Podcast appearances and mentions of arnold sch

In this episode of The Current Podcast, we're joined by Rob Bradley, SVP of digital revenue, strategy and operations at CNN International Commercial. He shares how CNN has evolved far beyond its broadcast roots — and how it's now helping brands tell more impactful stories across everything from connected TV (CTV) and free ad-supported television (FAST) channels to TikTok and LinkedIn. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Current Podcast.Ilyse Liffreing (00:09):This week we're thrilled to be joined by Rob Bradley, the senior vice rresident of Digital Revenue Strategy and Operations at CNN International Commercial.Damian Fowler (00:18):Now, Rob has played a key role in CNN's evolution over the last 10 years from a broadcast powerhouse into a cutting edge digital platformIlyse Liffreing (00:26):That includes launchpad, CNN's AI powered advertising tool that's been driving smarter, more targeted campaigns for nearly a decadeDamian Fowler (00:35):From global banks to tech giants like Samsung and even government launchpad has helped brands show up on CNN's platform in ways that are both innovative and effective.Ilyse Liffreing (00:45):So in this episode we'll explore that journey, how launchpad got its start, what it's become today, and how CNN is helping advertisers navigate a complex digital world using deep audience insights and data at scale.Damian Fowler (01:00):So let's get into it. So Rob, let's start by talking about Launchpad. Not everyone's familiar with it, but it's been designed to help brands market themselves to CNN's audience. So I know it's eight years old. Can you talk about the tool and how it's evolved to this point?Rob Bradley (01:19):Yeah, I mean, to take a step, media companies and news brands today need to be so much more than just a platform where someone can serve a traditional ad to reach an audience. Of course we do that and embrace that, but our audience exists in a multitude of different environments. Now, of course, o and O, which can be TV to digital assets, websites, but of course Fast and CTV now. And of course they're all across social, which means that when we're working with brands today, we need to have tools that enable us to reach audiences in all of those environments. Essentially our clients expect that from us. So we have to innovate to be in those places. And also of course, by utilizing areas our audiences exist in today such as social, it means we get a broader reach. So we try and of course a lot of brands are nervous about social, and of course we do compete somewhat, but I like to flip it on its head and think about how can we use audiences on off platform environments to our advantage?(02:16):So launchpad essentially is a good example of that. It's an in-house social media agency, essentially utilizes latest talent. I would say. I think people do come first that really understand the latest technology to help us understand our audiences both on and off platform. That did launch really just reaching audiences in places like Facebook, but now it's across all the meta platforms, YouTube, LinkedIn, TikTok, and more. And over the years that team, through utilizing technology, have automated processes. We understand sentiment of what people are consuming, how they feel against our content that we distribute both on and off platform. And then we use those insights to indeed empower the next piece of creative, let's say. And it feeds into our brand studio, which is called CNN Create, which actually touches about 70% of our campaigns now. So it's all about the way we go to market is really about selling stories and content and then utilizing the impressions and volume of scale we have around that in a smart way.Ilyse Liffreing (03:15):And today, CNN Parent Company, Warner Brothers Discovery has only massively grown since the launch of launchpad and has so many touchpoint and audience insights. You have the entirety of the Harry Potter world and DC comments to seen in news. How do you make sense then of all that data and how does it come together to benefit a launchpad campaign?Rob Bradley (03:41):So first of all, I'd say there's still a job to do and an opportunity of gathering all that together because there's so many touch points that both can power the marketing of movies that say as well as the targeting of campaigns. And those targeting of campaigns can of course be owned and operated environment. So again, we can push audience insights into social platforms to target through tools like launchpad, but ultimately by understanding who our audiences are means that we can do three things. We launched a product called WBD AIM basically, which was actually born out of CNN, used to be CNN aim, and it stands for Audience Insight Measurement. And really it means that of course we talk about targeting quite a lot, that's where the rubber meets the road. But really as a severe successful media company today, you need to go to market with insight led sales.(04:29):So use that data to inform sales to the clients, proving upfront why you've got the right audience and why they should trust you. And then of course there's the targeting the audience piece, and then there's the measurement of proving what you have done has worked. And so that aim piece all comes together as one kind of data play. And where we have had success of bringing that together so far internationally is CNN Eurosport D plus in the UK and TNT Sport in the UK now exists in one platform. And also of course that's really good for programmatic as well. We can push those audience insights, put them into the marketplace and enable brands to buy programmatically against that. So very much in the programmatic space, we're aiming at the more premium PG programmatic direct marketplace.Damian Fowler (05:16):Can I just ask you off the back of that, do you see news as part of that whole package or it's not a sort of siloed separate piece of what you are offering?Rob Bradley (05:27):Yeah, that's a really good question. I think if you are a brand that wants an engaged audience and you want to be part of a conversation that's happening today or drive a conversation, news obviously makes sense. But of course I wonder if this is where you're going. News environments are challenged at the moment in some respect. There is a prevalence of I think, unfair news avoidance in the industry, particularly with very blunt keyword block lists that are being used, which is pretty well covered in the press and that is a major challenge. However, sports has a similar issue, right? Because words like shoot and shot and attack are used all the time just as though are news. So actually sometimes if people think of news straightaway, but there's a broader issue with that. And the reason why I mention that because actually news and sports is both live, it's what's happening today, it's audiences certainly where we sell it can be sports enthusiasts across both platforms at the broader end, it can be business decision makers, it can be C-suites, it can be high net worths bringing those audiences and ultimately linking it to what WBD has an abundance of is very premium, very trusted, very brand suitable environments you could say.(06:39):And that marketplace of WBD and WBD Connect is the programmatic marketplace will keep growing.Ilyse Liffreing (06:47):Now you talked about how your bridging basically social to programmatic. Have you seen one success in that so far and interest from the brands you've been working with?Rob Bradley (07:00):I think it's basically it was quite an early adopter of programmatic in the belief that it enables the human led work media owners to grow. And that has been proven in embrace technology to do what it does well, highly scaled targeted impressions that started on the website that say ever increasing on CTV and FAST for us, joining all that together, putting our own data into those environments, trying to work at the premium end of it so that we get the yield up and really embracing the technology to do that married with what only we can do best, which is linking directly with a brand, understanding a brand on their agency. In many markets we go brand direct though really understanding what their challenges are and what stories they've got to tell. And then coming up with this multi-platform strategy that can include programmatic maybe at the mid funnel or the performance end, but also linking it to a full multi-platform strategy, which may include CTV, fast Web and tv. And actually 80% of our direct campaigns include all of those platforms and include that social piece. And I think the reason why I've sort of spoken about social in is I think people often wonder about how we can utilize it to make money, but actually it's a really important part of our business where we're kind of using the best of what programmatic can offer, the best of what social can offer and then the best of storytelling.Ilyse Liffreing (08:27):Yeah, perhaps I would love to hear about a brand that perhaps you guys have been working with and how you are really measuring that success. I'm curious if any platform or audience perhaps outperformed your expectations.Rob Bradley (08:43):Sure. Well, I spoke about linking CNN storytelling that could have social impact in some way or drive conversations or change opinions. And that is when we have a really strong partnership with the brand, that's what we do for them. Really it's about how can we change perhaps a view or input a view into someone's mind that they may not have had about a brand based on facts or something that brand is really genuinely doing to try and make the world a better place beyond just perhaps selling a product. So CNN Embarks on a really bold program with Samsung recently, it was exactly a campaign that I said truly multi-platform include tv, digital, social, so use launchpad for off platform distribution and it really highlighted how Samsung technologies are being used to make the world a better place. Everything from the way they t trawl the ocean to dig up fishing nets and some of those fishing net parts are used in their mobile phones to a great story around how their TVs add access for the heart of hearing where we had a gentleman that was on stage with Beyonce who was doing sign language while she was performing, who went viral because he's an incredible character that really can literally make you hear the song using his hands.(09:54):It's amazing with hisIlyse Liffreing (09:55):MovementsRob Bradley (09:55):And he uses a Samsung TV at home, he feels it gives him what he needs considering that his hard of hearing challenges. So all those stories, it does involve a product, but really it's about a person, a human led story. We know that human led stories cut through a cluttered internet more particularly if they have some sort of emotional response that they offer, I can make you sad, happy, and ultimately the goal was to shift opinions about that brand. So looking at the data that we have, but 81% agreed that seeing the branded content that Samsung made made them think they were a more socially responsible company. 86% agreed that the branded content salt told them something about Samsung they didn't know before. And 84% agreed that branded content showed the value of Samsung as being more attention grabbing. So there's those hearts and minds movements that these campaigns at the brand's level kind of goals that they have. And that's really what we did with this campaign.Damian Fowler (10:53):That was great. Yeah, that's an interesting convergence of values and emotion and storytelling, but if we could sort of maybe look at some of the takeaways from the Launch Bank campaign and then get bigger from there. How did you measure success? I know you just mentioned some metrics right there for Samsung specifically, but did any platform or audience outperform your expectations?Rob Bradley (11:19):Yeah, I think we try to be platform agnostic somewhat when it comes to what the campaign goals are. So take within social, if the campaign of course is reaching consumers, we're more likely to use meta talk environments, YouTube, however of course if the campaign is more skew towards as a business audience, LinkedIn is more increasingly used. So it's not necessarily that one platform surprises because we'd set up the campaign at the start to meet those specific goals of that campaign. And within Samsung of course this was a consumer campaign, so those consumer platforms to reach and actually for that, TikTok did provide, and I think it was one of the first times that they'd ever worked with TikTok with a media owner and they trusted us because of the relationship that we have to deliver that campaign on TikTok. So that did have for one of the first times we've used it, a really important play within our overall multi-platform strategy.Damian Fowler (12:15):You mentioned insight-led sales, that means you have a good view of audience segments. Could you talk a little bit more about that and how you think about audience and how you break it down? And then the second part of that I guess is was there any unexpected reaction or behavior response from campaigns from these different areas of viewership?Rob Bradley (12:39):Yeah, I think we've had to get really sophisticated with understanding audiences and I'm linking who our audiences with our content. It touches on something I was talking about previously when it comes to the changes around news and news avoidance and brand safety and brand suitability. But that doesn't mean that all politics content should be blocked, for example. So I suppose there's the traditional side that we have of understanding our audiences of, okay, this is someone that's interested in reading a lot of business articles around finance. And then we can layer in personal identifying data where we have it and define and target that audience. But now we also add a layer in, we built a tool called sam, which is a sentiment analysis moderator, which also now kicks out a positive and negative sentiment score on our articles. So we know that if an article is about a scientific breakthrough, for example, that's a cure for a disease that may have innovation, technology may be very positive, but actually the word disease might have been blocked if you're using a more blunt keyword list. So with our clients, they trust us to use SAM to use more positive and negative targets. So we layer the kind of contextual element as well as the data element, and that runs on pretty much every single one of our direct campaigns.Ilyse Liffreing (13:56):Very cool. It sounds like a use of AI right there, if I'm not mistaken.Rob Bradley (14:00):It's an interesting one because we've had it for about five years and it is AI is machine learning and the reason we built it is because it ultimately unlocks more impressions than perhaps some of the off the shelf tools do.Ilyse Liffreing (14:11):Very true. Because also you're not just selling content to, you're selling a sustainable digital business. Would you say is your North Star when balancing that audience trust with monetization being CNN is such as a storied publication and company with multiple digital touch points?Rob Bradley (14:38):Yeah, good question. I mean, first of all, CNN's a global brand that's built on trust. We have some of the world's greatest journalists here and in a world that's growing in myth and disinformation is vital for society that they can rely on a trusted voice and reputable news organizations like CN. So I suppose our North Star is to of course lead with that trust but then make sure that we're essential for customers every day. So there's this sort of trust, but then there's also a premium environment and experience and that kind of goes hand in hand with advertisers going back to that storytelling piece or even putting an ad in an environment that has news. Brands want to be in a trusted place, so we really need to make sure that we're premium and that we're trusted first and foremost. But then also we need to embrace new ways of driving revenue.(15:29):We can't just rely on advertising, which is why we're embracing this direct-to-consumer business model to succeed over long-term. Linear in TV is still really, really important as of course is web, but exploring new digital monetization models that complement all those revenue streams are really important. So look fast is one of them, and CTV audio is one of them. We have CNN underscored in the us, which is kind of product recommendations and review sites, so e-commerce and of course as mentioned, the subs business, this direct to consumer business we're building. So we have to kind disrupt ourselves and embrace that to build a sustainable future.Damian Fowler (16:10):Rob, your role is you work for CNN International. So you look at the big picture obviously, and this is about a big picture question here, it's global, but it's also personal. So how do you think about that interaction, building digital products and content that both may be relevant at scale but also have to have local impact?Rob Bradley (16:31):I'll give you a kind of recent example. We announced plans to launch some CNM weather as our first standalone digital lifestyle product very recently, the upfront over in the us. So it is about expanding our content beyond news. As I mentioned, we already have travel, business style and tech and all of these different areas, but essentially builds on what we're good at, which is best in class live coverage of what's happening. Immense resources dedicated on the ground locally in this instance can of course be weather reporting and visual storytelling around weather. It's a way for CNN to bring these major weather events. So it may happen locally, so relevant information locally, but also huge interest globally. Think about the LA fires as a mass audience around the world, but also allows just simultaneously up to date weather forecast to help consumers get up to speed of what's going on there each day. And that's just a good example of something we've launched recently that has that both local, national and global relevance.Damian Fowler (17:29):I think it's always been a staple of good local news. Talking about right here in the US right now, there's some challenges to public broadcasting and one of the things that they have are these local stations that inform people about local weather events and that's crucial, especially in the tornado belt for instance. So I think weather obviously is key. And it's interesting to hear you say that obviously this is a fast moving space, the digital commercial space. As you look ahead, what are the biggest opportunities you see for CNN to lead here in this space? I guess AI is one of those things, immersive content. What else are you thinking about?Rob Bradley (18:10):Well, the CNN synonymous with video led journalism. Ultimately we're a video company that started on cable and is now in all these platforms that are ever expanding. But really we obviously want to continue and focus on that legacy if you like. So expanding our current subscription offering in the fall, as you guys say over there, autumn, as we say across the pond in the uk, essentially the launch of a new streaming product that's due ultimately in the US then but will soon be rolled out internationally as well. Providing a individual one stop place where audiences can access our journalism, our original programming, they can choose from live channels, catch up on features, a video on demand, and it'll be on all platforms from mobile apps, CTV and the.com websites. And it's going to be part of a new subscription, which is called CNN's All Access subscription.(19:01):So an example of embracing streaming video led alongside the other channels. And of course embracing the fact that our audience exists on mobile vertical video has been a huge investment for us. It's what consumers want, we understand their behavioral patterns. So we've basically grown our vertical video capabilities across our platforms and will be a key pillar as we continue. I also think it's about fostering direct relationships with audience, which is something that social does really well. Actually. We've already established some of these areas. Take Anderson Cooper's All there is podcast, which is fantastic, it's around grief, but literally has led to thousands of voice notes and interactions. Ranson himself so much that he built. And we built an online grief community, which essentially is where you can hear voices and other stories of people respond to comments and stories of their own grief and there's a really engaged community around that. And then of course podcasts and audio exists in audio, but more and more they're being recorded. And actually if you look at all areas podcast as well as the assignment of Cornish and Chasing Life of Doug, Sanjay Gupta, they're all video now as well and available there. So I think you're going to see news brands like seeing and leaning into this kind of personality led kind of opportunities as well.Ilyse Liffreing (20:18):Yeah, that's really exciting. The streaming space has exploded, obviously. And I'm curious how CNN All Access is going to differentiate itself enough or stand on its own in order to get those subscribers.Rob Bradley (20:38):Yeah, it's not necessarily a part I manage directly to be honest, to be honest with you, but I say CNN, it goes into another something we spoke about previously, which is around the history of the brand, the legacy of the brand, the power of a brand, right? No one can deny that CNN is a brand that doesn't touch all corners of the world and it's still highly, highly relevant. And it's funny, when you look at sometimes when you use the word a legacy brand or traditional media, it's almost used in some sort of negative connotation. Stay with me. You asked me a question, I'm going in a different direction. But sometimes it's used in this kind of negative connotation. But if you look at other areas like Luxury UMES or Rolex Legacy has a value. Auto Rolls Royce technology, I would say even like IBM or Apple, even their legacy is important because that brand stands for something as it does for CNN.(21:42):So those brands also innovate and make sure they're relevant for today. And I'd say streaming is just an example as well as podcasts as well as what we're doing. Launching the weather app is an example of CNN disrupting itself, making sure it's relevant today, but as well, not giving up on that legacy of who we are because that brand stands for something. So how are we going to stand out is having some of the best journalists in the world having one of the biggest brands in the world and making sure that what we do is authentic, fact-driven and trust base.Damian Fowler (22:15):That's great. So we've got a few quick questions here to hit you with to close this out. So alright. First off, what brand or publisher is doing something unexpected that you admire?Rob Bradley (22:30):Arnold Schwarzenegger's Pump Club. What love that You should have seen my comms team face when I said I was going to say that he's a yes. Firstly, I know this is an audio recording or a video recording, I'm not, if you can see me, I'm not someone that is a bodybuilder, but I do really, oh, I dunno. I do really like Arnold Sch and actually his pump club. I use it for the emailers, but there is a podcast as well. He is got an emailer, he's utilizing an ever-growing medium, let's say, from sending out email news. He uses his personal brand to form a relationship with an audience, his heritage in fitness, the rise of emails, as I said. And he shares really valuable information to a defined audience. It's really fact driven, it's really science driven today, which proves we do read it. He was reading, basically sharing a study on potassium and the benefits of increasing your potassium intake and how it can have on the heart. So he's got lots of links to real studies. The commercial model does mean he's trying to sell you a few things along the way as well. But I find it interesting and I think it's a great use of someone using all these tools that are available today to connect with an audience.Ilyse Liffreing (23:52):Yeah, that's a fun one. I like that.Rob Bradley (23:54):I love that there's oneDamian Fowler (23:54):Guy who knows how to connect to an audience. It's Arnie.Rob Bradley (23:57):Yeah. And do you know what? I saw him in New York last time I was there and he was sitting two meters away from me for at least two hours. And I didn't have the guts to say hello, but I was happy just being in Arnie's presence.Ilyse Liffreing (24:10):Yeah, amazing. If you could fast forward five years, what would you want CNN's digital presence to feel like to a 25-year-old?Rob Bradley (24:23):I mean, look super relevant, both from a personal point of view to also giving that individual information they need to know or should know about what's happening in the world. I think you don't want it too personal so that people are in their record chambers that say it should be video led. And of course it should be accessible on the platforms that that person wants. It should be ubiquitous, but it also should be predominantly on owned and operated platforms. It's important that we continue to invest in the core. And I know we spoke about social work, important to invest in the course, it should be owned and operated platforms that CNN has predominantly.Damian Fowler (24:59):And finally, late night breaking news alerts or morning deep dive newsletters. What's your personal preference or should we say news ritual?Rob Bradley (25:10):It sounds like a question as a news kind of person I should think about all the time, but I've realized, I go so deep in the mornings. I'm like within 15 minutes I've checked obviously CNN, but I've probably checked BBC, the Guardian New York Times. I check Fox News to see how they're approaching a story and then I'll go into podcasts on the way to work and then I'll probably check things like The Economist and things like that to go deeper as I've got more time. So I kind of utilize everything and I go pretty deep, but it probably tails off towards the end of the day. I think I've had enough by the evening, and that's more when I want to chill out of a glass of wine and watch a movie. I have some nice food.Damian Fowler (25:52):So, what was your what take, what was your big impression from that conversation with Rob?Ilyse Liffreing (25:59):Yeah, my big impression was really how, and this isn't surprising from CNN, but how they lead with storytelling when it comes to their managed brand campaigns. I love the example that he gave was Samsung who found when they managed their campaign across multiple digital touchpoints, they found that the audience 86% agreed that branded content told them something new about Samsung that they didn't know before. And that's really powerful when you're a brand like Samsung.Damian Fowler (26:34):Yeah, I thought that was very telling and I think even more the idea that CNN is really looking at and audience reaction, not just in terms of its own content, but in terms of the branded content. I thought that was also very interesting when we asked him about campaigns that have kind of caught them by surprise. And that idea that CNN International had launched a campaign that was targeted specifically a young affluent demographic in the city of London. But actually when they looked at the backend and looked at the measurement, it was hitting beyond London, outside of London to empty nesters whose kids had already left home, which was a surprising insight, but also allowed him to pivot the campaign to target that group. So I think the idea of audience strategy, being nimble with audience strategy and the fact that the digital frame allows a brand like CN International to be much more nimble right now. I guess that's an interesting takeaway for me.Ilyse Liffreing (27:39):Also, it helps that you have the breadth of data that a company like Warner Brothers Discovery does have across its multiple properties.Damian Fowler (27:51):And that's it for this edition of The Current Podcast.Ilyse Liffreing (27:54):This series is produced by Molten Hart. The Current Podcast theme is by Love and caliber. The Current team includes Kat Vesce and Sydney Cairns.Damian Fowler (28:03):And remember,Rob Bradley (28:03):If you look at other areas like Luxury UMES or Rolex Legacy has a value Auto Rolls-Royce technology. I would say even like IBM or Apple, even their legacy is important because that brand stands for something as it does for CNN.Damian Fowler (28:21):I'm DamianIlyse Liffreing (28:21):And I'm Ilyse, and we'll see you next time.

Het is 4 mei en ook in Vrije Geluiden staan we stil en herdenken we. Schrijver Max Velthuijs weet in zijn 'Kikker en het Vogeltje' het verdriet om de dood en de vreugde van het leven schitterend naast elkaar te laten bestaan en dat wordt versterkt door de muziek van het Tony Overwater Kwintet. Ook horen we 'a Survivor from Warsaw' van Arnold Schönberg en twee prachtige liedjes van Spinvis. En natuurlijk klinkt er ook een hoopvolle boodschap: Bill Evans' Peace Piece én Make Music not War van Stanley Sagov. Gedraaid deze uitzending: 1. Tony Overwater - Nightfall 2. Max Velthuijs / Tony Overwater Kwintet - Kikker en het Vogeltje 3. Schönberg - a Survivor from Warsaw 4. Spinvis - Zonder Naam 5. Spinvis & Maryana Golovchenko - Pid Yabloenkoju 6. Bill Evans / Kronos Quartet - Peace Piece 7. Stanley Sagov - Make Music, not War 8. Steve Reich - Different Trains

Wer hat sich alles bei den Komponisten der „Zweiten Wiener Schule“ – den Pionieren der modernen Kunstmusik im 20. Jahrhundert – bedient? Tatsächlich einige, hat Leonie Reineke herausgefunden. Anton Webern, Arnold Schönberg und Alban Berg waren durchaus beliebt bei den Musikern der späteren Jahrzehnte.

Im Berlin der 20er und frühen 30er Jahre war Hanns Eisler einer der führenden kreativen Künstler-Köpfe, auch später im amerikanischen Exil. Bekannt geblieben ist Eisler vor allem als Komponist der DDR-Nationalhymne, dabei haben ihn auch seine Lehrjahre bei Arnold Schönberg wesentlich geprägt. Jetzt hat der Pianist Steffen Schleiermacher eine Aufnahme mit Eislers Klavierwerken vorgelegt. Christoph Vratz stellt das neue Album vor.

Sergej Prokofjews Buffa hatte gestern im Theater an der Wien eine umjubelte Premiere. Das Publikum feiertedie Neuentdeckung einer heiteren Oper aus dem 20. Jahrhundert. Unser Opernexperte Richard Schmitz war dabei. Es gibt selten Opernabende von denen man nur positives berichten kann. Prokofjew hat nicht nur eine einfallsreiche Musik geschrieben, sondern auch den Text gemeinsam mit seiner späteren Frau Mira Mendelson geschrieben. Der Plot ist alt und bekannt: Vater will Tochter reich verheiraten; Tochter liebt armen Schlucker, Sohn trennt sich von seiner reichen Braut. Reicher Bräutigam wird mit Verkleidungen getäuscht; allgemeines Happy End. Da sich die Handlung im Milieu von einfachenFischhändlern abspielt, bietet die Bühne von Paolo Fantin neben ungezählten Türen auch viele Fische, manchmal auch einen raumbeherrschenden Fisch, der sich am Ende nur mehr als Skelett präsentiert; offenbar aufgegessen! Damiano Michieletto lässt die turbulente Commedia dell`arte-Handlung rasant ablaufen. Die beiden Bräute verbünden sich und düpieren nicht nur Vater und alten Bräutigam, sondern auch ihre zukünftigen Ehemänner. In der patriarchalischen Gesellschaft sind die Frauen, wenn sie sich einig sind, schon immer die Siegerinnen gewesen. Einevergnügliche Erkenntnis! Auch der reiche Alte, der empört davonstürmt, weil er keine Anstandsdame heiraten wollte, wird von seiner Frau sicher eingefangen werden. Eigentlich führt uns der Titel „Verlobung im Kloster“ in die Irre, denn die drei Paare werden von den schon recht betrunkenen Mönchen, die sich auch noch als Transvestiten gerieren, getraut und nicht bloß verlobt. Auch wenn es in diesem russisch-orthodoxen Koster hoch hergeht und mit Geld alles geregelt werden kann, bekreuzigen sich alle korrekt. Evgeny Akimov singt den Vater in all seinen Facetten und macht aus ihm eine sympathische Figur. Den getäuschten Fischhändler Mendoza gestaltet Valery Gilmanov mit komödiantischer Schläue. Stacey Alleaume als Tochter Luisa, Anna Goryachova als geliebte Clara, Petr Sokolov als Sohn Ferdinand und Vladimir Dmitruk als geliebter Antonio erfüllen ihre Aufgaben mit Hingabe. Die Duenna Elena Maximova ließ sich als indisponiert ansagen. Singt sie noch besser, wenn sie nicht verkühlt ist?Auch das ORF Radio-Symphonieorchester und der Arnold Schönberg Chor waren in Hochform. Der Dirigent Dmitry Matvienko sorgte für einen musikalischen Genuss. Das Publikum feierte alle, auch die Regie frenetisch. Es war ein großer Abend, bei dem man sich ohne Bedenken amüsieren konnte.

durée : 00:29:29 - Avec Jean-Pierre Collot - par : Philippe Venturini - "La France a timidement fêté les 150 ans de la naissance de Schoenberg, l'an passé, elle se rattrape grâce à la publication d'un ouvrage monumental, appelé à faire date, la traduction quasi intégrale des écrits d'Arnold Schoenberg. une folle entreprise de Jean-Pierre Collot" Philippe Venturini - réalisé par : Doria Zénine

Vilma von Webenau war die erste Schülerin von Arnold Schönberg und vielleicht eine Ururenkelin von Wolfgang Amadeus Mozart. Mehr als 100 Werke hat sie komponiert. Doch ihr Name stand lange in keinem Musiklexikon und über ihr Leben ist wenig bekannt. Struck-Schloen, Michael www.deutschlandfunk.de, Kalenderblatt

Arnold Schönberg (1874 - 1951) Gurre-Liederper soli, coro e orchestraTesto: Jens Peter Jacobsen Parte IIIErwacht, König Waldemars Mannen wert! (Waldemar)Deckel des Sarges klappert und klappt (Bauer)Gegrüßt, o König, an Gurre-Seestrand! (Waldemars Mannen)Mit Toves Stimme flüstert der Wald (Waldemar)Ein seltsamer Vogel ist so'n Aal (Klaus-Narr)Du strenger Richter droben (Waldemar)Der Hahn erhebt den Kopf zur Kraht (Waldemars Mannen)Des Sommerwindes wilde Jagd - Preludio orchestraleHerr Gänsefuß, Frau Gänsekraut (voce recitante)Seht die Sonne farbenfroh am Himmelssaum (Coro misto) Waldemar - Thomas MoserTove - Jane EaglenWaldtaube - Marjana LipovsekKlaus Narr - Kurt AzesbergerBauer - Franz GrundheberSprecher - Hans Hotter Orchestra - Gustav Mahler JugendorchesterChoir -  Arnold Schönberg Chor; Südfunk Chor Stuttgart; Slowakischer Philharmonischer Chor Claudio Abbado, direttore *****Arnold Schönberg (1874-1951) – Brettl Lieder (1901)I. Der genügsame Liebhaber II. Einfältiges III. Nachtwandler IV. Jedem das Seine V. Mahnung VI. Gigerlette VII. Galathea VIII. Aus dem "Spiegel von Arkadien"   Jessye Norman, sopranoJames Levine, piano

Arnold Schönberg (1874 - 1951) Gurre-Liederper soli, coro e orchestraTesto: Jens Peter Jacobsen  Parte I:Preludio orchestraleNun dämpft die Dämm'rung (Waldemar)O, wenn des Mondes Strahlen (Tove)Roß! Mein Roß! Was schleigst du so träg! (Waldemar)Sterne jubeln, das Meer, es leuchtet (Tove)So tanzen die Engel vor Gottes Thron nicht (Waldemar)Nun sag ich dir zum ersten Mal (Tove)Es ist Mitternachtszeit (Waldemar)Du sendest mir einen Liebesblick (Tove)Du wunderliche Tove! (Waldemar)Interludio orchestraleTauben von Gurre! (Stimme des Waldtaube)Parte II:Herrgott, weißt du, was du tatest (Waldemar) Waldemar - Thomas MoserTove - Jane EaglenWaldtaube - Marjana LipovsekKlaus Narr - Kurt AzesbergerBauer - Franz GrundheberSprecher - Hans Hotter Orchestra - Gustav Mahler JugendorchesterChoir -  Arnold Schönberg Chor; Südfunk Chor Stuttgart; Slowakischer Philharmonischer Chor Claudio Abbado, direttore

In ihrem Bekanntenkreis wimmelt es von Promis: Alban Berg, Arnold Schönberg, Alma Mahler, Alexander von Zemlinsky, Josef Labor. Sie selbst war in Wien eine berühmte Persönlichkeit ihrer Zeit. Am 15. Januar jährt sich zum 157. Mal ihr Geburtstag: Johanna Müller-Hermann, Pianistin, Komponistin und Professorin am Wiener Konservatorium. Warum es sich lohnt, sie und ihre Musik neu zu entdecken, berichtet Jane Höck.

Die Caster haben sich wieder zu dritt in den heiligen Hallen der Podcastschmiederei versammelt, um Robin in die Geheimnisse der Musiktheorie einzuführen. Sein Lernvorsatz für dieses Jahr lautet nämlich: Musiktheorie! Doch wie das oft so ist, hat er diesen Vorsatz bislang nicht so richtig verfolgt. Also wurde Robin kurzerhand ins kalte Wasser geworfen. Wenn es euch ähnlich geht, solltet ihr unbedingt in diese Folge hineinhören! Musiktheorie ist leider bei vielen Musikern ein eher vernachlässigtes Thema – dabei ist sie super spannend und extrem hilfreich. Schnappt euch also Zettel und Stift und versucht, die Aufgaben von Justin und Fabian zu lösen. Dieses Mal könnt ihr nämlich aktiv teilnehmen. Ein paar Notizen noch aus der Folge: Olafur Arnalds, unbedingt mal hineinhören, toller Komponist und Multiinstrumentalist: https://www.youtube.com/watch?v=Md2CtjOPrIU Paul Gilbert – Get out of my yard, beispielhaft fürs Album der Introsong: https://www.youtube.com/watch?v=rN4krB0YDxs Abi von Reininghaus - In Vivo Guitar: https://www.thomann.de/de/voggenreiter_in_vivo_guitar.htm Neue Jazz-Harmonielehre: https://www.schott-music.com/de/neue-jazz-harmonielehre-noc713222.html Sucht mal nach "Arnold Schönberg Harmonielehre" Viel Spaß beim Hören, Üben und Lernen "Thomann - Behind The Passion" findet ihr hier: https://www.youtube.com/watch?v=vpnNdijhyeY Und schaut auch gerne bei Justins Thomann Seite vorbei: https://thmn.to/thocf/7svw07q5gg Werdet Teil unserer kleinen familiären Community auf Discord, es lohnt sich! Über den nachfolgenden Link werdet Ihr an Discord weitergeleitet: https://tinyurl.com/letstalkguitar

Kort na de tweede wereldoorlog werd het ook in Oostenrijk duidelijk dat de muziek en de technische verworvenheden van de Tweede Weense school, dus van Arnold Schönberg en zijn leerlingen Anton Webern en Alban Berg, grote gevolgen hadden voor de nieuwe muziek. Dat is te horen in de werken van Gottfried von Einem en Erich […]

durée : 00:29:50 - Avec Philippe Albéra - par : Philippe Venturini - Arnold Schönberg (1874-1951) n'a jamais cessé d'écrire toute sa vie, depuis ses poèmes de jeunesse aux Psaumes de la fin. Beaucoup de ces textes sont restés inédits. Cette édition la plus complète à ce jour, réunit un ensemble d'écrits, le portrait d'un compositeur qui se voulait aussi écrivain. - réalisé par : Doria Zénine

durée : 01:06:08 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Françoise Malettra - Avec Max Deutsch (compositeur, chef d'orchestre et professeur) - Réalisation Jean-Claude Loiseau - réalisation : Massimo Bellini

durée : 01:08:05 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Françoise Malettra - Réalisation Jean-Claude Loiseau - réalisation : Massimo Bellini

durée : 01:05:21 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Françoise Malettra - Réalisation Jean-Claude Loiseau - réalisation : Massimo Bellini

Il chor dal radio BBC da l'Engalterra festivescha quest onn ses emprim tschientaner. Ensemen cun differents giasts han els dà in concert da giubileum plain variaziun. «Noss chors» preschenta ina schelta d'extracts da quest concert festiv. Tar ils «BBC Singers» sa tracti dal sulet chor professiunal da temp cumplain da l'Engalterra. Quest chor è ina da las sis furmaziuns da musica professiunalas dal radio BBC. Dal 1924 è la furmaziun vegnida fundada – là anc sco in chor ad hoc. Il program da lur concert da giubileum, ch'è vegnì mess ensemen da las commembras e dals commembers da la furmaziun, ha procurà per muments festivs a partir da l'emprim tun. Cun musica da Johann Sebastian Bach, Arnold Schönberg enfin tar litteratura dad Eric Whitacre porscha «Noss Chors» in'ura cun chant en las pli differentas colurs.

Egon Wellesz gehörte zu den bekanntesten Komponisten der 1920er Jahre: Im Wien um 1900 wird er zunächst von Mahler geprägt, später als Schüler von Arnold Schönberg, dessen erster Biograf er auch wird. Nach dem "Anschluss" Österreichs an Nazi-Deutschland 1938 emigriert der Sohn ungarischer Juden nach England und macht auch als Musikwissenschaftler Karriere. 50 Jahre nach seinem Tod wird er allerdings kaum mehr gespielt - BR-KLASSIK stellt ihn vor.

El escritor, editor y músico, Hedoi Etxarte, se ha quedado fascinado con este "Diario de Berlin" escrito por Arnold Schönberg. El traductor al español ha sido Roberto Bravo de la Varga. Lo ha editado Acantilado. ...

"Wie der Mensch von heute mit Gott streitet" - darüber wollte Arnold Schönberg bereits 1911 ein Oratorium schreiben und sollte es nie beenden. Mehr dazu von Yaltah Worlitzsch in der kurzen Werkeinführung für unterwegs. Nicht verpassen: Das Werk im Konzert unter der Leitung von Ingo Metzmacher am 9. November 2024 in der Elbphilharmonie Hamburg: https://www.ndr.de/orchester_chor/metzmacher172.html Schon gewusst? Zahlreiche Konzerte der NDR Ensembles finden Sie auf YouTube im Channel "NDR Klassik" oder in der ARD Mediathek. https://www.youtube.com/@NDRKlassik https://www.ardmediathek.de/kultur_klassik Abonnieren Sie "Klassik to Go" und finden Sie weitere spannende Angebote des NDR in der ARD Audiothek! https://www.ardaudiothek.de/sendung/klassik-to-go/10778959/

durée : 01:28:36 - Relax ! du mardi 29 octobre 2024 - par : Lionel Esparza - A l'occasion des 150 ans de la naissance d'Arnold Schönberg, ses écrits sont édités par Contrechamps et la Philharmonie de Paris. L'occasion de se pencher sur l'intimité d'un compositeur prolifique et passionnant.

durée : 01:28:36 - Relax ! du mardi 29 octobre 2024 - par : Lionel Esparza - A l'occasion des 150 ans de la naissance d'Arnold Schönberg, ses écrits sont édités par Contrechamps et la Philharmonie de Paris. L'occasion de se pencher sur l'intimité d'un compositeur prolifique et passionnant.

Kaks Grammy võitnud koori, Helsingi Kammerkoor ja Eesti Filharmoonia Kammerkoor, tähistavad koos galaga "2 Grammy koori" kuulsate klassikute Anton Bruckneri, Arnold Schönbergi ja Frank Martini aastapäevi nii Eestis kui Soomes.

Johannes Brahms hatte sein großes Vorbild Ludwig van Beethoven im Nacken, als er seinen sinfonischen Erstling konzipierte. Der Schaffensprozess dauerte rund 14 Jahre. Die Resonanz der Zeitgenossen war verhalten. Erst spätere Generationen erkannten den besonderen Reiz. Für Arnold Schönberg war Brahms der große Neuerer und Fortschrittliche im Bereich der musikalischen Sprache. Blind verkostet von Christine Lemke-Matwey, Kai Luehrs-Kaiser und Andreas Göbel. Moderiert von Christian Detig.

Avui escoltarem: "Gurrelieder" (Can

Avui escoltarem: Dues de les "Sis can

Una nave della marina militare italiana è in viaggio verso l'Albania con a bordo 16 persone migranti, che saranno portate nei centri di detenzione costruiti e gestiti dall'Italia. Con Annalisa Camilli, giornalista di Internazionale.Il 14 ottobre la Cina ha schierato aerei e navi da guerra intorno a Taiwan nell'ambito di un'esercitazione militare che ha presentato come un “serio avvertimento in risposta alle azioni delle forze indipendentiste” dell'isola. Con Lorenzo Lamperti, giornalista, da Taipei.Oggi parliamo anche di:Benin: “Industrializzare con le magliette“ di David Pillinghttps://www.internazionale.it/magazine/david-pilling/2024/10/10/industrializzare-con-le-maglietteDischi • Pierre Boulez dirige Arnold Schönberg, Sony ClassicalCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it o manda un vocale a +39 3347063050Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

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Avui escoltarem: Quatre can

Themen u.a.: Freie Szene protestiert gegen Kürzungen in der Kölner Kultur; zwei neue Alben zum Geburtstag von Arnold Schönberg; Privatsammlung von Kurator Kaspar König unter dem Hammer; Literatur-Tipp: "Outline" von Michèle Fischels; Moderation: Sebastian Wellendorf Von WDR 5.

Er war abergläubisch. Dass die 13 seine Unglückszahl war, davon war er fest überzeugt. Tatsächlich starb er ausgerechnet an einem Freitag, dem 13. - angeblich 13 Minuten vor Mitternacht. Die Zwölf hingegen machte ihn berühmt: Arnold Schönberg, Erfinder der Methode der Zwöfltonmusik. Schönberg war außerdem vielseitig handwerklich begabt. Er malte, bastelte und erfand nützliche wie unnütze Dinge, mit denen er Problemen des Komponistenlebens wie des ganz normalen Alltags entgegentreten wollte.

Arnold Schönberg beeinflusst die Musikgeschichte wie kaum ein anderer: Er revolutioniert mit der Zwölftontechnik die Musik und bewahrt zugleich traditionelle Strukturen.

Mitteleuropa bereitet sich auf Extremwetter vor, Bundesrat zum Unterschriftenskandal, Gotthard-Stau: Anwohnende leiden unter dem vielen Verkehr, 150. Geburtstag von Arnold Schönberg

Arnold Schönberg gilt als Begründer der Zweiten Wiener Schule und als einer der Väter der „Neuen Musik“. Dass er auf eine solche historische Bedeutung zusteuerte, war bereits zu Lebzeiten absehbar, weshalb auch die gehobene Hamburger Presse seinen 50. Geburtstag am 13. September 1924 zum Anlass ausführlicher Würdigungen nahm. Der österreichische Musikwissenschaftler Carl Johann Perl gratulierte im Hamburger Anzeiger, ließ den Werdegang des Jubilars Revue passieren – nicht ohne die zahlreichen Widerstände und Anfeindungen, denen Schönberg sich bis dahin ausgesetzt sah, zumindest anzudeuten – und plauderte ein wenig aus dem Nähkästchen persönlicher Gespräche. An Arnold Schönbergs heutigen 150. Geburtstag erinnert für uns Fran Riede.

Rowohlt, Axel www.deutschlandfunkkultur.de, Studio 9

Schönberg beeinflusst die Geschichte der Musik wie kaum ein anderer: Er revolutioniert mit der Zwölftontechnik die Musik und bewahrt zugleich traditionelle Strukturen. Von Michael Struck-Schloen.

Arnold Schönberg schrieb den Zyklus «Pierrot Lunaire» von März bis Mai 1912, pro Tag eine der insgesamt 21 Nummer. Die Schauspielerin und Sängerin Albertine Zehme hatte bei Schönberg einen Zyklus von Melodramen bestellt. Sie selbst war bekannt als Darstellerin grosser Frauenrollen, etwa von William Shakespeare oder Henrik Ibsen, ebenso als Sängerin von grossen Wagner-Partien. In dieser Doppelrolle interessierte sie sich natürlich für die Verbindung von gesprochenem Wort und Musik, eben des Melodrams. Einer Form, die damals sehr en vogue war. Schönberg schrieb eine Musik für Stimme und kleines Instrumentalensemble voller komplexer Strukturen und zugleich auch als «Ausdrucksmusik» verstanden. Einen «leichten, satirischen Ton» sollte das Ganze haben. In dieser Diskothek zum 150. Geburtstag von Arnold Schönberg sind die Sängerin Claudia Dieterle und der Musikwissenschaftler Anselm Gerhard zu Gast bei Benjamin Herzog.

Arnold Schönberg war extrem abergläubisch und fürchtete die Zahl 13. So schrieb er eben Zwölftonmusik. Schon das Wort lässt manchem das Blut in den Adern gefrieren. Doch Arnold Schönberg erschöpft sich keinesfalls in spröder Gehrinakrobatik. Davon zeugt der innere Reichtum seiner Variationen für Orchester op. 31 aus dem Jahr 1926. Von Michael Lohse.

Schönberg föddes för 150 år sedan och förblir den evige radikalen, ständigt missförstådd men också fascinerande. P2:s Johan Korssell undersöker den okuvliga viljekraften i Schönbergs liv och verk. Lyssna på alla avsnitt i Sveriges Radio Play. Schönbergs tolvtonsmusik är idag hundra år gammal men fortfarande avskräckande för många lyssnare. Plink plonk-musik i mångas öron, en musik tyngd av regler och teori som inte talar till känslorna. Men inget kan vara längre från sanningen, för trots den teoretiska snårskog som omger Schönberg är han i själ och hjärta en romantiker inriktad på största möjliga uttrycksfullhet.Arnold Schönberg var många saker: kompromisslös tonsättare, en målare som specialiserade sig på självporträtt, en hängiven lärare och en av förra århundradets mest inflytelserika och på samma gång kontroversiella musikaliska tänkare. Man kan jämföra Schönbergs betydelse för musiken med Einsteins betydelse för fysiken. Schönberg ersatte dur och moll med ett nytt system och öppnade för helt nya uttrycksmöjligheter.Tolvtonsmusikens uppfinnare led även av en livslång fobi mot talet 13...I dokumentären samtalar Johan Korssell med Schönbergs 92-åriga dotter Nuria Schoenberg-Nono, barnbarnet E. Randol Schoenberg och Ulrike Anton som är chef för Schönberg-centret i Wien. Vi pratar också med Schönberg-beundraren och P2-programledaren Firas Haki.En P2 dokumentär från 2024.

Un saludo queridos amigos y mecenas. Antes de tratar de la influyente obra de Max Weber vamos a hacer un alto y repasar a otros historicistas que profundizaron el relativismo modernista de Dilthey, tal es el caso de Windelband, Simmel o Spengler. Troeltsch y Meinecke representan un cierto esfuerzo por salir del túnel de tal relativismo dando una importancia objetiva a la religión. En cuanto a Spengler, nacionalista convencido, enemigo de las democracias liberales y admirador de Mussolini, nos habla de la incompatibilidad de las civilizaciones (a diferencia de las fantasías socialdemócratas de la alianza de civilizaciones de la que fue "embajador" el ex presidente español José Luis Rodríguez Zapatero). 📗ÍNDICE COMPLETO 0. Resumen y definiciones. 1. WINDELBAND Y SU DISTINCIÓN METODOLÓGICA (no metafísica). 2. RICKERT: LA RELACIÓN DE LOS VALORES DE LA CIVILIZACIÓN Y EL HECHO HISTÓRICO. 3. SIMMEL: EL HISTORIADOR ES EL JUEZ DE LA HISTORIA. 4. SPENGLER: SI CAE ALEMANIA, CAE OCCIDENTE. 5. TROELTSCH: LA OBJETIVIDAD DE LA RELIGIÓN. 6, MEINECKE: HAY QUE NEUTRALIZAR EL VENENO DEL HISTORICISMO. Aquí puedes escuchar la introducción al Neokantismo del XIX >>> https://go.ivoox.com/rf/128446079 Aquí puedes escuchar una introducción al historicismo alemán del XIX >>> https://go.ivoox.com/rf/129410137 🎼Música de la época: 📀 Tema inicial: concierto para violín op. 36 de Arnold Schönberg concluido en 1936, año del fallecimiento de Spengler. 📀 Tema final: Pennies From Heaven, banda sonora de la película de título homónimo y que fue nominada al óscar a la mejor canción original en 1936. 🎨Imagen: Oswald Spengler (29 de mayo de 1880-Múnich, 8 de mayo de 1936) fue un filósofo e historiador alemán. Es recordado principalmente por su obra La decadencia de Occidente (Der Untergang des Abendlandes). 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

durée : 01:01:16 - Les Nuits de France Culture - par : Albane Penaranda - En 1996, Christian Rosset propose pour l'émission "Euphonia" de France Culture une série de cinq épisodes sur les chemins contradictoires empruntés au fil des siècles par la musique et la poésie. Dans ce premier volet, Jean-Yves Bosseur analyse leurs rapports complexes dans la musique contemporaine. - invités : Jean-Yves Bosseur Compositeur et musicologue, directeur de recherches au CNRS

*Podporte podcast Dejiny v aplikácii Toldo na sme.sk/extradejiny a v súťaži Podcast roka 2024 na podcastroka.sk. „Nikde nebolo ľahšie byť Európanom,“ píše o Viedni na prelome storočí vo svojich slávnych memoároch Svet zajtrajška spisovateľ Štefan Zweig. Hlavné mesto monarchie podľa Zweiga, v tom čase jedného z najznámejších európskych spisovateľov, „harmonizovalo, všetky národné a jazykové protiklady a jej kultúra bola syntézou všetkých západných kultúr“. V aktuálnom podcaste sa na kultúrny život Viedne pozrieme trochu netradične: cez príbeh Hotela Sacher, hotela, ktorý bol jedným z centier spoločenského života mesta. Stretávali sa tu maliari Gustav Klimt, Egon Schiele či Oskar Kokoschka, spisovatelia Hugo von Hofmannsthal a Felix Salten či skladatelia Gustav Mahler a Arnold Schönberg. Ale takisto významní politici a štátnici. Možno príbeh Hotela Sacher a rodiny Sacherovcov vnímať ako mikrohistóriu Viedne a monarchie v turbulentných časoch na prelome storočí, v časoch prvej svetovej vojny a v predvečer tej druhej? Ako sa Hotel Sacher stal kultúrnym centrom Viedne? Čím žili kultúrne a ekonomické elity hlavného mesta? A akú úlohu v tom celom zohráva rodina Sacherovcov a ich slávna sacherka? Aj na tieto otázky budeme hľadať odpoveď v nasledujúcich minútach. Historička Agáta Šústová Drelová (Historický ústav SAV) sa zhovárala s Annou Fundárkovou, ktorá sa v Historickou ústave venuje výskumu aristokracie v ranom novoveku. Aktuálne sa venuje výskumu kráľovských metres, prostitúcie a šľachtických duelov v novovekom Uhorsku a spolu s Ingrid Halászovou a Martinou Viskupovou pripravuje knihu Zlatý vek Pállfyovcov v 18. storočí. – Ak máte pre nás spätnú väzbu, odkaz alebo nápad, napíšte nám na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jaroslav.valent@petitpress.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Všetky podcasty denníka SME nájdete na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj denný newsletter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/suhrnsme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Ďakujeme, že počúvate podcast Dejiny.See omnystudio.com/listener for privacy information.

Kein Gefühl wird enger mit Musik assoziiert als die Liebe. Kein Komponist wird öfter mit rational-emotionslosen Klangwelten assoziiert als Arnold Schönberg. Ein Vorurteil, wie sich in der gerade eröffneten Ausstellung des Wiener Schönberg Centers zeigt.

durée : 01:28:16 - En pistes ! du mercredi 03 avril 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Emilie et Rodolphe vous proposent une programmation haute en couleur, avec au menu : la musique de Gabriel Fauré, Fritz Kreisler, Claude Debussy, mais également celle de Franz Schubert, Jean-Sébastien Bach, Orlando di Lasso, Arnold Schönberg, sans oublier Gustav Mahler et Max Reger. En pistes !

Julia Viejo, autora de 'Mala Estrella' (Blackie Books) nos presenta su primera novela y a Vera, la protagonista, de 13 años, a la que la vida ha golpeado fuerte y que busca desesperadamente que la cuiden.Además, Use Lahoz nos descubre a Arnold Schönberg, nos asomaremos a 'La Valentía', la nueva ficción sonora de RNE -adaptación de una obra de Alfredo Sanzol- que se estrena hoy en La Casa Encendida y al Centro de fotografía KBR de Barcelona donde Consuelo Kanaga, figura clave de la fotografía contemporánea, protagoniza una gran exposición.Escuchar audio

Die Sparte Digitaltheater am Staatstheater Augsburg experimentiert schon länger mit Virtual Reality. Jetzt wurde Arnold Schönbergs Monodram "Erwartung" digital inszeniert und zu einem VR-Game entwickelt. Am 13. Februar feiert das Werk in dieser Version Weltpremiere in Wien.

Nicht nur mit der Entwicklung der Zwölfton-Musik schrieb Arnold Schönberg Musikgeschichte. Sein kompositorisches Schaffen ist so umfangreich wie vielfältig, und so kommt zum 150. Geburtstag des Komponisten das 500 Seiten starke Handbuch des "Metzler/Bärenreiter"-Verlags gerade recht.

Als Anwalt des Fortschritts in der Musik stand Arnold Schönberg für den Mut zur Abweichung von Konventionen. Der Schriftsteller Karl Kraus führte mit seiner Zeitschrift "Die Fackel" zur gleichen Zeit einen leidenschaftlichen Kampf gegen die Verlogenheit von Zeitungsphrasen und gegen Doppelmoral. Beide Künstler wurden 1874 in Wien geboren, wo man nun ihren 150. Geburtstag mit einer Doppelausstellung im Arnold-Schönberg-Center feiert, die die Beziehungen der beiden zueinander thematisiert. Robert Jungwirth mit den Details.

"Jeder ist bestechlich, nur die Höhe des Preises ist verschieden!", sagt das Sprichwort. Und auch Musiker machen da keine Ausnahme und erliegen der Verlockung des Geldes. Selbst wenn sie sich noch so sehr als Diener der heiligen Kunst verstehen! Und so ganz nebenbei, wer kann es sich heutzutage als Musiker schon leisten allzu wählerisch zu sein? Wenn der Magen knurrt, dann nützt aller Idealismus nichts! Mit einer Ausnahme: Arnold Schönberg. Er weigerte sich hartnäckig seine Kunst in den Dienst des schnöden Mammons zu stellen. Ob sich Arnold Schönberg allerdings immer ganz treu blieb ...?

In unserem heutigen ZOOM geht es um die Erfindung der Zwölftonmusik. Wer hatte die Idee? Arnold Schönberg natürlich! Wirklich? Damals, vor etwa 100 Jahren, gab es noch jemand anderen, der behauptete, die Zwölftonmusik erfunden zu haben. Einen etwas komischen Kauz: Josef Matthias Hauer. Und der hat sich dann mit Arnold Schönberg angelegt. Ein aussichtsloser Kampf? Wir werden sehen.