Podcasts about steel string guitar

In this episode I talk about the steel string guitar and how sonically different it is compared to the nylon acoustic. I talk about the different sonic opportunities one might be able to output from such an instrument and I do show a few things I personally play on such guitar. Enjoy!

i don’t know i don’t know if i can trust myself one day to the next to love as much as the next

get through it

I had a great chat over some of my almost-as-good-as-Scott-Tennant's espresso with the Grammy winning guitarist and composer Andrew York. We talked about a whole series of interesting topics, and you will have the chance to hear lots of new music from his recently released double album Yamour. Andrew shared his thoughts on playing and composing with the Los Angeles Guitar Quartet and a bit about the origins of his piece Sunburst, such as how it ended up on one of the landmark records of the classical guitar repertoire: John Williams's album Spirit of The Guitar. He also gives some invaluable advice to those amateur composers out there, gives a glimpse into his compositional process, shows his incredible appetite for surprisingly varied creative avenues, and even talks about art and software programming.

Unlike any other guitar duo I have come across, the Andreas Kapsalis and Goran Ivanovic Guitar Duo (maybe just the AKGI Duo?) have created a truly distinct sound with their blend of steel string, eight-finger tapping, and the refinement of beauty and refinement of the classical guitar. Their compositional style effortlessly blends jazz, classical, pop, and experimental musical styles, adding a heavy dose of Balkan folklore among other rhythmically complex traditions. During their All Strings Considered interview, Andreas and Goran discuss their very different backgrounds in guitar playing, they give insights into improvisation and composition, and basically made me want to go out and start up a rock band. Andreas recounts his discovery of tapping technique resulting from a serious injury to his left hand and his experiences composing film music, while Goran tells of his classical training at the Mozarteum in Salzburg with Joaquín Clerch and Eliot Fisk, and his explorations into his musical roots in the folklore of Macedonia, Romania, Croatia, and Bulgaria. You will hear some really evocative music from their eponymous album, as well as get a sneak preview of their upcoming release titled Blackmail with “The Imposter” and the groovy 7/8-meter of “Kalkutation.” Enjoy!