Podcasts about Godot

I chat with the popular game dev YouTuber DevDuck about his 5 year project, working completely alone in Godot.► Check out Xsolla► Follow DevDuck

Join Robert Ellsberg, publisher of Orbis Books, in this One On One interview with author David O'Toole, as they discuss Love Made Me An Inventor: The Story of Maggy Barankitse - Humanitarian, Genocide Survivor, Citizen without Borders.  They are joined by special guest Maggy Barankitse.On October 25, 1993, Maggy Barankitse buried seventy-two bodies in a mass grave on the grounds of the bishop's house in Burundi, a day after she was made to watch as they were murdered in a fit of ethnic violence. What happened next would save tens of thousands of children from death and despair during a protracted civil war.Love Made Me an Inventor is how Marguerite (Maggy) Barankitse describes how she has been able to accomplish her life-saving work. In this first-ever authorized biography in English, readers will encounter her extraordinary journey from survivor to founder of Maison Shalom and the name “Angel of Burundi.” Exiled to Rwanda, Maggy continues her extraordinary vocation. David Toole is Nannerl O. Keohane Director of the Kenan Institute for Ethics, Duke University, where he holds a joint appointment as associate professor of the practice of theology, ethics, and global health in the Duke Global Health Institute and Duke Divinity School. He is author of Waiting for Godot in Sarajevo and founder of Love's Inventions, a non-profit dedicated to spreading Maggy's message to the world and supporting her ongoing work in Africa. He and his wife, Nancy, live in Durham, NC.Get your copy today: https://maryknoll.link/2d2d33#MaggyBarankitse  #DavidOToole #RobertEllsberg #OrbisBooks #Rwanda

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week, we're descending into the mind-bending, minimalist sci-fi thriller that is Cube (1997). A cult favourite from Canadian director Vincenzo Natali, this low-budget psychological puzzle box is as disorienting and claustrophobic as it is thought-provoking.Cube begins in medias res: a group of strangers wakes up in a strange, sterile room with hatches on all six sides. Each door leads to another nearly identical room—some are safe, others are lethal traps. No one knows how or why they're there. The group includes a cop, a doctor, an escape artist, a math whiz, a paranoid conspiracy theorist, and an autistic man with extraordinary numerical abilities.What unfolds is part escape room, part social experiment, as they try to survive—and escape—the Cube.Cube is rich in metaphor and minimal in exposition. It avoids explaining who built the structure or why, focusing instead on how ordinary people behave under extreme pressure. As the group's dynamic shifts, alliances form and collapse, revealing how quickly fear and distrust take hold.The traps are inventive (acid spray, wire slicing, sound-activated death rooms), but the real tension comes from the breakdown of civility and the slow unravelling of each character's psyche. The cube itself becomes a symbol of bureaucracy, control, and the meaningless complexity of modern systems.And the maths—there's a lot of maths. Prime numbers, Cartesian coordinates, permutations. It's as if Saw, Waiting for Godot, and a high school algebra textbook all collided.

In this visionary episode of Best in Fest, host Leslie LaPage talks with Ian Hinden—Las Vegas-born musician, game designer, and immersive storyteller—about redefining how music, gaming, and social commentary collide. Ian dives into the creation of his interactive music video and video game hybrid, "Would You Call Him a Bad Man?", which is set to premiere at Dances With Films.He shares:How anime, alt-rock, and Red Hot Chili Peppers inspired his multimedia storytellingWhy he designed a satirical game to spotlight coercion, abuse, and corporate hypocrisyThe influence of streaming culture, indie game engines, and immersive fandomHow fashion, music, gaming, and storytelling are converging into a single artistic universeWhat creators need to know about Web interactivity, TikTok reach, and indie gaming tools like Godot and Itch.ioFrom philosophical critiques to Easter eggs hidden in mini-games, Ian's work challenges both industry norms and audience expectations. If you're interested in blending mediums, pushing boundaries, or making meaningful art that actually connects, this episode is for you.

Michael Fewkes is a technical sound designer and audio programmer. He's credited on over 50 games made in HomeTeam GameDev, and was the lead developer on several, including HomeTeam's first Godot project. Michael has edited this podcast (!) since 2021. Part 1 of 2. Music by Danny Baranowsky

Associate Professor Rick de Villiers from the University of the Free State speaks to Lester Kiewit about the first-ever sanctioned Afrikaans translation of Samuel Beckett’s Waiting for Godot. They discuss why it has taken over 70 years for this iconic play to be translated into Afrikaans and reflect on the significance of this milestone during Afrikaans’ 100th anniversary as an official language of South Africa. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Welcome to Dev Game Club, where this week we continue our series on walking simulators with 2012's Dear Esther, played here in a 2017 "Landmark Edition" but based on a 2007 Source mod for Half-Life 2. We of course set the game in its time, spend a fair amount of time on randomness and meaning, and open the cellar door. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: The whole shebang Issues covered: walking simulators, 2012 in games, a little history of The Chinese Room (the company), a little digression on The Chinese Room (the thought experiment), influences, developing in the mod community, the role of randomness, discovering the randomness, justifying the randomness, mod communities replaying games, not discussing games as you play them, writers having the same space to play, 30 seconds of depressing poetry, "cellar door," a quality of lovely phonemes, the facts we know and the things we might interpret, a dreamy narrative space, Tim reveals his baseball knowledge, a metaphor for grief and an otherworldly space, rebirth, a car accident setting vs a gurney setting, things you can miss, not a thing video games would do, appreciating a new design space, directors' commentaries, crematory urns, one of the props, the impact of the ultrasound, needing to relate to the characters, the potential for missing things. Games, people, and influences mentioned or discussed: Fez, The Stanley Parable, The Chinese Room, Dishonored, Halo 4, Diablo III, Kingdom Hearts 3D: Dream Drop Distance, Forza Horizon, New Super Mario Bros U, Far Cry 3, XCOM Enemy Unknown, Alan Wake's American Nightware, Hitman Absolution, Assassin's Creed 3, Max Payne 3, Mass Effect 3, Borderlands 2, Darksiders 2, Spec Ops: The Line, Dragon's Dogma, Fez, Journey, The Walking Dead, Hotline Miami, Spelunky, Papo y Yo, Bastion, Super Hexagon, Sumo Digital, Dan Pinchbeck, Jessica Curry, Rob Briscoe, Independent Games Festival, Korsakovia, Amnesia: A Machine for Pigs, Everyone's Gone to the Rapture, Unity, CryEngine, Little Orpheus, Still Wakes the Deep, Vampire: Bloodlines (series), Hardsuit Labs, Brian Mitsoda, John Searle, Alan Turing, William S. Burroughs, Nigel Carrington, Proteus, Halo, Drew Barrymore, Donnie Darko, Rogue Legacy 2, David Lynch, Lost Highway, Inland Empire, Laura Dern, Waiting for Godot, True West, Sam Shepard, Firewatch, LucasArts, 343 Games, Kevin Schmitt, Metal Gear, Death Stranding, Trespasser, Tacoma, Jedi Starfighter, Daron Stinnett, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: The Stanley Parable Twitch: timlongojr  Discord  DevGameClub@gmail.com 

Arturo MartoneQuann'uno aspett'a DodòSamuel Beckett Aspettando GodotCronopio Edizionihttp://www.shopcronopio.it/Anche se di traduzioni a stampa di Godot in napoletano non pare ce ne siano state sinora, c'era davvero bisogno di un ulteriore intervento traduttivo? La risposta è assolutamente no e assolutamente sì. Assolutamente no, perché il testo ha raggiunto una diffusione talmente capillare da poter essere considerato ormai translinguistico e transculturale, in linea con la fisionomia culturale del suo autore. Assolutamente sì, perché Beckett ha coltivato e dato prova di una competenza transculturale che sollecita al confronto con un testo ‘aperto' (cioè le presupposizioni culturali sono ridotte all'osso) le potenzialità di una lingua/dialetto come il napoletano, anch'esso virtualmente ‘aperto' ma quasi sempre resosi disponibile, di fatto, a un repertorio per così dire domestico, familiare, un repertorio da intra moenia che ha nondimeno attraversato confini e barriere culturali inimmaginabili per altre lingue/dialetti altrettanto domestici e familiari. Questa edizione di Aspettando Godot , con testo italiano a fronte, è ispirata liberamente alle lingue di partenza delle edizioni francese, inglese e italiana, e nasce dal tentativo di verificare le potenzialità espressive dei quattro personaggi della pièce (Pozzo, Lucky, Estragone e Vladimiro, qui chiamati rispettivamente Popó, Lulù, Gogó e Didì, mentre Godot diventa Dodó) e le trovate ‘filosofiche' delle tre lingue di partenza in quelle del napoletano.Arturo Martone ha insegnato per circa quarant'anni discipline filosofiche, prima all'università Federico II e poi all'Orientale di Napoli, occupandosi della filosofia fra XVIII e XX secolo e poi di filosofia del linguaggio e semiotica.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Es de la primerísimas salidas en público que los colaboradores londinenses de la Revista Perro Negro hacen colectivamente en la capital británica. ¿El motivo? Celebrar los primeros diez años de este magazín cultural, bilingüe, digital y gratuito. El sitio escogido fue el Speaker's Corner en el céntrico Hyde Park. Es una grabación de poco más de media in situ que captura el espíritu dionisíaco y un tanto anárquico de la ocasión así como el caracter bilingüe de la publicación, Los participantes fueron Claudia Jaramillo, co-fundadora de la revista quien envió desde Madrid el texto de los orígenes de la revista leído inicialmente. En orden de aparación en la grabación: Juan Toledo, Adam Feinstein (leyendo su propia traducción de dos poemas del poeta colombiano León de Greiff: Señora Muerte y Soneto), Mario Flecha con sus cuento El Trapecista, Enrique Zattara con dos sus poemas Godot y Autoretrato del poeta sin piano, el escritor peruano Gunter Silva leyendo un poema de Manuel Morales del famoso grupo Hora Cero y cierra el poeta y cuentista chileno Jorge Chartier con su poema El gigante cansado y su breve relato 37 horas de sueño. En la foto, de izquierda a derecha, Juan Toledo, Mario Flecha y Adam Feinstein.    

Apple officially provides support for the Apple Vision Pro on the Godot game engine. OpenAI is buying Jony Ive's product development company called io. Is YouTube the secret sauce for self-improvement? And Volvo will be the first automaker to integrate Google's Gemini AI chatbot into its automobiles. Starring Sarah Lane, Tom Merritt, Roger Chang, Joe. To read the show notes in a separate page click here! Support the show on Patreon by becoming a supporter!

Mike and Ting talk about Slay the Spire. Contact us: @lostlevelsclub or mike.and.ting@lostlevels.club Show Notes: What is Slay the Spire? Slay the Spire (YouTube) Slay the Spire Reviews - Metacritic Future of Giant Bomb website in doubt following prominent staff departures | VGC Giant Bomb Escapes Fandom, Goes Independent Game of the Year 2019: Day One Deliberations (YouTube) Slay the Spire - Northernlion Plays - Episode 1 (YouTube) Slay the Spire passes 1.5 million copies sold | VentureBeat Mechanics Exordium (YouTube) Dominion (card game) - Wikipedia Dream Quest on Steam Prismatic Shard | Slay the Spire Wiki Ascension | Slay the Spire Wiki Act 4 | Slay the Spire Wiki Downfall - A Slay the Spire Fan Expansion on Steam The Packmaster - Steam Workshop Experiences The City (YouTube) Burning Blood | Slay the Spire Wiki Body Slam | Slay the Spire Wiki Barricade | Slay the Spire Wiki Council of Ghosts | Slay the Spire Wiki Wraith Form | Slay the Spire Wiki | Fandom Vampires(?) | Slay the Spire Wiki Peace Pipe | Slay the Spire Wiki | Fandom Ah yes the classic bell curve meme : r/slaythespire How to win at Slay the Spire: The Basics | A0 Ironclad Ladder Run | Slay the Spire (YouTube) Fire Breathing | Slay the Spire Wiki Evolve | Slay the Spire Wiki Clash | Slay the Spire Wiki Anger | Slay the Spire Wiki Summary The Beyond (YouTube) Slay the Spire: Metrics Driven Design and Balance (YouTube) Slay the Spire: Success through Marketability (YouTube) How Slay the Spire's Original Interface Almost Killed the Game | War Stories | Ars Technica (YouTube) Monster Train Wildfrost Griftlands | Klei Entertainment LONESTAR - Thermite Games StarVaders Across the Obelisk - Paradox Interactive Slay the Spire 2 ditched Unity for open-source engine Godot after over 2 years of development | PC Gamer Slay the Spire 2 - Official Gameplay Trailer (YouTube)

Our exit today has us wandering through the streets of the city, rambling through the avenues of time. This week, we are discussing Just Visiting, written by Jean-Marie Poire, Christian Clavier and John Hughes and directed by Jean-Marie Poire. And this remake of the French hit might just be right up Tripp's alley.Along the way, we try to figure out why Christina Applegate wasn't a bigger movie star, debate French humor, and talk John Hughes, Chicago movies, time travel, Malcolm McDowell, and Waiting for Godot!Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

We're back from GA Conf, and we sure have some games to discuss. 00:00 - Intro 02:14 - Oblivion 10:40 - Laura tried the Switch 2 13:09 - Donkey Kong Bannanza 14:35 - Mario Kart World 16:20 - Drag X Drive 28:50 - Metro Prime 4 33:42 - Clair Obscure: Expedition 33 37:15 - 1000xRESIST 40:00 - PS5 audio boosts including voice boost 42:31 - Steam A11Y tags 52:00 - Microsoft increase price of XBOX but not Adaptive controller 52:48 - Godot 4.5 improves accessibility support 54:42 - Days Gone Remastered accessibility features detailed 58:41 - World of Warcraft introduces Rotation Assist with Single-Button Assistant 1:01:44 - Where to find us

Cultura em Pauta #948 05/05/2025

Die Themen: Al Pacino wird 85; Gerüchte über Fortsetzung von "Once Upon A Time In Hollywood"; Selfies mit dem toten Papst sorgen für Ärger; Täglich grüßt das Berliner Partytier; Zeitenwende für den Westen durch Trumps Politik; Heidi Reichinnek plant ein Hyänen-Tattoo; Hanya Yanagihara "Ein wenig Leben"; Pete Hegseths Style nennt man operator casual; "Warten auf Godot" am Berliner Ensemble und "Anstiftung zum Bürgerkrieg" von Claudius Seidl Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

This week the Buddies discuss what tells you the most about someone, weird replacements for teeth, statues of podcasters, and urinals without dividers. Share with a friend! Recommendations: Udemy Course "Create a Complete 2D Survivors Style Game in Godot 4" by Firebelly Games (tutorial), Brooklyn 99 (show), Horimiya (show), Your Friendly Neighborhood Spider-Man (show) Contact us: Facebook X Email Youtube

Have you ever wanted to play a turn-based city builder that's inspired by Luck be a Landlord and Islanders? That's drenched in a stylish cyberpunk aesthetic and boasts intricate tactical depth? One with a dark sense of humor and killer hip-hop inspired soundtrack? Well you're in luck! Josh's latest game, Neongarten, is releasing on April 22nd, 2025 on Steam! As is tradition, Bryan and Josh sat down to record a podcast about the game, its inspirations, and the process of creating it. Neongarten was a novel experience for Josh to develop for a variety of reasons, not least of which was working in 3d and a new engine, Godot. This time around Josh also partnered with Goblinz Publishing to take the game to the next level. With the initial prototype finishing up just ahead of the birth of his second child, Neongarten has been a game that's grown alongside his own family and alongside his own craft as a game developer. So listen in as Bryan interviews Josh about how he riffed, fixed, and remixed his way to creating the game he envisioned those many months ago, and check it out when it releases on April 22nd, 2025!Show Notes:Neongarten Steam PageGoblinz PublishingTinyMass GamesNeongarten's Composer, Joel Kent, is part of AudimusDex is the album that helped inspire the game

¿Te gusta Reload? Apóyanos en Patreon (https://www.patreon.com/anaitreload) para acceder a contenidos exclusivos, recibir los episodios dos días antes y hacer posible que sigamos adelante

Behrendt, Barbara www.deutschlandfunk.de, Kultur heute

fWotD Episode 2899: Dolly de Leon Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Saturday, 12 April 2025 is Dolly de Leon.Dolly Earnshaw de Leon (born April 12, 1969) is a Filipino actress. Known primarily for her work in independent films and theater, she has received numerous accolades, including a FAMAS Award, a Guldbagge Award, and a Los Angeles Film Critics Association Award, in addition to nominations for a Golden Globe Award and a BAFTA Award. British Vogue named her one of the 31 most famous stars in the world in 2023.After studying theater at the University of the Philippines Diliman, De Leon began acting on stage. Her earliest performances include local productions of The Merchant of Venice, Waiting for Godot, Old Times, and Medea. She made her film debut in Peque Gallaga's horror anthology Shake, Rattle & Roll III (1991) and was cast in small and uncredited roles throughout the 1990s and 2000s. De Leon made brief appearances in films and took on guest parts in television shows. Her breakthrough came in the crime drama Verdict (2019), for which she won a FAMAS Award for Best Supporting Actress. In 2021, she portrayed an aging sex worker in Lav Diaz's period drama History of Ha to positive reviews. She followed it with more assertive parts in Erik Matti's HBO television projects On the Job and Folklore.De Leon achieved international recognition and acclaim for starring as a toilet cleaner on a luxury yacht in Ruben Östlund's satirical black comedy Triangle of Sadness (2022), winning the Guldbagge Award and Los Angeles Film Critics Association Award for Best Supporting Performance. She received nominations for a Golden Globe Award and for a BAFTA Award for Best Supporting Actress, becoming the first Filipino to be nominated for the awards in any category. De Leon has since starred in the adult animated drama The Missing (2023)—for which she won a Cinemalaya Award for Best Supporting Actress—and the 2024 comedy dramas Between the Temples and Ghostlight. She is the co-founder of Ladies Who Launch, a social services group which supports disadvantaged communities.This recording reflects the Wikipedia text as of 00:58 UTC on Saturday, 12 April 2025.For the full current version of the article, see Dolly de Leon on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Ruth.

Mumot, André www.deutschlandfunkkultur.de, Fazit

Eine neue Folge und ein neues Format! Die Idee ist, Neuigkeiten aus der Game Dev Welt via Podcast in eure Öhrchen zu bringen. Dank Simons geheimen Trick, den er direkt am Anfang der Folge verrät, gibt es frische News, die man so vermutlich noch nicht mitbekommen hat. #InvestigativSimon

Leibold, Christoph www.deutschlandfunk.de, Kultur heute

Leibold, Christoph www.deutschlandfunkkultur.de, Fazit

This week access our inner craftsman and build some high quality stuffs..-Would you rather Bend your knees the wrong way using any method of your choice or eat just one bowl of poo soup, prepared using any method of your choice?-Product Mayhem-Would you rather build your own home or build your own car?Patreon.com/WouldYouRatherWithEricAndDave to access bonus episodes!

This show has been flagged as Explicit by the host. Interview with one of the "Redot Engine" founders, Andrew. Redot Engine is a fork of the famous free and open source project "Godot engine". NOTE: This is my first time interviewing someone for a podcast, so feel free to point out any improvements and critiques I can learn from. After an introduction about the reasons the project was created, we focus on other engines, on the videogame console situation, on a FOSS licensing debate, on Redot's future and on C language interoperability. Official links: Redot engine website Projects and links we've talked about: Redot: why we forked Defold engine Redot proposal for homebrew console support Sonic colors ultimate UPBGE: Fork of Blender game engine GPL vs LGPL license ABI Application Binary Interface proposal for defer operator in C; example of usage in GO Redot slogan: > "Your game, your rules" Provide feedback on this episode.

Die Entwicklung eines Spiels: Die Königsdisziplin des Software-Engineerings?Computerspiele sind für viele ITler der Einstieg. Sei es das Verlangen, auch mal ein Spiel zu programmieren, oder die frühe Erstellung von LUA-Skripten bei World of Warcraft oder auch nur die Programmierung der eigenen Clan-Website.Für Software-Engineers, die nicht in der Spieleindustrie gelandet sind, ist die Entwicklung von Spielen irgendwie etwas Spannendes. Wie erschafft man ein Level? Wie programmiert man, dass sich die Figur in diesem Level bewegen kann? Wie baut man eine Kollisionsdetektion? Das sind zumindest Fragen, die uns oft in den Sinn kommen. Doch Spieleentwicklung ist viel, viel mehr als nur die reine Programmierung. Man könnte sogar die Frage stellen: Ist die Entwicklung eines Spiels die Königsdisziplin des Software-Engineerings?Diese Frage versuchen wir in dieser Episode zu beantworten. Wir sprechen mit dem Spieleentwickler Dominic Pacher, der u.a. am Industrie-Giganten 4.0 mitgearbeitet hat. Wir klären mit ihm auf was es bei einem Spiel ankommt, welche Aufgaben eigentlich eine Game Engine bei der Entwicklung übernimmt, was eigentlich ein Game Loop und ein Vertical Slice ist, wie viel Arbeit in Texturen, Sound und Art-Design anfällt, welche Rolle Collider bei Physik-Engines spielen, wie Spiele getestet werden, welche Herausforderung es bei der Lokalisierung von Spielen und der Veröffentlichung in anderen Ländern gibt, welche Rolle eigentlich ein Game-Publisher hat, wie viel Spiele pro Tag auf Steam erscheinen und wie wichtig aber auch schwierig das Balancing der Spielmechanik ist, um das Spiel attraktiv zu halten.Natürlich sprechen wir auch über Game Engines wie Unity, Unreal oder Godot oder warum Spieleentwickler oft kein Git als Versionskontroll-Software nutzen.Unsere aktuellen Werbepartner findest du auf https://engineeringkiosk.dev/partnersDas schnelle Feedback zur Episode:

0:00 - Trump EO on DoE 12:51 - The Left's Tesla Takedown 32:36 - H.B. 2827 50:34 - National political reporter, Salena Zito: Democrats are cratering and waiting for Godot. Salena has a new book out this summer, July 8, Butler: The Untold Story of the Near Assassination of Donald Trump and the Fight for America’s Heartland 01:11:04 - What kind of world do you want? 01:30:04 - President of the Foundation for Defense of Democracies and foreign affairs columnist for The Washington Times, Clifford May: Trump’s Ukraine diplomacy faces Putin test. Keep updated with Cliff on X @CliffordDMay 01:47:24 - Best selling author Lionel Shriver asks, as we careen from one moral panic to another, Am I a culture war addict? Check out Lionel’s most recent book Mania: A Novel 02:01:52 - OPEN MIC FRIDAYSee omnystudio.com/listener for privacy information.

Ramon, creator of Raylib, joins us to discuss his journey from building an educational tool to establishing one of the most popular open-source game engines. As of February 2025, Raylib is the second most popular open-source game engine behind Godot, boasting 25,000 GitHub stars, 13,000 Discord community members, and over 8,000 subreddit members. Ramon has transitioned from lecturing and consulting to focusing on his paid tools built around Raylib.We discuss:How Raylib started as a teaching project to help art students learn programming through simple and intuitive function naming.The active community behind Raylib and how Ramon personally engages with new members, contributing to the project's growth.Why simplicity and not making assumptions about prior knowledge can create a strong foundation for both beginners and experienced developers.The benefits of using a low-level library like Raylib versus higher-level game engines like Unity, particularly for small indie games.Ramon's approach to managing his workload as a solo developer, emphasizing organization, automation, and using his own tools to build tools.His method of testing new tools by quickly launching them, observing market response, and iterating on the most successful ones.The importance of enjoying the process of building an open-source project rather than focusing solely on commercial success.This episode is brought to you by WorkOS. If you're thinking about selling to enterprise customers, WorkOS can help you add enterprise features like Single Sign On and audit logs. https://workos.com/Links:Raylib (https://www.raylib.com/)Cat and Onion game (https://store.steampowered.com/app/2781210/CAT__ONION/)Raylib GitHub (https://github.com/raysan5/raylib)Raylib Discord (https://discord.gg/raylib)Raylib Subreddit (https://www.reddit.com/r/raylib/)Ramon's Tools (https://raylibtech.com/tools/)

We're in Austin, Texas with all of the biggest stars at South by Southwest! Gal Godot opens up about her terrifying brain surgery. Is Millie Bobby Brown ready to play Britney Spears in her biopic? She says... Plus, we sit down with the iconic Lady Gaga.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Godot 4.4 is out and the gamedev community is very hyped about the release. Chip and Gimpy discuss their personal takes on the engines they prefer (unity/gamemaker studio 2) and talk about why they won't switch and what they would suggest for others to learn/teach.youtube available:https://youtu.be/hnhwY90-prM

Tenemos la impresión de que los crímenes novelescos siempre tienen que ocurrir en grandes ciudades, como Madrid, Barcelona, Nueva York, París, Los Ángeles… Y hay autores que se empeñan todos los años en quitarnos la razón, en hacernos ver que estamos equivocados. Segovia, con su Acueducto imponiendo su silueta majestuosa, parece la ciudad perfecto para pasear y ser feliz, una ciudad de esas que no dejan espacio para el mal. Pero Juan Carlos Galindo nos ha demostrado que en Segovia también se mata. Al menos, en sus novelas. La última es Muerte privada, en la que una pista reabre el caso de Leticia Santos, una chica desaparecida hace veinte años en los alrededores del Alcázar. Y se ponen a trabajar el periodista Jean Ezequiel y la detective Teresa Trajano. El libro viene de la mano de Salamandra. El proceso de escritura tiene mucho de alquimia. De mezclar unos materiales con otros, transformándolos en algo diferente, un algo diferente que nos proporciona muchas horas de placer. Álvaro Colomer es un profesional de la información cultural al que un puñado de autores de primer nivel le han confiado sus secretos. Aprende a escribir es un libro lleno de revelaciones, de esas intimidades de los escritores. Lo ha publicado Debate. Llevamos casi un siglo esperando a Godot gracias a Samuel Beckett, un irlandés que fue muy amigo de James Joyce, pero que no solo dedicó su vida a la escritura. Tuvo varias amantes: una de ellas, la multimillonaria Peggy Guggenheim. Repasamos su vida, la pública y la privada. Y entre las novedades que llegan a las librerías, el regreso de Bevilacqua y Chamorro, treinta años después de que llegaran a nuestras vidas por obra y gracias de Lorenzo Silva. Y hasta tenemos la visita del conde Drácula.

A packed news episode, with Tracy's analysis of the AI art copyright ruling decision and a discussion with Damien about his hit fan series, Heir to the Empire - the Star Wars story that everyone always wanted to see made.  Do comment on the discussion (on the YouTube channel or the Blog post).  The links are available in the show notes.0:45 Tracy is the first woman on Mars!!!2:38 RunwayML's third annual film festival – call for submissions now open4:20 Second Life evolves [again]7:00 Bloomsbury's video series: Richard Williams' Animation Series7:30 Projects: Gladiator II10:00 The Freeman Chronicles – a Half Life real life film!11:30 For Phil: a Tom Cook Elite Dangerous; for Damien: a Mandalorian cinematic made in Unreal; for Ricky, a Godot 4.3 cinematic12:40 The US AI art copyright ruling – what do you think?21:22 50 series release of NVIDIA's graphics cards23:19 An HL3 teaser?24:10 Hollywood Animal – The Movies as a business26:05 The TMU Tribute Show to Ken White26:55 Astartes 2, Warhammer official film28:40 Sims 1 and 2 re-released31:33 Rooster Teeth is back?!32:55 Tracy asks Damien about his Heir to the Empire hit fan series and what comes nextCredits -Speakers: Damien Valentine, Tracy HarwoodProducer: Damien ValentineEditor: Phil RiceMusic: Animo Domini Beats

Welcome to the second HOLE of SEASON TWO. Today's Holes: Improvised Shakespeare Waiting for Godot, Guffman, Lefty, etc. Unintentionally Scary Children's T.V. Shows BIT player Amber takes us on a journey that opens on Improvised Shakespeare and culminates with Twin Peak's pain and suffering symbol - creamed corn. Who knew? Flannery confesses her love for Beckett's Waiting for Godot, which triggers Luke to recall a Tempest performance with only three actors. This leads to a slightly morbid tale of Amber's grandmother saying goodbye from her hospice bed but then asking for a tuna fish sandwich. Finally, Luke tries to convey that the early muppets were very "weird," triggering Thea's memories of a dark and horrifying Norwegian children's T.V. show (Pompel og Pilt) where one puppet never finds the other and meets a broom.  This episode features many celebrity "sightings," including George Lucas, David Lynch, Dale Cooper*, Ross Bryant, Cookie Monster, Kermit the Frog, and the Bard himself! I can't give it all away here in the notes!  APOLOGIES: Creamed corn, the celebs listed above, Jim Henson and the Muppets (for at least the third time), Kyle Merritt MacLachlan (no relation), Chat Shows, Italy, Norway (sorry, Thea), The Nutcracker,  puppets, and Diabetes. As always, rabbitHOLE is unscripted and inspired by the CREW's real-life rabbit hole adventures. If you enjoy rabbitHOLE, follow, rate, and share it with your friends! DIRECTOR/CREATOR:  Billy Merritt EDITOR: Hill Kane CAST:  Dean Aisles Konrad Andrew Terry Armstrong Amber Bellsdale Luke Bovard Don Slovin Jason Spiro Lisa Steckman Thea Marie Thorkildsen Katya Vasilaky Flannery Wilson "rabbitHOLE" Improv is part of The BIT Comedy Network. Production Assistance, Audio Production, & Graphic Art by Hill Kane of Raising Kane Media + Marketing. MUSIC: "Shark Bait" performed by Little Kahunas | Produced by Peter Miller ©  Hosting Platform: Libsyn.com "The BIT" and "The BIT Comedy Network" are Trademarks owned by Billy Merritt ©2025 Billy Merritt - All Rights Reserved Inquiries + Notices + Requests: TheBitComedyNetwork@gmail.com

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Wishlist Cropolution on Steam!  Check us out on Youtube!   In this episode of The Indie Game Development Podcast, I'm focusing on helping those of you who are struggling with the technical side of game development. I'll guide you through the different options for coding in the major game engines like Unreal, Unity, and Godot, and share practical tips on how to start thinking like a programmer, no matter which engine you choose. By the end of the episode, you'll know exactly how to tackle coding and break down challenges into manageable steps!   Join our Discord Community!

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Während wir mit der, uns vorm Bildungsbürgertum schützenden, Gucci Sonnenbrille warten, denken wir laut: Über Kritikarschlöcher, Emslandtheken, Gartenlaubenphilosophen, das Thomas-Mann-Haus im Dschungel-Jürgen, und Butterbrote für alle. Ja, warten. Wir warten auf Godot. Den edlen Gaga-Gott ohne Mukke. Und irgendwie - nach dem Krieg ist vor dem Krieg, oder? Am Morgen Holocaustgedenkstunden, danach jubelnde Faschisten im Bundestag - Daily Business. Es scheint eher wie: Nie wieder: Nie wieder. Apropos: Wer Bücher in den Müll schmeißt, deportiert irgendwann auch Autoren. Eine tiefenpsychologische Analyse über einen Literatengollum.Executive Producer: Christoph Falke & Ruben Schulze-FröhlichProjektleitung: Annabell RühlemannSounddesign & Produktion: Carl von Gaisberg"Beisenherz und Polak – Friendly Fire“ ist ein Podcast aus den Wake Word Studios. Hosted on Acast. See acast.com/privacy for more information.

Artificial Intelligence fuels both enthusiasm and panic. Technologists are inclined to give their creations leeway, pretend they're animated beings, and consider them efficient. As users, we may complain when these technologies don't obey, or worry about their influence on our choices and our livelihoods. And yet, we also yearn for their convenience, see ourselves reflected in them, and treat them as something entirely new. But when we overestimate the automation of these tools, award-winning author Antonio A. Casilli argues, we fail to recognize how our fellow humans are essential to their efficiency. The danger is not that robots will take our jobs, but that humans will have to do theirs. In this bracing and powerful book, Antonia A. Casilli uses up-to-the-minute research to show how today's technologies, including AI, continue to exploit human labor—even ours. He connects the diverse activities of today's tech laborers: platform workers, like Uber drivers and Airbnb hosts; “micro workers,” including those performing atomized tasks like data entry on Amazon Mechanical Turk; and the rest of us, as we evaluate text or images to show we're not robots, react to Facebook posts, or approve or improve the output of generative AI. As Casilli shows us, algorithms, search engines, and voice assistants wouldn't function without unpaid or underpaid human contributions. Further, he warns that if we fail to recognize this human work, we risk a dark future for all human labor. Waiting for Robots: The Hired Hands of Automation (U Chicago Press, 2025) urges us to move beyond the simplistic notion that machines are intelligent and autonomous. As the proverbial Godot, robots are the bearers of a messianic promise that is always postponed. Instead of bringing prosperity for all, they discipline the workforce, so we don't dream of a world without drudgery and exploitation. Casilli's eye-opening book makes clear that most “automation” requires human labor—and likely always will—shedding new light on today's consequences and tomorrow's threats of failing to recognize and compensate the “click workers” of today. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about the negotiation that humans make between oneself, identification of place, and the attachment/s they have to those places. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social),Twitter (@ProfessorJohnst), or by email (johnstonmo@wmpenn.edu) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Artificial Intelligence fuels both enthusiasm and panic. Technologists are inclined to give their creations leeway, pretend they're animated beings, and consider them efficient. As users, we may complain when these technologies don't obey, or worry about their influence on our choices and our livelihoods. And yet, we also yearn for their convenience, see ourselves reflected in them, and treat them as something entirely new. But when we overestimate the automation of these tools, award-winning author Antonio A. Casilli argues, we fail to recognize how our fellow humans are essential to their efficiency. The danger is not that robots will take our jobs, but that humans will have to do theirs. In this bracing and powerful book, Antonia A. Casilli uses up-to-the-minute research to show how today's technologies, including AI, continue to exploit human labor—even ours. He connects the diverse activities of today's tech laborers: platform workers, like Uber drivers and Airbnb hosts; “micro workers,” including those performing atomized tasks like data entry on Amazon Mechanical Turk; and the rest of us, as we evaluate text or images to show we're not robots, react to Facebook posts, or approve or improve the output of generative AI. As Casilli shows us, algorithms, search engines, and voice assistants wouldn't function without unpaid or underpaid human contributions. Further, he warns that if we fail to recognize this human work, we risk a dark future for all human labor. Waiting for Robots: The Hired Hands of Automation (U Chicago Press, 2025) urges us to move beyond the simplistic notion that machines are intelligent and autonomous. As the proverbial Godot, robots are the bearers of a messianic promise that is always postponed. Instead of bringing prosperity for all, they discipline the workforce, so we don't dream of a world without drudgery and exploitation. Casilli's eye-opening book makes clear that most “automation” requires human labor—and likely always will—shedding new light on today's consequences and tomorrow's threats of failing to recognize and compensate the “click workers” of today. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about the negotiation that humans make between oneself, identification of place, and the attachment/s they have to those places. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social),Twitter (@ProfessorJohnst), or by email (johnstonmo@wmpenn.edu) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Artificial Intelligence fuels both enthusiasm and panic. Technologists are inclined to give their creations leeway, pretend they're animated beings, and consider them efficient. As users, we may complain when these technologies don't obey, or worry about their influence on our choices and our livelihoods. And yet, we also yearn for their convenience, see ourselves reflected in them, and treat them as something entirely new. But when we overestimate the automation of these tools, award-winning author Antonio A. Casilli argues, we fail to recognize how our fellow humans are essential to their efficiency. The danger is not that robots will take our jobs, but that humans will have to do theirs. In this bracing and powerful book, Antonia A. Casilli uses up-to-the-minute research to show how today's technologies, including AI, continue to exploit human labor—even ours. He connects the diverse activities of today's tech laborers: platform workers, like Uber drivers and Airbnb hosts; “micro workers,” including those performing atomized tasks like data entry on Amazon Mechanical Turk; and the rest of us, as we evaluate text or images to show we're not robots, react to Facebook posts, or approve or improve the output of generative AI. As Casilli shows us, algorithms, search engines, and voice assistants wouldn't function without unpaid or underpaid human contributions. Further, he warns that if we fail to recognize this human work, we risk a dark future for all human labor. Waiting for Robots: The Hired Hands of Automation (U Chicago Press, 2025) urges us to move beyond the simplistic notion that machines are intelligent and autonomous. As the proverbial Godot, robots are the bearers of a messianic promise that is always postponed. Instead of bringing prosperity for all, they discipline the workforce, so we don't dream of a world without drudgery and exploitation. Casilli's eye-opening book makes clear that most “automation” requires human labor—and likely always will—shedding new light on today's consequences and tomorrow's threats of failing to recognize and compensate the “click workers” of today. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about the negotiation that humans make between oneself, identification of place, and the attachment/s they have to those places. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social),Twitter (@ProfessorJohnst), or by email (johnstonmo@wmpenn.edu) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Join us for a thought-provoking conversation with Amber Massie-Blomfield, author of Acts of Resistance: The Power of Art to Create a Better World. This conversation, recorded in store, dives into the profound role art plays in times of crisis. Amber shares stories of artists who defied oppressive regimes, like Claude Cahun's surrealist resistance in Nazi-occupied Jersey and Susan Sontag's production of Waiting for Godot during the siege of Sarajevo. We explore how art inspires activism, questions societal norms, and fosters collective resilience. From daring theatrical productions to sunflower-lined streets, Amber reveals art's transformative potential to unite and inspire. Whether you're an artist, activist, or curious thinker, this episode challenges the notion that art is “just” entertainment and posits it as a force for meaningful change.Buy Acts of Resistance: https://www.shakespeareandcompany.com/books/acts-of-resistance*Amber Massie-Blomfield's first book, Twenty Theatres to See Before You Die, was published by Penned in the Margins in May 2018, and received the Society of Authors' Michael Meyer Award. Formerly executive director of internationally renowned theatre company Complicité, she has also worked as an arts producer with companies including Camden People's Theatre, Barbican, Actors Touring Company, tiata fahodzi, and English PEN. She lives in Brixton. Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

“You're in acting class and you're studying Chekov or ‘Waiting for Godot' -- and then you end up doing 80s tits-and-a**… You caught on pretty quick what it was about and where the power lay.” -- Actress Heather ThomasWhat was it like to be an 80s poster icon and sex symbol? Susan and Sharon welcome The Fall Guy star and “80s Poster Lady” Heather Thomas. She's an actor, writer and activist -- but may be best known for her “Pink Bikini” poster, one of the best-selling pin-up posters of all time. Heather Thomas had leading roles in television shows like BJ and the Bear, The Love Boat and TJ Hooker -- as well as the movie Zapped! with Scott Baio, Willie Aames and Felice Schachter. But her most famous role was playing stuntwoman Jody Banks on the hit 80s television series The Fall Guy. Running for five seasons on ABC, The Fall Guy spawned board games, posters, a video game -- and just last year, a major feature film starring Ryan Gosling and Emily Blunt -- and Heather Thomas! Since her days as a TV star and pin-up queen, Heather Thomas has gone on to an extraordinary career as a novelist, political activist, organizer and fund-raiser.  NOTE: This episode was recorded Dec. 2024, before the LA Fires. Our thoughts are with Heather and her family, and all those impacted by the fires. Stay safe. Be well. THE CONVERSATIONWORKING WITH MONKEYS: Clyde, the orangutan from Every Which Way But Loose, was her co-star once: “He thought it was funny to keep grabbing my boob. I thought he was gonna rip it off!” And a stint on BJ and the Bear led to producer Glen Larsen tapping her for the co-starring role in The Fall Guy. WORKING WITH TV PRODUCERS: “All of them are crazy. You're not gonna find any normal ones, not in those days. Everyone was nuts. And they still are.”"Smile more": Early on, the ABC network executives were afraid that Heather Thomas wasn't likable. So they put her in a bikini. “I guess that made up for me not smiling enough.” STUNT WORK: “Lee Majors almost broke my nose once.” "I was good on rollerskates!"In preparation for a Fall Guy episode, Heather trained with the Los Angeles Thunderbirds roller-derby team: “They showed me how to ‘break my back' on the rail -- it was really fun!”Ted Lange -- Isaac, the bartender on The Love Boat -- was one of Heather's favorite directors on the Fall Guy.A GOOD DIRECTOR: For Heather, it was someone who brought her into the filmmaking process. For Lee Majors -- it was anyone who got him home by 5:00pm! THE POSTER: Once the show was a hit, a poster was the next big step: “It outsold Farrah Fawcett. I bought a house. I was thrilled.”DIS-LIKENESS: Heather's image has been hi-jacked and used for everything from lighters, to puzzles, to notebook covers -- to a pillow!ON HAVING A FAMOUS BODY: “My body was my living. That's how I saw it.  So I had to feed it, exercise it -- I couldn't have an ounce of cellulite. It was part of the gig. But I didn't care, I was grateful. I was making more money than I ever had in my life. I was a kid.”ZAPPED! -- Teen sex comedy -- or sexual harassment?  “They tried to get me topless, but my contract said uh-uh!  So, they used a body double. There's a big disclaimer at the end of the movie saying that it's not my tits.”Activism: “Ever since they said, ‘You can't climb the tree, the boys can' -- I was a feminist.”So join Susan and Sharon -- and Heather -- as they talk fly-fishing, Star Wars, David Letterman,Teen Beat, Shaun Cassidy & Parker Stevenson, “Gabor-lore”, Cliff Robertson's toupeé, organizing your phone by decade, not complying in advance -- and canoeing with Henry Winkler!AUDIO-OGRAPHYFind Heather Thomas on Twitter at Twitter.com/HeatherThomasAF And find Heather Thomas on BlueSky at HeatherThomasAF.bsky.social Watch Heather Thomas in The Fall Guy on Peacock, Amazon Prime or Flixfling!Check DontGetPurged.org to make sure your name has not been purged from voter rolls!Find out more about CREW at CitizensForEthics.orgVITAL READINGGet Handbook for A Post-Roe America by Robin Marty at Bookshop.org.Check out Men In Dark Times by Hannah Ahrendt at Bookshop.org.Read Democracy Awakening by Heather Cox Richardson at Bookshop.org.You can also follow Richardson's substack.SUPPORT FOR THE LA FIRESOnline at DisasterAssistance.gov On the FEMA App for mobile devices or Call the FEMA Helpline at 1-800-621-3362Calls are accepted every day from 4 a.m. to 10 p.m. PST.More resources at Eaton Canyon Community Relief.Google List of LA County Resources. AIRBNB is offering temporary free housing for those displaced by the fires. Start here. PLACES TO VOLUNTEERGoogle Doc for Wednesday and ongoing.Volunteer with the Red Cross.TALK TO SOMEONEReach out to friends and family. Take care of yourself:Pro Bono Therapy for LA Wildfires - Google Doc. More mental health resources at LARevive.DONATINGMaster GoFundMe List for LA Fire Victims Google Doc.Displaced Black families in Altadena Google Doc. Gofundme pages for EATON CANYON COMMUNITY RELIEFCONNECTVisit 80sTVLadies.com for transcripts.Join the conversation at Facebook.com/80sTVLadies.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON. In Honor of President Carter and to learn more about his presidency: Get Susan's new play about him and his Crisis of Confidence speech: Confidence (and the Speech) at Broadway Licensing.

We invite Joanna May into the clubhouse to discuss serialization. We get ever so slightly closer to discovering what serialization even is with Joanna's help! We also have a little time to throw a little shade at Stephen's commenting style and brackets on their own line.ChickensoftTibo, artist of the Chickensoft mascot.Eating your own dog food (Dogfooding) - WikipediaLogic Blocks - WikipediaSerializationProgrammingToolsSerialization - WikipediaBinaryFormatter migration guide -  gewarren, jeffhandley, terrajobst, adamsitnik, Microsoft Learn@JsonSubTypes vs. Reflections for Polymorphic Deserialization in Jackson - Ovidiu Mihai Tacu, BaeldungWhat are the advantages of just-in-time compilation versus ahead-of-time compil… - Stack OverflowIntrospection -  jolexxa [Joanna], GitHubIL2CPP Overview - UnityMartha had mentioned unit tests (which Mark and Stephen still don't do) in a previous episode.“That wasn't the angle I was going for.”Chickensoft Development Philosophy - ChickensoftJoanna MayGuestJoanna May is the creator of Chickensoft, open source tools for Godot and C# as well as a grassroots community. External linkChickensoft

The Franklin Fire erupted on Monday night, and thousands of residents are under mandatory evacuation orders. The flames jumped PCH near Malibu Canyon Rd., threatening Malibu Pier. The murder of UnitedHealthcare CEO Brian Thompson has unleashed a nationwide fury against health insurance companies, with horror stories shared online of how companies have denied life-saving treatment or bankrupted families. Rainn Wilson says a central theme in “Waiting for Godot” is the danger of inaction. He explains the linguistic and physical challenges of his role, and the healing power of theater.  To the chagrin of parents with young children, the holiday season is another opportunity to accumulate more toys. They’re cheaper and easier to get, and American families are “drowning” in them. 

It's a meta-existential threat episode! Riker is an actor in a play written by Beverly Crusher, or is that Jonathan Frakes? Or is it the host of Beyond Belief: Fact or Fiction? This episode is written in such a delicious way, blending exposition and strange character behavior in a perception-annihilating frame of mind. I am shattered, like the fabric of reality poor Riker is experiencing, each time I watch it. Shades of One Flew Over the Cuckoo's Nest, Waiting for Godot, and The Matrix collide in a tour-de-force performance by Jonathan Frakes. Get in touch with us on BlueSky @ReEngageTNG.bsky.social!    Host: Jimmie G (@thejimmieg on IG & Twitter)  Panel: Kate Jaeger (@jaegerlicious on Twitter and IG), Greg Tito (Gregtito.com, @GregTito on Bluesky, @greg_tito on IG), and Erik Gratton (@erikfallsdown on Twitter & IG)  Audio Editor: Jimmie G (@thejimmieg on IG & Twitter)  Logo artwork: @mojojojo_97 on Twitter, mojo97.com Theme music: Ryan Marth   Next up is the s6e22 "Suspicions" hosted by Jimmie!

This week on The Treatment, Elvis welcomes Oscar-nominated actor Jude Law who is currently starring in the FBI thriller The Order. Then, actor Aasif Mandvi stops by to talk about starring in a new production of Samuel Beckett’s classic Waiting for Godot at the Geffen Playhouse. And on The Treat, actor and comedian Ilana Glazer talks about a “biblical” double album that she loves.  

This is an extended version of a programme first broadcast on Sunday 17 September 2023.Adrian Edmondson first shot to national fame in 1982, playing the studded punk Vyvyan in the TV sitcom The Young Ones, set in a seedy student flat. The cast largely came from the developing alternative comedy scene, and included Rik Mayall and Alexei Sayle. Adrian was born in Bradford in 1957. He spent time as a child in Cyprus, Bahrain and Uganda, following his father who worked as a teacher for the armed forces. He attended a boarding school in Yorkshire from the age of 11, where he often rebelled against its rules and restrictions, but enjoyed performing in school plays. He headed to Manchester University to study drama, where he soon met Rik Mayall. They bonded over their shared interests in comedy, double acts, violent slapstick and the plays of Samuel Beckett. It was the start of a long performing partnership and friendship, which included the anarchic TV comedy and long-running touring show Bottom and a production of Beckett's Waiting for Godot on the West End stage.Adrian has also worked widely as an actor and musician, including an acclaimed appearance as Scrooge for the RSC, and performances with the reunited Bonzo Dog Doo-Dah Band. Adrian married Jennifer Saunders in 1985, and they have three daughters.DISC ONE: Downtown - Petula Clark DISC TWO: A Song of the Weather - Flanders & Swann DISC THREE: Sugar, Sugar - The Archies DISC FOUR: On My Radio - The Selecter DISC FIVE: Jole Blon - Vin Bruce DISC SIX: Saturday Gigs - Mott the Hoople DISC SEVEN: I'm Bored - Bonzo Dog Doo Dah Band DISC EIGHT: Wide Open Spaces - The Chicks (formerly The Dixie Chicks)BOOK CHOICE: Waiting for Godot by Samuel Beckett LUXURY ITEM: A tab of acid CASTAWAY'S FAVOURITE: Wide Open Spaces - The Chicks Presenter Lauren Laverne Producer Sarah Taylor

Scott and Wes answer your burning questions! They cover everything from moving off create-react-app and the benefits of Next.js, to transitioning from junior to senior dev, working with QA teams, and even dive into game development with Godot. Show Notes 00:00 Welcome to Syntax! 00:31 DenverScript. 03:14 Brought to you by Sentry.io. 03:54 Question 1: Moving off create-react-app. Proposal: TC39 Import Attributes. HTML iframe srcdoc Attribute. 09:10 Question 2: Working together with QA teams. 13:46 Question 3: Benefits of React with Next.js Framework. Svelte Turnstile. Next.js Pages Router vs Next.js App Router. 17:38 Question 4: What are your real names? 19:22 Question 5: Thoughts on RTO and WFH. 27:50 Question 6: Where can I find you Sick Picks? Sick Picks. Sick Picks Scraper. 29:34 Question 7: From JR developer to SR developer. 31:41 Question 8: Godot and game development. Godot Engine. GDScript. Phind. 39:37 Question 9: Inherent advantage between Callbacks and Events. 44:44 Question 10: Transitioning to freelance with corporate experience. 49:44 Question 11: Dealing with negative feedback. 57:05 Sick Picks & Shameless Plugs. Sick Picks Scott: audiobookshelf, Plappa App. Wes: New Syntax Swag. Shameless Plugs Scott: Syntax on YouTube. Hit us up on Socials! Syntax: X Instagram Tiktok LinkedIn Threads Wes: X Instagram Tiktok LinkedIn Threads Scott: X Instagram Tiktok LinkedIn Threads Randy: X Instagram YouTube Threads