Podcasts about brazilian music

I am a big fan of Brazilian music and I remember briefly meeting bassist Pops Magellan at a NAMM show years ago and knew our conversation warranted a longer discussion.For this cover interview, I sat down with her to learn more about her musical journey, laying down the low-end for Adam Lambert, her new EP “Damage”, how she gets her sound and so much more.Here is Pops MagellanPhotos, Jack LuThis interview first appeared in Bass Musician Magazine in February 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Get the worksheets & complete show notes for this episode at https://cariocaconnection.comIn the final part of our series on Brazilian Music, Pablo, Alexia and Foster talk about the Brazilian Soul and the future of Brazilian music. It is full of great vocabulary and insight. Grab the free worksheet with a completely annotated transcript, best vocabulary and cultural insights for this episode:Free worksheet - Brazilian Music with Pablo - Part 3 Ready to massively improve your Brazilian Portuguese in 2025?

Get the worksheets & complete show notes for this episode at https://cariocaconnection.comIn part two of a three-part series on Brazilian music, we cover a lot. We talk about instruments, genres, where to see music in Rio, bad jokes about Zika and much more. Most importantly, we talk about how samba never dies.Grab the free worksheet with a completely annotated transcript, best vocabulary and cultural insights for this episode:Free worksheet - Brazilian Music with Pablo - Part 2 Ready to massively improve your Brazilian Portuguese in 2025?

Get the worksheets & complete show notes for this episode at https://cariocaconnection.comBrazilian music is essential to what it means to be Brazilian. Brazilians move, they dance, they sing. It's a part of who they are. If you want to understand Brazilians and Brazilian Portuguese: you have to listen to the music. Today's episode is the first installment of a three part series about Brazilian music with an expert on the topic: Dr. Pablo Saturnino Braga. In this episode, we talk about why music is central to Brazilian culture and how to understand it better.Grab the free worksheet with a completely annotated transcript, best vocabulary and cultural insights for this episode: Free worksheet - Brazilian Music with Pablo - Part 1 Ready to massively improve your Brazilian Portuguese in 2025?

This week, Tropicat is back mixing both digital & vinyl in what he calls the Pororoca Waves. The Pororoca waves are a rare and natural spectacle that occurs at the convergence point of fresh water from the Amazon River and the saltwater of the Atlantic Ocean. By that, world music goes organic and modern playing from Afrobeat, Salsa, Brazilian Music and getting a more electronic music vibe on the second half.For more info and tracklisting visit: https://thefaceradio.com/category/onda-globalTune into new broadcasts of Onda Global, the 2nd Wednesday from 10 PM -Midnight - EST / 3 - 5 AM GMT. (Thursday)///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

AP correspondent Haya Panjwani reports on Grammy-winning Brazilian music legend Sergio Medes dying.

lívia lucas | mario adnet & alfredo del penho | milton carlos | dois do samba | lúcio maia & jorge du peixe | pantico rocha & marcus dias | wado & o realismo fantástico | joão xavi | bezerra da silva | dona selma do coco | homens de barro | lucio sanfilippo | mauricio tizumba | alessandra leão | mariene de castro | bat makumba | ronei jorge e os ladrões de bicicleta | júnior black | lucas santtana| sambatrônica | joão do morro | diabo na cruz | homens do pântano e lykantropii | claudia vieira | edgard scandurra | andrea gram | juan rivas | walter wanderley | leandrade.

Our guest this week, Brooklyn-based musician David Nagler (Tape Hiss), brings us Brazilian music legend Milton Nascimento and his 1973 release: Milagre Dos Peixes (Miracle of the Fishes) When many of the song lyrics  were rejected by the Brazilian military regime, Nascimento elected to remove them and replace them with a wordless singing style that has been called "the voice of God" David's latest musical project - NYC-meets-Brazil musical collective 'As For The Future' - is available now at https://asforthefuture.bandcamp.com/ Songs discussed in this episode: Milagre dos Peixes (Live in Montreal, 1990) - Milton Nascimento; Don't Do It Again, You Need Me More Than You Know - As For The Future; Tudo O Que Você Podia Ser - Milton Nascimento; Koan For The Music Business - As For The Future; Os escravos de Jó, Carlos, Lúcia, Chico e Tiago, Milagre dos Peixes - Milton Nascimento; Miracle Of The Fishes - Wayne Shorter (Featuring Milton Nascimento); A Chamada, Pablo #2, Tema dos deuses, Hoje é dia de El Rey, A Ultima Sessão de Música, Cadê, Sacramento, Pablo - Milton Nascimento; Looking Around - As For The Future  

isaar | ha ono | marco andré | banda dos corações partidos | aldir blanc | trio pouca chinfra e a cozinha | mu chebabi | saravah soul | mario lago | paulinho da viola | andréia dias | bina coquet e zé de riba | speed freak e black alien | victor pirralho & a unidade | os mutantes | tulipa ruiz | new ritual e magali | kiko dinucci e jonathan silva | joão bosco | zé keti | seu jair do cavaquinho | mario adnet | pedro miranda | trio calafrio | nereu e céu | cyro baptista's banquet of the spirits | instituto | lucas santtana | curumin | pipo pegoraro | los sebozos postizosAROUND THE WORLD IN TWO HOURSThis week the CAIPIRINHA APPRECIATION SOCIETY sends a shout-out to the listeners around the four corners of the globe who have been tuning in to our show. With your help in spreading the word, we can double and treble and quadruple the awareness that Brazilian music is so much more than a handful of clichés. So don't keep the secret to yourself! May the joy within the CAS be shared!apple podcasts | google podcasts | amazon music | deezer etc(all platforms except Spotify!)VOLTA AO MUNDO EM DUAS HORASEsta semana o CAIPIRINHA APPRECIATION SOCIETY manda um alô para os ouvintes nos quatro cantos do mundo que estão se ligando no programa. Com sua ajuda na divulgação da causa, podemos duplicar, triplicar e quadruplicar a consciência internacional de que a música brasileira é muito mais do que uma meia-dúzia de clichês. Não guarde esse segredo só para você! A alegria do CAS está aí para ser compartilhada!apple podcasts | google podcasts | amazon music | deezer etc(todas as plataformas exceto o Spotify!)

Tee Cardaci on InstagramGuinu and Tee on the Razor n Tape Podcast (2 hr mix) https://linktr.ee/teecardaciSummaryTee Cardaci shares his journey as a DJ, starting from his early love for music and his first gigs in Maryland. He then moves to San Francisco in the late 90s, where he becomes immersed in the vibrant music scene and forms connections with artists and DJs. Eventually, he decides to move to Brazil, initially for a wedding, but ends up staying for 15 years. Tee discusses the challenges of DJing in Brazil, including language barriers and the cliquey nature of the scene. He also talks about his experiences touring in Europe and the importance of DIY culture in his career. In this conversation, Tee Cardaci discusses his experience as a DIY touring DJ and curator of Brazilian music. He shares stories of his travels, the development of his curating career, and the impact of his compilation projects. Tee emphasizes the importance of organic discovery and the joy of bringing obscure Brazilian music to a wider audience. He also touches on the challenges of navigating the music industry and the cultural nuances of doing business in Brazil. Tee's passion for Brazilian music and his dedication to preserving and promoting its rich history shine through in this conversation.TakeawaysTee's love for music started at a young age and led him to become a DJHe moved to San Francisco in the late 90s and became part of the vibrant music sceneHe eventually moved to Brazil and faced challenges in the local DJ sceneHe embraced DIY culture and built connections that allowed him to tour in EuropeLanguage barriers and cliques were obstacles he had to overcome in his DJ career DIY touring requires careful planning and organization, even if it may seem informalCurating music is a natural extension of a passion for discovering and sharing new soundsCompilation projects can open doors and lead to further opportunities in the music industryPreserving and promoting obscure music can be a rewarding experience, even if financial compensation is limitedBrazilian music is beloved for its swing, variety, and cultural blending00:00 Introduction and Background01:38 Early Love for Music and First Gigs22:14 Moving to Brazil: A Spontaneous Decision29:22 Challenges and Triumphs of DJing in Brazil33:47 Touring Europe and Embracing DIY Culture35:17 The DIY Touring Experience36:01 The Evolution of a Curator37:41 Compilation Projects and Opportunities44:37 The Irresistible Appeal of Brazilian Music

An interview with Lee Ritenour about his May, 2024, album with Dave Grusin:  "Brasil."  He talks about the collaborators on the album, choosing particular songs for the project, new arrangements of these songs, new compositions included in the collection, the essence of the music of Brazil, and more.See omnystudio.com/listener for privacy information.

anelis assumpção | pantico rocha e marcus dias | jair rodrigues | márcio local | rubi | sonekka | jr black | ortinho | os tincoans | elza soares | dorina | mestre vieira | mundé qultural | bande ciné | wanderlea | jorge mautner | os skywalkers | totonho | mano décio da viola | xangai | gonzaguinha | yamandú costa | zé ramalho | ramiro mussoto | dread zeppelin | pata de elefante | os abimonistas CAS WEEKLY(-ISH)Belated greetings to all caipiholics! After a painfully long cutback in your supply of cliché-less Brazilian music, we bring welcome relief to your cold-turkey! If anyone suggests rehab, just say NO, NO, NO! CAS (QUASE-) SEMANAL Saudações atrasadas a todos os caipi-dependentes! Após longo e doloroso corte de seu fornecimento de música brasileira sem clichês, trazemos alívio para sua crise de abstinência! Apreciem sem moderação.

#37 Rhythm is the spirit of Brazilian music, it has always been. In today's episode we dive into the origins of the most appreciated musical styles in Brazil (Choro, Bossa Nova, Samba) through the lenses of rhythm. The tune 'Carinhoso' by the master Choro composer Pixinguinha opens the floor for a journey into the vibrant, rhythmic spirit of Brazil.Luiza - by Antônio Carlos Jobim, Nova Banda | SpotifyFalando De Amor - by Antônio Carlos Jobim | SpotifyThis Is Pixinguinha - playlist by Spotify | SpotifyWhat is Brazilian Music? - RouteNote Create BlogCarinhoso - Pixinguinha, performed by Baden Powell | SpotifyMy Piano Courses:Counterpoint FundamentalsFor a 30% discount on my Counterpoint Course add the code THEMUSICCODE https://www.udemy.com/course/improvising-counterpoint/?couponCode=THEMUSICCODEFollow Alberto L. Ferro:MUSICBLOGYOUTUBEINSTAGRAMFACEBOOKSPOTIFYWhere is the Music Podcast is on:SPOTIFYAPPLEYOUTUBE TUNEINRSS FEEDMentioned in this episode:Patreon

bnegão | joão xavi | chico buarque | sérgio ricardo | tom zé | antônio e comitiva | maria alcina e bojo | os tropeçalistas | os outros | vitorino | clementina de jesus | gonzaguinha | marku ribas | waldick soriano | maria creuza | ramirez | ademir assunção | geraldo vandré | tom e dito | titãs | quarteto em cy | os incríveis | wilson simonal | joão do vale | plebe rudeCAIPIDURABack in 2008, in light of the anniversary of the military coup that wrecked Brazilian democracy for over 25 years, the Caipirinha Appreciation Society podcast put together a show celebrating the music that helped Brazilians hope for better days.apple podcasts | google podcasts | amazon music | deezer etc(all platforms except Spotify!)CAIPIDURAEm 2008, na ocasião do aniversário do golpe militar que sufocou a democracia por mais de 25 anos, o podcast do Caipirinha Appreciation Society preparou um programa em homenagem aos artistas que ajudaram os brasileiros a sonhar com dias melhores.  apple podcasts | google podcasts | amazon music | deezer etc(todas as plataformas, exceto o Spotify!)

Monocle Radio's Fernando Augusto Pacheco plays some of this week's best Brazilian music.See omnystudio.com/listener for privacy information.

tulipa ruiz | letrux | carne doce | paula cavalciuk | bande dessinée | cilibrinas do éden | andréia dias | bárbara eugênia | nau | céu | denise assumpção | anelis assumpção | rosa ferraz | karina buhrFEMALE TALENTTodays' rerun episode of the Caipirinha Appreciation Society podcast brought us a cross-section of female talent in Brazilian music. The mix is loose and clearly non-exhaustive - we couldn't possibly fit it all in a single show - but it's super powerful as it is! TALENTO FEMININOEsta edição do podcast do Caipirinha Appreciation Society enfocou o talento de uma seleção de artistas mulheres da música brasileira. O mix é solto e longe de ser exaustivo - impossível dar conta do assunto num único programa - mas é super poderoso mesmo assim! 

It's a country full of love, music and pride. The Str8Up crew heads to Brazil. Join us as we talk to Marianna and Debbie, two Brazil natives, all about their home country. Our guest talk about the love of their culture and breakdown the misconnects the world has of Brazil and the Brazilian people.

This in-person conversation stretches over Crypta's recent experience at 70000 Tons Of Metal, Fernanda's main inspirations to compose and write her lyrics, her relationship with the fans, Brazilian music, and much more!

This week we welcome our podbrother Danny Perez from the Oreja Peluda podcast, a show about masculinities in Latin America. This is the last episode in our music series and we're sad it's over. BUT Remoy likes music now, AND we're wrapping it up with some over-the-top performance with glam rock!This subgenre of rock emerged in 1960s England and made its way to the States in all its grandiosity. It was characterized by loud makeup and outfits, and challenged typical masculine presentation; that doesn't mean it was inclusive. Samantha shares some glam rock history, including the story behind Ziggy Stardust and the name Queen. Hint: it's all about gender performance.This era is often remembered as purely accepting of these artists on and offstage, she explains why, between Ziggy Stardust and Freddie Mercury, glam rock was only accepting of gender and sexual fluidity onstage. Danny offers his thoughts on MASKulinity and how it shows up in rock performances.Glam Rock was a little different in the southern hemisphere. With tropícalia influences, Brazilian glam rock emerged in the early ‘70s. And that's when the band Secos e Molhados formed. Samantha takes us through the differences between Brazil, US, and England in their reception of glam rock artists.Nicknamed the David Bowie of Brazil, Secos e Molhados lead singer Ney Matogrosso's impact on Brazilian music is still celebrated today. Samantha paints a picture of the ‘70s dictatorship and what made a particular social group tap into Secos e Molhados.Danny offers some background on the social backdrop in South America at the time.Help us name our revamped interview segment!

magali | dona ivone lara | clube do balanço | orquestra contemporânea de olinda | noriel vilela | tom zé | hélio ziskind | renata rosa | mestre verequete | kid africa | clementina de jesus | claudio rabeca | mariene de castro | zé ramalho e lula cortes | memória do samba paulista | suba e cibelle | otto | comadre fulozinha | angelique kidjo | isaar | baby consuelo | pepeu gomez | lecy brandão | marinez | mapiá | ayascaQUEEN OF THE SEA Why are we posting a show recorded around New Year's Eve on Yemanjá Day (February 2nd)? Well, since on December 31 thousands of people pray for better times to come all along the Brazilian coast, it's only natural that they invoke the Queen of the Sea, even if it's not actually her day. No harm done: it's like Yemanjá has two birthdays! Enjoy the wonderful music inspired by the mother whose children are fish.apple podcasts | google podcasts | amazon music | deezer etc (all platforms except Spotify!)RAINHA DO MARPor que estamos postando no dia de Yemanjá (2 de fevereiro) um show gravado na véspera do Réveillon? Pois bem, como no dia 31 de dezembro milhares de pessoas rezam para que tempos melhores cheguem em todo o litoral brasileiro, é natural que invoquem a Rainha do Mar, mesmo que não seja o dia dela. Sem problemas: é como se Yemanjá fizesse dois aniversários! Aproveite a maravilhosa música inspirada na mãe cujos filhos são peixes.apple podcasts | google podcasts | amazon music | deezer etc (todas as plataformas, exceto o Spotify!)

Sonia Ray is titular professor of double bass at the Federal University of Goiás (Brazil). She holds an undergraduate degree in Conducting and Composition from the State University of São Paulo and master's and Doctoral Degrees from the University of Iowa, both in Double Bass Performance under Dr. Gannett. Ray performs regularly performing both Brazilian and contemporary repertoire as a priority. Guest artist of ISB since 1993, Ray is a co-founding member of the Brazilian Society of Music Performance (ABRAPEM) and the Brazilian Society of Bassists (ABC). We talk about Sonia's background, her cool daily interview series from 2020, how she got into composition and bass, and much more.  Enjoy!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg   00:00 Introduction and Guest Presentation 00:41 Podcast History and Personal Connections 01:08 Memories from ISB Conventions 02:40 Influence of Diana Gannett 05:43 Adapting to Remote Music Making 07:15 Daily Interview Project During Pandemic 08:43 Reflections on Career Choices 10:58 Sponsor Shoutout: Carnegie Mellon University 11:53 The Upside of the Pandemic 12:55 The Challenges of Online Community Building 17:26 The Artistic Freedom in University Positions 20:38 The Joy of Chamber Music 22:41 The Art of Making Choices 22:49 Exploring New Musical Horizons 24:06 The Joy of Learning New Instruments 24:58 The Challenges and Rewards of Musical Experimentation 25:56 The Evolution of a Musician's Journey 26:31 The Power of Collaboration in Music 29:22 The Impact of Technology on Music 36:46 The Importance of Preserving Musical History 39:19 The Future of Music and Education 41:49 Reflecting on Personal Growth and Future Plans

New Classical Tracks - Georgina Rossi and Silvie Cheng by Georgina Rossi (viola) and Silvie Cheng (piano) – Chorinho (Navona Records)“This music, it's so personal to us and I think you can really hear that in the recording,” says pianist Silvie Cheng. “It tugs on your heartstrings because we've poured in every ounce of soul and our love into it. Both our love for the music but also our love for each other.”Cheng is a Tokyo-born Chinese Canadian pianist. She and Chilean American violist Georgina Rossi met while they were attending the Manhattan School of Music in New York. That's where they shared an apartment and discovered their love of Latin American music. Their second recording together, titled Chorinho, celebrates the sounds of Brazil.Cheng: “One of the pieces that we recorded by Souza Lima is called Chorinho, and so we just thought it was a nice way to not only enter into this world, but also pay homage to the traditions of music in Brazil.”Rossi: “The choro can roughly be translated into the idea of a lament or cry. But I also felt like it was the right title for the album because the viola tends to get assigned all of these melancholic and elegiac types of music. And so, to me, it felt perfect that everywhere in the world the choro or the lament is perfectly suited to the voice of the viola. It's a way of saying that this is an album of viola music from Brazil.”Let's talk about the other world premieres on this recording. One is a piece for solo viola. Georgina, I'm wondering, what does that mean to you to be able to include a solo work like this on this recording?Rossi: “Well, Ernani Aguiar is the only living composer on the record. I was so happy to get to communicate with him directly and share the CD with him when it came out. He was very happy about it. I think he liked it.”The largest work on this recording is the Sonata for Viola and Piano by Breno Blauth. Could you tell us what we're hearing in the piece and what you enjoy the most about playing it?Cheng: “There's actually many moments that reminded us of perhaps Shostakovich or even Hindemith because of the harmonic language. I think it's for sure one of the pieces on the album that treats the two instruments as equal partners, and it covers such a wide spectrum of human emotions. There's intimate, tender moments. There's exuberant, almost feisty moments. It's a wonderful journey for our two instruments to have this dialog together.”There's another fascinating composer who closes out this recording, and the piece you feature is is only a couple of minutes long. Her story, though, is so fascinating. I would love for you to tell us more about Chiquinha Gonzaga.Rossi: “She was a pianist and composer, and she was Brazil's first woman conductor. She was a descendant of nobility on one side and slavery on the other, and she was in an arranged marriage where she was pressured by her father and her husband to quit music. And instead of doing that, she abandoned that marriage.”Cheng: “And I think speaking to contemporary women musicians, we really felt it important to include a woman composer on this album, especially given the challenges that she faced in order to have her work be appreciated and heard. She wrote over 2000 songs and one of which, of course, is Lua Branca, which is featured on the album. It's kind of the perfect way to close out this narrative that we've created.” Watch on YouTubeResourcesGeorgina Rossi and Silvie Cheng – Chorinho (Amazon)Georgina Rossi and Silvie Cheng – Chorinho (Navona Records)Georgina Rossi (official site)Silvie Cheng (official site)

tita lima | luiz gonzaga | forró in the dark | fino coletivo | carlos pontual | márcio local | numismata | cassiano | partido bom | noelita | kiko dinucci e marcelo pretto | stella campos | pullovers | karine alexandrino | la santa mafia | jr black | joão xavi | pau brasil | jards macalé | quarteto repercussão | sambajah | bande ciné | reginaldo rossi | banda gentileza | bárbara e os perversos | black sonora | roberta sá | jurema | clementina de jesus, pixinguinha e joão da baianaThis week's Classic Rerun goes back to 2009, when we celebrated the year of France in Brazil, with lots of Brazilian songs in la langue de l'amour! The French have long been appreciators of Brazilian music, they deservethe homage. A curious fact: it was the first time we ever played Bande Ciné, the first ever band of Barro, who is now on tour and will be playing in a festival alongside MdC Suingue! More info here.apple podcasts | google podcasts | amazon music | deezer (all platforms except Spotify)O clássico reprisado dessa semana data de 2009 - o ano da França no Brasil - e traz várias músicas cantadas na langue de l'amour! Os franceses sempre apreciaram a boa música brasuca, merecem a homenagem. Uma curiosidade: foi nesse episódio que estreamos a Bande Ciné, primeira banda de Barro, que agora está em turnê e vai tocar num festival junto com MdC Suingue! More info here.apple podcasts | google podcasts | amazon music | deezer (all platforms except Spotify)

Ever wondered how a punk band leader evolves from hardcore rock to Americana? Join us as we welcome the charismatic Blag Dahlia, founder of the iconic American punk band, The Dwarves. This high-energy conversation takes us on a musical journey through Blag's roots, his varied influences and the significant shift in his music style with his latest album release under the name Ralph Champagne. We also dive into the much-anticipated release of The Dwarves 'Concept Album' set for release on November 17th and their coinciding US tour.We then unpack The Dwarves musical evolution, exploring their genre transitions from hardcore punk to pop punk, 60s garage, and thrash metal. Get a sneak peek into their upcoming 'Concept Album' that boasts an eclectic collection of artists including Nick Oliveri on bass, Josh Freese on drums, and  Salt Peter. In a lighter vein, enjoy our chat about the humorous Ralph Champagne track 'Girlfriend', a delightful homage to the quintessential American sound.Finally, we take a look at Blag's solo endeavors and collaborations with producer Andy Carpenter. From 70s glam bands to country, Americana  and acoustic guitar-focused music, the range of genres is impressive. Blag shares exciting details about the upcoming Dwarves tour opening at The Rock in Tucson on 2nd November 2023, a potential UK visit, and moonlighting as an author. The conversation concludes with a preview of the band's future gigs with Bad Religion, their participation in the Punk in the Park Festival, and the re-release of the famous 'Blood, Guts, and Pussy' album. Don't miss this fascinating glimpse into the ever-evolving punk music scene.Dwarves Links;https://thedwarves.com/www.undercurrentstories.com

New Classical Tracks - Plinio Fernandes (radio edit) by Plinio Fernandes - Bacheando (Decca)“For me, playing the guitar gives me a sense of identity, because it's something that I have been doing since I was very, very young,” guitarist Plinio Fernandes says. “I don't really remember my life that well before I was 6 or 7, which is when I started to play. Like brushing my teeth, drinking water, showering and breathing, I just have to play a couple of notes and feel like that grounds me.”Fernandes is a Brazilian guitarist who grew up surrounded by music. As his father's guitar rested on the sofa, Fernandes would pluck a few strings. Before he knew it, he was headed to London to study at the Royal Academy of Music. That's where he met his roommate, friend and musical colleague, cellist Sheku Kanneh-Mason. Fernandes and Kanneh-Mason recently completed a tour in support of Fernandes' second recording, Bacheando.Fernandes says the album's name is just a made-up word inspired by the title of Heitor Villa-Lobos' Bachianas Brasileiras and as an homage to the great German master Johannes Sebastian Bach.How does the music of Bach and the rich culture of Brazil come together on this recording?“Villa-Lobos, our greatest composer of all time, who really reshaped Brazilian culture, was massively influenced by Bach. His contemporaries were massively influenced by that connection between Villa-Lobos and Baroque music. In addition to taking the pieces that already existed, Sergio Assad was one of the arrangers and composer on the album. He wrote a piece inspired by that concept to pair with the Prelude, Fugue and Vivace.”One of your favorite pieces by Bach, the Prelude, Fugue and Allegro, is at the heart of this recording. Why is this one of your favorite pieces?“Very simply, it's one of the most beautiful pieces of music I've ever heard. And I grew up listening to it. The three movements represent to me what perfection is.”How did the piece that Assad created for you come about?“I came to him and we were discussing the repertoire for the album and said, ‘Sergio, I would love to have you writing something specifically for that.' And then he was very keen on doing something that he first wrote, the Prelude and Fugues. It's the first fugue that he has ever written, which is quite something and a privilege to have that. And then it just kept on growing until it became this little suite of three movements.”Can you talk about what it means when you're describing colors in playing the guitar? “I was basically trying to use everything that the instrument has to offer. I think it is a very specific thing to the guitar. One can talk about the colors that you create with the piano, but with the guitar … you use both of your fingertips to produce the sound, so it's a very personal thing. Depending on the size of your fingers or the length of the nails, each person will have a very particular and unique sound.” Listen on YouTubeTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.ResourcesPlinio Fernandes - Bacheando (Amazon)Plinio Fernandes - Bacheando (Decca)Plinio Fernandes (official site)

Hey there, music and culture enthusiasts! Get ready to groove to the rhythm of Brazil as we invite you to tune in to the latest episode of Global Ginga. We've got the one and only Paulo Presotto from Flow Music joining us for a lively chat. With his wealth of musical expertise, he's the ultimate guide to all things Brazilian. Join us as he highlights all the reasons why you can't miss the upcoming US tours of Falamansa, Diego Moraes, and Arnaldo Antunes, alongside Vitor Araujo. Let's Ginga! Let's Flow! #GlobalGinga #BrazilianMusic #CultureCraze # let'sginga #let'sflow #flowmusic #musicmatters #radio #brazilianradio #falamansa --- Send in a voice message: https://podcasters.spotify.com/pod/show/global-ginga/message Support this podcast: https://podcasters.spotify.com/pod/show/global-ginga/support

Today we're visiting a country passionate about music, food, and enjoying life. While those passions are shared across the country, otherwise it is extremely diverse. The landscapes range from tropical beaches, to rainforest, to waterfalls, and more. The cities are huge and vibrant. The people are from cultural backgrounds as different as Japanese and African.  Joining me to chat all things Brazil are three experts in the region. Joe Sandillo, our partner in Brazil; Fabio Delantonia, a chef and expert in the culinary history of Brazil; and Micael Amarancci a passionate musician, cultural expert, and law and politics scholar.  The four of us chat about everything from the slave roots of Brazilian music, to understanding the history of the country through food, to the under-appreciated areas of Brazil that we think you should visit.  Learn more at www.luxtravelinsider.com   Connect with me on Social: Instagram LinkedIn  

In Brazilian Music for Oboe and Piano, oboist Alexandre Ficarelli and pianist Marcos Aragoni present a refined selection of works by Brazilian composers active in the 20th and 21st centuries. These composers include Camargo Guarnieri, Osvaldo Lacerda, Ernst Mahle, Mario Ficarelli, and Liduino Pitombeira.Tracks1. Ponteio No. 39: Dengoso (Arr. for Oboe and Piano by Osvaldo Lacerda) (M. Camargo Guarnieri) - (1:29)2. Ponteio No. 44: Desconsolado (Arr. for Oboe and Piano by Osvaldo Lacerda) (M. Camargo Guarnieri) - (1:58)3. Sonata para Oboé e Piano: I. Moderado (Osvaldo Lacerda) - (5:42)4. Sonata para Oboé e Piano: II. Lento, mas Não Muito (Osvaldo Lacerda) - (4:26)5. Sonata para Oboé e Piano: III. Movido (Osvaldo Lacerda) - (2:27)6. Sonata para Oboé e Piano: I. Allegretto (Ernst Mahle) - (4:07)7. Sonata para Oboé e Piano: II. Andante. Presto. Tempo. Presto. Andante (Ernst Mahle) - (6:01)8. Sonata para Oboé e Piano: III. Allegro Vivace (Ernst Mahle) - (2:59)9. Sonata para Oboé e Piano: I. (Mario Ficarelli) - (7:09)10. Sonata para Oboé e Piano: II. (Mario Ficarelli) - (3:52)11. Sonata para Oboé e Piano: I. Luar Caiçara (Liduino Pitombeira) - (6:02)12. Sonata para Oboé e Piano: II. Jornada (Liduino Pitombeira) - (4:15)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Bárbara Leu from Azul Music.     

On this week's show, we...  spend quality time with new records from Jenny Lewis, Foo Fighters & Jason Isbell and the 400 Unit  bid adieu to the iconic Astrud Gilberto & the legendary Tina Turner  celebrate 45 years of my all-time favorite record - Bruce Springsteen's Darkness on the Edge of Town  All this & much, much less!Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

No competitivo mercado da música clássica, não há muito espaço para ousadia. Quem quer se destacar precisa seguir os cânones e trilhar os mesmos caminhos percorridos por gerações de profissionais há séculos. Não há escapatória. Mas o violonista brasileiro Fabricio Mattos tem conseguido investir em rotas alternativas. Ele acaba de se tornar doutor pela prestigiosa Royal Academy of Music de Londres, o primeiro latino-americano a conseguir o feito, e o primeiro violonista do mundo. Vivian Oswald, correspondente da RFI em LondresO projeto de pesquisa de Fabricio Mattos coloca em perspectiva o significado e a importância do palco para a experiência musical contemporânea. A posição do palco pode mudar totalmente a percepção da plateia, segundo ele, que já colocou um espelho entre músicos e público, que achava que o som dos instrumentos vinha da imagem refletida. De suas inquietações nascem os projetos."Tive experiências muito ruins em concursos, principalmente, envolvendo até certo preconceito. Na musica clássica ainda existe essa coisa muito rançosa", diz o violonista. Ele conta que ficou "muito mal" depois de passar por um concurso em Pisa, na Itália. "Aí resolvi que, ou eu cortava a minha unha, que no jargão violonístico é acabar a carreira, ou partia para uma outra complementamente diferente. Cheguei em casa e vi que tinha músicas dedicadas a mim e me disse: 'não posso parar agora!'".Foi assim que se lançou, em 2010, em um projeto musical diferente: o Worldwide Guitar Connections (WGC). A ideia era tocar pelo mundo o que não se via na seleção das casas de renome. O repertório combinava novas obras de compositores vivos, inovação, sustentabilidade e integração com o público. O WGC deu origem a uma longa turnê internacional, com obras de artistas de quatro continentes e a gravação de músicas contemporâneas. Fabricio é dos poucos profissionais que questionam velhos modelos batidos e tenta inovar.A relação do brasileiro com a música começou por intermédio do pai, saxofonista, com quem ia tocar em bailes de Carnaval no interior do Paraná desde os 5 anos de idade. Se errasse o tempo, levava um safanão na cabeça. Se cansasse, dormia na caixa da bateria e usava o tamborim que tocava de travesseiro. Aos 8 anos, passou para a flauta e poucos anos mais tarde, para o violino, que tocava como violão para não incomodar os vizinhos. Foi aí que a mãe se deu conta de que o instrumento do filho era mesmo o violão.No primeiro ano da Faculdade de Belas Artes em Curitiba já pensava em ir para Londres. Fabricio passou alguns anos fazendo concursos e juntando dinheiro. Vendeu tudo o que tinha para fazer seu mestrado na capital britânica, em 2008. Mal começara, trancou a matrícula depois de receber um convite para sair em turnê com o Sonora Brasil, o maior projeto do Sesc Nacional. E com ele rodou o Brasil inteiro com Salomão Habib, do Pará.Remando contra a maréPouco tempo depois, Fabricio foi para a Itália e acabou investindo tudo no WGC. Produziu e encomendou obras, montou as próprias turnês. Foram quatro meses com os pés na estrada. Encomendava, estudava as obras, gravava e levava tudo em um pendrive, porque não tinha meios para carregar os CDs. Com a receita dos concertos, o projeto acabou se mostrando sustentável, embora o instrumentista admita que tenha sido algo incialmente muito ideológico no sentido de que parecia remar contra a maré."Foi uma coisa que eu fui contra o que muita gente falava. Que não se deve tocar só música contemporânea, só música nova porque o público não aceita e tudo mais. Tudo embaixo de um teto conceitual muito claro, muito bem estabelecido com os parceiros do projeto”, disse.O box com os CDs do projeto WGC – que já saiu no Brasil – será lançado em outubro, em um concerto em Londres. Entre eles, destacam-se os da terceira temporada, “Heritage”, uma conversa entre o violão do século XIX e o do XX. Para esta fase, o violonista encomendou de um luthier da Coreia um Stauffer, modelo emblemático produzido em Viena no século XIX para o qual muitas obras do chamado período de ouro do violão foram compostas. Ele tem as tradicionais cordas de tripa, porque não havia nylon na época. O diálogo viria das obras contemporâneas que pediu a compositores em resposta ao instrumento ou que o utilizassem como fonte de inspiração. Uma das bases do projeto está na colaboração, que vai contra a tendência competitiva da música.Novo projeto independenteÉ assim que Fabricio se prepara para lançar outro projeto independente que deve surpreender o público. No segundo semestre, nascerá a empresa New Stages Creations, dele e do compositor e cineasta Bernardo Simões. A iniciativa aposta em novas formas de experimentar a música. Novos conceitos de palcos darão origem a uma série de concertos variados e um canal por assinatura com todo o processo de criação musical por trás das produções, novas gravações e vídeos de artistas contemporâneos. As receitas dos eventos ao vivo e dos vídeos vendidos serão, em sua maior parte, destinadas aos profissionais, que vêm de diversas partes do mundo. Sua fatia no projeto é bem maior do que o que pagam as tradicionais plataformas de streaming. Já há 12 eventos confirmados. A ideia estética surgiu do projeto “Marés – Journeys into Brazilian Music", encomendado a Fabricio e Bernardo durante a pandemia, quando concertos e contatos pessoais haviam sido suspensos.

No competitivo mercado da música clássica, não há muito espaço para ousadia. Quem quer se destacar precisa seguir os cânones e trilhar os mesmos caminhos percorridos por gerações de profissionais há séculos. Não há escapatória. Mas o violonista brasileiro Fabricio Mattos tem conseguido investir em rotas alternativas. Ele acaba de se tornar doutor pela prestigiosa Royal Academy of Music de Londres, o primeiro latino-americano a conseguir o feito, e o primeiro violonista do mundo. Vivian Oswald, correspondente da RFI em LondresO projeto de pesquisa de Fabricio Mattos coloca em perspectiva o significado e a importância do palco para a experiência musical contemporânea. A posição do palco pode mudar totalmente a percepção da plateia, segundo ele, que já colocou um espelho entre músicos e público, que achava que o som dos instrumentos vinha da imagem refletida. De suas inquietações nascem os projetos."Tive experiências muito ruins em concursos, principalmente, envolvendo até certo preconceito. Na musica clássica ainda existe essa coisa muito rançosa", diz o violonista. Ele conta que ficou "muito mal" depois de passar por um concurso em Pisa, na Itália. "Aí resolvi que, ou eu cortava a minha unha, que no jargão violonístico é acabar a carreira, ou partia para uma outra complementamente diferente. Cheguei em casa e vi que tinha músicas dedicadas a mim e me disse: 'não posso parar agora!'".Foi assim que se lançou, em 2010, em um projeto musical diferente: o Worldwide Guitar Connections (WGC). A ideia era tocar pelo mundo o que não se via na seleção das casas de renome. O repertório combinava novas obras de compositores vivos, inovação, sustentabilidade e integração com o público. O WGC deu origem a uma longa turnê internacional, com obras de artistas de quatro continentes e a gravação de músicas contemporâneas. Fabricio é dos poucos profissionais que questionam velhos modelos batidos e tenta inovar.A relação do brasileiro com a música começou por intermédio do pai, saxofonista, com quem ia tocar em bailes de Carnaval no interior do Paraná desde os 5 anos de idade. Se errasse o tempo, levava um safanão na cabeça. Se cansasse, dormia na caixa da bateria e usava o tamborim que tocava de travesseiro. Aos 8 anos, passou para a flauta e poucos anos mais tarde, para o violino, que tocava como violão para não incomodar os vizinhos. Foi aí que a mãe se deu conta de que o instrumento do filho era mesmo o violão.No primeiro ano da Faculdade de Belas Artes em Curitiba já pensava em ir para Londres. Fabricio passou alguns anos fazendo concursos e juntando dinheiro. Vendeu tudo o que tinha para fazer seu mestrado na capital britânica, em 2008. Mal começara, trancou a matrícula depois de receber um convite para sair em turnê com o Sonora Brasil, o maior projeto do Sesc Nacional. E com ele rodou o Brasil inteiro com Salomão Habib, do Pará.Remando contra a maréPouco tempo depois, Fabricio foi para a Itália e acabou investindo tudo no WGC. Produziu e encomendou obras, montou as próprias turnês. Foram quatro meses com os pés na estrada. Encomendava, estudava as obras, gravava e levava tudo em um pendrive, porque não tinha meios para carregar os CDs. Com a receita dos concertos, o projeto acabou se mostrando sustentável, embora o instrumentista admita que tenha sido algo incialmente muito ideológico no sentido de que parecia remar contra a maré."Foi uma coisa que eu fui contra o que muita gente falava. Que não se deve tocar só música contemporânea, só música nova porque o público não aceita e tudo mais. Tudo embaixo de um teto conceitual muito claro, muito bem estabelecido com os parceiros do projeto”, disse.O box com os CDs do projeto WGC – que já saiu no Brasil – será lançado em outubro, em um concerto em Londres. Entre eles, destacam-se os da terceira temporada, “Heritage”, uma conversa entre o violão do século XIX e o do XX. Para esta fase, o violonista encomendou de um luthier da Coreia um Stauffer, modelo emblemático produzido em Viena no século XIX para o qual muitas obras do chamado período de ouro do violão foram compostas. Ele tem as tradicionais cordas de tripa, porque não havia nylon na época. O diálogo viria das obras contemporâneas que pediu a compositores em resposta ao instrumento ou que o utilizassem como fonte de inspiração. Uma das bases do projeto está na colaboração, que vai contra a tendência competitiva da música.Novo projeto independenteÉ assim que Fabricio se prepara para lançar outro projeto independente que deve surpreender o público. No segundo semestre, nascerá a empresa New Stages Creations, dele e do compositor e cineasta Bernardo Simões. A iniciativa aposta em novas formas de experimentar a música. Novos conceitos de palcos darão origem a uma série de concertos variados e um canal por assinatura com todo o processo de criação musical por trás das produções, novas gravações e vídeos de artistas contemporâneos. As receitas dos eventos ao vivo e dos vídeos vendidos serão, em sua maior parte, destinadas aos profissionais, que vêm de diversas partes do mundo. Sua fatia no projeto é bem maior do que o que pagam as tradicionais plataformas de streaming. Já há 12 eventos confirmados. A ideia estética surgiu do projeto “Marés – Journeys into Brazilian Music", encomendado a Fabricio e Bernardo durante a pandemia, quando concertos e contatos pessoais haviam sido suspensos.

SERGIO MENDES is an iconic pianist, producer, songwriter, band leader, Grammy winner and Oscar nominee.  He is widely considered the best known Brazilian musician of all time, having reinvented himself continually over the course of a 60 year career.  Since a very early age, growing up in a small town in Brazil, Sergio began exploring different styles of music and his unique sound, including his use of Portuguese lyrics, was embraced all over the world.  His career took off with worldwide hits by his group Brasil '66. He has more than 60 releases that feature bossa nova heavily crossed with jazz and funk. Sergio was nominated for an Oscar for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio.  He is a unique example of a Brazilian musician primarily known in the United States, where his albums were recorded and where most of his touring has taken place. His mammoth hit 'Mas Que Nada' was the first ever international hit of a song in Portuguese. It was voted the fifth greatest Brazilian song ever and inducted into the Latin Grammy Hall of Fame in 2013. Sergio says the key to successful songs is the simple melody. Though he never expected it, Sergio Mendes' timing and unique sound made him an international success.  One of the biggest crossover Brazilian pop artists of his generation, Sergio Mendes helped define the sound of Latin pop and dance music in the 20th century. For most of the second half of the '60s, Sergio was the top-selling Brazilian artist in the United States, charting huge hit singles that regularly made the Top Five. His records with his group Brasil 66 regularly straddled the domestic pop and international markets in America, getting played heavily on AM radio stations, both rock and easy listening, and he gave his label, A&M, something to offer light jazz listeners beyond the work of the company's co-founder, Herb Alpert.  Decades later he still tours the world and performs at numerous music festivals. Always mindful to keep re-inventing himself in order to remain relevant, Sergio has successfully collaborated with artists like John Legend, will.i.am from The Black Eyed Peas and many well known Brazilian musicians.  In 2019, he issued his latest studio album, 'In the Key of Joy' in conjunction with a documentary film about his life. At 82 years of age, Sergio is doing some of the best work of his life. Join me for our interview as Sergio Mendes recounts his incredible musical career this week on A Breath of Fresh Air. To learn more about Sergio Mendes head for my website https://abreathoffreshair.com.au or Sergio's website https://sergiomendesmusic.com/ And don't forget, if you'd like to request someone you'd like to hear being interviewed - as long as they're from the 60s 70s or 80s - simply send me an email to sandy@abreathoffreshaircom.au and I'll do my very best to get your favourite artist onto the show. I really hope you enjoy this episode with the extraordinary Sergio Mendes.

"I felt more connected to the keyboard because it just encompasses everything. You can play rhythm, bass, harmony and melody." The keyboard. That's how I met Àbáse. Such an exceptional and pure talent. Szabolcs blends rhythms and melodies from all over the world. He has been living in Berlin since 2018, growing up in Budapest and listening to jazz and hip-hop. The two biggest influences are Africa and Brazil. In all this, his love for creating creative black music. In today's episode, we started talking about his first steps into music, the importance of living in Rio de Janerio and Salvador discovering Brazilian music legends, to his latest album, "Laroyê",. I hope you enjoy the exchange!

The giants of Brazilian music are still around and still touring. But there is a younger generation adapting their own styles, arrangements and instrumentation to Brazilian music. On this episode, we introduce you to a few names and styles. Come along and feast on this young talent! --- Send in a voice message: https://anchor.fm/global-ginga/message Support this podcast: https://anchor.fm/global-ginga/support

Here it is guys! The podcast is back! I finally was able to get back into a schedule to make these videos. Excited to be doing another breakdown type episode, this one about the latest video - my arrangement of the classic All The Things You Are. Since a lot of people messaged me wanting a breakdown of the arrangement, I did an extensive one! I'm really dissecting the arrangement and going step by step into all the sections, the devices I'm using and you can follow the harmony with chord changes on screen so I think y'all will like this one! Let me know what you think and what would you like to hear next! Enjoy! best GS

Hey Culture Keepers! This is your humble host of You Are A Culture Keeper Podcast, Deborah Axé. Before we introduce our amazing guest, Kebrina Josefina De Jesus, we have exciting news! We are growing & looking for one more person to join our team as Social Media & Web Design Guru, so please reach out on Instagram: @you.are.a.culture.keeper  We would love someone who is multi-lingual & we give priority to folkx who are in BIPOC & LGBTQI+ community. Multiple languages are awesome! Must have excellent spelling & attention to detail. No degree necessary, just have talent & tenacity. Prior experience managing internationally successful podcasts preferred, but not a must if you are 100% ready to Go Big with us! We are a self care oriented crew, & want team members who have great self care practices, clear, tactful boundaries & know how to calm themselves down if they are stressed. This last part is huge. We are always growing & happy to share techniques, but please have a solid base of self care, 'cause this world is Cray Cray! We have huge plans for this podcast, including a book launch of Recipe For Disaster: A Comedic Dating Cookbook, original music, events, & workshops. Sharing your Clifton Strengths assessment is helpful so we choose a well rounded team. All are encouraged to apply & we welcome referrals if you know just the right person! _________________________________________________ Many listeners know that I have a private practice as a trilingual Music Coach. But June 2022, I'll be teaching my special Move Your Voice workshop at Phoenix Rising Festival in the California Desert. I integrate the teachings of Caroline Myss, Joe Dispenza & Isabelle Tierney, to raise awareness about the types of energy we use when speaking or singing. We will do this by including emotional regulation techniques, & neuroscience in our vocal warm ups that will profoundly change your relationship to stress & well-being. So you may think we are singing, but you will learn so much more! It's free with entry to the festival.  We explore the voice from a multi-cultural perspective, using body based singing methodology. Most vocal teachers use belle canto or European Based training to tame the wildness out of our voice, resulting in a circus dog style that can do tricks, but not emote in an authentic way. Instead, we honor my teachers from around the globe, with a fusion of singing techniques from Mexico, Spain, India, West & North Africa, Brazil, & the Middle East. You may dm me on our IG @you.are.a.culture.keeper for more info about this private festival. Promo code for your discount is YAACK short for… You Are A Culture Keeper. Phoenix Rising ticket info: https://www.eventbrite.com/e/phoenix-rising-2022-tickets-265610256427 (https://www.eventbrite.com/e/phoenix-rising-2022-tickets-265610256427) Phoenix Rising Trailer: https://www.youtube.com/watch?v=_PAlYtksAKI&t=78s (https://www.youtube.com/watch?v=_PAlYtksAKI&t=78s) ——————————————————————————————— Kebrina Josefina De Jesús is a Multidisciplinary Artist, Choreographer, Yoga Teacher, Wellness Coach & actor. Founder, Artistic Director, Choreographer of Colorado's 1st Brazilian Dance School & Company, helping people transform, heal and grow. Samba Colorado is celebrating their 10th year!!! She has her M.F.A., in Theatre & Contemporary Performance, Naropa University. She is available for dance & educational workshops/residencies & performances. In today's episode, we talk about dance, LatinX communities, hormones, self care, Rosangela Silvestre & Jorge Alabé. We met at California Brazil Camp where we explore the amazing African Diaspora of Brazilian Music, Dance, & Culture (more info below.) Work with Kebrina - https://linktr.ee/KebrinaDeJesus (https://linktr.ee/KebrinaDeJesus) http://www.sambacolorado.com (http://www.sambacolorado.com ) SAMBA...

Today's special guest on the podcast is Kristen Mather de Andrade. She is a clarinetist with the prestigious West Point Band, and recently released her debut album called Clarão. We discuss what it's like performing, arranging and arranging Brazilian Music, both on clarinet and voice, what it's like playing with a Military Band, and more.

Today we is about old news... well Brazilian Music is not that popular in Pandemic Days, so we are talking about an unnusal place to a music show. It's a very famous Brazilian singer that made a huge success in a subway station. If you want to check the full news go to: https://extra.globo.com/tv-e-lazer/musica/alceu-valenca-surpreende-passageiros-cantando-em-estacao-de-metro-de-sao-paulo-22337039.html For the full transcript, you can go to: https://readbrazilianportuguese.com/?p=1496&preview=true And if you want to grab our "Portuguese Learner Starter Kit" here is the link: https://social.portuguesewitheli.com/starter-kit --- Send in a voice message: https://anchor.fm/readbrazilianportuguese/message

Welcome to "High Action" - a podcast about our favorite instrument, the guitar, and the extraordinary people who play it! We are Perry Smith, Will Brahm, and John Storie - the New West Guitar Group. Season 2 features the members of NWGG performing and discussing for the listeners the many exciting topics of contemporary guitar playing. This week Perry, John and Will discuss and perform the wonderful music of Brazil on their guitars.  Follow and support us on Patreon https://www.patreon.com/newwestguitargroup★ Support this podcast on Patreon ★

Join me for a conversation with Radegundis Tavares, President of The International Horn Society! Radegundis Tavares has been developing a career of important accomplishments. He was the first president of the Brazilian Horn Association and has recorded the first CD of a Brazilian brass player playing standard European classical repertoire, entitled “Universal”, as much as the first CD featuring improvisation on the Horn by a Brazilian player, entitled “Radegundis Tavares”. Radegundis hosted the first two Brazilian Horn Meetings and the first International Horn Symposium in Latin America – IHS49.  He has been premiering many works for Horn in a great variety of formations, specially Brazilian Music from distinguished Brazilian composers such as José Ursicino da Silva “Maestro Duda”, J. Orlando Alves, Marcílio Onofre, Liduino Pitombeira and Eli-Eri Moura – many of these Works were dedicated to Radegundis. He has acted as a soloist playing traditional repertoire, virtuosic works and Brazilian popular music.  Radegundis did his under-graduate and graduate courses in the Federal University of Paraiba and had as his Horn professor Cisneiro de Andrade and as his research supervisor Luis Ricardo Silva Queiroz. During his master degree Radegundis started to research about the Horn learning and the performance of Brazilian popular music in this instrument and many publications were made from this project.  Besides his performances as soloist and chamber musician, Radegundis played as a guest with many orchestras. Since 2008 he is full time professor of Horn at the Federal University of Rio Grande do Norte and has released in June of 2019 his third solo CD entitled “Sounds from my home”. Radegundis' recordings can be found on main streaming platforms.  Episode Highlights Current teaching and performing positions Why Radegundis got involved with the IHS Plans he has for the future of the IHS Learning how to promote yourself, get closer to the public Making the IHS more international “Remember why you got involved with the IHS.” Playing Tips, How he stays in shape as a horn player with a busy schedule Hosting the 49th International Horn Symposium Forming the Brazilian Horn Association Music education in Brazil Recordings Website: https://radegundistavares.com/ Crossing over into popular music “The most important thing is to be together with people.” Shoutout to Marcus Bonna! Brazilian composers to check out!

Lyd the SBW is listening to her favorite bass line and reminding everyone from Texas to Brazil, Iceland to Zimbabwe and Australia to Japan that it's your thing, do what you want to do. And yes, she knows James Brown's 'My Thang' is antithetical to 'It's Your Thing' and that he was problematic AF.The SpaceTimeMusic theme music is a sample of the Ana-Tole x Jonah Christian Remix of Ready or Not by the Fugees.LINKS:A Sample, A Cover playlistFacebookEp. 17 Brass HealingEmail: spacetimemusicpodcast@gmail.comSONG CREDITS:In order of appearanceIt's Your ThingIt's Our ThingIsley Brothers1969Shake Your ThangA Salt With a Deadly PepaSalt-n-Pepa feat. E. U. (Experience Unlimited)1988Funky President (People It's Bad)RealityJames Brown1974My ThangHellJames Brown1974

The Mixed Mag team leaves room at the table for exploring a range of reactions and opinions on every bit of our ever-expanding musical landscape. From indie darlings to mainstream pantheons and all the jazz (heh get it?) in between, come vibe with us! And don't worry, no need to take notes. We made you a mixtape. While it's doesn't have a direct English translation, Saudade is the word used to describe "a feeling of longing, melancholy, or nostalgia" that is supposedly characteristic of the Portuguese or Brazilian temperament. On today's episode, Joana and Tayo talk with Mixed Mag Editor in Chief and Virgo with the Vision, Carolina Muerkens about the history of Brazilian music and its strong but soft hold on this particular emotion, a feeling that is both parts sweet and sticky; forever fleeting until it turns up at your doorstep like an old friend, as if it never strayed too far in the first place. Luiz Bonfá: Brazilian Bossa Nova Guitarist The "Saudade" Mixtape Follow us! Instagram Twitter Buy Tickets to Mixed Fest 2021 in Brooklyn!

No Ipacast de hoje o aluno João Paulo Campos nos conta sobre a visita do maestro anglo-americano Leopold Stokowski ao Brasil e o contexto de gravação de seu álbum Native Brazilian Music, entre 1940 e 1942. Confira. O episódio de hoje foi baseado no artigo “Cuícas e pandeiros para Stokowski ouvir!”. O disco Native Brazilian Music e a Política da Boa Vizinhança escrito por Pedro Belchior e publicado na Revista de História da USP, em 2020. Para acessar o texto na íntegra, basta clicar no link: https://www.revistas.usp.br/revhistoria/article/view/146365/159214 Sigam nossos perfis nas redes sociais: Instagram, Twitter, Facebook e Youtube.

This episode we go south of the equator! Listeners will feel the Carnival spirit and Brazilian sun via the Afro Brazilian musical styles that originate in the magical city of Salvador de Bahia. Pack your sunscreen and dancing shoes!

In this episode I will tell about my experience about Choro and Brazilian Music in Europe. I will talk about my great friends Marco Ruviaro (guitar and mandolim player), Barbara Piperno (flute player), Fred Henning (mandolim player), Cristiano Fischer (guitar player) and Vinicius Baxo (percussionist and Capoeira teacher). Also, the fantastic Bavaschoro! Roda de Choro in Munich, Stuttgart, our Choro "kind of" festivals in Italy and Konstanz will be also mentioned there. --- Send in a voice message: https://podcasters.spotify.com/pod/show/abdallah-harati/message

Hoje vamos falar sobre alguns estilos de música que os Brasileiros gostam. --- Send in a voice message: https://anchor.fm/speakbrazilianportuguese/message Support this podcast: https://anchor.fm/speakbrazilianportuguese/support

Victor welcomes his "Brother from another Mother", Ze Ricardo. Ze Ricardo is an award winning singer/songwriter/producer from Rio de Janeiro, Brazil. Ze has worked in one or more of these capacities, along side some of the most respected entertainment icons in music history. Victor surprises Ze with an on camera "pop up" from multi award winning songwriter/producer Wayne Vaughn and multi award winning engineer/producer Moogie Canazio. All four of these gentlemen of music (Ze, Wayne, Moogie and Victor), celebrate stories of their friendships, music and international social unrest.SHOW LESS 

Victor talks with the mulit-talented and much respected, Moogie Canazio. Antonio "Moogie" Canazio is a Brazilian recording engineer, mixing engineer and record producer known for his work with Antônio Carlos Jobim, Caetano Veloso, Ivan Lins, João Gilberto, Ray Charles, Sarah Vaughan and Luis Miguel. He has won two Grammy Awards, five Latin Grammy Awards, and two Midsouth Emmy Awards.

Moyseis Marques is a singer, composer, and guitarist. He began his professional career in 1998 and in the past 18 years of his career he has dedicated himself fully to the rhythms of Brazil, particularly samba, forró, and so-called MPB ("Música Popular Brasileira").He is a founder of the bands "Casuarina", "Forró na Contramão" and "Tempero Carioca", and in 2001 he began playing frequently in the bars of Lapa -- the bohemian heart of Rio de Janeiro – and participating actively in Lapa's revitalization (along with other leading lights of the Rio music scene). Since then, he has established himself as one of the principal talents of the generation of sambistas that emerged from the resurgence of Lapa. He has released five albums, "Moyseis Marques" (Deck Disc,2007), “Fases do Coração" (Deck Disc 2009), “Pra Desengomar" (Biscoito Fino 2012), “Casual Solo" (Fina Flor, 2014) and "Made in Brasil" (Sarau, 2015),His repertoire of original compositions includes partnerships with a litany of Brazil's best known musical poets, from both the "old school" and the "new school." He is a partner of luminaries such as Aldir Blanc, Edu Krieger, Nei Lopes, Moacyr Luz, Zé Paulo Becker, Alfredo Del -Penho, Joyce Moreno, Ivan Lins, Zé Renato, Khrystal , Socorro Lira, Pedro Luís, João Cavalcanti, Vidal Assis, João Martins and Yamandu Costa among many others.He has received nominations for Best Album and Best Singer in two consecutive years in the National Prize of Brazilian Music, was the star of the musical "Ópera do Malandro" (staged by João Falcão, that debuted at Rio's Municipal Theatre in 2015), and has a long list of shows and recordings to his name all over Brazil, the US, and Europe. He has shared the stage with a "who's who" of Brazilian music, including Chico Buarque, Arlindo Cruz, Paulinho da Viola, Martinho da Vila, Beth Carvalho, Moraes Moreira and Luiz Melodia.Moyseis is also a long-time California Brazil Camp faculty member.Influences:-Caetano Veloso-Gilberto Gil-Djavan-Chico Buarque de Hollanda-Tom Jobim-Ellis Regina-Maria Bethânia-Luiz Gonzaga-Jackson do Pandeiro-Paulinho da Viola-Zeca Pagodinho-Arlindo CruzSponsored by GoSamba.net! Moyseis Marques By Moyseis Marques Buy on Amazon Moyseis Marques By Moyseis Marques Buy on Amazon Moyseis Marques no Estúdio Showlivre Showlivre Buy on Amazon Links:www.moyseismarques.com.brVideo:www.youtube.com/watch?v=cLSCzKzSyqwhttps://youtu.be/cLSCzKzSyqwhttps://youtu.be/X2hR4AVyBn8https://youtu.be/3l3tlSUypGwhttps://youtu.be/rHTk-gy8qZshttps://www.youtube.com/watch?v=fG2W2M-nAQc&feature=youtu.be This episode is sponsored by GoSamba.net! Brazilian drums in the USA!

This episode features Brazilian music from Duo Partido. On their new EP, vocalist Alicia Ramirez and guitarist Dario Griffin bring some really fresh ideas to some Bossa nova classics you already know, alongside a few tunes from the more modern school of Brazilian music. You'll hear selections their new EP, including their excellent interpretations of music by A.C. Jobim, Sueli Costa, Guinga, and others. You'll also hear a little about the origins of Bossa nova, and about a really interesting thumb technique that helps to create some really beautiful and exotic sounding chords. We also continue our search for prospective careers in music that lie outside the traditional combination of performing and teaching. In this case, we take a moment to talk about musical therapy. You'll get a glimpse at Alicia's path in this field and some suggestions for further exploration into music's connection with the mind, about its ability to help and heal in a diverse set of circumstances. By the way, you may notice their EP was recorded really nicely. Well, that's because it was recorded at Universal Exports Studio, owned and operated by our good friend Kai Narezo.