Podcasts about Berlin

Abdallah und Ramla, ein somalisches Geschwisterpaar mit langer und komplizierter Fluchtgeschichte, sind endlich in Berlin angekommen. Sie lernen deutsch. Sie schreiben Bestnoten in der Schule, beide schaffen das Abitur. Ambitioniert sind sie, fleißig, intelligent und clever. Aber ihr Aufenthaltsstatus wird immer nur „verlängert“, die Unsicherheit bleibt. Und je weiter sich Abdallah in die deutsche Gesellschaft integriert, umso schwieriger wird die Kommunikation mit seiner Schwester … Verlieren sich die früher unzertrennlichen Geschwister auf dem langen Weg der Integration? – Eine Langzeitbeobachtung. Von Julia Illmer und Massimo Maio DLF 2024

In this livestream, I explore something many people on the spiritual path are experiencing right now. Spiritual insights are arriving in ways that do not feel linear, organized, or memory based in the usual human sense. Instead, they seem to spiral across timelines, childhood memories, past experiences, soul remembrances, and even contact experiences that surface in sudden waves. In this episode, I share a very personal example of how this has been unfolding for me in the month of November. While traveling in Berlin, I had a series of powerful connections that pulled together childhood memories, present time awareness, and multidimensional insights activated through reading Whitley Strieber's Communion. These experiences wove together threads from my early life, my adult ET encounters, and older layers of consciousness that live deep within the folds of our energetic geometry. If you have been noticing synchronicities, old memories resurfacing, or unexpected connections between different phases of your life, you are not alone. Many people are reporting similar patterns. Our spiritual remembrance is no longer following a start to finish path. It is arriving through spirals, sudden activations, and multidimensional intersections that often reveal healing opportunities, soul memories, and deeper truths about who we are. I hope my experience helps you tune into your own patterns and recognize where your consciousness may be reconnecting pieces of your story that were once dormant. As always, I would love to hear your insights, whether you are watching live or catching the replay.   And do not forget to join us for the Miracle Summit on December 6. It is free to attend, and the lineup is so powerful. You will hear from Rachel Chamness, Amanda Romania, Julie Ryan, Aubrey Nicole, Baba Sam Shelley, Helen Ye Plehn, and many more. You can also upgrade to the VIP option for deeper teachings and extended access with each speaker. Register here: https://www.karagoodwin.com/miracles-summit-25  Thank you for being here and for sharing this journey with me. Sending blessings for a beautiful week ahead. Book mentioned: Communion by Whitley Strieber https://amzn.to/49tIazV   

Såhär i lite dystra fotbollskvaltider kan ett minne från ett mer glädjande VM-kvar göra gott, tänkte vi. Därför ger vi er denna lördag Bragden i Berlin.Hämtad från Sporthuset avsnitt 71 inspelat av Lasse Graqvist och Noa Bachner den 15 december 2016. Utöver det hör vi även Jens, Lasse och Tommy minnas fler idrottshistoriska ögonblick från Olympiastadion i Berlin. Hosted on Acast. See acast.com/privacy for more information.

Welche Potenziale hat 3D-Druck für die Wirtschaft? Und gibt es Unternehmen in Berlin und Brandenburg, die auf die "Additive Fertigung" setzen? Von Sören Hinze

In Folhe 78 unseres Podcasts sprachen wir über: Nancy Hünger: Wir drehen dem Meer unsere Rücken zu. (Edition Azur) Daniel Schreiber: Liebe. Ein Aufruf. (Hanser Berlin) Andrea Newerla: Wie Familie nur besser. (Kösel) Eva Baltasar (aus dem Katalanischen von Petra Zuckmann): Mammut. (Schöffling & Co.) Kaśka Bryla: mein vater der gulag die krähe und ich. (Residenz) Lina Scheynius (aus dem Englischen von Eva Bonné): Tagebuch einer Trennung. (Aki) Paula Fürstenberg, Alisha Garmisch & Raphaëlle Red: No Scribes. (SuKultur)

Die Medien-Woche Ausgabe 318 vom 22. November 2025 Mit Christian Meier. Zu Gast ist in dieser Ausgabe Christoph Schwennicke, Politikchef und Mitglied der Chefredaktion von T-Online. https://www.t-online.de/author/id_91971224/christoph-schwennicke.html Wir sprechen in dieser Ausgabe über folgende Themen: 1 Erst Verleger, dann Politiker: Was ist dran am Interessenkonflikt von Kulturstaatsminister Wolfram Weimer? / 2 In Berlin suchen Deutschland und Frankreich nach digitaler Souveränität / 3 Wie steht es um den Politikjournalismus? SHOWNOTES https://apollo-news.net/abendessen-mit-ministern-fuer-80-000-euro-wolfram-weimers-unternehmen-verkauft-einfluss-auf-politische-entscheidungstraeger/ https://weimermedia.de/ https://www.tagesschau.de/inland/innenpolitik/weimer-firma-anteile-100.html https://www.welt.de/politik/deutschland/article6920568baa438e0ccb7babd1/wolfram-weimer-warnt-vor-zusammenbruch-des-freien-mediensystems.html https://www.zeit.de/2025/49/ludwig-erhard-gipfel-wolfram-weimer-media-group-sponsoren https://www.welt.de/kultur/stuetzen-der-gesellschaft/plus691eb4be800234221d23c190/im-weimer-wie-aus-einer-tegernseer-petitesse-eine-unnoetige-krise-wird.html * https://www.bundesregierung.de/breg-de/aktuelles/digitale-souveraenitaet-2394250 https://netzpolitik.org/2025/gipfel-zur-europaeischen-digitalen-souveraenitaet-kehrtwende-fuer-die-innovationsfuehrerschaft/ https://leibniz-hbi.de/hbi-news/gipfeltreffen-europa-will-digital-souveraener-werden/ https://www.heise.de/news/Europaeischer-Digitalgipfel-Volle-Kraft-voraus-fuer-KI-11083615.html https://www.diepresse.com/20321702/kein-cyberangriff-cloudflare-sorgte-selbst-fuer-weltweiten-ausfall * https://www.t-online.de/nachrichten/kolumne-christoph-schwennicke/id_101006182/afd-und-bsw-in-der-krise-populistische-strategien-am-ende-.html * https://www.deutschlandfunkkultur.de/ich-will-keine-fische-fangen-100.html --- Impressum:Diensteanbieter Stefan Winterbauer/Christian Meier Medien-Woche Schwiebusser Str. 44 10965 Berlin E-Mail-Adresse: diemedienwoche@gmail.com Stefan Winterbauer Christian Meier Links auf fremde Webseiten: Die Inhalte fremder Webseiten, auf die wir direkt oder indirekt verweisen, liegen außerhalb unseres Verantwortungsbereiches und wir machen sie uns nicht zu Eigen. Für alle Inhalte und Nachteile, die aus der Nutzung der in den verlinkten Webseiten aufrufbaren Informationen entstehen, übernehmen wir keine Verantwortung. ⁠⁠⁠⁠⁠⁠Erstellt mit kostenlosem Datenschutz-Generator.de von Dr. Thomas Schwenke⁠⁠⁠⁠⁠⁠ KontaktmöglichkeitenInhaltlich verantwortlich:Haftungs- und Schutzrechtshinweise Learn more about your ad choices. Visit megaphone.fm/adchoices

Coco Street The Valiant Queen makes her Data Transmission debut with a hard-edged, high-voltage techno session built for late nights, concrete floors, and clean adrenaline. ‘O The Technoliciousness 001' moves through Detroit grit, Berlin precision, and LA's signature neon cool, featuring heavy hitters from Eddie Amador, Hertz, Loco Dice, Norbak, Altinbas, M. Rodriguez, and more. A deep, sleek, electrified journey. Plug in and feel the charge! ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Urlaubsansprüche verfallen nach § 7 BUrlG grundsätzlich zum 31.12. (mit Übertragung bis 31.03.), aber nach EuGH/BAG nur, wenn der Arbeitgeber aktiv mitwirkt: klar über Resturlaub informiert, zur Inanspruchnahme auffordert und über den konkreten Verfall belehrt. Wer diese Mitwirkung, Langzeiterkrankungen und Verjährungsfristen sauber managt, vermeidet teure Altlasten und Urlaubsabgeltungen.Artikel:1.⁠ M⁠uster für Urlaubsantrag des Arbeitnehmers⁠2. Kündigung während des Urlaubs3. Sonderurlaub und ZusatzurlaubPodcastfolgen:1. ⁠Urlaub und Vergleich beim Arbeitsgericht⁠2. ⁠5 häufige Irrtümer beim Urlau⁠Homepage:⁠⁠⁠⁠⁠⁠⁠Rechtsanwalt Andreas Martin - Arbeitsrecht in Marzahn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anwalt Arbeitsrecht in Berlin ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

liebeschip #blackfriday 25% mit dem Code NOVEMBER25; einfach in der Kaufabwicklung eingeben. Gilt für fast alle Online Kurse, Bundles, auch mehrfach verwendbar. Gilt bis Sonntag 23. November.Kann man auch liebessüchtig werden zu Menschen, die man mal gerade kennengelernt hat? Leider ja, es ist gar nicht so selten. Und es hat immer das gleiche Muster.Mein neues Buch "Darum funktioniert dein Gehirn wie TikTok"https://amzn.to/45tye7cRelease Party / Lesung neues Buch in Berlin, Köln & Hamburg sowie Bootcamp in Stuttgart & Hamburg: https://www.liebeschip.de/store?tag=9.%20veranstaltungenLiebeschip KI Bot: https://www.liebeschip.de/store/opCfF4GXLizenz-Kurse: https://www.liebeschip.de/store?tag=7.%20lizenz-kurse%20für%20berater%20und%20therapeutenMeine Dating Kurse: https://www.liebeschip.de/store/K8Csuxf6Vlog / Podcast von Dipl.-Psych. Christian Hemschemeier, Institut für Integrative Paartherapie in Hamburg / Berlin. (Wichtige Hinweise findest Du unten im Text.)(Online) Kurse: https://www.liebeschip.deKurse zu toxischen Beziehungen, Umprogrammierung deines Beuteschemas, Bindungsangst, Verlustangst, Dating, Selbstliebe, Eifersucht, Glück, Dating und ganz vieles mehr! Schau einfach mal vorbei!Wichtige Informationen zu unseren AngebotenIn diesem Online-Angebot werden keine psychotherapeutischen Leistungen angeboten. Die Videos wurden mit größtmöglicher Sorgfalt und durch einen erfahrenen Paartherapeuten erstellt. Sie enthalten jedoch keine Diagnosen, Ratschläge oder Empfehlungen hinsichtlichErkrankungen und darauf bezogener Therapien. Die Videos ersetzen somit keine psychotherapeutische Behandlung. Weitere wichtige Informationen zu unseren Angeboten finden Sie hier: https://www.liebeschip.de/infoImpressum: https://www.liebeschip.de/pages/impressum Hosted on Acast. See acast.com/privacy for more information.

Benjamin und Thomas sind frisch aus dem Kino und haben den Film Running Man geguckt. Ihre Eindrücke als wahre Filmexperten geben sie euch natürlich nur zu gerne, auch wenn Niemand danach gefragt hat. Viel Spaß dabei!

#BerichtausBerlin #DieterHapel #DNEWS24 #Landespolitik #Ausgehtipp Berlin zahlt nur verfassungswidrig. SPD zelebriert Krönungsmesse.  Krach agiert stillos. CDU will mehr Sicherheit und Sauberkeit. Kinder in Pankow von Jugendlichen ausgeraubt. Spielplatz soll polizeilich überwacht werden. In Berlin häufen sich Schießereien. SOKO Eisen eingesetzt. Frack mit Sneakern im Roten Rathaus. Kai Wegner macht Wahlkampf. Bei Standesämtern ist Geduld gefragt. Partei-Hopping in den Bezirken. Der Görli-Zaun wächst. No-Olympia ist ein Sammelsurium der üblichen Verdächtigen.Ausgehtipp der WocheDas Chon Thong liegt gleich beim Kant-Kino und ist ein thailändisches Restaurant. Das freundliche Personal kapituliert nicht vor dem Gäste-Absturm. Die Speisen sind authentisch, die Getränke fair bepreist.Hinter einem Bauzaun in der Mommsentrasse versteckt sich die Salumeria Servus. Rustikale Einrichtung, österreichische Küche, freundliche Wirtsleute mit vernünftigen Preisen.

Im Podcast Feuilleton besprechen Marc T. Süß und Marcus S. Kleiner diese Woche die Themen: Digitalgipfel Berlin, Felix Blume aka Kollegah will Künstler werden, Steve Bannons neurechte Kaderschmiede in Italien, Maurizio Cattelans goldenes Klo. Mehr auf www.fugengold.de

The US has handed Ukraine a draft peace plan which reportedly reflects many of Moscow's demands, like giving up land. Ukraine's president has held a call with the leaders of Germany, France and Britain. Berlin says the three leaders welcomed US efforts but stressed the need to safeguard European and Ukrainian interests. Also: officials in Nigeria say dozens of pupils and staff have been abducted from a Catholic school - the third mass kidnapping in a week; The United Nations children's agency, UNICEF, says almost seventy children in Gaza have been killed in conflict-related incidents since Israel's US-brokered ceasefire with Hamas took effect last month; A growing number of women in South Africa learn to use guns to protect themselves against gender-based violence; The UN climate summit in Brazil is heading for a showdown over a draft text proposed by the hosts that fails to refer to the phasing out of fossil fuels; In a dramatic development - Mexico's Fatima Bosch, who walked out on organisers after she was publicly berated, is crowned Miss Universe; And how artificial intelligence is helping scientists differentiate between different lion roars.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk

Gustav Klimt's Portrait of Elisabeth Lederer (1914-16) sold for the second highest price ever realised at auction at Sotheby's in New York on Tuesday. It was the most notable of several big sales in the sold-out (or “white-glove”) auction of 24 works from the collection of the late billionaire Leonard Lauder, and has prompted some commentators to declare that the art market has turned a corner following a prolonged downturn. Ben Luke speaks to The Art Newspaper's senior art market editor in the Americas, Carlie Porterfield, about this week's auctions, and asks if they do mark a turning point in the art market's fortunes. Cop 30, the United Nations Climate Change Conference, is taking place in Belém, Brazil, and ends on Friday. To coincide with the conference, the Gallery Climate Coalition is publishing a Stocktake Report, in which it gives hard data on the efforts of its members to reduce their carbon emissions. The Art Newspaper's contemporary art correspondent in London, Louisa Buck, who is a co-founder of the coalition, tells Ben more. And this episode's Work of the Week is Victorious Cupid (1601-02) by Caravaggio, a landmark work by the artist, made at the height of his fame in Rome. The painting is making a rare journey from its home at the Gemäldegalerie in Berlin to the Wallace Collection in London, where it is at the centre of an exhibition opening next week. Ben talks to the collection's director, Xavier Bray, about the painting.Caravaggio's Cupid, Wallace Collection, London, 26 November-12 April 2026 Hosted on Acast. See acast.com/privacy for more information.

00:00 – 11:11– The DMV, Colts-Chiefs, Daniel Jones pops up on the injury report yesterday, the Texans got a huge win last night against the Bills and keeps the heat on the Colts, 11:12 – 20:04 – Morning Checkdown 20:05 – 41:26 – WTHR’s Dominic Miranda joins us and gets us ready for a loaded high school football slate tonight, a three-way coin flip at a Texas gas station, Myles McLaughlin going for Derrick Henry’s record, is there any chance Derrick Henry would attend a Knox state championship game?, can Brownsburg be stopped, state championship schedule, Bears-Eagles on Black Friday, Colts-Chiefs discussion, can the Chiefs slow down Jonathan Taylor, the Chiefs are the worst team record-wise the Colts will face the rest of the season 41:27 – 1:06:42– ISC’s Greg Rakestraw joins us and previews a loaded high school football slate, the game that have his attention tonight, Brownsburg-Warren Central tonight, other games across the state tonight, Mr. Basketball front-runners, Colts-Chiefs, CJ. Cox, IU’s basketball schedule this week, Morning Checkdown 1:06:43 - 1:16:09– Colts-Chiefs thoughts as Daniel Jones appears on the injury report with a calf injury, the Texans get a big win and keep the pressure on the Colts with a huge stretch of games starting on Sunday 1:16:10 – 1:24:06 – Our most excited/easiest/hardest games of the Week 12 slate 1:24:07 – 1:50:51 – Colts radio announcer Matt Taylor joins us and discusses how he enjoyed the bye week, assessing the team through 10 weeks, Tayior’s Tidbits, loudest moment in Lucas Oil Stadium, biggest X-factor on Sunday, Morning Checkdown 1:50:52 – 1:58:09– Daniel Jones and his resurgent season, Purdue basketball rim controversy, Berlin, 1:58:10 – 2:04:02 – Our Colts-Chiefs predictions, a Tyler Warren prop betSupport the show: https://1075thefan.com/the-wake-up-call-1075-the-fan/See omnystudio.com/listener for privacy information.

L'actualité qui a retenu l'attention de La Loupe de la semaine, c'est le sommet sur la souveraineté numérique européenne qui s'est tenue à Berlin. Porté par la France et l'Allemagne, les Vingt-Sept se sont réunis pour affirmer l'importance d'innover dans le secteur de la tech et surtout s'accorder sur les mesures à adopter pour y parvenir. Et il est urgent d'agir, car le retard s'accumule face aux Etats Unis et à la Chine. Anne Cagan, rédactrice en cheffe adjointe de la rubrique tech de L'Express, nous détaille le chemin qu'il reste à l'Europe à accomplir. Retrouvez tous les détails de l'épisode ici et inscrivez-vous à notre newsletter. L'équipe : Écriture et présentation : Charlotte Baris Montage et réalisation : Jules KrotRédaction en chef : Thibauld Mathieu Crédits : Elysée Musique et habillage : Emmanuel Herschon / Studio Torrent Logo : Jérémy Cambour Pour nous écrire : laloupe@lexpress.fr Annonce politique : Le sponsor est Instagram, qui fait partie de Meta Platforms Ireland Ltd. Cette annonce est en lien avec les réflexions des États membres de l'UE en faveur d'une majorité numérique commune pour accéder aux services en ligne.Consulter toutes les informations relatives à la transparence sur https://eur-lex.europa.eu/eli/reg/2024/900/oj/eng Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

AfD-Abgeordnete pilgern mit Besuchern aus ihrem Wahlkreis in die russische Botschaft in Berlin. Der US-»Friedensplan« für die Ukraine erzürnt die EU. Und die häusliche Gewalt in Deutschland steigt. Das ist die Lage am Freitagabend. Hier geht's zu den Artikeln: Rechtsextremismus: So radikal wird die neue AfD-Jugendorganisation Russischer Angriffskrieg: Wie der US-Plan für die Ukraine die Europäer erzürnt Häusliche Gewalt: Gewalt gegen Frauen nimmt zu – Hubig kündigt Reformen an+++ Alle Infos zu unseren Werbepartnern finden Sie hier. Die SPIEGEL-Gruppe ist nicht für den Inhalt dieser Seite verantwortlich. +++ Den SPIEGEL-WhatsApp-Kanal finden Sie hier. Alle SPIEGEL Podcasts finden Sie hier. Mehr Hintergründe zum Thema erhalten Sie mit SPIEGEL+. Entdecken Sie die digitale Welt des SPIEGEL, unter spiegel.de/abonnieren finden Sie das passende Angebot. Informationen zu unserer Datenschutzerklärung.

In dieser aktuellen vorweihnachtlich-schlüpfrigen Ladylike Podcast-Folge sprechen Yvonne und Nicole über Adventskalender der etwas anderen Art. Von kitschigen Liebesbotschaften über erotische Rollenspiel-Anleitungen bis hin zur Schokoabdruck-Mumie ist alles dabei – die beiden Moderatorinnen sprudeln geradezu vor kreativen Ideen, wie man den Dezember sinnlich, überraschend und ganz und gar unkonventionell gestalten kann.Yvonne berichtet, wie ihre Freundin einen Paar-Adventskalender zum Geburtstag bekam – und ob das eher Geschenk oder Beziehungstest war. Nicole hingegen rechnet gnadenlos mit enttäuschenden Erotik-Kalendern ab: Billig-Feder, Baumarkt-Seil und Mini-Vibrator – da bleibt wenig Platz für echte Leidenschaft. Gemeinsam entwickeln die beiden ganz neue Konzepte: Wie wäre es mit einem LADYLIKE-Audio-Adventskalender, einem Körperteil-Memory oder einem Streichelkalender mit Navigationssystem?Die Folge zeigt mit gewohntem Witz und einer Prise Tiefgang, wie unterschiedlich Adventskalender erlebt, verschenkt – oder auch gefürchtet – werden können. Und: Warum manchmal ein selbstgebastelter Kalender mit liebevollen Botschaften viel mehr bewirken kann als jeder überteuerte Hochglanzkalender aus dem Erotikfachhandel.Hört rein in die neue Folge und erfahrt, warum Adventskalender nicht nur Schokolade enthalten müssen – sondern auch neue Lustzonen, Lachanfälle und jede Menge Liebe.Habt Ihr selbst erotische Erfahrungen, eine Frage oder Story, über die Yvonne & Nicole im Ladylike-Podcast sprechen sollen? Dann schreibt uns gern an @ladylike.show auf Instagram oder kontaktiert uns über unsere Internetseite ladylike.showHört in die Folgen bei RTL+, iTunes oder Spotify rein und schreibt uns gerne eine Bewertung. Außerdem könnt ihr unseren Podcast unterstützen, indem ihr die neuen Folgen auf Euren Kanälen pusht und Euren Freunden davon erzählt.Erotik, S**, Liebe, Freundschaft und die besten Geschichten aus der Ladylike-Community gibt es auch im Buch zum Podcast „Da kann ja jede kommen“! Hier geht's zum Buch: bit.ly/ladylike-buchUnsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Get ready for an exciting deep dive into the 14th Annual Meeting of the Lupus Academy, held in Berlin (9–11 October 2025)! In this episode, Dr. Raquel Faria joins meeting Chair, Professor Maria Dall'era, to uncover the top educational highlights andbreakthroughs from the event. Catch-up on presentations at https://lupus.academy/ (available until 31st December 2025).Disclaimer: During Lupus Academy podcast episodes, participants may refer to off-label use of medicines for patients with lupus. Lupus Academy does not make anyrecommendations about using a medicine outside the terms of its approved license for use.

Trains passing overhead on a overpass at Savignyplatz on a Sunday morning in Berlin, with light rain clearly audible too. Recorded in September 2025 by Cities and Memory. 

"The trains, from the field recording run, whilst the music represents thoughts of waiting for the next train and run between the train sounds. Some mangles train sounds appear amonst the music." Trains on an overpass at Savignyplatz, Berlin reimagined by Simon Woods.

Im Gegensatz zu Doping in der Bundesrepublik, war die Doping in der DDR staatlich reguliert. Aber war es dadurch für die Sportlerinnen und Sportler sicherer? Ein Vortrag der Historikerin Jutta Braun. Jutta Braun ist Historikerin und leitet am Leibniz-Zentrum für Zeithistorische Forschung Potsdam (ZZF) die Abteilung "Regime des Sozialen". Ihren Vortrag "Zwangsdoping in der Diktatur?" hat sie am 28. Juni 2025 bei der Langen Nacht der Wissenschaften in der Geschäftsstelle der Leibniz-Gemeinschaft in Berlin gehalten. ********** Schlagworte: +++ Doping +++ DDR +++ Sport +++ Wettkampf +++ Systemwettkampf +++ Kommunismus +++ Anabolika +++ Kinder +++ Jugendliche +++ Medizin +++ Sportfunktionäre +++ Trainer +++ Sportler +++ Sportlerinnen +++ Geschichte**********In dieser Folge mit: Moderation: Nina Bust-Bartels Vortragende: Jutta Braun, Historikerin, Leibniz-Zentrum für Zeithistorische Forschung Potsdam (ZZF)**********Mehr zum Thema bei Deutschlandfunk Nova:Karl Marx und der Kommunismus: Die Rolle von Eigentum für soziale GerechtigkeitDenkmäler: In Polen werden Sowjet-Statuen abgerissenKalter Krieg: Epoche der Gegensätze**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .

Laages, Michael www.deutschlandfunk.de, Kultur heute

Anthony Wootton chats with Dr. Alexander Steinforth, the GM for NFL Germany and discusses the success of this season's Berlin game between the Indianapolis Colts and Atlanta Falcons. With the NFL international games now done for 2025, what can we expected in 2026? Which teams could we see in Germany and beyond? And why is American football so big in Deutschland? 

Engelbrecht, Sebastian www.deutschlandfunk.de, Campus & Karriere

Berlin hat bei der COP30 eine Milliarde Euro zum Schutz des Regenwalds zugesagt. Kein Grund, sich auf die Schultern zu klopfen, sagt Grünen-Chef Felix Banaszak. Deutschland stehe klimapolitisch auf der Bremse - zulasten der eigenen Glaubwürdigkeit. Heinemann, Christoph www.deutschlandfunk.de, Interviews

Die Zahlen häuslicher Gewalt, insbesondere mit Blick auf Gewalt gegen Frauen, sind im vergangenen Jahr wieder gestiegen. Frauenministern Prien, Innenminister Dobrindt und BKA-Chef Münch haben diese Statistiken heute in Berlin vorgestellt. Darauf schauen wir im BR24 Thema des Tages. Außerdem ein Gespräch mir der Menschrechtsaktivistin Romy Stangl, wie sich Betroffene schützen können.

Margot Del Rey is a French born fashion veteran turned holistic postpartum and lactation specialist. After a transformative move to California, she founded Sisterhood, an integrative postpartum and motherhood support practice combining Ayurvedic care and yoga based healing. Connect with the guest: @with.sisterhood withsisterhood.com Informed Pregnancy Media and ⁠⁠⁠Mahmee⁠⁠⁠ present an all new podcast! One Way or a Mother is a new narrative podcast from Dr. Elliot Berlin, DC. Each season is an intimate story of one woman, one pregnancy, and all of the preparations, emotions, and personal history leading up to the birth. Episodes feature the expectant mother along with her family, doctors, and birth work team. Start listening to ⁠⁠⁠Episode 1: I Should Have Died⁠⁠⁠ featuring Arianna Lasry Keep up with Dr. Berlin and Informed Pregnancy Media online! ⁠⁠⁠informedpregnancy.com⁠⁠⁠ ⁠⁠⁠@doctorberlin⁠⁠⁠ ⁠⁠⁠Youtube⁠⁠⁠ ⁠⁠⁠LinkedIn⁠⁠⁠ ⁠⁠⁠Facebook⁠⁠⁠ ⁠⁠⁠X⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

[@ 4 min] Alright, this week…James Gaffigan goes Inside the Huddle! The American conductor, who was recently named Music Director of Houston Grand Opera, is set to conduct Salome at the Komishe Oper, which opens this Saturday in Berlin. Gaffigan shares his perspective on making music in Germany, and what Americans always bring to the table... [@ 41 min] Plus, in the Two Minute Drill...The Hymens, I mean, the International Opera Awards, have been handed out and we're demanding a recount, as somehow Huw Monague Rendall did NOT win Male Singer of the Year. GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

Haaretz held its first-ever conference in Berlin, “Fault Lines and Futures: Israel, Gaza and Germany in Wartime and After," to explore the dynamic between Israelis, Palestinians and Germans at this charged moment; this special edition of the Haaretz Podcast features highlights of those conversations. Among the conference speakers was Hadash MK Ayman Odeh, who called on German politicians to follow other European leaders in recognizing a Palestinian state and acknowledge that “there are two peoples in our shared homeland, both with the right to self-determination.” John Philipp Albrecht, president of the Heinrich Boell Foundation – a co-sponsor of the Haaretz conference – took the stage to denounce the attempts of the Netanyahu government's “attacks and intimidation” against European NGOs that promote democracy and Israeli-Palestinian coexistence, noting that “alienating friends and partners of Israel is a strange strategy to strengthen Israel's security.” Also speaking was Prof. Meron Mendel, director of the Anne Frank Center in Frankfurt, who warned against the way in which German and other European far-right anti-immigration parties misleadingly present themselves as defenders of Israel and opponents of antisemitism, as they enjoy the embrace of Israel’s current right-wing coalition. These extremist politicians do not “love Jews,” said Mendel. “They hate Jews, but they hate Muslims more.” So they say, “we are for Israel” to “justify discriminating against Muslims for a ‘good cause’ – the cause of fighting antisemitism.” This episode also features Berliner festival director Matthias Pees and Dr. Ofer Waldman, who heads the Heinrich Boell Foundation’s Tel Aviv office. Watch a recording of the full conference here. Read more: Haaretz Conference in Berlin: What Lies Ahead for Israel and Germany After the Gaza War Germany's Antisemitism Czar Braces for Backlash Over Move to Rein in pro-Palestinian Protests Angela Merkel's Visit to My Gaza-border Kibbutz: A Lesson in Leadership That Israel Lacks Two Israeli DJs in Berlin Renounced Their Israeliness. It Didn't Stop the Boycott Calls The Far-right German Party AfD Says It Has Nothing Against Jews. This Book Proves OtherwiseSee omnystudio.com/listener for privacy information.

Tulsa football has swept the OSUs thus far. Only one remains in D1 football: Ohio State. Bring on the Buckeyes.Ryan is back from pheasant hunting + a week long trip to Berlin, and we catch up on what was a big week in Tulsa sports. Football dominated Oregon State, men's hoops is 3-1 and just lost a road nail-biter to Kansas State, and women's hoops is undefeated.We talk about all of that, then wrap with a roundup of (almost) all the other active sports at TU.

Wohin gehört Nofretete? – Bis heute steht die berühmte Büste der ägyptischen Königin Nofretete in Berlin, trotz Versuchen, sie nach Ägypten zurückzubringen. Die Eröffnung eines Museums in Gizeh macht die Frage nach einer Rückgabe wieder aktuell.

This could be another personal fave of ours! We were still high off the live stage event and up for a boss episode! Expect a mixed bag of drag, fetish, torture and a LOT of laughs! A sick Padded Cell combo lol▶︎ Support us on Patreon for bonus content: https://www.patreon.com/ThePaddedCellPodcast▶︎ www.thepaddedcellpodcast.co.uk▶︎ www.thepaddedcellpodcast.store Watch the podcast on YouTube:▶︎ YouTube - https://www.youtube.com/@ThePaddedCellPodcastFollow The Padded Cell for more:▶︎ Facebook - https://www.facebook.com/profile.php?id=61551425184285▶︎ Instagram - https://www.instagram.com/thepaddedcell_podcast/?hl=en-gb▶︎ TikTok - https://www.tiktok.com/@thepaddedcellpodcastRecorded and Produced by Liverpool Podcast Studios▶︎ Web - http://www.liverpoolpodcaststudios.com▶︎ Instagram - http://www.instagram.com/liverpoolpodcaststudios▶︎ LinkedIn - http://www.linkedin.com/company/liverpool-podcast-studios

Europa droht zum digitalen Vasallen zweier Supermächte zu werden: China und den USA. Frankreichs Präsident Macron und Bundeskanzler Merz wollen das verhindern. Doch es könnte bereits zu spät sein. Schon mal versucht, einen Rechner, ein Smartphone oder eine weltweit genutzte Software aus rein europäischer Produktion zu kaufen? Das ist verdammt schwer, manche würden sogar sagen: unmöglich. Auf diese Abhängigkeit haben diese Woche Frankreichs Präsident Emmanuel Macron und Friedrich Merz beim »Europäischen Gipfel zur digitalen Souveränität« in Berlin hingewiesen. Der Bundeskanzler machte klar, dass man sich heute nicht mehr darauf verlassen könne, »dass Amerika uns verteidigt, dass China uns die Rohstoffe liefert und Russland irgendwann wieder für den Frieden ist.« Merz, eigentlich leidenschaftlicher Transatlantiker, forderte mehr digitale Souveränität – also mehr Unabhängigkeit von den USA. In dieser Ausgabe von »Acht Milliarden« spricht Host Juan Moreno mit Marcel Rosenbach, Autor beim SPIEGEL mit den Schwerpunkten Digitalwirtschaft, Digitalpolitik und IT-Sicherheit, über die geopolitischen Gefahren, die Europas digitale Abhängigkeit auslöst. Rosenbach ist überzeugt, dass Europa zu sehr gebunden ist an chinesische und US-amerikanische Schlüsseltechnologien wie Chips, Cloudservices und KI. Eines habe der Digitalgipfel aber gezeigt, so Rosenbach: Anders als in der Vergangenheit ist die Dringlichkeit des Problems jetzt angekommen. Mehr zum Thema: (S+) Der Informatiker Yoshua Bengio gilt als einer der wichtigsten KI-Forscher der Welt und wichtiger Gründervater der Technik. Heute hält er seine Schöpfung für brandgefährlich – ein Interview von Marcel Rosenbach und Max Hoppenstedt: https://www.spiegel.de/netzwelt/web/kuenstliche-intelligenz-gruendervater-warnt-vor-kontrollverlust-sollten-den-stecker-ziehen-koennen-a-634f4958-a1fe-4c3e-8d51-bf187902c5fc Spitzengespräch über künstliche Intelligenz: »Es gibt eine Chance von 20 Prozent, dass KI in eine Art von Abgrund führt« – moderiert von Markus Feldenkirchen: https://www.spiegel.de/politik/kuenstliche-intelligenz-es-gibt-eine-chance-von-20-prozent-dass-ki-in-eine-art-von-abgrund-fuehrt-a-e94bfed1-0646-4f4a-a1fb-ddca7c1e9e2a (S+) Die SPIEGEL-Titelstory: Wird die KI bald zu mächtig für uns Menschen? – von Simon Book, Angela Gruber, Marc Hasse, Max Hoppenstedt und Martin Schlak: https://www.spiegel.de/wissenschaft/technik/kuenstliche-intelligenz-kritiker-warnen-vor-unkontrollierbarer-superintelligenz-a-051707ab-0439-4740-b649-d8ae73c70b3e Abonniert »Acht Milliarden«, um die nächste Folge nicht zu verpassen. Wir freuen uns, wenn ihr den Podcast weiterempfehlt oder uns eine Bewertung hinterlasst.+++ Alle Infos zu unseren Werbepartnern finden Sie hier. Die SPIEGEL-Gruppe ist nicht für den Inhalt dieser Seite verantwortlich. +++ Den SPIEGEL-WhatsApp-Kanal finden Sie hier. Alle SPIEGEL Podcasts finden Sie hier. Mehr Hintergründe zum Thema erhalten Sie mit SPIEGEL+. Entdecken Sie die digitale Welt des SPIEGEL, unter spiegel.de/abonnieren finden Sie das passende Angebot. Informationen zu unserer Datenschutzerklärung.

Dr. Christoph Sorg is  a social scientist at the Humboldt University of Berlin. He researches theories of capitalism and post-capitalism and the new debate on economic planning in times of digitalization and the climate crisis.During the interview we spoke about his work around understanding economic planning and his recent publication Finance as a form of economic planning. His work shows how even in the free market capitalism we live in today, there is actually a significant amount of planning, it's just that the planning is for facilitating capitalist economies, the neoliberal paradox.As the co-founder of projects like Bread Cooperative where we are trying to build out apps that facilitate post-capitalist economic relations, I think it's important for us to properly understand the current state of capitalism so that we know the kind of meaningful interventions we could make.  This episode is sponsored by NYM, the world's most private VPN. Unlike traditional VPNs, Nym uses a decentralized mixnet to scramble your internet data — hiding who you're talking to, when, and how often. You can switch between full mixnet mode for maximum anonymity, or a faster VPN mode for everyday use.Use the code blockchainsocialist when signing up and get an extra month!If you liked the podcast be sure to give it a review on your preferred podcast platform. If you find content like this important consider donating to my Patreon starting at just $3 per month. It takes quite a lot of my time and resources so any amount helps. Follow me on Twitter (@TBSocialist) or Mastodon (@theblockchainsocialist@social.coop) and join the r/CryptoLeftists subreddit.Support the showICYMI I've written a book about, no surprise, blockchains through a left political framework! The title is Blockchain Radicals: How Capitalism Ruined Crypto and How to Fix It and is being published through Repeater Books, the publishing house started by Mark Fisher who's work influenced me a lot in my thinking. The book is officially published and you use this linktree to find where you can purchase the book based on your region / country.

In this special episode, contemporary artists and filmmakers Miloš Trakilović and Jelena Visković join EMPIRE LINES live, exloring narratives of war, displacement, and visual cultures in the collapse of Yugoslavia in the 1990s, through the video essay, Colorless Green Freedoms Sleep Furiously (2023).This episode was recorded live as part of the public programme for soft enclosures, co-curated by Old Mountain Assembly, Rebecca Edwards, and Rina Meta at Forma in London, in October 2025. soft enclosures is an auxiliary programme to Dream States, Artists' Film International (AFI) 2025.For more information, visit: instagram.com/p/DMxKnjBtFf9/Colorless Green Freedoms Sleep Furiously (2023) is currently on view as part of At the End of the Small Hours, curated by What, How and for Whom (WHW) and Ana Kovačić, at the Ethnographic Museum in Zagreb until 30 November 2025.For more about Miloš Trakilović's 564 Tracks (Not a Love Song Is Usually a Love Song) (2024) at the KW Institute in Berlin, read my article in The New Internationalist: newint.org/art/2025/spotlight-milos-trakilovicMotonation (2024) is currently on view as part of Jelena Visković: HEAT: A Sci-Fi Spa Story at Tallinn Art Hall until 23 November 2025.Listen to artist and filmmaker Saodat Ismailova on Melted into the Sun (2024), on view as part of Nebula, produced by Fondazione In Between Art Film, at the Venice Biennale in April 2024: pod.link/1533637675/episode/Y2IxOWI2YTUtMTI4MS00NzdiLWEyZmUtYmMyYTQ0NmQxMTQ2Saodat Ismailova: As We Fade is at the Baltic Centre for Contemporary Art in Gateshead until 7 June 2026.Read about Marina Abramović: Gates and Portals at the Pitt Rivers Museum and Modern Art Oxford, in gowithYamo: gowithyamo.com/blog/marina-abramovic-gates-and-portals-reviewFor more about Ocean Vuong's On Earth We're Briefly Gorgeous (2019), hear contemporary artists Hoa Dung Clerget and Duong Thuy Nguyen, and gallerist Sarah Le Quang Sang, recorded live as part of the public programme for Only Your Name at SLQS Gallery in London, in July 2025: pod.link/1533637675/episode/NjZmOGE0MmQtZTk5Ni00NTQ1LWJjYjAtMmVjODYzNWMwYjdjFor more from Artists' Film International (AFI) 2025, read about Anca Benera and Arnold Estefán in this Letter from Timișoara, in Art Monthly: instagram.com/p/DFdBW0eoE55/⁠And view Anca and Arnold's Rehearsals for Peace (2023) in Seeds of Hate and Hope, curated by Jelena Sofronijevic and Tafadzwa Makwabarara as part of Can We Stop Killing Each Other? at the Sainsbury Centre in Norwich, from 28 November 2025.PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcastSupport EMPIRE LINES on Patreon: patreon.com/empirelines

Schüsse hallen durch den U-Bahnhof Jungfernheide, Soldaten stürmen mit Maschinengewehren die Treppen hinab und evakuieren einen U-Bahn-Zug: Mitten in Berlin probt das Wachbataillon vom 17. bis 21. November den Verteidigungsfall.

Welcome to a new episode of the EUVC Podcast, where we bring you the people and perspectives shaping European venture.Today, we're joined by Adrian Locher, co-founder and GP at Merantix Capital, the Berlin-based AI venture capital firm and venture studio that's just planted its flag in London. Known for building and investing in AI-first companies from the ground up, Mirantix operates at the intersection of venture creation, community, and applied AI consulting — a model Adrian argues is especially well-suited to the AI age.In this conversation, we dive into the reality of the studio model, what makes it work (and not), and why Adrian believes validation with paying customers before a single line of code is written is the ultimate early-stage filter.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

The fall of Pokrovsk seems inevitable with Russia throwing enormous forces into the city to finally capture the eastern coal-mine city. Questions are rising over what will happen next. 

Greetings from Berlin. The weekly Torah portion includes far more depth than what appears in a quick review of its passages. Each week in Beyond the Letter of the Law, Harry Rothenberg, Esq. (Rothenberg Law Firm LLP, https://injurylawyer.com) provides interesting insights and take-away lessons from the Torah portion and the Jewish holidays. Subscribe to enjoy his unique blend of analysis, passion, and humor. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

FOLLOW RICHARD Website: https://www.strangeplanet.ca YouTube: @strangeplanetradio Instagram: @richardsyrettstrangeplanet TikTok: @therealstrangeplanet EP. # 1282 JFK & the X-Rays that Shatter the Official Story November 22, 1963 wasn't the day democracy died—it was the day it was murdered in plain sight and autopsied with criminal fraud. Physicist Dr. David Mantik returns to Strange Planet with explosive New EVIDENCE - optical density measurements of the original JFK autopsy X-rays, proving beyond doubt that the president's head wounds were surgically altered on film before the body ever reached Bethesda. And, Cold War historian Walter Herbst reveals how the assassination wasn't chaos, but consensus policy born from covert operations and geopolitical necessity. This is the original Deep State “deep-fake”—forged evidence that still controls the narrative today. GUESTS: Dr. David Mantik, MD, PhD – A radiation oncologist and physicist who personally examined the JFK autopsy X-rays and photographs at the National Archives on nine separate occasions. Author of President John F. Kennedy: The Final Analysis, The JFK Assassination Decoded: Criminal Forgery in the Autopsy Photographs and X-Rays, and the groundbreaking new book JFK Was Killed by Consensus. His peer-reviewed optical density data proves the autopsy images were altered—making him the foremost forensic challenger to the official record. Walter Herbst – Cold War historian and author of the landmark two-volume series It Did Not Start With JFK, which traces the intelligence networks, propaganda machines, and Berlin/Cuba crises that made Kennedy's removal official—if unspoken—policy. His latest work, Last Resort Beyond Last Resort, exposes why the assassination guaranteed no second invasion of Cuba and protected NATO's flank in Berlin. Herbst doesn't peddle conspiracy theories; he documents the paper trail of the original Deep State in action. WEBSITES: https://www.facebook.com/WalterHerbstAuthor https://themantikview.org BOOKS: The Assassination of John F. Kennedy: The Finaly Analysis The JFK Assassination Decoded JFK was Killed by Consensus It Did Not Start with JFK Vols 1 & 2 Last Resort Beyond Last Resort SUPPORT OUR SPONSORS!!! FOUND – Smarter banking for your business Take back control of your business today. Open a Found account for FREE at Found dot com. That's F-O-U-N-D dot com. Found is a financial technology company, not a bank. Banking services are provided by Lead Bank, Member FDIC. Join the hundreds of thousands who've already streamlined their finances with Found. HIMS - Making Healthy and Happy Easy to Achieve Sexual Health, Hair Loss, Mental Health, Weight Management START YOUR FREE ONLINE VISIT TODAY - ⁠HIMS dot com slash STRANGE⁠ ⁠https://www.HIMS.com/strange⁠ MINT MOBILE Premium Wireless - $15 per month. No Stores. No Salespeople. JUST SAVINGS Ready to say yes to saying no? Make the switch at MINT MOBILE dot com slash STRANGEPLANET. That's MINT MOBILE dot com slash STRANGEPLANET ⁠BECOME A PREMIUM SUBSCRIBER!!!⁠ ⁠https://strangeplanet.supportingcast.fm⁠ Three monthly subscriptions to choose from. Commercial Free Listening, Bonus Episodes and a Subscription to my monthly newsletter, InnerSanctum. Visit ⁠https://strangeplanet.supportingcast.fm⁠ Use the discount code "Planet" to receive $5 OFF off any subscription. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit ⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/

This week on Drumcode Live we have a studio mix from Kaufmann recorded in Berlin, Germany.

Singer/songwriter Taylor Dayne joins Spearsy to talk about The 80s Cruise, opening for Michael Jackson and her start working in Russian clubs. Dayne is among the artists scheduled to perform on The 80s Cruise in February 2026. Seggies this week include: Mystery Movie Moment, Name that '80s Tune, and Take This Job and Shove It. (Ooops, spoiler alert.) Our Sponsors The 2026 lineup of The 80s Cruise is here, along with our promo code. Royal Caribbean's Adventure of the Seas departs Port Canaveral on February 27 with stops in Nassau, Falmouth and Labadee. Artists include: Bret Michaels, Nile Rodgers & Chic, OMD, Billy Ocean, Gary Numan, Berlin, Taylor Dayne, Sugarhill Gang, Quiet Riot, Glass Tiger, Donnie Iris, Los Lobos, Dazz Band, Heaven 17, Men Without Hats, Aldo Nova, Rob Base and Kool Moe Dee. Former MTV veejays Mark Goodman, Alan Hunter and Downtown Julie Brown will be there too. And now, if you're a first-time guest on the cruise, you can $250 in cabin credit when booking if you use the promo code STUCK. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the hosts of the podcast. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 19th year in 2024, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Every project—no matter the sector or region—can be led and managed more sustainably. How can project professionals gain executive buy-in for sustainability efforts? How have they put environmental and social responsibility front and center in their work? And how can other project leaders further develop their knowledge of sustainability in their sectors? We discuss this with Pratik Mishra, PMP, senior strategic portfolio manager at Zalando in Berlin, and Michael Mylonas, GPM-b, PMP, director of project management at the Xeni Gwet'in First Nations Government in Tsilhqot'in Title Land, Nemaiah Valley, British Columbia, Canada. Key themes00:52 Why you should embed sustainability into every project phase04:29 Gaining stakeholder buy-in for sustainability on projects08:49 Building environmental and cultural sustainability into a community center project12:16 How project professionals can develop their sustainability knowledge 15:26 Ways you can boost sustainability in your projects

Beamtenbesoldung in Berlin über Jahre verfassungswidrig, Bundesregierung stellt erste Weltraumsicherheitsstrategie vor, Bundeswehr soll Drohnen künftig auch abschießen dürfen, Mindestens 25 Tote nach russischem Angriff in Ternopil, Eröffnung von "Stuttgart 21" für 2026 abgesagt, Kulturstaatsminister Weimer unter Druck, Rundfunkreform nimmt entscheidende Hürde, Bund startet Initiative für bessere Long-Covid-Versorgung, Rekordpreis für Klimt-Gemälde bei Auktion in New York, Die Wetteraussichten

In this episode of The PDB Afternoon Bulletin: Russia's oil sector is taking heavy hits on two fronts. Ukrainian drones are striking deep inside the country, while new U.S. sanctions are cutting off key buyers in India and China. We'll explain why this dual pressure is becoming a serious problem for Moscow's war economy. Germany is preparing to lift its freeze on arms exports to Israel, saying the Gaza ceasefire has stabilized enough to reverse restrictions imposed during the height of the conflict. Please remember to subscribe if you enjoyed this episode of The President's Daily Brief. YouTube: youtube.com/@presidentsdailybrief Rugiet: Ready to give Rugiet a try? Get 15% off your first order by going to http://rugiet.com/PDB and using code PDB. Rugiet prescriptions are compounded medications, available only if prescribed following an online consultation with a licensed clinician. Compounded drugs can be prescribed by federal law, but are not FDA-approved and have not been reviewed by the FDA for safety, effectiveness, or manufacturing. Individual results may vary. Full safety information available at https://Rugiet.com  Lean: Visit https://BrickhouseSale.comfor 30% off StopBox: Not only do you get 10% Off your entire order when you use code PDB10 at https://stopboxusa.com/PDB10, but they are also giving you Buy One Get One Free for their StopBox Pro. #stopboxpod Learn more about your ad choices. Visit megaphone.fm/adchoices

The European labor market is on the cusp of its own flat Beveridge moment. That danger was amplified by the third quarter contraction in the Swiss economy, which, as we know, is a key leading global indicator. And if all that wasn't enough, a group of German Economists, of all people, just tore into the mainstream European narrative of Europe being in a good place. They even went so far as correctly, of course, crap all over the Berlin bazooka. Eurodollar University's Money & Macro Analysis-------------------------------------------------------------------Get the free guide that breaks down the real economic signals behind America's shrinking consumer demand, and how to protect your wealth before the slowdown hits your income: https://web.eurodollar-university.com/home-------------------------------------------------------------------euronews Weak eurozone growth meets flat jobs market as bankruptcies surgehttps://www.euronews.com/business/2025/11/14/weak-eurozone-growth-meets-flat-jobs-market-as-bankruptcies-surgeBloomberg Merz Advisers Revise 2026 German Growth Forecast to Below 1%https://www.bloomberg.com/news/articles/2025-11-12/merz-advisers-revise-2026-german-growth-forecast-to-below-1DW Germany news: Economic experts call for change of coursehttps://www.dw.com/en/germany-news-economic-experts-call-for-change-of-course/live-74708934https://www.eurodollar.universityTwitter: https://twitter.com/JeffSnider_EDU