Podcast appearances and mentions of Samuel Johnson

AS GOOD OR BETTER THAN THE ORIGINAL HTTYD?! How To Train Your Dragon Full Movie Reaction Watch Along:   / thereelrejects   LIQUID IV: Visit http://www.liquidiv.com & use Promo Code: REJECTS How To Train Your Dragon Reaction, Recap, Commentary, Analysis, & Spoiler Review with Scene by Scene, Shot By Shot commentary! Deep dive into Dean DeBlois's stunning adaptation of the Berk saga, discussing the emotional bond between Hiccup (Mason Thames, known from The Black Phone) and Toothless the Night Fury, and Astrid Hofferson (Nico Parker from For All Mankind), plus Gerard Butler reprising Stoick the Vast, Nick Frost's Gobber the Belch, Julian Dennison (Fishlegs Hunt for the Wilderpeople/ Deadpool 2), Gabriel Howell (Snotlout), Bronwyn James (Ruffnut), Harry Trevaldwyn (Tuffnut), Ruth Codd (Phlegma), Peter Serafinowicz, Murray McArthur & more—from Hiccup's inventive prosthetic tail to the epic Red Death showdown, all set against the stunning Berk scenery—with nods to How to Train Your Dragon 2, The Hidden World, Berk, Toothless, Night Fury, Viking culture, prosthetics, and John Powell's score. We praised the practical effects, puppetry, emotional father–son Stoick/Hiccup beats and Cliffhanger sequel setup leading to How to Train Your Dragon 2 (2027). Streaming info, box‑office notes, comparisons to the animated trilogy and Easter eggs from the original series are folded in for max SEO. Cast rundown: Mason Thames, Nico Parker, Gerard Butler, Nick Frost, Julian Dennison, Gabriel Howell, Bronwyn James, Harry Trevaldwyn, Ruth Codd, Peter Serafinowicz, Murray McArthur, Andrea Ware, Anna Leong Brophy, Marcus Onilude, Peter Selwood, Daniel-John Williams, Kate Kennedy, Selina Jones, Nick Cornwall, Samuel Johnson. Upcoming mention: How to Train Your Dragon 2 sequel visible on the horizon! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Message from Samuel Johnson on June 29, 2025

Lately on the podcast, I've been wrestling with a question of language. What does the word hemp really mean, where did that meaning come from, how has it shifted over time, and who gets to define the word hemp today? For a thousand years, hemp was known as the plant or material that you made things from — things like rope, cloth and paper. But now when people hear the word hemp, they think about weed. And that's not helpful for a nascent industry trying to raise capital, build infrastructure and develop markets. To help me sort out the history and meaning of the word hemp, I spoke with Oxford University Professor Lynda Mugglestone, a historian of the English language, a lexicographer and an expert in how words evolve and collide with law, commerce and culture. “You would be cheered to know that hemp as a plant grown for fiber has history on its side. If we go right back to Old English we can see the very earliest kind of herbals and leech books talking about hemp,” Mugglestone said. For most of its long life in English, hemp meant the fiber plant grown for ropes, sails and home spun fabrics, and that meaning was stable for centuries. It was a household word, part of daily life, tied to farming and industry. But language doesn't sit still, and hemp is no exception. Over time, new uses for the word hemp have crept in. First medicinal, then psychoactive, and now commercial forces are pulling hemp in more directions. While lawmakers try to impose definitions and industries fight for market share, ordinary people just keep using the word however they want. That's how language works. But the original meaning hasn't gone anywhere — the fiber, the grain and the plant with history behind it. That meaning is still there and perhaps more robust today than at any time in the past 80 years. But the meaning of hemp has been expanded, like it or not, to include these new definitions, including that hemp can be THC-a flower or that hemp can get you high. Of course, I disagree with this new definition. Hemp that gets you high isn't hemp. Call it pot, call it weed, call it what you will, just don't call it hemp. As Mugglestone, paraphrasing Samuel Johnson, said, “Words, like their author, when they're not gaining strength, they're generally losing it.” So there you go, fiber and grain folks. You know what to do. Claim the word hemp and make it grow strong. You are hemp's rightful heir. Be the signal in the noise. * Books by Lynda Mugglestone, author of a range of books on English words and how they get used and recorded.Recent books include: Dictionaries. A Very Short Introduction (Oxford University Press, paperback) Samuel Johnson and the Journey into Words (OUP, paperback) Writing a War of Words: Andrew Clark and the Search for meaning in World War One (Oxford University Press, hardback)   Thanks to our Sponsors! IND HEMP Forever Green National Hemp Association Credits: Produced by Eric Hurlock, mixed and mastered by Justin Berger

In this interview, Lamorna Ash, author of Don't Forget We're Here Forever: A New Generation's Search for Religion, and one of my favourite modern writers, talked about working at the Times Literary Supplement, netball, M. John Harrison, AI and the future of religion, why we should be suspicious of therapy, the Anatomy of Melancholy, the future of writing, what surprised her in the Bible, the Simpsons, the joy of Reddit, the new Pope, Harold Bloom, New Atheism's mistakes, reading J.S. Mill. I have already recommended her new book Don't Forget We're Here Forever, which Lamorna reads aloud from at the end. Full transcript below.Uploading videos onto Substack is too complicated for me (it affects podcast downloads somehow, and the instructions to avoid this problem are complicated, so I have stopped doing it), and to upload to YouTube I have to verify my account but they told me that after I tried to upload it and my phone is dead, so… here is the video embedded on this page. I could quote the whole thing. Here's one good section.Lamorna: Which one would you say I should do first after The Sea, The Sea?Henry: Maybe The Black Prince.Lamorna: The Black Prince. Great.Henry: Which is the one she wrote before The Sea, The Sea and is just a massive masterpiece.Lamorna: I'll read it. Where do you stand on therapy? Do you have a position?Henry: I think on net, it might be a bad thing, even if it is individually useful for people.Lamorna: Why is that?Henry: [laughs] I didn't expect to have to answer the question. Basically two reasons. I think it doesn't take enough account of the moral aspect of the decisions being made very often. This is all very anecdotal and you can find yourself feeling better in the short term, but not necessarily in the long-- If you make a decision that's not outrageously immoral, but which has not had enough weight placed on the moral considerations.There was an article about how lots of people cut out relatives now and the role that therapy plays in that. What I was struck by in the article that was-- Obviously, a lot of those people are justified and their relatives have been abusive or nasty, of course, but there are a lot of cases where you were like, "Well, this is a long-term decision that's been made on a short-term basis." I think in 10 years people may feel very differently. There wasn't enough consideration in the article, at least I felt, given to how any children involved would be affected later on. I think it's a good thing and a bad thing.Lamorna: I'm so with you. I think that's why, because also the fact of it being so private and it being about the individual, and I think, again, there are certain things if you're really struggling with that, it's helpful for, but I think I'm always more into the idea of communal things, like AAA and NA, which obviously a very particular. Something about doing that together, that it's collaborative and therefore there is someone else in the room if you say, "I want to cut out my parent."There's someone else who said that happened to me and it was really hard. It means that you are making those decisions together a little bit more. Therapy, I can feel that in friends and stuff that it does make us, even more, think that we are these bounded individuals when we're not.Henry: I should say, I have known people who've gone to therapy and it's worked really well.Lamorna: I'm doing therapy right now and it is good. TranscriptHenry: Today I am talking to Lamorna Ash. Lamorna is one of the rising stars of her generation. She has written a book about a fishing village in Cornwall. She's written columns for the New Statesman, of which I'm a great admirer. She works for a publisher and now she's written a book called, Don't Forget, We're Here Forever: A New Generation's Search for Religion. I found this book really compelling and I hope you will go and read it right now. Lamorna, welcome.Lamorna Ash: Thank you for having me.Henry: What was it like when you worked at the Times Literary Supplement?Lamorna: It was an amazing introduction to mostly contemporary fiction, but also so many other forms of writing I didn't know about. I went there, I actually wrote a letter, handwritten letter after my finals, saying that I'd really enjoyed this particular piece that somehow linked the anatomy of melancholy to infinite jest, and being deeply, deeply, deeply pretentious, those were my two favorite books. I thought, well, I'll apply for this magazine. I turned up there as an intern. They happened to have a space going.My job was Christmas in that I just spent my entire time unwrapping books and putting them out for editors to swoop by and take away. I'd take on people's corrections. I'd start to see how the editorial process worked. I started reading. I somehow had missed contemporary fiction. I hadn't read people like Rachel Kask or Nausgaard. I was reading them through going to the fiction pages. It made me very excited. Also, my other job whilst I was there, was I had the queries email. You'd get loads of incredibly random emails, including things like, you are cordially invited to go on the Joseph Conrad cycle tour of London. I'd ask the office, "Does anyone want to do this?" Obviously, no one ever said yes.I had this amazing year of doing really weird stuff, like going on Joseph Conrad cycling tour or going to a big talk at the comic book museum or the new advertising museum of London. I loved it. I really loved it.Henry: What was the Joseph Conrad cycling tour of London like? That sounds-Lamorna: Oh, it was so good. I remember at one point we stopped on maybe it was Blackfriars Bridge or perhaps it was Tower Bridge and just read a passage from the secret agent about the boats passing underneath. Then we'd go to parts of the docks where they believe that Conrad stayed for a while, but instead it would be some fancy youth hostel instead.It was run by the Polish Society of London, I believe-- the Polish Society of England, I believe. Again, each time it was like an excuse then to get into that writer and then write a little piece about it for the TLS. I guess, it was also, I was slightly cutting my teeth on how to do that kind of journalism as well.Henry: What do you like about The Anatomy of Melancholy?Lamorna: Almost everything. I think the prologue, Democritus Junior to the Reader is just so much fun and naughty. He says, "I'm writing about melancholy in order to try and avoid melancholy myself." There's six editions of it. He spent basically his entire life writing this book. When he made new additions to the book, rather than adding another chapter, he would often be making insertions within sentences themselves, so it becomes more and more bloated. There's something about the, what's the word for it, the ambition that I find so remarkable of every single possible version of melancholy they could talk about.Then, maybe my favorite bit, and I think about this as a writer a lot, is there's a bit called the digression of air, or perhaps it's digression on the air, where he just suddenly takes the reader soaring upwards to think about air and you sort of travel up like a hawk. It's this sort of breathing moment for a reader where you go in a slightly different direction. I think in my own writing, I always think about digression as this really valuable bit of nonfiction, this sense of, I'm not just taking you straight the way along. I think it'd be useful to go sideways a bit too.Henry: That was Samuel Johnson's favorite book as well. It's a good choice.Lamorna: Was it?Henry: Yes. He said that it was the only book that would get him out of bed in the morning.Lamorna: Really?Henry: Because he was obviously quite depressive. I think he found it useful as well as entertaining, as it were. Should netball be an Olympic sport?Lamorna: [laughs] Oh, it's already going to be my favorite interview. I think the reason it isn't an Olympic-- yes, I have a vested interest in netball and I play netball once a week. I'm not very good, but I am very enthusiastic because it's only played mostly in the Commonwealth. It was invented a year after basketball as a woman-friendly version because women should not run with the ball in case they get overexerted and we shouldn't get too close to contacting each other in case we touch, and that's awful.It really is only played in the Commonwealth. I think the reason it won't become an Olympic sport is because it's not worldwide enough, which I think is a reasonable reason. I'm not, of all the my big things that I want to protest about and care about right now, making that an Olympic sport is a-- it's reasonably low on my list.Henry: Okay, fair enough. You are an admirer of M. John Harrison's fiction, is that right?Lamorna: Yes.Henry: Tell us what should we read and why should we read him?Lamorna: You Should Come With Me Now, is that what it's called? I know I reviewed one of his books years ago and thought it was-- because he's part of that weird sci-fi group that I find really interesting and they've all got a bit of Samuel Delany to them as well. I just remember there was this one particular story in that collection, I think in general, he's a master at sci-fi that doesn't feel in that Dune way of just like, lists of names of places. It somehow has this, it's very literary, it's very odd, it's deeply imaginative. It is like what I wanted adult fiction to be when I was 12 or something, that there's the way the fantasy and imagination works.I remember there was one about all these men, married men who were disappearing into their attics and their wives thought they were just tinkering. What they were doing was building these sort of translucent tubes that were taking them off out of the world. I remember just thinking it was great. His conceits are brilliant and make so much sense, whilst also always being at an interesting slant from reality. Then, I haven't read his memoir, but I hear again and again this anti-memoir he's written. Have you read that?Henry: No.Lamorna: Apparently that's really brilliant too. Then he also, writes those about climbing. He's actually got this one foot in the slightly travel nature writing sports camp. I just always thought he was magic. I remember on Twitter, he was really magic as well. I spent a lot of time following him.Henry: Are you optimistic or pessimistic about the future of writing and literature and books and this whole debate that's going on?Lamorna: It's hard to. I don't want to say anything fast and snappy because it's such a complicated thing. I could just start by saying personally, I'm worried about me and writing because I'm worried about my concentration span. I am so aware that in the same way that a piano player has to be practising the pieces they're going to play all the time. I think partly that's writing and writing, I seem to be able to do even with this broken, distracted form of attention I've got. My reading, I don't feel like I'm getting enough in. I think that means that what I produce will necessarily be less good if I can't solve that.I've just bought a dumb phone on the internet and I hope that's going to help me by no longer having Instagram and things like that. I think, yes, I suppose we do read a bit less. The generation below us is reading less. That's a shame. There's so much more possibility to go out and meet people from different places. On an anthropological level, I think anthropology has had this brilliant turn of becoming more subjective. The places you go, you have to think about your own relationship to them. I think that can make really interesting writing. It's so different from early colonial anthropology.The fact that, I guess, through, although even as I'm saying this, I don't know enough to say it, but I was going to say something about the fact that people, because we can do things like substacks and people can do short form content, maybe that means that more people's voices are getting heard and then they can, if they want to, transfer over and write books as well.I still get excited by books all the time. There's still so much good contemporary stuff that's thrilling me from all over the place. I don't feel that concerned yet. If we all do stop writing books entirely for a year and just read all the extraordinary books that have been happening for the last couple of thousand, we'd be okay.Henry: I simultaneously see the same people complaining that everything's dying and literature is over and that we have an oversupply of books and that capitalism is giving us too many books and that's the problem. I'm like, "Guys, I think you should pick one."Lamorna: [laughs] You're not allowed both those arguments. My one is that I do think it's gross, the bit of publishing that the way that some of these books get so oddly inflated in terms of the sales around them. Then, someone is getting a million pounds for a debut, which is enormous pressure on them. Then, someone else is getting 2K. I feel like there should be, obviously, there should be a massive cap on how large an advance anyone should get, and then more people will actually be able to stay in the world of writing because they won't have to survive on pitiful advances. I think that would actually have a huge impact and we should not be giving, love David Beckham as much as I do, we shouldn't be giving him five million pounds for someone else to go to write his books. It's just crazy.Henry: Don't the sales of books like that subsidize those of us who are not getting such a big advance?Lamorna: I don't think they always do. I think that's the problem is that they do have this wealth of funds to give to celebrities and often those books don't sell either. I still think even if those books sell a huge amount of money, those people still shouldn't be getting ridiculous advances like that. They still should be thinking about young people who are important to the literary, who are going to produce books that are different and surprising and whose voices we need to hear. That feels much more important.Henry: What do you think about the idea that maybe Anglo fiction isn't at a peak? I don't necessarily agree with that, but maybe we can agree that these are not the days of George Eliot and Charles Dickens, but the essay nonfiction periodicals and writing online, this is huge now. Right? Actually, our pessimism is sort of because we're looking in the wrong area and there are other forms of writing that flourish, actually doing great on the internet.Lamorna: Yes, I think so too. Again, I don't think I'm internet worldly enough to know this, but I still find these extraordinary, super weird substats that feel exciting. I also get an enormous amount of pleasure in reading Reddit now, which I only just got into many, many years late, but so many fun, odd things. Like little essays that people write and the way that people respond to each other, which is quick and sharp, and I suppose it fills the gap of what Twitter was.I think nonfiction, I was talking about this morning, because I'm staying with some writers, because we're sort of Cornish, book talk thing together and how much exciting nonfiction has come out this year that we want to read from the UK that is hybrid-y nature travel. Then internationally, I still think there's-- I just read, Perfection by Vincenzo, but there's enough translated fiction that's on the international book list this year that gets me delighted as well. To me, I just don't feel worried about that kind of thing at all when there's so much exciting stuff happening.I love Reddit. I think they really understand things that other people don't on there. I think it's the relief now that when you type in something to Google, you get the AI response. It's something like, it's so nice to feel on Reddit that someone sat down and answered you. Maybe that's such a shame that that's what makes me happy now, that we're in that space. It does feel like someone will tell you not just the answer, but then give you a bit about their life. Then, the particular tool that was passed down by their grandparents. That's so nice.Henry: What do you think of the new Pope?Lamorna: I thought it was because I'd heard all the thing around fat Pope, thin Pope, and obviously, our new Pope is maybe a sort of middle Pope, or at least is closer to Francis, but maybe a bit more palatable to some people. I guess, I'm excited that he's going to do, or it seems like he's also taking time to think, but he's good on migration on supporting the rights of immigrants. I think there's value in the fact of him being American as this being this counterpoint to what's happening in America right now. If feels always feels pointless to say because they're almost the idea of a Pope.I guess, Francis said that, who am I to judge about people being gay, but I think this Pope has so far has been more outly against gay people, but he stood up against JD Vance and his stupid thoughts on theology. I'm quietly optimistic. I guess I'm also waiting for Robert Harris's prophecy to come true and we get an intersex Pope next. Because I think that was prophecy, right? What he wrote.Henry: That would be interesting.Lamorna: Yes.Henry: The religious revival that people say is happening, particularly among young people, how is AI going to make it different than previous religious revivals?Lamorna: Oh, that's so interesting. Maybe first of all, question, sorry, I choked on my coffee. I was slightly questioned the idea if there is a religious revival, it's not actually an argument that I made in the book. When I started writing the book, there wasn't this quiet revival or this Bible studies and survey that suggests that more young people are going to church hadn't come out yet. I was just more, I guess, aware that there were a few people around me who were converting and I thought it'd be interesting if there's a few, there'll be more, which I think probably happens in every single generation, right? Is that that's one way to deal with the longing for meaning we all experience and the struggles in our lives.I was speaking to a New York Times journalist who was questioning the stats that have been coming out because first it's incredibly small pool. It's quite self-selecting that possibly there are people who might have gone to church already. It's still such a small uptick because it makes it hard to say anything definitive. I guess in general, what will the relationship be between AI and religion?I guess, there are so many ways you could go with that. One is that those spaces, religious spaces, are nicely insulated from technology. Not everywhere. Obviously, in some places they aren't, but often it's a space in which you put your phone away. In my head, the desire to go to church is as against having to deal with AI or having to deal with technology being integrated to every other aspect of my life.I guess maybe people will start worshiping the idea of the singularity. Maybe we'll get the singularity and Terminator, or the Matrix is going to happen, and we'll call them our gods because they will feel like gods. That's maybe one option. I don't know how AI-- I guess I don't know enough about AI that maybe you'll have AI, or does this happen? Maybe this has happened already that you could have an AI confession and you'd have an AI priest and they tell you--Henry: Sure. It's huge for therapy, right?Lamorna: Yes.Henry: Which is that adjacent thing.Lamorna: That's a good point. It does feel something about-- I'm sure, theologically, it's not supposed to work if you haven't been ordained, but can an AI be ordained, become a priest?Henry: IndeedLamorna: Could they do communion? I don't know. It's fascinating.Henry: I can see a situation where a young person lives in a secular environment or culture and is interested in things and the AI is the, in some ways, easiest place for them to turn to say, "I need to talk about-- I have these weird semi-religious feelings, or I'm interested." The AI's not going to be like, "Oh, really? That's weird." There's the question of will we worship AI or whatever, but also will we get people's conversions being shaped by their therapy/confessors/whatever chat with their LLM?Lamorna: Oh, it's so interesting. I read a piece recently in the LRB by James Vincent. It was about AI relationships, our relationship with AI, and he looked at AI girlfriends. There was this incredible case, maybe you read about it, about a guy who tried to kill the Queen some years back. His defense was that his AI girlfriend had really encouraged him to do that. Then, you can see the transcripts of the text, and he says, "I'm thinking about killing the Queen." His AI girlfriend is like, "Go for it, baby."It's that thing there of like, at the moment, AI is still reflecting back our own desires or refracting almost like shifting how they're expressed. I'm trying to imagine that in the same case of me saying, "I feel really lonely, and I'm thinking about Christianity." My friend would speak with all of their context and background, and whatever they've got going on for them. Whereas an AI would feel my desire there and go, "That's a good idea. It says online this." It's very straight. It would definitely lead us in directions that feel less than human or other than human.Henry: I also have this thought, you used to, I think you still do, but you see it less. You used to get a Samaritan's Bible in every hotel. The Samaritans, will they start trying to install a religious chatbot in places where people--? There are lots of ways in which you could use it as a distribution mechanism.Lamorna: Which does feel so far from the point. Not to think about the gospels, but that feeling of something I talk about in the book is that, so much of it is human contact. Is that this factor of being changed in the moment, person to person. If I have any philosophy for life at the moment is this sense of desperately needing contact that we are saved by each other all the time, not by our telephones and things that aren't real. It's the surprise.I quote it in the book, but Iris Murdoch describes love is the very difficult realization that someone other than yourself is real. I think that's the thing that makes us all survive, is that reminder that if you're feeling deeply depressed, being like, there is someone else that is real, and they have a struggle that matters as much as mine. I think that's something that you are never going to get through a conversation with a chatbot, because it's like a therapeutic thing. You are not having to ask it the same questions, or you are not having to extend yourself to think about someone else in those conversations.Henry: Which Iris Murdoch novels do you like?Lamorna: I've only read The Sea, The Sea, but I really enjoyed it. Which ones do you like?Henry: I love The Sea, The Sea, and The Black Prince. I like the late books, like The Good Apprentice and The Philosopher's Pupil, as well. Some people tell you, "Don't read those. They're late works and they're no good," but I was obsessed. I was absolutely compelled, and they're still all in my head. They're insane.Lamorna: Oh, I must, because I've got a big collection of her essays. I'm thinking is so beautiful, her philosophical thought. It's that feeling, I know I'm going the wrong-- starting in the wrong place, but I do feel that she's someone I'd really love to explore next, kind of books.Henry: I think you'd like her because she's very interested in the question of, can therapy help, can philosophy help, can religion help? She's very dubious about therapy and philosophy, and she is mystic. There are queer characters and neurodivergent characters. For a novelist in the '70s, you read her now and you're like, "Well, this is all just happening now."Lamorna: Cool.Henry: Maybe we should be passing these books out. People need this right now.Lamorna: Which one would you say I should do first after The Sea, The Sea?Henry: Maybe The Black Prince.Lamorna: The Black Prince. Great.Henry: Which is the one she wrote before The Sea, The Sea and is just a massive masterpiece.Lamorna: I'll read it. Where do you stand on therapy? Do you have a position?Henry: I think on net, it might be a bad thing, even if it is individually useful for people.Lamorna: Why is that?Henry: [laughs] I didn't expect to have to answer the question. Basically two reasons. I think it doesn't take enough account of the moral aspect of the decisions being made very often. This is all very anecdotal and you can find yourself feeling better in the short term, but not necessarily in the long-- If you make a decision that's not outrageously immoral, but which has not had enough weight placed on the moral considerations.There was an article about how lots of people cut out relatives now and the role that therapy plays in that. What I was struck by in the article that was-- Obviously, a lot of those people are justified and their relatives have been abusive or nasty, of course, but there are a lot of cases where you were like, "Well, this is a long-term decision that's been made on a short-term basis." I think in 10 years people may feel very differently. There wasn't enough consideration in the article, at least I felt, given to how any children involved would be affected later on. I think it's a good thing and a bad thing.Lamorna: I'm so with you. I think that's why, because also the fact of it being so private and it being about the individual, and I think, again, there are certain things if you're really struggling with that, it's helpful for, but I think I'm always more into the idea of communal things, like AAA and NA, which obviously a very particular. Something about doing that together, that it's collaborative and therefore there is someone else in the room if you say, "I want to cut out my parent."There's someone else who said that happened to me and it was really hard. It means that you are making those decisions together a little bit more. Therapy, I can feel that in friends and stuff that it does make us, even more, think that we are these bounded individuals when we're not.Henry: I should say, I have known people who've gone to therapy and it's worked really well.Lamorna: I'm doing therapy right now and it is good. I think, in my head, it's like it should be one among many and I still question it whilst doing it.Henry: To the extent that there is a religious revival among "Gen Z," how much is it because they have phones? Because you wrote something like, in fact, I have the quote, "There's a sense of terrible tragedy. How can you hold this constant grief that we feel, whether it's the genocide in Gaza or climate collapse? Where do I put all the misery that I receive every single second through my phone? Church can then be a space where I can quietly go and light a candle." Is it that these young people are going to religion because the phone has really pushed a version of the world into their faces that was not present when I was young or people are older than me?Lamorna: I think it's one of, or that the phone is the symptom because the phone, whatever you call it, technology, the internet, is the thing that draws the world closer to us in so many different ways. One being that this sense of being aware of what's happening around in other places in the world, which maybe means that you become more tolerant of other religions because you're hearing about it more. That, on TikTok, there's loads of kids all across the world talking about their particular faiths and their background and which aspera they're in, and all that kind of thing.Then, this sense of horror being very unavoidable that you wake up and it is there and you wake up and you think, "What am I doing? What am I doing here? I feel completely useless." Perhaps then you end up in a church, but I'm not sure.I think a bigger player in my head is the fact that we are more pluralistic as societies. That you are more likely to encounter other religions in schools. I think then the question is, well then maybe that'll be valuable for me as well. I think also, not having parents pushing religion on you makes kids, the fact of the generation above the British people, your parents' generations, not saying religion is important, you go to church, then it becomes something people can become more curious about in their own right as adults. I think that plays into it.I think isolation plays into it and that's just not about technology and the phone, but that's the sense of-- and again, I'm thinking about early 20s, mid 20s, so adults who are moving from place to place, who maybe feel very isolated and alone, who are doing jobs that make them feel isolated and alone, and there are this dearth of community spaces and then thinking, well, didn't people used to go to churches, it would be so nice to know someone older than me.I don't know how this fits in, but I was thinking about, I saw this documentary, The Encampments, like two days ago, which is about the Columbia University encampments and within that, Mahmood Khalil, who's the one who's imprisoned at the moment, who was this amazing leader within the movement and is from Palestine. The phone in that, the sense about how it was used to gather and collect people and keep people aware of what's happening and mean that everyone is more conscious and there's a point when they need more people in the encampments because the police are going to come. It's like, "Everyone, use your phone, call people now." I think I can often be like, "Oh no, phones are terrible," but this sense within protest, within communal activity, how valuable they can be as well.I haven't quite gotten into that thought. I don't know, basically. I think it's so hard. I've grown up with a phone. I have no sense of how much it plays a part in everything about me, but obviously, it is a huge amount. I do think it's something that we all think about and are horrified by whilst also seeing it as like this weird extension of ourselves. That definitely plays into then culturally, the decisions we make to either try and avoid them, find spaces where you can be without them.Henry: How old do you think a child should be when they're first given a phone? A smartphone, like an iPhone type thing?Lamorna: I think, 21.Henry: Yes?Lamorna: No, I don't know. I obviously wouldn't know that about a child.Henry: I might.Lamorna: I'd love to. I would really love to because, I don't know, I have a few friends who weren't allowed to watch TV until they were 18 and they are eminently smarter than me and lots of my other friends. There's something about, I don't know, I hate the idea that as I'm getting older, I'm becoming more scaremongering like, "Oh no, when I was young--" because I think my generation was backed in loads of ways. This thing of kids spending so much less time outside and so much less time being able to imagine things, I think I am quite happy to say that feels like a terrible loss.I read a piece recently about kids in New York and I think they were quite sort of middle-class Brooklyn-y kids, but they choose to go days without their phones and they all go off into the forest together. There is this sense of saying giving kids autonomy, but at the same time, their relationship with a phone is not one of agency. It's them versus tech bros who have designed things that are so deeply addictive, that no adult can let go of it. Let alone a child who's still forming how to work out self-control, discipline and stuff. I think a good parenting thing would be to limit massively these completely non-neutral objects that they're given, that are made like crack and impossible to let go of.Henry: Do you think religious education in schools should be different or should there be more of it?Lamorna: Yes, I think it should be much better. I don't know about you, but I just remember doing loads of diagrams of different religious spaces like, "This is what a mosque looks like," and then I'd draw the diagram. I knew nothing. I barely knew the difference between the Old Testament and the New Testament. In fact, I probably didn't as a teenager.I remember actually in sixth form, having this great philosophy teacher who was talking about the idea of proto antisemitism within the gospels. I was like, "Wait, what?" Because I just didn't really understand. I didn't know that it was in Greek, that the Old Testament was in Hebrew. I just didn't know. I think all these holy texts that we've been carrying with us for thousands of years across the world have so much in them that's worth reading and knowing.If I was in charge of our R.E., I would get kids to write on all holy texts, but really think about them and try and answer moral problems. You'd put philosophy back with religion and really connect them and think, what is Nietzsche reacting against? What does Freud about how is this form of Christianity different like this? I think that my sense is that since Gove, but also I'm sure way before that as well, the sense of just not taking young people seriously, when actually they're thoughtful, intelligent and able to wrestle with these things, it's good for them to have know what they're choosing against, if they're not interested in religion.Also, at base, those texts are beautiful, all of them are, and are foundational and if you want to be able to study English or history to know things about religious texts and the practices of religion and how those rituals came about and how it's changed over thousands of years, feels important.Henry: Which religious poets do you like other than Hopkins? Because you write very nicely about Hopkins in the book.Lamorna: He's my favorite. I like John Donne a lot. I remember reading lots of his sermons and Lancelot Andrews' sermons at university and thinking they were just astonishingly beautiful. There are certain John Donne sermons and it's this feeling of when he takes just maybe a line from one of Paul's letters and then is able to extend it and extend it, and it's like he's making it grow in material or it's like it's a root where suddenly all these branches are coming off it.Who else do I like? I like George Herbert. Gosh, my brain is going in terms of who else was useful when I was thinking about. Oh it's gone.Henry: Do you like W.H. Auden?Lamorna: Oh yes. I love Auden, yes. I was rereading his poems about, oh what's it called? The one about Spain?Henry: Oh yes.Lamorna: About the idea of tomorrow.Henry: I don't have a memory either, but I know the poem you mean, yes.Lamorna: Okay. Then I'm trying to think of earlier religious poets. I suppose things like The Dream of the Rood and fun ways of getting into it and if you're looking at medieval poetry.Henry: I also think Betjeman is underrated for this.Lamorna: I've barely read any Betjeman.Henry: There's a poem called Christmas. You might like it.Lamorna: Okay.Henry: It's this famous line and is it true and is it true? He really gets into this thing of, "We're all unwrapping tinsely presents and I'm sitting here trying to work out if God became man." It's really good. It's really good. The other one is called Norfolk and again, another famous line, "When did the devil first attack?" It talks about puberty as the arrival of the awareness of sin and so forth.Lamorna: Oh, yes.Henry: It's great. Really, really good stuff. Do you personally believe in the resurrection?Lamorna: [chuckles] I keep being asked this.Henry: I know. I'm sorry.Lamorna: My best answer is sometimes. Because I do sometimes in that way that-- someone I interviewed who's absolutely brilliant in the book, Robert, and he's a Cambridge professor. He's a pragmatist and he talks about the idea of saying I'm a disciplined person means nothing unless you're enacting that discipline daily or it falls away. For him, that belief in a Kierkegaardian leap way is something that needs to be reenacted in every moment to say, I believe and mean it.I think there are moments when my church attendance is better and I'm listening to a reading that's from Acts or whatever and understanding the sense of those moments, Paul traveling around Europe and Asia Minor, only because he fully believed that this is what's happened. Those letters and as you're reading those letters, the way I read literature or biblical writing is to believe in that moment because for that person, they believe too. I think there are points at which the resurrection can feel true to me, but it does feel like I'm accessing that idea of truth in a different way than I am accessing truth about-- it's close to how I think about love as something that's very, very real, but very different from experiential feelings.I had something else I wanted to say about that and it's just gone. Oh yes. I was at Hay Festival a couple of weeks ago. Do you know the Philosopher Agnes Callard?Henry: Oh, sure.Lamorna: She gave a really great talk about Socrates and her love of Socrates, but she also came to my talk and she and her husband, who I think met through arguing about Aristotle, told me they argued for about half a day about a line I'd said, which was that during writing the book, I'd learned to believe in the belief of other people, her husband was like, "You can't believe in the belief of other people if you don't believe it too. That doesn't work. That doesn't make sense." I was like, "That's so interesting." I can so feel that if we're taking that analytically, that if I say I don't believe in the resurrection, not just that I believe you believe it, but I believe in your belief in the resurrection. At what point is that any different from saying, I believe in the resurrection. I feel like I need to spend more time with it. What the slight gap is there that I don't have that someone else does, or as I say it, do I then believe in the resurrection that moment? I'm not sure.I think also what I'm doing right now is trying to sound all clever with it, whereas for other people it's this deep ingrained truth that governs every moment of their life and that they can feel everywhere, or perhaps they can't. Perhaps there's more doubt than they suggest, which I think is the case with lots of us. Say on the deathbed, someone saying that they fully believe in the resurrection because that means there's eternal salvation, and their family believe in that too. I don't think I have that kind of certainty, but I admire it.Henry: Tell me how you got the title for this book from an episode of The Simpsons.Lamorna: It's really good app. It's from When Maggie Makes Three, which is my favorite episode. I think titles are horribly hard. I really struck my first book. I would have these sleepless nights just thinking about words related to the sea, and be like, blue something. I don't know. There was a point where my editor wanted to call it Trawler Girl. I said, "We mustn't. That's awful. That's so bad. It makes me sound like a terrible superhero. I'm not a girl, I'm a woman."With this one, I think it was my fun title for ages. Yes, it's this plaque that Homer has put-- Mr. Burns puts up this plaque to remind him that he will never get to leave the power plant, "Don't forget you're here forever."I just think it's a strong and bonkers line. I think it had this element of play or silliness that I wanted, that I didn't think about too hard. I guess that's an evangelical Christian underneath what they're actually saying is saying-- not all evangelicals, but often is this sense of no, no, no, we are here forever. You are going to live forever. That is what heaven means.That sense of then saying it in this jokey way. I think church is often very funny spaces, and funny things happen. They make good comedy series when you talk about faith.Someone's saying she don't forget we're here forever. The don't forget makes it so colloquial and silly. I just thought it was a funny line for that reason.Then also that question people always ask, "Is religion going to die out?" I thought that played into it. This feeling that, yes, I write about it. There was a point when I was going to an Extinction Rebellion protest, and everyone was marching along with that symbol of the hourglass inside a circle next to a man who had a huge sign saying, "Stop, look, hell is real, the end of the world is coming." This sense of different forms of apocalyptic thinking that are everywhere at the moment. I felt like the title worked for that as well.Henry: I like that episode of The Simpsons because it's an expression of an old idea where he's doing something boring and his life is going to slip away bit by bit. The don't forget you're here forever is supposed to make that worse, but he turns it round into the live like you're going to die tomorrow philosophy and makes his own kind of meaning out of it.Lamorna: By papering it over here with pictures of Maggie. They love wordplay, the writers of The Simpsons, and so that it reads, "Do it for her," instead. That feeling of-- I think that with faith as well of, don't forget we're here forever, think about heaven when actually so much of our life is about papering it over with humanity and being like, "Does it matter? I'm with you right now, and that's what matters." That immediacy of human contact that church is also really about, that joy in the moment. Where it doesn't really matter in that second if you're going to heaven or hell, or if that exists. You're there together, and it's euphoric, or at least it's a relief or comforting.Henry: You did a lot of Bible study and bible reading to write this book. What were the big surprises for you?Lamorna: [chuckles] This is really the ending, but revelation, I don't really think it's very well written at all. It shouldn't be in there, possibly. It's just not [unintelligible 00:39:20] It got added right in the last minute. I guess it should be in there. I just don't know. What can I say?So much of it was a surprise. I think slowly reading the Psalms was a lovely surprise for me because they contain so much uncertainty and anguish, and doubt. Imagining those being read aloud to me always felt like a very exciting thing.Henry: Did you read them aloud?Lamorna: When I go to more Anglo Catholic services, they tend to do them-- I never know how to pronounce this. Antiphonally.Henry: Oh yes.Lamorna: Back and forth between you. It's very reverential, lovely experience to do that. I really think I was surprised by almost everything I was reading. At the start of Kierkegaard's Fear and Trembling, he does this amazing thing where he does four different versions of what could be happening in the Isaac and Abraham story underneath.There's this sense of in the Bible, and I'm going to get this wrong, but in Mimesis, Auerbach talks about the way that you're not given the psychological understanding within the Bible. There's so much space for readers to think with, because you're just being told things that happened, and the story moves on quickly, moment by moment. With Isaac and Abraham, what it would mean if Isaac actually had seen the fact that his father was planning to kill him. Would he then lose his faith? All these different scenarios.I suddenly realised that the Bible was not just a fixed text, but there was space to play with it as well. In the book, I use the story of Jacob and the angel and play around with the meaning of that and what would happen after this encounter between Jacob and an angel for both of them.Bits in the Gospels, I love the story of the Gerasene Demoniac. He was a knight. He was very unwell, and no one knew what to do with him. He was ostracised from his community. He would sit in this cave and scream and lacerate himself against the cave walls. Then Jesus comes to him and speaks to him and speaks to the demons inside him. There's this thing in Mark's Gospel that Harold Bloom talks about, where only demons are actually able to perceive. Most people have to ask Christ who he really is, but demons can perceive him immediately and know he's the son of God.The demons say that they are legion. Then Jesus puts them into 1,000 pigs. Is it more? I can't remember. Then they're sent off over the cliff edge. Then the man is made whole and is able to go back to his community. I just think there's just so much in that. It's so rich and strange. I think, yes, there's something about knowing you could sit down and just read a tiny bit of the Bible and find something strange and unusual that also might speak to something you've read that's from thousands of years later.I also didn't know that in Mark's Gospel, the last part of it is addended, added on to it. Before that, it ended with the women being afraid, seeing the empty tomb, but there's no resolution. There's no sense of Christ coming back as spirit. It ended in this deep uncertainty and fear. I thought that was so fascinating because then again, it reminds you that those texts have been played around with and thought with, and meddled with, and changed over time. It takes away from the idea that it's fixed and certain, the Bible.Henry: What did you think of Harold Bloom's book The Shadow of a Great Rock?Lamorna: I really loved it. He says that he treats Shakespeare more religiously and the Bible more like literature, which I found a funny, irreverent thing to say. There's lovely stuff in there where, I think it was Ruth, he was like, maybe it was written by a woman. He takes you through the different Hebrew writers for Genesis. Which again, becoming at this as such a novice in so many ways, realising that, okay, so when it's Yahweh, it's one particular writer, there's the priestly source for particular kinds of writing. The Yahwist is more ironic, or the God you get is more playful.That was this key into thinking about how each person trying to write about God, it's still them and their sense of the world, which is particular and idiosyncratic is forming the messages that they believe they're receiving from God. I found that exciting.Yes, he's got this line. He's talking about the blessings that God gives to men in Genesis. He's trying to understand, Bloom, what the meaning of a blessing is. He describes it as more life into a time without boundaries. That's a line that I just found so beautiful, and always think about what the meaning of that is. I write it in the book.My best friend, Sammy, who's just the most game person in the world, that you tell them anything, they're like, "Cool." I told them that line. They were like, "I'm getting it tattooed on my arm next week." Then got me to write in my handwriting. I can only write in my handwriting, but write down, "More time into life without boundaries." Now they've just got it on their arm.Henry: Nice.Lamorna: I really like. They're Jewish, non-practicing. They're not that really interested in it. They were like, "That's a good line to keep somewhere."Henry: I think it's actually one of Bloom's best books. There's a lot of discussion about, is he good? Is he not good? I love that book because it really just introduces people to the Bible and to different versions of the Bible. He does all that Harold Bloom stuff where he's like, "These are the only good lines in this particular translation of this section. The rest is so much dross.He's really attentive to the differences between the translations, both theologically but also aesthetically. I think a lot of people don't know the Bible. It's a really good way to get started on a-- sitting down and reading the Bible in order. It's going to fail for a lot of people. Harold Bloom is a good introduction that actually gives you a lot of the Bible itself.Lamorna: For sure, because it's got that midrash feeling of being like someone else working around it, which then helps you get inside it. I was reading that book whilst going to these Bible studies at a conservative evangelical church called All Souls. I wasn't understanding what on earth was going on in Mark through the way that we're being told to read it, which is kids' comprehension.Maybe it was useful to think about why would the people have been afraid when Christ quelled the storms? It was doing something, but there was no sense of getting inside the text. Then, to read alongside that, Bloom saying that the Christ in Mark is the most unknowable of all the versions of Christ. Then again, just thinking, "Oh, hang on." There's an author. The author of Mark's gospel is perceiving Christ in a particular way. This is the first of the gospels writing about Christ. What does it mean? He's unknowable. Suddenly thinking of him as a character, and therefore thinking about how people are relating to him. It totally cracks the text open for you.Henry: Do you think denominational differences are still important? Do most people have actual differences in dogma, or are they just more cultural distinctions?Lamorna: They're ritual distinctions. There really is little that you could compare between a Quaker meeting and a Catholic service. That silence is the fundamental aspect of all of it. There's a sense of enlighten.My Quaker mate, Lawrence, he's an atheist, but he wouldn't go to another church service because he's so against the idea of hierarchy and someone speaking from a pulpit. He's like, honestly, the reincarnated spirit of George Fox in many ways, in lots of ways he's not.I guess it becomes more blurry because, yes, there's this big thing in the early 20th century in Britain anyway, where the line that becomes more significant is conservative liberal. It's very strange that that's how our world gets divided. There's real simplification that perhaps then, a liberal Anglican church and a liberal Catholic church have more in relationship than a conservative Catholic church and a conservative evangelical church. The line that is often thinking about sexuality and marriage.I was interested, people have suddenly was called up in my book that I talk about sex a lot. I think it's because sex comes up so much, it feels hard not to. That does seem to be more important than denominational differences in some ways. I do think there's something really interesting in this idea of-- Oh, [unintelligible 00:48:17] got stung. God, this is a bit dramatic. Sorry, I choked on coffee earlier. Now I'm going to get stung by a bee.Henry: This is good. This is what makes a podcast fun. What next?Lamorna: You don't get this in the BBC studios. Maybe you do. Oh, what was I about to say? Oh, yes. I like the idea of church shopping. People saying that often it speaks to the person they are, what they're looking for in a church. I think it's delightful to me that there's such a broad church, and there's so many different spaces that you can go into to discover the church that's right for you. Sorry. I'm really distracted by this wasp or bee. Anyway.Henry: How easy was it to get people to be honest with you?Lamorna: I don't know. I think that there's certain questions that do tunnel right through to the heart of things. Faith seems to be one of them. When you talk about faith with people, you're getting rid of quite a lot of the chaff around with the politeness or whatever niceties that you'd usually speak about.I was talking about this with another friend who's been doing this. He's doing a play about Grindr. He was talking about how strange it is that when you ask to interview someone and you have a dictaphone there, you do get a deeper instant conversation. Again, it's a bit like a therapeutic conversation where someone has said to you, "I'm just going to sit and listen." You've already agreed, and you know it's going to be in a book. "Do you mind talking about this thing?"That just allows this opportunity for people to be more honest because they're aware that the person there is actually wanting to listen. It's so hard to create spaces. I create a cordon and say, "We're going to have a serious conversation now." Often, that feels very artificial. I think yes, the beauty of getting to sit there with a dictaphone on your notebook is you are like, "I really am interested in this. It really matters to me." I guess it feels easy in that way to get honesty.Obviously, we're all constructing a version of ourselves for each other all the time. It's hard for me to know to what extent they're responding to what they're getting from me, and what they think I want to hear. If someone else interviewed them, they would probably get something quite different. I don't know. I think if you come to be with openness, and you talk a bit about your journey, then often people want to speak about it as well.I'm trying to think. I've rarely interviewed someone where I haven't felt this slightly glowy, shimmery sense of it, or what I'm learning feels new and feels very true. I felt the same with Cornish Fisherman, that there was this real honesty in these conversations. Many years ago, I remember I got really obsessed with interviewing my mom. I think I was just always wanting to practice interviewing. The same thing that if there's this object between you, it shifts the dimensions of the conversation and tends towards seriousness.Henry: How sudden are most people's conversions?Lamorna: Really depends. I was in this conversation with someone the other day. When she was 14, 15, she got caught shoplifting. She literally went, "Oh, if there's a God up there, can you help get me out of the situation?" The guy let her go, and she's been a Christian ever since. She had an instantaneous conversion. Someone I interviewed in the book, and he was a really thoughtful card-carrying atheist. He had his [unintelligible 00:51:58] in his back pocket.He hated the Christians and would always have a go at them at school because he thought it was silly, their belief. Then he had this instant conversion that feels very charismatic in form, where he was just walking down an avenue of trees at school, and he felt the entire universe smiling at him and went, "Oh s**t, I better become a Christian."Again, I wonder if it depends. I could say it depends on the person you are, whether you are capable of having an instant conversion. Perhaps if I were in a religious frame of mind, I'd say it depends on what God would want from you. Do you need an instant conversion, or do you need to very slowly have the well filling up?I really liked when a priest said to me that people often go to church and expect to be changed in a moment. He's like, "No, you have to go for 20 years before anything happens." Something about that slow incremental conversion to me is more satisfying. It's funny, I was having a conversation with someone about if they believe in ghosts, and they were like, "Well, if I saw one, then I believe in ghosts." For some people, transcendental things happen instantaneously, and it does change them ultimately instantly.I don't know, I would love to see some stats about which kinds of conversions are more popular, probably more instant ones. I love, and I use it in the book, but William James' Varieties of Religious Experience. He talks about there's some people who are sick-souled or who are also more porous bordered people for whom strange things can more easily cross the borders of their person. They're more likely to convert and more likely to see things.I really like him describing it that way because often someone who's like that, it might just be described as well, you have a mental illness. That some people are-- I don't know, they've got sharper antennae than the rest of us. I think that is an interesting thought for why some people can convert instantly.Henry: I think all conversions take a long time. At the moment, there's often a pivotal moment, but there's something a long time before or after that, that may or may not look a conversion, but which is an inevitable part of the process. I'm slightly obsessed with the idea of quests, but I think all conversions are a quest or a pilgrimage. Your book is basically a quest narrative. As you go around in your Toyota, visiting these places. I'm suspicious, I think the immediate moment is bundled up with a longer-term thing very often, but it's not easy to see it.Lamorna: I love that. I've thought about the long tail afterwards, but I hadn't thought about the lead-up, the idea of that. Of what little things are changing. That's such a lovely thought. Their conversions began from birth, maybe.Henry: The shoplifter, it doesn't look like that's where they're heading. In retrospect, you can see that there weren't that many ways out of this path that they're on. Malcolm X is like this. One way of reading his autobiography is as a coming-of-age story. Another way of reading it is, when is this guy going to convert? This is going to happen.Lamorna: I really like that. Then there's also that sense of how fixed the conversion is, as well, from moment to moment. That Adam Phillips' book on wanting to change, he talks about our desire for change often outstrips our capacity for change. That sense of how changed am I afterwards? How much does my conversion last in every moment? It goes back to the do you believe in the resurrection thing.I find that that really weird thing about writing a book is, it is partly a construction. You've got the eye in there. You're creating something that is different from your reality and fixed, and you're in charge of it. It's stable, it remains, and you come to an ending. Then your life continues to divert and deviate in loads of different ways. It's such a strange thing in that way. Every conversion narrative we have fixed in writing, be it Augustine or Paul, whatever, is so far from the reality of that person's experience.Henry: What did the new atheists get wrong?Lamorna: Arrogance. They were arrogant. Although I wonder, I guess it was such a cultural moment, and perhaps in the same way that everyone is in the media, very excitedly talking about revival now. There was something that was created around them as well, which was delight in this sense of the end of something. I wonder how much of that was them and how much of it was, they were being carried along by this cultural media movement.I suppose the thing that always gets said, and I haven't read enough Dawkins to say this with any authority, but is that the form of religion that he was attempting to denigrate was a very basic form of Christianity, a real, simplified sense. That he did that with all forms of religion. Scientific progress shows us we've progressed beyond this point, and we don't need this, and it's silly and foolish.I guess he underestimated the depth and richness of religion, and also the fact of this idea of historical progress, when the people in the past were foolish, when they were as bright and stupid as we are now.Henry: I think they believed in the secularization idea. People like Rodney Stark and others were pointing out that it's not really true that we secularized a lot more consistency. John Gray, the whole world is actually very religious. This led them away from John Stuart Mill-type thinking about theism. I think everyone should read more John Stuart Mill, but they particularly should have read the theism essays. That would have been--Lamorna: I've only just got into him because I love the LRB Close Reading podcast. It's Jonathan Rée and James Wood. They did one on John Stuart Mill's autobiography, which I've since been reading. It's an-Henry: It's a great book.Lamorna: -amazing book. His crisis is one of-- He says, "The question of religion is not something that has been a part of my life, but the sense of being so deeply learned." His dad was like, "No poetry." In his crisis moment, suddenly realizing that that's what he needed. He was missing feeling, or he was missing a way of looking at the world that had questioning and doubt within it through poetry.There was a bit in the autobiography, and he talks about when he was in this deep depression, whenever he was at 19 or something. That he was so depressed that he thought if there's a certain number of musical notes, one day there will be no more new music because every single combination will have been done. The sense of, it's so sweetly awful thinking, but without the sense-- I'm not sure what I'm trying to say here.I found his crisis so fascinating to read about and how he comes out of that through this care and attention of beautiful literature and thinking, and through his love of-- What was his wife called again?Henry: Harriet.Lamorna: Harriet. He credits her for almost all his thinking. He wouldn't have moved towards socialism without her. Suddenly, humans are deeply important to him. He feels sorry for the fact that his dad could not express love or take love from him, and that that was such a terrible deficiency in his life.Henry: Mill's interesting on religion because he looks very secular. In fact, if you read his letters, he's often going into churches.Lamorna: Oh, really?Henry: Yes, when he's in Italy, because he had tuberculosis. He had to be abroad a lot. He's always going to services at Easter and going into the churches. For a secular person, he really appreciates all these aspects of religion. His stepdaughter was-- there's a diary of hers in their archives. She was very religious, very intense. As a young woman, when she's 16, 17, intensely Catholic or Anglo-Catholic. Really, it's quite startling.I was reading this thing, and I was like, "Wait, who in the Mill household is writing this? This is insane." There are actually references in his letters where he says, "Oh, we'll have to arrive in time for Good Friday so that she can go to church." He's very attentive to it. Then he writes these theism essays, right at the end of his life. He's very open-minded and very interrogatory of the idea. He really wants to understand. He's not a new atheist at all.Lamorna: Oh, okay. I need to read the deism essays.Henry: You're going to love it. It's very aligned. What hymns do you like?Lamorna: Oh, no.Henry: You can be not a hymn person.Lamorna: No. I'm not a massive hymn person. When I'm in church, the Anglican church that I go to in London now, I always think, "Remember that. That was a really nice one." I like to be a pilgrim. I really don't have the brain that can do this off the cuff. I'm not very musically. I'm deeply unmusical.There was one that I was thinking of. I think it's an Irish one. I feel like I wrote this down at one point, because I thought I might be asked in another interview. I had to write down what I thought in case a hymn that I liked. Which sounds a bit like a politician, when they're asked a question, they're like, "I love football." I actually can't think of any. I'm sorry.Henry: No, that's fine.Lamorna: What are your best? Maybe that will spark something in me.Henry: I like Tell Out My Soul. Do you know that one?Lamorna: Oh, [sings] Tell Out My Soul. That's a good one.Henry: If you have a full church and people are really going for it, that can be amazing. I like all the classics. I don't have any unusual choices. Tell Out My Soul, it's a great one. Lamorna Ash, this has been great. Thank you very much.Lamorna: Thank you.Henry: To close, I think you're going to read us a passage from your book.Lamorna: I am.Henry: This is near the end. It's about the Bible.Lamorna: Yes. Thank you so much. This has definitely been my favourite interview.Henry: Oh, good.Lamorna: I really enjoyed it. It's really fun.Henry: Thank you.Lamorna: Yes, this is right near the end. This is when I ended up at a church, St Luke's, West Holloway. It was a very small 9:00 AM service. Whilst the priest who'd stepped in to read because the actual priest had left, was reading, I just kept thinking about all the stories that I'd heard and wondering about the Bible and how the choices behind where it ends, where it ends.I don't think I understand why the Bible ends where it does. The final lines of the book of Revelation are, "He who testifies to these things says, Yes, I am coming soon. Amen. Come, Lord Jesus, the grace of the Lord Jesus be with God's people. Amen." Which does sound like a to-be-continued. I don't mean the Bible feels incomplete because it ends with Revelation. What I mean is, if we have continued to hear God and wrestle with him and his emissaries ever since the first overtures of the Christian faith sounded.Why do we not treat these encounters with the same reverence as the works assembled in the New Testament? Why have we let our holy text grow so antique and untouchable instead of allowing them to expand like a divine Wikipedia updated in perpetuity? That way, each angelic struggle and Damascene conversion that has ever occurred or one day will, would become part of its fabric.In this Borgesian Bible, we would have the Gospel of Mary, not a fictitious biography constructed by a man a century after her death, but her true words. We would have the conversion of the Ethiopian eunuch on the road between Jerusalem and Gaza from Acts, but this time given in the first person. We would have descriptions from the Picts on Iona of the Irish Saint Columba appearing in a rowboat over the horizon.We would have the Gospels of those from the early Eastern Orthodox churches, Assyrian Gospels, Syriac Orthodox Gospels. We would have records of the crusades from the Christian soldiers sent out through Europe to Jerusalem in order to massacre those of other faiths, both Muslim and Jewish. In reading these accounts, we would be forced to confront the ways in which scripture can be interpreted

Message from Samuel Johnson on June 8, 2025

In a world competing for our attention, our guest this week admits: “It's probably harder to read novels now than it ever was.” But their value cannot be overstated. The novel's unique humanity, its careful and open treatment of the human experience, helps us to develop a sympathetic imagination, tuning our hearts and minds in a way that non-fiction argument simply cannot. Christopher Scalia, author of 13 Novels Conservatives Will Love (but Probably Haven't Read), makes the case that it is a distinctly conservative interest to explore the Western tradition through fiction. Recommendations in hand, he invites adults to refresh their reading list with novels—from the very inception of the form up to the present. Chapters: 1:47 The great book rut 4:11 Novels: the medium of recent Western tradition 5:30 The 18th-century bildungsroman 9:47 “Conservative” themes 16:18 The American dream in My Ántonia 22:39 Miraculous realism in Peace Like a River 29:02 Acknowledging the existence of evil 31:44 Wonder and encounter over strict interpretation 37:03 Revisiting works from your school years 38:47 Why narrative works 42:01 Books that nearly made the cut Links: 13 Novels Conservatives Will Love (but Probably Haven't Read) by Christopher Scalia Christopher J. Scalia at American Enterprise Institute The History of Rasselas by Samuel Johnson (1759) Evelina by Frances Burney (1778) Waverley by Sir Walter Scott (1814) The Blithedale Romance by Nathaniel Hawthorne (1852) Daniel Deronda by George Eliot (1876) My Ántonia by Willa Cather (1918) Their Eyes Were Watching God by Zora Neale Hurston (1937) The Girls of Slender Means by Muriel Spark (1963) The Children of Men by P. D. James (1992) Peace Like a River by Leif Enger (2001) Gilead by Marilynne Robinson (2004) The Road by Cormac McCarthy (2006) How I Won a Nobel Prize: A Novel by Julius Taranto (2023) Also on the Forum: Heights Forum Book Reviews On Reading Literature by Joseph Bissex Some Summer Reading Recommendations for Teachers by Tom Cox Modern Literature: On Curating the Contemporary featuring Mike Ortiz Guiding Our Boys through Modern Literature featuring Joe Breslin and Lionel Yaceczko Featured opportunities: Teaching Essentials Workshop at The Heights School (June 16-20, 2025) Convivium for Teaching Men at The Heights School (November 13-15, 2025)

When Hilde Hinton was on the cusp of adolescence, her mother died. For years she protected her younger siblings from the truth about their mum.Despite the great grief of her mother's shocking death when Hilde was just 12 years old, there was also a sense of relief for Hilde. She shielded her younger siblings, Samuel and Connie Johnson, from the truth of how and why their mother died.But when Connie also died, decades later of cancer, Hilde was propelled into writing her first novel, in between shifts as a prison officer.Her debut book, The Loudness of Unsaid things, was intensely autobiographical.While Connie never got to read the book, Hilde's brother Samuel finally 'met' their mother through Hilde's writing, and learned all that his big sister had done for them growing up.Now, from her home in Melbourne, where people who need solace freely come and go, Hilde explores in her writing the ordinary things that make life extraordinary.This episode was produced by Meggie Morris. Conversations Executive Producer is Nicola Harrison. Presented by Richard Fidler.This episode of Conversations explores mental health, suicide, grieving, grief, death, mothers, single fathers, bipolar, mothers with mental health issues, mental health hospitals, institutionalisation, prisons, writing, books, novels, siblings, Love Your Sister, nuns, Australian Story, childhood cancer.Further informationThe Opposite of Lonely is published by Hachette.You can watch the episode of Australian Story, which features Hilde's brother, Samuel Johnson, online at ABC iview.

With special guest: Samuel Johnson… in conversation with Bill Kable Samuel Johnson is well known to Australian television audiences. He has won the Gold Logie for his performance in the miniseries Molly. But to others in the Australian community he is the hero who has raised $20 million for cancer research. In that connection Samuel rode his unicycle around Australia in a fund raising effort and in the process of cycling 15,000 kilometres broke a world record. Clearly this man knows a hero when he sees one. And yet when Samuel’s sister Hilde Hinton told him about the everyday heroes she met in her own fundraising activities it all came as a surprise. Many of these unsung heroes in our Australian community hide their light under a bushel. These Australian heroes were initially horrified to think that their stories would be included in a book titled Heroes Next Door. However Samuel can be very persuasive and we are fortunate to be able finally to hear these uplifting stories at a time when we need them most. Podcast (mp3)

Hear the story of the extraordinary life of Samuel Johnson.  The sicky, part blind, provincial boy, a failure at Oxford University he went on to create the first great dictionary of the English language.

This week on TV Reload, I’m joined by beloved actor and activist Samuel Johnson, whose incredible life story is being featured on Australian Story (ABC, 8pm Monday 19th May) From his breakout role in The Secret Life of Us to winning a Gold Logie and raising over $20 million through his charity Love Your Sister, Sam has become one of Australia’s most inspiring public figures. But behind the accolades is a man who has faced immense personal grief and hardship and come through it with unshakable vulnerability and admirable strength. In this special episode, we chat about the highs, the heartbreaks, and the decision to finally share his full story on Australian Story. Sam opens up about what he expected from the experience, what scared him, and what he hopes audiences will take away. It’s a raw, honest, and moving conversation with one of the country’s true heroes.See omnystudio.com/listener for privacy information.

In this episode of Biographers in Conversation, the distinguished British biographer Oliver Soden chats with Dr Gabriella Kelly-Davies about his choices while crafting Jeoffry: The Poet's Cat. Jeoffry was a real cat who lived in a London asylum with Christopher Smart, an 18th-century poet. Here's what you'll discover in this episode: How Virginia Woolf's Flush: A Biography, the imaginative biography of Elizabeth Barrett Browning's cocker spaniel, influenced Oliver Soden's choices while crafting The Poet's Cat How Oliver cleverly used Jeoffry as a lens through which to explore Christopher Smart's character, personality and often troubled life How Oliver retraced Jeoffry's and Christopher Smart's real and imagined footsteps in 18th-century London, discovering its vibrant cast of characters such as King George, the composer Handel and Samuel Johnson, one of the towering figures of British literature How Oliver balanced fact and fiction given his admission that ‘the dividing line between fact and fiction is necessarily wobbly' in The Poet's Cat, and ‘sometimes one is disguised as the other' How Oliver accessed Jeoffry's interior life and inner monologue, enabling him to write from the perspective of an 18th-century alley cat How Oliver shifted from the traditional, scholarly tone and narrative style of his biographies of the composer Michael Tippett and playwright Noël Coward to the whimsical, witty, affectionate and playful style of The Poet's Cat How Oliver balanced the lightheartedness of Jeoffry's antics with the book's deeper philosophical themes.

Ep. 683: Cranford | Chapter 5 Book talk begins at 9:31 A mysterious stranger arrives in town, and you just know the ladies of Cranford are ready to investigate... politely, of course. --------------------------------------------------------------- 00:00 Episode start 01:28 2:42 Plum Deluxe . Plum Deluxe's CraftLit tea collection is here: Also, MAY RAFFLE - Sir Walter Scott Cross stitch from Rebecca S (Of Book it with Becca, who wrote the wonderful post: 04:25 Gardening! 09:30 - START BOOK TALK: Last week, the lovely Mr Holbrook and his very sad passing. 12:06 Joint- Stock bank: > A bank owned by shareholders, operating under a charter or act of Parliament, and offering services to the public. Unlike older private banks (run by individuals or families), joint-stock banks were corporations, meaning shared risk and more capital. How bank books worked— A bank book (also called a passbook) was given to bank customers to record all transactions in their account—- Every deposit and withdrawal was manually written into the book by a bank clerk. The customer's copy was their only proof of the account's balance. 14:12 Envelope usage / turning inside out (ETSY doing this NOW) Whole vs half sheet and crossed letters 16:36 STRING and Indian-rubber rings 17:24 “India-rubber” was the 19th-century term for what we now just call rubber—and India-rubber rings were small rubber loops or bands like we use today. Came from the latex of tropical trees (especially Hevea brasiliensis) 18:42 TONQUIN beans: TONKA beans: Tonka beans are the wrinkled, black seeds of the Dipteryx odorata tree, native to South America. Chefs outside the US use them in desserts and to replace nuts. AND ILLEGAL in the USA since 1954 due to the presence of liver damaging “coumarin” - - and 20:54 22:43 PADUASOY: heavy, rich corded or embossed silk fabric, From French - peau de soie, a cloth resembling serge (twill fabric with diagonal lines/ridges on both inner and outer surfaces per a two-up/two-down weave.) 24:19 Bottom of page a small “T.O.” = turn over / Molly's writing is full of spelling like “Bewty” which is a subsequent joke line 25:49 Dum memor ipse Mei, dum Spiritus regift artus - Virgil, Æneid, IV.382, “While memory shall last and breath still control my limbs” 25:28 Carmen (lowercase) like CARMINA (song poem or verse) 26:54 Gentleman's Magazine 1782—Kind of an Atlantic Monthly—guess who contributed? Samuel Johnson! 27:18 M. T. Ciceroni's Epistolae: The letters of Marcus Tullius Cicero (106-43BCE) Roman statesman, orator, philosopher, and writer with 800+ letters surviving Heather before recording, in garden, with skewer pack: 28:41 “Rod in a pickle” - rod, method of punishment; pickle, something preserved for future use. 29:42 Life is a vale of tears: Psalm 84:6 also, description of a helicopter parent feels marvelously modern 30:21 Mrs Chapone (1727-1801) Contributed to the Rambler AND Gentleman's Magazine and wrote “Letters on the Improvement of the Mind (1773) and Mrs Carter (1717-1806) many languages and in 1758 published first translation of Epictetus THE Stoic Philosopher. 31:32 “Before Miss Edgeworth's ‘Patronage' had banished wafers from polite society…”: Patronage was a book (1814) with a character who was offended by a letter she received that was sealed with a wafer: “I wonder how any man can have the impertinence to send me his spittle” (I, 248) 33:06 “Old original post with stamp in the corner” not exactly the right watermark, but you get the idea… 34:30 “Sesquipedalian” writing - foot and a half long sesqui = 1-½ pedalis =foot looonng polysyllabic words 35:13 Buonaparte (Bony)1805 invasion fears - In case you still need to build your own 36:55 David and Goliath, son of Jesse (I Samuel 17) Apollyon (Greek version) and Abbadon (Hebrew version) are names for an archangel In Revelation 9:11—> _“And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.” (Revelation 9:11, KJV) Meaning: Abaddon (Hebrew) means “destruction” or “place of destruction.” Apollyon (Greek) means “destroyer.” It's overblown biblical satire—calling someone “Apollyon” in Cranford is like referring to a strict schoolmarm as “Beelzebub.” 38:08 Bonus Bernardus non video omnia The Blessed Bernard does not see everything - maybe said by St Bernard of Clairvaux (1090-1153)— This quote is often attributed (possibly apocryphally) to Peter Abelard, the 12th-century theologian, as a gentle jab at St. Bernard of Clairvaux, with whom he clashed theologically. Meaning: Even the wisest man (here, Blessed Bernard) can be wrong sometimes. Post-chapter Notes Chapone and Carter and Bluestockings (see below for big notes) real historical women writers, both part of the 18th-century English Bluestocking movement—educated, literary women who promoted female intellectualism and moral development. Gaskell is absolutely name-dropping intentionally here for Cranford's themes of domestic gentility, moral seriousness, and self-improvement. ⸻ Mrs. Hester Chapone (1727–1801) Best known for Letters on the Improvement of the Mind (1773), addressed to her niece. It was a conduct book for young women, offering advice on moral character, reading habits, and proper behavior. Hugely popular—Cranford-adjacent readers would know her by name. ⸻ Mrs. Elizabeth Carter (1717–1806) A respected scholar, translator, and poet—a genuine intellectual heavyweight. Famously translated the Discourses of Epictetus from Greek in 1758—the first English translation by a woman, and one of the first of Epictetus at all. She knew multiple classical and modern languages and was close friends with figures like Samuel Johnson and Hannah More. *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

Journalist and author Barbara Demick discusses her new, powerful, and must-read book "Daughters of the Bamboo Grove: From China to America, a True Story of Abduction, Adoption, and Separated Twins". With a deep boots-on-the-ground experience, she details the brutality of China's one-child policy and the profound lasting effects it continues to have. She describes the scandalous adoption frenzy that took place, where officials illegally kidnapped Chinese children from their families and disappeared them. Demick found a needle in a haystack and managed to reunite one set of twins who were strewn across the planet, from America to China. Watch on BitChute / Brighteon / Rumble / Substack / YouTube Geopolitics & Empire · Barbara Demick: Abducted & Adopted, The Story of China's One-Child Policy #553 *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape Technocracy course (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics PassVult https://passvult.com Sociatates Civis (CitizenHR, CitizenIT, CitizenPL) https://societates-civis.com Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Website https://www.barbarademick.com Daughters of the Bamboo Grove: From China to America, a True Story of Abduction, Adoption, and Separated Twins https://www.barbarademick.com/book/daughters-of-the-bamboo-grove X https://x.com/barbarademick About Barbara Demick Barbara Demick is author of Nothing to Envy: Ordinary Lives in North Korea and Logavina Street: Life and Death in a Sarajevo Neighborhood and the recently released Eat the Buddha: Life and Death in a Tibetan Town, published by Random House in July 2020.  She was bureau chief for the Los Angeles Times in Beijing and Seoul, and previously reported from the Middle East and Balkans for the Philadelphia Inquirer. Demick grew up in New Jersey and graduated from Yale College Her work has won many awards including the Samuel Johnson prize (now the Baillie Gifford prize) for non-fiction in the U.K., the Overseas Press Club's human rights reporting award, the Polk Award and the Robert F. Kennedy award and Stanford University's Shorenstein Award for Asia coverage. Her North Korea book was a finalist for the National Book Award and the National Book Critics Circle Award. She was a press fellow at the Council on Foreign Relations, a Bagehot fellow in business journalism at Columbia University and a visiting professor of journalism at Princeton University.  She lives in New York City. *Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Passage: 1 Have mercy on me, O God, according to your steadfast love; according to your abundant mercy blot out my transgressions. 2 Wash me thoroughly from my iniquity, and cleanse me from my sin! 3 For I know my transgressions, and my sin is ever before me. 4 Against you, you only, have I sinned and done what is evil in your sight, so that you may be justified in your words and blameless in your judgment. 5 Behold, I was brought forth in iniquity, and in sin did my mother conceive me. 6 Behold, you delight in truth in the inward being, and you teach me wisdom in the secret heart. 7 Purge me with hyssop, and I shall be clean; wash me, and I shall be whiter than snow. 8 Let me hear joy and gladness; let the bones that you have broken rejoice. 9 Hide your face from my sins, and blot out all my iniquities. 10 Create in me a clean heart, O God, and renew a right spirit within me. 11 Cast me not away from your presence, and take not your Holy Spirit from me. 12 Restore to me the joy of your salvation, and uphold me with a willing spirit. Song: Create In Me (Psalm 51) by Paul Zach, iAmSon, and Jessica Fox Lyrics: Create in me A clean heart oh Lord Create in me A clean heart oh Lord Against you only I've sinned Done evil in your side But you've shown me what I've done With mercy in your eyes Then wash my shame and guilty way My wearies all renew From all my sin into your face Let me turn to you Create in me A clean heart oh Lord Create in me A clean heart oh Lord So I will give you what you asked A humble broken heart A spirit burning down to ash With a flame oh God Then ask will be your mercy Lord Transforming all of me To every act and every way Your love and glories speaks Create in me A clean heart oh Lord (Create in me a clean heart oh Lord) Create in me A clean heart oh Lord (Create in me a clean heart oh Lord) Have mercy on me According to your endless love Have mercy on me According to your endless love Oh have mercy on me According to your endless love Have mercy on me According to your endless love According to your endless love According to your endless love Prayer: Almighty and most merciful Father, you hate nothing that you have made, nor desire the death of a sinner—look down with mercy upon me, and grant that I may turn from my wickedness and live. Forgive the days and years which I have passed in folly, idleness, and sin. Fill me with such sorrow for the time misspent, that I may amend my life according to your holy Word; strengthen me against habitual idleness, and enable me to direct my thoughts to the performance of every duty; that while I live I may serve you in the state to which you shall call me, and at last by a holy and happy death be delivered from the struggles and sorrows of this life, and obtain eternal happiness by your mercy, for the sake of Jesus Christ our Lord. Amen. —Samuel Johnson

The chains of habit are generally too small to be felt until they are too strong to be broken. - Samuel Johnson Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Message from Samuel Johnson on May 4, 2025

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In this episode, we talk about Lyme, the connection between Anne and Captain Benwick, whether these chapters make us wonder if Anne will end up with someone other than Captain Wentworth, and Louisa's fall from the steps.The characters we discuss are Captains Harville and Benwick. In the historical section, Ellen talks about romantic poetry, and for popular culture Harriet discusses the 2022 Netflix film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Samuel Johnson, The Rambler (periodical, published 1750-1752)Dr John GregoryHester ChaponeStairs on the CobbThe stairs closest to the shore (used in the 1971 adaptation)The middle set of stairs, known as ‘Granny's teeth' (used in the 1995 adaptation)The third set of stairs (used in the 2007 and 2022 adaptations)Google map of the steps on the Cobb For a list of references in the Historical and Popular culture sections, see this episode on our website.    

A giant black hole awakens and is multitasking bad for your brain? On This Day in History, we head back to the books as another important dictionary is released. From boring to bursting: Giant black hole awakens | ScienceDaily Why multitasking is bad for your brain, explained by a neuroscientist | BBC Science Focus Magazine Origins of English: Samuel Johnson's Dictionary A Dictionary of the English Language | Definition & Facts | Britannica Samuel Johnson's Dictionary of the English Language Johnson's Dictionary Online Go to my sponsor https://venice.ai/coolstuff and use code coolstuff to enjoy private, uncensored AI. Using our code will get you 20% off a pro plan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Message from Samuel Johnson on April 13, 2025

The chains of habit are generally too small to be felt until they are too strong to be broken. - Samuel Johnson Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Oliver Goldsmith (born Nov. 10, 1730, Kilkenny West, County Westmeath, Ire.—died April 4, 1774, London) was an Anglo-Irish essayist, poet, novelist, dramatist, and eccentric, made famous by such works as the series of essays The Citizen of the World, or, Letters from a Chinese Philosopher (1762), the poem The Deserted Village (1770), the novel The Vicar of Wakefield (1766), and the play She Stoops to Conquer (1773).Goldsmith was the son of an Anglo-Irish clergyman, the Rev. Charles Goldsmith, curate in charge of Kilkenny West, County Westmeath. At about the time of his birth, the family moved into a substantial house at nearby Lissoy, where Oliver spent his childhood. Much has been recorded concerning his youth, his unhappy years as an undergraduate at Trinity College, Dublin, where he received the B.A. degree in February 1749, and his many misadventures before he left Ireland in the autumn of 1752 to study in the medical school at Edinburgh. His father was now dead, but several of his relations had undertaken to support him in his pursuit of a medical degree. Later on, in London, he came to be known as Dr. Goldsmith—Doctor being the courtesy title for one who held the Bachelor of Medicine—but he took no degree while at Edinburgh nor, so far as anyone knows, during the two-year period when, despite his meagre funds, which were eventually exhausted, he somehow managed to make his way through Europe. The first period of his life ended with his arrival in London, bedraggled and penniless, early in 1756.Goldsmith's rise from total obscurity was a matter of only a few years. He worked as an apothecary's assistant, school usher, physician, and as a hack writer—reviewing, translating, and compiling. Much of his work was for Ralph Griffiths's Monthly Review. It remains amazing that this young Irish vagabond, unknown, uncouth, unlearned, and unreliable, was yet able within a few years to climb from obscurity to mix with aristocrats and the intellectual elite of London. Such a rise was possible because Goldsmith had one quality, soon noticed by booksellers and the public, that his fellow literary hacks did not possess—the gift of a graceful, lively, and readable style. His rise began with the Enquiry into the Present State of Polite Learning in Europe (1759), a minor work. Soon he emerged as an essayist, in The Bee and other periodicals, and above all in his Chinese Letters. These essays were first published in the journal The Public Ledger and were collected as The Citizen of the World in 1762. The same year brought his Life of Richard Nash, of Bath, Esq. Already Goldsmith was acquiring those distinguished and often helpful friends whom he alternately annoyed and amused, shocked and charmed—Samuel Johnson, Sir Joshua Reynolds, Thomas Percy, David Garrick, Edmund Burke, and James Boswell. The obscure drudge of 1759 became in 1764 one of the nine founder-members of the famous Club, a select body, including Reynolds, Johnson, and Burke, which met weekly for supper and talk. Goldsmith could now afford to live more comfortably, but his extravagance continually ran him into debt, and he was forced to undertake more hack work. He thus produced histories of England and of ancient Rome and Greece, biographies, verse anthologies, translations, and works of popular science. These were mainly compilations of works by other authors, which Goldsmith then distilled and enlivened by his own gift for fine writing. Some of these makeshift compilations went on being reprinted well into the 19th century, however.By 1762 Goldsmith had established himself as an essayist with his Citizen of the World, in which he used the device of satirizing Western society through the eyes of an Oriental visitor to London. By 1764 he had won a reputation as a poet with The Traveller, the first work to which he put his name. It embodied both his memories of tramping through Europe and his political ideas. In 1770 he confirmed that reputation with the more famous Deserted Village, which contains charming vignettes of rural life while denouncing the evictions of the country poor at the hands of wealthy landowners. In 1766 Goldsmith revealed himself as a novelist with The Vicar of Wakefield (written in 1762), a portrait of village life whose idealization of the countryside, sentimental moralizing, and melodramatic incidents are underlain by a sharp but good-natured irony. In 1768 Goldsmith turned to the theatre with The Good Natur'd Man, which was followed in 1773 by the much more effective She Stoops to Conquer, which was immediately successful. This play has outlived almost all other English-language comedies from the early 18th to the late 19th century by virtue of its broadly farcical horseplay and vivid, humorous characterizations.During his last decade Goldsmith's conversational encounters with Johnson and others, his foolishness, and his wit were preserved in Boswell's Life of Samuel Johnson. Goldsmith eventually became deeply embroiled in mounting debts despite his considerable earnings as an author, though, and after a short illness in the spring of 1774 he died.-bio via Britannica This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

When Your Size 10 File is not going to length, what is happening? Your apex locator isn't giving you a zero reading. Your file is stuck. You're wondering—have you ledged? Or could something else be at play? In this must-listen follow-up episode, Dr. Samuel Johnson returns to tackle the biggest endodontic dilemmas left unanswered from part one. If you haven't checked that out yet, go back and listen—it's packed with insights on working lengths, apex locators, and even the role of consent in endodontics. https://youtu.be/1E6pK2iOPjY Watch PDP217 on Youtube Now, in part two, we go deeper. We're talking blockages, ledges, portals of exit, and the mysterious phenomenon of file gripping. Plus, Dr. Johnson takes on your burning questions from the Protrusive community—like how he responds to biological dentists claiming root canals should be avoided entirely. (Yep, we're addressing that controversy head-on!) Protrusive Dental Pearl: For a more visual learning experience, dive into the Pre-Endo Build-Up on Protrusive Guidance and see Jaz and Samuel's insights in action. Sonic Pro Ultrasonic Bath - 15% OFF before 30th April with coupon code ‘protrusive' Improve your Bond Strengths - purchase while stocks last: Sonic Pro Discount Key Takeaway: General dentists often overlook the importance of taper. Removing too much dentin can weaken the tooth. GP cones can be unstable and affect the procedure. Reshaping GP cones can often resolve length issues. Pre-bending GP cones can help navigate tight curves. Biological dentists have controversial views on root canals. It's essential to prioritize the patient's best interest. Using endo frost can aid in manipulating GP cones. Consent should be informed and comprehensive. Communication between referring dentists and specialists is vital. Continuous learning is essential for dental professionals. Ultrasonic activation improves endodontic outcomes. Pulpotomy and root canal treatments have distinct indications. Building a supportive community can alleviate feelings of isolation in dentistry. Dentists should charge for their time and expertise. Highlight of this Episode: 01:03 Protrusive Dental Pearl 01:49 Common Scenarios and Tips for Young Dentists 05:30 File Gripping and Canal Anatomy 08:30 Master Apical File: The Common Dilemma 11:18 GP Cone Issues and Solutions 17:03 Addressing Root Canal Myths  23:35 Cracks in Teeth: Prognosis and Treatment 25:44 Ninja Access Cavities: Pros and Cons 28:21 Common Mistakes in Emergency Endodontic Treatments 33:51 Obturation: Overextended vs Short 34:41 UltraSonic vs Sonic Irrigants 36:15 Pulpotomy and General Dentistry 39:25 Building a Dental Community As promised, here are the ESE Guidelines on managing cracked teeth. Watch and learn from Dr. Samuel Johnson on Instagram and YouTube! Don't miss the first part of this series: PDP216 – Working Lengths and Troubleshooting Apex Locators #PDPMainEpisodes #EndoRestorative #BreadandButterDentistry This episode is eligible for 0.75 CE credit via the quiz on Protrusive Guidance.  This episode meets GDC Outcomes B and C. AGD Subject Code: 070 ENDODONTICS (Emerging concepts, techniques, therapies and technology) This episode aimed to provide deeper insights into troubleshooting endodontic challenges, particularly when files fail to reach working length. It explores common pitfalls, advanced techniques, and expert strategies to improve clinical outcomes in root canal treatments. Dentists will be able to - 1. Recognize common endodontic challenges and strategies to navigate them effectively. 2. Evaluate the role of master apical files and resolve common dilemmas in achieving optimal shaping. 3. Identify frequent errors in urgent cases and improve treatment approaches.

This is the 400th episode of Historically Thinking. And while it's a podcast that focuses on history, and how historians and everyone else think about the past, I do that each week through conversation. For a long time I have really wanted to believe something that Plato wrote, that “Truth, as human reality, comes about only in conversation.”  So it's fitting, I think, that we devote Episode 400 to having a conversation about conversation with Paula Marantz Cohen, author of Talking Cure: An Essay on the Civilizing Power of Conversation. In this stimulating book, Cohen travels over all the terrains of conversation, from familial conversations to the restaurants most conducive to good conversation; from gatherings of great conversationalists to surprisingly useful self-help books on conversations;  and to gossip, and those little keys that somehow unlock what Samuel Johnson termed “solid conversation”.  Paula Marantz Cohen is Dean Emerita of the Pennoni Honors College and Distinguished Professor of English at Drexel University. Among her books are Of Human Kindness: What Shakespeare Teaches Us About Empathy and six novels, including Jane Austen in Boca, which is “Pride and Prejudice set in a Jewish retirement community in Boca Raton”; the literary mystery What Alice Knew: A Most Curious Tale of Henry James and Jack the Ripper; and Beatrice Bunson's Guide to Romeo and Juliet, a novel for young adults.

What do we want from God? One thief wanted Jesus to get him off the cross. The other one wanted Jesus to remember him when he came in his kingdom. Jesus made a promise to the second one. This informs our prayers. We can receive his promise. Today? Today! Message based on Luke 23:38-43.Time Stamps:00:01 Worship and Guidance02:47 Crucifixion Depictions10:39 The Thief on the Cross24:08 Salvation and Grace32:44  Hope and RedemptionQuotes:Philip Yancey: Only one person in the Bible receives a direct promise of heaven; a thief. J. C. Ryle: One thief on the cross was saved, that none should despair; and only one, that none should presume. What do we want from the suffering Savior? Duane Brooks: If you had an audience with Jesus and you could ask him for anything in the world, what would you ask? What would you ask him for?Samuel Johnson, the poet said, between the stirrup and the ground, think of a person falling from a horse, who cries out to God for salvation. Between the stirrup and the ground, mercy I sought, Mercy I found. Don't despair. Eeroelos: It could be thousands of years. It's just the next thing you know.Bus Driver: Today, it's a timely promise. Our god is an on time god.Duane Brooks: When we pray seeking Jesus as our King, he promises us his presence today and forever. Charles Spurgeon: He is able to save to the uttermost for he saved the dying thief.Duane Brooks: I pray you, therefore, if any of you have not yet trusted in my Lord Jesus, come and trust in Him now. Trust him wholly; trust him only; trust him at once, then you will sing with me the words of Augustus Toplady.  Augustus Toplady:The dying thief rejoiced to see that fountain in his dayAnd there may I, though vile as heWash all my sins awayWash all my sins awayAnd there may I though vile as heWash all my sins away #faith #salvation #grace #redemption #forgivenessTo discover more messages of hope go to tallowood.org/sermons/.Follow us on Instagram, X, and YouTube @tallowoodbc.Follow us on FaceBook @tallowoodbaptist

The figure of Samuel Johnson serves to both intrigue and fascinate, but so little of his story has been properly examined that ultimately he is little understood beyond triviality. Seeking to address that balance by casting a light across the life of one of the most remarkable and bizarre characters in all of Cheshire history, we discover that sometimes the truth really is stranger than fiction.Mythstoric Journeys, the hardback anthology collection from Eli, is available here!Visit thelocalmythstorian.com

Samuel Johnson called second marriages “the triumph of hope over experience.” So is the Kurds' agreement yesterday to end their control over much of northern Syria, relinquishing the safe haven to the al Qaeda-tied Sharia-supremacists who seized Damascus last year. Unfortunately, the announcement comes as jihadis who helped achieve that feat have been murdering large numbers of other Syrian minorities, including Shiite Alawites and Christians. If that precedent were not chilling enough, confidence in the new regime's promises to respect Kurdish rights is further undermined by the abiding determination of its sponsor, Turkish President Recep Tayyip Erdogan, to crush the Kurds.  The U.S. has maintained a small force of special operators in the Kurds's region to discourage Turkish attacks and counter ISIS. Presumably, they'll now be withdrawn, increasing the chances that our Kurdish allies will be the next victims of jihadist genocide.  This is Frank Gaffney.

What makes apex locators reliable—or completely misleading? How do you determine the true working length of a root canal? Why is relying solely on radiographs for endo success a risky move? Dr. Samuel Johnson joins Jaz for a game-changing episode that will make you rethink everything you know about endodontics. In this first part of a two-part special, they dive into the nuances of apex locators, the difference between the radiographic apex and apical constriction, and why our radiographs might be lying to us. They also explore the power of glide path files, how to improve your endodontics workflow, and an incredible way to consent patients—something that extends beyond just root canals. Because mastering endodontics isn't just about technique—it's about communication, precision, and making the right calls for long-term success. Stay tuned for Part 2, where we go even deeper into endo essentials! https://youtu.be/M2z8Dl_g4XY Watch PDP216 on Youtube Protrusive Dental Pearl:  Buy a small whiteboard and marker for patient communication. Draw details, highlight the treatment plans, and list pros, cons, and fees. This builds trust, improves consent, and makes treatment clearer. Snap a photo and upload it to the patient's records. https://amzn.to/3DzUJfn Key Takeaway: Understanding the difference between radiographic and anatomical apex is crucial. Apex locators are essential tools for accurate working length measurements. The anatomy of the root canal system is complex and requires careful navigation. A well-informed patient is more likely to have realistic expectations about treatment. Glide path files can significantly reduce treatment time. Avoid forcing files into hard stops to prevent damage. Complicated anatomy can lead to unexpected challenges during treatment. Taking radiographs can help clarify uncertain situations. Highlights of this Episode: 01:40 Protrusive Dental Pearl: Patient Communication 02:39 Welcoming Dr. Samuel Johnson 04:36 Samuel's Passion for Endodontics 07:07 Reliability of Radiographic Measurements vs. Apex Locators 11:15 Canal Anatomy 14:30 Overextension vs Overfilling 16:23 Combining Apex Locators and Radiographs 20:52 Apex Locators and Hypochlorite: The Perfect Combination? 24:00 Efficiency in NHS Dentistry 26:10 Transitioning from NHS to Private Practice 27:42 Understanding Radiographic vs Anatomical Apex 29:26 The Importance of Consent in Endodontics 33:07 Mastering Apex Locators: Tips and Tricks 37:07 The Role of Glide Path Files in Endodontics 39:19 Troubleshooting Endodontic Challenges Watch and learn from Dr. Samuel Johnson on Instagram and YouTube! If you loved this episode, be sure to watch Elective Endodontics? It's all about Communication – PDP202 #PDPMainEpisodes #EndoRestorative #BreadandButterDentistry This episode is eligible for 0.75 CE credit via the quiz on Protrusive Guidance.  This episode meets GDC Outcomes B and C. AGD Subject Code: 070 ENDODONTICS (Emerging concepts, techniques, therapies and technology) This episode aimed to enhance clinicians' understanding of endodontic diagnostics and workflow, focusing on apex locators, working length determination, and effective patient communication. By refining these skills, practitioners can improve treatment accuracy, efficiency, and patient outcomes. Dentists will be able to - 1. Differentiate between the radiographic apex and the apical constriction and understand why radiographs alone can be misleading. 2. Evaluate the reliability of apex locators and recognize factors that affect their accuracy. 3. Apply the use of glide path files to improve efficiency and reduce treatment time in root canal procedures. Want More Clinical Gems? Join the Protrusive Guidance App to get access to masterclasses, premium videos, and exclusive Q&As with experts. Head over to protrusive.co.

Language Learning Collections - Book 1, Part 4 Title: LibriVox Language Learning Collections - Volume 1 Overview: This collection is part of an initiative to create a language learning resource at LibriVox. The LibriVox Language Learning Collections contain readings from various language learning books, grammars, primers, phrasebooks, dictionaries, readers, and even other works which contain information on various languages, recount experiences of language learning and encountering new languages, or provide guides for correct pronunciation, writing or discourse in a language. These works could describe English or any other language whatsoever, from Latin to Sumerian, Chinese to Wampanoag, Esperanto to Swahili (etc.). This Volume includes a treatise by Sir Arthur Cotton, author of an "Arabic Primer". His daughter, Lady Hope, on page 523 of her biography of her father, writes that he "had very strong theories on the subject of learning “Living Languages,” his opinion being that, as every child who comes into the world learns its mother tongue orally, and at first without grammar… so the learning of all modern languages would be very much facilitated by a similar process." Also included are the orientalist E.G. Browne's opinions on language learning (taken from the introduction to A Year Amongst the Persians), the first lesson from Dr. Emil Otto's "French Conversation-Grammar", a talk by ‘Abdu'l-Bahá on the need for a universal auxiliary language, Samuel Johnson's "A Grammar of the English Tongue", several sections from Henry Sweet's "First Steps in Anglo-Saxon", Lessons 1 - 5 from "Esperanto in Twenty Lessons", two sections on language by Varro, a story in Latin from "Fabulae Faciles", "Greek Lessons: 1-10", the Phonology Section from a "Primer of Persian" and Lessons 1 - 19 from "A Practical Arabic Course". Published: Various Series: LibriVox Language Learning Collections List: LibriVox Language Learning Collections, Language #4 Author: Various Genre: Language Learning, Education, Foreign Language, Culture, Vocabulary, Linguistics Episode: Language Learning Collections - Book 1, Part 4 Book: 1 Volume: 1 Part: 4 of 4 Episodes Part: 5 Length Part: 3:49:13 Episodes Volume: 20 Length Volume: 9:19:06 Episodes Book: 20 Length Book: 9:19:06 Narrator: Collaborative Language: Multilingual Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: Language, Linguistics, Education, Language Learning, Foreign Language, Culture, English, Spanish, French, Chinese, Arabic, Russian, Japanese, Portuguese, German, Latin Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #Language #Linguistics #Education #LanguageLearning #ForeignLanguage #Culture #English #Spanish #French #Chinese #Arabic #Russian #Japanese #Portuguese #German #Latin Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Nicholas James Bridgewater.

Language Learning Collections - Book 1, Part 3 Title: LibriVox Language Learning Collections - Volume 1 Overview: This collection is part of an initiative to create a language learning resource at LibriVox. The LibriVox Language Learning Collections contain readings from various language learning books, grammars, primers, phrasebooks, dictionaries, readers, and even other works which contain information on various languages, recount experiences of language learning and encountering new languages, or provide guides for correct pronunciation, writing or discourse in a language. These works could describe English or any other language whatsoever, from Latin to Sumerian, Chinese to Wampanoag, Esperanto to Swahili (etc.). This Volume includes a treatise by Sir Arthur Cotton, author of an "Arabic Primer". His daughter, Lady Hope, on page 523 of her biography of her father, writes that he "had very strong theories on the subject of learning “Living Languages,” his opinion being that, as every child who comes into the world learns its mother tongue orally, and at first without grammar… so the learning of all modern languages would be very much facilitated by a similar process." Also included are the orientalist E.G. Browne's opinions on language learning (taken from the introduction to A Year Amongst the Persians), the first lesson from Dr. Emil Otto's "French Conversation-Grammar", a talk by ‘Abdu'l-Bahá on the need for a universal auxiliary language, Samuel Johnson's "A Grammar of the English Tongue", several sections from Henry Sweet's "First Steps in Anglo-Saxon", Lessons 1 - 5 from "Esperanto in Twenty Lessons", two sections on language by Varro, a story in Latin from "Fabulae Faciles", "Greek Lessons: 1-10", the Phonology Section from a "Primer of Persian" and Lessons 1 - 19 from "A Practical Arabic Course". Published: Various Series: LibriVox Language Learning Collections List: LibriVox Language Learning Collections, Language #3 Author: Various Genre: Language Learning, Education, Foreign Language, Culture, Vocabulary, Linguistics Episode: Language Learning Collections - Book 1, Part 3 Book: 1 Volume: 1 Part: 3 of 4 Episodes Part: 5 Length Part: 2:21:58 Episodes Volume: 20 Length Volume: 9:19:06 Episodes Book: 20 Length Book: 9:19:06 Narrator: Collaborative Language: Multilingual Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: Language, Linguistics, Education, Language Learning, Foreign Language, Culture, English, Spanish, French, Chinese, Arabic, Russian, Japanese, Portuguese, German, Latin Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #Language #Linguistics #Education #LanguageLearning #ForeignLanguage #Culture #English #Spanish #French #Chinese #Arabic #Russian #Japanese #Portuguese #German #Latin Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Nicholas James Bridgewater.

I hope this quote from Samuel Johnson helps you persevere. Tune in here

Language Learning Collections - Book 1, Part 2 Title: LibriVox Language Learning Collections - Volume 1 Overview: This collection is part of an initiative to create a language learning resource at LibriVox. The LibriVox Language Learning Collections contain readings from various language learning books, grammars, primers, phrasebooks, dictionaries, readers, and even other works which contain information on various languages, recount experiences of language learning and encountering new languages, or provide guides for correct pronunciation, writing or discourse in a language. These works could describe English or any other language whatsoever, from Latin to Sumerian, Chinese to Wampanoag, Esperanto to Swahili (etc.). This Volume includes a treatise by Sir Arthur Cotton, author of an "Arabic Primer". His daughter, Lady Hope, on page 523 of her biography of her father, writes that he "had very strong theories on the subject of learning “Living Languages,” his opinion being that, as every child who comes into the world learns its mother tongue orally, and at first without grammar… so the learning of all modern languages would be very much facilitated by a similar process." Also included are the orientalist E.G. Browne's opinions on language learning (taken from the introduction to A Year Amongst the Persians), the first lesson from Dr. Emil Otto's "French Conversation-Grammar", a talk by ‘Abdu'l-Bahá on the need for a universal auxiliary language, Samuel Johnson's "A Grammar of the English Tongue", several sections from Henry Sweet's "First Steps in Anglo-Saxon", Lessons 1 - 5 from "Esperanto in Twenty Lessons", two sections on language by Varro, a story in Latin from "Fabulae Faciles", "Greek Lessons: 1-10", the Phonology Section from a "Primer of Persian" and Lessons 1 - 19 from "A Practical Arabic Course". Published: Various Series: LibriVox Language Learning Collections List: LibriVox Language Learning Collections, Language #2 Author: Various Genre: Language Learning, Education, Foreign Language, Culture, Vocabulary, Linguistics Episode: Language Learning Collections - Book 1, Part 2 Book: 1 Volume: 1 Part: 2 of 4 Episodes Part: 5 Length Part: 1:23:43 Episodes Volume: 20 Length Volume: 9:19:06 Episodes Book: 20 Length Book: 9:19:06 Narrator: Collaborative Language: Multilingual Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: Language, Linguistics, Education, Language Learning, Foreign Language, Culture, English, Spanish, French, Chinese, Arabic, Russian, Japanese, Portuguese, German, Latin Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #Language #Linguistics #Education #LanguageLearning #ForeignLanguage #Culture #English #Spanish #French #Chinese #Arabic #Russian #Japanese #Portuguese #German #Latin Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Nicholas James Bridgewater.

Language Learning Collections - Book 1, Part 1 Title: LibriVox Language Learning Collections - Volume 1 Overview: This collection is part of an initiative to create a language learning resource at LibriVox. The LibriVox Language Learning Collections contain readings from various language learning books, grammars, primers, phrasebooks, dictionaries, readers, and even other works which contain information on various languages, recount experiences of language learning and encountering new languages, or provide guides for correct pronunciation, writing or discourse in a language. These works could describe English or any other language whatsoever, from Latin to Sumerian, Chinese to Wampanoag, Esperanto to Swahili (etc.). This Volume includes a treatise by Sir Arthur Cotton, author of an "Arabic Primer". His daughter, Lady Hope, on page 523 of her biography of her father, writes that he "had very strong theories on the subject of learning “Living Languages,” his opinion being that, as every child who comes into the world learns its mother tongue orally, and at first without grammar… so the learning of all modern languages would be very much facilitated by a similar process." Also included are the orientalist E.G. Browne's opinions on language learning (taken from the introduction to A Year Amongst the Persians), the first lesson from Dr. Emil Otto's "French Conversation-Grammar", a talk by ‘Abdu'l-Bahá on the need for a universal auxiliary language, Samuel Johnson's "A Grammar of the English Tongue", several sections from Henry Sweet's "First Steps in Anglo-Saxon", Lessons 1 - 5 from "Esperanto in Twenty Lessons", two sections on language by Varro, a story in Latin from "Fabulae Faciles", "Greek Lessons: 1-10", the Phonology Section from a "Primer of Persian" and Lessons 1 - 19 from "A Practical Arabic Course". Published: Various Series: LibriVox Language Learning Collections List: LibriVox Language Learning Collections, Language #1 Author: Various Genre: Language Learning, Education, Foreign Language, Culture, Vocabulary, Linguistics Episode: Language Learning Collections - Book 1, Part 1 Book: 1 Volume: 1 Part: 1 of 4 Episodes Part: 5 Length Part: 1:44:19 Episodes Volume: 20 Length Volume: 9:19:06 Episodes Book: 20 Length Book: 9:19:06 Narrator: Collaborative Language: Multilingual Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: Language, Linguistics, Education, Language Learning, Foreign Language, Culture, English, Spanish, French, Chinese, Arabic, Russian, Japanese, Portuguese, German, Latin Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #Language #Linguistics #Education #LanguageLearning #ForeignLanguage #Culture #English #Spanish #French #Chinese #Arabic #Russian #Japanese #Portuguese #German #Latin Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Nicholas James Bridgewater.

Message from Samuel Johnson on February 9, 2025

I am thrilled to announce that our new book, the Kindness Daily Reader: Season One, is now available on Amazon. (See Link Below)  Secondly, we are embarking on a new chapter with Season Three of the One Kind Moment podcast. In Season One, we primarily focused on broad topics of kindness and compassion, while in Season Two, we explored areas such as self-compassion, self-help, and self-care. Now, in Season Three, we're shifting our focus to a specific area of self-care that we call Practical Spirituality for Everyone. We'll be delving into topics like spirituality in nature, spiritual intelligence, everyday mindfulness, the science of consciousness, the mystery of life, the science of awe, and managing uncertainty. We're excited to take this new direction and are grateful for your continued support and interest in the One Kind Moment podcast. EXPLORE OUR NEW BOOK! Kindness Daily Reader: Season One https://a.co/d/04RvXldy #onekindmoment #spirituality Yesterday by John Hobart - Music Design by Jason Inc. https://brucewaynemclellan.com/  

Message from Samuel Johnson on January 26, 2025

Milton wrote ‘Lycidas' in 1637, at the age of 29, to commemorate the drowning of the poet Edward King. As well as a great pastoral elegy, it is a denunciation of the ecclesiastical condition of England and a rehearsal for Milton's later role as a writer of national epic. In the first episode of their new series, Seamus and Mark discuss the political backdrop to the poem, Milton's virtuosic mix of poetic tradition and innovation, and why such a fervent puritan would choose an unfashionable, pre-Christian form to honour his friend.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrldIn other podcast apps: https://lrb.me/closereadingsldRead more in the LRB:Colin Burrow (on the 'two-handed engine'):https://www.lrb.co.uk/the-paper/v35/n05/colin-burrow/shall-i-go-onFreya Johnston (on Samuel Johnson's criticism):https://www.lrb.co.uk/the-paper/v46/n08/freya-johnston/own-your-ignoranceMaggie Kilgour (on the young Milton):https://www.lrb.co.uk/the-paper/v43/n20/maggie-kilgour/pens-and-heads Hosted on Acast. See acast.com/privacy for more information.

Message from Samuel Johnson on January 19, 2025

Happy 2025! This year marks Jane Austen's 250th birthday, and we are delighted to kick off the celebration with professor and author John Mullan as our guest. This month we delve into passages from the four novels published during Austen's lifetime and discuss what the details reveal about her genius as a writer. Join us for this fascinating and insightful episode! John Mullan is Lord Northcliffe Chair of Modern English Literature at University College London. Specializing in eighteenth- and nineteenth century literature, he is a frequent guest on radio and TV and lectures widely. He also writes on contemporary fiction for the Guardian and was a judge for the 2009 Man Booker Prize. John is the author of The Artful Dickens, What Matters in Jane Austen?, Anonymity: A Secret History of English Literature, and How Novels Work and has edited the Oxford World Classics editions of Sense and Sensibility and Emma as well as a number of works by Daniel Defoe and Samuel Johnson's Lives of the Poets. For a transcript and show notes, visit https://jasna.org/austen/podcast/ep19.Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

Tod and Claire discuss HP Lovecraft's "A Reminiscence of Dr. Samuel Johnson," which was published in the November, 1917 issue of the United Amateur under the name "Humphrey Littlewit, Esq." and have a couple different takes on this story. Is it self satire? Probably. Is it actually a story about imposter syndrome? Maybe! Is it perhaps the most cosmically horrifying story of them all, since even if you're 200 years old, your life may well be vanishingly insignificant? I kind of think so! Happy New Year, and hope you have a couple hundred more!Oh, you want more Sam Jackson lines? Go to https://www.youtube.com/watch?v=xMLdPE5OoWI - weirdly, it's mostly variations on "Motherfucker" and no Star Wars or Incredibles zingers, but hey.We talked a little about AHA! around minute 10. Come by if you hack stuff and are in Austin.You can text us now. Why? That's between you and your Elder God. Support the showLike the show? Say so with money! Or just hang out with us on Mastodon, at @podsothoth@defcon.social. Or email us at hideous@podsothoth.club. Best thing? Rate us (positively!) in your favorite podcast app. That helps other people find the show!

A reading of HP Lovecraft's "A Reminiscence of Dr. Samuel Johnson," first published in the November, 1917 issue of the United Amateur, and first read here by Tod in December, 2024. This this work is a rarity in Lovecraft's oeuvre, as it was intended as a bit of satirical parody of Lovecraft himself.As this is pointedly not a horror story, there are no content warnings for this episode. However, you are still advised to steer clear if you are troubled by excessive name-dropping, overblown intellectual pretension, imagined slights and reactions to the same, or the very concept of 18th Century style satire.You can read this story yourself at https://hplovecraft.com/writings/texts/fiction/rdsj.aspx , or enjoy the backing ambience, "Crowded Local Tavern," by Sword Coast Soundscapes at https://www.youtube.com/watch?v=EULoybB2Nsw on Youtube.You can text us now. Why? That's between you and your Elder God. Support the showLike the show? Say so with money! Or just hang out with us on Mastodon, at @podsothoth@defcon.social. Or email us at hideous@podsothoth.club. Best thing? Rate us (positively!) in your favorite podcast app. That helps other people find the show!

Kevin Hart (editor) grew up in London and Brisbane, and now lives in the USA. He is the author of nine collections of poetry, including Flame Tree: Selected Poems (2002). He has won both the Victorian and NSW Premiers' Awards for Poetry, and the Christopher Brennan Award for a sustained contribution to Australian poetry. His published works include studies of Jacques Derrida, A.D. Hope, Samuel Johnson and Maurice Blanchot, and a translation of the poems of Giuseppe Ungaretti. In this episode we discuss contemplation, love, and disenchantment. Hart's book: https://cup.columbia.edu/book/contemplation/9780231213479 ---Become part of the Hermitix community:Hermitix Twitter - x.com/hermitixpodcast Support Hermitix:Patreon - patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpodHermitix Merchandise - http://teespring.com/stores/hermitix-2Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9

Merriam-Webster's Word of the Day for December 3, 2024 is: eschew • ess-CHOO • verb To eschew something is to avoid it, especially because you do not think it is right, proper, or practical. // Their teacher was known as a Luddite because he eschewed the use of smartphones and tablets in the classroom. See the entry > Examples: “Scheduled work shifts [at Burning Man] were delayed and continually rearranged, causing confusion among campers as to how and when to contribute.... While some of us found ways to help, others took it as an opportunity to eschew their responsibilities. However, those of us who showed up united, and handled business, did so with aplomb...” — Morena Duwe, The Los Angeles Times, 9 Sept. 2024 Did you know? Something to chew on: there's no etymological relationship between the verbs chew and eschew. While the former comes from the Old English word cēowan, eschew comes instead from the Anglo-French verb eschiver and shares roots with the Old High German verb sciuhen, meaning “to frighten off.” In his famous dictionary of 1755, Samuel Johnson characterized eschew as “almost obsolete.” History has proven that the great lexicographer was wrong on that call, however. Today, following a boom in the word's usage during the 19th and 20th centuries, English speakers and writers use eschew when something is avoided less for temperamental reasons than for moral or practical ones, even if misguidedly so, as when Barry Lopez wrote in his 2019 book Horizon of ill-fated Antarctic explorer Robert Falcon Scott, “with an attitude of cultural superiority, eschewing sled dogs for Manchurian ponies....”

"Never man was highlier extolled, and never man baselier reported of and vilified” write Richard Baxter - a contemporary of Oliver Cromwell, who was not a fan. In this he was closer to the truth than Samuel Johnson, who wearily wrote in the 18th century that "all that can be told of him is already in print.” Cromwell is makes a subject extraordinarily divisive, and extraordinarily rich, partly because, as some other clever person remarked, people find in him what they are looking for. Hosted on Acast. See acast.com/privacy for more information.

Wicked... Nicole... BabyBaby2LeoDiCaprio2JuneSquibb... Carrie Coon is not 35 or 55... Princess Anne's new 'do... Tallarook's new postman... Amerie's in the studio... Outer Banks drama... Josh O'dating someone new... Luke Evans (still) selling underwear... Val's break up... OK now name a 50 year old celebrity! Go! As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Get a ton of bonus content over on Patreon.com/WhoWeekly TICKETS ARE ON SALE FOR OUR FALL TOUR! REMAINING DATES: BOSTON, PHILADELPHIA, DC, AND NEW YORK CITY, WHERE WE WILL WELCOME SPECIAL GUEST JOHN EARLY!!!! GET 'EM AT WHOWEEKLY.US/LIVE. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In today's poem, the inimitably magnanimous Dr. Johnson eulogizes the man of “The single talent well employed.” Happy birthday to the good doctor, and happy reading to the rest. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Welcome to today's episode and another “Best of” remix on The Literary Life Podcast! Today our hosts Angelina Stanford, Cindy Rollins and Thomas Banks explore Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. After their commonplace quote discussion, each cohost shares some personal thoughts on Robert Louis Stevenson. Be aware that this episode will contain some spoilers, though we will not spoil the full ending. Thomas shares some biographical information about R. L. Stevenson. Angelina points out the mythic quality of this story and the enduring cultural references inspired by Dr. Jekyll and Mr. Hyde. She and Thomas also discuss some of the differences between early and late Victorian writers. They also begin digging into the first section of the book. Join us again next week for the second part of this discussion. Check out our Upcoming Events page for if want to know what we will be reading and talking about on the podcast next! Don't forget to check out our sister podcast, The Well Read Poem, as well as Cindy's new podcast, The New Mason Jar! Commonplace Quotes: I would rather (said he) have the rod to be the general terrour to all, to make them learn, than tell a child, if you do thus, or thus, you will be more esteemed than your brothers or sisters. The rod produces an effect which terminates in itself. A child is afraid of being whipped, and gets his task, and there's an end on't; whereas, by exciting emulation and comparisons of superiority, you lay the foundation of lasting mischief; you make brothers and sisters hate each other. Samuel Johnson, as quoted by James Boswell Do not talk about Shakespeare's mistakes: they are probably your own. G. M. Young The most influential books, and the truest in their influence, are works of fiction. They do not pin the reader to a dogma, which he must afterwards discover to be inexact; they do not teach him a lesson, which he must afterwards unlearn… They disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, not as we see it for ourselves, but with a singular change–that monstrous, consuming ego of ours being, for the nonce, struck out. Robert Louis Stevenson R L S by A. E. Houseman Home is the sailor, home from sea: Her far-borne canvas furled The ship pours shining on the quay The plunder of the world. Home is the hunter from the hill: Fast in the boundless snare All flesh lies taken at his will And every fowl of air. ‘Tis evening on the moorland free, The starlit wave is still: Home is the sailor from the sea, The hunter from the hill. Book List: The Life of Samuel Johnson by James Boswell Daylight and Champaign by G. M. Young “Books Which Have Influenced Me” by Robert Louis Stevenson David Balfour by Robert Louis Stevenson Kidnapped by Robert Louis Stevenson Treasure Island by Robert Louis Stevenson A Child's Garden of Verses by Robert Louis Stevenson The White Company by Sir Arthur Conan Doyle The Silverado Squatters by Robert Louis Stevenson Travels with a Donkey in the Cévennes by Robert Louis Stevenson King Solomon's Mines by H. Ryder Haggard The Picture of Dorian Gray by Oscar Wilde Beowulf translated by Burton Raffel Robert Louis Stevenson by G. K. Chesterton God in the Dock by C. S. Lewis Pride and Prejudice by Jane Austen The Body-Snatcher and Other Stories by Robert Louis Stevenson Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

In the vast landscape of human knowledge, few artifacts hold as much power, mystery, and authority as the dictionary. It is not just a tool for understanding words, but a mirror reflecting the intricate tapestry of history, culture, and revolution. Today, we delve into a story that transcends mere words on a page. Welcome to "Words, Words, Words: English-Language Dictionaries and the People Who Made Them," a journey into the heart of language itself.Imagine a world where every word is a battleground, a site of struggle not just for meaning but for dominance. Here, giants like Samuel Johnson and Noah Webster didn't just write dictionaries; they shaped the very soul of a language. From the audacious efforts of James Murray with the Oxford English Dictionary to the defiant creation of the first dictionary by a Black American capturing the vibrant pulse of 'hepster jive', these were not just scholarly pursuits. They were acts of cultural defiance and intellectual heroism.But the story doesn't end in the past. As we step into the digital age, the battle for linguistic authority has taken new forms. Websites like Dictionary.com and the crowdsourced Urban Dictionary redefine who has the power to declare what a word means or how it should be used. The rise of social movements has led to the birth of dictionaries for feminists, hackers, and more, each reflecting a facet of the world's ever-evolving ethos.Join us as we explore these stories with Bryan A. Garner and Jack Lynch, who have chronicled these epic battles and victories in their book, "Hardly Harmless Drudgery." Together, we will uncover the unsung heroes and unexpected stories behind the dictionaries that have defined, and redefined, the English language.Prepare to be challenged, enlightened, and inspired, as we turn the page on what you thought you knew about the words you use every day.Thanks for joining us today on the Not Old Better Show, Smithsonian Associates Interview series on radio and podcast.  My thanks to the Smithsonian team for all they do to support the show.  My thanks to Executive Producer Sam Heninger for his work and my thanks to you our wonderful audience.  Be well, be safe, and Let's Talk About Better™ The Not Old Better Show, Smithsonian Associates Interview Series on radio and podcast.Hosted by Ausha. See ausha.co/privacy-policy for more information.

The Bradley Martin Ball is sometimes referred to as the last big moment of the Gilded Age. It was a very ostentatious event that sparked a lot of debate, and in some ways helped usher in the crumbling of New York's Victorian-era society culture. Research: “Bradley Martin Ball.” New York Times. Feb. 7, 1897. https://timesmachine.nytimes.com/timesmachine/1897/02/07/117897311.pdf?pdf_redirect=true&ip=0 “Bradley Martin Ball.” New York Times. Feb. 9, 1897. https://timesmachine.nytimes.com/timesmachine/1897/02/09/102399244.pdf?pdf_redirect=true&ip=0 “Bradley Martin Ball.” New York Times. Feb. 11, 1897. https://timesmachine.nytimes.com/timesmachine/1897/02/11/100419295.pdf?pdf_redirect=true&ip=0 “Bradley Martin Ball Burlesqued.” St. Francisville Democrat. March 27, 1897. https://www.newspapers.com/image/221401970/?terms=%22Mrs.%20Radley%20Barton%27s%20Ball%22&match=1 “Bradley Martin Dies in London.” New York Times. Feb. 6, 1913. https://timesmachine.nytimes.com/timesmachine/1913/02/06/100387781.pdf?pdf_redirect=true&ip=0 Close, John Weir. “A Giant Cow-tipping by Savages: The Boom, Bust, and Boom Culture of M&A.” St. Martin's Press. 2013. “Cost of the Big Ball.” Chicago Tribune. Feb. 10, 1897. https://www.newspapers.com/image/349871575/?terms=Bradley-Martin%20Ball%22&match=1 “Dr. Rainsford's Advice.” New York Times. Jan. 23, 1897. https://timesmachine.nytimes.com/timesmachine/1897/01/23/117896394.pdf?pdf_redirect=true&ip=0 “Dr. Samuel Johnson on the Bradley Martin Ball.” New York Times. March 5, 1897. https://timesmachine.nytimes.com/timesmachine/1897/03/05/102084126.pdf?pdf_redirect=true&ip=0 Hutto, Richard Jay. “The Party of the Century.” Quest. February 1997. https://www.rickhutto.com/articles/BMBall.pdf Martin, Frederick Townsend. “Things I Remember.” New York. John Lane Company. 1913. Accessed online: https://archive.org/details/thingsiremember01mart/page/n7/mode/2up “Martin's New York Estate $1,277,341.” New York Times. May 9, 1913. https://timesmachine.nytimes.com/timesmachine/1913/05/09/100618128.pdf?pdf_redirect=true&ip=0 MUCCIGROSSO, ROBERT. “New York Has A Ball: The Bradley Martin Extravaganza.” New York History, vol. 75, no. 3, 1994, pp. 297–320. JSTOR, http://www.jstor.org/stable/23182043 Musicians Are Indignant.” New York Times. January 30, 1897. https://timesmachine.nytimes.com/timesmachine/1897/01/30/102398699.pdf?pdf_redirect=true&ip=0 “Newspaper Criticism.” The Kingston Whig-Standard.” March 29, 1897. https://www.newspapers.com/image/783525093/?terms=%22Mrs.%20Radley%20Barton%27s%20Ball%22&match=1 “On Volcano's Edge.” The Boston Daily Globe. Jan. 27, 1897. https://www.newspapers.com/image/430760530/ See omnystudio.com/listener for privacy information.