Podcasts about rockaby

Jeni Jones is a director, actor, playwright, producer, and performer whose 30-year career spans theatre, film, music, and spoken word. Known for her work as a Beckettian actor and director, she has directed productions of Waiting for Godot, Krapp's Last Tape, NOT I, and ROCKABY, and has earned recognition including an NAACP Theatre Award. Her work combines classical theatre with contemporary approaches, including hip-hop and performance art. In this program, Jones explores Samuel Beckett's female-centered works, focusing on NOT I and ROCKABY. Through discussion and a hip-hop-infused demonstration, she examines Beckett's challenging texts and her process for bringing them to life. NOT I, Beckett's intense and rapid-fire monologue delivered by “Mouth,” and ROCKABY, a haunting meditation on memory and mortality, offer a different perspective on the playwright's work while exploring themes of identity, isolation, and human connection. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott McMicken (Dr. Dog, Press On Records) joins Pat for a song that doubles as an Ear Nose & Throat doctor's final exam, Lullaby (AKA Rockaby) by by Shawn Mullins. patfinnerty.net Email songstinkpod@gmail.com Executive Producers Pat Finnerty and Adam Levin

Currently running is Troy Foundry Theatre's take on the Samuel Beckett works "Footfalls," "Rockaby," & "Not I." The performance "Echo Chambers: Beckett³" is running through June 18th at the historic Hart Cluett Museum in Troy, NY. Sina Basila Hickey spoke with Troy Foundry Theater Artistic Director David Girard about the show. More info can be found at www.troyfoundrytheatre.com

Seth and Marc field a request for a song that resides deep in the depths of Marc's hate bin. Lullaby; the song that Shawn Mullins is so enamored with, he laughs at his own lyrics. Listen to Beck-lite pull an opposite of Hey Jude and take a better song and make it sad. Good luck sleeping after hearing Ol' Man Mullins talk like a sketchy heroin dealer trying to "lull" your 9 year old daughter.

Eine Darstellerin auf der Bühne, fünf Musiker und ein Dirigent im Graben: An der Komischen Oper Berlin Schönbergs läuft gerade ein Kammerabend, mit "Pierrot Lunaire", dazu die zwei Monologe "Nicht ich" und "Rockaby" von Samuel Beckett. Uwe Friedrich war dabei.

Mit Dagmar Menzel als Solistin hat Barrie Kosky die drei Monologe "Pierrot Lunaire" von Arnold Schönberg sowie "Nicht Ich" und "Rockaby" von Samuel Beckett inszeniert. Harald Asel berichtet von der Premiere in der Komischen Oper.

Rockaby sweet baby blubes. Scoop Mail. Jock Vs Nerd. Learn more about your ad choices. Visit megaphone.fm/adchoices

A prestigious agent signed playwright John Guare before he had even graduated from Yale School of Drama, saying he showed promise. In the five decades since, Guare has been one of the most humane—and absurd—voices of American theater. He says "there's no such thing as a 'hit recipe,'" though if one existed, Guare would probably know about it; his acclaimed work includes The House of Blue Leaves, Six Degrees of Separation, and the Oscar-nominated screenplay for the film Atlantic City.   Lisa Dwan began dancing ballet with Rudolf Nureyev when she was just 12, and she carried that poise and fluidity with her as she evolved into an actor. She says nowhere is that more evident than in her recent interpretations of fellow Irishman Samuel Beckett. Dwan gathered critical acclaim for a grueling one-woman show featuring three of Beckett's most intense works: Rockaby, Footfalls, and Not I. The last of these is a stream-of-consciousness monologue, with only Dwan's mouth visible hovering over a black stage.     

As Yet Unnamed London Theatre Podcast 26-Jan-2014 With T R P Watson  - Gareth James - Nick from Partially Obstructed View - Webcowgirl  - Plays Discussed Not I, Footfalls & Rockaby (Beckett trilogy) - Royal Court Theatre [00:12] The Pass - Royal Court Theatre  [04:48] The World Goes ‘Round - Union Theatre [15:44]