Podcasts about cassettes

Lyle is taking Meghan back to his childhood with a Halloween cassette she had never heard before: Peter & the Werewolf! This vintage Fun World recording combines spooky storytelling with the wonderfully eerie sound effects that made Halloween so much fun for Xennial kids. Join us as Lyle shares his memories of this childhood favorite and Meghan discovers what she's been missing all these years. It's a little Halloween nostalgia, a little old-fashioned storytelling, and a reminder that sometimes the simplest things can still give us a good scare! 31 days until Halloween! Listen here: https://youtu.be/PObR0pNFa2s?is=HQA9hcgUis_ZZ7FO Website: www.TheHalloweenPodcast.com Facebook: www.Facebook.com/TheHalloweenPodcast Instagram: www.Instagram.com/TheHalloweenPodcast Email: TheHalloweenPodcast@gmail.com Haunt Line: 731-400-0472 Support the show on Patreon to get the full countdown experience including exclusive shows and giveaways, early listening access, and behind-the-scenes content: https://www.Patreon.com/TheHalloweenPod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Anniversaire de la VHS ! Ces cassettes vidéo qui nous ont accompagnées dans les années 80, redeviennent tendance, tout comme les magnétoscopes … Justement, qu'est ce qu'on a tous vécu avec les cassettes vidéo ?

Anniversaire de la VHS ! Ces cassettes vidéo qui nous ont accompagnées dans les années 80, redeviennent tendance, tout comme les magnétoscopes … Justement, qu'est ce qu'on a tous vécu avec les cassettes vidéo ?

On this week's show spend quality time with new records from Soft Science and Phoebe Bridgers, spin fresh tracks from Morphine, Caroline Rose, and The War On Drugs, and get our autumn sweaters out of storage in time for pumpkin spice season  All this and much, much less!Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

True North Country Comics Podcast chats with Jarett Sitter about the new graphic novel 'Ready, Cassette, Go!' The post Jarett Sitter takes readers to ‘Cassette City’ in new graphic novel appeared first on True North Country Comics.

En 1998, le groupe Garbage sort son deuxième album, Version 2.0, et c'est une véritable machine de guerre.Du rock et des samples, des refrains imparables, et une Shirley Manson incendiaire au micro : bref impossible de passer à côté du phénomène. De « Push It » à « Special » en passant par « I Think I'm Paranoid » ou « When I Grow Up », Garbage enchaîne tube sur tube.Nommé deux fois aux Grammy Awards, Version 2.0 va s'écouler à plus de 4 millions d'exemplaires et truster les classements de fin d'année partout sur la planète. Son héritage est encore bien présent dans la musique aujourd'hui : les artistes qui se réclament de Garbage s'appellent Lady Gaga, Florence Welch, Billie Eilish ou Olivia Rodrigo !Olivia retrace la naissance de Garbage, de la découverte de Shirley Manson dans un clip d'Angelfish jusqu'au générique de James Bond. Grégoire Sauvage nous emmène aux Smart Studios pour percer les secrets de fabrication de l'album, jusqu'au sample des Beach Boys caché dans « Push It ». Fanny décrypte l'univers visuel du groupe, de la pochette en images de synthèse au clip barré de « Push It », sans oublier les deux Français sans qui cette pochette n'aurait pas existé.Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : “Temptation Waits”, “I Think I'm Paranoid”, “When I Grow Up”, “Medication”, “Special”, “Hammering in My Head”, “Push It”, “The Trick Is to Keep Breathing”, “Dumb”, “Sleep Together”, “Wicked Ways”, “You Look So Fine”, “Queer”, “Vow”, “Stupid Girl”, “The World Is Not Enough”. Angelfish “Suffocate Me”, Nirvana “Polly”, The Beach Boys “Don't Worry Baby”.Extraits : Nulle Part Ailleurs (Canal+, 1998), Top of the Pops (BBC), INA – Publicité TV Garbage Version 2.0, The Smart Studios Story (Wendy Schneider, 2016), interview de Shirley Manson sur Stéphane Sednaoui (YouTube).Chaque mois dans Radio K7 on rembobine nos cassettes et vous raconte l'histoire d'un album qui a marqué les années 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Grégoire Sauvage. Enregistrée chez Fanny. Générique réalisé par Greg Cook. Identité graphique signée Floating Studio.LAISSEZ UN MESSAGE APRÈS LE BIP !Appelez-nous au 01 89 16 75 31 pour nous raconter vos meilleurs ou pires souvenirs de Garbage. Si vous avez acheté l'album en prix vert à la Fnac, tapez 1. Si vous avez encore votre doudoune orange, tapez 2. Si vous n'êtes heureux que quand il pleut, tapez 3.Et restez connectés : — Instagram : @radio_k7— Bluesky : @radiok7podcast.bsky.social— Facebook : @Radiok7podcastCe service respecte le droit d'auteur. Tous les droits des auteurs des œuvres protégées reproduites et communiquées sur ce site, sont réservés. Sauf autorisation expresse, toute utilisation des œuvres autres que l'écoute et/ou la visualisation dans le cadre du cercle de famille sont interdites.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We'd love to hear from you! Click here to send us a text. From her work with Glass Spells to stepping into the spotlight on her own, Tania Cassette is entering an exciting new chapter. Steve sits down with Tania to talk about her solo debut The Death of Me, the inspiration behind the project, her love of '80s sounds, and the creative process that helped shape her sound as a solo artist. She also opens up about working with Kyle and Myles Mendes of NITE and what it means to finally have this deeply personal collection of music out in the world.Tania shares some of the stories behind the songs, talks about bringing both English and Spanish into her music, and discusses the darker side of her sound while still creating music that makes you want to move. She also talks about getting back in front of crowds to perform these new songs and what she's looking forward to about bringing them to the stage.Tania Cassette: https://www.taniacassette.com/Bandcamp: https://taniacassette.bandcamp.com/Support the show

In this episode of The Quo-Cast, I'm joined by Lucas Lange from Revox to discuss the brand-new physical tape releases of Status Quo's Live at Wacken 2017 on both Master Tape (Reel-to-Reel) and Cassette!Check out Revox Music & Order: https://www.revox.comAre you listening to cassettes or reel-to-reel tape? Would you like to see more classic Status Quo albums released on analogue tape formats? Let me know in the comments below!

Summer is over. Fall begins. Out of a reverence, romance and preparation for Canadian winter: we go back in time to January when KP was trapped in the Briargreen suburb of Nepean due to the snow. Biking anywhere: impossible. Learner's permit preventing any adventure drives without parental accompaniment. Parental presence preventing any stealings of the car for adventure drives. G-o-d helps out and invents a bar named after audio gear of old, waiting to be found across the Pinecrest cemetery full of heart shaped tombstones. Donate to the unemployed philosophers guild AKA directly to KP HERE. Thank you so much to all who have donated. Gifts are coming soon.  Learn about your ad choices: dovetail.prx.org/ad-choices

CDT and CTD talk about the Shelley Culver record collection and what cool vinyl was included. Christopher Todd also talks about his vinyl record collection in the 70s and 80s. Curtis had lots of great 70s records but no 80s vinyl. Cassettes were the thing to have in the early 80s.

Toni Sant presents the 711th in a series of podcasts featuring music by performers in or from Malta. Artists featured in this podcast: PART 1Kym Pepe- SettembruPART 2: Singles li spikkaw bejn Lulju u Settembru 2026:Matthew James feat. Owen Leuellen - RevolutionMiriana Conte u Mychael Bartolo Chircop - What the Helena?Ryan Paul - ClimaxAidan - Dolce VitaKarmaġenn - demokrazijaRagħwaDagħwa - InkwinaMyles feat DJ Mac - RkantSeqer Malti - LuljuCapitol K x CHILD - ĦabbataDaniel Cauchi (ft. Marija Bellia) - Ħallih IħabbatEl Ferr - Mar-RiħThe Busker - I Like Your StyleMark Anthony Bartolo - Take itThe Travellers — DellijietJodi & Ian – Mr. BluesmanScarlet Pimpernel - Living off the gridThe Cassettes - Reggie Miller StreetBee - Coco ChanelClaire Cordina - SunflowersLisa MO - Say It CleanEma - ImħabbaJanvil - MaryPART 3: Albums li spikkaw bejn Lulju u Settembru 2026:Beangrowers - 128KSarah Bonnici - Something I Had to LoseChasing Pandora - Paper SkinKeith Anthony - Little GracesCharles Seychell - Tifkiriet TfulitiEric Ace - Spin-Off >> Details about this podcast [in Maltese] See also: - MMI Podcast: YouTube playlist - MMI Podcast: Facebook Page - MMI Archive on Mixcloud | @tonisant on Twitter - M3P: Malta Music Memory Project - Mużika Mod Ieħor ma' Toni Sant on Facebook (MP3)

This week we discuss Curly Castro's amazing new album Yaphet which is now available via Backwoodz Studios. We are joined by the album's producer Locust and iAlive who mixed the album. You can get your copy of Yaphet (Vinyl, CD, Cassette, Digital) here:https://curlycastro.bandcamp.com/album/yaphetHear full episodes it is $1 a month at our patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/calloutculturepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also upgrade to a higher tier to get exclusive content and video⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find our music here:Zilla Rocca:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://5oclockshadowboxers.bandcamp.com/music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Curly Castro:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shrapknel.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alaska:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thatrapperalaska.bandcamp.com/⁠

We talk to Christine Smith - Manager of The Little Big Store in Raymond, Mississippi. The Little Big Store is a truly independent shining light of a Record Store. Open for 45 years, it is housed in an old Tram Depot in the middle of town and is home to thousands upon thousands of Vinyl Records, Cassettes, CD and Music Memoribilia. Christine chats to us about the stores long history, it's devoted customer base and how it is running an independent record store in today's streaming world.Special thanks to Affinity Photo - The hottest photo editing software on iPad, Mac & PChttps://affinity.serif.com/photoIntro Music by Johnny Monacohttps://www.johnnymonaco.com Incidental Music by Night Fires Please visit The 80s Video Shop Patreon Page to find out how you can help grow our very own 80s Video Shop. https://www.patreon.com/80sVideoShop 

William McGrath, was an influential loyalist, founder of the paramilitary group Tara, and a hardline evangelical Protestant. He was also a notorious predatory paedophile who rape dozens of young boys. Widely known as the ‘Beast of Kincora' McGrath was convicted of abuse at the notorious east Belfast boys' home and jailed in 1981. Now an audio tape of McGrath has emerged after more than half a century. In it he espouses an extreme ideology, inter-mixed with mythology, and fueled by religion. The Belfast Telegraph's Northern Ireland editor Sam McBride joins me to tell the story of the tape, how he got it, and what is on it. Hosted on Acast. See acast.com/privacy for more information.

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Moulz & Mel put on their lab coats and take part in Dr. No's Oxperiment, reviewing Oh No's third album and debut instrumental album. ------------------------------------- Intro (0:00) -- The Rating System, Explained (14:16 - 16:58) -- Coming Soon To Rap Rankings (31:52) -- This Week In Moulz & Mel (1:42:46) -- Dr. No's Oxperiment Info (2:01:16) -- Track 1: "Heavy" (2:15:19) -- Track 2: "Gladius" (2:38:45) -- Track 3: "Higher" (2:48:40) -- Track 4: "Breakout" (2:52:33) -- Track 5: "Ox Broil" (2:58:28) -- Track 6: "Bouncers" (3:10:33) -- Track 7: "Alarmsss" (3:16:25) -- Track 8: "Banger" (3:19:54) -- Track 9: "No Guest List" (3:24:41) -- Track 10: "Land Mine" (3:27:40) -- Track 11: "My Luck" (3:50:23) -- Track 12: "Cosmos" (3:55:18) -- Track 13: "Exp Out The Ox" (4:01:24) -- Track 14: "Emergency" (4:04:39) -- Track 15: "Ohhhhhh" (4:12:41) -- Track 16: "Deliveries" (4:16:13) -- Track 17: "Come Back" (4:22:13) -- Track 18: "Hot Fire" (4:25:22) -- Track 19: "Action" (4:28:39) -- Track 20: "Ghetto" (4:34:26) -- Track 21: "Fast Gamble" (4:40:03) -- Track 22: "All Over" (4:43:26) -- Track 23: "Mad Piano" (4:46:17) -- Track 24: "Oxcity Sickness" (4:50:03) -- Track 25: "Cassette" (4:53:11) -- Track 26: "Down Under" (5:01:26) -- Track 27: "Smokey Winds" (5:07:14) -- Track 28: "Slow Down" (5:09:06) -- Ranking Dr. No's Oxperiment (5:20:06) -- Outro (5:22:19)

「「CASSETTE WEEK MARKET 2026」10/12に新宿で開催。販売や体験プログラム、カセットDJのパフォーマンスも」　カセットテープの祭典「Cassette Week Japan 2026」にあわせた公式マーケットイベント「CASSETTE WEEK MARKET 2026」が、10月12日（月・祝）に東京・新宿のWPU HOTEL SHINJUKUにて開催される。開催時間は12時から19時までで、入場は無料。

For years, she sang along to the Carpenters and imagined she was Karen Carpenter. Now she’s taking their story and music to audiences around the country. Laura Sheppard chats to the creator and star of Rainy Days, Mondays & Good Old Dreams, Kerry Le Bern, about a lifelong love of the Carpenters, the story behind the show and what she discovered when she started looking beyond those famous songs.See omnystudio.com/listener for privacy information.

T-Shirts $32Venmo @Scott-Switzer-1Cash App $SwitzThorIn Memo put NameAddressSizePresenting Sponsor Thirdzy!  https://thirdzy.com/JAZZYPromotion Code for 15% off: JAZZYEveryday we take a break from the busy work day to catch our breath, hang out with friends and talk about the world of Sports, Entertainment and specifically CrossFit. Today we talk about Risk assessments, Employers taking my personal time, Cassette's and CD's early computer games and how Useless Powerpoint is.

BJ goes down an eighties hardcore rabbit hole. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vous ne devinerez jamais combien de cassettes a ce passionné !

Vous ne devinerez jamais combien de cassettes a ce passionné !

Scary Halloween stories meet analog horror in “I Do Not Know You” by Tyler Belmont, a supernatural horror tale about a vintage tape recorder that knows its listener's secrets—and announces the exact moment he is going to die.Jerry Scott runs a consumer-electronics store and collects the analog machines the modern world has left behind. Then an unmarked package appears inside his shop. The tape recorder within greets him by name, recalls private details from his life, and warns that an inhuman visitor will arrive in five minutes. When a tall figure in a fedora and long coat begins tapping at the glass, Jerry locks the doors and reaches for a baseball bat—but the recording insists that his fate cannot be avoided.This narrated horror story blends analog horror, cursed technology, cassette tapes, supernatural prophecy, shadow monsters, forced entry, psychological suspense, and a terrifying countdown to death. It is made for listeners searching for spooky stories, scary stories, Halloween horror, creepy stories, retro horror, cursed-object fiction, and unsettling horror narration.Start your Halloween prep with a five-minute countdown to death. As spooky season closes in, Weekly Spooky turns a familiar piece of retro technology into a supernatural trap, making this an eerie addition to any scary Halloween stories playlist before October arrives.

Something New To Do, Nathan Harper, Edgar Wappenhalter, Dumb Waiter, Walker Yancy, 0018, TüTH, Cooling Prongs, Lirra Skirra, and Woods

On this week's show, we pour one out for Frank Beard drummer ZZ Top and the legendary xb, spend quality time with superlative new records by The Mountain Goats and Cory Branan, and spin fresh tracks from Caroline Rose, Soft Science, and Sierra Ferrell. All this and much, much less!Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Eric and Willa have the time of their lives making a nostalgic mixtape. Eric reveals the celebrity crush that rejected his Debs invitation and Willa asks "How can I get you a loan?". Cassette tape hacks, Walkmans, ghetto blasters and the unforgettable soundtrack of your teenage years.New episodes Mondays and Thursdays.'DM Me Hun' on Instagram | TikTok (@houseoffunpod) Email Eric and Willa at houseoffun@goloudnow.comContains strong language and adult humour.

On this week's show, we pour one out for Kavinsky and Glen Hansard, catch up on a smokin' boatload o' singles that have been piling up over the past several weeks, and spin fresh tracks from Boards of Canada, Mitch Easter, The Womack Sisters, Tom Waits, and the long-awaited collab of Steve Earle & Los Lobos.All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

One exit on the drive to a golf tournament took me back 39 years to the beginning of my sales career at WSWO and WKFI radio stations in Wilmington, Ohio. At 21 years old, I walked into Bright Appliances ready to present my first radio commercial. Instead, the cassette player ate my tape, the owner blamed me for breaking it, and I left the store in tears wondering whether sales was the right profession for me. I had a decision to make. I could allow that experience to define me, or I could learn from it and try again. I returned to the station, recreated the commercial, and went back the next day with a new tape and my own cassette player. The client loved the commercial and purchased the advertising schedule. In this episode, I share how that early experience helped shape my 39-year journey as a sales professional, leader, and mindset coach. You will discover: Why one difficult moment does not define your ability or future How resilience is built through experience The importance of managing your emotions and taking the next step How to shift your mindset from failure to learning Why growth happens when you apply what an experience teaches you The experience may be painful, but it does not have to become failure. It can become information. If something is not going as planned, give yourself a moment to feel it. Then look for the lesson, adjust your approach, and try again. Keep pursuing. Keep learning. Keep growing. Three-Word Takeaway Learn and Grow Reflection Question What experience in your life or career could become a lesson that helps you move forward?   Until Next Time, my friend. Connect with Lisa: https://www.linkedin.com/in/lisathal/ http://threewordmeetings.com http://threewordpodcast    

In this energetic episode of the podcast, Pipeman sits down with George and Connor from Change Persona at Bloodstock Festival. The conversation dives into nostalgia for old music formats, evolving music trends, live show experiences, band dynamics, and the importance of authenticity. The trio shares laughs, festival stories, strong opinions on beer, and their philosophy on keeping music fun and real.Main Topics CoveredNostalgia & Old Music Formats (00:46)Cassette tapes, 8-tracks, and VHS tapesThe quirks (and struggles) of listening to and recording music in the pastMusic Consumption & Playlists (03:39)How digital platforms and algorithms influence exposure to new musicThe shift from immersive album listening to quick-track mentalityBand Merch & Ticket Prices (04:56)The rising cost of concert tickets and band merchandisePersonal rules for buying gig tickets (06:49)Festival Culture & Pit Etiquette (07:49)Differences between US and UK festival crowdsStories involving public urination, mosh pit mishaps, and communityPit etiquette: taking care of each other, calling out dangerous behavior (36:13)Beer & Festival Beverages (09:48)The ongoing Budweiser vs. craft/local beer debate at festivalsAnecdotes about beer-induced aggression and personal preferencesMusical Evolution & Gatekeeping (21:25)The struggle between evolving artistically and fan expectationsThe “gatekeeper” mentality in rock and metal communitiesSupporting bands through their genre shifts (e.g. Bring Me the Horizon, Metallica, Linkin Park, Rush, Iron Maiden)Authenticity in Writing & Performing (23:19)Writing music for oneself vs. for the audienceThe value of imperfection in live showsEncouraging uniqueness and moving beyond formulaic creationBand Stories & Festival Experiences (34:35)How Change Persona landed a spot at Bloodstock FestivalThe supportive and family atmosphere at BloodstockComparisons to other major festivals and their differencesMusic Scenes & Inclusivity (20:05)The blending of punk, metal, and other alternative genresEmbracing what you love regardless of scene labelsUpcoming ProjectsChange Persona's new EP and plans for release (41:11)Importance of following their socials for updatesKey Discussions & StoriesPipeman, George, and Connor reminisce about the cassette tape era, rewinding tapes with pencils, and the charm and challenge of early music technology (00:46).Hilarious festival stories: adult diapers in line for barrier, Budweiser in Germany, public urination at Download, and the winds of dinosaur mosh pits (08:05; 37:58).Reflection on the impact of streaming playlists and the push-pull between song popularity and genuine fandom (03:57).Discussion of aggressive behavior in pits and how the culture of looking after each other is vital for a friendly scene (36:13).Insights into why bands must evolve musically, and the personal experience of shedding formulaic writing to create their best work yet (23:03; 25:13).Tales from the road: punk rock bowling in Las Vegas, playing Rebellion festival, and the punk/metal crossover (17:10).Philosophical takes on the importance of enjoying what you love and encouraging inclusivity within music subcultures (20:35).The inside story of Change Persona's Bloodstock invitation, their “happy mistake,” and festival community (34:11).Notable Quotes“The struggle was real.” – Pipeman (03:34)“If you're not best friends, you'll be like Perry Farrell and punching out your bandmate on stage.” – Pipeman (42:51)“Just enjoy what you enjoy and let people get on with it. Your life's just that little bit less crap and hard.” – Connor (20:35)“You're never gonna please everybody… just please yourself and you'll attract your people.” – Pipeman (23:19)“If all these problems are so easy to solve, just don't listen to it.” – Connor (26:14)“It's just a down-to-earth conversation, you know.” – Connor (44:20)“How do you say your name?” – Connor (44:35)“That'd be so brilliant. You gotta do that for the next album.” – Pipeman (46:18)“We started out as best friends in high school and we just done it because we all love music and we're all best friends.” – George (42:36)Resources & Links MentionedChange Persona Band: “Follow the socials and find out!” (41:18)Bloodstock Festival: https://www.bloodstock.uk.com/Rebellion Festival: https://www.rebellionfestivals.com/Punk Rock Bowling: https://www.punkrockbowling.com/Band Merch Stores: Mention of Primark for affordable band apparel (05:02)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

Hey Utah!!!  If you could stop being on fire, that'd be awesome!!!! "SIP & SPIN" is a HUGE party happening this Saturday at Quench it, in Lehi!!  Lots of treats, live music and great deals on records, CD's and Cassettes from The Record Shack!It's out!!! Chandler has the 2026 list of the "Top 10 Best Hamburgers in the Country"!!!  Did your favorite make the list?!!CHUNGA POLL: What's is your most overrated restaurant or fast food chain?!?  Post your answers below!!!PLUS!!! Gregg has another all time classic movie shout-out!!Listen NOW!!! It's on www.radioronin.com and everywhere you get your podcasts!!!

Hey Utah!!!  If you could stop being on fire, that'd be awesome!!!! "SIP & SPIN" is a HUGE party happening this Saturday at Quench it, in Lehi!!  Lots of treats, live music and great deals on records, CD's and Cassettes from The Record Shack!It's out!!! Chandler has the 2026 list of the "Top 10 Best Hamburgers in the Country"!!!  Did your favorite make the list?!!CHUNGA POLL: What's is your most overrated restaurant or fast food chain?!?  Post your answers below!!!PLUS!!! Gregg has another all time classic movie shout-out!!Listen NOW!!! It's on www.radioronin.com and everywhere you get your podcasts!!!

Pasquale, Skipped Dent, Painted Faces, Organic Produce, Shivers!, Sleep Chrysalis, Mike Khoury Drum Ensemble, Kelli Connell, Torito & Jumbled, Lo-Tek Larry, Quiet Evenings, Six Organs Of Admittance

In 2005, Matt sat across from Anthony Bourdain at a magazine photo shoot. His first TV show, No Reservations, was only a few months old, and they dug into the contents of his travel bags, which he had brought to the set from his apartment in Hell's Kitchen. Two hours turned into a highly personal conversation, recorded on a cassette that sat untouched for twenty years. This week, that tape gets its first public airing, and we discuss Tony's preferred sucker-punch etiquette, his loyalty to cigarettes and the Chateau Marmont, ayahuasca in Peru, and the talk show he dreamed up with Christopher Walken in mind. The Bourdain biopic, Tony, is out on August 7. Subscribe to This Is TASTE: ⁠⁠Apple Podcasts⁠⁠, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this exciting episode, you'll get all of this - and more!0:00 - Introduction and music news15:40 - Let's talk about Kung Fu Vampire! - as suggested by our Patreon member, SicJuggalo!  You can check out his Kung Fu Vampire playlist (the one we listened to for this episode) right HERE!50:45 - ICP + Wakko the Kidd + Ruin the Moment + Mr. Sadistic live in Pittsburgh recap! (including a lot of Wakko talk)1:30:46 - Fun Time Book Club: How Do You Fit A Cassette In A Discography?  1:50:57 - Show closing + Patron shoutouts!If you want to interact with us, send us messages, follow us, support us, or join our community, check out the links on our WEBSITE.If you want EVEN MORE underground goodness, check out Robbie's underground rap and horrorcore focused news show on YouTube, DO IT FOR THE UNDERGROUND (DIFTUG) HERESend us Fan Mail

On this week's show, we spend quality time with new records from Jack White, The Rolling Stones, Brother Wallace & Jalen Ngonda.All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

INTERVIEW: Francisca Griffin release Cassette "Moments in Time 1990-2021" by Cass Harrop on Radio One 91FM Dunedin

On this week's show, we spend quality time with new records by Low Cut Connie & River Shook, spin fresh tracks from Billy Strings, U2 & Phoebe Bridgers, and celebrate 25 years of The White Stripes' White Blood Cells. All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Cassettes are making a comeback.Mason Rook lacks physical strength.Rook wears a blue swimsuit.Rook has zero in-ring personality.Looks and stories matter most.Paying traditional dues is obsolete.Paul Walter Hauser argues online.Sami Zayn faces title backlash.Zayn issued a defensive statement.Zayn possesses excellent wrestling skills.Zayn brings great Muslim representation.Few wrestlers truly deserve championships.Kevin Owens returning makes sense.Become a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.

WAV, Mere of Light, Musicians for Birds and Related Animals, Jeff Coyne, Ryan J Raffa & Sam Prekop, Adrian Knight, Mascherina Da Notte, Emma Baiada, Daniel Jakob & Łukasz Polowczyk, Orsan Abram, and Henry Kaiser

On daytime MTV, Bon Jovi was becoming the biggest pop-rock act on the planet. Poison was setting the blueprint for everything pop culture now calls hair metal. At the same time, Metallica, Slayer, and Megadeth: were building massive and devoted audiences. These two worlds shared MTV, shared tour bills, and shared fans who were being asked to pick a side. That tension is what makes 1986 unlike any other year in metal history.The Glam Explosion That Broke Daytime MTVHere's what happened between 1984 and 1986: metal expanded beyond just being scary.After Quiet Riot became the first hard rock band to score a number-one album in 1984, the genre broke into mainstream consciousness. Then the PMRC Senate hearings of 1985 gave the music a problem: it needed to stop being threatening. By 1986, the solution was in the videos. Make them colorful. Make them fun. Start somewhere relatable: a bedroom, a garage, a studio. Then escalate into an idealized fantasy of concert performance. Replace leather and skulls with neon and teased hair. What had been relegated to late-night Headbangers Ball slots now fit the 3 PM MTV daypart. The music and the medium found each other.Bon Jovi's Slippery When Wet is the commercial monument to that shift. Released August 18, 1986, it rolled out singles for nearly a full year after release: “You Give Love a Bad Name” in July, “Livin' on a Prayer” in October, “Wanted Dead or Alive” the following March, “Never Say Goodbye” in June of 1987. Each one was bigger than the last. The year before, Bon Jovi had been opening for Billy Squier. The key differentiator from their earlier work: the arrival of Desmond Child as co-writer on the two biggest singles, bringing professional hit-making infrastructure to what was already a committed band.Poison's Look What the Cat Dragged In was doing the same thing with less money. Their starting address was Enigma Records, home to They Might Be Giants, The Cramps, Dead Milkmen, and Devo. An underground punk label, not a hair metal machine. Capitol entered the picture later, which explains why “Cry Tough” barely moved and “Talk Dirty to Me” became an MTV staple. Poison didn't just succeed with this blueprint; they franchised it.Van Halen's 5150 added keyboards and landed the best Sammy Hagar-era album in the process. David Lee Roth's Eat ‘Em and Smile amplified the campy fun of his Van Halen years into a career highlight. Cinderella's Night Songs made the sharpest glam debut of the year: darker and more concise than anything they'd produce later, before the bluesy detours took over. Jon Bon Jovi helped them record it. That's how fast the food chain was moving in 1986.The Thrash Revolution Running in ParallelHere's the thing about thrash in 1986: it wasn't hidden. Headbangers Ball existed. The magazines covered it. Metallica opened for Ozzy on the Ultimate Sin arena tour. But in the daytime MTV ecosystem, thrash was not the default. If you wanted it, you had to find itMaster of Puppets is eight songs long, 54 minutes, and sounded like nothing on daytime MTV or rock radio. It is heavy and precise and expansive in equal measure: a record where the title track alone runs over eight minutes and earns every second. It was Metallica's third album, the last one with Cliff Burton, and it was recorded without a single thought given to MTV rotation or radio airplay. No videos. No singles. Just the record, and the word that spread through tape trading, zines, college radio metal shows, and the underground networks that thrash metal relied on before the internet existed.What makes 1986 extraordinary is that Metallica wasn't alone. Slayer's Reign in Blood came out the same year: 29 minutes of something faster and more extreme than Master of Puppets, an album that even people who don't follow Slayer know by reputation. Megadeth's Peace Sells... But Who's Buying? completed what might be the single most concentrated year of output from the Big Four of thrash metal: three of the four bands releasing arguably their best records in a twelve-month span. Anthrax didn't have an album in 1986. If they had, it would have been a clean sweep.From the German side of the Atlantic, Kreator's Pleasure to Kill was happening simultaneously: the Teutonic thrash scene developing its own parallel lineage that would eventually be recognized as a pioneer of death and black metal. These weren't crossover acts. They weren't on MTV. But they were building the foundation that would outlast nearly everything in the charts.The thrash revolution of 1986 wasn't a secret, but it was a deliberate choice. Headbangers Ball ran late. Daytime belonged to Poison and Bon Jovi. You could be into both, but at school you were expected to pick a jersey. Admitting you preferred Master of Puppets over Slippery When Wet was a statement, and not everyone in 1986 was ready to make it out loud.Legacy Bands: Update or Resist?Every established metal act in 1986 faced the same question: how much do you change?Judas Priest's Turbo is the case study in what too much looks like. Their tenth album added synthesizer guitars and chased the MTV aesthetic in ways that have remained controversial ever since. Some decent songs are buried in there, but Turbo is the canonical example of a decade-spanning band trying on a new identity because the culture demanded it, and not quite threading the needle.Ozzy Osbourne's The Ultimate Sin represents a different calculation. The image got teased and colorful. The videos fit the 3 PM slot. But the album had Jake E. Lee playing with a flashy intensity that gave it a musical spine the presentation didn't undercut. Ozzy reportedly hated it. Others call it his best solo record: a bridge between his 1970s legacy and the glam-era present that actually holds together. When Metallica opened for Ozzy on the Ultimate Sin arena tour, the lineup said everything about where the genre stood. The scariest band in the underground, opening for a legacy act who'd made himself MTV-friendly. The irony runs deep.Black Sabbath's Seventh Star was never supposed to be a Black Sabbath album. Tony Iommi assembled it as a solo project with Glenn Hughes on vocals, Eric Singer on drums, and Dave Spitz on bass. The label insisted the Sabbath name go on it. The video for “No Stranger to Love” is keyboard-driven and barely resembles Sabbath because, structurally, it isn't. What it is, divorced from its title and backstory, is a genuinely interesting record with a remarkable cast. It has been submitted to multiple DMO polls. It has not yet won. It keeps getting submitted.Iron Maiden's Somewhere in Time added keyboards lightly and reads today as the last album before the tinkering accelerated. Europe's The Final Countdown produced one of the most inescapable songs of the decade and an album none of us heard past the singles. The legacy-band class of 1986 is full of acts choosing between integrity and relevance. The ones who chose wrong are instructive.The Deep Cuts That Shaped Everything (and Nobody Witnessed)Here's the version of 1986 that doesn't show up on year-end lists.In June of that year, a Swedish doom metal band called Candlemass released their debut album, Epicus Doomicus Metallicus, on a label called Black Dragon Records. It did not sell. It did not chart. It was not played on the radio or shown on MTV. It was, by most measurable standards, invisible. What it was doing, quietly and without witnesses, was inventing doom metal as a genre. Every band that has worked in that sonic territory for the past forty years carries a Candlemass debt, whether they know it or not.Guns N' Roses' Live ?!@ Like a Suicide is a different kind of deep cut: a 1986 self-released EP on GN'R's own Uzi Suicide label, predating Appetite for Destruction by a full year. Some people had it. They read about the band in Hit Parader and Circus, bought the cassette, and wrote the band's name on their textbook covers. Then they came home from college and the cassette was gone, lost in a couch cushion somewhere, probably worth a lot of money now. That cassette is a small but perfect metaphor for 1986: the thing you knew about first, the object you can no longer find.The Transformers: The Movie soundtrack connects 1986 to something else entirely: the year metal started showing up in animated children's films, delivered by Stan Bush, Lion, and members of Kick Axe performing as Spectre General. For kids who saw the movie it was a first exposure to the genre. Our Picks, Three Different ArgumentsEvery roundtable eventually comes down to someone having to choose.Poison's Look What the Cat Dragged In. The blueprint for hair metal as a cultural phenomenon. The DIY machine that started on a punk indie label and franchised itself across the next four years. It is not the deepest record of 1986. But it is the one that most completely captures what the year felt like at 3 PM on a Tuesday when MTV was on. That counts for something.Metallica's Master of Puppets is the credibility anchor. The last Cliff Burton record. The document of everything Metallica was before the first video and the commercial pivot. Every move they have made since gets measured against this one, and most of them come up short. The underground case, closed.Ozzy Osbourne's The Ultimate Sin is the legacy act threading the needle correctly, or at least fascinatingly. Jake E. Lee at full power. Ozzy navigating from his 1970s origin into 1986 accessibility in a way that doesn't fully betray either. An album Ozzy reportedly hated. A pick none of us saw coming.That's 1986.Episode Highlights* 0:00: Intro. Why we went back to 1986: the year we were all buying cassettes and picking sides.* 1:52: The Transformers: The Movie soundtrack as a metal gateway. Stan Bush, Lion, and a very upsetting death for 11-year-olds.* 4:07: Cassette-buying memories. Where we each were, financially and musically, in 1986.* 8:08: The PMRC timeline and how hair metal broke onto daytime MTV in 1986, colorful videos replacing darker imagery.* 11:36: Judas Priest's Turbo as the prime example of a legacy band adding keyboards and chasing the MTV moment.* 14:08: 1986 as the greatest single year in thrash metal history. Master of Puppets, Reign in Blood, and Peace Sells all released within months of each other.* 15:02: Walking into Richfield Coliseum for the last 30 seconds of Metallica opening for Ozzy, and genuinely not caring at the time.* 16:04: Listening to Master of Puppets in secret on the school bus while claiming to listen to Bon Jovi or Night Ranger.* 17:28: Why Cinderella's Night Songs holds up: darker and tighter than later work, no big ballad epics, Jon Bon Jovi's behind-the-scenes role.* 20:03: Bon Jovi's rocket-ship year. The full single timeline from You Give Love a Bad Name through Never Say Goodbye, and Desmond Child's co-writing role.* 22:49: Seeing Poison open for Quiet Riot at the Cleveland Agora reopening. Studying the Look What the Cat Dragged In album cover beforehand. Expecting at least one woman in the band.* 25:22: Poison's DIY punk ethic and their unlikely starting home on Enigma Records alongside They Might Be Giants and The Minutemen.* 27:56: Candlemass's Epicus Doomicus Metallicus: doom metal's invisible ground zero, released June 1986, heard by almost nobody.* 30:07: The Guns N' Roses Live ?!*@ Like a Suicide EP story. Buying it before anyone knew who they were, writing GN'R on textbooks, and losing the cassette after college.* 32:11: Queensryche's Rage for Order as a musicians' landmark, more influential among players than general audiences.* 34:43: Black Sabbath's Seventh Star. The Tony Iommi solo album the label forced into being a Sabbath record, and the DMO poll it keeps losing.* 37:44: Vinnie Vincent Invasion: Poison taken to its extreme. Pink guitars, pop DNA at maximum volume, and a singer switcheroo from Robert Fleischman to Mark Slaughter.* 45:08: Buying King Diamond's Fatal Portrait out of sheer fear, based only on a magazine photo with no MTV and no internet.* 52:30: AC/DC's Who Made Who: three new songs, six repackaged tracks, Maximum Overdrive tie-in, and the question of whether it needed to be a full album.* 56:13: The connections bands bucket. Hurricane, London, M.A.R.S., White Tiger, Rough Cutt, Black ‘N Blue: albums bought for who was in them, not what was on them.* 1:03:36: Rough Cutt's “Take a Chance” as an all-time genre standout hiding inside a mediocre album.* 1:07:29: We each name the one album that defines 1986. Three picks, no overlap.* 1:21:07: Chip's poll plug for CJSS's Praise the Loud. Cincinnati power metal. David T. Chastain. Still waiting for its DMO moment.* 1:24:07: Outro. Have a lost or forgotten album that deserves the spotlight? Suggest it here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

On this week's show, we celebrate Pride Month and Juneteenth loudly and proudly, spend quality time with new records from Kurt Vile, Elephant Gerald, and Bruce Springsteen, and spin fresh tracks from Jack White, The Last Dinner Party, and Cigarettes After Sex. All this & much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

The Taliban retook power in Afghanistan in 2021, after the hasty conclusion to a 20 year U.S. occupation. Since then, music has been officially banned in the country. Musicians are driven underground, instruments are destroyed, and recordings are contraband.Here in the East Bay, one Afghan-American is working hard to preserve what he can. He's digitizing tapes he's sourced from back home and posting them in an online database he started calling the Afghan Cassette Archive. But getting those tapes out of Afghanistan is not as simple as an online order… It's an illegal, expensive, and dangerous odyssey.Reporter Christopher Alam met up with Omid J, aka OMJVinyls, at his Oakland studio to check out his rare collection.

La venganza será terrible Alejandro Dolina, Patricio Barton, Gillespi Introducción • 0:01:14 Apertura y humor sobre bañarse, el pelo mojado y los encuentros amorosos • 0:02:28 Recomendación de la obra Amelia y la Eternidad • 0:03:22 Anuncio de funciones en Canning, Rosario y La Trastienda • 0:04:16 Presentación del tema del día: tirar cosas y cerrar etapas Segmento Inicial • 0:07:08 Debate sobre recuerdos, objetos guardados y arrepentimiento por haber tirado cosas • 0:15:36 Cassettes, grabaciones de radio y defensa de los viejos reproductores • 0:18:06 Sillas rotas, muebles, autos viejos y televisores como objetos difíciles de descartar • 0:24:08 Llaves, plantas secas, cajas vacías y radios viejas como ejemplos del acopio doméstico • 0:31:52 Cartas de amor y cartas de oyentes como recuerdos más valiosos que los mensajes digitales • 0:36:00 Reflexión sobre herencias, instrumentos de músicos y el valor histórico o emocional de los objetos • 0:39:44 Lectura de mensajes de oyentes y pedidos musicales Segmento Dispositivo • 0:52:30 Anuncio del tema: el nacimiento de Caín y Abel • 0:53:11 Samael, Eva y las versiones míticas sobre la concepción de Caín • 0:56:12 Parto de Eva, intervención de ángeles y sentidos atribuidos a los nombres de Caín y Abel • 0:58:48 Sueño premonitorio de Eva, separación de los hijos y versiones sobre gemelos • 1:01:28 Otros mitos sobre serpientes divinas y fecundación ritual • 1:03:10 Cierre con la fuente de Robert Graves y Rafael Patai y la canción Adán y Eva Segmento Humorístico • 1:07:10 Presentación de un verdadero o falso sobre caballos • 1:09:22 Visión, dientes, sueño de pie y curiosidades biológicas de los caballos • 1:12:24 Calígula, Gato y Mancha, Secretariat y expresiones faciales • 1:19:40 Polo, vómito de los caballos y discusión final sobre el resultado del juego Sordo Gancé / Manuel Moreira • 1:25:42 Presentación de Manuel Moreira • 1:25:56 “Añoranzas” ♫ • 1:29:05 Pedidos del público y anuncios de próximas funciones • 1:30:29 “María Ninguém” ♫ • 1:33:53 Preparación humorística de “How High the Moon” • 1:37:15 Homenaje al psicoanálisis y saludo a Gabriel Rolón • 1:38:03 “El pan dulce” ♫ (Resumen generado automáticamente con IA, puede contener errores)

Geek Warning gets a new voice as Escape's new US tech editor - Jack Duncan - joins the motley crew. Together with Dave Rome and Ronan Mc Laughlin, the geeks cover a broad range of topics from Unbound tech, UCI doing UCI things, Ronan's custom inner sole journey, and hubs that allow cassettes to fall off. Of course, members of Escape Collective also get Ask a Wrench. This week, Dave is joined by Jack Duncan to answer a number of questions from our members. Also, Dave sends his apologies to members listening to Ask a Wrench as his mic settings had changed without warning. Time stamps:  00:00:00 - An introduction to Jack Duncan  00:04:30 - Unbound tech wrap  00:16:25 - Disqualification over 20 grams  00:28:00 - Cassettes that fall off and Dave's Public Rambling Rant  00:33:00 - Carbon inner soles are on Ronan's mind 00:49:30 - Ask a Wrench (members only)  00:51:00 - Running a 12-speed chain on a 11-speed cassette  00:57:45 - battery drain issues in an AXS shifter  1:04:00 - How to add grip to a slippery brake lever