In this podiobook: Part film noir detective story, part fantasy adventure, part East End gangster tale, How to Disappear Completely concerns Theo Braithwaite, a failed actress and worse waitress, becoming involved in an unseen world populated by history's rejects and runaways from a secret society k…
-In this episode: In which Theo arrives late to her last morning of employment at the Camden Cafe, with little idea that life is about to take a sharp detour. London is about to surprise her - at last! - just not in the way she'd been expecting. For a start there are
-In this episode: In which Theo makes a friend, an enemy and an ex-boyfriend. Over several glasses of wine, secrets are revealed. 'There are ghosts here, y'know? In the brickwork, down the drain. But they're shy, right? They don't come out for just anyone. They know b
-In this episode: In which taking the last train home leads Theo into a darker world than even that she knew to exist underground. With phantoms crawling from the walls, help arrives in the form of a drunken stranger - Kilbey Salmon: tall, dark and utterly improbable.
-In this episode: In which we uncover the terrible business of Salmon and Dusk. A beautiful woman makes Kilbey an offer he politely declines, but he takes on her case regardless. While Nero fumes about the car's lack of central heating, Kilbey plans to track down a lo
-In this episode: In which Theo is taken to a underground bar in a Camden toilet and Kilbey meets a punter. Nero talks about time travel and cab routes, while the barman puts the decline of the nation down to the rise of the theme pub. By the way, just who are The Ete
-In this episode: In which Theo sinks further into Albion while Kilbey and Nero do a spot of shopping. Encountering the unsavoury gaze of the Meatmarketers and a Shopkeeper who would prefer they took their business elsewhere, the three begin their hunt for a stolen bo
-In this episode: In which Kilbey and Theo drive into a stranger's cellar to steal some ashes, only to interrupted by some unsavoury sorts with the same idea. Not everyone here will get out alive. Or at all.
-In this episode: In which Nero heads to Soho for a dodgy book and finds more than he'd bargained for.
-In this episode: In which Kilbey and Theo share breakfast and a few secrets, while Nero has some surprises to bring to the table. All three are about to discover that if the food doesn't kill them, there are plenty about willing to give it a shot.
-In this episode: In which Kilbey and Nero gather new enemies and a few bruises. The location of the stolen book is discovered and this terrible business reaches a worse conclusion.
-In this episode: In which Theo deals with a bad hangover, untidy flatmates, a misplaced wallet and a lover with a bad case of amnesia. Surely Saturdays used to be more straightforward?
-In this episode: In which Theo worries she is being followed by stalkers, known by evangelists and slowly becoming invisible. When her biggest concern should be how many bottles of red she can drink in an evening, a trip to the supermarket takes a surreal and terrify
-In this episode: In which Nero gambles on finding a drugdealer and lucks out with a threatening vicar while Kilbey has an early night.
-In this episode: In which Theo falls into someone else's bad dream and a trip to Oxford Circus takes a strange and worrying turn.
-In this episode: In which Kilbey drives dangerously, Nero hikes across London and Theo spends a night on the river.
-In this episode: In which Kilbey finds his man and spills his drink. Theo is briefly impressed by his professionalism but quickly realises when things seem straightforward, there's been some misunderstanding.
-In this episode: In which Nero hatches a plan, Kilbey smells a rat and Theo has some doubts.
-In this episode: In which Kilbey and Theo find a dead girl while Nero plays a dud hand.
-In this episode: In which Theo swaps death and danger for dirty dishes while Nero discovers he has a bad head for heights. With time on his hands, Kilbey digs up some old memories.
-In this episode: In which Kilbey and Nero hunt hounds for a Vegan Terrorist, while dark things are stirring on a London Council Estate.
-In this episode: In which Theo tries to return a gift, Kilbey is given a challenge he can't refuse and spirits start to walk the corridors of a London Council Estate.
-In this episode: In which something unpleasant washes up in a canal, Kilbey buys some milk and Theo witnesses an exorcism in a council flat.
-In this episode: In which Nero goes looking for people he never wanted to see again, Theo visits a girl who speaks in other people's voices and Kilbey meets a priest while shopping for a hangover.
-In this episode: In which Theo wakes up somewhere strange with something stranger and Kilbey seeks Black's help to track her down.
-In this episode: In which Nero comes home and his troubles begin, while Kilbey and Theo get to the bottom of their latest mystery. In the process, Kilbey issacrificed to some hungry shadows.
-In this episode: In which Nero wakes twice and still finds bad news, while Kilbey and Theo see a reverse-psychic who tells them things are worse than they thought.
-In this episode: In which Theo and Kilbey head south to turn themselves in, sort of, while Nero flees west but doesn't make it far. Death, Monks, explosions, surprises and revelations abound as "How to Disappear Completely" begins to hurtle towards its conc
-In this episode: In which Kilbey proves he's not just a pretty face, while Theo casts her eye over the text of her life and finds it dull reading. At least there's plenty of surprises and excitement going on around her.
-In this episode: In which Nero tends his bruises, Theo worries about trapdoors and Kilbey meets an old, dead friend. Revelations abound in this, the penultimate chapter of 'How to Disappear Completely.'
-In this episode: In which the end of History is reached and London falls to dust. From a thousand feet above, Theo and Kilbey are faced with some difficult decisions and - for one of them - a fatal injury. Ghosts, rockabilly and devastation on an unimaginable scale a