Podcasts about Composing

Champion trainer of Britain and Ireland Aidan O'Brien joins Emmet Kennedy for a blockbuster preview of the St Leger Festival at Doncaster and Irish Champions Weekend at Leopardstown and the Curragh.

Composing music is something that you can practice and improve in the same way you can with your instrument.  In this episode, Dr. Tony Steve and I chat about music composition as a craft, the idea of compositional templates, the importance of limitations, mastering idioms, counterpoint, and how you can use exercises to improve. Follow Tony at https://www.facebook.com/tonystevepercussionist Musicianship Mastery is formerly known as The Musician Toolkit. Let me know your thoughts on this episode as a voice message to possibly share on a future episode at https://www.speakpipe.com/MusicianToolkit If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can find all episodes of this podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1

Send us a textIn this audio-focused episode of Sidecar Sync, Mallory Mejias and Amith Nagarajan explore three groundbreaking advancements in AI audio technology—starting with Google's real-time voice translation for seamless cross-language communication. They then unpack Microsoft's open-source Vibe Voice, capable of generating full-length, multi-speaker podcasts, before diving into ElevenLabs Music, an AI tool creating fully-licensed, studio-quality tracks from simple prompts. Tune in for laughs, live demos, and serious implications for associations, from global content reach to AI-driven personalization. Plus, hear the hilarious tale of Amith's early-morning car debacle and Mallory's AI-generated bounce anthem for associations. This one hits all the right notes!

Ep 490 - Composer Austin Wintory joins us to talk about his work on Sword of the Sea and the distinct language of writing music for games. Plus, we share our thoughts on Herdling, Shinobi, The Rogue Prince of Persia, and the July sales report. Become a patron to get the extended cut: https://www.patreon.com/posts/extended-sword-w-137615492 00:00 - Intro 02:59 - Austin Wintory, Sword of the Sea, and Music in Games 52:32 - Herdling Impressions 01:04:15 - Shinobi: Art of Vengeance Impressions 01:26:53 - RetroSpace Preview 01:33:39 - The Rogue Prince of Persia Impressions 01:49:44 - July Sales Report 02:06:27 - Also This Week 02:16:50 - L&R: Is Age Really to Blame? 02:30:50 - L&R: Differences in Interactive Music 02:35:51 - L&R: Favorite Soundtracks of 2025 02:45:00 - Bets 02:52:21 - Closing Learn more about your ad choices. Visit podcastchoices.com/adchoices

#realconversations #conservation #spirituality #yoga#composer #author #channeling CONVERSATIONS WITH CALVIN WE THE SPECIESMeet PETER DEL VECCHIO: “We're back from a year ago. Ineeded this infusion of Peter, who will be conducting this year's ‘ObservingNature: Inward and Outward' in Sussex County, NJ, on September 13th and 14th.There is so much to his energy and passion. Never enough time. Here are somedigestive words from today. Yoga. Trumpet. Nature. Composing. Spirituality.Rutgers 1972. Conservation. Healing. What Are You? Who Are You? Why You'reHere? What ‘Here' Is. And Peter recites his special love song. AND try this on.Go on a fast for a day from the word ‘Should.' This is part of our interview.” Calvinhttps://www.youtube.com/c/ConversationswithCalvinWetheSpecIEs605 Interviews/Videos  9200 SUBSCRIBERSGLOBAL Reach. Earth Life. Amazing People.  PLEASE SUBSCRIBE **PETER DEL VECCHIO; Observing Nature (NJ); Spiritual Guide& Channel; Former Yogic; Composer; Rutgers; the word ‘SHOULD;' Author; Livefrom Virginia.YouTube:  https://youtu.be/pT4nVxV1P3UCONTACTS: Email: WithinLex@ gmail.comFacebook: https://www.facebook.com/peter.delvecchioLinkedIn:https://www.linkedin.com/in/peter-del-vecchio-56149915/Book: The Art of Being Human: Available directly from Peter(1)Amazon: soft cover and hard cover editions(2)Kindle: e-book(3) Audible: digital recording, narrated by PeterBIO EXCERPT: (from The Art of Being Human)I was fortunate to graduate from college by the age oftwenty. I cloistered myself in an American yoga ashram (monastery), where Ibegan the formal training of my spiritual learning. After learning simple yetprofound truths that I could not have discovered in the broader society, I leftthe ashram to learn simpler yet profound truths that I could not have learnedthere. I was fortunate to get a job as a resident host in abeautiful YMCA camp at the very lake where the lightning had struck my tentseven years earlier. I followed my path as a music teacher, trumpet player, andcomposer, and while conducting a symphonic work of mine, met my future wife,who was a clarinetist; we married eleven months later. I was hired to teachmusic and yoga at a school for emotionally disturbed children a few miles fromthe YMCA camp and began to teach evening yoga and meditation classes there aswell. My adult yogastudents and I then established the American Yoga Conservatory to teach yoga ona deeper level, free from external Indian cultural trappings. In December 1984,my wife and I learned that we were expecting a child. The Conservatory lost itslease, and I had my first channeled reading by the entity Hemetro, who laterwould reveal himself as one of my three principal guides. I was made aware of mistakes in the structure of my teachingvehicle (the Conservatory) and immediately began the process of releasing thatfrom my life. I traveled to the Soviet Union in May 1985 with 80 other yogis,artists, teachers, actors, authors, and clergy to establish grassroots contactwith Russian counterparts. Upon returning home, I secured a job as a musicteacher in the New York City suburb of Mahwah, New Jersey.Our first child was born that August, and a new chapter ofmy life - that of a father - began in earnest, all the while attempting toserve humanity through music and my love of children. It has not been easy.Sometimes humanity does not wish to be served.** WE ARE ALSO ON AUDIOAUDIO “Conversations with Calvin; WE the SpecIEs”ANCHOR https://lnkd.in/g4jcUPqSPOTIFY https://lnkd.in/ghuMFeCAPPLE PODCASTSBREAKER https://lnkd.in/g62StzJGOOGLE PODCASTS https://lnkd.in/gpd3XfMPOCKET CASTS https://pca.st/bmjmzaitRADIO PUBLIC https://lnkd.in/gxueFZw

Giving and Taking (open invitation for a collaboration from IPG1) https://soundcloud.com/ipg1/giving-and-taking-vox-90-bpm Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering Lyrics IPG1: Cloud Stepping
(Chorus)
Life is relative, to the one that's living it
Inside outlook, to giving and taking it
 Experience god's works, all senses
 We were given just a little bit
 We couldn't handle it all 
the few we have can nearly fit
the few we have can nearly fit (Verse1)
 If we knew it all, and all, and all
 Then nothing would matter
It's all a puzzle to be solved
 We have always been the answer
 The plan of god without reward
 Evolves in different ways
 We are all awake in different dreams
 To let the devil play (Verse2) 
Who amongst us hear the screams
 Of millions of lives lost, 
and don't look on it as savagery 
And wonder what's the cost
 What's the worth, and what's the cost
 Are we listening or not
 Are we listening or not (Chorus) 
Life is relative, to the one that's living it
Inside outlook, to giving and taking it
Experience god's works, all senses
 We were given just a little bit
 We couldn't handle it all 
the few we have can nearly fit
the few we have can nearly fit

Looking for the best horse racing betting tips this weekend? Emmet Kennedy is joined by Adam Mills, Peter Michael & Andy Newton for a blockbuster weekend of international racing — York Ebor Festival, the Curragh, Saratoga & Deauville - with big-priced value bets, strong opinions, and Group 1 analysis.

'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

In this podcast episode, we talk to Master's student Minoo Dixon about his recently composed piece, Balatro. Balatro recently won the National Band Association and Alfred Publishing Young Band Composition Contest and has since been published by Alfred Publishing.

This episode was recorded while sitting in the Yamuna River - where Guru Gobind Singh used to compose Gurbani. In this episode you'll hear how Guru Gobind Singh sat on these very banks of the Yamuna River in the early morning, to compose Gurbani, before hunting in the later part of the day. The episode also discusses the Guru's plan to send Dayaram and Nandchand to deliver gifts to Fatehshah for his daughter's wedding. This relates to Chapter 10 of Season (rut) 2.

In this episode, I am joined by Dr. Julie Gurner, Executive Performance Coach.Dr. Julie Gurner is a doctor of psychology and executive performance coach compared to Wendy Rhoades from 'Billions' by The Wall Street Journal. She provides high level coaching services and is the founder of the Ultra Successful Newsletter on Substack.We discuss:(00:00:00) - Intro(00:03:09) - Mindset advantages over technical/soft skills(00:05:43) - Cultivating a mindset of belief in yourself(00:07:52) - Dealing with Failure(00:15:57) - Sponsor: MX Summit(00:17:21) - The importance of your environment on your mindset(00:23:21) - Discipline in routine(00:27:12) - The moral component behind delegating work(00:29:41) - Balancing ambition with satisfaction(00:33:05) - Sponsor: Fyxed.com(00:35:29) - Composing a vision of your future self(00:38:59) - Celebrating your wins(00:42:57) - The process of working with Dr. Gurner(00:52:14) - The fallacy of Stoicism(00:58:10) - How high-performers wind down their dayLearn more & connect with me here:⁠Crane⁠, the private community for property management business owners.⁠My Free PM Newsletter⁠⁠RL Property Management⁠Learn more and connect with Dr. Gurner here: Dr. Gurner on XDr. Gurner's Newsletter - Ultra Successful: https://drgurner.substack.com/DrGurner.comThe content of this podcast is for informational purposes only and does not constitute professional advice. I may have consulting agreements with, or financial interests in, companies mentioned in this podcast. Additionally, some of the links included may be affiliate links, meaning I may earn a commission if you purchase through these links. Always perform your own due diligence before making any financial or business decisions.

#mitchhampton #seasonseven #piano #creativity #history #artisticprocess #podcast #podcasting On this launch of our seventh season I discuss the nature of commitment, creativity, and the so-called "writer's block" in the context of composing a piece of music live and in time.Thank you all for being with us these past seasons and we look forward to our journey into Season 7 with you all!#jazz #poetry #history #podcast

In today's episode, we are extremely honored to be joined by Ray Harman, who is an award-winning film and television composer from Ireland. Throughout this episode, he shares some behind-the-scenes details about his original music for the video game Indiana Jones and the Staff of Kings. He talks about the challenges of creating new music for an existing franchise and how that influenced his decision to experiment with ethnic instruments and create an ambient and atmospheric score. To conclude this compelling conversation, he listens to his music from Staff of Kings for the first time in nearly fifteen years and shares lots of interesting details about each individual track.

Let's start episode 735 of Secrets of Organ Playing Podcast. This question was sent by Dawn and she asks:Ausra, ​is your technique for composing the same as Vidas?Hope you will enjoy this conversation!Find out more at https://organduo.lt

In this episode, we're going back to one of the basic fundamentals of photography: Composition. There are many aspects of composition in photography and we talk about a few of the main ones to help you take better photos. We're trying something new with Our Recent Photos, too. VoicecastGreg's BookThe Podcast WebsiteDave on InstagramDave on ThreadsDave on BlueskyDave on XDave on TikTokDave on VERODave on MastodonDwight on FlickrDwight on VERODwight on GlassDwight on InstagramDwight's Art on InstagramDwight on VSCOGreg on About.meGreg on InstagramGreg on ThreadsGreg on BlueskyGreg on GlassGreg on VEROGreg on FlickrGreg on TwitterGreg's WebsiteGreg on MastodonThe Podcast YouTube ChannelShayne Mostyn's YouTube ChannelSmartphone Photography ClubSmartphone Photography Club ForumThe iPhoneography Podcast Facebook GroupShayne Mostyn's Bloody Legends Facebook GroupRick Sammon's Smartphone Photo Experience Facebook GroupReeflex's Facebook GroupGet your first year of Glass for $20: https://glass.photo/offer/gregReeflex Lenses - Get 10% off Reeflex lenses with the coupon code 10%OFFGREGBuy me a coffee at https://www.buymeacoffee.com/mcmillan

In this episode, I welcome back designer Jewel Marlowe, whose work is bold, layered, and always intentional. We dig into how she builds palettes using color, pattern, and materials—and why contrast matters just as much as cohesion. Jewel breaks down how she mixes unexpected elements (like leopard print and florals) and why visual weight and scale play such a big role in how a room feels. She shares examples from her own evolving home and current client projects, all while staying rooted in meaning and play. If you're drawn to the idea of decorating over time with confidence and creativity, this one's for you. Want to finally define your style? Grab your free worksheet and uncover your personal aesthetic!

The big new original series hitting Disney+ this month is Marvel's "Ironheart", which is set after the events of “Black Panther: Wakanda Forever,” Marvel Television's “Ironheart” pits technology against magic when Riri Williams, determined to make her mark on the world, returns to her hometown of Chicago. Her unique take on building iron suits is brilliant, but in pursuit of her ambitions, she finds herself wrapped up with the mysterious yet charming Parker Robbins, aka “The Hood”. Recently, I got to speak with the show's composer, Dara Taylor about how she went about creating the score for "Ironheart", which follows teen genius Riri Williams as she builds her own advanced armor and navigates grief, identity, and legacy, themes that Dara's music explores with striking depth and texture. Her score fuses distorted synths, trap percussion, and orchestral layers into a genre-bending sound that mirrors Riri's internal and external battles. One of the most moving elements: a real voicemail from Dara's late father as inspiration for the score, underscoring the show's emotional weight and Riri's connection to her own sense of loss. Dara is known for music that centres character and emotion, no matter the genre. She recently scored Universal's R-rated comedy "Strays", as well as the hit horror-thriller "The Invitation" and George Clooney's coming-of-age film "The Tender Bar". From irreverent comedy to supernatural horror to grounded drama, Dara brings a nuanced and contemporary voice to every project, and "Ironheart" is her most ambitious and personal work to date. The first three episodes of "Ironheart" are available to stream on Disney+ now, and the final three episodes of the show will be released on Disney+ on July 1st 2025. The soundtrack is also available to stream on digital platforms now.   #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.

The big new original series hitting Disney+ this month is Marvel's "Ironheart", which is set after the events of “Black Panther: Wakanda Forever,” Marvel Television's “Ironheart” pits technology against magic when Riri Williams, determined to make her mark on the world, returns to her hometown of Chicago. Her unique take on building iron suits is brilliant, but in pursuit of her ambitions, she finds herself wrapped up with the mysterious yet charming Parker Robbins, aka “The Hood”. Recently, I got to speak with the show's composer, Dara Taylor about how she went about creating the score for "Ironheart", which follows teen genius Riri Williams as she builds her own advanced armor and navigates grief, identity, and legacy, themes that Dara's music explores with striking depth and texture. Her score fuses distorted synths, trap percussion, and orchestral layers into a genre-bending sound that mirrors Riri's internal and external battles. One of the most moving elements: a real voicemail from Dara's late father as inspiration for the score, underscoring the show's emotional weight and Riri's connection to her own sense of loss. Dara is known for music that centres character and emotion, no matter the genre. She recently scored Universal's R-rated comedy "Strays", as well as the hit horror-thriller "The Invitation" and George Clooney's coming-of-age film "The Tender Bar". From irreverent comedy to supernatural horror to grounded drama, Dara brings a nuanced and contemporary voice to every project, and "Ironheart" is her most ambitious and personal work to date. The first three episodes of "Ironheart" are available to stream on Disney+ now, and the final three episodes of the show will be released on Disney+ on July 1st 2025. The soundtrack is also available to stream on digital platforms now.   #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.

The big new original series hitting Disney+ this month is Marvel's "Ironheart", which is set after the events of “Black Panther: Wakanda Forever,” Marvel Television's “Ironheart” pits technology against magic when Riri Williams, determined to make her mark on the world, returns to her hometown of Chicago. Her unique take on building iron suits is brilliant, but in pursuit of her ambitions, she finds herself wrapped up with the mysterious yet charming Parker Robbins, aka “The Hood”. Recently, I got to speak with the show's composer, Dara Taylor about how she went about creating the score for "Ironheart", which follows teen genius Riri Williams as she builds her own advanced armor and navigates grief, identity, and legacy, themes that Dara's music explores with striking depth and texture. Her score fuses distorted synths, trap percussion, and orchestral layers into a genre-bending sound that mirrors Riri's internal and external battles. One of the most moving elements: a real voicemail from Dara's late father as inspiration for the score, underscoring the show's emotional weight and Riri's connection to her own sense of loss. Dara is known for music that centres character and emotion, no matter the genre. She recently scored Universal's R-rated comedy "Strays", as well as the hit horror-thriller "The Invitation" and George Clooney's coming-of-age film "The Tender Bar". From irreverent comedy to supernatural horror to grounded drama, Dara brings a nuanced and contemporary voice to every project, and "Ironheart" is her most ambitious and personal work to date. The first three episodes of "Ironheart" are available to stream on Disney+ now, and the final three episodes of the show will be released on Disney+ on July 1st 2025. The soundtrack is also available to stream on digital platforms now.   #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.

#88: My guest today is Venus Theory, who is a music producer and Youtuber based out of Nashville, Tennessee. Venus Theory is known not only for his lush electronic music, but also his massive YouTube channel. He also recently finished writing the soundtrack for the hit game Avowed by Obsidian Entertainment.   In this episode, we dive into Venus Theory's rise as a musician due to YouTube, how he landed the Avowed project, how he bounces his many creative outlets, and so much more.   Find Venus Theory here: YouTube: https://www.youtube.com/venustheory Website: https://venustheory.com/home Instagram: https://www.instagram.com/venustheory/?hl=en   Get info on The Game Industry Professional, my flagship course that teaches you how to make a great living in game audio here: bit.ly/gameindustrypro

IllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunitySummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence guides listeners through the process of improving their improvisation skills using the jazz standard 'MISTY'. The conversation covers essential foundational skills for new jazz pianists, the importance of membership resources, and a structured approach to learning a new tune. Dr. Lawrence emphasizes the significance of rhythm and time in music, and provides practical exercises for developing improvisational skills. The episode concludes with a demonstration of applying these skills to play 'MISTY' improvisationally.KeywordsJazz Piano, Improvisation, MISTY, Music Theory, Jazz Skills, Piano Techniques, Music Education, Jazz Chords, Melodic Lines, RhythmTakeawaysImprovisation skills are developed through structured practice.Understanding harmony and melody is crucial for jazz pianists.Membership in Jazz Piano Skills provides valuable resources and support.Foundational skills include mastering chords, arpeggios, and scales.Time is a rigid element in music that must be mastered.Transitioning from amateur to professional requires intentional practice.Listening to various renditions of a tune enhances understanding.Composing melodic lines is essential for improvisation.Rhythmically altering composed lines helps in improvisation.Practicing with lead sheets aids in developing improvisational skills.TitlesMastering Jazz Piano: The Art of ImprovisationUnlocking Your Jazz Potential with MISTYEssential Skills for Aspiring Jazz PianistsThe Journey of Jazz Piano: From Basics to ImprovisationExploring MISTY: A Deep Dive into Jazz ImprovisationSound Bites"It's time to discover, learn, and play jazz piano.""We work on developing our improvisation skills.""Music is the production of sound and silence.""You should be a subscriber to the Jazz Piano Skills YouTube channel.""The most important skill for me to focus on developing?""You will struggle unsuccessfully with learning how to play music.""Music is held together by time.""You transition from amateur to professional musician.""You have some work to do to have some fun this week.""Enjoy MISTY, an improvisation approach."Support the show

I'm very excited for today's episode! Joining me is composer Dan Forrest to talk about everything that goes into composing and marketing a major or multi-movement work a.k.a. one that's much longer than a typical composition or arrangement.We tend to focus on those shorter pieces of music on this show, because that's normally the place for aspiring composers to start. But, as you'll soon hear, those larger works have their place and there's a lot to be gained from writing them.We of course got into publishing as well. Dan has a fantastic perspective as someone who's both a composer and an editor and also as someone who's chosen both traditional and self publishing for his works, making him the perfect type of guest for this show!

Composer Mark Orton reflects on scoring The Holdovers, and more recently, On Swift Horses, starring Jacob Elordi and Daisy Edgar-Jones, and describes why he relies on Genelec monitors to mix his scores at his Camp Watertown studio.

Get ready to rock the world of immersive audio with award-winning producer and mixing engineer Justin Gray! In this episode, we explore his journey from bassist to pioneer in Dolby Atmos and Sony 360, uncovering spatial sound's creative and technical magic. Justin shares his innovative recording techniques, the importance of capturing music in 3D space, and the evolving role of musicians in the process. We also discuss the challenges of funding music in Canada, how to get started with Atmos in a home studio, and the power of remote collaboration. Plus, Justin drops some golden advice for aspiring producers on embracing their creative identity. Don't miss this one, Rockstars! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Justin Gray, an award-winning producer, mixing, and mastering engineer based in Toronto, Canada. Justin is a leader in immersive audio music production, working with artists, producers, and labels worldwide to bring their music to life in Dolby Atmos and Sony 360 Reality Audio. He has worked across a wide range of musical styles with artists like Snoop Dogg, Olivia Rodrigo, Brandy, Carlos Santana, Arkells, The Sheepdogs, Valley, Mother Mother, Jann Arden, Blackbear, Christina Perri, Orville Peck, and many more. Justin runs his own studio, Justin Gray Sound & Immersive Mastering, one of the first Dolby Atmos and Sony 360RA-certified music studios in Canada. He's also a faculty member at Humber College, where he teaches audio production, composition, and music performance. Thank you to Matt Boudreau for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.phantomfocus.com/category-s/149.htm https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Apple Podcasts: https://music.apple.com/ca/playlist/justin-gray-dolby-atmos-mixes/pl.u-kv9lRk5TW6eJev If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/509

Creativity, Collaboration, and Perseverance: A Life in Music with Kim Sherman   Episode #158   Welcome to another insightful episode of The Creative Soulpreneur, where artistry meets entrepreneurship. Today, we're thrilled to introduce Kim Sherman, whose paths have intertwined through friendship, collaboration, and a shared passion for music. Nick and Kim reminisce about their initial meeting, a serendipitous artistic 'blind date' that blossomed into a fruitful partnership. They take us on a journey from Kim's theatrical childhood, inspired by her musician mother, to her perseverance in a male-dominated industry and her expansive musical career that spans genres and mediums. Kim shares her unique approach to creativity, detailing her daily routine that balances intense solo composition with meaningful collaboration. Listen in as they discuss the pivotal moments in Kim's life that steered her towards a thriving career in music, despite societal expectations. Through Kim's story, we learn the importance of being a perpetual student, embracing new challenges, and the enduring power of mentorship. Join us for a conversation filled with inspiration, insight, and a celebration of artistic growth and resilience.   Key Takeaways:   The Power of Collaboration: Kim emphasizes the importance of trust in collaborative relationships. Whether composing music in the same room with a collaborator or working independently and sharing progress, trust and mutual respect are essential for success. Adaptability Across Creative Fields: Kim has mastered the art of versatility by working across multiple genres, including opera, musical theater, film scores, and orchestral music. Her expansive definition of music allows her to adapt and thrive in various creative spaces, ensuring longevity in her career.   Embracing Lifelong Learning: A true student of both music and life, Kim's dedication to learning keeps her creative spirit vibrant and alive. From experimenting with new genres to acting as her own mentor in writing librettos, she demonstrates the value of continual growth and exploration.   Find Kim at her website: https://www.kdsherman.com   Story Telling Guide!!!   KIM D.SHERMAN is a composer who embraces lyricism and dissonance to embody musical landscapes. After graduating from Lawrence University, she worked in Minneapolis with many theater companies, including Tony Award-winning Theatre de la Jeune Lune. In 2024, BRIDGE TO PEACE: INVOCATION was recorded by the Lviv Philharmonic, with soloists Will Liverman and Allison Charney. UNFATHOMABLE THINGS (solo piano,) was published in 2021. Other works have been performed and recorded by The Ark Trio, Musica Sacra, and San José Chamber Orchestra. She has written scores for theatrical productions throughout the US, including music for the Broadway hit “I Hate Hamlet.”   Nick Demos is a Tony and Olivier Award winning Broadway producer, documentary filmmaker, conscious business coach and manifestation expert. With over 15 years of teaching pranayama (breath work), yoga and creativity as well as thirty years in the entertainment industry, he has travelled from the Tony Awards to ashrams and run a multi-million dollar business in between. Nick helps you clear blocks and tap into your creative intuition so you can tell your stories and manifest the business and life of your dreams creating wealth and impact.  

For decades, Lennie Moore has been a driving force in shaping the soundtracks behind some of the most iconic video games and visual stories. From Outcast and Halo to Star Wars: The Old Republic, his compositions have elevated immersive worlds and defined emotional beats across screens big and small.But Lennie's impact doesn't stop at the console. As an educator, he's mentored the next generation of media composers at USC, UCLA Extension, and now the San Francisco Conservatory of Music. Whether he's scoring a cinematic cutscene or guiding students through the language of music for media, Lennie continues to push the boundaries of storytelling through sound. Stay tuned as we sit down with Lennie to explore the craft, creativity, and career behind the music. We will get to hear his upcoming goals with his own band and music as well.

“Seventeen was that age when we were realizing… we have to do something about this.” That poignant reflection echoes the emotional heart of SEVENTEEN, a powerful narrative work for orchestra created in response to the tragic 2018 high school shooting in Parkland, Florida—an event that claimed the lives of seventeen students. Composer Ron Ramin was moved to begin work on this piece soon after, eventually collaborating with librettist Portia Kamons, and later joined by Jamie Bernstein. Together, they crafted a deeply human and artistically compelling response to an American tragedy.In this two-part conversation, I sit down with Portia and Ron to talk about the creation of SEVENTEEN and the many layers involved in bringing it to life.In Part 1, we begin with an overview of the piece itself, followed by a deeper dive into each of its four movements. Portia shares how the libretto was built from the actual words of young people, giving voice to a generation affected by gun violence. We also discuss how Ron and Portia came together to write the piece, the collaborative process behind their work, and how their shared vision took shape. We wrap up the first half of our conversation with the story of how the premiere performance came about, thanks to the support of the Orlando Philharmonic and its music director, Eric Jacobsen.[Subscriber Content] Part 2 opens with a look at the practical challenges behind producing a project of this magnitude, especially the complexities of securing funding. This leads to a conversation about future performance opportunities and what lies ahead for SEVENTEEN. From there, we step back to learn more about Portia and Ron's individual careers, and I pose a classic creative question: do artists need to feel inspired to do meaningful work, or can the work happen without inspiration? Their answers are thoughtful and revealing. And finally, we close with a broader reflection as I ask both of them how hopeful they feel about the future.This episode offers a moving and thoughtful exploration of how art can respond to tragedy—and how music can become a powerful form of activism, remembrance, and healing.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Sitars and Symphonies: LA Composer Reena Esmail Fuses Indian Ragas with Western Rhythms We continue our California composers series with Reena Esmail. Her childhood in Los Angeles had two soundtracks: the Western classical music her parents loved, and the old, scratchy Bollywood tapes her paternal grandparents would play over and over. Those multicultural influences shaped what would become the driving question of her work: how do you invite people from different cultures onto the same stage to build a relationship and create music together? Composing is how Esmail has made her mark — by putting Western classical musicians in conversation with Indian artists, building bridges between violinists and sitar players, tabla drummers and western singers. She's an artist in residence with the Los Angeles Master Chorale, has composed with unhoused singers from Skid Row, and her music has been performed by major orchestras and choirs all over the world. How a UC Berkeley Professor Confronts Division With a Vision for Belonging Professor john a. powell spent much of his early life feeling like he didn't belong. At just 11 years old, he became estranged from his deeply religious family. After questioning church doctrine and not getting the answers he was looking for, powell — who spells his name in lowercase — left the church, and his father did not speak to him for five years. But that pivotal moment was the beginning of the path that led him to his life's work. powell is the director of the Othering and Belonging Institute at UC Berkeley, where he's also a professor of law, African American studies and ethnic studies. He's the author of two recent books, “Belonging Without Othering,” and “The Power of Bridging.” powell spoke with host Sasha Khokha as part of our series on Californians and resilience.  Learn more about your ad choices. Visit megaphone.fm/adchoices

HT2261 - Seeing Is Not Composing A bit of a cliche for beginning photographers is SZM — Super Zoom Mind. We see, say, a distant mountain, pull up our camera and photograph it only to be disappointed when the mountain is so small in the print. We see the mountain with our telescopic mind rather than composing a picture that includes the mountain. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

From Injury to Innovation — Telmakus' Journey Is Unlike Anything You've Heard. In this inspiring episode of Jazz Lab, I sit down with pianist, producer, and sonic visionary Telmakus to explore a creative journey shaped by both genius and adversity.After losing the ability to use his hands due to a rare genetic disorder (EDS), Telmakus did something few artists would even attempt — he began composing with his toes. What followed is a body of work that's both emotionally raw and musically extraordinary.We talk about:-Why creative limitations are Telmakus' greatest strength-His system for developing a true musical voice-Composing without hands — and the album that came from it-Turning pain into power: How he found resilience through music-Exclusive preview of his upcoming record "Eight Ring Revival"-Voicing tricks, form-building methods, and beat-first songwriting-A powerful live exercise: improvising full stories at the piano

In this luminous return to the Hearts Rise Up podcast, sonic mystic and legendary space music composer Jonn Serrie invites us beyond the edges of music and into the sacred space where silence breathes, frequencies speak, and creativity plays like a child running free. What begins as a conversation unfolds as a cosmic remembering—a transmission on the soul of sound, the intelligence of texture, and the spiritual responsibility of the artist in an age of artificial intelligence.In this episode, Jonn weaves stories of childhood dreams, planetary awakenings, and divine synchronicities—revealing how music is not created but received, not engineered but lived. This is more than an interview. It's an initiation into the invisible forces that move through us when we dare to listen beyond the note, trust the muse's voice, and honor the stillness from which all sound is born.Episode Highlights00:00 Introduction03:15 The First Note as Sacred Threshold05:49 Texture Over Technique10:24 Composing from the Temple of Stillness11:00 Synthesizers as Living Beings14:11 Dancing with AI Without Losing the Soul15:57 Sound as Spiritual Weight18:05 The Vision Behind the Note20:10 Music as a Living, Breathing Intelligence21:33 The Voice of the Muse as a Child23:56 Initiatory Dreams & Spiritual Guide27:55 Creating from Cosmic Memory30:21 Returning to Compassionate Sound36:46 Music as Mirror and PortalHeart-centered Wisdom Shared38:55 "Keep that sense of play and creativity alive no matter what, because that's what it is. You're not learning how to be a technician of music. You're learning that the music technique is built into this joyful moment that music is created."— Jonn Serrie_______________Episode ResourcesWebsite: https://www.jonnserrie.com/YouTube: https://www.youtube.com/channel/UCb25kLFosbZbeh8QxYBvuLwApple Music: https://music.apple.com/us/artist/jonn-serrie/5297212Spotify: https://open.spotify.com/artist/1QZGv6Rumxnw9nIGmowvlMPandora: https://www.pandora.com/artist/jonn-serrie/ARjwK6vjpqPnvXZDeezer: https://www.deezer.com/us/album/545403242SoundCloud: https://www.deezer.com/us/album/545403242Amazon: https://www.amazon.com/music/player/artists/B000QJUXW0/jonn-serrie_______________Connect With Hearts Rise Up And LifeQuest Horizonshttps://heartsriseup.com/Sign up for our popular, weekly “Notes From Your Higher Self”https://www.lifequesthorizons.com/The Art of Inner...

Composing for film and tv with Alex and Cesar Vega! From Mexico City

Jim Jones is the co-creator of the new In The Know podcast music and has been the Executive Director of the Katie School of Insurance & Financial Services at Illinois State University since 2001. The Katie School supports over 500 students majoring in Risk Management and Insurance (RMI), actuarial science, and other majors, who are interested in careers in insurance. Jones works with ISU faculty, staff, administration, and industry executives in helping to develop talent for industry and educate students at the velocity of change. He holds an MBA in International Business from Saint Louis University, a BSBA in Finance and Accounting from the University of Missouri Trulaske College of Business, and CPCU, AIC, ARM, and AIS. In this episode of In the Know, Chris Hampshire and Jim discuss microinsurance in developing countries, the next generation of talent, what Gen Z is looking for in a career, and tactics for successfully addressing the talent gap in the insurance industry.   Key Takeaways Jim's current role in the insurance industry focuses on the next generation of risk management professionals. As the Director of Claims Education, Jim taught 20,000 students each year. Jim's research in creating inclusive insurance in developing countries. In The Know's new theme song was written while Jim was in Kathmandu. Expanding the reach of microinsurance to underserved populations. A portrait of today's recently graduated insurance professional. Tactics for addressing the talent gap in the insurance industry. Characteristics of companies that successfully hire recent graduates. Jim's stand-apart advice to his early career self.   In the Know podcast theme music written and performed by James Jones, CPCU, and Kole Shuda of the band If-Then.   To learn more about the CPCU Society, its membership and educational offerings, tools, and programs, please visit CPCUSociety.org.   Follow the CPCU Society on social media: X (Twitter): @CPCUSociety Facebook: @CPCUSociety                 LinkedIn: @The Institutes CPCU Society Instagram: @the_cpcu_society  

Trump's threat of 100 per cent tariffs on all movies produced outside the US could have major ramifications for numbers of films produced in regional Australia - particularly on the Gold Coast.

Composing songs of courtly love and war in the High Middle Ages, the troubadours were the poet-musicians of western and southern Europe – especially southern France. But were they really the lovesick wandering minstrels popular culture would have us believe? Or was there more to their artistry? Speaking to Emily Briffett, Linda Paterson answers your top questions on the troubadours and their enduring poetic and musical legacy. (Ad) Linda Paterson is the author of The Troubadours (Reaktion Books, 2024). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-troubadours%2Flinda-m-paterson%2F9781789149197. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Renowned German film composer Christoph Zirngibl joins us today to talk about his recent projects AppleTV+ “Where's Wanda” and the animated adventure film “The Hero of Centopia.” We chat about the difference between a Palette Composer vs an Artist Composer, his own composing process, and what makes a good melody. Christoph Zirngibl is a renowned German film composer based in Munich, Germany. Among the over 120 movies Christoph has composed the music for by now, you will find some of the most-watched German prime-time TV movies and successful national feature films, as well as a diverse range of indie films, short movies, TV series and documentaries. His music has been awarded the Hollywood Music in Media Award, the Jerry Goldsmith Award and the “German Emmy” ({reis der Deutschen Fernsehakademie) and has been nominated multiple times, e.g. for the German Filmmusic Award, the European Filmmusic Award (Camille Award) and the Music & Sound Awards. At the Cannes Film Festival 2022, he was one of ten international composers being selected for the Spot the Composer Program.

From Amy:I always knew that I loved writing. But I'm not sure I understood—until I went through a major transition, and not by my own choice—that writing is healing. At first it's writing just for me, raw and unwieldy and terrifying, but I always have the sense that this writing is something that, when I'm ready, is meant to be shared. Because stories tell us we're not alone. And they help people find us so that we can be there for each other.Meanwhile, I let myself stay in that first stage of book writing as long as I need to, a stage I call ALLOWING. Allowing it all to be whatever it is. And that allowing makes room for the most powerful stories come through. One of the biggest compliments I ever receive as a writer, and how I know my words have landed, is when people feel inexplicably drawn to tell me THEIR stories. It comes from the deepest parts of them, as a welcome release. I can feel it. Because I've processed my hard things, I'm able to listen to theirs and that helps.And even if we never meet at all, these readers and I, stories of healing help people. Yes, we write for ourselves first, but it doesn't stop there. Memoir is not selfish. It's the most generous thing you can do. Does that make sense? Because if you take nothing else away from this episode, it's that you can write your hardest things, yes, the very worst of them, and you can transform them into beautiful writing. So the next question people ask me is: How?How to you get from that very worst moment of heartbreak to a beautiful completed book? Well...I remember when Nikki Kindred Halvorson's husband was killed by a drunk driver in March 2020, because a mutual friend reached out to let me know what had happened. Nikki would need to work with me, this mutual friend said. She didn't know when, but she wanted to let me know. And she was absolutely right. I felt called to work on this project as Nikki's mentor and editor in due time. Eventually, she reached out.After Allowing, you progress into other stages: Composing, Revision, Editing, and now Sharing. That's where I came in.(Do you see the acronym? ACRES? My shorthand for: If you're transforming a landscape, you do it acre by acre.)There was nothing expected or pretty about the loss of John Erik Halvorson—Nikki's longtime best friend and husband—a tragedy compounded by so many things. Such as the old house they were restoring together, all torn apart. A pandemic. And more.But the process of salvaging stories for a beautiful book? (Or several...) There's nothing like it.So if you're wondering how you do that, write a book about your worst nightmare and feel proud of it and even grateful?Nikki pulls back the curtain in this episode. You'll want to listen.Nikki Kindred Halvorson works as a pediatric speech-language pathologist and is active in historical preservation. She realized a lifelong dream in 2014 when she became caretaker of a great old house with her husband, Erik. Widowed in 2020 at age 32, Nikki has continued to rehab her house and has begun building a new life on the foundation of her old one as she heals. She's currently in the process of realizing another lifelong dream of becoming a published author. Amy Hallberg is the author of Tiny Altars: A Midlife Revival and German Awakening: Tales from an American Life. She is the host of Courageous Wordsmith Podcast and founder of Courageous Wordsmith Circle for Real-Life Writers. As an editor and writing mentor, Amy guides writers through their narrative journeys—from inklings to beautiful works, specifically podcasts and books. A lifelong Minnesotan and mother of grown twins, Amy lives in the Twin Cities with her husband and two cats. Get Amy's Books and AudiobooksLearn about Courageous Wordsmith Circle for Real-Life WritersWork with Amy 1:1

In this episode hear how Guru Gobind Singh composes his poetry along the banks of the Yamuna River before visiting Kapal Mochan, where he playfully deceives many pilgrims.

Gaming hosts Josh and John sit down with Tobias Lilja, the composer and sound designer behind Little Nightmares 1 & 2! Tobias shares how he broke into the gaming industry with no experience, the art of crafting eerie and immersive soundscapes, and what it takes to shape a video game's mood from the very beginning. It's a must-listen for fans of indie titles, game audio, and anyone looking to break into the video game industry! All the gaming news you need, every week from the Video Gamers Podcast! Thanks to our MYTHIC Supporters: Redletter, Ol' Jake, Disratory and Gaius Connect with the show: Support us on Patreon: patreon.com/videogamerspod Join our Gaming Community: https://discord.gg/Dsx2rgEEbz Follow us on Instagram: https://www.instagram.com/videogamerspod/  Follow us on X: https://twitter.com/VideoGamersPod  Subscribe to us on YouTube: https://www.youtube.com/channel/UCU12YOMnAQwqFZEdfXv9c3Q   Visit us on the web: https://videogamerspod.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a free preview of a paid episode. To hear more, visit chadcrouch.substack.comFern Canyon is enchanting.My whole raison d'être with soundwalks is to bottle up that feeling. Enchantment. Fascination. Magnetism. These are the robust feelings that pictures and sounds alone often can't quite stir up. I see music as the key.The great thing about music, I believe, is you don't have to be an expert. You don't have to know music theory, and you don't even have to know how to play an instrument better than, say, an eager first-year student. For me, making music is about opening up, being sensitive, exploring. Sharing music can be more fraught. A little over a year ago, I decided to make a home here on Substack. At first, it felt like play; an adventure in publishing. It still does. But, there is some tension with the commerce part. Honestly I feel like I'm floundering with that part of being a Substack author. It's not that I don't like it. I'm on board with writers and artists monetizing their work. From my point of view, it's just challenging to sustain that sense of play, while trying to casually sell some part of it.Today, I'm trying something new, to keep the exploratory vibe alive. Fern Canyon Soundwalk is only available here. Not Spotify, not Bandcamp. Not Qobuz—I like Qobuz by the way. Just here, and in its entirety, just for paid subscribers. It's a little slice of enchantment, and practically speaking, it's hidden. It's if you know, you know. You know? I'm not fancy. Subscriptions start at less than $3/mo.I don't know if I'll get any “conversions” from this post; any new paid subscribers. I decided not to let keep me from trying though. It's probable that I'm making the wrong decision in terms of “exploiting” my work—It seems to me I'd earn more on streaming platforms over time. That's okay. I've always felt better about my place in the economy when I'm not fretting and optimizing. Fern Canyon is in Prairie Creek Redwoods State Park, in Humboldt County California. It was formed by Home Creek.This modest stream has over the eons carved a 50 to 80 foot deep canyon through the rich sedimentary soils. The canyon walls sprout an amazing variety of luxuriant ferns and other moisture-loving plants. (vistredwoods.com)Composing and finalizing Fern Canyon Soundwalk had many twists and turns. In the end, I went for soft, supple, simple. It's a very tender and naive composition, grounded in felted piano, with chimes and sparkly synths punctuating the arrangement, alongside a myriad of water sounds and sparse birdsong.I usually end with a thank you for your interest. It's not performative. I really mean it. That's all I'm after here…to tell stories with sounds, music, images and words. Folks taking an interest keeps me going. Thank you all!Soundwalk is a reader-supported publication. To be one of a handful of people to hear Fern Canyon Soundwalk in its entirety, consider becoming a subscriber.

This week, Features contributor DJ Ninja speaks with jazz vocalist and composer Keri Johnsrud and woodwind specialist, performer, recording artist, and composer Shawn Maxwell. They discuss their musical beginnings, their collaborative album C8H10N4O2, and the nods to hometown Joliet in the tracklisting. "Composing and coming up with tunes that tell stories, I feel it's a lot easier for me now than it was 20 years ago. I feel like I have so many ideas and if I could, I'd probably put out an album a month." - Shawn Maxwell The Keri Johnsrud-Shawn Maxwell Band will be playing at City Winery on Tuesday, April 8. Produced by DJ Ninja. Photo Credit: Michael Barton

Collaboration is the cornerstone of a musicians' creativity and career. This is especially true in media composing. And here to talk with me about it today are my guests Ari Posner and Joel Schwartz. They worked together composing the score to the acclaimed drama series “Sullivan's Crossing” whose 2nd season premiered in the US in October 2024 on the CW, and kicks off its 3rd season on Canada's CTV in the spring of 2025.

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

My guest today is Joshua Rosenblum, author of Closer than Ever — The Unique Six-Decade Songwriting Partnership of Richard Maltby, Jr. and David Shire. This terrific new book chronicles the sixty-six-year (and counting) partnership of two of the most gifted songwriters of our time, giving full behind-the-scenes accounts of their musicals interspersed with deep-dive analyses of standout individual numbers. Among the well-known Broadway figures who feature prominently in the Maltby/Shire story are Stephen Sondheim, Hal Prince, Michael Stewart, Francis Ford Coppola, Susan Stroman, John Weidman, Charles Strouse, Garth Drabinsky, Jason Robert Brown, and Jonathan Tunick. Using his experiences as a Broadway conductor, music journalist, and professor of musical theater composition, as well as his long-term personal and professional acquaintance with both Maltby and Shire, Joshua Rosenblum is uniquely suited to chronicle their lives, careers, and creative output. The songwriters, both of whom are engaging and articulate in describing what they do, are quoted liberally throughout the book in exclusive interviews, creating the impression that one is spending time with two inspiring creative artists who happen to be great company.   Joshua Rosenblum teaches Composing for Musical Theater at Yale University and Conducting at New York University. As a composer/lyricist, he wrote the scores to the off-Broadway musicals Fermat's Last Tango, Bush is Bad, and Einstein's Dreams (four Drama Desk Nominations). He has conducted fourteen Broadway and off-Broadway shows and has performed as pianist with the New York Pops at Carnegie Hall, the City Center Encores! Orchestra, and the American Symphony. A longtime contributor of reviews and features to Opera News, Rosenblum is a summa cum laude graduate of Yale College and holds a master's degree in Piano from the Yale School of Music. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as John Schroeder. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Nan Avant|Composing the Wind: Composer and Musician Inspired by Tragedy in MauiToday, we're honored to welcome Nan Avant, an award-winning composer whose music beautifully bridges diverse cultures and genres. From symphonic and orchestral works to jazz, Latin, and Celtic influences, Nan's compositions captivate audiences with their rich storytelling and evocative themes.With a BFA from California Institute of the Arts and training under Emmy-winning composer Hummie Mann, Nan has built an impressive career. She is a four-time Hollywood Music in Media Awards nominee, a Winner of The American Prize, and has received multiple Silver Medal Awards from the Global Music Awards. Her music has been recorded by prestigious ensembles like the London Symphony Orchestra and the Royal Scottish National Orchestra and is featured on Navona Recordings.Beyond accolades, Nan's passion lies in the art of thematic and rhythmic storytelling, crafting music that resonates deeply with listeners. Whether she's composing for, orchestra, chamber ensembles, or indie film, her work is a masterful fusion of technique and emotion.We're excited to dive into her creative process, her inspirations, and the stories behind her stunning compositions. Nan Avant, welcome to the show!Support PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprPEG uses StreamYard.com for our live podcastshttps://streamyard.com/pal/c/6290085463457792Get $10.00 Credit for using StreamYard.com when you sign up with our linkRSShttps://anchor.fm/s/3b31908/podcast/rssIntroduction

In this episode of The Piano Pod, I had the pleasure of speaking with Nimrod Borenstein—acclaimed composer and conductor—about his remarkable journey in music. From his early days as a violinist to becoming one of today's most celebrated composers, Nimrod shares his artistic philosophy, the evolution of his piano works, and the influences that have shaped his unique voice.We dive deep into his signature piano works, including Reminiscences of Childhood and his 24 Études, explore the inspiration behind his Shirim collection, and discuss his collaborations with legendary musicians like Vladimir Ashkenazy. His insights into the challenges of composing for piano, the storytelling power of music, and his artistic legacy make this an episode you won't want to miss!IN THIS EPISODE:

Here is the trailer of our upcoming episode feat. Nimrod Borenstein. In this episode of The Piano Pod, I had the pleasure of speaking with Nimrod Borenstein—acclaimed composer and conductor—about his remarkable journey in music. From his early days as a violinist to becoming one of today's most celebrated composers, Nimrod shares his artistic philosophy, the evolution of his piano works, and the influences that have shaped his unique voice.We dive deep into his signature piano works, including Reminiscences of Childhood and his 24 Études, explore the inspiration behind his Shirim collection, and discuss his collaborations with legendary musicians like Vladimir Ashkenazy. His insights into the challenges of composing for piano, the storytelling power of music, and his artistic legacy make this an episode you won't want to miss!IN THIS EPISODE:

Today I am speaking with Kristoffer Lislegaard and Janne Eraker of the duo Øy. Janne is a tap dancer, with contact mics attached to her shoes. Kristoffer receives the audio in his computer running sequencers, synthesizers, drum machines, and Max for Live that all respond to Janne's movements. We had a fascinating conversation about how Øy collaborates and interacts musically for live performances and their new album Live. It was inspiring to learn about these new and exciting ways of creating music on both a technical and creative level. This is also the third time I've had Kristoffer on the show and it was a pleasure to hear how what was an idea last time we spoke has now become a fully realized project. Please welcome Kristoffer and Janne of Øy to the Music Production Podcast. Listen on Apple, Spotify, YouTube Takeaways: The interaction between dance and music creates a unique performance experience. Trust and communication are essential for successful collaboration. The psychological aspects of performance can greatly affect the dancer's experience. Recording sessions allows for reflection and discovery of new elements in their work. The use of technology opens up new possibilities for sound manipulation. Human expression is crucial in music, transcending technical limitations. Improvisation thrives on a shared language developed through collaboration. Bringing humanity into electronic music performance is valuable. Engaging with audiences can deepen their appreciation for the performance. Independent artists should focus on building direct connections with their audience. Links: Øy Website - https://www.oyduo.com Øy Live - https://www.kristofferlislegaard.com/faircamp/live/ Øy on Bandcamp - https://oyduo.bandcamp.com/album/live  Kristoffer Lislegaard - https://www.kristofferlislegaard.com #BeYourOwnPlatform - https://www.kristofferlislegaard.com/blog/2023-12-20-be-your-own-platform/ Kristoffer on the Music Production Podcast #138 - https://brianfunk.com/blog/2019/11/16/kristoffer-lislegaard-on-sgrows-new-album-and-live-performance-music-production-podcast-138 Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk  

One of the most memorable aspects of the epic film"The Brutalist" is the moving and dramatic score. Composer Daniel Blumberg discusses his work on the film, which has earned him an Oscar nomination for Best Original Score. He joins us as part of "The Big Picture," our series of conversations with the Oscar-nominated talent who worked behind the camera to make movie magic in 2024.