Podcasts about Motown

How did “Lust for Life” become Iggy Pop's ultimate reinvention? Diallo and LUXXURY dive into his Berlin partnership with David Bowie, unpack the unstoppable Motown-inspired drumbeat, and reveal the meaning behind one of Iggy's most provocative lines. One Song Spotify Playlist Songs discussed: “Lust for Life” - Iggy Pop “Search and Destroy” - The Stooges “Stay” - David Bowie “Nightclubbing” - Iggy Pop “Rock and Roll (Pt. 2)” - Gary Glitter “Closer” - Nine Inch Nails “What In The World” - David Bowie “Sound and Vision” - David Bowie “The Passenger” - Iggy Pop “Heroes” - David Bowie “You Can't Hurry Love” - The Supremes “Barbara Ann” - The Beach Boys “Rock Around the Clock” - Bill Haley and His Comets “Touch Me” - The Doors “C'mon Marianne” - Frankie Valli & the Four Seasons “Maneater” - Daryl Hall & John Oates “Town Called Malice” - The Jam “Are You Gonna Be My Girl?” - Jet “Fun House” - The Stooges “Down On The Street” - The Stooges Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike Mulligan and David Haugh opened their show by breaking down the Bulls' 124-113 loss to the Pistons on Wednesday in Detroit and by discussing the Blackhawks' loss to the Devils. Later, they conducted the Pick 6 segment, where they debated the top sports stories of the day.

Don and Dude continue their celebration of Casey Kasem and the enduring legacy of American Top 40. For this installment of Classic Casey Countdowns, the guys turn the dial back to the week of November 10, 1984,  a neon-saturated era when pop, soul, and MTV all collided. Two albums from that chart dominate the discussion, both tied to unforgettable Top 10 singles that defined mid‑Eighty's radio magic.Billy Ocean – Suddenly (1984) The Trinidad‑born singer's breakthrough LP fused R&B, post‑disco, and pop into a sleek, heartfelt package. Produced by Keith Diamond, the record launched Ocean into global stardom with “Caribbean Queen (No More Love on the Run)”—the #1 hit that ruled both the Hot 100 and soul charts. Ocean's smooth tenor, vibrant sax hooks, and narrative flair set the tone for an album balancing dance‑floor confidence (“Loverboy”) and tenderness (“Suddenly”). Musical craftsmanship, rich production, and emotional sincerity make this a quintessential 1984 crossover.Wham! – Make It Big (1984) Recorded mainly in France and crafted by George Michael, this pop‑soul phenomenon redefined chart‑topping polish. “Wake Me Up Before You Go‑Go” kicked off Wham!'s four‑for‑four streak of U.S. #1 singles, pairing Motown bounce with pure 80s exuberance. Deeper cuts like “Everything She Wants” and “Careless Whisper” showcase lyrical weight beneath the brightness—proof of Michael's emerging genius as writer, producer, and arranger. It's colorful, confident, and irresistibly hook‑laden pop that still resonates decades later.Dude is Diggin":Whiskey Myers – Whomp Whack Thunder (2025)Pearl Jam – Vs. (1993) (vinyl)Don is Diggin' :Heaven 17 – new album, 2026 (feat. “There's Something About You”)The New Wave Music Podcast Episode 121 (featuring Don as guest reviewer)Follow us on Instagram, Facebook, Threads, and Bluesky @albumnerds. Support the show by subscribing, rating, reviewing, and sharing."Keep your feet on the ground and keep reaching for the stars." – Casey Kasem

Welcome to Tembo Sounds – The Culture! Tonight, we turn back the clock and move the body—grooving from the soulful sounds of Stevie Wonder and Aretha Franklin, to the funk of Kool & The Gang, and the house heat of Daft Punk and CeCe Peniston. Whether it's Motown magic or dancefloor energy, every beat celebrates timeless rhythm and soul. This is Tembo Sounds – The Culture, where good music never fades—it evolves!

The Supremes were an American girl group formed in Detroit, Michigan in 1959 and were the most commercially successful of the Motown groups.

60 minutes of Club Classics from the 60's. Classics from Atlantic, Stax, Tamla Motown and other labels

Morgan James started her career as a Juilliard trained operatic singer. She performed on Broadway multiple times in shows like the Addams Family and Motown the Musical. She ultimately decided to go into music fulltime and since her debut album Hunter hasn't looked back. Earlier this year she released her album Soul Remains the Same. Before she came to Florida for several shows she was nice enough to stop by the show! Morgan and Doc talk about her first concert (Crosby, Stills, Nash and Young), going to Juilliard, performing on Broadway, working with a major record label, being independent, recording rock songs, and much much more. Meanwhile on the rest of the show Doc has determined that retirees can focus on moving to West Virginia. Make sure to listen! Introduction: 0:00:23 Birthday Suit 1: 12:31 Ripped from the Headlines: 17:30 Shoutouts: 31:17 Morgan James Interview: 37:00 Mike C Top 3: 1:18:33 Birthday Suit 2: 1:33:54 Birthday Suit 3: 1:36:51

Send us a textWindham & Steve weigh the moments that launched rock into the mainstream, from Elvis and the Beatles on TV to Woodstock, Michael Jackson's moonwalk, and the rise of digital streaming. Then we stress-test rock mythology with the “couch test,” deciding which bands would make good house guests.• Elvis and the Beatles making TV a rock megaphone• Woodstock as the festival blueprint and its lasting imprint• MJ's Motown 25 moonwalk and live spectacle escalation• Digital music's access vs ritual tradeoffs• Bad Company tribute highlights and cover craft• New supergroup buzz featuring Rucker, Mills, and more• The couch test for bands: chaos vs courtesy• From Motley Crue to Hootie: who gets a yes• KISS side-roads, nostalgia, and pinball lore• Tease: building the perfect album side of 2011One idea. Six songs. Infinite possibilities...

"At least three record companies have extended million dollar contracts to people who create AI music. The US Copyright office has said it will begin extending protection those who use AI as a tool. The PROs will extend licensing. We will tell you what is going on."

Send us a textJames and Jack speak with legendary rock guitarist, Paul Warren, whose storied career takes him from Motown to working with a string of bands,  and touring the world with some of the biggest names in rock. Tina Turner, Joe Cocker, Richard Marx, and Rod Stewart are just a small sample of the people Paul has had the pleasure to work with over the years. First hand stories of life on the road - and in the studio. 

In the latest episode of This Could Be a Podcast, Nathan and Bobby discuss Festival Etiquette, Happy Days and Chain Restaurants.  

Hear PA's postgame drive-bys, Vikes Bites and takes off yesterday's improbably victory in Detroit!

Hear PA's postgame drive-bys, Vikes Bites and takes off yesterday's improbably victory in Detroit!See omnystudio.com/listener for privacy information.

Here is this weeks Show from Keep The Faith Internet Radio(03-11-2025)All Your Fave Northern Soul, Motown and all the usual requests and shout outs. Last Hour features some tracks played at the 7th Anniversary of Wigan Casino !Hope you enjoy and please feel free to share !#NorthernSoul #SoulForTheWeekend #WiganCasino #Motown #AllNighter #VinylMix #KeepTheFaith

Phil troll Motown Hour

Hear PA's postgame drive-bys, Vikes Bites and takes off yesterday's improbably victory in Detroit!

The close harmony sounds of music groups have embraced Broadway and been presented there, too: Jersey Boys, Motown the Musical, Beatlemania, plus the dulcet tones of the Pied Pipers, the Boswell Sisters, the Hi-Lo's and many more.

Morrissey and Marr both wrote memoirs but Mike Joyce hasn't read either, preferring to publish ‘The Drums', his version of one of the great success stories of the ‘80s, a book about “the beauty we'd given to people – and to ourselves”. At one point he and Andy Rourke shout, ‘Where did it all go right?”. He looks back here at … … the fateful meeting in Geales fish bar when Johnny told them he was leaving – “none of us, not even Morrissey, saw it coming” … the first Smiths rehearsal and impressions of “Steve” the singer … how the songs were written - “we never asked what they meant” … and how they were arranged: “I locked with Johnny like Charlie with Keith, and Andy played a bass song over the top” ... memories of Johnny at X Clothes in Manchester and Morrissey in ‘82 - “funny, dark, so Manc” … the “almost anti-punk” appeal of the Buzzcocks and the urge for a John Maher red Premier drumkit … “Morrissey's articulacy was both his strength and his Achilles heel” … echoes of Motown and James Honeyman-Scott in Marr's guitar … “Singers need to feel they're the most important person in the room” … on-stage gladioli versus “the austerity of the Hacienda” … and Morrissey today - “very angry” - and the legacy of the Smiths. Order copies of ‘The Drums here: https://www.resident-music.com/product/joyce-mike-the-drumsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Morrissey and Marr both wrote memoirs but Mike Joyce hasn't read either, preferring to publish ‘The Drums', his version of one of the great success stories of the ‘80s, a book about “the beauty we'd given to people – and to ourselves”. At one point he and Andy Rourke shout, ‘Where did it all go right?”. He looks back here at … … the fateful meeting in Geales fish bar when Johnny told them he was leaving – “none of us, not even Morrissey, saw it coming” … the first Smiths rehearsal and impressions of “Steve” the singer … how the songs were written - “we never asked what they meant” … and how they were arranged: “I locked with Johnny like Charlie with Keith, and Andy played a bass song over the top” ... memories of Johnny at X Clothes in Manchester and Morrissey in ‘82 - “funny, dark, so Manc” … the “almost anti-punk” appeal of the Buzzcocks and the urge for a John Maher red Premier drumkit … “Morrissey's articulacy was both his strength and his Achilles heel” … echoes of Motown and James Honeyman-Scott in Marr's guitar … “Singers need to feel they're the most important person in the room” … on-stage gladioli versus “the austerity of the Hacienda” … and Morrissey today - “very angry” - and the legacy of the Smiths. Order copies of ‘The Drums here: https://www.resident-music.com/product/joyce-mike-the-drumsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Morrissey and Marr both wrote memoirs but Mike Joyce hasn't read either, preferring to publish ‘The Drums', his version of one of the great success stories of the ‘80s, a book about “the beauty we'd given to people – and to ourselves”. At one point he and Andy Rourke shout, ‘Where did it all go right?”. He looks back here at … … the fateful meeting in Geales fish bar when Johnny told them he was leaving – “none of us, not even Morrissey, saw it coming” … the first Smiths rehearsal and impressions of “Steve” the singer … how the songs were written - “we never asked what they meant” … and how they were arranged: “I locked with Johnny like Charlie with Keith, and Andy played a bass song over the top” ... memories of Johnny at X Clothes in Manchester and Morrissey in ‘82 - “funny, dark, so Manc” … the “almost anti-punk” appeal of the Buzzcocks and the urge for a John Maher red Premier drumkit … “Morrissey's articulacy was both his strength and his Achilles heel” … echoes of Motown and James Honeyman-Scott in Marr's guitar … “Singers need to feel they're the most important person in the room” … on-stage gladioli versus “the austerity of the Hacienda” … and Morrissey today - “very angry” - and the legacy of the Smiths. Order copies of ‘The Drums here: https://www.resident-music.com/product/joyce-mike-the-drumsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The month of November is here!!!! Wow!! On A Bowl of Soul, we are celebrating the Blues, R&B, Hip Hop and African music. Going to Ghana, West Africa was an enlightening, spiritual and great learning experience. I was surrounded by history and I am very proud of my people and what we have contributed to the world. On this broadcast, you will hear Boogie Woogie R&B, Mississippi and Memphis, Tennessee Blues, Hip Hop Break Beat music from Miami, Florida, Rap from Queens and the Bronx, Classic R&B from the legendary singer and songwriter from Motown, Lamont Dozier, Reggae and African Soul and Afro Beat music. Crank up your car stereos, mp3 players for this soulful mix. I hope you enjoy this broadcast, because I sure did. Thank you for showing love to A Bowl of Soul A Mixed Stew of Soul Music. #amosmilburn #jimmyreed #albertking #hermankelly #niceandsmooth #saltandpepa #lamontdozier #miriammakeba #bobmarley #angeliquekidjo #fallyipupa #thecaveman #sheilamauricegrey #stonebwoy #tems #wizkid Get up to 2 months free podcasting service with our Libsyn code=ABOS. Sign up & bring your  podcast to life! Get on Apple & Spotify, get critical stats & all the support you need to sound your best and grow your show!! Sign up here: https://signup.libsyn.com/?promo_code=ABOS You can listen to the A Bowl of Soul Radio Network on Live365.com giving you 24/7/365 days of Soul Music. Stop on by and listen:  A Bowl of Soul Radio Network on Live365 You can support A Bowl of Soul and Buy Me A Coffee. Just click: Buy A Bowl of Soul A Cup of Coffee Purchase your A Bowl of Soul T-Shirt and other merchandise. Just click: Get Your A Bowl of Soul Merch Follow me: @proftlove on Threads                   @proftlove on Instagram                   @abowlofsoul.bsky.social - Bluesky                                  @A Bowl of Soul A Mixed Stew of Soul Music on Facebook Promote your product or service on the podcast and the radio network. You can sponsor A Bowl of Soul by getting your product or service in front of listeners. Email us at: abowlofsoul@gmail.com  Thank you for your Support!!!

"The number changes, but as of the writing of this description, only 1883 songs have topped the Billboard Hot 100 chart including all its earlier versions. This week back in 1990, the first rap song topped the chart. That got me wondering how many other firsts and other interesting facts surround the top spot. Here is a list."

Chris and Amy talk to a funeral director; Matt Pauley about the World Series; a doctor who treats phobias; and a local Motown singer. Plus tune in for comments on the St Louis Sheriff; the Louvre heist; tariffs, nuclear tests & the East Wing; sex offender rules; and over paid football coaches.

Chris and Amy discuss phobias with a mental health counselor; a state governor is upset with the pay of the football coach in the state; Singer Brian Owens previews a concert this weekend; Chris and Amy aren't sure who was repeating themself.

In 1981, Michael Jackson and Quincy Jones set out on one of the most ambitious projects in pop music history: an album where every song was a hit. The result was Thriller. The record-breaking, chart-topping masterpiece produced six top-ten hits, became the best-selling album of all time, and propelled Black American music into global pop dominance.Watch as jazz musicians Peter Martin and Adam Maness react to this iconic '80s pop album. They break it down track-by-track: MJ's timeless ad-libbed melodies, Ndugu Chancler's drum intros (the greatest in pop history?!), Greg Phillinganes's synths, and Rod Temperton's songwriting.Thriller is so much more than "Thriller". Listen with us, and you'll never hear this record the same way again.Michael Jackson unveils the moonwalk at NBC's Motown 25 special: https://www.youtube.com/watch?v=dB7TqzPVt_M&t=538sGreg Phillinganes breaks down the bass line on "Thriller": https://www.youtube.com/watch?v=4UqxOg3M-OM Adam and Peter analyze Off the Wall: https://youtu.be/jR9zxGueeq4 Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi  

In this episode, I sit down with drummer Tom Jorgensen. He's been playing drums on the Beetlejuice national tour for the last three years. Tom talks about what makes the Beetlejuice drum book one of the most physically demanding on the road and how Shannon Ford's original approach set the tone for everything that followed.We dig into:* The sheer physical challenge of playing Beetlejuice eight times a week and how Tom reworked his setup and grip to survive it.* The philosophy he learned from jazz legend Michael Carvin — “It's not about what you're playing, it's about what you're doing” — and how that mindset keeps every performance fresh.* His time touring with Postmodern Jukebox, cutting his teeth on cruise ships, and what those experiences taught him about endurance, posture, and musical adaptability.* Lessons from working with Rich Mercurio and Nadia DiGiallonardo on Waitress, and the moment that turned a sub gig into his first big break.* The balance between consistency and creativity on tour — how to avoid burnout, stay healthy, and keep the show locked in night after night.* Why gratitude and discipline are non-negotiable for musicians who want longevity on the road.Tom's story is a reminder that Broadway drumming isn't just about chops — it's about mindset, focus, and knowing how to serve the show every night.For more: https://www.tomjorgensensound.comListen now wherever you get your podcasts.Subscribe at BroadwayDrumming101.com and pre-order my new book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Mentioned in this episode:* Beetlejuice National Tour* Shannon Ford* Michael Carvin* Rich Mercurio* Nadia DiGiallonardo* Postmodern Jukebox* Waitress First National TourClayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

"The NOW CDs, as they are often called, started in the UK in 1998 with Richard Branson. They were a hit out of the gate, each crafted to a specific formula. They are a professionally made mix tape. We have the full history and a good bit of trivia about the series."

Jeff and Scott talk out the Monday night game in Detroit and the latest on the injury front, plus hit on such topics as Hall of Fame voting, impossible field goals and football viewing on a plane.See omnystudio.com/listener for privacy information.

Send us a textHere in Episode 244 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to ask Joy what CDs she would take with her is she was stranded on an Island in the sea.Joy's picks include Shania Twain, Spice Girls and Jimmy Buffett.We also talk about Storm Doors, Threads, Motown and Rough Justice!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Coming Soon: The Tom Jorgensen Broadway Drumming 101 Podcast EpisodeThere's a line that's stuck with Tom Jorgensen ever since he first heard it from jazz legend Michael Carvin:“It's not about what you're playing — it's about what you're doing.”It sounds simple. But as Tom explains in the upcoming episode of the Broadway Drumming 101 Podcast, that one sentence completely changed how he approaches music, performance, and storytelling on stage.For those who don't know Tom: he's the drummer on the North American tour of Beetlejuice The Musical, which returned to Broadway in a limited 13-week engagement at the Palace Theatre beginning October 8, 2025 and running through January 3, 2026. In this episode, Tom opens up about how Carvin's philosophy guided him through every stage of his career. From late nights on cruise ships to the bright lights of Broadway. He shares how mentors like Rich Mercurio and Nadia DiGiallonardo helped him realize that playing music isn't just about perfect notes or flawless grooves, it's about listening, intention, and being part of the story.This episode goes beyond chops and technique. It's about presence, purpose, and what it truly means to serve the music.If you've ever found yourself going through the motions—counting bars, chasing perfection, or just trying to “get through” a gig—this conversation will hit home. It's a reminder that every note, no matter how small, can help tell the story.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Podcast: Backstage Bay AreaHost: Steve RobyGuests: Nicolas Bearde (vocals) with special guest Tammy L. Hall (piano)Bay Area vocalist Nicolas Bearde joins Backstage Bay Area to talk about his Al Jarreau celebration at the Joe Henderson Lab. We trace his path from early R&B roots and Motown radio to a mature jazz voice shaped onstage with Bobby McFerrin—and how that journey informs a show that treats Jarreau's music as a living language. Nicolas shares insights on two signature tracks from his catalog, the art of collaboration, and what listeners can expect from this intimate, groove-forward tribute.·      Finding the seam between soul storytelling and jazz improvisation·      Lessons from performing with Bobby McFerrin and Voicestra·      The singers who shaped Nicolas's sound (Lou Rawls, Sarah Vaughan, Ella, Johnny Mathis—and, of course, Al Jarreau)·      Song spotlight #1: “Can We Pretend” (*Crossing the Line*)—why it remains a fan favorite worldwide·      Song spotlight #2: “Falling in Love Again” (*Visions*)—seven years in the making and finished with producer Larry Batiste·      Building the Jarreau set with Tammy L. Hall and band (Kevin Goldberg, Deszon Claiborne, Charles McNeal, Roberta Laurel)·      The emotional core of the show: “Not Like This” into “More Love,” plus the ongoing challenge and joy of “Spain”·      What's next: a new studio album in progress for early 2026 (working title: SEVYNI)·      Nicolas Bearde — vocals·      Tammy L. Hall — piano (music director)·      Kevin Goldberg — bass·      Deszon Claiborne — drums·      Charles McNeal — saxophone·      Roberta Laurel — vocals (harmonies/duets)Venue: Joe Henderson Lab at the SFJAZZ CenterDates & Times:·      Sat, Nov 8, 2025 — 7:00 PM & 8:30 PM·      Sun, Nov 9, 2025 — 6:00 PM & 7:30 PMTickets: https://www.sfjazz.orgArtist Website: https://www.nicolasbearde.comBackstage Bay Area: https://www.backstagebayarea.comSubscribe and rate the podcast wherever you listen.Share this episode with a friend who loves Al Jarreau's music.Produced and edited by Steve Roby for Backstage Bay Area.Music excerpts used with respect for the artists and venues featured.

A country dance demonstration to start off your week followed by four days worth of Hometown Halloween and lots of resident lifestyle art and craft shows and sales, too. We also add in a variety of musical entertainment options featuring the sounds of Motown to Led Zeppelin and much more. 

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Benny Pough. Shares his journey from a music executive to entrepreneur and author, emphasizing resilience, faith, mentorship, and personal branding.

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Benny Pough. Shares his journey from a music executive to entrepreneur and author, emphasizing resilience, faith, mentorship, and personal branding.

Qool DJ Marv Live at Soho House Brunch - October 18 2025 - Tribute   ——   https://sohohouseny.com/  ——      +    Artwork: Motown Museum's    https://www.motownmuseum.org/about/   Soho House wanted Motown and Soul classic today and I understood the assignment.  Listen for D'angelo in the flow and     please enjoy this medley of music meant to be a tribute to artistic intelligence and cultural evolution and elevation by           way of songwriting, arranging and composition.   ---      https://www.youtube.com/channel/UC5gQLsodBsCys1_3Zbm83vg     https://podcasts.apple.com/gb/podcast/qool-dj-marv-aural-memoirs-and-buttamilk-archives/id269880758     https://music.apple.com/us/artist/qool-dj-marv/1558418894    https://bsky.app/profile/qooldjmarv.bsky.social     https://www.instagram.com/qooldjmarv/    https://qooldjmarv.bandcamp.com/album/sound-paths-v-1    https://tidal.com/browse/artist/23883666    https://www.mixcloud.com/qooldjmarv/    https://open.spotify.com/artist/48vhJ2d1hVaFHf6gqXeTm0?si=fWO0N456QeWRMWLUtqe4Yg    https://soundcloud.com/qooldjmarv    https://www.twitch.tv/qooldjmarv    https://www.paypal.com/paypalme/QoolDJMarvMusic 

This week on RITY, the Featured Five Theme is A Rock And A Hard Place: The Between Theme... Plus, the song D'yer Mak'er: it's meaning and how it's pronounced?... The tragic story of how a fallen Vietnam soldier inspired a big Motown hit... Burton Cummings and the origin of the Guess Who song, American Woman... A song by The Beatles that was inspired by hippies and Brian Epstein's wealth... Speaking of The Beatles, an American who was described as the "one-man Beatles"... Gil Scott-Heron will answer the question - Will the revolution be televised?... Deep cuts from The Hold Steady, Todd Rundgren, Tommy Castro & The Painkillers, Shuggie Otis, Albert King, Allen Toussaint, and much more! For more information on the show, visit reelinwithryan.com

"Cryptozoology is the study of a creature that probably doesn ot exist. Think Bigfoot. What is great about it is that every state seems to have its own monster. Maybe people really do think it exists or maybe it was invented to scare children at Halloween. We built up a list along with songs about candy. It is Halloween 2025."

This is a preview of a premium Design Better episode. Visit our Substack to hear the whole interview, for bonus content, and more: ⁠https://designbetterpodcast.com/p/fitz-and-the-tantrums With the 150th official episode of Design Better, we've got something special for you. For many of us, if we haven't had creative success by our 40's, we feel like we may have missed the boat. But Michael “Fitz” Fitzpatrick of Fitz and the Tantrums didn't achieve pop star status until he was well into his 40's, and now that he's in his 50's he feels like he's just getting started. Haven't heard of Fitz and the Tantrums? Yes you have...their hit single "HandClap" has rocked stadiums at sporting events around the world. In our conversation, Fitz reveals how the band prototypes their live performances and why constraint has been essential to their creative evolution. He talks to us about the parallels of songwriting and product design, the importance of reading the room—whether it's 50 or 50,000 people—and why the best performances, like the best designs, create space for the audience to become co-creators. Fitz also opens up about how even after achieving his creative dreams, there was an emptiness that he struggled with, and where he found true happiness. Bio Michael “Fitz” Fitzpatrick (born Michael Sean Fitzpatrick on July 21, 1970) is a French-American musician, singer, and songwriter best known as the frontman and creative force behind the indie pop and neo-soul band Fitz and the Tantrums. Born in Montluçon, France and raised in Los Angeles, Fitzpatrick studied vocal music in high school and later attended the California Institute of the Arts, where he explored experimental film. Before forming his own band, he worked behind the scenes as a sound engineer, collaborating with producer Mickey Petralia. In 2008, Fitzpatrick bought a used church organ for fifty dollars and wrote “Breakin' the Chains of Love” that same night — the song that would inspire the creation of Fitz and the Tantrums. As lead vocalist and keyboardist, he helped the group rise quickly with their debut album Pickin' Up the Pieces (2010), which drew praise for its blend of Motown soul, indie pop, and modern energy. Subsequent albums such as More Than Just a Dream and their self-titled 2016 release, featuring the breakout hit “HandClap,” cemented the band's place in the modern pop landscape.

This week on The Music in Me, I keep the soulful vibes going with a storytelling journey through the world of male R&B groups! Following last week's celebration of girl groups, this episode shines the spotlight on the smooth harmonies, heartfelt lyrics, and unforgettable style of the men who helped shape R&B history. From the timeless classics of The Temptations and The Four Tops to the 90s powerhouses like Boyz II Men and Jodeci, I dive into how these groups changed the sound of music forever — and how their influence still lives on in artists today. Plus, don't miss a fun and entertaining Fun Fact Segment packed with stories and surprises about your favorite R&B legends! MALE R&B GROUP AND SONGS MENTIONED...The Drifters - "Under the Boardwalk" and "Save the Last Dance for Me"The Platters - "Only You" and "The Great Pretender"The CoastersThe Four Tops - "Reach Out I'll Be There"Smokey Robinson and The Miracles The Temptations - "My Girl"New Edition - "Candy Girl", "Cool It Now", and "Can You Stand the Rain"Guy TroopTony! Toni! Tone!Boyz II Men - "End of the Road" and "I'll Make Love to You"Jodeci - "Forever My Lady" and "Come and Talk to Me"Blackstreet - "No Diggity"Dru Hill - "In My Bed" and "How Deep is Your Love"112 - "Peaches and Cream" and "Cupid"Jagged Edge - "Let's Get Married" and "Where the Party At"Next - "Too Close" B2K - "Bump, Bump, Bump"Pretty Ricky - "Grind With Me" and "Your Body"Day26 - "Since You've Been Gone"R&B Girl Groups – Queens of Harmony and Soul Ep. 90What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

In this episode, Mark Millar is joined by Miles Kane to discuss his new album Sunlight in the Shadows — a swaggering, soulful record made with Dan Auerbach of The Black Keys. Recorded live in Nashville over three days, the album blends British beat energy, Motown soul, and Miles' unmistakable tremolo swagger. He opens up about the instant chemistry with Auerbach, finding calm and spirituality in his music, and why this feels like the defining moment of his career. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 Podcast — Episode: Larry LelliLarry Lelli has done just about everything a Broadway drummer can do. From marching snare in Wisconsin to playing The Producers on Broadway, his story is about hard work, timing, and versatility. In this conversation, Larry talks about his early days growing up in the Midwest, his years in drum corps, the Nashville country scene, and how he built a lasting career in New York City's theater world.Larry's been behind the drum kit for shows like The Producers, Jekyll and Hyde, Les Misérables, Wicked, and The Full Monty. He's also a respected educator and clinician whose experience bridges jazz, pop, and orchestral playing.This episode breaks down how he made the jump from the road to Broadway, what it takes to earn a chair, and why learning from others is one of the smartest moves a drummer can make.Key Moments and Topics Covered00:03 – Early Years in the MidwestLarry talks about growing up in Chicago, Wisconsin, and Minnesota. He shares how he started on trombone before switching to drums and getting his first kit — a red Slingerland jazz set from the 1960s.00:05 – Marching Band and Drum CorpsHe describes how marching band led him to drum corps, playing snare with the Blue Stars. Those years shaped his reading, discipline, and love of ensemble playing.00:09 – The High School Metal BandLarry formed a heavy-metal band called Fallen Angel, later Perfect Stranger, influenced by Motley Crüe, Poison, and Ozzy Osbourne. That mix of rock energy and groove became part of his foundation.00:10 – Discovering Studio LegendsHe recalls studying the session greats — Steve Gadd, Jeff Porcaro, Hal Blaine, and JR Robinson — and how copying their records taught him to listen, absorb, and reproduce other players' feel. That skill later helped him sub successfully on Broadway.00:13 – Choosing Music Over a “Backup Plan”Despite warnings from family about the risks of a music career, Larry stayed focused. A mentor told him, “If it's the thing you must do, then you have to do it.” That advice stuck.00:16 – University of Wisconsin–Eau ClaireHe studied jazz performance, percussion, and conducting, earning a Bachelor of Music degree. He credits conductor Robert Baca and professor Ron Keiser for turning Eau Claire into a respected jazz program.00:19 – Nashville YearsLarry moved to Nashville in the early 90s and toured with the country-comedy duo Pinkerton Bowden and later with country balladeer Doug Stone. He shares what life on the road was really like and why he eventually grew tired of touring.00:24 – The Call of New YorkAfter meeting jazz players on a cruise, he decided to explore Broadway. They told him his versatility would fit New York's theater scene. His first exposure to a pit was watching Ray Marchica play Damn Yankees — a life-changing moment.00:28 – Starting Over in NYCHe saved $10,000, moved to the city, and started sitting in on shows. Early on, he learned that “no one cares what you've done anywhere else — they only care what you've done in New York.” That lesson shaped how he built credibility.00:33 – Miss Saigon: The BreakthroughMichael Hinton gave Larry a shot at subbing the massive percussion book for Miss Saigon. The score had originally been written for three percussionists. Larry practiced daily for a month and nailed his first show — instantly building a reputation as someone who could handle the hardest gig in town.00:37 – From Subbing to a ChairLarry began subbing at Beauty and the Beast, Les Misérables, and other productions, eventually holding nine different sub books at once. His first full Broadway chair came with Jekyll and Hyde.00:42 – Landing The ProducersWhen Jekyll and Hyde closed, a referral led to an audition with legendary conductor Paul Gemignani for a new show. Although that production closed quickly, the connection opened doors. A few years later, Larry joined The Producers, which became a long-running hit.00:46 – Lessons on LongevityLarry emphasizes professionalism: showing up prepared, treating every sub date like an audition, and understanding that reliability and attitude matter as much as chops. Every gig, even the short-lived ones, builds your reputation.00:48 – Teaching and Passing It OnHe now teaches drummers how to approach theater work with discipline and respect for the craft — reading, listening, blending, and adapting.Key Takeaways* Learning by listening prepares you for the realities of Broadway.* Every show, even a short run, can lead to future work.* Versatility is a drummer's greatest asset — orchestral, rock, jazz, and pop all show up in modern theater books.* Reputation is everything. People hire musicians who make their lives easier.* Keep the joy. The best drummers never lose that excitement they had as kids hitting their first kit.Connect with Larry LelliWebsite: larrylelli.comInstagram: @larrylelliAbout Broadway Drumming 101Broadway Drumming 101 is the leading platform for drummers and musicians working in theater. Subscribe to our YouTube channel for full interviews and clips, or join the membership at BroadwayDrumming101.com for behind-the-scenes videos, real-world training, and exclusive articles.Learn more about our upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe