Podcasts about Composing

#88: My guest today is Venus Theory, who is a music producer and Youtuber based out of Nashville, Tennessee. Venus Theory is known not only for his lush electronic music, but also his massive YouTube channel. He also recently finished writing the soundtrack for the hit game Avowed by Obsidian Entertainment.   In this episode, we dive into Venus Theory's rise as a musician due to YouTube, how he landed the Avowed project, how he bounces his many creative outlets, and so much more.   Find Venus Theory here: YouTube: https://www.youtube.com/venustheory Website: https://venustheory.com/home Instagram: https://www.instagram.com/venustheory/?hl=en   Get info on The Game Industry Professional, my flagship course that teaches you how to make a great living in game audio here: bit.ly/gameindustrypro

IllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunitySummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence guides listeners through the process of improving their improvisation skills using the jazz standard 'MISTY'. The conversation covers essential foundational skills for new jazz pianists, the importance of membership resources, and a structured approach to learning a new tune. Dr. Lawrence emphasizes the significance of rhythm and time in music, and provides practical exercises for developing improvisational skills. The episode concludes with a demonstration of applying these skills to play 'MISTY' improvisationally.KeywordsJazz Piano, Improvisation, MISTY, Music Theory, Jazz Skills, Piano Techniques, Music Education, Jazz Chords, Melodic Lines, RhythmTakeawaysImprovisation skills are developed through structured practice.Understanding harmony and melody is crucial for jazz pianists.Membership in Jazz Piano Skills provides valuable resources and support.Foundational skills include mastering chords, arpeggios, and scales.Time is a rigid element in music that must be mastered.Transitioning from amateur to professional requires intentional practice.Listening to various renditions of a tune enhances understanding.Composing melodic lines is essential for improvisation.Rhythmically altering composed lines helps in improvisation.Practicing with lead sheets aids in developing improvisational skills.TitlesMastering Jazz Piano: The Art of ImprovisationUnlocking Your Jazz Potential with MISTYEssential Skills for Aspiring Jazz PianistsThe Journey of Jazz Piano: From Basics to ImprovisationExploring MISTY: A Deep Dive into Jazz ImprovisationSound Bites"It's time to discover, learn, and play jazz piano.""We work on developing our improvisation skills.""Music is the production of sound and silence.""You should be a subscriber to the Jazz Piano Skills YouTube channel.""The most important skill for me to focus on developing?""You will struggle unsuccessfully with learning how to play music.""Music is held together by time.""You transition from amateur to professional musician.""You have some work to do to have some fun this week.""Enjoy MISTY, an improvisation approach."Support the show

I'm very excited for today's episode! Joining me is composer Dan Forrest to talk about everything that goes into composing and marketing a major or multi-movement work a.k.a. one that's much longer than a typical composition or arrangement.We tend to focus on those shorter pieces of music on this show, because that's normally the place for aspiring composers to start. But, as you'll soon hear, those larger works have their place and there's a lot to be gained from writing them.We of course got into publishing as well. Dan has a fantastic perspective as someone who's both a composer and an editor and also as someone who's chosen both traditional and self publishing for his works, making him the perfect type of guest for this show!

Composer Mark Orton reflects on scoring The Holdovers, and more recently, On Swift Horses, starring Jacob Elordi and Daisy Edgar-Jones, and describes why he relies on Genelec monitors to mix his scores at his Camp Watertown studio.

Get ready to rock the world of immersive audio with award-winning producer and mixing engineer Justin Gray! In this episode, we explore his journey from bassist to pioneer in Dolby Atmos and Sony 360, uncovering spatial sound's creative and technical magic. Justin shares his innovative recording techniques, the importance of capturing music in 3D space, and the evolving role of musicians in the process. We also discuss the challenges of funding music in Canada, how to get started with Atmos in a home studio, and the power of remote collaboration. Plus, Justin drops some golden advice for aspiring producers on embracing their creative identity. Don't miss this one, Rockstars! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Justin Gray, an award-winning producer, mixing, and mastering engineer based in Toronto, Canada. Justin is a leader in immersive audio music production, working with artists, producers, and labels worldwide to bring their music to life in Dolby Atmos and Sony 360 Reality Audio. He has worked across a wide range of musical styles with artists like Snoop Dogg, Olivia Rodrigo, Brandy, Carlos Santana, Arkells, The Sheepdogs, Valley, Mother Mother, Jann Arden, Blackbear, Christina Perri, Orville Peck, and many more. Justin runs his own studio, Justin Gray Sound & Immersive Mastering, one of the first Dolby Atmos and Sony 360RA-certified music studios in Canada. He's also a faculty member at Humber College, where he teaches audio production, composition, and music performance. Thank you to Matt Boudreau for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.phantomfocus.com/category-s/149.htm https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Apple Podcasts: https://music.apple.com/ca/playlist/justin-gray-dolby-atmos-mixes/pl.u-kv9lRk5TW6eJev If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/509

Creativity, Collaboration, and Perseverance: A Life in Music with Kim Sherman   Episode #158   Welcome to another insightful episode of The Creative Soulpreneur, where artistry meets entrepreneurship. Today, we're thrilled to introduce Kim Sherman, whose paths have intertwined through friendship, collaboration, and a shared passion for music. Nick and Kim reminisce about their initial meeting, a serendipitous artistic 'blind date' that blossomed into a fruitful partnership. They take us on a journey from Kim's theatrical childhood, inspired by her musician mother, to her perseverance in a male-dominated industry and her expansive musical career that spans genres and mediums. Kim shares her unique approach to creativity, detailing her daily routine that balances intense solo composition with meaningful collaboration. Listen in as they discuss the pivotal moments in Kim's life that steered her towards a thriving career in music, despite societal expectations. Through Kim's story, we learn the importance of being a perpetual student, embracing new challenges, and the enduring power of mentorship. Join us for a conversation filled with inspiration, insight, and a celebration of artistic growth and resilience.   Key Takeaways:   The Power of Collaboration: Kim emphasizes the importance of trust in collaborative relationships. Whether composing music in the same room with a collaborator or working independently and sharing progress, trust and mutual respect are essential for success. Adaptability Across Creative Fields: Kim has mastered the art of versatility by working across multiple genres, including opera, musical theater, film scores, and orchestral music. Her expansive definition of music allows her to adapt and thrive in various creative spaces, ensuring longevity in her career.   Embracing Lifelong Learning: A true student of both music and life, Kim's dedication to learning keeps her creative spirit vibrant and alive. From experimenting with new genres to acting as her own mentor in writing librettos, she demonstrates the value of continual growth and exploration.   Find Kim at her website: https://www.kdsherman.com   Story Telling Guide!!!   KIM D.SHERMAN is a composer who embraces lyricism and dissonance to embody musical landscapes. After graduating from Lawrence University, she worked in Minneapolis with many theater companies, including Tony Award-winning Theatre de la Jeune Lune. In 2024, BRIDGE TO PEACE: INVOCATION was recorded by the Lviv Philharmonic, with soloists Will Liverman and Allison Charney. UNFATHOMABLE THINGS (solo piano,) was published in 2021. Other works have been performed and recorded by The Ark Trio, Musica Sacra, and San José Chamber Orchestra. She has written scores for theatrical productions throughout the US, including music for the Broadway hit “I Hate Hamlet.”   Nick Demos is a Tony and Olivier Award winning Broadway producer, documentary filmmaker, conscious business coach and manifestation expert. With over 15 years of teaching pranayama (breath work), yoga and creativity as well as thirty years in the entertainment industry, he has travelled from the Tony Awards to ashrams and run a multi-million dollar business in between. Nick helps you clear blocks and tap into your creative intuition so you can tell your stories and manifest the business and life of your dreams creating wealth and impact.  

For decades, Lennie Moore has been a driving force in shaping the soundtracks behind some of the most iconic video games and visual stories. From Outcast and Halo to Star Wars: The Old Republic, his compositions have elevated immersive worlds and defined emotional beats across screens big and small.But Lennie's impact doesn't stop at the console. As an educator, he's mentored the next generation of media composers at USC, UCLA Extension, and now the San Francisco Conservatory of Music. Whether he's scoring a cinematic cutscene or guiding students through the language of music for media, Lennie continues to push the boundaries of storytelling through sound. Stay tuned as we sit down with Lennie to explore the craft, creativity, and career behind the music. We will get to hear his upcoming goals with his own band and music as well.

“Seventeen was that age when we were realizing… we have to do something about this.” That poignant reflection echoes the emotional heart of SEVENTEEN, a powerful narrative work for orchestra created in response to the tragic 2018 high school shooting in Parkland, Florida—an event that claimed the lives of seventeen students. Composer Ron Ramin was moved to begin work on this piece soon after, eventually collaborating with librettist Portia Kamons, and later joined by Jamie Bernstein. Together, they crafted a deeply human and artistically compelling response to an American tragedy.In this two-part conversation, I sit down with Portia and Ron to talk about the creation of SEVENTEEN and the many layers involved in bringing it to life.In Part 1, we begin with an overview of the piece itself, followed by a deeper dive into each of its four movements. Portia shares how the libretto was built from the actual words of young people, giving voice to a generation affected by gun violence. We also discuss how Ron and Portia came together to write the piece, the collaborative process behind their work, and how their shared vision took shape. We wrap up the first half of our conversation with the story of how the premiere performance came about, thanks to the support of the Orlando Philharmonic and its music director, Eric Jacobsen.[Subscriber Content] Part 2 opens with a look at the practical challenges behind producing a project of this magnitude, especially the complexities of securing funding. This leads to a conversation about future performance opportunities and what lies ahead for SEVENTEEN. From there, we step back to learn more about Portia and Ron's individual careers, and I pose a classic creative question: do artists need to feel inspired to do meaningful work, or can the work happen without inspiration? Their answers are thoughtful and revealing. And finally, we close with a broader reflection as I ask both of them how hopeful they feel about the future.This episode offers a moving and thoughtful exploration of how art can respond to tragedy—and how music can become a powerful form of activism, remembrance, and healing.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Sitars and Symphonies: LA Composer Reena Esmail Fuses Indian Ragas with Western Rhythms We continue our California composers series with Reena Esmail. Her childhood in Los Angeles had two soundtracks: the Western classical music her parents loved, and the old, scratchy Bollywood tapes her paternal grandparents would play over and over. Those multicultural influences shaped what would become the driving question of her work: how do you invite people from different cultures onto the same stage to build a relationship and create music together? Composing is how Esmail has made her mark — by putting Western classical musicians in conversation with Indian artists, building bridges between violinists and sitar players, tabla drummers and western singers. She's an artist in residence with the Los Angeles Master Chorale, has composed with unhoused singers from Skid Row, and her music has been performed by major orchestras and choirs all over the world. How a UC Berkeley Professor Confronts Division With a Vision for Belonging Professor john a. powell spent much of his early life feeling like he didn't belong. At just 11 years old, he became estranged from his deeply religious family. After questioning church doctrine and not getting the answers he was looking for, powell — who spells his name in lowercase — left the church, and his father did not speak to him for five years. But that pivotal moment was the beginning of the path that led him to his life's work. powell is the director of the Othering and Belonging Institute at UC Berkeley, where he's also a professor of law, African American studies and ethnic studies. He's the author of two recent books, “Belonging Without Othering,” and “The Power of Bridging.” powell spoke with host Sasha Khokha as part of our series on Californians and resilience.  Learn more about your ad choices. Visit megaphone.fm/adchoices

HT2261 - Seeing Is Not Composing A bit of a cliche for beginning photographers is SZM — Super Zoom Mind. We see, say, a distant mountain, pull up our camera and photograph it only to be disappointed when the mountain is so small in the print. We see the mountain with our telescopic mind rather than composing a picture that includes the mountain. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

From Injury to Innovation — Telmakus' Journey Is Unlike Anything You've Heard. In this inspiring episode of Jazz Lab, I sit down with pianist, producer, and sonic visionary Telmakus to explore a creative journey shaped by both genius and adversity.After losing the ability to use his hands due to a rare genetic disorder (EDS), Telmakus did something few artists would even attempt — he began composing with his toes. What followed is a body of work that's both emotionally raw and musically extraordinary.We talk about:-Why creative limitations are Telmakus' greatest strength-His system for developing a true musical voice-Composing without hands — and the album that came from it-Turning pain into power: How he found resilience through music-Exclusive preview of his upcoming record "Eight Ring Revival"-Voicing tricks, form-building methods, and beat-first songwriting-A powerful live exercise: improvising full stories at the piano

In this luminous return to the Hearts Rise Up podcast, sonic mystic and legendary space music composer Jonn Serrie invites us beyond the edges of music and into the sacred space where silence breathes, frequencies speak, and creativity plays like a child running free. What begins as a conversation unfolds as a cosmic remembering—a transmission on the soul of sound, the intelligence of texture, and the spiritual responsibility of the artist in an age of artificial intelligence.In this episode, Jonn weaves stories of childhood dreams, planetary awakenings, and divine synchronicities—revealing how music is not created but received, not engineered but lived. This is more than an interview. It's an initiation into the invisible forces that move through us when we dare to listen beyond the note, trust the muse's voice, and honor the stillness from which all sound is born.Episode Highlights00:00 Introduction03:15 The First Note as Sacred Threshold05:49 Texture Over Technique10:24 Composing from the Temple of Stillness11:00 Synthesizers as Living Beings14:11 Dancing with AI Without Losing the Soul15:57 Sound as Spiritual Weight18:05 The Vision Behind the Note20:10 Music as a Living, Breathing Intelligence21:33 The Voice of the Muse as a Child23:56 Initiatory Dreams & Spiritual Guide27:55 Creating from Cosmic Memory30:21 Returning to Compassionate Sound36:46 Music as Mirror and PortalHeart-centered Wisdom Shared38:55 "Keep that sense of play and creativity alive no matter what, because that's what it is. You're not learning how to be a technician of music. You're learning that the music technique is built into this joyful moment that music is created."— Jonn Serrie_______________Episode ResourcesWebsite: https://www.jonnserrie.com/YouTube: https://www.youtube.com/channel/UCb25kLFosbZbeh8QxYBvuLwApple Music: https://music.apple.com/us/artist/jonn-serrie/5297212Spotify: https://open.spotify.com/artist/1QZGv6Rumxnw9nIGmowvlMPandora: https://www.pandora.com/artist/jonn-serrie/ARjwK6vjpqPnvXZDeezer: https://www.deezer.com/us/album/545403242SoundCloud: https://www.deezer.com/us/album/545403242Amazon: https://www.amazon.com/music/player/artists/B000QJUXW0/jonn-serrie_______________Connect With Hearts Rise Up And LifeQuest Horizonshttps://heartsriseup.com/Sign up for our popular, weekly “Notes From Your Higher Self”https://www.lifequesthorizons.com/The Art of Inner...

Composing for film and tv with Alex and Cesar Vega! From Mexico City

Jim Jones is the co-creator of the new In The Know podcast music and has been the Executive Director of the Katie School of Insurance & Financial Services at Illinois State University since 2001. The Katie School supports over 500 students majoring in Risk Management and Insurance (RMI), actuarial science, and other majors, who are interested in careers in insurance. Jones works with ISU faculty, staff, administration, and industry executives in helping to develop talent for industry and educate students at the velocity of change. He holds an MBA in International Business from Saint Louis University, a BSBA in Finance and Accounting from the University of Missouri Trulaske College of Business, and CPCU, AIC, ARM, and AIS. In this episode of In the Know, Chris Hampshire and Jim discuss microinsurance in developing countries, the next generation of talent, what Gen Z is looking for in a career, and tactics for successfully addressing the talent gap in the insurance industry.   Key Takeaways Jim's current role in the insurance industry focuses on the next generation of risk management professionals. As the Director of Claims Education, Jim taught 20,000 students each year. Jim's research in creating inclusive insurance in developing countries. In The Know's new theme song was written while Jim was in Kathmandu. Expanding the reach of microinsurance to underserved populations. A portrait of today's recently graduated insurance professional. Tactics for addressing the talent gap in the insurance industry. Characteristics of companies that successfully hire recent graduates. Jim's stand-apart advice to his early career self.   In the Know podcast theme music written and performed by James Jones, CPCU, and Kole Shuda of the band If-Then.   To learn more about the CPCU Society, its membership and educational offerings, tools, and programs, please visit CPCUSociety.org.   Follow the CPCU Society on social media: X (Twitter): @CPCUSociety Facebook: @CPCUSociety                 LinkedIn: @The Institutes CPCU Society Instagram: @the_cpcu_society  

Trump's threat of 100 per cent tariffs on all movies produced outside the US could have major ramifications for numbers of films produced in regional Australia - particularly on the Gold Coast.

Composing songs of courtly love and war in the High Middle Ages, the troubadours were the poet-musicians of western and southern Europe – especially southern France. But were they really the lovesick wandering minstrels popular culture would have us believe? Or was there more to their artistry? Speaking to Emily Briffett, Linda Paterson answers your top questions on the troubadours and their enduring poetic and musical legacy. (Ad) Linda Paterson is the author of The Troubadours (Reaktion Books, 2024). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-troubadours%2Flinda-m-paterson%2F9781789149197. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Renowned German film composer Christoph Zirngibl joins us today to talk about his recent projects AppleTV+ “Where's Wanda” and the animated adventure film “The Hero of Centopia.” We chat about the difference between a Palette Composer vs an Artist Composer, his own composing process, and what makes a good melody. Christoph Zirngibl is a renowned German film composer based in Munich, Germany. Among the over 120 movies Christoph has composed the music for by now, you will find some of the most-watched German prime-time TV movies and successful national feature films, as well as a diverse range of indie films, short movies, TV series and documentaries. His music has been awarded the Hollywood Music in Media Award, the Jerry Goldsmith Award and the “German Emmy” ({reis der Deutschen Fernsehakademie) and has been nominated multiple times, e.g. for the German Filmmusic Award, the European Filmmusic Award (Camille Award) and the Music & Sound Awards. At the Cannes Film Festival 2022, he was one of ten international composers being selected for the Spot the Composer Program.

From Amy:I always knew that I loved writing. But I'm not sure I understood—until I went through a major transition, and not by my own choice—that writing is healing. At first it's writing just for me, raw and unwieldy and terrifying, but I always have the sense that this writing is something that, when I'm ready, is meant to be shared. Because stories tell us we're not alone. And they help people find us so that we can be there for each other.Meanwhile, I let myself stay in that first stage of book writing as long as I need to, a stage I call ALLOWING. Allowing it all to be whatever it is. And that allowing makes room for the most powerful stories come through. One of the biggest compliments I ever receive as a writer, and how I know my words have landed, is when people feel inexplicably drawn to tell me THEIR stories. It comes from the deepest parts of them, as a welcome release. I can feel it. Because I've processed my hard things, I'm able to listen to theirs and that helps.And even if we never meet at all, these readers and I, stories of healing help people. Yes, we write for ourselves first, but it doesn't stop there. Memoir is not selfish. It's the most generous thing you can do. Does that make sense? Because if you take nothing else away from this episode, it's that you can write your hardest things, yes, the very worst of them, and you can transform them into beautiful writing. So the next question people ask me is: How?How to you get from that very worst moment of heartbreak to a beautiful completed book? Well...I remember when Nikki Kindred Halvorson's husband was killed by a drunk driver in March 2020, because a mutual friend reached out to let me know what had happened. Nikki would need to work with me, this mutual friend said. She didn't know when, but she wanted to let me know. And she was absolutely right. I felt called to work on this project as Nikki's mentor and editor in due time. Eventually, she reached out.After Allowing, you progress into other stages: Composing, Revision, Editing, and now Sharing. That's where I came in.(Do you see the acronym? ACRES? My shorthand for: If you're transforming a landscape, you do it acre by acre.)There was nothing expected or pretty about the loss of John Erik Halvorson—Nikki's longtime best friend and husband—a tragedy compounded by so many things. Such as the old house they were restoring together, all torn apart. A pandemic. And more.But the process of salvaging stories for a beautiful book? (Or several...) There's nothing like it.So if you're wondering how you do that, write a book about your worst nightmare and feel proud of it and even grateful?Nikki pulls back the curtain in this episode. You'll want to listen.Nikki Kindred Halvorson works as a pediatric speech-language pathologist and is active in historical preservation. She realized a lifelong dream in 2014 when she became caretaker of a great old house with her husband, Erik. Widowed in 2020 at age 32, Nikki has continued to rehab her house and has begun building a new life on the foundation of her old one as she heals. She's currently in the process of realizing another lifelong dream of becoming a published author. Amy Hallberg is the author of Tiny Altars: A Midlife Revival and German Awakening: Tales from an American Life. She is the host of Courageous Wordsmith Podcast and founder of Courageous Wordsmith Circle for Real-Life Writers. As an editor and writing mentor, Amy guides writers through their narrative journeys—from inklings to beautiful works, specifically podcasts and books. A lifelong Minnesotan and mother of grown twins, Amy lives in the Twin Cities with her husband and two cats. Get Amy's Books and AudiobooksLearn about Courageous Wordsmith Circle for Real-Life WritersWork with Amy 1:1

In this episode hear how Guru Gobind Singh composes his poetry along the banks of the Yamuna River before visiting Kapal Mochan, where he playfully deceives many pilgrims.

Gaming hosts Josh and John sit down with Tobias Lilja, the composer and sound designer behind Little Nightmares 1 & 2! Tobias shares how he broke into the gaming industry with no experience, the art of crafting eerie and immersive soundscapes, and what it takes to shape a video game's mood from the very beginning. It's a must-listen for fans of indie titles, game audio, and anyone looking to break into the video game industry! All the gaming news you need, every week from the Video Gamers Podcast! Thanks to our MYTHIC Supporters: Redletter, Ol' Jake, Disratory and Gaius Connect with the show: Support us on Patreon: patreon.com/videogamerspod Join our Gaming Community: https://discord.gg/Dsx2rgEEbz Follow us on Instagram: https://www.instagram.com/videogamerspod/  Follow us on X: https://twitter.com/VideoGamersPod  Subscribe to us on YouTube: https://www.youtube.com/channel/UCU12YOMnAQwqFZEdfXv9c3Q   Visit us on the web: https://videogamerspod.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a free preview of a paid episode. To hear more, visit chadcrouch.substack.comFern Canyon is enchanting.My whole raison d'être with soundwalks is to bottle up that feeling. Enchantment. Fascination. Magnetism. These are the robust feelings that pictures and sounds alone often can't quite stir up. I see music as the key.The great thing about music, I believe, is you don't have to be an expert. You don't have to know music theory, and you don't even have to know how to play an instrument better than, say, an eager first-year student. For me, making music is about opening up, being sensitive, exploring. Sharing music can be more fraught. A little over a year ago, I decided to make a home here on Substack. At first, it felt like play; an adventure in publishing. It still does. But, there is some tension with the commerce part. Honestly I feel like I'm floundering with that part of being a Substack author. It's not that I don't like it. I'm on board with writers and artists monetizing their work. From my point of view, it's just challenging to sustain that sense of play, while trying to casually sell some part of it.Today, I'm trying something new, to keep the exploratory vibe alive. Fern Canyon Soundwalk is only available here. Not Spotify, not Bandcamp. Not Qobuz—I like Qobuz by the way. Just here, and in its entirety, just for paid subscribers. It's a little slice of enchantment, and practically speaking, it's hidden. It's if you know, you know. You know? I'm not fancy. Subscriptions start at less than $3/mo.I don't know if I'll get any “conversions” from this post; any new paid subscribers. I decided not to let keep me from trying though. It's probable that I'm making the wrong decision in terms of “exploiting” my work—It seems to me I'd earn more on streaming platforms over time. That's okay. I've always felt better about my place in the economy when I'm not fretting and optimizing. Fern Canyon is in Prairie Creek Redwoods State Park, in Humboldt County California. It was formed by Home Creek.This modest stream has over the eons carved a 50 to 80 foot deep canyon through the rich sedimentary soils. The canyon walls sprout an amazing variety of luxuriant ferns and other moisture-loving plants. (vistredwoods.com)Composing and finalizing Fern Canyon Soundwalk had many twists and turns. In the end, I went for soft, supple, simple. It's a very tender and naive composition, grounded in felted piano, with chimes and sparkly synths punctuating the arrangement, alongside a myriad of water sounds and sparse birdsong.I usually end with a thank you for your interest. It's not performative. I really mean it. That's all I'm after here…to tell stories with sounds, music, images and words. Folks taking an interest keeps me going. Thank you all!Soundwalk is a reader-supported publication. To be one of a handful of people to hear Fern Canyon Soundwalk in its entirety, consider becoming a subscriber.

This week, Features contributor DJ Ninja speaks with jazz vocalist and composer Keri Johnsrud and woodwind specialist, performer, recording artist, and composer Shawn Maxwell. They discuss their musical beginnings, their collaborative album C8H10N4O2, and the nods to hometown Joliet in the tracklisting. "Composing and coming up with tunes that tell stories, I feel it's a lot easier for me now than it was 20 years ago. I feel like I have so many ideas and if I could, I'd probably put out an album a month." - Shawn Maxwell The Keri Johnsrud-Shawn Maxwell Band will be playing at City Winery on Tuesday, April 8. Produced by DJ Ninja. Photo Credit: Michael Barton

Collaboration is the cornerstone of a musicians' creativity and career. This is especially true in media composing. And here to talk with me about it today are my guests Ari Posner and Joel Schwartz. They worked together composing the score to the acclaimed drama series “Sullivan's Crossing” whose 2nd season premiered in the US in October 2024 on the CW, and kicks off its 3rd season on Canada's CTV in the spring of 2025.

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

My guest today is Joshua Rosenblum, author of Closer than Ever — The Unique Six-Decade Songwriting Partnership of Richard Maltby, Jr. and David Shire. This terrific new book chronicles the sixty-six-year (and counting) partnership of two of the most gifted songwriters of our time, giving full behind-the-scenes accounts of their musicals interspersed with deep-dive analyses of standout individual numbers. Among the well-known Broadway figures who feature prominently in the Maltby/Shire story are Stephen Sondheim, Hal Prince, Michael Stewart, Francis Ford Coppola, Susan Stroman, John Weidman, Charles Strouse, Garth Drabinsky, Jason Robert Brown, and Jonathan Tunick. Using his experiences as a Broadway conductor, music journalist, and professor of musical theater composition, as well as his long-term personal and professional acquaintance with both Maltby and Shire, Joshua Rosenblum is uniquely suited to chronicle their lives, careers, and creative output. The songwriters, both of whom are engaging and articulate in describing what they do, are quoted liberally throughout the book in exclusive interviews, creating the impression that one is spending time with two inspiring creative artists who happen to be great company.   Joshua Rosenblum teaches Composing for Musical Theater at Yale University and Conducting at New York University. As a composer/lyricist, he wrote the scores to the off-Broadway musicals Fermat's Last Tango, Bush is Bad, and Einstein's Dreams (four Drama Desk Nominations). He has conducted fourteen Broadway and off-Broadway shows and has performed as pianist with the New York Pops at Carnegie Hall, the City Center Encores! Orchestra, and the American Symphony. A longtime contributor of reviews and features to Opera News, Rosenblum is a summa cum laude graduate of Yale College and holds a master's degree in Piano from the Yale School of Music. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as John Schroeder. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for the first in a series of special episodes in collaboration with the London Soundtrack Festival! Today, we are joined by Grammy-winning composer Stephanie Economou (composer of Assassin's Creed Valhalla DLCs: Dawn Of Ragnarök) whom we spent an evening nerding out about writing music for video games, collecting weird and wonderful instruments, collaborating with Harry Gregson-Williams.

Nan Avant|Composing the Wind: Composer and Musician Inspired by Tragedy in MauiToday, we're honored to welcome Nan Avant, an award-winning composer whose music beautifully bridges diverse cultures and genres. From symphonic and orchestral works to jazz, Latin, and Celtic influences, Nan's compositions captivate audiences with their rich storytelling and evocative themes.With a BFA from California Institute of the Arts and training under Emmy-winning composer Hummie Mann, Nan has built an impressive career. She is a four-time Hollywood Music in Media Awards nominee, a Winner of The American Prize, and has received multiple Silver Medal Awards from the Global Music Awards. Her music has been recorded by prestigious ensembles like the London Symphony Orchestra and the Royal Scottish National Orchestra and is featured on Navona Recordings.Beyond accolades, Nan's passion lies in the art of thematic and rhythmic storytelling, crafting music that resonates deeply with listeners. Whether she's composing for, orchestra, chamber ensembles, or indie film, her work is a masterful fusion of technique and emotion.We're excited to dive into her creative process, her inspirations, and the stories behind her stunning compositions. Nan Avant, welcome to the show!Support PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprPEG uses StreamYard.com for our live podcastshttps://streamyard.com/pal/c/6290085463457792Get $10.00 Credit for using StreamYard.com when you sign up with our linkRSShttps://anchor.fm/s/3b31908/podcast/rssIntroduction

In this episode of Just Get a Real Job, we're joined by award-winning composer and songwriter Drew Gasparini. Known for his dynamic contributions to musical theatre and television, Drew's work includes the Broadway adaptation of The Karate Kid and the hit musical I Could Use a Drink. His latest show, We Aren't Kids Anymore comes to the Savoy Theatre on April 28th.We discuss:

In this episode of The Piano Pod, I had the pleasure of speaking with Nimrod Borenstein—acclaimed composer and conductor—about his remarkable journey in music. From his early days as a violinist to becoming one of today's most celebrated composers, Nimrod shares his artistic philosophy, the evolution of his piano works, and the influences that have shaped his unique voice.We dive deep into his signature piano works, including Reminiscences of Childhood and his 24 Études, explore the inspiration behind his Shirim collection, and discuss his collaborations with legendary musicians like Vladimir Ashkenazy. His insights into the challenges of composing for piano, the storytelling power of music, and his artistic legacy make this an episode you won't want to miss!IN THIS EPISODE:

Here is the trailer of our upcoming episode feat. Nimrod Borenstein. In this episode of The Piano Pod, I had the pleasure of speaking with Nimrod Borenstein—acclaimed composer and conductor—about his remarkable journey in music. From his early days as a violinist to becoming one of today's most celebrated composers, Nimrod shares his artistic philosophy, the evolution of his piano works, and the influences that have shaped his unique voice.We dive deep into his signature piano works, including Reminiscences of Childhood and his 24 Études, explore the inspiration behind his Shirim collection, and discuss his collaborations with legendary musicians like Vladimir Ashkenazy. His insights into the challenges of composing for piano, the storytelling power of music, and his artistic legacy make this an episode you won't want to miss!IN THIS EPISODE:

In Before Sound: Re-Composing Material, Time, and Bodies in Music (Transcript Verlag, 2023), composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conception of composition and its relation to sound material. Accordingly, Manca examines the theoretical and aesthetic reasons for this shift by interweaving aesthetic reflection on his work with historical research on the notion of musical material and the theory of sound production. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Before Sound: Re-Composing Material, Time, and Bodies in Music (Transcript Verlag, 2023), composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conception of composition and its relation to sound material. Accordingly, Manca examines the theoretical and aesthetic reasons for this shift by interweaving aesthetic reflection on his work with historical research on the notion of musical material and the theory of sound production. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Before Sound: Re-Composing Material, Time, and Bodies in Music (Transcript Verlag, 2023), composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conception of composition and its relation to sound material. Accordingly, Manca examines the theoretical and aesthetic reasons for this shift by interweaving aesthetic reflection on his work with historical research on the notion of musical material and the theory of sound production. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Today I am speaking with Kristoffer Lislegaard and Janne Eraker of the duo Øy. Janne is a tap dancer, with contact mics attached to her shoes. Kristoffer receives the audio in his computer running sequencers, synthesizers, drum machines, and Max for Live that all respond to Janne's movements. We had a fascinating conversation about how Øy collaborates and interacts musically for live performances and their new album Live. It was inspiring to learn about these new and exciting ways of creating music on both a technical and creative level. This is also the third time I've had Kristoffer on the show and it was a pleasure to hear how what was an idea last time we spoke has now become a fully realized project. Please welcome Kristoffer and Janne of Øy to the Music Production Podcast. Listen on Apple, Spotify, YouTube Takeaways: The interaction between dance and music creates a unique performance experience. Trust and communication are essential for successful collaboration. The psychological aspects of performance can greatly affect the dancer's experience. Recording sessions allows for reflection and discovery of new elements in their work. The use of technology opens up new possibilities for sound manipulation. Human expression is crucial in music, transcending technical limitations. Improvisation thrives on a shared language developed through collaboration. Bringing humanity into electronic music performance is valuable. Engaging with audiences can deepen their appreciation for the performance. Independent artists should focus on building direct connections with their audience. Links: Øy Website - https://www.oyduo.com Øy Live - https://www.kristofferlislegaard.com/faircamp/live/ Øy on Bandcamp - https://oyduo.bandcamp.com/album/live  Kristoffer Lislegaard - https://www.kristofferlislegaard.com #BeYourOwnPlatform - https://www.kristofferlislegaard.com/blog/2023-12-20-be-your-own-platform/ Kristoffer on the Music Production Podcast #138 - https://brianfunk.com/blog/2019/11/16/kristoffer-lislegaard-on-sgrows-new-album-and-live-performance-music-production-podcast-138 Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk  

TISS is a weekly podcast where Varun, Kautuk, Neville & Aadar discuss Crazy "facts" they find on the internet. So come learn with them...or something like that. This week the boys are discussing on 'Music, Virality, Meme culture, Meeting music legends'To support TISS, check out our Instamojo: www.instamojo.com/@TISSOPFollow #TISS Shorts where we put out videos: https://bit.ly/3tUdLTCYou can also check out the podcast on Apple podcast, Spotify and Google podcast!http://apple.co/3neTO62http://spoti.fi/3blYG79http://bit.ly/3oh0BxkCheck out the TISS Sub-Reddit: https://bit.ly/2IEi0QsCheck out the TISS Discord: / discord 0:00 - Intro1:10 - Welcome to The Internet Said So1:18 - Yashraj Mukhate in da house! 2:15 - Mumbai Property Rates Are Through The Roof!4:24 - WTF is 'Pumbai'?5:36 - Yashraj Was Buying A House in Mumbai7:09 - The Most Common 'Unique' Question Yashraj Gets Asked8:04 - Yashraj's bangin' songs!9:07 - How does Yashraj compose his songs from memes?12:22 - The music of 'Baby Drive' the movie13:19 - Daft Punk and their genius14:09 - Music and mimicry15:36 - How Yashraj Learnt Music Production From YouTube20:07 - Music and AI - What's Yashraj's Take on AI in Music Production?24:26 - Yashraj Shares a Fascinating AR Rahman Story (also featuring Subhash Ghai and Sukhwinder Singh)28:19 - How Sukhwinder Records His Songs29:56 - Yashraj's Favourite Composers33:59 - Yashraj Met and Interviewed AR Rahman38:51 - Yashraj and Live Shows45:59 - Music Sampling and how Yashraj does it47:24 - Yashraj's '3 Video Theory'53:20 - Biggini Shoot, Emotional Attyachaar and Reality Shows59:44 - Parody Music (Devang Patel, Baba Sehgal)1:03:14 - Himesh Reshamiya is a cool cat!1:06:04 - Yashraj composed music for a Marathi movie recently1:07:10 - Yashraj has written a movie script?1:08:04 - Composing for a deadline1:12:46 - How Yashraj Prefers To Make Music1:16:02 - Aadar's Geeky Questions for Yashraj1:21:18 - Varun's wife inherited a gorgeous Tanpura1:23:26 - Yashraj's Favourite Voice Effects1:25:05 - Comedy Music Does Not Get The Respect It Deserves1:26:15 - Yashraj Recommends Cool Things To Listen and Watch1:32:28 - Mukesh Khanna is GOAT!1:35:00 - Thanks For Tuning In, Folks!1:36:54 - Post Credits Scene1:37:14 - TISS AnthemBuy Varun Thakur's 420 Merch - http://bit.ly/2oDkhRVSubscribe To Our YT ChannelsVarun - https://bit.ly/2HgGwqcAadar - https://bit.ly/37m49J2Neville - https://bit.ly/2HfYlWyKautuk - https://bit.ly/3jcpKGaYashraj- https://www.youtube.com/@YashrajMukhateOfficialFollow Us on Instagram.Varun - / varunthakur Aadar - / theaadarguy Neville - / nevilleshah. Kautak - / cowtuk Yahsraj- https://www.instagram.com/yashrajmukhate/Creative Producer- Antariksh TakkarChannel Artwork by OMLThumbnail - OML

In this episode of Kermode on Film, Mark is joined by Fiona Shaw to talk about her new film Hot Milk, which premiers at the Berlin Film Festival this year, and to Warren Ellis, composer, musician and superstar, to talk about his score for Walter Salles autobiographical film I'm Still Here.Sit back and enjoy Part 2 of this MK3D show recorded live at the BFI Southbank on Monday 10 February 2025.In Part 1, Mark was joined by Mario Van Peebles and Mandela Van Peebles, to talk about their film Outlaw Posse, shown as part of the BFI season Black Rodeo: A History of the African American Western. And he talked to Bernard MacMahon and Allison McGourty, the director and producer of the high grossing new documentary Becoming Led Zeppelin.Thanks for listening, and remember, keep watching the skies.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #FionaShaw #HarryPotter #HotMilk #Ammonite #WarrenEllis #NickCave #I'mStillHere #WalterSalles # #CaliforniaSuite #Mustang #TheAssassinationOfJesseJamesByTheCowardRobertFord #AndrewDominikFilms mentioned in this podcast:Outlaw PosseBecoming Led ZeppelinHot MilkSex EducationAmmoniteSafety LastCalifornia SuiteI'm Still HereRomaMustangThe PropositionThe Assassination of Jesse James by the Coward Robert FordZoolanderSong for BobPeople and bands mentioned in this episode:The WhoDeborah LevyRebecca LenkiewiczEmma MackieKate WinsletClaire RushbrookCharlie ChaplinMaggie SmithSimone RochaWalter SallesFernanda TorresNick CaveJohn HillcoatThe Bad SeedsJackson EllisDeniz Gamze ErgüvenGaspar NoéAndrew DominikBrad PittCasey AffleckSam ShepardGerard McCannAngelo BadalamentiNina SimoneHosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

One of the most memorable aspects of the epic film"The Brutalist" is the moving and dramatic score. Composer Daniel Blumberg discusses his work on the film, which has earned him an Oscar nomination for Best Original Score. He joins us as part of "The Big Picture," our series of conversations with the Oscar-nominated talent who worked behind the camera to make movie magic in 2024. 

Matt Glass (12 HOUR SHIFT, GHOSTS OF THE OZARKS, YOU CAN'T KILL DAVID ARQUETTE) might be one of the most well-rounded filmmakers we've ever met. He can write, direct, produce, edit, pull off crazy VFX, and compose music (including the theme to this podcast!) Brea was promoting her new book* this week so I sat down with Matt alone to figure out how he acquired all of these skills!Follow Matt Glass on Instagram: @glassbrain* it's called The No Pressure Book Journal! Get it at a book store near you!** I accidentally said the movie SILK was from Korea. It was actually made in Taiwan. Sorry about that!! Theme song by Matt Glass (@glassbrain), Artwork by Felipe Sobreiro (@sobreiro) Hosted by Brea Grant (@breagrant) and Ed Dougherty (@eddied4me)Join our Patreon for extra content!

https://tonimmir.com/about/BioToni M. Mir is a music composer nominated for a Goya in 2020. His pieces include soundtracks for movies, documentaries, commercials and television series.Due to his many creative accomplishments, he is now a celebrated member of the European Film Academy, the Spanish Academy of Cinematographic Arts and Sciences, and the Catalan Film Academy.His passion for music was revealed in his early childhood, when he started playing and discovering harmony through an old piano in the family house.  This playful way of learning has defined his very own style, striving to create a singular language, leaving academic standards behind.Composing, for him, is a way to translate stories into feelings, and to infuse fictional universes with a touch of color and emotion that can only be achieved through music.Toni is the soul and founder of Trafalgar 13 Music House(2004), an independent music lab situated in the heart of Barcelona, Spain -now with a branch office in Los Angeles-, home to numerous original soundtracks for award-winning films along with commercial melodies for prestigious brands.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Have a guest recommendation? Let us know!In our first-ever "solo" episode, Christian explains the process of commissioning composers - having a composer write a brand new piece of music for your ensemble to premiere to the world! He also talks about how commissioning can be an educational experience for students, and the different ways composers try to make the experience as financial affordable as possible.Want to commission Christian? Book a call with him!Follow our official Instagram page and become a part of the community!Browse Kara's TPT Store!Want a free piece of music for your ensemble to perform? Join Christian's mailing list!https://www.christianfortnermusic.com/mailings

Jenn speaks to Taiwanese bred New York based composer Shiuan Chang. Born and raised in Taipei, Shiuan his earliest memories composing music was when he was just 7yrs old, his teachers discovered his talent and encouraged him to study composition and thus he went to the New England Music Conservatory in Boston to continue his education. Though he didn't obtain a degree there Shiuan has since built a career composing music that has been performed at many renowned concert halls around the world. Shiuan shares with us some of his failures he has encountered, his search for identity and how that influences the music he creates. (Recorded on November 26, 2024)About Shiuan Chang:Describe as “spiritual, light and comforting.” by  Classic Agenda (FR), Recipient of Asian Cultural Council and Djerassi Foundation, Chang Shiuan's music has appeared at Carnegie Hall, Lincoln Center, Merkin Hall, Suntory Hall, Chicago Symphony Center, Moscow Philharmonic Chamber Hall, Berlin Philharmonic Chamber Hall, Hungary Bartok Hall, Taiwan National Concert Hall, Le Phenix Valenciennes, Grafenegg, Weimar Kunstfest, Geneva Archipel Festival, Royaumont, and more. He has been commissioned by and collaborated with Cloudgate Contemporary Dance Company, Tonkunstler Orchestra, Indianapolis Symphony Orchestra, The Orchestra Now, Taiwan Philharmonic, Taipei Symphony Orchestra, The Orchestra Now, Chicago Civic Symphony Orchestra, Albany Symphony Orchestra, Neue Vocalsolisten Stuttgart, Ekmeles Ensemble, Les Métabole,  Princeton Singers, TANA Quartet, Atlas Ensemble, Ensemble Multilaterale, Earplay Ensemble, and Ictus Ensemble.Episode Resources:Website  IG  Spotify Youtube  Miles Davis Autobiography  George Aperghis  Something Like a Autobiography  Bian Zhou Composition  Before Everything Appears

#82: My guest today is Mikey J, a composer, producer, and dancer based in the United Kingdom. He has worked on a huge variety of projects from Danny Boyle's Free Your Mind Matrix Adaptation, scoring and music directing the 2024 revival of Romeo & Juliet starring Tom Holland, founding the award winning dance company Boy Blue, and is even a member of the Order of the British Empire for his work in hip-hop and dance music.   In this episode, we talk Mikey's musical upbringing as a child of African immigrants in the United Kingdom, how he started as a mixing engineer and producer working for the tiny sum of five pounds an hour for his work, his recent work on the movie Kneecap which celebrates Irish hiphop and cultural preservation, and so much more.   Find Mikey here: Instagram: https://www.instagram.com/mikeyjdotnet/?hl=en SoundCloud: https://soundcloud.com/michael-mikey-j-asante IMDB: https://www.imdb.com/name/nm4647621/     And if you're interested in making music and sound for games, I have a newsletter and free courses that will get you started, and help you find paying work in games. Just go to http://www.bit.ly/soundbizpod

Composing Star Trek Nami Melumad is the first female composer in the long history of Star Trek. You have heard her music on shows like Strange New Worlds and Prodigy. Outside of Trek, she has composed music for Thor: Love and Thunder and Pixar's Dream Productions. Nami talks about how working on Trek was not only a manifestation of her fanhood but also helped her fandom grow. Nami tells about her big sister and her role in Nami's life goals and interests. We also discussed The AWFC or Alliance for Women Film Composers, a group Nami has been a board member for at least 8 years. We discussed their role and what we can do to help young women reach their goals and dreams. For more on The AWFC, please visit the following - www.theawfc.com For more on Nami Melumad, please visit the following - Website - www.namicomposer.com Please consider donating to one or all of these charities to help those who have been affected by the California Fires World Central Kitchen - https://donate.wck.org California Fire Foundation - https://www.cafirefoundation.org American Red Cross - https://www.redcross.org Hollywood Food Coalition - https://hofoco.org GoFundMe - https://www.gofundme.com/f/wildfire-r... For more on our show partners - Bones Coffee - http://www.bonescoffee.com/FSFPOPCAST and use code FSFPOPCAST Idea Farm - www.ideafarm.store Level Up Sabers https://bit.ly/FSFLevelUpSabers Eddie Ai Editing - https://www.heyeddie.ai/ FSF PopCast Merch here - https://www.teepublic.com/user/fsf-po... Win free loot - sign up here - www.fsfpopcast.com/contact Tim Beisiegels articles - https://couchsoup.com/author/byeseagull For more on our Show - Join our Patreon / fsfpopcast Join our Discord! / discord Visit our website - https://www.fsfpopcast.com FSF PopCast on BlueSky, Instagram, Threads, and Facebook - @fsfpopcast This podcast is powered by Pinecast.

This week, we interview Damian Appiotti.Damian Appiotti is a multi faceted musician and educator who has been playing the guitar for about as long as he can remember. He grew up with parents who both have musical backgrounds, and has had a life surrounded by music, film, and art at large. The style that Damian often works in is referred to as Prog, which some have gone on to describe by saying it's not so much a genre as is just people making music on the guitar and making unique and interesting compositions. His experiences to date have culminated in his first EP, Automoton. And since its release, he has been hard at work on his next project which is expected to release in the coming months. Over the next 2 months (as of the release of this episode), Damian be will giving free live online soloing masterclasses via zoom. They'll be free to attend but the dates are tbd. Follow him on social media to stay up to date about this opportunity and when it is officially starting up. In addition, he recently started a Facebook group for people stuck in the intermediate stages of guitar playing. This group is free to join for anyone and he is posting multiple times a week with advice and exercises that should help push past plateaus in the learning process.To stay up to date with all of these opportunities and more, make sure to give Damian a follow on Instagram @Damian_appoitti, as well as Facebook, and your favorite streaming platform.Streaming Links:https://distrokid.com/hyperfollow/damianappiotti/automaton-ep/https://distrokid.com/hyperfollow/damianappiotti/flannel-single/Social Media Links:https://www.instagram.com/damian_appiotti?igsh=MTNmeGt1ejh2ajF2eg%3D%3D&utm_source=qrhttps://www.facebook.com/share/1BK8QF9agZ/?mibextid=wwXIfrhttps://bsky.app/profile/damian-appiotti.bsky.socialIntermediate Guitarist Group: https://www.facebook.com/share/g/1DEmUMUYMr/?mibextid=wwXIfr

This week on Acta Non Verba, we explore the world of music, art, and Adversity with Luis Guerra and Adrián Terrazas-González. Luis, a musician diagnosed with multiple sclerosis, shares his journey of integrating therapies and his creation, 'Breathe Into Life,' dedicated to holistic well-being. Grammy-winning musician Adrián Terrazas-González, who also battled cancer, discusses their transformative friendship and mutual growth. The show delves into their stories of Adversity, resilience, and the philosophies they adopt to turn challenges into victories. Emphasizing the power of breath and the mind, the conversation highlights the importance of adapting one’s skills under adverse conditions and inspiring others through authentic stories and music. Episode Highlights: 02:04 Luis’ Journey and Collaboration 06:12 Adrián's Perspective and Musical Journey 20:45 Challenges and Inspirations in Music 36:53 Performing with Legends and Learning from Them 41:50 The Impact of Audience Size on Performances 46:32 Balancing Stress and Creativity 47:14 Coping Mechanisms for Soldiers and Law Enforcement 53:05 The Healing Power of Breath 01:03:06 The Role of Gratitude in Recovery 01:25:00 Impact of Adversity on Creativity Luis Guerra is a Los Angeles-based music composer, arranger, and producer. He has worked extensively as a film composer and is an award-winning podcast composer. His credits include writing theme music for popular TV shows such as Ring City, film scores including Bernard and Huey and 18 ½, and podcasts such as Freakonomics Radio, Malcolm Gladwell’s Revisionist History, Happy Forgetting, and No Stupid Questions. Currently, he is composing music for the Breathe Into Life podcast—stay tuned for more. Connect with Luis here: https://www.luisguerramusic.com/ Adrián Terrazas-González, born in Chihuahua, México, grew up immersed in the traditional music of Central America, discovering his passion for jazz and classical music at age 11. Inspired by Hubert Laws, he mastered the flute, tenor saxophone, and clarinet. In 2002, he overcame cancer and joined The Mars Volta in 2004, earning a GRAMMY in 2008. Now based in Los Angeles, he leads T.R.A.M. and collaborates with international musicians, touring extensively while teaching workshops worldwide. Terrazas-González’s career reflects a deep commitment to innovation and sharing music across cultures. Connect with Adrián here: https://www.instagram.com/adrianterrazasofficial/ Learn more about the gift of Adversity and my mission to help my fellow humans create a better world by heading to www.marcusaureliusanderson.com. There you can take action by joining my ANV inner circle to get exclusive content and information.See omnystudio.com/listener for privacy information.

You've probably heard Caleb Martin's music somewhere on TV. I met Caleb in our music community through Shin Kawasaki, whose music you hear every week on Chapel Probation. But I had no idea Caleb had an evangelical background until just the past couple of years when we started chatting on IG about religious trauma. And I'm glad we did chat because it gave me the perfect excuse to talk to him, someone I've admired for the past 10 years or so. The admiration I have for such a fine musician and composer is still there, but now I also admire Caleb for his courage to come out of high control religion and forge a life of music and community outside. You can learn more about Caleb's work at https://www.martinmusicmedia.com/ Join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dauntless Media Discord ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for more conversation with all the podcast communities. Scott's book, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Asian-American-Apostate- Losing Religion and Finding Myself at an Evangelical University⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is available now! Music by Scott Okamoto, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenyi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Azeem Khan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shin Kawasaki⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wingo Shackleford⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chapel Probation Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to support Scott and for bonus content.  Join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chapel Probation Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group to continue the conversations. Follow Scott on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can subscribe to Scott's newsletter and learn more about the book, the blog, and performances at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rscottokamoto.com⁠

Have a guest recommendation? Let us know!Our first guest of 2025 is Mr. Bryce Gage, choir director at Marble Falls High School! Having worked at a 4A program for many years now, Bryce gives us all the examples of what he did to grow what was a tiny choral program into a group that is performing at TMEA this year! He also emphasizes the importance of developing strong musical tone in ANY ensemble, and how it contributed to the strength of his group.Download the show notes for this episode HERE.Follow our official Instagram page and become a part of the community!Browse Kara's TPT Store!Want a free piece of music for your ensemble to perform? Join Christian's mailing list!https://www.christianfortnermusic.com/mailings

For our listeners who sell direct to their consumers or buyers, a composable tech stack is pretty much a necessity these days to keep up with the buying experiences your customers expect. And in the next era, it will be essential to achieve the kind of more niche and personalized experiences that will be necessary to drive growth and win market share. James Semple, Product Management Director at Salesforce and self-proclaimed “Evangelist of the Composable Ecosystem, joined the podcast to discuss the current and future states of contextual omnichannel commerce.

Grief, and the emotions that come with it, can often effect how we listen to music and how we write music. However, music can be a good companion during the healing process. In this episode we will share our experiences and those of some fellow musicians. We will discuss composers that have been stricken with grief and we will look at ways to use music to help with the healing process.