Podcasts about Motown

Here’s a clear, structured summary of the interview with Dr. Margena Christian on Money Making Conversations Masterclass with Rushion McDonald, including its purpose, key takeaways, and notable quotes.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Jared Shaw has held the drum chair on national tours of Beautiful: The Carole King Musical and The Book of Mormon. He's subbed on Broadway including Tommy, one of the most demanding drum books out there. He's performed at the Kennedy Center and Ghana's National Theater, and he plays groove percussion, orchestral, African percussion, and programs electronics.In this episode, Jared breaks down what it actually took to build a career like that.We cover:* How he approached learning difficult drum books* What touring taught him about preparation and professionalism* How electronic drumming and programming fit into his toolkit* Subbing on Broadway and staying ready for the call* Studying with James Saporito, Shawn Pelton, and Valerie Naranjo* Building a sustainable career as a working musician in New York CityIf you're serious about Broadway, touring, or becoming a more complete drummer, this conversation is for you.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

⁠AUTISTIC Viewpoints⁠⁠⁠⁠⁠ is a podcast hosted by ⁠⁠⁠⁠⁠Turrell Burgess⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Daria Brown⁠⁠⁠⁠⁠. On Episode 12, "Don't Stop 'Til You Get Enough," Turrell and Daria cover Michael Jackson: the new movie, the songs, the fandom, his intersection with DIRFloortime (what?!) and a few more surprises! Enjoy our special episode on the occasions of AUTISTIC Pride (June 18) and JUNETEENTH (June 19)! We hope you like it as much as we enjoyed making it!⁠Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠https://affectautism.com/autistic-viewpoints/⁠⁠⁠⁠⁠⁠⁠ Timestamps:0:14 Introduction1:56 Turrell's first memories of hearing Michael Jackson2:27 Daria's first memories of hearing Michael Jackson3:07 The Jackson 53:45 Why the beginning of the movie Michael made Daria so emotional for more than one reason5:50 Turrell's reflections on the movie Michael7:05 Turrell's early experiences listening to Michael Jackson growing up7:29 Daria's real-time experiences of listening to Michael Jackson growing up8:28 The album OFF THE WALL: our impressions and memories9:45 The album THRILLER: our impressions, including from the movie, Michael, and our memories11:57 Thriller in the movie, Michael12:17 Turrell's favourite songs from Thriller12:40 Daria's favourite songs from Thriller 13:18 MOTOWN 25 and the movie14:13 The album BAD: our impressions and memories15:04 * AUTISTIC Pride tribute *15:38 Turrell's Fun Fact and Daria's reflections on Bad's impact16:23 The album DANGEROUS: our impressions and memories18:10 Daria's concert book from the Victory Tour21:55 Concert talk22:50 History and Invincible and the Michael Jackson Experience video game23:46 Memories of Michael Jackson's death24:32 The movie's foreshadowing25:23 What the fans wanted27:43 Jaafar!28:16 The movie's success28:28 Michael Jackson Cancun show29:52 * JUNETEENTH tribute *31:07 Canadian connection!31:46 DIRFloortime connection!33:25 ICDL connection!34:50 * Turrell's SPECIAL ANNOUNCEMENT! *36:27 Closing remarksResources:Wylie Draper: https://www.instagram.com/p/DSgOQKskT5x/ and https://www.instagram.com/p/DW7tFjija-o/* Thank you to Hungarian recording artist ⁠⁠⁠⁠⁠⁠⁠⁠Post Analog Disorder⁠⁠⁠⁠⁠⁠ for the intro/outro music permission: ⁠⁠⁠https://postanalogdisorder.bandcamp.com/album/still-i-rise

 Mark Ronson featuring Amy Winehouse – Valerie   Diana Ross & The Supremes – You Can't Hurry Love   Aretha Franklin – Respect (Intro ReMasterd)   The Chainsmokers vs. Depeche Mode – Closer X Enjoy the Silence (dJ STaTT 80s Mashup)   Owl City vs. Justin Bieber – Sorry Fireflies (dJ STaTT Mashup)   Bad Bunny vs. Fleetwood Mac – Everywhere DTMF (dJ STaTT Bootleg)   Madonna – Borderline   Sabrina Carpenter vs. When In Rome – Promise Expresso (dJ STaTT 80s Bootleg)   Dan Hartman – I Can Dream About You   Swing Out Sister – Breakout   Madonna – Express Yourself [80s Redrum]   Sabrina Carpenter vs. When In Rome – Promise Expresso (dJ STaTT 80s Bootleg)   Def Leppard vs. Olivia Rodrigo – Hysteria Isn't It Pretty (dJ STaTT Mashup)   The Motels – Only the Lonely   Justin Bieber & Major Lazer ft. MØ vs. Simple Minds – Cold Water X Don't You Forget About Me (dJ STaTT 80s Mashup)   Lil Jon & Bad Bunny vs. Huey Lewis – TiTi Me Pregunto X Back in Time (dJ STaTT Mashup)   Huey Lewis & The News – Power of Love (80s Rock Re-Drum)   Phil Collins – Easy Lover   The Police – King of Pain (Rock ReDrum)   Phil Collins – Something Happened on the Way to Heaven   Paula Abdul – Forever Your Girl [80s Redrum]   Paula Abdul – Opposites Attract [80s Redrum]   Debbie Gibson – Only in My Dreams [80s Redrum]   Bananarama – Venus [80s Redrum]   Prince – When Doves Cry [80s ReDrum]   Drake ft. Bad Bunny vs. Fleetwood Mac – Dreams Gently (dJ STaTT Bootleg)   Orchestral Manoeuvres in the Dark – If You Leave   Starship – We Built This City   Twisted Sister – We're Not Gonna Take It   Ramones – I Wanna Be Sedated   Ramones – Blitzkrieg Bop   A-ha – Take On Me   George Michael – Careless Whisper (80s ReDrum)   Eagles – I Can't Tell You Why   Bob Seger – Shakedown   Richard Marx – Should've Known Better   Olivia Dean vs. The Cure – So Easy X Friday I'm in Love (dJ STaTT 80s Mashup)   Illenium vs. for KING & COUNTRY – Proof of Your Love X Blame Myself (dJ STaTT Remix)   Always Only Jesus vs. Hold On to the Nights (dJ STaTT Remix)   Alway Only Jesus x Mr. Brightside (dJ STaTT bootleg) Mercy Me vs. The Killers vs Thin White Duke Remix   Life.Church Switch ft. Dillon Chase vs. Phil Collins – Symphony X Take Me Home (dJ STaTT Remix)  Tagline: Lots of 80s favorites, 80s-inspired mashups, throwbacks, pop, rock, Motown, and a few exclusive dJ STaTT bootlegs mixed throughout the night. 

Curtis Harding ger oss soulmusikens gemensamma medvetande på ett moln av rymdstoft. Längtan, smärta, kamp och ett artisteri som kopplas till drömmens logik. Lyssna på alla avsnitt i Sveriges Radios app. Vad är skillnaden mellan så kallad retrosoul och AI-musiken som bygger på något gammalt? Förutom ett mindre generiskt låtskrivande är det förmodligen ett artisteri som ser på historien med nya ögon. Curtis från Saginaw, Michigan visar sambandet mellan då och nu och lyckas få klassisk soul att kännas angelägen, till och med modern. Mats Nileskär möter även hans syskonsjälar Leon Bridges och Durand Jones & The Indications.I timme två likaså i sommar Sverigeaktuelle Jalen Ngonda som föddes drygt en halvtimme från sjukhuset i Washington DC där hans idol Marvin Gaye kom till världen 55 år tidigare. Äldre musik fick den unge Jalens blod att rusa. 11-åringen upptäckte det historiska skivbolaget Motown och vägen var utstakad. Mats träffar även Temptations David Ruffin och Eddie Kendricks.

Eric Newman and Kate Wolf speak to journalist and music critic Barry Walters about Mighty Real: A History of LGBTQ Music 1969-2000. Spanning three decades of pop, disco, rock, funk, folk, and much more, Mighty Real looks at the power of popular music to challenge sexual norms and gender categories in ways both coded and overt. Covering headliners such as David Bowie, The Velvet Underground, Motown, Nirvana and Judas Priest, to more obscure players like Lavender Country and the lesbian label, Olivia Records, Walters shows how queerness is encoded in the very DNA of some of our most beloved songs and albums. Mighty Real also testifies to how music both reflects the reality of gay culture and, subversively, brings it into the mainstream.

Tonight's Episode Is A New Podcast Series BrandonJaneauShow:Mt.Rushmore And On This Series Premiere It's My Mt.Rushmore For One Of The Greatest Music Labels Ever Motown Records

Another 60 minutes of vintage Northern Soul, Ska, Rocksteady & Reggae

How did a personal tragedy influence one of the most essential party anthems in the new wave canon? This week on One Song, Diallo & LUXXURY break down the B-52's “Love Shack” with legendary Grammy award-winning producer, director and president of Blue Note Records, Don Was. They dive into how the track began as a 10+ minute long jam, outline the influences from classic Motown and Stax records and Don shares the surprisingly emotional story behind the iconic “Tin Roof Rusted” breakdown. Songs Discussed: “Love Shack” - The B-52's “Walk The Dinosaur” - Was (Not Was) “Numbers” - Kraftwerk “Mesopotamia” - The B-52's “Tell Me That I'm Dreaming” - Was (Not Was) “Dancing In The Street” - Martha Reeves & The Vandellas “I Love a Man in Uniform” - Gang of Four “Fun House” - The Stooges “Cold Sweat (Parts 1 & 2)” - James Brown and The Famous Flames “Candy” - Iggy Pop “Cool Jerk” - The Capitols “House Of The Rising Sun” - The Animals “Hold On, I'm Comin'” - Sam & Dave “Gimme Some Lovin'” - The Spencer Davis Group “Express Yourself” - Charles Wright & The Watts 103rd Street Rhythm Band “Express Yourself” - N.W.A. “Cars” - Gary Numan Diallo & LUXXURY Talk About Music on Patreon One Song Spotify Playlist Learn more about your ad choices. Visit megaphone.fm/adchoices

Jared Shaw didn't build his career on one big break.He built it on being ready.National tours of Beautiful: The Carole King Musical and The Book of Mormon. Broadway sub credits on Tommy, Boop! The Musical, Beaches, and more. Four years as the drummer for Billy Mira & The Hitmen on the Howard Stern Show. Percussion guest with the National Symphony of Ghana. First drum chair of the NYU Broadway Orchestra under Ted Sperling. Over 40 theatrical productions in New York City.That's not a resume. That's a body of work built one gig at a time.He also came up the right way — NYU Steinhardt, Percussion Performance, University Honors, with minors in Business of Entertainment and Producing. In this episode, we get into what it actually took. How he approached learning difficult books. How he thinks about subbing. What touring taught him about professionalism. How electronic drumming and programming became part of his toolkit — not as a novelty, but as a necessity.We also talk about his studies with James Saporito, Shawn Pelton, and Valerie Naranjo. Three teachers who shaped how he hears music and approaches the instrument.This is a conversation about longevity. About what it actually takes to last in this business. About being the kind of drummer people call — and call back.If you're serious about how to get into subbing on Broadway, or getting a tour, this one's worth your time.For more: https://www.jared-shaw.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This week on Traveling Culturati, we're moving through the latest news shaping culture and travel right now, followed by a deep celebration of Black Music History Month as we explore the sounds and impact of major cultural hubs like DC, Brooklyn, Atlanta, and Los Angeles. We also take a special stop in Detroit, honoring Motown and the legacy of the artists who transformed music and influenced generations worldwide. This episode is all about rhythm, culture, history, and the cities that continue to shape the global sound. We'll also have Ja'Vonne's Travel Minute and The Culture Report featuring host and travel pro Ja'Vonne Harley!

Bienvenue au paradis des tubes oubliés. Ils sont tous là, à attendre une petite prière sous la forme d'une écoute en streaming et pourtant vous ne les écoutez pas, ou plus, ou mieux, vous n'en avez jamais entendu parler, alors qu'iriez-vous faire sur la page de ces artistes qui n'ont connu qu'un seul hit !Et parmi tous ces artistes censés n'avoir connu qu'une unique heure de gloire, le groupe Soft Cell est sûrement celui compte le plus de tubes oubliés. Soft Cell, c'est bien sûr, Tainted Love.L'histoire de ce duo électro new wave du nord de l'Angleterre est bien connue. La reprise d'une chanson anglaise façon Motown qui n'avait pas marché dans les années 60 et qui devient le plus grand hit de l'année 1981 à l'échelle de la planète, empochant un record de durée dans le Billboard américain et du nombre de 45 Tours vendus en Grande-Bretagne.Et le suivant ? Ben six mois plus tard N°4 … Bedsitter, et puis le suivant ? N°4 … Say hello wave goodbye, le suivant N°2 … Torch, et le suivant ? N°3 What !Ça vous étonne, hein ? Et pourtant, Soft Cell, c'est alors LE groupe de New Wave ! Oui mais c'est bizarre ! Ah ben justement, être bizarre, c'est la clé pour se faire entendre, passer à la radio et à la télé en Angleterre, en 1981 et 82. Le label qui les a sous contrat s'appelle d'ailleurs Some Bizarre. Le succès de Soft Cell est tel, alors, que le patron du label refile un autre groupe qui les sollicite à un pote fan d'électro car il n'a pas le temps de s'en occuper, le groupe s'appelle Depeche Mode.Alors pourquoi les autres chansons de Soft Cell ne sont-elles pas restées dans nos têtes, ne se sont pas installées avec les années dans le grand inconscient collectif de notre Pop Culture ? Et bien parce que justement Some Bizarre est un label indépendant et que beaucoup de firmes de disques étrangères comme en Belgique, en France, n'ont pas joué le jeu. Si cela avait été une multinationale, la chose aurait sans doute été différente mais Soft Cell, comme les Korgis d'ailleurs, ne joue pas, ou très peu, en public. Nous ne serons pas très nombreux à voir leur unique concert belge au Manhattan à Leuven début 1983.Alors oui, quatre tubes énormes et consécutifs mais uniquement en Grande Bretagne et en Irlande, ce qui est déjà pas mal, si vous les comparez à des artistes français. Mais voilà, c'est Depeche Mode et Simple Minds qui ont pris toute la place et trusté les ventes de disques à partir de là. Alors on est passé à côté de quoi, allez-vous me dire ? Des chansons formidables, qui attendent votre curiosité, comme celle-ci, c'était en 1982, c'était bizarre mais qu'est-ce qu'on a aimé ça.

Welcome back to Very Clinical for "Rock and Roll, Part 3"—the latest installment of our ongoing, completely dentistry-free detour into the music that shaped our lives. In this episode, Zach, Kevin (aka: K-Rock), and Alan shift the spotlight away from the frontmen and look at the "corporate" machinery and unsung geniuses behind the greatest eras of pop and rock. We dive deep into the legendary collective of freelance studio masters in LA known as The Wrecking Crew and Detroit's incredibly prolific hit-makers, The Funk Brothers, revealing how some of the most definitive tracks of the 60s and 70s were actually built by daily session workers. From the carefully manufactured magic of "Corporate Rock" and the television-born crossover of The Monkees to the fine line between artistic theft and genuine innovation, we examine how the music industry built its most profitable formulas—and how those formulas repeatedly triggered counter-cultural rebellions like punk and grunge. Some links from the show: "The Wrecking Crew" documentary "Standing in the Shadows of Motown" documentary "20 Feet From Stardom" documentary "That Thing You Do" The Lexington Lab Band Join the Very Clinical Facebook group!  Join the Very Dental Facebook Group using one of these passwords: Timmerman, Paul, Bioclear, Hornbrook, Gary, McWethy, Papa Randy, or Lipscomb!  The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! We're proud to be supported by the folks at Net32! I'm a big fan of the Bioclear Method! I think you should give it a try and I've got a great offer to help you get on board! Use the exclusive Very Dental Podcast code VERYDENTAL8TON for 15% OFF your total Bioclear purchase, including Core Anterior and Posterior Four day courses, Black Triangle Certification, and all Bioclear products. Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code "VERYSHIP" you'll get free shipping on your order! Go save yourself some money and support the show all at the same time! The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even  their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!

Singer Jalen Ngonda continues to honor the Motown sound of the 1960s and '70s on his latest release, following his critically acclaimed 2023 debut, Come Around and Love Me. He performs songs live from his sophomore album, Doctrine of Love, ahead of his appearance at the Gramercy Theatre.  Image courtesy of the artist Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

MUSICAL PERFORMANCES HAD US DANCING, SINGING, & CRYING! Michael Full Movie Reaction Watch Along:   / thereelrejects   Sign up for your one-dollar-per-month trial today at www.SHOPIFY.com/rejects Michael Movie 2026 Reaction & Review! Tara and Jackie sit down for the Michael Jackson biopic reaction and share their first impressions on Jaafar Jackson as Michael Jackson, the King of Pop biopic, and whether this Michael movie captures the music, heartbreak, legacy, and magic of one of the most iconic entertainers of all time. This Michael Jackson Movie reaction includes some of the biggest Michael Jackson and Jackson 5 moments, including “Billie Jean,” “Thriller,” “Bad,” “I Want You Back,” “Human Nature,” “Wanna Be Startin' Somethin',” “Blame It on the Boogie,” “I'll Be There,” “Working Day and Night,” “Singin' in the Rain,” and “Gary, Indiana.” From the Jackson 5 beginnings to the Motown 25 moonwalk, the Thriller music video recreation, the Bad era, and the massive live concert sequences, Tara and Jackie react to the best scenes in the Michael Jackson 2026 film. In this Michael 2026 movie review, we talk about Jaafar Jackson's singing voice in the Michael biopic, Juliano Valdi as young Michael Jackson, Colman Domingo as Joe Jackson, Nia Long as Katherine Jackson, Miles Teller as John Branca, and Antoine Fuqua's direction of the Michael Jackson film. We also discuss how accurate the Michael Jackson movie feels, the emotional family drama, Michael's childhood, the Jackson 5 rise, the pressure of fame, the heartbreak behind the music, and the Michael Jackson movie ending and legacy breakdown. Jaafar Jackson absolutely blew us away, and by the end, we were dancing, crying, getting chills, and wanting more. Comment below with your favorite Michael Jackson song, your thoughts on the Michael movie, and whether you think Jaafar Jackson captured the King of Pop! Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian Von sits down with triple–threat talent Keith D. Robinson for a rich conversation that moves between two worlds: R&B and acting. Keith opens up about growing up in 90s R&B culture, getting his start in harmony groups, landing a short–lived Motown deal, and how a leap of faith to Los Angeles led to major film and TV roles. He breaks down the parallels between his own journey and his breakout role as CC in Dreamgirls, revisits performing “Patience” on the Oscars stage alongside Beyoncé and Jennifer Hudson, and talks about what it meant to realize he actually belonged in rooms with icons like Jamie Foxx and Eddie Murphy. On the music side, Keith dives into his new single “Different Languages” and the forthcoming album Love Episodic 2: The Algorithm—a deeply personal project shaped by COVID, the Hollywood strike, fatherhood, and divorce. He explains how songwriting forces him to become more self–aware and empathetic, and why relationships are really defined in the bad times, not the good ones. They also unpack his role as Dr. Ted Richardson on CBS's Beyond the Gates, why affluent Black family stories matter in this moment, what it's like juggling live performance with on–camera work, and they close with a fun R&B head–to–head: Tank vs. Tyrese in Verzuz.

This month on the SAB Podcast, we welcome Nixxy Rain, formerly one half of SpectraSoul, for a soulful summer edition. This new alias from Dave has been quickly rising within the drum & bass scene, with releases on Flexout Audio, Hospital Records, and Galacy Records. He's been working with a fresh lineup of vocalists, including Kays, Lauren Walton, and SAB family member Sydney Bryce. Drawing inspiration from the deeper and more soulful side of the genre, Nixxy Rain incorporates influences from Soul and Motown to create beautiful pieces of music, equally suited to a quiet Sunday afternoon or 5am at a rave. Check out this mix, packed with some of his current favorites, alongside plenty of his own productions and forthcoming releases. With no sign of slowing down, the artist delivers a mix that's sure to get us jump-started for the summer ahead. Nixxy Rain: https://nixxyrain.bandcamp.com/album/momentum-ep

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Gary Seligson: The Grammy-Winning Broadway Drummer Phil Collins Refused to Work WithoutPhil Collins snuck into a performance of Wicked one night without telling Gary Seligson he was coming.The next morning, he walked into Tarzan rehearsal and told the producers he didn't care who else they put in the band. There was one guy he wanted on drums. Not Chuck Burgi — who had literally replaced Phil Collins in Brand X and was calling in every favor he had to get the gig. Gary Seligson. The one he heard play in the theater when nobody knew he was watching.That's the kind of reputation you build over a career that most Broadway musicians would trade anything for.I chatted with Gary on August 24, 2021. The video is on the Broadway Drumming 101 YouTube channel. Now the audio is available everywhere you get your podcasts — Apple Podcasts, Spotify, wherever you listen.Gary is a Grammy Award winner who originated the drum books and recorded the cast albums for Aida, Wicked, Tarzan, A Little Princess, School of Rock, and Soft Power. He held the drum chair on Billy Elliot for over three years. He's on the Motown: The Musical cast recording playing percussion. His Broadway credits span more than two decades — from The Gershwins' Fascinating Rhythm in 1999 through Bob Fosse's Dancin' and Harmony in 2023. In 2025, he headed back out on the road with the Beauty and the Beast revival. He's also subbed on more than 20 Broadway productions, including Chicago, The Lion King, Les Misérables, Miss Saigon, Cats, and Rent.Gary grew up in West Orange, New Jersey, banging on his mother's pots and pans before his father bought him a tiny metal snare drum at age three. He studied with the same teacher from second grade through twelfth grade. He went to the Hartt School of Music in Hartford. He found his way to Gary Chester in New York, who completely rewired how he thought about the instrument, and then told him flat out: never leave town for more than four weeks.Gary took a touring gig anyway.Nine years on the road followed. And the moment he pulled into his mother's driveway after finally deciding to come home, the phone rang. It was Bob Billig calling about Chicago. That's how this business works when you've done the groundwork.We get into his first Broadway subbing experience at The King and I — walking into the pit two hours before curtain, sitting down at a drum set that felt completely foreign, getting thrown out by the stage manager before the show even started, then spending an hour and forty-five minutes walking around Midtown getting more nervous with every step. Trial by fire. He made the cut, and word traveled fast.We talk about what it felt like to play alongside Elton John in an Aida rehearsal room. We talk about Phil Collins tapping a pencil on a desk during Tarzan rehearsals — not even playing, just tapping — and how the groove was so wide the entire room felt it. And we talk about the moment Gary flew himself to San Francisco on JetBlue just to watch Wicked out of town, because he needed to know for himself whether to leave Aida for it.He knew by the first number.Gary is a Pearl Drums, Sabian Cymbals, Pro-Mark Sticks, Grover Percussion, and Remo Heads endorser, and has been featured in Modern Drummer and DRUM magazine multiple times.Press play. And if this episode gives you something, please leave us a glowing five-star review wherever you're listening. It takes 30 seconds and it means everything to the show.If you're serious about your own path in this industry, pick up Broadway Bound and Beyond at broadwayboundbook.com. Signed copies at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In 1994, the USA hosted the FIFA World Cup for the first time. The choice of host nation was a controversial one because, at that time, the US didn't have an active professional football league. Alan Rothenberg was the man in charge of organising the competition. He decided to book Motown legend, Diana Ross, to headline the opening ceremony in Chicago. Her penalty miss in front of 67,000 fans became an iconic moment in World Cup history. Alan has been sharing his memories of the tournament with Matt Pintus.Eye-witness accounts brought to life by archive and testimony. Sporting Witness is for those fascinated by sporting history. We take you to the events that have shaped the sports world through the eyes of the people who were there. For nine minutes, you become a fan in the stands as we take you back in time to examine memorable victories and agonising defeats from all over the world. You'll hear from people who have achieved sporting immortality, or those who were there as incredible sporting moments unfolded.Recent episodes explore the forgotten football Women's World Cup, the plasterer who fought a boxing legend, international football's biggest ever beating and the man who swam the Amazon river. We look at the lives of some of the most famous F1 drivers, tennis players and athletes as well as people who've had ground-breaking impact in their chosen sporting field, including: the most decorated Paralympian, the woman who was the number 1 squash player in the world for nine years, and the first figure skater to wear a hijab. You can learn all about fascinating and surprising stories, such as the tennis player who escaped the Nazis, how a man finally beat a horse in a race, and how the FIFA computer game was created.(Photo: Diana Ross at the 1994 World Cup opening ceremony. Credit: Kazuhiro Nogi/AFP via Getty Images)

This week, hosts Jim DeRogatis and Greg Kot are digging into the Sound Opinions archives to share some rare tracks recorded in live sessions for past episodes. They'll share songs by Sleater Kinney, Courtney Barnett, Drive-By Truckers and more. The hosts will also review the new album from JPEGMAFIA.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/4frcVZoMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Courtney Barnett, "Scott Says (Live on Sound Opinions)," Sometimes I Sit and Think, and Sometimes I Just Sit, Mom + Pop Music, 2015JPEGMAFIA, "babygirl," Experimental Rap, AWAL, 2026JPEGMAFIA, "The Ghost of Emmett Till," Experimental Rap, AWAL, 2026Mudhoney, "1995 (Live on Sound Opinions)," My Brother the Cow, Reprise, 1995Hüsker Dü, "Diane," Metal Circus, SST, 1983Zola Jesus, "Hunger (Live on Sound Opinions)," Taiga, Mute, 2014Sleater-Kinney, "Get Up (Live on Sound Opinions)," The Hot Rock, Kill Rock Stars, 1999Torres, "Ferris Wheel (Live on Sound Opinions)," Sprinter, Partisan, 2015Hüsker Dü, "Pink Turns to Blue," Zen Arcade, SST, 1984Drive-By Truckers, "What It Means (Live on Sound Opinions)," American Band, ATO, 2016Against Me!, "True Trans Soul Rebel (Live on Sound Opinions)," Transgender Dysphoria Blues, Total Treble, 2014Diana Ross, "I'm Coming Out," Diana, Motown, 1980See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"The New York Times released their 30 Greatest Living American Songwriters list a short while ago. I know online lists usually have some click bait to start conversation but this list was overtly egregious. Not for who was on it. It was who was left off. We will go over the list and play some artists that should have been on there."

"It is no secret that music contracts can be rather brutal on artists. Often the stories focus on not getting paid but there is also the interesting idea of a lawsuit ordering a musician to fill his or her contract and record what we are calling a court ordered album. We have multiple examples plus one where the band was paid NOT to record an album."

"Sony Music Publishing confirmed an agreement to acquire Blackstone's Recognition Music Group catalog for $3.5 billion. The Red Hot Chili Peppers just sold their catalog for $300 million. Other Funds are raising billions to start buying. These buyers are called Music Rights Funds. I became interested in how these Funds actually made money. How does one invest and can I sell my own music. I have the answers for you."

On this episode of Lyrics of Their Life, we delve deep into the story behind one of the darkest but greatest pop tracks of all time: Michael Jackson's "Billie Jean."Come with me behind the scenes of a grueling recording process that saw Quincy Jones and Michael clash over creative differences. We'll revisit the literal trial by fire when Michael's car almost went up in flames as he was entirely obsessed with the infectious beat of Billie Jean running through his head and the schoolyard fashion trend that Michael sparked with his iconic Billie Jean outfit.We also take a look at the iconic moments that defined this era: The Motown 25 Debut: The night the world first witnessed the Moonwalk. Breaking the Barrier: How "Billie Jean" shattered the MTV colour barrier forever. The Paranoid Anthem: The true inspiration behind the mystery. The Real Life "Billie Jean" The stalkers known as "Billie Jeans" who prayed on Michael both before and after the tracks success including the notorious Lavon Powlis who would haunt Michael for the remainder of his career.

He showed up to watch.9:28 AM. Carroll's Rehearsal Studios. The Tina Turner Broadway show is about to start.Jared's a college student at NYU. He's not there to play. He's there to observe — to see how a real Broadway drummer handles a real Broadway rehearsal. He's looking at the chart on the stand. Not touching anything. Just studying.9:30 hits.The drummer isn't there.Contractor John Miller scans the room. Lands on Jared.“All right, Jared. Sit down. You're on.”He sat down. Blacked out. And sight-read 15 minutes of a mega-mix — a chart he'd never seen, styles flipping every 16 bars, a section in 3/4 buried in the middle — while a friend quietly filmed from across the room.He had no idea that moment would eventually lead to his first touring gig: Beautiful.Not because he was perfect that day, but it was because he was prepared before it.My full conversation with Jared Shaw drops soon on the Broadway Drumming 101 podcast.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Text us about this show.There's nothing like classic soul music whether that be from Stax, Motown, Muscle Shoals, or Philly. When you have a group like The Gin and Sonics in your own back yard playing original soul music with the vibes from those places, well, that's huge! Their debut album, Anytime, has become a favorite in the northeast Wisconsin music scene and cuts from it have been making their way onto local airwaves and it even garnered the band a pair of 2026 WAMI Awards for the album and its title track. If you're looking for some original soul music to groove to that's done right, The Gin and Sonics has you covered!"Anytime" and "The River" performed by The Gin and Sonicswritten by Matt Krempien and Holly Larson℗ 2025 The Gin and Sonics. Used with permission of The Gin and Sonics."Groove Me" performed by The Gin and Sonicswritten by Holly Larson℗ 2025 The Gin and Sonics. Used with permission of The Gin and Sonics.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.comYouTubeFacebookInstagramINTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2026 by Project X Productions. All rights reserved....

durée : 00:04:48 - Dans la playlist de France Inter - par : Marion Guilbaud - Écossaise élevée à la Motown, Brooke Combe revisite la grande tradition de la Northern Soul avec une fraîcheur et une sincérité qui la distinguent de la concurrence. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get ad-free episodes, early release, and bonus shows⁠ Haunted houses that won't stay clean? Nerding out about the newly discovered cut of 1958's "Dracula"? Making out with Green Day? All while Paul desperately fights the heat? That's right, it's time to Talk Spooky! Our musical guest on this episode is Podzontommusic, with his latest beat, "Motown." For full shownotes, head to ⁠⁠⁠GhostStoryGuys.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosted by Brooklyn native Rosie Perez comes the story of Fania Records, the “Motown of Salsa.” The artists from Fania toured the world, sold millions of records and changed culture forever. But Fania Records also became mired by royalty divisions, lawsuits and falling-outs. This is the story of the birth of salsa in Nueva York and the rebellious, seductive and political label that defined it: Fania Records. It is the most comprehensive audio narrative yet made about the birth and wild heights of salsa, a genre that continues to shape global culture today. Follow and listen on Apple Podcasts.https://podcasts.apple.com/us/podcast/our-thing-the-birth-of-salsa-in-nueva-york/id1896449326

It's two more hours of vintage 1950s and 60s vinyl soul and R&B found on record labels ranging from obscure locals almost lost to time to the Big Dogs of those genres: Motown, Atlantic, Chess, etc. Slip on your dancing shoes and hit the floor! -Originally broadcast May 31, 2026- Willie Mitchell / That Driving BeatPercy Sledge / Baby, Help MeBob & Earl / Dancin' EverywhereJames Carr / A Losing GameBilly Hambric / New York City BabyThe Supremes / Run, Run, RunBilly Bland / My Heart's on FireWillie Harper / But I Couldn'tHank Ballard and His Midnighters / She's Got a Whole Lot of SoulThe Vibrations / WallflowerGeorge Young and the Youngsters / Johnny B GoodeJohnny White / Whole Hog or NoneFred Parris & The Restless Hearts / Walk a Little FasterChristine Quaite / Mr. Stuck-upBig Dee Irwin / Everybody's Got a Dance But MeThe Showmen / Com'n HomeFontella Bass / Safe and SoundRochelle Johnson / Playing the FieldPeaches and Herb / Love Is StrangeBedford Incident / It Ain't Me, BabeJackie Ross / Dynamite Lovin'The Casinos / That's the WayDon Covay & The Goodtimers / Mercy, MercyThe Magnificent Men / Almost PersuadedClifford Curry / Break My MindJames Brown and the Famous Flames / I Got The Feelin'Solomon Burke / Peepin'Brice Coefield / TemptedThe Drifters / Chains of LoveLenny Welch / Coronet BlueAustin Taylor / Push PushChuck Jackson / Any Other WayLenny Miles / In Between TearsChet "Poison" Ivey And His Fabulous Avengers / In A Little WhileThe Shevelles / Oo Poo Pa DooThe Clovers / I I I Love YouThe Mark IV / 45 R.P.M.Faye Adams / Johnny LeeThe Entertainers / Too MuchIke & Tina Turner / A Fool in Love Hosted on Acast. See acast.com/privacy for more information.

Hosted by Brooklyn native Rosie Perez comes the story of Fania Records, the “Motown of Salsa.” The artists from Fania toured the world, sold millions of records and changed culture forever. But Fania Records also became mired by royalty divisions, lawsuits and falling-outs. This is the story of the birth of salsa in Nueva York and the rebellious, seductive and political label that defined it: Fania Records. It is the most comprehensive audio narrative yet made about the birth and wild heights of salsa, a genre that continues to shape global culture today. Follow and listen on Apple Podcasts. https://podcasts.apple.com/us/podcast/our-thing-the-birth-of-salsa-in-nueva-york/id1896449326

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.When I recorded this in February of 2022, Rodney was in his drum room. Blue Pearl kit behind him. Meshell Ndegeocello shirt on — second album, Peace Beyond Passion. We both agreed it's her best record. If you've never heard it, fix that before you do anything else today.Now he's the percussionist on The Lost Boys at the Palace Theatre. Twelve Tony nominations. Best Musical on the table. If there was ever a time to bring this one back in full, it's now.He came up in a town in North Carolina with no stoplight. His dad couldn't buy him brushes, so he put mini broomsticks in his hands and showed him what a brush sweep sounds like on a picnic table. That's the foundation. He started on saxophone. Switched to drums at 17. Moved to New York not thinking about Broadway at all. Jeff Campbell put his name in front of Chris Parker. The rest followed.The conversation goes deep on what it actually costs to stack your deck in this business. Playing Diana in La Jolla, then jumping on a plane to Japan with Avril Lavigne, then folding Mrs. Doubtfire in because his wife asked one simple question: what's the worst that can happen?Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

My guest this week is Ethan Popp, a Grammy®, Olivier®, and three-time Tony® Award nominee, who is nominated this year for the Tony Award for Best Orchestrations for The Lost Boys. He is also the Music Director for the show. He has worked with some of the biggest musical acts in the recording business, including Queen, Tina Turner, Elton John, Stevie Nicks, Bono, Alice Cooper, and Smokey Robinson. In film, he was the Music Production Supervisor for the 2017 film “The Greatest Showman” and served as vocal coach for Academy® Award winner Rami Malek in the movie “Bohemian Rhapsody.” For the theater, he has served as music producer, music supervisor, arranger, and orchestrator for such shows as Back to the Future: The Musical, Mrs. Doubtfire, Tina: The Tina Turner Musical, School of Rock, Motown the Musical, Hedwig and the Angry Inch, Rock of Ages, and The Lost Boys, which is what we are going to talk about today.

There's no rest for the IndyCar field as the series takes on the streets of Detroit.

"Many summer tours are having to scale back or cancel altogether. The nickname given to this practice is Blue Dot Fever. It is named after the blue dots that appear on unsold seats when a ticket buyer uses Ticketmaster. It has become indicative of a larger societal and financial concern that is leading to people not being able to attend live music. We will explain."

“The Freedom Fighter is in my blood,” Jenell Mansfield says, tracing her roots from Macon, Georgia, to Dexter-Davidson, the Jeffries Projects, Central High School, and Haiti's revolutionary legacy. In this Detroit is Different conversation, Mansfield, a teacher and social worker running for Wayne County Commissioner in the 5th District, opens up about the generations that shaped her politics, purpose, and love for Black people. Her family story begins with Great Migration dreams, a veteran great-grandfather seeking something better, grandparents who came of age in Motown-era Detroit, and a Haitian father whose history taught her that freedom is never given. Mansfield connects personal memory to public policy, breaking down how housing, poverty, education, water shutoffs, and “hyper ghetto” conditions impact what Detroiters can imagine for their futures. She reminds us, “You can't be what you can't see,” while challenging listeners to think about what happens when Black communities are separated from resources, elders, and examples of possibility. This interview matters because it ties Detroit's past to the political choices ahead, showing how lived experience, social work, teaching, and community love can become a blueprint for leadership rooted in the people. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co

Tall Black Guy brings the Detroit soul. Benjamin Wright — the legendary arranger behind Off The Wall — shares raw memories of Michael Jackson, Quincy Jones, and why the new Michael movie moved him to tears. Music, legacy, and voting rights in 2026 collide in one fully loaded conversation.Also featuring DIZZIATIC NATION -PSYCHOTIC BUMP SCHOOL's AFTER-SCHOOL PROGRAM featuring Civil Rights Attorney JORA TRANG and Community Organizer ORAIU IMANI.Tall Black Guy: https://tallblackguyproductions.com/https://tallblackguy.bandcamp.com/album/expansionsBenjamin Wright: https://www.thehistorymakers.org/biography/benjamin-wright-41

The Four Tops formed in Detroit in 1953, originally named The Four Aims. They're a cornerstone of American pop music and helped propel the Motown label to international recognition. Although ostensibly a soul vocal group, I find the band interesting in how broad they were stylistically and in the variety of material they adopted. The current incarnation of The Four Tops are touring this year with The Temptations. They're hitting the UK this summer, with a run that includes a date at the Royal Albert Hall.   I'm joined this episode by Lawrence Payton Jr. from the current line-up, the son of founding member Lawrence Payton who passed away in 1997.   Lawrence had a lot to say about growing up around his dad's band, and why the Tops should still be on the road in 2026. He was great company.   Please leave a nice review or star rating with your podcast provider.   You can find me on Instagram @sendingsignalspodcast

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I chatted with Rodney Howard in February of 2022. He was in his drum room — blue kit behind him, Meshell Ndegeocello shirt on — and what started as a podcast felt more like a conversation between two guys who just happened to both live in this world.I had a great time revisiting this one.The Lost Boys is now running at the Palace Theatre with 12 Tony nominations, including Best Musical. It's the most Tony-nominated musical of 2026. Rodney is the percussionist on that show. Before that, he held the drum chair at Mrs. Doubtfire, subbed some of the hardest chairs on Broadway, and spent years on the road with Avril Lavigne, Gavin DeGraw, and Regina Spektor.This episode is about how you build that kind of career. He started on saxophone. Switched to drums at 17. Moved to New York not thinking about Broadway at all. Then Jeff Campbell put his name in front of Chris Parker, and the rest is a masterclass in being ready when the call comes.Two things from this conversation I almost forgot about that were really important. First, he said, take notes literally and broadly, but not too literally. He learned that the hard way at Lion King, following a sub-conductor's shaky conducting because Tommy told him to follow the conductor. The notes you get points you somewhere, but it doesn't replace your judgment.Second, when you sub, use what the drummer uses for monitoring. Not your nice headphones. Not your in-ears. Whatever they use. The mix was built around that. He said he's personally tanked a sub gig because he didn't. Said it like a man who doesn't enjoy repeating the experience.The video drops this Friday. Go listen.Originally released February 2022 on the Broadway Drumming 101 Podcast.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Lawrence Payton Jr from the legendary Four Tops about legacy, family, Motown, and carrying forward one of the greatest soul music catalogues of all time.Lawrence shares deeply personal stories about growing up with his father, original Four Tops member Lawrence Payton, memories of Motown legends visiting the family home, stepping into the group himself, and the emotional responsibility of performing songs that have become “the soundtracks of people's lives.”The conversation also explores:The timeless magic of MotownHolland-Dozier-Holland's songwriting geniusThe emotional connection audiences still have with these songsThe Four Tops & Temptations brotherhoodBrand new music recorded at the original Motown studioA heartfelt conversation about music, memory, love, and why these songs still matter today.Phil Aston | Now Spinning Magazine

Vince Staples se mueve entre el soul, el jazz, la psicodelia y los sonidos de Motown con "White Flag", el segundo avance de "Cry Baby", su próximo disco, en el que expresa su agotamiento físico y mental ante la la lucha constante contra el racismo sistémico y la violencia institucional en Estados Unidos. Desea que el amor sea el motor del cambio pero la tensión social y política de su país le supone un enorme desgaste. "White Flag" es una de las canciones protagonistas de este podcast junto con lo nuevo de Bleachers, Olivia Rodrigo, Konyikeh, La Amenaza Constante, Charli XCX y el dúo Wasia Project. BLEACHERS - We Should TalkBLEACHERS - TAKE YOU OUT TONIGHTKONYIKEH - MercenaryOLIVIA RODRIGO - the cureTHE CURE - Boys Don't Cry (86 Mix _2026)ADAM GUERRERO - Fotos de la PolaroidLA AMENAZA CONSTANTE - Dame estrellas o LimonesSHEGO - (casi no vivo para contarlo)VINCE STAPLES - White FlagCHARLI XCX - SS26CHANNEL TRES - Pop PopTRUENO - Estilo SudakaTEMPLES - Blue FlameANNI B SWEET - Adiós Con AlegríaBARRY B - SilveradoWASIA PROJECT - Bleeding GoldNOTHING BUT THIEVES - EvolutionEscuchar audio

Jim Hill and Eric Hersey dive into the surprising Universal Pictures history behind Michael Jackson's breakout acting role in The Wiz, exploring how the 1978 musical helped launch one of the most important creative partnerships in pop culture history. Along the way, they also cover new Epic Universe character reveals, Halloween Horror Nights rumors, and what's next for Universal Orlando's evolving parks. NEWS • Universal officially unveils Captain Cacao, the oversized bear mascot coming to Celestial Park at Epic Universe • Rumors swirl around a possible Ozzy Osbourne-themed house for Halloween Horror Nights 35 • Po's Kung Fu Training Camp at DreamWorks Land temporarily closes for refurbishment through July • Listener theories continue about a possible Zelda-themed replacement for Mythos at Islands of Adventure • Universal fans debate whether Volcano Bay's retired “Spirit of the Volcano” effect could inspire a new home for Mystic Fountain FEATURE • The surprising story behind how Michael Jackson landed the role of the Scarecrow in Universal's 1978 film version of The Wiz • How The Wiz introduced Michael Jackson to legendary producer Quincy Jones during filming in New York City • Why Universal and Motown took a massive creative gamble adapting Broadway's urban retelling of The Wizard of Oz • Behind-the-scenes stories involving Diana Ross, Richard Pryor, Ray Bolger, and the original casting plans for the film • How Michael Jackson's performance in The Wiz helped pave the way for Off the Wall, Thriller, and Bad HOSTS • Jim Hill X/Twitter: @JimHillMedia Instagram: @JimHillMedia Website: jimhillmedia.com • Eric Hersey X/Twitter: @erichersey Instagram: @erichersey Website: strongmindedagency.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR UnlockedMagic.com - Save up to 12% on Universal Orlando and Walt Disney World tickets, including Express Pass options, when you book through https://unlockedmagic.com/?utm_source=partner&utm_campaign=epicjhm If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan grew up in a small town in Kansas. No blueprint for this. No obvious path to musical theater. She found her way to NYU, studied West African music under Valerie Naranjo — which rewired the way she hears everything — and started building relationships one sub at a time.Now she's 600 shows into the national tour of A Beautiful Noise: The Neil Diamond Musical. And the way she talks about this industry is the kind of honest I don't always get on this podcast.We got into some really cool things:— What she does at the kit during the show that nobody expects, and why it actually works — The subbing etiquette mistakes that quietly end reputations before they start — A blacklist situation she handled with more integrity than most veterans twice her age — What ego, patience, and sitting with uncertainty actually look like when you're learning from the people ahead of youCheck out her site: https://www.morganparkernyc.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.This is why I started Broadway Drumming 101. Not to give people a checklist. But to share access with people who figured it out — and let you hear how they actually talk about it.The video is embedded above. Audio is available on every podcast platform.If this is your first episode…welcome! Stick around.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

"This is a requested topic from a friend. He wondered if we had ever discussed steel drums. We had not so we did a show. We have some history and some discussion of tuning and prices. There are also a lot of songs that use the steel drum you may not have noticed before."

www.patreon.com/theconspiracypodcastBefore the moonwalk. Before the glove. Before Neverland, before the tabloids, before the world decided it knew exactly who Michael Jackson was — there was a kid in Gary, Indiana who wasn't allowed to touch his father's guitar.Most people know the legend. Few know the price.Michael Jackson didn't have a childhood. He had rehearsals. He had a belt across the chair and a father who saw dollar signs where other dads saw sons. By the time he was eight years old he was performing in nightclubs, watching the adult world at its worst, and being told that was normal. It wasn't normal. None of it was.And yet — out of all of that — came Thriller. The moonwalk. Four consecutive number one singles before he was twelve. A catalog worth billions. A chimp in a matching outfit eating dinner at the table.But also Neverland. Also the allegations. Also a death that still doesn't sit right.This week we start at the beginning — Gary, Indiana, Joe Jackson, the Apollo Theater, Motown, Quincy Jones, and the private world Michael built when he finally had enough money to build whatever he wanted. We get into the stuff most people don't know, the stuff that actually explains everything, and we set the table for what's coming in Part 2.And trust us — Part 2 gets dark.Timestamps:00:00 — Intro, Patreon shoutouts & gas prices somehow leading to Michael Jackson04:00 — Why we're covering MJ now & our bias going in (we love him, sue us)07:00 — Gary, Indiana: the two-bedroom house, 11 people, and Joe Jackson11:00 — Joe discovers the boys' talent & the rehearsals begin — belt on the chair13:00 — Michael describes the abuse & why the sight of his father made him physically ill15:00 — "Big Nose" — the nickname that quietly explains everything about his face16:00 — The Jackson 5 is born & Michael joins at six years old18:00 — Winning the Apollo, Gladys Knight, Berry Gordy & the Motown signing19:00 — Diana Ross "presents" them — the marketing ploy that worked perfectly20:00 — Four consecutive number ones straight out the gate, Jacksonmania hits22:00 — Growing up backstage in nightclubs — what Michael saw at age 7 and 823:00 — His Grammy speech: "My childhood was taken away from me"25:00 — Was it worth it? The guys debate childhood sacrifice vs. greatness32:00 — Michael meets Diana Ross at nine years old — "my mother, sister, and lover"34:00 — Leaving Motown, The Wiz disaster, and meeting Quincy Jones35:00 — Off the Wall, one Grammy, and a quiet promise to himself36:00 — Thriller drops — and why nobody actually knows how many copies it sold39:00 — The Motown 25 moonwalk: 47 million viewers and a call from Fred Astaire41:00 — Bad, five consecutive number ones, and the Beatles catalog for $47 million43:00 — Neverland Ranch: the train, the zoo, the carousel, and why he built it48:00 — Bubbles the chimp, matching outfits, and the loneliness hiding behind it all54:00 — The Godiva candy story & why he never stopped giving it away56:00 — Vitiligo confirmed: what the autopsy actually showed58:00 — The nose, the face, and erasing the thing his father ridiculed59:00 — What's coming in Part 2: the lawsuits, the acquittal, the death, and the dark stuff