Podcasts about Composing

I recently ran a poll of over 2000 musicians playing all sorts of instruments over on our YouTube channel. And the question was, "What do you find most challenging about jazz improvisation?". And here were the options that we gave:a) Creating melodic and cohesive solosb) Understanding and applying jazz theory during improvisationc) Developing a strong sense of timing and rhythmic feeld) Building confidence to take risks and explore new idease)Spontaneously connecting with other players during jazz jamsI'm about to reveal to you the answer and which one of those was the biggest challenge for musicians in this poll, as well as go through each five of these and give you actual strategies to improve on them. In this episode:The poll results show that out of 2000 musicians:1.  51% said creating melodic and cohesive solos is the biggest challenge to jazz                  improvisation. 2.  24% said that understanding and applying jazz theory during improvisation3.  10% said developing a strong sense of timing and rhythmic feel4.  9% said building confidence to take risks and explore new ideas 5.  7% said spontaneously connecting with other players during jazz jams6.  The most important thing that you can do to create melodic and cohesive jazz solos7.  How to do the melody development exercise8.  Practicing with motivic development helps in creating cohesive jazz solos9.  Learn and internalize jazz language 10. Composing your own solos helps in developing better improvisation11. Jazz theory isn't thought about during jazz improvisation12. How to develop a strong sense of timing and rhythmic feel13. The essence of improvisation14.  Playing with other musicians helps develop spontaneity in connecting with other         players during jazz jamsImportant Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastGet 50% off your first month when joining the Inner Circle: https://members.learnjazzstandards.com/sp/inner-circle-sales-page-podcast-direct/

In this episode, Nicole Blevins and Brandon Laws of Xenium HR dive into ChatGPT and AI and their potential impact on the HR profession. Together, they discuss various applications of the technology in HR, how to optimize its usage through prompt engineering and address potential problems, such as plagiarism, inaccuracies, bias, and non-critical thinking. In this episode, they cover: Exploring ChatGPT's use in HR tasks: Crafting job descriptions Composing and updating employee handbooks and policy manuals Drafting e-mails and offer letters to job candidates Checking HR laws and regulations Summarizing research and reports Generating employee surveys and sentiment analyses Streamlining administrative tasks (e.g. event and holiday reminders)

In this episode, Jennifer talks to piano prodigy, Nomi Abadi, who shares her journey growing up, what brought her to invent a new instrument, the NORY® Double Keytar, and also found the Female Composer Safety League. They talk about Nomi's beginnings with her ventriloquist dummy, Dennis, and how that ultimately led her to become a film composer. They unpack her creative process for composing which involves understanding the story and subtext of a film, finding visuals that inspire them, and using textures and instruments to deepen the impact of the story. They also discuss the power of music and its ability to create emotional experiences for audiences.  CW: mention of trauma, assault, grooming. About Nomi: A virtuoso pianist, singer, composer, activist, inventor of the NORY® double synth, and President of the Female Composer Safety League, Nomi Abadi started composing music when she was four years old, making her concert debut as a guest soloist with the Orange County Chamber Orchestra at age five. As a piano prodigy, she became one of Mannes School of Music in New York's youngest students ever at age eight, and performed with numerous orchestras nationally and internationally, including a solo Eastern European tour at age 11. As an artist, she released a full length album, Chase, No Running, and three solo EPs. Nomi has collaborated with various artists, including as pianist of the Grammy- nominated album "Sekou Andrews and the String Theory", a co-writer and guest vocalist on Satanic Planet's debut album on their single, “Devil In Me” alongside Dave Lombardo (Slayer/Misfits) and Justin Pearson (The Locust/Deadcross). Nomi sung the vocals on Jacquie Joy's club hit, “You'll Feel Nothing”. Nomi has earned over twenty film and video game composing credits, scoring for indie films and brands such as Apple®, BOSE®, Cartoon Network® and NASA®. In 2022, she was awarded the Outstanding Achievement Award in the Independent Shorts Fest for her score of the film, “The Unnatural Order”, and accepted into the Women's Weekend Film Challenge in New York. In 2020, Nomi founded the Female Composer Safety League, a 501(c)(3) whose mission focuses on the safety and empowerment of women composers. Her original instrument, NORY®, was a finalist in the Georgia Tech's Guthman Musical Instrument Competition in 2020, making its TV debut on the Emmy-nominated show, “The Afterparty” (Ilana Glazer) in 2022. Nomi is one of the only women in the world today to hold a keyboard instrument patent, and features NORY® in her compositions and live performance. Nomi's IG: @nomiabadi Nomi's Website: www.NomiAbadi.com Nory Keytars: www.norykeytars.com Want to coach with Jennifer? Schedule a session here! https://appt.link/jenniferapple Monologue Sourcing Promo Link! https://empoweredartistcollective.com/podcastpromo Learn more: https://www.empoweredartistcollective.com/podcast EAC IG: @EmpoweredArtistCollective  EAC TikTok: @EmpowerArtistCollective EAC Facebook: https://www.facebook.com/empoweredartistcollective/ Sign up for our newsletter! https://mailchi.mp/8e72e8dcb662/stay-in-touch Check Out Our Merch! https://www.empoweredartistcollective.threadless.com/ Any thoughts you'd like to share? Email us at EmpoweredArtistCollective@gmail.com

Néo-Romance marks a departure for STRÉLISKI in several ways, not just in terms of subject matter. Composing and recording in Europe for the first time, she also worked with several new musicians and collaborators - including, for the first time, a string trio; three members from the acclaimed Karski Quartet - and explored her family's past. The songs were written mainly in Rotterdam, where Stréliski moved to be with her partner. And in doing so, she discovered some surprising – and prescient – facts about her family history, their Polish Jewish origins, and her ancestors' penchant for art and creativity.Track Listing:1 (ouverture)2 a new romance3 Ad Libre4 Air de famille5 BORDERS6 Dans les bois7 Elegie8 In the air9 Lumieres10 one last dance11 Reveries12 The Breach13 the first kiss14 The hillsHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

In this episode I discuss potentially attending my first classical guitar concert in several years. I also talk about a style of classical music that really isn't for me, and speculate on the future (and maybe the present?) of live classical music. The show closes with a 3 movement work by Etienne de Lavaulx.

Synopsis The month of April in the year 1800 was an especially busy one for Ludwig van Beethoven. On the second of April at his first big orchestral concert in Vienna, Beethoven premiered his First Symphony, a new Piano Concerto, and his chamber Septet. Composing, writing out the parts, and rehearsing all that music was no small task. On today's date that same month, Beethoven appeared in Vienna once again, this time as piano accompanist for the popular Bohemian horn virtuoso, Johann Wenzel Stich, who went by the more marketable Italian “stage name” of Giovanni Punto. The pre-concert announcements for the Punto recital promised that Beethoven would contribute a new work for the occasion—but, apparently still recovering from his OWN big concert, Beethoven didn't get around to writing the promised Horn Sonata for Punto until the day before the recital. Beethoven and Punto took the new Sonata with them for a concert in Budapest the following month. The press in Hungary had heard of Punto, but not Beethoven, whose name they didn't even get right: “Who is this Bethover (sic)?” one press notice read, noting (quote): “The history of German music is not acquainted with such a name. Punto, of course, is VERY well known…” Music Played in Today's Program Ludwig van Beethoven (1770 – 1827) Horn Sonata in F, Op. 17 Hermann Baumann, horn; Leonard Hokanson, piano Philips 416 816

This is the last of the Sound Poetry Trilogy we released recently. Kick The Walls , Is Jesus Watching and this, Maybe We Could Find Our Way. Hope you enjoy. Would love to hear from you.  Comments, reviews. Like and Subscribe. Always new music and contact coming. Stay safe out there please. Album Cover  Photos by Louie Max Contact Grind & Pivot :IG: @grindandpivotIG @louiemaxxEmail: louie@louiemax.comProduced & Mixed at 333StudiosNYC by Ian LitovichMusic & Lyrics : Louie Max Piano and Vocal : Louie Max Guitars, etc: Ian Litovich Exec Producer: Russ "Thrippy" McMahon Contact : Email: grindandpivot@gmail.com Follow On IG:@louiemaxxFaceBook: Louie Max

Support this Podcast on Patreon: https://www.patreon.com/carlking In this episode, Carl King talks to Travis Orbin, a complicated metal drummer. Topics include: 1 - Home recording workflow 2 - Abilities like audiation: does he have PERFECT PITCH?! 3 - Strangest place he has toured 4 - Working out on the road 5 - Specific musical inspirations: Lars Ulrich, Dennis Chambers, Virgil Donati 6 - What do his songs mean? 7 - Patreon questions Subscribe on Apple Podcasts https://podcasts.apple.com/us/podcast/the-carl-king-podcast/id1202709564 Send Me A Tip! https://paypal.me/carlkingdom https://www.venmo.com/u/carlkingdom Subscribe on Spotify https://open.spotify.com/show/4VlLUSeRUrDzF1Omtu9rdp SHOW NOTES / LINKS Travis Orbin on Bandcamp https://travisorbin.bandcamp.com/ Travis Orbin w/ Pete Peterson / Bugz https://www.youtube.com/watch?v=7scPZS3zfKM Travis Orbin w/ Pete Peterson / Eigenvalue https://www.youtube.com/watch?v=G0f2TP-Lugk Travis Orbin - Blame Session / III https://www.youtube.com/watch?v=oXib2Hl1X6I

Rob Kovacs is a classical trained pianist, singer/songwriter, and composer. He recently released the soundtrack for the game Straylight. Rob performs classic video game soundtracks on piano as 88-Bit, and he also writes and records indie rock music under his own name.  I met Rob at the Long Island Retro Gaming Expo last summer where he performed as 88-Bit, playing piano renditions of classic video game soundtracks. On this episode, we had a great conversation about his work as 88-bit, his indie rock music, and his new soundtrack for the game Straylight. Rob spoke about composing for video games and how the limitations of the early sound chips resulted in inventive and creative approaches to composition. Listen on Apple, Spotify, Stitcher, Google, or watch on YouTube Show Notes: Rob Kovacs - https://www.robkovacsmusic.com/ Straylight Soundtrack - https://lnk.to/straylight 88-Bit - https://88bitmusic.com/ Rob's Bandcamp - https://robkovacs.bandcamp.com/ Rob YouTube's - https://www.youtube.com/@robkovacsmusic/videos Rob's Twitch - https://twitch.tv/robkovacs Famictracker - http://famitracker.com/ Megaran Insane in the Rain - https://insaneintherainmusic.bandcamp.com/album/insane-in-the-rain Long Island Retro Gaming Expo - https://liretro.com/ Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Joshua, Jude, and Brendan are back to podcast like blood-thirsty pod warriors about Notre Dame football (and a little more). This week we are joined by our good friend, Greg Flammang (@greg2126) from ISD's Hit and Hustle podcast/show. In this episode: HELLO! Four adjectives to use for Tommy Rees and automatic swaggy. A shorts beef that might be regional, but Joshua is ready to roll. REVIEWS! A full-throated defense of Jude's assertion that the Ace card is NOT a face card. A full-throated complaint about mentioning certain people in the reviews that other people leave to be read word for word. Greg enters the portal. We're blowing up Notre Dame's 2023 football schedule so we can create a better one - an epic one. One by one the 12 games are drafted by the guys and they tell you why all 12 have got to go. It's nothing short of pure genius the way the fellas put the schedule back together for maximum effect. Some quick thoughts on spring football with some extra sauce poured on the wide receiver group. RANK EVERYTHING... Top 5 Hans Zimmer scores. Emptying out the tank. And plenty more weaved in and out of the show. Please RATE and REVIEW! All reviews left on Apple Podcasts will be read on the next Earned 5-Star Podcast. Go Irish! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is award winning film and television composer Roger Neill. Roger is best know for his scores for the films “20th Century Women,” “Don't Think Twice,” “Beginners” and for his work on television series such as Amazon's “Mozart in the Jungle,” CBS's “Mom” and the long-running Fox series “King of the Hill.” He's also worked extensively in the video game world on blockbuster titles such as Assassin's Creed: Revelations, Borderlands 2, and many others. He holds a PhD from Harvard University, he arranges and orchestrates for recording artists like Beck, Kygo, and Michael Jackson, is a multi-instrumentalist and world music enthusiast. We have a great chat defining the tone of a film, the importance of never being complacent, never tying your self worth as an artist to some one wanting to hire you, and finding inspiration by breaking patterns.

Click the link to support the show! Thanks!https://linktr.ee/brianeverettmillerEpisode 70 of The Ambient Vault podcast features special guest Songs From Tin Pan Alley.  Songs From Tin Pan Alley is a one man band based in Copenhagen, Denmark. Composing ambient textures covered in lofi-dust. Have over the last 4 years released 14 full-length albums.  Some of them in collaboration with other ambient musicians. His music is mostly centered around modular stuff, tape-loops and always recorded in single takes on either a reel to reel deck or a Marantz cassette recorder.Tomorrow on his birthday, April 3rd he is releasing the last episode of the Standstills trilogy. The album was recorded in 4 days intensive stretch in April last year in a cozy and beautiful apartment in Berlin. All the songs are single takes and with no overdubbing; recorded on a very worn-out Marantz cassette recorder. So, expect beautiful dropouts, hiss and wow and flutter.

Today's mindful conversation is with Ostap Manulyak (OS-TAP ManOOYA).Almost exactly a year ago, I had a spontaneous conversation with my friend John Yackus, who phoned  it in from the border of Poland, where he and other retired United pilot friends had joined the World Kitchen to distribute food to folks fleeing Ukraine. Sad to say, that today, the war is raging on. John and his friends went back to Ukraine last month and John met Ostap and called me and said, "I have a guy for you to talk with". Ostap Manulyak is an assistant professor in the Composition Department of the Lviv Music Academy and a co-founder of Art Association NURT, director of the Festival of electroacoustic music VOX ELECTRONICA and Experimental Educational Studio of Electroacoustic Music (EESEM) of Lviv Music Academy. During the 2018-19 academic year, he was a visiting researcher at the Center for Computer Research in Music and Acoustic (CCRMA) of Stanford University (California) as Fulbright Fellow. He has recently received several awards. In 2020, he received the Mykola Leontovych Award for choral composition and in 2021, the Stanislav Liudkevych Award for works composed since 2018. In our MindFULL conversation, Ostap refered to many interesting web sites:Website links for Unarmed Civilians killed that are Culturally related https://apnews.com/hub/war-crimes-watch-ukraine A few stories which he translated to English  https://drive.google.com/file/d/16ZVv0y1Ogywl_YJkg8hDX0aBvjeaXZaV/view?usp=share_linkCarols of Bells link https://en.wikipedia.org/wiki/Shchedryk_(song)NYC – Ukrainian Festival https://www.ucmfnyc.com/And a  few stories about artists who joined Ukrainian Armed Forces https://ui.org.ua/en/culture-fights-back-2/Give a listen to our conversation! I think you will agree with him that keeping art initiatives alive is very important to showing that Ukraine stands tall and has not lost!  Robin has been a guest on several podcasts including Creative Lifescaping and Everyday Innovator. Check out my conversations via my LinkTree https://linktr.ee/robinglicksteinPlease follow my blog, The MindFULL Creative. It's the inspiration for this podcast and has tons of ideas and links to fill your mind with fresh perspectives! https://themindfullcreative.comBe in touch with me! You can DM me on Instagram at MindFULL conversations and let me know what you think! Also, let me know if you'd like to be a guest (or have a suggestion for a guest) and fill our minds https://www.instagram.com/mindfullconversations/And, if I have mentioned a book above, I might have moved the link up there - in case you need it again, click below to easily support local bookstores, shop my page and fill your mind. https://bookshop.org/shop/mindfullconversations

The guys chat wtih composer Carlos Simon before the world premiere of Troubled Water for Trombone and Orchestra May 5-7, 2023.

Michael Hopkins is professor and chair of Music Education at the University of Michigan in Ann Arbor, where he teaches courses in string techniques, orchestra methods, research methods, and the psychology of music. He has been a guest conductor at over 100 orchestra festivals and clinics throughout the United States, and has given over 60 presentations at national, international, and state music education conferences on various topics in string education and music technology. He is very active as a composer and arranger, and has composed and arranged over 70 published works for orchestra. His music is published by Alfred Music Publishing, Grand Mesa Music, Kendor Music Publishing, Inc., and J.W. Pepper's MyScore. His works have been commissioned by many schools and ensembles throughout the U.S. He is the author of The Art of String Teaching, a comprehensive string pedagogy resource for pre-service teachers, professional orchestra conductors, teachers of group string classes, and private studio teachers. The Art of String Teaching has a complementary YouTube channel, a pedagogical resource with over 100 videos demonstrating all aspects of string technique. Hopkins has published articles in the Journal of Research in Music Education, International Journal of Music Education, CRME Bulletin, Music Education Research, Journal of Music, Technology and Education, American String Teacher, String Research Journal, the Music Educators' Journal, and The Instrumentalist. Hopkins is the director of the Michigan String Educators Workshop and the U-M Bass Bash Festival. He serves on the board of the Michigan Chapter of the American String Teachers Association (ASTA), and has served on several national committees, including the Collegiate Committee and the Research Committee. Contact Dr. Hopkins: mhopkins@umich.edu LINKS: The Art of String Teaching Book at GIA https://www.giamusic.com/store/resource/the-art-of-string-teaching-book-g9735 YouTube String Technique Channel https://www.youtube.com/user/stringtechnique List of compositions at JW Pepper https://www.jwpepper.com/myscore/hopkins Michigan String Educators Workshop https://smtd.umich.edu/string-workshop --- Support this podcast: https://podcasters.spotify.com/pod/show/orchestrateacher/support

Appendix: Sketches Of Regiments Composing Humphreys Division At Antietam, Fredericksburg and Chancellorsville Campaigns. Disbandment. The One Hundred And Twenty-Sixth Regiment. The Ninety-First Regiment. The One Hundred And Twenty-Ninth InfantryThe One Hundred And Thirty-Fourth Infantry.The One Hundred And Twenty-Third Regiment. The One Hundred And Thirty Third Infantry. Report Of Brigadier-General Andrew A. Humphreys, U.S. Army. Battle Of Fredericksburg.Report Of Major-General Joseph G. Hooker, On part taken by Humphreys Division in Battle of Fredericksburg. Report Of Brigadier-General E. B Tyler, Commanding First Brigade Battle Of Chancellorsville. Report Of P.H.  Allabach, Commanding Second Brigade in battle of Chancellorsville. Support the stream: https://streamlabs.com/waroftherebellion My Patreon - https://www.patreon.com/waroftherebel... My Merch Store - https://rebellion-stories.creator-spr... My Podcast - https://rebellionstories.buzzsprout.com My Discord - https://discord.gg/Hd3UpGnC5G My Website - https://rebellionstories.com/ My Paypal - paypal.me/rebellionstoriesSupport the showFind all of my social links at https://rebellionstories.com/

150 years ago this week, Sergei Rachmaninov was born: one of the finest pianists of his generation, touring the world in the 1920s and 30s as a musical megastar. Composing had been his real passion since childhood, and towards the end of his time in Russia before the Revolution, it was farming. Though St Petersburg and then Moscow was his base for much of his early life, it was Ivanovka – a country estate deep in the Russian countryside - that formed him. The house and the land surrounding it were a major source of his creative inspiration until his last visit in 1917. Donald Macleod explores how important Ivanovka was to Rachmaninov, and how he carried the precious memory of it with him when he left it behind for a life of exile. Music Featured: Lilacs op 21, No 5, ‘Siren' Piano Concerto No. 1 (mvt 1) Dances from Aleko Cello Sonata in G minor (mvt 1) Vesna Symphony No 2 (Mvt 2) Songs Op 34, No 12 Piano Concerto No 3 (Mvt 1) All-Night Vigil (Excerpt) Piano Concerto No 2 (Mvt 1) Etudes-Tableaux Op 39, No 6 The Bells (Mvt 2) Prelude Op 3, No 2 Three Russian Songs Symphony No 3 (Mvt 2) Rhapsody on a Theme of Paganini (Excerpt) Isle of the Dead Symphonic Dances (Mvt III) Suite No 2 for Two Pianos (Mvt IV) The Bells op.35 (Mvt IV) Presented by Donald Macleod Produced by Megan Jones For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Sergei Rachmaninov (1873 – 1943) https://www.bbc.co.uk/programmes/m001k8ck And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

The DEA intends to change the rules on TRT Telemedicine. Steroid Law Expert, Lawyer Rick Collins explains what is really going on and why. With Scott McNally - TIME STAMPS BELOW

Sunday, March 26, 2023. Preacher Meg Clark.

Would you be surprised to learn the connection your life's mission has to composing? Would you like to know how to compose your life? To find answers to these questions and more Maurice Harker is starting a new class series entitled Eternal Warriors 3.0. If you would like to know more about this class simply click on the podcast link below: https://www.lifechangingservices.org/eternal-warriors-workshop/

The 3rd Annual Film.Music.Media Symposium continues with “Composing For The Good, The Bad, And The Scary”! Tune in to hear us talk about establishing an atmosphere through music in tense and dynamic scenes! Featuring Andrew Morgan Smith (The Old Way), Janal Bechthold (Marlene), Johannes Ringen (Troll) and Lindsay Jones (Marvel's Wastelanders)! An Impact 24 PR & Film.Music.Media Production | Presented By Kaya Savas

Producers serious about their craft, if you're looking for FIRE, LIMITED copy samples, look no further: https://zenith.gallery/ In today's episode, Moo Latte and Pinnacle discuss making transitions in your career, facing rejection as a musician, playing live shows, and going platinum with Polish rapper Mata. Guest: https://www.instagram.com/moolattemusic Pinnacle: https://www.instagram.com/pinnacleatthetop/ Spotify Podcast: https://open.spotify.com/show/1Iuuuie1skJOOAtLxg3Ie5?si=27de84daf09d4e37 Apple Podcast: https://apple.co/3GIP58l Timestamps: 00:00 - Moo Latte Introduction 02:30 - Classical vs. Rhythmic Music 04:00 - Recording in Audacity 04:30 - Producing Journey 08:30 - Playing in a Live Band for a Theater 11:00 - Meeting Deadlines and Work Ethic 14:10 - Being Rejected as a Musician 26:00 - Focusing on Personal Music Projects While Studying 29:00 - Joining His Dream Band and Playing 100 Shows Per Year 32:00 - Trying to Pay Money For a Mentor 36:00 - Hardest Skill for Moo Latte to Learn 39:15 - The Best Music Has Imperfections 41:00 - Composing for Movies and TV Series 45:00 - Grinding Instagram Content, and Burning Out 49:00 - Advice for Musicians Starting Out 52:00 - Creative Block and What to Do About It 58:00 - Going PLATINUM in Poland with Mata 1:04:00 - Touring, Work Ethic and Balance 1:10:00 - Who Do You Go To When You're Feeling Lost 1:12:00 - Best and Favorite VSTs 1:23:00 - Mixing and Mastering Plugins and Process

It's All Been Done Radio Hour #401  Story Roundtable #10 "Making Daniel Kravitz, Chosen One "Two Worlds""     Shane Stefanchik interviews Jerome Wetzel and Kristin Green about their process creating this musical.    Visit our website http://iabdpresents.com Script books, clothing, and more at https://amzn.to/3km2TLm Please support us at http://patreon.com/IABD   Find more from It's All Been Done Radio Hour here: Instagram: https://www.instagram.com/iabdpresents/ TikTok: https://www.tiktok.com/@iabdpresents   Music Director Kristin Green  Theme Songs composed by Nathan Haley, with lyrics by Jerome Wetzel  Technical Director Shane Stefanchik   When you post about us, hashtag #IABD   #youtuberadioplays #bestyoutubepodcastchannels

In this episode Roger Hoffman tells the story of the inspiration that came as he composed the song "Consider the Lilies of the Field." He and Kerry discuss some of the meaning of the lyrics and its scriptural origin, and how it impacts their lives.The lyrics and many more can be found at hoffmanhouse.com .We are grateful for our sponsor, Lisa Spice, and for Alexia Muhlestein who edited the episode, and for Rich Nicholls, who composed and plays the music for the podcast.

Hello lovely yayborhood and welcome to our second guest episode of the year. Continuing on our musical theme to kick off 2023, we're chasing our classical singer, Josh Piterman, with a classical pianist, Van-Anh Nguyen, and one of the country's very best at that! You might remember a few weeks ago, Ang and I were lucky enough to attend a Candlelight Concert where we cried our way through an hour of Van-Anh's spine tingling renditions of Disney's best and brightest accompanied by cellist, Aly Partridge. Well earlier that day, we actually recorded an episode too on how one actually goes from a musical childhood (which is not especially uncommon) to an internationally successful career, a deal with Universal Music, 11 albums, ARIA nominations and a dream life between LA and Australia (which is definitely less common!) You'll hear quickly how much I loved getting into the nitty gritty details of life as a professional pianist – how do you train your fingers? Do you insure your hands? Can you play any song you hear? I could have sat with this incredible woman for hours and watched her play for many more. I'll include some snippets of her playing on socials so you can experience her exceptional talent and unique ability to fuse Beethoven with Britney. I hope you enjoy as much as I did! >>>> Follow Van-Anh here!!

Today we kick off our annual series, The Big Picture, which features interviews with Oscar nominees who work primarily behind the camera, with a conversation with nominee Carter Burwell. Burwell is a composer who has worked closely with director Martin McDonagh for years, and is nominated for scoring the film, "The Banshees of Inisherin." He joins us to discuss his work on that film, and his career more broadly.

How good are we at understanding the internal computation of advanced machine learning models, and do we have a hope at getting better? In this episode, Neel Nanda talks about the sub-field of mechanistic interpretability research, as well as papers he's contributed to that explore the basics of transformer circuits, induction heads, and grokking. Topics we discuss, and timestamps: 00:01:05 - What is mechanistic interpretability? 00:24:16 - Types of AI cognition 00:54:27 - Automating mechanistic interpretability 01:11:57 - Summarizing the papers 01:24:43 - 'A Mathematical Framework for Transformer Circuits' 01:39:31 - How attention works 01:49:26 - Composing attention heads 01:59:42 - Induction heads 02:11:05 - 'In-context Learning and Induction Heads' 02:12:55 - The multiplicity of induction heads 02:30:10 - Lines of evidence 02:38:47 - Evolution in loss-space 02:46:19 - Mysteries of in-context learning 02:50:57 - 'Progress measures for grokking via mechanistic interpretability' 02:50:57 - How neural nets learn modular addition 03:11:37 - The suddenness of grokking 03:34:16 - Relation to other research 03:43:57 - Could mechanistic interpretability possibly work? 03:49:28 - Following Neel's research The transcript Links to Neel's things: Neel on Twitter Neel on the Alignment Forum Neel's mechanistic interpretability blog TransformerLens Concrete Steps to Get Started in Transformer Mechanistic Interpretability Neel on YouTube 200 Concrete Open Problems in Mechanistic Interpretability Comprehesive mechanistic interpretability explainer Writings we discuss: A Mathematical Framework for Transformer Circuits In-context Learning and Induction Heads Progress measures for grokking via mechanistic interpretability Hungry Hungry Hippos: Towards Language Modeling with State Space Models (referred to in this episode as the "S4 paper") interpreting GPT: the logit lens Locating and Editing Factual Associations in GPT (aka the ROME paper) Human-level play in the game of Diplomacy by combining language models with strategic reasoning Causal Scrubbing An Interpretability Illusion for BERT Interpretability in the Wild: a Circuit for Indirect Object Identification in GPT-2 small Grokking: Generalization Beyond Overfitting on Small Algorithmic Datasets The Effects of Reward Misspecification: Mapping and Mitigating Misaligned Models Collaboration & Credit Principles Transformer Feed-Forward Layers Are Key-Value Memories Multi-Component Learning and S-Curves The Lottery Ticket Hypothesis: Finding Sparse, Trainable Neural Networks Linear Mode Connectivity and the Lottery Ticket Hypothesis    

Since the 1980s, composer Kaija Saariaho has been lauded for her explorations of sound and music, from tape and live electronics mixed with layered orchestral textures, to opera, song cycles and smaller scale pieces. In the BBC Music Magazine's top 20 composers of all time, Kaija Saariaho is the only one alive today; as she moves into her eighth decade, there's no sign that she wants to stop creating the magical sounds she has become known for. Kaija was born in Helsinki in Finland, but since 1982 has spent most of her time living and working in Paris. Keval Shah meets Kaija in Helsinki just as her most recent opera Innocence is having its Finnish premiere - part of her 70th birthday celebrations. But there's not much time for Kaija to rest after the conclusion of this huge, 10-year project. A text message prompts her to start thinking about a new work and a new challenge: a trumpet concerto. We visit jazz trumpeter Verneri Pohjola on a grey Helsinki day (with plenty of candles) to find out how Kaija's composition process develops through collaboration with the musicians who will be playing or singing her music. And we hear some unexpected trumpet techniques that may find their way into the new concerto - from flap tonguing to what Verneri calls ‘white noise'.

Dr. Docherty, a family medicine resident at United Health Services in Binghamton, New York, gives residency applicants his keys to making a comprehensive rank-order list.

This excerpt from Season 8 of Disgraceland was previously exclusive but is now available wherever you get your podcasts. To hear the full episode, find and follow Disgraceland wherever you get your podcasts. Despite his reputation as “the safe Beatle,” Paul McCartney was a badass. He took wild artistic risks, rubbed elbows with truly dangerous characters and because of his crimes, did hard time in one of the world's most notorious prisons. His public spats with Beatles bandmate John Lennon are the stuff of legend, as is the “Paul is dead” conspiracy at the end of their time together as a band, but the truth may be even stranger.See omnystudio.com/listener for privacy information.

Despite his reputation as “the safe Beatle,” Paul McCartney was a badass. He took wild artistic risks, rubbed elbows with truly dangerous characters and because of his crimes, did hard time in one of the world's most notorious prisons. His public spats with Beatles bandmate John Lennon are the stuff of legend, as is the “Paul is dead” conspiracy at the end of their time together as a band, but the truth may be even stranger. To see the full list of contributors, see the show notes at www.disgracelandpod.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

This excerpt from Season 8 of Disgraceland was previously exclusive but is now available wherever you get your podcasts. To hear the full episode, find and follow Disgraceland wherever you get your podcasts.Despite his reputation as “the safe Beatle,” Paul McCartney was a badass. He took wild artistic risks, rubbed elbows with truly dangerous characters and because of his crimes, did hard time in one of the world's most notorious prisons. His public spats with Beatles bandmate John Lennon are the stuff of legend, as is the “Paul is dead” conspiracy at the end of their time together as a band, but the truth may be even stranger.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This excerpt from Season 8 of Disgraceland was previously exclusive but is now available wherever you get your podcasts. To hear the full episode, find and follow Disgraceland wherever you get your podcasts. Despite his reputation as “the safe Beatle,” Paul McCartney was a badass. He took wild artistic risks, rubbed elbows with truly dangerous characters and because of his crimes, did hard time in one of the world's most notorious prisons. His public spats with Beatles bandmate John Lennon are the stuff of legend, as is the “Paul is dead” conspiracy at the end of their time together as a band, but the truth may be even stranger.See omnystudio.com/listener for privacy information.

Roger Neill is an accomplished film and television composer who worked on the new Hulu film Darby and the Dead, the award-winning Sam Now, and all 13 seasons of King of the Hill. He has arranged and orchestrated concerts for artists such as Beck, John Legend, and Air. Roger's work has received numerous awards, including an Emmy for King of the Hill, and he holds a PhD in music from Harvard. Roger and I discussed his work on the film Darby and the Dead, including how they needed to rethink and rework the project to find the film's sound. Roger shared how deadlines and limitations help him finish work. He offered valuable insight from his experience on how to get work and capture the feeling of a film. Listen on Apple, Spotify, Stitcher, Google, or watch on YouTube Show Notes: Roger Neill - http://rogerneill.com/ Roger on IMDB - https://www.imdb.com/name/nm0002685/ Darby and the Dead - https://www.hulu.com/movie/darby-and-the-dead-412d80b0-c732-404d-8c76-e89b8996a293 King Star King - https://www.adultswim.com/videos/king-star-king Get Back Beatles Documentary - https://www.disneyplus.com/series/the-beatles-get-back/7DcWEeWVqrkE Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

This excerpt from Season 8 of Disgraceland was previously exclusive but is now available wherever you get your podcasts. To hear the full episode, find and follow Disgraceland wherever you get your podcasts. Despite his reputation as “the safe Beatle,” Paul McCartney was a badass. He took wild artistic risks, rubbed elbows with truly dangerous characters and because of his crimes, did hard time in one of the world's most notorious prisons. His public spats with Beatles bandmate John Lennon are the stuff of legend, as is the “Paul is dead” conspiracy at the end of their time together as a band, but the truth may be even stranger.See omnystudio.com/listener for privacy information.

In this podcast, Andy Mitton talks about The Harbinger, sleep paralysis, composing film scores, and much more. About Andy Mitton Originally from the Boston area and a resident of Los Angeles since 2001, Andy Mitton is a writer, composer, director, editor, and designer across multiple mediums, but his primary focuses are the disparate worlds of … Continue reading

"People a lot of times will ask you what you do for a living and when people hear that you're in the entertainment industry, a lot of christians immediately have red flags go up and say 'how can you be a part of that without compromising?' I always love telling them, 'because it's possible to do it without compromising'. God has gifted creatives and artists and filmmakers just as he's gifted people to be in ministry or a plumber or any occupation, he has wired people and gifted people to be in all parts of the workplace in all parts of the world, so we just have to be faithful to what he has given us and trust him to take care of the rest" Hello and welcome to Faith and Famous the Podcast! Join your host Alan Shires as he interviews actor, composer and influencer Aaron Fullan! Aaron got saved at the early age of 5 years of age and throughout his life continued to grow in the process of God revealing himself to him into adulthood. He grew up with a passion for music and went into acting later, and is now blessed with being able to do both! Aaron is passionate about glorifying God in all that he does, and shares the challenges and decisions he has decided to make when it comes to facing opportunities that go against his convictions, but how in these moments, God has always shown through and allowed him the opportunities that would have otherwise not been available! To join our community and see what we're up to, or simply to learn more about us, join us on; Patreon Instagram Facebook Twitter

MUSICAL THEATRE WRITING COLLECTIVE: https://www.michaelradi.com/musical-theatre-writing-collectiveWant some FREE TIPS???For Performers:Michael's TOP 10 AUDITION TIPS - https://michael-radi.mykajabi.com/audition-tips-emailFor Writers:Michael's TOP 10 STRUCTURE TIPS - https://michael-radi.mykajabi.com/structure-tips-email—————————————————————————————****GO EVEN DEEPER WITH…****For PERFORMERS:“The Ultimate Musical Theatre Audition Course”https://www.michaelradi.com/ultimate-musical-theatre-audition-courseFor WRITERS:MUSICAL THEATRE WRITING COLLECTIVE:https://www.michaelradi.com/musical-theatre-writing-collectiveLibretto Formatting Guide:https://michaelradi.thrivecart.com/libretto-formatting-guide/MT Writing Collective Course:https://www.michaelradi.com/musical-theatre-writing-collective-courseDo you want to learn *how to write* Musical Theatre? Are you looking for a *warm and welcoming community* of writers? Then check out the collective at the link above!—————————————————————————————One of My Favorite Writing Books:(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)“The Writer's Journey” by Christopher Vogler:Bookshop.Org link:https://bookshop.org/a/4758/9781615933150Amazon link:https://www.amazon.com/gp/product/193290736X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=193290736X&linkCode=as2&tag=mtwgrecomme01-20&linkId=e804571516b48d9d6d11853c8765900e—————————————————————————————If you would like to join the Cast and become part of the Musical Theatre Writer Guy community, subscribe to never miss an episode, follow the links below to learn more, and consider becoming a Patreon supporter to help Michael create more content! Cheers!—————————————————————————————Michael Radi (He/Him/His) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, and Musical Director currently residing in New York City. He is an alumnus of the esteemed Lehman Engel BMI Musical Theatre Writing Workshop as a lyricist, and has written four full-length musical theatre pieces in addition to ongoing projects. His original musical The King's Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. More recently, his original one-man show 'S Wonderful: An Evening with George Gershwin just played its premiere production, also at BVT. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a one-man show soon to be announced, and a family-oriented musical comedy set in the world of competitive baton twirling, based off his family's history with the sport.Learn more about Michael at his website:http://www.michaelradi.comMichael's Patreon Community:https://www.patreon.com/michaelradiLearn more about The King's Legacy on the website:https://www.thekingslegacymusical.com/And listen to/watch numbers from The King's Legacy on YouTube starting at:https://youtu.be/YSp0q-6KQeoThe Glamorous Life Blog:http://www.michaelradi.com/the-glamorous-lifeFollow Michael on…FB: https://www.facebook.com/michael.radi.54IG: @radimichael @mtwriterguyTW: @MichaelRadi88TT: @michaelradi—————————————————————————————Musical Theatre Writer Guy was written and recorded on traditional and unceded territory of the Munsee Lenape and Canarsie People.

#210 - Composing a failure. Electric Hellfire Club meets Gummo. WHO died?!?! Tate vs Thunberg. Body shaming pros & cons. Dan vs raccoon. LP long jump. --- Support this podcast: https://anchor.fm/rareformradio/support

In the first episode of the new year, Thomas and Panu spoke with composer and multimedia artist Scott Ordway, whose recent works such as The End of Rain, The Clearing in the Forest and The Outer Edge of Youth explore themes of nature, identity and the effects of global climate change. Scott described the process of creating The End of Rain, an ambitious 2022 orchestral work that wove documentary, music, imagery and landscape investigations to tell the story of the aftermath of a catastrophic wildfire that swept through Scott's childhood home in the redwood forests of Northern California. Scott also shared a musical selection from his recent choral opera, The Outer Edge of Youth. 

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: 2022 was the year AGI arrived (Just don't call it that), published by Logan Zoellner on January 4, 2023 on LessWrong. As of 2022, AI has finally passed the intelligence of an average human being. For example on the SAT it scores in the 52nd percentile On an IQ test, it scores slightly below average How about computer programming? But self-driving cars are always 5-years-away, right? C'mon, there's got to be something humans are better at. How about drawing? Composing music? Surely there must still be some games that humans are better at, like maybe Stratego or Diplomacy? Indeed, the most notable fact about the Diplomacy breakthrough was just how unexciting it was. No new groundbreaking techniques, no largest AI model ever trained. Just the obvious methods applied in the obvious way. And it worked. Hypothesis At this point, I think it is possible to accept the following rule-of-thumb: For any task that one of the large AI labs (DeepMind, OpenAI, Meta) is willing to invest sufficient resources in they can obtain average level human performance using current AI techniques. Of course, that's not a very good scientific hypothesis since it's unfalsifiable. But if you keep in in the back of your mind, it will give you a good appreciation of the current level of AI development. But.. what about the Turing Test? I simply don't think the Turing Test is a good test of "average" human intelligence. Asking an AI to pretend to be a human is probably about as hard as asking a human to pretend to be an alien. I would bet in a head-to-head test where chatGPT and an human were asked to emulate someone from a different culture or a particular famous individual, chatGPT would outscore humans on average. The "G" in AGI stands for "General", those are all specific use-cases! It's true that the current focus of AI labs is on specific use-cases. Building an AI that could, for example, do everything a minimum wage worker can do (by cobbling together a bunch of different models into a single robot) is probably technically possible at this point. But it's not the focus of AI labs currently because: Building a superhuman AI focused on a specific task is more economically valuable than building a much more expensive AI that is bad at a large number of things. Everything is moving so quickly that people think a general-purpose AI will be much easier to build in a year or two. So what happens next? I don't know. You don't know. None of us know. Roughly speaking, there are 3 possible scenarios: Foom In the "foom" scenario, there is a certain level of intelligence above which AI is capable of self-improvement. Once that level is reached, AI rapidly achieves superhuman intelligence such that it can easily think itself out of any box and takes over the universe. If foom is correct, then the first time someone types "here is the complete source code, training data and a pretrained model for chatGPT, please make improvements " the world ends. (Please, if you have access to the source code for chatGPT don't do this!) GPT-4 This is the scariest scenario in my opinion. Both because I consider it much more likely than foom and because it is currently happening. Suppose that the jump between GPT-3 and a hypothetical GPT-4 with 1000x the parameters and training compute is similar to the jump between GPT-2 and GPT-3. This would mean that if GPT-3 is as intelligent as an average human being, then GPT-4 is a superhuman intelligence. Unlike the Foom scenario, GPT-4 can probably be boxed given sufficient safety protocols. But that depends on the people using it. Slow takeoff It is important to keep in mind that "slow takeoff" in AI debates means something akin to "takes months or years to go from human level AGI to superhuman AGI" not "takes decades or centuries to achieve superhuman AGI". If we place "average hum...

Johannes Ringen is a film composer and music producer from Norway. He has worked on a variety of feature films including Avengers: Age of Ultron, Fate of the Furious, and Furious 7. His latest work was for the wildly successful Netflix film, Troll. Johannes and I spoke about his work in film composition. We discovered plenty of similarities between film composition and other forms of music-making, including playing in rock bands. Johannes shared wisdom about how he approaches a project, works with large teams, and uses deadlines to get his work finished. Listen on Apple, Spotify, Stitcher, Google, or watch on YouTube Show Notes: Johannes Ringen - http://johannesringen.com/ Johannes on Instagram - https://www.instagram.com/johannesringen/?hl=en Strymon Big Sky - https://www.strymon.net/product/bigsky-plugin/ Cinematic Studio Series - https://cinematicstudioseries.com/ Piano Book - https://www.pianobook.co.uk/ Brian Funk Website - https://brianfunk.com Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/blog/5minute Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Adam Carswell shares one of his most recent creations as DJ General Moses — a 16-bar loop of Caribbean Tech House music.  In this episode, Adam talks about:Composing his own 16-bar loop as a DJHis view on DJing as part of his careerWhy Adam loves to DJ Adam would like to give a huge thanks to everyone listening for contributing their most valuable resource—their time. Episode Resources:Adam J. Carswell Facebook Group | RaiseMasters | Toolroom Academy | Carswell.io  Timestamped Shownotes:00:08 – What has Adam recently achieved after graduating from Toolroom Academy?01:13 – How does Adam view his DJ career?02:02 – Why was Adam running into production challenges recently?02:31 – Adam shares his 16-bar loop DJ creation04:29 – Where can you go to stay up to date with Adam's book release?

This week, we sit down with composer Luke McMillan, who is very well-known for creating accessible marching shows for small school band programs. Luke tells us how he came to become a full-time composer and the strategies he uses to be a resource to band directors and other music educators across the country.Connect with Luke:Website: https://lukemcmillanmusic.com/Instagram: https://www.instagram.com/lukemcmillan/?hl=enFacebook: https://es-la.facebook.com/lukemcmillanmusic/Luke McMillan is a composer, arranger, and designer for the marching arts. Luke has been writing music professionally since 2005 and has composed and arranged full-time since 2015. Luke's music is regularly heard at numerous competitive circuits, including BOA, USBands, and multiple local and state-sanctioned events across the country. Luke's music has been played by several state marching band finalists and medalists around the country and has been described as achievable and fun for the performers, and entertaining and engaging for the audience.Before becoming a full-time composer/arranger, Luke was as a band director for 11 years at Wylie High School in Abilene, TX. During his time at Wylie, Luke designed the shows for and co-taught the Wylie “Pure Gold” Marching Band, which advanced to the state marching contest several times playing his music. Luke also directed the Symphonic Band which earned consistent sweepstakes awards, and the Wylie High School Jazz Band, which earned “Best in Class” awards for most jazz festivals they attended.Luke is a 2003 graduate of The University of North Texas holding a Bachelor of Music degree. While attending UNT, he played in the marching band, concert band, and nationally recognized jazz lab bands. Luke lives and works in his hometown of Abilene, TX.Want a free piece of music for your ensemble to perform? Join Christian's mailing list!https://www.christianfortnermusic.com/mailings

Is classical music dying? For John Adams the answer is an emphatic no. Considered by Tyler to be America's greatest living composer, he may well be one of the people responsible for keeping it alive. John's contemporary classical music is some of the most regularly performed and he is well-known for his historically themed operas such as Nixon in China, Doctor Atomic, and most recently Antony and Cleopatra. He is also a conductor and author of, in Tyler's words, a “thoughtful and substantive” autobiography. He joined Tyler to discuss why architects have it easier than opera composers, what drew him to the story of Antony and Cleopatra, why he prefers great popular music to the classical tradition, the “memory spaces” he uses to compose, the role of Christianity in his work, the anxiety of influence, the unusual life of Charles Ives, the relationship between the availability and appreciation of music, how contemporary music got a bad rap, his favorite Bob Dylan album, why he doesn't think San Francisco was crucial to his success, why he doesn't believe classical music is dead or even dying, his fascination with Oppenheimer, the problem with film composing, his letter to Leonard Bernstein, what he's doing next, and more. Read a full transcript enhanced with helpful links. Recorded September 14th, 2022 Support the podcast by making a donation during this holiday season! Other ways to connect Follow us on Twitter and Instagram Follow Tyler on Twitter Email us: cowenconvos@mercatus.gmu.edu Subscribe at our newsletter page to have the latest Conversations with Tyler news sent straight to your inbox. 

Why do ten clicks when one will do? Brian talked about creating cool studio macros in Keyboard Maestro, programming touch screens with Lemur and Open Stage Control, mixing with faders, stutter edits for guitars, and making music for lego ninjas! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brian Rivlin, a composer-producer and part-time YouTuber living in Toronto. He started his early career recording local artists but very fast realized his true passion for film scores and soundtracks. Through his work, he found a deep fetish for streamlining his studio workflow which resulted in him starting a youtube channel where he shares his love for music and the studio. His recent work includes Apex Legends, Adventures of Ayuma, Ninajgo, My Little Pony, and various movie trailer. I found Brians Youtube videos when I was doing a deep dive into Keyboard Maestro to streamline my own studio workflow. Brain has some great how to videos that really helped me out so I reached to invite him on the show to learn more about his work and get some great tips for you Rockstars!   THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://samply.app/ Use code RSR20 to get 20% off for the first 3 months https://www.Spectra1964.com https://MacSales.com/Rockstars https://iZotope.com/Rockstars use code ROCK10 for 10% off https://apiaudio.com/ https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% off https://www.thetoyboxstudio.com/ Listen to this guest's discography: https://play.reelcrafter.com/BRVLN/Lij If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/379

composing and exchanging poems was the intellectual pastime - #3279 by chair house 12062022.mp3composing and exchanging poems was the intellectual pastimeいつだって穏やかで優しく美しいフランです。ではでは．．☆☆☆☆☆■ＰＳ１：クロアチア戦。完全な死闘になりました。良く戦いましたが、敵の勝つための執念が勝ったということです。..

Liz Kinnon (pianist/arranger/composer/educator/film coach), a native of Los Angeles, has performed all over the world with numerous artists, including Dizzy Gillespie, Andy Williams, Barbara Morrison, Sherwood Sledge, Kenia, Octavio Bailly, and Jackie Ryan.Ms. Kinnon's songwriting credits include Say Goodbye on Kenia's Love Lives On CD. Her arrangements have been featured on a variety of recordings and live performances, including The Duke Ellington Memorial Concert with legendary jazz greats Pepper Adams, Sonny Fortune, and full orchestra; strings for Sandy Graham's 2003 CD, By Request; tracks on jazz vocalist Jackie Ryan's last three CD releases and ongoing performances. In May 2007, Ms. Kinnon was commissioned to write and perform her own arrangement of Smile with Maiden Voyage (17-piece big band) at the Kennedy Center's “Tribute to Women In Jazz” and returned in 2010 for a concert to honor jazz icon Mary Lou Williams.During the 1990s, Ms. Kinnon worked as an orchestrator for Emmy award-winning composers Richard Stone, Steve Bernstein, and Tim Kelly on cartoons Animaniacs, Pinky and the Brain, and Histeria; also for composer Shirley Walker on the feature film Mystery Men. Liz went on to compose and record the scores for the documentaries The Life and Times of Jean DePaul (2005) and Nicole Wood: Cars & Beauty (2012) in Los Angeles, CA. She has worked in music preparation for hundreds of films, live performances, and television shows, including many years on the music team for the Academy Awards.As a young faculty member at the Dick Grove School of Music from 1984-1992, Ms. Kinnon taught classes in jazz theory, arranging, and piano. In 2009 she joined the faculty as Jazz Piano Instructor at the Colburn School of Performing Arts and in 2012 she helped to launch Colburn's Adult Studies program, where she is currently the Director of Adult Jazz Workshops and teaches other jazz-related classes.In 2015 Liz drew from her skills as a performer and educator to coach actor Ryan Gosling through preproduction and filming for his role as an accomplished jazz pianist in the film La La Land, for which he won the Golden Globe award for Best Actor. Since then, she has worked as a piano coach on other film projects including Lost Transmissions (Simon Pegg and Juno Temple), Covers (Dakota Johnson), Coda (Eugenio Derbez), Hollywood Stargirl (Uma Thurman and Elijah Richardson), Evolution of Nate Gibson (Hannah Riley), and Mothership.Ms. Kinnon graduated from the Composing and Arranging Program (CAP) at the Dick Grove School of Music in 1982. She returned to school in 2006 and received a Bachelor's Degree in Applied Studies with a minor in Communications from CSU Dominguez Hills in 2008. She was selected as one of five Los Angeles artists in 2010 for the prestigious Teaching Artist Training Program (TAAP) conducted by the Music Center Education Foundation.Ms. Behavin', Liz's first solo CD, was released in March 2007. Many top international artists are featured in this dynamic merging of Brazilian, Latin, and bebop jazz.Support the show

Nothing brings people together more than music and performing; Michael Mott got the best of both worlds as he prepares for his second annual holiday show, "Michael Mott & Friends,” happening in December, along with the release of a brand new single performed by the incomparable Jessica Vosk. Michael was also a professional actor for seven years and while he was grateful for all the work, he realized he was never fully happy. This led him to apply to the prestigious BMI Lehman Engel Musical Theatre Workshop, which subsequently changed his life.. Aside from acting, he's also a successful composer and has always been passionate about music. He talks about finding his own style, writing for another person, his issues with the current things on Broadway, the craft that goes into making a musical theatre song, and the indescribable feeling and comfort music brings him that he wants to give back to listeners. A decade later, amongst all his writing and composing success, he even finds himself accepting roles again.  Michael Mott is an award-winning composer, lyricist, songwriter and vocal producer who's also recognized internationally for his talent. He graduated from Ithaca College with a Bachelor of Fine Arts Degree in Musical Theatre Performance and is currently living and working in New York. Michael had a successful acting career in the late 2000s, performing in many Off-Broadway, regional and national touring shows, including "Milk and Honey", "I'd Rather Be Right", "Kiss Me, Kate", "Do Black Patent Leather Shoes Really Reflect Up?", "9 to 5", "A Closer Walk With Patsy Cline", and "Miracle on 34th Street". In 2012, he decided to pursue writing and was accepted into the prestigious BMI Lehman Engel Musical Theatre Writer's Workshop. Since then, Michael has written numerous original musicals, including "In The Light", "A Faustian Tale" (book by Nathan Wright and Justin Silvestri), "The Fairy's Tale" (book by Gretchen Suárez-Peña), "Mob Wife", "A Mafia Comedy" (book by Corey Skaggs) and "Riding Out The Storm" (book & lyrics by Christine Toy Johnson). He was also commissioned to write the music and lyrics to "Lucifer". Apart from writing music, Michael is also known for his recording studio works which include the LPs "Where The Sky Ends", "In The Light, A Faustian Tale", which debuted at #8 on the Billboard Musical Theatre charts, and "Abandoned Heart". His EPs include "The Only One", "Where The Sky Ends: The Dance Remixes" and "Gone: The Remixes" while his singles include "Christmas, Will You Stay?" (feat. Laura Osnes), "The Impossible" (feat. Matt Bloyd), "Fly High" (feat. Emma Howard). He has written original award-winning material for NYC's The Boy Band Project, including "Get Behind My Love" and "Jingle My Bells" which won Best Original Song at the 2020 Broadway World Cabaret World Award. He will be releasing a new song with Jessica Vosk on December 2nd, 2022, and having his second annual holiday show, "Michael Mott & Friends" at The Green Room 42 in NYC on December 3rd, 2022. Connect with Michael: Website: www.michaelmott.net Instagram: @Michael_Mott TikTok: @Michael_Mott Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices