Podcasts about Guitar

With the arrival of Christmas, Santa's elves are getting busy. While they are skilled at all kinds of fun toys, they are not the best luthiers, i.e., they're not the most skilled guitar builders.   So to avoid getting a patchy guitar from Santa's workshop, I'm offering some advice on how to pick a proper guitar. Take a listen and hear all about my experiences with Santa's elves.   If you enjoyed this podcast, you can get my free “guitar secrets” video course, which will help all beginners or those who are “stuck”. Get the course for free, exclusively at - https://fingerstyle101.com/secrets/   Like this episode? Your reviews for this podcast mean the world to me, so please let us know what you thought about the Acoustic Asylum!  

Eric Clapton – Christmas Tears Gary Hoey – I saw mommy kissing santa  clauseErja Lyytinen - Hallelujah - single – 2024Pat Travers – Happy Xmas – war is over Seasick Steve – Xmas prison Blues Kenny Neal – Christmas Time  in the countryJerome Godboo – Christmas StormBrainbox – White Christmas BluesRamblin Dog – Xmas Blues Little Charlie and the Nightcats – santa ClausGreg Sover - Christmas Cheer (Single) – 2019Rick divito – I was a bad boy this year The Dig 3 – Christmas is coming Kenny Wayne Shepherd – Cool Yule Gemini Dragon – Blues under the Christmas Tree Lightnin Slim – Wintertyime done rolled by 

Was Guitar Legend RANDY RHOADS an Occult SACRIFICE? We welcome back Pastors Eric and Justin from Sound the Shofar Messianic Ministries, as they present a theory about the tragic death of guitar legend, Randy Rhoads. Find the pastors on Facebook: https://www.facebook.com/groups/123168699032724Become a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Nearly every guitar player has daydreamed about running their favorite gear company. On this week's Fretboard Journal Podcast, we hear from two individuals who are currently living that dream: Nashville's Pete Mroz and Shannon Pollard. Earlier this year, these two guitar fanatics and businessmen became the new owners of Bend, Oregon's Breedlove Guitars. During our chat, we talk about the realities of running a guitar business in 2025, the surprises they weren't anticipating, what changes they are implementing at the 35-year-old company, and where they see growth in the guitar space. Whether or not you're currently a Breedlove owner, Pete and Shannon's enthusiasm for guitars is downright infectious. We think you'll love this chat. https://breedlovemusic.com Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. https://fretboardsummit.org Our 58th issue of the Fretboard Journal will mail later this month. Subscribe here to get it. We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com    

Living Colour's Vivid: When Rock Refused to Play by the RulesWhat happens when a jazz-trained guitar virtuoso teams up with a Broadway-bound singer, adds Mick Jagger as producer, and sets out to demolish the color lines that 1980s radio had drawn around rock music? You get Vivid, Living Colour's 1988 debut that kicked down every door with “Cult of Personality” and then refused to play by anyone's rules.This is an album that proved Black musicians could dominate every corner of rock, from shredding metal to funk grooves to social commentary. It reached number six on the Billboard 200, sold two million copies, and launched a Grammy-winning single that still sounds ahead of its time. If you love the genre-blending creativity of Fishbone, the fearless experimentation of Prince, or the socially conscious hard rock of Rage Against the Machine, this episode explores an essential album that changed what rock could be.Vivid isn't just a great debut album. It's the story of the Black Rock Coalition, Vernon Reid's grassroots movement to challenge the segregation creeping into New York's rock venues and radio stations. At a time when rock stations stopped playing James Brown next to the Rolling Stones, Living Colour asked: why? They answered with an album that opened for the Rolling Stones' Steel Wheels tour, appeared on Headbangers Ball, and influenced everyone from Tom Morello to the entire alt-metal movement of the '90s.Episode Highlights0:00 – IntroThe final community-voted album of 2025. Vivid wins with 62% of the Patreon vote.3:30 – Personal ConnectionsChip shares his 1989 encounter with Living Colour at a Cleveland record store, where Corey Glover spontaneously sang a song about his date.12:00 – Album FactsReleased May 2, 1988. Produced by Ed Stasium and Mick Jagger. Features Chuck D and Flavor Flav on “Funny Vibe.” Charted globally and appears on every major “greatest metal albums” list.21:00 – Vernon Reid's Guitar MasteryJay explores Reid's creative dominance as guitarist and primary songwriter. His riff writing sounds more like the '90s than 1988, and nearly every melodic hook is guitar-driven.32:00 – The Black Rock CoalitionVernon Reid's mission to fight radio segregation and get Black rock musicians back into venues and onto rock radio.38:00 – The Beatles as InspirationThe band intentionally created a diverse, non-cohesive album that could work at any party for any crowd, from metal fans to funk lovers.50:00 – Genre Debates: Metal or Not?Who cares? The album won metal awards and hosted Headbangers Ball, but more importantly, it used heavy riffs to expose listeners to funk, R&B, and social commentary they wouldn't have heard otherwise.1:03:00 – “Cult of Personality”Deep analysis of one of rock's most iconic opening tracks and why it set an impossible standard.1:08:00 – “I Want to Know” and “Open Letter (To a Landlord)”How the album moves from poppy hooks to six-minute epics that shift between R&B, funk, and aggressive rock.1:22:00 – “Memories Can't Wait”The Talking Heads cover that provides breathing room and showcases smart song selection.1:35:00 – Production IssuesThe reverb-heavy ‘80s drums that sometimes work against the band's raw creativity.1:55:00 – Vernon Reid's InfluenceTom Morello's clear debt to Reid's unconventional guitar techniques and willingness to let the instrument do unexpected things.2:07:00 – Social CommentaryLiving Colour sang about gentrification and displacement when most metal bands were singing about nothing heavier than Saturday night.2:28:00 – Final RatingsThe crew debates production, diversity, and nostalgic attachment.Join the Metal UnionSubscribe at digmeoutpodcast.com and join the Metal Union at dmounion.com to vote on future albums, unlock bonus episodes, and join our private Discord community where real music discussions happen every day. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Christone Kingfish Ingram - Ghost From Christmas Past - single - kerst. 2025 Mr. Bob's machinery - Jingelbell thing - 2025 Vaneese Thomas - Winter Blues - single  - 2025 -Suzanne's Band - Holiday Releases - 2025 Lawrence Lebo - (I'm Your) Christmas Present, Baby! 2025 – singleThe Cashbox Kings - Ride Santa Ride Coco Montoya – The three kings and Me –Little Steven  & the disciples of soul - Merry Christmas (I Don't Want To Fight Tonight)Bob Seger and the last heard – Sock it to me SantaLemmy Kilmister , Billy Gibbons and Dave Grohl – Run Rudolph RunBuddy Guy – Home for Christmas Reverend Shawn Amos – santa Clause is gonna make it Right Christopher Wyze & TheTellers – Hearts Christmas Blue – feat EmmaWilsonJohn Lee Hooker – Blues for ChristmasJoe Bonamassa – Merry Christmas baby 

Hello friends! Guitar playing engineer/producer Beto Martinez from Austin's Money Chicha returns to the show for episode 1536! Their new album, Onda Esotérica is available now on your favorite streamer or on vinyl on Vampisoul Records. Beto also plays in Caramelo Haze, Brownout, Brown Sabbath, and the Grammy winning Grupo Fantasma. We have a great conversation about making Onda Esotérica in his Lechehouse Music recording studio, Money Chicha's journey so far, the state of the world, some legendary Latin artists, updates on all the bands he's in, producing other artists, playing private shows and much more! I had a great time catching up with Beto. I'm sure you will too. Let's get down!   moneychicha.com   Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Send someone the gift of Johnny with Cameo.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Today, our hosts try to fend off the December doldrums, the cold weather sleepies, the fog of too many video conferences, by thinking broadly about the year that was and the year to come. It's the last episode of the year, so let's be honest: they're taking voicemails and chitchatting. Come be a fly on the wall!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

Gary Hoey has a new Christmas album out, celebrating 30 years of Ho Ho Hoey, and he dives into it and much more in this new interview.

The Senators could have some roster decisions to make this weekend, Guitars and Gasoline, and is Linus Ullmark back.

I've spoken before about the Gatekeeper of the Acoustic Asylum. The Gatekeeper represents a lot of what's out there in the guitar world. So today's episode is all about beating the Gatekeeper as he tries to take your dreams and crush them.   The best way to defeat the Gatekeeper is to become the best guitarist you can be. One way you can do this is by working out melodies as a way of honing your skills. In the episode, I offer you some tips and tricks on working out melodies and honing your skills to develop your guitar superpowers. Take a listen and unlock your superpower!   If you enjoyed this podcast, you can get my free “guitar secrets” video course, which will help all beginners or those who are “stuck”. Get the course for free, exclusively at - https://fingerstyle101.com/secrets/   Like this episode? Your reviews for this podcast mean the world to me, so please let us know what you thought about the Acoustic Asylum!  

My guest is Dean from @dean_makes on Instagram. We chat about his history in making, including working in a secondary school wood shop, working is music stores and learning the skills of a guitar tech, to guitar building and digital fabrication. Of course, along the way we discuss Dean's discovery of the maker community.We also learn that it might just be the year for Andy Pugh to get a pen plotter. Check out Dean on Instagram and https://www.youtube.com/@DeanMakeshttps://www.youtube.com/@DeanMakes.

Check out this weeks KICK ASS PODCAST with ya boy QPC and special guest Matty D ... It's more fun than losing all your Ho Ho Ho's, I PROMISE !!! LOL !!! Topics discussed: How to lose weight the MAGA way, Snow, Q's office Christmas party, Rob Reiner, Gene Simmons vs radio, Netflix deal, MAGA crumbling and sooooooooo much more ... You're gonna LOVE THIS SHOW !!! MERRY CHRISTMAS and HAPPY NEW YEAR !!!

Crossing the Johnson streams. MAGA hat blazing. I Like Huge Allen Keeeeeeeeeeeeeeeeeeeeeeeeeeeys! There Will Be NO Whore Houses In My Christian Minecraft Server! Thank the Lord I'm High. Scott's huge tool. Hannibal and Martha Sitting in a Tree. Blinded By That There Light. Annie are you Car Sick? Guitar man died too early. The Ricky Spencer Experience. Bring Your Shit, I've Got A Shovel. Stuck in the Package with You. Un-Box ba-duba-dop. A Quantum of Solace with Tom and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.

Crossing the Johnson streams. MAGA hat blazing. I Like Huge Allen Keeeeeeeeeeeeeeeeeeeeeeeeeeeys! There Will Be NO Whore Houses In My Christian Minecraft Server! Thank the Lord I'm High. Scott's huge tool. Hannibal and Martha Sitting in a Tree. Blinded By That There Light. Annie are you Car Sick? Guitar man died too early. The Ricky Spencer Experience. Bring Your Shit, I've Got A Shovel. Stuck in the Package with You. Un-Box ba-duba-dop. A Quantum of Solace with Tom and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.

This episode was 100% chat-powered. I gave YOU two guitars to choose from—and the winner was the battle-scarred red hardtail Fender Stratocaster. This thing has seen years of play, tons of wear, and serious mojo, and we spent most of the night diving into it at the workbench.

238 - Jeremy Pinnell In episode 238 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer, guitarist and songwriter Jeremy Pinnell. In their conversation Jeremy discusses his home in Southgate, Kentucky and his son, who's 11. Jeremy tells us about starting guitar at 13 and watching his dad in the church band while he was a kid and not being able to listen to secular music and his first musical purchase being the Sex Pistols album. Jeremy describes starting on his dad's Ovation guitar eventually getting a Cort guitar and Gorrilla amp before getting a Fender Paisley Strat and he tells us of his love of Telecasters and using .13 gauge strings and his Harmony that he bought from JD Simo. Jeremy discusses his tour schedule playing both solo and with a band. Jeremy tells us how he got hooked up with Shooter Jennings who produced Jeremy's most recent album “Decades”. Finally Jeremy describes what he does for fun: Ju Jitsu and Kick boxing and Jeremy tells us about his Christmas traditions. To find out more about Jeremy you can go to his website: jeremypinnell.com Please subscribe, like, comment, share and review this podcast! #JeremyPinnell #ShooterJennings #Decades #VintageGuitarMagazine #JDSimo #HarmonyGuitars #FenderTelecaster #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

The Hook and Bridge PodcastA place for Music, Comedy, and FriendshipListen on: Apple Podcasts SpotifySupport the show

In this episode of Head, Heart, and Boots, Brandon and I sit down with Claire Carreras, a musician, comedian, fashion entrepreneur, and now co-owner of 1-Tom Plumber Austin to unpack one of the most unexpected and compelling career journeys we've ever featured. Claire opens up about a childhood marked by constant relocation across multiple countries, how creativity and performance became her anchor, and how those early experiences shaped the grit and resourcefulness she now brings to building service businesses. We explore the rise and collapse of her fashion brands, the financial devastation of COVID, and what it took to rebuild her life from scratch in a new country. Claire shares the mindset shifts that helped her scale restoration and plumbing operations, the leadership lessons she brought from stages and tour vans, and her refreshingly honest view on managing people, burnout, and generational differences inside a 24/7 business. If you're drawn to real entrepreneurial stories, the raw ones, with bruises, resilience, and reinvention; this conversation is worth every minute. Hope you enjoy. Chris Why You Should Listen... [00:05:15] How a turbulent childhood, constant relocation, and exposure to wildly different cultures forged Claire's resilience and leadership instincts [00:13:03] How acting, stand-up comedy, and 15 years of international touring built the confidence, grit, and communication skills she now uses to scale home-service companies [00:20:27] What three failed fashion businesses taught her about timing, financial risk, market collapse, and how to recover when everything falls apart [00:28:14] Why she jumped into One-Tom Plumber after COVID wiped out her income, and how she built a 5-truck operation in months by leaning into clarity, systems, and urgency [00:45:06] How Claire motivates teams through uncertainty, connects personally without lowering standards, and navigates generational differences around pressure and mental health Did you know... Only 30% of businesses listed for sale actually find a buyer? Even more striking, just 10% of those sell for the price their owners anticipated or higher, meaning only 3% of all business owners achieve their desired sale price. By focusing on understanding and enhancing your enterprise value, you can significantly boost your chances of joining that successful 3%. Business Health & Value Assessment Start Assessment Know Your Enterprise Value. See Your Potential Gaps. Complete this assessment in less than 15 minutes and receive a free assessment for your business that includes: A Lite Valuation Of Your Business Your Value Multiplier Per Your Industry Health Assessment Per Our PYB Methodology Business Value & Growth Roadmap Tailored For You Value Acceleration Strategies Spotlight on Floodlight: Your Secret Weapon for Sales & Scaling This isn't a paid plug. It's real talk from the front lines. If you've ever thought, “How do I get a VP-level sales leader or even a sales team without hiring full-time?” Floodlight has the answer. Fractional Sales Leadership They act as your outsourced VP of Sales, taking full responsibility for training, managing, and growing your sales team. No six-figure hire needed. Clients often close 20 to 50 percent more deals within six months, thanks to data-driven coaching, CRM setup, scripts, and performance reviews.More at floodlightgrp.com/sales Commercial Sales MasterCourse A self-paced, video-driven B2B sales course designed specifically for restoration teams. Perfect for building commercial revenue and getting free from TPA handcuffs. Covers mindset, prospecting, pipeline building, LinkedIn lead generation, and includes a $250 discount with code SALESBOOST.Details at floodlightgrp.com/courses Tailored Consulting & Coaching Floodlight's Propel Your Business methodology offers a full-circle roadmap: financials, sales, marketing, leadership, recruiting, productivity. All built for contractors. These aren't “life coaches.” They're former restoration owners who've lived the chaos and know how to scale out of it.Explore more at floodlightgrp.com Live Training, Tools & Strategic Partnerships Floodlight also delivers live onsite and virtual training, keynote speaking, and leadership tracks covering operations, project management, and strategic growth. Bonus: They've vetted tools like Xcelerate, Liftify, and Sureti. Floodlight clients get access to exclusive discounts on tech that actually moves the needle.See all partnerships at floodlightgrp.com/partners Why it matters for you as a listener You don't need to figure this stuff out alone. If you're serious about sales growth, operational clarity, exit readiness, or leadership development, Floodlight is already helping folks like you scale smarter. And you get it from industry insiders. People who've sat in your chair, survived the fires, and built systems that actually work.

Please SUBSCRIBE to this channel!  Follow Slater on Instagram + TikTok: @investigatorslater  Join our Patreon family! (www.Patreon.com/PsychopediaPod) On Patreon, you'll get AD FREE episodes, merch discounts, exclusive content, extra true crime cases, pop quizzes, behind-the-scenes pics/vids, private group chats, and much more!  This episode examines the case of the German black metal band Absurd, whose fixation on shock value spiraled past theatrics and into real, deadly violence.  What began as teenage posturing within the underground metal scene spiraled into a senseless, premeditated murder carried out by three boys/bandmates desperate for notoriety. We break down how a subculture steeped in anti-authoritarian performance art became the staging ground for real violence; how a group of teenagers radicalized themselves into believing they were part of something bigger, darker, and more meaningful than they actually were; and how the murder of Sandro Beyer, an innocent 14-year-old boy, became the gruesome centerpiece of their self-created mythology. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On this episode of The Tone Mob Podcast, Corey Congilio returns to hang out and pull back the curtain on what it actually looks like to build a modern guitar career in 2025. We talk about trying to survive the algorithm game without losing your mind, why memes sometimes move the needle more than music, and how Corey is building his own tiny desk style live show right out of his studio – complete with a band, multiple cameras, a switcher, and a Zoom-powered hang so fans can ask questions in real time. From there we get into the realities of being a working musician in Nashville: juggling sideman gigs, teaching, clinics, content, and trying to make the numbers add up when the live scene feels very different than it did pre-COVID. Corey shares stories from his years as a sideman, why he finally decided to step forward as an artist under his own name, and how he is approaching writing songs that are song-first with room for guitar, not just guitar-for-guitar's-sake. We also chat about music stores, good hangs, finding “your person” behind the counter, the coming wave of AI in music and lessons, and why real human connection is only getting more valuable. If you're a player trying to navigate this weird era of online everything while still chasing good tones and good songs, this one is going to hit close to home. Check out all things Corey on his website HERE https://coreycongilio.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 612 is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10%⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126⁠What's in your budget?00:00 Intro01:51 What is budget?45:26 Glide Tone56:38 Thanks Patreon!58:07 Sketchy Les Paul1:01:49 Steve got the Premier Guitar Mystery Stocking1:11:57 Big TOAN1:19:28 This song was sent by Jessica Elsener and is called "Mrs. Soul"*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠+⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram @60cyclehum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#60cyclehum #guitar #guitars

237 - Ward Davis In episode 237 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer, songwriter and guitarist Ward Davis. In their conversation Ward discusses where he currently lives, Hartsville Tennessee and where he grew up Arkansas and starting on the piano at 6 years old and moving to guitar at 14 after losing at the county fair talent show to a guitar player and then started playing jamborees around the area he lived in. Ward tells us about the shows he's doing now supporting Cody Jinks with his band and his own shows. Ward tells us about his guitars, Larrivee's outfitted with either Fishman or L.R. Baggs pickups and he discusses his telecaster's built by 9 Point Guitars in Louisiana. Ward discusses how he got hooked up with Cody Jinks in the first place and how he got his songs in front of Willie Nelson and Merle Haggard and gives us a lesson in the economics of songwriting. Ward talks about using an alias (Dusty Manchester) at writers rounds to avoid the radius clause. Ward tells us about his new album “Here I Am” which comes out in February and he tells us about working with Brent Mason, Eddie Bayers among others and landing tracks on the Landman TV series. Ward describes why he chose to be on a label as opposed to releasing his album independently. Ward discusses his upcoming tour schedule after the holidays. Finally Ward tells us about collecting historical documents and books from the 1800's and his love of thrift stores and his relationships and sobriety. To find out more about Ward you can go to his website: warddavismusic.com Please subscribe, like, comment, share and review this podcast! #WardDavis #CodyJinks #HereIAm #VintageGuitarMagazine #Landman #DustyManchester #LarriveeGuitars #9PointsGuitars#lrbaggs #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Feeling Stressed & Anxious? Get our FREE 3 Day Stress & Anxiety Detox here -> https://womensmeditationnetwork.com Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player. Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life. If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want! Namaste, Beautiful,

Lizzy Long - Fiddle, Banjo, Guitar, resonator banjo, vocalsHaving roots in the heart of the south, Elizabeth Long, or Lizzy as her friends and fans know her was born on a farm in Lincolnton, Georgia. She began her music accomplishment at an early age. While starting out on the piano, Lizzy soon took up the fiddle, guitar, autoharp, bass, banjo, and mandolin, and has become an accomplished musician, alternating between these instruments as part of her entertainment repertoire. She has played with great acts such as Mac Wiseman, Jim and Jesse, The Lewis Family, and Earl Scruggs. Continuing her quest for success, Lizzy has paired up with Little Roy Lewis from the legendary Lewis Family. Her extraordinary voice shimmers with strains of America's musical roots. Lizzy has won “Bluegrass Song of the Year” for a several songs called “Mountain Top”, a duet with Ty Herndon called “When We Fly”, and "He Washed My Soul". Most recently at the 2015 GMA Dove awards she was awarded Best Bluegrass Song of the Year for a Duet with Rhonda Vincent called "God is There". She is one of the youngest fiddlers to be inducted into “America's Old Time Fiddler's Country Hall of Fame” in LeMars, IA. Her latest solo Album "Blueberry Pie" has ranked as high as #2 on Billboard's Bluegrass Charts. Little Roy summed it up the best, "pull a plank off the wall and she'll play it!"Little Roy is awfully hard to overlook. He makes sure that no one in the audience gets bored at any time. Little Roy has won awards as Entertainer as well as for his banjo playing. Little Roy learned to play banjo when he was only six years old and won a local talent contest for his playing when he was eight. Little Roy's favorite banjo players are Don Reno and Earl Scruggs. USA Today called Little Roy 'a banjo master, truly a picker's picker'. Little Roy can also be found playing the guitar and autoharp. In fact, the song 'Good Time Get-Together' was written to highlight his instrumental skills. Little Roy is multi-talented - he sings, plays many instruments, tells stories, and acts. When you see this Duo, you are sure to notice Little Roy, and he'll make you smile. He has been inducted into the Georgia Music Hall of Fame, SPGBMA Hall of Greats, IBMA Hall of Honor, and the Southern Gospel Music Hall of Fame.

You can buy "Always Moving Forward" at: David A. Jones Always Moving Forward: A memoir of friends, family and building Humana: Jones Sr., David A., Hill, Bob, Jones Jr., David A., Johnson-Keeny, Jill, Comer, Julia: 9781938462634: Amazon.com: BooksShow Notes:

Worship Almighty God with us as we celebrate Jesus, by singing to Him wholeheartedly in praise, worship, and some familiar Christmas Carols.

Join us LIVE tonight for the ultimate interactive guitar project. It's gonna be a blast—so smash that thumbs up and hit subscribe for more killer guitar content right here on Johnny Beane TV!

Ross Hammond – Stormtrooper Blues  - Senior Dog Appreciation Society  - 2025 New Old Blues – Hard to Hold  - Hard Road Home  - 2025 Leonard 'Lowdown' Brown – Mojo Bag -  Street Party – 2025Anthony Gomes Band – Misery for Company  - Blues In Technicolor – 1998Justin Saladino Band – Peaace with You -  JSB Live - 2020 Delgado Brothers - Talk to me - live at Bluesmoose Radio 03-12-2018Tommy Castro and the painkillers - Blues prisoner - live at bluesmoose radio 7 september 2022Nimmo Brothers – Waiting for my heart to fall – Live at Bluesmoose radio 14 jan 2014

236 - the Protomen (Raul Panther III and Shock Magnum) In episode 236 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Raul Panther III and Shock Magnum from the Protomen. In their conversation the two tell us about their history with band which has been around since 2005 and has quite the ravenous fan base. Both Raul and Shock tell us about their roles in the band both playing guitar and Raul singing lead and playing keyboards as well. They both talk about their base which is Nashville and where the grew up and Raul tells us about singing at an early age backing John Denver and Shock tells us about learning guitar from his brother. Raul takes us through the history of the band which started as a project from fellow MTSU students and the two tell us about their songs that have been used in tv shows and commercials and they talk about what venues they usually play. Raul and Shock discuss the Protomen's new album “Act III: This City Made Us” and they talk gear: Shock's Gibson's and Orange amps and Raul's Tom Anderson Raven through a Kemper profiler. The two tell us about what they do outside of music: family and working in the garage. To find out more about the Protomen you can go to their website: protomen.com Please subscribe, like, comment, share and review this podcast! #theProtomen #RaulPantherIII #ShockMagnum #ActIIIThisCityMadeUs #VintageGuitarMagazine #TomAndersonGuitars #GibsonGuitar #OrangeAmps #JamesPatrickRegan #KemperProfiler #MTSU #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Smashing up guitars is a classic rock star activity, but how about drowning them? 7-year-old listener Cornelius has set CrowdScience a challenge: to find out what happens if you play a guitar underwater. Could this be the next avant-garde music sensation? Host and amateur musician Caroline Steel tackles Cornelius' question with the help of one increasingly soggy guitar. The UK's National Physical Laboratory is our first port of call, with a guitar-sized water tank at the ready, and acoustic scientists Dr Freya Malcher and Ben Ford helping tackle our questions. Since an acoustic guitar's sound is amplified by its internal chamber, what happens as that chamber starts to fill with water? How about if the whole guitar - strings, body and all - is submerged? What difference does it make if our ears are listening above or below the water? And can special water-adapted microphones help us explore this unusual question, before our guitar disintegrates? Our guitar then heads off on tour to Denmark, where the band Between Music have teased out questions just like these for their underwater music project, Aquasonic. We talk to violinist and Innovative Director Robert Karlsson, and singer Nanna Bech, who also plays a unique subaquatic instrument. With their help, we discover how to get the best out of a submerged guitar, and find out whether other instruments are better suited to the life aquatic. Presenter: Caroline Steel Producers: Cathy Edwards and Florian Bohr Editor: Ben Motley National Physical Laboratory: Underwater Acoustics - https://www.npl.co.uk/research/underwater-acoustics Between Music: Aquasonic - https://www.betweenmusic.dk/aquasonic Photo – Caroline Steel and Nanna Bech in an Aquasonic aquarium playing a guitar. Copyright BBC.

Episode 180: Inside The World Of Custom DIY Guitar Builds with Aaron Cheney of Warmoth Welcome to the Chairmen of the Boards Podcast! The ultimate pedalboard podcast with the foremost rig builders in the world: Grant Klassen (Goodwood Audio), Brian Omilion (Omilion Audio), and Mason Marangella (Vertex Effects/The Rig Doctor). We've teamed up to democratize great tone and provide you with our best tricks, tips, resources and hacks so you can build the pedalboard of your dreams! Sponsors The Guitar Sanctuary - https://guitarsanctuary.com Neural DSP - https://neuraldsp.com (use code "chairmen" for 30% off) Best-Tronics - https://btpa.com (use code "dachairs" for 10% off)

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It's not often I interview someone who comes from Freeport, Texas, which was like a summer home for me in high school. As Justin and I talked we knew many of the same places.And I loved his redemptive story.He grew up in the church, chose some wrong friends, rescued by a discerning judge, a long stint in the Navy—and a guitar.You will love his Texas accent, his story, and a hopeful future.Justin's Resources:Website: www.justingambino.comStream his music: justin-gambino.lnk.to/JustLikeJesusEPEnter for a chance to win a Just Like Jesus CD: judydouglass.com/giveawayJudy's Resources:Read Finding the Gifts in Hard Times: https://bit.ly/3KCJdDFJoin the Prayer for Prodigals community here: https://bit.ly/3uyhSWQSign up for Judy's monthly newsletter here: https://bit.ly/39TBlYtPurchase a copy of the When You Love a Prodigal book for you or a loved one here: https://amzn.to/3RuiUx9Stay connected:Website: judydouglass.com/podcastFacebook: facebook.com/JudyDouglass417Instagram: instagram.com/judydouglass417X: twitter.com/judydouglass417Pinterest: https://www.pinterest.com/judyddouglass/YouTube: https://www.youtube.com/c/JudyDouglass

For episode 50, Andy (who wants to be "the guy who doesn't know what we're talking about") presents Dan (who wants to "feel prepared") with the ultimate surprise: LIVE HOMEWORK. Deep down the rabbit hole, this week is no voicemails and all surprises. Dive in with us.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

On this killer episode of Talking Guitars on Johnny Beane TV, we kick things off with a cool story straight from Guitar World—then it's full speed to the workbench

Steve Conte (featuring John Conte) "Father Christmas" - It's A Wicked Cool Christmas compilation www.wickedcoolrecords.com The Plastic Pals "Get To The Point" www.theplasticpals.seKatie Knipp "Stillness" (Rock Reggae Remix) - Dance Me www.katieknipp.com Super Plage "1990" (Dim Sum remix) Chasing Dolls "Blood Moon" Jessie Wagner (featuring Rocco of The Snow) "Christmas With Me" - It's A Wicked Cool Christmas compilationRemington Super 60 "Another Christmas Song" - https://christoffer-schou.com/The Brotherhat "My Christmas Day" - Adrian & Meredith "Holly Jolly Christmas" www.adrianandmeredith.comRyan Chrys & The Rough Cuts "The Ballad Of Krampus and Kringle" - Santa's Guitar www.roughcutsband.com Cat Lion "The Drizzle" www.catlionmusic.com The Faux Paws "15 Below" (bonus track) - No Bad Ideas www.thefauxpawsmusic.comJay Stott "Stuck In Love" - Wreckage Of Now www.jaystottmusic.com Bobby Stewart & The Contraires "Happy Holiday" www.bobbystewartmusic.comHot Tamale "Christmas In The Car" Hanne Leland "This Time Of Year" www.hanneleland.com Margo Rey "This Holiday Night" www.margorey.comMichele d'Amour & The Love Dealers "Bringing My Bay Back" - Christmas In Blue www.micheledamourandthelovedealers.com Tish Hinojosa "Can't Say It Matters Anymore" - West www.mundotish.com Monica Rizzio "Don't Keep Me Up Waiting" - Sunshine Is Free www.monicarizzio.com Sarah McQuaid "Low Winter Sun" - Walking In White www.sarahmcquaid.comSONiA disappear fear "Light In You" www.soniadisappearfear.comRunning time: 3 hours, 27 minutes. I hold deed to this audio's usage, which is free to share with specific attribution, non-commercial and non-derivation rules.https://creativecommons.org/licenses/by-nc-nd/4.0/

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Jenna is desperate to cling to her claim to fame and decides to bear her belly to the world. Will it be enough to secure her win on the competition? No, but if you listen to the podcast you'll know why we don't think that's the only reason she was let go. Tune in for trivia, tidbits & more

(Birth by Guitar): https://scp-wiki.wikidot.com/birth-by-guitar  Intro/Outro music: Ghost Story by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3805-ghost-story  License: https://filmmusic.io/standard-license  Thumbs up to all our listeners, the community of the SCP Foundation and the entry's creator/poster: Zolgamax. Without, we wouldn't have this discussion. So thank you all! (Are We Cool Yet? GoI): https://scp-wiki.wikidot.com/are-we-cool-yet-hub  (Birth of the Cool): https://scp-wiki.wikidot.com/birth-of-the-cool  (Mandoswalker song cover): https://soundcloud.com/mandoswalker/birth-by-guitar-scp  (Pepperghost song cover): https://soundcloud.com/peppersghost/birth-by-guitar  (Zolgamax): https://www.wikidot.com/user:info/zolgamax  (The SCP Foundation): https://scp-wiki.wikidot.com/  Comment below or send us an email at aldenterigamortis@gmail.com   Also check out the title cards for each episode: http://crazonstudios.tumblr.com/  And if you want to show your support, consider becoming a Patron: https://www.patreon.com/aldenterigamortis

Welcome to Get Up in the Yule: Holiday Music with Cameron DeWhitt and Friends. This year's friends are Penka Jane Culevski and Brian Lindsay of Dear Crow! We recorded this the day after Thanksgiving in their home in Olympia, WA. Tunes in this episode: * James Crase's Christmas Time's A Comin' (0:50) * Gloucestershire Wassail (16:55) * Build Up the Bonfire (Zoe Mulford original) (30:28) * Christmas Eve (44:42) * Taylor Kimble's Breaking Up Christmas (49:27) * BONUS TRACK: Miss Fogarty's Christmas Cake Visit Dear Crow's website (https://dearcrowmusic.com/) and follow them on Instagram (https://www.instagram.com/dearcrowmusic/?hl=en) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas (https://fundraising.fracturedatlas.org/get-up-in-the-cool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/) follow Sweeten the Third on Instagram (https://www.instagram.com/sweetenthethird/?hl=en)

You only need to hear the music of Leanne Binder to fall in love with her voice. With her new EP, Leanne is making a splash. I Got Something to Say is available right now wherever you get your music.For more information, you can check out her website, or you can follow her on Facebook.

To find the "DIY Guitar Making" podcasts AND videos all in one place visit:www.diyguitarmaking.comFor information on the Hands-on Guitar Building Workshops and online guitar building courses visit:www.ericschaeferguitars.com

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Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

At the age of 11, Bobby Tomberlin interviewed music legends like Johnny Cash for his local radio station in Alabama. Years later, Bobby wrote "One More Day" and became a music legend himself. Since his rise to songwriting fame, Bobby racked up CMA, ACM, and Grammy nominations while writing hits for Blake Shelton, Vince Gill, Dolly Parton, and many more of country music's top artists. Bobby shares the stories behind his songs, his time as an actor, and the many opportunities he's had as a Curb Word Music songwriter for 30 years. To learn more about Bobby (or check out his brand new memoir), you can visit his website at bobbytomberlinmusic.com.

Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.