Podcasts about chekhov

Guy de Maupassant (1850-1893) is widely regarded as one of the greatest short story writers in history. Among his admirers were Flaubert, who befriended and mentored the younger writer, and later masters of the form like Joyce and Chekhov, who were both deeply influenced by Maupassant's precision, economy, and subject matter. In this episode, Jacke reads one of Maupassant's most famous stories, "The Necklace," about a young middle-class couple whose social climbing efforts result in disillusionment and disaster. Then Jacke is joined by Mike Palindrome, the President of the Literature Supporters Club, for a discussion of what makes this late nineteenth-century story so powerful. On Sale Now! For more information and to order Great Detective! An Adventure for Two People [2-Book Boxed Set] by Jacke Wilson, visit press.historyofliterature.com. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1897, Paul Shishkoff was 10 years old and living with his family in rural Russia.It was there he met the great Russian playwright, Anton Chekhov, who was resting after the end of Moscow's theatre season. During the long, hot summer, Paul became friends with Chekhov - accompanying him on rambles and fishing expeditions.In 1938, Paul spoke to the BBC about their friendship and how his family became the inspiration for one of Chekhov's most famous works - Three Sisters.BBC archivist Tariq Hussain, who discovered the incredible recording, tells the story. Produced by Jacqueline Paine.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by and curious about the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from how the Excel spreadsheet was developed, the creation of cartoon rabbit Miffy and how the sound barrier was broken.We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: the moment Reagan and Gorbachev met in Geneva, Haitian singer Emerante de Pradines' life and Omar Sharif's legendary movie entrance in Lawrence of Arabia.You can learn all about fascinating and surprising stories, like the invention of a stent which has saved lives around the world; the birth of the G7; and the meeting of Maldives' ministers underwater. We cover everything from World War Two and Cold War stories to Black History Month and our journeys into space.(Photo: Anton Chekhov in his garden in Yalta, 1902. Credit: Heritage Images via Getty Images)

Greg Foot joins James, Anna and Andy to discuss vision, vacuums, volcanoes and Volvos. Head to nosuchthingasafish.com/Risummer for tickets to our July shows at the Royal Institution!Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes. Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreonGet NordVPN two-year plan + four months extra ➼ https://nordvpn.com/fish It's risk-free with Nord's 30-day money-back guarantee.Get an exclusive 15% discount on Saily data plans! Use code [fish] at checkout. Download Saily app or go to https://saily.com/fish

Award-winning actor Kristin Scott Thomas talks to John Wilson about her career and cultural influences. After a breakthrough role in the Evelyn Waugh film adaptation of A Handful Of Dust, she became a global star with Four Weddings and a Funeral in 1994. Two years later, was Oscar nominated for The English Patient directed by Anthony Minghella. Her screen roles in the years since have included Gosford Park, The Horse Whisperer and more recently Rebecca and on television, Slow Horses. She has just made her debut as a director and screenwriter with My Mother's Wedding, inspired by her real life family story. Her extensive theatre credits include Chekhov's The Seagull, for which she won an Olivier Award, and she played The Queen in Peter Morgan's drama The Audience. Kristin Scott Thomas has also enjoyed a distinguished stage and film career in France, where she was awarded the Legion of Honour in 2005. In 2014 she was made a Dame for services to drama. Producer: Edwina Pitman

In which Pa Gorg tries to get rid of the Fraggles with Boredom Juice, leaving Gobo and Junior to team up and save the day. PLUS: How did Doc get involved in catching a rabid ocelot? A Fraggle is just A Person in Your Neighborhood! Chekhov's radish dip! It's (almost) Pride Month, which means our guest Becca Petunia is the leader everywhere.

Today, I'm thrilled to announce my interview with legendary playwright Sarah Ruhl. Tune in to hear some of the stories of her legendary career, including her experience breaking the fourth wall in EURYDICE, telling her own story in LETTERS FROM MAX, watching the audience response to IN THE NEXT ROOM, teaching at the Yale School of Drama, addressing addiction in BECKY NURSE OF SALEM, exploring Virginia Woolf's portrayal of gender in ORLANDO, the advice she got from Paula Vogel, doing research to create the three parts of PASSION PLAY, exploring Chekhov's writing when adapting THE THREE SISTERS, how a writing exercise led to HOW TO TRANSCEND A HAPPY MARRIAGE, passing the torch to Philip Howze, turning MELANCHOLY PLAY into a musical, telling a metatheatrical story in STAGE KISS, and so much more. Don't miss this wide-ranging conversation with a brilliant writer.

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's May, which means it's time for the AIPT Movies podcast's “Mayhem” series! Where we cover movies that kick ass in the literal sense! In this week's episode, Alex, Tim, and guest Tony Sedani discuss John Woo's 1997 maximalist action-drama classic, Face/Off! Healing lasers! A face floating in medical grade goo! An evil-looking mustache! Troubling goth makeup! Danny Masterson getting beat up for being a creep! A heart attack-inducing evil stare! Chekhov's butterfly knife! Snazzy suits and golden guns! Reused props from the 1993 Super Mario Bros. movie! Castor Troy's box of fun! Child endangerment! Awkward use of "Somewhere Over the Rainbow!" Efficient establishment of a bitter rivalry! Lengthy explanations of illogical pseudo science! Copious melodrama! Possibly the least subtle use of mirrors you've ever seen! Random sci-fi elements! Highly quotable lines! Bold parenting strategies! Hand waterfalls!  Multiple amazing action set-pieces including an opening sequence that lesser movies would save for the finale! Environmental destruction, explosions, stunts, and sparks for days! Legendary filmmaker John Woo let loose with a big Hollywood budget, delivering a dose of pure cinematic adrenaline, that despite its somewhat silly reputation is a masterclass in action filmmaking! All that plus Nicolas Cage and John Travolta perfectly matching each other's crazy in the best body swap movie ever made! Come for the overacting, stay for the over-the-top action! In addition, the gang shares their spoiler-free thoughts on Mortal Kombat II with Karl Urban, The Punisher: One Last Kill, Robert Rodriguez's Once Upon a Time In Mexico, Hokum, Ben Affleck's Live by Night, Spider-Man: Far From Home, Paul W. S. Anderson's Soldier, Donnie Yen's The Prosecutor, and the Korean action/crime drama series on Netflix, Bloodhounds! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. This episode's guest, Tony Sedani, can be found on Instagram @tsedani and information on Tony and Alex's upcoming comic book can be found on Instagram @overforce_x_hellrazors. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

Join us on the latest Whisper in the Wings from Stage Whisper, as we welcome on the director Sanio Kurtesevic, to talk about his latest production, A Night of Chekhov. This wonderful evening of lesser know n works by the iconic Russian playwright, was so much fun to chat about. So be sure that you tune in and get your tickets today!A Night of ChekhovMay 16th- June 28th @ The Actors TempleTickets and more information are available duseproductions.com And be sure to follow Sanio to stay up to date on all his upcoming projects and productions: duseproductions.com

Send us Fan Mailही कथा आहे वीस लाख रुबल पैजेची …नियमानुसार त्या वकिलाला एका छोट्या घरात राहायचं होतं. कोणाशी बोलायचं नव्हतं. वर्तमानपत्र नव्हतं. माणसांचा आवाज येणार नव्हता. फक्त पुस्तकं, संगीत आणि जेवण....सुरवातीला तो रात्रभर पियानो वाजवत बसे, कधी ओरडे,...पहिल्या वर्षी त्याने प्रेमकथा, रहस्यकथा, साहसकथा वाचल्या.दुसऱ्या वर्षी तो गंभीर साहित्य वाचू लागला.....पंधरा वर्षांत त्याने पुस्तकांतून जग पाहिलं. प्रेम, युद्ध, पर्वत, समुद्र, देव — सगळं अनुभवलं शेवटी…  ही कथा आहे  एकाच्या आत्मशोधाची. त्या दोघांपैकी  खरं श्रीमंत कोण होतं, याचा शोध घेणारी.

Filmmaker Meosha Bean sits down with actor and producer Joe Staton, writer and entrepreneur Lauren Staton, and director Chloe Champken following their recent BBC feature highlighting their upcoming stage productionlink --BBC new articleThe conversation explores the origins of Snazaroo and Lauren's journey building a globally recognized brand, alongside the personal story that inspired her memoir A Snazzy Tale. The Project:In the 1980s, my parents founded Snazaroo, the first major face-painting company. Their products have since achieved global distribution and recognition. My mother later sold the company in 2004, and my father passed away in 1997.Around 2018/2019, my mother authored a book titled A Snazzy Tale, which chronicles her journey. Inspired by her story, I have written a stage play based on the book. The production is scheduled to premiere at the New York Theatre Festival this summer, with plans to bring it to England in the future. There are also ongoing discussions to adapt the play for the screenBioLauren Staton is a British entrepreneur and writer best known for co-founding Snazaroo, the globally recognised face-painting brand she built from the ground up in 1984, authoring six face-painting manuals before selling the company in 2004. She has since turned her storytelling instincts to the written word, capturing the Snazaroo journey in her memoir A Snazzy Tale, and continues to channel her entrepreneurial spirit through Daadi Organics, a social enterprise empowering women in Jaipur through sustainable fashion.Joe Staton is a British actor and producer based in New York City, currently making his debut as a playwright with Snazzy  a stage adaptation of his mother Lauren Staton's memoir about co-founding Snazaroo, the globally recognised face-painting brand. Presented by RiffRaff NYC, the company he co-founded and co-directs, Snazzy premieres at the New York Theatre Festival this July. A classically trained actor with credits spanning Shakespeare, Chekhov, and new work across New York and regional theatre, Joe trained at Italia Conti in London and the Stella Adler Studio in New York, and is a company member of Ensemble Shakespeare Company. This summer he'll appear in Ensemble's production of Julius Caesar. Snazzy marks his most personal project to date.Chloe Champken is a British director and actor based in New York City, whose work spans new writing, classical theatre, and the Edinburgh Fringe. A graduate of drama school in London and New York, Chloe co-founded Crowded Space, a British theatre company in New York, and is a company member of Ensemble Shakespeare Company, where she also serves as associate director on this summer's Julius Caesar at The Flea. Her ongoing creative partnership with Joe Staton has taken in productions including Knock Knock and The Rainmaker, and she now takes the helm on Snazzy bringing the remarkable true story of Snazaroo to the New York stage for the first time. In August she heads to Edinburgh to direct Michael Reid's one-man show Safety at the Fringe, making 2026 a landmark year for one of British theatre's most exciting emerging directors.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

It's a big welcome back to the master that is Chris Palmer! Chris is a voice, breath, movement, yin yoga, tai chi, Shakespeare and accent expert. Now celebrating her second book, exploring more about the voice and how some of the world's leading practitioner's methods can tie into vocal support helping you with pitch, resonance and articulation. Those include Michael Chekhov, Meisner and Stanislavski to name a few. The book is called Voice Training Through Acting and Movement and is now available online as well as in major retailers. Chris delves into the Meisner, Michael Chekhov and Stanislavski and how their methods can apply to training your voice as well as helping you develop the characters you play. Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

Superman sets aside his cape to prove his acting powers for this adaptation of a play about plays and murder. With an early death, numerous reversals, and enough weapons to make Chekhov choke, Sidney Lumet played it out differently than playwright Levin. Christopher Reeve and Michael Caine play cat and mouse in Deathtrap, while the Brains bust out their best yet.

Anthony's diving back into the depths of Tubi this week, and he's caught a good one! Join him as he holds this beautiful fish up to the camera and smiles. He's discussing Chekhov's deaf/mute maid, 80s comedy nudity, and a surprising return actor!Check it out here! https://tubitv.com/movies/100006087/dr-hackensteinPlease rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Join us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefrankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Find all of our various links at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/frankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or send us a letter at thefrankencast@gmail.com. We'd love to hear from you!Your Horror Host: Anthony Bowman (he/him). Cover painting by Amanda Keller (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KellerIllustrations on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).

Sully and Bill chat about the The Super Mario Galaxy Movie. Is it a big bowl of Lucky Charms or just a pound of sugar splashed with milk? Either way, #JusticeForBirdo.  If you enjoy this or any other episode, leave us a Rating and Review on Apple Podcasts, Spotify, or elsewhere! Show notes are available on our website: www.thirdimpactanime.com More helpful links: thirdimpactanime.carrd.co Follow us on Bluesky at thirdimpactanime.bsky.social Follow us on Instagram at instagram.com/ThirdImpactAnime Follow us on tumblr at thirdimpactanime.tumblr.com Listen & Subscribe on Apple Podcasts | Spotify | YouTube | Podbean Support us on Ko-Fi | Patreon

Casual Trek's month celebrating Red Shirts continues as we have a look at Star Trek episodes which have thrown away the lives of extras in order to raise the stakes.In “The Apple”, we get the highest red shirt body count as a planet wants people to die which is sad, as they won't get to live long enough to see the most D&D cartoon-looking cave mouth ever!In “The Bonding” one extra dies, which hits everyone really hard, especially her son and The Boy, who went through this before.Finally “Now the Battle to the Strong” gives Miles another opportunity to sing the M.A.S.H. theme tune as Bashir and Jake Sisko encounter the horrors of war!00:01:26 What Non-Star Trek Thing We've Been Enjoying: Disney's Pixar's Hoppers & Pokopia00:12:40 Star Trek: The Original Series “The Apple”00:47:12 Star Trek: The Next Generation “The Bonding”01:20:25 Star Trek: Deep Space Nine “Now the Battle to the Strong”Talking points include: Miles is not a fan of imperialist colonialism, Disney's Pixar's Hoppers is NOT Avatar, the Watership Down experience, traumatic cartoons, Charlie and the Chocolate Factory where it's all Saw Traps, Charlie does NOT have a Pokopia problem, Professor Tangrowth is a clueless busybody, the first time Charlie shaved his hair, the hot new character finds of 1967, Chekhov's whole Russia bit, the most Dungeons & Dragons-ass prop ever, watching Star Trek for educational purposes, The Apple is really colonialist even for early Star Trek, Dr Who, Space: 1999, Chekhov was just on the away team to pull, JL's your dad now, Worf only just now realises what Troi's job is, some good acting from a young Wil Wheaton, Alexander has a new uncle?, Tony Todd is Worf's more interesting brother, the Macarena, M.A.S.H. references & the futility of war, a grim Wonder Years, Stargate: The Militarism Star Trek, Charlie does a reading from Bible, . Oh, and occasionally Star Trek.Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-LobattoMusic by Alfred Etheridge-NunnCasual Trek is a part of the Nerd & Tie Networkhttps://ko-fi.com/casualtrekMiles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com 

Casual Trek's month celebrating Red Shirts continues as we have a look at Star Trek episodes which have thrown away the lives of extras in order to raise the stakes. In “The Apple”, we get the highest red shirt body count as a planet wants people to die which is sad, as they won't get to live long enough to see the most D&D cartoon-looking cave mouth ever! In “The Bonding” one extra dies, which hits everyone really hard, especially her son and The Boy, who went through this before. Finally “Now the Battle to the Strong” gives Miles another opportunity to sing the M.A.S.H. theme tune as Bashir and Jake Sisko encounter the horrors of war! Timecodes: 00:01:26 What Non-Star Trek Thing We've Been Enjoying: Disney's Pixar's Hoppers & Pokopia 00:12:40 Star Trek: The Original Series “The Apple” 00:47:12 Star Trek: The Next Generation “The Bonding” 01:20:25 Star Trek: Deep Space Nine “Now the Battle to the Strong” Talking points include: Miles is not a fan of imperialist colonialism, Disney's Pixar's Hoppers is NOT Avatar, the Watership Down experience, traumatic cartoons, Charlie and the Chocolate Factory where it's all Saw Traps, Charlie does NOT have a Pokopia problem, Professor Tangrowth is a clueless busybody, the first time Charlie shaved his hair, the hot new character finds of 1967, Chekhov's whole Russia bit, the most Dungeons & Dragons-ass prop ever, watching Star Trek for educational purposes, The Apple is really colonialist even for early Star Trek, Dr Who, Space: 1999, Chekhov was just on the away team to pull, JL's your dad now, Worf only just now realises what Troi's job is, some good acting from a young Wil Wheaton, Alexander has a new uncle?, Tony Todd is Worf's more interesting brother, the Macarena, M.A.S.H. references & the futility of war, a grim Wonder Years, Stargate: The Militarism Star Trek, Charlie does a reading from Bible… oh, and occasionally Star Trek. [ Additional Show Notes ] Music by Alfred Etheridge-Nunn. Read Miles's blog or Charlie's blog. [ Support this show on Ko-fi ] Subscribe to this Podcast: Apple PodcastsSpotifyAndroidRSSThe post 94. Press F to Pay Respects first appeared on Nerd & Tie Network.

KPFA Theatre Critic Richard Wolinsky reviews the musical “Come from Away” at TheatreWorks Mountain View Center for the Performing Arts through May 10, 2026.       Text of Review: Works of art age in different ways. Chekhov's plays, for example, were written and performed as contemporary pieces. Now their dachas and threadbare aristocrats are artifacts of history, though the universal truths remain. And nobody in their right mind would today produce Milk and Honey, Jerry Herman's ode to Zionism. So what to make of the hit musical, “Come from Away,” which made its Broadway debut less than ten years ago, and is now in a regional production at TheatreWorks Mountain View venue through May 10th? The show tells the story of how the town of Gander Newfoundland became the temporary home of thousands of travelers forced to land there in the wake of the tragedy of 9/11, when United States airspace was closed. The town and surrounding burgs all came alive with hospitality, proving that Canadians and Americans were all one family, and a family takes care of its own. A tale of comradery in the midst of tragedy. A happy play involving 9/11? Yes, it was possible because that day and its aftermath was still the defining moment in the lives of American adults living in 2017. There was the before, there was the after. “Come from Away” did not need to stress the feeling. Everyone in the audience knew it. It was in the pit of their stomachs and had been for over a decade. But that was then. In 2020 came the lockdown, a new before and after. And then came Trump Two and yet another before and after. A now coarser world where amiability just doesn't hold much sway. That sick feeling over the towers? Gone, now we doomscroll and hope tomorrow there will be a planet. And “Come from Away”? The show feels too light, too negiligible for its own good, with a hole at its emotional core. This staging, which reflects the original, avoids images of the towers coming down, apparently too traumatic for audiences a decade ago watching a feel-good musical. Maybe it's time to rethink the presentation. Also, looking at waterfalls and domestic squabbles?  Who cares? And graciousness isn't going to stop Stephen Miller. Today, of course, would Canada even let the planes land? The damage wrought by the current regime goes on and on. The acting, the singing, the choreography, on that level this production is first rate. It's all quite lovely. But the depth that keeps Chekhov alive is absent. This “Come from Away” is gorgeous, but the show itself is an empty footnote. Come from Away plays at Mountain View Center for the Performing Arts through May 10th. For more information you can go to theatreworks.org. I'm Richard Wolinsky on Bay Area theater for KPFA. The post Review: “Come from Away” at TheatreWorks Mountain View appeared first on KPFA.

Eat zucchini! And Bleu cheese. Also, we didn't get nominated for a Hugo, but loads of our favorite authors did. We kick off our May read (a little early) and wrap up our spoiler thoughts on The Raven Scholar. Hosted on Acast. See acast.com/privacy for more information.

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight, host Isabel Li speaks with actresses Amielynn Abellera and Kristin Villanueva, who respectively play Nurse Perlah and Nurse Princess on the HBO Max medical drama, The Pitt. Abellera and Villanueva talk about their Filipino heritage and backgrounds and how they represent Filipina healthcare professionals on the show. See also: Filipinos on the Frontline Amielynn Abellera: Instagram Kristin Villanueva: Instagram Transcript [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.  00:00:52 Isabel Li  Thank you for tuning in to Apex Express. Last Thursday, season 2 of the HBO Max medical drama The Pitt released its season 2 finale, including a hectic season following medical professionals in the emergency room and giving a realistic depiction of real-world issues in hospitals. I'm Isabel Li, one of the hosts here on APEX Express, and I'm so honored to be joined by two members of that cast tonight who play the two Filipina nurses on The Pitt. They were recently awarded the Actor Award for Outstanding Performance by an Ensemble in a Drama Series.  00:01:28 Isabel Li  First, let's hear from actress Amielynn Abellera, who plays Nurse Perla, a Muslim Filipina nurse on the show.  00:01:36 Isabel Li  Hi Amielynn, what an honor it is to be speaking to you today. Welcome to Apex Express.  00:01:41 Amielynn Abellera  Thank you. Thank you for having me. I'm excited to be speaking with you, too.  00:01:45 Isabel Li  So many of our listeners might know you from the HBO Max show, The Pitt, which I have so very much enjoyed. This is actually the first medical show that I have watched, and I really, really admire, like, all of the ensemble casts and, you know, everything coming to life. And you play the Muslim Filipina nurse, Perlah Alawi. We'll talk more about your performance and your character in a little bit, but first, this is a question that I ask all my guests: Can you tell us, how do you identify? And is there a story that you think really encapsulates your identity?  00:02:17 Amielynn Abellera  Gosh, I identify as Amielynn Dumac Abellera. She, her, hers. I'm a Filipino American, daughter of two immigrants. And I'm so thrilled and happy to be talking to you and to sharing my experience of my life.  00:02:42 Isabel Li  Absolutely. Of course, The Pitt is a medical show. And is it true that you come from a medical background yourself? Like I heard that you were a psychobiology major in undergrad.  00:02:51 Amielynn Abellera  Yeah, I was pursuing medicine for a long time. I studied pre-med in undergrad at Santa Clara University, majoring in psychobiology, which is psychology with basically a minor in biology. I really wanted to get into neuroscience and or be an oncologist. And I was pursuing that all the way till I graduated and applying to medical school and getting interviews. But ever since I was a kid, for as long as I can remember, I was really also passionate about acting and theater and film and television and being on stage. But it was really just seen as a hobby in my mind and in sort of my environment's mind. I never really prioritized it as a career, and it was never seen as a possible career. Um, so I just had it on the back burner. And, you know, I was getting, getting closer and closer to medical school and getting more and more anxious that I would regret not pursuing acting. And so sort of after waffling for many years, I decided to audition for a master's in fine arts and acting. And that was because I didn't really have any formal training in acting. I didn't study it in undergrad or, you know, in my younger years. It was just all through life experience and being in plays and art and everything like that. And so I thought if I get into one of these programs, maybe that means I have something to offer. And I was going to take that as the sign that I needed to give myself a chance. And so I got into two programs, and I was thrilled. And I moved to LA to attend the University of Southern California's MFA program. And the rest is history. Here I am.  00:04:47 Isabel Li  Wow. How does being a former pre-med influence your current role as a nurse on the show? Do you remember any like terms from science classes that you're like, oh, wow, I remember that in those lines.  00:05:00 Amielynn Abellera  Yeah, yeah, totally. And you know, I spent a lot of time in hospitals and clinics and my dad is a former family practitioner. He had his own medical practice and my mom is a nurse practitioner and she worked in the CCU in the hospital for many years. So I was really familiar with how nurses interacted with patients and hearing the terminology and the medical language a lot.  So it is a cool throwback and always a really, I love how it's so familiar to me 'cause it's, I still have to work at it quite a bit when, you know, when it's all coming at me and I have to have it down for when we're filming, but I'm not as, as intimidated by it as I probably would be if I didn't have a background.  00:05:50 Isabel Li  And out of curiosity, when you got the audition for the pit, did you have to sort of immerse yourself back into that realm of science and that medical background in order to bring out that character when you were  first being introduced to Nurse Perlah?  00:06:04 Amielynn Abellera  Yeah, a little bit. And I feel that with any role, you kind of, before you go in for the audition or even when you're now filming or you have a part, you just have to kind of get into that world, obviously and really put yourself in the actual experience of what this person's going through. And it did help me to be able to use my imagination so vividly from my previous experience of being in an OR and being in a hospital.  I remember when I was doing an internship when I was sort of in the break between graduating undergrad and pursuing medical school, I remember watching a C-section. And I remember — I remember the doctors talking, the surgeons talking, the anesthetic going in, the blood everywhere, the scalpels, the blood pressures, the oxymeter dropping. So, it really — I think back to the real-life fear that I had in all of those those procedures and I just, you know, bring it to Nurse Perlah.  00:07:16 Isabel Li  It's incredible. I want to start off by talking about, for Nurse Perlah specifically, that Perlah's identity is a Filipina and a Muslim nurse.  What did you do to prepare for a role that is so specific in terms of these cultural representations?  00:07:33 Amielynn Abellera  Sure. Thank you for asking that. I am thrilled that Perlah is on television. She is a Filipino American Muslim woman nurse. And I have never seen that. And it's just rarely ever seen on mainstream media. So, in preparing for it, I mean, truly, I had two weeks before we started filming by the time I got the role. And it was go time already. So I didn't have a ton of time, but I did my best to sort of deep dive into learning about the Muslim faith, trying to reach out to different Filipino American Muslims in my community to kind of just hear their experience. And, you know, I quickly learned that it would be impossible for me to sort of understand the full experience completely. And so I just kind of, I realized that the only question that I needed to answer for myself going into filming as Perlah was, is there anything about the Muslim way of life that would influence or adjust or be a part of their nursing or would it shift it at all? And or how would it affect their job?  And, you know, after talking to several Filipino American Muslim nurses, there, there wasn't anything that it would do to either to shift or do anything to get in the way of their patient care. They are, it's still their priority just to care relentlessly for this patient and have as much empathy as possible. And to be honest, I'm still learning as I go along with playing Perlah and as scripts come in and I still ask a lot of questions of how would Perlah specifically understand this procedure or understand this text or understand what she's doing and just keep asking questions.  00:09:30 Isabel Li  And the majority of The Pitt itself takes place on a hospital set. I'm wondering if you had a vision of what Perlah does outside of the hospital?  00:09:39 Amielynn Abellera  Well, I think Perlah is, she's been at this hospital, PTMC, pretty much, this was her first job, she really wanted to work there in this urban setting.  And she's been there probably for over eight years or something, like through COVID. I think she is a single mom and she has two children who are both under the age of 10. So I think she's exhausted, but she loves nursing. She loves her kids. And she is just, she knows how to compartmentalize and work hard and like protect herself. She knows how to leave, at least she thinks she knows how to leave the job at the door in order to go home and be with her children.  00:10:24 Isabel Li  Uh-huh. And is this something, also, I'm just curious, like, is this something that you had to imagine yourself or did some of the writers sort of drop some hints during production?  00:10:35 Amielynn Abellera  I mean, a little bit of both, I think. There are only some hints in the script in the pilot and the first season where it's dropping like, oh, she has some kids and she's exhausted and kind of eye-rolling — Yeah, and pets — And sort of eye-rolling exhausted by what's happening at home. And it's, I am a mother of a five and a half year old. She's almost six right now. So I sort of understand that exhaustion, but like deep love for my child. But it's like, I'm happy to go to work and have them at school, but I'm also missing them. It's just this like journey of a mother. So it was a bit of me sort of creating that backstory, but also just from the hints of the writers.  00:11:23 Isabel Li  Definitely. I think something that's so special about The Pitt as a medical show is its accuracy in depicting the very hectic lives of healthcare professionals, especially in an emergency room setting. So Nurse Perlah is often mediating like some sort of communication and really emphasizing medical jargon or reading off data. What was it like memorizing all of these different lines and delivering it in a way that felt authentic to the way that healthcare professionals might?  00:11:50 Amielynn Abellera  Sure. Oh my gosh. It's really challenging. I think as soon as I get the scripts, and again, thank goodness I have a sort of familiarity with having a little bit of a medical background, but you know, that was years ago. So anytime I get a script, I immediately go to the hard stuff and get that in my brain as soon as possible. And a trick that I do is, as soon as I have it memorized, I'm just saying it all day and doing things with my hands. Like I do it when I'm folding laundry. I do it when I'm washing dishes. I do it when I'm cooking. I'm doing it when I'm driving, just because as soon as it's second nature, and that's the thing about healthcare professionals, they're constantly, like they're not thinking about what they're saying. They're, it's so awesomely competent in their brain, that is not difficult. That's actually like them just having a conversation.  So I love trying to get to that point and showing how Perlah is just so competent in all of that stuff and doesn't even have to think about it while putting in an IV.  00:13:00 Isabel Li  Absolutely. Oh my gosh. And I think like a lot of our listeners, maybe if they watch The Pitt and a lot of audience members really enjoy the lighthearted moments that you share with Princess, also another Filipina nurse played by Kristin Villanueva, especially that Nurse Perlah code-switches with her using Tagalog as a language.  Can you tell our listeners what that code-switching feels like to you and how you relate to Tagalog as a language?  00:13:25 Amielynn Abellera  Yeah, totally. Thank you for asking. I, as Amielynn Abellera, the actor, I grew up, I was born and raised in Stockton, California, and my parents spoke Tagalog and Ilocano at home all the time. And unfortunately, they didn't teach me. So I'm actually not fluent in Tagalog at home.  I'm that Filipino American who later in life got voracious about wanting to embrace her heritage and learn it like in her adult life. And I think that translates with Perlah. I do, I think that Perlah is also, was also born and raised in the United States to two Filipinos who came from Mindanao. And even though she had the ear for it, I think that she's learning it later in life. And I think she absolutely is so happy to have, Princess as her buddy because she can practice.  Um, because I think like the only way to learn is to constantly be talking every day. And I think Perlah does that. I think she finds any opportunity to celebrate joyfully her heritage by speaking the language with Princess. I think they both do. So it's really close to, to my own personal experience with Tagalog because right now I am learning Tagalog on my own, taking lessons and things like that in order to teach my daughter as well, just to have it in our life more. But I think that is also what Perlah is doing.  00:14:58 Isabel Li  Yeah. And for you specifically, how and when did you start learning Tagalog?  00:15:03 Amielynn Abellera  Yeah, I think it really is. Like I said, my parents came in the '70s to Stockton, California, as a doctor and a nurse. And, you know, that generation, at that time, their priority was assimilation, so they didn't really teach me. And our Filipino-ness was a little bit second place, in terms of, not in a negative way, but it just was, it took a little bit of second priority as opposed to assimilating to our environment in Stockton, California. And so, however, whatever seeds were planted in there to not really pursue Tagalog or pursue, to learn and be curious about my Filipino heritage, that was sort of the majority of my childhood and into my college years. And it wasn't until, I think, college and beyond when I started to Honestly, I think it was when I was exposed to Filipino cultural night in university, at Santa Clara University, where, all of a sudden, I was with all these other Filipino-Americans who had such a voracious sort of celebration and wanting to learn like the dances, the language, the style, the textiles, the clothing, the music, and they would study it and we would, they would just be so passionate about it.  And that really was an experience for me of, oh my gosh, I didn't, it wasn't like I was neglecting it on purpose. It's just, that wasn't in my life. So when that was happening for me, I slowly, slowly really wanted to start learning the language and started taking lessons probably in my twenties. And then, you know, but again, it's a lifelong process to learn another language. It's challenging. Um, and I wish, I wish I was, I wish I was at the level of Perlah where she has a buddy all the time to practice, practice, practice. But I don't have that in my home or in my workplace right now, except with Princess at the hospital.  00:17:28 Isabel Li  Gotcha, gotcha. And currently, at the time of this interview, season two of The Pitt is in progress, and you had some really emotionally nuanced moments in the 12 o'clock episode. I'm not going to spoil it too much, but when Perlah reacts to losing a long-term patient, I'm wondering for you, as an actress, can you tell us about how you're able to switch from some, you know, more lighthearted scenes to moments that really emphasize the darker, heavier aspects of being in medicine, like death and disease.  How do you portray and balance that?  00:18:02 Amielynn Abellera  Sure. Yeah. Thank you for asking. I think nurses are amazing in that way where I don't know if it's a blessing or a curse to be able to compartmentalize such extremes of feeling and experiences of loss of patients on the hour, every hour, and being able to move on to sort of uplift and help other patients on the hour, every hour. But I think Perlah, as such an experienced, competent nurse, has learned how to switch it on, switch it off, but I do feel that something that episode 206 was trying to shine a light on is what of that armor has cracks or what of that armor isn't as strong for certain patients or she or what of that armor is, uh, what if that punch… I'm not able to recover as easily as I usually am? So, um, and I think that must happen all the time with healthcare professionals of what they have to do. I think they have to experience losing loved ones and patients and friends who are patients all the time. And how is it that they get back up to be there for the next one?  So I was– it was ultimately challenging, but I'm so glad that that episode showed that dynamic.  00:19:34 Isabel Li  Speaking of a hospital setting, I imagine it's quite a unique set to be one, and The Pitt definitely emphasizes the realism of being in a hospital. Like, we see lots of different types of medical equipment, hand sanitizer, very relevant, pressing things that make us feel like we're almost, like, engaging with the show in a sense. How do you describe that set?  00:19:56 Amielynn Abellera  To me, I really feel like it's a real hospital. Everything pretty much works almost like the real thing, but it doesn't, right? So like the water fountain looks, smells, feels like a real water fountain and it is until it just doesn't shoot out water, right? Like everything is so amazing.  And I think that's what Nina Ruscio, our set designer wanted to build and working with all the executives was they wanted to build this entire whole hospital to really immerse us in the reality of it. And there, a lot of times there are real needles that we have to close up on, but then when we do something actually, we switch it out for a dull needle. So it is, it's really very, this balance and like a real scalpel that needs to look so sharp, but then as soon as it's, actually near the skin, it is a dull scalpel, and then that's also a prosthetic. So sometimes I can't tell what's real and not real. I just kind of…I just have to jump in and kind of engage with it. And then if it's the real thing, not be freaked out. So yeah, but it's, it's, it's a part of the…It's so, it's so incredibly fun.   I'm so fascinated by this hospital that I basically go to work to like a real nurse at 5:00 in the morning every day for a 12-hour shift. And I put on the scrubs, and then I take off the scrubs. So I kind of feel like so much like a real nurse, but also not.  00:21:42 Isabel Li  How do you think The Pitt has influenced you as an actress? After being on this show, have your goals as an actress changed? What do you see yourself doing in the future?  00:21:52 Amielynn Abellera  Yeah, So, I mean, I am really in a dream right now. It feels…like I probably had this dream of, you know, really being invited on a show from its initial season, initial episode, and being a part of a team from the very beginning, originating a role that is representing so many different cultural dimensions, like across the board. And also the show being so successful and having an impact globally, not only for healthcare workers, but, you know, the diversity that is the reality of the world.  So it's hard to think ahead. I kind of just want this to last as long as possible for Nurse Perlah and for Amielynn. And, you know, I've learned to be in my acting career just putting one foot in front of the other and trusting that where it's going will lead to the next piece in my universe. And I– the moment I try to plan something or want something to happen, it will not happen. I think I just have to trust the journey and how the universe will put what's meant to be in front of me.  00:23:17 Isabel Li  And as an actress, what are you the most passionate about doing in any role that you play?  00:23:23 Amielynn Abellera  Well, I love the human experience. I love what that did to me as a young artist and as a young kid and what that ignited in me watching like an actor go through it and it'd be so real and me be so moved. And I love being that vehicle for other audience members. And as the actor, I can feel if I'm hitting a stride with it. And it's a really exhilarating process. And it just reignites why I love being an actor.  00:24:06 Isabel Li  For all the listeners who have watched The Pitt, or for those of our listeners who have yet to watch The Pitt, and they definitely will after hearing this episode — what do you want the listeners or the audience members to take away from watching The Pitt, from seeing you as Nurse Perlah in it?  00:24:23 Amielynn Abellera  Yeah, well, first off, I hope you go home and turn on your HBO Max and watch The Pitt to all of you who haven't seen it yet. And I hope you enjoy it. And I just hope that you watch it and are entertained, but also you walk away with learning something about humanity and our healthcare workers and also laughing and crying and being fascinated as much as we are behind the scenes. We're really having such an excellent time creating this show. And we're so thrilled that audience members love it as much as we love making it.  So I hope you have that same exhilaration and elation as we all do here.  00:25:10 Isabel Li  I'll put a link to your social media on kpfa.org so our listeners can follow you there. And thank you so much, Amielynn, for joining me on Apex Express today.  00:25:20 Amielynn Abellera  Well, thank you for having me. I'm excited to talk to you and to share my story. And thank you for listening.  00:25:27 Isabel Li  That was actress Amielynn Abellera, who plays Nurse Perlah, one of the Filipina nurses on The Pitt. And we're about to hear from one more actress from the show. But before that, here's a music break with 7000 Miles by Ruby Ibarra.  00:25:59 [MUSIC: 7000 Miles by Ruby Ibarra]  00:30:07 Isabel Li  And that was the song 7,000 Miles by Ruby Avara here on KPFA.  00:30:11 Isabel Li  Thanks for tuning in to Apex Express tonight, where our next guest is the actress Kristin Villanueva, who plays Nurse Princess De La Cruz, another Filipina nurse on the HBO Max medical show, The Pitt. Hi Kristin, welcome to APEX Express.  00:30:29 Kristin Villanueva  Hi Isabel, thanks for having me.  00:30:32 Isabel Li  Absolutely. My first question for you is, how do you identify and what's your story?  00:30:37 Kristin Villanueva  I am Filipino American. I was born and raised in Manila, Philippines, and I moved to the Washington DC area when I was 15.  00:30:47 Isabel Li  How did you get into becoming an actress?  00:30:50 Kristin Villanueva  Kind of by accident. When I moved to the States and I was at my new high school. I joined the drama program just because we didn't have that in my school in the Philippines and that was something I've always been interested in. So yeah, I auditioned and I didn't know that the drama teacher was a very serious one. Like, you either join the drama club or you play softball, you can't have both. So yeah, that's how I got introduced.  00:31:27 Isabel Li  And at a young age, what kinds of films or movies really inspired you to pursue drama?  00:31:33 Kristin Villanueva  I don't think it inspired me to pursue drama, but my choice of movies, my favorite movies when I was younger is, I would say, is a little bit peculiar for an eight-year-old, for a 10-year-old. But I remember watching Kramer vs. Kramer with Dustin Hoffman and Meryl Streep and it having such an effect in my little eight-year-old self. I was so moved by it. And also Legends of the Fall with Anthony Hopkins, Aidan Quinn and Brad Pitt.  And like, what does a 10-year-old Filipino girl have anything in common with these turn of the century, 19th century, you know, Montana cowboys? You know, it's just so random, but for some reason I just fell in love with it. Maybe I just fell in love with Brad Pitt, but, yeah, those heavy dramas had an impact in me, even though I didn't know exactly what it was.  00:32:35 Isabel Li  So you play Nurse Princess on the HBO Max medical show The Pitt, and which, at the time of this interview, we're, you know, getting towards the finale of season two very, very quickly. I've really been enjoying season two. And first of all, congratulations on winning Outstanding Performance by an ensemble in a drama series. That's so incredible.  00:32:54 Kristin Villanueva  Thank you so much. Yeah, it's been a wild ride.  00:32:57 Isabel Li  Yeah. Can I just say, Princess is such an energetic and confident character, and it's really fun watching you play a healthcare professional in such a hectic setting of an emergency room. What do you do to get in character of Princess?  00:33:11 Kristin Villanueva  Ooh, that's a great question. She has such a vibrant energy when she's at the ED, and I don't need a lot to prep myself to get to that level because I'm just excited to be at the Warner Brothers lot, and being on set and being with very kind people. So it doesn't take a lot to get in that mindset. Maybe if it's a 5.30am call, maybe I need a little bit more coffee to get there. But in terms of my emotion and excitement and energy, I don't need to do that much because, yeah, it kind of, it's parallel in my real life and in Princess's life of just doing what they both want to do. But in terms of, I would say, the difference is, I wish I had Princess's confidence in my life more. You know, she's very confident in everything that she does. You know, she knows she's good, and she isn't shy to show it. Because I think when she shows it, it's not to show. It's just to do, you know? Um, so I wish I have more and more of that in my life.  00:34:35 Isabel Li  For you, what's the most challenging part of playing Princess?  00:34:39 Kristin Villanueva  I would say, well, first, the lines, the medical jargon and the technicality of things. So, thankfully, we have amazing med techs that are always right next to us, correcting us, you know, making us feel more confident, guiding us, answering all our questions. So, yeah, making sure that I look like I know what I'm doing. So that would be, I would say, the hardest part.  00:35:08 Isabel Li  Yeah, and on that note, like in many of her moments, Princess is so often mediating communication for medical information in so many different ways. How do you prepare for a role like that where you have to, I mean, you mentioned some things about needing to like look and act the part and you have some people helping you, but what are some other things that you do to really have you, you know, help practice sounding like a healthcare professional?  00:35:35 Kristin Villanueva  First, I Google everything. And then I make sure I'm able to explain it in my own words, so whatever the procedure is. Don't ask me anything now, because once I'm done filming, it leaves my brain. So yes, I research everything. And then when it comes to memorization, if it's, the nurses have a lot of numbers. We may not have a lot of the long words, Latin words, medicine words that the doctors do, but we have to say a lot of different numbers, you know, BP 160 over 20 and all of that. So what I do is I would record the other people's lines, make leave a space for my lines and just play it all day, every day. When I'm walking the dog, when I'm doing dishes, when I'm folding laundry. So I can get it in my body while I'm doing different things. Because I notice that if I'm just sitting down and memorizing my lines, and then I get to set the next day, and all of a sudden, you know, I'm given all these choreography and I'm moving, or they change the choreography in the middle, that gets really tricky. So doing my lines while moving helps a lot. And then of course, the things that I can Google as much as I can, but then I take advantage of having, like I said, the med techs on set. Then I ask them about their emotional experiences behind procedures. So things I start with, okay, is this procedure an everyday thing? How often do you see it? How often do you deal with it? And then from there, I ask if it's something interesting that it's like they've only heard of but never actually seen in practice. What would you do? They say, if you're not busy, you run to that room and watch it, that kind of thing. And if it's an emotional scene, then I ask them, how do you deal with these things? Then I get to hear their experiences and how they cope with it after the shift.  00:37:53 Isabel Li  Did you know anything about medicine or the emergency room before this role?  00:37:59 Kristin Villanueva  No, I think I'm one of those very rare Filipinos that don't really have a lot of healthcare professionals in their families. I do have a cousin who's a radiologist and my husband's side of family. There are a lot of nurses and that's my mother-in-law included, but no, I have zero.  00:38:20 Isabel Li  Oh, wow. So I watched some of your other interviews and I found it really interesting that you had talked about like telling your agent not to submit you to roles on nurses, on projects, unless it was specifically featured.  Can you tell us more about that and how you navigate like the Filipino representation in medical shows, especially in The Pitt as an actress yourself?  00:38:41 Kristin Villanueva  Sure. I was getting a lot of, I wouldn't say a lot, but I would often get auditions for nurses in medical shows or non-medical shows. And I've played them before and I've been very grateful for those experiences. One of them was a movie opposite Susan Sarandon.  So Susan Sarandon was also playing a nurse. So all of my scenes was with her. So those are very cool experiences. But because I've played them a number of times, then I told my agents at one point, hey, unless, like you said, the nurse part is more featured or has more lines other than yes, doctor, then sure, I would audition because I've done it.  And I also didn't want to perpetuate that sad practice of, you know, okay, let's have one Filipino or one Asian nurse and check that box off.  Because it does feel that way. And it's just not the real world. So when The Pitt came and I saw the breakdown, it's a heftier breakdown for the part of Nurse Princess. I mean, and just looking at her name, Princess de la Cruz, I was like, somebody did the research. I'm like, all right, okay, I'll put myself on tape for this.  00:39:59 Isabel Li  Yeah, and I love how Princess as a character is written to be such a crucial part of the team. Very competent, very quick on her feet. Are there any ways where you, yourself, got to influence how Princess was portrayed, maybe beyond the scripts or, you know, in any ways that you could add to that character?  00:40:19 Kristin Villanueva  I think so? I'm not sure, but I have noticed that in season two, on the scripts, Princess's, looks, eye rolls, stares were now written. Whereas before, I was just doing it. So yes, I think so. Because I didn't have a lot of lines. I still don't have a lot of lines, but that doesn't mean she doesn't have an opinion. And yeah, I was just being truthful in all those moments. So if I feel like something's off or, you know, I don't think Princess has a good poker face. So that made its way into the script recently.  00:41:05 Isabel Li  Oh, I see. Well, the show primarily takes place in a hospital setting. But for you, when you're playing Princess, do you imagine what she does, like, outside of the hospital? Like, who is she outside of work?  00:41:16 Kristin Villanueva  I think when there is an after party or somebody's birthday, someone's baptism, or, I think she's the same. I think she's a work hard, party harder kind of girl. But I can also see her turning everything off and having a lot of deep, quiet solo time that she doesn't talk about much often.  00:41:44 Isabel Li  Yeah, something so cool about Princess is the fact that she can apparently speak six languages. But I wanted to talk about the fact that you, as Princess, code-switched to Tagalog in many scenes, especially with Amielynn Abellera, who plays Nurse Perlah. For you, can you tell our listeners how it feels for you switching from English to Tagalog?  00:42:05 Kristin Villanueva  Well, first off, the first word that comes to mind is it's fun. You know, you get to use that skill or use that — used to be a very familiar part of myself again. But I also feel extremely vulnerable because I don't get to do that often. I don't think I've, maybe I've acted once in Tagalog, but I can't remember any other significant roles where I was able to do that. So to do that on The Pitt is, yeah, it's pretty vulnerable just in terms of sharing that part of myself that I haven't shared really acting-wise.  But it's also fun. Because it comes naturally. And I get to there's so many nuances that I would think only Filipinos would get, but it's also so gratifying to hear from from other folks who are not Filipinos that get it. You know, even though they don't understand, um, the Filipino jokes, but they have their own — they have their own version in their own culture. So it's — it's really fun to hear that.  00:43:18 Isabel Li  Just out of curiosity for you, how do you relate to Tagalog as a language? Do you speak it often?  00:43:24 Kristin Villanueva  I don't speak it often, unfortunately. I do still speak it with my family, and we Zoom once, twice a week. But other than that, no, I don't speak it often.  And it's kind of sad, because I feel like some words are leaving my memory. But yeah.  00:43:45 Isabel Li  Yeah, wow. So when they're written in the script, do you translate, or are they already words in Tagalog that you already know?  00:43:54 Kristin Villanueva  When they're written in the script, they're written in English. And season one, I used to translate it for myself. And then season two, we have a coach who gave us a lot more options. But what's wonderful about working with the writers is they're not precious with their own phrases.  They defer to us to translate it as close to the gist of, let's say it's a joke, but if I were to translate it in Tagalog, word per word, it's not going to land the same way as it would in American, in English. Do you know what I mean? So they much rather have us say it in whatever's parallel in Tagalog. So yeah. And I applaud the writers for doing that, 'cause that's one of my pet peeves sometimes when I'm, you know, watching other shows, translation of, it's not quite that, you know, or it's too literal. If it's too literal, then it's, that's not how we talk.  00:44:59 Isabel Li  Right. And putting that in the context of Princess as a character, who is a polyglot, there are some moments where she speaks French and does sign language.  00:45:08 Isabel Li  How did you navigate these multilingual exchanges communicating in different languages, essentially. Oh, I look forward to it. I look forward to them so badly. It's one of the things I got really excited about auditioning for the part, 'cause it was written in her breakdown that she speaks six languages. Um, I personally don't, but I am so enamored by polyglots. Like if I were to meet someone who can speak three languages plus, I'm just, I follow them like a puppy. I don't know, I just find it so sexy and intriguing. And it's like something that I aspire to be, but just haven't had the time to do it. So yes, I look forward to them.  00:45:52 Isabel Li  Yeah, and how do you practice? Like, did you have to practice some French and some ASL?  00:45:57 Kristin Villanueva  Oh, um, for the French, since there's only one line, we didn't hire a coach, but we did hire, um, coaches for ASL. Oh, yeah, I just practiced the hell out of them. Um, but there's also that nuance of, um, how fluent or how good is your pronunciation for someone who doesn't speak it all the time, you know? You got to, like, factor that in as well. But, yes, I just practice it all the time.  00:46:24 Isabel Li  Gotcha. And speaking of that, I love how Princess and Perlah add some lighthearted humor and back and forths and gossip throughout the series. How do you switch from humorous moments to more serious ones?  00:46:36 Kristin Villanueva  I mean, you don't really think about it in life, right? Like one minute you're crying and then something happens and then you find it hilarious. You just go with the flow on set. You don't really ever plan, okay, this beat is a funny beat, and this one is a dramatic beat. You don't. As long as you keep it honest, those colors would come out naturally.  00:47:02 Isabel Li  The Pitt is very current. Like there are so many current events and everyday sort of issues mirrored in the series. What is your experience working with a set and a story that feels like it is very much set in the everyday?  00:47:21 Kristin Villanueva  It hasn't been an issue. It's never– if anything, sometimes it's tougher because you can't escape the real world, right? It's not like when I get to do a Shakespeare comedy, there's a reprieve from, you know, the sad current events that are happening. So yeah, that's– I would say that's the only downside, but there's a lot more upside to that, which is you get to present and work through real life situations. You know, that I'm happy that a TV show like The Pitt, you know, something that's made for entertainment can actually dive into these really serious topics. And what I love about The Pitt is that I don't think it's preachy. I don't think it tackles headlines of the day in a way that it makes you want to turn the TV off. If anything, it shows how, it shows the repercussions on the everyday people. And hopefully audiences that don't have anything to do, like I'll give you an example, like for nurses strikes, right? If you see that on the headline and you don't work, you're not a healthcare worker, you'll probably just, you know, skip that video or not read that article because you think it doesn't affect you.  But hopefully by watching The Pitt, you'll see, oh no, it will affect me if God forbid I have to go to the hospital, if my loved one has to go to the hospital and you don't get seen for 10 hours, or there were mistakes in, the medicine, or it's just not top care that you think you deserve. It's not because the nurses or the doctors or the staff are bad. They're understaffed, period. Right? They haven't had a day off in 12 days. So no, it's a privilege to be able to do a show, have a job that actually reflects what's happening in real life.  00:49:40 Isabel Li  Yeah, thank you for sharing about that. And finally, I want to touch upon your work in general. As an actress, would you say there's something that you're most passionate about doing?  00:49:50 Kristin Villanueva  Ooh. Are we talking about material or medium? Because I would say everything. I do miss doing plays. I haven't done a play since, my gosh, I think pre-COVID. So it's been a while. So I really love doing plays. I have more experience in theater than TV and film combined. A really good material is so inspiring to do, whether it be a classic like Chekhov or any new contemporary plays. You know, there's so many playwrights, those plays I want to do so badly. There's something electric about working on a brand new play when the playwright is in the room. But also, it's also really amazing to work on juicy Shakespearean tragedies. You know, when I get to play Shakespeare ingenues, in those three hours, you've lived a lifetime. You know, usually in a Shakespearean comedy, you meet the ingenue before they fall in love. And then they fall in love, and then they get their hearts broken. And then by the end, they're kind of this new person who's a little bit more learned, but not the same 16-year-old that you met three hours ago. So getting to do those parts are a complete joy.  00:51:29 Isabel Li  I'm wondering, do you have a dream role that you'd like to play in the future? Like either in theater or in film? Who would it be and who would you like to work with?  00:51:37 Kristin Villanueva  I love this question. My imagination just starts going everywhere. Yes. My dream role for the theater would be Martha from Edward Albee's Who's Afraid of Virginia Woolf? I got to do that play a few years ago, but as Honey, as one of the other characters. But I would love to play Martha someday. Another theater role would be Arkadina from The Seagull or Nina, but I think I've aged out of Nina. And in terms for like TV, gosh, I'm obsessed with Narcos, obsessed. And I've always, I've written a part from, if Narcos was ever to do a season about the Philippines, I have a role that I wrote for myself. Cause I don't, you know, you look at my face, like, my face is too round and I'm too short and I smile too much for a show like Narcos or The Wire, which are, like, one of my top, top favorite TV shows.  And I don't have a part for them 'cause I don't look the part, but I found a way to write myself in Narcos season, I don't know, season five Philippines.  00:53:09 Isabel Li  One last question for you. These are such incredible answers. Thank you so much for sharing. One last question for you. Out of your entire acting career right now, what has been the most rewarding moment for you?  00:53:22 Kristin Villanueva  I mean, besides The Pitt, mainly because of the reach and mainly because a lot of Filipino nurses have become so happy just to be seen and represented. And that means so, so much, another role that I am most proud of is this play — I wouldn't even say play — it's more of a performance art piece called The Courtroom. The theater company called Waterwell produced it in New York. And The Courtroom is about a Filipino immigrant to the US who accidentally voted when she was still only on a green card. So she wasn't supposed to vote, but she did not do it maliciously. So the play is about her filing appeal after appeal to stay in the U.S. and not be deported. So I was pretty proud of that. We used, the lines were straight out of the court transcripts. And yeah, I wish we could do it again, especially with, you know, the current climate.  00:54:38 Isabel Li  Yeah, definitely. Well, thank you so much, Kristin, for sharing her story and all of your various experiences. Do you have anything else you'd like to share with our listeners?  00:54:47 Kristin Villanueva  Oh, just thank you so much for watching The Pitt and, you know, for all the nice words about the show. And I hope you keep watching.  00:55:00 Isabel Li  And that was Kristin Villanueva, who plays Nurse Princess De La Cruz on The Pitt, which just released its season 2 finale last week at this time.  Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our two guests tonight, Kristin and Amielynn. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.  00:55:31 Isabel Li  Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala-Shekar and Swati Rayasam. Tonight's show is produced and edited by me, Isabel Li. Have a great evening and thanks so much for listening.  The post APEX Express – 4.23.26 – Nurses of The Pitt appeared first on KPFA.

In addition to being an accomplished lawyer and a highly influential music critic, the nineteenth-century German Romantic Ernst Theodor Amadeus Hoffmann (1776-1822) also wrote pioneering works of crime and horror fiction, including The Sandman, Mademoiselle de Scuderi, and The Nutcracker and the Mouse King, which inspired Tchaikovsky's famous ballet. In this episode, Ritchie Robertson (E.T.A. Hoffmann: A Critical Life) tells Jacke about this amazing writer and his works. PLUS a letter by Chekhov on the secret to writing great short stories. AND Gerri Kimber, a world expert in Katherine Mansfield, stops by to discuss her choice for the last book she will ever read. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jo and Rob grab their furs to recap ‘Euphoria' Season 3, Episode 2. (0:00) Intro (0:00) Reactions to the Season 3 premiere (17:50) The show's complicated relationship with Sydney Sweeney (24:44) Maddy's episode (34:53) What's going to happen to Angel? (40:44) Chekhov's safe(s) (42:34) Laurie vs. Alamo (46:14) Jules is back! Email us! maddysnumberoneboy@gmail.com or prestigetv@spotify.com Follow us on IG and TikTok! Call (909) 313-4046 for a chance to receive a personalized TV rec! Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast' and so much more! Hosts: Joanna Robinson and Rob Mahoney Producers: Kai Grady and Devon Renaldo Additional Production Support: Justin Sayles and Jacob Cornett Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brett & Danielle are back with an all-new episode after Survivor 50's shocking fake idol play on Wednesday night's episode. Yes, Chekhov's fake idol buried at the Tribal Council set did make an appearance in a wild play from Rick that may or may not have swayed a vote against Coach and Chrissy in a double-tribal twist that no one saw coming. We talk about the state of Survivor twists and how they often succeed or fail based on who goes home as a result -- not how good the twist actually is.In more you may be bad at watching TV discourse, we break down The Pitt's season two finale and most importantly, whether or not Dr. Robby is taking home Baby Jane Doe.Closing out the show, we discuss Euphoria S3, Beef S2 and the subtle art of liking shows that no one else seems to be enjoying. All of that, plus your listener questions.Follow Hey Julie on Bluesky and submit your questions ⁠⁠@HeyJulieBB⁠⁠.bsky.social, our ⁠⁠Discord server⁠⁠, or email us ⁠heyjuliebigbrother@gmail.com⁠!Watch Hey Julie on ⁠⁠YouTube⁠⁠Follow Brett ⁠⁠@BrettRader⁠⁠.bsky.socialFollow Danielle ⁠⁠@DingDongDani.bsky.social

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's April, so that means it's time for our “No EscApril” series, where we celebrate the wonder of thrillers! Not quite horror, not quite action, that sweet spot in the middle where danger is afoot, and lives are still on the line! In this week's episode, Alex, Tim, and returning guest K-Tron discuss Brian De Palma's 1981 Hitchcockian giallo that asks “what if Rear Window but with sound,” Blow Out! Embarrassingly bad screams! Chekhov's scream! Abundant split diopter shots split screens! A movie within a movie! A realistic college experience! Liberty Bell-based festivities! A car racing through a parade! A hitman who maybe enjoys his job a little too much! Artistic stabbing! Original music that Quentin Tarantino reused in Death Proof! A tense accident scene with a wonderful Jaws-style jumpscare! Questionable concussion protocol! Government corruption! Everpresent smoking! Excessive Ben Franklin! An incredibly strong audio cable! Possibly the least subtle shot in movie history involving an American flag! A sleep-deprived John Travolta using analog sound tech to play Sound Detective while wearing fingerless Sound Gloves! All that and more in this stylish thriller that also features a murderable Nancy Allen, an evil John Lithgow, and Dennis Franz as a creepy slob! In addition, Alex shares his spoiler-free thoughts on the Zazie Beetz horror-action movie They Will KIll You, Project Hail Mary, Hulu's Mike & Nick & Nick & Alice, and the Chinese action movie Fight Against Evil 2! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. You can follow K-Tron on Letterboxd @puddingtaco. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

FEATURING: (00:05:15) New Business - ChainStaff.(00:17:15) CrossCode.(00:23:56) RACCOIN: Coin Pusher Roguelike.(00:33:28) Mario Kart World.(00:44:43) The Super Mario Galaxy Movie(01:18:46) Super Mario Bros. Wonder + Meetup in Bellabel Park.(01:23:08) Resident Evil Requiem(02:00:41) Rumors not to be believed.

This week, Simon and Eugene look at the second episode of the second series of Real Humans. They discuss Chekhov’s robot grandfather, the Swedish electoral system, whether induction hobs are better than gas, and whether they would switch on digital replicas of their deceased loved ones. Next week: This Island Earth (1955)

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! March means it's time for our “Get Your Ass to March” series where we cover movies that relate to the planet Mars and/or the 1990 sci-fi classic, Total Recall, but it also means it's time for Alex, Tim, and returning guests Chrissy Kurpeski and K-Tron to celebrate The Kuatos! Our annual award ceremony for our favorite movies of the year, both new and new to us!  Favorite lines of the year! Favorite performances, special effects and death scenes! A special award called Chekhov's Kuato! The musical stylings of Liam Neeson and Pamela Anderson in The Naked Gun! Leonardo DiCaprio making a frustrating phone call! Endlessly imaginative practical effects, an usual backpack, and brotherly hugs in Steven Kostanski's Deathstalker! Julia Garner's foul language and Aunt Gladys' final scene in Weapons! Unbelievable effects, Oona Chaplin, Stephen Lang, and a burger in Avatar: Fire and Ash! The amazing music, makeup effects, costume design, and cast in Sinners! Awkward Yautja humor and a unique musical score in Predator: Badlands! Allison Williams, a useful exoskeleton, and a supportive musical performance in M3GAN 2.0! KPop Demon Hunters, Ash, Primate, Beast of War, Heart Eyes, Superman, Companion, Happy Gilmore 2, V/H/S/Halloween, The Monkey, Ballerina, Havoc, Mission: Impossible – The Final Reckoning, Final Destination Bloodlines, Black Bag, Reflection in a Dead Diamond, Black Phone 2, A House of Dynamite, Bugonia, Wake Up Dead Man, and Nobody 2! Plus movies that were new to us like Lifeforce, Flow, Warriors of the Year 2072, The Substance, Spontaneous Combustion, R-Point, Day of the Animals, The Coffee Table, Razorback, Femme, and One Cut of the Dead! In addition, Tim and Chrissy share their spoiler-free thoughts on Gore Verbinski's Good Luck, Have Fun, Don't Die, K-Tron goes down a Hitchcock rabbit hole with Dial M for Murder and Rope, while Alex talks Ready or Not: Here I Come and the 35th anniversary re-release of Teenage Mutant Ninja Turtles II: The Secret of the Ooze! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. Chrissy Kurpeski can be found on Instagram @absolutelyicebox or Letterboxd @farthouseflix. You can follow K-Tron on Letterboxd @puddingtaco. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

Not only is it not St Patrick's Day; it's not even March. But it was. And in a loose tie-in, we picked the two missing Patrick Troughton episodes that aired closest to March 17th. Following our discussion last time about The Macra Terror episode 2, Gav, Giles and Paul join Richard to chat about Fury From The Deep episode 1. We try to unravel some enduring mysteries, but most can only be answered if we ever get to see it. Please like or share our podcast with people who will enjoy it, so we can build our listener base high for happiness. You can rate us directly on Apple Podcasts or Podchaser.com Gav's excellent YouTube series Terry Nation Army can be found here: https://youtube.com/user/Dalek6388. Also, next time you're in the North West, check out his new venture - West Kirby Escape Room: The Jurassic Factor westkirbyescaperoom.co.uk Head over to https://www.bigfinish.com/, where we all love Paul's stories.  Giles is a published author with many books, primarily related to science and astronomy. check out his work here: https://www.amazon.co.uk/stores/Giles-Sparrow/author/B001IXOESC, at all good bookshops, and a few bad ones too. The Something Who logo, which features prominently on all our cover art was designed for us by Bea Garrido. She's a really talented artist, who you can find by following this link: https://beagarridoart.weebly.com/, where you can buy prints of some remarkable paintings of characters from Doctor Who. The opening music is Three Guitars Mood 2 and, yes, that is Richard playing the ukulele and kazoo on possibly the worst ever version of the Doctor Who theme tune at the end.

Illustration by David Wynne In which we start the Morrison Run; Professor X gets his hands on Chekhov's gun; Cassandra Nova raises X-villains to a new level of weird; and humanity is running on borrowed time. X-PLAINED: No-Girl New X-Men #114-117 Grant Morrison and their approach to the X-Men Superhero fashion Cerebra Beast's new look Ugly John Interpersonal dynamics Cassandra Nova (somewhat) Donald Trask Master Molds Wild Sentinels Emma Frost (more) (again) Negasonic Teenage Warhead (the original) The fall of Genosha Secondary mutations The most strapless bra of all time The Black Bug Room Summers problems Official X-Men and the designation thereof Wonder Man and mutants NEXT EPISODE: Beast has a bad day Check out the visual companion to this episode on our blog. Find us on Apple Podcasts or Spotify! Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here! Buy rad swag at our Dashery shop!

‘Instead of sheets – dirty tablecloths.' The notebooks of Anton Chekhov are full of enigmatic observations such as this, the unexplained details that suggest a whole scene, short story or character. When asked by an actor how he should play the role of Trigorin in The Seagull, Chekhov simply answered: ‘he wears checked trousers'. As James Wood argues, this mastery of the telling detail is central to Chekhov's radical realism. Unlike Flaubert and Ibsen, Chekhov sought to avoid imposing authorial meaning or irony, instead handing over perception to his characters. In this episode, James looks at three of Chekhov's stories, ‘Gusev' (1890), ‘The Bishop' (1902) and ‘The Lady with the Little Dog' (1899), and the ways in which each seeks to curb the judgment or expectations of the reader to foreground the experiences of his characters, even beyond death. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Further reading in the LRB: John Bayley on Chekhov's stories: https://lrb.me/realismep401 Donald Rayfield on Chekhov's love letters: https://lrb.me/realismep402 Joseph Frank on Chekhov's life: https://lrb.me/realismep403 James Wood on Chekhov's life: https://lrb.me/realismep404

On this episode we're discussing Anton Chekhov's marital affair themed short story, “The Lady with the Little Dog.” We've got the NCAA men's and women's tournaments coming up and we invite you to join the Torg Stories Bracket Challenge. We're doing that through the ESPN website, and I've got links on the post for this … Continue reading "A Marital Affair Story: Chekhov’s “The Lady with the Little Dog”"

For the latest Whisper in the Wings from Stage Whisper, we welcomed on the artistic director/director Michael DeFilippis, to talk about his upcoming production of Ivanov. This fantastic Chekhov piece made for such fantastic conversation. So make sure you hit play and get your tickets today for this rarely produced show!IvanovMarch 11th- April 5th @ The West End TheaterTickets and more information are available at newamericanensemble.org And be sure to follow Michale to stay up to date on all his upcoming projects and productions: newamericanensemble.org@newamericanensemblemichael@newamericanensemble.org

Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. In this episode, Jacke talks to Dr. Zoë McGee about her new book Courting Disaster: Reading Between the Lines in the Regency Novel, which compares classic novels by Jane Austen, Frances Burney, and others with historic court records to show that today's arguments about consent are not a new phenomenon. PLUS Jacke reads a letter from Chekhov in which he describes the experience of watching a disastrous performance of his first play, Ivanov. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Crash GMs Cypher System for Beth, Ellie, Io, & Jen. This session: The party do battle with an Integrated, a monstrous amalgamation of mechanical parts and living tissue. Follow this series on… RSS: https://aaronbsmith.com/cogwheel/tag/cogworld-s1/feed/ Patreon: https://www.patreon.com/cogwheelgaming Mastodon: https://is.aaronbsmith.com/@cogwheel Not on Mastodon? Consider these instances: gamepad.club dice.camp mastodon.art chirp.enworld.org tabletop.vip MP3 Download: Cogworld S1 Ep 11 Chekhov’s Cistern (Cypher System) Music Used: “Christofori’s Dream” by christofori is Public Domain and can be downloaded from http://modarchive.org Keep us ad free by supporting us on Patreon! Thanks to our current Patreon Patrons (as of this upload…): Ellie, Liv Dromen, Paul, ShanShen, Walter, & Patron Emeritus Cindy!

In an 1886 letter to his brother, Anton Chekhov delivered some advice about truthfulness in writing. "Don't invent sufferings you have not experienced," he wrote, "and don't paint pictures you have not seen--for a lie in a story is much more boring than a lie in conversation." In this episode, Jacke talks to editor Bob Blaisdell about the book Chekhov on Writing: the Mentor, the Self-Critic, Literary Questions, and Fictional Writers, which gathers the wisdom and grace of one of literature's most celebrated artists. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Alex uses Anton Chekhov's principle of Chekhov's Gun to frame the escalating U.S.–Iran standoff, arguing that once military force is visibly placed “on the wall,” the pressure to use it begins to build. As aircraft carriers assemble and intelligence chatter grows louder, he explores whether this is strategic deterrence — or the first act of a conflict that becomes increasingly hard to avoid.

This week on MoneyFM 89.3’s Saturday Sit‑Down, Saturday Mornings Show host Glenn van Zutphen and co-host Neil Humphreys welcome Tracie Pang, co‑founder of Pangdemonium and director of their latest production, "Force Majeure", opening at the Victoria Theatre from 6–15 March. In this world‑premiere adaptation by award‑winning playwright Stephanie Street, Force Majeure reimagines Chekhov’s Three Sisters for our time. The play follows three sisters and their brother—each yearning for a different life, each wrestling with love, loss, longing, and the quiet heartbreak of dreams deferred. Friends, lovers, and strangers drift in and out of their world, offering hope, disruption, and the possibility of rediscovering life again… even if it means tearing the family apart. With its blend of beauty, humour, and emotional truth, the production speaks to anyone who has ever felt stuck between who they are and who they hope to become. This premiere marks Pangdemonium’s final year. Tracie reflects on why the company is choosing to close this chapter after 14 years of bold, socially resonant theatre and what it means to end on their own terms. See omnystudio.com/listener for privacy information.

What if dying is not an ending, but a moment of radical clarity? In his new novel "Vigil," George Saunders conjures a strange and often comic world of bickering angels visiting a dying, deeply flawed man—debating and waiting to see whether he can face the truth about himself before it's too late.In this conversation, Steve Paulson talks with Saunders about the evolution of his ideas about death and the possibility of an afterlife. Dying, he says, may be “the ultimate experience of wonder,” and he believes ghost stories can open powerful imaginative spaces for novelists. Saunders reflects on his own Buddhist practice as he considers these life-and-death questions, and he tells us why he thinks fiction is uniquely suited to grappling with complex moral issues and why Tolstoy and Chekhov are his personal sources of inspiration.Saunders is the author of such celebrated books as “Tenth of December,” “Pastoralia,” and the Booker Prize-winning “Lincoln in the Bardo.”  His nonfiction book about the great Russian writers is “A Swim in a Pond in the Rain.”This interview was recorded at the Central Library in downtown Madison shortly before Saunders spoke at the Wisconsin Book Festival.— To the Best of Our Knowledge — On his short story collection “Tenth of December.  To the Best of Our Knowledge: Reflecting on “Lincoln in the Bardo.” Substack Story Club with George Saunders —00:00:00 Introduction and Reading from Vigil00:07:50 The Plane Crash and Death Obsession00:15:00 The Writing Process and Wonder00:24:30 Moral Accountability in Fiction00:32:20 Chekhov, Succession, and Accuracy00:40:00 Kindness, Criticism, and Final Thoughts Wonder Cabinet is hosted by Anne Strainchamps and Steve Paulson. Find out more about the show at https://wondercabinetproductions.com, where you can subscribe to the podcast and our newsletter.

It's the Murderbot we have at home! Join Anthony as he digs into the fairly recent film from Full Moon Features and trash cinema legend Jim Wynorski. There's a sexy killer robot lady, sexy scientists, sexy waitresses, and extremely stupid teens. Oh, and Chekhov's trumpet. Don't forget Chekhov's trumpet. Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Join us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefrankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Find all of our various links at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/frankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or send us a letter at thefrankencast@gmail.com. We'd love to hear from you!Your Horror Host: Anthony Bowman (he/him). Cover painting by Amanda Keller (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KellerIllustrations on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).

Katie checks in with director (Tender Napalm, No Good Things Dwell in the Flesh, currently: Blackout Songs; The Lehman Trilogy, Glengarry Glen Ross, Sea Wall/ A Life as associate), Rory McGregor.

This week Tim Kirk is back for some atomic age shenanigans, as we see what a vengeful ex-crime boss and a mad scientist can accomplish when they put their minds to it. Join us as we talk about sarcastic reporters, Chekhov's threatened child, and "stoolies". All His Damned Mother's Sons is out now! You can purchase it at ⁠⁠⁠https://pelekinesis.square.site?cc=FRANKENCAST⁠⁠⁠ or just go to ⁠⁠⁠pelekinesis.com⁠⁠⁠ and enter code FRANKENCAST at checkout. And you can always find more from Tim at ⁠⁠⁠tim2kirk.com⁠⁠⁠! Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Join us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefrankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Find all of our various links at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/frankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or send us a letter at thefrankencast@gmail.com. We'd love to hear from you!Your Horror Hosts: Anthony Bowman (he/him) & Tim Kirk (he/him). Cover painting by Amanda Keller (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KellerIllustrations on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).

A slightly-less-but-still-bite-sized episode of WTFolklore as the Whimbus continues to throw its tantrums on us. This time we crack open a tome that threatens to remain with us for some time to come, The Cats' Arabian Nights, or, King GrimalkumSuggested talking points: A Folklore Receptacle, The Return of Ichabod, I Can Has Mammothburger?, Our Annual Cat-Meme Reunion, The Ever-Present Custard Pie, Secondhand GrievancesCheck out Gordie's TTRPG, MythomorphosisIf you'd like to support Carman's artistic endeavors, visit: https://www.patreon.com/carmandaartsthingsIf you like our show, find us online to help spread the word! Follow us on Twitter, Facebook, and Youtube. Support us on Patreon to help the show grow at www.patreon.com/wtfolklore. You can find merchandise and information about the show at www.wtfolklorepodcast.com.

12 - Mikie Sherrill stokes the flames of division on The Daily Show last night and we start the show playing what she said and get Dom's reaction. 1210 - Tom Homan put on a masterclass yesterday on ICE position. 1215 - Side - named after a person, like Chekhov's Gun 1220 - The nation is finding out about Your calls. 1230 - Peter Cowan, EMF consultant and Board Certified QBP, joins us today as his Substack article theorizing that the electrical substation near the 49ers practice facility and field is damaging the players' tendons and muscles through electric waves. What is his background? How did he come across this? Are the 49ers working with him to try to fix this issue? Did it contribute to George Kittle's injury here in Philadelphia? Would AI Data Centers have the same effect as the electrical substations? Is Dom paranoid about Havana Syndrome and the weapons used to capture Maduro in Venezuela? Peter explains how those electric waves work. Should we be mindful of electrical waves? Should RFK Jr. be on top of this? Will the NFL give Peter a chance? 1240 - Will the Eagles build a new stadium? 1250 - Your calls.

12 - Mikie Sherrill stokes the flames of division on The Daily Show last night and we start the show playing what she said and get Dom's reaction. 1210 - Tom Homan put on a masterclass yesterday on ICE position. 1215 - Side - named after a person, like Chekhov's Gun 1220 - The nation is finding out about Your calls. 1230 - Peter Cowan, EMF consultant and Board Certified QBP, joins us today as his Substack article theorizing that the electrical substation near the 49ers practice facility and field is damaging the players' tendons and muscles through electric waves. What is his background? How did he come across this? Are the 49ers working with him to try to fix this issue? Did it contribute to George Kittle's injury here in Philadelphia? Would AI Data Centers have the same effect as the electrical substations? Is Dom paranoid about Havana Syndrome and the weapons used to capture Maduro in Venezuela? Peter explains how those electric waves work. Should we be mindful of electrical waves? Should RFK Jr. be on top of this? Will the NFL give Peter a chance? 1240 - Will the Eagles build a new stadium? 1250 - Your calls. 1 - Why do people support Larry Krasner? He hates you! Besides the salary, he's the biggest reason not to join the force and the reason Philadelphia is a mess. 105 - The Boss dropped a new song called “Streets of Minneapolis”. Why is it not very creative? Where's a song for Laken Riley? 110 - Your calls. 120 - Atlantic City by The Band is so good. Your calls. 135 - Congressman Jeff Van Drew joins as the government is looking like it's going to be shut down come Friday night. What's the reasoning? Will Democrats really shut it down again and risk it being blamed on them? What is Jeff's take on the Alex Pretti situation? Why is CDL license reform so important? 2 - The White House clarifies Stephen Miller's comments. We revisit Mikie Sherrill and Tom Homan's very different comments. 210 - Elizabeth Warren looks like a fool. Your calls. 215 - Dom's Money Melody! 225 - Will Trump get reluctant voters to turnout? 240 - Why was the city's snow cleanup so poorly done? Your calls. 250 - The Lightning Round!

Theatre and opera director Katie Mitchell talks to John Wilson about her career and formative influences. She is renowned for her experimental storytelling on stage, her feminist perspective, and for contemporary reframing of classic plays, she has directed more than 100 productions over more than 30 years. She has worked at the Royal Shakespeare Company, the Royal Opera House and the National Theatre, where - as associate director - she staged bold new versions of work by a wide range of writers including Aeschylus, Virginia Woolf, Chekhov and Sarah Kane. For many theatre goers, she is one of Britain's most important and innovative living directors.Producer: Edwina Pitman

In this episode of Chronicles, Luca discusses The Seagull by Anton Chekhov. He explores Chekhov's importance in the history of Russian literature and the play's themes of art, suffering, and regret.

Hello, Carol. This is a recording. At the tone, you can leave a message to request anything you might need. We’ll do our best to provide it. Our feelings for you haven’t changed, Carol. But after everything that’s happened, we just need a little space. Jason Snell with Erika Ensign, Tony Sindelar, Moisés Chiullán and Glenn Fleishman.

Hello, Carol. This is a recording. At the tone, you can leave a message to request anything you might need. We’ll do our best to provide it. Our feelings for you haven’t changed, Carol. But after everything that’s happened, we just need a little space. Jason Snell with Erika Ensign, Tony Sindelar, Moisés Chiullán and Glenn Fleishman.

The classics — under a recent microscope — are getting a reboot from a longtime arts leader. Mark Cuddy is back in Rochester. He spent nearly 30 years as artistic director at Geva Theatre, retiring a few years ago. Now he has a new project: a theater company bringing the classics to Rochester stages. The first round features the work of Chekhov, and Cuddy thinks the material is more relatable than audiences might expect. We discuss why he wants more focus on the classics, his post-Geva career, his tenure at the Cleveland Play House, and the future of the arts. Our guests: Mark Cuddy, founder and artistic director of The Classics Company, and artistic director emeritus of Geva Theatre Rick Staropoli, actor in "The Seagull" ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Have you seen the “Grinch prank” video trend? Bad parenting, yes. But also a nod to the conflicts, ancient and modern, embedded in Christmas.  Contrary to what Bill O'Reilly would tell you, there has never been a “war on Christmas.” Rather, Christmas itself has always been a battleground over love, dignity, and resources. What we're really fighting over is who gets care in systems built on scarcity and extraction. Vignette 1: The Original Creche Vignette 2: Krampus Vignette 3: Dickens, Chekhov, and Andersen Vignette 4: The Christmas Truce, 1914 Vignette 5: Dr. Seuss and the Grinch Show Notes Andersen, Hans Christian. The Little Match Girl. Copenhagen, 1845.https://www.gutenberg.org/ebooks/10623 Boyle, James. “The Second Enclosure Movement and the Construction of the Public Domain.” Law and Contemporary Problems 66, no. 1–2 (2003).https://scholarship.law.duke.edu/lcp/vol66/iss1/2/ Chekhov, Anton. “Vanka.” 1892.https://www.gutenberg.org/ebooks/13418 Dickens, Charles. A Christmas Carol. London: Chapman & Hall, 1843.https://www.gutenberg.org/ebooks/46 Imperial War Museums. “Christmas Truce, 1914.”https://www.iwm.org.uk/history/christmas-truce-1914 Imperial War Museums. “Letter Describing the Christmas Truce.”https://www.iwm.org.uk/collections/item/object/1030000503 Lenin, Vladimir Ilyich. The Principles of Socialism and the War of 1914–1915. Marxists Internet Archive.https://www.marxists.org/archive/lenin/works/1915/princip/ McCoy, Michael. “What Is Tinsel Made Of? (and How It Changed Over the Years).” Chemical & Engineering News, December 15, 2014.https://cen.acs.org/articles/92/i50/Tinsel-Made.html Mitterauer, Michael. “Peasant and Non-Peasant Forms of Family Organization in Relation to the Physical Environment and the Local Economy.” Journal of Family History 2, no. 2 (1977).https://journals.sagepub.com/doi/10.1177/036319907700200203 Nel, Philip. Dr. Seuss: American Icon. New York: Continuum, 2004.https://books.google.com/books?id=Yt4QAQAAIAAJ Nissenbaum, Stephen. The Battle for Christmas. New York: Alfred A. Knopf, 1996.https://www.penguinrandomhouse.com/books/171502/the-battle-for-christmas-by-stephen-nissenbaum/ Restad, Penne L. Christmas in America: A History. New York: Oxford University Press, 1995.https://global.oup.com/academic/product/christmas-in-america-9780195043659 Schmidt, Leigh Eric. Consumer Rites: The Buying and Selling of American Holidays. Princeton, NJ: Princeton University Press, 1995.https://press.princeton.edu/books/paperback/9780691018448/consumer-rites Science History Institute. “History and Future of Plastics.”https://www.sciencehistory.org/topics/plastics Smithsonian Magazine. “The Origin of Krampus, Europe's Evil Twist on Santa.” December 4, 2015.https://www.smithsonianmag.com/history/the-origin-of-krampus-europes-evil-twist-on-santa-180957438/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Unum! We’re so happy you can join us! We’re eager to share this conversation about episode 7 of Pluribus. Please don’t walk through 100 kilometers of deadly jungle – we’re happy to give you a ride. Remember, your choices are your own. This episode had some scheduling… Continue reading