Podcasts about Macedonia

We stand on Jesus' promise that the gospel will be preached in the whole world as a testimony to all nations. As we see this being fulfilled, we know the end is near and Jesus' return is soon.Main Points:1. There are still locations in our world where the gospel message is not being preached. There are places where there are no churches, no missionaries, no translations of the Bible in local languages, and no access to the salvation message.2. With the use of the ever-increasing tools of technology the message of Christ is spreading faster than ever before. My prayer is that a new generation of missionaries will hear the call of God and will take the gospel to people still waiting to hear.3. The gospel of Jesus Christ is good news. We cannot be silent. We cannot keep such good news to ourselves. We must tell others. We must let people know that Jesus saves. Let's determine that we will be a part of preaching the gospel locally and globally as a testimony to all.Today's Scripture Verses:Matthew 24:14 - “And this gospel of the kingdom will be preached in the whole world as a testimony to all nations, and then the end will come.”1 Thessalonians 1:8 - “The Lord's message rang out from you not only in Macedonia and Achaia—your faith in God has become known everywhere.” Matthew 28:19 - “Go and make disciples of all nations…”Quick Links:Donate to support this podcastLeave a review on Apple PodcastsGet a copy of The 5 Minute Discipleship JournalConnect on SocialJoin The 5 Minute Discipleship Facebook Group

Episode Synopsis:About the time Paul began his second missionary journey, a serious famine swept through Palestine–greatly impacting the Jerusalem church.  Those who lived in the region knew how serious such things could be and so they prepared for it–stockpiling grain, spices, and animal feed, etc.  But as soon as a church was organized in Jerusalem–after Pentecost–Jewish Christians found themselves cut off from the synagogue and its well-established relief system.  Now on their own, the Jewish Christians in Jerusalem were apparently suffering horribly and were in desperate need of relief–specifically funds to buy food and supplies locally.Tensions between Jewish Christians and recent Gentile converts to Christianity were apparent from the moment the gospel spread into Gentile regions–as indicated during the Jerusalem Council (Acts 15).  At that council, the church renounced the Judaizers and affirmed that God had blessed Paul's efforts to take the gospel into Gentile regions–which began in earnest after the Macedonian vision (Acts 16:9).  Paul planted churches in Philippi, Thessalonica, Berea, and Corinth.  While these new churches aided and encouraged each other, Paul understood that if the Gentile churches–who had means–took an offering for the Jerusalem church, it would go a great way toward helping fellow Christians in genuine need.  It would also de-escalate the worry and anxiety that Jews felt toward Gentiles who were until quite recently godless pagans and often persecutors of the Jewish people.When Paul arrived in Macedonia, he tells us that there was some unspecified serious trouble and that he would strive to get things cleared up before he traveled south to Corinth.  Despite the troubles in the churches in Macedonia, they had taken up a surprisingly generous offering for the Jerusalem church–so much so that it was a major sacrifice, even beyond their means, which Paul describes as an act of grace.  Now he gets word from Titus that the Corinthians (who had been collecting a similar offering for a year) and had not followed through with their collection.  As a congregation they were far better off materially than the Macedonians, but were so distracted by divisions, the subterfuge of false apostles and other matters, the offering had not been finalized.  In chapters 8-9 of 2 Corinthians, Paul addresses this matter head-on.For show notes and other recommended materials located at the Riddleblog as mentioned during the Blessed Hope Podcast, click here: https://www.kimriddlebarger.com/

1 Timothy 1:3-17 As I urged you when I went into Macedonia, stay there in Ephesus so that you may command certain people not to teach false doctrines any longer  4 or to devote themselves to myths and endless genealogies. Such things promote controversial speculations rather than advancing God's work—which is by faith.  5 The goal of this command is love, which comes from a pure heart and a good conscience and a sincere faith. 6 Some have departed from these and have turned to meaningless talk.  New Year.  Same Code. How should we treat people who believe differently?   In regards to those who both align and do not align themselves with our beliefs, we practice: Love 1 Timothy 1:5 The goal of this command is love, which comes from a pure heart and a good conscience and a sincere faith.   Generosity Matthew 6:2-4 2 "So when you give to the needy, do not announce it with trumpets, as the hypocrites do in the synagogues and on the streets, to be honored by others. Truly I tell you, they have received their reward in full. 3 But when you give to the needy, do not let your left hand know what your right hand is doing, 4 so that your giving may be in secret. Then your Father, who sees what is done in secret, will reward you. Service 1 Peter 4:10-11 Each of you should use whatever gift you have received to serve others, as faithful stewards of God's grace in its various forms. 11 If anyone speaks, they should do so as one who speaks the very words of God. If anyone serves, they should do so with the strength God provides, so that in all things God may be praised through Jesus Christ. To him be the glory and the power for ever and ever. Amen. Hospitality Hebrews 13:1-2 Keep on loving one another as brothers and sisters. 2 Do not forget to show hospitality to strangers, for by so doing some people have shown hospitality to angels without knowing it.   Mercy  Luke 10:25-37 On one occasion an expert in the law stood up to test Jesus. "Teacher," he asked, "what must I do to inherit eternal life?" 26 "What is written in the Law?" he replied. "How do you read it?" 27 He answered, "'Love the Lord your God with all your heart and with all your soul and with all your strength and with all your mind'; and, 'Love your neighbor as yourself.'" 28 "You have answered correctly," Jesus replied. "Do this and you will live." 29 But he wanted to justify himself, so he asked Jesus, "And who is my neighbor?" 30 In reply Jesus said: "A man was going down from Jerusalem to Jericho, when he was attacked by robbers. They stripped him of his clothes, beat him and went away, leaving him half dead.  31 A priest happened to be going down the same road, and when he saw the man, he passed by on the other side.  32 So too, a Levite, when he came to the place and saw him, passed by on the other side.  33 But a Samaritan, as he traveled, came where the man was; and when he saw him, he took pity on him.  34 He went to him and bandaged his wounds, pouring on oil and wine. Then he put the man on his own donkey, brought him to an inn and took care of him.  35 The next day he took out two denarii and gave them to the innkeeper. 'Look after him,' he said, 'and when I return, I will reimburse you for any extra expense you may have.' 36 "Which of these three do you think was a neighbor to the man who fell into the hands of robbers?" 37 The expert in the law replied, "The one who had mercy on him." Jesus told him, "Go and do likewise."

How did the Holy Spirit guide the Apostle Paul to Macedonia where people were waiting to hear the gospel? Listen to this message continuing the background of the Epistle to the Thessalonian believers. Follow Paul's travels to Thessalonica where Paul taught from the Word of God about the Messiah for several weeks. Hear how the unbelieving Jews roughed up Jason where Paul and Silas were staying.

The 20th chapter of Acts chronicles the shift in the Apostle Paul's ministry and a wrap up of his work in Macedonia and Asia. Acts 20 records a time for Paul to visit his churches for the last time as he heads to Jerusalem and then on to Rome. Join Dr. James Boice next time, on The Bible Study Hour as he takes us through this nostalgic journey and important time in Paul's missionary calling. To support this ministry financially, visit: https://www.oneplace.com/donate/81/29?v=20251111

1 Timothy 1:3-17 As I urged you when I went into Macedonia, stay there in Ephesus so that you may command certain people not to teach false doctrines any longer  4 or to devote themselves to myths and endless genealogies. Such things promote controversial speculations rather than advancing God's work—which is by faith.  5 The goal of this command is love, which comes from a pure heart and a good conscience and a sincere faith. 6 Some have departed from these and have turned to meaningless talk.  7 They want to be teachers of the law, but they do not know what they are talking about or what they so confidently affirm. 8 We know that the law is good if one uses it properly. 9 We also know that the law is made not for the righteous but for lawbreakers and rebels, the ungodly and sinful, the unholy and irreligious, for those who kill their fathers or mothers, for murderers,  10 for the sexually immoral, for those practicing homosexuality, for slave traders and liars and perjurers—and for whatever else is contrary to the sound doctrine  11 that conforms to the gospel concerning the glory of the blessed God, which he entrusted to me. 12 I thank Christ Jesus our Lord, who has given me strength, that he considered me trustworthy, appointing me to his service.  13 Even though I was once a blasphemer and a persecutor and a violent man, I was shown mercy because I acted in ignorance and unbelief.  14 The grace of our Lord was poured out on me abundantly, along with the faith and love that are in Christ Jesus. 15 Here is a trustworthy saying that deserves full acceptance: Christ Jesus came into the world to save sinners—of whom I am the worst.  16 But for that very reason I was shown mercy so that in me, the worst of sinners, Christ Jesus might display his immense patience as an example for those who would believe in him and receive eternal life.  17 Now to the King eternal, immortal, invisible, the only God, be honor and glory for ever and ever. Amen.   New Year.  Same Core.     1 Timothy 1:15 Here is a trustworthy saying that deserves full acceptance: Christ Jesus came into the world to save sinners—of whom I am the worst. We affirm that these doctrines make up the distinctive nature and core center circle of Christianity: the Trinity (God the Father, Son, and Holy Spirit) the deity of Jesus Christ the atoning, liberating work of Christ on the cross the bodily resurrection of Jesus and salvation by grace through faith.     At the core isn't an idea. At the core is Jesus.    We are not merely to be believers of ideas, but disciples of Jesus.     At the core isn't a checklist for sinners.   At the core is a Savior for sinners.   Legalism does not compare to the love of God.     At the core isn't earning. At the core is following.   Obedience should flow from internal transformation, not external constraint.

Daily Dose of Hope January 5, 2026   Scripture:  Galatians 1   Prayer:  Heavenly Father, We come before you at the beginning of a new year, a new week, and even a new reading plan, and we thank you for all you've done for us.  You are such a good God.  You are a God who provides, protects, cares, loves, saves, sustains, guides, and directs our paths.  As we head into all these "new" things, Lord, we pray that you will lead us also into a new sense of understanding about who you are.  Help us grow, learn, and be open to thinking about our walk with you in new ways.  Challenge us, Lord.  Stretch us.  Get us out of our comfort zone.  All for your glory.  We want to be stronger disciples.  We want to know you better and be bold in our witness.  It's in your name we pray, Amen.   Welcome to the Daily Dose of Hope, the devotional and podcast that complements the New Hope Church daily Bible reading.  Today, we are starting our new reading plan, a journey through the letters of Paul.  We will walk through all thirteen of Paul's letters, going in chronological order.  My prayer is that this new reading plan will be a blessing to you and you will learn and grow in your walk with Jesus.   According to the book of Acts, Paul went on three missionary journeys.  (Some scholars think he may have taken a fourth to Spain but we don't have a lot of evidence for that.)  What we do know from Scripture is that during those three extensive journeys, Paul established churches in Asia Minor (modern-day Turkey), in Macedonia, and Greece.  We also know from the end of Acts that Paul went to Rome to stand before Caesar, and there was a church already established there when he arrived.  Apparently, believers from other other places had already established a Christian community.    But all of these churches were young and had their struggles.  Paul sent pastoral letters to many of the churches in response to specific needs or concerns.  He often gave encouragement but he also gave strong criticism and warning as needed.  Some of Paul's letters helped these congregations work through doctrinal issues, while others address more practical concerns.  These letters were hand-delivered to the churches and read aloud to the congregation.  So, as we read these, keep in mind they were intended to be read to a group of believers.  Sometimes individuals are mentioned but the group as a whole is the audience.  The letter would then be passed along to other churches in the region.    The first letter Paul wrote was to the churches in Galatia, what we call the book of Galatians.  The region of Galatia was in central Asia Minor and included several cities to which Paul evangelized during his first missionary journey, including Pisidian Antioch, Iconium, Lystra and Derbe. Most scholars believer that Paul penned this letter around AD 48 or 49.   What was going on with the Galatians?  Why was the letter necessary?    Since Paul had established the various congregations in Galatia, the churches had been plagued by false teachers. These false teachers were Jewish Christians who fiercely rejected the Gospel that Paul preached, that people are saved by grace through faith in Jesus Christ alone. Rather, these Jewish Christians were saying that to be saved, people must also be circumcised and follow the whole law of Moses. Besides rejecting the Gospel, they also attacked Paul's credibility. Throughout the letter, we will see Paul continually going back to these two themes-his credibility and apostleship AND the gift of grace offered by the Good News of Jesus.    In this first chapter, Paul is clear that anything less than the true Gospel is not the Gospel at all. Those who teach that something other than faith is needed for salvation are twisting the Good News and Paul expresses shock that the Galatians would be so quick to believe this false teaching.  He tells them that the Gospel he teaches is not from humans but from the risen Lord himself.  He provides support to this by sharing his own conversion story from strict Judaism to belief in Jesus Christ and what God had affirmed to him through this miracle.    Salvation by grace through faith in Jesus Christ alone is the core teaching of our faith. Are there times in which we try to twist this doctrine? Do we add or subtract from it?  How often have we been around "good churchgoing people" who think that salvation comes from simply being a good person?  Or, people think that in order to receive salvation, they need Jesus and good works?  It can be subtle.  We have to really dig deep here.  What do you believe about salvation?  Do you, deep down, believe that you are saved by Jesus Christ ALONE – by his saving work on the cross and nothing else?  Or, have you tried to add or subtract from this?   Take some time today and really pray on this.  It's crucial, my friends.   Blessings, Pastor Vicki  

Message from Greg Neal on January 4, 2026

NOTAS DE ELENAMaterial complementario de la escuela Sabática para adultosNarrado por: Patty CuyanDesde: California, USAUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist ChurchLUNES, 05 DE ENEROLOS PEDIDOS DE PABLO EN ORACIÓNPor su mano [de Epafrodito], Pablo envió una carta a los creyentes filipenses, en la cual les agradecía las dádivas que le enviaron. De todas las iglesias, la de Filipos había sido la más liberal para suplir sus necesidades. "Y sabéis también vosotros, oh Filipenses —decía el apóstol en su carta—, que al principio del evangelio, cuando partí de Macedonia, ninguna iglesia me comunicó en razón de dar y recibir, sino vosotros solos. Porque aun a Tesalónica me enviasteis lo necesario una y dos veces. No porque busque dádivas; mas busco fruto que abunde en vuestra cuenta. Empero todo lo he recibido y tengo abundancia: estoy lleno, habiendo recibido de Epafrodito lo que enviasteis, olor de suavidad, sacrificio acepto, agradable a Dios". "Gracia sea a vosotros y paz de Dios nuestro Padre y del Señor Jesucristo. Doy gracias a Dios en toda memoria de vosotros, siempre en todas mis oraciones haciendo oración por todos vosotros con gozo, por vuestra comunión en el evangelio, desde el primer día hasta ahora: estando confiado de esto, que el que comenzó en vosotros la buena obra, la perfeccionará hasta el día de Jesucristo; como me es justo sentir esto de todos vosotros por cuanto os tengo en el corazón; y en mis prisiones, y en la defensa y confirmación del evangelio, sois todos vosotros compañeros de mi gracia. Porque Dios me es testigo de cómo os amo a todos vosotros... Y esto ruego, que vuestro amor abunde aun más y más en ciencia y en todo conocimiento, para que discernáis lo mejor: que seáis sinceros y sin ofensa para el día de Cristo; llenos de frutos de justicia, que son por Jesucristo, a gloria y loor de Dios". La gracia de Dios sostenía a Pablo en su encarcelamiento, habilitándolo para regocijarse en la tribulación. Con fe y convicción escribió a sus hermanos filipenses que su prisión había resultado en el adelantamiento del evangelio. "Y quiero, hermanos —declaró—, que sepáis que las cosas que me han sucedido, han redundado más en provecho del evangelio; de manera que mis prisiones han sido célebres en Cristo a todo el pretorio, y a todos los demás; y muchos de los hermanos en el Señor, tomando ánimo con mis prisiones, se atreven mucho más a hablar la palabra sin temor". En esa experiencia de Pablo hay una lección para nosotros; nos revela la manera en que Dios obra. El Señor puede sacar victoria de lo que nos parece desconcierto y derrota. Estamos en peligro de olvidar a Dios, de mirar las cosas que se ven, en vez de contemplar con los ojos de la fe las cosas que no se ven. Cuando viene la desgracia o el infortunio, estamos listos para culpar a Dios de negligencia o crueldad. Si ve conveniente interrumpir nuestro servicio en alguna actividad, nos lamentamos, sin detenernos a reflexionar que así Dios puede estar obrando para nuestro bien. Necesitamos aprender que la corrección es parte de su gran plan y que bajo la vara de la aflicción, el cristiano puede hacer, a veces, más por su Maestro que cuando está ocupado en el servicio activo (Los hechos de los apóstoles, pp. 382, 383). 

Wesley Wright Lighthouse Bible Church Sunday, January 4, 2026 2Co 2:12 - 2Co 3:6 A sweet-smelling aroma to God Paul moved from Troas (modern-day Turkey) west to Macedonia, he notes. Troas comes up several times in the NT. An example: Act 20:5-12 What is Christ's gospel? Joh 8:21-30 Act 10:34-41 1Co 15:1-9 After mentioning Titus, Paul makes a powerful point: God causes him (and us by extension) to triumph in Christ. Believers in all ages will triumph in Christ: Rom 8:29-39 Rev 12:7-11 Joh 16:24-33 (Christ triumphed already) The church as a body will triumph, too: Mat... for full notes: http://www.lbible.org/index.php?proc=msg&sf=vw&tid=1770

This is a re-upload of an episode I did recently with Subliminal Jihad, which again is a podcast I am sure many of you are aware of and if not one I think you would enjoy very much. Original episode notes. Dimitri and Khalid speak with Marcus (@Marcus_TROTR) from The Return of the Repressed podcast about class conflict, the slave mode of production, and dynamics of expansion and collapse in 1st millennia BC Greece.Topics include: the rise of maritime city states out of the rubble of the Bronze Age Collapse, iron-forging as disruptive technology, questioning the class structure of this era and defining who the “aristocracy” actually were, intra-elite struggles between nouveau riche and “old money” landowner factions, the curious co-existence of free and slave labor, the slave mode of production's rapid expansion during the so-called golden age of Athenian “democracy”, the rise of coinage via Philip II of Macedonia's mercenary armies, Alexander's construction of a vast Eurasian web of city states connected by “currency”, and more…Subscribe to the Return of the Repressed: https://www.patreon.com/thereturnoftherepressedFor access to full-length premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at https://patreon.com/subliminaljihad

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== LECCIÓN DE ESCUELA SABÁTICA         I TRIMESTRE DEL 2026Narrado por: Eddie RodriguezDesde: Guatemala, GuatemalaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist ChurchMARTES 30 DE DICIEMBREPABLO EN FILIPOSDurante el segundo viaje misionero de Pablo, poco después de la incorporación de Timoteo al equipo, el Espíritu Santo les impidió continuar con su labor en Asia Menor (Hech. 16:6). Entonces, durante una visión nocturna, Pablo vio a un hombre que le suplicaba: “Pasa a Macedonia, y ayúdanos” (Hech. 16:9). Así que, inmediatamente se dirigieron al puerto marítimo más cercano para partir desde allí a Macedonia, y navegaron desde Troas a través del mar Egeo hasta Neápolis, en el continente europeo. Pero, en lugar de predicar allí, Pablo, Silas, y Timoteo y Lucas (quienes se unieron a ellos en Troas, como indica el uso del plural “vinimos” en Hech. 16:11), se dirigieron a Filipos. En su actividad evangelizadora, Pablo siempre pensó estratégicamente. Filipos era “la principal ciudad de la provincia de Macedonia” (Hech. 16:12). De hecho, era una de las más honradas del Imperio Romano, pues se le había concedido el estatus de Ius Italicum [derecho italiano], el título más honroso que se podía otorgar a una ciudad. Sus ciudadanos gozaban de los mismos privilegios que los de una ciudad situada en Italia, incluida la exención del impuesto sobre bienes inmuebles y del impuesto sobre la renta de capitación que pagaban los ciudadanos romanos poseedores de cierto capital. Además, cualquiera que naciera en la ciudad se convertía automáticamente en ciudadano romano. También era una parada importante en la Vía Ignacia, la principal ruta terrestre que conectaba Roma con Oriente. El establecimiento de una importante presencia cristiana allí permitió a la iglesia de Filipos llevar el evangelio a muchas otras ciudades cercanas, como Anfípolis, Apolonia, Tesalónica y Berea (ver Hech. 17:1, 10). Curiosamente, la lengua oficial en la Filipos del siglo I era el latín, como demuestra el predominio de inscripciones en dicha lengua. En Filipenses 4:15, Pablo incluso se dirige a ellos con una palabra que suena latina (filippēsioi), al parecer en reconocimiento de su especial condición romana. Sin embargo, el griego era la lengua del mercado y de los pueblos y las ciudades de los alrededores, así como el medio de difusión del evangelio. Lucas describe cómo Pablo y su equipo se reunieron para orar junto al río, donde Lidia y su familia se convirtieron (Hech. 16:13-15). Como mujer de negocios (vendía púrpura), es posible que haya sido uno de los principales apoyos financieros en Filipos para el ministerio de Pablo. El tiempo que Pablo y Silas pasaron allí en la cárcel condujo a la conversión de toda otra familia: la del carcelero. El Espíritu Santo sabía que Filipos sería el puesto de avanzada para la expansión del evangelio a través de Europa, aunque también habría persecución. Por muy mala que sea, la persecución puede, en determinadas circunstancias, permitir que el evangelio llegue a personas que de otro modo no podrían ser alcanzadas. Lee Hechos 9:16. ¿Cómo nos ayuda este texto a entender algunas de las pruebas de Pablo? ¿Cómo puede ayudarnos a entender algunas de las nuestras? 

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== LECCIÓN DE ESCUELA SABÁTICA         I TRIMESTRE DEL 2026Narrado por: Eddie RodriguezDesde: Guatemala, GuatemalaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist ChurchLUNES 29 DE DICIEMBREPABLO ENCADENADO Pablo menciona varios encarcelamientos durante su permanencia en Macedonia (2 Cor. 6:5; 7:5; 11:23). El primer caso registrado ocurrió en Filipos (Hech. 16:16-24). Más tarde fue encarcelado brevemente en Jerusalén antes de ser trasladado a la prisión de Cesarea. En otro texto, Pablo dice que estaba “en prisión” (File. 1:10, 13). Aunque estaba bajo arresto domiciliario en Roma, era allí acompañado por un soldado romano de elite. Ignacio de Antioquía, un cristiano de principios del siglo II que estuvo en una condición semejante, describió a los soldados romanos como “bestias salvajes […] que cuanto más amablemente se los trata peor se comportan” (Epístola a los Romanos 5.1). Lee 2 Corintios 4:7-12. ¿Qué revela este pasaje acerca de cómo pudo Pablo soportar las pruebas a las que se enfrentó? ¿Cuál era el centro de su vida? Por muy difícil que fuera su vida, Pablo era capaz de ver el lado bueno de las cosas, y eso le daba valor para soportar la tensión. A pesar de que Satanás lo hacía objeto de sus más feroces ataques, Pablo sabía que no estaba desamparado. Lee 2 Corintios 6:3-7. ¿De qué recursos espirituales disponía Pablo para afrontar estas dificultades? A menudo, podemos caer en la tentación de mirar nuestras circunstancias, nuestras debilidades o nuestros fracasos pasados, y desanimarnos. En momentos como esos necesitamos recordar los numerosos recursos que Dios ha provisto para nuestro éxito en la lucha contra el mal. Uno de los más importantes es la Biblia misma, “la palabra de verdad” (2 Tim. 2:15), porque en ella podemos aprender de los errores de otros y cómo estas personas obtuvieron la victoria. Además, el Espíritu Santo “hace eficaz lo que ha sido realizado por el Redentor del mundo. Por medio del Espíritu es purificado el corazón. El creyente llega a ser participante de la naturaleza divina a través del Espíritu. Cristo ha dado su Espíritu como poder divino para vencer todas las tendencias hacia el mal heredadas y cultivadas, y para imprimir su propio carácter en su iglesia” (Elena de White, El Deseado de todas las gentes [Florida: ACES, 2008], p. 625). ¿Cómo podemos presentarnos siempre “en todo como ministros de Dios” (2 Cor. 6:4)? ¿Qué significa esto? 

Attacking the largest empire the world had ever seen is a huge endeavor at any age, but try doing it at 21. Alexander, fusing the qualities of a Napoleon with a gladiator, aims for immortality. The Persians are just in his way.

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Source: dailysignal.com https://twitter.com/elonmusk/status/2002605302932517339?s=20 Gas is About to Get Expensive . . . A gallon of gas costs about twice as much in California as it does pretty much anywhere else in the United States. The reason why, of course, is that California makes it cost about twice as much – by reducing supply and by adding costs, chiefly for “environmental” reasons. This includes a new requirement – going into effect very soon (Dec. 31) that all gas stations must either replace single-walled underground storage tanks or permanently close them – no matter whether the tanks are actually leaking and no matter how much it costs to replace them. It is estimated that about 473 gas stations in California are going to close – because the owners cannot afford the mandatory underground storage tank upgrade costs or the $5,000 per day fines for non-compliance. At the same time, the state's regulatory bureaucracy has essentially shut down supply by denying 97 percent of permits for new refineries to supply the extra-special (and extra-expensive) gasoline formulations that all gas stations in California are required to sell. If this hypothetical scenario ends up becoming the actual scenario it could result in the collapse of California as a state. Source:  ericpetersautos.com  https://twitter.com/KobeissiLetter/status/2003104230945464505?s=20  As a % of total employment, multiple jobholders rose to 5.8%, nearly matching the 2 previous highs seen over the last 25 years. At the same time, Americans working primary full-time and secondary part-time jobs jumped to 5.3 million, the 2nd-highest in history. As a % of employment, this metric now stands at 3.4%, the 2nd-highest since 2000. The cost of living crisis is real.   (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:18510697282300316,size:[0, 0],id:"ld-8599-9832"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="https://cdn2.decide.dev/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs"); https://twitter.com/KobeissiLetter/status/2003109247232655382?s=20 Political/Rights Teary-Eyed Bus Driver Speaks Out After Getting FIRED for Posting a ‘Racially Insensitive' Sign on School Bus Window In Response to Unruly Spanish-Speaking Kid – DOJ to Launch Investigation (VIDEO) An elderly bus driver terminated earlier this year for posting a so-called ‘racially insensitive' sign toward a Spanish-speaking kid has broken her silence and the DOJ is launching an investigation. The note on the window read, “Out of respect to English-only students, there will be no speaking Spanish on this bus.” Crawford, who had served the school district as a bus driver for more than 30 years, was promptly suspended and later lost her job posting the note.  https://twitter.com/_johnnymaga/status/2002937980013650119?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E2002937980013650119%7Ctwgr%5E9387ff3c86f279c9837393510bf08034917fc6bd%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.thegatewaypundit.com%2F2025%2F12%2Fteary-eyed-bus-driver-speaks-after-getting-fired%2F https://twitter.com/AAGDhillon/status/2002952621032677759?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E2002952621032677759%7Ctwgr%5E9387ff3c86f279c9837393510bf08034917fc6bd%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.thegatewaypundit.com%2F2025%2F12%2Fteary-eyed-bus-driver-speaks-after-getting-fired%2F Source: thegatewaypundit.com https://twitter.com/EndWokeness/status/2002782448191693130?s=20 https://twitter.com/C_3C_3/status/2002906389560414648?s=20 SEATTLE https://twitter.com/KeenanPeachy/status/2002902633439445012?s=20 https://twitter.com/PressSec/status/2003099681778499980?s=20 https://twitter.com/FBIDirectorKash/status/2002822669507379549?s=20   This is part of a year long effort FBI has undertaken with state and local law enforcement all across the country to crack down on child abusers and take them off the street. That work has seen historic results. -6,000 children located or reduced – up 22% from 2024 -Nearly 2,000 child predators arrested – up 10% -300+ human traffickers arrested – up 15% Lives being saved. We're not letting up. DOGE Geopolitical https://twitter.com/elonmusk/status/2002602838149697684?s=20 https://twitter.com/AlboMP/status/2002974532475490578?s=20 https://twitter.com/visegrad24/status/2003101218076545039?s=20 Cyberattack disrupts France’s postal service, banking during Christmas rush A suspected cyberattack has knocked France's national postal service and its banking arm offline during the busy Christmas season The postal service, called La Poste, said in a statement that a distributed denial of service incident, or DDoS, “rendered its online services inaccessible.” It said the incident had no impact on customer data, but disrupted package and mail delivery. There was no immediate claim of responsibility.   France and other European allies of Ukraine allege that Russia is waging “hybrid warfare” against them, using sabotage, assassinations, cyberattacks, disinformation and other hostile acts that are often hard to quickly trace back to Moscow. Source:  tribdem.com  War/Peace Kushner and Witkoff Reportedly Draft $112B Plan to Turn Gaza Into ‘Smart City' With Beach Resorts, High-Speed Rail, and AI Grids — U.S. Pushes Back on Claims It Would Foot $60B    Project Sunrise,” envisions a decade-long, $112.1 billion redevelopment effort featuring beachside luxury resorts, high-speed rail, and AI-optimized infrastructure. The draft proposal was developed by a team led by Jared Kushner, President Trump's son-in-law, and U.S. special envoy Steve Witkoff, along with senior White House aide Josh Gruenbaum and other administration officials. The plan is being presented to prospective donor governments via a 32-slide PowerPoint labeled “sensitive but unclassified,” U.S. officials told the Journal. According to the presentation, Project Sunrise would convert Gaza's devastated landscape into a modern coastal metropolis. New Rafah (Credit: Wall Street Journal) Smart City (Credit: Wall Street Journal) However, the proposal does not specify which governments or private entities would ultimately finance the project, nor does it detail where Gaza's roughly two million displaced residents would live during reconstruction, according to WSJ. The draft estimates total costs at $112.1 billion over 10 years, including humanitarian relief, infrastructure rebuilding, and public-sector payrolls. https://twitter.com/StateDept_NEA/status/2002545412729942278?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E2002545412729942278%7Ctwgr%5Ef3310cb42b34b4ad502fd5957962a1d8fbe38397%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.thegatewaypundit.com%2F2025%2F12%2Fkushner-witkoff-reportedly-draft-112b-plan-turn-gaza%2F The proposal also assumes that Gaza could begin to self-fund portions of the development in later years, eventually paying down debt as economic activity expands. Source: thegatewaypundit.com https://twitter.com/disclosetv/status/2003088356876677484?s=20 Macron Seeks New Talks With Putin, Forcing ‘Alternative’ Path To Stalled US Negotiations Suddenly French President Emmanuel Macron is deciding to revive his diplomacy with Moscow and is     Macron wants to step in to force France’s say in any future outcome or settlement, rather than wait on the diplomatic sidelines. Arming Kiev to the teeth has done nothing but prolong the needless killing, and perhaps at least some European capitals are beginning to realize this. Source: zerohedge.com https://twitter.com/BRICSinfo/status/2003114957060137421?s=20   to be killed in a bombing this year.” Russian General Killed By Car Bomb In Moscow, Marks 3rd Top Officer Assassinated In A Year This adds to a growing list of high profile assassinations related to the Ukraine war. To review: —Darya Dugina was killed in a car bombing in 2022 which was likely meant for her father, prominent political thinker and often dubbed “Putin ally” Aleksandr Dugin. —Gen Igor Kirillov died in December 2024 outside of his residence when a bomb planted in a nearby scooter detonated. —Gen Yaroslav Moskalik, who served as deputy head of the Main Operations Directorate of the General Staff of the Russian Armed Forces, was killed in a car bomb attack last April. A “homemade” explosive device detonated under his Volkswagen Golf in a residential neighborhood. Throughout the course of the war there’s been a string of these high profile assassinations on Russian soil involving car and even cafe bombs. America’s CIA or Britain’s MI6 has long been suspected of being involved in these targeted killings, or at least assisting in such brazen Ukrainian-linked operations, but ultimately little has been uncovered or proven in terms of a potential Western hidden hand in this ongoing ‘dirty war’. Source: zerohedge.com https://twitter.com/LeadingReport/status/2002809124674035943?s=20  Medical/False Flags [DS] Agenda DOJ Charges California Food Stamp Official for Sending Benefits to Dead People – Then Spending Them Federal prosecutors have charged a longtime California welfare worker with carrying out a multi-year fraud scheme involving food assistance benefits and dead people. The U.S. Department of Justice announced the arrest of former Madera County benefits eligibility worker Leticia Mariscal, 55, of Madera. Prosecutors alleged that Mariscal stole tens of thousands of dollars in CalFresh benefits by exploiting her access to county databases. CalFresh is California's version of the Supplemental Nutrition Assistance Program. According to the Justice Department, the alleged scheme took place between December 2020 and April 2025. https://twitter.com/FBISacramento/status/1999625371268886611?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1999625371268886611%7Ctwgr%5Ee26f93739a10984d47aeb35b0088270daeb01aef%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.thegatewaypundit.com%2F2025%2F12%2Fdoj-charges-california-food-stamp-official-sending-benefits%2F Source: thegatewaypundit.com https://twitter.com/KevinKileyCA/status/2002791344566411594?s=20   “high-risk.” This means they exhibit serious “waste, fraud, abuse, or mismanagement,” costing taxpayers billions. The number has doubled during Newsom’s tenure. I bet you California fraud is 10 times worse than Minnesota. https://twitter.com/EricLDaugh/status/2002457150904238280?s=20   taxpayer dollars, per NYP. A HUD audit found that at least 221 deceased people received grants. MORE FRAUD! Expose it all! (VIDEO) Thomas Massie and Ro Khanna Announce Plans to Bring Inherent Contempt Charges Against Attorney General Pam Bondi Over Epstein Files – “We're Building a Bipartisan Coalition”  Reps. Thomas Massie (R-KY) and Ro Khanna (D-CA), the authors of the Epstein Files Transparency Act, signed into law by President Trump last month, announced their intention to bring charges for inherent contempt against Attorney General Pam Bondi.  Under the rarely used congressional power, “the House or Senate has its Sergeant-At-Arms, or deputy, take a person into custody for proceedings to be held in Congress,” according to the National Constitution Center. However, it is unclear how effective this would be in the face of legal challenges and the executive branch's power. This is the latest in an escalating saga of threats, with Massie and Khanna claiming the DOJ has not complied fully with the law due to redactions in the files and not releasing every document available. Deputy Attorney General Todd Blanche appeared on NBC's Meet the Press this morning, where he dared Massie and Khanna to “bring it on,” maintaining that the DOJ is simply following the law and taking the necessary time to make redactions before releasing all of the files. Blanche told NBC's Kristen Welker that ensuring victim information is redacted “very much Trumps some deadline in the statute,” and he dared Khanna and Massie to file Articles of Impeachment. “We are complying with the statute, we will continue to comply with the statute, and if by complying with the statute, we don't produce everything on Friday, we produce things next week, and the week after, that's still compliance with the statute,” Blanche added. Source: thegatewaypundit.com Trump is ‘bored, tired and running on fumes’ — and he’s given up the fight: analyst A year into his second term, Donald Trump has undergone a major change in “tactics” as he deflects questions about his policies — and it’s an indication that he is now “just running on fumes,” an analyst wrote Monday. Salon's Amanda Marcotte pointed out that the president has developed an over-reliance on deflecting questions while claiming he is not up to speed on the topic or person he is being asked about, and that often begins with, “I don't know…” That is a change from his previous deflections, where he promised everything would sort itself out in “two weeks.”  Source: rawstory.com President Trump's Plan https://twitter.com/amuse/status/2002836773236306381?s=20   polygraph which they claim he failed to justify keeping their activities secret from Trump’s team. Scott isn’t blocking Plankey because he’s unqualified, he’s blocking him until Trump restores a Coast Guard shipbuilding contract for one of his major political donors Brian D'Isernia – he’s the CEO of Eastern Shipbuilding Group. Scott's hold has blocked Plankey from being included in the bipartisan nominations package the Senate GOP leadership is advancing before year-end. Because the Senate is winding down for the session, that procedural blockage likely means Plankey's nomination will expire unless resubmitted in the next Congress. Career staff at CISA repeatedly denied Acting Director Madhu Gottumukkala access to intelligence programs and urged him not to ask questions. After arranging an illegal polygraph, they used a claimed failure to freeze him out and leak to reporters. DHS acting security chief Michael Boyajian suspended at least six officials for misleading leadership and blocking classified access needed to run the agency. Trump to replace nearly 30 career diplomats in ambassadorial positions with ‘America First' allies The U.S. chiefs of mission in at least 29 countries were informed last week that their tenures would end in January 2026; all of them had taken up their posts in the Biden administration The Trump administration is recalling nearly 30 career diplomats from ambassadorial and other senior embassy posts as it moves to reshape the U.S. diplomatic posture abroad with personnel deemed fully supportive of President Donald Trump's “America First” priorities. All of them had taken up their posts in the Joe Biden administration but had survived an initial purge in the early months of Mr. Trump's second term that targeted mainly political appointees. That changed on Wednesday (December 17, 2025) when they began to receive notices from officials in Washington about their imminent departures.  How Trump shifted America's policy in a week Ambassadors serve at the pleasure of the President, although they typically remain at their posts for three to four years. Those affected by the shake-up are not losing their foreign service jobs but will be returning to Washington for other assignments should they wish to take them, the officials said. Africa is the continent most affected by the removals, with ambassadors from 13 countries being removed: Burundi, Cameroon, Cape Verde, Gabon, Ivory Coast, Madagascar, Mauritius, Niger, Nigeria, Rwanda, Senegal, Somalia and Uganda. Second is Asia, with ambassadorial changes coming to six countries: Fiji, Laos, the Marshall Islands, Papua New Guinea, the Philippines and Vietnam affected. Four countries in Europe (Armenia, Macedonia, Montenegro and Slovakia) are affected; as are two each in the Middle East (Algeria and Egypt); South and Central Asia (Nepal and Sri Lanka); and the Western Hemisphere (Guatemala and Suriname). Source: thehindu.com  Denmark Furious After Trump Names Special Envoy To Greenland Following Landry’s appointment, Rasmussen told Reuters in an emailed statement, “The appointment confirms the continued American interest in Greenland. However, we insist that everyone—including the U.S.—must show respect for the territorial integrity of the Kingdom of Denmark.” This prompted Denmark to summon the U.S. ambassador. Danish officials also summoned the U.S. ambassador in August after a report that at least three people with connections to Trump carried out covert influence operations in Greenland. Source: zerohedge.com Deep State Apoplectic with Trump's Use of Emissaries to Deliver Results President Trump is ducking and weaving through some of the deepest Machiavellian constructs, while maintaining forward progress. To put context to it, these creeps have had four years to strategize how to control Trump and manipulate policy with their retention of all sorts of government agencies in alignment with the status quo.  Yet, remarkably President Trump is dancing through their deep state minefield while keeping dozens of plates spinning on sticks.  The use of non-traditional emissaries is really making them angry.  , the use of emissaries outside the govt framework of traditional policy was going to be a key facet in any America-First agenda. The Deep State does not like President Trump's use of emissaries to conduct foreign policy.  In fact, they oppose it strongly; they hate it. The “emissary” is the person who carries the word of President Trump to any person identified by President Trump.  The emissary is very much like a tape recording of President Trump in human form.  The emissary travels to a location, meets a particular person or group, and then recites the opinion of the President.  The words spoken by the emissary, are the words of President Trump. The IC cannot inject themselves into this dynamic; that is why it is so valuable. The emissary then hears the response from the intended person or group, repeats it back to them to ensure he/she will return with clarity of intent as expressed, and then returns to the office of the presidency and repeats the reply for the President.  The emissary recites back exactly what he was /is told. This process is critical when you understand how thoroughly compromised the full Executive Branch is.  More importantly, this process becomes even more critical when you accept the Intelligence Community will lie to the office of the President to retain their power and position. (read more) Source: theconservativetreehouse.com https://twitter.com/TheStormRedux/status/2002736237996646560?s=20   signature on the absentee ballot he didn't even ask for. It was clearly forged. @GaSecofState please explain how this is a “clerical error.” https://twitter.com/CynicalPublius/status/2002795573490143432?s=20   3. The Congress of the United States shall determine the type and nature of documents that qualify as valid proof of citizenship for purposes of voting in federal elections. 4. Any federal, state or local official who knowingly allows any person to vote in federal elections without such proof of citizenship being validly presented shall be subject to such criminal penalties as the Congress of the United States may prescribe. 5. In the event of any conflict between this Amendment and Article 1, Section 4, the terms of this Amendment shall control. (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:13499335648425062,size:[0, 0],id:"ld-7164-1323"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="//cdn2.customads.co/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs");

What is a call? How does a person know if God is calling them to mission service? Join in a discussion as these and other questions are addressed.

In 1908, the Ottoman Empire was on the brink of collapse. The despotism of Sultan Abdul Hamid II had stifled political life for decades, but a military uprising in Macedonia would soon change everything.In this episode of Explaining History, Nick explores one of the great forgotten revolutions of the 20th century: the Young Turk Revolution. Drawing on Eugene Rogan's masterful book The Fall of the Ottomans, we delve into how the Committee of Union and Progress (CUP) forced the Sultan to restore the constitution, sparking scenes of jubilation across the empire where Turks, Arabs, and Armenians briefly united as "Ottomans."But why did this moment of hope turn to disillusionment? Why did the revolutionaries leave the Sultan on the throne? And how did the failure to address deep social and economic crises pave the way for the brutal nationalism that would define the empire's final years?Key Topics:The 1908 Revolution: How junior officers forced the Sultan's hand.The Committee of Union and Progress (CUP): The secret society that seized power.Constitutional euphoria: The brief moment of multi-ethnic unity.The limits of political revolution: Why changing the constitution wasn't enough to save the empire.Books Mentioned:The Fall of the Ottomans by Eugene RoganThe Balfour Declaration by Jonathan SchneerExplaining History helps you understand the 20th Century through critical conversations and expert interviews. We connect the past to the present. If you enjoy the show, please subscribe and share.▸ Support the Show & Get Exclusive ContentBecome a Patron: patreon.com/explaininghistory▸ Join the Community & Continue the ConversationFacebook Group: facebook.com/groups/ExplainingHistoryPodcastSubstack: theexplaininghistorypodcast.substack.com▸ Read Articles & Go DeeperWebsite: explaininghistory.org Hosted on Acast. See acast.com/privacy for more information.

Daily Dose of Hope December 12, 2025   Scripture:  Acts 16   Prayer:  Holy God, We come before you this morning with humility.  You, Lord of all Creation, Almighty God, came down to earth to become one of us.  You didn't come because you needed to, but because we needed you to.  Thank you, Lord Jesus, for the gift of incarnation.  As we continue through this Advent season, help us prepare our hearts for your coming.  Help us remember who and whose we are.  In the Name of the Father, Son, and Holy Spirit, Amen.   Welcome back to the Daily Dose of Hope, the devotional and podcast that complements the New Hope Church daily Bible reading plan.  We have been walking through the Gospels and now we are mid-way through Acts.  Today, we are in Acts 16. There are two parts of this passage I want us to discuss.  The first is when Paul meets Timothy and decides to bring him on his missionary journey, he circumcises him.  Wait?  Didn't Paul just argue at the Council of Jerusalem that circumcision and the law were an unnecessary burden for Gentiles?  Yes, he did.  Now he circumcises Timothy.  Is he contradicting himself?  I don't believe so, but there are some layers to unpack.    Timothy's mother was Jewish and his father was Greek so he would not have been circumcised.  Now, Timothy and Paul are going to be visiting many young churches, some filled with Jewish believers.  While circumcision wouldn't be required, it probably gave Timothy a bit more authority in the eyes of those new Jewish converts.  It was probably also a debate they just didn't want to have.  They wanted the focus to be on salvation through Jesus Christ and they wanted to avoid anything that would be a distraction.  Of course, I'm thinking – was there a circumcision check at the door?  How would they even know?  But I digress.    The other part of the passage that is fascinating to me is how the Spirit of God discourages Paul and crew from going one way so that they would end up in Macedonia.  I mean, they had a route already planned out and they were prevented from taking that route.  And then Paul has a dream about a man calling to them and begging for them to come to Macedonia.  So they head in that direction.  When they go into Macedonia, it opens up a whole new area to the Gospel.  They head to Philippi, where they meet a woman named Lydia and she accepts Jesus.  She welcomes them into her home, which later becomes a house church.  This is only the beginning!  By listening to the Spirit and not insisting on their own way, the Gospel was advanced.    How often do we want to force our own way with God?  Yet, the Spirit is always trying to guide us, if we let him.   I can't finish today's devotional without at least addressing the prison story.  Paul and Silas are arrested after a debacle of sorts with a servant girl.  She had a spirit in her that told the future.  Keep in mind, this spirit would not have been of God, so most likely the power was demonic.  She followed the men around and was really wearing on Paul's nerves so he cast out that spirit.  But she was quite a money-maker for her owners.  When they find out the future-telling spirit is gone, they are livid.  They drag Paul and Silas into the public square and have them beaten.  Then, they are put in prison.  It feels a lot like a local mob gone crazy.   But God is always up to something.  An earthquake basically opens up the prison so the men could have theoretically walked out.  But they didn't.  I don't know why they didn't leave.  Maybe the Holy Spirit impressed upon them to stay, we don't have that information.  But because they stayed, the jailer is saved and so is his family!  One door opens another.    God is always opening at doors, always at work, but we have to be paying attention.  How have you seen God working behind the scenes in your life this week?   Blessings, Pastor Vicki  

This session will examine key considerations for leaders, senders, and international travelers/workers in the areas of duty of care, risk assessment, contingency planning, security, and common pitfalls ("lessons learned") in international mission work.

Il Kosovo è un luogo ferito e tuttora diviso dai postumi della guerra di fine anni ‘90 ma anche una comunità che sta cercando di ricostruirsi attraverso la cultura. In un Paese dove le tensioni etniche, il conflitto e la ricostruzione nazionale hanno segnato profondamente il tessuto sociale, il teatro civile è diventato la voce che manca ai tribunali e alle piazze. Da alcuni anni, la compagnia teatrale Qendra Multimedia del drammaturgo Jeton Neziraj è diventata l'avanguardia di un movimento che si sta allargando in tutti i Balcani occidentali. L'idea di fondo è che in un contesto dove il conflitto recente ha lasciato cicatrici profonde — sul piano etnico, sociale, economico — il teatro può diventare spazio di testimonianza, riflessione e trasformazione. A coronamento di questo lavoro, da alcuni anni viene organizzato il Kosovo Theatre Showcase, una rassegna teatrale annuale che serve da piattaforma di promozione, networking e scambio per la scena teatrale locale e internazionale. Quest'anno l'appuntamento si è svolto tra le città kosovare di Prizren, Gjakova e Prishtina per poi spostarsi a Skopje, in Macedonia del Nord, proponendo una decina di produzioni teatrali affiancate da incontri con artisti, workshop per drammaturghi e critici. Ci siamo andati per indagare questo fenomeno e per comprendere come il teatro può contribuire a rielaborare i traumi collettivi della guerra. undefined

Pivoting in Faith #RTTBROS #Nightlight"And we know that all things work together for good to them that love God, to them who are the called according to his purpose." — Romans 8:28You know, I've been thinking lately about something we don't talk about enough in the Christian life, and that's the art of pivoting. Not giving up, mind you, but pivoting. There's a world of difference between the two.I was watching a basketball game the other day, and I noticed something. When a player gets trapped or blocked, they don't just stand there or throw the ball away. They pivot. They keep one foot planted and swing around looking for a new opening, a better angle, a different opportunity. That one foot stays anchored while the rest of them adjusts to find the way forward.That's exactly what faith looks like when life throws us a curveball.Think about Joseph for a minute. This young man had dreams, literally God-given dreams about his future. But what happened? His brothers threw him in a pit. Did he give up? No, he pivoted. He ended up as a slave in Potiphar's house and made the best of it. Then he got falsely accused and thrown in prison. Did he quit? No, he pivoted again. Every seeming dead end became a stepping stone to something greater. That pit led to a palace, but not in a straight line.Or consider Paul. He had his heart set on going to Rome. But God gave him a vision of a man from Macedonia saying, "Come over and help us" (Acts 16:9). Paul didn't dig in his heels. He pivoted, went to Macedonia instead, and that pivot changed the course of history.Here's what I've learned, and I'm too soon old and too late smart on this: the key to pivoting isn't losing your foundation, it's keeping one foot planted in faith while you adjust everything else. When you pivot, you stay anchored in God's character, His promises, His Word. You're not abandoning the journey, you're just taking a different route.Giving up says, "God isn't working." But pivoting says, "God is working differently than I expected, and I trust Him enough to adjust."Maybe you're in a season right now where everything you planned has fallen apart. Don't give up. Pivot. Keep one foot firmly planted in your faith in God's goodness, and look around for where He might be opening a different door.Because here's the truth, history is just His story, and sometimes the detours are where the best chapters get written.Let's pray: Father, when life doesn't go according to our plans, help us not to give up but to pivot in faith. Teach us to stay anchored in You while we adjust to Your better way. In Jesus' name, Amen.#Faith #Trust #ChristianLiving #DailyDevotion #Perseverance #GodsPlans #SpiritualGrowth #RTTBROS #NightlightBe sure to Like, Share, Follow and subscribe it helps get the word out.https://linktr.ee/rttbros

Power UPPhilippians 4:15 Now ye Philippians know also, that in the beginning of the gospel, when I departed from Macedonia, no church communicated with me as concerning giving and receiving, but ye only. 16 For even in Thessalonica ye sent once and again unto my necessity. 17 Not because I desire a gift: but I desire fruit that may abound to your account. 18 But I have all, and abound: I am full, having received of Epaphroditus the things which were sent from you, an odour of a sweet smell, a sacrifice acceptable, wellpleasing to God. 19 But my God shall supply all your need according to his riches in glory by Christ Jesus., King James VersionIn this episode, we are seeking the Lord on behalf of several right now issues that we are facing on this earth. We are praying for our children, our parents, our loved ones that are suffering with sicknesses, and we are lifting up our leaders. Thank you for being a supporter of this podcast as I grow and learn things will become more like previous episodes, but I do not want to delay the podcast while I learn how to use the new format. Thank you for all of your support. Thank you for your shares. Thank you for joining your faith with my faith so that we can see God move upon the face of the earth if you have a prayer request, you can text 843-790-4229 or submit it by email to seeingwithoutseeing2020@gmail.com. Please put prayer request in the subject line. That email address can be used on Zelle. If you desire to sow a seed, you can do that also on cash app at $seeingwithoutseeing. Thank you once again for your support please share this and believe God with us as we seek God.

Baba Vanga, cuyo nombre real era Vangeliya Pandeva Gushterova, nació en 1911 en Strumica, en la actual Macedonia del Norte. Se quedó ciega a los 12 años tras un extraño accidente con un tornado que la cubrió de arena y polvo. Según su propio relato, la ceguera despertó su don para ver el futuro y comunicarse con entidades invisibles. Posteriormente, ganó popularidad en Bulgaria y en el extranjero al asesorar a líderes políticos, predecir eventos y curar con hierbas. Sus profecías se transmitieron oralmente por familiares y seguidores, lo que ha generado debate sobre su exactitud. Esta noche, de la mano de Carmen Porter, conoceremos su extraordinaria historia. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

October 22, 2025 - Wednesday PM Bible Class In this episode we begin a verse-by-verse study of the book of Philippians, focusing on chapter 1 and its historical context. Chris sets the scene by reviewing Acts 16 — the Macedonian call that brought Paul, Silas, Timothy, and Luke to Philippi — and highlights key persons like Lydia and the Philippian jailer who played roles in the church's founding. The episode also situates Paul's letter historically, explaining his Roman imprisonment (house arrest around AD 60–62) and how that confinement shaped the letter's emphasis. Topics covered include: the geographic and cultural background of Philippi (a Roman colony in Macedonia), the origin of the church there, and the circumstances that prompted Paul's affectionate and joyful letter. The host unpacks major themes such as joy and rejoicing, the meaning of being a bondservant of Christ, the distinction between the believers Paul calls “saints” and his own humility, and the practical results of gospel partnership between Paul and the Philippian congregation (including their generosity). Key points emphasized: Paul's overriding theme that true Christian joy is rooted in Christ and the gospel — not in changing circumstances; the joy of prayerful fellowship (Paul's thankful, persistent prayers for the Philippians); the joy of purposeful living (how Paul's chains actually advanced the gospel and emboldened other believers); and the famous tension in Paul between “to live is Christ” and “to die is gain,” showing his devotion to Christ and concern for the church's growth. The episode highlights concrete illustrations from the text: the Macedonian call, Lydia's conversion and hospitality, Paul's witness to Caesar's household and the palace guard, divisions among those preaching (envy vs. goodwill), and practical exhortations for love, knowledge, discernment, and bearing the fruits of righteousness. Listeners can expect historical background, theological teaching, and pastoral application designed to help them understand Philippians' message of Christ-centered joy and faithful living.   Duration 40:00

FBC Missions Document: Why: Missions is the church's God-glorifying, Christ-centered, Spirit-empowered task of making disciples and planting churches among all the peoples of the earth. Psalm 67:1-7 God be merciful to us and bless us, And cause His face to shine upon us, Selah. 2 That Your way may be known on earth, Your salvation among all nations. 3 Let the peoples praise You, O God; Let all the peoples praise You. 4 Oh, let the nations be glad and sing for joy! For You shall judge the people righteously, And govern the nations on earth. 5 Let the peoples praise You, O God; Let all the peoples praise You. 6 Then the earth shall yield her increase; God, our own God, shall bless us. 7 God shall bless us, And all the ends of the earth shall fear Him. Revelation 5:9 9 And they sang a new song, saying: “You are worthy to take the scroll, And to open its seals; For You were slain, And have redeemed us to God by Your blood Out of every tribe and tongue and people and nation, 10 And have made us kings and priests to our God; And we shall reign on the earth.” 11 Then I looked, and I heard the voice of many angels around the throne, the living creatures, and the elders; and the number of them was ten thousand times ten thousand, and thousands of thousands, 12 saying with a loud voice: “Worthy is the Lamb who was slain To receive power and riches and wisdom, And strength and honor and glory and blessing!” John Piper: Missions is not the ultimate goal of the church. Worship is. Missions exists because worship doesn't. Worship is ultimate, not missions, because God is ultimate, not man. When this age is over and the countless millions of the redeemed fall on their faces before the throne of God, missions will be no more. It is a temporary necessity. But worship abides forever. Worship, therefore, is the fuel and goal of missions. It's the goal of missions because in missions we simply aim to bring the nations into the white hot enjoyment of God's glory. How: Missions at FBC is accomplished through sharing the gospel, supporting disciple-making, supplicating in prayer, supplying needs, and sending commissioned pastors and missionaries. Sharing the gospel. 2 Cor. 5:19-21 19 that is, that God was in Christ reconciling the world to Himself, not imputing their trespasses to them, and has committed to us the word of reconciliation. 20 Now then, we are ambassadors for Christ, as though God were pleading through us: we implore you on Christ's behalf, be reconciled to God. 21 For He made Him who knew no sin to be sin for us, that we might become the righteousness of God in Him. Mt. 28:18-20 18 And Jesus came and spoke to them, saying, “All authority has been given to Me in heaven and on earth. 19 Go therefore and make disciples of all the nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, 20 teaching them to observe all things that I have commanded you; and lo, I am with you always, even to the end of the age.” Amen. Supporting Disciple-Making. Acts 15:36 36 And after some days Paul said to Barnabas, “Let us return and visit the brothers in every city where we proclaimed the word of the Lord, and see how they are.” Acts 14:21-22 21 When they had preached the gospel to that city and had made many disciples, they returned to Lystra and to Iconium and to Antioch, 22 strengthening the souls of the disciples, encouraging them to continue in the faith, and saying that through many tribulations we must enter the kingdom of God I Thes. 3:1-10 Therefore when we could bear it no longer, we were willing to be left behind at Athens alone, 2 and we sent Timothy, our brother and God's coworker in the gospel of Christ, to establish and exhort you in your faith,… 5 For this reason, when I could bear it no longer, I sent to learn about your faith, for fear that somehow the tempter had tempted you and our labor would be in vain. 6 But now that Timothy has come to us from you, and has brought us the good news of your faith and love and reported that you always remember us kindly and long to see us, as we long to see you— 7 for this reason, brothers, in all our distress and affliction we have been comforted about you through your faith. 8 For now we live, if you are standing fast in the Lord. 9 For what thanksgiving can we return to God for you, for all the joy that we feel for your sake before our God, 10 as we pray most earnestly night and day that we may see you face to face and supply what is lacking in your faith? Acts 28:11-15 11 After three months we sailed in an Alexandrian ship whose figurehead was the Twin Brothers, which had wintered at the island. 12 And landing at Syracuse, we stayed three days. 13 From there we circled round and reached Rhegium. And after one day the south wind blew; and the next day we came to Puteoli, 14 where we found brethren, and were invited to stay with them seven days. And so we went toward Rome. 15 And from there, when the brethren heard about us, they came to meet us as far as Appii Forum and Three Inns. When Paul saw them, he thanked God and took courage. 2 Tim. 1:15-18 15 This you know, that all those in Asia have turned away from me, among whom are Phygellus and Hermogenes. 16 The Lord grant mercy to the household of Onesiphorus, for he often refreshed me, and was not ashamed of my chain; 17 but when he arrived in Rome, he sought me out very zealously and found me. 18 The Lord grant to him that he may find mercy from the Lord in that Day—and you know very well how many ways he ministered to me at Ephesus. Supplicating in Prayer. Luke 11:2 2 So He said to them, “When you pray, say: Our Father in heaven, Hallowed be Your name. Your kingdom come. Your will be done on earth as it is in heaven. Eph. 6:18-20 18 praying at all times in the Spirit, with all prayer and supplication. To that end, keep alert with all perseverance, making supplication for all the saints, 19 and also for me, that words may be given to me in opening my mouth boldly to proclaim the mystery of the gospel, 20 for which I am an ambassador in chains, that I may declare it boldly, as I ought to speak. Supplying Resources. 2 Cor. 9:5-10 10 He who supplies seed to the sower and bread for food will supply and multiply your seed for sowing and increase the harvest of your righteousness. 11 You will be enriched in every way to be generous in every way, which through us will produce thanksgiving to God. 12 For the ministry of this service is not only supplying the needs of the saints but is also overflowing in many thanksgivings to God. 13 By their approval of this service, they will glorify God because of your submission that comes from your confession of the gospel of Christ, and the generosity of your contribution for them and for all others, 14 while they long for you and pray for you, because of the surpassing grace of God upon you. 3 John v. 5 5 Beloved, it is a faithful thing you do in all your efforts for these brothers, strangers as they are, 6 who testified to your love before the church. You will do well to send them on their journey in a manner worthy of God. 7 For they have gone out for the sake of the name, accepting nothing from the Gentiles. 8 Therefore we ought to support people like these, that we may be fellow workers for the truth. Phil. 4:14 14 Yet it was kind of you to share my trouble. 15 And you Philippians yourselves know that in the beginning of the gospel, when I left Macedonia, no church entered into partnership with me in giving and receiving, except you only. 16 Even in Thessalonica you sent me help for my needs once and again. 17 Not that I seek the gift, but I seek the fruit that increases to your credit. 18 I have received full payment, and more. I am well supplied, having received from Epaphroditus the gifts you sent, a fragrant offering, a sacrifice acceptable and pleasing to God. 19 And my God will supply every need of yours according to his riches in glory in Christ Jesus. 20 To our God and Father be glory forever and ever. Amen. Sending Commissioned Pastors and Missionaries. Rom. 15: 19-21 so that from Jerusalem and all the way around to Illyricum I have fulfilled the ministry of the gospel of Christ; 20 and thus I make it my ambition to preach the gospel, not where Christ has already been named, lest I build on someone else's foundation, 21 but as it is written, “Those who have never been told of him will see, and those who have never heard will understand.” Acts 13:1-3 Now in the church that was at Antioch there were certain prophets and teachers: Barnabas, Simeon who was called Niger, Lucius of Cyrene, Manaen who had been brought up with Herod the tetrarch, and Saul. 2 As they ministered to the Lord and fasted, the Holy Spirit said, “Now separate to Me Barnabas and Saul for the work to which I have called them.” 3 Then, having fasted and prayed, and laid hands on them, they sent them away.

Dimitri and Khalid speak with Marcus (@Marcus_TROTR) from The Return of the Repressed podcast about class conflict, the slave mode of production, and dynamics of expansion and collapse in 1st millennia BC Greece. Topics include: the rise of maritime city states out of the rubble of the Bronze Age Collapse, iron-forging as disruptive technology, questioning the class structure of this era and defining who the “aristocracy” actually were, intra-elite struggles between nouveau riche and “old money” landowner factions, the curious co-existence of free and slave labor, the slave mode of production's rapid expansion during the so-called golden age of Athenian “democracy”, the rise of coinage via Philip II of Macedonia's mercenary armies, Alexander's construction of a vast Eurasian web of city states connected by “currency”, and more… Subscribe to the Return of the Repressed: https://www.patreon.com/thereturnoftherepressed For access to full-length premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at https://patreon.com/subliminaljihad

God wants us to see our money as a trust fund to manage. Because the believers in Macedonia loved God, they gave of their finances joyfully and sacrificially. In this message from 2 Corinthians 8–9, Pastor Lutzer calls all of us to a higher standard of giving. What should we expect when we started to tithe 10% of our income? To support this ministry financially, visit: https://www.oneplace.com/donate/172/29?v=20251111

God wants us to see our money as a trust fund to manage. Because the believers in Macedonia loved God, they gave of their finances joyfully and sacrificially. In this message from 2 Corinthians 8–9, Pastor Lutzer calls all of us to a higher standard of giving. What should we expect when we started to tithe 10% of our income? This month's special offer is available for a donation of any amount. Get yours at https://rtwoffer.com or call us at 1-888-218-9337.  Moody Church Media [https://www.moodymedia.org/], home of "Running To Win," exists to bring glory to God through the transformation of lives.  Erwin W. Lutzer is Pastor Emeritus of The Moody Church in Chicago, where he served as Senior Pastor for 36 years. He is a prolific author of over seventy books. A clear expositor of the Bible, he is the featured speaker on "Running To Win" and "Songs In The Night," with programs broadcasting on over a thousand outlets in the U.S. and across more than fifty countries in seven languages. He and his wife, Rebecca, live in the Chicago area. They have three grown children and eight grandchildren.    SUPPORT:  Tax Deductible Support: https://www.moodymedia.org/donate/  Become an Endurance Partner: https://endurancepartners.org/    SUBSCRIBE:   YouTube: https://www.youtube.com/@MoodyChurchMedia  Weekly Digest: https://www.moodymedia.org/newsletters/subscription/

What we do with our money reveals what we truly believe about God. Paul highlights the Christians in Macedonia who gave joyfully, despite severe persecution and poverty. In this message from 2 Corinthians 8–9, Pastor Lutzer shares five characteristics of givers who are submitted to Christ in their finances. Will we offer ourselves entirely to God? To support this ministry financially, visit: https://www.oneplace.com/donate/172/29?v=20251111

What we do with our money reveals what we truly believe about God. Paul highlights the Christians in Macedonia who gave joyfully, despite severe persecution and poverty. In this message from 2 Corinthians 8–9, Pastor Lutzer shares five characteristics of givers who are submitted to Christ in their finances. Will we offer ourselves entirely to God? This month's special offer is available for a donation of any amount. Get yours at https://rtwoffer.com or call us at 1-888-218-9337.  Moody Church Media [https://www.moodymedia.org/], home of "Running To Win," exists to bring glory to God through the transformation of lives.  Erwin W. Lutzer is Pastor Emeritus of The Moody Church in Chicago, where he served as Senior Pastor for 36 years. He is a prolific author of over seventy books. A clear expositor of the Bible, he is the featured speaker on "Running To Win" and "Songs In The Night," with programs broadcasting on over a thousand outlets in the U.S. and across more than fifty countries in seven languages. He and his wife, Rebecca, live in the Chicago area. They have three grown children and eight grandchildren.    SUPPORT:  Tax Deductible Support: https://www.moodymedia.org/donate/  Become an Endurance Partner: https://endurancepartners.org/    SUBSCRIBE:   YouTube: https://www.youtube.com/@MoodyChurchMedia  Weekly Digest: https://www.moodymedia.org/newsletters/subscription/

We've talked a lot about Lordi and their 2006 win in Athens, and with the 20th anniversary rapidly approaching next year, we wanted our listeners to be up on one of the best contests of the otherwise not-so-great '00s era. And who better to join us in Athens than Greek pop expert and comedian Mano Agapion to talk about all the high and lowlights of the Grand Final? Jeremy taps the sign with his one rule of rock, Dimitry imagines a young Alexander Rybak getting inspired, Mano has OPINIONS about Anna Vissi, and Oscar's duty freeeeeeeee.Listen to Oscar & Mano's podcast, Drag Her: https://headgum.com/drag-her-a-rupauls-drag-race-podcastWatch the unbroadcast HD version of 2006: https://www.youtube.com/watch?v=sqxXIq5xEWkgermThis week's companion playlist: https://open.spotify.com/playlist/5oxMmEDitWpE4PAnk5WOI0 The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

In questa puntata:- Focus: Gianni Galleri torna a trovarci per parlarci del suo ultimo libro "Spomenik: Viaggio spaziale nella Jugoslavia che resta". Arte, architettura, storia e alla fine anche un po' di calcio

He was the brother of the Apostle Peter, from Bethsaida on the shore of Lake Gennesaret. Andrew left his fisherman's trade to become a disciple of St John the Baptist. Soon after the Forerunner had baptized Jesus, he said to Andrew and his other disciple John the Theologian, "Behold the Lamb of God!" At this, both disciples followed after Jesus. After conversing with Christ, Andrew hurried home and told his brother Simon Peter, "We have found the Messiah." For being the first to recognize Jesus as the Christ, St Andrew is called the First-Called.   After Pentecost, Andrew was appointed to preach the Gospel around the Black Sea and in Thrace and Macedonia, traveling as far as Lazica in the Caucasus. According to Slavic tradition his travels took him even further, into the land that was later to be called Russia.   In later travels the Apostle preached throughout Asia Minor with St John the Theologian, then traveled to Mesopotamia, then back to Sinope on the Black Sea, and finally to Patras in the Peloponnese, where he soon established a large community of Christians. One of his converts was Maximilla, the wife of Aegeates, the Proconsul of that region. Aegeates was so angered by his wife's conversion that he had the Apostle arrested and crucified head downwards on a cross in the shape of an "X." The holy Apostle rejoiced to be allowed to suffer the same death as his Master.   The holy relics of St Andrew, after various travels, were returned to Patras in 1964, where they are now venerated.   In the West, St Andrew is venerated as the patron of Scotland: in the Middle Ages, more than eight hundred churches in Scotland were dedicated to him.

He was the brother of the Apostle Peter, from Bethsaida on the shore of Lake Gennesaret. Andrew left his fisherman's trade to become a disciple of St John the Baptist. Soon after the Forerunner had baptized Jesus, he said to Andrew and his other disciple John the Theologian, "Behold the Lamb of God!" At this, both disciples followed after Jesus. After conversing with Christ, Andrew hurried home and told his brother Simon Peter, "We have found the Messiah." For being the first to recognize Jesus as the Christ, St Andrew is called the First-Called.   After Pentecost, Andrew was appointed to preach the Gospel around the Black Sea and in Thrace and Macedonia, traveling as far as Lazica in the Caucasus. According to Slavic tradition his travels took him even further, into the land that was later to be called Russia.   In later travels the Apostle preached throughout Asia Minor with St John the Theologian, then traveled to Mesopotamia, then back to Sinope on the Black Sea, and finally to Patras in the Peloponnese, where he soon established a large community of Christians. One of his converts was Maximilla, the wife of Aegeates, the Proconsul of that region. Aegeates was so angered by his wife's conversion that he had the Apostle arrested and crucified head downwards on a cross in the shape of an "X." The holy Apostle rejoiced to be allowed to suffer the same death as his Master.   The holy relics of St Andrew, after various travels, were returned to Patras in 1964, where they are now venerated.   In the West, St Andrew is venerated as the patron of Scotland: in the Middle Ages, more than eight hundred churches in Scotland were dedicated to him.

2 Corinthians 8:1-9English Standard Version8 We want you to know, brothers, about the grace of God that has been given among the churches of Macedonia, 2 for in a severe test of affliction, their abundance of joy and their extreme poverty have overflowed in a wealth of generosity on their part. 3 For they gave according to their means, as I can testify, and beyond their means, of their own accord, 4 begging us earnestly for the favor of taking part in the relief of the saints— 5 and this, not as we expected, but they gave themselves first to the Lord and then by the will of God to us. 6 Accordingly, we urged Titus that as he had started, so he should complete among you this act of grace. 7 But as you excel in everything—in faith, in speech, in knowledge, in all earnestness, and in our love for you—see that you excel in this act of grace also.8 I say this not as a command, but to prove by the earnestness of others that your love also is genuine. 9 For you know the grace of our Lord Jesus Christ, that though he was rich, yet for your sake he became poor, so that you by his poverty might become rich.

At the end of this transmission we heard from a dear friend about the passing of a dear friend from the programs... more to come soon!Cleansing ourselves from all filthiness of the flesh and spiritHaving therefore these promises, dearly beloved, let us cleanse ourselves from all filthiness of the flesh and spirit, perfecting holiness in the fear of God.2CO.7:2 Receive us; we have wronged no man, we have corrupted no man, we have defrauded no man.2CO.7:3 I speak not this to condemn you: for I have said before, that ye are in our hearts to die and live with you.2CO.7:4 Great is my boldness of speech toward you, great is my glorying of you: I am filled with comfort, I am exceeding joyful in all our tribulation.2CO.7:5 For, when we were come into Macedonia, our flesh had no rest, but we were troubled on every side; without were fightings, within were fears.2CO.7:6 Nevertheless God, that comforteth those that are cast down, comforted us by the coming of Titus;2CO.7:7 And not by his coming only, but by the consolation wherewith he was comforted in you, when he told us your earnest desire, your mourning, your fervent mind toward me; so that I rejoiced the more.2CO.7:8 For though I made you sorry with a letter, I do not repent, though I did repent: for I perceive that the same epistle hath made you sorry, though it were but for a season.2CO.7:9 Now I rejoice, not that ye were made sorry, but that ye sorrowed to repentance: for ye were made sorry after a godly manner, that ye might receive damage by us in nothing.2CO.7:10 For godly sorrow worketh repentance to salvation not to be repented of: but the sorrow of the world worketh death.2CO.7:11 For behold this selfsame thing, that ye sorrowed after a godly sort, what carefulness it wrought in you, yea, what clearing of yourselves, yea, what indignation, yea, what fear, yea, what vehement desire, yea, what zeal, yea, what revenge! In all things ye have approved yourselves to be clear in this matter.2CO.7:12 Wherefore, though I wrote unto you, I did it not for his cause that had done the wrong, nor for his cause that suffered wrong, but that our care for you in the sight of God might appear unto you.2CO.7:13 Therefore we were comforted in your comfort: yea, and exceedingly the more joyed we for the joy of Titus, because his spirit was refreshed by you all.2CO.7:14 For if I have boasted any thing to him of you, I am not ashamed; but as we spake all things to you in truth, even so our boasting, which I made before Titus, is found a truth.2CO.7:15 And his inward affection is more abundant toward you, whilst he remembereth the obedience of you all, how with fear and trembling ye received him.PSA.74:2 Remember thy congregation, which thou hast purchased of old; the rod of thine inheritance, which thou hast redeemed; this mount Zion, wherein thou hast dwelt.We are in the midst of a major spiritual war before the AntiChrist shows up and then Jesus shows up! SO LET'S HAVE FUN SHARING THE WORD TOGETHER !!! FEAR IS A SIN! Let's move our lives into God and receive His rest and peace on all sides no matter how much of a drama queen the Enemy is. Jennifer Basham is fundraising for HAYWOOD CHRISTIAN ACADEMY. Support them by shopping here: https:shop.meadowfarms.com/jennifer-rimel-304854 BUY MY SUPERNATURAL NOVEL!https://www.amazon.com/Kingdom-Romance-Episode-1-ebook/dp/B07ZRJV6SHDOWNLOAD THE APP!fringeradionetwork.com DON BASHAM MINISTRIES 1,000,000,000 GIVE SEND GO:https://www.givesendgo.com/bashamPAYPAL:spiritforce01@gmail.comBITCOIN:3H4Z2X22DuVUjWPsXKPEsWZmT9c4hDmYvyVENMO:@faithbucksCASHAPP:$spiritforcebucksZelle:faithbucks@proton.mePATREON:Michael BashamHOME BASE SITE:faithbucks.com

The main protagonist of Tamara Kotevska's (“Honeyland”) enchanting new documentary “The Tale of Silyan” is a lovable farmer named Nikola. But as compelling a screen presence as he is, Nikola can't hold a candle to the film's real stars, the gorgeous, majestic — and even more lovable — white storks who steal the show.   Producer/Director Tamara Kotevska and Cinematographer/Producer Jean Dakar join Ken on the pod to discuss these incredible birds, the legend of Silyan (a boy who was turned into a stork), and the North Macedonian rural community that the storks, Nikola, and his family call home. Having lived side-by-side in harmony for centuries, both storks and humans are now facing dire economic forces that make farming unsustainable and lead to landfills, rather than fertile fields, becoming the storks' feeding grounds. As she did with her magical, multiple Oscar-nominated “Honeylands,” also set in her native Macedonia, Tamara manages to spin a tale of her own that seamlessly combines elements of narrative storytelling and observational documentary. Jean's gorgeous and multifaceted cinematography elevates the film even further. “The Tale of Silyan” is a beautiful love story, too. It turns out that storks are just as lovable to Nikola as to the rest of us.   “The Tale of Silyan” is North Macedonia's official submission for Best International Feature and is being released by National Geographic Documentary Films in select theaters.   Hidden Gems: Tamara: “Midnight Family” Jean: “Riders on the Storm”   Follow: @tamarakotevska and @jeandakar on Instagram @topdocspod on Instagram and X     The Presenting Sponsor of "Top Docs" is Netflix.

Acts 20:1-6 – Paul back in Macedonia

This week, Elon Musk's social media platform 'X' announced they launched a new feature that makes it possible for users to view the country of origin of any account, and almost immediately, some of the most corrosive users claiming to be Americans have turned out not to be. The new feature revealed accounts claiming to be 'MAGA' and 'ULTRAMAGA' are based in Africa, Macedonia, India and the Mideast. What can we do to fight back against these massive information and misinformation operations aimed at our minds? FOX's Eben Brown speaks with Max Lesser, senior analyst on emerging threats at the Foundation for the Defense of Democracies' Center on Cyber and Technology Innovation, who explains the function of this new feature and what these foreign accounts aim to do. Click Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To Follow 'The FOX News Rundown: Evening Edition' Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to "Inside the Epicenter" with Joel and Lynn Rosenberg. In this episode of Inside the Epicenter, host Joel Rosenberg sits down with former US ambassador and veteran Middle East advisor Dennis Ross to unpack Saudi Crown Prince Mohammed bin Salman's recent visit to Washington and its far-reaching implications. Together, they explore Saudi Arabia's sweeping social and economic changes, the strengthening U.S.-Saudi relationship, and the critical role of technology, defense, and energy in the kingdom's transformation. Dennis Ross shares firsthand insights on the prospects for Israeli-Saudi normalization, how October 7th shifted regional dynamics, and what's at stake for both the US and Middle East allies going forward. If you want a front-row seat to diplomatic strategy, behind-the-scenes stories, and the future of peace in the region, this conversation is not to be missed. (00:02) "US-Saudi Relations and MBS"(10:07) "U.S.-Saudi Relations and Strategy"(12:28) "Biden Administration Defense Treaty Hurdles"(17:18) Saudi Arabia Opening to Diversity(24:51) Saudi-Israeli Relations: Challenges Persist(29:21) "Israel-Saudi Peace & Challenges."(32:47) Support Joshua Fund Monthly(38:31) "Saudi-Israel Strategic Convergence Explaine.d"(43:34) Saudi-Israeli Relations and Coexistence(48:50) "Path to Palestinian Stateho.od"(58:28) "Support Needed for Growing Miss.ion"(01:00:49) "Support The Joshua Fund Mis.sion" Learn more about The Joshua Fund: JoshuaFund.comMake a tax-deductible donation: Donate | The Joshua FundStock Media provided by DimmySad / Pond5 Verse of the Day: Romans 15:25-27: But now, I am going to Jerusalem, serving the saints. Macedonia and Achaia have been pleased to contribute to the relief of poverty among the saints in Jerusalem. For they were glad to do so, and they are indebted to them. For if the Gentiles have shared in their spiritual things, they are indebted to do them a service also in material things. Pray for a much better and more encouraging 2026Pray that God gives leaders in the US, Saudi Arabia, and Israel the wisdom to deal appropriately with issues that come. Related Episodes:Caring for the Needy in Israel's Darkest Hour #329Hamas Is Now Slaughtering Gazans — How Should Trump and Evangelicals Respond? #324Tal Heinrich - Inside Trump and Netanyahu's Middle East #323Alaska Epicenter Cruise Session 3: Behind the Scenes at the Bible Society in Israel with Victor Kalisher #315 Links For Reference Dennis Ross Interview Part 1 | All Israel News https://m.youtube.com/watch?v=A18opwDCe7c&pp=ygUqSm9lbCByb3NlbmJlcmcgZGVubmlzIHJvc3MgYWxsIGlzcmFlbCBuZXdz Statecraft 2.0 https://a.co/d/4A0jXT9 Donate a generous monthly gift to The Joshua Fund to bless Israel and Her Neighbors now and for the long haul. Become an Epicenter Ally today! Dennis Ross https://www.washingtoninstitute.org/experts/dennis-ross Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

This week, Elon Musk's social media platform 'X' announced they launched a new feature that makes it possible for users to view the country of origin of any account, and almost immediately, some of the most corrosive users claiming to be Americans have turned out not to be. The new feature revealed accounts claiming to be 'MAGA' and 'ULTRAMAGA' are based in Africa, Macedonia, India and the Mideast. What can we do to fight back against these massive information and misinformation operations aimed at our minds? FOX's Eben Brown speaks with Max Lesser, senior analyst on emerging threats at the Foundation for the Defense of Democracies' Center on Cyber and Technology Innovation, who explains the function of this new feature and what these foreign accounts aim to do. Click Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To Follow 'The FOX News Rundown: Evening Edition' Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to The Daily Wrap Up, an in-depth investigatory show dedicated to bringing you the most relevant independent news, as we see it, from the last 24 hours (11/23/25). As always, take the information discussed in the video below and research it for yourself, and come to your own conclusions. Anyone telling you what the truth is, or claiming they have the answer, is likely leading you astray, for one reason or another. Stay Vigilant. !function(r,u,m,b,l,e){r._Rumble=b,r[b]||(r[b]=function(){(r[b]._=r[b]._||[]).push(arguments);if(r[b]._.length==1){l=u.createElement(m),e=u.getElementsByTagName(m)[0],l.async=1,l.src="https://rumble.com/embedJS/u2q643"+(arguments[1].video?'.'+arguments[1].video:'')+"/?url="+encodeURIComponent(location.href)+"&args="+encodeURIComponent(JSON.stringify([].slice.apply(arguments))),e.parentNode.insertBefore(l,e)}})}(window, document, "script", "Rumble");   Rumble("play", {"video":"v6zz0sq","div":"rumble_v6zz0sq"}); Video Source Links (In Chronological Order): (2) Justin Amash on X: "RIP DOGE. It was never going to amount to much more than a marketing gimmick without a president actually serious about cutting spending. Only a president has the leverage to get Congress to cut, and this president—like all recent presidents—is interested only in spending more." / X Exclusive: DOGE 'doesn't exist' with eight months left on its charter | Reuters (6) Grok / X (22) Amy Gleason | LinkedIn Israel Continues To Weaponize The Bibas Family Killed By IDF & The DOGE Sleight Of Hand The Deep DOGE State, Epstein List Got Twitter Filed & Israel Breaks Ceasefire As Planned DOGE: Is Efficiency a Gateway to Technocracy? DOGE Secrecy/Surveillance, Using "Hate Speech" To Censor Americans & Israel's Controlled Demolition More DOGE Fraud, The REAL ID Two-Step, BlackRock's Panama Canal & Trump's Ecuador Election Meddling The Impending Future Of AI-Government - But Who Controls The AI? (8) David Icke on X: "JOKE. Just like Tyler Robinson then? Nothing to see here - move along. https://t.co/nJKRQe3nUs" / X (8) Candace Owens on X: "

Listen along as Dr. Michael Goheen continues our series through Acts. Notes//Quotes: Acts 19:21-41 - Jack 21 Once all this had been finished, Paul decided in his spirit to go back through Macedonia and Achaea and, from there, on to Jerusalem. “After I've been there,” he said, “I really must go and see Rome.” 22 He sent two of his helpers, Timothy and Erastus, on ahead to Macedonia, while he himself spent a little more time in Asia. “Great is Ephesian Artemis!” 23 Around that time there was a major disturbance because of the Way. 24 There was a silversmith named Demetrius who made silver statues of Artemis, which brought the workmen a tidy income. 25 He got them all together, along with other workers in the same business. “Gentlemen,” he began. “You know that the reason we are doing rather well for ourselves is quite simply this business of ours. 26 And now you see, and hear, that this fellow Paul is going around not only Ephesus but pretty well the whole of Asia, persuading the masses to change their way of life, telling them that gods made with hands are not gods after all! 27 This not only threatens to bring our proper business into disrepute, but it might make people disregard the temple of the great goddess Artemis. Then she—and, after all, the whole of Asia, indeed the whole world, worships her!—she might lose her great majesty.” 28 When they heard this, they were filled with rage. “Great is Ephesian Artemis!” they shouted. “Great is Ephesian Artemis!” 29 The whole city was filled with the uproar; everyone rushed together into the theater, dragging along with them the Macedonians Gaius and Aristarchus, two of Paul's companions. 30 Paul wanted to go in to speak to the people, but his followers wouldn't let him. 31 Indeed, some of the local magistrates, who were friendly towards him, sent him a message urging him not to risk going into the theater. 32 Meanwhile, some people were shouting one thing, some another. In fact, the whole assembly was thoroughly confused, and most of them had no idea why they had come there in the first place. 33 The Jews pushed Alexander forward, and some of the crowd informed him what was going on. He motioned with his hand, and was going to make a statement to the people to explain things. 34 But when they realized he was a Jew, they all shouted together, for about two hours, “Great is Ephesian Artemis!” 35 The town clerk quietened the crowd. “Men of Ephesus,” he said, “is there anyone who doesn't know that our city of Ephesus is the place which has the honor of being the home of Artemis the Great, and of the statue that fell from heaven? 36 Nobody can deny it! So you should be quiet, and not do anything rash. 37 You've brought these men here, but they haven't stolen from the temple, or blasphemed our goddess. 38 If Demetrius and his colleagues have a charge they want to bring against anyone, the courts are open and we have magistrates. People can present their cases against one another. 39 But if you are wanting to know anything beyond that, it must be sorted out in the authorized assembly. 40 Let me remind you that we ourselves are risking legal proceedings because of this riot today, since there is no reason we could give which would enable us to present a satisfactory explanation for this uproar.” 41 With these words, he dismissed the assembly.

Larry "Scott" Teakell, a native Texan, joined the U.S. Army in 1995. He served as a medic and had three tours in Iraq, one in Bosnia and Macedonia. In July 2007 in Iraq, SSgt Teakell put out a fuel fire that covered Spc. Heredia and was awarded theSoldier's Medal, the highest medal you can earn for heroism in non-combat. Teakell talks about being a medic and the Strong Star Training Initiative program at Fort Hood. He retired as an SFC in 2015 and began forging knives, and became the founder ofJunkyard Tactical.

 They put in their cover letter, “Honestly, we're just gonna go up to Yellowstone around that time and we would love to swing by and show the movie.”Rudi Womack is the Director of the Wyoming International Film Festival and the creator of the YouTube channel The Film Festival Guide.In this conversation, Rudi talks about:* What watching thousands of film festival submissions has taught him about good storytelling* The biggest mistake filmmakers make when they submit to festivals* Why transparency matters and why he published all of the submission and acceptance stats for the Wyoming International Film Festival * The importance of a compelling poster and thumbnail* How to write a good description of your movie* The most important questions filmmakers must askHere is a link to Hiike, the new film festival submission platform that Rudi mentioned.If you enjoyed this episode please forward to a friend.Here is an AI-generated transcript of my interview with Rudi. Don't come for me.79. Film Festival Director Rudi WomackBEN: Hi everyone. This is Ben Guest and this is The Creativity Education and Leadership Podcast. My guest today is Rudy Womack, who is the director of the Wyoming International Film Festival, and also Rudy has a fantastic YouTube page called The Film Festival Guide. So for all my filmmakers out there who are interested in submitting to festivals in this interview and on Rudy's YouTube page, he breaks it down. Enjoy.Rudi, thank you so much for joining us.RUDI: Hey, it's my pleasure to be here. Thank you for having me.BEN: So I always start off with a fun question, and we're entering the holiday season, so very important holiday question. Is Die Hard a Christmas movie?RUDI: Absolutely. A hundred percent. Come on.BEN: I love it. So I, I told you this off Air, I found you through the Rate YouTube channel.You have the Film Festival Guide. Is that the right name? I wanna make sure I get the name right. Yeah. The filmRUDI: festival guide. Yep.BEN: On YouTube Film Festival Guide on YouTube. Please. Any filmmakers out there go and subscribe. The information is so helpful. What, why did you start the this YouTube page?RUDI: I, as a filmmaker have gone through the festival circuit several times and I made a lot of amateur mistakes. I didn't know what I was doing. Definitely fell on my face a couple of times, but I also had some successes. And as I did more film festivals, I started learning more about the circuit.I got invited by a film festival to become a programmer, and so I started reviewing a lot of films and seeing a lot of the submissions. And I think instantly that made me a better filmmaker just because I saw what was working, what wasn't working, and how other filmmakers really brought to, brought their stories to life on the screen.And it, it was truly inspirational. Very long story short, the Wyoming International Film Festival was started by a gentleman named Alan Oi, and he's a, he's a documentarian out of Wyoming, which is where I'm from. I'm from Wyoming. So Alan had the film festival and he had run it for some years and it was going great and everything.But then Alan retired and now he's retiring. He wants to move outta Wyoming and he doesn't wanna run a live event. ‘cause it is a lot of work in his words. And I quote, it's a young man's game. And at the same time, COVID hit and he didn't wanna do the whole online thing and it was just a big mess.So Alan was like, I'm done with the festival, it's done. I'm just gonna let it die. And I was begging him, no, Alan, you can't do it. It's so important for indie filmmakers. And at the time I'm just finding my feet in the festival circuit as well as both a filmmaker and now I'm a programmer.I'm begging him like don't let it die. It's important, maybe I can help out. And he was like, why don't you run it? And I was like, absolutely not, man. What are you talking about? That's crazy. No way. No way. And I was like, I'm going to be your director of programming. That's what I'm going to do.I'm gonna help you get films in so you don't have to do that work. Very long story short, I ended up running it. I ended up taking over the festival from Alan. I did so reluctantly. But when I started working with the festival, working with the community, working with my hometown filmmakers and my home state filmmakers, and just seeing how important a film festival can be for a local community to uplift indie filmmakers to help them along the way I fell in love with it and here I am now, I run the film festival.And your question was, how did I start the YouTube channel? Sorry, I'm getting there. But I got a lot of questions from filmmakers about festivals, like how to navigate ‘em. And there's just so much mystery behind film festivals ‘cause it's so opaque. There's not a lot of transparency from film festivals.Film festivals are sketchy about which films they do select and which they don't. And frankly, there's a lot of misinformation out there about festivals. So I started answering a lot of questions and I started repeatedly answering the same question again and again and again. And I had some friends who told me, you should write a book.But I was like, yeah, but books, there are books, like people have already written books, bluntly, frankly, people far more experienced and knowledgeable than myself have written books. And so if you're not reading those books, then you're probably not gonna read my book. So that's when I decided, you know what, the YouTube channel is a great way to just do very easy outreach.Take one single topic, break it down for 10 minutes, and hopefully help filmmakers along on their film festival journey.BEN: I love it. And you said something for all the filmmakers who are listening. I'm gonna come back to it. Don't worry. You said something about once you started programming and watching so many films, you got a good sense of what works and what doesn't.So I definitely wanna come back to that. I know the filmmakers listening want to hear that. But before that you mentioned 10 minute videos. You strike me as somebody who, does research and takes time to Yes. Before they do something. What did you discover about running a YouTube page?What things work, what things don't work?RUDI: I'm still very early on in my own YouTube development. I'm still trying to learn what does and doesn't work. So I'm probably the worst person on earth to give advice. Definitely that first 32nd hook is so important on YouTube, just like it is on a film that, that intro, how we come into the story, whatever, on YouTube, you can see a massive drop off and apparently it's that way on every channel.Again, I'm not a YouTube guru, so I don't give advice, but that first 32nd hook is a big deal, but also just my presence on camera. I come from the post world. I'm an editor, so I'm not just behind camera. I'm behind, behind the camera. So I'm very much not used to an on-camera presence, so I'm developing that and learning it as well.What kind of energy I can bring. How to make it engaging. But also I don't wanna be zany and too quirky or anything because I am trying to give good guidance to filmmakers, but I also don't want to lecture them and bore them to death. So it's finding that balance of information that's valuable, but also entertaining enough that people don't wanna click off.And it's actually quite a complex thing that I'm still unraveling one video at a time. But the best advice that I saw was some YouTube guru who is just focus on getting 1% better on every single video. So is that little bit better graphics or better delivery, or better audio, or better editing or whatever it is.And after a hundred videos, you're now a hundred percent better. So that's what I've been focusing on. Just very small baby steps.BEN: Yeah, that's such a great way to break it down, right? It just makes it bite-sized, get 1% better.RUDI: I think you can apply that to life in general. There's a lot of things in life just today be 1% better.That's it,BEN: so you mentioned once you start a programming scene, get enough feel for what works, what doesn't, especially with short films, both narrative and docs. What are you seeing that works and doesn't work?RUDI: In the shorts world I'm seeing a couple of things. One, a self-contained story, and this is something that I had a problem with because oftentimes I would go for more of a quote unquote scene instead of a full beginning, middle and in, in a story.So a self-contained story typically is gonna make your short film much more successful. This can be hard for some filmmakers because they're trying to make a proof of concept short film that they're gonna go and get financing for their future. So one of the things that they often do is they just take a scene outta their feature and then just shoot that, which has mixed results.And the problem is the films that have gotten financed and been made from shorts that have done that are the ones that you see. So it's actually a survivor bias, where it's like it, it works for those particular films and therefore everybody thinks it's gonna work for their film. But obviously the films that it doesn't work for, you're never going to see.So you don't understand, actually for the majority of films, it doesn't work. So if you have a proof of concept, I actually say, don't pull a scene outta your feature. I say write its own scene, or sorry, your own short film. That exists in the same world and universe with the same characters as what your feature film is.And I think that's gonna have much more success on the film festival circuit. And that will lean you or lead you to whatever your goal is, financing or distribution or whatever. So that's a big thing with short films that makes ‘em successful is make sure it is actually a self-contained story and it doesn't have any loose ends, so to speak.What doesn't work is something that I myself struggle with, ironically as an editor. And that's things being too long and you need to parse them down. Now a lot of people will say, shorter, the better, which is true, but I actually think that's a result of actually getting to the core of the problem.And that's make your film as concise as possible. Get the idea. The emotion, the story out as concise as you can. And what that does by happenstance is it makes your film shorter. So it's not that shorter is better. I know there's it almost sounds like I'm just splitting hairs here, but I've seen plenty of five minute films that didn't work.I've seen plenty of 10 minute films that board me to death. So shorter isn't necessarily better. It's more concise of your story is better. And sometimes that still manifests as a 20, 30, 40 minute film. But if it's a very interesting 20, 30, 40 minutes, that's not gonna matter.BEN: It's such a great point. And for me, when I get to a certain point in the edit, I like to just bring in a couple friends and have them watch it. And then I just sit there and watch them watch it and whatever feedback they're gonna provide afterwards. 95% of what I need, I can just tell from Body Language as they're watching the film.RUDI: Yep.BEN: You come fromRUDI: theBEN: Go ahead.RUDI: Oh I was just gonna piggyback off that and just say, audience feedback is worth its weight and goal.BEN: Yeah.RUDI: And every filmmaker when you hit that fine cut stage, like you said, get your friends and family together, buy everybody some burgers and fries or whatever.Get ‘em all together. Gather ‘em up in a room, watch them, watch your film. That's gonna tell you more than anything else. We'll be able to about the success of your film and where it's strong, where it's weak, where you can still fix things. And I always suggest do it in your fine cut stage because nothing's locked in and you can still move things around and adjust, or whatever it is you need.BEN: Love it. And I think earlier what you are really getting at is telling a good story. Yes. And I'm amazed at, not amazed, but maybe a little disappointed, especially in today's world, the technical side of filmmaking. Even for an amateur, even for an indie filmmaker that you can, things can be d done so well technically, but there's no story.RUDI: Yes. All the time. So when I get onto Reddit, ‘cause you mentioned Reddit earlier if I go onto our filmmakers, right? Yeah. I don't have to look far to see people just geeking out over the newest Camerons. It's, and it's always cameras. Everybody always talks about. This camera is so fancy and it has so many stops above and this lens can do this and blah, blah, blah, blah, blah, blah, blah.It has this big bit rate, whatever. Everybody gets so excited about cameras and I always say to myself, man, if they got this excited about audio, I wouldn't have to reject half the films that we have to reject because the audio is just blah. So if we're gonna talk tech, if we're gonna talk about the quote unquote quality of the filmmaking, I think what filmmakers need to understand is there are so many films out there we're that is just the foundation.It is the base level, it is the bare minimum that the film looks good. It sounds good. It feels good. So for us, festival guys, we see so many of these films. You're super gorgeous cinematography, you're really fancy, VFX, whatever it is that you think really separates your film from the pack. I don't wanna discourage you, I don't wanna sound jaded or anything, but it's not as impressive to us as you might believe it is, simply because we see hundreds and sometimes thousands of films like that.So for us it constantly falls back to originality and the story. Is the story well done? Is it well told? Is it a new and interesting story that we've never seen before? Is it a story that we've seen before but told in a very unique way, from a specific point of view, that is what is going to move us as festival people.‘cause when I put it into the theater and my audience walks in and they pay a ticket. My audience is used to going down to the theater and seeing a hundred million dollar movies. So for them, quality is just a given. It's just assumed they're not going to be thinking about it for them. They go and watch a movie ‘cause they're interested in, and I think if more filmmakers really dialed in on their story, they're going to find more success.BEN: So many great points there and a hundred percent agree with what you were saying about people get excited about the camera. And so I did my MFA at USC and there were three different times where I was on a set that, that I felt was unsafe. Not that I felt it was unsafe, what they were doing. Geez. And I walked off and it was always to get the cool shot.Like no one's ever hanging off a balcony to get room tone. You know what I mean? It's just, it's always to get the cool shot that, again, if you're not telling a good story, it doesn't matter. And to your point, I've always felt good audio is more important than good video.RUDI: Good image.BEN: Yeah.RUDI: Look at the documentary. Look at the nonfiction world. We see verite stuff all the time. We see stuff people recorded on their phone or, security camera footage or whatever, like at the end of the day in the nonfiction world is a great example of the quality of the shot doesn't necessarily matter so much as the quality of the story and how it's being told and how it's being revealed to us.And the audio is always gonna be very clean, very top notch, even if it's quote unquote found footage or. Veritate footage or whatever, the audio is always peak. I saw that Netflix doc recently, it was super heartbreaking. The perfect neighbor. And most of it is police body cam footage, but the audio is clean so we're able to follow the story so no one sits back and thinks of themselves this isn't a good shot.Of course it's not, it's police potty cam footage. Like it doesn't look good and it's not meant to,BEN: but it sounds good. And so you can follow it.RUDI: Yes.BEN: What what are some tropes that you think you've gotten tired of seeing in, especially in short films?RUDI: So every year it's a little bit different.You would be surprised what things pop up and what don't. The one trope that kind of rubs me the wrong way, I, I don't know how to describe it any other way than filmmaker self therapy. Like they, they're definitely going through something at the moment and they're not focused on creating a good story.They're more focused on using their art form to emotionally process whatever it is they're going through, which fine, you are an artist that makes sense to do, but also I can't sell my audience on that. So while I don't wanna discourage someone from making a film that is very near and dear and personal to them, at the end of the day, it might not be a good fit for film festivals.And so I, I would really think twice about whether or not that is a story that an audience, frankly, needs to see. Filmmaker cell therapy is one that when I get it, I'm always eh I don't know what to do with it. I just, I don't know what to do. Some other tropes that we see very commonly are like.Obviously right now, tech and AI and stuff like that gives a lot of people anxiety. So there's a lot of like evil robot takes over or the big reveal at the end of the movie, they were a robot the whole time, or the whole thing was a simulation or whatever. That's being very well tread right now.For me, I'm I am not a political person and anytime some big thing is in the news, we see tons of films on it. So I understand politics do affect people's day to day and their lives, so I understand that manifest. But man, I probably have a hundred immigration films right now and that's a lot. And I'm not gonna screen that many, so I'm only gonna pick like one, maybe two, so that's a tough one to do.Anything that's like a hot button political issue. We always see a big wave of those come in. And then honestly, romance dramas get tough. It isn't evergreen. We do have an audience for it. We usually do have some kind of a selection of them. Romance dramas have existed since the beginning of time.It's always been a thing. But filmmaker broke up with his girlfriend, so now he has a character who breaks up with his girlfriend. It gets it, it doesn't get very original. I, it just it gets exhausted. So those are some of the kind of general tropes I would avoid. I have heard other festival directors talk about like cancer films and Alzheimer's films and stuff like that.This year I'm not seeing so much of those, but I have seen those in the past. So tho those are some other. Tread stories we'll see.BEN: One of the things that I appreciate about. Your series of videos is your transparency, and you have one video where you literally break down. Here are all the films the number of films, Wyoming International Film Festivals received. Here's how it breaks down, here's how many we, we accepted, et cetera, et cetera.You have another one where you literally show the viewer, this is what we see as a programmer on our film freeway portal. Here's the scoring sheet. I think it's a little bit different from the one you guys use internally, but basically here's what the scoring sheet on film freeway looks like. Why is transparency so important to you?RUDI: Because I'm a filmmaker, because I've been to so many festivals where I have no idea what the hell's going on. I've been to festivals where I think my film is gonna be a good fit. I think based on what I've been able to investigate on my own, digging through their website, digging through their archive.Seen what they've programmed before. I think I'm a good fit, but I don't actually know. And I've submitted to festivals where later on, I see what they programmed or I got rejected or even accepted and then gone to the festival itself and have been a little disappointed when was like I this festival didn't fit my goals the way that I thought it would, or, this festival wasn't going to do the things for me.Or this festival, like really promoted themselves very heavily as this big event. And then you get there and then it's not, and that's a little bothersome. So when I stepped into my role at the Wyoming International Film Festival, I made a whole bunch of changes. But one of the changes that I made was, we are going to be transparent.I don't ever want a filmmaker to submit to our festival, get in, get accepted to the festival, drive all the way out to Wyoming and be disappointed. I don't want them to do that. That's not good for them. It's not good for us. It's not good for the community. It's not good for indie film at large.What's better is if we just be what we are in Wyoming, we're straight shooters. We just say it as it is. So I'm going to tell you exactly how many films were submitted, which films we accepted, what the percentage rates are, how many shorts versus features, how many docs versus narratives, how many music videos, all of this stuff.And we've been releasing the data for the past couple of years. This year, like we went all out with the data it was much more thorough than what we've done in years past. And even me, the director of the festival, I sit back, I look at the data and I can see some weak spots in it. I can see where we need to improve as a festival, where we need to start, bringing in a certain type of film or where other films might be overrepresented or how we can give more of an experience to our filmmakers.Just by boiling it down to numbers and looking at it. I can start seeing some of our weak spots and I want to improve on that ‘cause I want to have a good festival. And I think if more festivals were to do that, I think the filmmaking community at large would be much more appreciative. And I think film festivals need to understand.That if you have fewer submissions, that's not a bad thing because the submissions that you are going to get are filmmakers that really want to be in your festival and that's good for the health of your festival, the community, the filmmakers, everything. So I, I think the only way we get there is by being transparent.And thankfully there are other festivals that are publishing their data, which is great. And that makes me very happy to see. And I hope that trend continues and I hope even more festivals start publishing more of their data and showing how they review films, what their scorecards look like, what they're looking for.‘cause ultimately I genuinely believe that just serves the filmmakers better and ultimately makes everybody have a better experience on the film festival circuit, including the festivals themselves.BEN: When you took over as directorWhat were the biggest challenges?RUDI: So our biggest challenge to this day is our venue.So there's only one movie theater in Cheyenne, Wyoming. It is owned by a company outta Casper, Wyoming. They own pretty much a monopoly of movie theaters across the state, like most of them. And they don't allow anybody into their theaters at all. They don't allow her private screenings or corporate events or, in individuals who wanna screen their film or film festivals.I'm not the only film festival in Wyoming. I talk with other festival directors. They can't get in either. It's funny, the film commissioner of the state can't even get in. You would think the movie theater would at least want to partner with the state film Commission, but no. So for us, the challenge has been a venue and luckily our partners over at Laramie County Community College.Have graciously allowed us to use their facilities for the last couple years. They have a beautiful auditorium that we do some of our screenings in, but we also have screening rooms in a black box theater that they have as well as a conference room. And when I say conference room, most filmmakers like their heart drops a little bit.They're like, oh man, I'm just, I'm going into a conference room. It's not a proper movie theater. And that's fine. We publish that data on our film freeway page on hike. We are transparent about that. So when you submit, you might be in the conference room. But ironically, I think it has some of the best audio and it has some of the best projection.So even though it's the quote unquote least movie theater, like I actually think it has some of the best projection, best color. But venue is probably one of our biggest challenges and we continue to develop that. We continue to. Trying to innovate. We're trying to build our own screening room there on the campus.Like we're trying to use one of their big classrooms for it. And what we wanna do is we wanna turn it into a lounge. We wanna bring in like couches and sofas and comfy chairs where it's like much more of a chill environment in there. And that's the type of film we wanna screen in. There's some you can literally sit back, settle in and relax.So there's things that we're doing to create a better environment for our filmmakers and of course our audience, our guests at the festival.BEN: I love it. What's been the biggest reward?RUDI: The, I get to meet you. That's what the biggest reward is. I get to meet so many filmmakers. I get to hear their stories.I get to be inspired. I get to learn stuff. I was talking with a festival director a couple of days ago. Who asked me about how we do our audience award scores and how we process that and what they do. And I just like I lit up, I'm like, oh my God. It's such a better way, it's more efficient, it's easier on the staff.It's more representative of how the audience actually feels about the film, the way the scores are aggregated and counted. It's so great. I get to meet so many people in this world of film and every single day it's like a new, whole new world is opened up to me and I get to hear so many fantastic points of view.I get to see so many awesome films, like just how many great movies are out there is a cinephile. It's like the most rewarding thing in the world. I'm an addict. I'm totally addicted to it. It's so great.BEN: I love it. I remember I used to coach basketball in my first year as a head coach. I was like, yeah, everybody's gonna be pretty competitive, other coaches and so forth.And they were, and I was. But at the same time, when coaches would get together, it was just so supportive. And people are sharing, this is what I'm doing in practice. I'm looking at this offense, this defense. And I imagine it's the same with other film festival directors and programmers. Oh, yeah. Just a supportive environment comparing notes.RUDI: It is. And the more that I meet, the more I truly do understand. 99% of festival directors out there are programmers, people who work in it. They have some tie to cinema. Most of them are filmmakers. Those who aren't, have a deep passion and love for cinema and for storytelling, and.Everybody's a volunteer. Everybody has a day job. Nobody makes money on this. They do it from the love of their heart. They truly do. And the way that they serve their communities, the way that they serve their filmmakers, some of the cool ideas they come up with there's some really neat festivals out there with like very interesting hooks or events or whatever.And I think it is such an incredible ecosystem and I think I'm truly privileged to be part of it.BEN: What are some lesser known or maybe mid-tier festivals or local festivals that you love to attend?RUDI: Okay, so one of my favorite festivals I guess you said lesser known. This one is not lesser known, but Film Quest over in Provo, Utah, damn man, pe like festival people talk about building community. They're on a different level. They've built a family. Like everybody who goes to that festival is just so tight knit there. There's no other festival like Provo or sorry, film Quest in Provo. It is just, it's on another level. And how well they treat their filmmakers is fantastic.Some years ago I was invited to be a jury member at the Fair Film Festival, which is in Ferazi Kosovo. So that is in southeastern Europe. It's a landlocked country, just a little bit above Greece, a little bit north of Greece and north of Macedonia. And Fari is a small town. And I went to that festival and first off, wow.What a great festival. I strongly suggest you submit your film to fair film. It's so good. But the cool part of being in this European festival, and frankly a small European country, most of the films are international, obviously. And so there's filmmakers coming in from like Jordan and Spain and Germany and Slovakia and Slovenia and like all over the place, Greece, Turkey, you name it.And how interesting it is to have this incredible cross section of languages and cultures and peoples, but we're all united by this one singular thing. And that's our love for storytelling and our love for movies. It had to be one of the most incredible experiences of my life. And the next movie I make, taking it back to cosBEN: Fantastic.Just had a question. What was it? Oh okay. So with the huge caveat of besides making. A good film, a film that tells a story. Besides that, are there any tips or tricks, things on the margins that filmmakers can do when they're applying to festivals to be aware of? Sometimes festivals. Ask for a cover letter orRUDI: Yes.BEN: Press kit, things like that. Okay.RUDI: So with, sorry, my phone is loud. I should turn that down. So obviously with a huge caveat of make a good film or whatever, what's the easiest way to get it? All of the stuff on film Freeway, and I do have a video on this, on my YouTube page if you wanna check it out, where I give you a tour of film, freeway from the festival side of things like what the festival can see and how we see it and how we navigate it.On the festival end of things. We can see your cover letter, your screenings and awards your. Cast and crew information, your director's bio, your director's statement, your photographs, your EPK, that's your electronic press kit your trailer, all of that. All of that. As much of that as you can possibly make, you should make it.It's very important. And you never know which piece is gonna be more important to a particular film festival. For instance, here's something crazy. I was meeting with some of my programmers last night. They had a whole bunch of films that they wanted to recommend to go to the next level programming.And we require films. Tell us where in the world or where in the United States the film was made. And every single one of ‘em was California. California. California. California. California. Which fine, whatever. California has a big film industry. That's, it's a very big state, population wise. Makes sense, right?But I am sitting back thinking, okay. I don't want it just to be a bunch of California movies. We have a big country here. I would like to see something else. And something caught my attention. One of the filmmakers, their address was in Birmingham, Alabama, but the film was shot in California, so I am suspicious.I haven't dug into it myself. I'm suspicious either that filmmaker's from Alabama and they have moved to California, or that filmmaker lives in Alabama and they shot their film in California. So they're answering where it was shot correctly. But for me, I'm like, there you go. When everybody's from California.I want that unique perspective. I wanna see someone's from Alabama and what their perspective is now. I haven't watched the film yet. I don't know if it's what we're looking for. Obviously it's a good film if my programming team has recommended it, there's no doubt in my mind it's good film. Now there's other considerations we're gonna have, but.That alone was something, even my, like I myself did not know that I would be looking for. So filling out all of that data on film, freeway, all of your information that you possibly can, your cover letters your screenings, your awards, whatever it is, the more information you give us as a festival, the more we have to make our selections.And it only benefits you. It only helps you out. So filmmakers don't get lazy. Fill out all of that information. We need it. We use it. It's important. Just do it.BEN: You mentioned a meeting with your programmers last night. Take us inside that conversation. What does that look like? What do you discuss, et cetera.RUDI: So there's. There's a big programming team and it's divided up into two different groups. There's our kind of first round screeners and then there's our senior programmers and the senior programmers pretty much review the films that have gone through that first round of screening that are getting recommended to go onto the next one.So typically when I'm talking with my screeners and everything, it's a very different conversation on the bottom end of it where they're just sorting through all of the submissions versus a different conversation I have with the senior programmers who are on the top end of it. We're now trying to decide how to block films together, how we're gonna organize it, what's the schedule maybe look like, what's the overall tone and vibe of the festival going to be, okay.If we wanna have a sci-fi block, do we even have enough sci-fi films? If we don't. Where else can we find homes for ‘em? Stuff like that. So those conversations are a little bit more high end, if you will. And it tends to be less about the story of the film itself and more about how that film is going to fit into the festival.Whereas when I'm talking with the screeners, it's much more on the story end. Like what about the story did you like or you didn't like? Or what was the unique point of view? Or whatever. So depending on which group I'm talking to it, it's gonna be different. And then of course that divides out further on features and shorts and documentaries and narratives and music videos.So like obviously my conversation with the music video people are gonna be much different than my like short documentary people.BEN: Shout out to short documentary people as a documentarian primarily makes shorts I'll ask a question for us folks. In one of the videos, as I mentioned, you literally show here's what the scoring sheet looks like.Yes. And that was for narrative with, I think one of the categories was acting and so forth. So for a documentary or documentary shorts, what does that scoring sheet look like? What do those discussions entail?RUDI: Film freeway does not allow us to have more than one scoring sheet.So unfortunately, there's just this one scoring sheet that's for everything. What I tell my screening team, and we definitely double check everything, like there's multiple people who look at something. So it's not just one person's opinion. You have at least two, oftentimes three, pretty often four.So for something like documentary they skip over that. That's what they do. So if there's no acting in the film, they skip over that. They don't rate acting if there is no acting. But you'd be surprised. There are documentaries that have acting in ‘em. There are like docudramas or documentaries with recreation In the recreation is like actual scenes and performances and stuff like that.So in those cases, even though it's a nonfiction and a documentary, yeah, we'll still judge it for the acting ‘cause that's what it has. I get the question. I'm gonna hijack your question for a second, but it is applicable. I get the question, do we accept AI in our film festival, we do not have any official policy for or against ai, which scares some filmmakers.But we do rate AI on the same standards as we would anybody else. So when it comes to creativity and originality, guess what, you're getting a nothing. ‘cause AI didn't create it. AI is not original. AI just mashes together a bunch of information from other people. So that's no creativity and originality.Same thing for something like, I don't know, art design. If you have a AI character walking through a scene or whatever you're getting zero on your art design. Nobody built those sets. Nobody costumed that actor. Nobody was the makeup artist or the hair or whatever other art deck or, PD or anything on the set.So we will accept ai. We have accepted one single AI film so far because despite all of its quote unquote handicaps, and it was a music video. It still was successful in other categories that had a good enough score. We as a team sat down, said Yes, that it still is a good film. The audience is still gonna enjoy it.The filmmaker definitely had a vision with it. They wrote out a whole thing on like why they chose to use ai. ‘cause they're also an experimental filmmaker, so it made sense for them and everything. So we were like, you know what? That's legit. Let's put it in. But other AI submissions, like I got an AI children's animation the other day and I'm like they didn't animate it themselves.They didn't voice act it themselves. It's not getting good scores on any of these. So we'll see. We'll see. We'll see if it gets through or not, but already you're shooting yourself in the foot. So don't do ai.BEN: Okay. Couple little. I don't know, around the edges or micro questions. One of the things that you talked about in one of your recent videos was having a good poster and you talked about designing your poster for your film prudence.RUDI: Yeah.BEN: Talk, talk to me about,RUDI: I specifically gave my posters an example, not a great poster,BEN: But talk to me about that.For the no budget or low budget filmmaker that can't afford to hire a a designer to make a poster. Talk to me about poster design and how that impacts the presentation of the film for festivals.RUDI: So I strongly believe that a big part of filmmaking and marketing and packaging your film together, all of that is psychology.And as much as we want to sit back and say, Hey, don't judge a book by its, cover it, that literally goes against human psychology. People are not hardwired to do that. It, it is. In our DNA, it's not just a bad habit, it is literally a survival mechanism. So if you want to stand out, you do need to have everything put together.Your cover letter, your synopsis, your photographs, all of that, and of course all of your key art. That's your poster. That's any banners that you have, that's how you're going to be promoting the film. And you have to understand it's not just about making your film look pretty to get filmmakers to go, or sorry your programmers go, Ooh, and ah, it's a pretty film.We are looking at that as a mechanism for us to advertise the festival. You gotta understand if I have 150 films in the festival, I have to get an audience for those films. And the easiest way for me to do that is through your marketing materials. We don't have the capacity. To design marketing materials for 150 different films.We are relying on the filmmakers to do that so we can go out and promote the festival. So people show up to your screening, which I would presume is what you want if you're going to a film festival. So anything you're trailer, any photographs that you can provide, which some filmmakers only provide BTS photographs, BTS is fine.It's great. Give me some good key art I can also use, please. That's what newspapers, that's what the local news that's what podcasters, whatever, that's what they want to see. So that's what I can provide. And of course, your poster. Now, there are a lot of online tools to help in poster design, frankly, I don't have an excuse for making a bad poster like I did, which is one of the reasons I use it as an example is I am shaming myself being like, this could be better and it should be. But there's a lot of online resources that can help with poster design. And also for filmmakers who are a little bit strapped for cash, you would be surprised what people will do for in kind, service for service.So if you have a friend or if there's someone that you can find that's Hey, they'll design your poster if you can design whatever their website or whatever it is that your skills might be there, there's a lot of exchange that you can do on that part. So yeah your marketing, your packaging, all of that together is actually quite important.BEN: Such a great point. And I've written and published a memoir and through that, I've worked with other authors on, on. Both writing and marketing their books, editing and marketing their books. And I tell people the exact same thing. People judge a book by its cover all the time. And in this day and age, they judge it for listeners, I'm holding my thumb and forefinger part as a thumbnail on a computer screen.Yeah, that's the size. So even for a programmer or a festival director watching it on film freeway through their platform, they're not gonna see the poster like we see it in the movie theater. They're gonna see it as a thumbnail image. Yeah. So it has to work as a thumbnail image. And if you can't read the title as a thumbnail or can't make out what's on the image, what's on the poster as a thumbnail, then you've failed that part of the process.RUDI: One, one of the things that like really clued me into how important a poster is, I went to a film festival, I believe it was Kansas City Film Festival. Some years ago, and they had a bunch of posters of films out, but there was one that was like bright pink. It was like super bright pink and had like very eye popping design and everything on it.And it was like in a whole field of like dark drama posters that are all like gritty and everything. And I'm like that stands out. That really drew my eye to it. And I think that was like my big light bulb moment of like how important this stuff actually is. And one of the things that I've been saying for some years, I've said it on the channel, I think, I don't know, some, sometimes I record things and edit out.So I don't know what I've said on the channel sometimes but one of the things that I say is making a film is half of film making. The other half is marketing, the other half is getting butts in the seats. The other half is getting eyeballs on your movie. The other half is selling your film to an audience or a film festival or a distributor or a programmer or whatever you're trying to do with it.It's getting it out there. So making a film is half a filmmaking. The other half marketing, that's what it is.BEN: I'm just nodding along with everything you're saying and I've always felt both with films and with books, with art in general, you're trying to make an emotional connection from what's in your head and your heart to the audience.And if you don't do your job, getting your film out there and helping an audience come and see your film. Then you're not helping that connection. You're missing sort of the point of making this, unless it's just for yourself. It's for, it's to connect with other people and for other people to connect with your work.And that is marketing.RUDI: It's valid. If you're just making a film for yourself, that's absolutely valid. It's in art form. You can make a film for yourself, but if you're sending it to me at a film festival, you're not you're literally trying to find an audience. So these are the things you need to consider.BEN: I love it. I got two more just in the weeds detail questions.RUDI: Alright, let's do it.BEN: Let's talk description. And what I've seen ‘cause I'm in the middle of applying to festivals. And by the way just for. Listeners, this might interest you. So I discovered Rudi's YouTube page and I was like, this is so helpful.And then I went to the Wyoming International Film Festival page and all the transparency and statistics that, that Rudi puts out, that the festival puts out. And I realized, okay, so the short documentary I have is not a good fit for this festival. Exactly what Rudi's saying. So just for anybody listening, thank you for doing research.RUDI: Thank you. That's good. That's not a bad thing, right? That means it saves you time, it saves you money, it saves you heartbreak. It's so good. Do research before you submit. I'm sorry, but I, it's in, in almost every single one of my videos, I tell filmmakers, do your research before you submit. Find the festivals that gel with your film.And if it, if they don't screen the type of movie that you have, don't submit to ‘em. You're wasting your time, you're wasting your money. And the festival, like the programmer behind the screen, might love your film. They truly might love your film, but they're programming for a very specific audience and they know what that audience's taste is.So that's why they're driving specific films to that audience. So even if they love it, they might not include it, which is why you should always do your homework and do your research before you submit. I'm sorry to interrupt, but it's so importantBEN: And yes. And the flip side of that coin is now I also know what the Wyoming International Film Festival looks for.So in the future, if I have a doc or a film, I'm like, oh, this would be a great fit for this festival.RUDI: Yes.BEN: It helps both ways.RUDI: It does. And it helps you dial in. Which festivals you should target, which festivals are gonna help you with your specific goals. Whatever your goals are with the film it's gonna help you with your budgeting and your travel plans and your own personal calendar.It's gonna help with your mental health. It just, it helps on so many different aspects. And on the film festival side of things, I appreciate it when I hear from filmmakers say, Hey man, I looked into your festival looks good, but you don't have the kind of film that I have. And I'm like, not a problem man.Maybe I can point you in the right direction. Maybe I know some film festival programmers, I can make a recommendation, on your behalf too, that's not a bad thing. We love movies and we want to see them successful, but not every single fest or film and story is going to be successful in every single market.So it's very important to find your audience. And believe me, we are going to be cheering you the whole way.BEN: I want get back to my kind of in the weeds questions, but you've mentioned something that is big picture, that's so important. I feel like I've buried the lead here. And you mentioned this you've mentioned this multiple times in your videos.Is that a Phil, it's key. Maybe the most important part of this process is of the film festival submission process is a filmmaker needs to understand what are their goals in applying to a festival. Yes. So can you just talk a little bit about that?RUDI: So film festivals are a tool. And they can be a tool for many different things, but they are a tool.And just every single tool is not right for every single job, every film festival is not gonna be right for every film and vice versa. So before you go out to film festivals, you just need to ask yourself why? Why am I going out to film festivals? Why am I spending the money, the time, the energy, the effort?What do I want out of film festivals? And that's where you need to identify your goal. And the more specific you can be with the goal, the better it's going to be you going on your film festival journey. So for many filmmakers, a common reason they go out to film festivals is networking. So I'm gonna use that as an example.So let's say your goal is I want to network, I want to meet other. Filmmakers, I wanna meet, directors of photography and producers and other people that I can hire for my projects, or they're gonna hire me for their projects, and I want to build that network and I want to meet more filmmakers.Fantastic. Great. That's your goal. So the first thing that you need to do is you need to be looking at festivals that have networking events. And in this particular instance, you need to ask yourself two things. One, does it have networking? Is there in-person networking parties or networking events?And two, do the types of people that I want to meet actually attend those networking events. So us at the Wyoming International Film Festival, we have a pretty broad spectrum. We have filmmakers that are just beginning their journey. They're totally new, wet behind the ears. They're green they're just starting their journey.That's great. All the way up to every year we have multi Emmy award-winning filmmakers. Like people who do this professionally they're in unions or professional organizations, or they're a member of the academy, motion picture Arts and sciences or the TV Academy or sometimes like the Grammys and stuff like that.I, myself, I'm a professional editor, so there's people like me who professionally work, but they're like below the line. They're cinematographers editors, gaffers, what have you. So if your goal is to meet some like high-end producer that's gonna throw, a million dollars at your movie our festival is not the festival that's gonna help you with your goal.So you should skip over us because we don't have that kind of person in attendance. But if your goal is to meet other filmmakers at your level that you can collaborate with or get hired by or whatever. We're a great festival. We have tons of networking, and we bring in a ton of those filmmakers.We're a great event for you. So when you identify what your goal is and you're very specific about it, it's easier to identify which festivals you should start targeting. I take that one step further, and then once you've narrowed down which festivals are gonna help you with your goal, then you look into their history and see which of them have screened movies like yours in the past.So if you have a, you know I use the example, if you have a seven minute comedy coming of the age film, now you know which festivals have good networking, which festivals have the kinds of people you want to network with. Now you look at which ones have screened short coming of age comedy films in the past, and have a history of doing that.So that's gonna help you filter it even further. And by doing that, you're gonna really start to develop your film festival strategy. Now I do have some exciting news. There is something coming now, it's called Hike, H-I-I-K-E. It's hike with two I. And what Hy is doing, it's a submission platform similar to film Freeway, but among many of the tools that they're giving filmmakers, they're giving filmmakers customized festival strategies and they're scraping all of that data from film festivals, what they've programmed in the past.And when you as a filmmaker, join Hike, you take a little quiz, you tell them what your goals are, what your film is, you know how long it is, what the genre is, tell them about yourself. And they literally have. Data scientist who's built this like machine learning algorithm that pairs the data from the film festival to what the filmmaker provides.That literally gives you a compatibility score. So it's, it comes out and tells you, if you want to network with, professional filmmakers but not mega producers and you have a short comedy coming of age film Wyoming International Film Festival has that crowd screens those types of films and you would have a 90% compatibility.So it actually helps you develop your festival strategy for you.BEN: It's so needed. And Rudi has a great video on how to spot scam film festivals. Yes. That's something that is just prevalent these days. So for filmmakers who are getting ready to submit, I encourage you to watch that video. I'll link to it in the show.I'll link to everything that we're discussing in the show notes. The. So Rudi talked about one goal a filmmaker can have is to network other goals at various points in my, film festival my limited film festival career I've applied to festivals ‘cause I wanted to go to that city, new Orleans Fest, new Orleans Film Festival.TravelingRUDI: is totally legitimate reason to go.BEN: People apply because they want distribute, they wanna meet distributors or financiers for the next film. Although, that's what everybody wants. SoRUDI: you, you would be surprised. So in, in 2018, I had a feature film and my, my goal like most feature films was to land a distribution deal.But I was like, that's not specific enough. There are many steps to land a distribution deal. So what I need is I need good press on my film. So that was a goal. So I wanted to target festivals that had press. I wanted laurels. I wanted to win some awards with it, but I also knew my film was. Small and kind of small scale.So it wasn't gonna win laurels at big festivals. So I was like, okay, I need festivals with press. I need festivals that are legitimate and above board, but also small enough where I'm gonna be competitive. And then I wanted to actually meet distributors. And I know they only go to big festivals, so I actually had to target three different kinds of festivals.‘cause I had three, let's call ‘em conflicting goals with my own film. So that's what I did. I did a split strategy. I targeted festivals where I was gonna be this tiny little fish in a very big pond. And no one's really gonna notice me, but I'm just happy to be there. I targeted festivals where I know that I was going to get very good press and very good reviews on the film.And I targeted festivals that were small, still legitimate, but I was gonna be competitive and maybe bring home some trophies. And so that was my strategy and it worked, and I landed a distribution deal.BEN: That's so great. I, I'd love to do a part two at some point we can talk distribution deals and all of the, yeah.Things like that. But I think for people listening, the big takeaway is even with this multi-pronged goal, three different goals connected to each other. Once you identify what your goals are, then you work backwards and you create your strategy to Yes, to achieve those. Okay. Back to the two in the weeds.Two more in the weeds questions. Yeah. So description, and as I'm looking at other film descriptions, and I saw this at USC all the time as well, and we talked about earlier, filmmakers wanting to sit in emotion or sit in something traumatic and have the audience experience that I notice a lot of times in descriptions of short films.Can so and so come to terms with this? Can, and just as someone who has a little bit of experience marketing stories, where's the action? What's the active what's this person actively trying to accomplish, rather than can they just come to terms with something? Can you talk a little bit about film description, just three or four lines.What pops?RUDI: So just like your poster, just like your marketing and everything, a film description is your way to reach through the screen, grab the audience, grab the programmer, and pull them into your movie. Keep in mind, your whole entire goal is to get people to watch your film, get them excited about your film.And so if you just have a very drab, like description that's just yeah, has to face consequences for a decision they made or come to terms with something when I, that's a good V one, that's a good place to start, but that's not going to get an audience excited about your film.I saw film, I don't know if it was at my festival. It wasn't at my festival. We didn't screen it, but I'm saying, I don't know if it was submitted to my festival or if I saw it at another festival, but I remember one of the descriptions it was great. It was whatever the two character names were, John and Jane, I forget what the characters are, but like John and Jane are on a date, there's a bomb in the other room.I I hope the date goes well, or something like that. Let's hope the date goes well. And I'm like, what is this movie? That gets you really excited for it. You're. It, it creates so much mystery. And also just the cavalier way that it was written immediately tells me this is gonna be a comedy, or it's not taking itself too seriously.It's not some like gritty, dive into the underworld or whatever. Like just how blunt it was about the dis of the film and just that like small little description. I know I'm paraphrasing what it was, but it stuck with me for years at this point. ‘cause I'm like, that is how you write a description for a film.That is how you get someone excited to see what is this movie about? Let's jump in. Piggybacking off a description. Titles are another great way to do that. In, in my own repertoire of films I've had film called Prudence. Okay, fine, whatever. Prudence doesn't really tell you much about that film.I had a film that I'm very proud of. It's artsy, it's a little bit magical realism and it's called in this gray place, and it has that artsy mystique around it in this gray place. And I love that title. I did it, I did a film back in film school. It's terrible, but the title's great.It's called Back to Fort Russell. It was a Western and I, to this day, it's one of my favorite titles that I've ever had. But it tells you something. It clues you into what this film is going to be, what the journey of this movie is going to be. And some films do that better than others. And some films, yeah, it's not necessary.But I, I get more excited when I hear something like the Texas Chainsaw Massacre than I do something that's just like love. Or mom or something.BEN: I think this is the last question. So again, with all these little details, cover letter, talk to me about cover letters.RUDI: It's so interesting you asked me that question ‘cause hearing about four or five days, I'm posting a video on the YouTube channel about cover letters. It's short, it's only four or five minutes long, but cover letters are so important.Should absolutely write a cover letter. And a couple of days ago I was talking with programmers at dances with films, and if you don't know dances with films, look ‘em up. They are an incredible film festival. They are in the big leagues for sure. And I was talking with a couple of programmers and I asked them about covert letters and they said, it's so important it.How the filmmaker is going to put an audience in the theater is very important for their festival. How they're going to get people to attend is very important for them and they're like, a good indication in a cover letter is when they, the filmmaker indicates how they're going to market their film and they use the example of football.Let's say it's a movie about football. They're like, if it's a movie about football and you tell me in the cover letter that you're part of several like football organizations, or you're gonna be reaching out to sports organizations or youth organizations for sports or something like that, to attend the film.That's a very good indication for them in the cover letter. For me, I think a cover letter is very important in that it shows. You're going the extra mile to show the festival you care. You're not just submit and quit. We're not just one festival on a list of 50 that you're submitting to. There is a reason you want to screen with us, and that's a specific reason.Either you feel that your film is good fit for our audience, or there's something that you want to connect with. In Wyoming, I had one cover letter and we did accept this film and it was really funny. They put in their cover letter like their film was a comedy, so their cover letter was also very comedic, but they're like, honestly, we're just gonna go up to Yellowstone around that time and we would love to swing by and show the movie.And I laughed. I laughed so hard at that and I'm like. But that shows me they care. Like they want to be there. And the film was good and it was funny and we screamed it and they were there. So it's a way to show a film festival enthusiasm and it's way to inform the festival about yourself, about your film, and how that's gonna gel with their particular event and their audience.BEN: I love it. And that reminds me, I got one more, I got a bonus question. Yeah. Can you talk about applying early?RUDI: Yes. Statistically, when I look at our own data, statistically, it does seem to be that the earlier you apply, the better chance that you have. And so I don't want to give the impression that if you applied late.You have no chance. I think in the video where I literally broke down the data and the statistics, I think at our festival we had a one in five chance of getting in on the late deadline, which is about a 20% acceptance rate. But it was much higher the earlier it came in. So just with the raw data taking out my opinions, my emotions on it, whatever, just the data itself shows earlier is better.Now, here's where my opinions and my feelings towards it come from. I think it's a couple of things. One, when you get in early, you set the pace for the rest of the festival, you're telling us, okay, it's a drama. We're gonna compare your film against others. Like you have now become the benchmark that we're gonna compare other films to when it comes to like dramas or whatever.What it also does. It's something I'm going to discuss in my video and cover letters, but it also engages something, what's called mere exposure effect in psychology, which is essentially the more that you are exposed to something, the more preference you have towards it. Which means if you get in early, you are exposing yourself, your film, and your story to the programmers more often and more readily than late submissions are.So it's more likely that the programmers form some attachment to your film, and that's just human nature, that's just psychology. There's some practical reasons for it as well. Obviously, earlier submissions, earlier deadlines are cheaper, so it's better to get in. It's just gonna cost you less money to do and then lastly, there are many festivals that are developing their program as they go. So as films are coming in, they're shaping. We got a ton of dramas. Maybe we need two drama blocks, or, we, we don't have enough sci-fi for a sci-fi blocks, we gotta spread it out or whatever. So if you come in late, you're now trying to elbow some other film out of the way in order to find your screening slot.Which don't get me wrong, there are plenty of programmers that are absolutely gonna go to bat for you. They're gonna fight hard to get you in. Doesn't matter if you come in early or late or whatever, but the chances are just better. And the data shows that if you get in early. All that said, a couple of years ago, the very last film that came in with only two hours left in our deadline, we ended up programming it.So it, it is possible.BEN: Rudi, I cannot thank you enough. I can't tell you how helpful this has been. There's so much great information for filmmakers. Filmmakers submitted to festivals, people just interested in going to festivals. So thank you so much for taking the time.RUDI: Hey it's always a pleasure.I always love talking film festivals and for any filmmakers out there, head on over to YouTube hit up the Film Festival Guide. That's my YouTube page. I'm coming out with videos every two or three weeks. That's about what I put ‘em out there for. So if you need any guidance or any, I don't know, insight for film festivals that's where I am.BEN: Film Festival Guide. I'm a subscriber. I can't recommend it enough. Any other social media where people can find you?RUDI: Oh no, I'm terrible on social media. YouTube's enough for me right now.BEN: So Film Fest.RUDI: I will probably expand in the future and I'll probably make some announcement on the YouTube channel.Got it. But for right now, I'm just trying to get good information out there to as many filmmakers as possible.BEN: Thank you so much for doing that. It's such a huge benefit for film.RUDI: Thank you very much for the support and thank you very much for having me on. I enjoyed this. This was a lot of fun.BEN: Me too. This was great. Thank you. And that was my interview with Rudy Womack, director of the Wyoming International Film Festival and creator of the great YouTube page, the Film Festival Guide. Hope you enjoyed this episode. If you did, please forward it to one person. Thank you and have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

The Generous Life Pt. 2 | November 16, 2025Pastor Wes Morris Proverbs 11:24 (MSG) The world of the generous gets larger and larger; the world of the stingy gets smaller and smaller.√  I NEED TO PROTECT MYSELF.Proverbs 29:25 (NIV) Fear of man will prove to be a snare, but whoever trusts in the Lord is kept safe.√  HAVING MORE WILL MAKE ME SECURE.Mark 10:21–22 (NLT) Jesus looked at him and loved him. “There is still one thing you haven't done,” he said. “Go and sell all your possessions…then come, follow me.” At this the man's face fell, and he went away sad, for he had many possessions.”√  WHAT I HAVE DETERMINES WHO I AM.II Corinthians 8:1-2 (NLT) Now I want you to know, dear brothers and sisters, what God in his kindness has done through the churches in Macedonia. They are being tested by many troubles, and they are very poor. But they are also filled with abundant joy, which has overflowed in rich generosity.A LIFE THAT OVERFLOWSI.  OPEN YOUR HEART TO HEALING.Luke 10:31-33 (NIV) A priest happened to be going down the same road, and when he saw the man, he passed by on the other side. So too, a Levite, when he came to the place and saw him, passed by on the other side. But a Samaritan, as he traveled, came where the man was; and when he saw him, he took pity on him.II.  PLACE YOUR SECURITY IN JESUS.Philippians 4:11-13 (NIV) I have learned to be content whatever the circumstances. I know what it is to be in need, and I know what it is to have plenty. I have learned the secret of being content in any and every situation…I can do all this through Him who gives me strength.Proverbs 3:5-6 (NIV) Trust in the Lord with all your heart and lean not on your own understanding; in all your ways submit to him, and he will make your paths straight.III. LIVE WITH ETERNAL PERSPECTIVE.I Timothy 6:17-19 (NIV) Command them not to be arrogant nor to put their hope in wealth, which is so uncertain, but to put their hope in God, who richly provides us with everything for our enjoyment. Command them to do good, to be rich in good deeds, and to be generous and willing to share. In this way they will lay up treasure for themselves as a firm foundation for the coming age, so that they may take hold of the life that is truly life.NEXT STEPSWhere is God asking you to show courage this week so your life can overflow - in healing, in trust, or in living with an eternal perspective?