Podcasts about wnyc

After a stretch of extreme cold in recent weeks, about two dozen people have died across New York City, most found outdoors and others at private residences. WNYC reporters Karen Yi and Brittany Kriegstein break down what officials know so far, including how many deaths were directly linked to hypothermia and the cases that challenge common assumptions about who is most vulnerable.

Liam Quigley, reporter covering parks & sanitation for Gothamist and WNYC, talks about his investigation into NYC's tow truck industry, where he found unscrupulous practices that have consequences for street safety, insurance claims and more.

New Orleans is deep in Mardi Gras celebration ahead of Fat Tuesday on February 17. Broadway performer Julie Benko, whose stage work has been seen in 'Funny Girl' and 'Ragtime' shares music from her forthcoming album, Euphonic Gumbo, which celebrates the musical traditions of New Orleans. Benko and her band, including her husband, pianist and arranger Jason Yeager, perform live at WNYC ahead of the album's release on February 20, and their Mardi Gras Spectacular concert at Birdland on February 16.Photo by Kevin Alvey

A weekly news roundup with our reporter colleagues throughout the state. First, in early 2023, Rochester City Council purchased 15 self-contained heated and cooled units to be placed in the city's only sanctioned homeless encampment, Peace Village. But three years on, Peace Village is still vacant, and those shelters now sit in snow-covered storage at a city lot on Dewey Avenue. WXXI News' investigations and City Hall reporter Gino Fanelli explains why. Then, Lieutenant Governor Antonio Delgado ended his primary bid against Governor Kathy Hochul this week. WNYC's Jimmy Vielkind has the latest in the race for New York State's highest position. We end the week with a nod to Valentine's Day. CITY Magazine pop culture critic Johanna Lester joins us for a look at the staying power of romantic comedies, and we take a rom-com quiz! Our guests: Gino Fanelli, investigations and City Hall reporter for WXXI News Jimmy Vielkind, public media reporter at WNYC Johanna Lester, pop culture critic for CITY Magazine ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Starting on Friday, February 13, every other Friday will feature an arts & culture update from Gothamist's culture editor Matthew Schnipper. This week's topics include Mayor Mamdani's ongoing cultural references, curling clubs at Prospect Park and the “ultimate NYC sandwich,” the tuna melt.

Jimmy Vielkind, New York State issues reporter for WNYC and Gothamist, discusses Mayor Mamdani trip to Albany on Wednesday for "Tin Cup Day" to make his case to the legislature for more funding, including a millionaire's tax, for his agenda.

New York City is loud, expensive, crowded, and always changing, and the news often moves too fast to explain what that really means. NYC Now slows things down and focuses on the stories shaping daily life here, why it costs more to stay, who gets pushed to the edge, and how the systems New Yorkers rely on are starting to break. We also make room for the culture and neighborhoods that define this city. This show is for people trying to stay and for people deciding whether they can. NYC Now is not a quick hit. It is a clearer way to understand the city you live in, with new episodes three times a week.

Across New York City, a largely unregulated ghost fleet of tow trucks is growing after years of lax enforcement. Many of these unlicensed operators rush to crash scenes in the hopes of lucrative payouts, but also put consumers and pedestrians at risk. In this episode, WNYC's Liam Quigley explains how the towing system works and why the city has struggled to regain control. He also tells host Janae Pierre how to spot an unlicensed truck in case you find yourself needing a tow

New Yorkers are feeling the pinch as grocery prices climb and changes to SNAP eligibility rules loom. Janae talks to WNYC reporters Karen Yi and Joe Hong about their six-month project tracking food affordability across the five boroughs, and tips for stretching your dollar at checkout.

Ahead of Valentine's Day, we take a closer look at why dating in New York City feels uniquely challenging. Janae speaks with Erika Ettin, an NYC-based dating coach, who breaks down why dating in the city is unique, and what she recommends New Yorkers do differently. Also, WNYC arts and culture reporter Hannah Frishberg shares the best Valentine's Day activities for the lovers…and the haters.

Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous soul Celeste Headlee is an internationally recognized journalist and radio host, professional speaker and author of bestselling book We Need To Talk: How To Have Conversations That Matter, Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving, Speaking of Race: Why Everyone Needs to Talk About Racism and How to Do It, and You're Cute When You're Mad: Simple Steps for Confronting Sexism. Her TEDx Talk, 10 Ways to Have a Better Conversation, has been viewed over 34 million times. Close to 50,000 talks have been given at 10,000 events since the TED program launched in 2009, and Celeste's talk is one of the 10 most-watched talks posted on TED's homepage. In her 20-year career in public radio, Celeste has been the Executive Producer of On Second Thought at Georgia Public Broadcasting and anchored programs including Tell Me More, Talk of the Nation, Here and Now, All Things Considered, 1A, and Weekend Edition. She also served as co-host of the national morning news show, The Takeaway, from PRI and WNYC, and anchored presidential coverage in 2012 for PBS World Channel. Celeste is a regular guest host on NPR and American Public Media, serves as an advisory board member for ProCon.org and The Listen First Project, and received the 2019 Media Changemaker Award. She is the host of "Women Amplified," a podcast from the Conferences for Women, the largest network of women's conferences in the nation, drawing more than 50,000 people to its annual events. Celeste is also the president and CEO of Headway DEI, a non-profit that works to bring racial justice and equity to journalism and media through targeted training and interventions, and she serves on the board of the National Center for Race Amity. Celeste is the granddaughter of composer William Grant Still, known as the Dean of Black American Composers and she is a trained operatic soprano. She lives in the DC area with her rescue dog, Samus Aran.   On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete   Listen rate and review on Apple Podcasts Listen rate and review on Spotify Pete On Instagram Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on Twitter Pete Personal FB page Stand Up with Pete FB page

Mt conversation with Christopher begins at 32 minutes Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous soul Christopher Mathias is a journalist covering the far right. Previously a senior reporter at HuffPost, he's done work for MSNBC, Zeteo, and WNYC. His reporting chronicled the rapid radicalization of the GOP, and has helped unmask white supremacist cops, soldiers, teachers, and politicians. Mathias was a Deadline Awards finalist for feature writing. He lives in New York and goes by @LetsGoMathias on BlueSky and X. A searing, provocative investigation into the rise of white nationalist and neo-Nazi movements in the United States, centered on the anti-fascist groups working to expose and stop these hateful factions. Demonized as "extremist" by conservatives and liberals alike, "antifa" became a bogeyman during Donald Trump's first term. But few Americans understood the dangerous work antifa was doing to disrupt and unmask a new generation of white supremacists or listened when antifa sounded the alarm about these white supremacists taking positions of power. Now this underground network of militant anti-fascists is determined to stop the rising tide of fascism in America. No matter the cost. In the tradition of in-the-room investigative classics such as The Smartest Guys in the Room and Bad Blood, To Catch a Fascist follows different factions of antifascists as they work to unmask hateful extremists before they commit devastating acts of violence. With searing detail and exclusive reporting, To Catch a Fascist paints a vivid picture of the stakes in this ongoing, often unseen war between opposite ends of the political spectrum, highlighting the scrappy resourcefulness and resilience of anti-fascist movements against their increasingly violent adversaries. Utilizing razor-sharp storytelling and eye-opening insight, this timely and necessary book reveals the human cost, moral dilemmas, and unwavering determination involved in fighting white supremacy. Both a call to action and a pulse-raising look at the powerful work being done to combat today's gravest threat to democracy, To Catch a Fascist will inspire you to fight for your community. Listen rate and review on Apple Podcasts Listen rate and review on Spotify Pete On Instagram Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on Twitter Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Gift a Subscription https://www.patreon.com/PeteDominick/gift Send Pete $ Directly on Venmo

Zohran Mamdani, New York City mayor, talks about the latest news, including how the administration is protecting vulnerable New Yorkers from the cold, the budget gap and more city issues. Then, Elizabeth Kim, Gothamist and WNYC reporter, offers context and analysis of the mayor's interview.

How to Fix Boring Brand Podcasts If we're going to be perfectly honest, many branded podcasts are either boring or they sound just like a recycled commercial. To win the hearts and minds of your B2B target audience, you must move beyond generic corporate messaging and create high-quality content that addresses your listeners' needs. So how can brands produce engaging content that will resonate with their audiences, and what strategic role does B2B storytelling play?That's why we're talking to Jen Moss (Co-Founder and Chief Creative Officer, JAR Podcast Solutions), who shared her expertise and strategic insights on how to fix boring brand podcasts. During our conversation, Jen discussed the importance of creating engaging brand podcasts that build trust and loyalty. She explained why B2B podcasts should go beyond product promotion and focus on deeper stories and societal issues. Jen also highlighted the need for creative courage, proper planning, rigorous pre-production, and engagement with the audience. She advised against rushing into production without proper ideation and marketing budget. Jen also underscored the power of authentic B2B storytelling and cautioned against relying too heavily on AI for content creation. https://youtu.be/sVlsvotzFEE Topics discussed in episode: [02:22] The definition of a successful brand podcast: It shouldn’t just be a CEO talking about products, but rather a way to facilitate deeper conversations on industry issues.  [05:12] Why brands need “creative courage” to stand out in a saturated market, including experimenting with fiction or narrative formats.  [08:32] How to tell a good B2B story by focusing on “beats,” high stakes, and the transparent struggle rather than just the solution.  [17:28] The top pitfalls in podcasting: Failing to budget for marketing, ignoring audience analytics, and drop-off rates.  [29:25] A real-world example of how Genome BC used human storytelling to make complex scientific topics accessible and engaging.  [37:40] Why using AI purely for speed and volume is a mistake, and why the mission of podcasting should be connection, not efficiency. Companies and links mentioned: Jen Moss on LinkedIn  JAR Podcast Solution  Genome BC Bumper Ira Glass Cory Doctorow Nice Genes! Podcast Another Round Podcast Hot Ones Podcast Transcript Christian Klepp, Jen Moss Jen Moss  00:00 Podcasting, especially audio podcasting, I will say, is a sacred space between the ears. You are literally whispering in people’s ears if they don’t like what they’re hearing, if they start to feel like you’re shilling to them, they will yank out the earbuds and it’s game over for you. Christian Klepp  00:17 If we’re going to be perfectly honest, many brand podcasts are either boring or they just sound like a commercial. To win the hearts and minds of your target audience, you need to create content that serves your listeners and is something they actually want to hear. So how can you achieve that? And what role does B2B Marketing play in producing successful brand podcasts? Welcome to this episode of the B2B Marketers in the Mission podcast, and I’m your host, Christian Klepp, today I’ll be talking to Jen Moss, who will be answering that question. She is the Co-Founder and Chief Creative Officer of JAR Podcast Solutions, which helps create quality podcasts that earn trust. Tune in to find out more about what this B2B Marketers Mission is, okay, and I’m gonna say, Jen Moss, welcome to the show. Jen Moss  01:05 Thank you so much for having me. Christian Klepp  01:07 Great to have you on. We’ve had such a fantastic conversation before. I hit record. I probably should have recorded this earlier, but in any case, Jen Moss  01:14 Yes, if anyone needs any parenting tips, we got your back. Christian Klepp  01:18 Absolutely, absolutely that that book is coming out soon on Amazon. I’m just kidding, But Jen, really looking forward to this conversation, because, man, we are going to cover a topic which, you know, might rock the boat a little bit, but it’s all, you know, constructive, and you know, it’s all for the sake of growing in a positive way, right? Jen Moss  01:35 I think so, Christian Klepp  01:36 At least I like to think so. Jen Moss  01:38 That is the goal. Christian Klepp  01:39 Absolutely, absolutely, all right, so here it comes. So Jen, you’re on a mission to help brands craft story first, podcasts that earn trust, build loyalty and connect deeply with the audiences that matter most. So for today’s conversation, I’d like to zero in on the following topic. Here comes how to fix boring brand podcasts. I know we’ve got a ton to talk about, but let’s kick off this conversation with two questions, and I’m happy to repeat them. So what is it about brand podcasting that you wish more people understood? And number two is, where do most brand podcasts go wrong. Jen Moss  02:22 Okay, so those are both great questions, so that what is a branded podcast is probably a good place to start. A lot of people might think that it’s, you know, the CEO of a company talking about their products and services ad nauseam. And if you happen to want to buy those products and services, maybe you would listen to it, because you could get more information, like, kind of an informational, almost transactional thing. I think that’s what a lot of people imagine when they hear the words branded podcast. However, that there’s a lot more to branded podcasting than that, and a lot of the smarter sort of, I would say, savvy brands, the ones with kind of sophisticated marketing campaigns that are multifaceted, are looking at podcasting as a way to tell deeper stories, engage with conversations that are ongoing in society that really matter so, sort of a chance for the brand to show its stripes a little bit, and an opportunity to offer something to a target audience that is sort of like a kind of a gift. You know, like we’re going to give you something of value that you actually will benefit from or enjoy, learn something from, be emotionally moved by, you know, hear a good story, and it’ll be in an area that the brand cares about, that that kind of ticks the boxes in terms of, like, what are the brand’s values, but is not specifically, and this is very important, is not specifically related to the brand’s products and services, per se. So it’s more like, okay, the brand maybe exists in a certain wider industry, and there’s an issue in that industry that keeps coming up, or a new technology that’s affecting everything, something like that, something that needs to be talked about. And so they’ll, they’ll set out to kind of facilitate those kinds of conversations through their podcasts. And a branded podcast doesn’t need to be just a one on one interview. It could be, it could be a fiction podcast if you were feeling extra frisky and creative that day, you know, if you wanted to do something fun, like I had a conversation with a solar company not that long ago, and we actually pitched them a fiction podcast about a world powered by sun. And because we thought the opportunity for a solar panel company to sponsor a fiction podcast about a world powered by sun like sci-fi would be, would be exciting and different. Christian Klepp  05:11 How did that go? Jen Moss  05:12 Yeah, well, we didn’t end up getting that job because they didn’t have the creative courage to do it. And so this is, this is the kind of conversation that I’m always on with brands is like, have the creative courage to do something that’s a little out of the ordinary because there’s 500 million podcasts or whatever, so you’ve got to stand out. And so you’ve got to think about how to stand out, and one of the best ways to do that is to do something different that hasn’t been done before. For example, there is a great branded fiction podcast called Murder in HR, and it’s by an online HR platform company. And, you know, like, it’s just a scripted fiction true, true crime. It’s not really true because it’s scripted fiction podcast. But, you know, it’s kind of different and fun. So, so there’s stuff like that. There’s, you know what we would call narrative podcasting, which is a mixture of script and clip, where you’re kind of combining on scene recordings with interview tape, with narration, and kind of thoughtfully braiding all those things together, like an NPR (National Public Radio) storytelling experience or a CBC (Canadian Broadcasting Corporation) storytelling experience. So there’s all of that that can be part of branded podcasting, and so I just frankly think it’s kind of lazy when brands just decide that they’re going to talk about themselves indefinitely in a podcast. If I want to learn about a brand, I and buy something from them, I’ll go to their website. But if the brand wants to win hearts and minds and raise awareness and build trust and kind of operate on that deeper level to widen their impact. That’s where a podcast, and sponsoring a podcast, or getting behind the production of a podcast can really help. So that’s, I mean, I guess that kind of answers your second question, where do brands go wrong? And it’s usually with just doing the obvious, doing the thing that they think is the most direct route to a customer. And with podcasting, I try to remind people there is a difference between a customer and an audience. A customer is someone who already, at least wants to know more about your product and is thinking of buying maybe they’ve bought from you before. An audience may include those customers, but it may include other people as well who have a wider array of interests and are not yet, do not yet know that they need to buy a new pair of running shoes, but then the next time they need a new pair of running shoes, they may think of you because of that excellent podcast they listen to where you had all those celebrities on talking about the things that motivate them to push harder and go faster, right? So it’s just sort of, it’s a little bit of a roundabout way of winning customers by winning hearts and minds is how I would describe it. Christian Klepp  08:03 Yeah, winning hearts and minds. I like that. Now. That was a great way to open up this conversation. And thanks for sharing that I had two follow up questions for you. So let’s start with, you know, people loving to hear a good story, so let’s, let’s, let’s take a step back, because remember, the audience of this podcast. They’re mostly B2B Marketers. So from a B2B context, what would you how would you define what a good story is? Jen Moss  08:32 Yeah, that’s a great question. So I mean, a good story is told beat by beat, this happened, and then this happened, and then this happened. And here’s the lesson we took from it. Is one of the ways that it has been boiled down, I believe, by Ira Glass, you know, icon of podcasting. So I think you know thinking about even with B2B storytelling, if you’re telling a story that’s based in your industry, and you’re trying to position yourselves as thought leaders in that space. And let’s say you’re interviewing someone who is another company that sells a particular product, and you’re talking to them about a case study, instead of saying, like, what is the product and how does it work, try saying, tell us a story about a problem that someone was having. Start with the stakes, like, what would have happened if they didn’t solve that problem, what was at stake, then build to like how that problem got solved, and perhaps the product or service was involved, right, right? But build to how the problem was solved, so that there’s a bit of an arc from A to B to C to D, so that you start with a problem, work towards a solution. And and make sure to take the time to identify the stakes, like, what would have happened if it didn’t work. Where did it go wrong along the way? Where were the points where you thought, this is not going to work worse? We’re we’re hooped, you know, make sure that when you are telling stories, you’re actually telling the whole story, not just the win, not like we solved it this way, this way and this way. And aren’t we great? Nobody cares. That’s just bragging, and it comes across very badly in podcasting, podcasting, especially audio podcasting, I will say, is a sacred space between the ears. You are literally whispering in people’s ears. If they don’t like what they’re hearing, if they start to feel like you’re shilling to them, they will yank out the earbuds and it’s game over for you, right? They’ll go look at something else or go walk their dog, right? So you really have to just really focus in on the beat by beat. How are you going to hold attention throughout? You can also use sound design to support the tension arc of the story. And don’t be afraid to show the tough stuff, the hard stuff, the stuff that didn’t work, the stuff that even makes you look a bit foolish. We tried this as a brand. It didn’t work. We failed, but what we learned from that was this, right, if you can be a little bit transparent and a little bit more real, you will win hearts and minds, like I said, and if you want, if you can’t do that, people have a nose for BS, and they will smell it, and they will not take you as seriously. So it’s like a sacred duty to tell the truth, which is, which is challenging in a branded space where it’s all about spin and messaging and stuff like that. But the more you can do that, the more credible your content will be. Christian Klepp  11:56 Absolutely, absolutely. Yeah, on that topic, the ones I love the most, of the guys that say, like, you know, I, um, I lost my job and I moved to my parents basement, and now I’m making multiple six figures, all within the span of 12 months. Jen Moss  12:10 I mean, amazing, amazing. Not true, but also, at least they understand the tension arc. Christian Klepp  12:17 Yes, that’s certainly one way of looking at it, yeah, second follow up question. And I love this, like, creative courage, right? Jen Moss  12:28 Yeah. Christian Klepp  12:29 Not many people have it, if we’re going to be perfectly honest, right? Jen Moss  12:32 Yeah, I’m realizing that. I’m realizing that the older I get, the more I realize how rare it actually is creative courage. Yeah. Christian Klepp  12:40 Here’s the thing, like, Why do you think that that’s so prevalent, even in in the podcast space? Is it because it’s it because it’s it’s the unknown that people are worried about, like, what if it doesn’t work? Jen Moss  12:50 Yeah, if you think about podcasting, especially in a branded space, but really in any space, yeah, it’s a vulnerable act. You’re putting yourself out there, you’re putting your brand out there, you’re putting your stories out there, you’re putting your company out there. You’re putting, in some cases, your job on the line, right, by spending budget on this thing, right? So the so the stakes are real for the people involved, and it’s tricky, because striving for perfection right out of the gate is possibly a mistake. I think that podcasting has always been kind of an organic form where it evolves over time. You’ve got to study the audience data and see whether what you’re doing is actually resonating with your audience, and if it’s not, you’ve got to be prepared to pivot and change and adapt the storytelling, the timing, the pacing, the music, all of those things have to be a little bit up for grabs if the audience isn’t resonating. So I do think, I do think there’s that to consider, yeah. Christian Klepp  13:53 And I suppose people’s tastes very right, like, what people find is creative is very can be very subjective. Jen Moss  14:01 The creative bravery thing is tricky because of all the reasons I listed, but also because you’re right. It means different things to different people, like for a bank or some sort of finance institution or a pharma company in a very heavily regulated industry, to be like creatively brave in their storytelling is pretty difficult. It’s been, it’s been compared to putting up a tent in the rain, right? Trying to be creative in a corporate environment, putting up a tent in the rain with your spouse is one way to think about Christian Klepp  14:34 Putting up a tent in the rain with your spouse. And there’s a T-Rex sitting… Jen Moss  14:38 Graded by a bunch of Russian judges, yeah. Christian Klepp  14:42 Absolutely. Jen Moss  14:43 Yeah. It’s tricky, and so to maintain the principles of creativity within that environment is hard. So the principles of creativity include brainstorming, ideation, adaptation, experimentation, so trial and trial and error a little bit, and eventually, you through that process, that iterative process, you arrive at a really great finished work of art, hopefully. But those people who have not been through the creative process and trusted a bunch of you know flaky writers with their with their goals before, and I say that as a flaky writer, it’s it can be hard to trust the creative process if you’re not used to going through it. So if you are working in an industry where everything is about quarterly planning, everything is planned down to the minutia. List, list, list, bullet point, bullet point, bullet point, check, check, check, box. And then somebody’s coming in and saying, Well, what about if we explored this? And let’s discuss, Let’s hypothetically explore this topic. You know, there are personality types out there, and a lot of them are working in corporate jobs who are just like, No, I don’t know how to do that. I don’t trust it, and it totally freaks me out. So that kind of I would call it, like floating the creative balloon and batting it around for a while before you make a decision. Trying to create room for that process to happen before you launch your podcast is quite important, and giving proper space and time to that creative process is something that I think the more corporate and kind of button down podcasting becomes, the more I’m seeing that we have to fight that, because we have to be accountable with our timelines. We have to be accountable with our messaging. We have to be accountable with all this stuff. So that’s all very important. Brand safety matters. But if you don’t allow space for that creative ideation phase, and I would, I would argue, frankly, ongoing space within your process, then you will not rise the balloon as high as you could. You could probably still do something that is regularly released and has decent sound quality. So check, check, but is it going to win hearts and minds of audiences? Is it going to stand out 500 million other podcasts? No, it is not. Yeah. So that’s why it matters. Christian Klepp  17:17 Absolutely, absolutely. Moving on to key pitfalls to avoid. What are they and what should folks be doing instead? Jen Moss  17:28 I mean, there’s so there’s so many pitfalls. I don’t know where to start … Christian Klepp  17:32 Try to condense them into like, maybe, like the five, the top five that you’ve seen. Jen Moss  17:36 Well, let’s look at maybe, let’s look at the phases of doing a podcast, pre-production, production and post-production. So in pre-production, I think the big pitfalls are failing to allow time and space for creative ideation, rushing into it without proper consideration. I think failing to set aside budget to market your podcast can be a mistake, and I think budget for marketing is quite important because, well, we’ll get into that in post production, but one of the important ways for people to find podcasts is through ads on other podcasts, and that costs money. So there’s a little aspect of a pay to play nature that kind of creeps into podcasting. I think it’s important to be realistic about that. It’s not the only way to promote a podcast. There’s many good, organic ways, but if you can reserve some budget for marketing, I think it’s a good idea to do so. And yeah, I would say in pre-production, failure to think big and kind of have embraced blue sky thinking early on, what could this podcast be? Who is it for? Right? Those are very important questions. So at JAR, we have a system. We call the JAR system. It’s job, audience, result, and in pre production, that’s where we really focus on job and audience. What is the job of the podcast? Why are you doing it? Who is the audience? Who is it for? What do they need? Where do they hang out? Are they on audio platforms? Are they on video platforms? Are they YouTubers? Like, what you know? Who are you talking to, and why? Is very important. So job and audience, and then with production, once you get into that big phase. That’s where I think, I sort of say it’s like, point your skis and go, but also bend your knees, because things are going to come up and so, for example, I always recommend having three or four possible guests lined up to service an episode. Because if the first one that you’re going after falls through due to timing and unavailability in your production timeline, an amateur podcaster would just be like, well, that’s okay. I’ll wait till October, when you’re free, whereas I’m saying, no, no. So if you want to do a podcast on this topic, and it’s important to do it now because timeliness matters, then you need to have a couple of other options that are backup options for that guest if they’re unavailable, so things like that. So prepping backups to your backups for your guests is a really good idea so that you can keep your production moving forward and stay focused on the ideas that you’re you’ve determined to explore. So making a plan and then doing your best to stick to it, I think, but keeping your knees bent critically within that plan. Some people have said, Well, is it kind of like you write like a podcast Bible? And I’m like, No, it’s more of a pirate code, but you do need to have a code like there needs to be a plan going forward, but it can change. And then post production, I think the biggest thing is people fail to study their analytics, or fail to understand and interpret their analytics. So if you’re not looking at your audience data, then you’re not getting the most out of that those analytics platforms. So you should be looking at your Spotify data. You should be looking at your apple, podcast data, your YouTube data, the data from your hosting platform. At JAR, we use a company called Bumper. They’re a Canadian company that does a really nice job of pulling together a dashboard which shares a lot of valuable information about about how your podcast is performing. So you can actually see things like, Oh, I made a 30 minute podcast, but everyone’s dropping off at 21 minutes. I wonder why. So either make it really much more interesting at the 21 minute mark, or make a shorter podcast. That’s what the audience data is telling you, right? So being receptive and flexible, keeping your knees bent throughout is very important, and then using that data to feed back into the creative cycle, so that it becomes this circular process of testing and learning, studying the results, making changes, and you’re gradually honing your podcast into something that your audience really, really responds to. So that’s those are the pitfalls that we try to steer people through and around. Christian Klepp  22:08 That is a great list. And you probably, for those that are listening to the audio version of this, I was, I was nodding the whole time, but, um, one of the things that I would add in there, which I’ve seen happen, and it’s happened to me, and I’m not gonna say who it is, but like, you know, one of the things that they immediately did after having me as a guest on is they pushed me into a follow up call, which big surprise was a was a sales pitch. It’s like, Thank you for being on our show. By the way. Would you like to buy some advertising space in our magazine? Would you like to exhibit in our, you know, upcoming event. You know, for small business, you know, we only charge $10,000 you know, it’s not that much. It’s like, Jen Moss  22:47 For a lot of small businesses, that is a lot, right? Christian Klepp  22:50 Exactly. Jen Moss  22:50 It’s kind of like, to me, if you think of it like dating, you want to play a little bit cool, like, it’s great. You can think of a podcast as a networking tool, absolutely, but it’s you have to just not be like Johnny obvious about it, like, maybe, maybe wait a few months and then reach out and say, Hey, we’re having a special promotion, and we’re you people who have been on our show get a reduced rate or something like that. Sure. Christian Klepp  23:19 Yeah, exactly. Jen Moss  23:20 Or just trust the universe. You could also try that, which would be, I had a great you like you and I had a great connection on this podcast. We chat very well. We even talked before the recording about parenting. So, like, we kind of click. So like, if there were ever anything that we could help each other with, I’m sure we would at least be somewhat amenable to it, and maybe that’s enough. Maybe that’s enough, right? Christian Klepp  23:45 Yeah, probably, probably. Jen Moss  23:46 Yeah. So I think yes, it’s an opportunity to network, but it is also in the same way that yeah, between people’s ears is a sacred space. Also when someone comes on your show as an unpaid guest, which most podcasts? I think it’s worth pointing out that most podcast guests are unpaid, so they’re doing that out of the sort of the free desire of exchange of ideas, right? And so respecting that in and of itself is very important. And this is why podcasting has risen to such heights is because it is really grounded in that kind of authentic communication, where people are really trying to figure stuff out together, that’s it, and it’s wonderful, and it’s amazing. And so you got to respect that. You got to let that be enough sometimes Christian Klepp  24:36 Absolutely, absolutely, wow. So you’ve kind of touched on this already, but in our previous conversation, you mentioned that in podcasting, and this does this is not unique to just the B2B space alone, but like in podcasting in general, the story comes first, not the product or the promo. So please elaborate on that. Jen Moss  24:58 No one is going to listen a 30 minute ad, right? It’s just not gonna happen. As soon as they detect the fact that you’re selling, they’re gone. If you want to have some follow up product information in your show notes, or, you know, I wouldn’t necessarily recommend that, but you could, I suppose, or on your website, great. But the purpose of a podcast is not necessarily that sort of bottom of funnel sales. The purpose of a podcast is, is, it’s a top of funnel engagement opportunity, right? So you’re really, you’re you can build trust, you can build awareness, you can reach new people, and the way you do that is by being relevant and authentic and telling good stories in a way that holds attention. So my own background is from, you know, years of working in radio, documentary storytelling and things like that, I really learned how every, every piece of the story matters. You really have to break down the story arc. Like I said. You got to examine the stakes. You got to think about pacing. All of these things are critical and a funny thing too that I’ve learned I also teach creative writing, and one of the things that one of the lessons that I share with my students, is that the more specific you are in your storytelling, the more it will resonate universally. So through the specific example comes the universal ‘aha' moment. Whereas if you go in with a bunch of like, I’m like, I’m doing right now, if you go in with a bunch of principles, like, here’s what you got to do, and here’s, here’s the rules, and you should follow these rules, 10 Steps to heaven. Kind of, kind of formulas that might work in a, in a sort of, like a bullet point list on the internet, but in podcasting, that doesn’t really work. It’s, it’s more of a, it’s more of a like, I mean, they say the devil is in the details, but I actually think so are the angels like you really like, if I were to tell you a story about a time I worked with a client, let me think of a real example, Like, okay, Genome, BC (Bristish Columbia) is a client of ours. They are a non-profit here in British Columbia in Canada, and they are dedicated to promoting Genomic Science, and specifically they’re promoting the ability of Genomic Science to solve big problems that the world is facing, okay, like global warming type level problems, right? So that’s great. So how do we tell that story? How do we tell that specifically, we could have a bunch of egg heads on to talk about their research, and we do, we have, it’s a science podcast. We have lots of eggheads, and they’re great, you know, but we have to balance that with like people who are impacted by the issues that the science is trying to address. So we did a piece recently about an episode about genetic testing for, you know, heart problems and things like that, and how we with the study of the human genome, we know with the study of the human genome, we now know so much more about about how to spot those problems almost before they happen, because of your genetic predisposition to certain problems. So we told that story by finding a high schooler who had had a heart attack because of a genetic problem that he didn’t know about. And we told that story beat by beat. I was on the field. This happened. My parents got a call. We talked to his parents, we interviewed everybody. They all told the story about the time the son had the heart attack. They all told it separately in their own way, and we intercut it into this really tense, like, you know, exciting, really piece of storytelling. Then we brought on the scientists to talk about the power of genomic testing and genetic testing and genetic awareness around these health issues, but we first establish why it matters, and it matters because it affects people’s lives. So if you’re doing storytelling and you can connect your ideas to something that’s real, then you’re going to you kind of, you win, you win the storytelling day. Christian Klepp  29:27 Oh, that’s an that’s an excellent example. And, and I hear you, the easier path would have been to just invite the scientists on, or whoever it was, and they go on and talk about all of their research, and Jen Moss  29:39 Which is amazing stuff. But I don’t know if you’ve interviewed any scientists. Lately. They can be a little dry, they can be a little dense and hard to listen to. Christian Klepp  29:47 I’ve interviewed I’m associate professors. Does that count? Jen Moss  29:52 Yeah, it does. Yeah. People get very granular, right when they’re studying a very specific interest, like that, and that’s what makes them so incredible at their jobs, and I have huge respect for these scientists and and for our host, who is a scientist, credibility also matters with with your core target audience. So it’s not like we de emphasize the science, we just frame the science with important storytelling that helps the wider audience understand why this matters. So if you think about your core target audience, and then you think about people who are just adjacent to that, what would it take those people, the ones who are kind of peering over the fence at your brand, you know, or at your topic? So we say that that particular show for Genome BC, it’s for scientists and for the science curious sort of thing. And so we try to remember the science curious folk when we’re doing our storytelling. It doesn’t mean that we dumb it down. It means that we open our arms and we try to write it in a way that’s inclusive to a slightly wider audience, while still delivering excellent, groundbreaking, scientific insight that is timely and relevant. It’s a hard line to walk. Actually. Christian Klepp  31:07 It is. Jen Moss  31:07 It takes a lot of skill and it takes a lot of attention, but if you get it right, you know that show, that show, is winning every award we enter. Christian Klepp  31:17 Wow, yeah, remind me what the name of the show was again. Jen Moss  31:20 Oh, it’s called Nice Genes, like G-E-N-E-S yes, yeah. And then they have a short form one called Genes Shorts. Christian Klepp  31:27 Genes shorts, okay? Because why not? All right, Jen Moss  31:30 Because why not. Trying to have a little fun. So what’s gonna stand out? Right? We thought, you know, Nice Genes!, exclamation mark. That’ll stand out. Christian Klepp  31:38 Yeah, absolutely, absolutely, Jen, you’ve given us plenty of insights already and some actionable tips, but just imagine that there’s somebody out there that’s listening to the show and they’re like, gosh, you know what we are exactly in this situation right now. What advice would you give them? Like, maybe, like, three to five things they can take action on right now that they can help launch a podcast that is not boring and that doesn’t sound like PR (Public Relations). Jen Moss  32:06 So probably the best thing you could do is do a little bit of like light competitive research. So have a look at what other podcasts are in your space, in your topic area, right? And check out this. This is going to sound mean, but check out what’s wrong with them. Like, actually go and listen to as many of them as you can. Maybe give yourself a week to do that and make make a point of listening to five a day for a week. And then you’ll start to see, okay, the vast majority of these, they don’t have good sound quality, like the host doesn’t have a proper microphone. Or the vast majority of these, the lighting is terrible, or the vast majority of these, they’re asking the same questions over and over again, and, oh, I saw that guest on three different podcasts, right? So if that’s happening, then ask yourself the next logical question, which is, how can we be different? How can we find our own kind of quadrant to step into? How can we rewrite the book here and do something unexpected that still meets our values, that still targets the right audience, but does it in a way that is going to just shake things up a little bit and challenge people’s expectations of us and and our own expectations of ourselves. So don’t take the lowest hanging fruit, at least until you’ve considered some of the other options. And it may be that you’re like, No, I actually really want to do a straight interview podcast, because I really want to have deep conversations with people like this, like this podcast does, and that’s great, but then you know, like you’ve chosen that for a reason, like you’ve you’ve given it due consideration. And then within that, even within a if you’re planning to do a straight ahead interview podcast, is there’s no shame in that. But even thinking about, like, what would make your interview podcast different? So it’s the it. Could you describe it at a cocktail party as, like, it’s the one where they blank, blank, blank, right? Could you describe it in one sentence, and is it going to be memorable that sentence? There was a show I used to watch years ago and listen to where, what was it called? It was called Another Round, and it was one of the first shows where they would drink and podcast, but they would do a ton of Political Research, these two journalists, and then they would interview someone, while getting increasingly sloshed, the guest and the two hosts, and they would get increasingly sloshed, and the questions would become more and more but, I mean, they were very successful. They had, they were on WNYC. They had Hillary Clinton on when she was running for president. So, like, it this, this is the kind of thing I’m saying. Like, I’m not saying everyone should drink in podcasts. Us. No, let’s be clear. That’s not my message. Yeah, my message is, what makes your podcast, what makes you distinct in the way you’re delivering your podcast? What is your framing device? What is the lens that you’re bringing to it? Christian Klepp  35:12 Yeah, right, yeah. No, no, I hear you. I hear you. Jen Moss  35:15 Yeah. So I think those would be my biggest pieces of advice. Is just to spend the time trying to, trying to position yourself differently. Christian Klepp  35:25 No, fantastic, fantastic. It reminds me of, I think the show was called in the Hot Seat, and it was by a cyber security firm, and they were, they were bringing in somebody that was, and I didn’t actually realize there was such a role, but this is the person that’s actually responsible for negotiating with cyber criminals. Jen Moss  35:45 Whoa, that’s I’m immediately interested. Christian Klepp  35:48 That’s a pretty intense job, right? So, yeah, when they have all that ransomware and what have you right? So this is the guy that negotiates like, release all our release all our data, right? So anyways, the host asks him the questions, and with every question, they’re basically eating chicken wings with a different type of hot sauce. Jen Moss  36:10 Oh, yeah, yeah. Christian Klepp  36:11 And the more intense question, yeah, Jen Moss  36:14 Hot ones, yeah, yeah, yeah. Christian Klepp  36:15 The more intense the question gets, the hotter the sauce becomes. Jen Moss  36:19 Yes. That’s a great show. It’s they have all kinds of interesting people on it, and it’s interesting to watch people’s reactions shift as they get more and more overwhelmed by heat. Yeah. So that’s another super example of a framing device. I mean, arguably, that one’s a bit of a gimmick. Christian Klepp  36:36 Sure. Jen Moss  36:37 You don’t necessarily need to do something that obvious. It might be something like, on this show, we always ask a certain question, or we’re always trying to get at sort of, I would call it like, the the underlying idea of this show is we’re always trying to expose this concept, like, maybe you’re trying to prove that work life balance is important, and that’s your overarching goal, and that’s the lens that you bring to your to your all of your conversations that you have. So every time you’re able to, you bring up that theme in some way and explore it with a new guest. So just whatever it is, whatever the lens is, or the device that you’re framing with, it’s just important to be intentional about that? Christian Klepp  37:21 Yeah, absolutely, absolutely. All right, Jen, I have a feeling that you’ve been on your soapbox this whole time, but please just stay up there a while longer, while I ask you this question. All right, and a status quo in your area of expertise that you passionately disagree with and why? Jen Moss  37:40 Okay, well, right now there’s, am I allowed to mention the AI (Artificial Intelligence) please? Christian Klepp  37:49 Absolutely. Jen Moss  37:49 Okay. Well, right now there’s a lot of discussion around AI driven content, and one of the ways that it’s being sort of sold to people in the industry is that it will allow you to put out more content quicker. And I can see lots of advantages to AI in the production pipeline. For example, it can be helpful with research if you’re as long as you double fact check it. It can be helpful with correcting certain things in editing. You know, if a host mispronounces a word, or you need to do like, you need to remove some background noise. AI tools can be really, really helpful. So I’m not knocking ai i i teach it. For example, I teach creative writing for new media, and I’m very interested. I’m currently building an AI VR (Virtual Reality) poetry machine with some students. So, you know, I spent a lot of time thinking about AI, and I like it and hate it. It’s a double edged sword. But what I don’t agree with is that we should be measuring the efficacy of a tool based on how fast and how often it allows us to put out content. I just don’t think that an onslaught of mediocre content is what people want. I think it’s killing the internet. Corey Doctorow would say he would call it the in shittification of the internet. And it is already, it is already happening, right? He got check it out. He’s got a book out. Christian Klepp  39:22 Okay. Jen Moss  39:22 And so that’s, you know, that’s what I worry about, is that it’s becoming like a big content hose. And so then I actually believe that the way forward, in order to actually have your message heard and received by your intended audience is to really hold on to that authenticity piece. I would rather see people do things less often, but do them better and remember that quality matters. And if we can’t remember that, then the internet is just going to be a bunch of bots talking to each other, and it’s just stupid. I just think it’s stupid. So that’s the that’s, that’s, if you know, not to put too fine a point on it, podcasting is, is not about efficiency. It’s about communication. It’s about connection. It’s about contact. It’s about humans talking to humans. And if it’s, if you fail to recognize that it’s sort of at your peril, you know, Christian Klepp  40:23 Absolutely, absolutely. And I mean, it goes back to the point you were making at the beginning of this conversation. I mean, if you want to create a show that stands out and that’s different, right, then you probably shouldn’t be churning out vanilla content, right? Using AI. Jen Moss  40:39 Doesn’t work. Christian Klepp  40:39 That’s not the way to do it, right? Jen Moss  40:41 Go ahead, but no one will listen to it. So you’ll be able to be like, Look, I I tick, tick, tick. I put out this many episodes, or this many social media clips, or whatever it is. But what’s what are your consumption rates like? Are the right? Are the right people finding your content? Are they engaging with you? Is it moving the needle for you in terms of your goals, the job of the podcast? Like these are all the things that people really need to consider before they sort of hop on the AI bus, I think. And again, I’m not a Luddite, yeah. I use AI daily despite its rather terrifying environmental impact, yeah, yeah, but it’s become almost a ubiquitous tool that’s difficult to avoid in our line of work. But I do think that some people are really taking it too far, and it’s because they’re misunderstood. They’re misunderstanding the mission. The mission is not volume and efficiency. The mission is connection. Christian Klepp  41:41 Absolutely, absolutely Jen, wow. What a conversation. Well, at the very least this episode is not boring, right? Jen Moss  41:50 Like, I mean, I don’t know, ask my ask my 20 something daughter. Christian Klepp  41:58 Different strokes are different folks, I’m gonna say, but thank thank you so much for coming on and for sharing your expertise and experience with the listeners. So please, a quick introduction to yourself and how folks out there can get in touch. Jen Moss  42:09 with you. Oh, so the best way to get in touch with me would probably be through the JAR podcasts website, jarpodcasts.com and I’m also just Jen@jarpodcasts.com. Christian Klepp  42:22 Fantastic, fantastic. Once again. Jen Moss, thank you for your time. Take care, stay safe and talk to you soon. Jen Moss  42:29 Awesome. Thank you. Okay. Christian Klepp  42:30 Bye, for now. Jen Moss  42:31 Bye.

New York City Mayor Zohran Mamdani ran on a promise to dismantle the NYPD's Strategic Response Group, a unit long criticized for its role in policing protests. But weeks into his administration, SRG officers are still being deployed, including at recent anti ICE demonstrations that led to mass arrests. In this episode, WNYC and Gothamist reporter Ben Feuerherd explains how the unit was created, how it evolved from a counterterrorism force into a protest policing squad, and why critics say its structure and training created problems from the start. We also look at what Mamdani is now saying about disbanding the unit and why, for the moment, it remains in use.

An anti-fascist spy handed American officials evidence of murderous intent from a Nazi planning server — and they declined to act.About the GuestChristopher Mathias is a journalist covering the far right, formerly a senior reporter at HuffPost, with work appearing in The Guardian, The Nation, MSNBC, Zeteo, and WNYC. His reporting has helped unmask white supremacist cops, soldiers, teachers, and politicians, and he was a Deadline Awards finalist for feature writing. He is originally from Gettysburg, Pennsylvania and lives in New York. His new book, To Catch a Fascist: The Fight to Expose the Radical Right (Atria Books), is out now.About the EpisodeDays after Jonathan Rauch's influential Atlantic essay announced he'd moved from fascism skeptic to fascism believer, Christopher Mathias joins the show to discuss his new book — a deeply reported investigation into the decentralized network of anti-fascist activists who infiltrate, monitor, and expose neo-Nazis and white supremacists operating in positions of power across America.The conversation quickly moves beyond whether Trump is a fascist to the harder questions his book raises: Who gets to decide who is exposed? What rights to privacy do members of extremist groups retain? Is unmasking community self-defense or vigilantism? And does the same logic that justifies exposing a neo-Nazi EMT extend to the tens of thousands of ICE agents now conducting raids on American streets?Timeline00:00 Introduction Jonathan Rauch's Atlantic essay and the renewed fascism debate01:10 Meet Christopher Mathias Introducing the book and the journalist behind it01:45 The Greenville Moment When Mathias first used “fascist” in a headline after watching Trump whip a crowd into chanting “Send her back”02:40 Defining the F-Word Fascism as a right-wing politics of domination; Langston Hughes recognizing it in the 1930s before the word arrived04:15 The Hard Question If MAGA is a fascist movement, are the 70-plus million who voted for Trump fascists too?05:55 The Worst of the Worst Why the book targets explicit neo-Nazis in positions of power, not ordinary Trump supporters08:15 Who Decides? Privacy, accountability, and whether everyone at Charlottesville deserves exposure10:45 Antifascist Amnesty Leave the movement and we leave you alone; return and we publish12:30 The Equivalence Trap Why Mathias rejects the idea that this is just radicals exposing radicals14:05 From Neo-Nazis to ICE How anti-fascist tactics are now used to identify masked federal agents17:15 Where Does It End? Drawing lines between violent enforcement and bureaucratic participation19:40 “Just Following Orders” Why some orders shouldn't be followed, and the occupation of Minneapolis21:30 The Battle Over Shame Competing databases, surveillance, and what America should be ashamed of23:15 The Spy Who Warned Charlottesville An infiltrator uncovers plans for violence that officials ignore26:00 Minneapolis as Model “We protect us” and a blueprint for grassroots resistance28:45 The Underground War Intelligence, counterintelligence, and the personal cost of exposure30:30 Closing Fascism as a snake eating its own tail and the urgent task of limiting the damageLinks & ReferencesMentioned in this episode:Jonathan Rauch, “Yes, It's Fascism” — The Atlantic (January 2026)To Catch a Fascist: The Fight to Expose the Radical Right by Christopher Mathias (Atria Books, February 2026)Christopher Mathias reporting archiveFollow Christopher Mathias: BlueSky | XAbout Keen On America Nobody asks more impertinent questions than the Anglo-American writer, filmmaker and Silicon Valley entrepreneur Andrew Keen. In Keen On America , Andrew brings his sharp Transatlantic wit to the forces reshaping the United States — hosting daily interviews with leading thinkersand writers about American history, politics, technology, culture, and business. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.Website | Substack | YouTubeWebsite | Substack | YouTube

Child care costs are reshaping family life in New York City with many parents saying they pay tens of thousands of dollars a year. Meanwhile, Governor Kathy Hochul is proposing to expand free child care for two year olds. In this episode, Janae talks to parents about the financial strain they're under, and WNYC's Karen Yi explains what the plan would deliver, who would qualify, and why advocates warn that without more funding and better pay for child care workers, the system could crack instead of expand.

Whether she's touring with Y La Bamba or scoring live stories for WNYC's Snap Judgment, Geneva Harrison is the kind of artist who breathes life into her work. She's a world-class percussionist and producer, and a total student of how music connects.I loved her takes on the "elasticity" of rhythm. It's steady and unsteady. Like a heartbeat. Human and tied to the environment. The culture. We sat down to talk about her deep dive into Brazilian music, what she's learned from years of touring, and collaborating with everyone from dancers to poets.For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This year marks the centennial of the Schomburg Center, and to celebrate, they've released a new book list titled '100 Black Voices: The Schomburg Centennial Reading List,' with contributions from WNYC's own Alison Stewart. Maira Liriano, associate chief librarian of Schomburg Center's Jean Blackwell Hutson's Research & Reference Division (and the curator of the list), and Brian Jones, NYPL's senior director of reading and engagement, discuss the authors and books featured on the list, and listeners  share their favorite books from Black authors.  

Brenda Williams was a Chief Diversity Officer at New York Public Radio for 29 years before retiring last February. In her next chapter, Brenda has written a children's book, Worthy and Wonderful: A Celebration of Girls Who Matter, inspired by her granddaughters, Kaehla, Demi, Dala, and Dior. Brenda Williams returns to WNYC to talk about her book. 

One month into Zohran Mamdani's tenure as New York City mayor, his governing style is starting to take shape. From a snowstorm that tested his crisis response to early moves on child care alongside Governor Kathy Hochul, Mamdani has paired constant public visibility with a push to deliver on his affordability agenda. WNYC city politics reporters Brigid Bergin and Liz Kim assess what he has accomplished so far, where he has political leverage, and the challenges ahead as he tries to run the city while sustaining the movement politics that powered his rise.

Elizabeth Kim, Gothamist and WNYC reporter talks about Mayor Mamdani's first month in office, including challenges like this week's big snowstorm and a major budget crisis.

Saks Global, the parent company of Saks Fifth Avenue filed for bankruptcy this month. Janae and producer Iru head up to 5th Av. to check on the iconic NYC department store, and WNYC's Ryan Kailath breaks down why this isn't the kind of bankruptcy that leads to a liquidation sale but still flashes a warning sign for NYC businesses. Plus, where's all this snow going? Sanitation Department Deputy Joshua Commissioner gives us a peak into the system. Correction: An earlier version of this episode incorrectly stated that Saks Fifth Avenue filed for Chapter 11 bankruptcy. In fact, it was Saks Global—the parent company of Saks Fifth Avenue, Neiman Marcus, and Bergdorf Goodman—that filed. The episode has been updated.

In this edition of Arts & Culture Check In, WNYC's arts and culture editor Matthew Schnipper walks through what's landing on the culture desk right now. That includes Mayor Zohran Mamdani's latest use of pop culture references, concerts worth attending, and the Bronx Museum's AIM Biennial spotlighting local artists. We also look at the Gotham Book Prize finalists, how New York shows up in this year's Grammy nominations, and where to find standout Chinese food in Long Island City.

Brigid Bergin, WNYC's senior political correspondent, talks about the judge's ruling that the Staten Island and Brooklyn congressional district now held by Rep. Nicole Malliotakis (R) should be redrawn and what that would mean for local representation and, potentially, control of congress. 

A judge recently ruled that the Staten Island and Brooklyn congressional district now held by Rep. Nicole Malliotakis (R) should be redrawn.On Today's Show:Brigid Bergin, WNYC's senior political correspondent, discusses what that would mean for local representation and, potentially, control of congress. 

More than 5,000 rent stabilized apartments are set to change hands after the Pinnacle Group, once one of New York City's largest landlords, entered bankruptcy and a judge approved the sale of its buildings. The case drew unusual attention when Mayor Zohran Mamdani made the bankruptcy proceedings one of his first public fights after taking office, arguing that the sale would leave tenants worse off. This episode traces how Pinnacle's business model unraveled, what this battle over the sale tells us about the limits of city power when big landlords unwind through bankruptcy.

Mira Nair is an acclaimed filmmaker whose documentary-inspired work often centers on identity and belonging. Vulture critic Roxana Hadadi helps us explore how Nair's focus on empathy and way of seeing the world may have shaped the worldview of her son, New York City Mayor Zohran Mamdani.

New York City is the city that never sleeps, and its nightlife shapes the city's culture, economy, and politics. In this episode, we speak with Ariel Palitz, the city's first director of the Office of Nightlife, about building the office, the systemic challenges nightlife faces, and what the city can do to build more creative and inclusive spaces for life at night.

David Brand, housing reporter for WNYC and Gothamist, talks about the latest legal turn in the controversial sale of 5,000 rent-stabilized apartments owned by Pinnacle, the current bankrupt landlord, to another company that has a sketchy record of maintaining apartments.

In this episode, WNYC's arts and culture editor Matthew Schnipper discusses some of the stories his desk is covering at the moment, including how Mayor Zohran Mamdani uses pop culture name dropping to connect with different audiences, why a Staten Island public restroom just won a major architecture award, and what it actually takes to get stage time at the Comedy Cellar.

New Jersey Governor Phil Murphy is term-limited out and will be replaced by Mikie Sherrill on January 20th. Nancy Solomon, WNYC reporter and host of “Ask Governor Murphy,” offers the final recap of her monthly call-in show.

Housing is the issue that shapes how long people can stay in New York and whether they feel secure once they do. With a new mayor taking office and major housing decisions unfolding in courts, boardrooms, and city agencies, we take a step back to explain what is actually driving affordability right now. Tenant rights attorney and city planning commissioner Leah Goodridge breaks down how the system works, why rent stabilization is under attack, what “affordable housing” really means, and what renters should be watching next as housing policy enters a pivotal moment.

A year after congestion pricing took effect in Manhattan, the political uproar has largely faded even as the tolls remain in place. Traffic is down, transit use is up, and the dire warnings that once surrounded the program have quieted. WNYC transportation reporter Stephen Nessen looks back at how New Yorkers have adjusted, why backlash softened over time, and how the city's experience fits into a global pattern seen in places like Stockholm and London.

On today's show, WNYC reporter Brigid Bergin joins Kimberly to talk about New York City's brand new Mayor Zohran Mamdani, whose campaign on affordability caught nationwide attention. We'll get into how Mamdani is tackling affordability during his first days in office, how the business community is reacting, and how his administration is navigating an unpredictable White House. Plus, the case for daydreaming more in 2026.Here's everything we talked about today:"Gov. Hochul, Mayor Mamdani announce push for free child care for NYC 2-year-olds" from Gothamist "NYC to provide expansion of free child care in "high-need" areas" from Marketplace"MAMDANI'S FIRST 100 DAYS: Mayor signs executive orders targeting junk fees and subscription traps" from amNY"The Mamdani vs. big business era begins as mayor pledges 'economic justice'" from Gothamist"Politics Trump administration freezes $10 billion in child, family aid to 5 states over fraud concerns" from CNBC  "The new go-to for Napa Valley wine lovers? Costco" from Marketplace "Google adds proofreading, AI summaries to Gmail with new update" from Marketplace "Why you should put down your phone and daydream instead" from The Washington Post"At grocery stores, shopping with a side of biometric surveillance" from MarketplaceWe love hearing from you. Leave us a voicemail at 508-U-B-SMART or email makemesmart@marketplace.org.

On today's show, WNYC reporter Brigid Bergin joins Kimberly to talk about New York City's brand new Mayor Zohran Mamdani, whose campaign on affordability caught nationwide attention. We'll get into how Mamdani is tackling affordability during his first days in office, how the business community is reacting, and how his administration is navigating an unpredictable White House. Plus, the case for daydreaming more in 2026.Here's everything we talked about today:"Gov. Hochul, Mayor Mamdani announce push for free child care for NYC 2-year-olds" from Gothamist "NYC to provide expansion of free child care in "high-need" areas" from Marketplace"MAMDANI'S FIRST 100 DAYS: Mayor signs executive orders targeting junk fees and subscription traps" from amNY"The Mamdani vs. big business era begins as mayor pledges 'economic justice'" from Gothamist"Politics Trump administration freezes $10 billion in child, family aid to 5 states over fraud concerns" from CNBC  "The new go-to for Napa Valley wine lovers? Costco" from Marketplace "Google adds proofreading, AI summaries to Gmail with new update" from Marketplace "Why you should put down your phone and daydream instead" from The Washington Post"At grocery stores, shopping with a side of biometric surveillance" from MarketplaceWe love hearing from you. Leave us a voicemail at 508-U-B-SMART or email makemesmart@marketplace.org.

Stephen Nessen, transportation reporter for the WNYC and Gothamist newsroom, talks about the latest transportation news including the results of the first year of congestion pricing, mayor Mamdani's announcement on the McGuinness Boulevard redesign, and more.

The jazz collective Freedom Riders celebrates the history of the namesake civil rights activists as well as the musicians who advocated for equality. Their show ‘My Country 'Tis of Thee' will be part of NYC Winter Jazzfest at LPR on January 12 and features special guests including Arturo O'Farrill, Kurt Elling, and Samora Pinderhughes. The group performs live in WNYC's studio, fronted by vocalist Sarah Elizabeth Charles, who also discusses their music, and the event.Performer Credits:Carmen Staaf - pianoJoe Dyson - drumsNoah Garabedian - bassAlfredo Colon - alto saxMilena Casado - trumpet

We dive into:Why your beingness is the brand—and how to access itThe quiet resistance most leaders carry that keeps them from full expressionHer philosophy on “branding from the inside out”How she helps clients identify and speak from their core essence, not just what they doThe real story of how she and I met—and why she decided I needed a podcastThis conversation goes far beyond brand strategy. It's about being brave enough to be fully seen and fully yourself. Jenna doesn't just build brands—she calls people home to who they are.If you're ready to stop performing and start resonating, this is an episode you don't want to miss. ----- Jenna Flanagan is an award-winning broadcast journalist, host, and producer whose work bridges public media, local accountability reporting, and smart, accessible conversations about civic life. She has reported and hosted for WNET's MetroFocus, bringing audiences across the New York region in-depth coverage of policy, culture, and community voices. She has also been a field reporter responsible for covering how policy presented in the New York State legislature impacts constituents across the state for WMHT's government and public-affairs program New York NOW.Jenna began her career at New York's 1010 WINS, rising from production assistant to assistant editor in a fast-paced newsroom. She then went on to WBGO in Newark as a general-assignment reporter before spending six and a half years at WNYC's All Things Considered as a writer, reporter, and producer. Her work has also aired nationally on NPR.Her recent projects include co-creating and co-hosting the podcast Laid Off and Looking, a candid series that examines how news is made, who shapes it, and what's at stake for democracy as the media industry restructures. She has also hosted the award-winning podcast series, After Broad and Market, revisiting the 2003 murder of Sakia Gunn to explore the power and limits of local journalism.A Hudson Valley native who grew up in New Paltz, Jenna studied communications and journalism at Seton Hall University. She continues to champion localism and public-interest reporting across platforms, appearing on radio, television, and digital outlets to elevate stories that inform, challenge, and connect communities. Laid Off and Looking Podcast: https://www.youtube.com/@LaidOffandLookingPodcastIn the Margins with Jenna Flanagan Substack: https://jflanagan.substack.com/Jenna Flanagan on TikTok: https://www.tiktok.com/@jflannys?lang=en --------John Bates provides 1:1 Executive Communications Coaching, both in-person and online. He also gets 92+ Net Promoter Scores for his large and small group leadership development trainings at organizations like Johnson & Johnson, NASA, Google, Intuit, Boston Scientific, and many more. Find more at https://executivespeakingsuccess.com.Sign up for his weekly micro-trainings for free at https://johnbates.com/mini-trainings and create a great leadership communications habit that makes you the kind of leader who inspires trust, loyalty, and connection.

Elizabeth Kim, Gothamist and WNYC reporter and Brigid Bergin, WNYC's senior political correspondent, talk about the latest news from Mayor Mamdani's first week in office, including his controversial decision to rescind two executive orders from Mayor Adams on Israel and antisemitism, his relationship with the business community and more.

The singer-songwriter Annie DiRusso debuted this year with the album Super Pedestrian and already has a Tiny Desk concert under her belt. She performs live from WNYC's studios, and discusses her music.

On the day of his inauguration, mayor Zohran Mamdani began his tenure with a press conference in a Flatbush building lobby. David Brand, housing reporter for WNYC and Gothamist, recaps all of the latest housing news coming out of the Mamdani administration including his executive orders, latest appointees, and more.

Jimmy Vielkind, New York State Issues reporter for WNYC, reviews a slew of bills signed by Governor Hochul at the end of 2025 and previews the State Assembly's upcoming legislative session.

On this New Year's Day:Ahead of the Mamdani swearing-in ceremony, a look back: Elizabeth Kim, Gothamist and WNYC reporter; Ben Max, host of the Max Politics podcast and executive editor and program director at New York Law School's Center for New York City Law; and Jeffery Mays, New York Times metro politics reporter, weigh in on Mayor Adams' term in office and what he accomplished, where he fell short of his goals, and how history might view his mayoralty.Jimmy Wales, the founder of Wikipedia and the Wikimedia Foundation and the author of The Seven Rules of Trust: A Blueprint for Building Things That Last (Crown Currency, 2025), talks about how Wikipedia was able to rely on the "wisdom of the crowd" even as distrust climbed in the larger culture.If you put down your phone, will you grasp for a book? Jay Caspian Kang, staff writer for The New Yorker, where he writes a weekly column called Fault Lines, discusses his story, "If You Quit Social Media, Will You Read More Books?" These interviews were lightly edited for time and clarity; the original web versions are available here:Mayor Adams' Legacy (Dec 3, 2025)Wikipedia Founder on Building Trust (Dec 11, 2025)Is 'Online Reading' Still Reading? (Dec 11, 2025)

In November, Bodega Paradise, an X rated bar in East Harlem, had its liquor license revoked and was forced to shut down. WNYC producer Iru Ekpunobi walks us through what happened, based on reporting by Charles Lane, and explains how New York City defines adult entertainment and enforces those rules.

WNYC and Gothamist education reporter Jessica Gould shares her reporting on how the cellphone ban at NYC's public school has changed the nature of lunchtime for kids around the city. She also shares her insights on school news to watch for in the new year. Plus, listeners call in with their questions, and to report how the cellphone ban has impacted their students.

What have we learned in recent years about black holes? Can entangled quantum particles really communicate faster than light? What's the story behind Schrödinger's Cat? And, in this weird liminal space between the holidays, what even IS time, really? Physicist Sean Carroll and Host Ira Flatow tackled those big questions and more at a recent event at WNYC's Greene Space in New York City. Carroll's book The Biggest Ideas in the Universe: Space, Time, and Motion is the SciFri Book Club pick for December. Guest: Dr. Sean Carroll is the Homewood Professor of Natural Philosophy at Johns Hopkins University in Baltimore.Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

Yesterday, out-going mayor Eric Adams appointed four members to the Rent Guidelines Board, creating a major obstacle to mayor-elect Zohran Mamdani's key campaign promise to freeze the rent for rent stabilized tenants. David Brand, housing reporter at WNYC and Gothamist, discusses the Adams appointees, Mamdani's appointment of Leila Bozorg as his housing czar, and reports back on the outcome of several housing bills voted on by the City Council yesterday. 

Elizabeth Kim, Gothamist and WNYC reporter, talks about the latest news from City Hall and Mayor-elect Mamdani's transition plans.

After years of stalled plans and unfulfilled promises of affordable housing near the Barclays Center, David Brand, housing reporter for WNYC and Gothamist, reports on a new plan for housing at Atlantic Yards.