Podcasts about Motown

Here’s a clear, structured summary of the interview with Dr. Margena Christian on Money Making Conversations Masterclass with Rushion McDonald, including its purpose, key takeaways, and notable quotes.

Here’s a clear, structured summary of the interview with Dr. Margena Christian on Money Making Conversations Masterclass with Rushion McDonald, including its purpose, key takeaways, and notable quotes.

Please enjoy this special preview of our upcoming conversation with Martha Reeves, the legendary Motown powerhouse who is also one of the most influential voices in American music. June is Black Music Month, and to celebrate the occasion Martha is releasing "To Know You is to Love You," the leadoff single for Searching, Martha's first new album in twenty-two years. Both the single and the video for "To Know is to Love You" become available on Spotify, Apple Music, and all digital platforms on Friday, June 26, while the entire album Searching will be released on Friday, Aug. 14. Our complete conversation with Martha Reeves will air in a few weeks on TV Confidential.

You can have the perfect planner, the right system, and the best intentions, and still not follow through. It isn't a caring problem. After enough broken promises to yourself, some quiet part of you simply stops believing the plan. That's where this conversation with Dr. Tamara Rosier begins, and it reframes self-trust as something closer to a nervous system skill than a mindset you can think your way into.Dr. Tamara Rosier has written the books and built the center and stood on the stages, and she still wakes some mornings and reminds herself, deliberately, that she is a trustworthy person. The belief underneath — the one she's carried since she was small — is that she's a person who screws things up. ADHD feeds a belief like that. It chips away at your sense of who you are, one forgotten thing at a time, until distrusting yourself stops feeling like a wound and starts feeling like good judgment.So much of that, it turns out, is happening in the body. An ADHD nervous system can spend its whole life braced — fight, flight, freeze, appease — switched on and calling it normal because it has never known the alternative. For years Tamara sat frozen on the couch, melting into the cushions, sure she was resting, when she was really stuck somewhere below the place where rest actually lives. There's a narrow band where you're calm and awake at once, and a lot of us have never spent much time there. Hearing her describe it, you may quietly start to wonder whether you ever have.The way back looks like catching yourself mid-loop — Tamara tells it through the week she lost one of her chickens, and the refrain that trailed her around the house, I failed her, I failed her, I failed her — and then learning to talk back to it, to move your body, to put on the Motown, to do the next small thing that nudges you up out of the freeze. It looks like noticing the clever ways we avoid all of that, too: the new app, the next fix, the dopamine that keeps us busy on the surface so we never have to turn toward the thing underneath.And the hope here is almost disappointingly ordinary. No system is going to fix you by Thursday. What there is, instead, is the small correction, made again and again, the way a sailor nudges the tiller rather than wrenching the whole boat around and tipping it over. There's learning to read your own weather, hour by hour. There's accepting that you may always need the timer, the Post-it, the reminder, and letting that be fine rather than shameful. Self-trust grows in that soil — in the quiet, stubborn belief that whatever goes sideways today, you'll know how to repair it.Links & NotesDr. Tamara Rosier — our guest's author site, where you can find her work and stay connected.ADHD Center of West Michigan — the coaching and support practice Tamara founded in Grand Rapids.Your Brain's Not Broken — Tamara's book on navigating your emotions and life with ADHD. A new edition for teens and young adults is on the way.You, Me & Our ADHD Family — her book on cultivating healthy relationships when ADHD is in the house.ADHD Coaches Organization (ACO) — the professional body for ADHD coaches; their directory is a solid place to start if you're looking for one.HeartMath — the heart-rhythm coherence and breathing tool Tamara leans on to drop into a calmer, parasympathetic state.Vagal nerve resets — Tamara's advice is to find the one that fits you; she points listeners to the many free walk-throughs on YouTube rather than any single "right" technique. Clicking that link saves you a search in YouTube.Join us on Patreon — early, ad-free episodes, extended editions, the post-show Q&A, the Discord community, and a seat in the Wednesday morning live stream.Dig into the podcast Shownotes Database (00:00) - Welcome to Taking Control: The ADHD Podcast (02:57) - Introducing Dr. Tamara Rosier (04:25) - Self-Trust and the Nervous System (12:32) - What are our beliefs doing in our bodies? (32:55) - Learn Your State ★ Support this podcast on Patreon ★

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Margena Christian.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Margena Christian.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Margena Christian.

There's nothing quite like watching your colleagues light up a TV stage.The cast of Cats: The Jellicle Ball performed “Skimbleshanks: The Railway Cat” on The Tonight Show last night. Every time I see something like this, I get excited. They always look and sound great, and there's something special about watching people you work with get that kind of shine.I've been lucky enough to be on that side of the screen a few times. Tonight Show with the Ain't Too Proud company on opening night in 2019. The Colbert Report and The View with Audra McDonald for Lady Day at Emerson's Bar and Grill in 2014. The Tony Awards stage twice — Memphis: The Musical in 2010, Ain't Too Proud in 2019.So I know what that feeling is.Someone asked me why the orchestra hasn't appeared alongside the cast on any of these TV performances. Honest answer: the orchestra isn't featured in this production the way it's been in others I've been part of. We're in the basement. You don't see us.But you hear us on every one of those tracks.And I don't mind watching from home on this one. Every time they air one of those performances, I get a check in the mail.Mailbox money. I'll take it!Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

You'll hear some Motown from the Marvelettes, Marvin Gaye, Martha & the Vandellas, and from a group out of and named for Vancouver, BC. We also have Bettye Lavette covering Neil Young, Ann Sexton, Z.Z. Hill, Jackie Shane, Dolly Parton, plus random assumptions, potentially misremembered facts, and a bunch of real songs by real artists, played from real records selected by a real person. -Originally broadcast June 21, 2026- Willie Mitchell / That Driving BeatThe Marvelettes / You're My RemedyJimmy Hughes / It Ain't What You GotMarvin Gaye / YouThe Sacred Four / Somebody Watching YouDyke And The Blazers / City DumpBetty Lavette / Heart Of GoldGerri Diamond / Give Up On LoveSam Hawkins / Hold On BabyAnn Sexton / You've Been Gone Too LongMartha & The Vandellas / Heat WaveGeorge Torrence & The Naturals / (Mama Come Quick and Bring Your) Lickin' StickZ.Z. Hill / Oh DarlingRay Charles and His Orchestra / I Don't Need No DoctorLittle Willie John / Doll FaceVan & Titus / The VultureCandi Staton / Too Hurt to CryThe T.S.U. Toronadoes / What Good Am I?The Natura'elles / Show Me The WayHenry & His Kasuals / WorkoutThe Mar-Keys / Pop-Eye StrollLes Cooper & The Soul Rockers / Let's Do the Boston MonkeyThe Olympics / Do the Slauson ShuffleBobby Marchan / HookedB.B. King / I'm Gonna Sit in Till You Give InCharlie Rich / Hawg JawThe Fabulous Playboys / NervousMaurice Williams & The Zodiacs / High Blood PressureMartha & The Vandellas / Wild OneFour Tops / The KeyBobby Taylor & The Vancouvers / It's GrowingJackie Shane / Any Other WayJohnny Adams / Who's Gonna Love YouTony Middleton / My Home TownBarbara Acklin / Love Makes a WomanDolly Parton / Don't Drop OutAlvin Cash / Doin' the Ali Shuffle Hosted on Acast. See acast.com/privacy for more information.

With Tarik Skubal back and a sweep of the White Sox in hand, the Tigers are showing signs of life after a tough start to the season. Meanwhile, the Marlins -- the hottest team in baseball -- have emerged in the NL Wild Card race. Learn more about your ad choices. Visit megaphone.fm/adchoices

Karl Latham played in The Fantasy Band alongside Dave Valentin, Dave Samuels, Chuck Loeb, Noel Pointer, and Roy Ayers. Five names that don't usually end up on the same bandstand. Karl made the cut for all of them.We recorded this conversation back in February 2022. A lot has changed for Karl since we sat down, including new credits that weren't on his resume yet when we hit record.Karl's reach goes deep into the jazz world. He's played with Freddie Hendrix, Roberta Gamberini, Mark Gross, and Eric Alexander. He's worked with Michael Urbaniak and Andy Snitzer. He was part of The New Voices of Freedom and joined Howard Paul for sessions with Tom Scott and Anat Cohen. He's played with Ali Ryerson alongside Mark Egan and Pete Levin, and worked the Wolfgang Lackerschmid group with Attila Zoller, Ed Cherry, Cameron Brown, and Mark Egan. He's also recorded with pianist Johannes Mossinger's band, a lineup stacked with Joel Frahm, Calvin Jones, Don Braden, Boris Kozlov, and Kermit Driscoll.He's subbed on Broadway too: Hamilton, Beautiful: The Carole King Musical, Ain't Too Proud, Bring It On, and Two Strangers. And when he's not touring or subbing, he's teaching. Karl is Co-Chair of the Percussive Arts Society Education Committee and adjunct faculty at four schools: Drew University, County College of Morris, Raritan Valley Community College, and Blair Academy.Karl is an endorsing artist for Yamaha Drums, Paiste Cymbals, ProMark Drumsticks, Evans Drumheads, Big Fat Snare, AEA Microphones, Radial Engineering, Heil Sound, ProLogix Percussion, and RME.Press play. And if this episode gives you something, leave us a five-star review wherever you listen. It takes thirty seconds and it means a lot to the show.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Otis Williams discusses over six decades of The Temptations and their upcoming UK tour. Williams talks about moving from Texas to Detroit as a kid, catching Frankie Lymon and the Teenagers at the Fox Theater, and getting spotted by Berry Gordy at a record hop. He remembers the strings going onto ‘My Girl’ in 1964 and knowing straight away it would be a hit, a hunch confirmed by telegrams from The Beatles, The Supremes and Berry Gordy. He looks back on their first UK dates in the mid-60s on the Tamla Motown package tour and how hits were chosen at Motown. There’s also a look at the shift to psychedelic soul with ‘Cloud Nine’ in 1968, plus his thoughts on keeping the group together through nearly thirty line-up changes. Further information The Temptations Support The Strange Brew Podcasts also available: Dion, Bettye LaVette, Steve Cropper, PP Arnold This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Otis Williams – The Temptations appeared first on The Strange Brew .

This week's show includes a tribute to Wilburn Theodore 'Stranger' Cole, who passed on 11th June 2026https://www.dancehallmag.com/2026/06/12/news/stranger-cole-pioneer-of-jamaican-music-and-voice-behind-bangarang-is-dead-at-83.html

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on Apex Express, Host Miko Lee talk story with singer-songwriter Thao Nguyen.  Hear about her new album Fossil,  her short documentary, and about her artistic inspirations. Thao's tour starts this week in North Carolina, so listen in to hear from the brilliant Thao, and then check out her website to catch a live show.   SHOW TRANSCRIPT [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:35] Miko Lee: Tonight on Apex Express, we talk story with singer-songwriter Thao Nguyen. Join me, your host, Miko Lee, as I talk with this multi-hyphenated artist. We get to hear about her new album, chat about her short documentary, and hear about her artistic inspirations. Thao's tour starts this week in North Carolina, so listen in to hear from the brilliant Thao, and then check out her website to catch a live show.   [00:01:05] Ayame Keane-Lee: In today's show, you'll be listening to some songs from Thao & The Get Down Stay Down's 2020 album, Temple. First off, let's listen to “Pure Cinema.”   MUSIC     [00:05:44] That was “Pure Cinema” by today's guest, Thao Nguyen. Let's get to the interview.   [00:05:50] Miko Lee: Welcome  Thao Nguyen to Apex Express.    [00:05:54] Thao Nguyen: Thank you. I'm so happy to be here.    [00:05:57] Miko Lee: I love talking with creative people and you're such an amazingly talented singer and songwriter and imagination creator. I'm wanna start with the first question I ask all of my guests, which is, who are your people and what legacy do you carry with you?   [00:06:16] Thao Nguyen: Who are my people? Some of them include the family I was born into. I'm from Virginia. I was born and raised in Virginia. but I'm the daughter of Vietnamese refugees of war. And, I moved out to the Bay in 2006 after my first US tour. And, I'm so fortunate to have such a robust community here in the bay and all of my chosen family here.   [00:06:40] Miko Lee: And what legacy do you carry with you?    [00:06:43] Thao Nguyen: What legacy? I think the legacy I prioritize. I think, you know, [laughs] we inherit a lot and as time goes on and we get older, we realize everything is finite and you have to choose which legacies you choose to continue, and perpetuate and honor and what you have to leave by the wayside. And so the things I choose to continue and celebrate are that of a real ability to be very present and in the moment and available to joy and I think the people I come from are really good at metabolizing joy because they know the flip side of it so well.    [00:07:23] Miko Lee: Ooh, that's so interesting. Can you speak more about what it means to metabolize joy?    [00:07:30] Thao Nguyen: [Laughs] uh, an ongoing practice? I think it is to be truly present and I believe, of course gratitude goes a long way, but I to fully metabolize it is to allow yourself to feel embodied in it. And, you know, there's more somatic practice I think that to actually feel it course through your body, you are allowing it, you're honoring it as completely as possible. And, do you have to acknowledge that it's happening as it's happening? You know, I think that's having true presence with it.   [00:08:08] Miko Lee: Can you roll back with me in time and talk about your earliest childhood memories of being a singer or songwriting? What came first?    [00:08:18] Thao Nguyen: I loved music from a very early age, but I didn't have a lot of access to it, to making it, it was more as a listener. The soundscape that I grew up with, there was a series called Paris by Night, which probably you've heard of within Vietnamese diaspora, uh, community and Culture. And it was this variety show that was, created by, people who had to flee Vietnam. And originally it was in Paris and it showcased A lot of singers and performers, who had fled, either before, during, or right after the fall of Saigon. And, it was this one gathering wherein. entertainers from the different generations, from my grandmother's generation, from my parents were able to coalesce and exist together. And there was just this sampler platter of a lot of different sonic influences. And then you had the younger generation, which was reinterpreting what American pop music was at the time. So you'd have my grandmother who [sang] cải lương which was this incredibly, it's like, almost like folk operatic, very dramatic, theatrical singing with a lot of pitch bending and, which I didn't understand that I was absorbing it in such a way that I would recreate it later on in my playing, but I would go on to credit it to being from Virginia and saying it was more of like an Appalachian influence, which it was as well. But the origins, the true origins were within my soundscape before I understood what that was. You know, so you have that and then you have, an artist named Lynette who's. basically in reinterpreting, like the latest Madonna song and has a cone bra on, so everyone's existing act after act in the same, um, sorry for that ramble. Did I answer that question?    [00:10:13] Miko Lee: Yeah. Uh, I, so what was, do you remember the age or you just grew up hearing all these different kinds of sounds?    [00:10:20] Thao Nguyen: I mean, that was from before I knew what age I was, you know, that was just like, and that was such, um. For the community and within my family it was such an event every time one of these, you know, double VHS things were issued that people would be making copies, someone would drop it off at the house. You know, there, there was always one or two in circulation, but it was this. Event that you'd,    [00:10:43] Miko Lee: are these like bootleg copies?    [00:10:45] Thao Nguyen: Yeah, there's like, wow, there's bootleg. There's also, there was one book in music store in Eden Shopping Center, which was like the hub of, of the Vietnamese community in, in, uh, Northern Virginia. And so someone would buy the original and then go and bootleg it. You don't know how you ended up with what, but just like they would drop off some citrus and and Hennessy or whatever, and then the Paris By Night thing. And um,    [00:11:11] Miko Lee: I love that the combo citrus, Hennessy and some music.   [00:11:16] Thao Nguyen: Everything is a digestif, you know? And, um, so I would have that. But then of course, I, you know, I, I listened to the radio. That was what, that was my main resource and I listened to the oldie station the most, and I loved Motown. And I remember, in this I was like five or six, we had these large speakers that's sat on the floor either side of, of this cassette deck, radio unit. And I would lay down and, every time Smokey Robinson came on, “You really got a hold of me” that was like my favorite song and I would tape it and then so either I would listen to it live or I would play the cassette and I would just lay down and get as close to the speakers as I could. But at that point, I hadn't seen who Smokey Robinson was, and I imagined, because I also am a child of eighties and nineties. I imagined it was Crystal who was Roseanne's best friend from the Roseanne show. You know, I didn't know anything, but I felt all of it.    [00:12:20] Miko Lee: Wow. Yeah. I love that. So, I love that. And I was really wondering, I heard this story about you, that you actually did a rap for on Charlotte's Web when you were in elementary school.   [00:12:33] Thao Nguyen: Okay. Okay. This is a deep cut. You've done some research.    [00:12:39] Miko Lee: Tell me about how that came to be. So you must have been introduced to rap pretty young to be doing that.    [00:12:44] Thao Nguyen: Oh, absolutely. This, so this was another, and this, I'm so glad you brought that up, because all of this is, every genre, every kind of music I, at this point is so vital to me, and it actually goes on to reflect the kind of music I make. And so I have an older brother who's almost eight years older, and around this same time, he's a huge hip hop fan, or that's one of the things he loves, he loves like Duran Duran and like the Fat Boys, you know? And , when I saved money, the first cassette I ever bought was Salt-n-Pepa. And I, yeah, so I was listento the Fat Boys and Queen Latifah. And I loved, I loved every, I loved to hear the flow, the different cadences and in third grade I was voted best rapper. This, and, you know, not coincidentally. This is the year I, I do the book report, the Charlotte's Web, you know, and they gave me the option. You can either write it or you can write a song or whatever. And so I wrote a rap about Charlotte's Web, but I was too shy. I had recorded it and just played it in my presentation. I didn't perform it live.    [00:13:51] Miko Lee: And how was it received?    [00:13:54] Thao Nguyen: I mean, I can still hear the roar. yeah, everyone, [laughs] I think the teachers    [00:14:01] Miko Lee: The crowd roared. The third graders roared.    [00:14:03] Thao Nguyen: Yeah. I mean, everyone's standing on their desks. It's rickety, you know, teachers are worried about child safety, it doesn't matter. They're like, Encore. I'm like, I don't have anything else. Uh, you know, uh,   [00:14:15] Miko Lee: Wait for real?   [00:14:17] Thao Nguyen: No, no. [laughs] the teachers thought it was cute. Probably the kids thought it was funny. I actually don't know because I was so nervous I even pressing play. I was so nervous. I don't know if I registered what, how it was received.    [00:14:34] Miko Lee: That's so sweet. Given your eclectic music knowledge and the music that was around you at the time as a musician, now you've been described with so many different categories, country tinge, indie folk, pop, blues. How would you describe your music?  [00:14:54] Thao Nguyen: I would describe it as. What's embarrassing is I've been doing this a long time now and I've never figured out a way to describe it. I would, I, I generally just say it's, you know, it's under the umbrella of indie rock, but influenced by jazz and hip hop. And because I learned to play guitar by picking out country blues songs. And because I grew up in Virginia, there, there are these, like old time, Country blues picking patterns that I've used. I, you know, it's, yeah. So that, I've never figured out a way to say it succinctly and I continue    [00:15:29] Miko Lee: and you don't need to. That's okay.    [00:15:31] Thao Nguyen: Thank you.    [00:15:31] Miko Lee: Is there a big Vietnamese population in Virginia?    [00:15:35] Thao Nguyen: Yeah, I, I think there is a very healthy population there. And it was one of the first places that people were settling when they were being resettled. And my parents met, in a refugee camp in Guam. And then they were sent to Arkansas. And then from there sponsored out to North Carolina. And then from there of a few friends that they had made, had found work with Metro, which is the public transportation train system in DC and found my dad work there. So that's why people resettle, that's why we ended up in Virginia.    [00:16:16] Miko Lee: So Thao & The Get Down Stay Down you released five studio albums and now you're working primarily as a solo artist. Right?    [00:16:25] Thao Nguyen: Yes. Yeah. I will say I still work record and perform with a band. And a lot of the people who worked and performed with me in that iteration are still with me. it was more I wanted to, just use my name and move beyond what the get down stay down was, which I was never really sure. With things that you choose when you're 22. As time goes, you know, it starts to, and you're lucky if you can kind of shed things and not, not stay beholden too much.   [00:16:57] Miko Lee: Ah, what have you learned to shed?   [00:17:02] Thao Nguyen: Oh my gosh. Thankfully a great deal and it's an ongoing exercise, but. I used to be so much heavier with the weight of what I thought a serious artist was what I thought a serious songwriter should be, who I thought, where I thought my, you know, different benchmarks of what success were. What I should be making versus what people wanted to hear versus what I wanted to hear. I actually never I wasn't always all the way sure about what I wanted. You know, I, I think a lot of people encounter that, but I've thankfully been able to shed as much as I can. It's an ongoing practice, but I, you know, one thing it. Is that I used to think, I can't believe I've been doing this this long. And it's, not necessarily, I didn't understand what I was working towards, but only that I had not gotten there yet. And then, you know, I think pandemic and on, I've been just so and as I get older, the transition into being so sincerely grateful that I'm still here and I get to do this. this is what my job is, and however I can, and whatever I can do to sustain, being able to, to do this for my livelihood and maintain my integrity within it is the greatest gift. So as when I made that switch a a lot of things, a lot of the darkness left me.    [00:18:39] Miko Lee: Oh, that's beautiful. Thank you for sharing.   [00:18:42] Ayame Keane-Lee: Next, let's listen to Temple, the first track off of Thao's album of the same name.   MUSIC   [00:22:56] That was Temple by Thao and the Get Down Stay Down. Back to her interview with Miko.   [00:23:01] Miko Lee: I'm wondering if you could talk a little bit about the 2017 documentary Nobody Dies, a film about a musician, her mom in Vietnam. How did that, and that's a documentary that follows you and your mom as you go to Vietnam. I'm wondering how that project came about.  [00:23:17] Thao Nguyen: Yes, I'm happy to tell you about it. in 2015 I was invited by concert promoters in conjunction with the US Embassy based in Hanoi, to come perform for the, I guess at that point it was the 25th anniversary of the normalization of relations between the US and Vietnam, and I was able to bring my band and I was able to bring my mom, and she hadn't been back in 43 years, and she used to work for the South Vietnamese embassy and was stationed in Lao, when Saigon fell. So she actually left Vietnam in 73, assuming she would go back after her time abroad and then was never able to return. So I was able to bring her, the struggle was would she actually come, you know, and we had, I had, a bear of the time initially convincing her it would be okay. And, it was like, just begging her to come. She's like freaking out. She hangs up on me. I call back. She hangs up. You know, it was a back and forth that I'm trying to convince her of things that I'm not sure of where she's like, I'm still on a list. I'm like, no, you're not. But I don't know that, you know who, how would I know that? But I told her she wasn't on the list. Anyway, my, a friend of mine who's a filmmaker, as this all was happening, he asked if he could come along and document all of it. And he and, his DP traveled with us and it was an incredibly intense trip, and it was beautiful and I am so glad it was documented. And then somewhere along the way I had a performance and, this was all in editing. And then I ran into Don Young at CAAM Center for Asian American Media. Oh, I know what it was. It was something for Sundance and Don Young and I were just in the same shuttle going to the airport and we were talking and I told him a little bit about this and then I sent him some footage and you know, and then CAAM and PBS were gracious enough to co-produce and, Make it so it could be, you know, a a half hour documentary that aired on PBS. Um,    [00:25:21] Miko Lee: so that that was on a bus ride.    [00:25:23] Thao Nguyen: That was on an airport shuttle.    [00:25:25] Miko Lee: Airport shuttle. I love it.    [00:25:26] Thao Nguyen: Yeah [laughs].    [00:25:28] Miko Lee: So was it hard to convince your mom, I know it was hard to convince her to go to Vietnam. Was it hard to convince her also then to be on film? What was her response to that?    [00:25:37] Thao Nguyen: Well, luckily for all of us, my mom loves to be on film and is, um, a total flirt and ham and. Oh,    [00:25:48] Miko Lee: so that was a bonus. That was like a,    [00:25:49] Thao Nguyen: that was a bonus. The camera loves her. As did the film director, my friend Todd, she loved it. And she just, she comes alive and she's a true performer. And, it was really beautiful to see her in this element that I, I didn't know if I'd ever, I actually. Never thought I'd get to see her this way. You know, I grew up, both my brother and I grew up translating for her, it is sort of at every, at every level. And, we'd go out to restaurants and it's not that she, you know, it's like she would get shy and then it would just easier, it always just became easier if we just did it for her. But, so we'd order for restaurants and, and to see her. not to say that she doesn't I mean, she was a small business owner. She owned a laundromat, dry cleaners in Virginia and totally is the reason why everybody is alive, you know? But, to see her move so seamlessly and easily, I'm sorry, it's emotional in the world was this, such a gift I didn't know I'd get. And, You see her haggling with people, you know, and, and she's directing as she's pointing out. Yeah. It was just a really, no matter how long someone has been away from the place they were born, you know, to see them back there is, um, it was, yeah, it was just such a beautiful gift and I'm glad we have it on film.   [00:27:17] Miko Lee: Did you discuss that with your mom? How different that was for you to see her in a different way?    [00:27:22] Thao Nguyen: You know, not, not, um, not directly. I've written about it, but I've not, we don't have the kind of, Yeah. That, that's never come up in those ways. You know, we talk a lot. I basically, I try to call her at least, uh, almost every day, just 'cause she lives across the country. So I wanna just be sure that, you know, I'm just doing these like, casual wellness checks, but we don't often get into those more philosophical conversations. Um, but she did, you know, the, the song Temple, Which would become the lead single of the album Temple was, inspired by this moment of candor that I had never experienced before and I would never experience again. It happened one night when we were in Vietnam and she just said outta nowhere. You have to understand what freedom is and you have to understand why a million people would risk their lives at sea, and I can't. I can't teach you that. I can't help you with it. You have to know for yourself. And that's what became, the song Temple where wherein she's speaking to me about her life before, during, and after war.   [00:28:35] Miko Lee: That's so powerful. Thank you for sharing. I, I appreciate that about your music, the personal, visions and dreams and pain that you experience putting that in. Is there another song of yours that really stands out to you?    [00:28:51] Thao Nguyen: Another one. Aside from that?    [00:28:53] Miko Lee: Aside from that.    [00:28:54] Thao Nguyen: There's. You know, yes, there's a, there's definitely a few from this new album that is, that I just finished and it's releasing in September. From that same album Temple there's, the song Marrow. there's a few. That album is as much, it was, it was this, I just had this, I knew that I had to make it both about, what my Vietnamese identity is and what it is to be queer in Vietnamese and stay in the culture, which is not something that I thought I could do. So yeah, I would say both Temple and Marrow encapsulate, this effort to fully align myself in ways that I hadn't been able to.    [00:29:40] Miko Lee: And what is Marrow about?    [00:29:42] Thao Nguyen: Marrow is about what it means to fully accept yourself so that you could offer yourself to the rest of your life. You know, it's, it's like.   [00:29:54] Miko Lee: That's all.   [00:29:56] Thao Nguyen: That's all. And it's, and it was against the backdrop of getting married. but it was more about me coming to terms with not even coming to terms, like even that language is so, disparaging. It's, it was just about claiming myself and saying to my family, I need to be, you know, I, I need to be my full self and I believe I can be with you still. But you know, the lines are, It's so funny. I sing it all the time and I can't do that. The line I'm thinking of in particular is, at that point I'm apologizing to my partner at the time and saying, you know, I am basically, I couldn't claim us because of this barrier, but I'm sorry to you and I'm sorry to me, and the, you know. I have grief in my marrow. Will you marry me still? So is it, that's a roundabout way of explaining what that, what that song is.   [00:30:54] MUSIC    [00:34:24] Ayame Keane-Lee: You just listened to “Marrow” by tonight's guest, Thao Nguyen.    [00:34:28] Miko Lee: You talk about Temple and how that was based on this trip you took in 2015, right? 2016. How long does it generally take you for a song to germinate?    [00:34:41] Thao Nguyen: You know, that one, um, that's, that is an example of a, a longer, uh, gestation period because it was such an intense, because Vietnam was such an intense time. Uh, it was months, maybe it was two years before I could even think about it, honestly. And there are other things that happen. I wish things happened more instantaneously. It's very rare that a whole song will just present itself. You know, temple, that song in particular, when I started writing it, it took maybe two hours, but it took me two years to get to the point where I could    [00:35:20] Miko Lee: And it just came to you in two hours?   [00:35:22] Thao Nguyen: Yeah. It just came, just the vision. All those, the imagery, everything that I'd wanted to say. It just, I understood how. To present it. And I think I had tried in other forms over that time, but it just wasn't ready. Other songs, um, yeah, anywhere from it's, it's like the chorus or a hook or a verse will come very quickly, and then the time, the more arduous stuff is building around it to make sure that it, it, you know, it's properly bolstered. Like I, if I believe in a hook, then I'll, I'll try to build the house around it.    [00:36:02] Miko Lee: And how, what do you do? Do you just record it straight up right when you get the hook, like on a small device or what's your process?    [00:36:09] Thao Nguyen: It um, typically I'm playing an instrument, either guitar or piano or I've written, you know, sometimes I get bored, I write on other instruments, but primarily it's guitar, piano, and, um. It'll be the melodic hook only on the instrument, and then I'll put words. But yeah, it's, I, I just use voice memos and then as I'm building it, then I'll move into pro tools and, and, and record a more proper demo.    [00:36:40] Miko Lee: And do you have a set working process or you just vibe it whenever you're feeling it? And I ask because I always ask this of artists. Because I think it's so interesting, what is the discipline it takes for your art form? And I remember I interviewed Isabel Allende years ago and she said, yes, I make myself go in my studio at 8:00 AM every day. And even if I can't write, I sit there from this time to this time. So what, what is your process like? Or do you have a set process?    [00:37:05] Thao Nguyen: Yes. Absolutely. And it's taken me so many years to figure out what my set process is and to have the discipline to really, really, um, I do believe it is a daily practice and it is a daily discipline and I'm so afraid of what happens when I slip out of it because I know what happens. I've tumbled into this very dark, deep well of despair and I don't know. You, you start to question what your whole purpose is. It gets bad very quickly, right? So I'm always trying to stay on the side of not completely sliding down. Not to say it isn't very joyful and I mean this a very lucky position to be in. One of the things that's been going on for the last few years is I have multiple projects going on at once and I do have to figure out, I had an, um, the album is just finished thankfully, but I am developing a musical and I'm also writing a book. And so I have to figure out, I divvy out the days. I would like to say that I can work on all three in one day, not possible. So I have to choose, um. And it's always, the morning time is the best for generating something from nothing. And then I try not to edit or revise or question it until that afternoon or later. Actually, you don't question it within that same day. Like the main, I think the main priority for me is maintaining momentum and optimism. So I need to do whatever it is to thwart whatever part of me is trying to take it down. Um, so I'll work in the morning for a few hours and then leave it, you know, and as writers say, leave it no matter if it's songwriting or whatever, like leave it at a place where you, when you start again, you feel good about it and you know what the next step is.   [00:39:08] Miko Lee: Do you have a set time? It's like just the morning from this time to this time. And then do you say musical today? Book today. Album today. How do you do that?    [00:39:17] Thao Nguyen: Well, it depends on the deadlines.    [00:39:21] Miko Lee: Of course.    [00:39:22] Thao Nguyen: I, yeah, I, I work to the deadline. 'cause there's always, thankfully, there's always at least one happening and yeah, I. I love this by the way, because I actually, when I'm stuck, I just look up different routines for writers and artists. It's like my favorite thing to do. So I love to participate in this conversation. Um, but I wake up, I meditate, I try to do a little stretching, and then I do a walk. It depends on where I'm working. Okay? Here's the thing. If I'm working on music, I have to work at home. If I can write, then I'm gonna go to a coffee shop or the library or my friends just opened up local economy, uh, that, that, so I've been going there and because writing is so lonely and miserable that I cannot be in the house, I, I, there's no way I have to be in public. Um, and just at least feeling the energy of other life    [00:40:18] Miko Lee: With songwriting also?    [00:40:19] Thao Nguyen: With songwriting, I have to be home 'cause I'm making all this noise. So what? Yeah, with songwriting I'll be at home, but that's way less miserable 'cause I can just play guitar or piano or something and then, or I'll be in studio with my friends that I'm making the album with. Um, now that I've finished the album and I'm moving and I'm more squarely in the book writing, um, I try to do two hours. You know, not, not solid. I will try, like, for a while, um, I was doing the timer with the, you know, 25 minutes at a time. And then that wasn't, I wasn't getting enough done and then, yeah, and then more than two hours. I, I just can't, it's not sustainable. Um, for me, I feel like I get a solid hour to two. Or maybe you hit like a two page, two or three page, um, quota or something, and then just don't even look at it and then go, and then I go exercise and I need to be outside and, or go on a hike or something.    [00:41:34] Miko Lee: Okay. Tell us about this book. What is it about, what's the timeline? No pressure.    [00:41:41] Thao Nguyen: I would love to tell you what it was about, if I knew better. Um, what it was. It's, it's a collection of essays and I'm calling it, so it's, it's, uh, it'll be out on Gray Wolf, um, into, in spring of 27. And so it is due relatively soon 'cause they, it's a longer lead time. I'm calling it a community memoir, um, because it's a collection of essays from different, it's all through my lens, but it's to celebrate these characters that I grew up with in Foster Virginia, within my family, within the community that I, they're so vivid to me and. Their stories. The quieter sides, the quieter moments of what it means to live in diaspora or what I wanna capture. And also what, you know, part of it is what shaped my musical life. And, and there are all these influences and elements that I, that I just wanted to celebrate and honor and. These people that I remember, but I, I'm, we're all, you know, I'm, I'm turning 42. I'm like, I, we're close to lo I'm close to losing the Hi-Fi detail of them, you know, and, and I don't know who else, is in a position to capture it. You know, and, and also it's this amazing opportunity to talk to my mom's, brothers and sisters. You know, there are tales. There's, of course, you grow up with, I think it's really different to, I was raised, you know, in Virginia by my, primarily by my mom. My grandmother and my aunt didn't come till I was five, but the stories that I heard. Mostly were from my mom who fled in, who left in 73, and her experience is so different than my grandmother, my aunt, all of my mom's siblings who stayed, who had to stay through the fall and, and live in a different regime, you know?    And so to get to hear those stories of just like the more quotidian indignities of what is life after you've lost your. To them they've lost their country, but they're still in it. You know, like, what is it to, with what were the rice rations like? Yeah. So, 50 years on what stays with people, you know, against the backdrop of the most devastating thing that can happen is that like the rice was so broken and it was so rationed and the quality of it was so infuriating and that they and my uncle talks about just for the 50th anniversary, I went back, I had an event, um, I think at the Smithsonian, and I went and I was staying with my uncle, and so I was able to ask them questions and he remembers buying meat on the black market. But you, you'd go to this market, you'd make eye contact with the person. They, you follow them to a behind the stall. They give you this meat wrapped in newspaper. You don't even know what it is. You don't, you can't unwrap it till you get home, you know? Anyway, those are the things that I, I just am so fascinated by, and I, there's just this kind of humanity and life in them that I wanna help. Um, record and if nothing else, just so that I know that it gives me an opportunity to ask these questions. Um, there's stuff about, you know, I'm estranged from my father and I have a lot there, there are things that I, you know, it just, these essays are helping me, better understand and, and process. these open-ended. storylines that, that, have punctuated and haunted me.    [00:45:38] Miko Lee: And this is your first book, right?    [00:45:40] Thao Nguyen: It is, yes.    [00:45:42] Miko Lee: What made you decide to do a book format and also essays, I heard you say? Mm-hmm. Um, as opposed to another album or a series of songs.    [00:45:52] Thao Nguyen: Um, I've always wanted to be a writer. Bef I wanted to be a writer before I was a songwriter, before I wanted to do anything. And I think it scares me the most in my life. And, and it was time to, you know, the opportunity came up, um, very fortunately to get to write a book for Gray Wolf, which of which I'm a huge fan, you know, and, uh, it's a true honor to be affiliated with them. And. Uh, I wanted to do it because it's a lifelong goal and dream, that actually is way scarier to me than making music and performing music. So I, I kind of just needed to see that I, I needed to try.    [00:46:38] Miko Lee: And why an essay format?    [00:46:40] Thao Nguyen: Um, I think that's what naturally. For this, for the first go, it, it, it is what naturally I'm drawn to and what happens most easily. Uh, and I think they're similar to songs in that way. And I, I am very much as a writer, as a songwriter or any or prose writer, I want to try and just capture the, a moment and a feeling and I. Um, that's my main prerogative and my main compulsion when I write. And so for this first go, I'm hoping that there will be more, but this, yeah. Is, is just the, the easiest way to package it.    [00:47:28] Miko Lee: I'm absolutely looking forward to reading it. Now share about a musical. Tell me more    [00:47:34] Thao Nguyen: Musical. I don't know how much I can say besides, uh, it's not been announced yet, but I do, I have been in, I do spend a lot of time in New York, um, and it's an adaptation. Um, I. I shouldn't have. I, I just wanted to mention that it was happening, but I know now that I sh I can't actually say.    [00:47:56] Miko Lee: Okay. That's okay. It's secret, So how can our audiences find out more about you and your work? We'll put a link to your website absolutely. On their webs, on our, program page. But are there other ways that folks can find out more and keep up to date with what you're doing?   [00:48:11] Thao Nguyen: For sure there's, um, well, all the social media, um, outlets were on there @thaogetstaydown. And um, I have a substack called THAO For The Record, which actually was just me sort of documenting my process of making this next record. Um, but that is my preferred way to be in touch in a more long form, um, less harried way. And the new album is coming out in mid to late September. And so I'm really excited about that. And we're, we are gearing up for more touring, starting the summertime.    [00:48:54] Miko Lee: Excellent. Can't wait to listen to you more and hear the new, piece. And thank you so much for joining us on Apex Express.    [00:49:02] Thao Nguyen: Thank you so much for having me. It was such a joy to speak with you.   [00:49:05] Ayame Keane-Lee: The last song we're playing tonight is also the last on the album Temple. It's called “I've Got Something.”   MUSIC [00:53:51] That was “I've Got Something” by Thao & The Get Down Stay Down. [00:53:55] Miko Lee: Thank you so much for listening tonight. Remember to reconnect to your ancestral technologies and hold in the power of tenderness. Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.            The post APEX Express – 6.18.26 Talk Story with Thao Nguyen appeared first on KPFA.

Here’s a clear, structured summary of the interview with Dr. Margena Christian on Money Making Conversations Masterclass with Rushion McDonald, including its purpose, key takeaways, and notable quotes.

Dr. Otis Williams, founding and sole surviving original member of The Temptations, joins Phil Aston of Now Spinning Magazine for a fascinating conversation about Motown, music, friendship and legacy.From growing up in Texas and moving to Detroit, to meeting Berry Gordy, recording My Girl, performing alongside The Four Tops, and seeing his life portrayed in the Broadway hit Ain't Too Proud, Otis shares memories from one of the most remarkable careers in popular music.We also discuss Motown's enduring influence, the story behind Papa Was A Rollin' Stone, protecting The Temptations' legacy, and why he still loves performing these timeless songs today.⁠If you love Motown, soul music and music history, this is an interview you won't want to miss.⁠⁠Phil Aston | Now Spinning Magazine ⁠

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Jared Shaw has held the drum chair on national tours of Beautiful: The Carole King Musical and The Book of Mormon. He's subbed on Broadway including Tommy, one of the most demanding drum books out there. He's performed at the Kennedy Center and Ghana's National Theater, and he plays groove percussion, orchestral, African percussion, and programs electronics.In this episode, Jared breaks down what it actually took to build a career like that.We cover:* How he approached learning difficult drum books* What touring taught him about preparation and professionalism* How electronic drumming and programming fit into his toolkit* Subbing on Broadway and staying ready for the call* Studying with James Saporito, Shawn Pelton, and Valerie Naranjo* Building a sustainable career as a working musician in New York CityIf you're serious about Broadway, touring, or becoming a more complete drummer, this conversation is for you.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

⁠AUTISTIC Viewpoints⁠⁠⁠⁠⁠ is a podcast hosted by ⁠⁠⁠⁠⁠Turrell Burgess⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Daria Brown⁠⁠⁠⁠⁠. On Episode 12, "Don't Stop 'Til You Get Enough," Turrell and Daria cover Michael Jackson: the new movie, the songs, the fandom, his intersection with DIRFloortime (what?!) and a few more surprises! Enjoy our special episode on the occasions of AUTISTIC Pride (June 18) and JUNETEENTH (June 19)! We hope you like it as much as we enjoyed making it!⁠Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠https://affectautism.com/autistic-viewpoints/⁠⁠⁠⁠⁠⁠⁠ Timestamps:0:14 Introduction1:56 Turrell's first memories of hearing Michael Jackson2:27 Daria's first memories of hearing Michael Jackson3:07 The Jackson 53:45 Why the beginning of the movie Michael made Daria so emotional for more than one reason5:50 Turrell's reflections on the movie Michael7:05 Turrell's early experiences listening to Michael Jackson growing up7:29 Daria's real-time experiences of listening to Michael Jackson growing up8:28 The album OFF THE WALL: our impressions and memories9:45 The album THRILLER: our impressions, including from the movie, Michael, and our memories11:57 Thriller in the movie, Michael12:17 Turrell's favourite songs from Thriller12:40 Daria's favourite songs from Thriller 13:18 MOTOWN 25 and the movie14:13 The album BAD: our impressions and memories15:04 * AUTISTIC Pride tribute *15:38 Turrell's Fun Fact and Daria's reflections on Bad's impact16:23 The album DANGEROUS: our impressions and memories18:10 Daria's concert book from the Victory Tour21:55 Concert talk22:50 History and Invincible and the Michael Jackson Experience video game23:46 Memories of Michael Jackson's death24:32 The movie's foreshadowing25:23 What the fans wanted27:43 Jaafar!28:16 The movie's success28:28 Michael Jackson Cancun show29:52 * JUNETEENTH tribute *31:07 Canadian connection!31:46 DIRFloortime connection!33:25 ICDL connection!34:50 * Turrell's SPECIAL ANNOUNCEMENT! *36:27 Closing remarksResources:Wylie Draper: https://www.instagram.com/p/DSgOQKskT5x/ and https://www.instagram.com/p/DW7tFjija-o/* Thank you to Hungarian recording artist ⁠⁠⁠⁠⁠⁠⁠⁠Post Analog Disorder⁠⁠⁠⁠⁠⁠ for the intro/outro music permission: ⁠⁠⁠https://postanalogdisorder.bandcamp.com/album/still-i-rise

 Mark Ronson featuring Amy Winehouse – Valerie   Diana Ross & The Supremes – You Can't Hurry Love   Aretha Franklin – Respect (Intro ReMasterd)   The Chainsmokers vs. Depeche Mode – Closer X Enjoy the Silence (dJ STaTT 80s Mashup)   Owl City vs. Justin Bieber – Sorry Fireflies (dJ STaTT Mashup)   Bad Bunny vs. Fleetwood Mac – Everywhere DTMF (dJ STaTT Bootleg)   Madonna – Borderline   Sabrina Carpenter vs. When In Rome – Promise Expresso (dJ STaTT 80s Bootleg)   Dan Hartman – I Can Dream About You   Swing Out Sister – Breakout   Madonna – Express Yourself [80s Redrum]   Sabrina Carpenter vs. When In Rome – Promise Expresso (dJ STaTT 80s Bootleg)   Def Leppard vs. Olivia Rodrigo – Hysteria Isn't It Pretty (dJ STaTT Mashup)   The Motels – Only the Lonely   Justin Bieber & Major Lazer ft. MØ vs. Simple Minds – Cold Water X Don't You Forget About Me (dJ STaTT 80s Mashup)   Lil Jon & Bad Bunny vs. Huey Lewis – TiTi Me Pregunto X Back in Time (dJ STaTT Mashup)   Huey Lewis & The News – Power of Love (80s Rock Re-Drum)   Phil Collins – Easy Lover   The Police – King of Pain (Rock ReDrum)   Phil Collins – Something Happened on the Way to Heaven   Paula Abdul – Forever Your Girl [80s Redrum]   Paula Abdul – Opposites Attract [80s Redrum]   Debbie Gibson – Only in My Dreams [80s Redrum]   Bananarama – Venus [80s Redrum]   Prince – When Doves Cry [80s ReDrum]   Drake ft. Bad Bunny vs. Fleetwood Mac – Dreams Gently (dJ STaTT Bootleg)   Orchestral Manoeuvres in the Dark – If You Leave   Starship – We Built This City   Twisted Sister – We're Not Gonna Take It   Ramones – I Wanna Be Sedated   Ramones – Blitzkrieg Bop   A-ha – Take On Me   George Michael – Careless Whisper (80s ReDrum)   Eagles – I Can't Tell You Why   Bob Seger – Shakedown   Richard Marx – Should've Known Better   Olivia Dean vs. The Cure – So Easy X Friday I'm in Love (dJ STaTT 80s Mashup)   Illenium vs. for KING & COUNTRY – Proof of Your Love X Blame Myself (dJ STaTT Remix)   Always Only Jesus vs. Hold On to the Nights (dJ STaTT Remix)   Alway Only Jesus x Mr. Brightside (dJ STaTT bootleg) Mercy Me vs. The Killers vs Thin White Duke Remix   Life.Church Switch ft. Dillon Chase vs. Phil Collins – Symphony X Take Me Home (dJ STaTT Remix)  Tagline: Lots of 80s favorites, 80s-inspired mashups, throwbacks, pop, rock, Motown, and a few exclusive dJ STaTT bootlegs mixed throughout the night. 

Curtis Harding ger oss soulmusikens gemensamma medvetande på ett moln av rymdstoft. Längtan, smärta, kamp och ett artisteri som kopplas till drömmens logik. Lyssna på alla avsnitt i Sveriges Radios app. Vad är skillnaden mellan så kallad retrosoul och AI-musiken som bygger på något gammalt? Förutom ett mindre generiskt låtskrivande är det förmodligen ett artisteri som ser på historien med nya ögon. Curtis från Saginaw, Michigan visar sambandet mellan då och nu och lyckas få klassisk soul att kännas angelägen, till och med modern. Mats Nileskär möter även hans syskonsjälar Leon Bridges och Durand Jones & The Indications.I timme två likaså i sommar Sverigeaktuelle Jalen Ngonda som föddes drygt en halvtimme från sjukhuset i Washington DC där hans idol Marvin Gaye kom till världen 55 år tidigare. Äldre musik fick den unge Jalens blod att rusa. 11-åringen upptäckte det historiska skivbolaget Motown och vägen var utstakad. Mats träffar även Temptations David Ruffin och Eddie Kendricks.

Bariton Eddie Robinson's “Reflections of the Man Inside” also features top Motown producers, arrangers and musicians.

Eric Newman and Kate Wolf speak to journalist and music critic Barry Walters about Mighty Real: A History of LGBTQ Music 1969-2000. Spanning three decades of pop, disco, rock, funk, folk, and much more, Mighty Real looks at the power of popular music to challenge sexual norms and gender categories in ways both coded and overt. Covering headliners such as David Bowie, The Velvet Underground, Motown, Nirvana and Judas Priest, to more obscure players like Lavender Country and the lesbian label, Olivia Records, Walters shows how queerness is encoded in the very DNA of some of our most beloved songs and albums. Mighty Real also testifies to how music both reflects the reality of gay culture and, subversively, brings it into the mainstream.

Tonight's Episode Is A New Podcast Series BrandonJaneauShow:Mt.Rushmore And On This Series Premiere It's My Mt.Rushmore For One Of The Greatest Music Labels Ever Motown Records

How did a personal tragedy influence one of the most essential party anthems in the new wave canon? This week on One Song, Diallo & LUXXURY break down the B-52's “Love Shack” with legendary Grammy award-winning producer, director and president of Blue Note Records, Don Was. They dive into how the track began as a 10+ minute long jam, outline the influences from classic Motown and Stax records and Don shares the surprisingly emotional story behind the iconic “Tin Roof Rusted” breakdown. Songs Discussed: “Love Shack” - The B-52's “Walk The Dinosaur” - Was (Not Was) “Numbers” - Kraftwerk “Mesopotamia” - The B-52's “Tell Me That I'm Dreaming” - Was (Not Was) “Dancing In The Street” - Martha Reeves & The Vandellas “I Love a Man in Uniform” - Gang of Four “Fun House” - The Stooges “Cold Sweat (Parts 1 & 2)” - James Brown and The Famous Flames “Candy” - Iggy Pop “Cool Jerk” - The Capitols “House Of The Rising Sun” - The Animals “Hold On, I'm Comin'” - Sam & Dave “Gimme Some Lovin'” - The Spencer Davis Group “Express Yourself” - Charles Wright & The Watts 103rd Street Rhythm Band “Express Yourself” - N.W.A. “Cars” - Gary Numan Diallo & LUXXURY Talk About Music on Patreon One Song Spotify Playlist Learn more about your ad choices. Visit megaphone.fm/adchoices

Jared Shaw didn't build his career on one big break.He built it on being ready.National tours of Beautiful: The Carole King Musical and The Book of Mormon. Broadway sub credits on Tommy, Boop! The Musical, Beaches, and more. Four years as the drummer for Billy Mira & The Hitmen on the Howard Stern Show. Percussion guest with the National Symphony of Ghana. First drum chair of the NYU Broadway Orchestra under Ted Sperling. Over 40 theatrical productions in New York City.That's not a resume. That's a body of work built one gig at a time.He also came up the right way — NYU Steinhardt, Percussion Performance, University Honors, with minors in Business of Entertainment and Producing. In this episode, we get into what it actually took. How he approached learning difficult books. How he thinks about subbing. What touring taught him about professionalism. How electronic drumming and programming became part of his toolkit — not as a novelty, but as a necessity.We also talk about his studies with James Saporito, Shawn Pelton, and Valerie Naranjo. Three teachers who shaped how he hears music and approaches the instrument.This is a conversation about longevity. About what it actually takes to last in this business. About being the kind of drummer people call — and call back.If you're serious about how to get into subbing on Broadway, or getting a tour, this one's worth your time.For more: https://www.jared-shaw.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

"The new owners of Fender since 2020 are attempting to own the copyright on the Stratocaster body. A German court has taken them part of the way but most experts don't believe it will hold up to scrutiny. Nonetheless, Fender has sent Cease and Desist letters to multiple guitar makers telling them to stop production, call back orders and destroy stock. Fender may have just committed brand suicide because history is not on their side."

This week on Traveling Culturati, we're moving through the latest news shaping culture and travel right now, followed by a deep celebration of Black Music History Month as we explore the sounds and impact of major cultural hubs like DC, Brooklyn, Atlanta, and Los Angeles. We also take a special stop in Detroit, honoring Motown and the legacy of the artists who transformed music and influenced generations worldwide. This episode is all about rhythm, culture, history, and the cities that continue to shape the global sound. We'll also have Ja'Vonne's Travel Minute and The Culture Report featuring host and travel pro Ja'Vonne Harley!

Welcome back to Very Clinical for "Rock and Roll, Part 3"—the latest installment of our ongoing, completely dentistry-free detour into the music that shaped our lives. In this episode, Zach, Kevin (aka: K-Rock), and Alan shift the spotlight away from the frontmen and look at the "corporate" machinery and unsung geniuses behind the greatest eras of pop and rock. We dive deep into the legendary collective of freelance studio masters in LA known as The Wrecking Crew and Detroit's incredibly prolific hit-makers, The Funk Brothers, revealing how some of the most definitive tracks of the 60s and 70s were actually built by daily session workers. From the carefully manufactured magic of "Corporate Rock" and the television-born crossover of The Monkees to the fine line between artistic theft and genuine innovation, we examine how the music industry built its most profitable formulas—and how those formulas repeatedly triggered counter-cultural rebellions like punk and grunge. Some links from the show: "The Wrecking Crew" documentary "Standing in the Shadows of Motown" documentary "20 Feet From Stardom" documentary "That Thing You Do" The Lexington Lab Band Join the Very Clinical Facebook group!  Join the Very Dental Facebook Group using one of these passwords: Timmerman, Paul, Bioclear, Hornbrook, Gary, McWethy, Papa Randy, or Lipscomb!  The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! We're proud to be supported by the folks at Net32! I'm a big fan of the Bioclear Method! I think you should give it a try and I've got a great offer to help you get on board! Use the exclusive Very Dental Podcast code VERYDENTAL8TON for 15% OFF your total Bioclear purchase, including Core Anterior and Posterior Four day courses, Black Triangle Certification, and all Bioclear products. Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code "VERYSHIP" you'll get free shipping on your order! Go save yourself some money and support the show all at the same time! The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even  their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!

Singer Jalen Ngonda continues to honor the Motown sound of the 1960s and '70s on his latest release, following his critically acclaimed 2023 debut, Come Around and Love Me. He performs songs live from his sophomore album, Doctrine of Love, ahead of his appearance at the Gramercy Theatre.  Image courtesy of the artist Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

MUSICAL PERFORMANCES HAD US DANCING, SINGING, & CRYING! Michael Full Movie Reaction Watch Along:   / thereelrejects   Sign up for your one-dollar-per-month trial today at www.SHOPIFY.com/rejects Michael Movie 2026 Reaction & Review! Tara and Jackie sit down for the Michael Jackson biopic reaction and share their first impressions on Jaafar Jackson as Michael Jackson, the King of Pop biopic, and whether this Michael movie captures the music, heartbreak, legacy, and magic of one of the most iconic entertainers of all time. This Michael Jackson Movie reaction includes some of the biggest Michael Jackson and Jackson 5 moments, including “Billie Jean,” “Thriller,” “Bad,” “I Want You Back,” “Human Nature,” “Wanna Be Startin' Somethin',” “Blame It on the Boogie,” “I'll Be There,” “Working Day and Night,” “Singin' in the Rain,” and “Gary, Indiana.” From the Jackson 5 beginnings to the Motown 25 moonwalk, the Thriller music video recreation, the Bad era, and the massive live concert sequences, Tara and Jackie react to the best scenes in the Michael Jackson 2026 film. In this Michael 2026 movie review, we talk about Jaafar Jackson's singing voice in the Michael biopic, Juliano Valdi as young Michael Jackson, Colman Domingo as Joe Jackson, Nia Long as Katherine Jackson, Miles Teller as John Branca, and Antoine Fuqua's direction of the Michael Jackson film. We also discuss how accurate the Michael Jackson movie feels, the emotional family drama, Michael's childhood, the Jackson 5 rise, the pressure of fame, the heartbreak behind the music, and the Michael Jackson movie ending and legacy breakdown. Jaafar Jackson absolutely blew us away, and by the end, we were dancing, crying, getting chills, and wanting more. Comment below with your favorite Michael Jackson song, your thoughts on the Michael movie, and whether you think Jaafar Jackson captured the King of Pop! Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian Von sits down with triple–threat talent Keith D. Robinson for a rich conversation that moves between two worlds: R&B and acting. Keith opens up about growing up in 90s R&B culture, getting his start in harmony groups, landing a short–lived Motown deal, and how a leap of faith to Los Angeles led to major film and TV roles. He breaks down the parallels between his own journey and his breakout role as CC in Dreamgirls, revisits performing “Patience” on the Oscars stage alongside Beyoncé and Jennifer Hudson, and talks about what it meant to realize he actually belonged in rooms with icons like Jamie Foxx and Eddie Murphy. On the music side, Keith dives into his new single “Different Languages” and the forthcoming album Love Episodic 2: The Algorithm—a deeply personal project shaped by COVID, the Hollywood strike, fatherhood, and divorce. He explains how songwriting forces him to become more self–aware and empathetic, and why relationships are really defined in the bad times, not the good ones. They also unpack his role as Dr. Ted Richardson on CBS's Beyond the Gates, why affluent Black family stories matter in this moment, what it's like juggling live performance with on–camera work, and they close with a fun R&B head–to–head: Tank vs. Tyrese in Verzuz.

This month on the SAB Podcast, we welcome Nixxy Rain, formerly one half of SpectraSoul, for a soulful summer edition. This new alias from Dave has been quickly rising within the drum & bass scene, with releases on Flexout Audio, Hospital Records, and Galacy Records. He's been working with a fresh lineup of vocalists, including Kays, Lauren Walton, and SAB family member Sydney Bryce. Drawing inspiration from the deeper and more soulful side of the genre, Nixxy Rain incorporates influences from Soul and Motown to create beautiful pieces of music, equally suited to a quiet Sunday afternoon or 5am at a rave. Check out this mix, packed with some of his current favorites, alongside plenty of his own productions and forthcoming releases. With no sign of slowing down, the artist delivers a mix that's sure to get us jump-started for the summer ahead. Nixxy Rain: https://nixxyrain.bandcamp.com/album/momentum-ep

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Gary Seligson: The Grammy-Winning Broadway Drummer Phil Collins Refused to Work WithoutPhil Collins snuck into a performance of Wicked one night without telling Gary Seligson he was coming.The next morning, he walked into Tarzan rehearsal and told the producers he didn't care who else they put in the band. There was one guy he wanted on drums. Not Chuck Burgi — who had literally replaced Phil Collins in Brand X and was calling in every favor he had to get the gig. Gary Seligson. The one he heard play in the theater when nobody knew he was watching.That's the kind of reputation you build over a career that most Broadway musicians would trade anything for.I chatted with Gary on August 24, 2021. The video is on the Broadway Drumming 101 YouTube channel. Now the audio is available everywhere you get your podcasts — Apple Podcasts, Spotify, wherever you listen.Gary is a Grammy Award winner who originated the drum books and recorded the cast albums for Aida, Wicked, Tarzan, A Little Princess, School of Rock, and Soft Power. He held the drum chair on Billy Elliot for over three years. He's on the Motown: The Musical cast recording playing percussion. His Broadway credits span more than two decades — from The Gershwins' Fascinating Rhythm in 1999 through Bob Fosse's Dancin' and Harmony in 2023. In 2025, he headed back out on the road with the Beauty and the Beast revival. He's also subbed on more than 20 Broadway productions, including Chicago, The Lion King, Les Misérables, Miss Saigon, Cats, and Rent.Gary grew up in West Orange, New Jersey, banging on his mother's pots and pans before his father bought him a tiny metal snare drum at age three. He studied with the same teacher from second grade through twelfth grade. He went to the Hartt School of Music in Hartford. He found his way to Gary Chester in New York, who completely rewired how he thought about the instrument, and then told him flat out: never leave town for more than four weeks.Gary took a touring gig anyway.Nine years on the road followed. And the moment he pulled into his mother's driveway after finally deciding to come home, the phone rang. It was Bob Billig calling about Chicago. That's how this business works when you've done the groundwork.We get into his first Broadway subbing experience at The King and I — walking into the pit two hours before curtain, sitting down at a drum set that felt completely foreign, getting thrown out by the stage manager before the show even started, then spending an hour and forty-five minutes walking around Midtown getting more nervous with every step. Trial by fire. He made the cut, and word traveled fast.We talk about what it felt like to play alongside Elton John in an Aida rehearsal room. We talk about Phil Collins tapping a pencil on a desk during Tarzan rehearsals — not even playing, just tapping — and how the groove was so wide the entire room felt it. And we talk about the moment Gary flew himself to San Francisco on JetBlue just to watch Wicked out of town, because he needed to know for himself whether to leave Aida for it.He knew by the first number.Gary is a Pearl Drums, Sabian Cymbals, Pro-Mark Sticks, Grover Percussion, and Remo Heads endorser, and has been featured in Modern Drummer and DRUM magazine multiple times.Press play. And if this episode gives you something, please leave us a glowing five-star review wherever you're listening. It takes 30 seconds and it means everything to the show.If you're serious about your own path in this industry, pick up Broadway Bound and Beyond at broadwayboundbook.com. Signed copies at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In 1994, the USA hosted the FIFA World Cup for the first time. The choice of host nation was a controversial one because, at that time, the US didn't have an active professional football league. Alan Rothenberg was the man in charge of organising the competition. He decided to book Motown legend, Diana Ross, to headline the opening ceremony in Chicago. Her penalty miss in front of 67,000 fans became an iconic moment in World Cup history. Alan has been sharing his memories of the tournament with Matt Pintus.Eye-witness accounts brought to life by archive and testimony. Sporting Witness is for those fascinated by sporting history. We take you to the events that have shaped the sports world through the eyes of the people who were there. For nine minutes, you become a fan in the stands as we take you back in time to examine memorable victories and agonising defeats from all over the world. You'll hear from people who have achieved sporting immortality, or those who were there as incredible sporting moments unfolded.Recent episodes explore the forgotten football Women's World Cup, the plasterer who fought a boxing legend, international football's biggest ever beating and the man who swam the Amazon river. We look at the lives of some of the most famous F1 drivers, tennis players and athletes as well as people who've had ground-breaking impact in their chosen sporting field, including: the most decorated Paralympian, the woman who was the number 1 squash player in the world for nine years, and the first figure skater to wear a hijab. You can learn all about fascinating and surprising stories, such as the tennis player who escaped the Nazis, how a man finally beat a horse in a race, and how the FIFA computer game was created.(Photo: Diana Ross at the 1994 World Cup opening ceremony. Credit: Kazuhiro Nogi/AFP via Getty Images)

This week, hosts Jim DeRogatis and Greg Kot are digging into the Sound Opinions archives to share some rare tracks recorded in live sessions for past episodes. They'll share songs by Sleater Kinney, Courtney Barnett, Drive-By Truckers and more. The hosts will also review the new album from JPEGMAFIA.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/4frcVZoMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Courtney Barnett, "Scott Says (Live on Sound Opinions)," Sometimes I Sit and Think, and Sometimes I Just Sit, Mom + Pop Music, 2015JPEGMAFIA, "babygirl," Experimental Rap, AWAL, 2026JPEGMAFIA, "The Ghost of Emmett Till," Experimental Rap, AWAL, 2026Mudhoney, "1995 (Live on Sound Opinions)," My Brother the Cow, Reprise, 1995Hüsker Dü, "Diane," Metal Circus, SST, 1983Zola Jesus, "Hunger (Live on Sound Opinions)," Taiga, Mute, 2014Sleater-Kinney, "Get Up (Live on Sound Opinions)," The Hot Rock, Kill Rock Stars, 1999Torres, "Ferris Wheel (Live on Sound Opinions)," Sprinter, Partisan, 2015Hüsker Dü, "Pink Turns to Blue," Zen Arcade, SST, 1984Drive-By Truckers, "What It Means (Live on Sound Opinions)," American Band, ATO, 2016Against Me!, "True Trans Soul Rebel (Live on Sound Opinions)," Transgender Dysphoria Blues, Total Treble, 2014Diana Ross, "I'm Coming Out," Diana, Motown, 1980See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"It is no secret that music contracts can be rather brutal on artists. Often the stories focus on not getting paid but there is also the interesting idea of a lawsuit ordering a musician to fill his or her contract and record what we are calling a court ordered album. We have multiple examples plus one where the band was paid NOT to record an album."

"The New York Times released their 30 Greatest Living American Songwriters list a short while ago. I know online lists usually have some click bait to start conversation but this list was overtly egregious. Not for who was on it. It was who was left off. We will go over the list and play some artists that should have been on there."

"Sony Music Publishing confirmed an agreement to acquire Blackstone's Recognition Music Group catalog for $3.5 billion. The Red Hot Chili Peppers just sold their catalog for $300 million. Other Funds are raising billions to start buying. These buyers are called Music Rights Funds. I became interested in how these Funds actually made money. How does one invest and can I sell my own music. I have the answers for you."

He showed up to watch.9:28 AM. Carroll's Rehearsal Studios. The Tina Turner Broadway show is about to start.Jared's a college student at NYU. He's not there to play. He's there to observe — to see how a real Broadway drummer handles a real Broadway rehearsal. He's looking at the chart on the stand. Not touching anything. Just studying.9:30 hits.The drummer isn't there.Contractor John Miller scans the room. Lands on Jared.“All right, Jared. Sit down. You're on.”He sat down. Blacked out. And sight-read 15 minutes of a mega-mix — a chart he'd never seen, styles flipping every 16 bars, a section in 3/4 buried in the middle — while a friend quietly filmed from across the room.He had no idea that moment would eventually lead to his first touring gig: Beautiful.Not because he was perfect that day, but it was because he was prepared before it.My full conversation with Jared Shaw drops soon on the Broadway Drumming 101 podcast.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Text us about this show.There's nothing like classic soul music whether that be from Stax, Motown, Muscle Shoals, or Philly. When you have a group like The Gin and Sonics in your own back yard playing original soul music with the vibes from those places, well, that's huge! Their debut album, Anytime, has become a favorite in the northeast Wisconsin music scene and cuts from it have been making their way onto local airwaves and it even garnered the band a pair of 2026 WAMI Awards for the album and its title track. If you're looking for some original soul music to groove to that's done right, The Gin and Sonics has you covered!"Anytime" and "The River" performed by The Gin and Sonicswritten by Matt Krempien and Holly Larson℗ 2025 The Gin and Sonics. Used with permission of The Gin and Sonics."Groove Me" performed by The Gin and Sonicswritten by Holly Larson℗ 2025 The Gin and Sonics. Used with permission of The Gin and Sonics.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.comYouTubeFacebookInstagramINTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2026 by Project X Productions. All rights reserved....

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get ad-free episodes, early release, and bonus shows⁠ Haunted houses that won't stay clean? Nerding out about the newly discovered cut of 1958's "Dracula"? Making out with Green Day? All while Paul desperately fights the heat? That's right, it's time to Talk Spooky! Our musical guest on this episode is Podzontommusic, with his latest beat, "Motown." For full shownotes, head to ⁠⁠⁠GhostStoryGuys.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosted by Brooklyn native Rosie Perez comes the story of Fania Records, the “Motown of Salsa.” The artists from Fania toured the world, sold millions of records and changed culture forever. But Fania Records also became mired by royalty divisions, lawsuits and falling-outs. This is the story of the birth of salsa in Nueva York and the rebellious, seductive and political label that defined it: Fania Records. It is the most comprehensive audio narrative yet made about the birth and wild heights of salsa, a genre that continues to shape global culture today. Follow and listen on Apple Podcasts.https://podcasts.apple.com/us/podcast/our-thing-the-birth-of-salsa-in-nueva-york/id1896449326

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.When I recorded this in February of 2022, Rodney was in his drum room. Blue Pearl kit behind him. Meshell Ndegeocello shirt on — second album, Peace Beyond Passion. We both agreed it's her best record. If you've never heard it, fix that before you do anything else today.Now he's the percussionist on The Lost Boys at the Palace Theatre. Twelve Tony nominations. Best Musical on the table. If there was ever a time to bring this one back in full, it's now.He came up in a town in North Carolina with no stoplight. His dad couldn't buy him brushes, so he put mini broomsticks in his hands and showed him what a brush sweep sounds like on a picnic table. That's the foundation. He started on saxophone. Switched to drums at 17. Moved to New York not thinking about Broadway at all. Jeff Campbell put his name in front of Chris Parker. The rest followed.The conversation goes deep on what it actually costs to stack your deck in this business. Playing Diana in La Jolla, then jumping on a plane to Japan with Avril Lavigne, then folding Mrs. Doubtfire in because his wife asked one simple question: what's the worst that can happen?Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

There's no rest for the IndyCar field as the series takes on the streets of Detroit.

"Many summer tours are having to scale back or cancel altogether. The nickname given to this practice is Blue Dot Fever. It is named after the blue dots that appear on unsold seats when a ticket buyer uses Ticketmaster. It has become indicative of a larger societal and financial concern that is leading to people not being able to attend live music. We will explain."