Podcasts about Composition

Download the Adaptive Cardio Workshop, cardio planning guide, training templates, and get a custom nutrition plan at live.witsandweights.com/adaptive-cardio—Can cardio really kill your gains? What if the truth is the exact opposite? Could you actually build muscle and endurance at the same time, without sacrificing either?I am joined by Kris Gethin, a pro bodybuilder, Ironman finisher, and endurance athlete, to destroy the myth that “cardio ruins muscle.” Kris shares how he transformed from a 220-pound bodybuilder to a full Ironman in six months without losing his physique. We unpack the real science of hybrid training, how to combine strength and cardio effectively, and why recovery, not training volume, is what really determines your success. Tune in to learn how cardio and lifting can finally work together, not against each other.Today, you'll learn all about:2:24 – Kris's asthma story and recovery breakthrough7:45 – How hybrid training changed the game14:28 – Building recovery into your lifestyle21:02 – Grounding, mindfulness, and HRV26:58 – Key running, cycling, and swimming tips32:26 – Why sprinting beats long slow cardio39:28 – Nutrition, fasting, and fueling for performance47:02 – Squats, balance, and hybrid strength51:04 – Hydration, sleep, and long-term healthEpisode resources:Instagram: @krisgethin Website: krisgethin.com Facebook: @krisjohngethin Youtube: @krisgethin Support the show

A slight diversion from our current series on mythology to look at a unique connection between Ireland and Palestine. If you'd like to donate to support the people of Palestine you can do so here: https://www.savethechildren.org/us/where-we-work/west-bank-gazaAs this could be a contentious episode, I wanted to ensure I shared all my sources. If it's something people find interesting, I'll keep doing for episodes moving forward. Seán W. Gannon, “The Formation, Composition, and Conduct of the British Section of the Palestine Gendarmerie, 1922–26,” The Historical Journal (2013). Cambridge University Press & AssessmentSeán W. Gannon, “‘Our Irish Constabulary': The British Palestine Gendarmerie, 1922–1926,” in The Irish Imperial ServiceRichard A. Cahill, “The Image of ‘Black and Tans' in Late Mandate Palestine,” Jerusalem Quarterly 40 (2009).Richard A. Cahill, “Going Berserk: ‘Black and Tans' in Palestine,” Jerusalem Quarterly 38 (2009). Palestine StudiesUCC, The War of Words: Propaganda and Moral Force. University College Cork Hosted on Acast. See acast.com/privacy for more information.

This episode features an interview with Dr. Derek G. Handley, author of the book Struggle for the City: Citizenship and Resistance in the Black Freedom Movement. Dr. Handley is an Associate Professor in the English Department at the University of Wisconsin–Milwaukee. He is also affiliated faculty in the African and African Diaspora Studies Department and in the Urban Studies program. Before that, he was a Chamberlain Project Fellow in English and Black Studies at Amherst College and a Predoctoral Mellon Fellow at the James Weldon Johnson Institute for the Study of Race and Difference at Emory University. He has taught at Lehigh University, the United States Naval Academy, and the Community College of Allegheny County in Pittsburgh, Pennsylvania. Currently, he is co-director of the digital humanities project “Mapping Racism and Resistance,” which maps racial covenants in Milwaukee County and uncovers Black resistance to such discrimination. In this interview, we discuss his concept of Black rhetorical citizenship, the role of Black women in the civil rights movement in the urban North, the plays of August Wilson, and housing covenants that prevented Black people from purchasing or renting particular properties throughout much of the twentieth century. This episode features a clip from the song "The City" by The Kyoto Connection. Episode Transcript

Virginie Girod remonte le temps pour raconter le conflit le plus complexe du Moyen-Âge. En 1429, alors que la guerre de Cent Ans fait rage, le Dauphin reçoit Jeanne d'Arc à Chinon. Le 8 mai, elle parvient à défaire les Anglais à Orléans. Mais le malheur guette la Pucelle. (rediffusion)Au Cœur de l'Histoire est un podcast Europe 1.- Présentation et écriture : Virginie Girod- Production : Armelle Thiberge et Clara Leger- Réalisation : Julien Tharaud- Diffusion : Estelle Lafont et Clara Ménard- Composition du générique : Julien Tharaud- Visuel : Sidonie ManginBibliographie et ressources en ligne : - Philippe Contamine de l'Institut, Charles VII, une vie une politique, Perrin, 2021- Valérie Toureille, Jeanne d'Arc, Perrin, 2020- La guerre de Cent Ans résumée en 2 minutes - CmnHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Au Cœur de l'Histoire est un podcast Europe 1. - Présentation et écriture : Virginie Girod - Production : Armelle Thiberge et Clara Leger - Réalisation : Julien Tharaud - Diffusion : Estelle Lafont et Clara Ménard - Composition du générique : Julien Tharaud - Visuel : Sidonie Mangin Bibliographie et ressources en ligne :  - Philippe Contamine de l'Institut, Charles VII, une vie une politique, Perrin, 2021 - Valérie Toureille, Jeanne d'Arc, Perrin, 2020 - La guerre de Cent Ans résumée en 2 minutes - Cmn   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tim Davies, Head of Out of Home and SME Accounts at DPD UK, talks about PUDOs, parcel lockers, and out-of-home delivery. We cover: Growth in DPD UK's out-of-home delivery network Composition of the OOH network How the DPD Parcel Shop PUDO relationship works Partnerships with major retailers Exclusivity vs carrier-neutral PUDO approach from retailers DPD UK's relationship with the UK Post Office - more than just PUDOs In-store parcel scanning technology, including integrations Trends in UK OOH delivery, including parcel lockers Retailers' interest in OOH delivery Returns via OOH In-flight parcel redirections and DPD UK's OOH network Consumer notifications Dealing with customer complaints The customer experience Redirecting undelivered parcels to PUDO points Tim is one of the many expert speakers appearing at Parcel and Post Expo this year. Go to ParcelAndPostExpo.com for more information about this year's event being held in Amsterdam from 21 to 23 October.

durée : 00:23:41 - Les Nuits de France Culture - par : Mathias Le Gargasson - 1ère diffusion : 28/12/1950 Chaîne Nationale Par Jean Amrouche - Avec Emil Mihai Cioran (philosophe et écrivain roumain de langue française) - réalisation : Antoine Larcher

Register for the Live Q&A with Karen Martel on Tuesday October 14, only in Physique University (replay included). Use code FREEPLAN to get a free custom nutrition plan when you join ($97 value) at physique.witsandweights.comGet hormone creams and oils without a prescription at witsandweights.com/karenmartel (use code WITSANDWEIGHTS for 10% off)—What if waiting too long for hormone therapy meant more than hot flashes? What if it set you up for stubborn weight gain, bone loss, and low energy?I talk with hormone specialist Karen Martel about why timing matters for HRT, how hormone shifts impact metabolism, muscle, and mood, and why lifestyle alone isn't always enough. We cover genetics, trauma, and the latest tools, from HRT to GLP-1s—that can help women reclaim vitality in midlife and beyond. Karen Martel is the host of The Hormone Solution Podcast, where she helps women thrive through perimenopause and menopause with practical, science-backed solutions. Today, you'll learn all about:6:35 – How hormones trigger a metabolic storm12:56 – The rise of belly fat and insulin resistance19:11 – Muscle, bone, and recovery challenges23:51 – Life without hormone therapy28:55 – Key tests to watch in your 40s44:12 – GLP-1s as a new tool59:17 – A positive future for women's healthEpisode resources:Karen's Bioidentical Hormone Products (Creams & Oils) - use code WITSANDWEIGHTS for 10% offKaren's group hormone coachingSupport the show

[Pour retrouver nos épisodes en avant-première, abonnez-vous au Binge Club sur : https://m.audiomeans.fr/s/S-kzLXJFUU]Pour Édouard Louis, accepter son désir pour les hommes n'a été qu'une première étape dans l'apprentissage de la vie gay. Tout ce qui l'a construit en tant qu'homosexuel et en tant qu'écrivain, il le doit à des rencontres, des nouvelles amitiés avec d'autres hommes gays, l'éducation sentimentale et sexuelle qu'on lui a donnée dès son arrivée à Paris, à la fin de ses études.Que se passe-t-il une fois l'injure homophobe désamorcée, dans le cœur comme dans le corps ? Comment apprend-on à vivre sa sexualité tout en intégrant les codes d'un nouveau milieu social ? Qu'est-ce qu'un regard de transfuge de classe révèle des rapports de pouvoir des classes dominantes ?Dans le troisième volet de ce grand entretien en quatre épisodes, Naomi Titti explore l'arrivée de l'écrivain Édouard Louis dans l'univers de la bourgeoisie culturelle. Il raconte sa désillusion et sa colère... mais aussi comment les communautés homosexuelles lui ont permis de trouver un refuge face aux pires travers de ce monde-là.RÉFÉRENCES CITÉES DANS L'ÉMISSION Retrouvez toutes les références citées dans l'épisode à la page : https://www.binge.audio/podcast/les-couilles-sur-la-table/grand-entretien-avec-edouard-louisCRÉDITSLes Couilles sur la table est un podcast créé par Victoire Tuaillon produit par Binge Audio. Ces entretiens ont été préparés, menés et montés par Naomi Titti et enregistrés les mardi 2 et mercredi 3 septembre 2025 au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, réalisation et mixage : Paul Bertiaux et Jude Rigaud. Supervision éditoriale et de production : Naomi Titti. Production et édition : Marie Foulon. Crédits photo : Chloé Vollmer-Lo. Communication : Lise Niederkorn. Rédacteur en chef : Thomas Rozec. Direction de production : Albane Fily. Responsable administrative et financière : Adrienne Marino. Musique originale : Théo Boulenger. Composition identité sonore : Jean-Benoît Dunckel. Voix identité sonore : Bonnie El Bokeili. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Faculty adoption and use of AI in higher education varies widely. In this episode, three colleagues from the University of Mississippi: Josh Eyler, Emily Pitts Donahoe, and Marc Watkins, provide their perspectives on AI use in higher education. Josh is the Senior Director of Center for Excellence in Teaching and Learning and Assistant Professor of Teacher Education, Emily is the Associate Director of Instructional Support in the Center for Excellence in Teaching and Learning and Lecturer of Writing and Rhetoric, and Marc is a Lecturer in Composition and Rhetoric and Assistant Director of Academic Innovation. A transcript of this episode and show notes may be found at http://teaforteaching.com.

Today, we welcome two remarkable guests: composer Amy Scurria and Dr. Ryan Gardner, Associate Professor of Trumpet at the University of Colorado Boulder. Amy, a multi-award-winning composer, has seen her work performed worldwide, including at Carnegie Hall. With a unique perspective shaped by her late autism diagnosis, she began composing at just eight years old, using music as a language to explore her emotions. Ryan, originally from Santa Monica, California, has spent over a decade teaching trumpet and is known for his innovative approaches to performance psychology. He also serves as the artistic director for Music for Autism, a program that creates inclusive concert experiences for autistic individuals and their families.In this first part of our conversation, we dive into the intersections of music and autism. Amy shares her insights on neurodiversity and how it shapes her approach to composing, while Ryan discusses the transformative power of music for autistic audiences. As Amy poignantly states, "Neurodiversity means we're just scratching the surface of what the human brain is capable of and how it works." Their stories and perspectives promise to offer enlightening views on how music can bridge differences and create connections.[Subscriber Content] In the subscriber section, we delve deeper into Amy's journey as a composer and her educational experiences. She reflects on her influences, including her composition teachers at Rice University and Duke University, and shares thoughts on how improvisation has played a role in her creative process. Ryan also discusses the impactful training he received and the importance of understanding individual learning styles in music education. Their shared wisdom is sure to resonate and inspire anyone interested in the rich tapestry of music education and neurodiversity.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

The music industry can be hard to navigate, and harder to stomach. Sometimes, the industry seems to magnify all of your biggest insecurities, and the Imposter Syndrome is real.BUT electro-pop artist Robbie Wabi Sabi says that we artists have to stick together, and that you have to be your own biggest fan. You also have to connect meaningfully with your audience.In this episode, Emmeline sits down with Robbie Wabi Sabi, a synthesizer-obsessed drum machine lover who's been writing and producing his own music since the 1980s. While Robbie's career in music has experienced multiple iterations and transformations, he feels like THIS era is his best one yet--in part because of the enthusiasm he has for his own music and for the music community in which he exists and creates. He shares his tips for building self-confidence, keeping oneself relevant, and maintaining joy while creating. He also talks about his latest single, "Beautiful and Nerdy," and tells Emmeline why every Robbie Wabi Sabi show is actually one big party.To learn more about Robbie Wabi Sabi, or to follow his musical journey, find him on Instagram, check him out on YouTube, or stream his music on Spotify. For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Welcome back to another of our Staff Selects! Today I read a bit about one of my favorite poets. I was introduced to Poe in school, like alot of people, but have sense been fascinated by poetry and how it is written. The book I am reading from is "Poe: Essays and Reviews" which is a book published under the Libraries of America with a collection of Poe's writing gathered by G.R. Thompson. I like the idea of eventually reading a few poems here on the channel so I thought it fitting to begin with Poe's thoughts on the composition of poetry. It's a very wordy breakdown, but I enjoyed it and felt some of you might also. This weeks Part 1 will be about the composition and theory of poetry, and next weeks Part 2 will be where Poe dissects the Raven and explains his thought process that led to the legendary poem. We hope you enjoy this sneak peak at this book, and as always if you enjoy the story then we invite you to visit your local library and ask them to reserve it for you!- Check out the Library Systems official website where you can find links to free resources, school and career guides, and news about our upcoming events! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pawls.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -Follow us on YouTube and enjoy our backlog of digital story hours and other great content! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@pawls365⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Original background track is The Talons Of Adventure, The Antlers Of Romance by Doctor Turtle, music from the freemusicarchive.orghttps://freemusicarchive.org/music/Doctor_Turtle/none_given_1561/Doctor_Turtle_-_You_Um_Ill_Ah1/The Talons Of Adventure, The Antlers Of Romance by Doctor Turtle is licensed under a Attribution 4.0 International License.Alterations were made by us to make it fit the length of our content.#library #books #pawlskids #kidsstorytime

Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

11 Labs API is making music smarter, faster, and more dynamic. In this discussion, we discuss its applications across genres and industries. Could this be the dawn of an AI-driven music era?Get the top 40+ AI Models for $20 at AI Box: ⁠⁠https://aibox.aiAI Chat YouTube Channel: https://www.youtube.com/@JaedenSchaferJoin my AI Hustle Community: https://www.skool.com/aihustle

Send us a textGabrielle Cerberville, known as the Chaotic Forager, returns to discuss her new book "Gathered on Foraging, Feasting, and the Seasonal Life" and shares insights on building relationships with wild spaces beyond mere resource collection.• Moved to Virginia at the base of Shenandoah National Park to pursue a PhD in Composition and Computer Technologies• Uses biodata from fungi and plants to create music as a form of science communication• Created a community-based approach to foraging through workshops and classes in her converted basement classroom• Wrote "Gathered" as a combination of memoir, cookbook, and field guide to share both technical knowledge and the deeper meaning of foraging• Collaborated with experts including culinary specialists, plant and mushroom identifiers, and indigenous food practitioners to ensure accuracy• Challenges individualistic "self-sufficiency" narratives in foraging communities, emphasizing that these skills developed in community contexts• Recommends beginning foragers start by finding local clubs and experienced guides rather than relying solely on books• Suggests approaching foraging with curiosity rather than conquest, focusing on building relationships with plants before harvesting• Emphasizes observation and spending time with individual species to develop deeper understanding and connectionPre-order "Gathered on Foraging, Feasting, and the Seasonal Life" now at your local indie bookstore or wherever books are sold. You can find Gabrielle as Chaotic Forager across all social media platforms and at chaoticforager.com for workshop information.Also, be sure to check out the Blue Life Podcast! You can support them by donating to their funding campaign at givebutter.com/BlueLife, following them on social media, and lisSupport the showAs always, thanks so much for listening! Subscribe, rate, and review Planthropology on your favorite podcast app. It helps the show keep growing and reaching more people! As a bonus, if you review Planthropology on Apple Podcasts or Podchaser and send me a screenshot of it, I'll send you an awesome sticker pack!Planthropology is written, hosted, and produced by Vikram Baliga. Our theme song is "If You Want to Love Me, Babe, by the talented and award-winning composer, Nick Scout. Midroll tunes are by Rooey. Substack: Office Hours Website: www.planthropologypodcast.com Podchaser: www.podchaser.com/Planthropology Facebook: Planthropology Facebook group: Planthropology's Cool Plant People Instagram: @PlanthropologyPod e-mail: planthropologypod@gmail.com

Want to build muscle, lose fat, balance hormones, and enjoy life? ⁠⁠⁠Join Physique University and get a FREE custom nutrition plan using code FREEPLAN. Go to witsandweights.com/physique—Think you're too old to transform your body? Brian Kopka proves otherwise.At 46, Brian, a medical professional and former athlete, was stuck in the low-carb trap, feeling drained and frustrated. Six months later, he's stronger, leaner, and more energized than ever. Brian joins me today to share how reintroducing carbs supercharged his workouts, why logging every rep reignited progress, and how coaching gave him the push he didn't know he needed. We also talk openly about the struggles men rarely admit: scale obsession, restrictive eating, and the mental toll of chasing fitness alone.Today, you'll learn all about:3:07 - Why Brian hired a coach6:09 - Tracking workouts and progressive overload8:08 - How carbs transformed performance15:12 - Using data to cut through fitness myths18:43 - The truth about aging and decline25:00 - Coaching as an accelerator for growthEpisode resources:Brian's email: mdkicker17 [at] yahoo.comSupport the show

Prada SS26 è una retrospettiva che riprende molti elementi di vecchie collezioni e li combina insieme in modi nuovi. Nascono così nuovi vestiti che si adattano al futuro incerto che stiamo vivendo. Gli abiti sfuggono alle occasioni d'uso più comuni, per questo diventano ancor di più forme di espressione personale: il work wear diventa abito da sera, i scampoli di tessuto gonne patchwork.Ma la vera domanda è: Prada ha ancora da dirci qualcosa in termini di nuove forme e creatività? Oppure continuerà a lavorare sui suoi elementi del passato?Foto di copertina: Daniele Oberrauch / Gorunway.com

[Pour retrouver nos épisodes en avant-première, abonnez-vous sur : https://m.audiomeans.fr/s/S-kzLXJFUU]Toute son adolescence, Édouard Louis a cherché à échapper à la violence et au dressage à la virilité qu'il subissait. Mais une évasion ne se fait jamais seul : ce sont les femmes de son entourage qui ont rendu cette fuite possible.Comment ces femmes, elles-mêmes victimes de la domination masculine, ont-elles inventé des parades pour ne pas se laisser écraser ? Comment leur résistance et leurs techniques de survie ont-elles permis à Édouard Louis d'échapper à la masculinité hétéro obligatoire, et de se réinventer ? Dans la deuxième partie de ce grand entretien en 4 épisodes, Naomi Titti poursuit sa discussion avec l'écrivain Édouard Louis. Il raconte comment sa mère, ses sœurs et ses amies l'ont aidé à embrasser son homosexualité, et leur rôle dans sa transformation sociale. Une transformation qui s'accompagne aussi d'un dressage à l'ordre bourgeois, avec ses propres paradoxes et ses propres violences.RÉFÉRENCES CITÉES DANS L'ÉMISSION Retrouvez toutes les références citées dans l'épisode à la page : https://www.binge.audio/podcast/les-couilles-sur-la-table/grand-entretien-avec-edouard-louisCRÉDITSLes Couilles sur la table est un podcast créé par Victoire Tuaillon produit par Binge Audio. Ces entretiens ont été préparés, menés et montés par Naomi Titti et enregistrés les mardi 2 et mercredi 3 septembre 2025 au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, réalisation et mixage : Paul Bertiaux et Jude Rigaud. Supervision éditoriale et de production : Naomi Titti. Production et édition : Marie Foulon. Crédits photo : Chloé Vollmer-Lo. Communication : Lise Niederkorn. Rédacteur en chef : Thomas Rozec. Direction de production : Albane Fily. Responsable administrative et financière : Adrienne Marino. Musique originale : Théo Boulenger. Composition identité sonore : Jean-Benoît Dunckel. Voix identité sonore : Bonnie El Bokeili. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

[Pour retrouver nos épisodes en avant-première, abonnez-vous sur : https://m.audiomeans.fr/s/S-kzLXJFUU] Pendant toute son enfance, Édouard Louis a tenté d'apprendre à être « un vrai dur ». Là où il a grandi, dans une famille pauvre de cinq enfants d'un village du Nord de la France, c'était la seule manière autorisée d'être un homme. Comment survivre au dressage à la masculinité hétéro et virile quand on est un enfant gay ? Comment comprendre les masculinités des classes populaires ? Qu'est-ce qui fait que cet apprentissage de la masculinité peut à la fois donner du pouvoir, mais aussi enfermer ceux qui l'incarnent ?Dans la première partie de ce grand entretien en 4 épisodes, Naomi Titti reçoit l'écrivain Édouard Louis, l'une des voix majeures de la littérature française actuelle. Auteur de sept livres autobiographiques, il écrit pour rendre visibles les réalités et les violences qu'on refuse de voir, montrer l'impact des structures de pouvoir sur nos vies et tenter, peut-être, de renverser toutes les dominations.RÉFÉRENCES CITÉES DANS L'ÉMISSION Retrouvez toutes les références citées à la page https://www.binge.audio/podcast/les-couilles-sur-la-tableCRÉDITSLes Couilles sur la table est un podcast créé par Victoire Tuaillon produit par Binge Audio. Cet entretien a été préparé, mené et monté par Naomi Titti et enregistré le mardi 2 septembre 2025 au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, réalisation et mixage : Paul Bertiaux et Jude Rigaud. Supervision éditoriale et de production : Naomi Titti. Production et édition : Marie Foulon. Crédits photo : Chloé Vollmer-Lo. Communication : Lise Niederkorn et Léa Crétal. Rédacteur en chef : Thomas Rozec. Direction de production : Albane Fily. Responsable administrative et financière : Adrienne Marino. Musique originale : Théo Boulenger. Composition identité sonore : Jean-Benoît Dunckel. Voix identité sonore : Bonnie El Bokeili. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

How accurate is the 1963 epic Cleopatra. In this episode, we assess 5 historic claims that the film makes in order to find out.Patreon: patreon.com/MummyMoviePodcastEmail: mummymoviepodcast@gmail.comFirst Cleopatra Episodehttps://shows.acast.com/mummymovieodcast/cleopatra-1963BibliographyBarnes, T. D. (1984). The Composition of Cassius Dio's" Roman History". Phoenix, 38(3), 240-255.Burstein, S. M. (2007). The reign of Cleopatra. University of Oklahoma Press.McKenzie, J., & Moorey, P. R. S. (2007). The Architecture of Alexandria and Egypt, c. 300 BC to AD 700 (Vol. 63). Yale University Press.Pelling, C. B. (Ed.). (1988). Plutarch: life of Antony. Cambridge University Press.Pelling, C. B. R. (Ed.). (2011). Plutarch Caesar: Translated with an Introduction and Commentary. Oxford University Press, USA.Roller, W. (2010), Cleopatra: a biography. Oxford: Oxford University PressScheidel, W. (2004). Creating a metropolis: a comparative demographic perspective. Ancient Alexandria between Egypt and Greece, 1-31.Lacus Curtius (2023). The Geography of Strabo. Retrieved from https://penelope.uchicago.edu/Thayer/e/roman/texts/strabo/17a3*.html Hosted on Acast. See acast.com/privacy for more information.

This week, Ian talks with Cartoonist Aaron Losty about his new graphic novel, The Hanging, out now from Strangers Publishing. Among other topics, they discuss formative works, collaboration, and making genre comics for a small press audience. In the back half, they talk about Aaron's experience as a co-founder of Cartoonist Cooperative, the state of the organization three years after its inception, decision-making processes, and recent campaigns. Apologies for the audio quality of the interview. Aaron Losty Bluesky: @aaronlosty.bsky.social Instagram: @aaronlosty Patreon: patreon.com/aaronlosty Website: aaronlosty.com Cartoonist Cooperative Bluesky: @cartoonist.coop email: hello@cartoonistcoop Instagram: @cartoonistcoop Mastodon.art: @cartoonist.coop Tumblr: @cartoonistcoop Website: cartoonist.coop YouTube: @cartoonistcoop Strangers Publishing Bluesky: @Strangers.bsky.social Instagram: @strangers_publishing Website: strangerspublishing.com Then we share a portion of an interview from September of 2024 about the case of the H5, 5 people who were facing criminal criminal charges of human trafficking for providing humanitarian aid to refugees crossing the Polish and Belarusian border through the ancient Bieloweza forest. In this interview, we spoke with a member of Szpilla anti-repression collective. The members of the H5 case were acquitted this month in a legal victory, though the state might renew it's accusation. Meanwhile, with fly-overs by Russian drones and planes in Estonia and Poland, we see an increasing militarization of the border from states on both sides. Episode 1 on the Green Border Episode 2 on the Green Border

Dans cet épisode, Fabrice Lafitte se penche sur l'histoire de "Message in a Bottle", le titre phare du groupe britannique The Police. Il y explore la genèse de cette chanson culte de 1979, en analysant le processus créatif de son auteur, Sting. Vous découvrirez les secrets de sa composition et de son enregistrement, ponctués d'anecdotes fascinantes sur le groupe. Que vous soyez un fan de longue date ou simplement curieux d'en apprendre davantage sur ce classique de la pop-rock, cet épisode vous offrira une analyse unique et passionnante de cette chanson emblématique.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Also on YouTube for some visualsMy urge for minimalism is partly to provide myself with the visual cues I desperately need, without overwhelming myself with visual clutter. And, there has been a specifically classist push for minimalism that sometimes causes me to get rid of too much.Here's an excellent thread about minimalism, class, and why you're probably not a hoarderI especially loved the idea that you may just need better organization, because I really love lining things up. Now I'm focusing on organizing based on my interests, rather than what I think is the most practical or obvious!Mentioned in episode: Mastodon thread about minimalismThe exact iPad cover I showed that looks like a Composition notebook (still going strong almost four years in), affiliate linkAuDHD Flourishing resources:Transcript DocMattia's NewsletterLike Your Brain community space (Patreon/Discord) Hosted on Acast. See acast.com/privacy for more information.

Fabrice Lafitte nous plonge dans les coulisses du tube 'Capri, c'est fini' d'Hervé Villard. Nous découvrons comment ce jeune chanteur de 19 ans a composé ce succès en seulement 7 minutes, et comment il a réussi à lancer sa carrière avec ce titre devenu culte. Fabrice Lafitte partage également des anecdotes fascinantes sur les exigences d'Hervé Villard lors de l'enregistrement, ainsi que sur les circonstances qui ont mené à la sortie de ce single en 1965. Un épisode riche en détails qui ravira les amateurs de musique et d'histoires inédites derrière les plus grands tubes.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Want to build muscle, lose fat, and train smarter? ⁠⁠⁠Join the new Physique University for just $27/month⁠⁠⁠ and get a FREE custom nutrition plan using this special link.—Can you really lose 340 pounds without surgery? What if the secret isn't dieting harder, but thinking differently?I am joined by Jamie Selzler, who completely transformed his body and life using three tools: GLP-1 medication, walking, and lifting weights, and four simple rules that kept him consistent when motivation ran out. Jamie reveals how he went from struggling to walk 20 feet to seeking out movement every day, why food noise nearly controlled his life, and how self-respect changed everything. Whether you want to lose 20 pounds or 200, Jamie's story proves it can be done without extremes.Today, you'll learn all about:3:06 – From avoiding movement to seeking it6:07 – Facing mortality and fear of dying young10:15 – Confidence versus true self-respect14:25 – Keeping promises to yourself daily18:03 – Food noise, GLP-1s, and relief29:47 – Loose skin, body comp, and lifting40:34 – Jamie's four rules for sustainability59:01 – Why lasting change takes yearsEpisode resources:Website: jamieselzler.com Instagram: @jselzler Facebook Group: Jamie's Wellness CircleTiktok: @jamselz Youtube: @jselzler Support the show

Send us a textSwitching to a new PMU machine can feel like starting all over again. Suddenly your healed results look different, your depth feels off, and frustration sets in. But that's not failure, it's the learning curve.In this episode, Teryn Darling walks you through what really happens when you pick up a new machine: the vibration feels strange, the stroke is different, the voltage doesn't behave the same, and your muscle memory needs time to catch up. She shares her own big switches, from a cheap starter pen to a coil, and then to rotary machines and how patience, adjustments, and reps made all the difference.

Que disent les récits de l'écrivain Édouard Louis sur la masculinité, les classes sociales et la littérature ?Dans ce grand entretien au long cours, Naomi Titti reçoit l'une des voix majeures de la littérature française actuelle. Au fil de 4 épisodes, Édouard Louis raconte son enfance dans une famille très pauvre d'un village du Nord de la France, l'apprentissage forcé d'une masculinité virile, sa fuite de la misère et de l'homophobie. À travers son histoire et celle de sa famille, il propose une lecture incarnée des rapports de force et esquisse des pistes pour les renverser.Les épisodes sont à écouter gratuitement chaque jeudi à partir du 25 septembre 2025. Le premier est déjà disponible en avant-première pour les abonné·es du Binge Club : https://www.premium.binge.audio/CRÉDITSLes Couilles sur la table est un podcast créé par Victoire Tuaillon produit par Binge Audio. Cette bande-annonce a été écrite par Naomi Titti et enregistrée en septembre 2025 au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, réalisation et mixage : Paul Bertiaux et Jude Rigaud. Supervision éditoriale et de production : Naomi Titti. Production et édition : Marie Foulon. Crédits photo : Chloé Vollmer-Lo. Communication : Lise Niederkorn et Léa Crétal. Rédacteur en chef : Thomas Rozec. Direction de production : Albane Fily. Responsable administrative et financière : Adrienne Marino. Musique originale : Théo Boulenger. Composition identité sonore : Jean-Benoît Dunckel. Voix identité sonore : Bonnie El Bokeili. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Join our next BoldBrush LIVE! Webinar by signing up here:https://register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---For today's episode, we created a compilation of advice from our past guests where we discuss the importance of continuous learning and experimentation and how it becomes the foundation of your ongoing artistic process. Our guests emphasize the importance of reframing challenges as questions, embracing experimentation, and learning from both successes and failures. They also highlight the value of balancing fast and slow approaches to painting, as well as the need to adapt techniques to individual strengths and passions. The artists discuss the pressures of professional art, including deadlines and competitions, and how these can both hinder and inspire creativity. They also explore the significance of focusing on shapes, values, and the abstract qualities of a subject, rather than just its literal representation. Ultimately, this episode is all about encouraging artists to trust their creative journey, remain curious, and continually push themselves to grow and evolve.In order of appearance:136 Bill Davidson131 Todd Casey132 Keith Bond128 Sarah Yeoman129 Brian Bateman 

The Power of Story: Amplifying Teacher VoicesIn this episode of the Teacher Fellows Podcast, hosts Ryan Rarick and Lauren Merkley discuss the importance of storytelling in education with guests Kristin Van Brunt and Scott Judy. The conversation covers how sharing personal experiences can empower teachers, influence policy, and change narratives around public education. The guests provide practical advice on overcoming imposter syndrome, finding the right audience, and starting small when sharing classroom stories. They highlight the significance of stories in building empathy and fostering collaborative growth among educators.00:00 Introduction and Hosts' Welcome00:38 Preview of Today's Episode01:28 Meet the Guests: Kristin Van Brunt and Scott Judy02:52 The Power of Story in Education06:37 Overcoming Imposter Syndrome10:43 Sharing Stories to Influence and Inspire19:02 Practical Tips for Teachers to Share Their Stories21:14 Final Takeaways and Closing RemarksGUESTS ON EPISODE:Scott Judy - High School Social Studies Teacher in Davis School District, Professional Learning Facilitator for the Teacher FellowsInstagram:@moves_like_judyTwitter/X: @Moves_Like_Judy Kristin Van Brunt - Instructional Coach in Davis School District, Professional Learning Facilitator for the Teacher FellowsInstagram:@kristinvanbruntTwitter/X: @vb_kristinADDITIONAL RESOURCES:Karen Eber: How Your Brain Responds to Stories | TED Talk YouTubeChimananda Ngozi Adichie: The Danger of a Single Story |TED Talk YouTube SOCIAL MEDIA CONNECTIONS: Want to be on the podcast? Fill out this form - Podcast Interview Survey Teacher Fellows Website: teacherfellows.orgLinkedin: Utah Teacher Fellows Twitter: @TeachFellowsPod or @HSG_UTInstagram: @TeacherFellowsPodcast or @hsg_utFacebook: @utahteacherfellowsprogramEmail us: socialmedia@hopestreetgroup.org PART OF THE SHOW Hosts:Lauren Merkley (@lmerkles) -- Taught AP English Language and Composition, Creative Writing in Granite School District, 2020 Utah Teacher of the YearRyan Rarick (@Coach_Rarick) -- Education Pathway Teacher for Washington Country School DistrictProduction Team:Kayla Towner (@mrstowner9) -- Technology Specialist and Product Manager for Utah Education Network (UEN)Info Drop Spokesperson:John Arthur (@9thEvermore) -- Co-Director of the Teacher Fellows, 6th Grade Teacher in Salt Lake School District, 2021 Utah Teacher of the Year, 2021 National Teacher of the Year Finalist.

In these times, our eyes are drawn to headlines, to outrage, to events intended to shock us into fear or anger. But what if God is calling us to a different vision—one that fixes not on what's loud or violent, but on the Author and Finisher of our faith? Dariel invites us into this kind of radical clarity, urging us to stay locked in on Jesus even when the world tries to pull our gaze elsewhere. ⚖️ Wrong in the Face of Violence — The recent tragic assassination of Charlie Kirk during a speaking event is a stark reminder of how far things have gone. Political violence is never justifiable, and targeting someone for what they say or who they are—regardless of one's beliefs—is deeply wrong. It should convict us all: we live in a world where hatred and extremism grow when our eyes wander toward vengeance instead of grace. 

Dan Locklair is an esteemed American composer and educator, known for his contributions to sacred music and his long tenure at Wake Forest University in North Carolina. Born in Charlotte, he began his career as a professional organist at just 14 and has since crafted a diverse body of work, which includes orchestral pieces and choral compositions. Locklair's notable achievements include being the Composer-in-Residence at Wake Forest and composing pieces for significant events, such as 'The Peace may be exchanged' for Ronald Reagan's funeral. In this episode, we explore the transition from a full-time teaching career to dedicating more time to composition, his experiences with students, and insights into the evolving world of classical music.In Part 1 of the conversation, Dan shares his reflections on retirement after 43 years in academia, emphasizing the joy of having time solely for composition. He recounts humorous anecdotes from his teaching days and discusses the balance between commissioned works and personal projects. "If someone truly wants to be a composer, they'll find their way, regardless of the challenges," he notes, illustrating his passion for music and teaching.[Subscriber Content] In Part 2, we dive deeper into Dan's creative process, discussing the importance of crafting music while also addressing frustrations that come with it. He highlights key influences from his education, including his mentors and the impact of major works he's composed. Expect to hear about his relationship with significant figures in music education, like Sam Adler, and how these experiences have shaped his journey. Dan's stories reveal the human side of being a composer and educator, showcasing the emotional depth behind his music and the lessons he's learned along the way.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Want to build muscle, lose fat, and train smarter? ⁠⁠⁠Join the new Physique University for just $27/month⁠⁠⁠ and get a FREE custom nutrition plan using this special link.—Lost weight only to gain it back? Tired of quick-fix diets that leave you weaker, not stronger? What if real success has nothing to do with the scale?Dr. Mikki Williden, a registered nutritionist, researcher, and host of the Mikkipedia Podcast, joins me, and we break down why most people are chasing the wrong metrics. We discuss why weight loss and lasting transformation are completely different skill sets, and how to develop the competencies that actually keep the results you've worked for. This conversation will change the way you measure progress and help you build not just a smaller body, but a stronger, healthier, and more capable one.Today, you'll learn all about:0:00 – Intro4:06 – Why weight loss isn't the real goal7:44 – The danger of regaining weight11:18 – Weight loss as a learned skill14:47 – Meal prep and planning as foundation18:53 – Building mindset through daily input22:08 – Shifting identity to strength and health40:24 – The truth about rapid fat loss47:36 – Why maintenance is not a free-for-all57:35 – Flexibility, sustainability, and final takeawaysEpisode resources:Mikkipedia PodcastWebsite: mikkiwilliden.com Instagram: @mikkiwilliden Facebook: @mikkiwillidennutrition X: @MikkiWilliden Support the show

Register for the Live Q&A with Zora on September 23, only in Physique U. Use this special link to join and get a free 6-month transformation plan: https://bit.ly/wwpu-free-plan--Could menopause be closer than you think? What if it's already starting in your 30s without you knowing?I bring on gerontologist and biohacker Zora Benhamou, host of Hack My Age, to reveal the hidden hormonal shifts most women miss. Zora shares why progesterone quietly dips in your mid-30s, how strength and mobility become your best defense, and why baseline lab tests are game-changers before symptoms kick in. We also talk about practical biohacks that help you build energy, confidence, and resilience now and for decades to come. Whether you're in your 20s, 30s, or already approaching perimenopause, this conversation will show you how to prepare early so you don't just get through menopause, you thrive.Today, you'll learn all about:0:00 – Intro1:03 – Meet expert guest Zora Benhamou3:08 – Why most women aren't informed5:11 – Common myths about modern menopause7:42 – Hormone timeline across the decades10:13 – Early signs of progesterone decline12:30 – Labs every woman should consider24:32 – Lifting weights for hormone support33:39 – Biohacks for your 20s and 30s42:06 – Flexibility, mobility, and healthy aging49:18 – Blood sugar hacks that workEpisode resources:Website: hackmyage.com Facebook: @HackMyAge Instagram: @HackMyAgeYoutube: @hackmyage Support the show

Send us a textIf you want a long, thriving career in PMU, consistent healed results, confident color choices, and the ability to pivot on tough skin, this episode is your blueprint. Teryn breaks down the core fundamentals every permanent makeup artist must master (and keep revisiting): skin science, pigment theory, needles, machines, hand movements, stretch, depth, and saturation strategy. Whether you're doing powder brows, nano brows, combination brows, eyeliner tattooing, or lips, this is the real talk that levels up your results and your reputation.What you'll learn:Skin: overtones/undertones, oily vs. dry vs. mature, reading & reacting to “misbehaving” skinPigments: inorganic vs. organic, base tones, concentration, aging, when/why to modify (orange/yellow/red)Black carbon: when it's risky, when it's appropriateNeedles: singles, liners, shaders, mags; diameter, texture, angles, and movement pairingsMachines: stroke, speed, give; syncing your hand speed & depth controlSaturation strategy: soft/airy vs. full saturation—how to get bold looks without overworking skinSignature trainings vs. true fundamentals—how to think critically, pivot, and deliver consistent healed results across all skin typesWho this is for: Aspiring, beginner, and advanced PMU artists who want consistent healed results, confident pivots, & lifelong careersArtists offering powder/ombré brows, nano/combo brows, eyeliner, lips, and corrections

Depuis une quinzaine d'années, le nombre de vasectomies ne cesse d'augmenter, multiplié par 15 en 12 ans. Après des siècles de luttes pour que les femmes et les personnes LGBTI+ puissent disposer de leur corps, la vasectomie émerge comme un signe de prise de conscience : les hommes aussi devraient prendre en charge la contraception. Pourtant, les idées reçues autour de cette pratique persistent et empêchent un profond changement.Qui sont les hommes qui choisissent la vasectomie, et pourquoi tant d'autres s'y refusent encore ? Quel impact cette opération a-t-elle sur leur rapport à la masculinité ? Quels enjeux politiques se cachent derrière la vasectomie et, surtout, sa généralisation permettrait-elle vraiment de tendre vers plus d'égalité ? Dans ce dernier épisode de la série en cinq volets « Tout sur le sperme », Naomi Titti reçoit Élodie Serna, docteure en histoire contemporaine, chercheuse indépendante associée à l'Université de Lille et autrice du livre « Opération Vasectomie. Histoire intime et politique d'une contraception au masculin » (Éd. Libertalia, 2021). Ensemble, elles explorent toutes les facettes de cette pratique qui, au-delà du choix individuel, recouvre aussi des questions de contrôle des naissances par les États.RÉFÉRENCES CITÉES DANS L'ÉMISSION Retrouvez toutes les références citées dans l'épisode à la page : https://www.binge.audio/podcast/les-couilles-sur-la-table/vasectomie-:-nos-couilles,-nos-choix-(5-5)Crédits :Les Couilles sur la table est un podcast créé par Victoire Tuaillon produit par Binge Audio. Cet entretien a été préparé, mené et monté par Naomi Titti, et enregistré le vendredi 27 juin 2025 au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, réalisation et mixage : Paul Bertiaux. Supervision éditoriale et de production : Naomi Titti. Production, édition Marie Foulon. Communication : Lise Niederkorn. Rédacteur en chef : Thomas Rozec. Direction de production : Albane Fily. Responsable administrative et financière : Adrienne Marino. Générique : Théo Boulenger. Identité graphique : Marion Lavedeau (Upian). Composition identité sonore : Jean-Benoît Dunckel. Voix identité sonore : Bonnie El Bokeili. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The C-TRAN Board Composition Review Committee voted 8-3 to resubmit its 3-3-3 plan, keeping three seats each for Vancouver, Clark County, and the small cities, despite WSDOT's rejection. Ridgefield Mayor Matt Cole argued that the state's 4-3-2 plan could be illegal and give Vancouver a majority. With millions in grant funding at stake, tensions remain high. https://www.clarkcountytoday.com/news/c-tran-board-composition-review-committee-sticks-with-its-3-3-3-plan/ #CTRAN #VancouverWA #ClarkCounty #PublicTransit #LocalPolitics #WashingtonState #Transportation

Madeleine Goubau nous en apprend plus sur la composition de la mousse de sécheuse; Annie Levasseur se penche sur le potentiel rafraîchissant des voitures blanches; Fabien Durif explique les effets de la crème solaire sur l'environnement; et Kevin L'Espérance s'intéresse aux allégations selon lesquelles la pilule contraceptive serait cancérigène.

In this rigorous and insight-rich episode, Dr. Colin Fisher, author of The Collective Edge, deconstructs high-performing teams using decades of organizational research and field-tested frameworks. If you lead, manage, or influence teams, the insights here can recalibrate how you build and guide collaboration.   We explore four foundational elements (Composition, Goals, Tasks, and Norms) and dismantle prevalent myths that often derail even experienced leaders.   Key insights include: Composition: A team's effectiveness begins with clarity. In a landmark study, only 7% of top management teams agreed on how many people were actually on their team. “We can't compose the team thoughtfully unless we agree on who's in the team in the first place.” The ideal team size? 4.5 people. Why? It balances task performance and member satisfaction, minimizing coordination cost while maximizing cohesion. Goals: Most teams fall apart not because of conflict, but because “members don't share the same understanding of what the group's goals are.” Dr. Fisher emphasizes that goals must be clear, challenging, and consequential, repeated often, and refined constantly. Tasks: Don't assign group work to solo tasks. Effective team tasks must require interdependence and diverse expertise. Leaders must provide “clear goals but autonomy over process.” Micromanagement erodes both accountability and innovation. Norms: Often invisible yet decisive. Norms around psychological safety and information sharing distinguish resilient teams from dysfunctional ones. Without them, even the most capable groups collapse under miscommunication or fear of speaking up.   Dr. Fisher's core thesis is deceptively simple: The secret sauce is sustained attention to the basics. His research confirms that elite leaders are not mystical intuitives but methodical questioners and attentive listeners.   If you care about sustainable performance and intelligent team design, this conversation delivers a precise blueprint.  

For many artists, an art career takes many twists and turns—an adventure shaped by different mediums, jobs, and ways of sustaining creative work  while at the same time, educating oneself with the histories of your chosen path.  On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Charles Spitzack. We talk about his discovery of mokuhanga and how it connects to his broader printmaking practice. Charles shares his early experiences making mokuhanga, his teaching methods, and how his understanding of the medium developed through a Western American perspective. He also speaks about his time at the Mokuhanga Project Space, and his thoughts on the differences between oil-based and water-based mokuhanga. Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Charles Spitzack - website, Instagram Seattle Print Arts - is a printmaking association based in Seattle, Washington, United States. It maintains a membership and is dedicated to the exchange of knowledge related to various printmaking practices. More info can be found, here.  High Point Center for Printmaking -is located in Minneapolis, Minnesota, United States. It is dedicated to increasing the understanding of printmaking and operates a co-op, gallery, and educational programs. More info can be found, here.  Cornish College of the Arts - is an independent art college located in Seattle, Washington, United States. Its programs emphasize experimentation and critical thinking. More info can be found, here.  Mokuhanga (木版画) - is a Japanese word meaning "wood" and "print." Traditionally, it refers to a relief printing method using woodblocks, water, natural handmade papers, and water-based pigments. With the rise of the sōsaku hanga (creative print) movement in the early to mid 20th century, mokuhanga expanded to include works made with Western oil pigments as well. Today, mokuhanga can be difficult to define, as many artists experiment with new approaches while others remain dedicated to traditional water-based methods. This balance between innovation and tradition shows that mokuhanga is limitless, continually evolving while still grounded in its past. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Stephen Hazel (1934-20120 - was a painter and printmaker based in the Pacific Northwest. He created works on paper, and educated upon the subject. More info can be found, here.  Beautiful Display 10: Beauties of Chinatown (1977) 24" x 17 11/16" Katheleen Rabel - is an American printmaker, painter and sculptor. More info can be found, here.  Penedo Alto (sōsaku hanga) 50″ x 39″ Hideo Hagiwara (1913-2007) - was a mokuhanga printmaker who came of age during the sōsaku hanga period of the mid 20th Century in Japan. He studied printmaking with Un'ichi Hiratsuka (1896-1997). Hagiwara made prints that were expressive of the self and abstract. He taught at Oregon State University in 1967.   Lady No. 6 (1975) 24.75" x 18.25"  kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   floating kentō - is like the traditional kentō registration technique but is carved on an "L" shaped piece of wood, and not onto the wood block.  monotype print - is a unique print created from an image painted or drawn on a smooth surface, such as glass or metal, and then transferred to paper. Unlike most printmaking methods, where multiple copies of the same image can be produced, a monotype typically has a single, one-of-a-kind image. It's called a "mono" type because it is not part of an edition like traditional prints (e.g., lithographs, etchings), where you can make multiple copies.  Mike Lyon  -  is an American artist. His medium has varied throughout his career such as "square tiles," or "pixels," through to making mokuhanga, monoprinting, and machine-assisted etching, drawing and mezzotint. Mike Lyon also has a large woodblock print collection which he has curated for the public, here. More information about his work can be found, here. Mike's interview with The Unfinished Print can be found, here.  Grass 4 (2010) 77" x 22" Naoko Matsubara - is a Japanese/Canadian contemporary artist, and sculptor, who lives and works in Oakville, Ontario, Canada.  She has focused much of her artistic life on making mokuhanga and has gained critical acclaim for it.  Naoko Matsubara's interview with The Unfinished Print can be found, here.  Conducting (2004) 22.05" × 15.59" Katsutoshi Yuasa - is a Japanese contemporary artist, and sculptor, who works predominantly in mokuhanga. He has  produced an incredible mount of work. Katsu's interview with the Unfinished Print can be found, here.  On The Dawn of Night and Fog (2025) 39.37" in × 78.74" Antonio Frasconi (1919-2013) - was a Urugyuan printmaker who lived and worked in the United States. He cerated coloured woodcuts and was an educator and author. Frasconi's themes could be political in nature. More info can be found, here.  Cows (1955) 7 1/2" x 12 15/16" The Arts and Crafts Movement in America - flourished from the late 19th to early 20th century, emphasizing simplicity of design, and the use of natural materials as a response to industrial mass production. Inspired by the ideals of John Ruskin (1819-1900) and William Morris (1834-1896) in Britain, the movement in the United States was closely tied to architecture, furniture making, and decorative arts, promoting honesty and a functional beauty.  There was a link with social reform, criticizing modernity and industry and fostering communities of makers across the country. In Japan this folk movement was explored in the mingei movement of the early 20th Century.  William S. Rice (1873-1963) - was a painter, educator and woodblock artist from the United States. Having moved to California early in his life, Rice made landscape prints and paintings of California. At the 1915 Panama Pacific International Exhibition, Rice had a chance to see Japanese mokuhanga in person and was influence by those prints in his woodcuts.  The Windy Summit (1925) 9" x 12" Arthur Wesley Dow (1857-1922) - was an American printmaker who was greatly influenced by Japanese ukiyo-e. He wrote a book on the subject of printmaking called Composition which was published in 1905.    Lily (Ipswich Prints x 1901) 5½" x 4⅛"   Toledo Museum Shin Hanga Exhibitions (1930 & 1936) - were held at the Toledo Museum of Fine Arts in the United States. These two exhibitions played an important role in introducing Japanese woodblock prints to the American market. They were curated by J. Arthur MacLean and Dorothy L. Blair. Artist Hiroshi Yoshida (1876-1950) had traveled to the United States in the 1920s, helping to set the stage for these exhibitions. More info can be found, here.    Walter J. Phillips (1884–1963) - was a British-Canadian printmaker who began his career as a commercial artist. After moving to Canada, he produced etchings, watercolors, and color woodcuts. Influenced by Japanese ukiyo-e, Phillips's prints offer a distinctive view of Canada in the early to mid-20th century.My interview with Sophie Lavoie of The Muse/Lake Of The Woods/Douglas Family Arts Centre about the life and times of Walter J. Phillips can be found, here.      Warren's Landing, Lake Winnipeg (1931) 6.30" × 9.45"   Kathleen Hargrave - is a printmaker and kiln formed glass maker. Kathleen explored various printmaking methods but uses mokuhanga in her practice. Kathleen's mokuhanga is abstract and uses colour in a fantastic way. More info can be found, here.      Resilience 5   Pratt Fine Arts Center - is a nonprofit arts educator in Seattle, Washington. It offers classes and instruction on various artistic expressions such as blacksmithing, glass, jewelry, paintings and printmaking. More info can be found, here.     Mokuhanga Project Space - is a mokuhanga residency located in Walla Walla, Washington, USA. It was established in 2016 and is led by printmaker Keiko Hara. My interview with Keiko Hara and Benjamin Selby of MPS can be found, here. More info can be found, here.    Shoichi Kitamura - is a woodblock carver and printmaker based in Kyoto, Japan. Shoichi has been involved in MI Lab through his demonstrations on carving. More info can be found, here.    Utagawa Kuniyoshi - from The Series Bravery Matched With The Twelve Zodiac Signs. A Modern Reproduction 4.13" x 11.15" (2017) printed and carved by Shoichi Kitamura   April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists. April's interview with The Unfinished Print can be found, here.     It Happened To Me  (1995) 11" x 14"   Andrew Stone - is an American mokuhanga printmaker based in Florence, Italy. He is also a baren maker. The baren is a mokuhanga specific tool. Andrew's interview with The Unfinished Print can be found, here.    Tutto Bene? (2024)   Davidson Galleries - is a gallery situated in Seattle, Washington. Opening in 1973 Davidson Galleries focus on works on paper. In their stable of artists is Charles Spitzack and Andy Farkas. More info can be found, here.    SGC International - the Southern Graphics Council is a member supported printmaking organization which supports printmakers throughout the world. It is located in Kennesaw, Georgia, United States. More info can be found, here.    Karen Kunc - is an American printmaker and Professor Emeritus at the University of Nebraska Lincoln and is based in Nebraska. Karen Kunc works in various artistic and printmaking styles but has worked in mokuhanga for many years. My interview with Karen Kunc for The Unfinished Print can be found, here. More information can be found on her website, here.      Weight of Air (2018) 12" x 24" Woodcut, etching, pochoir, watercolor   Tollman Collection  - is a well known Japanese art gallery located in Daimon, Tokyo, Japan and New York City, NY. More information can be found, here.    Ballinglen - is an arts foundation based in Ballycastle, Co Mayo, Ireland. The groups aim is to "enhance cultural awareness," of North County Mayo. This is done via fellowships, education, exhibitions and workshops. More info can be found, here.    Pomegranate - is a company which sells items such as jigsaw puzzles, holiday cards, etc using different types of artists  and their work in these pieces. More info can be found, here.    Gustave Baumann (1881-1971) - was a colour woodcut printmaker, and painter of German descent who made his life in the United States. More info can be found, here.      Marigolds (1960) colour woodcut 12 7/8" x 12 7/8" © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Intro music by Oscar Peterson, I Got It Bad (And That Ain't Good)  from Night Train (1963) Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know.  ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                  

Want to build muscle, lose fat, and train smarter? ⁠⁠⁠Join the new Physique University for just $27/month⁠⁠⁠ and get your custom nutrition plan FREE (limited time).—Can your smartphone really rival a $100,000 DEXA scan? What if the same device you use to scroll Instagram could also reveal your body fat percentage, fat distribution, and even your HRV?I sit down with Jason Moore, founder and CEO of Spren, a company turning your phone into a precision biometric tool. We talk about how Spren compares to gold-standard lab equipment, why body composition tells you more than scale weight ever could, and why tracking trends is often more important than chasing perfect numbers. This conversation will show you how technology can bring lab-grade insights straight to your pocket.Today, you'll learn all about:0:00 – Intro2:36 – Why body composition matters6:56 – How a phone measures fat10:55 – Accuracy versus precision explained14:38 – Lean mass and muscle changes20:15 – Why fat distribution is key29:56 – Apple versus pear body shapes33:20 – How often should you measure40:15 – Using your phone for HRV45:34 – Predicting VO₂ max with data48:32 – Turning numbers into outcomesEpisode resources:Website: spren.com LinkedIn: linkedin.com/in/thehumanjason Instagram: @thehumanjason Support the show

Fin 2024, plus de 10 600 femmes étaient sur liste d'attente pour une PMA (procréation médicalement assistée) avec don de spermatozoïdes. La demande explose, mais les donneurs, eux, restent rares. Car derrière ce geste de solidarité persistent des stéréotypes, des peurs et des fantasmes sur la masculinité et la paternité.Comment se déroule un processus de don de sperme ? Qui sont ces hommes qui choisissent de donner leurs gamètes et pourquoi est-ce qu'ils le font ? Qu'est ce que le don de sperme fait à la construction de la masculinité des hommes qui donnent, et qu'en est-il pour ceux qui reçoivent le don ?Dans ce quatrième épisode de la série inédite en cinq volets « Tout sur le sperme », Naomi Titti reçoit Lou Broos, doctorante en sociologie à l'Université de Caen Normandie. Depuis 2018, elle écrit une thèse sur les controverses autour du don de sperme, en menant ses recherches dans des CECOS (Centres d'Étude et de Conservation des Œufs et du Sperme). Ensemble, elles retracent l'histoire du don de sperme et analysent les blocages qui subsistent autour de cette pratique.RÉFÉRENCES CITÉES DANS L'ÉMISSION Retrouvez toutes les références citées dans l'épisode à la page :https://www.binge.audio/podcast/les-couilles-sur-la-table/don-de-sperme-plaisir-doffrir-joie-de-recevoir-4-5Crédits :Les Couilles sur la table est un podcast créé par Victoire Tuaillon produit par Binge Audio. Cet entretien a été préparé, mené et monté par Naomi Titti, et enregistré le mardi 24 j juin 2025 au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, réalisation et mixage : Paul Bertiaux. Supervision éditoriale et de production : Naomi Titti. Production, édition Marie Foulon. Communication : Lise Niederkorn. Rédacteur en chef : Thomas Rozec. Direction de production : Albane Fily. Responsable administrative et financière : Adrienne Marino. Générique : Théo Boulenger. Identité graphique : Marion Lavedeau (Upian). Composition identité sonore : Jean-Benoît Dunckel. Voix identité sonore : Bonnie El Bokeili. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join Physique University (free for 2 weeks) to engineer your best physique using our science-based fat loss and muscle-building blueprint—Why can two people follow the same diet and training plan but get completely different results? Could your DNA explain why fat loss feels harder, or why recovery takes longer? And is genetic testing the breakthrough it claims to be or just another fitness gimmick?With me is Joe Cohen, founder and CEO of SelfDecode, to separate the science from the scams. Joe shares what your genes can actually tell you about building muscle, losing fat, and preventing disease, and where the industry is misleading you. We also dig into how combining genetic data with lab work creates actionable steps you can measure and adjust over time.Tune in to discover whether your DNA could be the missing piece in your fitness journey.Today, you'll learn all about:0:00 – Intro2:17 – Why most DNA health tests fail6:44 – Marketing hype vs real science9:59 – Moving beyond the fitness basics12:01 – Diseases genetics can predict well16:38 – Universal habits vs targeted actions18:15 – How SelfDecode prioritizes recommendations22:43 – Genes and training insights27:22 – Pathways and functional genetics31:17 – Combining genetics with lab work38:07 – Joe's story of food intolerance45:45 – Where to learn more about SelfDecodeEpisode resources:Website: SelfDecode.comInstagram: @mrbiohacker Facebook: @selfdecode X: @SelfDecode Support the show

Ara Dinkjian is a master of the oud, an ancient Middle Eastern fretless lute. Ara is of Armenian descent. He and his band, Night Ark, have recorded four CDs and given concerts in 24 countries throughout the Americas, Europe, the Middle East, and Asia. His compositions have been recorded by various singers in 16 different languages. His composition “Homecoming” was performed at the closing ceremonies of the 2004 Athens Olympics.                              My featured song is “Feeling So Good”, from the album Bobby M and the Paisley Parade by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ARA:www.aradinkjian.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Au cœur de tous les discours autour du sperme et de la masculinité, la masturbation cristallise fantasmes et inquiétudes depuis des siècles. Alors que les croyances sur ses méfaits semblaient appartenir au passé, une nouvelle mouvance les remet au goût du jour sur les réseaux sociaux : le #NoFap, qu'on pourrait traduire par “Pas de branlette”. La promesse ? Arrêter la masturbation pour reprendre le contrôle sur sa vie, et ré-affirmer sa masculinité. D'où vient le #NoFap et quels sont ses préceptes ? Pourquoi séduit-il autant de jeunes hommes ? Qu'est-ce que les discours des influenceurs #NoFap révèlent de la sexualité masculine aujourd'hui ? Dans ce troisième épisode de la série inédite en 5 volets « Tout sur le sperme », Naomi Titti reçoit Florian Vörös, enseignant-chercheur en études culturelles à l'Université de Lille et auteur du livre « Désirer comme un homme. Enquête sur les fantasmes et les masculinités » (éd. La Découverte, 2020). Depuis plusieurs années, il consacre ses recherches au #NoFap en collaboration avec l'anthropologue Mélanie Gourarier. Pour Florian Vörös, sous ses atours de développement personnel le #NoFap révèle un nouveau bastion du masculinisme en ligne impregné de néo-libéralisme.RÉFÉRENCES CITÉES DANS L'ÉMISSION :Retrouvez toutes les références citées dans l'épisode à la page : https://www.binge.audio/podcast/les-couilles-sur-la-table/no-fap-branlette-interdite-3-5CRÉDITS :Les Couilles sur la table est un podcast créé par Victoire Tuaillon produit par Binge Audio. Cet entretien a été préparé, mené et monté par Naomi Titti, et enregistré le mardi 24 juin 2025 au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, réalisation et mixage : Paul Bertiaux. Supervision éditoriale et de production : Naomi Titti. Production, édition Marie Foulon. Communication : Lise Niederkorn. Rédacteur en chef : Thomas Rozec. Direction de production : Albane Fily. Responsable administrative et financière : Adrienne Marino. Générique : Théo Boulenger. Identité graphique : Marion Lavedeau (Upian). Composition identité sonore : Jean-Benoît Dunckel. Voix identité sonore : Bonnie El Bokeili. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.