Podcasts about deputy stage manager

To celebrate one whole year of That's Theatre Darling, the tables have turned...I, Amy Slater, have been placed firmly in the hot seat! The ever so brilliant Holly Henshaw and Rachel Middlemore, previous podcast guests, took my list of questions and seamlessly settled right into the role of co-hosts. It's a whistle-stop tour through my career in theatre so far, my rambly thoughts and some great memories. I hope you enjoy this special bonus episode!  If you fancy supporting the podcast please make sure that you like, subscribe, share with your friends far and wide. I'd really appreciate it! https://ko-fi.com/thatstheatredarling  

Step behind the scenes of the Victoria Palace Theatre in this very special episode, as host Giles Terera is joined by some of the brilliant Backstage and Front of House team who helped make the original London production of Hamilton such a massive, multi-award-winning success: Katy Bryant (Company Manager), Olivia Cass (Front of House), Heather Teasdale (formerly Deputy Stage Manager, and now Stage Manager), and Sharon Williams (Head of Wardrobe).Tune in to hear all about their fascinating, essential roles, find out how to tell if you've got a coffee problem, and learn which Hamilton cast member was sometimes deliberately told it was later than it was in the hope that they'd actually be ready for the start of the show. Plus, listen with bated breath as this week's guests compete for a money-can't-buy prize – Giles' potted cactus – by sharing their stories of what they were doing at a particular moment during the iconic song 'Wait For It'...Hamilton and Me: An Actor's Journal by Giles Terera – his account of researching, rehearsing and performing as Aaron Burr in the original London production of smash-hit musical Hamilton by Lin-Manuel Miranda – is published on 1 July by Nick Hern Books. See more about the book, including where to order your copy, at www.hamiltonandme.com.

This week is a treat and a half, because I get to introduce you to my brilliant friend Edwina Allen! She is an incredible Deputy Stage Manager with so many good stories, words of wisdom and top DSM tips. We chatted about email signatures (top tip klaxon!), audience members weeing in an immersive show (!), and she blew my mind talking about a lack of confidence during the pandemic. It’s a DSM fest of an episode, and we had such a blast recording it. I hope you love it too! If you fancy supporting the podcast please make sure that you like, subscribe, share with your friends far and wide. I’d really appreciate it! https://ko-fi.com/thatstheatredarling

You ain’t seen nothing yet! It’s gonna be a night you’ll never forget!  Chris and Holly are back with a special all-new bonus update, partly because they haven’t got anything else to do, and partly because so much has happened in the Carrie-verse since the series launched!  Think of it a bit like the megamix at the end of your favourite jukebox musical: we’ve got never-heard-before Carrie recordings to share! We’ve got updates from your favourite cast members - and some new ones! We hear from more famous Friends of Carrie! We’ve got a great story about a pig! We’ve got another extra sassy Barbara Cook incident to share! We might watch Streetwalkin’ again! We try and work out what the hell we could do for a second season now we’ve picked a very Carrie-specific name for this podcast! And much more!  So put on your best unitard, settle down on the nearest massive white staircase, grab a glass of something sparkly and join us for one final* Carrie chat! *or is it?  Includes new contributions from Paul Schwartz (Musical Director), Michael Starobin (Orchestrator), Annie Golden and Todd Graff (workshop production), Stafford Arima (revival Director), Joe Iconis, Alice Ripley, Shelley Hodgson (original ensemble member), Jeremy Sturt, (original Deputy Stage Manager), Paul Clayton, David Hunter, Lee Proud, Mike Borowski and more! Friends of Carrie - join us on our social channels and share your feedback! Instagram Facebook Twitter Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chatting Sarah Barnes for this episode was an absolute treat. Barnes, as she is more commonly known in the industry, is a Freelance Deputy/Assistant Stage Manager. In her heart she prefers spending her time as a Deputy Stage Manager, but she also doesn’t mind picking up a props list and getting stuck into being an Assistant Stage Manager too. She explains to us what on earth all the acronyms mean when it comes to Stage Management, and what it is that each of those roles spend their time doing.During the episode we have a chat about how she went from wanting to be a Bank Manager, to ending up in this mad old world we call theatre; she impresses upon us the most important thing to have around during Technical Rehearsals, and we muse about where to get all the best gossip.It’s always a pleasure talking to Barnes, and this was no exception. I hope you enjoy the episode!

The final episode of Season One where Rory and Spencer interview Stage Manager Georgia Bird and chat to her about her life as an Assistant Stage Manager, a Deputy Stage Manager and now a Stage Manager. Georgia has worked with some of the biggest names in acting in the West End and abroad and we delve into all her work behind the scenes.

The final episode of Season One where Rory and Spencer interview Stage Manager Georgia Bird and chat to her about her life as an Assistant Stage Manager, a Deputy Stage Manager and now a Stage Manager. Georgia has worked with some of the biggest names in acting in the West End and abroad and we delve into all her work behind the scenes.

The cast and crew of our second drama production of the term, Chekhov's The Cherry Orchard, join us for this podcast. Cast members Georgina Beedle and Alex James-Cox, Deputy Stage Manager Sissel Josefine and Audio Describer Ben Cook discuss how this adaptation by Tom Stoppard stands out from other adaptations of Chekhov's classic, the role of the Deputy Stage Manager in going from page to stage, and the Ben Cook talks about producing the first audio-described performance and touch tour for a production at Guildhall. The Cherry Orchard runs from 16-21 October in the Milton Court Theatre. Tickets are available from the Barbican Box Office (https://www.barbican.org.uk/whats-on/2017/event/guildhall-school-presents-chekhovs-the-cherry-orchard). To book for the audio-described performance and touch tour, please book with the Barbican Box Office in person or by phone on 020 7638 8891. Follow us on Twitter (www.twitter.com/guildhallschool), Facebook (www.facebook.com/guildhallschool/) and Instagram (www.instagram.com/guildhallschool) and head to our website (www.gsmd.ac.uk) to stay up to date with all the events and news from the Guildhall School. Intro and outro music is Little Lily Swing by Tri-Tachyon, licenced under Creative Commons CC BY 4.0 (http://freemusicarchive.org/music/Tri-Tachyon/Little_Lily_Swing/Tri-Tachyon_-_01_-_Little_Lily_Swing)

Welcome to the first episode of Standing By, a podcast where I, Alex Fernandes, try to have interesting chats with the people who work backstage in the theatre industry. In this episode I talk to Carly Hook and Karl Oskar Sørdal, Stage Manager and Production Manager for Richard Alston Dance Company. Thanks to both of them for letting me ruin their work breaks by recording them while I asked daft questions. Read the explanations below if you need some context for some of what was said: MIDI is a technical protocol that allows a variety of electronic devices to communicate with each other. In this context, RADC occasionally use MIDI to trigger lighting cues directly from specific moments in the soundtrack of their pieces. Richard and Martin (mentioned a few times) are Richard Alston and Martin Lawrance, the Artistic and Rehearsal Directors of RADC. DSM stands for Deputy Stage Manager. "Beginners" is typically used to describe the moment where the first performers are called to the wings or the stage, typically 5 minutes before the piece is to start. If you like the track used at the intro and outro, you can find Falcon Punch!'s music here: https://falconpunch.bandcamp.com/

In this episode we speak to Deputy Stage Manager of the West End musical 'Motown', Ros Fenelon. After asking our followers on Twitter (@insidewestend) what they would like to hear more of on our podcast, we received a lot of tweets requesting more interviews with people working behind the scenes in the West End. So this is the first in a number of upcoming episodes revealing a totally different side of the industry! We give you this podcast completely free. If you've enjoyed it and you'd like to help us make future episodes then: 1. Visit: insidethewestend.com 2. Click on the donate button at the top of the home page 3. Make a contribution and help us keep the show going 4.SUBSCRIBE to our podcast and they will automatically appear on your device ready for you to listen to. 5. Do your Amazon shop via our website! Head to insidethewestend.com click on any of the Amazon adverts, it will redirect you to Amazon as normal, your shopping will cost you exactly the same as normal but Amazon will give us a... See acast.com/privacy for privacy and opt-out information.