Podcasts about Motown

Nate Wilcox and Ed Ward continue their discussion of Ed's ⁠⁠⁠⁠⁠⁠⁠"History of Rock & Roll 1920-1963⁠⁠⁠⁠ "⁠⁠⁠⁠ with the first of two shows discussing 1963. This week we'll be talking about how Berry Gordy perfected his Motown assembly line, Phil Spector and the wrecking crew, Roy Orbison's operatic dramas, Patsy Cline's final year, and how James Brown finally seized control of his career and became the Godfather of Soul. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This archived episode from 2021 pays tribute to one of the co-founders of the legendary Vee-Jay Records, Vivian Carter. Vee-Jay Records is considered to be the most successful Black-owned record label of the pre-Motown era.

“Detroit would be a sad place if we weren't all different,” says Hot Sam's co-owner Tony Stovall, opening a conversation that moves like a masterclass in Black Detroit legacy, style, and spiritual grounding. In this Detroit is Different episode, Tony traces his journey from East St. Louis to the Eastside, from a 15-year-old getting his first suit to becoming co-owner of Detroit's oldest Black-owned clothing store, a century-strong institution that shaped generations of our city's fashion identity. “You have one opportunity to make your first impression,” he reminds us, weaving lessons on manhood, mentorship, and the power of loving our people out loud. Tony shares how he and Mr. Green built Hot Sam's through grit, customer devotion, and faith—“Nothing comes between me and my partner but me or him”—and how Detroit's flair impacts the world. This episode speaks to past and future: migration, Motown elegance, Black entrepreneurship, and why keeping the Black dollar circulating is a cultural responsibility. If you love Detroit, if you believe in legacy, if you believe that style is spiritual—this is required listening. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com

This Classic episode goes back to 2021 with drummer Rich Rosenzweig. At the time, he was playing the drum chair for Company. Today, he is the drummer for Ragtime at Lincoln Center. Part One focuses on his early years, his training, and his path into the Broadway world.What we cover in this episode* How Rich transitioned from piano lessons to drums.* Growing up in a home filled with music and support for the arts.* Group snare drum lessons in grammar school and early practice habits.* Playing in the basement, practicing with records, and discovering big band.* Hearing Buddy Rich, Basie's band, and how those experiences shaped his sound.* Getting into jazz as a teenager and forming his first jazz groups.* Studying at UNC Chapel Hill and balancing music with a liberal arts education.* His obsession with film, film scores, and composers like Bernard Herrmann and Ennio Morricone.* Moving to New York with pianist Frank Kimbrough and building a freelance life.* Playing weddings, club dates, and the slow grind toward professional theater work.* Watching Ray Marchica play The Will Rogers Follies and learning what Broadway drumming really requires.* Subbing under conductor Eric Stern and facing a click track for the first time.* Landing his first Broadway chair on State Fair and what he learned from that experience.* Why Broadway drumming demands consistency, reading skills, groove, and a full understanding of the storytelling behind the music.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Why this episode matters* It gives a clear picture of how a Broadway drummer builds a career from scratch.* It highlights the mix of training, influences, timing, and relationships that shape a long career on Broadway.* It shows how jazz, film music, and classical Broadway scoring all feed into a drummer's approach and musical identity.* It offers practical insight for anyone who wants to pursue theater drumming at a high level.Part Two will be released next week.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with legendary producer and entertainment executive Suzanne de Passe. From championing the Jackson 5 early in their career to producing Emmy Award–winning miniseries like Lonesome Dove, Suzanne's career is defined by vision, talent recognition, and breaking barriers in Hollywood.An Eclectic, Wonderful Childhood (02:16) Suzanne describes growing up in Harlem, attending the progressive private school New Lincoln, and spending summers in Martha's Vineyard.Suzanne's Superpower (12:46) Suzanne talks about her greatest talent: recognizing the talent of others and knowing what to do with it.The Meeting That Changed Everything (16:22) Through her friendship with Cindy Birdsong of The Supremes, Suzanne met Berry Gordy in 1967, a moment that changed her life forever."One Day, That's Gonna Be Me" (21:19) Standing under the Essex House sign, watching Diana Ross depart in one limo, and the other Supremes in another, Suzanne had a realization: she wanted to be a part of that world.Championing The Jackson 5 (31:39) When Bobby Taylor invited her to hear a young group of brothers sing four songs a cappella, “the hair on the back of my neck flew up,” Suzanne recalls. Despite Barry Gordy's initial resistance to signing another kid act, her relentless advocacy is what finally got the Jackson 5 their Motown audition.Rock and Roll Hall of Fame Induction (38:04) In 2024, Suzanne was inducted into the Rock and Roll Hall of Fame with the Ahmet Ertegun Award, the fifth woman and the first solo living female recipient among male legends.Lonesome Dove (40:28) After optioning Larry McMurtry's unpublished novel for $50,000, Swifty Lazar called with news: it had won the Pulitzer Prize. The resulting CBS miniseries was nominated for 19 Emmys, won 11, and received a Golden Globe and a Peabody Award.Immortal Studio: The Next Chapter (51:17) Suzanne has launched the production company Immortal Studio with partners Madison Jones, Cory Martin, and investor Yang Ben Wang. Focused on premium television, the company already has full seasons scripted and is built to be nimble, artist-friendly, and protective of creative vision — avoiding the industry's usual “fingerprinting process,” where too many people try to leave their mark.Suzanne de Passe demonstrates that recognizing talent, whether in five kids singing a capella or an unpublished western novel, combined with persistence and vision, can build an entertainment legacy that spans decades.Host: Kevin GoetzGuest: Suzanne de PasseProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Suzanne de Passe:Wikipedia: https://en.wikipedia.org/wiki/Suzanne_de_PasseIMDB:https://www.imdb.com/name/nm0210867/Rock and Roll Hall of Fame:For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Gladys Knight & the Pips hold an essential place in American music history, but within the ensemble's smooth choreography and signature harmonies, one member often stood out for his quiet consistency, unmistakable stage presence, and velvet-textured vocals: William Guest. His contributions helped shape the unmistakable sound of the group, even if he wasn't always the one in the spotlight.The story begins in Atlanta, Georgia, where Gladys Knight was already turning heads with her powerhouse vocals as a child. In 1952, after winning a televised talent competition, she joined forces with her brother Merald “Bubba” Knight and cousins Edward Patten and William Guest. The four formed a family group called The Pips, named after another cousin, James “Pip” Woods. Even in the early days, Guest's natural musicality was obvious. His voice had a warm, fluid tone, and he possessed a dancer's instinct — smooth, rhythmic, and always in total sync with the group.Throughout the '50s and early '60s, The Pips worked tirelessly, playing hometown shows and steadily building a reputation for their professionalism and perfectly blended harmony parts. William was a key part of the group's vocal chemistry. While Gladys carried the lead, it was William, Edward, and Bubba who built the lush vocal bed the group became famous for. Their first hit, “Every Beat of My Heart,” arrived in '61 and put the group on the national radar. But the real transformation came in '66 when they signed with Motown Records. Surrounded by giants of the era, Gladys Knight & the Pips carved out their own lane. What many don't realise is just how physically demanding the group's work was during the Motown years. William wasn't simply a backing singer — he was part of the group's visual identity. His dance lines with Bubba and Edward became part of the group's signature.In '73, after moving to Buddah Records, the group hit an extraordinary creative stride. “Midnight Train to Georgia,” “Best Thing That Ever Happened to Me,” and “I've Got to Use My Imagination” defined an era, and William Guest was right there at the heart of it. Behind the scenes, he was known as a gentle, steady soul — humble, thoughtful, and devoted to the craft. His professionalism was legendary: he rehearsed meticulously, respected the group's tight vocal blend, and helped maintain the discipline that kept the band performing at an elite level for decades.The group continued releasing hits through the '70s and '80s, including “Love Overboard,” which won a Grammy and introduced the group to a new generation. By the time they retired in '89, they had become one of the longest-running and most respected vocal groups in American music.William Guest didn't step away from music after the group's farewell. Instead, he poured his energy into nurturing new talent. He co-founded the Crew Records label and later the Gladys Knight & the Pips Foundation, focusing on youth development and musical education — a reflection of his belief in giving young performers the kind of opportunities he'd had as a child.When Gladys Knight & the Pips were inducted into the Rock and Roll Hall of Fame in '96, it was a moment that finally spotlighted the collective contributions of all four members — including the man whose steady artistry helped carry the group across four decades.William Guest passed away in 2015. His sister in law, author Lady Dhyana Ziegler spent years interviewing him and recently published his story " Midnight Train From Georgia" It speaks of his voice, his movement, and his unwavering commitment to excellence that helped shape one of the greatest soul ensembles of all time . Lady D joins us today to share the story of William Guest whose influence lives on in the countless R&B vocal groups who model themselves on the Pips' precision and style today.

“Who headlined a 2012 show in France with The Darkness and Lady Starlight as openers?” That's just one of the brain-busting questions in this unforgettable episode of The Ben and Skin Show, featuring hosts Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray.The crew dives headfirst into Name That Headliner, a fast-paced, hilarious music trivia game that spans decades—from the Motown magic of the '60s to the indie anthems of the 2010s. Expect wild guesses, shocking reveals, and plenty of laugh-out-loud banter.Key Highlights:KT introduces the game and immediately sparks chaos with rules no one can agree on.Skin dominates early, but not before Krystina nails a surprise Coldplay clue.Legendary lineups revealed: Jethro Tull at Red Rocks, Jay-Z with DMX and Method Man, and the jaw-dropping Whitesnake show that had ZZ Top opening.Plus, the crew reminisces about concerts they'd kill to attend and drops some killer music knowledge along the way.

Before the Supremes, before Berry Gordy, a Los Angeles record label run out of a garage was shaping the future of American music.Founded by Dootsie Williams in the early 1950s, Dootone Records became a hub of innovation—recording doo-wop, jazz, and the first Black comedy albums that would influence generations. But while the physical site of Dootone has nearly vanished, its intangible heritage—the voices, rhythms, and entrepreneurial spirit it carried—still reverberates through today's culture. Through interviews with historian Robert Petersen and Getty preservationist Rita Cofield, this episode explores what it means to preserve sound as history: how a song like “Earth Angel” can outlast the walls that once contained it, and why the legacy of Dootone still matters today.Join Jaime as he retraces Dootone's path with Robert Petersen and Rita Cofield—following the threads from a Central Avenue porch to playlists today and uncovering how keeping these sounds in circulation keeps Dootone's legacy alive.Special thanks to Rita Cofield and Robert Petersen.

Chaque matin, Ombline Roche vous raconte l'histoire qui se cache derrière un artiste. Un rendez-vous incontournable pour mieux apprécier l'œuvre de son auteur. Aujourd'hui, la partition de The Temptations. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Twenty pounds of headlines plus rants, theories and the odd slice of old hokum: served hot. Which this week involves … … Jimmy Cliff and how his versatility worked against him … the Conjuror? Eyeball Tickler? The Concert in the Egg? Hieronymus Bosch painting or late-period Oasis B-side? … Motown, Jacksons, Beatles, Chili Peppers? What's the greatest bassline on record? … what you notice watching the new Beatles' Anthology 4 ... why the leading edge of novelty is the internet … from Eddie Cochran to the Bonzos, Can, Hawkwind, Costello and Stone Roses: the pioneering life of label-boss Andrew Lauder … when did it become impossible to date records by their sound? And when did they stop sounding like glorious accidents? … Joan Armatrading? Carole King? Dido? Which singer-songwriters are legends? … what's “stuck culture”? … is Tomorrow Never Knows the only one-chord wonder? … the link between Good Times, Another One Bites the Dust and Rapper's Delight … whalebone corsets, butchers' knives: Nick Cave and the art of 18th century lyric-writing … “Graham Coxon was a trumpet player and plays the guitar like a trumpet!” Plus birthday guest Kevin Walsh: which musicians are freaks and which cheerleaders? Hear Wilton Felder's isolated bass on the Jackson 5's' I Want You Back': https://www.youtube.com/watch?v=z91l_lPz1ocHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

 On the new episode of The Denise Ilitch Show, Denise explores the parallels between business partnerships and marriage in the first half, and then dives into the enduring Motown legacy in the second. Denise sits down with Daniel Stern and Christopher Brochert, co-founders of Lormax Stern Development—a nationally recognized, award-winning real estate firm known for its innovative shopping centers and contemporary approach. Together, they discuss why a successful partnership is much like a marriage: it requires trust, aligned values, shared decision-making, and mutual respect. Daniel and Christopher share their journey, the importance of education and mentorship in business, and offer invaluable advice for aspiring entrepreneurs—emphasizing that people are your greatest assets and that patience is key to long-term success. In the second half, Denise welcomes Robin Terry, Chairwoman of the Motown Museum and granddaughter of Motown's founder. Robin shares her family's remarkable legacy, her ambitious $75 million expansion project for the museum, and her vision for keeping Motown relevant for future generations. From transforming Hitsville U.S.A. into a hub for young artists to celebrating Detroit's rich musical heritage through programs like Amplify the Sound of Detroit, Robin's passion for community and innovation shines through. Tune in for an inspiring conversation about building lasting partnerships in business—and in family—while honoring Detroit's past and shaping its future.  

Twenty pounds of headlines plus rants, theories and the odd slice of old hokum: served hot. Which this week involves … … Jimmy Cliff and how his versatility worked against him … the Conjuror? Eyeball Tickler? The Concert in the Egg? Hieronymus Bosch painting or late-period Oasis B-side? … Motown, Jacksons, Beatles, Chili Peppers? What's the greatest bassline on record? … what you notice watching the new Beatles' Anthology 4 ... why the leading edge of novelty is the internet … from Eddie Cochran to the Bonzos, Can, Hawkwind, Costello and Stone Roses: the pioneering life of label-boss Andrew Lauder … when did it become impossible to date records by their sound? And when did they stop sounding like glorious accidents? … Joan Armatrading? Carole King? Dido? Which singer-songwriters are legends? … what's “stuck culture”? … is Tomorrow Never Knows the only one-chord wonder? … the link between Good Times, Another One Bites the Dust and Rapper's Delight … whalebone corsets, butchers' knives: Nick Cave and the art of 18th century lyric-writing … “Graham Coxon was a trumpet player and plays the guitar like a trumpet!” Plus birthday guest Kevin Walsh: which musicians are freaks and which cheerleaders? Hear Wilton Felder's isolated bass on the Jackson 5's' I Want You Back': https://www.youtube.com/watch?v=z91l_lPz1ocHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Twenty pounds of headlines plus rants, theories and the odd slice of old hokum: served hot. Which this week involves … … Jimmy Cliff and how his versatility worked against him … the Conjuror? Eyeball Tickler? The Concert in the Egg? Hieronymus Bosch painting or late-period Oasis B-side? … Motown, Jacksons, Beatles, Chili Peppers? What's the greatest bassline on record? … what you notice watching the new Beatles' Anthology 4 ... why the leading edge of novelty is the internet … from Eddie Cochran to the Bonzos, Can, Hawkwind, Costello and Stone Roses: the pioneering life of label-boss Andrew Lauder … when did it become impossible to date records by their sound? And when did they stop sounding like glorious accidents? … Joan Armatrading? Carole King? Dido? Which singer-songwriters are legends? … what's “stuck culture”? … is Tomorrow Never Knows the only one-chord wonder? … the link between Good Times, Another One Bites the Dust and Rapper's Delight … whalebone corsets, butchers' knives: Nick Cave and the art of 18th century lyric-writing … “Graham Coxon was a trumpet player and plays the guitar like a trumpet!” Plus birthday guest Kevin Walsh: which musicians are freaks and which cheerleaders? Hear Wilton Felder's isolated bass on the Jackson 5's' I Want You Back': https://www.youtube.com/watch?v=z91l_lPz1ocHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Phil troll Motown Hour

The Wolf & Action Jackson will admit they aren't the world's biggest Beatles fans. Though we appreciate their influence to help create the music we love through generations, we generally don't gravitate towards their albums. However, in researching Rubber Soul as it turns 60 on December 3, we gained new appreciation and respect for the Lads from Liverpool. They had grown up quite a bit in the last few years and found themselves writing more mature lyrics while experimenting with different sounds. The Beatles had met and befriended Bob Dylan and in their second trip to the US had met Elvis and formed mutual admiration societies with The Byrds, Motown and Stax. They experimented with LSD and the boys used to call Rubber Soul the pot album as they partook during the recording. So as they wove all those influencers into their own music, they also started to write more personal songs. Paul exchanged sweet nothings for standoffish goodbyes in songs like You Won't See Me and I'm Looking Through You. A contemplative John Lennon reminisces about growing up (In My Life) and the eternal search for that special someone (Girl). Young George Harrison was ready to step up to the plate with his own mature offerings like Think For Yourself and If I Needed Someone. The album was well received by peers and critics and is considered the point where the album became more than just a larger collection of songs but one statement from a moment in time. Norwegian Wood (This Bird Has Flown) was an international hit about an affair John had. Michelle seems like a sweet ode to a French girl when it was the boys making fun of Paul for trying to speak French at parties to meet girls. Even the big hit Drive My Car is very tongue in cheek about the silliness and pitfalls of fame. Though the oldest of them were 25, The Beatles proved they were more than just cute mop tops with guitars. They were artists pushing the envelope in the studio of what rock music could be. Rubber Soul was that next step in the evolution of the band and rock. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Time to Get Up with how bout them Cowboys! Dak and Dallas did it! This morning the D in Big D stands for dangerous! Meanwhile - the Chiefs suddenly endangered! We'll tell you the one big reason the dynasty hangs by a thread as we enter December! And - oh Parsons Packers packed a punch for their road trip to Motown! You'll hear how Green Bay out-Campbell'ed the Lions in what may have been the biggest win of the entire NFL season! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Berry Gordy Jr., born on Nov. 28, 1929, transformed American music by creating the Motown Sound, a revolutionary blend of soul, pop and R&B. After founding Motown in 1959, he helped launch the careers of Stevie Wonder, Marvin Gaye, the Supremes, the Temptations, the Jackson 5 and many more. Today, we celebrate Gordy's enduring legacy and his 96th birthday. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company:https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Another 60 minutes of vintage Northern Soul, Ska, Rocksteady & Reggae

Pat Angeli du 16/20 RFM vous raconte en quelques minutes l'histoire d'un titre, d'un album ou d'un artiste mythique !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"The The Office of the US Trade Representative has released their 2024 Piracy Report listing the notorious markets for counterfeiting and piracy. The practice is alive and well. This report dedicated an entire section just to music. We will tell you what it said."

The Wolf & Action Jackson will admit they aren't the world's biggest Beatles fans. Though we appreciate their influence to help create the music we love through generations, we generally don't gravitate towards their albums. However, in researching Rubber Soul as it turns 60 on December 3, we gained new appreciation and respect for the Lads from Liverpool. They had grown up quite a bit in the last few years and found themselves writing more mature lyrics while experimenting with different sounds. The Beatles had met and befriended Bob Dylan and in their second trip to the US had met Elvis and formed mutual admiration societies with The Byrds, Motown and Stax. They experimented with LSD and the boys used to call Rubber Soul the pot album as they partook during the recording. So as they wove all those influencers into their own music, they also started to write more personal songs. Paul exchanged sweet nothings for standoffish goodbyes in songs like You Won't See Me and I'm Looking Through You. A contemplative John Lennon reminisces about growing up (In My Life) and the eternal search for that special someone (Girl). Young George Harrison was ready to step up to the plate with his own mature offerings like Think For Yourself and If I Needed Someone. The album was well received by peers and critics and is considered the point where the album became more than just a larger collection of songs but one statement from a moment in time. Norwegian Wood (This Bird Has Flown) was an international hit about an affair John had. Michelle seems like a sweet ode to a French girl when it was the boys making fun of Paul for trying to speak French at parties to meet girls. Even the big hit Drive My Car is very tongue in cheek about the silliness and pitfalls of fame. Though the oldest of them were 25, The Beatles proved they were more than just cute mop tops with guitars. They were artists pushing the envelope in the studio of what rock music could be. Rubber Soul was that next step in the evolution of the band and rock. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Thanksgiving Everyone!! I had a LIVE Motown Music show earlier in the day and here it is for you now!! Fill the air with some GREAT Motown Tunes while everyone is sitting with their full bellies and chilling!! Our "Table Talk LIVE Show" with Shonda, Eric and ME, will be back December 1st, check us out!! Thank you to all the people downloading this show and to the ones who came to the LIVE Show!! We Love You All!!! Later Gators!!! *Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree   *Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com     *Contact us at: theoldmanspodcast@gmail.com     Checkout and Follow the Writings of Shonda Sinclair here: Roaming the Road (of Life):https://www.shondasinclair.com/   *TOMPodcast Music Shows: https://www.mixcloud.com/TOMPodcast/

Our Thanksgiving day & Black Friday previews with playoff stakes on the line.Packers @ LionsChiefs @ CowboysBengals @ RavensBears @ EaglesOur friends at QuinnBet have great odds on the NFL season, amazing Acca Bonuses, Acca Insurance & many other daily specials. Find out more at⁠⁠ ⁠https://www.quinnbet.com/uk/sports/specials⁠⁠⁠. Remember it's 18+ T&Cs Apply - Always Gamble Responsibly.

Let Us Know What You Think of the Show!Date: November 26, 2025Name of podcast: Backstage Pass RadioS9: E10: dUg Pinnick (Kings X / Grinder Blues) Motown Roots to Metal TruthsSHOW SUMMARY:A voice that can shake a room and a bass tone you can feel in your ribs—dUg Pinnick of King's X joins us for a candid, wide-open conversation about art, survival, and building a sound that refuses the mold. From a childhood spent glued to record players to the thunder of Led Zeppelin and Deep Purple, dUg traces how Motown roots and gospel grit fused with heavy riffs to form the King's X blueprint. We talk about the business as he's lived it—70 years of evolution and disruption—why validation culture can starve the soul, and how a band can stay small on charts yet massive in people's lives.dUg breaks down his uniquely architectural approach to writing: drum groove first, guitars and bass next, and lyrics last, pulled straight from lived emotion. He opens the hood on tone design, too—signal splitting for grit and chime, frequency carving that lets bass feel huge without drowning guitars, and why a 12‑string bass keeps his hands honest. We revisit the Dogman era with producer Brendan O'Brien, tuning choices that made the record hit like their live show, and the stubborn love that fuels a cult following decade after decade.There's warmth and wit here—AC/DC dinner stories, the joy of seeing U2 at the Rose Bowl, and the humility of knowing fans bring their own history to every chorus. dUg shares what's next: final tweaks on his solo record, the spark of a rock-and-roll cooking show, and a stack of ideas ready for the next King's X chapter. If you care about songwriting, bass tone, heavy music history, or simply staying true when trends shift, this conversation delivers depth you can use and heart you can feel.If this moved you, follow the show, share it with a friend, and leave a quick review so more music fans can find it.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Pagewww.kingsxrocks.comCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer.  Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey 

Send us a textA Friendsgiving game night blends culture, sports, and service as we draft teams, battle Ranker lists, argue NBA greats, and end in a round of gratitude and shoutouts to community work in Houston. The energy stays playful and real while we test memories from 1999–2000 and trip over group lineups we swear we know by heart.• Friendsgiving theme with Mixed Vibe Media family • Shout to community food drive and GoFundMe in Houston • Team picks and scorekeeping that fuel the banter • Ranker chaos on Thanksgiving sides and desserts • R&B trios and duos across Motown, gospel, and 90s staples • NBA guard debates on greatness and era bias • 1999 vs 2000 music release challenge • Pop culture lightning round on TV and group members • Gratitude circle for family, health, work, peace, and purpose • Plugs for Hold Up And Another Thing and sister showsDonate here: I'll put the link in the biohttps://gofund.me/466e256a5Youtube to https://youtube.com/playlist?list=PLPIs6Ko7BCc9l5jlE5AbAUqZ0gAOhmuq- https://mixed-vibez-drip.printify.me/

In New York City, a young man searches for a Master to obtain the final level of martial arts mastery known as the Glow.Is this a martial arts movie, Blaxploitation or is it an elongated advert for a specific time of Motown music... well, it's kind of all three. Ultimately it's a love letter to Bruce Lee movies, a twist on the classic Blaxploitation hero and a showcase for the music of Motown? What could go wrong?https://linktr.ee/iseebadmoviesMusic by ZakharValaha from Pixabay Hosted on Acast. See acast.com/privacy for more information.

D J Newmark Take a walk with me down Fascination Street as I get to know 'The Legendary Throwback King' himself, D J Newmark. In this episode, we chat about his growing up as a military dependent and traveling the world learning about how different countries and cultures make their mark on Hip Hop. Then we dive into how and why he decided to pursue a career as a DJ. He has toured with some of the biggest names in the genre, and he shares a couple of those road stories. Then we talk about his radio show. Catch the "Legendary Throwback King" on the airwaves weekdays from 3-7 pm EST as the host of "The DJ NEWMARK EXPERIENCE" radio show on YO! 107.1 FM (WLLY-HD3), West Palm Beach, Florida's premiere radio station for classic Hip-Hop and R&B music. They also simulcast live on the web @ www.yopalmbeach.com.  DJ Newmark also hosts a mix show segment called "The Flavor on Top of Flavor Master Mix" weekdays at 5:30pm EST. We also delve into Newmark's experience coaching youth basketball, and some of the other ways he gives back to his community. Lastly, we discuss his new line of Throwback inspired street wear. I have one of the shirts in his line, and it is so soft and comfortable that I can't stop wearing it. Check out the Throwback inspired line and everything else about D J Newmark on his website: DJNewmark.com

Just when Vinnie thought he was done with Scott — The LIFERS Podcast pulls him back in! Vinnie Dombroski —vocalist for the Detroit, Michigan band Sponge— is a hustler, baby. He's a guy who fully subscribes to the inspiration/perspiration formula. Which is to say: Vinnie's not afraid of a little hard work (he is, however, apparently afraid of food). On this episode we talk to our pal about Sponge's unlikely origin story, switching from drumming to singing, growing up in the shadow of Motown, touring with Iggy Pop, driving George Clinton to the airport, career advice from Buzz Osbourne, and the joys of not remembering the ‘90s. ALSO: What's The Best?!? is BACK!!! And we're coming for you, Detroit!

I went back to one of my classic Broadway Drumming 101 conversations this week, and it reminded me why I started this series in the first place. Years ago I sat down with Rich Rosenzweig when he was holding the drum chair for the revival of ‘Company.' Now he's driving the bus for Ragtime at Lincoln Center, and revisiting this talk brought everything back. We got into the real work of subbing on Broadway, the pressure of matching the regular drummer's feel, and the quiet connection with the conductor that determines whether you get asked back.In the clip, Rich breaks down the truth every serious drummer needs to hear. Subbing isn't about chops or showing what you can do. It's about matching the show so well that the conductor can close their eyes and feel the same pulse, the same sound, the same flow they get from the regular drummer. They're not looking for surprises. They want stability. If you're not giving accuracy, presence, and attention to detail, they feel it immediately.Rich also talks about how conductors watch the monitor even when they say they don't. They're looking for someone who is locked in and communicating clearly. Plenty of great drummers have fallen short because they didn't prepare the book with real precision or didn't read the conductor the way the regular drummer does. Most people never hear that part of the job. Subbing is consistency, connection, and trust.Thanks for reading! This post is public so feel free to share it.This conversation is one of my favorites, and I'm bringing it back. Subscribe to Broadway Drumming 101 so you're notified when the re-release goes live. If you're trying to get into Broadway or looking to sharpen your subbing skills, this episode will show you what the job really demands.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Rich Rosenzweig has played more than a dozen Broadway shows and appeared on multiple cast recordings. He's been the drummer for the Kennedy Center Honors orchestra for more than a decade, toured nationally and internationally, and has been the regular drummer for City Center's Encores! series. He performs in progressive jazz ensembles, including his own East Down Septet, teaches privately, and has written several feature screenplays.More episodes like this are coming. Stay tuned.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

We sit down with the legend, the scholar, and the cultural architect — Dr. Todd Boyd, professor at USC (University of Southern California) also known as “The Notorious Ph.D.” One of the most respected voices in sports, film, hip-hop, race, and American culture, Dr. Boyd brings a raw, intelligent, and unfiltered conversation that every fan of the culture needs to hear.Born and raised in Detroit, Dr. Boyd reflects on how growing up in one of the most influential Black cities in America shaped his worldview. From the sound of Motown to the grit of the streets to the pride of a city that produces icons, Detroit built his mindset — and ultimately molded the cultural force he would become.He opens up about his decision to attend The University of Iowa, revealing the unexpected reasons that pulled him away from home and the experiences that helped sharpen his voice as a thinker, writer, and observer of society.Before the world knew him as a cultural critic, Dr. Boyd's first love wasn't film or academia — it was the sweet science. He breaks down how watching the artistry of boxing, especially the greatness of Muhammad Ali, shaped his sense of identity, resistance, performance, and Black excellence. Ali wasn't just a fighter — he was the blueprint that inspired Boyd's lifelong commitment to telling the truth through culture.From there, he talks about how Dr. J (the other Dr. J — Julius Erving) inspired him to take his education further, ultimately pushing him toward earning his PhD. That moment of seeing Dr. J float through the air made him realize what was possible for a Black man with vision, talent, and discipline.Throughout the episode, Dr. Boyd walks us through an extraordinary career that's woven into the fabric of Black culture. From shaping conversations on ESPN and CNN… to writing some of the most important cultural analysis of the last few decades… to leaving an imprint on Black cinema. And yes — we go deep on “The Wood,” one of the beloved films he helped bring to life, and how its authenticity, humor, and heart reflected the real Black experience.This episode is a blueprint for creators, storytellers, athletes, and anyone who cares about the culture. It's academic, it's real, it's inspirational — and it's filled with gems only Dr. Todd Boyd can deliver.Turn this one all the way up — it's a masterclass. More of Dr. Todd Boyd:Instagram  ⁨@notoriousphd⁩  Twitter/X: @DrToddBoyd  Latest Book: https://www.amazon.com/Books-Todd-Boyd/s?rh=n%3A283155%2Cp_27%3ATodd%2BBoyd

"This is our annual Thanksgiving show. Thanksgiving is celebrated in many counties other than the United States. We will tell you the list and and how the people celebrate. Plus play songs about Thanksgiving food."

“He was one of the first Black independent record producer of the postwar era — and nobody knew.” That's the spark Marsha Music brings into this powerful Detroit Is Different conversation as she unravels the epic, unsung story of her father, Joe Von Battle — the man who recorded Reverend C.L. Franklin, who cut Aretha's first records, and who captured the raw blues heartbeat of Black Detroit before Motown ever learned to walk. Through laughter, testimony, and hard truth, Marsha paints a living portrait of migration from Macon to Black Bottom, of a father who “refused to ever work for another man,” and of a city built by people who “carried their music wherever they went.” She shares how tuberculosis quarantines, foundry labor, postwar factory shifts, and the destruction of Hastings Street shaped — and scarred — her family's journey. But she also gives us the beauty: John Lee Hooker sleeping on their couch, Kenny Burrell's first recording happening behind the record-shop glass, and the way the Franklin sermons were rushed to the Guardian Building to be broadcast across the country on CKLW. Marsha doesn't just talk history — she makes it breathe. She shows how the past explains the present: why the rebellion still echoes, why Detroit sound can't be separated from Detroit struggle, and why honoring “the people who built this place with their hands and their voices” is the key to our cultural future. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com

The New York Giants just can't get out of their own way. In Mike Kafka's first game as interim head coach, Big Blue blew an early lead and fell 27–20 to the Packers at MetLife, dropping to 2–9 on the season and extending their losing streak to five games. On this episode of Locked Up Sports, Bob and Brett break down everything from Jameis Winston's up-and-down performance in relief of Jaxson Dart, to a defense that once again melted in the fourth quarter, to a run game that flashed with Tyrone Tracy Jr. but couldn't carry them all the way. Then we turn the page to Week 12 in Detroit, where the Giants are more than 10-point underdogs against Jared Goff, Amon-Ra St. Brown and a 6–4 Lions team looking to bounce back after a frustrating 16–9 loss in Philly. We'll hit the betting line, matchups, injury updates on Dart's concussion status, and what a realistic “path to an upset” looks like — if there even is one — as the Giants look to snap an 11-game road losing streak.

The RSMS crew then turns to disturbing new allegations against Motown legend Smokey Robinson, as a male accuser joins existing civil cases claiming Robinson sexually assaulted him in 2022—accusations Robinson denies. These lawsuits add to a growing list of Jane and John Doe filings that have put Robinson under intense public scrutiny. See omnystudio.com/listener for privacy information.

The Rickey Smiley Morning Show starts with a headline-grabbing lawsuit as Usher sues longtime collaborator Bryan-Michael Cox and several business partners over an unpaid $700,000 balance from a $1.7 million loan intended for a Buckhead restaurant project that never materialized. Usher, who has worked with Cox on classics like Burn and U Got It Bad, is now seeking up to $4.9 million in damages after court documents allege the loan money was misused rather than applied to the property purchase as agreed. The crew then turns to disturbing new allegations against Motown legend Smokey Robinson, as a male accuser joins existing civil cases claiming Robinson sexually assaulted him in 2022—accusations Robinson denies. These lawsuits add to a growing list of Jane and John Doe filings that have put Robinson under intense public scrutiny. Finally, the show dives into breaking political news as the House votes overwhelmingly to release the long-sealed Epstein documents, with a near-unanimous 427–1 vote. The remaining paperwork is expected to move quickly through the Senate before heading to the President’s desk, raising anticipation for what high-profile names or communications might emerge once the files become public. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Le quiz de Basket Time / Spécial Pistons et Motown 

Dans une conférence Est jugée (à raison) plus faible, les Pistons continuent d'asseoir leur extrême domination. Malgré les blessures à répétition, Detroit vient d'enchaîner un dixième succès consécutif, son douzième de la saison. Et c'est tout simplement la plus longue série de victoires des Pistons depuis la saison 2007/08, c'est dire ! Pour autant, sont-ils taillés pour aller loin en playoffs ? Jusqu'où peuvent aller ces Pistons ? Débat dans Basket Time.27.5 points, 5.5 rebonds, 9.9 passes. Cade Cunningham porte les Pistons sur ses épaules. Même s'il arrose de tous les côtés, il affiche des stats démentielles et s'affiche comme un véritable leader. Mais face à Luka Doncic, Nikola Jokic ou encore Anthony Edwards, Cade Cunningham a-t-il l'étoffe d'un MVP ? Peut-il devenir le visage américain dont rêve la NBA ? Dans la partie historique : Le joueur, les Pistons de l'époque et sa rivalité avec Michael Jordan... Basket Time profite de cet épisode spécial Pistons pour s'arrêter sur un joueur emblématique : Isiah Thomas. Et enfin, le quiz de Basket Time / Spécial Pistons et Motown.Avec Pierre Dorian, Alex Biggerstaff, Félix Gabory et Fred WeisProduction : Killian VeroveRéalisation : Kevin Paugam

Ben Maller talks about Jared Goff's performance for the Lions in their loss to the Eagles on SNF, why Dan Campbell continues to be a daredevil on 4th down, the must puzzling thing about the Eagles offense, and much more!See omnystudio.com/listener for privacy information.

In this episode we're joined by Pete Paphides, former rock critic for the London Times and author of 2020's acclaimed memoir Broken Greek. We start with our guest's unique "'Starman' moment" – seeing the Brotherhood of Man lip-sync to the ghastly 'Save Your Kisses for Me' on Top of the Pops in 1976 – and then plunge straight into a celebration of his favourite pop group ABBA. We hear about his love of the Swedes' countless classic songs; his interviews with Björn Ulvaeus and Benny Andersson; and how the quartet was indirectly responsible for his marriage to fellow scribe Caitlin Moran. Pete talks us through his journalistic odyssey from ill-fated pubescent fanzine Pop Scene via the longer-lasting Perturbed to Jim Arundel's mentoring of him at Melody Maker. Talk of his tenures at Time Out and The Times leads to his memory of "falling back in love with music" after years of being glutted with free records. The 60th anniversary of the release of 'Uptight' takes us into clips from Amy Linden's 1995 audio interview with the musical colossus that is Stevie Wonder – and a broad discussion of the Motown legend's creative evolution from 'Uptight' to Songs in the Key of Life. After Mark quotes from a 1963 review of the Beatles' first album Please Please Me, Jasper talks us out with his thoughts on Jaan Uhelszki's 2015 interview with the extraordinary Joanna Newsom.

Music industry veteran Eddie Gilreath pulls up to the Corner Booth at Skip Paige's Little Bar to trace an extraordinary journey from Philadelphia's sound to global stages. With hosts Patrick Evans and Randy Florence, he recalls faking his first bass gig at 14, serving in Panama during tense Cold War days, then rising through Motown and Warner Bros. to help break artists like the Spinners and George Benson. Eddie shares inside stories about working with icons including Frank Sinatra, Ray Charles, Smokey Robinson, Michael Jackson, Bonnie Raitt, Curtis Mayfield, and more—plus why some of the most memorable moments happened offstage. He talks about smashing industry barriers as a pioneering Black executive, his “Black Music Is Green” initiative, and how streaming has rewritten the rules for new artists. It's a masterclass in music, marketing, and humanity from a man who quietly shaped the soundtrack of our lives. From basement rehearsals to boardrooms, Eddie's story is funny, candid, and deeply inspiring.Takeaways:How a missing bass player at a Philly cabaret accidentally launched Eddie's music career at 14.Serving in Panama during a volatile Cold War era and keeping music alive even in a combat zone.Moving from musician to executive, rising through Motown and Warner Bros. during the heyday of soul and pop.The strategy behind breaking acts like the Spinners and George Benson, including the massive success of Breezin'.Becoming the first African American national sales director and vice president at Warner, and refusing to be pigeonholed into “just” Black music.Intimate, often funny stories about working with legends: Sinatra, Sammy Davis Jr., Smokey Robinson, Curtis Mayfield, Ray Charles, Michael Jackson, Cher, George Clinton, and more.Creating the “Black Music Is Green” initiative and using hard data and retail relationships to open doors for more Black professionals in the business.Reflections on Broadway cast albums, the streaming-era music economy, and why Eddie hopes his legacy is simply that he “did the right things.”#BigConversationsLittleBarPodcast #PatrickEvans #RandyFlorence #SkipsLittleBar #MutualBroadcastingSystem #CoachellaValleyResidents #SkipPaige #McCallumTheatre #EddieGilreath #MotownRecords #WarnerBrothersRecords #MusicIndustryLegends #GeorgeBenson #RayCharles #CurtisMayfield #MichaelJackson #RecordBusinessHistory #BlackMusicIsGreen #PhiladelphiaSound #PanamaVeteran

Join host Buzz Knight as he takes a walk with the extraordinary Charl Brown, a Tony-nominated Broadway star whose career is nothing short of extraordinary. From his celebrated portrayal of Smokey Robinson in Motown the Musical to his unforgettable performance in Jersey Boys, Charl’s impressive resume showcases a journey through music history that reveals the depth of his extraordinary talent. In this captivating conversation, discover how this multi-talented performer has made his mark on Broadway’s biggest stages and why his latest passion project exploring the golden era of Doo-Wop is capturing hearts and taking audiences back to a timeless sound. Whether you’re a Broadway enthusiast or a lover of classic vocal harmony, this episode offers an intimate look at an artist who continues to push creative boundaries while honoring the roots of American music.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Brad Zerbo and Jaytriot take listeners on a hilarious and deeply nostalgic ride through the songs they once hid from their friends—but secretly loved. From disco denials to new-wave confessions, the guys relive the moments that shaped their musical tastes, including the awkward childhood discoveries, the high-school peer pressure, and the unforgettable “caught red-handed” stories. The episode jumps through decades of guilty-pleasure classics: Bee Gees falsettos, Motown gems, Frank Sinatra bombast, 80s pop anthems, techno nostalgia, Bonnie Tyler melodrama, Chicago love ballads, and even glam-rock oddities that neither host would have admitted to liking back in the day. Their personal stories—Halloween costumes gone wrong, uncomfortable car-ride reveals, and cringe-yet-iconic party moments—bring the music to life with humor and heart. The guys also celebrate modern rediscoveries, genre mashups, and the joy of embracing the songs they once hid “deep underground.” The episode caps off with a surprise clip from GART and a tribute spin from The Rods, tying together family, fandom, and the music that shaped them.

Join host Buzz Knight as he takes a walk with the extraordinary Charl Brown, a Tony-nominated Broadway star whose career is nothing short of extraordinary. From his celebrated portrayal of Smokey Robinson in Motown the Musical to his unforgettable performance in Jersey Boys, Charl’s impressive resume showcases a journey through music history that reveals the depth of his extraordinary talent. In this captivating conversation, discover how this multi-talented performer has made his mark on Broadway’s biggest stages and why his latest passion project exploring the golden era of Doo-Wop is capturing hearts and taking audiences back to a timeless sound. Whether you’re a Broadway enthusiast or a lover of classic vocal harmony, this episode offers an intimate look at an artist who continues to push creative boundaries while honoring the roots of American music.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

How did “Lust for Life” become Iggy Pop's ultimate reinvention? Diallo and LUXXURY dive into his Berlin partnership with David Bowie, unpack the unstoppable Motown-inspired drumbeat, and reveal the meaning behind one of Iggy's most provocative lines. One Song Spotify Playlist Songs discussed: “Lust for Life” - Iggy Pop “Search and Destroy” - The Stooges “Stay” - David Bowie “Nightclubbing” - Iggy Pop “Rock and Roll (Pt. 2)” - Gary Glitter “Closer” - Nine Inch Nails “What In The World” - David Bowie “Sound and Vision” - David Bowie “The Passenger” - Iggy Pop “Heroes” - David Bowie “You Can't Hurry Love” - The Supremes “Barbara Ann” - The Beach Boys “Rock Around the Clock” - Bill Haley and His Comets “Touch Me” - The Doors “C'mon Marianne” - Frankie Valli & the Four Seasons “Maneater” - Daryl Hall & John Oates “Town Called Malice” - The Jam “Are You Gonna Be My Girl?” - Jet “Fun House” - The Stooges “Down On The Street” - The Stooges Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike Mulligan and David Haugh opened their show by breaking down the Bulls' 124-113 loss to the Pistons on Wednesday in Detroit and by discussing the Blackhawks' loss to the Devils. Later, they conducted the Pick 6 segment, where they debated the top sports stories of the day.

"Video may have killed the radio star but streaming and individual choices in music killed the video. Paramount Global has begun shutting down Mtv channels in Europe and reports are that soon it will come to the United States. Mtv is 44 and it looks like it may not make it to 45. "

Welcome to Tembo Sounds – The Culture! Tonight, we turn back the clock and move the body—grooving from the soulful sounds of Stevie Wonder and Aretha Franklin, to the funk of Kool & The Gang, and the house heat of Daft Punk and CeCe Peniston. Whether it's Motown magic or dancefloor energy, every beat celebrates timeless rhythm and soul. This is Tembo Sounds – The Culture, where good music never fades—it evolves!

Morgan James started her career as a Juilliard trained operatic singer. She performed on Broadway multiple times in shows like the Addams Family and Motown the Musical. She ultimately decided to go into music fulltime and since her debut album Hunter hasn't looked back. Earlier this year she released her album Soul Remains the Same. Before she came to Florida for several shows she was nice enough to stop by the show! Morgan and Doc talk about her first concert (Crosby, Stills, Nash and Young), going to Juilliard, performing on Broadway, working with a major record label, being independent, recording rock songs, and much much more. Meanwhile on the rest of the show Doc has determined that retirees can focus on moving to West Virginia. Make sure to listen! Introduction: 0:00:23 Birthday Suit 1: 12:31 Ripped from the Headlines: 17:30 Shoutouts: 31:17 Morgan James Interview: 37:00 Mike C Top 3: 1:18:33 Birthday Suit 2: 1:33:54 Birthday Suit 3: 1:36:51

Hear PA's postgame drive-bys, Vikes Bites and takes off yesterday's improbably victory in Detroit!See omnystudio.com/listener for privacy information.

Hear PA's postgame drive-bys, Vikes Bites and takes off yesterday's improbably victory in Detroit!