitos.Finalmente nuestra invitada... ya estuvo Pedrito Sola, ahora le tocó a Atala Sarmiento (Sí... tendremos a todo Ventaneando eventualmente) nos recomienda tres obras que ver.Pase a su podcast informal favorito, deje su like y su comentario y comparta. Gucci!

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Episode 172 Chapter 31, ARP Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 31, ARP Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH ARP ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Elias Tanenbaum, “Contrasts” (1971) from ARP Art. Used the ARP Odyssey. 05:03 01:40 2.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 06:19 06:46 3.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 07:38 13:02 4.     Roger Powell, “Ictus: Primordial Pulse,” (4:57), “Lumia: Dance Of The Nebulae” (5:14), “Fourneau Cosmique: The Alchemical Furnace Of Cleopatra,” (7:42) (1973) from Cosmic Furnace. Featured the ARP 2500, ARP Soloist, ARP 2600, and ARP Odyssey. 17:50 20:40 5.     Bobbi Humphrey, “My Little Girl” (1974) from Satin Doll. Featured Larry Mizell on ARP synthesizers. 06:38 38:32 6.     Herbie Hancock, “Palm Grease” (1974) from Thrust. Featured the ARP Odyssey, ARP Soloist, ARP 2600, and ARP String synthesizer. 10:35 45:16 7.     John Keating, “Starcluster” (1975) from Space Experience 2.  Featured the ARP 2600 and Pro- Soloist. 03:44 55:50 8.     Joseph Byrd, “The Stars and Stripes Forever” (1976) from Yankee Transcendoodle. Featured the ARP Odyssey. 03:22 59:34 9.     Charles Earland, “Sons of the Gods” (1976) from Odyssey. Featured the ARP Pro- Soloist, ARP Axe, ARP String Ensemble, Clavinet and organ. 05:44 01:02:58 10.   Jean Michel Jarre, “Oxygene, Parts I, II, and III” (1976) from Oxygene. Used ARP and other synthesizers. 18:40 01:08:39 11.   Michel Magne, “Trip Psychiatrique” (1978) from Elements, La Terre(1978). Featured the ARP Odyssey, ARP Omni Polyphonique, and ARP 2600. 04:35 01:27:22 12.   Mike Mandel, “Pyramids” from Sky Music (1978). Featured the ARP Odyssey, ARP Pro Soloist, and ARP Omni II. 05:59 01:36:51 13.   Eliane Radigue, “Triptych Part 2” (1978) from Triptypch. Composed and performed on the ARP 2500 modular synthesizer. 11:56 01:37:52   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

La presión arterial es una medición de la fuerza ejercida contra las paredes de las arterias a medida que el corazón bombea sangre a su cuerpo. Hipertensión es el término médico que se utiliza para describir la presión arterial alta. Si se deja sin tratamiento, la presión arterial puede llevar a muchas afecciones médicas. Estas incluyen enfermedades del corazón, accidente cerebrovascular, insuficiencia renal, problemas en los ojos y otros problemas de salud. El 17 de mayo se conmemora el Día Mundial de la Hipertensión. En este podcast de El Expresso de las 10 nos acompaña nuestro cardiólogo de cabecera el Dr. Germán Cardona Médico Cardiólogo, Jefe del Instituto de Terapéutica Experimental del Centro Universitario de Ciencias de la Salud; con quien hablamos de Hipertensión arterial: qué es, cómo identificarla, como tratarla y maneras de prevenir.

Full episode, archive, and support: Patreon.com/contain Experimental episode on two controversial but relevant fiction books: House of Hunger by Dambudzo Marechera (1978) and Harry Crews' A Feast of Snakes. They explore grotesquerie, madness, and Dark Psychedelia through the lens of Rhodesian Zimbabwe and Rural American South (Mystic, Georgia), along with Dostoyevsky's The Idiot, Catherine Malabou: Reawakening: Différence + how to look at nothing, morality, transformation, Kool Keith's 98 year old refrigerator and more

The weirdest mix I've ever made. Experimental with (too) much crossfade juggling. Headphones highly recommended. w/ Video Game / Downtempo / Soundtrack / Rock / Electronica / Breaks / Psytrance / DnB / Glitch Hop / Trap / Indie

This was an all-new show, the first of 2025!Playlist: Jimmy Farace - Growing painsGerald Clayton - Sacrifice cultureNour Symon - Il n'y a rien à dire sur l'humanitéDave Robbins Big Band - WestcoastingSteve Lehman - 34aThe Steve Holt Jazz Impact Quintet - ImpactRuss Anixter's Hippie Big Band - What is hipSheldon Agwu - Providence

Did you know you can support The Rumcast on Patreon now and get bonus episodes, happy hours, and more? You can! Head to patreon.com/therumcast to check it out.You can watch the video version of this episode on YouTube.In this episode, we sat down with the founder and distiller behind one of the most interesting rum projects in the U.S. right now, Robyn Smith of rum et al., a chemical engineering PhD turned rum distiller.The premise behind Rum Et Al is simple but fascinating. Robyn started with a foundational, always-available rum she named Baseline. She's since released batches in which she introduces a "variable" to the Baseline recipe, such as dunder. This allows you to taste the exact differences that the variable brings to the flavor profile when tasted side by side. If you're a rum geek, it's a really cool tasting experience.During the episode, we discussed:How she went from chemical engineering PhD to rum distillerHer experience in R&D for Lost Spirits DistilleryHow rum et al. came to beAll the nerdy rum production detailsThe joys and challenges of being a one-woman operationCongeners vs. estersHow ester measurements translate to flavor profileWhat we might see from her nextAnd much more!Be sure to check out her YouTube channel, This Blog's Neat! These videos about her rum et al. releases are a great place to start:How Baseline Was MadeHow Variable (Dunderclap) Was MadeHow Variable (Tailspin) Was MadeHave you had a chance to try Robyn's rum? What stood out to you in the conversation? Let us know via email (host@rumcast.com) or social!

andy fray, anne-f jacques, manja ristić, and e. jason gibbs; sounds from the aporee maps by samuel kudjodzi (ghana), tiago carve (portugal), wu tsan-cheng (taiwan), thomas martin nutt (japan) and georges castagne (france); and a framework introduction recorded in poland by tomasz pizio. image: andy fray, 'canopy', self-released 2025. for a full playlist see https://frameworkradio.net/2025/05/930-2025-05-11/.

David Thomas tribute. Lots of avant garage. Free music. Expunkimental music. PLAYLIST: Artist Song Release Released Label Rocket from the Tombs Amphetamine (Live) The Day the Earth Met the Rocket from the Tombs (Live) 2011 Fire Records Pere Ubu Dub … Continue reading →

Murph & Markus - Hour 1: Warriors lose Game 2 vs Timberwolves in Minnesota, Steve Kerr's experimental game plan, & Draymond continues to push envelopeSee omnystudio.com/listener for privacy information.

Murph & Markus - Hour 1: Warriors lose Game 2 vs Timberwolves in Minnesota, Steve Kerr's experimental game plan, & Draymond continues to push envelopeSee omnystudio.com/listener for privacy information.

spontaneous selections...audio / playlisthttp://feeds.feedburner.com/RadioTroubleArchives

really spontaneous selections...audio / playlisthttp://feeds.feedburner.com/RadioTroubleArchives

Experimental/Electronic with pxe, dAs & univac...audio http://feeds.feedburner.com/RadioTroubleArchives

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Episode 171 Chapter 30, EMS Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 30, EMS Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH EMS ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Delia Derbyshire, “Dance From ‘Noah' " (1970). Composed for a television program. Used the EMS VCS3. 00:55 01:44 2.     Selections from the demonstration disc, EMS Synthi And The Composer (1971). Excerpts from Harrison Birtwistle, “Medusa,” Peter Zinovieff, “January Tensions,” and Tristram Cary, “Continuum.” 06:15 02:34 3.     Peter Zinovieff and Harrison Birtwistle, “Chronometer” (1971–2). Featured both the EMS Synthi VCS3 and modified sound recordings of the ticking of Big Ben and the chimes of Wells Cathedral clock. 24:23 08:48 4.     Mike Hankinson, “Toccata And Fugue In D Minor” (Bach) (1972) from The Classical Synthesizer. South African record realized using the Putney (EMS) VCS3. 07:04 33:06 5.     Electrophon, “Arrival of the Queen of Sheba” (1973) from In a Covent Garden (1973).  Electrophon Music was described as the studio where the electronics were recorded and produced in the UK by Radiophonic musicians Brian Hodgson, Dudley Simpson. A variety of synthesizers were used including the obscure EMS Synthi Range, a multi-effect instrument. 03:04 40:10 6.     The Eden Electronic Ensemble, “Elite Syncopations” (Joplin) (1974) from The Eden Electronic Ensemble Plays Joplin. Realized using the EMS VCS3 and Minimoog synthesizers. 04:53 43:12 7.     Peter Zinovieff, “A Lollipop For Papa” (1974).  Realized with the EMS Synthi AKS. 06:26 48:04 8.     Peter Zinovieff and Hans Werner Henze, “Tristan” (Long Section) (1975). Tape accompaniment realized with the EMS Synthi AKS. 07:40 54:40 9.     J.D. Robb, “Poem of Summer” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS. 02:04 01:02:18 10.   J.D. Robb, “Synthi Waltz” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS and Synthi Sequencer 256 (digital sequencer). 01:52 01:04:24 11.   Bruno Spoerri, “Hymn Of Taurus (Taurus Is Calling You!)” (1978) from Voice Of Taurus. Realized using a host of equipment, including a few EMS instruments: EMS Synthi 100, EMS VCS3, EMS AKS, EMS Vocoder 2000, Alto Saxophone with EMS Pitch-to-voltage Converter & Random Generator, plus the Lyricon, Prophet-5 Polyphonic Synthesizer, ARP Omni & Odyssey, Minimoog, Moog Taurus Bass Pedal, RMI Keyboard Computer, Ondes Martenot , Vako Polyphonic Orchestron, Bode Frequency Shifter, AMS Tape Phase Simulator, Echoplex, Roland Echo, Roland Rhythm Box, Bruno Spoerri. 02:48 01:06:16 12.   Henry Sweitzer, “Open Windows” (1979) from Te Deum.  Realized with the EMS Synthi AKS. 11:11 01:09:02 13.   Eduard Artemyev, Yuri Bogdanov, Vladimir Martynov, “Le Vent Dans La Plaine,” “Io Mi Son Giovinetta,” and “Why Ask You?” (1980) from Metamorphoses. Composed and realized using the EMS Synthi 100, a large synthesizer unit combining several EMS3 models and connecting circuitry. 08:38 01:20:14 14.   Jean-Michel Jarre, “Les Chants Magnétiques,” (side 1) (1981) from Les Chants Magnétiques. Portions realized with the EMS Synthi AKS, EMS Synthi VCS3, and EMS Vocoder 1000. 17:58 01:28:52 15.   Alessandro Cortini and Merzbow, “AAMC” (2017) from Alessandro Cortini And Merzbow. Recent recording with all sounds realized using a vintage EMS Synthi AKS. 04:49 01:46:40   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Hailing from Marseille, Roluce is an active member of the French underground scene since 2004. Passionate about electronic music, mad about vinyl and detail-oriented, his style incorporates numerous influences from various genres extending from Ambient and Experimental to House, Minimal and Techno. Roluce always seeks to transmit his emotions through his productions and DJ sets while constantly working on developing a personal distinct and unique sound.

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Açık Dergi'de tamamen gönüllüler tarafından, altıncı kez düzenlenen İstanbul Experimental'i ve deneysel sinemanın farklı boyutlarını Yavuz Gözeller ile konuşuyoruz.

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Yellow Swans "Untitled"John Davis "Untitled"No UFO's "Anthropomorphic Clouds of Smoke"Zelienople "More Mess"Gregg Kowalsky "VI-VII"Ilyas Ahmed "As Another"Common Eider, King Eider "Earth Liver"Jon Porras "Grey Dunes"Grouper "Cover The Windows And The Walls"

In this data-packed episode of The Hop Addition Podcast, we explore the exciting world of experimental hops, testing four new UK-developed varieties: CF310, CF321, CF373, and CF383. Each hop is trialled in two beer styles — a clean lager and … Episode 114 – Experimental Hop Testing with Charles Faram Read More »

Welcome to the latest episode of L.I.F.T.S – your bite-sized dose of the Latest Industry Fitness Trends and Stories.  Hosts Matthew Januszek, Co-Founder of Escape Fitness and Mo Iqbal, Founder & CEO of SweatWorks attended PerformX 2025.  In this LIFTS episode, Matthew and Mo are joined by Tim Gray, Founder & CEO of The Health Optimisation Summit. This episode covers: Biohacking industry growth. Balancing extreme practices with health fundamentals. Tim's personal biohacking journey. Limitations of traditional healthcare. Importance of data-driven health decisions. Potential for gyms to leverage health data. Navigating health supplements and products. Experimental biohacking practices. Future trends in longevity and biohacking. Crucial role of sleep in health optimisation. To learn more about Tim Gray, click here: https://www.linkedin.com/in/tim-gray-biohacker-health-optimisation/ To learn more about PerformX Live, click here: https://performx-live.com/ ====================================================== Support fitness industry news by sponsoring future LIFTS episodes. Contact us at marketing@escapefitness.com for advertising opportunities. Subscribe to our YouTube channel and turn on your notifications so you never miss a new video when it's published: https://www.youtube.com/user/EscapeFitness Shop gym equipment: https://escapefitness.com/shop View our full catalog: https://escapefitness.com/support/catalog (US) https://escapefitness.com/support/catalogue (UK)  ====================================================== Facebook: https://www.facebook.com/Escapefitness Instagram: https://www.instagram.com/escapefitness Twitter: https://www.twitter.com/escapefitness LinkedIn: https://www.linkedin.com/company/escapefitness/   00:00 Intro 01:11 The Role of Fundamentals in Health Optimization 06:58 Balancing Biohacking Labels and Practical Appointments 09:48 Trust and Credibility in Health Information 14:13 Leveraging Data and Technology in Fitness 28:07 Navigating Health Products and Supplements 35:37 Experimental Biohacking and Personal Experience 37:57 The Future of Biohacking and Longevity

this is a special edition produced here at framework HQ in memory of composer and biomedical research scientist alan lamb, influential recordist of abandoned telegraph wires in the australian outback since the 1970's. lamb sadly passed away on april 18th, 2025 at his home in perth, australia. image: alan lamb @ faraway, 1979.08, credit unknown. for a full playlist see https://frameworkradio.net/2025/05/929-2025-05-04/.

JC Sanford, Scott L. Miller and Aby Wolf combine to create Improvisational music, Each group member at other times plays music guided by form and convention. But they also like to sit down, and respond to whatever comes up, or come up with an idea that is expected to lead to something else. Phil Nusbaum talked to JC Sanford about the concept. First JC addressed the work of Aby Wolf.

One-take to tape, eternal red-lining, escaping the concert hall. The Tiohtià:ke/Montréal-based maker of concrète electronic tape music discusses three important albums.Jeremy's picks:Magnolia Electric Co. – JosephineBaby Huey – The Baby Huey Story: The Living LegendLuc Ferrari – Presque RienA record Jeremy's been recently enjoying:iPhupho L'ka Biko – AzaniaJeremy has two new solo records: MASSES on We Here And Now, and Cablcar on Halocline Trance. His Bandcamp is here, and you can also find him on Cargo Collective.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

MM Serra is an experimental filmmaker, curator, author, professor at Parsons at the New School and the Executive Director of Film-Makers' Cooperative, the world's oldest and largest archive of independent media. Her first five films (NYC, 1985, Nightfall, 1984, Framed, 1984, PPI, 1986, Turner, 1987) were preserved and digitized by Anthology Film Archives Preservation series Re-Visions: American Experimental Film 1975-1990. Since 1982, MM Serra has created over 31 films. 

It's the podcast so nice we recorded it twice! Despite some technical difficulties (note to self: press the record button significantly before recording the outro), Elliot and Dan were able to soldier through our rundown of the week's top hacks. We kicked things off with a roundup of virtual keyboards for the alternate reality crowd, which begged the question of why you'd even need such a thing. We also looked at a couple of cool demoscene-adjacent projects, such as the ultimate in oscilloscope music and a hybrid knob/jack for eurorack synth modules.  We also dialed the Wayback Machine into antiquity to take a look at Clickspring's take on the origins of precision machining; spoiler alert -- you can make gas-tight concentric brass tubing using a bow-driven lathe. There's a squishy pneumatic robot gripper, an MQTT-enabled random number generator, a feline-friendly digital stethoscope, and a typewriter that'll make you Dymo label maker jealous. We'll also mourn the demise of electronics magazines and ponder how your favorite website fills that gap, and learn why it's really hard to keep open-source software lean and clean. Short answer: because it's made by people.

Let's attract sleep with these early experiments to master a fundamental element of modern life, electromagnetism. How do magnets create a charge? What is making that needle twitch? How did anyone ever figure this stuff out? Curiosity is a powerful force indeed. Help us stay ad-free and 100% listener supported! Patreon: https://www.patreon.com/boringbookspod Buy Me a Coffee: https://www.buymeacoffee.com/d5kcMsW   Read “Experimental Researches in Electricity” at Project Gutenberg: https://www.gutenberg.org/ebooks/14986 Music: "Cosmic Tingles,” by Lee Rosevere, licensed under CC BY, https://leerosevere.bandcamp.com   If you'd like to suggest a copyright-free reading for soft-spoken relaxation to help you overcome insomnia, anxiety and other sleep issues, connect on our website, http://www.boringbookspod.com.

Support Night Clerk Radio on Patreon ## Support the TransOhio Emergency FundIn this episode, we're starting our series covering as many IRL and URL sets as we can get our hands on from Sanctuary 2025. Sanctuary is a charity show put on by Nostalgia Lounge (run by Crystal Eternal) to raise money for the TransOhio Emergency Fund. It was a huge success and featured music from dozens of artists highlighting numerous genres from vaporwave and future funk to industrial and breakcore.Remember: We will be covering more sets in the future so if we didn't cover your set in Part One fear not! We'll get to it.Music SampledDJ CENA - Sanctuary Live '25Sanctuary Sets DiscussedFrozenBabylon x crispy_doodles @ Sanctuary 2025Mr. Hoosteen - Live @ Sanctuary '25KJ VALIUM LIVE AT SANCTUARYFEST COLUMBUS OHIOBrickmason x crispy_doodles @ Sanctuary URL 2025V I A @ sanctuary live ‘25 urlNyoka Shoje - Sanctuary 2025 Live SetDJ CENA - Sanctuary Live '25YUNG SHIRO 白 - Nostalgia Lounge Sanctuary Live Event (breakcore DJ set) CreditsMusic by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

judith hamann, thomas catlaw, giselle, kah hoe yii/nigel brown/yannick dauby; sounds from the aporee maps by m. kissell (italy), simon opit (scotland), stereopears (usa), certik ludek (czech republic), samuel kudjodzi (ghana), and kik716255 (japan); and an intro recorded in england by joseph young. image: judith hamann, 'aunes', shelter press 2025. for a full playlist see https://frameworkradio.net/2025/04/928-2025-04-27/.

Twoonky, Noothgrush, Poopy Peepy, Cosme, Guardians of the 7th Tower, Desolation Plains, Emil Beaulieau, Electrogong, BJ Nilsen / John Olson / Sigtryggur Berg Sigmarsson, and Weakling