Podcasts about Guildhall

June 10 to June 16, 1945   This is Summer of Trinity, for the week ending Saturday June 16, 1945.   Sunday, June 10,1945 - 36 Days Before Trinity It's the 71st day of the Battle of Okinawa https://en.wikipedia.org/wiki/USS_William_D._Porter_(DD-579) Monday, June 11,1945 - 35 Days Before Trinity It's the 72nd day of the Battle of Okinawa   https://en.wikipedia.org/wiki/Richard_Miles_McCool Tuesday, June 12,1945 - 34 Days Before Trinity It is the 73rd day of the Battle of Okinawa.   General Eisenhower receives the “Freedom of the City” at London's Guildhall. This symbolic act, with seven hundred years of history behind it, makes him “a citizen of the city.” https://www.nps.gov/articles/general-eisenhower.htm https://en.wikipedia.org/wiki/Franck_Report       Wednesday, June 13,1945 - 33 Days Before Trinity It is the 74th day of the Battle of Okinawa.   Thursday, June 14,1945 - 32 Days Before Trinity It is the 75th day of the Battle of Okinawa. https://en.wikipedia.org/wiki/Operation_Inmate    Friday, June 15,1945 - 31 Days Before Trinity It is the 76th day of the Battle of Okinawa. https://en.wikipedia.org/wiki/Calutron (How they enriched U-235 for Little Boy) https://www.atomicheritage.org/history/science-behind-atom-bomb   Saturday, June 16,1945 - 30 Days Before Trinity It's the 77th day of the Battle of Okinawa.    The Science Panel, headed by Robert Oppenheimer, and also including Enrico Fermi, Ernest O. Lawrence and Arthur H. Compton, gives the following report, classified Top Secret, to the Interim Committee: The report is titled “RECOMMENDATIONS ON THE IMMEDIATE USE OF NUCLEAR WEAPONS” and begins as follows: [Note to self - some emphasis included here to assist in reading as a script, but there's no font differences in the original.] You have asked us to comment on the initial use of the new weapon. This use, in our opinion, should be such as to promote a satisfactory adjustment of our international relations. At the same time, we recognize our obligation to our nation to use the weapons to help save American lives in the Japanese war. (1) To accomplish these ends we recommend that before the weapons are used not only Britain, but also Russia, France, and China be advised that we have made considerable progress in our work on atomic weapons, that these may be ready to use during the present war, and that we would welcome suggestions as to how we can cooperate in making this development contribute to improved international relations. (2) The opinions of scientific colleagues on the initial use of these weapons are not unanimous; they range from the proposal of a purely technical demonstration to that of the military application best designed to induce surrender. Those who advocate a purely technical demonstration would wish to outlaw the use of atomic weapons, and have feared that if we use the weapons now our position in future negotiations will be prejudiced. Others emphasize the opportunity of saving American lives by immediate military use, and believe that such use will improve the international prospects, in that they are more concerned with the prevention of war than with the elimination of this specific weapon. We find ourselves closer to these latter views; we can propose no technical demonstration likely to bring an end to the war; we see no acceptable alternative to direct military use. (3) With regard to these general aspects of the use of atomic energy, it is clear that we, as scientific men, have no proprietary rights. It is true that we are among the few citizens who have had occasion to give thoughtful consideration to these problems during the past few years. We have, however, no claim to special competence in solving the political, social, and military problems which are presented by the advent of atomic power.   The report is signed by Robert Oppenheimer, with the note “for the panel” https://www.atomicarchive.com/resources/documents/manhattan-project/interim-committee.html   As this week ends, the Trinity atomic bomb test has not yet been scheduled. However, it is exactly 30 days away.    Summer of Trinity is a part of Mapping History here on The Latest Generation.

Southforker Stories: The Grit and Glam of Guild Hall by Northforker Presents On

For the first time since before the pandemic, Guild Hall, which underwent a major renovation in recent years, is fully up and running this season. That includes on the stage where Anthony Madonna is now the theater director and curator of performing arts at Guild Hall.

Today's episode has two segments. First, we have a June 12,1945, address delivered by U.S. General Dwight D. Eisenhower to a British audience at Guildhall in London. Our second segment is an episode of Yankee Yarns, asyndicated series that aired on New England radio stations. This episode from 1945 tells the story of the sinking of the Aeolus, a U.S.-based commercial fishing, boat by a German U-Boat.Visit our website at BrickPickleMedia.com/podcasts. Subscribe to the ad-free version at https://podcasters.spotify.com/pod/show/worldwar2radio/subscribe.

Archaeologist Dr Helen Geake and co-host Martyn Williams are back at Sutton Hoo, where Time Team's dig is in its third week. Helen brings you up to speed with what's going on on site, including the latest on the cremation vessel that's been discovered in trench one. Martyn meets the volunteers getting the opportunity to dig at Sutton Hoo and Tim Fitzhigham from the Guildhall at King's Lynn drops by with an update on a project to bring Shakespeare's stage to life. As always, Helen will be on hand to answer the questions you've submitted on Patreon. Join the community now for bonus content. Head to patreon.com/timeteamofficial for all the details.

Even before Henry VIII succumbed to pressure and wedded Anne of Cleves, his attentions had turned to another lady at his court, Katherine Howard. The romance was supported by her uncle, the Duke of Norfolk, who had been trying to win back Henry's good graces ever since another one of his nieces, Anne Boleyn, had been dispatched in a Cromwellian conspiracy a few years earlier. Norfolk was clearly having a run of bad luck though, because it turns out that the teenaged Katherine - Henry was pushing 50 when all this got started - had been poorly used by a music teacher at the boarding home where she had been sent because of her family's deep poverty, and had been intimate with an age-appropriate boyfriend before being sent to Henry's court to serve as a lady-in-waiting. None of which was known to Henry when he finally wed her on July 28, 1540, the same day that he had Thomas Cromwell executed. The honeymoon was not to last, however, as by the following spring, Katherine was sharing the affections of royal counselor Thomas Culpeper, whose secret assignations with the queen were being facilitated by Jane Boleyn, Katherine's lady-in-waiting and the widow of George Boleyn, who had been executed with Anne. Everything went disastrously, of course, and Katherine Howard and Jane Boleyn were executed on the Tower Green on February 13, 1542, a few months after Culpeper and her boarding house boyfriend had experienced the same fate at the Guildhall. Listen ad-free at patreon.com/trashyroyalspodcast. To advertise on this podcast, reach out to info@amplitudemediapartners.com. Sources Jane Boleyn: The Infamous Lady Rochford, by Julia Fox (amazon.com) Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer, director and star of Hedwig and The Angry Inch, John Cameron Mitchell, joins Heart of The East End Gianna Volpe on WLIW-FM ahead of a screening at Sag Harbor Cinema with a post-film virtual Q&A kicking off Pride Month on the East End with John joining Hamptons Pride as special guest Grand Marshal of the parade in East Hampton on June 7 with evening event to follow at Guild Hall.Listen to the playlist on Apple Music

Anthony Madonna joins Heart of The East End Gianna Volpe on WLIW-FM to discuss highlights of the 2025 summer programming season at Guild Hall of East Hampton.Listen to the playlist on Apple Music

This week on Stageworthy, host Phil Rickaby welcomes Javier Vilalta, a Mexican-Canadian interdisciplinary artist, stage director, movement coordinator, translator, and co-founder of 8ROJO Theatre. Based in Calgary, Javier shares his journey through performance, directing, and devising unique and often non-verbal theatre experiences. He reflects on his early challenges as an immigrant artist, the evolution of his creative voice, and his mission to help shape Calgary's cultural identity. This episode explores: Javier's early artistic influences and his pivot from acting to directing The founding and philosophy behind Ocho Rojo Theatre Creating intimate, high-concept work for small audiences His experience directing across Canada and internationally Thoughts on diversity, representation, and creative freedom in Canadian theatre His recent production of Mary Stuart and the upcoming queer retelling of Romeo and Juliet with The Shakespeare Company Guest:

This lecture was recorded by Alderman Alastair King on 14th April 2025 at Guildhall, London.Alastair King is the 696th Lord Mayor of the City of LondonHis civic responsibilities began when he was first elected as Common Councillor for Queenhithe Ward in 1999 – giving him over 24 years' uninterrupted service; he was appointed Deputy for the Ward in 2006and elected Alderman in 2016 – serving as Aldermanic Sheriff 2022-23.He sits on the Governing Bodies of the Bridewell Royal Hospital, the Samuel Wilson Loans Trust, Morden College and Emanuel Hospital. A Liveryman of 11 City Livery Companies, Alastair also serves as Chairman of The British Liver Trust and Chairman of Onside Youth Zone,Haringey Project.Early in his career, Alastair was a lawyer and practiced as a solicitor at leading international law firm Baker & McKenzie in the City and in Asia.Alastair later held senior positions at SPARK Ventures (formally NewMedia SPARK PLC) a pioneering technology venture capital company in London, and was Managing Director at Galahad Capital Plc.He is the founder and Chairman of Naisbitt King Asset Management Limited (NKAML), an FCA-authorised asset management company, specialising in managing segregated portfolios of investment grade fixed income securities. NKAML constructs bespoke portfolios, often with special reference to Environmental, Social and Governance characteristics. It also has experience with sukuk/Shariah-compliant investments and publishes the Naisbitt King Bond Market Update every month.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/2025-annual-lord-mayors-eventGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

David Martelli is a dedicated educator and leader in STEM learning, with over 20 years of experience designing innovative educational spaces and programs. His career began in the U.S. Air Force, where he led high-tech programs before transitioning into education. As Head of Computer Science and Engineering at a school, he built a cutting-edge Makerspace, giving students hands-on experience with technology and engineering.During our discussion, David describes his educator journey, highlighting his experience in robotics and computer science, his transition from engineering to teaching, and the impact of COVID-19 on his educational initiatives. We also get into why Guild Hall's Makerspaces are so helpful for students. For all links and resources mentioned in this episode, head to the show notes: https://www.educatorforever.com/episode133.

Send us a textShortly after finishing her final show at Guildhall School of Music and Drama, Imogen Elliott delivered a Stage Debut Award nominated performance as Sally Middleton in The Voice of the Turtle at Jermyn Street Theatre. She is now on tour with Belinda Lang and Honeysuckle Weeks in Anne Marie Casey's adaptation of Little Women. In the short time since she graduated, Imogen Elliott has garnered glowing reviews for her strong stage presence and continues to impress audiences with her remarkable charm and talent. Later this summer, she'll also be playing Phoebe in As You Like It at Theatre Royal,as part of Ralph Fiennes' season at Theatre Royal, Bath.In this exclusive interview with Imogen Elliott, we talked about her experience training alongside a dazzling year group of actors at Guildhall to making her professional debut last year. Indeed, many of her classmates have since made their professional debuts in acclaimed productions at the likes of the National Theatre, Shakespeare's Globe, Menier Chocolate Factory. For Imogen, she feels humbled and grateful to have been able to work with so many brilliant talents and says she still feels inspired by the people she's gotten to be surrounded by. In our interview, we hear how she's connected with characters like Amy March and Sally Middleton, and share her love for Shakespeare as she gets ready for As You Like It. There's an incredible sense of wisdom and humility in the way she talks about her experiences so far and we look forward to seeing what she does next.Support the show

Start Name Artist Album Year Comments Say, Has Anybody Seen My Sweet Gypsy Rose? Jonas Nordwall Vintage Dendy Vol 1 1974 3-15 Wurlitzer, Dendy Theatre, Brighton, Melbourne, Australia. Originally from Capitol Theatre, Melbourne 3:49 Near You Tony Fenelon, John Atwell Vintage Dendy Vol 1 1981 3-15 Wurlitzer, Dendy Theatre, Brighton, Melbourne, Australia. Originally from Capitol Theatre, Melbourne 6:50 Song Of Paradise Horace Weber Au Revoir To The Capitol Wurlitzer [Crest CRE-12-LP-008] 1963 3-15 Wurlitzer, Capitol Theatre, Melbourne, Australia; Last performance on November 17, 1963 10:52 Children of the Regiment David Shepherd Cinema Organ Encores Vol 97 - In Australia [Deroy 1440] 1978 2-12 Wurlitzer, Wyatt Hall Pulteney Grammar School, Adelaide 14:28 Destiny Waltz David Hamilton In A Gypsy Mood [Crystal CRY3023] 1972 3-10 Wurlitzer, Gaumont Cinema, Bradford, Yorkshire 18:30 Sugar Blues Al Melgard This Is Melgard [Replica 518] 1958 4-24 Wurlitzer, Replica Studio, Des Plaines, IL (William Huck) 21:40 I Feel Pretty Larry Ferrari At The Mighty Wurlitzer Pipe Organ [Sure Volume 706] 4-34 Wurlitzer, Senate Theatre, Detroit, MI 25:09 A Garden In The Rain Don Kinnier Should Auld Acquaintance Be Forgot [WGRL-OR-3] 1967 3-19 Moller, Sedgwick Theatre, Mount Airy, Philadelphia, PA; Final concert May 21, 1967 29:19 Sophia Vic Hammett At The Wurlitzer Organ [Saga Society SOC 1037] 1967 3-10 Wurlitzer, Town Hall, Buckingham; ex-Metropole, Victoria 31:45 Noche Caribe Ann Leaf Spectacular Pipe Organ [Warner Bros. WS 1609] 1965 3-27 Wurlitzer-Morton, Buddy Cole Studio. North Hollywood, CA (3-17 Wurlitzer Ex United Artists Theatre, Los Angeles & 3-9 Robert Morton from Capitol Theatre, Marshalltown, Iowa 35:46 Sweet Georgia Brown Bryan Rodwell In Modernistic Mood [Deroy ADM 38] 1955 3-8 Wurlitzer, Granada Cinema, Clapham 38:56 Sweet Someone Bill Coffman One Hour With You [LRS 2274] 1962 4-21 Wurlitzer in the Woodcutter's Studio. Originally 3-11 from the Long Beach, CA Municipal Auditorium. Now a 4-26 in the Old Time Music Hall, El Segundo, CA. 41:55 Matchstalk Men And Matchstalk Cats And Dogs Phil Kelsall Thank You For The Music [One Up OU 2211] 1978 3-14 Wurlitzer, Tower Ballroom, Blackpool; Phil's first album 44:41 Military March No. 5 from Othello Suite Frederic Bayco Music For The Theatre Organ [EMI CLP 1777] 1964 4-36 Christie, Odeon, Marble Arch, London 47:27 I Get The Blues When It Rains Buddy Cole Pipes, Pedals and Fidelity [Columbia CS 8065] 1957 3-9 Robert Morton, original Buddy Cole Studio (1947-59), Farmdale Avenue, North Hollywood, CA; ex-Capitol Theatre, Marshallstown, IA; then UA Studios; then KMTR Radio, Los Angeles. 51:02 Chu Chin Chow Charles Smitton Double Touch [LTOT/Acorn CF-210] 4-20 Wurlitzer, Paramount/Odeon Theatre, Manchester 55:56 Prisoner Of Love Leonard MacClain Plays For Theatre Organ Lovers [Ralbar SOLP 6301] 1963 4-34 Robert Morton, Lorin Whitney Studio, Glendale, CA 59:23 Those Magnificent Men In Their Flying Machines George Blackmore Magnificent Compton Music Machine [EMI Studio 2 TWO 236] 1968 Dual Console 4-50 Compton and Melotone, Guildhall, Southampton, England

This episode (no. 69) was recorded at The Guildhall in Faversham on 20th October 2024, as part of The Faversham Fringe. The panellists were Kate Smurthwaite, Jude Sach and Micky Gibbons, and the host was Richard Pulsford. We presented the following On This Day topics: - Thomas Bartholin, Danish physician, discoverer of the human lymphatic system, born 20th October 1616 - The Treaty of 1818, which settled the US-Canada border, 20th October 1818 - The Battle of Navorino (Greek War of Independence), 20th October 1827 - Oxford colleges grant women's colleges equal status, 20th October 1959 - Some thoughts from Snoop Dogg, born 20th October 1971 - Some thoughts from Liz Truss, who stepped down as UK PM, 20th October 2022 Certainly, the topic on the Treaty of 1818 suddenly seems much more relevant, as we discussed the then settling of the US-Canada border, when the US last gave up some of its territory, and when Canada last stopped being mindful of a possible US invasion.

In 1387 a book was burned outside of London's Guildhall by the fishmonger turned mayor Nicolas Exton. But the story of that book, of who made it, of why they made it, and what it contained, is a story of a hidden aspect of London's life in the 14th century. This special episode of the Story of London looks back over the Jubilee Saga to see how it has danced in and out of the endless arguments and debates that gripped London in that decade… and sets the saga up for its bloody conclusion.

Bhí slua mór i láthair sa Guildhall i nDoire aréir, nuair a thug Fondúireacht John agus Pat Hume aitheantas do Bhríd Rodgers, as Gaoth Dobhair ó dhúchas, agus í ag ceiliúradh cheithre scór go leith bliain d'aois inné.

The ongoing struggle between the two political giants of the City, Nicolas Brembre and John de Northampton, was about to reach its crescendo. Brembre was Mayor for a second time, but de Northampton had learned well what to expect from his last term in office; and so a game of cat and mouse erupted on the streets, leading to riots, snatch squads, secret arrests, attacks upon the Guildhall and sudden beheadings on Cheapside. The epic saga of The Jubilee takes a bloody and violent turn as once again, London is gripped by forces of political violence.

How do you land a job in a higher education music institution? And what do they actually look for in a singing teacher? This week, Alexa sits down with Trudy Kerr, Head of Vocals at London College of Contemporary Music (LCCM), to uncover the reality of teaching at this level. From the application process to lesson structures, student challenges, and even salary expectations, Trudy offers an insight to what it takes to make it in higher education.WHAT'S IN THIS PODCAST? 2:57 What qualifications or experiences do I need?6:42 What is the interview process like?8:27 Do I need to teach any particular methodology?9:42 What might I earn?13:45 What common vocal challenges do the singers experience?21:40 A typical scheme of work at LCCM?27:20 How can teachers fulfil both assessment and singer needs?31:59 What to consider when writing singing curriculum34:32 Private Vs institution teaching38:26 Do I have to be a proficient pianist?About the presenter click HERERELEVANT MENTIONS & LINKSArtists: Raye; Laufey; DaydreamersLinda HutchisonJeanie LoVetriDr Trineice Robinson-MartinLCCMColchester InstituteLondon Jazz FestivalLondon Contemporary VoicesLine HiltonABOUT THE GUESTAustralian-born Trudy moved to the UK in the 90s to pursue music. Her big break came when Ronnie Scott heard her and booked her for a week at his club. She has since performed at major UK venues and festivals, including Glastonbury and Buckingham Palace.With 13 albums as a leader, her latest project, Take 5 - The Music of Paul Desmond, celebrates the alto saxophonist's work. She's collaborated with world-class musicians such as Mulgrew Miller, Jan Lundgren, Georgie Fame, Bob Dorough, Jukka Perko, Michael Garrick, Acker Bilk, and Jamie Cullum.Trudy holds a PG Cert in Jazz Studies from Guildhall School of Music and Drama and recently completed an MA in Teaching Musician at Trinity Laban. A senior fellow of the Higher Education Academy, she is Head of Vocals at London College of Contemporary Music, previously teaching at Trinity Laban, Guildhall, and Chichester University.She has presented at the International Jazz Voice Conference in Finland, adjudicated the 2018 UNISA International Jazz Voice Competition in South Africa, co-hosted BBC Southern Counties' Jazz Hour, and co-owns the Jazzizit record label.E: tkerr@ lccm.org.uk.BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

This is a special discussing episode, recorded live as a zoom event last year. Travelling Players in Early Modern England: Civic Spaces and Provincial Performance was an online event on the upcoming exhibition at the Guildhall of Stratford-upon-Avon Featuring Dr William David Green and host Robert Crighton In celebration of an upcoming exhibition at the Guildhall of Stratford-upon-Avon, we discussing all things about touring theatre in early modern England (1560s through to 1622) and the use of civic buildings like guildhalls as regional theatre venues by the professional playing companies. The reasons for, and the practicalities of, taking plays on tour outside London, as well as success stories and horror stories from companies on tour. All this, and more, to whet your appetite for the exhibition, which will open at Stratford-upon-Avon's Guildhall in January 2025. Go to their website for more information - https://www.shakespearesschoolroom.org/theatre-at-the-guildhall Will Green - is a Postdoctoral Fellow at the University of Nottingham and Resident Historian at Shakespeare's Schoolroom & Guildhall. He received his PhD from the University of Birmingham's Shakespeare Institute in 2021, and his work has appeared in journals including Theatre Notebook, Critical Survey, and The Explicator. Recently, he served as the lead editor on the essay collection The Theatrical Legacy of Thomas Middleton, 1624-2024 (alongside Anna Hegland and Sam Jermy), and he is currently completing his first solo-authored book on Middleton's drama during the 1620s, which will be published by Routledge in 2025. Our patrons received this episode in December 2024 - approx. 1 month early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

In this episode, I sat down with two of members of our community to discuss their journey into the D&D hobby. We spoke about the pros and cons, the worries that they had when they began their journey, and we shared advice for new players. James and Kyle not only are members of The Guildhall, but they are moderators and community leaders within our community. If you enjoyed this episode and want to directly ask them questions or just want to surround yourself with like minded nerds, be sure to join us on Discord. If you enjoyed this episode, consider supporting the podcast here on Patreon where you will have behind-the-scenes content, digital materials for your 5e game, and more! Keep Gaming!

Owain Gwynfryn yw gwestai Beti George.Fe gafodd Owain ei fagu yng Nghaerdydd, ac yna ym Mhrestatyn.Wedi sefydlu gyrfa lwyddiannus iddo'i hun fel ceiropractydd, fe benderfynodd Owain newid cyfeiriad a mynd i astudio'r llais yng Ngholeg y Guildhall yn Llundain. Graddiodd y llynedd, ac yntau yn ddeugain oed.Mae'n parhau gyda'i yrfa fel ceiropractydd yn ei glinig yn Llundain, pan fo amser yn caniatáu, ond ei nod yw cyrraedd y brig o ran ei yrfa fel canwr - ym myd opera a thu hwnt.

As the holiday season approaches, there is an opportunity to take a moment to appreciate — and to support, financially — the many nonprofit organizations that enrich the cultural life of the South Fork, and provide a "Helping Hand" to so many families in need. This special Express Sessions event had multiple purposes: to shine a spotlight on the often underappreciated work of so many local charities and volunteers, to talk about the challenges they face in a difficult economy and a post-COVID world, and to provide an ongoing resource at 27east.com that catalogs the many organizations and shares information about how to support them financially or by volunteering, during the holiday season and all year long. The panel included: Molly Bishop, Executive Director, Heart of the Hamptons; Kasia Klimiuk, Co-Director, Our Fabulous Variety Show; Bonnie Cannon, Executive Director, Bridgehampton Child Care and Recreational Center; Dr. Georgette Grier-Key, Executive Director, Eastville Community Historical Society; Andrea Grover, Executive Director, Guild Hall; Susie Roden, President, Coalition for Women's Cancers; and Christina Strassfield, Executive Director, Southampton Arts Center.

Ep.221 Shinique Smith. Known for her monumental fabric sculptures and abstract paintings of calligraphy and collage, Smith's personal histories and belongings intertwine with thoughts of the vast nature of ‘things' that we consume, cherish, gift, and discard and how these objects resonate on intimate and social scales. Over the last twenty years, Smith has gleaned visual poetry from textiles and explored concepts of ritual using breath, bunding and mark-making as tools toward abstraction. Her layered works range from palm-sized bundled microcosms to monolithic bales to massive chaotic paintings that contain vibrant and carefully collected mementos from her life. Smith's practice operates at the convergence of consumption and spiritual sanctuary, balancing forces and revealing connections across space and time, race, gender, and place to suggest the possibility of new worlds. Born in Baltimore, MD, currently residing in Los Angeles, California, Smith has received awards and prizes from Joan Mitchell, the Tiffany Foundation, Anonymous Was a Woman and the American Academy of Arts and Letters among others. Her work has gained attention through her participation in celebrated biennials and group exhibitions including the 13th Bienal de Cuenca and 8th Busan Biennale; Frequency at the Studio Museum in Harlem, 30 Americans organized by the Rubell Family Collection, UnMonumental at the New Museum and Hauser + Wirth LA's Revolution in the Making. Smith's work has also been exhibited and collected by other prestigious institutions such as the Baltimore Museum of Art; Brooklyn Museum of Art; California African American Museum, Denver Art Museum, the Frist, Indianapolis Museum of Art at Newfields, Los Angeles County Museum of Art, Minneapolis Art Institute, MOMA PS1, Museum of Fine Arts, Boston, Musée d'art contemporain de Montréal, Nerman Museum of Contemporary Art, SCAD, the Ringling Museum of Art, the Whitney and the Guggenheim. Photo credit: Courtesy of the artist Artist https://www.shiniquesmith.com/ moniquemeloche https://www.moniquemeloche.com/artists/207-shinique-smith/biography/ https://www.moniquemeloche.com/exhibitions/218-collage-culture/press_release_text/ The Phillips Collection https://www.phillipscollection.org/event/2024-07-06-multiplicity The Ringling Museum https://www.ringling.org/event/shinique-smith-parade/ SRQ https://www.srqmagazine.com/srq-daily/2023-12-01/23073_The-Ringling-Presents-Shinique-Smith-Parade Hyperallergic https://hyperallergic.com/552240/meet-las-art-community-sharing-inspiration-with-people-of-color-has-always-been-a-priority-for-shinique-smith/ Centure for Maine Contemporary Art https://cmcanow.org/event/shinique-smith-continuous-poem/ Newfields https://discovernewfields.org/Shinique-Smith-Torque Guggenheim https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection Kemper Museum of Contemporary Art https://www.kemperart.org/program/artist-talk-shinique-smith Products | For Freedoms https://checkout.forfreedoms.com/products/by-the-light-2024 ICASF https://www.icasf.org/exhibitions/16-the-poetics-of-dimensions See Great Art https://www.seegreatart.art/shinique-smith-artworks-displayed-with-european-masterpieces-at-ringling-museum/ Visit Indy https://www.visitindy.com/event/shinique-smith-torque/158358/ Guild Hall https://www.guildhall.org/events/ring-the-alarm-a-conversation-with-shinique-smith-renee-cox/ AWARE https://awarewomenartists.com/en/artiste/shinique-smith/ Flora Animalia https://floraanimalia.com/blogs/news/shinique-smith?srsltid=AfmBOorqjJTBqroKRSW96gcOjCXK374pQUKNseNnhQ1A0rZNtRrOdoaj

Steve Bunce and Barry Jones are in Guildhall, London, for a press conference to officially launch the rematch between Oleksandr Usyk and Tyson Fury. With just over eight weeks to go until their second bout, Buncey speaks to promoter Frank Warren, British heavyweight champion Fabio Wardley, and British heavyweight contender Johnny Fisher, stirring anticipation for yet another huge night of boxing in 2024.

In October 2023 the story of the discovery of a stage floor that dated from before the Elizabethan period in St George's Guildhall in Kings Lynn hit the news. The attrition to the headline writers was the fact that that very stage had probably supported Shakespeare as he acted as part of a playing troupe on stage. Of course, that is a great hook for the story as the interest in Shakespeare goes well beyond those of us immersed in the history of theatre and the idea that we can still share a space like that across four hundred years is a beguiling one. I remember standing on the original floor of Anne Hathaway's cottage in Stratford Upon Avon and feeling a very similar thrill, but there is much more to the story of St George's Guild Hall at King's Lynn, a venue for theatre for not just four hundred years, but at least six hundred, making it the UK's oldest working theatre. So, I was very pleased when Tim Fitzhigham, Creative Director of the Guildhall Theatre agreed to come onto the podcast and talk about St George's Guildhall and that stage.Tim Fitzhigham is the Borough Council of Kings Lynn and West Norfolk Creative Director appointed to oversee the revival of St George's Guildhall. As well as leading this extensive project he is currently completing his PhD on Robert Armin, an actor in The King's Men who originated many of the clown and fool roles in all but the earliest Shakespeare plays and was a well-known playwright and author in his own right.Links to the St George's Guildhall Websitehttps://stgeorgesguildhall.comand Instagram Accounthttps://www.instagram.com/stg.guildhall/ Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

This week was all about the launch of Invest 2035. Invest what? The Guardian's City Editor Anna Isaac joins the podcast team to get behind the scenes for the big government day - complete with an exclusive Elton John concert - at the Guildhall. The glitz and the glamour was designed to provide some soothing mood music ahead of the Budget - now fast approaching. We preview the latest pitch rolling.  Plus: what are private members' bills all about? Hannah White presents. With Giles Wilkes, Tom Pope and Finn Baker. Produced by Candice McKenzie. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The story returns with a wild episode, focusing on London's vibrant life in the era; from rich orphans, to skinners-turned-burglars; from bolshy shopkeepers, to successful tent makers, this episodes looks at the little people of London in a busy decade. We see the first ever mention of gunpowder weapons (six canons hidden in Guildhall), encounter drunken outbursts at official ceremonies, the king demanding a LOT of cash from London, and ultimately, a massive street fight between some angry fishmongers and a new mayor.You can support this podcast (if you so desire) here: https://buymeacoffee.com/thefeck

In this episode, we chat with Ali Watson, a Glasgow-based bassist, who is set to release his debut album, 'Terrarium,' on November 26th. Ali shares his experiences from studying jazz at the Guildhall in London and contrasts it with Glasgow's smaller but thriving jazz scene. He reflects on his musical influences, the process of creating his album, and the unique jazz community in Scotland. We also explore his early days in music, including his classical training and transition to jazz, as well as his participation in various projects and collaborations.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

The feature-length mockumentary “The Premiere,” which was shot on the East End, will have its world premiere at Guild Hall this Thursday, October 10, as part of the Hamptons International Film Festival. Hamptons residents will see many familiar faces on screen, as this film uses true locals in its cast of characters. The premise of the film is a documentary about the debut production of "Scream: The Musical" at Bay Street Theater, but it turns into much more. Co-director and co-producer Miles Anthony joins the editors on 27Speaks to discuss the project. A second screening will be offered on Saturday, October 12, at 2:30 p.m. at Sag Harbor Cinema.

What does a black hole sound like? Neil deGrasse Tyson & Chuck Nice explore the sounds of the universe using JWST and Chandra X-Ray Observatory data with astrophysicist and data sonification expert Kimberly Arcand, Live at Guild Hall. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free.Thanks to our Patrons Deb, Linda Gibson, Dominic Hamken, JTsolept, Eric Sharakan, Rick Wallingford, Douglas Waltz, RT, Cristina, Lorraine Wright, Paul Deis, Diane Lapick, Dr. Staci Gruber, James Dorrough, Edward Bornman, GLENNA F MONTGOMERY, and David Martin for supporting us this week. Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to new episodes ad-free and a whole week early.

This episode serves as a history of the D&D campaign setting we have used for our adventures. This covers the start of the world and the Dawn War. Follow us at https://twitch.tv/guildhallpodcastWe are a Twitch Affiliate, so if you want to support the Podcast, you can subscribe on Twitch or donate bits.More episodes are available at https://the-guildhall.netJoin us on Discord to get involved or join a campaign. https://discord.gg/xsqDmc4

This week we're going to talk about gossip. Oh my god, I used to love gossip.  I used to love to talk about other people, what they were doing. Ugh, it was so amazing. Can you tell I was a teenager in the 80s?  But today I'm going to talk about why gossip is actually not that great.  And I have really been the target of gossip as well, and maybe I had to burn through some karma there.  It's really hurtful, so hurtful when you are the one being gossiped about and you find out that somebody else is saying something about you, whether it's good or bad.  If it's good, it's nice, but if it's not so nice, it's not great. And I think we probably have all been on both sides of it. If not, you're probably not human.  But I want to talk about why it's not great as an actor.  And it's something that I have really honed in on.  It's been a long time now, but yeah, it's just something that I've really tried to curb. Because it's not nice. Gossip isn't nice. And I know this is not this might be one of those podcasts where you're like, I don't want to listen to this one. Let's listen to another one.  But if you're feeling that way, make your ears grow bigger.  So here's the thing about gossip. Number one. I have five points about this. It erodes trust. Yeah. It's very hard for me to trust someone who's talking shit about somebody else.  Basically, what it does is gossip, it undermines. It undermines trust. It really undermines, and I also, there was once I had an acting teacher at Guildhall who said, if you don't want to be judged, don't judge. Because it really undermines trust, and especially if you're in a production of some sort, whether that be film, television, theater, commercial, it doesn't matter, it really erodes trust.  It also creates an environment, and you create your own environment in this industry of suspicion. And it breeds insecurity. Oh my god, let's talk about acting class.  I want my acting class where I need to be free, to be free of gossip and bad talk.  And the thing is that people then if there's an environment of that, you become wary.  You become wary of sharing personal information that really might be helpful for the work. And isn't that what we're trying to do? To become better actors. They may feel or someone may feel or I may feel that information that I shared while trying to find truth in a character might be misused or spread or might damage a relationship.  So this idea that, gossip at the moment sometimes it feels so good, and let's talk about why it feels so good. It feels so good because it gets the focus off of ourselves.  I have to tell you, I just had this feeling come over me, which was like, yuck. And that's the whole thing. Gossip is really yuck.  Because what it is doing is It brings me back to this phrase, winners focus on winning, losers focus on winners. And that's why gossip is so harmful to us, but also to others.  But I wanted to do a podcast about this because I feel this is not a subject that is brought up enough around in the acting community.  And it needs to be because we are a creative community.  The other thing is, and this is, it's very painful is that it really can damage people's reputations.  There's two sides to every story, and maybe we don't know the whole story.  And also, why is it our business? I find I, in the past, I've tried to make something that isn't my business, because I didn't want to focus on my life and take responsibility for what is going on with me. And damaging somebody else's reputation is so unfair. It's so unfair.  The thing is that when we keep the focus on our own lives and our own creativity and on our acting training and on our business and on our core work, when we do that, man, we don't have freaking time to gossip or to focus on somebody else. And also, I was teaching this in my private class and actually in the weekly class as well, this thing about assumptions. We assume things about people. Or we assume that somebody means something when they don't.  Watch assuming that somebody means the same thing that you do.  We always want to get clarity. Are you saying, just so we're clear, nobody ever is upset about getting clarification.  I once heard that assumptions are the mother fucker of all fuck ups, and that is such a great phrase.  So I don't want to assume something about somebody else, just because somebody else had said it about them. And this is a biggie. This is a biggie. You know what gossip also does? It increases stress and anxiety.  And I don't know about you guys. I don't know about you. I don't need any more stress. I don't need any more anxiety.  And this is the thing, it also can make you feel very isolated.  You think that you're connecting with somebody about how bad somebody else is or what somebody else did. But ultimately, it's going to lead to some kind of anxiety and possibly even some kind of depression, depending on which way of the spectrum you like to go. I personally like to freak the fuck out rather than get depressed. But, whatever your bag is. And it can negatively really impact your mental health when we talk about others. And look, I've done it! I have done it! I used to do it a lot! Especially as a teenager. I didn't know any better.  But these are the things we want to think about. Because again, what are we trying to do?  We're trying to do that thing that we most need to do, which is keep the focus on ourself and as actors on our acting training, becoming a better actor, moving ourselves forward in business and doing the work on ourselves. So when those opportunities come, we are ready for them and gossip has no place in any of that.  And again, going on this idea of the toxicity. of gossip, is we want to create health in our lives.  And what gossip does is it really creates like a toxic work environment.  And that work might be in our very own apartment while we're chatting on the phone, or negatively texting about somebody, or negatively emailing about something. That might get passed along. We don't need that.  We don't need that. We want to create support and love in our lives.  The last thing that I want to say about gossip is that it's time consuming.  Because let me tell you, it's going to be easy to find somebody who's going to want to jump right in there with you. Jump on the bad, the hate bag bandwagon. We don't need to do that with gossip. Other people, and we don't need to do it to ourselves.  Because that energy could be spent on productive tasks.  That energy could be spent on becoming more efficient in our acting career. Becoming more focused on our acting career. And that will stop us from being more positive.  If you find yourself doing this, and this is a big one again, it's using your mind to govern your brain, I beg of you, catch yourself, just stop. Stop.  Apologize to the other person. Say, you know what? I want to stop this because this is not making me feel good and I'm sure on some level it's not making you feel good either. Let's just stop. Let's talk about something else.  It's okay to do that. It's okay to do that, especially when you're moving yourself in a more positive direction.  Okay, one more thing. Just thought of this. It wastes energy. And we really only have a finite amount of time and a finite amount of energy. Let's make sure we're doing it that's moving us towards something good, Like a fabulous acting career. And a fabulous life. 

For the Executive Director (i.e.-CEO) of such a sophisticated institution as East Hampton's very own Guild Hall, one might not expect to start the session with talk of "salty balls" before segueing into an in depth analysis of "The Texas Chainsaw Massacre". But Guild Hall is not like other arts institutions, and Andrea Grover is not your basic nonprofit CEO. Eventually the conversation finds its way to Guild Hall and all its wonders, including the just completed $30mm renovation/restoration as well as this weekend's coming standup show featuring The Daily Show's Dulcé Sloan. Naturally, we dig into what it takes to renovate a nearly 100 year old arts building in East Hampton, how it differs from any other arts institution in the country (probably the world, but we didn't go that far), as well as its history, its future and some delicious upcoming features this fall. No further mention of "salty balls".

Economist and commentator Chris Johns talks to Eamon about the forthcoming budget, warnings from IFAC, Minister Paschal Donohoe's speech at London's Guild Hall as President of the Eurogroup, and Mario Draghi's report on EU competitiveness.Recorded on Monday 9th September 2024. Become a member at https://plus.acast.com/s/the-stand-with-eamon-dunphy. Hosted on Acast. See acast.com/privacy for more information.

Тренды 2024-2025. Что происходит на рынке труда? Где нанимают, кто релоцирует и спонсирует рабочие визы? Куда сейчас едут IT специалисты? Какие специалисты востребованы? Как изменились зарплаты? Что с джунами? Насколько хорошее время сейчас для начала карьеры в айти? Как найти работу в Германии, Франции, Великобритании, Эмиратах, Тайланде, Сингапуре, на Кипре и Ближнем Востоке? Русскоязычные продакты, проджекты, разработчики на глобальном рынке? Иван Доронин (Ivan Doronin) - Project Manager at Presight.AI (G42 Group), ex EPAM Systems Прожарщик профилей в LinkedIn https://t.me/ivandoronin1 https://www.linkedin.com/in/ivandoronin/ https://www.facebook.com/DoroninIvan1 Видео с Иваном Как прокачать LinkedIn, получить оффер и переехать в ОАЭ. Общаемся с Иваном Дорониным. https://youtu.be/jemkSTlRQKY Поиск работы в Европе, Азии и СНГ. Резюме, LinkedIn и собеседования. 2022. Иван Доронин. https://youtube.com/live/_g_paYbkgmA Материалы: Топовые рекрутинговые агентства в UAE/MENA: Robert Half - https://www.roberthalf.ae/ Michael Page - https://www.michaelpage.ae/ Hays - https://www.hays.ae/ Halian - https://www.halian.com/ Discovered MENA - https://www.discovered.ae/ Manpower Middle East - https://www.manpowergroup.ae/ Charterhouseme - https://www.charterhouseme.ae/ BAC Middle East - https://bacme.com/ Guildhall - https://guildhall.agency/ Nadia Global - https://www.nadiaglobal.com/ Scancruit - https://scancruit.ae/ Удаленная работа: Angel https://angel.co NoDesk https://nodesk.co Hired https://hired.com Talent https://lnkd.in/ew7VY3fB Dice https://www.dice.com Just remote https://justremote.co Working Nomads https://lnkd.in/efQwAr7V We work remotely https://weworkremotely.com ТГ-канал Connectable Jobs: @zarubezhom_jobs *** Записаться на карьерную консультацию (резюме, LinkedIn, карьерная стратегия, поиск работы в США) https://annanaumova.com Карьерный коучинг (эксклюзивная программа) https://fearless-barge-413.notion.site/3f6ea5ce89694c93afb1156df3c903ab Видео курс по составлению резюме для международных компаний "Идеальное американское резюме": https://go.mbastrategy.com/resumecoursemain Гайд "Идеальное американское резюме" https://go.mbastrategy.com/usresume Подписывайтесь на мой Телеграм канал: https://t.me/prodcastUSA Подписывайтесь на мой Инстаграм https://www.instagram.com/prodcast.us Гайд "Как оформить профиль в LinkedIn, чтобы рекрутеры не смогли пройти мимо" (предзаказ) https://link.coursecreator360.com/widget/form/ObfVCQ2clIWTdNcQBAkf ⏰ Timecodes ⏰ 0:00 Начало 13:59 Как сейчас обстоят дела на рынке IT? 44:52 Минусы жизни в Эмиратах и конкуренция в IT 1:06:28 Вопросы из чата 1:50:38 LinkedIn глазами рекрутера

Try out The Weekly Accountability Group Book a Free Consultation with Peter This podcast is called what's at stake. AKA the most important podcast you'll ever listen to.  There's that phrase that says that life is not a dress rehearsal.  And for those of you who are in your teens, 20s, 30s, and I'll be even honest, your 40s, I didn't get that then. I didn't.  I didn't get that life is not a dress rehearsal, but this is it. I didn't get that till 51. It was the end of COVID, and I was sitting on the balcony in our then apartment, and it was a beautiful apartment, it overlooked Marina del Rey and the water. And I realized at that moment. That I was not living up to my full potential in my life, and I had just had a year off as we all did of being isolated, and I don't know maybe that's what it took, a year of slowdown, to have it really sink in that this is it. There's not going to be another 50 again. There's not going to be another 49, there's not going to be another 48, there's not going to be another 47 and go all the way down to zero.  There isn't going to be that anymore. That this is it.  And what do I want to do with it? And while I was saying, what do I want to do with it?  What do I want to do with this gift? Because it seemed to me, at 51, I was not really showing up for what I really wanted. and what I really wanted the second act of my life to be. And it started out with, I looked I was, I remember the way I was sitting and I looked down at my waist and I went, there's a really healthy body underneath there.  And I started with that, I started with the discipline of, and I'd always exercise because I had a back injury when I was at Guildhall, and I started with that, and I started with that discipline, and I took that discipline into everything, because how we do one thing is how we do all things. And I want to read you a quote that I think also influenced my decision.  And you know where this homework assignment is going, right?  It's a Jen Sincero quote, and she writes the badass books. Now, I'm going to be honest with you, I did change one little bit out of this quote for the purposes of this podcast, but I think you'll get why I did that. “Because this is what I realized. You're gonna have to push past your fears.  Fail over and over again. And make a habit of doing things you're not so comfy doing.  You're gonna have to let go of old limiting beliefs and cling to the decision to create the acting career that you desire like your life depends on it. Because guess what? Your life does depend on it.” And that's the truth. That's the truth, and that's the realization that I got at such a deeper level three years ago.  You're going to have to push past your fears, and you're going to have to fail over and over again.  And you're going to have to make a habit of doing things you're not so comfy doing. And I talk about with my in my weekly class with actors, if you're interested in that. It is a very affordable class, and we offer a class for free.  I talk with them about how when you're exercising, when it starts to feel uncomfortable, that's when you're building strength. Not hurt. But when it starts to feel uncomfortable, that's when you're building strength.  Guess what? That's what it's like in life too.  It's doing the uncomfortable things.  So if you are ready to do some uncomfortable things, if you're willing to push past your fears and fail over and over again because the other thing I have learned is that it is in my biggest mistakes, I have my biggest lessons and I have my biggest growth. Let me repeat that. It's when I have my biggest mistakes that I have my biggest growth.  I have my biggest learning.  And you're gonna have to make a habit of doing things that aren't so comfy, if you are willing to do that. And finally, really and become. I hope you will honor me and let me honor you. That's actually where I want to go. Let me honor you with a free consultation. Let's talk this out. You're not alone in this journey. You don't have to be alone. 

In the 24th Patreon bonus podcast you join me at a magnificent building we visited back in episode 21 of the podcast, but we're doing something a little bit special. In April I found a hard drive containing audio from four investigations that I conducted in 2011 and 2012. Dozens of hours of audio that I lost around a decade ago, and I thought was lost forever. These were four absolutely incredible locations, and I have covered all four investigations - minus the audio from that night - on the podcast previously. So in the Patreon specials across June, July, August, and September I will revisit those episodes and add in the audio, which was seemingly lost forever. This time it's time to head back to York Guildhall. And the episode now includes almost 2 hours and 45 minutes of audio from that unforgettable night, so you can hear what happened, exactly as it happened. But what would happen when my team and I stepped foot inside this location on a chilly October evening in search of the spirits to be found here, including phantom monks, voices calling out in empty rooms, and a large shadowy man, who's heavy footsteps are a sure sign of his presence. Tonight, let us find out together as we ask the question, just how haunted is York Guildhall? Get access to the full episode, which is almost THREE AND A HALF HOURS long, right now at https://www.patreon.com/howhauntedpod.   Find out more about the pod at https://www.how-haunted.com and you can email Rob at Rob@how-haunted.com   Music in this episode includes: "Darren Curtis - Demented Nightmare" https://youtu.be/g_O4kS9FP3k   " HORROR PIANO MUSIC " composed and produced by "Vivek Abhishek" Music link : https://youtu.be/xbjuAGgk5lU SUBSCRIBE us on YOUTUBE: https://youtu.be/DQQmmCl8crQ Follow on Facebook: https://bit.ly/33RWRtP Follow on Instagram: https://bit.ly/2ImU2JV

Ep.206 Andrea Grover is the Executive Director of Guild Hall, the cornerstone cultural institution of East Hampton that combines a museum, theater, and education center. Guild Hall is completing a facility-wide renovation to restore the 1930s-era building and grounds to state-of-the-art performance and functionality. Grover has over 25 years of experience in curatorial and nonprofit leadership, focusing on art/science, moving image art, maritime themes, innovation, and participation. Most recently, she was the curator of the 2021 exhibition Alexis Rockman Shipwrecks, presented at Guild Hall, Peabody Essex Museum, Salem, MA, The Ackland Art Museum at UNC-Chapel Hill, NC, and Princeton University Art Museum, Princeton, NJ. Before joining Guild Hall in 2016, she was the Curator of Special Projects at the Parrish Art Museum, where she was awarded both a Tremaine Foundation and an AADA Curatorial Award for her exhibition, Radical Seafaring. At the Parrish, she established the extremely popular community-driven program PechaKucha Night Hamptons and the exhibition series Parrish Road Show and Platform. Grover founded the nonprofit film center Aurora Picture Show, Houston, Texas, at age 27. This groundbreaking entity focuses on experimental artist-made movies and installations and celebrates its 26th anniversary in 2024. With expertise in artists who work in scientific or technological spaces, she has served as a panelist or advisor for the Pew Foundation for Arts & Heritage, Pulitzer Arts Foundation, Rauschenberg Foundation, and Bogliasco Foundation. She has taught interdisciplinary courses at the University of Houston and Texas Southern University. She has been a guest speaker or juror at SXSW Interactive, Austin, Texas, and Ars Electronica, Linz, Austria, among many others. Grover has received fellowships from the Center for Curatorial Leadership, the Museum of Fine Arts, Houston, STUDIO for Creative Inquiry at Carnegie Mellon University, and the Warhol Foundation. She holds an MFA from the School of the Art Institute of Chicago and a BFA from Syracuse University. Photo credit: Lori Hawkins Andrea Grover https://www.andreagrover.com/ Guild Hall https://www.guildhall.org/people/andrea-grover/ Wikipedia https://en.wikipedia.org/wiki/Andrea_Grover Studio for Creative Inquiry https://studioforcreativeinquiry.org/people/andrea-grover IMAGO https://www.imago-images.com/st/0443350624 Hamptons https://hamptons.com/guild-hall-executive-director-andrea-grover-board-chairman-marty-cohen-on-entering-phase-2/ AAQ https://aaqeastend.com/bulletins/guild-hall-an-insiders-tour-of-guild-hall-w-executive-director-andrea-grover-annual-appeal/ Long Island https://events.longisland.com/executive-directors-choice-with-andrea-grover.html

What if strength isn't about how much we can lift, but how we manage life's struggles? What if we've been told lies our whole life about what it means to truly TAKE UP SPACE? What if failing isn't the end of a goal, but helps you set the goal itself? Today's SEASON 9 FINALE episode is with the incredible Alyssa Ages — journalist, strongman competitor, and author of SECRETS OF GIANTS: A Journey To Uncolver The True Meaning of Strength. IN THIS EPISODE WE TALK ABOUT: The importance of asking WHY, not HOW How endurance athletes frame FAILURE, and how to use this specific tactic in your own life way beyond achieving strength goals Why it's so hard for women especially to TAKE UP SPACE, the sneaky language to watch out for, and how to reframe your relationship with it The importance of using the word YET "BULK" (this is mind-blowing!) What Alyssa did when she realized the story she'd been telling herself for a DECADE was a lie Strength as we AGE and how to reverse hamful narratives even if we think "it's too late" and so much more! This is an episode you'll want to share with your friends, parents, grandparents, siblings, and more.  Thank you for making Season 9 one of the best yet. See you in September for Season 10! ~ ABOUT ALYSSA: Alyssa Ages is the author of SECRETS OF GIANTS: A Journey to Uncover the True Meaning of Strength (Avery/Penguin Random House) and a journalist whose work has appeared in ELLE, SELF, GQ, Slate, The Globe & Mail, and others. She is a mom, strongman competitor, endurance athlete (six marathons & an Ironman), rock climber, CrossFitter, and former member of the Jersey City Bridge & Pummel roller derby team. Her first book, Secrets of Giants (Avery/Penguin Random House, 9/23), is part personal narrative, part research mission, part midlife crisis odyssey into the world of strength to answer the question: What if strength isn't about how much we can lift, but how we manage life's struggles.   ~ SHOW NOTES: Buy SECRETS OF GIANTS Alyssa's website Alyssa on IG Alyssa's speaking page ~ TICKETS to WANT YOUR SELF: A Book Launch Cabaret at The Bourbon Room on 7/16 TICKETS to MODERN FRIENDSHIP at Guild Hall in conversation with Anna Goldfarb on 6/30 ~ Join THE WANT COMMUNITY!  Buy WANT YOUR SELF  Follow Katie on Instagram Leave a review of the WANTcast on iTunes (and SUBSCRIBE/FOLLOW if you haven't already!) Subscribe to WANT on Substack, and get our bimonthly email newsletter filled with tips, tools, motivation, and inspiration to shift your self-talk Email Katie at katie@womenagainstnegativetalk.com or DM her on Instagram to let her know what you want to hear about, who you want to hear from, or what you want to learn next season of the WANTcast!  

It's the mystery that eludes so many of us: How do you make friends as an adult — REAL-DEAL friends – and how do you nurture these valued connections? Today's guest has been called "The New York Times Friendship Correspondent" and is here with us to dig into the #1 asked question throughout all of WANT's 10 year history: how do I find my people? Author Anna Goldfarb's reporting has appeared in The New York Times, The Atlantic, Washington Post, Vox, Vice, and more. Her book MODERN FRIENDSHIP (out TODAY, June 4th 2024), explores the nuances of navigating adult friendships. IN THIS EPISODE WE TALK ABOUT... The HUGE yet shockingly simple factor keeping us from making and maintaining friendships, especially as we get older Why making friends is more of a challenge now than it ever was for our parents or grandparents How to categorize friends in a way that doesn't feel icky and actually HELPS you nurture friendships sans guilt or obligation Men and friendship, plus different gender expectations as we get older  Making friends as an introvert or someone who has trust issues and SO MUCH MORE!!!!!   ABOUT ANNA: Anna Goldfarb is a friendship journalist who has reported for outlets including the New York Times, the Atlantic, Time magazine, Vice, The Cut, Vox, and the Washington Post. Called “the New York Times friendship correspondent” by Tim Herrera, the editor of the New York Times Smarter Living section, she's written hundreds of articles that explore the nuances of friendships, relationships, and pop psychology. She lives in Philadelphia. Her first book, MODERN FRIENDSHIP: How to Nurture Our Most Valued Connections, is out today and available wherever books are sold. ~ SHOW NOTES: Modern Friendship Anna's website Anna on IG Anna's Substack Anna in the NYT Join us in East Hampton on June 30th at Guild Hall! ~ Join THE WANT COMMUNITY!  Buy WANT YOUR SELF  Follow Katie on Instagram Leave a review of the WANTcast on iTunes (and SUBSCRIBE/FOLLOW if you haven't already!) Subscribe to WANT on Substack, and get our bimonthly email newsletter filled with tips, tools, motivation, and inspiration to shift your self-talk Email Katie at katie@womenagainstnegativetalk.com or DM her on Instagram to let her know what you want to hear about, who you want to hear from, or what you want to learn next season of the WANTcast!  

Some of the Signature Six unwind at the Guild Hall, as T heads out on a solo mission to gather information at the Speakeasy. Buck, Faraday, and the MacKenzie kids head out to search for clues about Laotse's recent heists. If you're new to the channel please consider subscribing! You can see the Riftkin journey from the start by clicking this link: https://www.youtube.com/playlist?list=PLPQD49CzEveaTiu3RagW1o0_As-GVE4cx Boarding Party Links: https://www.patreon.com/boardingparty https://www.instagram.com/boardingpartyofficial/ --- Support this podcast: https://podcasters.spotify.com/pod/show/boarding-party/support

In 2008, Larry Rivers 16 foot tall "Legs" was installed outside a private residence in Sag Harbor. The usual questions abounded; was it art, was it a structure, did it have a place as a public art display. An East End version of a centuries old battle over what can be deemed art, what can't, and who can judge the difference? In fact, in 1989 East Hampton Village banned outside displays of art within its historic district where Guild Hall, an arts center and museum, sits on Main Street within the district. Esperanza and Irwin engage in a free wheeling discussion of all of the above, with an impromptu musical interlude to boot.

This is episode 170 and the sound you're hearing is the cheering and the flaming hot emotion because Sir Harry Smith is back in town! The town is Cape Town — Sir Harry won't hang around there for too long, he as you know from the previous episode, has returned to South Africa to take up his new position as Governor of the Cape. Sir Harry was the former civil commissioner of the de-annexed Province of Queen Adelaide in the Eastern Cape and in June 1840 he'd left Cape Town to take up a post as Adjutant-General in India. There is this incredibly long history of connection between India and South Africa, and people like Smith were part of that history. Others of course are people like Gandhi, but that's a story for further down the road. Smith was courageous, whatever other faults he may have had, and was involved in a sensational victory at the Battle of Aliwal in India on 28 January 1846 during the first Anglo-Sikh War. That victory led to a promotion to Major General, and he was offered an accepted a baronetcy. The British parliament formally thanked Smith, and then returned to England where the extremely bloated ego he'd developed over the past few decades was further fluffed up. While in England he'd spent a lot of time with the Duke of Wellington who'd defeated Napoleon, and with the Duke's support, he convinced the British government that the festering sore of the Eastern Cape of South Africa could be healed. This expensive disaster after disaster he said could be resolved quickly, and even more importantly, cheaply. When he returned to England in 1847, Harry Smith was treated like royalty, greeted at Southampton by artillery salutes, church bells rang, thousands of people cheered him, a special train was laid on to take him to London, where he received the freedom of the Guildhall. He dined with Queen Victoria, and was pretty much the first authentic military hero of the Victorian era. Waterloo was 30 years earlier, a long way off, and there'd been very little military glory since. Thus, Wellington whispered in the ears of the powerful, and that is how Harry Smith was appointed the new Governor of the Cape, strategically important but infuriatingly complex. All settlers agreed, the Queen had made a perfect appointment. As we're going to hear, this was going to be possibly her worst appointment anywhere up to then. All the hero worship was going straight to this little man's head. He was short, so by little I mean horizontally challenged. Doing the hard work of making sense of negotiations were the translators. These were men, black and white, who had a vast influence on our history. Smith said to Sandile that he should leave Grahamstown and go to his people, whereupon the translators claim Sandile said “No — I will stay today near you, my former and best friend…” Historians believe these exchanges were embroidered, altered, and added to the misunderstandings. Many of the translators were sons of missionaries, or settlers who'd grown up speaking amaXhosa fluently. But they fed Smith what he wanted to hear. The very same translators had been at work when Sandile was taken into Grahamstown to be placed under house arrest so you can see that their editorialising was having an effect on history.

This is episode 170 and the sound you're hearing is the cheering and the flaming hot emotion because Sir Harry Smith is back in town! The town is Cape Town — Sir Harry won't hang around there for too long, he as you know from the previous episode, has returned to South Africa to take up his new position as Governor of the Cape. Sir Harry was the former civil commissioner of the de-annexed Province of Queen Adelaide in the Eastern Cape and in June 1840 he'd left Cape Town to take up a post as Adjutant-General in India. There is this incredibly long history of connection between India and South Africa, and people like Smith were part of that history. Others of course are people like Gandhi, but that's a story for further down the road. Smith was courageous, whatever other faults he may have had, and was involved in a sensational victory at the Battle of Aliwal in India on 28 January 1846 during the first Anglo-Sikh War. That victory led to a promotion to Major General, and he was offered an accepted a baronetcy. The British parliament formally thanked Smith, and then returned to England where the extremely bloated ego he'd developed over the past few decades was further fluffed up. While in England he'd spent a lot of time with the Duke of Wellington who'd defeated Napoleon, and with the Duke's support, he convinced the British government that the festering sore of the Eastern Cape of South Africa could be healed. This expensive disaster after disaster he said could be resolved quickly, and even more importantly, cheaply. When he returned to England in 1847, Harry Smith was treated like royalty, greeted at Southampton by artillery salutes, church bells rang, thousands of people cheered him, a special train was laid on to take him to London, where he received the freedom of the Guildhall. He dined with Queen Victoria, and was pretty much the first authentic military hero of the Victorian era. Waterloo was 30 years earlier, a long way off, and there'd been very little military glory since. Thus, Wellington whispered in the ears of the powerful, and that is how Harry Smith was appointed the new Governor of the Cape, strategically important but infuriatingly complex. All settlers agreed, the Queen had made a perfect appointment. As we're going to hear, this was going to be possibly her worst appointment anywhere up to then. All the hero worship was going straight to this little man's head. He was short, so by little I mean horizontally challenged. Doing the hard work of making sense of negotiations were the translators. These were men, black and white, who had a vast influence on our history. Smith said to Sandile that he should leave Grahamstown and go to his people, whereupon the translators claim Sandile said “No — I will stay today near you, my former and best friend…” Historians believe these exchanges were embroidered, altered, and added to the misunderstandings. Many of the translators were sons of missionaries, or settlers who'd grown up speaking amaXhosa fluently. But they fed Smith what he wanted to hear. The very same translators had been at work when Sandile was taken into Grahamstown to be placed under house arrest so you can see that their editorialising was having an effect on history.

Prince Charles and Camilla Parker Bowles broke royal norms by having a modest civil ceremony at Windsor's Guildhall on 9th April, 2005. Against a turbulent backdrop of past scandals and public opinion, the couple's union marked a delicate dance toward Britain's eventual acceptance of them as King and Queen. Queen Elizabeth did not attend the ceremony, for fear of compromising her position as head of the Church of England, but did turn up with Rowan Atkinson and Phil Collins to the after-party, where she made a notoriously cheeky speech, as guests munched on egg-and-cress sandwiches. In this episode, Arion, Rebecca and Olly explain why the couple married in the Guildhall, rather than Windsor Castle; consider how ‘the Firm' iterated Camilla's public image in the decades following Princess Diana's untimely death; and trace the couple's romance back to their first meeting in the Summer of 1970… Further Reading: • ‘Charles and Camilla wed' (The Guardian, 2005): https://www.theguardian.com/uk/2005/apr/09/monarchy.markoliver • ‘Inside King Charles and Camilla Parker Bowles' Wedding' (Harpers Bazaar Australia, 2005): https://harpersbazaar.com.au/charles-camilla-wedding/ • ‘The Royal Wedding of Prince Charles and Camilla Parker-Bowles' (ITN, 2005): https://www.youtube.com/watch?v=CgeXK5cKatA Love the show? Join

Enjoy our second best of complete session! Once again, we're back in season 2. After the Team left the Guild Hall (via a rather unconventional route) and traveled up the Winters Song River (perhaps a future best of...?), a fateful trip to a Ravenscrest tavern split the party. Fletch, Zabbas, and Flak wound up in Kestrel Manor, and uncovered some... goopy... secrets. Get DnDnD Merch at TeePublic! Beth has a show called Your Art Friends! Check it out here on spotify and everywhere now! We've got a Patreon! Support the show and get rewards like exclusive recipe cards, merch, and t-shirts! www.patreon.com/dndndpod Beth's Rad Shop is BethBeRad.shop Twitter: @DnDnDPod Instagram: @DnDnDPod Email: DnDnDPod@gmail.com Our Team: James Graessle, James A. Janisse, Chelsea Rebecca, Beth Radloff, Mike Cygan, & Joel Arnold Subreddit: r/DnDnDPod Original Music by Jeremy Nasato

Broadcast on Serenade Radio on 14th March, 2024 Name Artist Album Year Comments Swanee Lyn Larsen San Sylmar - The Music Tour [Musical Contrasts CD] 1996 4-73 Wurlitzer, Nethercutt Collection, Sylmar, CA Somebody Loves Me William Davies Music From The Movies [MSS reissue download] 1986 3-7 Compton, Regal Cinema, Henley-on-Thames (1971 to 1986); ex-Ritz, Tunbridge Wells Maybe Everett Nourse Memories Of The Fabulous Fox [Doric DO 1404] 4-36 Wurlitzer, Fox Theatre, San Francisco, CA; album released 1973 Clap Yo' Hands Donna Parker Then And Now [E-1523CD] 1987 4-42 Wurlitzer, Paramount Music Palace, Indianapolis; originally 4-22 Crawford Special, Paramount Oakland I Got Rhythm George Blackmore I've Got Music [Columbia SCX 6212] 1968 4-50 Compton+Melotone, Guildhall, Southampton But Not For Me David Reese Demo: Bella Roma Pizza, Martinez, CA 1973-10-07 1973 3-18 Wurlitzer Hybrid, Bella Roma Pizza, Martinez, CA; recorded by Tim Kirkpatrick It Ain't Necessarily So Lyn Larsen Concert: Pasadena City College 1992-05-16 1992 3-23 Wurlitzer, Sexton Auditorium, City College, Pasadena, CA Promenade (Walking The Dog) David Peckham For The Fun Of It: San Diego's Spreckels Outdoor Pipe Organ [SOS 7 CD] 2001 4-63 Skinner, Spreckels Organ Pavillion, Balboa Park, San Diego, CA (I've Got) Beginner's Luck Jelani Eddington Aan Het Theaterorgel In Voorburg [NOF CD35] 2005 3-11 Standaart, Centraal Bureau voor de Statistiek, Voorburg; former VARA studio A Foggy Day (In London Town) Ashley Miller The Famous Radio City Music Hall Organ [Sony Special Products A23627] 1960 4-58 Wurlitzer, Radio City Music Hall, NYC, NY Fascinating Rhythm Rex Koury Yours Sincerely [NCR 12-994] 1971 4-22 Wurlitzer, Old Town Music Hall, El Segundo, CA Liza Jim Roseveare Tribute [Cambria CD-1040] 1971 4-37 Kimball, Wiltern Theatre, Los Angeles ; Largest made; rec live October 1971

Convention Season is upon us, so while Beth is up in Seattle for Emerald City Comic Con, I defrosted the archives and stitched together the whole Guild Hall Arc from beginning to end - that's two complete sessions with a lot of great moments for our first Best Of re-release. Garebert Mertbert, the Shadow Hands, The F-Boys, Hercule, The Guest List... This arc has everything. Hope you enjoy! We'll be back next wednesday with Leaktown Casino pt 2!

“You have permission to try. You have permission to succeed. Give yourself permission” on the Daily Grind ☕️, your weekly goal-driven podcast. This episode features Kelly Johnson @kellyfastruns and special guest Victoria Kennedy @thevictoriakennedy! Victoria Kennedy, the CEO of Victorious PR, TEDx speaker and a distinguished Wall Street Journal best-selling author. Victoria's background in classical music opened her path in branding and public relations, and in 2020 she scaled her company from 0 to $1 million in the first year. Three years later, she's been covering crypto and branding events all over the world and she has spoken at events for ambassadors, lords, and dignitaries in such prestigious locations as the House of Commons and Guildhall in London and the Vatican. S5 Episode 41: 2/6/2024 Featuring Kelly Johnson with Special Guest Victoria Kennedy Audio Credit Intro: Draw The Line Mastered by Connor Christian Follow Our Podcast: Instagram: @dailygrindpod https://www.instagram.com/dailygrindpod/  Twitter: @dailygrindpod https://www.twitter.com/dailygrindpod  Podcast Website: https://direct.me/dailygrindpod  Follow Our Special Guest: Website: https://victoriouspr.com/  Instagram: @thevictoriakennedy https://www.instagram.com/thevictoriakennedy/?hl=en  Twitter: @victorious_pr https://twitter.com/victorious_pr Facebook: https://www.facebook.com/thevictoriouspr --- Support this podcast: https://podcasters.spotify.com/pod/show/dailygrindpod/support

Hear about travel to Long Island, New York as the Amateur Traveler talks to Vanessa Gordon from EastEndTasteMagazine.com about her home. https://amateurtraveler.com/travel-to-long-island-new-york/ Why should someone go to Long Island? Vanessa says, "Long Island, there truly is so to discover, even from living out here for many years, whether part-time or full-time there's truly so much to do, whether you're in Nassau or Suffolk County, the two counties that make up Long Island. I've lived here in the Hamptons, been here for over 30 years and this New York region never ceases to amaze me. There are ocean beaches. We have Bay beaches. We have beautiful nature preserves, bountiful farmers markets, and endless amounts of summer events." Vanessa suggests visiting Long Island in September or October, mentioning the abundance of events, family activities, and cultural events during these months. She shares her favorite spots in Montauk, including the Montauk Point Lighthouse and the opportunity for seal watching and whale sightings. Moving to Shelter Island, Vanessa recommends taking the ferry and exploring the island's unique attractions, such as Rams Head Inn and Mashomack Preserve. She also suggests Sunset Beach as a hotspot for live music and sunsets. Vanessa then talks about Sag Harbor, her favorite village, and its family-friendly beaches. She highlights The Beacon restaurant and Barron's Cove Hotel for breathtaking sunset views. The discussion extends to wineries on the North Fork, with recommendations like Wolfer Estate and Channing Daughters. She covers various family-friendly activities, including museums like the Parrish Art Museum and Guildhall and theaters such as Bay Street Theater. Vanessa mentions the presence of celebrities in the fall. The itinerary continues with a move to Riverhead, described as the gateway to the North Fork and South Fork. Vanessa appreciates the town's historic charm, new businesses, and attractions like the Long Island Aquarium. She highlights the East End food market as a one-stop shop for local food purveyors. Vanessa suggests considering staying in Brookhaven instead of the Hamptons to save on your travel budget. She highlights Patchogue on the Great South Bay as a vibrant spot, particularly for nightlife, and recommends Fire Island for its popularity among the LGBTQ+ community. She emphasizes historical sites like Fire Island Lighthouse and Bellport, suggesting the Bellport Inn as a cozy stay. Moving to the "Gold Coast" on the north shore, Vanessa mentions historic mansions like Teddy Roosevelt's Sagamore Hill, the Old Westbury Gardens, and Oheka Castle, the latter featured in a Taylor Swift music video. She advises dividing mansion visits over two days. Whether you are visiting Long Island on your yacht or by train, whether you are visiting mansions or living in one, this area near New York City offers a very different world to the city with its beaches, farms, and vineyards.