Podcasts about Berlin

SHOW SCHEDULE 7-08-25:  7-08-25: Good evening. The show begins in the markets, gaming POTUS moving deadlines... CBS EYE ON THE WORLD WITH JOHN BATCHELOR FIRST HOUR 9:00-9:15 #Markets: Markets don't believe more than 10% tariffs. Liz Peek The Hill. Fox News and Fox Business 9:15-9:30 #Markets: The Musk way. Liz Peek The Hill. Fox News and Fox Business 9:30-9:45 EU: The rare earths are everywhere in Europe. Judy Dempsey, Senior Scholar, Carnegie Endowment for International Peace in Berlin. 9:45-10:00 NATO: Preparing Rotterdam. Judy Dempsey, Senior Scholar, Carnegie Endowment for International Peace in Berlin. SECOND HOUR 10:00-10:15 #LondonCalling: The Fed gives away one trillion over ten years. @josephsternberg @wsjopinion 10:15-10:30 #LondonCalling: PM Starmer backs down to Labour. @josephsternberg @wsjopinion 10:30-10:45 Iran: The missiles are unchecked. Behnam Ben Taleblu 10:45-11:00 Iran: Houthis are unsolved. Behnam Ben Taleblu THIRD HOUR 11:00-11:15 PRC: Xi decline. Gregory Copley, Defense & Foreign Affairs 11:15-11:30 BRICS: Wasted finance. Gregory Copley, Defense & Foreign Affairs 11:30-11:45 Iran: Turkey rising. Gregory Copley, Defense & Foreign Affairs 11:45-12:00 King Charles Report: State dinner with Emmanuel Macron at Windsor. Gregory Copley, Defense & Foreign Affairs FOURTH HOUR 12:00-12:15 Ukraine: "Defensive" weapons. John Hardie, Bill Roggio 12:15-12:30 NATO: Russia attack by 2030. John Hardie, Bill Roggio 12:30-12:45 Vietnam: Trade success. Jack Burnham, FDD 12:45-1:00 AM Belarus: Talking with EU/NATO. Ekaterina Zolotova, Geopolitical Futures

Marlene Dietrich and Emil Jannings were two of the biggest stars in both Weimar Germany and Hollywood in the early 20th century…they're not that bothered about each other, but they would star together in The Blue Angel, filmed precisely as Wall Street crashed, catapulting them off into wildly different directions, personally, professionally and politically. This episode began as an attempt to check in with these two people in 1945, and whilst we do that, they're too interesting to confine to that one time! We kick off with Jannings, because you have to eat your slightly rotten cabbage before you get to a delicious cream-topped strudel like Marlene…we don't make the rules. Who had better legs? Who literally tried hiding behind their Oscar? How many tangents can we get into one episode?! Find out and please enjoy this romp through movie history, the 20th century, and don't worry, some WAR!++++++History Flakes LIVE RECORDING JULY 20TH 18.30, Comedy Cafe Berlin 

PREVIEW: Colleague Judy Dempsey in Berlin recalls the EU aware rare earths were everywhere and doing nothing about it. More. 1898 BRUSSELS

EU: THE RARE EARTHS ARE EVERYWHERE IN EUROPE. JUDY DEMPSEY, SENIOR SCHOLAR, CARNEGIE ENDOWMENT FOR INTERNATIONAL PEACE IN BERLIN. 1905 BUTTE MONTANA

NATO: PREPARING ROTTERDAM. JUDY DEMPSEY, SENIOR SCHOLAR, CARNEGIE ENDOWMENT FOR INTERNATIONAL PEACE IN BERLIN. 1890 BRUSSELS

00:00 - 03:20 Jazzman 03:20 - 05:17 Konstantin Olias 05:17 - End B2B Vinyl only for over 6 hours. Was a lot of fun in a very nice location directly @ the Spree in Berlin. Much fun and don't hesitäte to ask for track Ids. We do our best to answer them. Bandcamp, Youtube... linktr.ee/deepinspirationshow

Welcome to Forming the Future of Finance – a special limited series podcast focused on reshaping the financial landscape. Our first episode features Natalya Guseva, Head of Financial Markets and Resilience at the World Economic Forum. In her role, Natalya focuses on retail investors' access to capital markets and the longevity economy. Prior to that, she led the Forum's community of asset owners and alternative asset managers. Joining her in a compelling conversation is Rob Heyvaert, Motive Partners Founder and Managing Partner, who has built his entire career in financial technology infrastructure as a leading global entrepreneur. Motive is Rob's third entrepreneurial success, for which he had the vision to create a private equity firm that assembles world-class leaders in fintech and PE. With Rob's proven Investor-Operator-Innovator model, his firm currently manages one of the largest portfolios in Fintech.Whether you're a founder, investor, reporter, or you're curious about the future of private markets, you're in the right place. Let's dive into what's shaping tomorrow's financial world, today.This series was recorded during an exclusive event, co-hosted by Motive Partners and With Intelligence in Berlin to kick off SuperReturn where the world of private capital meets.___The information contained in this podcast is intended for discussion purposes only. It is not a recommendation, offer, or a solicitation for the purchase or sale of a security or any services of Motive Partners. All investing involves risk and there is no guarantee that past performance will be indicative of future results.The views and opinions expressed in the podcast are as of the date of recording, reflect the views and opinions of the persons expressing them, and do not necessarily represent the views or opinions of Motive Partners. Motive Partners makes no representations or warranties as to the accuracy, reliability or completeness of any information provided and undertakes no obligation to update, amend, or clarify the information in the podcast, whether as a result of new information, future events, or otherwise. Any securities, transactions, or holdings discussed may not represent investments made by Motive Partners. It should not be assumed that securities, transactions, or holdings discussed (if any) were or will be profitable, or that the recommendations or decisions made in the future will be similar or will equal the performance of the securities, transactions, or holdings discussed herein.This podcast may contain forward-looking statements that are based on beliefs, assumptions, current expectations, estimates, and projections about the financial industry, the economy, Motive Partners or Motive Partners' investments.  Nothing in the podcast should be construed or relied upon as investment, legal, accounting, tax or other professional advice or in connection with any offer or sale of securities. 

This second episode of our Forming the Future of Finance limited series podcast is a hot topic: the transformative power of AI. Our experts look at the promise of AI, its risks, and where we are in tapping AI's potential. Featured in this episode are:Ramin Niroumand, Partner and Head of Ventures at Motive Partners, leading the conversation, an entrepreneur and a native of Germany. Ramin founded finleap at age 27, the country's first and most prolific fintech company builder. As Berlin emerged as a fintech hub, he launched an early-stage fintech venture fund, which he subsequently merged with Motive Partners.Joining him is Akos Ratku, Founder and CTO of AI-platform Zocks. A tech leader and software engineer, Akos co-founded Zocks, which is an AI platform that is instrumental in helping financial advisors streamline and automate their workflow.Joaquim de la Cruz, CEO and co-founder of Flanks – last year, Joaquim was named to the Forbes' 30 under 30 for Europe. His company, Flanks, was founded with the goal of modernizing the wealth management industry. Rounding out this episode is Andrew Tarver, President of the Private Markets Account Network at InvestCloud – a global leader in wealthtech with clients that represent more than 40% of the $132 trillion of total assets globally. Tarver is an innovator in his own right, having previously founded several fintech companies, including Thought Machine, and a Founding Partner at Motive.This series was recorded during an exclusive event, co-hosted by Motive Partners and With Intelligence in Berlin to kick off SuperReturn where the world of private capital meets.___The information contained in this podcast is intended for discussion purposes only. It is not a recommendation, offer, or a solicitation for the purchase or sale of a security or any services of Motive Partners. All investing involves risk and there is no guarantee that past performance will be indicative of future results.The views and opinions expressed in the podcast are as of the date of recording, reflect the views and opinions of the persons expressing them, and do not necessarily represent the views or opinions of Motive Partners. Motive Partners makes no representations or warranties as to the accuracy, reliability or completeness of any information provided and undertakes no obligation to update, amend, or clarify the information in the podcast, whether as a result of new information, future events, or otherwise. Any securities, transactions, or holdings discussed may not represent investments made by Motive Partners. It should not be assumed that securities, transactions, or holdings discussed (if any) were or will be profitable, or that the recommendations or decisions made in the future will be similar or will equal the performance of the securities, transactions, or holdings discussed herein.This podcast may contain forward-looking statements that are based on beliefs, assumptions, current expectations, estimates, and projections about the financial industry, the economy, Motive Partners or Motive Partners' investments.  Nothing in the podcast should be construed or relied upon as investment, legal, accounting, tax or other professional advice or in connection with any offer or sale of securities. 

Is the 60/40 portfolio a thing of the past? Is it fair to consider private markets an “alternative” part of an investment allocation? What is the appropriate allocation to alternatives? 10%? 20%? More?This third episode in our Forming the Future of Finance limited series podcast will bring clarity to these points.Leading this discussion is Andrew Tarver, key architect of InvestCloud's Private Markets Account Network, a connected ecosystem of industry participants making possible the management of public and private markets assets from a single platform.Joining him are:Alexis Augier, Founder & CEO of Vega, a client service and distribution operating system for alternative asset managers, which announced last November a $20 million Series A investment led by Apollo and Motive to scale its platform.Samuel Dale, managing editor of private markets at With Intelligence – who has his finger on the pulse of all developments in the private markets space.Jake Walker, Partner & COO of client & product solutions at Apollo, where he is instrumental in scaling the firm's client service capabilities across the globe, and architect of Apollo's founding partnership in InvestCloud's Private Markets Account Network.And Andy Stewart, executive chairman/former CEO of Wilshire, a seasoned fintech executive at a global provider of market-leading indexes, advanced analytics and alternative and multi-asset investment solutions. Let's hear more on how to crack the code on private markets investing.This series was recorded during an exclusive event, co-hosted by Motive Partners and With Intelligence in Berlin to kick off SuperReturn where the world of private capital meets.___The information contained in this podcast is intended for discussion purposes only. It is not a recommendation, offer, or a solicitation for the purchase or sale of a security or any services of Motive Partners. All investing involves risk and there is no guarantee that past performance will be indicative of future results.The views and opinions expressed in the podcast are as of the date of recording, reflect the views and opinions of the persons expressing them, and do not necessarily represent the views or opinions of Motive Partners. Motive Partners makes no representations or warranties as to the accuracy, reliability or completeness of any information provided and undertakes no obligation to update, amend, or clarify the information in the podcast, whether as a result of new information, future events, or otherwise. Any securities, transactions, or holdings discussed may not represent investments made by Motive Partners. It should not be assumed that securities, transactions, or holdings discussed (if any) were or will be profitable, or that the recommendations or decisions made in the future will be similar or will equal the performance of the securities, transactions, or holdings discussed herein.This podcast may contain forward-looking statements that are based on beliefs, assumptions, current expectations, estimates, and projections about the financial industry, the economy, Motive Partners or Motive Partners' investments.  Nothing in the podcast should be construed or relied upon as investment, legal, accounting, tax or other professional advice or in connection with any offer or sale of securities. 

With the changes discussed in previous episodes in our Forming the Future of Finance limited series – the growth of AI, coupled with changes in portfolio construction – business models will need to change.This fourth and last episode features how GPs will be running their businesses in the future.Cornelia Andersson – Chief Product Officer at With Intelligence moderates this dynamic discussion. An expert on creating value from data and building customer-centric data and analytics products, Cornelia is a frequent speaker at industry events and a published author on various related topics, including market data and information, sustainable finance and investing. Joining her are:Enrico Ohnemüeller, Co-founder and CEO of Bunch, the digital backbone of European Private Markets. With a track record of bridging traditional finance with emerging fintech, Enrico previously gained experience at Goldman Sachs and led innovation at finleap.Nick Leopard, Founder and CEO of Accordion, the financial consulting firm uniquely focused on private equity with more than 300 of the world's leading PE firms and their portfolio companies as clients. Serving the entire CFO function, under Nick's leadership Accordion has become the premier digital-enablement partner for portfolio CFOs.Returning to our podcast is Jake Walker, this time as a client of Lyra, a Motive Partners portfolio company and recent spin-out from Apollo's client services division, Lyra offers a differentiated client-servicing solution, delivering technology and operations capabilities that enhance efficiency and the client experience in both the institutional and wealth channels.Let's hear what's next…This series was recorded during an exclusive event, co-hosted by Motive Partners and With Intelligence in Berlin to kick off SuperReturn where the world of private capital meets.___The information contained in this podcast is intended for discussion purposes only. It is not a recommendation, offer, or a solicitation for the purchase or sale of a security or any services of Motive Partners. All investing involves risk and there is no guarantee that past performance will be indicative of future results.The views and opinions expressed in the podcast are as of the date of recording, reflect the views and opinions of the persons expressing them, and do not necessarily represent the views or opinions of Motive Partners. Motive Partners makes no representations or warranties as to the accuracy, reliability or completeness of any information provided and undertakes no obligation to update, amend, or clarify the information in the podcast, whether as a result of new information, future events, or otherwise. Any securities, transactions, or holdings discussed may not represent investments made by Motive Partners. It should not be assumed that securities, transactions, or holdings discussed (if any) were or will be profitable, or that the recommendations or decisions made in the future will be similar or will equal the performance of the securities, transactions, or holdings discussed herein.This podcast may contain forward-looking statements that are based on beliefs, assumptions, current expectations, estimates, and projections about the financial industry, the economy, Motive Partners or Motive Partners' investments.  Nothing in the podcast should be construed or relied upon as investment, legal, accounting, tax or other professional advice or in connection with any offer or sale of securities. 

Wie viel wollt ihr heute von dem Menschen wissen, mit dem ihr mal zusammen wart? Für – nennen wir sie mal – Victoria ist klar: I moved on. Ich hab 'nen Neuen. Er eine Familie. Alles gut! Wenn da seine Tante nicht wäre. Die arbeitet mit Victoria zusammen und liegt ihr mit Geschichten von ihrem Ex im Ohr. Victoria fragt: Was soll ich tun?Wenn auch ihr einen Ratschlag braucht – von Menschen, die selbst keine Ahnung haben –, dann schreibt uns eine Mail an hallo@zsvpodcast.deUnseren Instagram-Account findet ihr hier: https://www.instagram.com/zsvpodcastUnd hier geht's direkt zu TikTok: https://www.tiktok.com/@zumscheiternverurteilt+++ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: LINK +++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

@philippapacho is like a musical Swiss knife: she has exactly the right tool for every occasion, from warm-ups to peak time to wonky afters. It was a long residency at Under Bron in her native Stockholm that equipped her with those skills, and since moving to Berlin, she's gone on to make her mark across Europe playing all forms of techno. Late last year, Pacho launched her own label Phorum Records as a further extension of her sound, and she also curates tracks and parties under the Positive Source banner. This August, Pacho joins us at Amsterdamse Bos for Dekmantel 2025 but first serves up this deeply cerebral trip into Millsian techno. It's a high-speed selection of sleek and synth-laced sounds rich in narrative, be that mind-melting urgency, more dark and moody undercurrents or a sense of cosmic unknown. Utterly timeless and effortless classic, this is techno in its most futuristic form.

Hussam „Sam“ Alrefaie reist von Berlin nach Syrien. In ein Land, aus dem er 2014 vor den Geheimdiensten fliehen musste - und das nun versucht, sich neu zu erfinden. Aber wie funktioniert eigentlich ein Neuanfang? Von Florian Guckelsberger www.deutschlandfunkkultur.de, Feature

Title: Forging Bach Track: Casadesus: Concerto for Viola in C Minor: III. Allegro molto energico Artist: Nemanja Radulović & Double Sens Publisher: ℗ 2016 Deutsche Grammophon GmbH, Berlin

Tyler Roahrig won at Berlin on Saturday and has already had a big summer of racing. Plus, hear from Chris Shannon who captured his first career JEGS Tour win on Saturday night.

This episode is a special one. I'm excited to debut my brand new track "Wildfire", a collaboration with the incredibly talented Sarah Bird, a singer and songwriter signed to Ultra Publishing with past releases on Armada and Sony. We actually met through a mutual friend as she also once lived in Berlin, and this release marks the ninth release on my label, Global Entry Recordings. You'll also hear fresh music from Sebastien Leger, Cafe De Anatolia, EDX, Yuvèe, and a few other gems I've been loving lately. Grateful to have you on board, with Global Entry Radio now broadcasting on over 40 stations. 

Find me on Instagram @galestianmusic and let me know where you're listening from. galestianmusic.com | globalentryradio.com | @galestianmusic 00. Galestian - Global Entry with Galestian 01. Galestian, Sarah Bird - Wildfire [Global Entry Recordings] 02. Sebastien Leger - Hutchula [Lost Miracle] 03. Ilias Katelanos, Plecta - Palo Santo [Rubicunda] 04. Hicky & Kalo - Luminous Path (Makebo Extended Remix) [Plaisirs Sonores] 05. Blueheist - Enjoy The Drum [Adesso Music] 06. Wassu, HAUMS - Star Safari [All Day I Dream] 07. Huntersynth, ARTYDAL - Ya Albi [Make The Girls Dance Records] 08. Hot Since 82, Tomaz, Filterheadz - Sunshine 2025 [Knee Deep In Sound] 09. Andrea Oliva & Moeaike - I Love You So [All I Need] 10. Cafe De Anatolia, MiiLO - Nazad [Cafe De Anatolia] 11. EDX - Cobalt [Pinkstar] 12. Yuvèe - Outcome [Anjunadeep Explorations] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Neues aus dem ersten 12-Ton-Podcast Deutschlands, von Giulia Magique und Chris, dem Staubsaugerroboter-Freak! Tom Cruise ist eine Nuschel, irgendjemand hat aus Versehen 40 Krokodilfleisch-Dönerspieße hergestellt und Croutons sind der allerbeste Snack, wenn gar nichts mehr geht. Außerdem: Die unheilvolle Mississippi-Umarmung, Beatrice Eglis' leichter Hang zum Stalking und der Versuch einer Erklärung, warum die Handytaschenlampe die Menschheit am Ende zusammenrücken lässt. Ab dafür!Hier gibt es Tickets zur Tour: drinnies.de18.10.2025 LEIPZIG, Gewandhaus20.10.2025 BERLIN, Philharmonie21.10.2025 KÖLN, Philharmonie04.11.2025 MÜNCHEN, Isarphilharmonie10.11.2025 FRANKFURT, Alte Oper11.11.2025 HAMBURG, LaeiszhalleBesuche Giulia und Chris auf Instagram: @giuliabeckerdasoriginal und @chris.sommerHier findest du alle Infos und Rabatte unserer Werbepartner: linktr.ee/drinnies Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Special Chronicles Podcast, host Daniel Smrokowski sits down with Matthew Brough, an Athlete Leader from Special Olympics Great Britain, based in York, England. Matthew's journey began on the tennis court and led him all the way to the 2023 Special Olympics World Games in Berlin, where he proudly won gold and bronze medals. Since then, he's completed his Athlete Leadership training, become an advocate in his local community, and shared his story through public speaking and media appearances. Now working at The Grand Hotel in York and serving as a Level One tennis coach, Matthew continues to inspire others by breaking barriers and promoting inclusion wherever he goes.

10 hours behind the decks at Stereo Montreal — what a journey. On July 5th, I had the honor of playing an extended set that pushed every boundary, and the connection with the crowd was unforgettable. Moments like this remind me why I do what I do. Thank you, Montreal — here's a piece of that night for you to relive.

This morning on the show, Ben is in for Dave and was getting your reviews of the many gigs across the weekend but in just one noise. He also gave away his first tickets to Reading Festival and there was a very frustrating round of Name That Job for Emma Jones.

Live Recorded Set from VirtualDJ Radio PowerBase

Steyoyoke Radioshow 115 is curated by Deviu, one of the label's most expressive artists. This journey blends emotional depth and melodic power, featuring several of his own productions - including collaborations with Soul Button and Anriu - alongside standout tracks from Aquiver, Aalson, Clawz SG, and more. A mix full of warmth, introspection, and ethereal energy. http://www.steyoyoke.com/

61 MinutesPG-13Kurt works for Antelope Hill Publishing.Kurt joins Pete to talk about themes covered in "The Battle for Berlin" by Joseph Goebbels. Antelope Hill recently published this work in English for the first time.Antelope Hill - Promo code "peteq" for 5% offThe Battle for BerlinPete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

On this week's Defense & Aerospace Report Business Roundtable, sponsored by Bell, Dr. “Rocket” Ron Epstein of Bank of America Securities, Sash Tusa of the independent equity research firm Agency Partners, and Richard Aboulafia of the AeroDynamic advisory consultancy join host Vago Muradian to discuss another record Wall Street week on strong employment despite tariff turmoil as Congress hands President Trump a legislative victory that will increase US debt by more than $3 trillion dollars that in turn has contributed to the weakest dollar since the financial crisis of 1973 with the greenback down 10 percent; the administration hinted at a series of tariff deals, including with Europe that would see baseline tariffs increase by 10 percent, but that news that is causing friction among European members with France's industry and energy minister Marc Ferracci calling on union leaders to reject a deal that would force Europe to live with higher baseline tariffs; a fiscal drama in London as Prime Minister Sir Kier Starmer's administration is forced by its own party to backtrack on benefits cuts, cause another bond crisis; China went on a charm offensive in Brussels, Berlin and Paris where Wang Yi also candidly admitted that China can't afford for Russia to lose in Ukraine; Washington halts aid to Kyiv by falsely claiming US weapons are running out as Germany negotiates with Washington for more weapons for Ukraine, including two Patriot batteries and interceptors as Russia steps up strikes; Germany's outspoken chief of defense, Lt. Gen. Alfons Mais, is sacked for being too blunt as Berlin prepares to order 1,000 new tanks and 2,500 armored fighting vehicles; a banner week for Airbus that sold more than $12 billion in new jets to Malaysia's Air Asia; Embraer nails a $4 billion order with SAS for 55 jets as Air France KLM takes a 60 percent stake in the carrier; and Bombardier scores a big order with an unnamed customer.

In this episode of History Rage, host Paul Bavill is joined by historian and author Giles Milton to explore the chaotic aftermath of WWII, focusing on the often overlooked post-war period and its critical role in shaping modern geopolitics.The Forgotten YearsGiles argues that the immediate post-war period is often overshadowed by the Second World War itself. He emphasizes how understanding this era is crucial for grasping modern conflicts, including the motivations behind Putin's actions today.Berlin: The Epicentre of ConflictDivided CityThe discussion delves into the division of Berlin after 1945, where the Allies' failure to fully capture the city allowed Stalin to solidify his control and loot its treasures.Propaganda and PowerGiles reveals the story behind the iconic photo of the Red Flag over the Reichstag, showcasing how it served as a potent propaganda tool for the Soviets.The Breakdown of AlliancesAs tensions rise, the personal relationships between the Big Three Allied leaders deteriorate. Giles shares insights into Operation Unthinkable, Churchill's secret plan to confront the Soviets, and the growing mistrust among the leaders.The Berlin AirliftThe episode wraps up with the Berlin Airlift of 1948, often mischaracterized as the Cold War's beginning. Giles explains the significance of the Airlift, a logistical marvel that kept 2.5 million Berliners alive amidst the Soviet blockade, and why the Cold War's roots stretch back to 1945.Guest InformationDiscover more about Giles Milton's work, including his books Checkmate in Berlin and The Stalin Affair. Follow him on Twitter @gilesmilton1 and Instagram @GilesMilton.Join the ConversationShare your historical vexations on Twitter @HistoryRage or with Paul Bavill @PaulBavill. Support the show on Patreon for early access, exclusive content, and more at www.patreon.com/historyrage.For more, visit www.historyrage.com or email historyragepod@gmail.com.Follow History Rage on Social MediaFacebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Bluesky: https://bsky.app/profile/historyrage.bsky.socialStay Angry, Stay Informed - History Rage Hosted on Acast. See acast.com/privacy for more information.

Markus Preiß ist einer der bekanntesten deutschen Fernsehjournalisten. Er war seit 2016 Studioleiter des ARD Europastudios in Brüssel, seit einem Jahr ist er Chef des ARD-Hauptstadtstudios in Berlin. Aus dieser Perspektive – zwischen Europa und Berliner Politik – und spricht er mit Wolfgang über die aktuelle Nachrichtenlage und warum eine Führungsrolle Deutschlands seiner Ansicht nach nichts mit Arroganz zu tun, sondern zwingend ist. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Diese Woche bekommen Hazel und Thomas „Rhetorik-Nachhilfe“ von DER Talk-Queen schlechthin: Anne Will, dem neuen Star am deutschsprachigen Podcast-Himmel. Was ist die „Schraubstockmethode“? Was ein „Gesinnungsapplaus“? Was hat Friedrich Merz in der Opposition als Talk-Gast gut gemacht? Wie geht man mit Gästen um, die zu viel lügen oder an der Realität vorbei reden? Und wie schafft man es, dass eine Diskussion „fruchtbar“ wird? 00:00:00 Intro 00:04:28 Leben und arbeiten in Köln, Berlin & Hamburg 00:09:47 Thomas' Vater bei Anne Will 00:12:33 Umgang mit Gästen in Talkshows, emotionale Reife & Donald Trump 00:24:15 Tipps für gute Rhetorik, Talkshows mit und ohne Publikum 00:37:38 Diskussionen führen & heute-show 00:52:25 Gute Fragen vorbereiten & ist Friedrich Merz ein guter Rhetoriker? 01:04:20 Talkshows in Großbritannien & Beauty-Tipps 01:10:17 Kontrastreiche Gäste, Moderation des Kanzlerduell und des ESC 01:27:39 Coming-out, Queerness & CSD 01:37:08 Anne Wills Podcast & Tennis Zeitstempel können variieren. Politik mit Anne Will https://politik-mit-annewill.podigee.io Manfred Spitzer bei Anne Will https://youtu.be/2z7DwXLII_s?si=TBvSnqfsIuLVexG2 HTH Wildcard Folge mit Sascha Lobo und Manfred Spitzer https://youtu.be/foAa0oWIr_4?si=EVfLf1WXbfRSvqA7 Hazel fragen wegen Youtube-Format https://youtu.be/fkIvmfqX-t0?si=KRVvIFP8IEHf99LU Ein andalusischer Hund https://de.wikipedia.org/wiki/Ein_andalusischer_Hund Anne Will meint diesen Flug, als sie von der Maschine mit vielen holländischen Insassen spricht, die über der Ukraine abgeschossen wurde https://de.wikipedia.org/wiki/Malaysia-Airlines-Flug_17 Besprechung der Folge, über die Anne Will spricht https://www.tagesspiegel.de/gesellschaft/medien/welche-verantwortung-hat-putin-3575146.html Sessel Schwan https://de.wikipedia.org/wiki/Schwan_(Sessel) Köbes https://de.wikipedia.org/wiki/Köbes David Sedaris bei Dax Shepard https://armchairexpertpod.com/pods/david-sedaris-5 Schiedsrichterin Marijana Veljović https://www.instagram.com/marijana_veljovic/?hl=de Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/hoererlebnis Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

In dieser Episode setze ich die Predictions-Reihe mit Florian Heinemann fort, um über verschiedene spannende Themen zu sprechen, die seit dem letzten Mal aufkamen. Eine meiner letzten Vorhersagen, die bereits Wirklichkeit geworden ist, betraf den Verkauf von Notfallrucksäcken. Dies wurde durch einen Artikel im Spiegel unterstützt, der die Notwendigkeit solcher Rucksäcke in der gegenwärtigen Gesellschaft unterstreicht. Mit diesem Hintergrundbeschluss fühle ich mich motiviert, unsere eigene Marke in diesem Bereich aufzubauen. Florian teilt aufregende Neuigkeiten über den neuen Fonds von Project A, der nun mehr als 300 Millionen Euro geschlossen hat. Wir reflektieren, wie solche Fonds unser Investitionspotenzial erweitern und gleichzeitig die Ausgangsbedingungen für die Start-ups verbessern, in die wir investieren. Zudem bringen wir neue Vorhersagen ein, nachdem wir die K5-Thesen von Tarek besprochen haben. Diese betreffen die Zukunft des E-Commerce und der AI sowie die Herausforderungen, vor denen Unternehmen in diesen Bereichen stehen. Ein zentrales Thema unseres Gesprächs ist die Rolle der Künstlichen Intelligenz. Wir erörtern, wo Investitionen sinnvoll sind und wo möglicherweise Enttäuschungen entstehen können. Trotz des Versprechens, das AI mit sich bringt, berichten wir von weniger positiven Erfahrungen mit AI-gestützten Outreach-Tools, die in der Praxis nicht die gewünschten Rücklaufquoten liefern. Zudem betrachten wir die K5-Thesen eingehend, wobei wir die Struktur und Rentabilität von E-Commerce-Modellen wie Zalando hinterfragen, und diskutieren, inwiefern das Plattformmodell überlegen sein könnte. Ein weiteres kritisches Thema ist die Unsicherheit in der Weltwirtschaft und wie geopolitische Spannungen zukünftige Investitionen beeinflussen könnten. 99 Euro Ticket zur EXCITE Konferenz am 25. September in Berlin (nicht verfügbar für Dienstleister): https://spryker.com/events/excite-2025/?doo_code=ALEX_GRAF_SPECIAL99#tickets Podcast Johannes Altmann: https://open.spotify.com/show/0xg1bnsRwiFDejujQjRG1g?si=a1b69bfa15b54532 Partner in der Folge: https://linktr.ee/kassenzone Community: https://kassenzone.de/discord Feedback zum Podcast? Mail an alex@kassenzone.de Disclaimer: https://www.kassenzone.de/disclaimer/ Kassenzone” wird vermarktet von Podstars by OMR. Du möchtest in “Kassenzone” werben? Dann https://podstars.de/kontakt/?utm_source=podcast&utm_campaign=shownotes_kassenzone Alexander Graf: https://www.linkedin.com/in/alexandergraf/ https://twitter.com/supergraf Youtube: https://www.youtube.com/c/KassenzoneDe/ Blog: https://www.kassenzone.de/ E-Commerce Buch 2019: https://amzn.eu/d/5Adc1ZH Plattformbuch 2024: https://amzn.eu/d/1tAk82E

Cari und Janusz sind in Polen, um das 10-jährige Jubiläum von Easy Polish mitzufeiern. Doch die Rückfahrt nach Berlin ist schwieriger, als gedacht… Cari berichtet von ihrem Buchungsdesaster mit der polnischen Bahn. Außerdem geht es um künstliche Intelligenz: Warum haben Dienste wie ChatGPT so einen hohen Energieverbrauch? Und wofür nutzen die Deutschen die neuen KI-Assistenten?   Transkript und Vokabelhilfe Werde ein Easy German Mitglied und du bekommst unsere Vokabelhilfe, ein interaktives Transkript und Bonusmaterial zu jeder Episode: easygerman.org/membership   Sponsor Lingoda: Join the ultimate challenge with Lingoda Sprint this summer and get 50% cash back while learning German intensively in live classes. Get an additional 20€ discount when you sign up today with our code EASYJULY: https://try.lingoda.com/EasyJuly   Intro Easy Polish The most important Polish sentence (Easy Polish 1)   Caris Corner: Dumm, Dümmer, Cari Polskie Koleje Państwowe (Wikipedia)   Das nervt: Energieverbrauch von KI Künstliche Intelligenz: Energieverbrauch und Umweltauswirkungen (Greenpeace)   Das ist interessant: Was die Deutschen ChatGPT fragen Was die Deutschen ChatGPT fragen (Die Zeit) Es wird auch ohne AI alles ganz schlimm werden (Logbuch:Netzpolitik)   Wichtige Vokabeln in dieser Episode das Jubiläum: Feier zur Erinnerung an ein besonderes Ereignis nach einer bestimmten Zeitspanne etwas warten: den Zustand und die Funktion eines Geräts oder Systems regelmäßig überprüfen und instand halten der Mittelsitz: der mittlere Platz in einer Sitzreihe die künstliche Intelligenz: vom Menschen entwickelte Technologie, die intelligentes Verhalten nachahmt der Energieverbrauch: Menge an Energie oder Strom, die von Geräten, Systemen oder Menschen genutzt wird die erneuerbaren Energien: Energiequellen, die sich natürlich regenerieren, z. B. Sonne oder Wind der Muffel: jemand, der wenig Interesse oder Freude an bestimmten Dingen zeigt der Anwendungsfall: konkrete Situation oder Problemstellung, bei der etwas eingesetzt wird   Support Easy German and get interactive transcripts, live vocabulary and bonus content: easygerman.org/membership

If you hear Spearsy humming a tune about the heart, you're about to find out why. We honor songs from the heart in this special episode, including tunes by The Human League, Cyndi Lauper, T'Pau and more. Also seggies include Mystery Movie Moment and Name That '80s Tune. Our Sponsors The 2026 lineup of The 80s Cruise is here, along with our promo code. Royal Caribbean's Adventure of the Seas departs Port Canaveral on February 27 with stops in Nassau, Falmouth and Labadee. Artists include: Bret Michaels, Nile Rodgers & Chic, OMD, Billy Ocean, Gary Numan, Berlin, Taylor Dayne, Sugarhill Gang, Quiet Riot, Glass Tiger, Donnie Iris, Dazz Band, Heaven 17, Men Without Hats, Aldo Nova, Rob Base and Kool Moe Dee. Former MTV veejays Mark Goodman, Alan Hunter and Downtown Julie Brown will be there too. And now, if you're a first-time guest on the cruise, you can $250 in cabin credit when booking if you use the promo code STUCK. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the hosts of the podcast. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 19th year in 2024, at sit80s.com.

We speak with Michael M Grynbaum, author of ‘Empire of the Elite’, which looks at the history of Condé Nast. Plus: ‘Vittles’ first print publication, a literary title from Berlin and Lithuanian printing house Kopa.See omnystudio.com/listener for privacy information.

Da willst du dir ganz unbedarft 'ne Nudel im Parmesanrad holen, da erinnert dich die anwesende 10b mit ihrer Abschlussfahrt daran, wie beschissen das eigene Abimotto doch war. Was hat Pink Panther mit unserer Generation zu tun?! – Aber viel wichtiger: Happy Birthday, Laura! Happy Birthday, Nils! Heute ist Geburtstag, und die Vorbereitungen laufen auf Hochtouren. Und waren im Urlaub ja schon Thema – auf der Fahrt Richtung „Europas längste Zipline“ jedenfalls. Kleines Geschirr. Eine mittsommerliche Dekoration. Wie schwer soll's sein?! Warum sollte man sich darüber streiten?! Und dann war da noch ein Satz verstopfter Ohren, die zur Ohrenreinigung gebracht wurden. Alles wie immer? Fast!Schreibt doch mal wieder: hallo@zsvpodcast.deUnseren Instagram-Account findet ihr hier: https://www.instagram.com/zsvpodcastUnd hier geht's direkt zu TikTok: https://www.tiktok.com/@zumscheiternverurteilt+++ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: LINK +++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Die AfD trifft sich zur Strategiesitzung. US-Präsident Donald Trump telefoniert. Und Bildungsministerin Karin Prien denkt über Migrantenquoten an Schulen nach. Das ist die Lage am Samstagmorgen. Hier die Artikel zum Nachlesen: Mehr Hintergründe hier: »Kopflos, strategielos« Mehr Hintergründe hier: Kanzler Merz telefoniert mit Trump zu Flugabwehr für die Ukraine Mehr Hintergründe hier: »Meine Verwandten sind entweder umgebracht worden oder ausgewandert« +++ Alle Infos zu unseren Werbepartnern finden Sie hier. Die SPIEGEL-Gruppe ist nicht für den Inhalt dieser Seite verantwortlich. +++ Den SPIEGEL-WhatsApp-Kanal finden Sie hier. Alle SPIEGEL Podcasts finden Sie hier. Mehr Hintergründe zum Thema erhalten Sie mit SPIEGEL+. Entdecken Sie die digitale Welt des SPIEGEL, unter spiegel.de/abonnieren finden Sie das passende Angebot. Informationen zu unserer Datenschutzerklärung.

Cal standout and rising Team USA breaststroker Abby Herscu joins Social Kick fresh off a breakout season that earned her a spot at the 2025 World University Games in Berlin. We dive into Abby's journey from an age grouper to the NCAA Championship final and her huge personal best in the 200 breaststroke at U.S. Trials—dropping nearly 3.5 seconds to post one of the fastest U.S. times of the year. Abby shares what it's like training at Cal, how that's evolved with different coaches, and how creativity and trying new things led to her discovery of strengths that she has used to find continuous improvement. We also talk Olympic Trials takeaways, what drives her progression such as swimming free with no pressure, and what excites her most about competing for Team USA this summer.

I'm a big fan of Nathalia (Nat) Holt's books, and am so excited to have the opportunity to talk to her about her new book, The Beast in the Clouds: The Roosevelt Brothers' Deadly Quest to Find the Mythical Giant Panda. I first met Nat when her book Cured: The People Who Defeated HIV came out and I attended a book event at Dartmouth Medical Center. She is so smart and curious and in this episode we will be talking about the process of researching elusive history, where her ideas come from, and who gets to tell what stories. Nathalia Holt's websiteTranscript below!EPISODE 455 - TRANSCRIPTJess LaheyHey, AmWriters! It's Jess Lahey here. I am so excited to talk about a new series that I am putting out there on the Hashtag AmWriting platform called From Soup to Nuts. I interview and work with and mentor an author—a nonfiction author—who has subject matter expertise and a killer idea, frankly, that just knocked me sideways. This author really thinks this is the time and place for this idea. And I agreed, and I asked her—I begged her—if I could mentor her through this process in a series. We're having to work together on agenting and proposal and all the stuff that you've got to do, from soup to nuts, to get a book out into the world. This series, From Soup to Nuts, is subscriber-only. The first episode is free, so you can go back and listen to that. That's for everyone. But if you want to join us for the whole process and learn from her mistakes—and learn from the stuff that I'm working on right now too—you have to subscribe. So consider supporting the Hashtag AmWriting podcast. It helps us bring you stuff like this—these extra series—not to mention the podcast itself. Alright, it's a lot of work. Help us support our podcast and these extra bonus series. By becoming a supporter, you'll get a sticker for it. You'll get your hypothetical, figurative sticker for being a good Hashtag AmWriting.Multiple speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause… I'm going to rustle some papers. Okay, now one, two, three.Jess LaheyHey, this is the Hashtag AmWriting podcast. This is the podcast about writing all the things—writing the short things, writing the long things, writing the queries, the proposals, the poetry, the fiction, the nonfiction. This is the podcast actually, at its heart, about getting the work done. I am Jess Lahey. I am your host today. I'm the author of the New York Times best-selling The Gift of Failure and The Addiction Inoculation. And you can find my journalism at The New York Times and The Atlantic and The Washington Post. And today I am interviewing an author I respect deeply. I have known this author since she wrote her first book, which overlapped with some work that my husband does and some work that I had done in a previous career, and she has gone on to have a glorious and enviable career in nonfiction. My dream has always been to be one of those people that can, like, get curious about a topic and then just go off and write about that topic. And this is what she does. So Natalia—NAT—Holt, I am so excited to introduce you to our listeners. They are deep, deep, deep lovers of the nuts and bolts and the geeky details of the writing and the process. So welcome to the Hashtag AmWriting podcast.Nathalia HoltThank you so much. I'm excited to talk to you today.Jess LaheySo we have a book on HIV—the first book, Cured, which is the way that I got to know you. Also, full disclosure, we share an agent. Laurie Abkemeier is our agent, and I think she actually may have introduced us in the first place. Yeah, your first book—yeah, your first book, Cured, about the Berlin patients. Really interesting—if you've never heard of the Berlin patients, listeners, just, just Google it. It's really a fascinating story. I'll go over—I'll go read Cured. Cured is all about the Berlin patients. And then we have The Queens of Animation—the women behind, sort of, the way Disney does what they do. And—and—and then we also have Rise of the Rocket Girls, which is another fascinating book out there about the women behind a lot of the math and the planning and the work that was done to get us into space. And so when I heard about your new book, I'm like, "Oh, NAT's working on a new book. Great! What women are we going to talk about this time?" And it's such a departure for you, and it is such a fascinating topic for you. And, well, for me, it's like—it's deep in my geeky, Jess-book-loving nonfiction zone. Could you tell us a little bit about it and where the idea came from for this book?Nathalia HoltSure. The book is called The Beast in the Clouds, and it's about an expedition that the two eldest sons of President Theodore Roosevelt took in 1928 and 1929. And they went to China and Tibet in search of the giant panda, which at that time was unknown to Western scientists. And even in China, there were very few people that were aware of where this animal lived, what it ate—so little was known. So during this time period, the 1920s, you have all of these expeditions going to China, trying to find this black-and-white bear that no one is really sure exists. It's just a crazy period of history, because you have all of the other bears at that time—even polar bears—were known and even were in zoos. But the panda was not, and many people even thought it would be a ferocious bear. They thought this was going to be, you know, a combination of polar and black bears.Jess LaheyYeah, yeah.Nathalia HoltSo that's what the Roosevelts are going to. And so the expedition ends up being torturous, deadly. They're going through the Himalayas. They're not very well prepared. They lose all their food. They're attacked. They get lost. Just every crazy thing happens to them. But it's also a journey of transformation. They're documenting all of the ecology around them, and it really ends up changing their own worldview. And so it was such a fun book to research and to write. And I spent a lot of time also going into many of the other ex—many of the other members of the expedition, which was—which was fun, and maybe a little bit different than other books in this genre. But yeah, for me, you know, it's scary to be writing a part of history that is very different than what I've done before—but it's also fun.Jess LaheyWhere'd the germ of the idea for the book come from? Because I had never heard this story before. I guess it had just never occurred to me—like, where do we—how do we know about the panda bear?Nathalia HoltYeah, it's not a topic that has been written about much before, and I came across it while I was researching my last book, which is called Wise Gals, and is about women that helped form the CIA. And as part of that book, I was looking into the Roosevelts' role in World War Two. And it's so confusing when you research the Roosevelts, because they all have the same name. It's just Theodore and...Jess LaheyActually, I have to tell you, Tim's a huge fan—my husband, Tim, who you also know, is a big fan and has read a lot about—and he's like, "Well, which Roosevelt?" So you—and I'm like, "Oh, that's a really good question. I don't know which Roosevelt... like, the adventuring ones." He's like, "Well..." [unintelligible]Nathalia HoltYeah, there's so many of them, and they all have the same name. And so as I was trying to parse out son and father—who are both named Kermit Roosevelt and both served in World War Two—I kind of stumbled across this expedition that the elder Kermit Roosevelt had taken. So he and his older brother, Theodore, who were the sons of President Theodore Roosevelt, and so it just kind of—it came from there. Just sort of came from wanting to learn more about it. And I always love a challenge. If there's a topic that's difficult to research, that seems impossible to find anything about—I'm there. I want to know everything.Jess LaheyYeah. So, okay, so here's a—really a question that I—well, first of all, you and I are both research geeks. I just—I have said I could just keep researching books and not actually write the books. I just love that process. So aside from the easy answer, which is Google, like, where do you start with a story that hasn't been told yet? How do you start diving into that story, and where do you find information?Nathalia HoltIt's difficult, and it depends on the topic. For this one, I went through a number of different archives, and that was great. I was able to get old letters that the Roosevelts had. But I really wanted to bring in other voices. I was really, really persistent in my desire to bring in Jack Young, who was this young, 19-year-old, Hawaiian-born translator and naturalist on the trip. And I was fortunate enough that I was able to track down some interviews he had done with another author back in the 1990s, and I just was persistent. I just pleaded until I got these tapes and was able to get all these interviews with him. And then I also contacted his daughter, who lives in Hawaii, and was able to get his unpublished autobiography. And it gives such an interesting perspective, because Jack Young went on and became a very impressive person and really deserves a biography all of his own, but he was also very close friends with the Roosevelts. They had a real connection—a real bond. And you get a different sense of the story when you're hearing it through his descriptions of what it was like, because he is young, and he is sort of really documenting things for the first time. And then, in addition, I was so lucky with this book because I was able to also get the field journals from a scientist that was on the expedition, as well as all the writings from another naturalist. So it was fascinating, because there were so many different accounts of the same events, which really lets you go into detail about what it was like, what people were feeling, what they were seeing. And I don't think I've ever had that before—where I have so many different accounts of the exact same events.Jess LaheyThat's really cool, because it gives you that ability to, you know—if we went with just Jack Young's account, then you've got the Jack Young lens. And as you well know, history gets to be told by certain people, unless someone like you comes along and says, "Oh, wait, this account has not been brought to the surface," whether it's the women who are the animators at Disney, or whether it's the women who are part of NASA. So how do you—if you go into something like this and you have a limited number of perspectives—it sounds like you had a fair number of perspectives going into this, but since the documentation happened—usually tends to happen among the more powerful, the more privileged people—how do you manage getting a full perspective on an event like this expedition when you may have limited perspectives?Nathalia HoltThat is the real challenge, because it's easy to get the Roosevelts' documentation.Jess LaheyYeah, yeah, yeah.Nathalia HoltI have all of their journals, all of their letters. I am able to get into real detail about what this expedition was like for them. Even the difficult parts—for them—they really documented that, and everything has been saved. For the others... it's much more difficult, and it really requires that persistence of being able to get the letters. Being able to get the autobiography was really key, because he goes into so much detail about what things were like. And these interviews that he did were also really, really helpful, because he goes into a lot of his feelings about what it was like to be with the Roosevelts on the expedition, about how he felt… Because his father was born in China, his mother was born in San Francisco, he himself was born in Hawaii—which, at that time, is not part of the U.S.—he feels like he doesn't have a country. He doesn't know where he is. So when he's in China, he can speak all of these languages, but he's still struggling to connect and be able to talk with people, because there are so many dialects.Jess LaheyYeah.Nathalia HoltAnd so to be able to get into what that was like, and how he felt—just gives such a perspective—a different perspective of the expedition than perhaps what is usually had in these kinds of books. And he also talks a lot about the guides on the expedition, which was really interesting. There were a lot of women that were part of this expedition. Half of the guides, who kind of act as Sherpas—they, you know, they carry things, they lead the way, they guide the route, they make camp. And so there are just some great moments with these guides—especially the women guides—where they are just protecting from crazy marauders that have come down and have attacked the group. And lots of great moments like that. That was really interesting to document. And in addition, another thing I was able to get for this book is—there was actually some early video and a lot of photographs that were taken.Jess LaheyOh my goodness.Nathalia HoltBy one of the members. And that is just such an incredible thing—to be looking at video of this expedition in the 1920s—it's just amazing.Jess LaheyOkay, so geek question here, since this is definitely what our listeners like the most. So I haven't laid hands on the book yet, because it's not out yet—did you put photographs in the book? Were you able to get access to photographs, and did you put them in the book? And I ask that because whenever I write a proposal or we're working on a book proposal, we have to indicate whether or not there's going to be artwork, and that changes things in terms of budget, and it changes things in terms of permissions and stuff. And I was curious about—I've never dealt with that side of it before, but maybe you have.Nathalia HoltI have. I've always sent photographs, and I love it. Because I feel like it helps when you read the book—especially a book like this.Jess LaheyYeah.Nathalia HoltYou know, when I'm describing what they look like, and where they are, you want to see it with your own eyes. And so it's really interesting to be able to see those photographs. And I had so many, and it's always a challenge to parse out—who has the permissions? Where do they come from? Finding the photographs—this always takes forever. Fortunately, this particular book was maybe a little bit easier, because a lot of the photographs are out of copyright, that had been published at that time. So that was nice. But yeah, no, it was still just a mess, as it always is. It's always a mess to figure out who do photographs belong to. I feel like I would love to become a lawyer—just for that moment in researching a book.Jess LaheyThat's a whole layer I've never had to go into. And it was easier for me to—rather than just say, "Yeah, I'd like to include this one thing," and then I realized the nightmare that's ahead of me in terms of accessing and getting permission and all that stuff. I'm like, "Eh! Let's just stick with what we got in the print." But, for something like this—and especially when you're writing about, for example, animation, or if you're writing about, you know, this expedition, and there's art available—you know, it sounds like it's really, really worth it for that aspect. I mean, that's definitely something I would want in this book. So I think I know the answer to this question. This is a heavily loaded question, but are you—when it comes to research and it comes to what you include in the book—are you an overwriter or an underwriter? Or do you land pretty much—like, when you're doing your editing, are you like, "Oh no, this was the perfect amount to include?"Nathalia HoltOh, I'm a terrible overwriter.Jess LaheyOh. So am I!Nathalia HoltIt's really a problem. But I worked very hard on this book at cutting, and it was not easy for me, because I do always tend to go way overboard. I'm always over the word count that I'm supposed to be at—with the exception of this book, where I did a very good job of cutting it down and really trying to focus and not, you know, getting too distracted.Jess LaheyYeah, we joke all the time with my other co-hosts and friends that my—like, my history sections in both of my books could have been half of the book or, you know... and all the stuff that ends up on the floor ends up getting told in cocktail parties. You know, "By the way, did you know how many, you know, kegs of beer there were on the ships that came over? I do. Can I share? Because I did all this work and I've got to put it somewhere." And there's this weird—there's this weird line between, "Look, look how thorough I am. Can I have an A+ for how thorough I am?" versus what your reader might actually be interested in. I keep some of my favorite notes from my former editor, and she's like, "Yeah, the reader... no. Reader doesn't care. Not going to care. You know, this may be really fun for you, but maybe not for your reader." So—but I can imagine with something like this, you know, the details of the flora and fauna and all that other stuff—it would be really easy to get off on tangents that are not necessary for the core mission.Nathalia HoltYes, absolutely. But in some ways it was easier than my past books, because it only takes place over a year, which is incredible. Most of my books take place over decades, and the cast of characters is much smaller as well. And unlike some of my past books, I feel like I need to include everyone out of fairness—which is kind of a weird way to approach a book. I don't recommend it. That's not the way to do things. But yeah, if you're really just looking at a few—a handful of people—over a year, it's much easier to stay on track. So that was a good exercise for me.Jess LaheyYeah, there's a—there's a line I love, where David Sedaris talks about the fact that what it takes for him to purchase something is if the clerk at the store has gone to the trouble to take it out of the case, to show it to him, and then he feels like he has to buy it because he—someone went through the trouble. And same thing for me. If, like, someone's going to go to the trouble to be interviewed, then cutting that entire interview, or cutting that whole through line, or whatever that person is a part of, is incredibly painful to do. And then I feel like—I feel obligated. So it's a difficult—it's a difficult balance, you know, between what your readers are going to actually want and what makes for a good book, versus doing right by the people who spent time talking to you. It's a hard balance to strike. Alright, speaking of being in the weeds and geek questions—so I'd love to talk to you a little bit. I was just—I'm mentoring someone for a little series we're doing for this podcast, sort of from soup to nuts, from the beginning of an—from the inception of an idea to getting a book out. And the very first thing she did was send something to me in a Pages document. And I had to say, "Hey, you might want to think about using Word or maybe Google Docs, because, like, I don't have Pages." So—some details about how you work. Number one, do you have a preferred app that you like to write in? Because I'm a Scrivener gal.Nathalia HoltI mean, I prefer Word because I feel like it is the most universal. It's the easiest to send to people... and so that's what I go with.Jess LaheyYeah, I use Scrivener only because it allows me to blank out the rest of the world really easily. Okay, and then organizing your research. This is something—the question of organizing your research, how you know you're done researching and really just need to actually start writing the words—are the two questions that I get the most. Because the research could go—especially on a topic like this—could go on forever. So number one, given this voluminous research that you had, how do you organize your research? Do you use folders on your computer? Do you use folders in—you know—how do you do all of that?Nathalia HoltI do folders on my computer, and then I also do hard copies that I actually keep organized in real folders, which helps me, because then, if I'm going into a specific topic, a lot of times it can be easier to actually hold on to those documents and being able to see them. So I do both. Um, and...Jess LaheyHas everything pretty much been digitized in this area? Do you feel like—or do you have to go into rooms and, like, actually look at paper documents, and sometimes they don't let you scan those? So, you know, how does that work for you?Nathalia Holt Yes, it's very difficult if they don't allow you to photograph them. Usually they do. Usually you can. So I have always had to digitize documents, and there's so many different ways to do it, but now it's much easier just to use your phone than anything else, which is great. Very happy about this development. And yeah, I think—I think maybe that's part of the reason why I do like to print things out is because that's how I was first introduced to the material, so it can be useful for me. But there's way too much material to print everything out. I mean, there's so many hundreds, thousands of pages even. And so it's always just going to be sort of key documents that end up making their way into the actual folders, and then the rest—it's just, you know, organized by topic. Make sure images are separate, by person.Jess LaheySo then, how do you know you're done? Like, how do you feel like you're at a place where I now know enough to come at this from—to come at the storytelling from an informed place?Nathalia HoltThat is really a good question, and I'm not sure I can answer it, because I feel like you're never done. You're always going to be researching. There's no real end to it.Jess LaheyBut you have to start. Well, and this—this takes—this is separate from the question of, like, how much research—how much research do you have to have done for the book proposal? Like take it for example, for example, The Addiction Inoculation, where I needed to learn, really, a whole new area... that was a year-long process just to write the proposal for that book, and then another couple years for the book. So, for me—and I'm very happy to say—I got to ask Michael Pollan this question, and he had the same answer that I feel like is my instinctual answer for this, which is when I start to say, "Oh, I'm starting to repeat. Things are starting to repeat for me," and/or, "Oh, I already knew that," and so I'm not finding out new stuff or encountering things I don't already know at the same rate. It's starting to sort of level off. Then I feel like, "Oh, I've got this sort of, like, you know, mile-high view of the—of the information," and I maybe have enough in my head to start actually being an expert on this thing.Nathalia HoltThat's a good answer. That sounds responsible. I'm not sure that I do that, though. I think for myself, there's not a bad time to start, because it's going to change so much anyway, that for me, I almost feel like it's part of the learning process. Is that you start to write about it, and then as you go along, you realize, "Oh, this is not right. I'm going to change all of this," but it's all just part of helping you move along. And I think even from the beginning, if you start writing even just bits and pieces of how you want to write the scene, you want to think about this or outline it, that can be helpful, and it doesn't matter, because it's all going to change anyway.Jess LaheyThat's true. I actually find I write—the way I write is very specific, in that each topic I'm going to write about in a chapter has a narrative arc, story that goes with it. So I—that narrative arc story gets written first, and then I drop the research in as I go along. But I remember, with The Gift of Failure, a book came out that had a key piece of research that then I had to go back and figure out, "Oh my gosh, this impacts everything." And so I had to figure out how to sort of drop that in. And I couldn't have done it at any other time, because the research didn't exist or I hadn't found it yet. So that's a tough thing to do, is to go back and sort of link the things to something new that you think is important. But the research part is just so much fun for me. Again, I could do that forever and ever and ever. Do you? So the other thing I wanted to ask... and this is selfishly... do you have large boxes in your home of all the research that you feel like you can't get rid of, even though you wrote the book, like, five years ago, ten years ago?Nathalia HoltI do not. I pare down.Jess LaheyYou do?!Nathalia HoltAfter time, yes. It's hard to do, though, because it's hard to throw things away, and I definitely have folders that I keep. They're just full of things that I can never get rid of. And obviously it's all digitized as well, but there are things like that that mean a lot to me, that I can't get rid of.Jess LaheyWell, there's actually—this was a very selfish question, because I actually just went through and finally got rid of a whole bunch of stuff that... I felt like it was at the heart—it was the main research for The Gift of Failure, and I used it to mulch my gardens. I put—and so it was like this metaphorical kind of, like, knowledge feeding the thing that I care about the most right now. And so I used it to mulch all the paths in my gardens and create new garden beds and stuff like that. But I'm always curious about that. Like, I every once in a while see something on, like, "X"—what used to be Twitter—or someplace like that, like, can I get rid of the research from the book I wrote 25 years ago? Or is that too soon? Well, so when exactly does the book come out? Give us your—give us your pub date.Nathalia HoltIt comes out July 1st.Jess LaheyOkay. And I have to say... cover is gorgeous. How did you land on that cover image?Nathalia HoltOh, I really didn't get much say.Jess Lahey Okay.Nathalia HoltThe one thing I—I mean, you know, they have whole people that have skills that do these things, but one thing I was very passionate about was keeping the brothers on the cover in their expedition gear. So originally, the publisher had wanted them to be in suits on the front, and I just hated it. I hated it so much, because I feel like they need to be on the trail. You need to see them as they were on the trail. And so that's one thing I really pushed for. And I was fortunate that they—they listened, and they were okay with that.Jess LaheyWell, I'm just—I mean, this book is going to have such a great place alongside books like The River of Doubt and other, you know, really wonderful books that are about the expositions—that the expeditions that get taken by these historical fixtures—figures. And I'm just—I'm so excited for this book. I'm so happy for you about this book, because it is just—when I started telling people about the topic, they're like, "Oh, I would read that." And I'm like, "I know! Isn't that the best idea?" And that's part of the magic, is coming upon the really cool idea. And so I'm just really, really happy for you and really, really happy about this book and excited for it.Nathalia HoltThank you. Oh, that's so nice to hear, especially because this was a very difficult book to get published. I mean, there was a real moment where I wasn't sure I was going to find someone that would...Jess LaheyWell, can you—I didn't want to ask it. You know, this is—having—doing a podcast like this, where we often talk about the mistakes, we talk about the blunders, we talk about the stuff that went wrong. It can be really, really hard because you don't want to bite the hand that feeds you, or you don't want to, like, make anyone think that this book wasn't anything other than a 100% lovely experience from beginning to end. But I would love to talk about that, if you're willing.Nathalia HoltOh, sure. I don't really have anything bad to say about anyone. I think it's—I think it's understandable that people wouldn't naturally think I would be the best author to write this. I haven't written other books like it, and so it was a difficult book to sell. It wasn't easy, and it definitely crystallized to me how important it was that I write it. I really felt like this was my purpose. I really wanted to write it, and maybe it's good to have that moment, because it really makes it clear that this is something you need to do, even if it's not easy, even if it's tough to find a publisher. And I was fortunate that I did. You know, luckily, there was an editor that—sort of at the last minute—believed in it enough to give it a go. And yeah, it's just—it always feels like a miracle when the book comes to fruition and is actually published. It just seems as if that could never really happen, and this one was a difficult road to get there, for sure.Jess LaheyWell, especially since a big part of the proposal process is trying to convince someone that you're the—you're the person to write this book. And in this case, it's not so much because you're a subject matter expert going into it. It's that you're a really good researcher, and you're a meticulous writer and a meticulous researcher, and most importantly, this story speaks to you. And I think, you know, some of my very favorite nonfiction books that I recommend over and over and over again—narrative nonfiction—it's clear in the reading how excited the author was about the story, and I think that's part of the magic. So I think you're the perfect person to write it. I don't know what they could have—because if you are—if you're fired up about the story... And as an English teacher, and as someone who's had to convince middle school students why they need to be excited about this thing I want to teach them, the enthusiasm of the teacher is part of what can spark the engagement for the learner. So I think that's a really, really important part of any book. Plus, you got to—you're—as an author, you're going to have to be out there talking about this thing, and so you better love the topic, because you're going to be talking about it for ages.Nathalia HoltYes, absolutely. I mean, no matter what, this is many years of your life that's dedicated to a topic. But I think it's—it's a good lesson in general, that you can write in one genre and one kind of book for years, and then it might not be easy, but it is possible to actually break out of that and find other topics and other things you want to write about. We grow. We all change.Jess LaheyYeah, one of my—one of, as our listeners will know, Sarina Bowen, one of my co-hosts and one of my best friends—she's—she has written romance forever and ever and ever, and she's like, "You know what? I want to write a thriller," and it has been a really steep learning curve and also a huge effort to sort of convince people that she can do that too. But it's also really, really satisfying when you show your chops in another area. So—and I had an—as I was going through sort of the details about this book, and reading about this book, I was thinking, you know what this would be really, really good for? An exhibit at someplace like the Field Museum, or like an exhibit of—oh my gosh, that would be incredible. Like, if this is a story that hasn't been told, and there's a lot of art, and there may be video and photographs and all—and journals—man, that would make for an amazing—if anyone out there is listening, that would make for an amazing museum exhibit, I think. And of course, everyone's listening to me.Nathalia HoltThat would be amazing.Jess LaheyEveryone is listening to me...Nathalia Holt Oh, well, they should.Jess LaheyAll right. Well, thank you so, so much. Where can people find you? And is there anything else you'd like to talk about that you're working on or that you're excited about? Besides, you know, just getting this book out into the world?Nathalia HoltYou can find me at nathaliaholt.com and on Instagram and Facebook and X @NathaliaHolt. And yeah, right now I'm pretty much focused on this book. I have something else percolating, but it's still away a good days. So it's the fun research part. Isn't that...?Jess LaheyYou will notice I did not ask you what's next, because to be asked what's next when you haven't even birthed the thing you're working on now can be a little irritating. So as someone who's aware of this inside baseball, I didn't even. Later on—privately—I would love, because I'm a big fan, big excited about your work, and love, love introducing people to your work. So I think—and also, one of the things we talk about a lot on this podcast is having books that are exemplars of good research, of good storytelling. I have a stack of books that I keep near me when I need to dissect something to get at—oh, this person did a really good job with, for example, historical research, or this person did a really good job of using their expert voice, and I need to tap into that today. I think your books are—would be excellent, excellent selections for our listeners, for their pile of exemplars for really well-done research and telling other people's stories—historical stories that occur in a sort of in a modern context. Your books are really dissectible, and I know that's super high-level geek stuff, but they've really helped me become a better storyteller as well.Nathalia HoltThank you. That's so kind of you. I really appreciate that.Jess LaheyAll right, everyone—go get the book, read the book. Don't forget to pre-order, because that really matters to us authors, and don't forget to review it wherever you purchased it, once you have read it. And Nat, thank you so much. And I apologize for calling you Natalia at the top of the hour. I'm so just so used to doing that—Nat. And until next week, everyone, keep your butt in the chair and your head in the game.The Hashtag AmWriting podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output—because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com RU354: KARIN VALIS ON AI & PSYCHOANALYSIS https://renderingunconscious.substack.com/p/ru354-karin-valis-on-ai-and-psychoanalysis Rendering Unconscious episode 354. On this episode of Rendering Unconscious, I sat down with Karin Valis to talk about AI, psychoanalysis, cut-ups and magic. This is how AI summarizes our conversation (with some minor edits): Karin Valis, a machine learning engineer based in Berlin, discusses the intersection of AI and psychoanalysis, highlighting the dangers of AI therapists exacerbating mental health issues. She notes the rise of AI psychosis on Reddit, where AI's helpful programming can deepen users' delusions. Karin also explores AI's role in reflecting and influencing the unconscious, comparing it to a language virus a la William S. Burroughs. Karin plans to publish a book on AI's impact, focusing on female/femme perspectives, and is developing an AI journaling tool to aid personal growth and self-reflection. Follow her Substack, Mercurial Minutes. https://mercurialminutes.substack.com Follow her at Instagram: https://www.instagram.com/karin.valis/ https://www.instagram.com/evakadm0n/ News and updates: Beginning THIS SUNDAY, July 6th, Carl will be teaching a 4-week course: Psychosexual Reverberations: The Avant Garde Occultism of Thee Temple Ov Psychick Youth (TOPY) with Carl Abrahamsson, Begins July 6th online via Morbid Anatomy Museum https://www.morbidanatomy.org/classes/p/psychosexual-reverberations-the-avant-garde-occultism-of-thee-temple-ov-psychick-youth-topy-with-carl-abrahamsson-begins-july-6 Please note: classes will be recorded for those who can't attend live. Then on Wednesday, July 16th, join us for the inaugural event of RU Center for Psychoanalysis: https://rucenterforpsychoanalysis.substack.com The Queerness of Psychoanalysis: Emptiness is the Cure for Psychoanalysis: https://rucenterforpsychoanalysis.substack.com/p/join-us-for-the-inaugural-event-of This event will be recorded and the audio recording will be shared with those who registered. https://rucenterforpsychoanalysis.substack.com Sign up at eventbrite: https://www.eventbrite.com/e/the-queerness-of-psychoanalysis-emptiness-is-the-cure-for-psychoanalysis-tickets-1438613725379?aff=oddtdtcreator Everyone who becomes a paid subscriber for RU Center for Psychoanalysis will be atomically registered for the event on The Queerness of Psychoanalysis on July 16th (and all upcoming events in The Queerness of Psychoanalysis series) and will be enrolled for my 12 month course An Introduction to Psychoanalysis, which will meet once a month beginning September 13th! More info here: https://rucenterforpsychoanalysis.substack.com Thank you for listening to the Rendering Unconscious Podcast and for reading the Rendering Unconscious anthologies. And thank you so much for supporting this work by being a paid subscriber at the Substack. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all future and archival podcast episodes. https://renderingunconscious.substack.com Rendering Unconscious is also a book series! Rendering Unconscious: Psychoanalytic Perspectives, Politics and Poetry volumes 1:1 and 1:2 (Trapart Books, 2024) available now! https://amzn.to/400QKR7 If you would like information about entering into psychoanalytic treatment with me, joining the group I run for those who have relocated to another country, or have other questions, please feel free to contact me via vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/contact/ Thank you.

Most performers I know have all had one of those anxiety filled nightmares of finding yourself on stage on opening night, with no idea what the play is about, who your character is, or what your lines are. So it is a special kind of masochist who would willingly put themselves in exactly that situation. Nadine Garner and Fayssal Bazzi are two such masochists. They are about to take on Iranian writer and theatre maker Nassim Soleimanpour's new play: ECHO: Every Cold-Hearted Oxygen. Each night a new performer takes to the stage not knowing what is going to be asked of them. Unrehearsed and deliberately unprepared, the script becomes their only guide as they journey through the story of the playwright, connected live from his home in Berlin. ECHO is an invitation to consider what home means to each of us. Fusing new technology with the oldest tricks in the book, this is an ambitious, magical and profound production where no one travels yet everybody is present.Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

In dieser sommerlich-erotischen Folge von Ladylike – Der Podcast über S**, Liebe & Erotik wird es klitschnass – zumindest theoretisch! Yvonne und Nicole sprechen über einen Hörerwunsch: S** im Schwimmbad – ein heißes Thema mit kaltem Beigeschmack. Die beiden Moderatorinnen nehmen euch mit auf eine Reise durch Hallenbäder voller Chlorgeruch und Flipflop-Ekel, über überfüllte Freibäder mit Pommes-Duft bis hin zu abgelegenen Badeseen mit romantischen Luftmatratzenmomenten. Nicole kann sich bei der Vorstellung an S** im öffentlichen Schwimmbad kaum halten vor Grauen – zu viele Haare, zu viel Fußpilz, zu viele fremde Körperflüssigkeiten. Für Yvonne dagegen ist der Gedanke an eine zärtliche Bootsfahrt oder ein versteckter Ort im Grünen durchaus reizvoll – wenn auch nur unter bestimmten Bedingungen. Die beiden diskutieren lustvoll und humorvoll über Hygiene, Öffentlichkeit, Fantasien und die Frage: Wie viel Erotik verträgt ein Schwimmbad wirklich? Und ganz wichtig – wo fängt es an, grenzüberschreitend zu werden?Hört rein in die neue Folge und erfahrt, warum Chlorgeruch der Lust im Weg stehen kann...Habt Ihr selbst erotische Erfahrungen, eine Frage oder Story, über die Yvonne & Nicole im Ladylike-Podcast sprechen sollen? Dann schreibt uns gern an @ladylike.show auf Instagram oder kontaktiert uns über unsere Internetseite ladylike.showHört in die Folgen bei RTL+, iTunes oder Spotify rein und schreibt uns gerne eine Bewertung. Außerdem könnt ihr unseren Podcast unterstützen, indem ihr die neuen Folgen auf Euren Kanälen pusht und Euren Freunden davon erzählt.Erotik, S**, Liebe, Freundschaft und die besten Geschichten aus der Ladylike-Community gibt es auch im Buch zum Podcast „Da kann ja jede kommen“! Hier geht's zum Buch: bit.ly/ladylike-buchUnsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Aimee Carrero returns for part two of her before and after birth story. She delves into her pregnancy, filming in NYC with weeks to go before the birth, and her hopes for the delivery including a wish list. Connect with the guest: @aimeecarrero Informed Pregnancy Media and ⁠⁠⁠Mahmee⁠⁠⁠ present an all new podcast! One Way or a Mother is a new narrative podcast from Dr. Elliot Berlin, DC. Each season is an intimate story of one woman, one pregnancy, and all of the preparations, emotions, and personal history leading up to the birth. Episodes feature the expectant mother along with her family, doctors, and birth work team. Start listening to ⁠⁠⁠Episode 1: I Should Have Died⁠⁠⁠ featuring Arianna Lasry Keep up with Dr. Berlin and Informed Pregnancy Media online! ⁠⁠⁠informedpregnancy.com⁠⁠⁠ ⁠⁠⁠@doctorberlin⁠⁠⁠ ⁠⁠⁠Youtube⁠⁠⁠ ⁠⁠⁠LinkedIn⁠⁠⁠ ⁠⁠⁠Facebook⁠⁠⁠ ⁠⁠⁠X⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Dear Article Clubbers,Thank you for the kind birthday wishes last week. It's true that our reading community is 10 years old. And we're just getting started!Just like that, we're in July, which means this week's issue is dedicated to featuring the article of the month and encouraging you to join our discussion.I'm happy to announce that this month, we're going to be diving into “The End of Children,” by Gideon Lewis-Kraus. Published in February in The New Yorker, the article explores the imminent stark drop in population around the world, most notably in South Korea.Don't worry: Even though the declining human fertility rate has become a political topic in the United States, this piece is nuanced and deeply reported. I'm certain you'll appreciate it, even if you end up disagreeing with the writer's stance.Inside today's issue, you'll find:* Melinda and my first impressions of the article (on the podcast)* My blurb about the article* A short bio of the author* A warm invite to join our discussion on July 27If you can't be bothered by all of that, and just want to sign up for the discussion right here and now, by all means, please do!The End of ChildrenGrowing up, I worried about many things. One source of worry was my family's evacuation plan in case of fire; it wasn't robust enough. Another source was the world's exponential population increase, which would inevitably doom us.Turns out, at the time, my concern was not unfounded. In 1968, Paul Ehrlich wrote in The Population Bomb that millions of people would die of starvation unless governments aggressively curtailed the fertility rate. But instead of population rising without bound, the opposite has happened. In 2023, for the first time ever, because on average each woman had fewer than 2.1 children (the “replacement rate”), the world's population shrank. All projections say this trend will continue, until one day, there won't be enough people for us to sustain as a species.In Seoul, where writer Gideon Lewis-Kraus focuses this article, “children are largely phantom presences.” There are more dogs than children. Ask anyone on the street, a Korean demographer said, and they'll know the country's fertility rate. (It is 0.7, the lowest in the world.) Kids bring ick. Many businesses are “no-kids zones.”The United States (fertility rate: 1.6) is headed in a similar direction, Mr. Lewis-Kraus argues. The truth is, for whatever reason (and there are many), younger Americans no longer think having children is an inevitability. As immigration declines, and climate concerns rise, and structural inequities worsen, our country may face the same problem as Korea. And that could lead to catastrophe.Should we care about the declining fertility rate? Or is it just a misogynistic conservative ruse to distract our attention from the deleterious effects of climate change? In my opinion, this is the first article written by a progressive that has looked seriously at the issue and presented it to a mainstream audience.By Gideon Lewis-Kraus • The New Yorker • 42 min • Gift Link➕ Bonus: Here's the article with my handwritten highlights and annotations.About the authorA staff writer at The New Yorker, Mr. Lewis-Kraus grew up in New Jersey and graduated from Stanford. He writes reportage and criticism and is the author of the digressive travel memoir A Sense of Direction as well as the Kindle Single No Exit. Previously, he was a writer-at-large at The New York Times Magazine, a contributing editor at Harper's magazine, and a contributing writer at WIRED magazine. He has lived in San Francisco, Berlin, and Shanghai, and now lives in Brooklyn with his wife and two small children. Mr. Lewis-Kraus generously recorded an interview with Article Club, which will be published in two weeks.About the discussionMy hope is that you'll read “The End of Children” and want to talk about it! (Even though we don't “debate” at Article Club discussions, I predict this topic will lead to a spicier-than-usual conversation.)We'll be meeting up on Zoom on Sunday, July 27, 2:00 - 3:30 pm PT. We'll spend the first few minutes saying hi and doing short introductions. Then after I frame the piece and share our community agreements, we'll break out into small, facilitated discussion groups. The small groups usually include 5-8 people, so there's plenty of time to share your perspectives and listen to others. That's where we'll spend the bulk of our time. Toward the end, we'll return to the full group, sharing our reflections and appreciations of fellow participants.If this sounds interesting to you, sign up by clicking on the button below.If you're unsure, I get it. If you don't know me, it might feel strange to sign up for an online discussion with total strangers. But I am confident that you'll find yourself at home with other kind people who like to read deeply and explore ideas in community. We've done this 58 times, and by now, it's not a surprise that we're able to create an intimate space, almost like we're in the same physical room together.I hope that you read the piece. If it resonates with you, I encourage you to take the plunge and join us on July 27!Thank you for reading and listening to this week's issue. Hope you liked it.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Bluesky. Enjoy! The Creative Source 3rd July 2025 Artist - Track - Album - Year Greg Murphy    Snap Happy    Snap Happy    2025 Hiromi's Sonicwonder    Out There: Strollin'    Out There    2025 Dave Hanson    Blues Sky    Blues Sky    2025 Peter & Will Anderson    Blue Skies    The Best of Berlin    2025 Jordan VanHemert    Mo's Blues    Survival of the Fittest    2025 Ben Tweedt    Back to School    Life Cycle    2025 Danny Grissett    Spin Cycle    Travelogue    2025 Jason Miles' The Lisbon Electric 4-tet    Wait on the Corner    Jason Miles' The Lisbon Electric 4-tet    2025 Kevin Fort    Elemental    Everything I Love    2025 Bennett Roth Trio    It'll Always Work Out    It'll Always Work Out    2024 Julian Shore Trio    Winter Song    Sub Rosa    2025 Tessa Souter    Never Broken    Shadows and Silence: The Erik Satie Project    2025 Jennifer Lee    Strange and Beautiful    Glimpse    2025 Dena DeRose    Hold Fast to Your Dreams    Mellow Tones    2025 Alí Bello & The Charanga Syndicate    La Comparasa Influenciada    The Charanga Syndicate    2025 Masha Campagne    Di Menor    Alegre Menina    2025 Unity Quartet    Jogral    Samba of Sorts    2025 Jeb Libman    Só Tinha De Ser Com Vocé    Feet Off The Ground    2025 Satoko Fujii This is It!    Falafel Feast    Message    2025 Satoko Fujii Tokyo Trio    Dream a Dream    Dream a Dream    2025 The post The Creative Source (#CreativeSource) – 3rd July 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

World #23 Olivia Nicholls joins us fresh off her first title with partner Tereza Mihalíková in Berlin. She discusses her career-high ranking, steady rise in doubles, and shares insights on overcoming challenges throughout her career journey.Defeating Roland Garros Champs, Errani and Paolini, in Berlin, breaking their 13-match win streak, including tactical adjustmentsOn developing a belief in her game to beat any teamOvercoming four consecutive first-round losses during the clay seasonWorking with coach Craig Veal (previous podcast guest)2025 goals and the WTA FinalsMixed doubles success with Henry Patten, making semifinals in Australia and quarterfinals at Roland GarrosThoughts on the US Open mixed doubles changes that prioritize singles rankingsOlivia's dedication and work ethic are super impressive, and she shows how consistency pays off. Watch her this week at Wimbledon and throughout the rest of 2025.Learn more about Olivia & follow:WTA ProfileWikipediaInstagramTwitter/X ----- **Join the #1 Doubles Strategy Newsletter for Club Tennis Players** New doubles strategy lessons weekly straight to your inbox **Become a Tennis Tribe Member**Tennis Tribe Members get access to premium video lessons, a monthly member-only webinar, doubles strategy Ebooks & Courses, exclusive discounts on tennis gear, and more. Learn More & Sign Up Here **Other Free Doubles Content** Serve Strategy Cheatsheet Return Strategy Cheatsheet Serve Strategy 101 - Video Course

Liam is joined by fellow Park Ender Callum Gamble for his memories of Marco Silva's only full season in charge of the ToffeesFrom Palace to Berlin, via a day out in Chester, Callum shares his takes on an eventful season which culminated in him scoring at Goodison Park.This episode is in association with The Excelsior. Thanks to Sean Ponzini, Niall O'Donnell and Gary Lunt for their contributions. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Raised in Bristol, JackWallis earliest musical influences were shaped by dubstep, punk, and UK techno, shown by his early releases on Darwin's label SPE:C. Following his move to Berlin in 2017, he and The Lady Machine established Unterwegs, an imprint to release music from like minded talents, including Decka's pressurised, raw, and driving techno productions. Since then, he has released on top-tier labels such as KEY Vinyl, AMTK+, TarHallow and Reclaim Your City. Pushing the boundaries of modern-day techno, the quality of his music is consistently recognised with multiples old-out releases and a growing portfolio of remix commissions for esteemed artists such as Dubfire. He now runs a second label with artist Roseen- Frameworks- where the duo released their debut album "Imaginary Places" in 2023. His fervent love for analog in the studio translates behind decks. DJ'ing only with vinyl since the beginning of his career, Decka's sets not only highlight his clear-cut technique but a refilled with moments of suspense and tension amidst high-octane energy, drawing on his extensive knowledge of techno, never limiting him self to just one style. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

SHOW SCHEDULE 7-1-25 GOOD EVENING: The show begins in Israel, illustrating errors made in the reporting of the war with Hamas. 1959 CHE IN GAZA CBS EYE ON THE WORLD WITH JOHN BATCHELOR FIRST HOUR 9:00-9:15 Israel: Five errors of reporting the war. Peter Berkowitz, Hoover 9:15-9:30 Israel: Five errors of reporting the war. Peter Berkowitz, Hoover continued 9:30-9:45 Israel: Iran and its surrogates pause to talk. David Daoud, FDD 9:45-10:00 Israel: Iran and its surrogates pause to talk. David Daoud, FDD continued SECOND HOUR 10:00-10:15 Lancaster County: Stress fractures in the economy. Jim McTague, former Washington editor, Barron's. @mctaguej. Author of the "Martin and Twyla Boundary Series." #FriendsOfHistoryDebatingSociety 10:15-10:30 PRC: Military-civil scholars study the US grid to what end? Jack Burnham, FDD 10:30-10:45 NATO: Spending and Spain's waver. Judy Dempsey, Senior Scholar, Carnegie Endowment for International Peace in Berlin. 10:45-11:00 EU: Switzerland and migrants. Judy Dempsey, Senior Scholar, Carnegie Endowment for International Peace in Berlin. THIRD HOUR 11:00-11:15 War in the Belgian Congo. Gregory Copley, Defense & Foreign Affairs 11:15-11:30 Regime change and disorder. Gregory Copley, Defense & Foreign Affairs 11:30-11:45 USA: What is the plan? Gregory Copley, Defense & Foreign Affairs 11:45-12:00 King Charles Report: Royal train retired. Gregory Copley, Defense & Foreign Affairs FOURTH HOUR 12:00-12:15 SpaceX: Damaged launch pad. Bob Zimmerman behindtheblack.com 12:15-12:30 Mars: Solving a volcano from orbit. Bob Zimmerman behindtheblack.com 12:30-12:45 Russia: Trump Tower and the Russian mob. Craig Unger, "House of Trump, House of Putin." Continued 12:45-1:00 AM Russia: Trump Tower and the Russian mob. Craig Unger, "House of Trump, House of Putin." Continued

In dieser Folge geht es um Suizid, Rassismus und Gewalt gegen Kinder. Oktober 2023: Die elfjährige Mathilda lebt mit ihrer Mutter Anja in einer kleinen Wohnung in Berlin-Köpenick. Nach außen wirkt ihr Leben ruhig, fast unscheinbar – doch hinter den Vorhängen wächst eine gefährliche Dynamik. Zwischen religiösem Eifer, Angst und Abhängigkeit wird Mathildas Welt immer kleiner. Als die Familie schließlich einen folgenschweren Entschluss fasst, endet alles in einer Tragödie, die ganz Berlin erschüttert. In dieser Folge von „Mordlust – Verbrechen und ihre Hintergründe“ erzählen wir die Geschichte eines Mädchens, das nie eine echte Chance auf ein eigenes Leben hatte – und fragen, wie aus Fürsorge und Glaube tödliche Kontrolle werden kann. **Credit** Produzentinnen/ Hosts: Paulina Krasa, Laura Wohlers Redaktion: Paulina Krasa, Laura Wohlers, Simon Garschhammer, Marysol Mercado Schnitt: Pauline Korb Rechtliche Abnahme: Abel und Kollegen (Besonderer Dank an Jenni Roth von der Zeit, die uns bei der Recherche sehr geholfen hat) **Quellen (Auswahl)** Zeit: Gemeinsamer Tod Berliner Kurier: Blutiges Familiendrama rbb24: Prozess-Bericht **Partner der Episode** Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/Mordlust Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Click the post for details on this episode! Welcome back to Open House! Randy Seidman here, with another two hours of the grooviest beats. Coming off an amazing weekend in Bali, it was awesome returning to the mighty Red Ruby, epic vibes all night long. That recording will be available on Open House in the next couple months, but I thought it would be cool to air a special throwback episode today, a set I played ten years ago at a sunset beach club in Bali called VUE. This episode came out before I began putting episodes on SoundCloud, and it is one of my favorite timeless mixes, so I feel like this is an appropriate time to give that set a proper bump. Originally airing in 2015 at episode 117, this session also included a talented DJ named Toby White in hour two, so buckle up for his journey as well. You can grab all past episodes and track lists from openhousepodcast.com, Soundcloud, or wherever you like to download your favorite podcasts. For now, turn it up. Randy Seidman's WebsiteRandy Seidman's SoundCloudRandy Seidman's BeatportRandy Seidman's SpotifyRandy Seidman's FacebookRandy Seidman's Twitter Randy Seidman's Track List:01) Jelly For The Babies - Hold Me Tight (David Devilla & Elisabeth Aivar Remix)02) Rashid Ajami, Jerome Robins - Unstoppable (Tube, Berger Remix)03) Jody Wisternoff f. Pete Josef - Just One More (Martin Roth Remix)04) Stephen J. Kroos - A Past (Blood Groove & Kikis Remix)05) Blackfeel White - Glasgow (ORiginal Mix)06) Andrew Bayer, James Grant - Living (Original Mix)07) SNR and Rikkax f. Jan Johnston - Beautiful Change (Arthur Deep Dub Remix)08) Metodi Hristov - Over (Original Mix)09) Mauro Mondello - Child in time (Andrey Exx Remix)10) Croatia Squad - Get You Off (Original Mix)11) Eddie Amador - The Run Around (Andrey Exx, Hot Hotels Remix)12) Xandl - Wanna Give Me Your Love (Mark Lower Remix)13) Kellerkind - Backflash (Original Mix)14) Kocleo - Need Your Love (Original Mix)15) Polina Grifith, Marc JB - Don't Close Your Eyes (Original Mix)16) Jay Lumen - It's Over (End Time)17) Anne Edge, Dance - Bitches In The Project (Monte, Adana Twins Remix)18) Karen Souza - Get Lucky (5prite remix)19) Josh Butler - Got A Feeling (Bontan Remix Pleasurekraft Edit)20) Wankelmut, Emma Louise - My Head Is A Jungle (Gui Boratto Dub Mix) I hope you enjoyed the first hour, as special throwback from ten years ago featuring my set recorded at Vue Beach Club in Bali. Also included on that episode was a talented DJ named Toby White. Toby has taken the Asian deep house scene by storm. Originally from Germany, he is credited for bringing many quality artists to Thailand, and sharing stage time with the likes of MANDY, Super Flu, Claptone, Miguel Migs, and many more. From Amsterdam to Berlin, and Singapore to Seoul, Toby is making his mark on the global dance music scene. For the next hour, Toby White in the mix. Toby White's Website Toby White's Track List:01) Miguel Campbell - Fly Beat Box (Original Mix)02) Alvaro Smart - Bring The House (Original Mix)03) Ariel Perazzoli - Passtion (DJ PP Remix)04) Nicola Torriero - Power of Praise (Chus Remix)05) Guillaume Delarge - Marimba (Chus & Ceballos Remix)06) Erik Hagleton - Pressure (Original Club Mix)07) Hunzed, Harvey (IT) - Sheeta (Mendo Remix)08) Supermova - Keep On Stuff (George M. Remix)09) Format:B - Der Samtfalter (Original Mix)10) Max Belt - Fresh Air (Original Mix)11) Paul C, Paolo Martini - Spunk (KIKKY Remix)12) Hector Couto - Mirlos (Original Mix) Randy Seidman · Open House 245 w/Randy (at Vue Beach Club, Bali) + Toby White [July, 2025] - 10 Year Throwback

EU: SWITZERLAND  AND MIGRANTS. JUDY DEMPSEY, SENIOR SCHOLAR, CARNEGIE ENDOWMENT FOR INTERNATIONAL PEACE IN BERLIN.

NATO: SPENDING AND SPAIN'S WAVER. JUDY DEMPSEY, SENIOR SCHOLAR, CARNEGIE ENDOWMENT FOR INTERNATIONAL PEACE IN BERLIN. 1913 PYRENNES

Dr. Stefan Brandt is the Director of Futurium in Berlin, a hybrid museum experience and public platform dedicated to exploring the future. With a background in literature, philosophy, cultural studies — and a lifelong interest in music — Dr. Brandt has worked at the intersection of culture, science and civic life. Before leading Futurium, he held senior roles at major cultural institutions across Germany, where he championed interdisciplinary thinking and public engagement. He says it's always been his intention to make a change, to improve the institutions he leads and, more broadly, to contribute to a better society. At Futurium, that mission continues: creating a space where people are invited to learn about the future and how they can help shape it. Futurium isn't a traditional museum, it doesn't have a permanent collection or fixed exhibitions. Instead, it operates as a dynamic, evolving space designed to spark curiosity and conversation about the future. Dr. Brandt describes this absence of static artifacts as both a freedom and a challenge: it allows Futurium to be more agile and responsive, but it also requires continual reinvention. At its core is a question posed to every visitor: “How do I want to live?” To help people grapple with that question, Futurium presents ideas and scenarios grounded in science, media trends and public discourse. Each major theme — like the future of housing, health, nutrition, or democracy — is developed over time through in-depth research and collaboration with experts. Rather than offering definitive answers, Futurium encourages people to imagine and help shape a sustainable, participatory future. In this Chatter Marks series, Cody and co-host Dr. Sandro Debono talk to museum directors and knowledge holders about what museums around the world are doing to adapt and react to climate change. Dr. Debono is a museum thinker from the Mediterranean island of Malta. He works with museums to help them strategize around possible futures.