Podcasts about Godot

Track 03. Immortalist Chasing Dragons - EP Copyright © The Complex Collective 2025 [The Festival Project, Inc. ™] Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Track 02. Dishes In The Sink. Chasing Dragons - EP Copyright © The Complex Collective 2025 [The Festival Project, Inc. ™] Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Track 02. Dishes In The Sink. Chasing Dragons - EP Copyright © The Complex Collective 2025 [The Festival Project, Inc. ™] Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Allow me to reintroduce myself, My name is Doesn't Matter. I have a Dozen Donuts And you don't want to Talk About it But Talk About you must Who let out Cheshire?! Cheshire let out himself! It's Cheshire! Well, that's no comfort, we've lost the cat! Lost the cat, says hatter, and so then, at most—- You've lost the brunt whole of all the things you need to go home, dear Alice! Since when am I Alice? Whence before were you not? {Enter The Multiverse} These are not my songs. No? This is not my songbook. No? No! Something is wrong, You're corrupt, You don't belong here So abruptly stopped from having our design A convex, Nothing doesn't come at once, And sudden making nonsense, To talk and walk as if you've won, But you've been feeling lost since. Nothing ever works, Does it, When you don't want nothing But love And love is coming up from Bubbles in the tar pits Tar pits— That's what I thought of godless, So you miss your mark You want to strike the plaza with a rock, But looking one way, You haven't just a run long, You're surfing on your starving— Long and homeless Molly; Never was, and sugarcone and waffles? Hah, for sure to suffer. Stronger, furthermore I walked back, Paperplanes are airborne at the office— I'm all effect but brown and tender, Or suspenders Since impendium, I'm christening your Christians Listen, module one, I'm subtle after sunset I'm dealing her monster, Oh Mortimer, I lost your asphalt on the curb You're conscious? Unlawful. I'm consciousness, but deconstructed Unobstruct the conduct code— You wanted hosts, You bought them up. The bottle polish staring at your floor, As if it doesn't conjure up another lover As it does before Cause you don't even want that. Hahaha. Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Track 02. Dishes In The Sink. Chasing Dragons - EP Copyright © The Complex Collective 2025 [The Festival Project, Inc. ™] Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Track 03. Immortalist Chasing Dragons - EP Copyright © The Complex Collective 2025 [The Festival Project, Inc. ™] Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Allow me to reintroduce myself, My name is Doesn't Matter. I have a Dozen Donuts And you don't want to Talk About it But Talk About you must Who let out Cheshire?! Cheshire let out himself! It's Cheshire! Well, that's no comfort, we've lost the cat! Lost the cat, says hatter, and so then, at most—- You've lost the brunt whole of all the things you need to go home, dear Alice! Since when am I Alice? Whence before were you not? {Enter The Multiverse} These are not my songs. No? This is not my songbook. No? No! Something is wrong, You're corrupt, You don't belong here So abruptly stopped from having our design A convex, Nothing doesn't come at once, And sudden making nonsense, To talk and walk as if you've won, But you've been feeling lost since. Nothing ever works, Does it, When you don't want nothing But love And love is coming up from Bubbles in the tar pits Tar pits— That's what I thought of godless, So you miss your mark You want to strike the plaza with a rock, But looking one way, You haven't just a run long, You're surfing on your starving— Long and homeless Molly; Never was, and sugarcone and waffles? Hah, for sure to suffer. Stronger, furthermore I walked back, Paperplanes are airborne at the office— I'm all effect but brown and tender, Or suspenders Since impendium, I'm christening your Christians Listen, module one, I'm subtle after sunset I'm dealing her monster, Oh Mortimer, I lost your asphalt on the curb You're conscious? Unlawful. I'm consciousness, but deconstructed Unobstruct the conduct code— You wanted hosts, You bought them up. The bottle polish staring at your floor, As if it doesn't conjure up another lover As it does before Cause you don't even want that. Hahaha. Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Track 02. Dishes In The Sink. Chasing Dragons - EP Copyright © The Complex Collective 2025 [The Festival Project, Inc. ™] Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Track 03. Immortalist Chasing Dragons - EP Copyright © The Complex Collective 2025 [The Festival Project, Inc. ™] Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Track 02. Dishes In The Sink. Chasing Dragons - EP Copyright © The Complex Collective 2025 [The Festival Project, Inc. ™] Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Track 02. Dishes In The Sink. Chasing Dragons - EP Copyright © The Complex Collective 2025 [The Festival Project, Inc. ™] Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Allow me to reintroduce myself, My name is Doesn't Matter. I have a Dozen Donuts And you don't want to Talk About it But Talk About you must Who let out Cheshire?! Cheshire let out himself! It's Cheshire! Well, that's no comfort, we've lost the cat! Lost the cat, says hatter, and so then, at most—- You've lost the brunt whole of all the things you need to go home, dear Alice! Since when am I Alice? Whence before were you not? {Enter The Multiverse} These are not my songs. No? This is not my songbook. No? No! Something is wrong, You're corrupt, You don't belong here So abruptly stopped from having our design A convex, Nothing doesn't come at once, And sudden making nonsense, To talk and walk as if you've won, But you've been feeling lost since. Nothing ever works, Does it, When you don't want nothing But love And love is coming up from Bubbles in the tar pits Tar pits— That's what I thought of godless, So you miss your mark You want to strike the plaza with a rock, But looking one way, You haven't just a run long, You're surfing on your starving— Long and homeless Molly; Never was, and sugarcone and waffles? Hah, for sure to suffer. Stronger, furthermore I walked back, Paperplanes are airborne at the office— I'm all effect but brown and tender, Or suspenders Since impendium, I'm christening your Christians Listen, module one, I'm subtle after sunset I'm dealing her monster, Oh Mortimer, I lost your asphalt on the curb You're conscious? Unlawful. I'm consciousness, but deconstructed Unobstruct the conduct code— You wanted hosts, You bought them up. The bottle polish staring at your floor, As if it doesn't conjure up another lover As it does before Cause you don't even want that. Hahaha. Chasing Dragons EP is the wall-to-wall fragments of a broken mind, escaping narrowly through the void of darkness amidst destruction and chaos—a leaking neon mind seeping through the cracks of a desolate lack-of-being intuitively by the force of light. In a volatile palette of colors and swelter of subtle and shrill pinpoints that pierce through the veil of high ceilings, the drastic breathlessness of a place that is nowhere bows deeply below its own depths in the lows in the unknown sorrows of a seemingly bottomless spiral of a spirited death, and not long after calling in itself an awakening to that which is ‘other'. Chasing Dragons, though short in its articulate concept, is a mind on the brink of an eruption amidst betrayal and unending subconscious tragedy abruptly applied by unknown forces—at its core, a realization of the Godot factor in effect; an unjust seeking but never to find, and becoming of what is unfamiliar in form and taste. Chasing Dragons is the cat-and-mouse of large-scale calamity that is both knowing and needing—without satisfaction nor escape from the constructs which bound all material forces to life itself. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Actor Alex Winter may be best known as the Bill half of Bill and Ted -- and he's currently treading the boards with his counterpart from the Bill & Ted movies, Keanu Reeves, in a Broadway production of Waiting for Godot. But his body of work includes a ton of other films and tv shows, with roles both in front of and behind the camera. One project he co-wrote, co-directed, and starred in is the indelibly out-there 1993 comedy Freaked, which has just gotten a 4K UHD restoration and digital & BluRay release. Jordan and Alex talk about all that and more in this week's episode, along with the creative force that showed Alex both his way into Hollywood and his way through the work: silent comedy icon Buster Keaton, and in particular his films Sherlock, Jr. and The General.Then Jordan has one quick(ish) thing to say about what The Devil Wears Prada 2 needs to do if it wants her seal of cinematic approval. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

 Former U.S. Vice President and Nobel Peace Prize winner Al Gore joins Christiane to discuss the COP30 climate summit and U.S. politics. Then, Keanu Reeves and Alex Winter talk about their reunion, this time for a bold new Broadway production of “Waiting for Godot.” In the occupied West Bank, Israeli settler attacks on Palestinians have surged, CNN brings a special report from the ground. Plus, a taste of Ukrainian soft power as a London chef who once fought on the frontlines brings his country's culture to the table. And from Christiane's archive, Holocaust survivor and resistance fighter Selma van de Perre reflects on survival, courage, and the cost of defiance.   Air date: November 15, 2025   Guests: Al Gore Keanu Reeves & Alex Winter Eugene Korolev & Polina Sychova   Learn more about your ad choices. Visit podcastchoices.com/adchoices

A Trump administration housing official has referred Democratic Rep. Eric Swalwell of California to the Justice Department over allegations involving mortgage fraud, according to sources. Swalwell, who served as an impeachment manager in President Trump's first term, has denied any wrongdoing. Rep. Marjorie Taylor Greene speaks to "CBS Mornings" about the push to release the Epstein files. She was one of four Republicans that joined Democrats to secure a House vote on releasing all of the files and said "the government will not protect the predators." She added she believes President Trump "did nothing wrong." The president, who is mentioned in recently released emails between Epstein and others, has denied any wrongdoing. When a young Oklahoma mother is found murdered, a dogged detective launches a relentless search for the killer. "48 Hours"' Peter Van Sant reports. Alanis Morissette was 21 in 1996 when she won four Grammy Awards, including Album of the Year, for "Jagged Little Pill." Thirty years later, Morissette brought a new vulnerability to the stage during her recent residency in Las Vegas. CBS News' Vlad Duthiers has more. Lee Pace is starring in the new thriller, "The Running Man," which is based on a Stephen King novel. It takes place in a society in the near future where contestants participate in a reality game show and are hunted by professional assassins. Pace speaks to "CBS Mornings" about playing Evan McCone, the masked chief hunter in the group of assassins, and what inspires his love for acting. Keanu Reeves and Alex Winter, who starred together in the 1989 film "Bill and Ted's Excellent Adventure," are reuniting for the latest Broadway revival of "Waiting for Godot." The actors talk with "CBS Mornings" about the play and their decadeslong friendship. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Thousands of emails to and from Jeffery Epstein have been released by the House Oversight committee, exposing a web of connections to the disgraced businessman and convicted sex offender, who was found dead in his jail cell in 2019. Of course, all everyone wants to know about is how President Donald Trump is connected to it all. CNN Chief US National Affairs Correspondent Jeff Zeleny joins the show to discuss.  Also on today's show: Zack Polanski, Leader, The Green Party of England and Wales; actors Alex Winter & Keanu Reeves ("Waiting for Godot"); US House Democrat Jim Clyburn  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actors Keanu Reeves and Alex Winter, one-time co-stars in "Bill and Ted's Excellent Adventure," have reunited on stage in Jamie Lloyd's production of "Waiting for Godot" on Broadway. They discuss the show, which is running now through January 4.

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes Aaron Joel Craig (Same Boat Theatre) and Stephanie Hope Lawlor (Rooks Theatre) to discuss their co-production of Ibsen's A Doll's House in Hamilton. This episode explores: Reimagining A Doll's House as a story for 2025 audiences The intersection of feminism, capitalism, and personal freedom Building independent theatre in Hamilton's evolving arts scene The power of site-specific and intimate performance spaces Collaboration between Rooks Theatre and Same Boat Theatre Creating sustainability and opportunity for indie theatre artists How theatre can thrive outside major city centers Turning creative frustration into community impact Guests:

Natalie & Angela take NYC and spiral into a hilarious deep dive on Waiting for Godot starring Keanu Reeves & Alex Winter—complete with jazz shoes, confused art snobs, and one grandma turned Peter Jennings stalker

In this episode of “Half Hour”, we review the 2025 Broadway revival of Samuel Beckett's Waiting for Godot at the Hudson Theatre. The production features Keanu Reeves and Alex Winter, with direction by Jamie Lloyd. We discuss our initial impressions, the impact of casting choices, and the audience's response. Topics include stunt casting, design details, the play's themes of waiting and existentialism, and the importance of bringing classic works back to Broadway. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts with us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's episode covers another wave of React Native ecosystem updates — from Expo's new AI-native tools to faster storage, cross-framework experiments, and even a React Native + Godot integration.⚛️ React Native Radar:

Hi, everybody. George saw a Broadway play, witnessed the No Kings march in Manhattan, and stayed at a lousy hotel on Long Island. Kristin and Rich celebrated their anniversary. Rodney took the week off to watch his daughter's volleyball team play in the District Championship. Let's go! Thank you for listening. Connect with Meanwhile At The Podcast on social media. Don't forget to #livetweet (we're still calling it that)! Share the show, subscribe so you don't miss an episode, and rate us on your podcast apps. Those much coveted five stars are always appreciated. Stay safe out there. NOW ON BLUESKY @MeanwhileATP https://x.com/meanwhileatp https://www.meanwhileatthepodcast.libsyn.com Rodney (AKA Art Nerrd): https://x.com/artnerrd https://www.instagram.com/theartnerrd/ https://facebook.com/artnerrd https://shop.spreadshirt.com/artnerrd Kristin: https://www.facebook.com/kristing616 https://www.instagram.com/kristing616 Rich: https://x.com/doctorstaypuft

Tune in every Friday for more WOW Report.10) Hot Doc: Nothing is Lost @01:499) Hot Flick: Twinless @08:128) Hot Ticket: Waiting for Godot @11:267) Demi Lovato's It's Not That Deep @20:136) UFO Update: 3I/ATLAS @25:295) The Global Orb Pandemic! @29:054) Rest in Perfection: June Lockhart @34:323) Rest in Perfection: Bjorn Andresen @39:452) The WOW Report LIVE! @42:351) Hot Halloween Costumes @46:42

A jam-packed episode with three great interviews. First up, Paul Wontorek chats with the stars of Art on Broadway - Neil Patrick Harris, Bobby Canavale, and James Corden. Plus, we'll hear from Keanu Reeves and Alex Winter, reuniting in the revival of Waiting For Godot. And finally, Tamsen Fadal chats with The Lion King's new 'Scar', Gavin Lee.

Sarah and Alex meet up from opposite sides of the Atlantic to discuss the latest hot news in theatre including Chris Pine's casting in Ivanov at the Bridge Theatre, how Keanu Reeves and Alex Winter are landing on Broadway in Jamie Lloyd's Waiting for Godot and why the new stage production of The Hunger Games found itself in a lose-lose situation with its first preview Hosted on Acast. See acast.com/privacy for more information.

Tom Uren and Amberleigh Jack talk about how America can better use its private sector to scale up offensive cyber activities, including espionage and disruption operations. Involving it to tackle ransomware and cryptocurrency scammers makes a lot of sense. They also talk about how the ransomware ecosystem is splintering, and one operator's relatively quick journey from being an affiliate to a platform operator. This episode is also available on Youtube. Show notes From Chaos to Capability: Building the US Market for Offensive Cyber Devman's RaaS Launch

Welcome to Dev Game Club, where this week we continue our series on 2010's Deadly Premonition. We dig into the game further, particularly talking about how its open world works for us as opposed to the repetitive tasks of more modern open world games, among other topics. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Up past town meeting (Tim) and a little less (Brett) Issues covered: scheduling, porting games successfully and not, engine ports and working with engines, removing an easy mode, janky controls and performance, enemy entrances and support, enemies as stories, shadow origins, enemy animation, integrating the pickups to the combat, the baby, the doorknob and the puzzle clue, being lenient with the mechanics, York the jerk, an object playing double duty, phones as save points, door interacts and knowing the player will see something, playing on player expectation, the heart rate monitor, creating dread and drama, having to retread the level while being chased, meeting the killer, disempowerment, reach exceeding grasp, hand-crafted moments, the various technical elements, the expense of polishing all these mechanics, the appreciation of surprise vs the ur-game, seeing the production methodology in the games, the anti-production of the unknown, the diminishing effect of systematizing cultural specifics, fitting the narrative to the open world, interviewing suspects and moving forward the narrative, getting the Twin Peaks experience, knowing one can do things in the living town, the task system and knowing what chapters you can visit people in, getting to locations in open world games and time having stood still for the player, homage vs theft, picking our favorite trading cards, feeling like you're solving a crime, a crime that can play out multiple ways.  Games, people, and influences mentioned or discussed: Portal 2, Defeating Games for Charity, Nintendo Switch, Unreal, Unity, Godot, Halo (series), Republic Commando, Silent Hill (series), Alan Wake, Ico, Resident Evil (series), Hideo Kojima, Dark Souls, Metal Gear (series), Alien: Isolation, Twin Peaks, Final Fantasy IX, The Last Express, Beyond Good & Evil, Rockstar, Witness, Deadline, Infocom, Red Dead Redemption (series), Heavy Rain, Agatha Christie, Mousetrap, Batman, X-Files, Spelunky, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Bonus Portal 2 LIVE STREAM Defeating Games for Charity  Twitch: timlongojr and twinsunscorp YouTube Discord DevGameClub@gmail.com

In this final, super-sized episode of Stagecraft: Listen in on insightful conversations with Broadway's biggest talents, recorded during Variety's annual Business of Broadway breakfast presented by City National Bank. We've got Keanu Reeves and Alex Winter talking "Waiting for Godot"; Lea Michele, Aaron Tveit and Nicholas Christopher on "Chess"; Kristin Chenoweth, Stephen Schwartz, F. Murray Abraham, Lindsey Ferrentino and Michael Arden on "Queen of Versailles"; and John Clay III, Lear deBessonet, Caissie Levy and Brandon Uranowitz on "Ragtime."This is the final episode of Stagecraft as a regularly scheduled podcast, but host Gordon Cox will be contributing theater segments to Variety's daily news briefing, Daily Variety. And stay subscribed to this feed for occasional, standalone episodes of theater talk in the coming months. Learn more about your ad choices. Visit megaphone.fm/adchoices

When everything feels like it's unraveling, how do we know art still matters? In this episode, we explore the question: What use is art in a world on fire?Across movements, across generations—from Ella Baker's quiet revolution to Beckett's unexpected presence in a prison theater—this episode offers three simple, potent reminders of how art works in times of chaos: to notice, to connect, and to rebuild trust. Whether you're an artist, organizer, or simply someone searching for clarity, you'll find resonance in these stories.Discover how art helps us pay attention—to our world, our neighbors, and ourselves.Understand the power of creative trust—what happens when making becomes a shared act of listening.Explore how storytelling and performance can bridge divides, even behind bars or across ideologies.Press play to be reminded that in uncertain times, art doesn't just survive—it leads. Listen now and carry these three truths forward into your community.Notable Mentions:PeopleBill Cleveland: Host of Art Is Change and Director of the Center for the Study of Art and Community. (Learn more)Ella Baker: Civil rights activist whose words inspired Ella's Song. (Learn more)Bernice Johnson Reagon: Composer of Ella's Song and founder of Sweet Honey in the Rock. (Learn more)Judy Munson: Composer and sound designer for the podcast. (Learn more)Donald Trump: Referenced in the context of political polarization. (Learn more)Samuel Beckett: Playwright of Waiting for Godot; supported San Quentin production. (Learn more)Jan Jönson: Swedish director who brought Beckett's play to San Quentin. (Learn more)Jim Carlson: Prison arts advocate involved in the San Quentin project. (Learn more)Barney Rosset: Beckett's U.S. publisher. (Learn more)Donald James: Actor who played Vladimir in the San Quentin production. (Learn more)Reginald Wilson: Actor who played Estragon in the San Quentin production. (Learn more)Brian Boyd: Author of On the Origin of Stories. (Learn more)Voltaire: Philosopher often linked with the quote popularized by Spider-Man. (Learn more)Events & ProjectsWaiting for Godot at San Quentin: 1988 prison arts project with lifers performing...

The Notes: Will's in an Ogden Nash vibe today! Giving back to the community for the love of the game! Just playing the hits! Will's mother was a cello and his father was a French horn! The micropenis of the orchestral set! At knifepoint, Nelson would choose the oboe! Old-timey music lawyer! You'll never be Spicy Beef Gaus, you'll never even match him! Terrifying hypothetical final form! Like Galadriel with the one ring up in this! French philosophy and Spider-man! Humping a keyboard! As above, so below! Effecting Penetration! It's Will's new one-man play! The penetration is reminiscent of Godot! It's a metaphor! The implications were unclear and unsettling! The classic trope of the jungle lawyer! The venn diagram enters the jungle, as you will! You're in the jungle, baby! These wax wings become an anchor! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider, Amber Fraley, Nate Copt, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

Stephen Colbert gets caught up on the news he missed while The Late Show was on break, President Trump didn't win a Nobel Peace Prize but he did deploy National Guard troops to Oregon and Illinois, and mass layoffs at the C.D.C. could leave the U.S. vulnerable to infectious disease outbreaks. Lifelong Diane Keaton fan Stephen Colbert pays tribute to the acting legend with a look back at her hilarious 2012 appearance on “The Colbert Report.” Alex Winter and Keanu Reeves bonded over their shared love for motorcycles and bass guitars when they met during auditions for the 1989 classic film, “Bill & Ted's Excellent Adventure.” Catch them on Broadway in “Waiting for Godot,” playing now at the Hudson Theater. Tickets and more information are available at https://godotbroadway.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Talking cool, Bill and Ted on Broadway, life as a Robert Altman film, a great Guy, taking long-term parking to the extreme, some smart quotes, a great little film anchored by a solid Sean Young, and a visit to the recording studio. Stuff mentioned:  Bill and Ted's Excellent Adventure (1989), Samuel Beckett Waiting for Godot (1953), Waiting for Godot (Hudson Theatre, September 13, 2025-January 4, 2026), The Woman in Cabin 10 (2025), The Brutalist (2024), The Boost (1988), The Onion Field (1979), Vision Quest (1985), Malice (1993), Sea of Love (1989), Batman Returns (1992), Benjamin Stein Ludes: A Ballad of the of the Drug and the Dream (1982), Ferris Bueller's Day Off (1986), Days of Wine and Roses (1962), Cage the Elephant "Right Before My Eyes (2011), and Weezer "Do You Wanna Get High?" (2016).

Gratefully & Affectionately: Mary Lavin & The New Yorker - Waiting for Godot on Broadway - Obituary Series 2.

Bonjour Boners!Whatta wild week of strange adventures...bodega bulls@it, some old punk rock pics, who is Godot and more silliness than you can shoot outta a can.xoxo Jess#getwoodpodcast #funnypodcasts #genx

It's a classic of theater that continues to be taken on by top actors and still resonates with audiences. “Waiting for Godot” mixes despair and comedy to raise questions about the meaning of life. Now, Keanu Reeves and Alex Winter, two actors who are great friends, are doing their waiting on Broadway. Senior arts correspondent Jeffrey Brown has the story for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Hey Broadway Besties! Time for our weekly check-in on the Broadway News & Top Selling Shows! First up, Lindsey reviews Renee Elise Goldsberry's new documentary, Satisfied!In Broadway News:

Les, Kurt, and Jason recorded this episode on the day of the Full Supermoon which gives Kurt extra zing. He may have had a TON of zing back when his professor made him read Waiting for Godot (which would have been pure hell for Les). Plus, Blac Chyna speculates on possible career paths for daughter Dream despite the fact that she's already recorded her first single (but the music has to be IN you, not ON you). Then the guys get hitched to Hallmark's The Groomsmen Second Chances, the second of their (so far) really great trilogy.  There's even an Aunt Gert-coded character in Ophelia Papodapolis, and we'd rather watch Gert and Ophelia cliff jump than watch the rock climbing wall bachelor party.    Bluesky: lifetimeofhallmark Facebook : lifetimeofhallmark Instagram : lifetimeofhallmarkpodcast Threads: lifetimeofhallmarkpodcast TikTok: lifetimeofhallmarkpod Theme song generously donated by purple-planet.com  

“Be patient, then, brothers and sisters, until the Lord's coming…” (James 5:7) In this message, we explore what it means to live a Spirit-filled life marked by patience. Unlike love, joy, and peace—which feel refreshing and desirable—patience is often harder to embrace because it means waiting, enduring, and long-suffering. Drawing from James 5, the story of Waiting for Godot, and practical spiritual practices, we discover that patience is not passive but an active partnership with God. Patience teaches us to embrace suffering, resist distraction, and experience God's presence with us in the waiting. This sermon is part of our Cultivate series: The Fruit of a Spirit-Filled Life at Grace Chapel.

He’s all grown up, but actor and director Alex Winter has been performing since the age of 5. Even if you don’t know his name, you know his face and his work, best known for his role in the Bill and Ted franchise alongside Keanu Reeves. For the past 4 decades, Winter has managed to stay grounded, while constantly reinventing himself as an artist, all while raising a family. For anyone who wants to know, not just how to make it in their industry, but how to stay successful and fulfilled, you will want to hear every word of this conversation. And you can check him out in action for yourself on stage and on television. Winter has just returned to Broadway, reuniting with Keanu Reeves in “Waiting for Godot” and has a highly reviewed and hilarious dark comedy streaming right now, called “Adulthood.”See omnystudio.com/listener for privacy information.

He’s all grown up, but actor and director Alex Winter has been performing since the age of 5. Even if you don’t know his name, you know his face and his work, best known for his role in the Bill and Ted franchise alongside Keanu Reeves. For the past 4 decades, Winter has managed to stay grounded, while constantly reinventing himself as an artist, all while raising a family. For anyone who wants to know, not just how to make it in their industry, but how to stay successful and fulfilled, you will want to hear every word of this conversation. And you can check him out in action for yourself on stage and on television. Winter has just returned to Broadway, reuniting with Keanu Reeves in “Waiting for Godot” and has a highly reviewed and hilarious dark comedy streaming right now, called “Adulthood.”See omnystudio.com/listener for privacy information.

He’s all grown up, but actor and director Alex Winter has been performing since the age of 5. Even if you don’t know his name, you know his face and his work, best known for his role in the Bill and Ted franchise alongside Keanu Reeves. For the past 4 decades, Winter has managed to stay grounded, while constantly reinventing himself as an artist, all while raising a family. For anyone who wants to know, not just how to make it in their industry, but how to stay successful and fulfilled, you will want to hear every word of this conversation. And you can check him out in action for yourself on stage and on television. Winter has just returned to Broadway, reuniting with Keanu Reeves in “Waiting for Godot” and has a highly reviewed and hilarious dark comedy streaming right now, called “Adulthood.”See omnystudio.com/listener for privacy information.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I'm excited to share that a new Broadway Drumming 101 podcast episode with Larry Lelli will be re-released soon. I originally sat down with Larry back on December 16, 2021, and since then, his career has kept growing in remarkable ways.Larry isn't just a veteran Broadway drummer—he's now also a Broadway producer. He's gone on to co-produce Water for Elephants (opened March 21, 2024), Gutenberg! The Musical! (opened October 12, 2023), and most recently Waiting for Godot (opened September 28, 2025).Before stepping into producing, Larry built a career most musicians dream of. He's played drums and conducted for over 40 Broadway shows, including The Producers, Assassins, How To Succeed In Business, and Million Dollar Quartet. His list of collaborations is just as impressive—Melissa Etheridge, Josh Groban, Audra McDonald, Patti LuPone, Bernadette Peters, Nick Jonas, Vanessa Williams, Jerry Lee Lewis, and even the New York Philharmonic.Larry is also a clinician with Yamaha Drums and Sabian Cymbals, and you can currently catch him performing in the Tony Award-winning hit Come From Away.In our conversation, we dug into:* Growing up in the Midwest playing in baton and drum corps* Touring with country star Doug Stone after moving to Nashville* How a jazz cruise changed his life and led him to New York City* Why subbing for Michael Hinton on Miss Saigon was his big break* Learning from legends like Paul Gemignani* How he approaches learning an entire Broadway showLarry's story is a masterclass in building a long, versatile career in music—and now he's added producing to his list of achievements.Stay tuned for the re-release of this edited Broadway Drumming 101 episode. It's one you won't want to miss.https://www.larrylelli.comClayton Craddock is the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows like Rent, Motown, Evita, Avenue Q, and the Hadestown tour. He has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis. www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

He’s all grown up, but actor and director Alex Winter has been performing since the age of 5. Even if you don’t know his name, you know his face and his work, best known for his role in the Bill and Ted franchise alongside Keanu Reeves. For the past 4 decades, Winter has managed to stay grounded, while constantly reinventing himself as an artist, all while raising a family. For anyone who wants to know, not just how to make it in their industry, but how to stay successful and fulfilled, you will want to hear every word of this conversation. And you can check him out in action for yourself on stage and on television. Winter has just returned to Broadway, reuniting with Keanu Reeves in “Waiting for Godot” and has a highly reviewed and hilarious dark comedy streaming right now, called “Adulthood.”See omnystudio.com/listener for privacy information.

2:08:00 – Frank in New Jersey, plus the Other Side. Topics include: Dryer incident, Chinese Pepsi – Lemon Flavor bite the wax tadpole, Benson & Hedges 100’s Sweepstakes, town-wide garage sale, George Carlin on stuff, Waiting for Godot, Boba Fett, The Cover’s Progress, Peacemaker, Holly Hobbie Colorforms, The Rake’s Progress, Berlioz: Symphonie Fantastique, a network of versions […]

2:08:00 – Frank in New Jersey, plus the Other Side. Topics include: Dryer incident, Chinese Pepsi – Lemon Flavor bite the wax tadpole, Benson & Hedges 100’s Sweepstakes, town-wide garage sale, George Carlin on stuff, Waiting for Godot, Boba Fett, The Cover’s Progress, Peacemaker, Holly Hobbie Colorforms, The Rake’s Progress, Berlioz: Symphonie Fantastique, a network of versions […]

Keanu and Alex open ‘Godot’ on Broadway, Meg Donnelly to make Broadway debut, Alicia Keys and Jessica Vosk post-show performance Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt read more

Hosted by Jane Pauley. Featured: The friendship between the Unabomber's brother and one of his victims; Jennifer Lopez on “Kiss of the Spider Woman”; Keanu Reeves and Alex Winter on Broadway in “Waiting for Godot”; Eli Sharabi, who was held hostage by Hamas terrorists for 491 days; and the ‘60s British rock group The Zombies. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Cassette Beasts is a turn-based monster-battling RPG that lets players record creatures onto cassette tapes and transform into them during battle. The game was an indie hit, and is also one of the most successful games built with the open source Godot Engine. Jay Baylis and Tom Coxon are the creators of Cassette Beasts at The post Building an Indie Hit in Godot with Jay Baylis and Tom Coxon appeared first on Software Engineering Daily.

Joanna May returns to the clubhouse as a guest host! Your four nice hosts chat Tetris, knitting, and CSS, but also have a pair of actual topics to discuss...Mark's game Blippo+ is out NOW! Go buy it on Switch and Steam!0:13:36Role-playingComplete History Of The Soviet Union, Arranged To The Melody Of TetrisPig with the Face of a BoyYouTubeTetris (film) - Historical accuracyWikipedia0:35:27To Rebuild or Not to RebuildJoanna previously joined us as a guest to discussSerializationGodot 4.5 release notes - SDL3 gamepad inputGodotNoble EngineNoble RobotGitHubThe Slow Way Is the Fast WayMark SamplesJoanna and Mark debated a concept called "Utility-first CSS"A Year of Utility Classes (Pro)Michelle BarkerCSS { In Real Life }What is Utility-First CSS? (Anti)Heydon PickeringHeydonWorks