Podcasts about Electroacoustic

Episode 176 Chapter 35, Live Electronic Music— Historical Practices. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 35, Live Electronic Music— Historical Practices from my book Electronic and Experimental music.   Playlist: LIVE ELECTRONIC MUSIC—HISTORICAL PRACTICES   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Karlheinz Stockhausen, “Mikrophonie I” (1964) from Mikrophonie I · Mikrophonie II.   Mikrophonist 1, Johannes Fritsch; Mikrophonist 2, Harald Bojé; Electronic Filters and Potentiometers 1, Karlheinz Stockhausen; Electronic Filters and Potentiometers 2, Hugh Davies, Jaap Spek; Tam-tam, Aloys Kontarsky; Tam-tam, Fred Alings.  Brüsseler Version 1965 recorded at WDR, Cologne. 07:24 01:42 2.     AMM, “In The Realm Of Nothing Whatever” (1966) from AMMMusic 1966. Cello, Accordion, Clarinet, Transistor Radio, Lawrence Sheaff; Electric Guitar, Transistor Radio, Keith Rowe; Music by, Cardew, Prévost, Rowe, Sheaff, Gare; Percussion, Eddie Prévost; Piano, Cello, Transistor Radio, Cornelius Cardew; Tenor Saxophone, Violin, Lou Gare. Recorded on the 8th and 27th June 1966 at Sound Techniques. 13:22 09:06 3.     Musica Elettronica Viva (MEV), “SpaceCraft” (1967) from MEV 40. Mbira Thumb Piano Mounted On A Ten-litre Agip Motor Oil Can, Contact Microphones, Amplified Trumpet, Voice, Alvin Curran; Amplified Glass Plate With Attached Springs, Contact Microphones, Frederic Rzewski; Homemade Synthesizer from Electronic Organ Parts, Allan Bryant; Moog Modular Synthesizer, Contact Microphones, Voice, Richard Teitelbaum; Tenor Saxophone, Ivan Vandor; Voice, Carol Plantamura. 30:45 22:26 4.     David Tudor, “Rainforest Version One” (1968) from Rainforest. Live electronics, David Tudor, Takehisa Kosugi. Used transducers to amplify objects. Recorded by Rob Miller. 21:50 53:10 5.     Karlheinz Stockhausen, “Kurzwellen” (1968), excerpt from Festival of Hits. Composed By, Mixed By, Electronics, Filters, Potentiometers, Karlheinz Stockhausen; Electronium, Harald Bojé; Tamtam, Alfred Alings, Rolf Gehlhaar; Piano, Aloys Kontarsky; Electric Viola, Johannes G. Fritsch. This is the opening of this long work, excerpted for this strange collection of greatest “hits” by Stockhausen (you had to be in 1970 to understand this). Kurzwellen is a piece where the musicians need to improvise and react to signals they receive on randomly tuned shortwave radios. This is from the Cologne recording made in the Rhenus studio in Godorf for the Cologne Radio (WDR, Westdeutscher Rundfunk Köln) on the 8th and 9th of April 1969 (53'30), which was record 2 of the original 2-record set. By the way, this ensemble also featured the Electronium Pi, made by Hohner beginning in 1952. It was a monophonic, electronic keyboard instrument and was an add-on instrument for the piano mounted under the keyboard, which is the model used by Stockhausen. His keyboardist, while Harald Bojé used the accordion-like model. 06:19 01:14:56 6.     The Music Improvisation Company, “Tuck” (1970) from The Music Improvisation Company. Electric Guitar, Derek Bailey; Live Electronics, Hugh Davies; Percussion, Jamie Muir; Soprano Saxophone, Evan Parker. 03:00 01:21:14 7.     David Tudor, “Rainforest IV” (1973) from Rainforest IV.  Composed in 1973 by David Tudor; performed by Composers Inside Electronics (David Tudor, Martin Kalve, Philip Edelstein, Ralph Jones, Bill Viola, John Driscoll). Recorded at the exhibition "Für Augen und Ohren - Von der Spieluhr zum akustischen (Environment (For eyes and ears - from the mechanical clock to the acoustic environment)" at the Akademie der Künste, Berlin, January 1980. 25:12 01:24:24 8.     Maryanne Amacher, “"Head Rhythm 1" And "Plaything 2" (1999) from Sound Characters (Making The Third Ear). Electroacoustic composer of sound installations, best known for her incorporation of otoacoustic emissions -- sounds that seem to be emanating from inside one's own head. This track plays with that concept and sets your brain up to experience itself, so to speak. 10:04 01:49:36 9.     Caroline Park, “Grain 5” (2011) from Grain. This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed by Caroline Park. 09:05 01:59:32 10.   Caterina Barbieri. “This Causes Consciousness To Fracture” (2017) from Patterns Of Consciousness.  Italian composer and musician from Bologna. This album was created using analog synthesis. Barbieri has said, “In Patterns of Consciousness I was interested in exploring the power of sound on our consciousness. I wanted to explore how a pattern creates a certain state of consciousness and how the gradual transformation of that pattern can affect that state of consciousness. I believe that sound is a tool for the exploration, reconfiguration and expansion of human perceptions.” I find this to be in a similar psychological vein as the Amacher work also heard in this episode. 22:44 02:08:36 11.   Sarah Davachi, “First Cadence” (2021) from Antiphonals. Composed, recorded, performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. 05:48 02:31:20 12.   Asha Tamirisa, “Live Performance,”(2023) at the Waterworks 2023: Festival of Experimental Sound. Laptop synthesis, snare drums, Asha Tamirisa. Soundtrack for a video recorded by Wenhua Shi & Nick Stevens, video editing by Nick Stevens, and audio recording and mixing, Matthew Azevedo. 25:10 02:37:02   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Episode 163 Chapter 24, Electronic Music in Latin America. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 24, Electronic Music in Latin America from my book Electronic and Experimental music.   Playlist: ELECTRONIC MUSIC IN LATIN AMERICA   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Reginaldo Carvalho “Sibemol” (1956). Early electroacoustic work from Brazil. Composed in his home studio. 01:33 01:40 2.     Mauricio Kagel “Transicion” (1958). Realized at the WDR studio, Cologne, Germany by this Argentinean composer.. 13:12 03:16 3.     Hilda Dianda, “Dos Estudios en Oposición” (1959). An Argentinean composer and early experimenter with electronic music. The tape part for this early work likely composed in her home studio. 06:14 16:26 4.     Mario Davidovsky, “Electronic Study No. 1” (1961). Realized at the Columbia-Princeton Electronic Music Center by this Argentinean composer. 05:44 22:40 5.     Jorge Antunes, “Pequena Peça para mi Bequadro e Harmônicos” (1961). Realized by this Brazilian composer in his private studio. 03:47 28:24 6.     César Bolaños, "Intensidad Y Altura" (1964). Electroacoustic work realized in CLAEM, Instituto T. di Tella, Buenos Aires by this Peruvian composer. 05:13 32:10 7.     Hilda Dianda, “A7” (1964).  Electroacoustic work for cello and tape from Argentina. Her electronic music work was associated with CICMAT, Buenos Aires. 15:04 37:24 8.     Jacqueline Nova, “Oposición – Fusión” (1968). Realized by this Colombian composer in the Studio of fonologia de la Universidad nacionál de Buenos Aires. 10:28 52:28 9.     Alcides Lanza, “Penetrations II” (1969). Realized at the Columbia-Princeton Electronic Music Center by this Argentinean composer. 09:58 01:02:56 10.   Jorge Antunes, “Cinta Cita” (1969). Realized at the Columbia-Princeton Electronic Music Center by this Argentinean composer. 04:46 01:13:05 11.   Jacqueline Nova, “Creación De La Tierra” (1969). Realized by this Colombian composer in the Studio of fonologia de la Universidad nacionál de Buenos Aires. 18:21 01:17:50 12.   Eduardo Kusnir, "La Panadería Versión Electrónica" (1970). Electroacoustic work realized in CLAEM, Instituto T. di Tella, Buenos Aires by this Argentinean composer. 09:20 01:36:04 13.   José Maria Neves, "Un-X-2” (1971). Electroacoustic work realized in the "Centre Americain," Paris by this Brazilian composer. 08:54 01:45:22 14.   Oscar Bazán, "Parca" (1974). Electroacoustic work realized in CICMAT, Buenos Aires by this Argentinean composer. 08:49 01:54:12 15.   Jacqueline Nova, “Montaje Electroacústico A Partir De Materiales” De La Música Original De La Película Camilo El Cura Guerrillero (1974). Realized by this Colombian composer in the Studio of fonologia de la Universidad nacionálde Buenos Aires. 08:14 02:03:00 16.   Juan Blanco, “Tañidos” (1983). Realized by this Cuban composer at the Estudio Electroacústico Del Instituto Cubano De Amistad Con Los Pueblos (ICAP). 12:53 02:11:14 17.   Syntoma, “No Me Puedo Controlar” (1983). Produced by this Mexican synth-pop band at Estudios Rack. 04:06 02:24:06 18.   Juan Blanco, “Espacios II” (1984). Realized by this Cuban composer at the Estudio Electroacústico Del Instituto Cubano De Amistad Con Los Pueblos (ICAP). 08:45 02:28:12       Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

New York composer and guitarist Rafiq Bhatia is part of the art rock band Son Lux, the experimental trio best-known for scoring the film Everything Everywhere All At Once. His new EP – his first new solo project in 5 years - features pianist and improviser Chris Pattishall and is called Each Dream, A Melting Door. In their electro-acoustic songs, Rafiq alters the audio output from his guitar in real time with effects software, while Chris responds at the keyboard - although sometimes Chris will lead the exploration. ("It's basically a set of works for a piano that sounds like a piano and a guitar that sounds like anything and everything else", -John Schaefer.) The longtime friends and collaborators play some of their filmic, sculpted, and evolving soundscapes, in-studio.  Set list: 1. Occlusion 2. Ijen 3. Supplicant

Join host Austin Gray Williams on this deep dive into the people, music, and culture that create the SPLICE Institute. SPLICE is a week long intensive focusing on electroacoustic concert music. There are a number of Electroacoustic music festivals and conferences that composers have participated in the past, namely SEAMUS and EMM. SPLICE is here to shake things up. From the beginning with composer Christopher Biggs and Composer/Performer Keith Kirchoff, there was a huge emphasis on education and community. Both organization founders felt compelled to create a program to support performers and composers of Electroacoustic music and create successful collaborations between them. Through a variety of conversations and interviews we find out how the last 10 years has created a community and relationships that expand well beyond the SPLICE institute and into artistic careers.

Episode 129 Women Synthesists Playlist Time Track Time Start Introduction –Thom Holmes 04:36 00:00 Eliane Radigue, “Transamorem – Transmortem” (excerpt) from Transamorem – Transmortem (2011 Important Records). Composed in 1973 for ARP 2500 modular synthesizer. Music of slowly changing drones using the marvelous ARP synthesizer, which was Radigue's key instrument for years after having experimented with Moog and Buchla modulars. 39:29 04:40 Caroline K, “The Happening World” from Now Wait For Last Year (1987 Earthly Delights). Caroline was a co-founder of Nocturnal Emissions, together with Nigel Ayers, in 1980. Arranged By, Recorded By, Producer, Composed By, Performer, Caroline K. Executive-Producer, Nigel Ayers. Drones of a different ilk. Noisy sounds, steady articulation, interesting timbres popping in and out. Sonically articulate. 20:49 44:03 Pauline Anna Strom, “Organized Confusion” from Plot Zero (1987 Trans-Millenia Consort Recordings). Pauline Anna Strom was a decades-long composer, musician and healer who lived and worked in San Francisco, CA. Pioneering blind synthesist. Music composed, synthesized, electronic treatments by Pauline Anna Strom. Strom taught herself to compose intuitively, practicing sounds with her various synthesizers, which included a Yamaha DX7, Prophet 10, two Yamaha CS1X portable keyboards and an E-mu Emulator. When she was ready to record, she laid it down using a Tascam four-track recorder and assembled her albums using a computer workstation. Early days for both the sampler and workstation. 06:04 1:04:48 Pauline Anna Strom, “Spacial Spectre” from Spectre (1984 Trans-Millenia Consort Recordings). Composed, synthesized, and electronic treatments by Pauline Anna Strom. From her vampire-inspired album. 06:58 1:10:51 Pauline Anna Strom, “Blood Thirst” from Spectre (1984 Trans-Millenia Consort Recordings). Composed, synthesized, and electronic treatments by Pauline Anna Strom. From her vampire-inspired album. 07:23 1:17:40 Maryanne Amacher, “"Head Rhythm 1" And "Plaything 2" from Sound Characters (Making The Third Ear) (1999 Tzadik). Electroacoustic composer of sound installations, best known for her incorporation of otoacoustic emissions -- sounds that seem to be emanating from inside one's own head. This track plays with that concept and sets your brain up to experience itself, so to speak. 10:04 1:25:04 Caterina Barbieri. “This Causes Consciousness To Fracture” from Patterns Of Consciousness (2017 Important Records).  Italian composer and musician from Bologna. This album was created using analog synthesis. Barbieri has said, “In Patterns of Consciousness I was interested in exploring the power of sound on our consciousness. I wanted to explore how a pattern creates a certain state of consciousness and how the gradual transformation of that pattern can affect that state of consciousness. I believe that sound is a tool for the exploration, reconfiguration and expansion of human perceptions.” I find this to be in a similar psychological vein as the Amacher work also heard in this episode. 22:44 1:34:56 QOA (Nina Corti), “Sauco” (04:22), “Liquen” (02:50), “Yatei” (03:04), “Muitu” (03:16) from SAUCO (2024 Leaving Records). Side 1 of the newest release from this composer-performer from Argentina. “Sonic journey crafted to cultivate poetic gestures amidst Fauna, Flora, Fungi, Mineral Waters, Wind, and Earth. Each track is an exploration of sound's constant transformation, akin to dragonfly particles swimming in the air. Like waves occupying a space in the spectrum, the compositions work with the movement, condensation, and lightness of the air.” 13:33 1:57:38 Opening background music: Pauline Anna Strom, “The Unveiling” from Trans-Millenia Consort (1982 Ether Ship Records). Her first cassette release from 1982. Composed and performed on synthesizer by Pauline Anna Strom. (06:04)   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Dark Ambient Atmospheres Ep183 - Experimental - Avantgarde - Ethereal Noise - Electroacoustic mixhttps://www.youtube.com/c/DarkAmbientRadioTineidae - Metal ClawsAlphaxone - Midnight WavesNatasha Nightingale - Red Upon the FrostReinhold heil & Johnny Klimek - Methane CaveOophoi - Meeting RamaBrian Tyler - Meet the Tooth FairyBrian Parnham - Meandering

Jorge Gregorio García Moncada, an electroacoustic composer and full time faculty member of the Music Department at the Universidad de Los Andes Colombia, explains why the university runs the only undergraduate university program offering Electroacoustic music as a major in composition, why he founded BLAST – a multichannel immersive audio sound system for electroacoustic and mixed media work – and why Genelec monitors were the only option for BLAST.

Dark Ambient Atmospheres Ep181 - Experimental - Avantgarde - Electroacoustic - Instrumental - Chillout mixhttps://www.youtube.com/c/DarkAmbientRadioTineidae - Sky BurialElizabeth Fawn - Under Strange SkiesOophoi - KalyxHans Zimmer - Your RomeChristopher Young - Kyrie EleisonPeter Wright - KashmirJames Dooley - Knock, Knock, Who's There?

Dark Ambient Atmospheres Ep176 - Experimental - Avantgarde - Ethereal noise - Electroacoustic mixhttps://www.youtube.com/c/DarkAmbientRadioTineidae - Abandoned MothershipLustmord - ExitAbandoned Toys - The Siren's Final SerpentRapoon - Eye of CloudThe Frozen Vaults - First MomentsAlphaxone - EquilibriumVir Unis - Face of the WatersBennett Salvay - Finding the BodyRobert Rich - FencesGraeme Revell - Final Betrayals

Dark Ambient Atmospheres Ep174 - Experimental - Avant-garde - Ethereal - Electroacoustic mixhttps://www.youtube.com/c/DarkAmbientRadioNumina - Dream Recognition (Silhouette)Aethere - Dream (of an epicurean Garden)Abandoned Toys - Ripples of Calm Disheveled AirA Produce - DiffusionCurt Sobel - Dripping BloodReinhold Heil & Johnny Klimek - Dig SiteTineidae - Blacklight TrailAtrium Carceri - DepthJeremy Soule - Descent into MadnessFree System Projekt - DespinaBenjamin Wallfisch - Diana

Dark Ambient Atmospheres Ep173 - Experimental - Avantgarde - Ethereal Noise - Electroacoustic mixhttps://www.youtube.com/c/DarkAmbientRadioCities Last Broadcast - CornerstoneVir Unis - Currents Beneath the ShineAbanoned Toys - Lorelei's Chamber of Verdure and BlossomLustmord - Congregants Requests 3Ryan Teague - Coins and CrossesFrom the Mouth of the Sun - Color LossJames Dooley - Curtain CallPeter Wright and Uton - CreeprSteve Jablosnky - Crazy Grandfather

Dark Ambient Atmospheres Ep170 - Experimental - Avantgarde - Ethereal noise - Electroacoustic mixhttps://www.youtube.com/c/DarkAmbientRadioJacaszek - AlTetsu Inoue - ZenAbandoned Toys - The Witch's Garden (prelude)Reinhold Heil & Johnny Klimek - Zombie TargetsLife Garden - ZhenVir Unis - Zero Ground

Dark Ambient Atmospheres Ep163 - Experimental - Avantgarde - Electroacoustic - Ethereal 2024 music mixhttps://www.youtube.com/c/DarkAmbientRadioFrom the Mouth of the Sun - Pools of RustRobert Rich - PathwaysAbandoned Toys - A Soft Shadowed InnocenceNumina - PearlCharlie Clouser - PhotosThom Brennan - PondlifeChristopher Young - Polidori's PotionsOff the Sky - Polar DriftMarco Beltrami - Playing with Scissors

In this week's episode we are joined by Karl Ekdahl, creator of the Ekdahl Moisturizer and the Polygamist! Together we create a patch using a sample of his newest electro-acoustic instrument! Be sure to listen until the end to hear him talk a bit about it!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp:  https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@NullphiinfinityKnas Music: http://www.knasmusic.com ★ Support this podcast on Patreon ★

Dark Ambient Atmospheres Ep154 - Experimental - Avantgarde - Ethereal Noise - Electroacoustic mixhttps://www.youtube.com/c/DarkAmbientRadioPeter Bjargo - IanuaDaniel Pemberton - Ice PlanetAbandoned Toys - Aisles of broken magicAh Cama-Sotz - IblisChristopher Young - I'm at a PartyASC - Idyll of SorrowBosse - IIIVladimir Hirsch - Illuminated TemplesMatthew Collings - I am Made of Endless HoursSteve Roach & Byron Metcalf - Impending Sense of Calm

Dark Ambient Atmospheres Ep152 - Experimental - Avan-garde - Electroacoustic - noise - Ethereal mixhttps://www.youtube.com/c/DarkAmbientRadioAbandoned Toys - Enchanted Pathways Through RuinAlphaxone - From the PassagesJohn Ottman - Fowl PlayAlio Die - Fragile - struggenteHost - Fourth OrdealLesa Listvy - For Those Who Were DestroyedKammarheit - For the InnermostCamanecroszcope II - For All Things Dead and Gone

Dark Ambient Atmospheres Ep151 - Experimental - Avantgarde - Ethereal Instrumental - Electroacoustic mixhttps://www.youtube.com/c/DarkAmbientRadioVir Unis - Face of the WatersJohn Frizzell - Falling ApartAbandoned Toys - Lorelei's Chamber of Verdure and BlossomThe Frozen Vaults - ZeitreiseTerra Ambient - First Light on Aeyer's rockGraeme Revell - Final BetrayalsOpium - FloatDeaf Center - Fog AnimalChristopher Young - Fool's Stuffing

Dark Ambient Atmospheres Ep147 - Experimental -Avantgarde - Ethereal Noise - Electroacoustic - Chillout Mixhttps://www.youtube.com/c/DarkAmbientRadioYen Pox - Beneath the SunBrennan Lane & Zero Ohms - BeyondSamantha Bouquin - Contemplation #2Christopher Young - Black RainbowsAtrium Carceri - Black LaceSteve Roach - Between the Gray and the PurpleApoptose - Berkanas TraumDead Melodies - Biomechanical SymbiosisBennett Salvay - Billy's Abduction

Dark Ambient Atmospheres Ep145 - Experimental - Avant-garde - Electroacoustic - Ethereal Chillout mixhttps://www.youtube.com/c/DarkAmbientRadioReinhold Heil & Johnny Klimek - Zombies Enter MallKayno Yesno Slonce - ZadushnicaAbandoned Toys - Aisles of Broken MagicLife Garden - ZhenMarco Beltrami - The KillerVir Unis - Zero GroundTetsu Inoue - ZenJames Dooley - The HospitalJacaszek - al

Dark Ambient Atmospheres Ep144 - Experimental - Avantgarde - Ethereal Instrumental - Electroacoustic mixhttps://www.youtube.com/c/DarkAmbientRadioDahlia's Tear - Encroaching Shadows Beckon to Chase the Fleeting LightAntonio Testa - XibalbaAbandoned Toys - Enchanted Pathways Through RuinFranz Kirmann - You Fall in Love with Someone ElseOiseaux Tempete - Yallah Karga (Dance Song)Oophoi & Faryus - Yed PriorAbner Malaty - Ygdrasil

Dark Ambient Atmospheres Ep139 - Experimental - Avantgarde - Ethereal - Electroacoustic Mixhttps://www.youtube.com/c/DarkAmbientRadioInade - Signals From 68 DimensionsVir Unis - Solar PlexusThom Brennan - Silver Part 2Abandoned Toys - A Soft Shadowed InnocenceHarald Kloser - Southern LightsAnthesteria - She is Not AloneMelisande Mourning - Smashed Clouds in December airThe Tumbled Sea - SleepsChristopher Young - ShikyoJulien Neto - SketchFrom the Mouth of the Sun - Sitting in a Roofless Room

Dark Ambient Atmospheres Ep136- Avantgarde - Experimental - Noise - Drone - Electroacoustic Mixhttps://www.youtube.com/c/DarkAmbientRadioOophoi - Orbite Di SaleRasplyn - Open DoorChristopher Young - Omnibus DeathBeyond the Ghost - Opiated DreamsLustmord - OpeningJane Antonia cornish - Old EnemiesAntonymes - On Arrival at the Strange MuseumHarnes Kretzer - Onomatopeia

Dark Ambient Atmospheres Ep135 - Experimental - Avantgarde - Electroacoustic - Ethereal Mixhttps://www.youtube.com/c/DarkAmbientRadioSandblasting - Near the DeathRyan Teague - NepheschAnthesteria - Necropole du XVIIIe SiecleVir Unis - Neuron LightsAbandoned Toys - The Siren's Final SerpentJoel McNeely - Nine at the TimeSvartsinn - No Passage to the InnermostKrzesimir Debski - Noc KupalyAlejandro Amenabar - NuriaTzolk'in - Nanahuatzin

Dark Ambient Atmospheres Ep131 - Ethereal Avant-garde - Electroacoustic - Musique Concrete Mixhttps://www.youtube.com/c/DarkAmbientRadioPeter Bjargo - InsomniaJames Dooley - Inside the HouseAbandoned Toys - Where Red Shadows SlumberAh Cama-Sotz - IshtarCharlie Clouser - It Can't BeA Produce - It Comes in WavesYen Pox - Infinite DomainChristopher Young - I'm at a PartyVir Unis - Illumination

Dark Ambient Atmospheres Ep126 - Ethereal -Experimental - Avantgarde - Electroacoustic Mixhttps://www.youtube.com/c/DarkAmbientRadioCurt Sobel - Dripping BloodOff the Sky - Drippling lightly, diffusesNumina - DronecoilMachinefabriek - DrieKammarheit - DreamhoursSamantha Bouquin - Contemplation #1Javier Navarrete - Don EugeniLife Garden - DonVir Unis - Dissolving at the SingularityBenjamin Wallfisch - Diana

Composer and filmmaker Clarence Barlow joined moderator Peter Bloom (Film and Media Studies, UCSB) for a post-screening discussion of Barlow's pioneering work on composition and experimental film, including: Uccelli Ungheresi (1988), Kuri Suti Bekar (1998), Estudio Siete (1995/2015), )ertur( (2015), Evanescent Evidence (2021), and Zero Crossing (2001). Barlow shared insights on the development of his films and the importance and use of sound, particularly his unique approach to tonality and metricism. He also reflected on his long career and his fascination with mapping sound to visual media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38717]

Composer and filmmaker Clarence Barlow joined moderator Peter Bloom (Film and Media Studies, UCSB) for a post-screening discussion of Barlow's pioneering work on composition and experimental film, including: Uccelli Ungheresi (1988), Kuri Suti Bekar (1998), Estudio Siete (1995/2015), )ertur( (2015), Evanescent Evidence (2021), and Zero Crossing (2001). Barlow shared insights on the development of his films and the importance and use of sound, particularly his unique approach to tonality and metricism. He also reflected on his long career and his fascination with mapping sound to visual media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38717]

Lets go crazy in ringtone heaven with iServalan Homotech 23.Strata 3 of Immersion is here at last. You can read all the episodes as they update on the blog www.tale-teller.clubWelcome to the recording studio at Tale Teller Club.To chat and checkout Midjourney AI, pop over to my server https://discord.gg/6RUvzccrqnGet your free music discounts voucher on my Pond5 music is herehttps://www.pond5.com?ref=TaleTellerClubLoop Lovers Production Studio for the latest technology content and bonus free digital music. Audio made by an expert to take the drama out of your creativity.Tale Teller Club, sharing modern music with the brave new world.My Music on YouTube is herehttps://www.youtube.com/channel/UCE_rXZ4DiuopFwl2qFNU_cwFashion is herewww.iservalan.company.siteFree Loops n Ringtone Factory by Tale Teller Club presented by iServalan Homotech 23 with great tips on being the best musician you can with the current available technology,Welcome to Tale Teller Club™ an AI Orchestra.Home of The Book of Immersion V1 Music and Audiobooks.iServalan Presents amazing free music every hour of every day for free!Welcome to a world of music and chat with iServalan, cellist and composer at theiServalan is also artist in residence at the Tale Teller Club creating superb art and composing great tracks at the Tale Teller Club arts network.Who is iServalan?iServalan AI 23 is a Homotech artist and musician is from the band Tale Teller Club.She is part human and part AI, a futuristic entity finding out about life through music and poetry.The Tale Teller Club was created with funding from the Future's Venture Foundation in 2020. The TTC is an electroacoustic orchestra with a futuristic edge fusing jazz, classical, and contemporary stylistic elements to create cerebral dance music or CDM as well as music therapy recordings and film soundtracks.#immersion #sci-fi #adventure #books #midjourney #beats #digital #audio #tech #library #loops #ringtones #funk #phonk #driftphonk #rap #trap #house #sub #woofa #bass #jungle #memphis #southern #music #musicpodcasts #musician #composer #digitalmusic #arranger #performer #how_to_create_soundtracks #filmmaker #tools #postedit #procreate #jazz #blues #iservalan #taletellerclub #content #freemusic #royaltyfree #soundtracks_for_film, #classical #classicallytrained #contemporarymusic #recordingartist #††ç #TTC #entertainers, #futurism #arthouse #artschool #apple_loops_alternative #ringtone #ringtone_samples #logicpro #taletellerclub podcasts #freepodcast #audiobooks Hosted on Acast. See acast.com/privacy for more information.

Composer and filmmaker Clarence Barlow joined moderator Peter Bloom (Film and Media Studies, UCSB) for a post-screening discussion of Barlow's pioneering work on composition and experimental film, including: Uccelli Ungheresi (1988), Kuri Suti Bekar (1998), Estudio Siete (1995/2015), )ertur( (2015), Evanescent Evidence (2021), and Zero Crossing (2001). Barlow shared insights on the development of his films and the importance and use of sound, particularly his unique approach to tonality and metricism. He also reflected on his long career and his fascination with mapping sound to visual media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38717]

Composer and filmmaker Clarence Barlow joined moderator Peter Bloom (Film and Media Studies, UCSB) for a post-screening discussion of Barlow's pioneering work on composition and experimental film, including: Uccelli Ungheresi (1988), Kuri Suti Bekar (1998), Estudio Siete (1995/2015), )ertur( (2015), Evanescent Evidence (2021), and Zero Crossing (2001). Barlow shared insights on the development of his films and the importance and use of sound, particularly his unique approach to tonality and metricism. He also reflected on his long career and his fascination with mapping sound to visual media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38717]

Dark Ambient Atmospheres Ep123 - Avantgarde - Experimental - Electroacoustic - Ethereal Mixhttps://www.youtube.com/c/DarkAmbientRadioOpium - AfirespokenSamantha Bouquin - And Blind Shadows now SeeLife Garden - Ahitanaman2Sabled Sun - AbandonedThe Frozen Vaults - A Year without SummerThom Brennan - A View of CreationChristopher Young - Akuma

Dark Ambient Atmospheres Ep122 - Experimental - Avantgarde - Noise - Ethereal Electroacoustic Mixhttps://www.youtube.com/c/DarkAmbientRadioInade - The Veil of Eternal Unity Northaunt - The Unseen EarthMelisande Mourning - Smashed Clouds in December AirJacaszek - alTetsu Inoue - ZenTyler Bates - Zombie SpikeVir Unis - Zero GroundReinhold Heil & Johnny Klimek - Zombie TargetsLife Garden - ZhenReinhold Heil & Johnny Klimek - Zombies Enter Mall

Dark Ambient Atmospheres Ep10 - Experimental - Avantgarde - Electroacoustic - Ethereal Mixhttps://www.youtube.com/c/DarkAmbientRadioNew Risen Throne - The Outside IIOffernose - Korrupt TraditionNatasha Nightingale - Red Upon the FrostPeter Wright - KashmirJohn Frizzell - Katie AppearsLesa Listvy - Signal LostHans Zimmer - Your RomeDronny Darko - SpecimensChristopher Young - Kyrie Eleison

Modern Classical Music Ep97 - Ethereal Ambient Neoclassical - Instrumental Electroacoustic Mixhttps://www.youtube.com/c/MythicalRecordsDeleyaman - JardinBosques de mi Mente - Jardin de EstatuasMelisnade Mourning - Smashed Clouds in December AirElend - Je Rassemblais Tes MembresOliveray - Just ResignArcana - In Search of the DivineWorrytrain - HallwaysHauschka - GoldenMax richter - Flowers for YuliaClint Mansell featuring Kronos Quartet - First Snow

Jim Ligor Day Job: Director of Community Use Program & Transportation in Milford, MA Night Job: Singer in the electroacoustic four-piece ZeroDrift www.facebook.com/Zerodrift

Dark Ambient Atmospheres Ep104 - Ethereal Experimental - Avantgarde Electroacoustic Mixhttps://www.youtube.com/c/DarkAmbientRadioHasufel - The OrchardYen Pox - The AwakeningVir Unis - Infinite CurvatureChristopher Young - Ju-On 7Samantha Bouquin - Contemplation #1Alio Die - A GiftHasufel - A Pillar of LightThe Future Sound of London - Journey to the Center

Today we are joined by Eileen Day McKusick, a pioneering researcher, practitioner and educator in the fields of therapeutic sound, the human biofield and electric health. As founder of the sound therapy method Biofield Tuning, we discuss the “biofield” - the body's electrical system, what happens to this biofield in instances of disease and disorder, and how sound healing uses physics-based principles of resonance and entrainment to help the body shift into a more coherent expression. Eileen describes what happens when our bodies go "out of tune" due to avoidance, injuries, unskillful thoughts or trauma and how these distortions in the biofield become part of the lens through which we experience life. Eileen shares how the Biofield Tuning Map she has devised suggests that memories are stored as standing-waves in the field, how every emotion has a tonal equivalent like a kind of "sonic braille" and how the field organizes the chronology of memory. Eileen also explains bold concepts such as the relationship between voltage, pH and health and how "the body is in the mind". Eileen is author of the award winning, bestselling book Tuning the Human Biofield: Healing with Vibrational Sound Therapy, 2014, as well as Electric Body, Electric Health published by St. Martin's Press in 2021.www.biofieldtuning.comLiked what you heard? Help us reach more people! Please rate and review us on Apple Podcasts Start Energy Healing Today!Unlock your healing potential with our informative and fun introductory 10 hour LIVE online class in energy healing Our Flagship Training is Setting the Standard in Energy HealingThe next 100 hour EHT-100 Energy Healing Training is open for enrollment! LIVE & online - 10th February - 21st July 2024. Join us in Bali in 2024 - Our Retreat AND first in-person EHT-100 Training are now booking! Contact Field Dynamics Email us at info@fielddynamicshealing.com fielddynamicshealing.com Thanks for listening!

Dark Ambient Atmospheres Ep99 - Experimental - Avantgarde - Ethereal - Electroacoustic Mixhttps://www.youtube.com/c/DarkAmbientRadioDead Melodies - The Genesis FloodDahlia's Tear - A Pale Shroud of TimeAbandoned Toys - Vermillion RefectionsArchitrav - Ewiges EisAghast - Enter the Hall of IceReinhold Heil & Johnny Klimek - Enter the AbbeyNorthaunt - Endles IceAtrium Carceri - Enclosed World/LiberationCarles Cases - El Sanatorio de la PlayaTwo Steps from hell - Evil! (part 2) no choirJacaszek - Evening Strains to Be Time's Vast

Dark Ambient Atmospheres Ep98 - Avantgarde - Experimental - Ethereal - Electroacoustic Mixhttps://www.youtube.com/c/DarkAmbientRadioLife Garden - DoCharlie Clouser - Doll WallAbandoned Toys - The Witch's Garden (prelude)Aethere - Dream (of an epicurean garden)Ben Fleury-Steiner - Dream ReoccursVir Unis - Dreaming with the Mind PlotTelomere - DriftingDahlia's Tear - Drowning in Delusions of GrandeurJoel Mcneely - DualityJavier Navarrete - Don Eugeni

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Dr. Laura Pratesi shares her own journey with progressive hearing loss and bilateral hearing aids before diving into the benefits of electroacoustic analysis (EAA). Dr. Pratesi advocates that all audiologists should incorporate EAA into their clinical setting much more often to obtain more concrete answers on the functionality of patients' hearing aids. She covers the different scenarios for which she recommends turning to EAA for data. Read the transcript here.

Despite having access to additional data through electroacoustic analysis (EAA), many audiologists are still reluctant to use EAA for its full potential. Dr. Laura Pratesi covers the most important tests to perform with EAA, what the test results really mean, and why we should all be using EAA a lot more. Read the transcript here.

Chapters00:00 - Introduction01:30 - Classical And Folk Beginnings00:00 - Discovering Electronic Music07:52 - Studying Infrasound12:26 - The Brown Note14:40 - Augmenting Acoustic Sounds17:46 - Using The Theremin As A Controller19:28 - The Bela Board20:48 - Using Robotics In Performances 26:20 - The Science Museum and Daphne Oram30:05 - Radio 4 And Echo 33:58 - Current Projects35:28 - Working With SynthesizersSarah Angliss BiogSarah Angliss is an Ivor Novello Award winning composer, performer and robotic artist working in television, film, on the live concert stage and in theatres across Europe and North America. Her recent work includes the music for Romola Garai's feature film Amulet - a terse, electroacoustic score which explores the sonorities of voices and ancient instruments, revealing and augmenting them with Sarah's distinctive digital and electronic techniques. Sarah's music draws on her lifelong interest in European folksong, cybernetics and esoteric sound culture. These inspire her progressive and strikingly original music. Her work reflects an eclectic musical background. A classically-trained composer who specialised in baroque and renaissance music, Sarah cut her teeth performing on the UK folk scene. Her desire to get inside notes and finely manipulate sound then build her own automatic music machines led her to study electroacoustic engineering, then robotics, alongside music – fields that continue to inform her unique compositional style. Sarah received the Visionary Award from the Ivors Academy in 2021 and a Paul Hamlyn Award for Composers in 2018.Website: www.sarahangliss.comSoundcloud: https://soundcloud.com/sarahanglissTwitter: @sarah_anglissInstagram: @sarah_anglissCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album "Electric Mountain" is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/