Podcasts about Guitar

Brian, Blake, and Richard are back for Episode 603 of the Chasing Tone Podcast - A royal declaration, a new guitar is needed, and Brian is a workaholic  It's apparently been an uneventful week as we open up and Richard makes an important royal announcement which makes him incredibly happy. Meanwhile Brian shakes his fist at the clouds. There is also an urgent need to buy a new guitar and Blake's friends have car / tree interface issues while Brian turns to Workaholicism. Brian was contacted by a listener who actually wanted us to veer off topic more and talk about UFOs and Aliens and somehow the Bank of England is involved. There is some current affairs talk that  relates to strings and Brian likes a thick bottom and considers dressing like Justin Bieber.Richard has got his hands on a Pedalhead and he is very excited but he only has it for a small amount of time and he is already impressed. He also has had a chance to spend some time with his new Blackstar ID:X Floor 3 and gives us some feedback before destroying his internet connection. J-ROD arrives, UAPs, Spinal Tap, Tape Spaghetti, Basingstoke...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

60 Years Forward: Yamaha at NAMM 2026Yamaha at NAMM 2026: Chris Buck Revstar, Pacifica SC & 60 Years of Guitar InnovationSome brands chase nostalgia. Yamaha builds forward.At NAMM 2026, I spoke with Andy Winston to talk about 60 years of Yamaha guitar design—and why this company keeps delivering instruments that punch way above their price point.The conversation started with the Chris Buck Signature Revstar. Buck is the guitarist for Cardinal Black, and he's earned his own model. The specs tell the story: overwound P90 pickups for a hotter sound, wraparound tailpiece with adjustable saddles, stainless steel frets, lightweight tuners, and those old-school inlays from the first-generation Revstar. No boost circuit. Buck wanted it stripped to essentials.Then Andy dropped a tease: Matteo Mancuso is getting his own Revstar this summer. The Italian virtuoso. That's a statement.We moved to the new Pacifica SC—Yamaha's answer for T-style players. Humbucker in the neck, single coil in the bridge, and pickups designed in partnership with Rupert Neve's team. The boost circuit under the bridge pickup gives you five sounds from two pickups. Made in Indonesia at $999 or Made in Japan with compound radius fretboard and IRA wood treatment at $2,199.I bought my nephew a Pacifica. Entry level, around $200. It works. That's Yamaha's philosophy—you can start at $200 and work your way up to a Mike Stern signature model without ever leaving the family.But here's what stuck with me.Andy said something that defines Yamaha's approach: "We don't do reissues. You're never gonna see us reissue a 1972."Sixty years of guitar history, and they're not looking backward. The Revstar draws inspiration from the 1970s Super Flight, sure—but it's chambered mahogany, tuned to eliminate harsh mid-range frequencies. Yamaha builds pianos, violins, marimbas. They know how to tune wood. They apply that knowledge to electric guitars in ways other companies don't.The BB Bass series came next. String-through body with 45-degree break angle. Extra bolts pulling the neck tight into the pocket. A maple stripe running through the center of the body for note response. Active/passive switching. Five-ply neck. Professional features at prices that don't require a car payment."We give people more instrument than what a price tag says," Andy told me.That's not marketing. That's mission.Before we wrapped, Andy shared a personal story. In 1977, hair down to his shoulders, bell bottoms on, his mom decided he was serious about guitar. She bought him a Yamaha FG-75. His first real acoustic. He doesn't have that one anymore, but he found a replacement. Had to.That's brand loyalty earned over decades. Not through heritage mythology—through instruments that work, that last, that give players what they need without emptying their wallets.Sixty years of guitar design. No reissues. Just forward.Yamaha keeps proving that innovation and accessibility aren't mutually exclusive.Marco Ciappelli interviews Andy Winston from Yamaha at NAMM 2026 for ITSPmagazine.Part of ITSPmagazine's On Location Coverage at NAMM 2026.

Tim McGraw (@thetimmcgraw) is a Grammy Award-winning entertainer, author, and actor who has sold more than 106 million records worldwide, with 49 number-one singles and 19 number-one albums. He is one of the most-played country artists since his debut in 1992, has four New York Times bestselling books, and has acted for both film and television, including the movies Friday Night Lights and The Blind Side and Paramount Network's Yellowstone. He recently starred alongside his wife Faith Hill and Sam Elliott in Yellowstone's prequel—the three-time-Emmy-nominated 1883. You can find tickets for his upcoming Pawn Shop Guitar Tour at TimMcGraw.com. This episode is brought to you by:Circle complete community platform for your community, events, and courses — all under your own brand: Circle.so/Tim Shopify global commerce platform, providing tools to start, grow, market, and manage a retail business: Shopify.com/timAG1 all-in-one nutritional supplement: DrinkAG1.com/Tim*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Eddie Angel joins me on the show today. Eddie is a guitarist, producer, and one of the founding members of the legendary instrumental surf-rock band Los Straitjackets.Eddie grew up in Southern California, steeped in classic rock 'n' roll, surf music, and vintage guitar tones, and he's spent decades helping keep that spirit alive while pushing it into new territory. Eddie was a well respected guitarist in the California rockabilly scene, and moved to Nashville to work with the Planet Rockers in the 80's. Sometime in there, her formed a new band that became Los Straitjackets, and put out their first record in 1995. They also donned some luchador masks and have basically never taken them off since. They've gone on to record 14 studio albums, and 8 live albums. Their newest album is called “Somos” and is up there with their best work as a band. What started as an instrumental surf outfit quickly became something much bigger, blending rockabilly, garage, country, and cinematic guitar music into a sound that's unmistakably their own.Another interesting facet to Eddie's career is as a collaborator, most notably working with Nick Lowe. The partnership between Lowe and Los Straitjackets has also gone on for years and is something they both continue to explore when the opportunities arise. Collaborations with Deke Dickerson and Eddy Clearwater are also notable projects that are a great example of interesting things coming along when you remain open to ideas.In this conversation, we talk about Eddie's early influences, the origins and evolution of Los Straitjackets, and what he's learned from a lifetime of playing, producing, and collaborating at the highest level.You can get all the latest info and tour dates for Eddie and Los Straitjackets at: losstraitjackets.comEnjoy my conversation with Eddie Angel!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

It is foolish to try to describe the music of the Gogol Bordello and its charismatic frontman Eugene Hütz so we'll just list the genres Wikipedia uses: Punk rock, folk punk, Latin rock, polka, folk rock, dub, Romani, and Gypsy punk. Wikipedia also uses the adjective “theatrical” and we won't argue with that. Within the veteran hit band's whirling storm of musical virtuosity, there are guitars. In playing those guitars, there are strokes, and within those strokes, there are downstrokes and that's where our conversation with Eugene is centered. In contrast to his stage presence, which would definitely wake you up, Eugene calmly explains the essential nature of the downstroke and also expounds on punk in general, Madonna's drumming career, and the oft-forgotten tremolo. You'll want to start a punk band. Tomorrow, though, after a good sleep.Pre-save and pre-order Gogol Bordello's new album, We Mean It, Man!, on the streaming service of your choice.Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber?Email us at: sleepwithcelebs@maximumfun.org.Follow the Show on:Instagram @sleepwcelebsBluesky @sleepwithcelebsTikTok @SleepWithCelebsJohn is on Bluesky @JohnMoeJohn's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback._________________________________________________________________________Join | Maximum FunIf you like one or more shows on MaxFun, and you value independent artists being able to do their thing, you're the perfect person to become a MaxFun monthly member.

Steve Rowe from 60 Cycle Hum returns to the show after an eight-year gap, and we immediately time-travel back to the era of wired earbuds, headphone jacks, and recording next to a wall outlet like it's a survival game. From there, it's a full spiral through the modern guitar media landscape: audio vs video, why interviews work when “can I talk to you for an hour?” absolutely shouldn't, and how NAMM feels different depending on whether you're stuck at a booth or sprinting the floor. We hit the silent pedal room (eerily quiet), Woodwire Volts (chill, boutique, intentional), Effectors Market (dangerous for your wallet), and the existential questions, like: if you pair an internal speaker guitar with a fart pedal… do we delete the universe? Also: favorite Boss pedals, pizza opinions, and why the secret sauce is still just showing up and doing the work. Check out everything 60 Cycle Hum HERE https://60cyclehum.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 619T is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10%⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 9212600:00 Intro00:40 Has Guitar Internet finally grown up?46:09 Thanks Patreon!46:46 This song was sent by Brandon Estelle of Legend Lore and is called "Fireball" *⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠+⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram @60cyclehum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#60cyclehum #guitar #guitars

131 years. Still handcrafted in Nashville. Still changing music.At NAMM 2026, Sean Martin and Marco Ciappelli sat down with Jeff Stempka, Global Brand & Marketing at Gibson & Gibson Custom, to talk about what makes this brand untouchable—the craftsmanship, the artist connection, and why people will stretch their budget just to hold one.From the Les Paul Studio Double Trouble to the ES-335 Fifties and Sixties refresh, Gibson is honoring its legacy while pushing forward.Jeff said it best: "These are tools that enable incredible musicians to take the instruments and do something we never intended."

On today's Extra, Pat's Guitar, Resolutions, & a Stupid World Record Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fun fact: most people quit their New Year's resolutions by the second Friday in January, but that doesn't have to be you. In this episode, Marlene walks you through how to check in on your guitar resolution progress and make adjustments (if needed) so you can keep moving forward—because you've still got 11 months to reach your goals! Start Your Free 7-day Yo-Guitar Video Library Trial! Join our Guitar Tips Community! Don't miss out, our next jam session is February 18th! Marlene's Guitar Courses & Learning Resources Yo-Guitar Video Library Learn to Play Guitar in a Day!  Coaching Sessions Marlene's Tips For Guitar Playing Success book Thursday Tips blog Facebook    Instagram    X (Twitter)     YouTube     Thank you to our sponsor! GatorCo.com   Available on... @YouTube @applepodcasts @applemusic @spotify  @spotifypodcasts  #resolution #guitargoal #revisit #checkup #howto #learnguitar #guitar #learnguitar #playguitar #guitartips #guitarpodcast  Credits: Creator, Host, Producer: Marlene Hutchinson This podcast was made possible in part by: Gator Cases I Create Sound - www.icreatesound.com

242 - Axel Ellis (the Runarounds, Ax and the Hatchetmen) In episode 242 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Axel Ellis guitarist for the band/Amazon Prime Show “the Runarounds” and his band “Ax and the Hatchetmen”. In their conversation Axel gives us a little history of the band, a band that was cast for the Amazon show. Initially auditioning with his whole band for what they thought was a guest spot on an established show. Axel takes us through his musical history growing up in the suburbs of Chicago with parents that loved music and initially studying flamenco guitar before moving on to jazz and then rock. Axel describes how the show's characters mirrors his own start in music. Axel tells us about the benefits of being on a tv show, not just the fame and money, but the sponsorships from gear companies. Axel talks about his gear both for the Runarounds tv show, the bands tour that he's on now and for his other band “Ax and the Hatchetmen” Axel discusses the logistics for the band as far as being spread apart around the country for songwriting and rehearsals. Axel gives us his thoughts on his future of his band, the Runarounds band and the tv show's potential second season. To find out more about Axel you can go to his band website: axandthehatchetmen.com or the website for the Runarounds: therunarounds.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #AxelEllis #theRunarounds #AmazonPrimetheRunarounds #AxandtheHatchetmen #GretschGuitars #WhiteFalcon #SuproAmps #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friend is Sue Truman, with special guests Jerry Gallaher and WB Reid! We recorded this at Jinny Macrae's home during the Portland Old Time Music Gathering. Tunes in this episode: Coondog Tommy Jarrell's Cumberland Gap Black Jack Grove Sue Truman's Barn Quilt Trail Crankie Coleman's March Come On Girls We're Going to Boston Red Steer Sue Truman's Tunes and Quilts of the Oregon Trail Crankie Sourwood Mountain Detroit Schottische O Susanna Buffalo Gals BONUS TRACK: Half Past Four Watch the Crankie segments for this episode! [Visit The Crankie Factory's website](thecrankiefactory.com) Follow Sue Truman on Instagram Support Get Up in the Cool on Patreon Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas Sign up at Pitchfork Banjo for my clawhammer instructional series! Schedule a banjo lesson with Cameron Visit Tall Poppy String Band's website and follow us on Instagram follow Sweeten the Third on Instagram

In today's episode, I talk about the good side of getting lost in my garage. I often talk about avoiding YouTube rabbit holes, but the difference is getting lost in content that is contained, like books and magazines. The point with the guitar is to be selective, but also to have fun.   So if you have a bunch of courses or books on guitar playing, great! Turn off the internet and use them. Once a month,  have a dabbling day and go through your materials in a no-pressure way. You might discover some new things or rediscover some things you've forgotten. Make sure though not to let yourself feel overwhelmed.   If you enjoyed this podcast, you can get my free “guitar secrets” video course, which will help all beginners or those who are “stuck”. Get the course for free, exclusively at - https://fingerstyle101.com/secrets/   Like this episode? Your reviews for this podcast mean the world to me, so please let us know what you thought about the Acoustic Asylum!

On this week's episode of That Peter Crouch Podcast, Pete, Sids, and Chris are joined by the one and only Marcus Mumford for a wide-ranging, hilarious, and surprisingly football-obsessed chat. From charity matches and penalty shootouts with José Mourinho, to growing up as a die-hard AFC Wimbledon fan, Marcus opens up on how deeply football is woven into his life and music.The lads dive into unforgettable stories from the Grenfell charity match, playing alongside Premier League legends, and why grassroots football still hits harder than the modern game. Marcus also lifts the lid on life at the very top of music — from Glastonbury and Hyde Park to playing at the White House, meeting Barack Obama, and getting a no-nonsense songwriting pep talk from Noel Gallagher.There's chaos too, as Crouchy's Spanish guitar challenge gathers pace, gigs are planned (and refused) around England kick-offs, and Marcus explains why hearing his music on Match of the Day was a bigger moment than almost anything else.Music, football, side quests, and a proper debate about whether the game really has gone — this one has it all.00:00 – Subscribe song, intro & opening chaos02:15 – Sid's holiday, previous guests & missing episodes05:10 – Guitar chat, New Year resolutions & festival fantasies08:40 – Kasabian, Finsbury Park & learning guitar late in life11:55 – Marcus Mumford joins the podcast14:30 – Grenfell charity match & scoring past José Mourinho19:05 – Visiting Mourinho at home & the “pantomime villain” role23:10 – Playing with football legends27:55 – New album Prizefighter & why it's his favourite record32:40 – Hyde Park, Glastonbury & refusing to gig during England games37:10 – AFC Wimbledon, grassroots football & fan ownership41:45 – Football chants, Match of the Day & music in stadiums46:20 – Noel Gallagher's brutal songwriting advice50:05 – Touring chaos, Mexico gigs & running into the sea mid-show54:30 – “Games Gone”, VAR & what football has lost57:10 – Chris serenades Marcus Mumford as a farewell58:05 – Paddy Power segment01:02:40 – Listener messages01:08:20 – Final thoughts, teasers & episode wrap-upThis episode is sponsored by The AA, the UK's No.1 breakdown provider. It's OK with the AA, they're the fastest major breakdown provider with more patrols up and down the country, 24/7, 365 days a year. So, if you want that peace of mind and be back on the road in no time - Join today at theaa.com/crouch T&Cs apply. Verify claims at theaa.com/bestFollow our Clips page https://www.youtube.com/channel/UCLNBLB3xr3LyiyAkhZEtiAA For more Peter Crouch: Twitter - https://twitter.com/petercrouch Therapy Crouch - https://www.youtube.com/@thetherapycrouch For more Chris Stark Twitter - https://twitter.com/Chris_StarkInstagram - https://www.instagram.com/chrisstark/For more Steve Sidwell Twitter - https://twitter.com/sjsidwell Instagram - https://www.instagram.com/stevesidwell14 #PeterCrouch #ThatPeterCrouchPodcast Hosted on Acast. See acast.com/privacy for more information.

Snowboards and Guitars: Circle Strings x Burton at NAMM 2026Some collaborations make you stop and ask how nobody thought of this before.At NAMM Media Day 2026, Sean Martin caught up with Adam Buchwald and William Hylton from Circle Strings, a Vermont-based guitar company, to talk about their partnership with Burton. The concept is deceptively simple: matching snowboards and custom guitars built from the same materials.But the execution is anything but simple.Buchwald owns a wood company in Vermont. He had an entire tree of figured mahogany set aside, waiting for the right project. When Burton agreed to collaborate, he knew exactly what to do with it. The wood became the centerpiece—the visual and sonic foundation of everything that followed.Then William Hylton got to work.Hylton, Circle Strings' designer and CNC specialist, is a backcountry snowboarder. He chose Burton's Alakazam powder board shape as his starting point, drawn to its distinctive tail curve. That curve, he realized, was already guitar-esque. So he wove it through the entire instrument—the fingerboard extension, the pickguard, the bridge tips. The snowboard's DNA lives in every contour.But here's where it gets interesting.The core of a Burton snowboard is wood. Lightweight, durable, designed for performance. Hylton took that same core material and built a guitar body from it. The result feels right in your hands—balanced, resonant, purposeful. It's not a gimmick. It's a genuine instrument built from materials engineered to perform.The acoustic model features a sound hole that mirrors the snowboard's design. Inlays are crafted from Burton's core material, tying everything together visually and conceptually. Both guitars showcase snowflake inlays inspired by Snowflake Bentley, the Vermont photographer who first captured snowflakes in their true crystalline form over a century ago.It's a detail that says everything about how Circle Strings approaches their work. History. Craft. Place.Vermont runs through this collaboration. Buchwald and Hylton are snowboarders. They source their wood locally. They build instruments that reflect where they come from. Burton, also rooted in Vermont's snow culture, was a natural partner.The Burton team, according to Hylton, is thrilled. Many of them are musicians. Some are fans of the artists Circle Strings builds for. The connection was already there—this project just made it tangible.What strikes me about this collaboration is the underlying philosophy. Snowboards and guitars aren't that different when you strip them down. Both are built from wood. Both demand precision. Both exist to help someone express themselves—whether carving powder or carving a melody.Circle Strings and Burton understand this. They didn't force a partnership. They found the common thread and followed it.The result is a set of instruments that belong in a museum and on a stage. Objects that tell a story about craft, place, and the people who refuse to separate their passions.Snowboards and guitars. Same wood. Same craft. Different ride.Sean Martin reports from NAMM 2026 for ITSPmagazine.__________________________This is a Brand Highlight. A Brand Highlight is an introductory conversation designed to put a spotlight on the guest and their company. Learn more: https://www.studioc60.com/creation#highlightGUESTSAdam Buchwald and William HyltonRESOURCESLearn more about Circle Strings Guitars: https://circlestrings.comLearn more about Burton Snowboards: https://www.burton.comAre you interested in telling your story?▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlightKEYWORDSNAMM 2026, Burton, Circle Strings, custom guitars, snowboard guitar, handmade guitars, Vermont, guitar collaboration, Burton snowboards, NAMM, luthier, unique guitars Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Show NotesDay two at NAMM 2026 reinforces why this show continues to matter. Not just for product launches or celebrity sightings, but for the culture that forms when creators, builders, and technologists share the same physical space. From the Creator Lounge to the show floor, the conversation stays grounded in making, playing, and experimenting.This episode captures that energy in real time. Sean Martin and Marco Ciappelli reflect on how NAMM functions as a crossroads where legacy craftsmanship, modern production, and creative curiosity intersect. Guitars, basses, drums, microphones, and software all coexist here, but the real story is how people interact with the tools and with each other.Creativity on the FloorThe discussion touches on conversations with brands and builders like Gibson, John Page Guitars, and others shaping instruments that balance tradition with modern design. These are not abstract ideas. They are physical objects that invite musicians to explore sound differently, whether through lighter builds, new electronics, or rethinking classic forms.Technology Without Losing the SoulA recurring theme is how technology shows up at NAMM without overshadowing the human element. From live sound testing that occasionally overwhelms a recording to quiet moments in shared spaces, the episode highlights how tools serve creativity, not the other way around. The hosts reflect on artists who embrace technology while staying rooted in raw expression and performance.The Meaning of Being On LocationBeing present matters. This conversation underscores why on location coverage adds context that studio conversations cannot replicate. Background noise, spontaneous encounters, and unexpected access all become part of the story. NAMM is not polished. It is alive.The episode closes with anticipation. Major award events, standout performances, and conversations still to come point to why day two feels less like a midpoint and more like momentum building.GuestMarco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comHostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ResourcesThe NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026The NAMM Show 2026: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordssean martin, marco ciappelli, namm 2026, namm show day 2, music industry, guitar gear, bass guitars, music technology, creator lounge, live music culture, instrument design, behind the scenes nammMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of Talking Guitars, it's the ultimate NAMM Show 2026 wrap-up

In recent months, New Orleans has been in the spotlight for law-enforcement reasons  — a federal immigration surge, a National Guard deployment.But what could that do to tourism, especially during Mardi Gras? The Gulf States Newsroom's Kat Stromquist reports.The Acadian Museum of South Louisiana is expanding. The museum, which is located in Erath, will open a new annex on Jefferson Island. There are also plans for more museum annexes in the future. Chairman of the museum and a CODOFIL board member, Warren Perrin, joins us for more.New Orleans virtuoso guitarist Jimmy Robinson and friends are gearing up for the annual Across the Pond International Guitar Festival, with stops in 4 Southern cities. The tour will feature artists from Italy, Canada and New Orleans, and coincide with the group's new CD, The International Guitar Trio. Jimmy Robinson joins us with all the details. __Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Baxie speaks with Rockabilly guitar legend Danny B. Harvey! For the last several decades Danny has been one of the most enduring champions of 50's style Rockabilly and early Rock & Roll. Since the 1970's Danny has played with The Rockats, Levi & The Ripchords, and The Headcat (an amazing trio that included Slim Jim Phantom from The Stray Cats and Lemmy from Motörhead)! Danny has played with everybody including Johnny Ramone, Nancy Sinatra, Wanda Jackson, and many more! Keep an eye out for his latest band, No Class, which launches in March! Listen on Apple Podcasts, YouTube, Spotify, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee

Vintage Dreams, Modern Hands: A Conversation with PRS Guitars at NAMM 2026They were literally closing down the show floor when I grabbed Alex Chadwick from PRS Guitars for a conversation I wasn't willing to miss.We'd been talking off-mic about something that kept nagging at me—this tension between technology and creativity that runs through everything in the music world right now. So I hit record, security guards circling, and asked him straight: Is technology helping musicians become better artists, or do you still need to learn the hard way?His answer was refreshingly honest. Technology isn't inherently good or bad. It's a tool. When it helps people be more expressive, more creative—that's the win. When it gets in the way of that expression? That's when we have a problem.It's the kind of nuance that gets lost in the usual gear coverage.PRS brought some beautiful new instruments to NAMM this year. The John Mayer Wild Blue Silver Sky stopped people in their tracks—a sharp turquoise finish with the first matching headstock ever produced from their Maryland factory on a Silver Sky. Limited to a thousand pieces worldwide. For Mayer fans and Silver Sky devotees alike, this one feels special.Then there's the Ed Sheeran Semi-Hollow Piezo Baritone. A 27.7-inch scale instrument tuned a fifth below standard, with discrete outputs for both magnetic and piezo elements. But here's what got me: each guitar ships with a signed print of Sheeran's original artwork that appears on the body. He's a visual artist too. The instrument becomes a canvas for multiple creative expressions at once.But the conversation that really stuck with me was about vintage guitars and why we romanticize them so much.Those 1950s and 60s instruments—the ones on posters, in documentaries, making the music that shaped entire generations—they've become holy relics. And the ones that actually sound magical? They cost as much as a house now. So how does anyone access that?Chadwick explained something about PRS's philosophy that I found genuinely compelling. They don't go back to the fifties. They go back to 1985. That gives them freedom—they can draw inspiration from those holy grail instruments without being trapped by their quirks, their inconsistent tolerances, their aged components. They can take what made those guitars legendary and build it into something repeatable, accessible, and comfortable.The goal, he said, is to create instruments that get out of the way. Guitars that let the person be more expressive instead of fighting against limitations.That phrase has been echoing in my head since I left Anaheim. Instruments that get out of the way.Because that's really what this is about, isn't it? All the gear, all the technology, all the innovation—it only matters if it helps someone find their voice. Make their own music. Tell their own story.PRS seems to understand that. In a world obsessed with vintage nostalgia and spec-sheet comparisons, they're building for expression.And that's worth a conversation, even when security is showing you the door.Marco Ciappelli reports from NAMM 2026 for ITSPmagazine, exploring the intersection of technology, creativity, and the humans who make music possible.__________________________This is a Brand Highlight. A Brand Highlight is an introductory conversation designed to put a spotlight on the guest and their company. Learn more: https://www.studioc60.com/creation#highlightGUESTAlexander ChadwickPRS GuitarsRESOURCESLearn more about PRS GUITARS: https://prsguitars.comAre you interested in telling your story?▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlightKEYWORDSNAMM 2026, PRS Guitars, John Mayer Silver Sky, Ed Sheeran guitar, PRS Wild Blue, baritone guitar, guitar gear, new guitars 2026, PRS limited edition, guitar innovation, NAMM Show, musician interviews Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Chris talks with Sul Ross State University classical guitar instructor Nick Hurt about Guitar in the Big Bend, an annual free concert series bringing world-class performers to Alpine and Marfa. https://www.guitarinthebigbend.com/

Performance and Works used with permission from the artist and venue. Pianist, guitarist and educator Ariel Kasler is a driving force behind the resurgence of jazz and classical music in Northwest Ohio in both his position as the pianist for the Toledo Jazz Orchestra and as the Artistic Director of the Orchard Guitar Festival. As the leader of his own quartet, he performs original jazz compositions and arrangements influenced by Middle Eastern, Jewish, and Israeli music as evidenced on 2015's Above the Sound, the 2022 release Make it Bloom and on this March 23rd, 2025 performance. Featuring Andrew Bishop on Saxophones, Jeff Halsey on Bass, Olman Piedra on Drums and Ariel Kasler on Guitar and Piano, it's the Ariel Kasler Quartet…Live at the Bop Stop.

If it was there, we discuss it! NAMM 2026!!!

EDITED of filler words! Get Lon's new and fantastic book THE TAROT ARCHITECT today: https://amzn.to/46q3kgAWatch the full unedited livestream: https://youtube.com/live/H_3azxllBC4And be sure to leave him a review! Thank you and enjoy the show...“You do not learn tarot. Tarot teaches you.”—Rabbi Lamed Ben Clifford   For many, the tarot serves as a compass, illuminating the path to their “true will” and guiding them toward their destiny. If you've ever felt stuck or unsure of which way to turn, the tarot offers a beacon, revealing unseen options and providing clarity on difficult decisions. Now, you have a unique opportunity to master the art of tarot under Lon Milo DuQuette, an internationally recognized authority on tarot and esoteric principles.  You will discover how to interact with the cards, whether new to the tarot or an experienced reader, along with learning the unique colors, correspondences, the basic symbolism of each of the seventy-eight tarot cards, their history, and simple ritual exercises designed to activate and integrate the spiritual forces resident in each individual card. By the end of the book, you'll bring together all the knowledge you've learned to create your own tarot deck—a tangible reflection of your journey and a tool for continued spiritual growth and divinatory practice.  “This is an indispensable tarot grimoire that is both accessible and profound. The serious student of Western Mystery Traditions is going to cherish this text.”—Benebell Wen, author of I Ching, the Oracle and Holistic Tarot   “Few people have explored the underlying dynamics among the qabalistic and tarot correspondences to the extent that Lon DuQuette has.”—Mary Greer, author of Tarot for Your Self00:00 Introduction and Welcome01:57 Discussing Copyright Strikes and Music Collaboration03:13 Introduction to the Tarot Architect Book04:51 Exploring the Essence of Hermetic Kabbalah07:25 Understanding Tarot and Its Mystical Aspects14:59 The Cube of Space and Its Significance24:24 Practical Applications of Tarot29:16 Creating and Personalizing Tarot Cards38:54 Introduction to the Course39:20 The Bookends and Mother Letter Cards40:22 Meditations and Audio Resources43:11 Recording Challenges and Audiobook Insights45:25 Tarot Reading and Occult Practices48:23 Initiation and Personal Experiences59:13 Scottish Rite and Psychedelics01:05:48 Upcoming Events and Final ThoughtsDownload the original music from our intro/outro free: https://damanta.bandcamp.com/track/corfu-feat-justin-hagbergSong & Video Credits: Video Design by Frater RC - Hermetic PodcastSound Design by Fb: @Evokar.LuxMusic Composed, Engineered & Produced by DAMANTAIrish Bouzouki, Guitar, Low Whistle performed by DAMANTAFeaturing Juno Award Winner, Justin Hagberg on Keys (Mellotron)Full Commercial License including modification and remixing extended indefinitely to Lon Milo DuQuette Want to create live streams like this? Check out StreamYard: Get 10$ Credit! https://streamyard.com/pal/d/6430691835904000Support this podcast at — https://redcircle.com/magick-without-fears-frater-r-c-hermetic-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ricky Whitley - Sailors BluesBlues Rebels the - Tears in My BourbonBlues Whiskey & Red Whiskey & Instrumentalista - Heartache On The HorizonEric Clapton - Five Long YearsTyler Bryant & the Shakedown - Happy Gets MadeRoy Buchanan - Chicago SmokeshopKim Simmonds – CobraPeter Frampton Band - Going Down SlowArtur Menezes - Devil's OwnBernie Marsden - Foolish DayChris BadNews Barnes - His Majesty The BabyJimmy Thackery - Jimmy's Detroit Boogie - Live InstrumentalOrianthi - Light It UpJeff Healey Band the - Angel Eyes - Album Edit

Max's homework was to dive deep into the 2016 chunky big hitter, Promise Everything, from the UK band Basement, but will the non-stop overdriven guitars tick his box, or tick him off?Relisten to Promise Everything on Spotify and Apple Music.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok. Watch episodes on our YouTube channel and don't forget to like and subscribe.

Support the show

Mad Dog Lester Davenport – Miss Sally Mae - I Smell A Rat – 2020 Luther Tucker – Five long years  - Sad Hours – 1994Derrick Dove & The Peacekeepers – Georgia Peach - Burn It Down - 2025 Ryan Hartt – Lonely Hour  - Be About It! - 2025 Ken Tucker - Johnny - , Hymns In The Key Of Blue - 2026 – singleChris Rea – Texas Blue  - Blue Guitars - Album 05 (Texas Blues) - 2005 Mighty Sam McClain - A Soul That's Been Abused  - A Soul That's Been Abused - 2025 Ian Siegal - gallo del cielo - live at bluesmoose radio - 29 juli 2020Ian Parker -I won't let you down -  Lost And Found - 2003 Marshall Lawrence – ain't nobody's business – single – 2025

In episode 182 of the Guitar Music Theory Podcast, I sit down with Mike Valeras, an adjunct guitar instructor at Belmont University here in Nashville, where he teaches commercial music and improvisation. Mike shares his guitar learning journey, early band experiences, and his formal music education, including earning both a music education degree and a master's degree. We talk about how he made the move from Boston to Nashville and ultimately landed his teaching position at Belmont. Growing up, Huey Lewis and the News was his favorite band, and today Mike is one of the guitarists in The Heart of Rock and Roll, the Huey Lewis and the News tribute band that I occasionally play with as well. It's a great conversation about musicianship, education, and carving out a career in music. Free Video CourseAnswer the question on my website to get a free video course calibrated to your current level. https://www.GuitarMusicTheory.com New Book: Lead Guitar Unlocked Master Expressive Soloing With the Pentatonic Scale. From basic patterns to pro-level phrasing—learn to play licks that speak and solos that sing. https://www.amazon.com/Lead-Guitar-Unlocked-Expressive-Pentatonic/dp/B0FY4XH4TP "Migus fa Dingus" by Mike Valeras Listen to Mike's music on Spotify. https://open.spotify.com/track/0EPzrL1s8Fc1V3OFr6nqYn?si=e1598c276fe54b38

KEXP presents Lucius performing live on KEXP from The Triple Door. Recorded November 17, 2025.1. Final Days 2. Gold Rush 3. Hallways4. Stranger Danger5. Thick as Thieves6. Old Tape7. Mad Love 8. Everybody Hurts Jess Wolfe - Vocals, Synth, Moog BassHolly Laessig - Vocals, SynthsPeter Lalish - GuitarsDan Molad - Backing Vocals, DrumsJacob Peters - Backing Vocals, Guitars, Percussion Host: Ashley McDonaldAudio Engineer: Julian MartlewGuest Audio Engineer: Sam ScheiberAudio Mixer: Austin AsvanondaMastering Engineer: Matt Ogazhttps://www.ilovelucius.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/joinSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

There is a massive snowstorm on the horizon for much of the U.S. east coast and even in the center of the country this week. Dave and I are getting prepared. Rumors of Apple's new Siri and chatbot are still swirling around—we take a look at some of the most recent ones. We talk a bit about getting a good sound if you plug your guitar into your computer.  Copilot Money: For a limited-time, when you sign up at copilot.money (new users only, web only) you can get two months free with code DALRYMPLE. Start the new year with clarity. Your money, beautifully organized, now across every device. Squarespace: Check out squarespace.com/DALRYMPLE for a free trial, and when you're ready to launch, use OFFER CODE: DALRYMPLE to save 10% off your first purchase of a website or domain. Show Notes: Apple reportedly replacing Siri interface with actual chatbot experience for iOS 27 Will Apple Charge for Its Siri Chatbot? Inside Enchanté, Apple's AI chatbot for employee productivity 8+ new iPhone features coming soon, thanks to Google Gemini Apple is working on an AI-powered wearable pin Shows and movies we're watching Landman, Paramount+ The Center Seat: 55 Years of Star Trek Train Dreams, Netflix

Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century "He has been composing music since he was four years old and at the age of eight found it necessary to defend his original style against the criticisms of his piano teacher. Since then after study in the New England Conservatory; the winning of two Guggenheim grants; and recognition through a National Institute of Arts and Letters award, the critics and the public are mostly on his side. Downes of the New York Times pronounced him "one of the most individual and exotically expressive American composers of the rising generation." In his own words he was led to quote "search for an idiom more worthy of the wonderful tradition I had discovered." For boldness and delicacy of imagination, for originality and individuality without eccentricity, for a great number of compositions each fresh and distinctive, for fusing old melody with modern technique and spirit, in short, for making music to lift the hearts of men as only music can, Bates College wishes to confer upon Alan Hovhaness, the honorary degree of Doctor of Music." Thus reads the declaration read by Charles F. Phillips, the president of Bates College on June 7, 1959. Today it is my honor to present William Holst, Alan Hovhaness' stepson, who served as co-author and curator of the book, Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century. Symphony No. 63, "Loon Lake", Op. 411 was performed by the Royal Scottish National Orchestra, directed by Stewart Robertson, and recorded in 2007 at Henry Wood Hall, in Glasgow, Scotland. "Macedonian Mountain Dance" featuring pianist Sahan Arzruni courtesy otherminds.org Hovhaness: Sonata for Harp & Guitar, Op. 374 "Spirit of Trees" - V. Andante appassionato https://youtu.be/CpaP5Et798A?si=24HqR-pdmKbItb_t Special thanks to Maestro Gerard Schwarz, Artistic and Music Director of the Palm Beach Symphony, Charles Amirkhanian, Executive & Artistic Director, and Liam Herb, Production Director for otherminds.org. Our fact checker was Steve Freides. Our theme music was played by ULULATION! Mister Radio is available wherever you get your podcasts, including iTunes and Spotify. Subscribe to our podcast and leave us a review, and don't forget to tune in for another episode of Mister Radio!

From the beautiful tapestry of Southern California's high desert comes the most explosive and diverse rock band known as Kings Of Karma.Combining styles ranging from Led Zeppelin to The Rolling Stones, to even the Foo Fighters, the band takes uniqueness to a new universe. Formed in 2012 by longtime friends and previous band mates Chris Gates, Joe Berry and Spencer Nicholas. Kings Of Karma is conceived as an outlet of expression for musical freedom. Three different backgrounds as multi instrumentalist, songwriters and composers unite into a tasteful modern vintage soul approach on the Blues and Rock N Roll.Chris Gates - Lead Vocals, Guitar, KeysSpencer Nicholas - Guitar, VocalsJoe Berry - Bass, Vocals, GuitarBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Support the show

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friends are Annie and Ellie Davis! We recorded this on Saturday in my home in Portland, OR. Tunes in this episode: * Jimmie on the Railroad (from Fiddlin' John Carson) (0:32) * Doe River (Annie Davis original) (20:25) * With Kitty I'll Go (from Jean Ritchie) (58:13) * Old Cumberland (Pat Conte original) (1:04:30) * Young Maiden (Ellie Davis original) (1:12:04) * BONUS TRACK: The Cuckoo (from The Coon Creek Girls) Follow Ellie and Annie Davis on Instagram (https://www.instagram.com/annieandelliemusic/) See Tradwife in Vancouver (https://www.eventbrite.com/e/tradwife-stringband-house-concert-tickets-1976990331300) and at the Bellingham Folk Festival (https://www.bellingham.org/eventdetail/31387/tradwife-stringband) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas (https://fundraising.fracturedatlas.org/get-up-in-the-cool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/) follow Sweeten the Third on Instagram (https://www.instagram.com/sweetenthethird/?hl=en)

Pat Bergeson joins me on the show this week. Pat is one of those musicians who makes you stop and rethink what's actually possible on a guitar. And on a harmonica.Pat Bergeson is a true master of touch, tone, and taste, and one of the most deeply musical players you'll ever hear.Pat's guitar playing is rooted in the blues, jazz, and country traditions, but it's always personal, always expressive, and always unmistakably his own. He's been here in Nashville for a number of decades now, and has amassed an impressive list of credits, playing on records for artists like Dolly Parton, John Paul White, Suzy Bogguss, Blake Shelton, Alison Krauss and Lyle Lovett. But Pat has never been one to devote himself to session work, so he's led a much more rounded life, with tons of live playing and touring, including his current touring gig in Peter Frampton's band. When I first saw him, it was with the band Les Brers, which was Butch Trucks' band playing mostly Allman Brothers music, and seeing Pat teamed up with the band's other guitarist Jack Pearson, was a one-two punch of two of my absolute favorite guitarists in music city!One of the most meaningful chapters in Pat's career was his close association with the legendary Chet Atkins. Chet didn't just admire Pat's playing - he brought him to Nashville. Pat recorded and performed with Chet, and you can really hear that shared philosophy: musical elegance, deep respect for melody, and an understanding that less can truly be more. Pat played with Chet for years, both on records but also as part of his band that used to have a weekly gig here in Nashville at a little Italian joint downtown.And then there's the harmonica.Pat isn't just a great guitarist — he's one of the finest diatonic harmonica players you'll ever hear. So whether you know him from his work with Chet Atkins, his collaborations with Peter Frampton, his session work, his solo recordings, or his unforgettable harmonica playing, you're in for a great conversation today.Enjoy my conversation with Pat Bergeson!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

This week, it's NAMM Show time! I'll be in the Los Angeles / Anaheim, California area Wednesday through Sunday, bringing YOU along for the ride. We'll be walking the floor, checking out all the latest gear, hitting every booth we can, meeting friends, and connecting with some amazing people. I'm there as media, which means exclusive content you won't see anywhere else — straight from NAMM to you. If you love guitars, gear, music, and behind-the-scenes access, you do NOT want to miss this. Make sure to follow, like, share, and subscribe all week long — January 21st through the weekend — on YouTube, Facebook, Instagram, TikTok, Twitch, and X. Let's go!

241 - Boy Golden In episode 241 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriter and producer Boy Golden aka Liam Duncan. In their conversation Liam describes his upcoming tour schedule in Canada and growing up in rural Manitoba in the cold. Liam talks gear, his guitars and amps and his collection of Russian microphones and a special guitar labeled Garnet after the amp maker. Liam tells us about his earlier band “the Middle Coast” before he went out as Boy Golden and he explains the Boy Golden moniker. Liam talks about his time as the keyboardist for the Bros. Landreth and his influences early on. Liam discusses his new album “Best of Our Possible Lives” and the personal on the album and he also describes his home studio. To find out more about Boy Golden you can go to his website: boygolden.ca Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #BoyGolden #theMiddleCoast #LiamDuncan #Manitoba #theBrosLandreth #YamahaGuitars #JamesPatrickRegan #BestofOurPossibleLives #theDeadlies #HomeStudio #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

We turn our attention to Duo de Twang, the "vacation fuck-off band" that Les Claypool started after a couple special California gigs gave away to a full-blown vision for a sit-down campfire acoustic project. We chart the project's logisitical and inspirational origins, and discuss the album track-by-track. Grab some cowboy beans and don't squat with yer spurs on!Get involvedInstagramFacebookEmailBurn your money 

You've done gigs where nothing goes according to plan, but this episode reminds you that chaos is often the classroom. From sleeping on road cases at the Puerto Rican Day Parade to riding a flatbed packed with servo-driven subs that overwhelmed even earplugs and shooting cans, you hear how real-world pressure forges real skills. Mike deAlmeida walks you through learning to roll with it, figuring out systems on the fly before tools like Smaart were common, and walking into unknown gigs where the unknown singer/songwriter turns out to be Shawn Colvin. The lesson is clear: when you don't know the band, communication is everything. Ask how they sound, listen closely, and remember that for that moment, you are part of the band. You're playing the “mixing keyboard” today, so Always Be Performing. As the night wears on, the room changes and so must you. Heat, humidity, and ear fatigue quietly shift the mix, especially in the highs and high-mids, and Mike explains why gradual adjustments beat drastic moves every time. You're reminded to watch the show, not just the meters, and to listen first before using tools like Smaart to confirm what your ears already know. From sweating out microphones and treating them like EQ devices to protecting your hearing with custom molds, active earplugs, and smart exposure management, this episode ties craft, tech, and longevity together. Layer in legendary Celebrity Week stories, the Van Halen M&Ms lesson, and Beach Boys theatrics, and you're left with one guiding principle: mix a good show, every time, because that's how careers last. 00:00:00 Gig Gab 517 – Monday, January 19th, 2026 January 19th: Tin Can Day Guest co-host: Mike deAlmeida, Program Director, Audio Engineering at University of Hartford NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:01:50 Puerto Rican Day Parade Sleeping on road cases overnight An insane number of speakers Earplugs + Shooting cans STILL were too loud Servo drives – highly efficient, but not fast. They have motors in them. Security wouldn't let us off the truck. 00:06:43 Gig learning vs. classroom learning Learning to roll with it 00:08:52 When you don't know the band A little jazz band…as wallpaper Sussed out the system manually (before the Smaart Live days!) And a singer/songwriter… who turned out to be Shawn Colvin 00:12:52 Communicating with a band you've never seen Very helpful tips: “Here's how our band sounds.” Guitar players who manage their levels between rhythm and solos As an engineer, you are a member of the band (for that moment) “You play mixing keyboard today” 00:20:37 Teaching the foundation in class, students often seek practical experience on their own Finding practical applications WHILE you're in class is gold. You learn so much. It all comes back to communication skills For FOH engineers, watch the show! Pay attention to the band members 00:24:30 Sound changes throughout the night Heat and humidity will cause ebbs and flows (especially outdoors, but even inside) Watch the highs and high-mids Sound travels faster through a thick medium Gradual adjustments so it sounds better Increasing the mains throughout the show to keep the perceived level due to ear fatigue Smaart Live for tweaking live sound Listen first, then use the gear to confirm what you're hearing 00:31:35 When I mix, I want to hear a good show So I tell the sound guy (me) to mix a good show 00:32:57 Using the tech to isolate live to find (and fix) problems Beyerdynamic MM1 – a measurement mic AND a podcast mic 00:33:48 Learning the nuances of problems 00:35:24 Hot lights to add to the sun! Sweating out microphones… heat shrink tubing plus medical tape solves it Microphones are EQ devices – Matt from Roswell Audio 00:39:38 Mixing with earplugs? Westone custom mold earplugs with 15dB Etymotic filters Hearing protection vs. exposure time US Navy study on hearing health with submarine crew Huberman Lab episode on hearing health 00:44:39 AirPods Pro “active earplugs” (aka Hearing Protection) Comply Foam tips for AirPods Pro DefendEar from Westone 00:52:25 Stories from Celebrity Week at North Shore Music Theatre Almost got into a rumble with Al Martino Face the wall when Wynona Judd walks by Gallagher (or his brother!) The Beach Boys Weird Al 00:56:04 The Van Halen M&Ms story 00:57:37 The Beach Boys surfing on the revolving stage 00:59:41 Gig Gab 519 Outtro Follow Mike deAlmeida Check the University of Hartford’s BS in Audio Engineering Technology Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post The Engineer Is in the Band: Instinct, Ears, and Live Sound with Mike deAlmeida — Gig Gab 517 appeared first on Gig Gab.

Send us a text"Things work for a minute, and then you adapt." How do you maintain a steady business--and a steady income--in an industry that is continuously evolving? How do you successfully chase passion AND stability? How do you stay inspired with a demanding schedule?In this episode, Emmeline sits down with BW Bridger, an accomplished guitar player, composer, audio engineer, video engineer, producer, band leader, teacher, and rehearsal space manager in the DFW area. A jack of all trades--and a true creative chameleon--BW has built a career on adaptability and sustainability, finding creative ways to solve the problems he encounters in the creative industries. He talks about the entrepreneurial spirit that has led him to pivot his business multiple times, about learning how to do things oneself as a creative, and about how everything you learn as a creative will have a future application--even if you don't see it yet! He and Emmeline also unpack the insecurity that plagues most artists. Lastly, BW gives us a sneak peek at his brand new track, "Underwater Timeout."To learn more about BW Bridger, or to follow his musical and entrepreneurial journey, follow him on Instagram or check out his rehearsal space, Jam Station DFW. You can also stream "Underwater Timeout" on all of your favorite streaming platforms!For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Ontario guitarist Darren has released six albums of concise instrumentals since 2019, often using metal guitar tones and tropes, but with a great range of tones and often catchy melodies. We discuss "The Day Beneath Yesterday" (and listen at the end to "Dangerous Curves") from Perpetual Night (2025), "Broken Glass and Disappointment" from Thoughts and Scares (2022), and "The Earth is B Flat" from Lifting the Curse (2019). Intro: The title track from Wonders of the Invisible World (2020). More at darrenboyd.com. Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Hello friends! Guitar playing singer-songwriters, Wayne Sutton and Bill Palmer from Austin rock and roll band Mule Ears are my guests for episode 1541! Their new album, What Will Remain drops on Saturday, January 24th on all streaming services and they're celebrating the release with a show in Austin at Regal Rooms that same night. Get tickets HERE. We have a great conversation about recording What Will Remain in a remote location in Colorado, writing confessional songs about their recent major life changes,  completing the Mule Ears line-up with Steve Bernal on bass and Hector Muñoz on drums,  "dad rock", dude bands, recording in a church during the pandemic, career mistakes we made, trying to have a band as a grown-up, Bill's journey in music, the magic of Terlingua, and much more. I had a great time talking music and life with these talented dudes. Enjoy!   Find them on Instagram, Spotify, and Bandcamp.   Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Send someone the gift of Johnny with Cameo.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Send Steve a Text MessageTired of solos that feel stuck in the same box? We dig into four compact shapes in E that instantly add color, movement, and melody—without burying you in theory. You'll hear how each pattern sits over familiar E major pentatonic territory, then learn simple visual cues to find them fast anywhere on the neck. The goal is musical color you can use right now, not another scale you'll forget tomorrow.We start by explaining why outlining triads over the same chord can sound plain, then layer a fresh pattern over your core E major position. From there, we shift to a tight, melodic sequence anchored by the E on the fifth string, including a tasty major seven that resolves with a half‑step slide. Next, we duplicate the exact fingering higher on the neck using an easy landmark: spot the sixth‑string E, drop to the A beneath it, and run the same 2‑1‑2‑1‑2 layout for a new voice without new finger math. Finally, we travel left of the fifth‑string E toward the headstock for a wider, grittier shape that pairs beautifully with classic bends and vibrato.Throughout, we show how to connect each idea back into trusty E major pentatonic so your lines resolve with confidence. Expect practical phrasing tips, clean transitions, and dynamics that make simple notes sing. Whether you're soloing over pop, rock, or blues, these shapes help you escape autopilot, cover the neck, and tell stronger melodic stories—slow or fast, clean or dirty.If these ideas light a spark, subscribe for more weekly lessons, share this with a guitarist who needs fresh colors, and leave a quick review so we can bring you more of what helps most. Links: Check out the GuitarZoom Academy:https://academy.guitarzoom.com/ Steve's Channel → https://www.youtube.com/user/stinemus... GuitarZoom Channel → https://www.youtube.com/user/guitarz0... Songs Channel → https://www.youtube.com/user/GuitarSo... .

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friends are Liam Barnes, Isabel Dammann, and Collin Stackhouse of Butterchurch, AKA Smörkyrka! We recorded this on Saturday in my home in Portland, OR. Tunes in this episode: * Slängpolska efter Juringius (0:42) * 1814 (8:14) * Eklundapolska 1 (17:06) * Slängpolska från Barsebäck (32:41) * Vrigstad (39:48) * BONUS TRACK: Nail that Catfish to a Tree Follow Butterchurch on Instagram (https://www.instagram.com/butterchurchband/) See Tradwife in Vancouver (https://www.eventbrite.com/e/tradwife-stringband-house-concert-tickets-1976990331300) and at the Bellingham Folk Festival (https://www.bellingham.org/eventdetail/31387/tradwife-stringband) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas (https://fundraising.fracturedatlas.org/get-up-in-the-cool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/) follow Sweeten the Third on Instagram (https://www.instagram.com/sweetenthethird/?hl=en)

This is Part 2 of my conversation with Dave Jacques - have a listen to Part 1 from last week first and then dig in!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

KEXP presents Gaia Banfi performing live at ESMA in Rennes, France, during Trans Musicales 2025. Recorded December 2, 2025. Il Lungoriva di Genova Amar Piazza Centrale Seia Gaia Banfi - Vocals, Guitar, Piano, ElectronicsPhoto by: Carlos Cruz https://trovarobato.bandcamp.com/album/la-maccaiahttps://www.lestrans.com/https://www.esma-artistique.comhttps://www.tourisme-rennes.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/joinSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.