Podcasts about asian theatre journal

Hello listeners! On this episode, we are so excited to bring on a fellow colleague from our days at Iowa, SARAH JOHNSON! Sarah Johnson is Assistant Professor of Dramaturgy and Head of the M.F.A. Dramaturgy program at Indiana University Bloomington. She researches and writes about intercultural theatre, new play development, and dramaturgy for applied theatre. In her creative work, she works professionally as a dramaturg with theatre companies across the country.  Sarah Johnson is Assistant Professor of Dramaturgy and Head of the M.F.A. Dramaturgy program at Indiana University Bloomington. Her research focuses on intercultural theatre, new play development, and dramaturgical methodologies. Her writing has been featured in Asian Theatre Journal, Theatre Topics, and multiple edited volumes. She works professionally as a dramaturg with theatre companies across the country. She was a casebook writer for Broadway's Allegiance. In regional theatre, she has provided dramaturgical support for productions with Outpost Repertory Theatre (as Resident Dramaturg), Timeline Theatre, Portland Stage, Colorado Shakespeare Festival, Athena Arts Project, National Women's Theatre Festival, and several playwriting clients. She serves as the Performance Review Editor for PARtake: The Journal for Performance as Research.  Before her time at Indiana University Bloomington, she was the Assistant Professor of Dramaturgy and Head of Playwriting at Texas Tech University and Executive Director and Resident Dramaturg of the WildWind Performance Lab. https://theatre.indiana.edu/about/faculty/johnson-sarah.html GLISTEN Cho - Zebra Gel Pen .07mm Sam - Standard Time Sarah - Coach Bob Knights' passing and Chair sale in his honor ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram or Threads: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: ⁠www.beckettsbabies.com⁠ Theme Music: "Live Like the Kids" by Samuel Johnson, Laura Robertson, Luke O'Dea (APRA) --- Send in a voice message: https://podcasters.spotify.com/pod/show/beckettsbabies/message Support this podcast: https://podcasters.spotify.com/pod/show/beckettsbabies/support

In the inaugural episode, Ameya and Kiran set the intention for this podcast. They then explore the slokam “Yato Hastas Tato Drishti” through their personal relationships with this Sanskrit verse, the connection between eyes and body control, and their exploration of ancient texts as they relate to the practice of dance. They also discuss rasa, bhava, abhinaya, and how to get invited to high school parties. Call to action: Think back to some of the early lessons of your dance classes. What did you learn then that has stayed with you until now? Dive deeper - here are some of the texts we mentioned in today's episode. You can visit the episode page on website https://offthebeat.dance/ (offthebeat.dance) for more bonus content as well. Phillip B. Zarrilli - https://www.jstor.org/stable/1124192 (“Where the hand [is]…”) Asian Theatre Journal, Vol. 4, No. 2 (Autumn, 1987) Yashoda Thakore - “Parsvadeva- The Dancer's Friend” Swarbharti 2020 (digest/Souvenir) Nandikesvara's Abhinaya Darpana - we use the edition by P. S. R. Apparao. Today's episode would not have been possible without the support and encouragement of many, including Andy Rhode of Audionauts for audio engineering Sangeetha Kowsik for graphic design of the logo Sarada Jammi and Sri Sai Narayana Organization for recording equipment and space Dr. Yashoda Thakore for sharing her research on Parsvadeva Dr. Vi Rajagopalan for the high school graduation photo A special thanks to Wesley Beeks and Bertel King, Jr. Music from the album Valaji by Gokul Salvadi (“Valaji” and “Abhogi Kaanada - the expedition”) Liked what you heard? Leave us a review on Apple Podcasts and tell your friends about us! You can follow us at @offthebeatdance on IG, FB, and Twitter or visit us at https://offthebeat.dance/ (offthebeat.dance). We'd love to hear from you.   Support this podcast

To what extent may we say that religion is a theatrical phenomenon, and that theatre is a religious experience? Can making sense of one help us make sense of the other? Join us as we dive into The Performative Ground of Religion and Theatre (Routledge, 2018) with its author David V. Mason (editor-in-chief for Ecumenica: Performance and Religion and the South Asia area editor for Asian Theatre Journal) who posits an intriguing parity between theatre and religion.  Drawing heavily from Hindu aesthetic theory and Hindu religious performance, Mason examines the phenomenology of religion in an attempt to better understanding of the phenomenology of theatre, arguing that religion can show us the ways in which theatre is not fake. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

To what extent may we say that religion is a theatrical phenomenon, and that theatre is a religious experience? Can making sense of one help us make sense of the other? Join us as we dive into The Performative Ground of Religion and Theatre (Routledge, 2018) with its author David V. Mason (editor-in-chief for Ecumenica: Performance and Religion and the South Asia area editor for Asian Theatre Journal) who posits an intriguing parity between theatre and religion.  Drawing heavily from Hindu aesthetic theory and Hindu religious performance, Mason examines the phenomenology of religion in an attempt to better understanding of the phenomenology of theatre, arguing that religion can show us the ways in which theatre is not fake. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

To what extent may we say that religion is a theatrical phenomenon, and that theatre is a religious experience? Can making sense of one help us make sense of the other? Join us as we dive into The Performative Ground of Religion and Theatre (Routledge, 2018) with its author David V. Mason (editor-in-chief for Ecumenica: Performance and Religion and the South Asia area editor for Asian Theatre Journal) who posits an intriguing parity between theatre and religion.  Drawing heavily from Hindu aesthetic theory and Hindu religious performance, Mason examines the phenomenology of religion in an attempt to better understanding of the phenomenology of theatre, arguing that religion can show us the ways in which theatre is not fake. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

To what extent may we say that religion is a theatrical phenomenon, and that theatre is a religious experience? Can making sense of one help us make sense of the other? Join us as we dive into The Performative Ground of Religion and Theatre (Routledge, 2018) with its author David V. Mason (editor-in-chief for Ecumenica: Performance and Religion and the South Asia area editor for Asian Theatre Journal) who posits an intriguing parity between theatre and religion.  Drawing heavily from Hindu aesthetic theory and Hindu religious performance, Mason examines the phenomenology of religion in an attempt to better understanding of the phenomenology of theatre, arguing that religion can show us the ways in which theatre is not fake. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

To what extent may we say that religion is a theatrical phenomenon, and that theatre is a religious experience? Can making sense of one help us make sense of the other? Join us as we dive into The Performative Ground of Religion and Theatre (Routledge, 2018) with its author David V. Mason (editor-in-chief for Ecumenica: Performance and Religion and the South Asia area editor for Asian Theatre Journal) who posits an intriguing parity between theatre and religion.  Drawing heavily from Hindu aesthetic theory and Hindu religious performance, Mason examines the phenomenology of religion in an attempt to better understanding of the phenomenology of theatre, arguing that religion can show us the ways in which theatre is not fake. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

To what extent may we say that religion is a theatrical phenomenon, and that theatre is a religious experience? Can making sense of one help us make sense of the other? Join us as we dive into The Performative Ground of Religion and Theatre (Routledge, 2018) with its author David V. Mason (editor-in-chief for Ecumenica: Performance and Religion and the South Asia area editor for Asian Theatre Journal) who posits an intriguing parity between theatre and religion.  Drawing heavily from Hindu aesthetic theory and Hindu religious performance, Mason examines the phenomenology of religion in an attempt to better understanding of the phenomenology of theatre, arguing that religion can show us the ways in which theatre is not fake. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices