Podcasts about Balkans

Peter Solomon speaks to Paul Fonfara and Spencer Roth of The Brass Messengers, a Twin Cities-based brass band that blends elements of Balkan, Macedonian, Afrobeat, Free Jazz, New Orleans sounds. The group will play a Mardi-Gras show called "Dance Your Brass Off" Tuesday, February 17th at the Turf Club, presented by Jazz88.

Peter Solomon speaks to Paul Fonfara and Spencer Roth of The Brass Messengers, a Twin Cities-based brass band that blends elements of Balkan, Macedonian, Afrobeat, Free Jazz, New Orleans sounds. The group will play a Mardi-Gras show called "Dance Your Brass Off" Tuesday, February 17th at the Turf Club, presented by Jazz88.

Alors que les attentats et les enlèvements se multiplient au Nigéria, les États-Unis renforcent leur lutte antiterroriste dans la région. Dans ce contexte, une infox est apparue sur les réseaux. Selon une vidéo trompeuse, l'organisation terroriste État islamique en Afrique de l'Ouest s'adresserait au président Donald Trump, en le menaçant d'utiliser des armes récupérées en Ukraine pour frapper les intérêts occidentaux. Un faux message qui a soulevé des interrogations sur la toile. Le message dure 52 secondes. Son auteur a tenté de faire croire à une publication officielle du groupe ISWAP. Sur cette vidéo, on distingue cinq hommes en armes. Au premier plan, un combattant le visage enturbanné s'exprime en anglais. Il menace directement Donald Trump, et conseille aux Américains de « ne pas interférer dans le conflit interne au Nigéria ». La séquence est précédée d'une introduction où apparait un logo sur fond noir identique à celui que l'on retrouve sur  certaines publications de l'État islamique. Ce montage est destiné à donner du crédit à cette infox.  Pour analyser la vidéo, nous avons tout d'abord utilisé un outil de détection d'IA (Hive) afin de savoir si cette séquence a été générée artificiellement. Résultat : selon le logiciel, les images proviennent d'un véritable enregistrement vidéo, peut-être une mise en scène avec des acteurs, mais le son a été fabriqué de toutes pièces.  Attention, on sait que les outils employés par la détection des images créées par IA ne sont pas fiables à 100 %.  Nous avons donc recherché parallèlement des invraisemblances ou des aberrations graphiques pour nous permettre d'en savoir plus. Visuellement, deux éléments ont attiré notre attention. Plusieurs personnages ont le regard fixe, sans aucun battement de cils durant la totalité de la vidéo. Par ailleurs, le missile portable posé sur l'épaule de l'un des prétendus combattants de l'État islamique, situé à l'arrière-plan, est incomplet. Il manque le poste de tir, c'est-à-dire la poignée et le système de visé. Tel qu'il apparait à l'image, son utilisation est impossible.    Pas de missiles Javelin ukrainiens au Nigeria Le tube de missile montré à l'écran, semble identique à ceux des FGM-148 Javelin livrés par les États-Unis à l'Ukraine. C'est un élément central dans cet infox. Pour ses auteurs, c'est une sorte de preuve par l'image de la dispersion de ces armes. Un narratif récurrent. Sauf qu'aucun de ces missiles anti-char trés modernes, n'a été retrouvé au Nigéria. Cependant, on estime que Washington a fourni plus de dix-mille engins de ce type à l'armée Ukrainienne. Sur la piste son, une voix synthétique, enfonce le clou, en anglais, en affirmant que « le groupe islamique ​​​​​a récupéré des missiles Javelin en Ukraine, et qu'ils vont être utilisés contre les infidèles ». En quelques jours, la vidéo a été vue plusieurs millions de fois rien que sur X. Les commentaires fusent. Un utilisateur s'interroge : « Encore combien de missiles perdus, dans la nature ? (...) C'est effrayant, la question est à présent  de savoir comment ces missiles sont arrivé là  (...) Il est largement temps de rendre des comptes », écrit un autre LÉtatt islamique n'a pas produit cette vidéo Les spécialistes des mouvements djihadistes que nous avons consulté, n'ont pas cru une seconde que cette vidéo provenait de l'État islamique. L'un d'entre eux note sur X : « L'utilisation de deux traductions simultanées en arabe et en anglais est contraire aux pratiques médiatiques de l'organisation terroriste. L'utilisation d'un bandeau blanc pour la traduction ne correspondant pas aux vidéos déjà vérifiées. Enfin, le logo de l'EI est absent dans le coin supérieur droit de l'image ».  Un message qui reprend les codes de la désinformation russe À l'écran, la mise en scène est très proches de celle de trois précédentes vidéos, dont nous avions déja parlé ici : à savoir de prétendues menaces jihadistes contre la France  en Juillet 2024 juste avant les JO, mais aussi janvier 2025, et septembre 2025.  La fausse nouvelle apparue à partir du 30 janvier dernier, a d'abord circulé à bas bruit, avant d'être amplifiée par une poignée de comptes pro-Trump, complotistes ou d'extrême droite principalement sur X, le réseau d'Elon Musk. Selon plusieurs contributeurs, cette infox présente des caractéristiques communes avec l'opéraiton de désinformation russe baptisée STORM 15-16. Cette campagne comporte différents objectifs : décrédibiliser l'Ukraine dénigrer les politiques occidentales, tout en jouant sur les peurs du public autour de sujets comme le terrorisme ou l'immigration. Risque réel de dissémination des armes utilisées en Ukraine  Si la vidéo est le fruit d'une mise en scène ou même une création par l'IA, la dispersion des armes employées sur le champ de bataille est une préoccupation des autorités. Ce n'est pas nouveau. Ce fut le cas, en Europe, après les guerres, dans les Balkans dans les années 90, ou encore en Afrique, au Sahel après la guerre civile libyenne qui débuta en 2011.    Dans son rapport 2025, Europol, l'agence européenne de lutte contre la grande criminalité internationale et le terrorisme assure qu'il n'y a pas eu pour l'heure de saisies en grande quantité d'armes de contrebande en provenance d'Ukraine  mais précise que  « des inquiétudes persistent quant à la possibilité de voir ce pays devenir  une source importante d'approvisoonement illicite à court et moyen terme ».

Send a textSelco Begovic - Survivor of the Balkan War - SHTF Expert!  PART 2 InterviewSelco Begovic, a survivor of the tumultuous Balkan war in the 1990s, endured the daunting challenges of living in a besieged city without access to necessities like electricity, running water, and food distribution. Today, he shares his firsthand experiences through physical courses, offering invaluable insights for those eager to learn from his real-life ordeal.Through his online writings, Selco offers an unfiltered view of the brutal realities of survival in extreme conditions. With candid assessments of effective strategies and lessons learned from his trials, he also discusses contemporary preparations for uncertain times.Continuing his relentless pursuit of survival knowledge since the war, Selco provides a unique opportunity for others to glean from his experiences, even if they may never face such extreme circumstances.Explore Selco's articles, purchase his PDF books, including the highly acclaimed "The Dark Secrets of Survival," or dive deep into his expertise through his online course, the SHTF Survival Boot Camp. Enroll in his course, "One Year in Hell," to gain an insider perspective on life during a crisis.Selco's message is clear: Real survival lacks romance or idealism; it's a brutal, arduous, and often unfair journey. Let Selco guide you through this uncompromising world and prepare you for the realities that may lie ahead.https://www.shtfschool.com/ Join PrepperNet.Net - https://www.preppernet.netPrepperNet is an organization of like-minded individuals who believe in personal responsibility, individual freedoms and preparing for disasters of all origins.PrepperNet Support the showPlease give us 5 Stars! www.preppingacademy.com Daily deals for preppers, survivalists, off-gridders, homesteaders https://prepperfinds.com Contact us: https://preppingacademy.com/contact/ www.preppernet.net Amazon Store: https://amzn.to/3lheTRTwww.forrestgarvin.com

Jonathan continues his travels through the Balkans, stopping at the party city of Budva in Montenegro.Listen to Jonathan's Travelogues every Wednesday on The Lunch Break from 12 noon to 1 pm.Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

U Njemačkoj trenutačno nedostaje 1,4 milijuna stanova. Što je odlučio Savezni sud Njemačke? Ako imamo potrebu dati stan u podnajam, koje korake moramo poduzeti? Vlada Friedricha Merza neće biti u stanju pokriti manjak stanova, upozoravaju stručnjaci. Nenad Kreizer i Maja Marić razgovaraju o poskupljenju stanarina, o presudama koje se tiču "podiznamljivanja" stanova kao i o planiranoj reformi koja bi dodatno trebala zaštiti prava stanara. Kako suzbiti rast najamnina i zaštititi najmoprimce? Von Nenad Kreizer.

Episode Summary:In this episode of Explaining History, Nick delves into the cataclysmic events of 1912-1913 that shattered the Ottoman Empire and set the stage for the First World War.Following the humiliating loss of Libya to Italy, the Balkan states—Serbia, Greece, Montenegro, and Bulgaria—sensed weakness and struck. We explore how this coalition of former subjects mobilized a massive army of over 700,000 men to drive the Ottomans out of Europe.Drawing on Eugene Rogan's The Fall of the Ottomans, Nick examines the internal chaos of the empire, from the violent coup led by Enver Pasha at the Sublime Porte to the desperate siege of Edirne. Why did the "Sick Man of Europe" fight so poorly in the Balkans but so fiercely later at Gallipoli? And how did the loss of its European heartland radicalize the Young Turk regime?Plus: Important announcements about our upcoming live masterclasses for history students in February, March, and April!Key Topics:The First Balkan War: How a coalition of small states defeated an empire.The Raid on the Sublime Porte: Enver Pasha's violent seizure of power.The Loss of Europe: The economic and psychological blow of losing Macedonia, Albania, and Thrace.Schrödinger's Empire: The paradox of Ottoman weakness in 1912 vs. resilience in 1915.Explaining History helps you understand the 20th Century through critical conversations and expert interviews. We connect the past to the present. If you enjoy the show, please subscribe and share.▸ Support the Show & Get Exclusive ContentBecome a Patron: patreon.com/explaininghistory▸ Join the Community & Continue the ConversationFacebook Group: facebook.com/groups/ExplainingHistoryPodcastSubstack: theexplaininghistorypodcast.substack.com▸ Read Articles & Go DeeperWebsite: explaininghistory.org Hosted on Acast. See acast.com/privacy for more information.

Is the United States a nation state? Does it have a national identity? On this episode of the Transatlantic, scholar Colin Woodard discusses his early career experiences as a journalist in Eastern Europe and the Balkans at the end of the Cold War and how that work informs his work on national identity in the United States. He then talks about his current research uncovering what he describes as eleven distinct nations that make up the United States and how their clashing cultures and traditions have defined the country's struggle to form a national story and identity.    Colin Woodard – a New York Times bestselling historian and Polk Award-winning journalist – is one of the most respected authorities on North American regionalism, the sociology of United States nationhood, and how our colonial past shapes and explains the present. Compelling, dynamic and thought provoking, he offers a fascinating look at where America has come from, how we ended up as we are, and how we might shape our future. Author of the award winning Wall Street Journal bestseller American Nations: A History of the Eleven Rival Regional Cultures of North America, Woodard has written six books including The Republic of Pirates — a New York Times bestselling history of Blackbeard's pirate gang that was made into a primetime NBC series with John Malkovich and Claire Foye – and Union: The Struggle to Forge the Story of United States Nationhood, which tells the harrowing story of the creation of the American myth in the 19th century, a story that reverberates in the news cycle today. His latest book is Nations Apart: How Clashing Regional Cultures Shattered America, released by Viking/Penguin in November 2025. He is the founder and director of Nationhood Lab at the Pell Center for International Relations and Public Policy at Salve Regina University, an interdisciplinary research, writing, testing and dissemination project focused on counteracting the authoritarian threat to American democracy and the centrifugal forces threatening the federation's stability. He is also a Fellow of the Royal Geographical Society, a visiting scholar at the Minneapolis-based HealthPartners Institute and a POLITICO contributing writer. As State and National Affairs Writer at the Portland Press Herald and Maine Sunday Telegram he received a 2012 George Polk Award, was named Maine Journalist of the Year in 2014, and was a finalist for the 2016 Pulitzer Prize for Explanatory Reporting. A longtime foreign correspondent of The Christian Science Monitor, The San Francisco Chronicle, and The Chronicle of Higher Education, he has reported from more than fifty foreign countries and seven continents from postings in Budapest, Zagreb, Washington, D.C. and the US-Mexico border and covered the collapse of communism in Eastern Europe and its bloody aftermath. His work has appeared in dozens of publications including The Economist, The New York Times, Smithsonian, The Washington Post, The Guardian, Newsweek and Washington Monthly and has been featured on CNN, the Rachel Maddow Show, Chuck Todd's The Daily Rundown, The PBS News Hour, and NPR's Weekend Edition. A graduate of Tufts University and the University of Chicago, he's received the 2004 Jane Bagley Lehman Award for Public Advocacy, a Pew Fellowship in International Journalism at the Johns Hopkins University School for Advanced International Study and was named one of the Best State Capitol Reporters in America by the Washington Post. He lives in Maine.   This podcast is hosted by Bakhti Nishanov and produced by Alanna Novetsky, in conjunction with the Senate Recording Studio.

Razmišljate li i vi o odlasku iz grada na selo? Od pandemije korona virusa sve je primjetniji trend bijega stanovnika većih gradova u manja mjesta ili na selo i to ne samo u Njemačkoj. Prednosti su mnoge ali nakon nekog vremena i mane izlaze na vidjelo. Koje? I zašto neki opet sele u grad? Nenad Kreizer razgovara s novinarkom Ivom Hanzen koje je nedavno udobni život u gradu zamijenila životom u prirodi a reporterka Maja Marić navodi aspekte preseljavanja urbanog stanovništva u ruralne sredine. Von Nenad Kreizer.

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett examine 20th-century Eastern Europe, detailing the tragic shift from organic aristocratic societies to brutal, industrialized totalitarian regimes. -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Intro (02:11) The Greatest Tragedy in Human History (04:47) The Transition from Monarchy to Totalitarianism (09:44) The Scythe Lens Mechanical Pressure (21:41) The Staggering Intellectual Loss (27:59) Capitalism Nobility and the Path to Democracy (35:32) Defining Mass Politics (54:19) The Ethnic Map of 1914 vs Modernity (01:05:43) The Hot Seat of the Balkans and WWI (01:22:47) The Eastern Front of WWI (01:38:13) The Urge to Submission (01:47:48) The Daily Horror of Stalinism (02:05:33) WWII The German Colonial Dream (02:17:15) The Legacy of the Holocaust and 40 Million Dead (02:28:44) Contemporary Resilience and Neoliberalism Learn more about your ad choices. Visit megaphone.fm/adchoices

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In episode 234, Max is joined by Washington Wizards NBA scout Ivan Mitrovic for a rare, behind-the-scenes look at how elite talent is identified, evaluated, and projected at the highest level of basketball. Ivan takes us through his journey from growing up in Belgrade and playing across Serbia, the US, and Luxembourg, to building his own Balkan-based scouting service and earning a call-up to the NBA in 2023. He opens up on how his early playing experiences shaped his eye for the game and why scouting is about projecting who a player will become, not who they are today. We dive deep into the realities of modern talent identification - how scouting has changed with social media, NIL, and increased access to film and data, why early physical dominance can be misleading, and the traits scouts value most when assessing long-term upside. Ivan breaks down how risk is evaluated, why basketball IQ and decision-making are often undervalued, and how personality, competitiveness, and cultural fit can separate prospects at the highest level. Ivan also reflects on scouting generational talents like Luka Dončić and Nikola Jokić, shares insight into Alex Sarr's development path through Perth, and explains what NBA teams are really looking for when projecting international prospects across Europe, Australia, and beyond. A fascinating, inside look at global scouting, player development, and the decisions that shape the future of the NBA. All this and much more in episode 234 of Sporting Max! www.instagram.com/sportingmax.podcast/

Nog een keer die jingle, nog een keer die zin over de Elbe, nog een keer de mop van Joost. Dit is de allerlaatste aflevering van de Perestrojkast. Een episode die alles in zich heeft waar wij zeven jaar voor wilden staan: humor, film, stamgasten, een goed gesprek, versprekingen en liefde voor onze regio. Het was de meest gestelde vraag in de afgelopen maanden: waarom stoppen jullie met de Perestrojkast? In deze aflevering vertellen we waarom we er een punt achter zetten. Voer voor de juicy channels. En als we deze horde hebben genomen, gaan we in één keer door naar onze indruk van de bijzondere film Mr. Nobody against Putin die momenteel, naast 2.000 meters to Andriivka, in de bioscoop draait. Mr. Nobody vertelt hoe Moskou de propaganda oplegt aan een school in een fabrieksstadje, nadat Rusland in 2022 Oekraïne is binnengevallen. Onderwijzers, leerlingen – ze ontkomen er niet aan en de uitwerking is vernietigend.ElbeWellicht kunnen jullie deze zin dromen: alles ten oosten van de rivier de Elbe kan de komende weken, maanden, jaren worden besproken. We spraken hem niet voor niets uit. Want zeven jaar Perestrojkast roept de vraag op: ziet West-Europa inmiddels Midden- en Oost-Europa wel staan? Doet de Balkan er toe? Is het besef doorgedrongen dat Europa niet stopt bij de Elbe Onderweg We praten erover met twee van onze geliefde Perestroj-gasten: Lisa Weeda in de studio en Joost Bosman vanuit Jerevan. Tussendoor hoor je hoe andere stamgasten, onze sterren, erover denken: Isa Yusibov, Marjolein Koster, Franka Hummels, Jeroen Ketting, Caspar Veldkamp, Joost van Egmond, Hans Luiten en Michiel van Blommestein. Ze komen allemaal nog een keer voorbij. Natuurlijk besluit Joost deze aflevering met een mop en het zal je niet verbazen: we snappen hem weer eens niet. Rest ons nog een ding: we willen jullie allemaal bedanken voor al die luisteruren tijdens de afwas, onderweg ergens in Oost-Europa of gewoon op de bank. Zonder jullie was er geen Perestrojkast. See you on the road.En dank aan onze vrouwen. Poka. A je to. Shownotes Trailer Mr. Noboby against Putin Trailer 2.000 meters to Andriivka Column Olaf Tempelman Hosts Geert Jan Floris Lieve stamgosts Lisa WeedaJoost Bosman See omnystudio.com/listener for privacy information.

Verden går fullstendig av hengslene. Er det sprit og trekkspill som skal redde oss?I ukas Omadressert er den samfunnsengasjerte musikeren og multikunstneren Jovan Pavlovic gjest. Vi er innom alt fra Epstein-filer via byutvikling til Balkan-fest. I studio er også politisk redaktør Siv sandvik og kulturkommentator Terje Eidsvåg og journalist Roy Tommy Bråten. Hosted on Acast. See acast.com/privacy for more information.

Immigrant and refugee poet Dario reflects on war, displacement, identity, and healing—revealing how poetry becomes both a refuge and a form of resistance in a world shaped by trauma and migration.00:34- About Dario CvencekDario is an immigrant and a refugee poet from the Balkans.He's an author of a book titled PTSD Martini. 

Da Agami Hando var 21 år gammel dro han til Balkan for å finne seg en klubb. Han har vært innom klubber i Norge, Albania, Bosnia, Kosovo og Montenegro. Karrieren hans er ikke helt som alle andre.

In Chapter 43 of The Book of Trump, Ghost is joined by Lt. Col. Oak McCulloch for a deep, firsthand examination of the Kosovo War and the geopolitical precedent it set. The conversation traces the breakup of Yugoslavia, the rise of ethnic and religious conflict in the Balkans, and NATO's decision to intervene without UN authorization. Oak shares detailed on-the-ground experiences from his deployment, including the realities of peacekeeping, working alongside Russian forces, and navigating tensions between Serb, Albanian, and Gypsy communities. The episode explores how Kosovo became a turning point in international law, influencing later Russian actions in Georgia, Crimea, and Ukraine. Through historical context, military insight, and lived experience, this chapter connects a decades-old conflict to the modern geopolitical landscape, showing how decisions made in Kosovo continue to echo across today's global power struggles.

On today’s “Closer Look with Rose Scott,” we focus on immigration from a policy perspective. First, we speak to U.S. Corporate Immigration Attorney Giselle Carson. She discusses President Trump’s sudden immigration ban on 75 countries, consisting of applicants from Latin America and the Caribbean, the Balkans, and several countries in South Asia, Africa, and the Middle East. Attorney Carson also provides her perspective on a recently filed lawsuit against the immigration ban. The conversation continues with Adriana Heffley, the Director of Legal Services for the Georgia Asylum and Immigration Network. Heffley highlights how some of the asylum seekers she works with have been detained by Immigration agents. She also mentions how actions by ICE have scared some immigrants into hiding and not seeking help for issues such as domestic violence. We learn what GAIN is attempting to do to protect immigrants and those seeking asylum in Georgia.See omnystudio.com/listener for privacy information.

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett analyze the structural evolution of Eastern European empires from the 17th century to World War I , examining how imperial elites managed multiethnic, multicultural societies. -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Intro (00:16) Age of Empires and Personal Anecdotes (03:23) The East Europe Run and the Bloodlands (05:06) Ruling Philosophies of European Dynasties (06:09) Industrialization and the Origins of World War I (09:51) Three Conflicts that Formed the Era (11:10) The Expansion of the Austrian Empire (13:35) Imperial Identity vs National Identity (20:18) Religious Unification and Catholicism (22:38) Ottoman Resilience and Decadence (24:26) Hungarian Governance and the Steppe Frontier (31:28) Multiculturalism and Merchant Ethnicities (38:41) Modern Greek Identity and the Ottoman Elite (41:38) Trust and Honor Culture (46:34) The Balkans under Turkish Rule (52:10) Religion and Social Engineering (55:03) The Austrian Idea and Intellectual Legacy (01:03:07) Culture vs Civilization (01:08:25) The German Nobility of Europe (01:10:03) Enlightened Absolutism and Serfdom (01:15:43) The Great Northern War and the Rise of Russia (01:21:44) The Shift to Mass Mobilization and Drill (01:26:43) The Russian Menace and Power Politics (01:39:53) Prussian Excellence and the Yoker Nobility (01:48:34) Napoleon in Eastern Europe (01:54:40) Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices

To, katere besede izbiramo, kako nekaj povemo in o čem najpogosteje govorimo, je včasih še zgovornejše kot to, kaj povemo. Zato se je dr. Jernej Kaluža, raziskovalec s Katedre za kulturologijo ljubljanske Fakultete za družbene vede lotil analize besedil glasbenih del balkan trapa. Pojasnil bo, kakšen jezik uporabljajo ustvarjalci, kako se razlikuje glede na državo, iz katere je pisec besedila, katere besede so v teh besedilih najpogostejše in kaj teme, ki se jih lotevajo, povedo o sodobni družbi in njenem pogledu na ljubezen.

Hello Groovers, This week's Liquid Sunshine replays last night's wild ride at 'Global Sounds from the Underground'—a boundary-breaking set that ping-pongs from Balkan hotstepping to Afrobeat fire, Dutch dub experiments to Persian-tinged funk, with zero regard for geography or genre rules. From William Onyeabor's synth-funk and Fela Kuti's revolutionary grooves to Doe Maar's Dutch dubby reggae and the Mauskovic Dance Band's psychedelic heat, every track brings its own flavor while keeping the energy locked in that sweet spot between hypnotic and explosive. It's two hours of proof that the underground sounds best when it's truly global—no borders, no boundaries, just pure groove from every corner of the planet. Clickety Click on the link to listen Oh yeah, good times! Deejay Maarten Vlot KC Tracklist Haris Pilton - Shake That Thing Balkan Hot steppers & Dr Fe - Dansen Dr Fe - Knalpot Ikebe Shakedown - Tojunga Rob - Make It Fast, Make It Slow William Onyeabor - Body and Soul Mauskovic Dance Band - Space Drum Machine Eddy Grant - Electric Avenue Peter Tosh - (You Gotta Walk) Don't Look Back Doe Maar - Is Dit Alles Jackie Mittoo - Wall Street Lee Perry - Disco Devil Honeyboy Martin & The Voices - Dreader Than Dread L'entourloop - Johnny A Bad Man Ibibio Sound Machine - Let's Dance Cimafunk - Caramelo The Quantic Soul Orchestra - Tropadelico Quantic & Alice Russell - I'd Cry Saltpond City Band - Mennbo Wobi livingstone - Pompette Les Amazones D'Afrique - I Play The Kora Fela Kuti & Roy Ayers - Africa Centre Of The World Put on your boogie pants and dancing shoes and come on down for some Liquid Sunshine. It's sexy music, for sexy people. Liquid Sunshine is a weekly radio show on 2XX FM in Australia, and The Face Radio in Brooklyn, USA, playing the best Deep Funk, Rare Groove, Disco & Beats - All The Good Stuff. And we also DJ out in the wild! We regularly do shows in Canberra, Sydney, Melbourne and along the Australian East Coast. 2025 will see us on the stages of the European summer festivals, the booths of the European night clubs and near the pools of Bali's finest venues. We are also a full service law firm to the music industry, providing advice to DJs, Producers, Musicians, Venues and Fetival Organisers. Link up, tune in and shake ya booty with Maarten Vlot - podcast, browse the socials, or get in contact via this link: https://linktr.ee/liquidsunshineradio or Stream live at The Face Radio, The Soul of Brooklyn https://thefaceradio.com every Friday 10pm – Midnite Brooklyn / 3 am – 5am London / 12pm - 2pm Oz

Rumi is perhaps the most famous Sufi of all time. For centuries after he died in 1273, his Persian poems were read and recited from the Balkans to Bengal. But his teachings were also passed down through the Mevlevi order that was established after his death in Konya (in present-day Turkey). From their headquarters around Rumi's shrine in Konya, then subsequently from the Ottoman capital of Istanbul, the Mevlevis became one of the most influential Sufi orders in the eastern Mediterranean. Wrapping Rumi's poetry into a larger package of ritual, music, meditation, and dance, the Mevlevis explored the many layers of meaning in Rumi's masterpiece the Masnavi, on which several Mevlevi leaders penned commentaries. In this episode, we trace the development and teachings of the Mevlevi order, with a focus on the distinct emotional style that characterized its spirituality. Nile Green talks to Jamal J. Elias, author of After Rumi: The Mevlevis and Their World (Harvard University Press, 2025).

Radio Totchka, c'était la voix du pouvoir, dont la présence sonore s'imposait aux Bulgares dans leur espace privé, mais aussi dans leur espace public, puisque les programmes étaient diffusés dans la rue par des haut-parleurs, mais aussi à la mairie, à la poste, ou encore à l'usine ! Une radio dont la mémoire sonore réactive à la fois les bons et les mauvais souvenirs d'un monde communiste aujourd'hui disparu. Dans le premier épisode, nous avions suivi les tribulations de l'ethnologue Olivier Givre et du créateur sonore Raphaël Cordray à la recherche de Radio Totchka, petit haut-parleur en plastique importé d'URSS et placé dans les murs des habitations, dont les Bulgares ne pouvaient pas changer la station ! Entre information, musique et propagande, les programmes de Radio Totchka ont marqué plusieurs générations de Bulgares jusqu'à la fin des années 80, la chute du mur de Berlin, l'effondrement de l'Union soviétique et la fin du régime communiste dans leur pays devenu la Bulgarie, aujourd'hui intégrée à l'Europe et à la zone euro. Dans ce second épisode, nous retrouvons l'ethnologue Olivier Givre et le créateur sonore Raphaël Cordray en Bulgarie à la recherche des anciens animateurs de Radio Totchka, dans l'espoir de retrouver des archives radiophoniques non conservées par l'État. Comment étaient fabriqués les programmes de Radio Totchka, depuis les années 40 jusqu'au fameux « changement » du 9 novembre 1989, date de la chute du mur de Berlin et de l'effondrement du bloc communiste… Olivier Givre est maître de conférences en Anthropologie à l'Université Lumière Lyon 2 depuis 2007. Ses travaux concernent principalement l'Europe orientale et les Balkans, et portent sur trois thématiques : les processus patrimoniaux et mémoriels, les dynamiques frontalières et transfrontalières, les recompositions rituelles et religieuses. Plus récemment, il engage une série de travaux sur les approches sensorielles et la recherche-création. Membre de l'Institut Universitaire de France Anthropologie à Lyon2 Nouvelles Écritures de l'Anthropologie Dernière publication : Collectif Balkabas, Les Balkans en transformation. Quatre variations : pancarte, passeport, argent, maison, Collection Meydan, Editions Karthala, Paris, 2025 Écoutez LMDM, le premier volet de LMDM avec Olivier Givre.   Vous pouvez écouter en intégralité les trois derniers épisodes de la série ici : - À LA POURSUITE DE RADIO TOCHKA / Épisode 4 : Entre technique et idéologie - À LA POURSUITE DE RADIO TOCHKA / Épisode 5 : Les voix de radiotočka - À LA POURSUITE DE RADIO TOCHKA / Épisode 6 : Voyage au bout d'une mémoire sonore.

The Youngest Yugoslavs: An Oral History of Post-Socialist Memory (Indiana UP, 2025) gathers interviews with members of the last generation to experience a unified Yugoslavia as children. Born between 1971 and 1991, this cohort spent a relatively short period of their childhood in Yugoslavia – yet the Yugoslav experience had a profound and lasting impact on their lives. The eight individuals selected for this collection share memories of their childhood during the final decades of socialism, offering unique insights into what it means to lose a country, and how they continue to find meaning in the Yugoslav past. Jovana Babović is an Associate Professor of modern European history at SUNY Geneseo. Her research focuses on urban culture and society in Eastern Europe during the twentieth century. Profile page: here Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Youngest Yugoslavs: An Oral History of Post-Socialist Memory (Indiana UP, 2025) gathers interviews with members of the last generation to experience a unified Yugoslavia as children. Born between 1971 and 1991, this cohort spent a relatively short period of their childhood in Yugoslavia – yet the Yugoslav experience had a profound and lasting impact on their lives. The eight individuals selected for this collection share memories of their childhood during the final decades of socialism, offering unique insights into what it means to lose a country, and how they continue to find meaning in the Yugoslav past. Jovana Babović is an Associate Professor of modern European history at SUNY Geneseo. Her research focuses on urban culture and society in Eastern Europe during the twentieth century. Profile page: here Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Youngest Yugoslavs: An Oral History of Post-Socialist Memory (Indiana UP, 2025) gathers interviews with members of the last generation to experience a unified Yugoslavia as children. Born between 1971 and 1991, this cohort spent a relatively short period of their childhood in Yugoslavia – yet the Yugoslav experience had a profound and lasting impact on their lives. The eight individuals selected for this collection share memories of their childhood during the final decades of socialism, offering unique insights into what it means to lose a country, and how they continue to find meaning in the Yugoslav past. Jovana Babović is an Associate Professor of modern European history at SUNY Geneseo. Her research focuses on urban culture and society in Eastern Europe during the twentieth century. Profile page: here Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Lorsque Napoléon Ier veut faire main basse sur l'Algérie, il met tout en oeuvre pour assurer à ses hommes un débarquement sans accroc. Pour cela, il faut une analyse pointilleuse du terrain. Et qui de mieux que Vincent‑Yves Boutin pour accomplir ce travail. Doté d'un grand sens de l'observation, efficace lorsqu'il s'agit d'effectuer des calculs compliqués, ce chef de bataillon est capable de mener à bien des missions discrètes en Orient. Ce n'est pas pour rien qu'on le surnomme le Lawrence d'Arabie français. Mais contrairement à l'espion anglais, Vincent-Yves est issu d'une famille bien modeste. Comment ce jeune Nantais est-il parvenu à préparer le terrain pour l'une des campagnes militaires françaises les plus retentissantes du 19eme siècle ?Lorsque Boutin arrive en Bosnie ottomane, dans la région de Botna-Seraï, au coeur des Balkans, les autorités lui compliquent brutalement la tâche. Dans ces provinces éloignées de Constantinople, l'autorité centrale est fragile et la méfiance règne. Toute officier étranger est considéré comme suspect. Boutin est arrêté puis interrogé. Il doit attendre l'intervention du général Sébastiani pour reprendre sa route vers Constantinople.Secrets d'agents • Histoires Vraies est une production Minuit.

Send us a textSelco Begovic - Survivor of the Balkan War - SHTF Expert!  PART 1 InterviewSelco Begovic, a survivor of the tumultuous Balkan war in the 1990s, endured the daunting challenges of living in a besieged city without access to necessities like electricity, running water, and food distribution. Today, he shares his firsthand experiences through physical courses, offering invaluable insights for those eager to learn from his real-life ordeal.Through his online writings, Selco offers an unfiltered view of the brutal realities of survival in extreme conditions. With candid assessments of effective strategies and lessons learned from his trials, he also discusses contemporary preparations for uncertain times.Continuing his relentless pursuit of survival knowledge since the war, Selco provides a unique opportunity for others to glean from his experiences, even if they may never face such extreme circumstances.Explore Selco's articles, purchase his PDF books, including the highly acclaimed "The Dark Secrets of Survival," or dive deep into his expertise through his online course, the SHTF Survival Boot Camp. Enroll in his course, "One Year in Hell," to gain an insider perspective on life during a crisis.Selco's message is clear: Real survival lacks romance or idealism; it's a brutal, arduous, and often unfair journey. Let Selco guide you through this uncompromising world and prepare you for the realities that may lie ahead.https://www.shtfschool.com/ Join PrepperNet.Net - https://www.preppernet.netPrepperNet is an organization of like-minded individuals who believe in personal responsibility, individual freedoms and preparing for disasters of all origins.PrepperNet Support the showPlease give us 5 Stars! www.preppingacademy.com Daily deals for preppers, survivalists, off-gridders, homesteaders https://prepperfinds.com Contact us: https://preppingacademy.com/contact/ www.preppernet.net Amazon Store: https://amzn.to/3lheTRTwww.forrestgarvin.com

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett analyze the ethno-genesis of Eastern Europe, tracing the Slavic migration, the impact of Mongol and Turkic conquests, and the unique sociopolitical structures of Poland, Russia, and the Balkans. -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Intro (02:50) The Human Character and Potential of Eastern Europe (08:52) The Hunnic Migration and the Slavic Power Vacuum (15:58) Proximity to Rome and Ancient Greek Colonies (21:54) The Avars, Bulgars, and Nomadic Confederacies (23:45) Surviving Populations: Albanians (Illyrians) and Romanians (Vlachs) (26:22) The Significance of the Slavic Slave Trade (32:55) Byzantine Influence and the Creation of the Slavic Alphabet (43:24) Imperial Cultures versus National Identities (51:50) The Khazar Kingdom and Jewish Conversion (54:19) The Vikings (Rus) and the Foundation of Kievan Rus (01:07:22) The Year 1000: Monotheistic Religions and the Civilizational Fault Line (01:16:30) The Relationship Between Russia, Ukraine, and Belarus (01:24:00) 19th Century Intellectualization of Peasant Identities (01:32:00) The Formation of Poland and Hungary (01:38:52) Bohemia (Czechia) and the Early Protestant Hussite Wars (01:45:26) The Severity of Eastern European Serfdom (01:51:30) The Rise and Fall of the Polish-Lithuanian Commonwealth (02:03:50) The Teutonic Knights and the Prussian State (02:11:30) The Mongol Storm and the Rise of Muscovite Russia (02:17:15) Ivan the Terrible and the Shift to Autocratic Totalitarianism (02:21:30) The Austrian Habsburgs and Ottoman Balkan Governance (02:28:09) Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices

Ivana Stradner on Serbia's brute President Aleksandar Vučić welcoming PRC money, examining how Beijingexpands influence in the Balkans through investment while Serbia drifts from Western alignment.1800 BANK OF ENGLAND

251 AD wasn't just a bad year. It was Rome's near-death experience.First, an emperor vanishes into a Balkan swamp. Decius charges forward with his son—and both are gone. No heroic last stand. No recovered body. Just an army shattered and 20,000 Romans dead.Then comes the second удар: the Plague of Cyprian. Fever. Diarrhea. Throat ulcers. Entire streets empty in days. Ancient sources claim 5,000 dying per day in Rome at the peak.This episode walks you through the moment Romans may have first felt the thought:“This might actually be the fall.”In this video, you'll learn:• Why 251 AD sits at the center of the Crisis of the Third Century• What happened at the Battle of Abritus• How plague + invasion create the perfect collapse spiral• Why Rome survived…barely—and what it cost

FILE 7. SPHERES OF INFLUENCE AND FAILED NEGOTIATIONS. GUEST AUTHOR SEAN MCMEEKIN. During 1940 negotiations in Berlin, Hitler attempted to align the Soviets with the Axis powers, but talks failed due to Stalin's insistence on expanding influence into Finland and the Balkans. Consequently, Hitler decided to invade Russia to break their economic stranglehold, while Soviet leadership simultaneously began preparing their own military deployments for a future war with Germany,.1931

Dans plusieurs régions d'Europe, notamment dans les Balkans et en Europe centrale aux XVIIIe et XIXe siècles, certaines épidémies de tuberculose ont été interprétées à travers le prisme du mythe des vampires. Et la raison est simple : la tuberculose donnait aux malades une apparence… presque “surnaturelle”, qui collait parfaitement aux croyances de l'époque.La tuberculose (qu'on appelait souvent “la consomption”) est une maladie infectieuse qui détruit progressivement l'organisme. Elle entraîne un amaigrissement extrême, une grande fatigue, une pâleur marquée, des yeux creusés… bref, l'image typique d'une personne “vidée de sa vie”. Or, dans l'imaginaire populaire, c'est exactement ce que fait un vampire : il draine la force vitale de ses victimes.Mais le détail le plus troublant, c'est que certaines formes de tuberculose provoquent une toux avec du sang. Voir du sang autour de la bouche d'un malade était terrifiant, surtout quand on ne comprenait pas la maladie. Dans une culture où l'on croyait aux morts qui reviennent se nourrir des vivants, ce symptôme pouvait être interprété comme une “preuve” : quelqu'un perdait son sang… donc quelqu'un le lui prenait.Autre élément : la tuberculose frappe souvent plusieurs membres d'une même famille. Aujourd'hui, on sait pourquoi : c'est une maladie contagieuse, transmise par l'air, facilitée par la promiscuité. Mais à l'époque, cela ressemblait à une malédiction ciblée. On voyait une famille entière dépérir les uns après les autres, comme si un mort revenait la nuit se nourrir des vivants — en commençant par ses proches.C'est dans ce contexte qu'on trouve des récits historiques très documentés : des villages où l'on ouvre les tombes, où l'on accuse un défunt d'être responsable des morts récentes. Et là encore, certains phénomènes naturels renforçaient la croyance. Un cadavre récemment enterré peut paraître “bien conservé”, gonflé, avec du sang au niveau de la bouche — non pas parce qu'il a bu du sang, mais à cause de la décomposition interne et des gaz.La tuberculose n'a donc pas “créé” le mythe des vampires, qui est plus ancien. Mais elle a servi de carburant : en période d'épidémie, elle donnait un visage médical à ce que les gens interprétaient comme un phénomène surnaturel.En résumé : oui, la tuberculose a été associée au vampirisme, parce que ses symptômes (pâleur, amaigrissement, toux sanglante, contagion familiale) pouvaient facilement être interprétés comme la marque d'un vampire en action. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

3 Hours and 13 MinutesPG-13Thomas777 is a revisionist historian and a fiction writer.Here, in one file, are the 3 episodes Thomas777 did with Pete covering the 1990's Balkans Wars.Episode 1: The 1990's Balkan Wars - Part 1 - 'The Homeland War' w/ Thomas777Episode 2: The 1990's Balkan Wars - Part 2 - WW2 Context - w/ Thomas777Episode 3: The 1990's Balkan Wars - Part 3 - The Hostilities - w/ Thomas777Thomas' SubstackThomas777 MerchandiseThomas' Book "Steelstorm Pt. 1"Thomas' Book "Steelstorm Pt. 2"Thomas on TwitterThomas' CashApp - $7homas777Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

What would you do if you suddenly had four months free to take a bike adventure? For London-based outdoors lover Anna Ruddiman, the answer was simple: buy a touring bike off Facebook Marketplace, catch a ferry to Spain with her girlfriend Fran, and start pedalling east across Europe.In this episode, Anna shares how that idea turned into a four-month ride through 11 countries, wild heatwaves, Balkan backroads and dreamy alpine passes. Along the way they wild camped in secluded spots, rerouted around wildfires, dodged territorial shepherd dogs, and survived on a heroic amount of pesto pasta.We cover: • The serendipity of both losing work & suddenly having time • Buying second-hand touring bikes for the trip • Why rigid planning doesn't work for long bike travel • Ferry crossings, river valleys & heatwaves • The wild camping learning curve (and mysterious eyes in the dark…) • Mechanical drama & flat tyres in Albania • The shepherd dogs outside Athens that forced a 60 km detour • Finishing the trip in Turkey and what comes next • Why comparison steals the joy from adventureRoute Highlights: UK → Spain → France → Italy → Slovenia → Croatia → Bosnia → Montenegro → Albania → Greece → TurkeyFollow Anna on Instagram - @annaruddimanMusic Pick: Anna adds “Oysters In My Pocket” by Royal Otis to the Seek Travel Ride playlist. Check out Old Man Mountain for the perfect way to carry gear on your bike. Support the showBuy me a coffee! I'm an affiliate for a few brands I genuinely use and recommend including:

Radio Totchka ! J'imagine que tout comme moi, vous n'en avez jamais entendu parler… et pourtant, ce petit poste de radio a accompagné la vie quotidienne de millions de femmes, d'hommes et d'enfants qui ont grandi dans ce que l'on appelait à l'époque le bloc de l'Est. Que ce soit en Union Soviétique ou dans les pays communistes comme la Bulgarie située en Europe du sud-est, dans les Balkans.  À partir de 1947, la Bulgarie s'est massivement équipée en matériel de diffusion radiophonique, sous l'influence de l'Union Soviétique, c'est ainsi qu'apparait radiotočka, ce qui signifie littéralement point radio. Une radio que l'on ne pouvait pas éteindre et dont on ne pouvait pas changer la station. Radio Totchka était présente dans toutes les cuisines des habitations bulgares, ainsi que dans l'espace public, pour diffuser des émissions nationales et des programmes locaux, entre information et propagande. Dans ce premier épisode, nous partons en Bulgarie à la recherche de Radio Totchka avec pour guide l'ethnologue Olivier Givre et le créateur sonore Raphaël Cordray. Que reste-t-il de radiotočka ? Quelle était sa portée auprès des gens ? De quoi est faite la mémoire sonore du communisme en Bulgarie ? La Bulgarie a été occupée par l'Union soviétique à la fin de la Seconde Guerre mondiale, de 1944 à 1947, et devient République Populaire de Bulgarie dès 1946 avec une nouvelle constitution ratifiée fin 1947, calquée sur la constitution soviétique de 1936. Parti communiste unique et répression des opposants dominent la vie politique de la République Populaire de Bulgarie jusqu'à la chute du Mur de Berlin en 1989 suivi de l'effondrement de l'URSS en 1991… c'est alors que le pays change de nom et devient la Bulgarie, membre de l'Union européenne depuis 2007 et de la zone euro depuis 2026 ! Olivier Givre est maître de conférences en Anthropologie à l'Université Lumière Lyon 2 depuis 2007. Ses travaux concernent principalement l'Europe orientale et les Balkans, et portent sur trois thématiques : les processus patrimoniaux et mémoriels, les dynamiques frontalières et transfrontalières, les recompositions rituelles et religieuses. Plus récemment, il engage une série de travaux sur les approches sensorielles et la recherche-création. Membre de l'Institut Universitaire de France Anthropologie à Lyon2 Nouvelles Écritures de l'Anthropologie Dernière publication : Collectif Balkabas, Les Balkans en transformation. Quatre variations : pancarte, passeport, argent, maison, Collection Meydan, Editions Karthala, Paris, 2025 Vous pouvez écouter en intégralité les trois premiers épisodes de la série ici : À LA POURSUITE DE RADIO TOCHKA / Épisode 1 : Comment ça, tu ne connais pas radiotočka ? À LA POURSUITE DE RADIO TOCHKA / Épisode 2 : Radiotočka habitait dans ma cuisine À LA POURSUITE DE RADIO TOCHKA / Épisode 3 : Les fantômes de radiotočka.

Episode Summary:In this episode of Explaining History, Nick continues his exploration of the twilight of the Ottoman Empire. We shift our focus to North Africa, where a newly unified Italy sought to satisfy its imperial ambitions by seizing Libya—the Ottomans' last foothold on the continent.Drawing on Eugene Rogan's The Fall of the Ottomans, we examine the invasion of 1911 and the fierce guerrilla resistance led by the Young Turk officer Enver Pasha. From his alliance with the mystical Senussi Brotherhood to his use of Islam as a mobilizing force against European colonialism, Enver's campaign in the desert foreshadowed the tactics of the First World War.Nick also discusses the broader geopolitical fallout: how Italy's aggression exposed Ottoman weakness, triggering the Balkan Wars and setting the stage for the catastrophic collapse of 1914. Was the seizure of Libya the first domino in the chain reaction that led to the Great War?Plus: A final call for history students! Our Russian Revolution Masterclass is this Sunday, January 25th. Don't miss out on this deep dive into exam technique and historical argument.Key Topics:The Italian Invasion: Why a "liberal" Italy launched a brutal colonial war.Enver Pasha: The secular Young Turk who became a desert warrior.The Senussi Brotherhood: The Islamic order that fought alongside the Ottomans.The Balkan Card: How the war in Libya triggered the collapse of Ottoman power in Europe.Books Mentioned:The Fall of the Ottomans by Eugene RoganExplaining History helps you understand the 20th Century through critical conversations and expert interviews. We connect the past to the present. If you enjoy the show, please subscribe and share.▸ Support the Show & Get Exclusive ContentBecome a Patron: patreon.com/explaininghistory▸ Join the Community & Continue the ConversationFacebook Group: facebook.com/groups/ExplainingHistoryPodcastSubstack: theexplaininghistorypodcast.substack.com▸ Read Articles & Go DeeperWebsite: explaininghistory.org Hosted on Acast. See acast.com/privacy for more information.

Eines ist klar: Nichts geschieht zufällig. So sind di e offiziellen Angaben und das ist wahr. Selbst auf dem Ballaballa-Balkan. Dort betrauert man dieser Tage einen schweren Verlust. Jovanka Jolić, die in den letzten Jahren zur Grande Dame der irren Verschwörungstheorien in Serbien avanciert ist, ist mit 69 Jahren gestorben. Eines natürlichen Todes, heißt es. Aber kann man da sicher sein? Wir stellen nur Fragen... Wie dem auch sei. Das Ableben von Jovanka nehmen Krsto und Danijel mal zum Anlass, ein wenig in die Welt des Absurden abzutauchen, wo es nur so von Atlantiden, Sonnenpyramiden, geheimem Wissen und natürlich den Rothschilds wimmelt. Ach ja, natürlich ist auch Koks-Nazi Velimir Bujanec wieder mit von der Partie. Und ein Ex-Admiral, der aussieht wie Präsiden Scroob in Spaceballs. Es wird also ein wilder Ritt direkt zum Jahresauftakt. Nebenbei erfahrt ihr noch, welche neuen Entwicklungen es bei den Protesten in Serbien gibt, wessen Visa in den USA noch bearbeitet werden und wessen nicht und warum Danijel daran schuld ist, dass bei der Handball-EM in Schweden keine Lieder von Fascho-Rocker Thompson mehr gespielt werden dürfen.

In this episode of “History of the Second World War,” we explore Yugoslavia's precarious position in the early years of WWII — a newly formed nation straddling ethnic diversity and geopolitical tension, created after WWI from the remnants of the Austro-Hungarian and Ottoman empires. As Germany surged into Poland and Italy sought to expand its influence in the Balkans, Yugoslavia found itself caught between competing powers: diplomatically aligned with France but economically entangled with Nazi Germany through vital resource trade. When Italy's ill-fated invasion of Greece forced it to seek transit routes through Yugoslav territory — a move the neutral country refused — tensions escalated rapidly. This episode sets the stage for how Yugoslavia, despite its best efforts at neutrality, would soon become a focal point in Hitler's broader Balkan strategy, setting the stage for one of WWII's most dramatic and consequential invasions. Contact advertising@airwavemedia.com to advertise on History of the Second World War. History of the Second World War is part of the Airwave Media podcast network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Serbian analyst Nikola Mikovic argues that the contemporary world remains firmly under Western dominance, refuting the popular narrative of an emerging multipolar global order. He posits that the United States and its European allies possess unmatched power, citing recent military actions in Venezuela and the lack of support for Iran as proof of Russian and Chinese weakness. Mikovic characterizes Russia and Iran as an “axis of impotence,” suggesting they are incapable of providing a true alternative to Western systems. The discussion also explores the global shift toward technocracy, noting that rapid digitalization and the elimination of cash are occurring across both East and West. Finally, the source warns of a potential large-scale war in Europe and predicts a “Great Game” in Central Asia where the West and China will ultimately displace Russian influence. Watch on BitChute / Brighteon / Rumble / Substack / YouTube *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Listen Ad-Free for $4.99 a Month or $49.99 a Year! Apple Subscriptions https://podcasts.apple.com/us/podcast/geopolitics-empire/id1003465597 Supercast https://geopoliticsandempire.supercast.com ***Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics American Gold Exchange https://www.amergold.com/geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape The Technocracy (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics Outbound Mexico https://outboundmx.com PassVult https://passvult.com Sociatates Civis https://societates-civis.com StartMail https://www.startmail.com/partner/?ref=ngu4nzr Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites X https://x.com/nikola_mikovic Telegram https://t.me/Nikola_Mikovic About Nikola Mikovic Nikola Mikovic is a freelance journalist, researcher and analyst based in Serbia. He covers mostly the foreign policies of Russia, Belarus and Ukraine, as well as energy-related issues. Nikola primarily focuses on Russia's involvement in post-Soviet space, the Middle East, and the Balkans. He writes for several publications such as Byline Times, CGTN, Lowy Institute, Global Comment, and World Geostratregic Insights, among others. *Podcast intro music used with permission is from the song “The Queens Jig” by the fantastic “Musicke & Mirth” from their album “Music for Two Lyra Viols”: http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

What if the most transformative thing you can do for your writing craft and author business is to face what you fear? How can you can find gold in your Shadow in the year ahead? In this episode, I share chapters from Writing the Shadow: Turn Your Inner Darkness Into Words. In the intro, curated book boxes from Bridgerton's Julia Quinn; Google's agentic shopping, and powering Apple's Siri; ChatGPT Ads; and Claude CoWork. Balancing Certainty and Uncertainty [MoonShots with Tony Robbins]; and three trends for authors with me and Orna Ross [Self-Publishing with ALLi Podcast]; plus, Bones of the Deep, Business for Authors, and Indie Author Lab. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. What is the Shadow? The ‘creative wound' and the Shadow in writing The Shadow in traditional publishing The Shadow in self-publishing or being an indie author The Shadow in work The Shadow in money You can find Writing the Shadow in all formats on all stores, as well as special edition, workbook and bundles at www.TheCreativePenn.com/shadowbook Writing the Shadow: Turn Your Inner Darkness Into Words The following chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn. Introduction. What is the Shadow? “How can I be substantial if I do not cast a shadow? I must have a dark side also if I am to be whole.” —C.G. Jung, Modern Man in Search of a Soul We all have a Shadow side and it is the work of a lifetime to recognise what lies within and spin that base material into gold. Think of it as a seedling in a little pot that you're given when you're young. It's a bit misshapen and weird, not something you would display in your living room, so you place it in a dark corner of the basement. You don't look at it for years. You almost forget about it. Then one day you notice tendrils of something wild poking up through the floorboards. They're ugly and don't fit with your Scandi-minimalist interior design. You chop the tendrils away and pour weedkiller on what's left, trying to hide the fact that they were ever there. But the creeping stems keep coming. At some point, you know you have to go down there and face the wild thing your seedling has become. When you eventually pluck up enough courage to go down into the basement, you discover that the plant has wound its roots deep into the foundations of your home. Its vines weave in and out of the cracks in the walls, and it has beautiful flowers and strange fruit. It holds your world together. Perhaps you don't need to destroy the wild tendrils. Perhaps you can let them wind up into the light and allow their rich beauty to weave through your home. It will change the look you have so carefully cultivated, but maybe that's just what the place needs. The Shadow in psychology Carl Gustav Jung was a Swiss psychologist and the founder of analytical psychology. He described the Shadow as an unconscious aspect of the human personality, those parts of us that don't match up to what is expected of us by family and society, or to our own ideals. The Shadow is not necessarily evil or illegal or immoral, although of course it can be. It's also not necessarily caused by trauma, abuse, or any other severely damaging event, although again, it can be. It depends on the individual. What is in your Shadow is based on your life and your experiences, as well as your culture and society, so it will be different for everyone. Psychologist Connie Zweig, in The Inner Work of Age, explains, “The Shadow is that part of us that lies beneath or behind the light of awareness. It contains our rejected, unacceptable traits and feelings. It contains our hidden gifts and talents that have remained unexpressed or unlived. As Jung put it, the essence of the Shadow is pure gold.” To further illustrate the concept, Robert Bly, in A Little Book on the Human Shadow,uses the following metaphor: “When we are young, we carry behind us an invisible bag, into which we stuff any feelings, thoughts, or behaviours that bring disapproval or loss of love—anger, tears, neediness, laziness. By the time we go to school, our bags are already a mile long. In high school, our peer groups pressure us to stuff the bags with even more—individuality, sexuality, spontaneity, different opinions. We spend our life until we're twenty deciding which parts of ourselves to put into the bag and we spend the rest of our lives trying to get them out again.” As authors, we can use what's in the ‘bag' to enrich our writing — but only if we can access it. My intention with this book is to help you venture into your Shadow and bring some of what's hidden into the light and into your words. I'll reveal aspects of my Shadow in these pages but ultimately, this book is about you. Your Shadow is unique. There may be elements we share, but much will be different. Each chapter has questions for you to consider that may help you explore at least the edges of your Shadow, but it's not easy. As Jung said, “One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” But take heart, Creative. You don't need courage when things are easy. You need it when you know what you face will be difficult, but you do it anyway. We are authors. We know how to do hard things. We turn ideas into books. We manifest thoughts into ink on paper. We change lives with our writing. First, our own, then other people's. It's worth the effort to delve into Shadow, so I hope you will join me on the journey. The creative wound and the Shadow in writing “Whatever pain you can't get rid of, make it your creative offering.” —Susan Cain, Bittersweet  The more we long for something, the more extreme our desire, the more likely it is to have a Shadow side. For those of us who love books, the author life may well be a long-held dream and thus, it is filled with Shadow. Books have long been objects of desire, power, and authority. They hold a mythic status in our lives. We escaped into stories as children; we studied books at school and college; we read them now for escape and entertainment, education and inspiration. We collect beautiful books to put on our shelves. We go to them for solace and answers to the deepest questions of life. Writers are similarly held in high esteem. They shape culture, win literary prizes, give important speeches, and are quoted in the mainstream media. Their books are on the shelves in libraries and bookstores. Writers are revered, held up as rare, talented creatures made separate from us by their brilliance and insight. For bibliophile children, books were everything and to write one was a cherished dream. To become an author? Well, that would mean we might be someone special, someone worthy. Perhaps when you were young, you thought the dream of being a writer was possible — then you told someone about it. That's probably when you heard the first criticism of such a ridiculous idea, the first laughter, the first dismissal. So you abandoned the dream, pushed the idea of being a writer into the Shadow, and got on with your life. Or if it wasn't then, it came later, when you actually put pen to paper and someone — a parent, teacher, partner, or friend, perhaps even a literary agent or publisher, someone whose opinion you valued — told you it was worthless. Here are some things you might have heard: Writing is a hobby. Get a real job. You're not good enough. You don't have any writing talent. You don't have enough education. You don't know what you're doing. Your writing is derivative / unoriginal / boring / useless / doesn't make sense. The genre you write in is dead / worthless / unacceptable / morally wrong / frivolous / useless.  Who do you think you are? No one would want to read what you write. You can't even use proper grammar, so how could you write a whole book? You're wasting your time. You'll never make it as a writer. You shouldn't write those things (or even think about those things). Why don't you write something nice? Insert other derogatory comment here! Mark Pierce describes the effect of this experience in his book The Creative Wound, which “occurs when an event, or someone's actions or words, pierce you, causing a kind of rift in your soul. A comment—even offhand and unintentional—is enough to cause one.” He goes on to say that such words can inflict “damage to the core of who we are as creators. It is an attack on our artistic identity, resulting in us believing that whatever we make is somehow tainted or invalid, because shame has convinced us there is something intrinsically tainted or invalid about ourselves.” As adults, we might brush off such wounds, belittling them as unimportant in the grand scheme of things. We might even find ourselves saying the same words to other people. After all, it's easier to criticise than to create. But if you picture your younger self, bright eyed as you lose yourself in your favourite book, perhaps you might catch a glimpse of what you longed for before your dreams were dashed on the rocks of other people's reality. As Mark Pierce goes on to say, “A Creative Wound has the power to delay our pursuits—sometimes for years—and it can even derail our lives completely… Anything that makes us feel ashamed of ourselves or our work can render us incapable of the self-expression we yearn for.” This is certainly what happened to me, and it took decades to unwind. Your creative wounds will differ to mine but perhaps my experience will help you explore your own. To be clear, your Shadow may not reside in elements of horror as mine do, but hopefully you can use my example to consider where your creative wounds might lie. “You shouldn't write things like that.” It happened at secondary school around 1986 or 1987, so I would have been around eleven or twelve years old. English was one of my favourite subjects and the room we had our lessons in looked out onto a vibrant garden. I loved going to that class because it was all about books, and they were always my favourite things. One day, we were asked to write a story. I can't remember the specifics of what the teacher asked us to write, but I fictionalised a recurring nightmare. I stood in a dark room. On one side, my mum and my brother, Rod, were tied up next to a cauldron of boiling oil, ready to be thrown in. On the other side, my dad and my little sister, Lucy, were threatened with decapitation by men with machetes. I had to choose who would die. I always woke up, my heart pounding, before I had to choose. Looking back now, it clearly represented an internal conflict about having to pick sides between the two halves of my family. Not an unexpected issue from a child of divorce. Perhaps these days, I might have been sent to the school counsellor, but it was the eighties and I don't think we even had such a thing. Even so, the meaning of the story isn't the point. It was the reaction to it that left scars. “You shouldn't write things like that,” my teacher said, and I still remember her look of disappointment, even disgust. Certainly judgment. She said my writing was too dark. It wasn't a proper story. It wasn't appropriate for the class. As if horrible things never happened in stories — or in life. As if literature could not include dark tales. As if the only acceptable writing was the kind she approved of. We were taught The Prime of Miss Jean Brodie that year, which says a lot about the type of writing considered appropriate. Or perhaps the issue stemmed from the school motto, “So hateth she derknesse,” from Chaucer's The Legend of Good Women: “For fear of night, so she hates the darkness.” I had won a scholarship to a private girls' school, and their mission was to turn us all into proper young ladies. Horror was never on the curriculum. Perhaps if my teacher had encouraged me to write my darkness back then, my nightmares would have dissolved on the page. Perhaps if we had studied Mary Shelley's Frankenstein, or H.P. Lovecraft stories, or Bram Stoker's Dracula, I could have embraced the darker side of literature earlier in my life. My need to push darker thoughts into my Shadow was compounded by my (wonderful) mum's best intentions. We were brought up on the principles of The Power of Positive Thinking by Norman Vincent Peale and she tried to shield me and my brother from anything harmful or horrible. We weren't allowed to watch TV much, and even the British school drama Grange Hill was deemed inappropriate. So much of what I've achieved is because my mum instilled in me a “can do” attitude that anything is possible. I'm so grateful to her for that. (I love you, Mum!) But all that happy positivity, my desire to please her, to be a good girl, to make my teachers proud, and to be acceptable to society, meant that I pushed my darker thoughts into Shadow. They were inappropriate. They were taboo. They must be repressed, kept secret, and I must be outwardly happy and positive at all times. You cannot hold back the darkness “The night is dark and full of terrors.” —George R.R. Martin, A Storm of Swords It turned out that horror was on the curriculum, much of it in the form of educational films we watched during lessons. In English Literature, we watched Romeo drink poison and Juliet stab herself in Zeffirelli's Romeo and Juliet. In Religious Studies, we watched Jesus beaten, tortured, and crucified in The Greatest Story Ever Told, and learned of the variety of gruesome ways that Christian saints were martyred. In Classical Civilisation, we watched gladiators slaughter each other in Spartacus. In Sex Education at the peak of the AIDS crisis in the mid-'80s, we were told of the many ways we could get infected and die. In History, we studied the Holocaust with images of skeletal bodies thrown into mass graves, medical experiments on humans, and grainy videos of marching soldiers giving the Nazi salute. One of my first overseas school field trips was to the World War I battlegrounds of Flanders Fields in Belgium, where we studied the inhuman conditions of the trenches, walked through mass graves, and read war poetry by candlelight. As John McCrae wrote: We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved, and now we lie, In Flanders fields. Did the teachers not realise how deeply a sensitive teenager might feel the darkness of that place? Or have I always been unusual in that places of blood echo deep inside me? And the horrors kept coming. We lived in Bristol, England back then and I learned at school how the city had been part of the slave trade, its wealth built on the backs of people stolen from their homes, sold, and worked to death in the colonies. I had been at school for a year in Malawi, Africa and imagined the Black people I knew drowning, being beaten, and dying on those ships. In my teenage years, the news was filled with ethnic cleansing, mass rape, and massacres during the Balkan wars, and images of bodies hacked apart during the Rwandan genocide. Evil committed by humans against other humans was not a historical aberration. I'm lucky and I certainly acknowledge my privilege. Nothing terrible or horrifying has happened to me — but bad things certainly happen to others. I wasn't bullied or abused. I wasn't raped or beaten or tortured. But you don't have to go through things to be afraid of them, and for your imagination to conjure the possibility of them. My mum doesn't read my fiction now as it gives her nightmares (Sorry, Mum!). I know she worries that somehow she's responsible for my darkness, but I've had a safe and (mostly) happy life, for which I'm truly grateful. But the world is not an entirely safe and happy place, and for a sensitive child with a vivid imagination, the world is dark and scary. It can be brutal and violent, and bad things happen, even to good people. No parent can shield their child from the reality of the world. They can only help them do their best to live in it, develop resilience, and find ways to deal with whatever comes. Story has always been a way that humans have used to learn how to live and deal with difficult times. The best authors, the ones that readers adore and can't get enough of, write their darkness into story to channel their experience, and help others who fear the same. In an interview on writing the Shadow on The Creative Penn Podcast, Michaelbrent Collings shared how he incorporated a personally devastating experience into his writing:  “My wife and I lost a child years back, and that became the root of one of my most terrifying books, Apparition. It's not terrifying because it's the greatest book of all time, but just the concept that there's this thing out there… like a demon, and it consumes the blood and fear of the children, and then it withdraws and consumes the madness of the parents… I wrote that in large measure as a way of working through what I was experiencing.” I've learned much from Michaelbrent. I've read many of his (excellent) books and he's been on my podcast multiple times talking about his depression and mental health issues, as well as difficulties in his author career. Writing darkness is not in Michaelbrent's Shadow and only he can say what lies there for him. But from his example, and from that of other authors, I too learned how to write my Shadow into my books. Twenty-three years after that English lesson, in November 2009, I did NaNoWriMo, National Novel Writing Month, and wrote five thousand words of what eventually became Stone of Fire, my first novel. In the initial chapter, I burned a nun alive on the ghats of Varanasi on the banks of the Ganges River. I had watched the bodies burn by night on pyres from a boat bobbing in the current a few years before, and the image was still crystal clear in my mind. The only way to deal with how it made me feel about death was to write about it — and since then, I've never stopped writing. Returning to the nightmare from my school days, I've never had to choose between the two halves of my family, but the threat of losing them remains a theme in my fiction. In my ARKANE thriller series, Morgan Sierra will do anything to save her sister and her niece. Their safety drives her to continue to fight against evil. Our deepest fears emerge in our writing, and that's the safest place for them. I wish I'd been taught how to turn my nightmares into words back at school, but at least now I've learned to write my Shadow onto the page. I wish the same for you. The Shadow in traditional publishing If becoming an author is your dream, then publishing a book is deeply entwined with that. But as Mark Pierce says in The Creative Wound, “We feel pain the most where it matters the most… Desire highlights whatever we consider to be truly significant.” There is a lot of desire around publishing for those of us who love books! It can give you: Validation that your writing is good enough Status and credibility Acceptance by an industry held in esteem  The potential of financial reward and critical acclaim Support from a team of professionals who know how to make fantastic books A sense of belonging to an elite community Pride in achieving a long-held goal, resulting in a confidence boost and self-esteem Although not guaranteed, traditional publishing can give you all these things and more, but as with everything, there is a potential Shadow side. Denying it risks the potential of being disillusioned, disappointed, and even damaged. But remember, forewarned is forearmed, as the saying goes. Preparation can help you avoid potential issues and help you feel less alone if you encounter them. The myth of success… and the reality of experience There is a pervasive myth of success in the traditional publishing industry, perpetuated by media reporting on brand name and breakout authors, those few outliers whose experience is almost impossible to replicate. Because of such examples, many new traditionally published authors think that their first book will hit the top of the bestseller charts or win an award, as well as make them a million dollars — or at least a big chunk of cash. They will be able to leave their job, write in a beautiful house overlooking the ocean, and swan around the world attending conferences, while writing more bestselling books. It will be a charmed life. But that is not the reality. Perhaps it never was. Even so, the life of a traditionally published author represents a mythic career with the truth hidden behind a veil of obscurity. In April 2023, The Bookseller in the UK reported that “more than half of authors (54%) responding to a survey on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22%… described a positive experience overall… Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and ‘lowered' self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.” Many authors who have negative experiences around publishing will push them into the Shadow with denial or self-blame, preferring to keep the dream alive. They won't talk about things in public as this may negatively affect their careers, but private discussions are often held in the corners of writing conferences or social media groups online. Some of the issues are as follows: Repeated rejection by agents and publishers may lead to the author thinking they are not good enough as a writer, which can lead to feeling unworthy as a person. If an author gets a deal, the amount of advance and the name and status of the publisher compared to others create a hierarchy that impacts self-esteem. A deal for a book may be much lower than an author might have been expecting, with low or no advance, and the resulting experience with the publisher beneath expectations. The launch process may be disappointing, and the book may appear without fanfare, with few sales and no bestseller chart position. In The Bookseller report, one author described her launch day as “a total wasteland… You have expectations about what publication day will be like, but in reality, nothing really happens.” The book may receive negative reviews by critics or readers or more publicly on social media, which can make an author feel attacked. The book might not sell as well as expected, and the author may feel like it's their fault. Commercial success can sometimes feel tied to self-worth and an author can't help but compare their sales to others, with resulting embarrassment or shame. The communication from the publisher may be less than expected. One author in The Bookseller report said, “I was shocked by the lack of clarity and shared information and the cynicism that underlies the superficial charm of this industry.” There is often more of a focus on debut authors in publishing houses, so those who have been writing and publishing in the midlist for years can feel ignored and undervalued. In The Bookseller report, 48 percent of authors reported “their publisher supported them for less than a year,” with one saying, “I got no support and felt like a commodity, like the team had moved on completely to the next book.” If an author is not successful enough, the next deal may be lower than the last, less effort is made with marketing, and they may be let go. In The Bookseller report, “six authors—debut and otherwise—cited being dropped by their publisher, some with no explanation.” Even if everything goes well and an author is considered successful by others, they may experience imposter syndrome, feeling like a fraud when speaking at conferences or doing book signings. And the list goes on … All these things can lead to feelings of shame, inadequacy, and embarrassment; loss of status in the eyes of peers; and a sense of failure if a publishing career is not successful enough. The author feels like it's their fault, like they weren't good enough — although, of course, the reality is that the conditions were not right at the time. A failure of a book is not a failure of the person, but it can certainly feel like it! When you acknowledge the Shadow, it loses its power Despite all the potential negatives of traditional publishing, if you know what could happen, you can mitigate them. You can prepare yourself for various scenarios and protect yourself from potential fall-out. It's clear from The Bookseller report that too many authors have unrealistic expectations of the industry. But publishers are businesses, not charities. It's not their job to make you feel good as an author. It's their job to sell books and pay you. The best thing they can do is to continue to be a viable business so they can keep putting books on the shelves and keep paying authors, staff, and company shareholders. When you license your creative work to a publisher, you're giving up control of your intellectual property in exchange for money and status. Bring your fears and issues out of the Shadow, acknowledge them, and deal with them early, so they do not get pushed down and re-emerge later in blame and bitterness. Educate yourself on the business of publishing. Be clear on what you want to achieve with any deal. Empower yourself as an author, take responsibility for your career, and you will have a much better experience. The Shadow in self-publishing or being an indie author Self-publishing, or being an independent (indie) author, can be a fantastic, pro-active choice for getting your book into the world. Holding your first book in your hand and saying “I made this” is pretty exciting, and even after more than forty books, I still get excited about seeing ideas in my head turn into a physical product in the world. Self-publishing can give an author: Creative control over what to write, editorial and cover design choices, when and how often to publish, and how to market Empowerment over your author career and the ability to make choices that impact success without asking for permission Ownership and control of intellectual property assets, resulting in increased opportunity around licensing and new markets Independence and the potential for recurring income for the long term Autonomy and flexibility around timelines, publishing options, and the ability to easily pivot into new genres and business models Validation based on positive reader reviews and money earned Personal growth and learning through the acquisition of new skills, resulting in a boost in confidence and self-esteem A sense of belonging to an active and vibrant community of indie authors around the world Being an indie author can give you all this and more, but once again, there is a Shadow side and preparation can help you navigate potential issues. The myth of success… and the reality of experience As with traditional publishing, the indie author world has perpetuated a myth of success in the example of the breakout indie author like E.L. James with Fifty Shades of Grey, Hugh Howey with Wool, or Andy Weir with The Martian. The emphasis on financial success is also fuelled online by authors who share screenshots showing six-figure months or seven-figure years, without sharing marketing costs and other outgoings, or the amount of time spent on the business. Yes, these can inspire some, but it can also make others feel inadequate and potentially lead to bad choices about how to publish and market based on comparison. The indie author world is full of just as much ego and a desire for status and money as traditional publishing. This is not a surprise! Most authors, regardless of publishing choices, are a mix of massive ego and chronic self-doubt. We are human, so the same issues will re-occur. A different publishing method doesn't cure all ills. Some of the issues are as follows: You learn everything you need to know about writing and editing, only to find that you need to learn a whole new set of skills in order to self-publish and market your book. This can take a lot of time and effort you did not expect, and things change all the time so you have to keep learning. Being in control of every aspect of the publishing process, from writing to cover design to marketing, can be overwhelming, leading to indecision, perfectionism, stress, and even burnout as you try to do all the things. You try to find people to help, but building your team is a challenge, and working with others has its own difficulties. People say negative things about self-publishing that may arouse feelings of embarrassment or shame. These might be little niggles, but they needle you, nonetheless. You wonder whether you made the right choice. You struggle with self-doubt and if you go to an event with traditional published authors, you compare yourself to them and feel like an imposter. Are you good enough to be an author if a traditional publisher hasn't chosen you? Is it just vanity to self-publish? Are your books unworthy? Even though you worked with a professional editor, you still get one-star reviews and you hate criticism from readers. You wonder whether you're wasting your time. You might be ripped off by an author services company who promise the world, only to leave you with a pile of printed books in your garage and no way to sell them. When you finally publish your book, it languishes at the bottom of the charts while other authors hit the top of the list over and over, raking in the cash while you are left out of pocket. You don't admit to over-spending on marketing as it makes you ashamed. You resist book marketing and make critical comments about writers who embrace it. You believe that quality rises to the top and if a book is good enough, people will buy it anyway. This can lead to disappointment and disillusionment when you launch your book and it doesn't sell many copies because nobody knows about it. You try to do what everyone advises, but you still can't make decent money as an author. You're jealous of other authors' success and put it down to them ‘selling out' or writing things you can't or ‘using AI' or ‘using a ghostwriter' or having a specific business model you consider impossible to replicate. And the list goes on… When you acknowledge the Shadow, it loses its power Being in control of your books and your author career is a double-edged sword. Traditionally published authors can criticise their publishers or agents or the marketing team or the bookstores or the media, but indie authors have to take responsibility for it all. Sure, we can blame ‘the algorithms' or social media platforms, or criticise other authors for having more experience or more money to invest in marketing, or attribute their success to writing in a more popular genre — but we also know there are always people who do well regardless of the challenges. Once more, we're back to acknowledging and integrating the Shadow side of our choices. We are flawed humans. There will always be good times and bad, and difficulties to offset the high points. This too shall pass, as the old saying goes. I know that being an indie author has plenty of Shadow. I've been doing this since 2008 and despite the hard times, I'm still here. I'm still writing. I'm still publishing. This life is not for everyone, but it's my choice. You must make yours. The Shadow in work You work hard. You make a living. Nothing wrong with that attitude, right? It's what we're taught from an early age and, like so much of life, it's not a problem until it goes to extremes. Not achieving what you want to? Work harder. Can't get ahead? Work harder. Not making a good enough living? Work harder. People who don't work hard are lazy. They don't deserve handouts or benefits. People who don't work hard aren't useful, so they are not valued members of our culture and community. But what about the old or the sick, the mentally ill, or those with disabilities? What about children? What about the unemployed? The under-employed? What about those who are — or will be — displaced by technology, those called “the useless class” by historian Yuval Noah Harari in his book Homo Deus? What if we become one of these in the future? Who am I if I cannot work? The Shadow side of my attitude to work became clear when I caught COVID in the summer of 2021. I was the sickest I'd ever been. I spent two weeks in bed unable to even think properly, and six weeks after that, I was barely able to work more than an hour a day before lying in the dark and waiting for my energy to return. I was limited in what I could do for another six months after that. At times, I wondered if I would ever get better. Jonathan kept urging me to be patient and rest. But I don't know how to rest. I know how to work and how to sleep. I can do ‘active rest,' which usually involves walking a long way or traveling somewhere interesting, but those require a stronger mind and body than I had during those months. It struck me that even if I recovered from the virus, I had glimpsed my future self. One day, I will be weak in body and mind. If I'm lucky, that will be many years away and hopefully for a short time before I die — but it will happen. I am an animal. I will die. My body and mind will pass on and I will be no more. Before then I will be weak. Before then, I will be useless. Before then, I will be a burden. I will not be able to work… But who am I if I cannot work? What is the point of me? I can't answer these questions right now, because although I recognise them as part of my Shadow, I've not progressed far enough to have dealt with them entirely. My months of COVID gave me some much-needed empathy for those who cannot work, even if they want to. We need to reframe what work is as a society, and value humans for different things, especially as technology changes what work even means. That starts with each of us. “Illness, affliction of body and soul, can be life-altering. It has the potential to reveal the most fundamental conflict of the human condition: the tension between our infinite, glorious dreams and desires and our limited, vulnerable, decaying physicality.” —Connie Zweig, The Inner Work of Age: Shifting from Role to Soul The Shadow in money In the Greek myth, King Midas was a wealthy ruler who loved gold above all else. His palace was adorned with golden sculptures and furniture, and he took immense pleasure in his riches. Yet, despite his vast wealth, he yearned for more. After doing a favour for Dionysus, the god of wine and revelry, Midas was granted a single wish. Intoxicated by greed, he wished that everything he touched would turn to gold — and it was so. At first, it was a lot of fun. Midas turned everything else in his palace to gold, even the trees and stones of his estate. After a morning of turning things to gold, he fancied a spot of lunch. But when he tried to eat, the food and drink turned to gold in his mouth. He became thirsty and hungry — and increasingly desperate. As he sat in despair on his golden throne, his beloved young daughter ran to comfort him. For a moment, he forgot his wish — and as she wrapped her arms around him and kissed his cheek, she turned into a golden statue, frozen in precious metal. King Midas cried out to the gods to forgive him, to reverse the wish. He renounced his greed and gave away all his wealth, and his daughter was returned to life. The moral of the story: Wealth and greed are bad. In Charles Dickens's A Christmas Carol, Ebenezer Scrooge is described as a “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner.” He's wealthy but does not share, considering Christmas spending to be frivolous and giving to charity to be worthless. He's saved by a confrontation with his lonely future and becomes a generous man and benefactor of the poor. Wealth is good if you share it with others. The gospel of Matthew, chapter 25: 14-30, tells the parable of the bags of gold, in which a rich man goes on a journey and entrusts his servants with varying amounts of gold. On his return, the servants who multiplied the gold through their efforts and investments are rewarded, while the one who merely returned the gold with no interest is punished: “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.” Making money is good, making more money is even better. If you can't make any money, you don't deserve to have any. Within the same gospel, in Matthew 19:24, Jesus encounters a wealthy man and tells him to sell all his possessions and give the money to the poor, which the man is unable to do. Jesus says, “It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” Wealth is bad. Give it all away and you'll go to heaven. With all these contradictory messages, no wonder we're so conflicted about money! How do you think and feel about money? While money is mostly tied to our work, it's far more than just a transactional object for most people. It's loaded with complex symbolism and judgment handed down by family, religion, and culture. You are likely to find elements of Shadow by examining your attitudes around money. Consider which of the following statements resonate with you or write your own. Money stresses me out. I don't want to talk about it or think about it. Some people hoard money, so there is inequality. Rich people are bad and we should take away their wealth and give it to the poor.  I can never make enough money to pay the bills, or to give my family what I want to provide. Money doesn't grow on trees.  It's wasteful to spend money as you might need it later, so I'm frugal and don't spend money unless absolutely necessary. It is better and more ethical to be poor than to be rich. I want more money. I read books and watch TV shows about rich people because I want to live like that. Sometimes I spend too much on things for a glimpse of what that might be like.  I buy lottery tickets and dream of winning all that money.  I'm jealous of people who have money. I want more of it and I resent those who have it. I'm no good with money. I don't like to look at my bank statement or credit card statement. I live off my overdraft and I'm in debt. I will never earn enough to get out of debt and start saving, so I don't think too much about it. I don't know enough about money. Talking about it makes me feel stupid, so I just ignore it. People like me aren't educated about money.  I need to make more money. If I can make lots of money, then people will look up to me. If I make lots of money, I will be secure, nothing can touch me, I will be safe.  I never want to be poor. I would be ashamed to be poor. I will never go on benefits. My net worth is my self worth. Money is good. We have the best standard of living in history because of the increase in wealth over time. Even the richest kings of the past didn't have what many middle-class people have today in terms of access to food, water, technology, healthcare, education, and more. The richest people give the most money to the poor through taxation and charity, as well as through building companies that employ people and invent new things. The very richest give away much of their fortunes. They provide far more benefit to the world than the poor.  I love money. Money loves me. Money comes easily and quickly to me. I attract money in multiple streams of income. It flows to me in so many ways. I spend money. I invest money. I give money. I'm happy and grateful for all that I receive. The Shadow around money for authors in particular Many writers and other creatives have issues around money and wealth. How often have you heard the following, and which do you agree with? You can't make money with your writing. You'll be a poor author in a garret, a starving artist.  You can't write ‘good quality' books and make money. If you make money writing, you're a hack, you're selling out. You are less worthy than someone who writes only for the Muse. Your books are commercial, not artistic. If you spend money on marketing, then your books are clearly not good enough to sell on their own. My agent / publisher / accountant / partner deals with the money side. I like to focus on the creative side of things. My money story Note: This is not financial or investment advice. Please talk to a professional about your situation. I've had money issues over the years — haven't we all! But I have been through a (long) process to bring money out of my Shadow and into the light. There will always be more to discover, but hopefully my money story will help you, or at least give you an opportunity to reflect. Like most people, I didn't grow up with a lot of money. My parents started out as teachers, but later my mum — who I lived with, along with my brother — became a change management consultant, moving to the USA and earning a lot more. I'm grateful that she moved into business because her example changed the way I saw money and provided some valuable lessons. (1) You can change your circumstances by learning more and then applying that to leverage opportunity into a new job or career Mum taught English at a school in Bristol when we moved back from Malawi, Africa, in the mid '80s but I remember how stressful it was for her, and how little money she made. She wanted a better future for us all, so she took a year out to do a master's degree in management. In the same way, when I wanted to change careers and leave consulting to become an author, I spent time and money learning about the writing craft and the business of publishing. I still invest a considerable chunk on continuous learning, as this industry changes all the time. (2) You might have to downsize in order to leap forward The year my mum did her degree, we lived in the attic of another family's house; we ate a lot of one-pot casserole and our treat was having a Yorkie bar on the walk back from the museum. We wore hand-me-down clothes, and I remember one day at school when another girl said I was wearing her dress. I denied it, of course, but there in back of the dress was her name tag. I still remember her name and I can still feel that flush of shame and embarrassment. I was determined to never feel like that again. But what I didn't realize at the time was that I was also learning the power of downsizing. Mum got her degree and then a new job in management in Bristol. She bought a house, and we settled for a few years. I had lots of different jobs as a teenager. My favourite was working in the delicatessen because we got a free lunch made from delicious produce. After I finished A-levels, I went to the University of Oxford, and my mum and brother moved to the USA for further opportunities. I've downsized multiple times over the years, taking a step back in order to take a step forward. The biggest was in 2010 when I decided to leave consulting. Jonathan and I sold our three-bedroom house and investments in Brisbane, Australia, and rented a one-bedroom flat in London, so we could be debt-free and live on less while I built up a new career. It was a decade before we bought another house. (3) Comparison can be deadly: there will always be people with more money than you Oxford was an education in many ways and relevant to this chapter is how much I didn't know about things people with money took for granted. I learned about formal hall and wine pairings, and how to make a perfect gin and tonic. I ate smoked salmon for the first time. I learned how to fit in with people who had a lot more money than I did, and I definitely wanted to have money of my own to play with. (4) Income is not wealth You can earn lots but have nothing to show for it after years of working. I learned this in my first few years of IT consulting after university. I earned a great salary and then went contracting, earning even more money at a daily rate. I had a wonderful time. I traveled, ate and drank and generally made merry, but I always had to go back to the day job when the money ran out. I couldn't work out how I could ever stop this cycle. Then I read Rich Dad, Poor Dad by Robert Kiyosaki, a book I still recommend, especially if you're from a family that values academic over financial education. I learned how to escape the rat race by building and/or accumulating assets that pay even when you're not working. It was a revelation! The ‘poor dad' in the book is a university professor. He knows so much about so many things, but he ends up poor as he did not educate himself about money. The ‘rich dad' has little formal education, but he knows about money and wealth because he learned about it, as we can do at any stage in our lives. (5) Not all investments suit every person, so find the right one for you Once I discovered the world of investing, I read all the books and did courses and in-person events. I joined communities and I up-skilled big time. Of course, I made mistakes and learned lots along the way. I tried property investing and renovated a couple of houses for rental (with more practical partners and skilled contractors). But while I could see that property investing might work for some people, I did not care enough about the details to make it work for me, and it was certainly not passive income. I tried other things. My first husband was a boat skipper and scuba diving instructor, so we started a charter. With the variable costs of fuel, the vagaries of New Zealand weather — and our divorce — it didn't last long! From all these experiments, I learned I wanted to run a business, but it needed to be online and not based on a physical location, physical premises, or other people. That was 2006, around the time that blogging started taking off and it became possible to make a living online. I could see the potential and a year later, the iPhone and the Amazon Kindle launched, which became the basis of my business as an author. (6) Boring, automatic saving and investing works best Between 2007 and 2011, I contracted in Australia, where they have compulsory superannuation contributions, meaning you have to save and invest a percentage of your salary or self-employed income. I'd never done that before, because I didn't understand it. I'd ploughed all my excess income into property or the business instead. But in Australia I didn't notice the money going out because it was automatic. I chose a particular fund and it auto-invested every month. The pot grew pretty fast since I didn't touch it, and years later, it's still growing. I discovered the power of compound interest and time in the market, both of which are super boring. This type of investing is not a get rich quick scheme. It's a slow process of automatically putting money into boring investments and doing that month in, month out, year in, year out, automatically for decades while you get on with your life. I still do this. I earn money as an author entrepreneur and I put a percentage of that into boring investments automatically every month. I also have a small amount which is for fun and higher risk investments, but mostly I'm a conservative, risk-averse investor planning ahead for the future. This is not financial advice, so I'm not giving any specifics. I have a list of recommended money books at www.TheCreativePenn.com/moneybooks if you want to learn more. Learning from the Shadow When I look back, my Shadow side around money eventually drove me to learn more and resulted in a better outcome (so far!). I was ashamed of being poor when I had to wear hand-me-down clothes at school. That drove a fear of not having any money, which partially explains my workaholism. I was embarrassed at Oxford because I didn't know how to behave in certain settings, and I wanted to be like the rich people I saw there. I spent too much money in my early years as a consultant because I wanted to experience a “rich” life and didn't understand saving and investing would lead to better things in the future. I invested too much in the wrong things because I didn't know myself well enough and I was trying to get rich quick so I could leave my job and ‘be happy.' But eventually, I discovered that I could grow my net worth with boring, long-term investments while doing a job I loved as an author entrepreneur. My only regret is that I didn't discover this earlier and put a percentage of my income into investments as soon as I started work. It took several decades to get started, but at least I did (eventually) start. My money story isn't over yet, and I keep learning new things, but hopefully my experience will help you reflect on your own and avoid the issue if it's still in Shadow. These chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn  The post Writing The Shadow: The Creative Wound, Publishing, And Money, With Joanna Penn first appeared on The Creative Penn.

THIS WEEK's BIRDS: an abbreviated episode (TWO HOURS ONLY, opps.) w/ Balkan vocalists Stefka Sabotinova & Valya Balkanska; Moroccan vocalist Houria Aîchi performing sacred music  from the Aures Mountains; Malian vocalists Bako Dagnon, Lassana Tamoura, & Neba Solo w. Benogo Diakite ; Noura Mint Seymali from Mouritania; experimental bop from Roland Kirk & the Modern Jazz Quartet; Regis Huby as leader & w/ Bruno Angelini Quartet; two in the Raga Kalkani: one on Sarod (Ashoke Roy) & one vocal rendition (Rashid Khan);  Ay Lazzat from Dagestan; Absaldin Magomedov (also from Dagestan); Ghalia Benali, Constantinople & Kiya Tabassian perfrom Rumi; much, much more.... Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/21836136/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR   NEW MAILING ADDRESS:  Stephen Cope  @ Conference of the Birds, POBOX 428, Tivoli, NY, 12583, USA. 

This week, Caught My Eye covers 2026 predictions from Baba Vanga, the “Nostradamus of the Balkans,” and profiles a new business called Physical Phones, which harken back to the days of land lines and corded phones. Shop Talk Focus Group reveals the future implications of DEI initiatives in corporate America based on the current administration. Mark Goodson of game show fame is the Business Birthday. Apple Podcasts: apple.co/1WwDBrC Spotify: spoti.fi/2pC19B1 iHeart Radio: bit.ly/4aza5LW Tunein: bit.ly/1SE3NMb YouTube Music: bit.ly/43T8Y81 Pandora: pdora.co/2pEfctj YouTube: bit.ly/1spAF5a Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textSelco Begovic, a survivor of the tumultuous Balkan war in the 1990s, endured the daunting challenges of living in a besieged city without access to basic necessities like electricity, running water, and food distribution. Today, he shares his firsthand experiences through physical courses, offering invaluable insights for those eager to learn from his real-life ordeal.Through his online writings, Selco offers an unfiltered view into the brutal realities of survival in extreme conditions. With candid assessments of effective strategies and lessons learned from his trials, he also discusses contemporary preparations for uncertain times.Continuing his relentless pursuit of survival knowledge since the war, Selco provides a unique opportunity for others to glean from his experiences, even if they may never face such extreme circumstances themselves.Explore Selco's articles, purchase his PDF books, including the highly acclaimed "The Dark Secrets of Survival," or dive deep into his expertise through his online course, the SHTF Survival Boot Camp. Gain an insider perspective on life during a crisis by enrolling in his course, "One Year in Hell."Selco's message is clear: Real survival lacks romance or idealism; it's a brutal, arduous, and often unfair journey. Let Selco guide you through this uncompromising world and prepare you for the realities that may lie ahead.https://www.shtfschool.com/Selco's Books on Amazon:   https://amzn.to/4abVRRB Join PrepperNet.Net - https://www.preppernet.netPrepperNet is an organization of like-minded individuals who believe in personal responsibility, individual freedoms and preparing for disasters of all origins.PrepperNet Support the showPlease give us 5 Stars! www.preppingacademy.com Daily deals for preppers, survivalists, off-gridders, homesteaders https://prepperfinds.com Contact us: https://preppingacademy.com/contact/ www.preppernet.net Amazon Store: https://amzn.to/3lheTRTwww.forrestgarvin.com

I talk to Eric Halsey about his new book State Builders from the Steppe: A History of the First Bulgarian Empire.In it he chronicles the rise and fall of the Bulgars as they arrive in the Balkans and forge a state that would be a thorn in the Byzantine side. I thoroughly recommended the book. It's well researched, easy to read and it's nice to hear about a subject so intimately entwined with Byzantine history from a different perspective.Find the book on Amazon or check out the Bulgarian History podcast where Eric takes the Bulgarian story all the way to the present. Hosted on Acast. See acast.com/privacy for more information.