Record label originally from Detroit, Michigan
POPULARITY
Categories
Chris and Amy discuss phobias with a mental health counselor; a state governor is upset with the pay of the football coach in the state; Singer Brian Owens previews a concert this weekend; Chris and Amy aren't sure who was repeating themself.
Chris and Amy talk to a funeral director; Matt Pauley about the World Series; a doctor who treats phobias; and a local Motown singer. Plus tune in for comments on the St Louis Sheriff; the Louvre heist; tariffs, nuclear tests & the East Wing; sex offender rules; and over paid football coaches.
Canada's legendary hip hop star Shad joins us for the second time to discuss his new record "Start Anew" and the influence of English singer-songwriter Cleo Sol. A mixture of Neo-soul, R&B, with strong influences from jazz, reggae, and Motown, her second full-length studio album "Mother", explores themes of motherhood, gratitude, and complicated family dynamics.
In 1981, Michael Jackson and Quincy Jones set out on one of the most ambitious projects in pop music history: an album where every song was a hit. The result was Thriller. The record-breaking, chart-topping masterpiece produced six top-ten hits, became the best-selling album of all time, and propelled Black American music into global pop dominance.Watch as jazz musicians Peter Martin and Adam Maness react to this iconic '80s pop album. They break it down track-by-track: MJ's timeless ad-libbed melodies, Ndugu Chancler's drum intros (the greatest in pop history?!), Greg Phillinganes's synths, and Rod Temperton's songwriting.Thriller is so much more than "Thriller". Listen with us, and you'll never hear this record the same way again.Michael Jackson unveils the moonwalk at NBC's Motown 25 special: https://www.youtube.com/watch?v=dB7TqzPVt_M&t=538sGreg Phillinganes breaks down the bass line on "Thriller": https://www.youtube.com/watch?v=4UqxOg3M-OM Adam and Peter analyze Off the Wall: https://youtu.be/jR9zxGueeq4 Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi
Phil Troll Motown Hour
Joe Camilleri discusses the profound musical and historical significance of the Motown era, which inspired The Black Sorrows' multi-platinum Reach Out album 20 years ago.See omnystudio.com/listener for privacy information.
In this episode, I sit down with drummer Tom Jorgensen. He's been playing drums on the Beetlejuice national tour for the last three years. Tom talks about what makes the Beetlejuice drum book one of the most physically demanding on the road and how Shannon Ford's original approach set the tone for everything that followed.We dig into:* The sheer physical challenge of playing Beetlejuice eight times a week and how Tom reworked his setup and grip to survive it.* The philosophy he learned from jazz legend Michael Carvin — “It's not about what you're playing, it's about what you're doing” — and how that mindset keeps every performance fresh.* His time touring with Postmodern Jukebox, cutting his teeth on cruise ships, and what those experiences taught him about endurance, posture, and musical adaptability.* Lessons from working with Rich Mercurio and Nadia DiGiallonardo on Waitress, and the moment that turned a sub gig into his first big break.* The balance between consistency and creativity on tour — how to avoid burnout, stay healthy, and keep the show locked in night after night.* Why gratitude and discipline are non-negotiable for musicians who want longevity on the road.Tom's story is a reminder that Broadway drumming isn't just about chops — it's about mindset, focus, and knowing how to serve the show every night.For more: https://www.tomjorgensensound.comListen now wherever you get your podcasts.Subscribe at BroadwayDrumming101.com and pre-order my new book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Mentioned in this episode:* Beetlejuice National Tour* Shannon Ford* Michael Carvin* Rich Mercurio* Nadia DiGiallonardo* Postmodern Jukebox* Waitress First National TourClayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
"The NOW CDs, as they are often called, started in the UK in 1998 with Richard Branson. They were a hit out of the gate, each crafted to a specific formula. They are a professionally made mix tape. We have the full history and a good bit of trivia about the series."
Another 60 minutes of vintage Northern Soul, Ska, Rocksteady & Reggae
Jeff and Scott talk out the Monday night game in Detroit and the latest on the injury front, plus hit on such topics as Hall of Fame voting, impossible field goals and football viewing on a plane.See omnystudio.com/listener for privacy information.
Send us a textHere in Episode 244 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to ask Joy what CDs she would take with her is she was stranded on an Island in the sea.Joy's picks include Shania Twain, Spice Girls and Jimmy Buffett.We also talk about Storm Doors, Threads, Motown and Rough Justice!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/
Coming Soon: The Tom Jorgensen Broadway Drumming 101 Podcast EpisodeThere's a line that's stuck with Tom Jorgensen ever since he first heard it from jazz legend Michael Carvin:“It's not about what you're playing — it's about what you're doing.”It sounds simple. But as Tom explains in the upcoming episode of the Broadway Drumming 101 Podcast, that one sentence completely changed how he approaches music, performance, and storytelling on stage.For those who don't know Tom: he's the drummer on the North American tour of Beetlejuice The Musical, which returned to Broadway in a limited 13-week engagement at the Palace Theatre beginning October 8, 2025 and running through January 3, 2026. In this episode, Tom opens up about how Carvin's philosophy guided him through every stage of his career. From late nights on cruise ships to the bright lights of Broadway. He shares how mentors like Rich Mercurio and Nadia DiGiallonardo helped him realize that playing music isn't just about perfect notes or flawless grooves, it's about listening, intention, and being part of the story.This episode goes beyond chops and technique. It's about presence, purpose, and what it truly means to serve the music.If you've ever found yourself going through the motions—counting bars, chasing perfection, or just trying to “get through” a gig—this conversation will hit home. It's a reminder that every note, no matter how small, can help tell the story.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
Podcast: Backstage Bay AreaHost: Steve RobyGuests: Nicolas Bearde (vocals) with special guest Tammy L. Hall (piano)Bay Area vocalist Nicolas Bearde joins Backstage Bay Area to talk about his Al Jarreau celebration at the Joe Henderson Lab. We trace his path from early R&B roots and Motown radio to a mature jazz voice shaped onstage with Bobby McFerrin—and how that journey informs a show that treats Jarreau's music as a living language. Nicolas shares insights on two signature tracks from his catalog, the art of collaboration, and what listeners can expect from this intimate, groove-forward tribute.· Finding the seam between soul storytelling and jazz improvisation· Lessons from performing with Bobby McFerrin and Voicestra· The singers who shaped Nicolas's sound (Lou Rawls, Sarah Vaughan, Ella, Johnny Mathis—and, of course, Al Jarreau)· Song spotlight #1: “Can We Pretend” (*Crossing the Line*)—why it remains a fan favorite worldwide· Song spotlight #2: “Falling in Love Again” (*Visions*)—seven years in the making and finished with producer Larry Batiste· Building the Jarreau set with Tammy L. Hall and band (Kevin Goldberg, Deszon Claiborne, Charles McNeal, Roberta Laurel)· The emotional core of the show: “Not Like This” into “More Love,” plus the ongoing challenge and joy of “Spain”· What's next: a new studio album in progress for early 2026 (working title: SEVYNI)· Nicolas Bearde — vocals· Tammy L. Hall — piano (music director)· Kevin Goldberg — bass· Deszon Claiborne — drums· Charles McNeal — saxophone· Roberta Laurel — vocals (harmonies/duets)Venue: Joe Henderson Lab at the SFJAZZ CenterDates & Times:· Sat, Nov 8, 2025 — 7:00 PM & 8:30 PM· Sun, Nov 9, 2025 — 6:00 PM & 7:30 PMTickets: https://www.sfjazz.orgArtist Website: https://www.nicolasbearde.comBackstage Bay Area: https://www.backstagebayarea.comSubscribe and rate the podcast wherever you listen.Share this episode with a friend who loves Al Jarreau's music.Produced and edited by Steve Roby for Backstage Bay Area.Music excerpts used with respect for the artists and venues featured.
Ashleigh Watson - an Australian upcoming independent retro soul singer and songwriter - joins us on this episode of Celeb Savant. We hear how Ashleigh joined the Motown soul band Sweethearts at the age of 14 until 22, where she was a mentor in the band, how studying jazz after school laid the foundation for the next phase of her career, and more about collaborating with Michael Cristiano for her latest project. Website - www.ashleighwatsonmusic.com Instagram - @ashleighwatsonmusic Facebook - @ashleighwatsonmusic YouTube - @AshleighWatsonMusic
A country dance demonstration to start off your week followed by four days worth of Hometown Halloween and lots of resident lifestyle art and craft shows and sales, too. We also add in a variety of musical entertainment options featuring the sounds of Motown to Led Zeppelin and much more.
Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Benny Pough. Shares his journey from a music executive to entrepreneur and author, emphasizing resilience, faith, mentorship, and personal branding.
Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Benny Pough. Shares his journey from a music executive to entrepreneur and author, emphasizing resilience, faith, mentorship, and personal branding.
Qool DJ Marv Live at Soho House Brunch - October 18 2025 - Tribute —— https://sohohouseny.com/ —— + Artwork: Motown Museum's https://www.motownmuseum.org/about/ Soho House wanted Motown and Soul classic today and I understood the assignment. Listen for D'angelo in the flow and please enjoy this medley of music meant to be a tribute to artistic intelligence and cultural evolution and elevation by way of songwriting, arranging and composition. --- https://www.youtube.com/channel/UC5gQLsodBsCys1_3Zbm83vg https://podcasts.apple.com/gb/podcast/qool-dj-marv-aural-memoirs-and-buttamilk-archives/id269880758 https://music.apple.com/us/artist/qool-dj-marv/1558418894 https://bsky.app/profile/qooldjmarv.bsky.social https://www.instagram.com/qooldjmarv/ https://qooldjmarv.bandcamp.com/album/sound-paths-v-1 https://tidal.com/browse/artist/23883666 https://www.mixcloud.com/qooldjmarv/ https://open.spotify.com/artist/48vhJ2d1hVaFHf6gqXeTm0?si=fWO0N456QeWRMWLUtqe4Yg https://soundcloud.com/qooldjmarv https://www.twitch.tv/qooldjmarv https://www.paypal.com/paypalme/QoolDJMarvMusic
This week on RITY, the Featured Five Theme is A Rock And A Hard Place: The Between Theme... Plus, the song D'yer Mak'er: it's meaning and how it's pronounced?... The tragic story of how a fallen Vietnam soldier inspired a big Motown hit... Burton Cummings and the origin of the Guess Who song, American Woman... A song by The Beatles that was inspired by hippies and Brian Epstein's wealth... Speaking of The Beatles, an American who was described as the "one-man Beatles"... Gil Scott-Heron will answer the question - Will the revolution be televised?... Deep cuts from The Hold Steady, Todd Rundgren, Tommy Castro & The Painkillers, Shuggie Otis, Albert King, Allen Toussaint, and much more! For more information on the show, visit reelinwithryan.com
"Cryptozoology is the study of a creature that probably doesn ot exist. Think Bigfoot. What is great about it is that every state seems to have its own monster. Maybe people really do think it exists or maybe it was invented to scare children at Halloween. We built up a list along with songs about candy. It is Halloween 2025."
This is a preview of a premium Design Better episode. Visit our Substack to hear the whole interview, for bonus content, and more: https://designbetterpodcast.com/p/fitz-and-the-tantrums With the 150th official episode of Design Better, we've got something special for you. For many of us, if we haven't had creative success by our 40's, we feel like we may have missed the boat. But Michael “Fitz” Fitzpatrick of Fitz and the Tantrums didn't achieve pop star status until he was well into his 40's, and now that he's in his 50's he feels like he's just getting started. Haven't heard of Fitz and the Tantrums? Yes you have...their hit single "HandClap" has rocked stadiums at sporting events around the world. In our conversation, Fitz reveals how the band prototypes their live performances and why constraint has been essential to their creative evolution. He talks to us about the parallels of songwriting and product design, the importance of reading the room—whether it's 50 or 50,000 people—and why the best performances, like the best designs, create space for the audience to become co-creators. Fitz also opens up about how even after achieving his creative dreams, there was an emptiness that he struggled with, and where he found true happiness. Bio Michael “Fitz” Fitzpatrick (born Michael Sean Fitzpatrick on July 21, 1970) is a French-American musician, singer, and songwriter best known as the frontman and creative force behind the indie pop and neo-soul band Fitz and the Tantrums. Born in Montluçon, France and raised in Los Angeles, Fitzpatrick studied vocal music in high school and later attended the California Institute of the Arts, where he explored experimental film. Before forming his own band, he worked behind the scenes as a sound engineer, collaborating with producer Mickey Petralia. In 2008, Fitzpatrick bought a used church organ for fifty dollars and wrote “Breakin' the Chains of Love” that same night — the song that would inspire the creation of Fitz and the Tantrums. As lead vocalist and keyboardist, he helped the group rise quickly with their debut album Pickin' Up the Pieces (2010), which drew praise for its blend of Motown soul, indie pop, and modern energy. Subsequent albums such as More Than Just a Dream and their self-titled 2016 release, featuring the breakout hit “HandClap,” cemented the band's place in the modern pop landscape.
This week on The Music in Me, I keep the soulful vibes going with a storytelling journey through the world of male R&B groups! Following last week's celebration of girl groups, this episode shines the spotlight on the smooth harmonies, heartfelt lyrics, and unforgettable style of the men who helped shape R&B history. From the timeless classics of The Temptations and The Four Tops to the 90s powerhouses like Boyz II Men and Jodeci, I dive into how these groups changed the sound of music forever — and how their influence still lives on in artists today. Plus, don't miss a fun and entertaining Fun Fact Segment packed with stories and surprises about your favorite R&B legends! MALE R&B GROUP AND SONGS MENTIONED...The Drifters - "Under the Boardwalk" and "Save the Last Dance for Me"The Platters - "Only You" and "The Great Pretender"The CoastersThe Four Tops - "Reach Out I'll Be There"Smokey Robinson and The Miracles The Temptations - "My Girl"New Edition - "Candy Girl", "Cool It Now", and "Can You Stand the Rain"Guy TroopTony! Toni! Tone!Boyz II Men - "End of the Road" and "I'll Make Love to You"Jodeci - "Forever My Lady" and "Come and Talk to Me"Blackstreet - "No Diggity"Dru Hill - "In My Bed" and "How Deep is Your Love"112 - "Peaches and Cream" and "Cupid"Jagged Edge - "Let's Get Married" and "Where the Party At"Next - "Too Close" B2K - "Bump, Bump, Bump"Pretty Ricky - "Grind With Me" and "Your Body"Day26 - "Since You've Been Gone"R&B Girl Groups – Queens of Harmony and Soul Ep. 90What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno
In this episode, Mark Millar is joined by Miles Kane to discuss his new album Sunlight in the Shadows — a swaggering, soulful record made with Dan Auerbach of The Black Keys. Recorded live in Nashville over three days, the album blends British beat energy, Motown soul, and Miles' unmistakable tremolo swagger. He opens up about the instant chemistry with Auerbach, finding calm and spirituality in his music, and why this feels like the defining moment of his career. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more.
TKras kicked off the show with his take on the Bucs and Lions in Detroit on MNF!
This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 Podcast — Episode: Larry LelliLarry Lelli has done just about everything a Broadway drummer can do. From marching snare in Wisconsin to playing The Producers on Broadway, his story is about hard work, timing, and versatility. In this conversation, Larry talks about his early days growing up in the Midwest, his years in drum corps, the Nashville country scene, and how he built a lasting career in New York City's theater world.Larry's been behind the drum kit for shows like The Producers, Jekyll and Hyde, Les Misérables, Wicked, and The Full Monty. He's also a respected educator and clinician whose experience bridges jazz, pop, and orchestral playing.This episode breaks down how he made the jump from the road to Broadway, what it takes to earn a chair, and why learning from others is one of the smartest moves a drummer can make.Key Moments and Topics Covered00:03 – Early Years in the MidwestLarry talks about growing up in Chicago, Wisconsin, and Minnesota. He shares how he started on trombone before switching to drums and getting his first kit — a red Slingerland jazz set from the 1960s.00:05 – Marching Band and Drum CorpsHe describes how marching band led him to drum corps, playing snare with the Blue Stars. Those years shaped his reading, discipline, and love of ensemble playing.00:09 – The High School Metal BandLarry formed a heavy-metal band called Fallen Angel, later Perfect Stranger, influenced by Motley Crüe, Poison, and Ozzy Osbourne. That mix of rock energy and groove became part of his foundation.00:10 – Discovering Studio LegendsHe recalls studying the session greats — Steve Gadd, Jeff Porcaro, Hal Blaine, and JR Robinson — and how copying their records taught him to listen, absorb, and reproduce other players' feel. That skill later helped him sub successfully on Broadway.00:13 – Choosing Music Over a “Backup Plan”Despite warnings from family about the risks of a music career, Larry stayed focused. A mentor told him, “If it's the thing you must do, then you have to do it.” That advice stuck.00:16 – University of Wisconsin–Eau ClaireHe studied jazz performance, percussion, and conducting, earning a Bachelor of Music degree. He credits conductor Robert Baca and professor Ron Keiser for turning Eau Claire into a respected jazz program.00:19 – Nashville YearsLarry moved to Nashville in the early 90s and toured with the country-comedy duo Pinkerton Bowden and later with country balladeer Doug Stone. He shares what life on the road was really like and why he eventually grew tired of touring.00:24 – The Call of New YorkAfter meeting jazz players on a cruise, he decided to explore Broadway. They told him his versatility would fit New York's theater scene. His first exposure to a pit was watching Ray Marchica play Damn Yankees — a life-changing moment.00:28 – Starting Over in NYCHe saved $10,000, moved to the city, and started sitting in on shows. Early on, he learned that “no one cares what you've done anywhere else — they only care what you've done in New York.” That lesson shaped how he built credibility.00:33 – Miss Saigon: The BreakthroughMichael Hinton gave Larry a shot at subbing the massive percussion book for Miss Saigon. The score had originally been written for three percussionists. Larry practiced daily for a month and nailed his first show — instantly building a reputation as someone who could handle the hardest gig in town.00:37 – From Subbing to a ChairLarry began subbing at Beauty and the Beast, Les Misérables, and other productions, eventually holding nine different sub books at once. His first full Broadway chair came with Jekyll and Hyde.00:42 – Landing The ProducersWhen Jekyll and Hyde closed, a referral led to an audition with legendary conductor Paul Gemignani for a new show. Although that production closed quickly, the connection opened doors. A few years later, Larry joined The Producers, which became a long-running hit.00:46 – Lessons on LongevityLarry emphasizes professionalism: showing up prepared, treating every sub date like an audition, and understanding that reliability and attitude matter as much as chops. Every gig, even the short-lived ones, builds your reputation.00:48 – Teaching and Passing It OnHe now teaches drummers how to approach theater work with discipline and respect for the craft — reading, listening, blending, and adapting.Key Takeaways* Learning by listening prepares you for the realities of Broadway.* Every show, even a short run, can lead to future work.* Versatility is a drummer's greatest asset — orchestral, rock, jazz, and pop all show up in modern theater books.* Reputation is everything. People hire musicians who make their lives easier.* Keep the joy. The best drummers never lose that excitement they had as kids hitting their first kit.Connect with Larry LelliWebsite: larrylelli.comInstagram: @larrylelliAbout Broadway Drumming 101Broadway Drumming 101 is the leading platform for drummers and musicians working in theater. Subscribe to our YouTube channel for full interviews and clips, or join the membership at BroadwayDrumming101.com for behind-the-scenes videos, real-world training, and exclusive articles.Learn more about our upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
October 10, 2025 - Angela Foulke joined Byers & Co to talk about Illini sports fandom, Motown, encyclopedias, and entertainment. Listen to the podcast now!See omnystudio.com/listener for privacy information.
"Many music outlets noticed there was no traditional Summer Song this year. No poppy dance tune that rose to the top of the charts. The Billboard Summer Song chart claimed a number one but it was a down tempo ballad. We will explore what happened and why."
Dario Boatner is a dancing force to be reckoned with — starting at just six years old in Detroit and going from the 313 to the Rhythm Nation. In this 1-on-1 with Jay Towers, Dario opens up about his journey from Motown roots to performing alongside Janet Jackson in her Las Vegas residency. He talks about the pressure of living up to a pop legend's legacy, the passion that drives him on stage, his growing fashion brand, and what's next as he steps into choreography and creative direction.A conversation about hard work, humility, and the kind of Detroit drive that never stops moving.
In this episode of The Music in Me, I'm diving into the unforgettable world of R&B girl groups, the queens of harmony, style, and attitude. From the groundbreaking elegance of The Supremes to the fierce anthems of Destiny's Child, the edgy swagger of TLC, and the fresh vibes of Chloe x Halle, we're celebrating the voices that defined eras, broke records, and gave us songs we still can't stop singing. I'll share the history, the fashion, the cultural impact, and some fun, little-known facts that might surprise even the biggest fans. Whether you grew up dancing in your bedroom to 90s hits or are discovering these legendary groups for the first time, this episode is all about sisterhood, empowerment, and music that sticks with you for a lifetime.GROUPS AND SONGS MENTIONED...The Shirelles"Will You Still Love Me Tomorrow"The Ronettes"Be My Baby"Martha and the Vandellas"Dancing in the Street"The Supremes"Stop! In the Name of Love""You Can't Hurry Love"En Vogue"Free Your Mind""Don't Let Go (Love)"SVW - Sisters With Voices"Weak"TLC"Waterfalls""No Scrubs"Xscape"Just Kickin' It""Who Can I Run To"Destiny's Child"Say My Name""Survivor""Bootylicious"3LW"Playas Gon' Play""No More (Baby I'ma Do Right"Danity Kane"Show Stopper"Chloe x Halle"Do It"From Lullabies to Giggles: Songs for Little Ears Episode 86What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno
The guys are live from Detroit and while they're having a blast and making friends, it is all business for the Mariners who took game 3 in Motown and a 2-1 lead over the Tigers. With Game 4 this afternoon, and a chance to close out the ALDS, we look at the makeup of this team and how the win came together. :30- Mariners Morning After The Mariners hitters were busy and the team was cruising to an 8-1 victory before a little snafu in the 9th, but Munoz came in to close it out and put the Mariners up 2-1 in the series. Can they close it out today? :45- Is Dumper guy the biggest Cal fan ever? See omnystudio.com/listener for privacy information.
The guys are live from Detroit and while they're having a blast and making friends, it is all business for the Mariners who took game 3 in Motown and a 2-1 lead over the Tigers. With Game 4 this afternoon, and a chance to close out the ALDS, we look at the makeup of this team and how the win came together. :30- Mariners Morning After The Mariners hitters were busy and the team was cruising to an 8-1 victory before a little snafu in the 9th, but Munoz came in to close it out and put the Mariners up 2-1 in the series. Can they close it out today? :45- Is Dumper guy the biggest Cal fan ever?
We would LOVE to hear what you think. Please drop a line.Join hosts Infinite and Brick for a powerhouse conversation with Reggie Braxton, as he steps into the spotlight to play new tones into our hearts. Hailing from Detroit—the original Motown sound hub—Reggie brings a lineage of rhythm and soul that runs through his blood, from a family deeply rooted in music to a production pedigree that reads like a who's-who of the industry.In this episode, Braxton shares:A deep dive into his debut EP, “The Brax-Tone Experience,” a six-track kaleidoscope of jazz-infused, soul-soaked, sensual R&B.How his Detroit lineage and a family connection to The Temptations shaped his voice and his craft.Collaborations and production magic with heavy hitters like J. Poww (UNV), Grammy winner Christopher Bivins (BuddaWolf), and engineering by Jezreel Santos, whose work spans Kem, Gregory Porter, and Mali Music.The journey from the local Detroit jazz scene to stages at Dummy George's, Intermezzos, Birmingham Jazz, Toronto Caribbean Festivals, and casinos across Detroit.The influences that color his sound—from Luther Vandross to Nat King Cole, and from Dionne Warwick to The Whispers' Scotty and Walter.Key tracks and moments:The single “I Pray It's You” lighting up the Billboard Jazz chart.“Love Guarantee” peaking at 39 on MediaBase charts.A candid discussion about his grandmother Gladys English, his Temptations cousin, and the village of piano greats and horn men who shaped his path.Episode highlights:A heartfelt explanation of Braxton's signature Brax-Tone sound and how it marries classic influences with contemporary mood.Stories from the road and studio—collaborations, challenges, and the discipline behind crafting intimate, seductive, soul-forward performances.A look at Detroit's enduring influence on modern R&B and jazz and how Reggie aims to carry that legacy forward.Quote from Reggie Braxton:“Here in Detroit, we are music critics by nature. Our history laid the foundation for R&B, with innumerable classics that still stand the test of time, so we take a special pride in bringing our A-game to the table. The Brax-Tone is my debut expression of musical inheritance, and I hope it will establish my own stylistic sound that music lovers will appreciate for years to come.”Whether you're a longtime Detroit soul fan, a jazz purist, or a lover of contemporary R&B, this interview with Reggie Braxton promises depth, warmth, and a slow-burn sensuality you won't want to miss. Tune in to hear brazen honesty, studio magic, and a path forward carved from a legendary lineage and a bright, new tone.Support the show
In the latest episode of This Could Be a Podcast, Nathan and Bobby discuss Email Addresses, Home Improvement and Paul McCartney.
The guys are live from Detroit where the “trash talk” has already begun… kind of. We have rain in the forecast in the Motor City today so send all your good weather energy that way, because we don't do well with rain delays! :30- ABCs of the Mariners - K is for Killer: it feels like a killer to not have Josh Naylor in the lineup tonight, but this team is deep enough to be able to handle it. - L is for Logan: Gilbert gets the start tonight - M is for Motown: the Tigers players have only played 6 home games since September 7th :45- The trash talking continues and we have a quick look at the Seahawks next opponent, the Jacksonville Jaguars who pulled off a victory at home over the Chiefs last night.
We are set for Game 3 in Detroit today (weather permitting) and it's time to take a look at how this roster will look against Flaherty and most-likely without Josh Naylor. Who steps up? Julio's postseason is off to a good start, can he come through again in game 3? :30- Kraken Opening Day is just two days away and the great EVERETT FITZHUGH (Kraken Audio Network PxP) joins the show to partake in a little Seattle-Detroit trash talk and give the guys some advice on his hometown. How optimistic is Everett feeling about this Kraken team and does he think a playoff run could be in their future? Which of the young guys does he see being a factor this year? :45- Could the weather put a damper on Game 3 of the ALDS in Detroit? See omnystudio.com/listener for privacy information.
The guys are live from Detroit where the “trash talk” has already begun… kind of. We have rain in the forecast in the Motor City today so send all your good weather energy that way, because we don't do well with rain delays! :30- ABCs of the Mariners - K is for Killer: it feels like a killer to not have Josh Naylor in the lineup tonight, but this team is deep enough to be able to handle it. - L is for Logan: Gilbert gets the start tonight - M is for Motown: the Tigers players have only played 6 home games since September 7th :45- The trash talking continues and we have a quick look at the Seahawks next opponent, the Jacksonville Jaguars who pulled off a victory at home over the Chiefs last night. See omnystudio.com/listener for privacy information.
Send us a textHere's a selection of classic soul. Enjoy. From London with Love Support the showWebsite https://www.djbenniejames.com TikTok https://www.tiktok.com/@benniejames5 YouTube https://www.youtube.com/@djbenniejameslive Instagram https://www.instagram.com/benniejames3/ X https://x.com/benniejames123 Facebook https://www.facebook.com/bennie.james.10 Studio Phone Line 1-856 295-1753 - (for voicemail message only)Licensed by ASCAP 400009874
In the second hour of Chris “The Rooster” Russell's show, the focus is on the Commanders' exciting win over the Chargers. Jayden Daniels makes a strong return from injury, igniting a 27-point streak and immediately boosting the team's momentum. Jacory Croskey-Merritt continues to impress, leading all rushers and proving his potential to be a cornerstone of the offense. Fans weigh in with their reactions, sharing excitement, opinions, and debates about the team's performance and what Daniels' return means for the future. Chris also dives into a critical discussion about the Commanders' defense, particularly the secondary, examining whether the unit's struggles are a temporary issue or a systemic problem that could affect long-term success. This hour blends analysis, fan perspective, and detailed breakdowns, giving listeners a comprehensive look at Washington's team as they aim to sustain their winning ways.
This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I'm excited to share that a new Broadway Drumming 101 podcast episode with Larry Lelli will be re-released soon. I originally sat down with Larry back on December 16, 2021, and since then, his career has kept growing in remarkable ways.Larry isn't just a veteran Broadway drummer—he's now also a Broadway producer. He's gone on to co-produce Water for Elephants (opened March 21, 2024), Gutenberg! The Musical! (opened October 12, 2023), and most recently Waiting for Godot (opened September 28, 2025).Before stepping into producing, Larry built a career most musicians dream of. He's played drums and conducted for over 40 Broadway shows, including The Producers, Assassins, How To Succeed In Business, and Million Dollar Quartet. His list of collaborations is just as impressive—Melissa Etheridge, Josh Groban, Audra McDonald, Patti LuPone, Bernadette Peters, Nick Jonas, Vanessa Williams, Jerry Lee Lewis, and even the New York Philharmonic.Larry is also a clinician with Yamaha Drums and Sabian Cymbals, and you can currently catch him performing in the Tony Award-winning hit Come From Away.In our conversation, we dug into:* Growing up in the Midwest playing in baton and drum corps* Touring with country star Doug Stone after moving to Nashville* How a jazz cruise changed his life and led him to New York City* Why subbing for Michael Hinton on Miss Saigon was his big break* Learning from legends like Paul Gemignani* How he approaches learning an entire Broadway showLarry's story is a masterclass in building a long, versatile career in music—and now he's added producing to his list of achievements.Stay tuned for the re-release of this edited Broadway Drumming 101 episode. It's one you won't want to miss.https://www.larrylelli.comClayton Craddock is the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows like Rent, Motown, Evita, Avenue Q, and the Hadestown tour. He has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis. www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
In this exclusive episode of The Mike Litton Experience, we sit down with the award-winning author, Emmy-nominated journalist, and cultural historian Dr. Dhyana Ziegler for an unforgettable conversation about one of music's most legendary groups: Gladys Knight & The Pips.
Two minutes in and you can hear it: this is soul built for feeling and for the floor. We sit with Spanish artist Carlos Abril to unpack the spark behind Love So Strong, the disco‑tinted energy of Sensational and Get Down, and the quiet discipline of slowing down so songs can actually breathe. He traces a line from Don Blackman and Sheik to present‑day production choices—live‑leaning strings, drums with pocket, arrangements that give DJs space to work—and explains why he writes like a diary: honest, specific, and not edited for the algorithm.We talk upbringing and how a small city with big support turned experimentation into a habit, not a risk. Stevie Wonder looms large—in lyric, arrangement, and sheer wonder—and that reverence becomes a north star for taste, not imitation. Carlos opens up about working mostly alone, catching himself before perfectionism breaks the vibe, and how a healthy relationship with yourself might be the most underrated tool in a songwriter's bag. The conversation stacks into a bigger theme: time beats money. With time, you write, practice, connect, and heal. Without it, even a budget can't buy you voice.For selectors and heads, there's plenty here: DJ‑friendly intros, the logic of long mixes, and why modern soul thrives when club intent meets headphone detail. Looking ahead, Carlos teases a debut album that folds in folk colors, Brazilian sway, and a touch of psychedelic haze—Motown uplift filtered through his own compass. If you've been craving groove with heart, hooks with heritage, and stories that feel lived‑in, this one's for you.Stream the episode, add the tracks to your playlist, and tell a friend who needs a lift. If you enjoy the show, tap follow, share a clip, and leave a quick review—your support helps more people find the music that moves them.Subscribe to our YouTube Channel: The SHITTS Podcast. Follow us on Spotify, Apple Podcasts, and iHeart Radio. Subscribe and comment.
IT'S FRIDAY YA ALL!!!! Get your Groove on headed towards the Weekend with some GREAT Motown Hits!! I give you a good solid 2 hours of music to get you strolling down the halls!!! I'll be back next Friday with more AWESOME Music!! Later Gators!!!! *Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree *Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com *Contact us at: theoldmanspodcast@gmail.com Checkout and Follow the Writings of Shonda Sinclair here: Roaming the Road (of Life):https://www.shondasinclair.com/ *TOMPodcast Music Shows: https://www.mixcloud.com/TOMPodcast/
"Many countries around the world take time each year to poll their citizens about their favorite songs. It usually happens around Christmas and a major media outlet plays the songs. We will tell you about some of the biggest ones and try to figure out why we don't do that here in America."
Los Yesterdays are a California-based band carrying the torch of Chicano soul into a new era. Formed in 2017 by drummer/composer Gabriel Rowland and singer-songwriter Victor “Bad Vic” Benavides, the group began as a studio project rooted in a deep love for vintage East L.A. soul. Their sound—warm, nostalgic, and timeless—draws from Motown, doo-wop, and Latin soul traditions, blending sweet harmonies, textured instrumentation, and heartfelt storytelling. What started as a nod to the past has grown into a vital part of today's “souldies” movement, connecting generations through music that feels both familiar and fresh. Songs like “Nobody's Clown” and “Tell Me I'm Dreaming” showcase their knack for crafting melodies that linger. At the same time, their 2024 release Frozen in Time expands their sonic palette with lush arrangements and an undeniable groove. Los Yesterdays continue to honor tradition while carving out their own soulful lane in modern music. LINKS Los Yesterdays on Band Camp Los Yesterdays on IG Los Yesterdays on Spotify Los Yesterdays on YouTube Souldies Article in NYTimes
Steve Avo Lindsey in conversation with David Eastaugh https://linktr.ee/steveavolindsey A nervous suitor, a guitarist at the end of his Strat and his tether, wistful ex-partners on a work trip to Wales. Art school Futurists and singalongs in Cooper's Bar, Denmark Street and suburbia's (two) ups and downs – and earbudded Londoners on the Tube, sailing away on their own private playlists. “In my head,” confides STEVE ‘AVO' LINDSEY, making his solo long-playing debut just five decades into his music career, “this sounds like a Nick Lowe album.” But given that PING is the work of the Wirral-born bassist of DEAF SCHOOL and frontman of new wave chart act THE PLANETS who would later become a music exec known for his ears and acumen, it's hardly surprising that these twelve tracks offer more than just fond footnotes to Lowe. Factor in Lindsey's love of Donald Fagen and Jimmy Webb, Arctic Monkeys and Tom Waits, Todd Rundgren and Nashville-style storytelling, and his lo-fi, groove-driven takes on Motown, and you'll have an idea of what to expect from this joyful, playful, gorgeously varied sheaf of love letters to music and Merseyside, sweaters and Swordfishtrombones. Listen to tracks like the finger-clicking soul of ‘Beautiful 45' and the bottoms-up vaudeville of ‘Cheers My Dears', the rockaway baroque pop of ‘Royal Iris' and the sultry Latinisms of ‘To Know You Better', and you'll also hear warm and winning musical contributions from family and friends: Lindsey's daughter Uainín Lindsey on backing vocals; the late Tony ‘Wims' Wimshurst, ex-Planets and Nasty Pop, on lead guitar; and drummer Josh McCartney, the nephew of a local lad named Paul. But first, some back story. When Deaf School invented itself in 1974 at Liverpool College of Art, Lindsey, one of two Steves in the band, modestly opted for the moniker Mr Average. Deaf School would become (nearly) famous for its extravagant Sparks-via-Kurt Weill pop and its distinctly un-average cast of sirens, showmen, keyboard philosophers and future superstar producers.
In this episode of R&B N' Chill, Ty The Pod Guy celebrates a major milestone—the podcast's nomination for Best Music Podcast at the Black Podcasting Awards. Ty reflects on the timeless influence of Motown, highlighting how its legacy continues to inspire artists today. He also shares fresh music highlights, emphasizing the importance of artists creating work that truly connects with listeners. The episode closes with heartfelt gratitude to supporters and a hopeful outlook for what's next on the journey.Music List:I Want You Back - The Jackson 5What's Going On - Marvin GayePlease Mr. Postman - The MarvelettesPapa Was A Rollin' Stone - The TemptationsSigned, Sealed, Delivered(I'm Yours) - Stevie WonderDancing In The Street - Martha Reeves & The VandellasCruisin' - Smokey RobinsonNew Music:Vacancy - Ari LennoxCardi B ft. Kehlani - SafeJoin our community on Reddit:https://www.reddit.com/r/RNBNChillers/Become a member of our Patreon & watch here for free:https://patreon.com/user?u=93647927&utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkFollow Epic Echo Productions on social media:https://www.facebook.com/epicechopro/https://www.instagram.com/_epicecho/Subscribe to Ty's Youtube channel:https://www.youtube.com/@TyronzaDHicks
We saw Spinal Tap 2, flipped the big red switch, and counted down the best 1980s songs that peaked at #11. Because these… go to 11. Also: sexy drummers, armadillos, and Milt trying to make Kenny Loggins a sports anthem (again). Quick Hit Summary Mini-review of Spinal Tap 2 (Paul! Elton! Still loud.) Countdown: our blended Top 10 “peaked at #11” bangers from the '80s Playdate: 11 questions about… 11 (of course) A respectable pile of “also-rans” that just missed the podium Chapter Guide 00:00 – Cold open / mic check / Past Tens roll call 06:05 – Fire up the Time Machine 07:06 – What we're doing: '80s songs that peaked at #11 (Spinal Tap salute) Tap Talk 07:50 – Spinal Tap 2 quick take: tone matched, laughs landed 09:45 – Cameos: Paul McCartney (charming), Elton John (scene-stealer) 10:55 – Aging rockers, commitments vibes, and a very funny new drummer 12:40 – Why sequels usually whiff and why this one didn't The Countdown — The '80s Songs That Went to 11 #11 – 00:15:00 Thompson Twins – “Doctor! Doctor!” (1984) Second-British-Invasion synth-pop sugar rush. “How was this not Top 10?” energy. #10 – 00:16:00 Gary U.S. Bonds – “This Little Girl” (1981) Boss-built boomerang: written/produced by Springsteen & Stevie Van Zandt; Clarence on sax. Roots-rock strut with comeback swagger. #9 – 00:22:00 Sheila E. – “A Love Bizarre” (1985) Prince pixie dust, 12-minute club glide, percussion queen doing queen things. #8 – 00:27:00 Michael Jackson – “Another Part of Me” (1987) From the Captain EO era: Quincy groove, Disney cheese, undeniable bounce. #7 – 00:34:00 The Contours – “Do You Love Me” (re-charted 1988) Dirty Dancing rocket fuel: Motown growl makes the Catskills naughty again. Playdate – 00:43:00 11 Questions about “11” (Kyrie, Larkin/Rollins, 7-Eleven's rogue lowercase n, Swingers, Messier, Bledsoe & Edelman, Ocean's Eleven = Matt Damon, Marshall amps, Eleven = Millie Bobby Brown, Jeter wore 11 in the minors, etc.) #6 – 00:52:00 Kenny Loggins – “This Is It” (1980) Blue-eyed soul with Michael McDonald cosign; NCAA montage hall-of-famer. #5 – 00:57:00 Loverboy – “Hot Girls in Love” (1983) Aerosol, hooks, and harmless himbo energy. Dumb? Sure. Fun? Absolutely. #4 – 01:01:00 Prince – “I Wanna Be Your Lover” (1980) Pre-Purple Rain princelet: falsetto glide, post-disco snap, future royalty loading. #3 – 01:07:00 Bryan Adams – “Somebody” (1985) Reckless sweet spot: denim-rock churner with live-aid mojo. Ballad break = beer run. #2 – 01:11:00 Go-Go's – “Head Over Heels” (1984) Pop truffle perfection. Jane Wiedlin piano break = pure dopamine. #1 – 01:26:00 Stevie Nicks – “Edge of Seventeen” (1981) The white-wing-dove war cry. Signature solo cut. A Top 10 snub so egregious it should be a congressional hearing. Also-Rans & Near-Misses (rapid fire) Stevie Wonder – “I Ain't Gonna Stand for It” Bangles – “Walking Down Your Street” Little River Band – “The Other Guy” (The Other Guys synergy!) Toto – “I'll Be Over You” Debbie Gibson – “Electric Youth” (Dave votes yes; Milt files an appeal) Soul II Soul – “Keep On Movin'” (Milt's neo-soul crush) Benny Mardones – “Into the Night” (we heard you, Internet) The Police – “Spirits in the Material World” Paul Davis – “Cool Night” (yacht softness) Naked Eyes – “Promises, Promises” Dead or Alive – “You Spin Me Round (Like a Record)” If this episode made your dial go to 11, share it with a friend, drop a 5-star on Apple/Spotify, and come argue with us at timemachinepod.com or toptentimemachine@gmail.com. Rock responsibly, Time Travelers.
This week, Shat The Movies enters the world of Harlem kung fu, Motown soundtracks, and glowing fists with 1985's The Last Dragon. Commissioned by listener Daylen, this mashup of martial arts flicks and music videos introduced audiences to Bruce Leroy, the Shogun of Harlem and one of the wildest cult classics of the '80s. But does its mix of camp and kung fu still shine today, or is it just a guilty pleasure best left in the VHS era? Gene and Big D debate whether Taimak was an underrated action star or just a wooden lead propped up by Vanity's charisma. The Shat Crew relives Sho'nuff's scene-stealing swagger, the bizarre Eddie Arkadian subplot and a soundtrack so strong it sometimes overshadows the movie itself. Along the way, Dick and Gene marvel at the glowing special effects, question if Leroy's innocence makes him endearing or frustrating and admit that this might be the most “1985” movie ever made. Is The Last Dragon a true martial arts masterpiece with soul or just Motown's strangest experiment? Who's the master? Sho'nuff! Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite
Reposted from Still Slaying: A Buffy-verse podcast which you can find at Still Slaying: a Buffy-verse podcast | Podcastica. Fun, in-depth talk about great TV. “That's the funny thing about hope. Nobody else gets to decide if you feel it. That choice belongs to you.” Penny, Kara and Karen celebrate all things HUNTR/X, talking through the three main characters, the allure of the Saja Boys, the powerful draw of the music, the fun choreography, finding community through shared fandom, inspiring creativity in fans, the deeper meanings hidden behind the bright colors and banging tunes and the power of love in original content. The discussion touches on neurodivergence, generational trauma, the value of a layered film that families can watch and enjoy together (co-viewing), cultural appropriation, K-pop and K-pop culture, Motown and factory music systems, soft power, K-Dramas, voice acting, gender in fandoms, bad boy appeal, shame, toxic fandom, and the intersection of art and commerce. Next time we'll be talking about Buffy, Season 4, Episode 14, “Goodbye, Iowa.” Keep Slaying! News Links/Referenced Links Additional notes about Korean cultural references can be found on our Facebook page at Still Slaying A Buffy-verse Podcast AMA with KPop Demon Hunter's Maggie Kang, Chris Appelhans and Ian Eisendrath Why Co-Viewing is Important: Tips to Share Screen Time with Your Kids - HealthyChildren.org The New Coviewing: Investigating and Designing for Joint Media Engagement KPop Demon Hunters DELETED Scenes | Celine KILLED Rumi's Parents & Rumi's Flashbacks The Neuroscience of Shame | CPTSDfoundation.org Brett Boles (@thebrettboles) • Threads, Say more (Talks about Musicals) https://www.instagram.com/reel/DNE5bIPNXvz/ https://www.instagram.com/reel/DM-qkhnupuC/ Fan remakes https://www.instagram.com/reel/DM2RgkDvScN/ https://www.instagram.com/reel/DNK2tvBTVu6/ Dance routines https://www.instagram.com/reel/DMu_cmfOolZ/ https://www.instagram.com/reel/DMsjChXTsEC/ Cosplay https://www.instagram.com/reel/DM4anrzNtxd/ Fans Add Scenes https://www.instagram.com/reel/DNUCFDnyxMV/ https://www.instagram.com/reel/DNV7ZwmpliL/ https://www.instagram.com/reel/DM86NHnPNNa/ Analysis https://www.instagram.com/reel/DMxwoogufvv/ https://www.instagram.com/reel/DOCV9rTjeDm/ https://www.instagram.com/p/DOMmLIwEyzV/ —---------------------------------------- Viewing Order BONUS: K-POP DEMON HUNTERS Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover. Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videos Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #smashthepatriarchy #slaythepatriarchy #feminism #patriarchy #kpop #kpopdemonhunters #sajaboys #golden #Huntrix #rumi #mira #zoey #netflix #huntrx #rumimirazoey #whatitsoundslike #Jinu #gwima #mystery #baby #romance #abby Learn more about your ad choices. Visit megaphone.fm/adchoices
Originally aired as episode 120 on December 9, 2020. Nik Walker is an artist, educator, and activist who made his Broadway debut in Motown The Musical. He spent 3 years with the Broadway and touring companies of Hamilton, adding both Aaron Burr and George Washington to his resume. Other stage credits include Peter and the Starcatcher (off-Broadway), and regional productions at La Jolla Playhouse, The Old Globe and The Denver Center, to name a few. He can also be seen on TV in Law & Order: SVU. Nik is a self-proclaimed cinefile and theme park nerd, and co-hosts his own movie analysis podcast called Little Justice The Podcast. He also co-hosts a video series on Broadwayworld.com called The Chaos Twins. Nik currently leads the Broadway cast of Ain't Too Proud playing Otis Williams, and is an adjunct professor at his alma mater, New York University. Nik shares that his mother worked a job as a news anchor when he was growing up, so she wasn't really home a lot. So it was movies that played babysitter and kept his imagination going. But movies and stories played an even bigger and more important role in focusing him as a child after he was diagnosed with ADHD, eventually leading to his early involvement in theater. And later, a BFA in Theater from NYU. During our conversation, Nik speaks candidly about coming to Broadway with very little dance background, sharing that Motown was his first brush with dancing professionally and getting paid for it. He shares memories of intense dance training for Ain't Too Proud while still on tour with Hamilton - 5 hours of dance a day, and a performance of Hamilton in the evening - and the sense of pride he gained as a result of “being comfortable with letting go of your comfort zone”. Nik also opens up about the journey he has taken during the COVID pandemic which brought him back to NYU, this time as a professor. And while he acknowledges performing in Ain't Too Proud and teaching at the same time will be a lot of work, he not only feels rewarded by his new job, but knows he is contributing to the education and growth of the next generation of theater artists. Connect with Nik: Listen to Little Justice, the Podcast Instagram: @nikkywalks Twitter: @nikkywalks Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices