Podcasts about Motown

Just when Vinnie thought he was done with Scott — The LIFERS Podcast pulls him back in! Vinnie Dombroski —vocalist for the Detroit, Michigan band Sponge— is a hustler, baby. He's a guy who fully subscribes to the inspiration/perspiration formula. Which is to say: Vinnie's not afraid of a little hard work (he is, however, apparently afraid of food). On this episode we talk to our pal about Sponge's unlikely origin story, switching from drumming to singing, growing up in the shadow of Motown, touring with Iggy Pop, driving George Clinton to the airport, career advice from Buzz Osbourne, and the joys of not remembering the ‘90s. ALSO: What's The Best?!? is BACK!!! And we're coming for you, Detroit!

I went back to one of my classic Broadway Drumming 101 conversations this week, and it reminded me why I started this series in the first place. Years ago I sat down with Rich Rosenzweig when he was holding the drum chair for the revival of ‘Company.' Now he's driving the bus for Ragtime at Lincoln Center, and revisiting this talk brought everything back. We got into the real work of subbing on Broadway, the pressure of matching the regular drummer's feel, and the quiet connection with the conductor that determines whether you get asked back.In the clip, Rich breaks down the truth every serious drummer needs to hear. Subbing isn't about chops or showing what you can do. It's about matching the show so well that the conductor can close their eyes and feel the same pulse, the same sound, the same flow they get from the regular drummer. They're not looking for surprises. They want stability. If you're not giving accuracy, presence, and attention to detail, they feel it immediately.Rich also talks about how conductors watch the monitor even when they say they don't. They're looking for someone who is locked in and communicating clearly. Plenty of great drummers have fallen short because they didn't prepare the book with real precision or didn't read the conductor the way the regular drummer does. Most people never hear that part of the job. Subbing is consistency, connection, and trust.Thanks for reading! This post is public so feel free to share it.This conversation is one of my favorites, and I'm bringing it back. Subscribe to Broadway Drumming 101 so you're notified when the re-release goes live. If you're trying to get into Broadway or looking to sharpen your subbing skills, this episode will show you what the job really demands.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Rich Rosenzweig has played more than a dozen Broadway shows and appeared on multiple cast recordings. He's been the drummer for the Kennedy Center Honors orchestra for more than a decade, toured nationally and internationally, and has been the regular drummer for City Center's Encores! series. He performs in progressive jazz ensembles, including his own East Down Septet, teaches privately, and has written several feature screenplays.More episodes like this are coming. Stay tuned.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

We sit down with the legend, the scholar, and the cultural architect — Dr. Todd Boyd, professor at USC (University of Southern California) also known as “The Notorious Ph.D.” One of the most respected voices in sports, film, hip-hop, race, and American culture, Dr. Boyd brings a raw, intelligent, and unfiltered conversation that every fan of the culture needs to hear.Born and raised in Detroit, Dr. Boyd reflects on how growing up in one of the most influential Black cities in America shaped his worldview. From the sound of Motown to the grit of the streets to the pride of a city that produces icons, Detroit built his mindset — and ultimately molded the cultural force he would become.He opens up about his decision to attend The University of Iowa, revealing the unexpected reasons that pulled him away from home and the experiences that helped sharpen his voice as a thinker, writer, and observer of society.Before the world knew him as a cultural critic, Dr. Boyd's first love wasn't film or academia — it was the sweet science. He breaks down how watching the artistry of boxing, especially the greatness of Muhammad Ali, shaped his sense of identity, resistance, performance, and Black excellence. Ali wasn't just a fighter — he was the blueprint that inspired Boyd's lifelong commitment to telling the truth through culture.From there, he talks about how Dr. J (the other Dr. J — Julius Erving) inspired him to take his education further, ultimately pushing him toward earning his PhD. That moment of seeing Dr. J float through the air made him realize what was possible for a Black man with vision, talent, and discipline.Throughout the episode, Dr. Boyd walks us through an extraordinary career that's woven into the fabric of Black culture. From shaping conversations on ESPN and CNN… to writing some of the most important cultural analysis of the last few decades… to leaving an imprint on Black cinema. And yes — we go deep on “The Wood,” one of the beloved films he helped bring to life, and how its authenticity, humor, and heart reflected the real Black experience.This episode is a blueprint for creators, storytellers, athletes, and anyone who cares about the culture. It's academic, it's real, it's inspirational — and it's filled with gems only Dr. Todd Boyd can deliver.Turn this one all the way up — it's a masterclass. More of Dr. Todd Boyd:Instagram  ⁨@notoriousphd⁩  Twitter/X: @DrToddBoyd  Latest Book: https://www.amazon.com/Books-Todd-Boyd/s?rh=n%3A283155%2Cp_27%3ATodd%2BBoyd

The RSMS crew then turns to disturbing new allegations against Motown legend Smokey Robinson, as a male accuser joins existing civil cases claiming Robinson sexually assaulted him in 2022—accusations Robinson denies. These lawsuits add to a growing list of Jane and John Doe filings that have put Robinson under intense public scrutiny. See omnystudio.com/listener for privacy information.

The Rickey Smiley Morning Show starts with a headline-grabbing lawsuit as Usher sues longtime collaborator Bryan-Michael Cox and several business partners over an unpaid $700,000 balance from a $1.7 million loan intended for a Buckhead restaurant project that never materialized. Usher, who has worked with Cox on classics like Burn and U Got It Bad, is now seeking up to $4.9 million in damages after court documents allege the loan money was misused rather than applied to the property purchase as agreed. The crew then turns to disturbing new allegations against Motown legend Smokey Robinson, as a male accuser joins existing civil cases claiming Robinson sexually assaulted him in 2022—accusations Robinson denies. These lawsuits add to a growing list of Jane and John Doe filings that have put Robinson under intense public scrutiny. Finally, the show dives into breaking political news as the House votes overwhelmingly to release the long-sealed Epstein documents, with a near-unanimous 427–1 vote. The remaining paperwork is expected to move quickly through the Senate before heading to the President’s desk, raising anticipation for what high-profile names or communications might emerge once the files become public. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Ben Maller talks about Jared Goff's performance for the Lions in their loss to the Eagles on SNF, why Dan Campbell continues to be a daredevil on 4th down, the must puzzling thing about the Eagles offense, and much more!See omnystudio.com/listener for privacy information.

In this episode we're joined by Pete Paphides, former rock critic for the London Times and author of 2020's acclaimed memoir Broken Greek. We start with our guest's unique "'Starman' moment" – seeing the Brotherhood of Man lip-sync to the ghastly 'Save Your Kisses for Me' on Top of the Pops in 1976 – and then plunge straight into a celebration of his favourite pop group ABBA. We hear about his love of the Swedes' countless classic songs; his interviews with Björn Ulvaeus and Benny Andersson; and how the quartet was indirectly responsible for his marriage to fellow scribe Caitlin Moran. Pete talks us through his journalistic odyssey from ill-fated pubescent fanzine Pop Scene via the longer-lasting Perturbed to Jim Arundel's mentoring of him at Melody Maker. Talk of his tenures at Time Out and The Times leads to his memory of "falling back in love with music" after years of being glutted with free records. The 60th anniversary of the release of 'Uptight' takes us into clips from Amy Linden's 1995 audio interview with the musical colossus that is Stevie Wonder – and a broad discussion of the Motown legend's creative evolution from 'Uptight' to Songs in the Key of Life. After Mark quotes from a 1963 review of the Beatles' first album Please Please Me, Jasper talks us out with his thoughts on Jaan Uhelszki's 2015 interview with the extraordinary Joanna Newsom.

Music industry veteran Eddie Gilreath pulls up to the Corner Booth at Skip Paige's Little Bar to trace an extraordinary journey from Philadelphia's sound to global stages. With hosts Patrick Evans and Randy Florence, he recalls faking his first bass gig at 14, serving in Panama during tense Cold War days, then rising through Motown and Warner Bros. to help break artists like the Spinners and George Benson. Eddie shares inside stories about working with icons including Frank Sinatra, Ray Charles, Smokey Robinson, Michael Jackson, Bonnie Raitt, Curtis Mayfield, and more—plus why some of the most memorable moments happened offstage. He talks about smashing industry barriers as a pioneering Black executive, his “Black Music Is Green” initiative, and how streaming has rewritten the rules for new artists. It's a masterclass in music, marketing, and humanity from a man who quietly shaped the soundtrack of our lives. From basement rehearsals to boardrooms, Eddie's story is funny, candid, and deeply inspiring.Takeaways:How a missing bass player at a Philly cabaret accidentally launched Eddie's music career at 14.Serving in Panama during a volatile Cold War era and keeping music alive even in a combat zone.Moving from musician to executive, rising through Motown and Warner Bros. during the heyday of soul and pop.The strategy behind breaking acts like the Spinners and George Benson, including the massive success of Breezin'.Becoming the first African American national sales director and vice president at Warner, and refusing to be pigeonholed into “just” Black music.Intimate, often funny stories about working with legends: Sinatra, Sammy Davis Jr., Smokey Robinson, Curtis Mayfield, Ray Charles, Michael Jackson, Cher, George Clinton, and more.Creating the “Black Music Is Green” initiative and using hard data and retail relationships to open doors for more Black professionals in the business.Reflections on Broadway cast albums, the streaming-era music economy, and why Eddie hopes his legacy is simply that he “did the right things.”#BigConversationsLittleBarPodcast #PatrickEvans #RandyFlorence #SkipsLittleBar #MutualBroadcastingSystem #CoachellaValleyResidents #SkipPaige #McCallumTheatre #EddieGilreath #MotownRecords #WarnerBrothersRecords #MusicIndustryLegends #GeorgeBenson #RayCharles #CurtisMayfield #MichaelJackson #RecordBusinessHistory #BlackMusicIsGreen #PhiladelphiaSound #PanamaVeteran

Phil troll Motown Hour

Join host Buzz Knight as he takes a walk with the extraordinary Charl Brown, a Tony-nominated Broadway star whose career is nothing short of extraordinary. From his celebrated portrayal of Smokey Robinson in Motown the Musical to his unforgettable performance in Jersey Boys, Charl’s impressive resume showcases a journey through music history that reveals the depth of his extraordinary talent. In this captivating conversation, discover how this multi-talented performer has made his mark on Broadway’s biggest stages and why his latest passion project exploring the golden era of Doo-Wop is capturing hearts and taking audiences back to a timeless sound. Whether you’re a Broadway enthusiast or a lover of classic vocal harmony, this episode offers an intimate look at an artist who continues to push creative boundaries while honoring the roots of American music.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Brad Zerbo and Jaytriot take listeners on a hilarious and deeply nostalgic ride through the songs they once hid from their friends—but secretly loved. From disco denials to new-wave confessions, the guys relive the moments that shaped their musical tastes, including the awkward childhood discoveries, the high-school peer pressure, and the unforgettable “caught red-handed” stories. The episode jumps through decades of guilty-pleasure classics: Bee Gees falsettos, Motown gems, Frank Sinatra bombast, 80s pop anthems, techno nostalgia, Bonnie Tyler melodrama, Chicago love ballads, and even glam-rock oddities that neither host would have admitted to liking back in the day. Their personal stories—Halloween costumes gone wrong, uncomfortable car-ride reveals, and cringe-yet-iconic party moments—bring the music to life with humor and heart. The guys also celebrate modern rediscoveries, genre mashups, and the joy of embracing the songs they once hid “deep underground.” The episode caps off with a surprise clip from GART and a tribute spin from The Rods, tying together family, fandom, and the music that shaped them.

Join host Buzz Knight as he takes a walk with the extraordinary Charl Brown, a Tony-nominated Broadway star whose career is nothing short of extraordinary. From his celebrated portrayal of Smokey Robinson in Motown the Musical to his unforgettable performance in Jersey Boys, Charl’s impressive resume showcases a journey through music history that reveals the depth of his extraordinary talent. In this captivating conversation, discover how this multi-talented performer has made his mark on Broadway’s biggest stages and why his latest passion project exploring the golden era of Doo-Wop is capturing hearts and taking audiences back to a timeless sound. Whether you’re a Broadway enthusiast or a lover of classic vocal harmony, this episode offers an intimate look at an artist who continues to push creative boundaries while honoring the roots of American music.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Det du nå skal høre er en "remastret" versjon av en klassiker fra arkivet. Episoden ble opprinnelig publisert 20. mai 2022 (den gang vi het 'Lars og Frode snakker om musikk'), og nå har vi strammet den inn og frisket opp lyden for nye lyttere.I episoden reiser Frode og Lars tilbake til årene de selv kom til verden: 1974 og 1979.Det blir en musikalsk duell mellom to vidt forskjellige tidsaldre. Hva var egentlig best? Den rå, riff-baserte hardrocken fra midten av 70-tallet, eller den polerte diskoen og de store konseptalbumene fra tiårets slutt?Gutta ser på hva som toppet hitlistene (mye ræl, og noe gull!) og presenterer sine personlige topp 5-lister. Forvent alt fra Motown-magi og sofistikert jazz-pop til de definitive rocke-anthemene og spennet mellom akustisk inderlighet og "The Godfather of Grunge".Episoden avsluttes med et legendarisk "Ukas tips" som virkelig treffer hjerterota – en dyp og rørende hyllest til en av Norges største rockepoeter.Tidskoder:00:00:00 Ny intro: Hva er "Remastret"? 00:00:43 Velkommen til 1974 & 1979 00:03:01 Hitlistene: Hva toppet VG-lista? 00:09:33 Nummer 5: Lars 00:13:49 Nummer 5: Frode 00:19:42 Nummer 4: Lars 00:23:21 Nummer 4: Frode 00:27:16 Nummer 3: Lars 00:33:19 Nummer 3: Frode 00:37:01 Nummer 2: Lars 00:45:30 Nummer 2: Frode 00:50:01 Nummer 1: Lars 00:56:10 Nummer 1: Frode 01:02:05 Boblere: Låtene som nesten nådde opp 01:06:44 Ukas Tips: En rørende hyllest PS! Spillelistene til musikken det snakkes om ligger lenger ned i beskrivelsen (og husk å følg podkasten og gi den 5 stjerner om du liker den).

Another 60 minutes of vintage Northern Soul, Ska, Rocksteady & Reggae

How did “Lust for Life” become Iggy Pop's ultimate reinvention? Diallo and LUXXURY dive into his Berlin partnership with David Bowie, unpack the unstoppable Motown-inspired drumbeat, and reveal the meaning behind one of Iggy's most provocative lines. One Song Spotify Playlist Songs discussed: “Lust for Life” - Iggy Pop “Search and Destroy” - The Stooges “Stay” - David Bowie “Nightclubbing” - Iggy Pop “Rock and Roll (Pt. 2)” - Gary Glitter “Closer” - Nine Inch Nails “What In The World” - David Bowie “Sound and Vision” - David Bowie “The Passenger” - Iggy Pop “Heroes” - David Bowie “You Can't Hurry Love” - The Supremes “Barbara Ann” - The Beach Boys “Rock Around the Clock” - Bill Haley and His Comets “Touch Me” - The Doors “C'mon Marianne” - Frankie Valli & the Four Seasons “Maneater” - Daryl Hall & John Oates “Town Called Malice” - The Jam “Are You Gonna Be My Girl?” - Jet “Fun House” - The Stooges “Down On The Street” - The Stooges Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike Mulligan and David Haugh opened their show by breaking down the Bulls' 124-113 loss to the Pistons on Wednesday in Detroit and by discussing the Blackhawks' loss to the Devils. Later, they conducted the Pick 6 segment, where they debated the top sports stories of the day.

"Video may have killed the radio star but streaming and individual choices in music killed the video. Paramount Global has begun shutting down Mtv channels in Europe and reports are that soon it will come to the United States. Mtv is 44 and it looks like it may not make it to 45. "

Label: Gordy 7069Year: 1968Condition: MPrice: $50.00From a warehouse find, this is a new, unplayed stock copy with a drillhole, in a rare original picture sleeve. Yes, I know this is on a Motown label, but it's still in the sweet Philly style :-) The flip, incidentally, is even better than the A side and is closer to the Motown sound (have a listen to the mp3 snippet in our "jukebox"). "Fading Away" was first recorded in 1966 by The Temptations and was pressed as the B side of their classic hit "Get Ready." Note: Aside from the drillhole, this beautiful 45 record is pristine Mint. The cool picture sleeve has a drillhole as well, but that's about it's only notable flaw. (This scan is a representative image from our archives.)

Get ready for our next comic (Kamryn. K), a true Metro Detroit original! She's got more punchlines than potholes on I-75, and trust me, they land smoother too. From the city that gave us Motown, muscle cars, and a lifetime of Detroit Lions heartbreaks, she's here to prove that Detroit's best export is laughter. Find her on social media as @SpamLikeKam—give it up for Kamryn K.!”#kamrynk #standupcomedian #livewithcdp #chrispomay #barrycullenchevrolet https://lnk.bio/SpamlikeKamKamrynKbookings@gmail.comhttps://beacons.ai/chrisdpomayhttps://www.cameo.com/chrispomayhttps://www.paypal.com/paypalme/chris...https://podcasts.apple.com/ca/podcast...https://www.barrycullen.com/Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596...

Don and Dude continue their celebration of Casey Kasem and the enduring legacy of American Top 40. For this installment of Classic Casey Countdowns, the guys turn the dial back to the week of November 10, 1984,  a neon-saturated era when pop, soul, and MTV all collided. Two albums from that chart dominate the discussion, both tied to unforgettable Top 10 singles that defined mid‑Eighty's radio magic.Billy Ocean – Suddenly (1984) The Trinidad‑born singer's breakthrough LP fused R&B, post‑disco, and pop into a sleek, heartfelt package. Produced by Keith Diamond, the record launched Ocean into global stardom with “Caribbean Queen (No More Love on the Run)”—the #1 hit that ruled both the Hot 100 and soul charts. Ocean's smooth tenor, vibrant sax hooks, and narrative flair set the tone for an album balancing dance‑floor confidence (“Loverboy”) and tenderness (“Suddenly”). Musical craftsmanship, rich production, and emotional sincerity make this a quintessential 1984 crossover.Wham! – Make It Big (1984) Recorded mainly in France and crafted by George Michael, this pop‑soul phenomenon redefined chart‑topping polish. “Wake Me Up Before You Go‑Go” kicked off Wham!'s four‑for‑four streak of U.S. #1 singles, pairing Motown bounce with pure 80s exuberance. Deeper cuts like “Everything She Wants” and “Careless Whisper” showcase lyrical weight beneath the brightness—proof of Michael's emerging genius as writer, producer, and arranger. It's colorful, confident, and irresistibly hook‑laden pop that still resonates decades later.Dude is Diggin":Whiskey Myers – Whomp Whack Thunder (2025)Pearl Jam – Vs. (1993) (vinyl)Don is Diggin' :Heaven 17 – new album, 2026 (feat. “There's Something About You”)The New Wave Music Podcast Episode 121 (featuring Don as guest reviewer)Follow us on Instagram, Facebook, Threads, and Bluesky @albumnerds. Support the show by subscribing, rating, reviewing, and sharing."Keep your feet on the ground and keep reaching for the stars." – Casey Kasem

Phil Troll Motown Hour

Here is this weeks Show from Keep The Faith Internet Radio(03-11-2025)All Your Fave Northern Soul, Motown and all the usual requests and shout outs. Last Hour features some tracks played at the 7th Anniversary of Wigan Casino !Hope you enjoy and please feel free to share !#NorthernSoul #SoulForTheWeekend #WiganCasino #Motown #AllNighter #VinylMix #KeepTheFaith

Welcome to Tembo Sounds – The Culture! Tonight, we turn back the clock and move the body—grooving from the soulful sounds of Stevie Wonder and Aretha Franklin, to the funk of Kool & The Gang, and the house heat of Daft Punk and CeCe Peniston. Whether it's Motown magic or dancefloor energy, every beat celebrates timeless rhythm and soul. This is Tembo Sounds – The Culture, where good music never fades—it evolves!

The Supremes were an American girl group formed in Detroit, Michigan in 1959 and were the most commercially successful of the Motown groups.

Morgan James started her career as a Juilliard trained operatic singer. She performed on Broadway multiple times in shows like the Addams Family and Motown the Musical. She ultimately decided to go into music fulltime and since her debut album Hunter hasn't looked back. Earlier this year she released her album Soul Remains the Same. Before she came to Florida for several shows she was nice enough to stop by the show! Morgan and Doc talk about her first concert (Crosby, Stills, Nash and Young), going to Juilliard, performing on Broadway, working with a major record label, being independent, recording rock songs, and much much more. Meanwhile on the rest of the show Doc has determined that retirees can focus on moving to West Virginia. Make sure to listen! Introduction: 0:00:23 Birthday Suit 1: 12:31 Ripped from the Headlines: 17:30 Shoutouts: 31:17 Morgan James Interview: 37:00 Mike C Top 3: 1:18:33 Birthday Suit 2: 1:33:54 Birthday Suit 3: 1:36:51

Send us a textWindham & Steve weigh the moments that launched rock into the mainstream, from Elvis and the Beatles on TV to Woodstock, Michael Jackson's moonwalk, and the rise of digital streaming. Then we stress-test rock mythology with the “couch test,” deciding which bands would make good house guests.• Elvis and the Beatles making TV a rock megaphone• Woodstock as the festival blueprint and its lasting imprint• MJ's Motown 25 moonwalk and live spectacle escalation• Digital music's access vs ritual tradeoffs• Bad Company tribute highlights and cover craft• New supergroup buzz featuring Rucker, Mills, and more• The couch test for bands: chaos vs courtesy• From Motley Crue to Hootie: who gets a yes• KISS side-roads, nostalgia, and pinball lore• Tease: building the perfect album side of 2011One idea. Six songs. Infinite possibilities...

"At least three record companies have extended million dollar contracts to people who create AI music. The US Copyright office has said it will begin extending protection those who use AI as a tool. The PROs will extend licensing. We will tell you what is going on."

Send us a textJames and Jack speak with legendary rock guitarist, Paul Warren, whose storied career takes him from Motown to working with a string of bands,  and touring the world with some of the biggest names in rock. Tina Turner, Joe Cocker, Richard Marx, and Rod Stewart are just a small sample of the people Paul has had the pleasure to work with over the years. First hand stories of life on the road - and in the studio. 

In the latest episode of This Could Be a Podcast, Nathan and Bobby discuss Festival Etiquette, Happy Days and Chain Restaurants.  

Hear PA's postgame drive-bys, Vikes Bites and takes off yesterday's improbably victory in Detroit!See omnystudio.com/listener for privacy information.

Hear PA's postgame drive-bys, Vikes Bites and takes off yesterday's improbably victory in Detroit!

The close harmony sounds of music groups have embraced Broadway and been presented there, too: Jersey Boys, Motown the Musical, Beatlemania, plus the dulcet tones of the Pied Pipers, the Boswell Sisters, the Hi-Lo's and many more.

Morrissey and Marr both wrote memoirs but Mike Joyce hasn't read either, preferring to publish ‘The Drums', his version of one of the great success stories of the ‘80s, a book about “the beauty we'd given to people – and to ourselves”. At one point he and Andy Rourke shout, ‘Where did it all go right?”. He looks back here at … … the fateful meeting in Geales fish bar when Johnny told them he was leaving – “none of us, not even Morrissey, saw it coming” … the first Smiths rehearsal and impressions of “Steve” the singer … how the songs were written - “we never asked what they meant” … and how they were arranged: “I locked with Johnny like Charlie with Keith, and Andy played a bass song over the top” ... memories of Johnny at X Clothes in Manchester and Morrissey in ‘82 - “funny, dark, so Manc” … the “almost anti-punk” appeal of the Buzzcocks and the urge for a John Maher red Premier drumkit … “Morrissey's articulacy was both his strength and his Achilles heel” … echoes of Motown and James Honeyman-Scott in Marr's guitar … “Singers need to feel they're the most important person in the room” … on-stage gladioli versus “the austerity of the Hacienda” … and Morrissey today - “very angry” - and the legacy of the Smiths. Order copies of ‘The Drums here: https://www.resident-music.com/product/joyce-mike-the-drumsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Morrissey and Marr both wrote memoirs but Mike Joyce hasn't read either, preferring to publish ‘The Drums', his version of one of the great success stories of the ‘80s, a book about “the beauty we'd given to people – and to ourselves”. At one point he and Andy Rourke shout, ‘Where did it all go right?”. He looks back here at … … the fateful meeting in Geales fish bar when Johnny told them he was leaving – “none of us, not even Morrissey, saw it coming” … the first Smiths rehearsal and impressions of “Steve” the singer … how the songs were written - “we never asked what they meant” … and how they were arranged: “I locked with Johnny like Charlie with Keith, and Andy played a bass song over the top” ... memories of Johnny at X Clothes in Manchester and Morrissey in ‘82 - “funny, dark, so Manc” … the “almost anti-punk” appeal of the Buzzcocks and the urge for a John Maher red Premier drumkit … “Morrissey's articulacy was both his strength and his Achilles heel” … echoes of Motown and James Honeyman-Scott in Marr's guitar … “Singers need to feel they're the most important person in the room” … on-stage gladioli versus “the austerity of the Hacienda” … and Morrissey today - “very angry” - and the legacy of the Smiths. Order copies of ‘The Drums here: https://www.resident-music.com/product/joyce-mike-the-drumsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Morrissey and Marr both wrote memoirs but Mike Joyce hasn't read either, preferring to publish ‘The Drums', his version of one of the great success stories of the ‘80s, a book about “the beauty we'd given to people – and to ourselves”. At one point he and Andy Rourke shout, ‘Where did it all go right?”. He looks back here at … … the fateful meeting in Geales fish bar when Johnny told them he was leaving – “none of us, not even Morrissey, saw it coming” … the first Smiths rehearsal and impressions of “Steve” the singer … how the songs were written - “we never asked what they meant” … and how they were arranged: “I locked with Johnny like Charlie with Keith, and Andy played a bass song over the top” ... memories of Johnny at X Clothes in Manchester and Morrissey in ‘82 - “funny, dark, so Manc” … the “almost anti-punk” appeal of the Buzzcocks and the urge for a John Maher red Premier drumkit … “Morrissey's articulacy was both his strength and his Achilles heel” … echoes of Motown and James Honeyman-Scott in Marr's guitar … “Singers need to feel they're the most important person in the room” … on-stage gladioli versus “the austerity of the Hacienda” … and Morrissey today - “very angry” - and the legacy of the Smiths. Order copies of ‘The Drums here: https://www.resident-music.com/product/joyce-mike-the-drumsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The month of November is here!!!! Wow!! On A Bowl of Soul, we are celebrating the Blues, R&B, Hip Hop and African music. Going to Ghana, West Africa was an enlightening, spiritual and great learning experience. I was surrounded by history and I am very proud of my people and what we have contributed to the world. On this broadcast, you will hear Boogie Woogie R&B, Mississippi and Memphis, Tennessee Blues, Hip Hop Break Beat music from Miami, Florida, Rap from Queens and the Bronx, Classic R&B from the legendary singer and songwriter from Motown, Lamont Dozier, Reggae and African Soul and Afro Beat music. Crank up your car stereos, mp3 players for this soulful mix. I hope you enjoy this broadcast, because I sure did. Thank you for showing love to A Bowl of Soul A Mixed Stew of Soul Music. #amosmilburn #jimmyreed #albertking #hermankelly #niceandsmooth #saltandpepa #lamontdozier #miriammakeba #bobmarley #angeliquekidjo #fallyipupa #thecaveman #sheilamauricegrey #stonebwoy #tems #wizkid Get up to 2 months free podcasting service with our Libsyn code=ABOS. Sign up & bring your  podcast to life! Get on Apple & Spotify, get critical stats & all the support you need to sound your best and grow your show!! Sign up here: https://signup.libsyn.com/?promo_code=ABOS You can listen to the A Bowl of Soul Radio Network on Live365.com giving you 24/7/365 days of Soul Music. Stop on by and listen:  A Bowl of Soul Radio Network on Live365 You can support A Bowl of Soul and Buy Me A Coffee. Just click: Buy A Bowl of Soul A Cup of Coffee Purchase your A Bowl of Soul T-Shirt and other merchandise. Just click: Get Your A Bowl of Soul Merch Follow me: @proftlove on Threads                   @proftlove on Instagram                   @abowlofsoul.bsky.social - Bluesky                                  @A Bowl of Soul A Mixed Stew of Soul Music on Facebook Promote your product or service on the podcast and the radio network. You can sponsor A Bowl of Soul by getting your product or service in front of listeners. Email us at: abowlofsoul@gmail.com  Thank you for your Support!!!

"The number changes, but as of the writing of this description, only 1883 songs have topped the Billboard Hot 100 chart including all its earlier versions. This week back in 1990, the first rap song topped the chart. That got me wondering how many other firsts and other interesting facts surround the top spot. Here is a list."

Chris and Amy discuss phobias with a mental health counselor; a state governor is upset with the pay of the football coach in the state; Singer Brian Owens previews a concert this weekend; Chris and Amy aren't sure who was repeating themself.

Chris and Amy talk to a funeral director; Matt Pauley about the World Series; a doctor who treats phobias; and a local Motown singer. Plus tune in for comments on the St Louis Sheriff; the Louvre heist; tariffs, nuclear tests & the East Wing; sex offender rules; and over paid football coaches.

In 1981, Michael Jackson and Quincy Jones set out on one of the most ambitious projects in pop music history: an album where every song was a hit. The result was Thriller. The record-breaking, chart-topping masterpiece produced six top-ten hits, became the best-selling album of all time, and propelled Black American music into global pop dominance.Watch as jazz musicians Peter Martin and Adam Maness react to this iconic '80s pop album. They break it down track-by-track: MJ's timeless ad-libbed melodies, Ndugu Chancler's drum intros (the greatest in pop history?!), Greg Phillinganes's synths, and Rod Temperton's songwriting.Thriller is so much more than "Thriller". Listen with us, and you'll never hear this record the same way again.Michael Jackson unveils the moonwalk at NBC's Motown 25 special: https://www.youtube.com/watch?v=dB7TqzPVt_M&t=538sGreg Phillinganes breaks down the bass line on "Thriller": https://www.youtube.com/watch?v=4UqxOg3M-OM Adam and Peter analyze Off the Wall: https://youtu.be/jR9zxGueeq4 Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi  

In this episode, I sit down with drummer Tom Jorgensen. He's been playing drums on the Beetlejuice national tour for the last three years. Tom talks about what makes the Beetlejuice drum book one of the most physically demanding on the road and how Shannon Ford's original approach set the tone for everything that followed.We dig into:* The sheer physical challenge of playing Beetlejuice eight times a week and how Tom reworked his setup and grip to survive it.* The philosophy he learned from jazz legend Michael Carvin — “It's not about what you're playing, it's about what you're doing” — and how that mindset keeps every performance fresh.* His time touring with Postmodern Jukebox, cutting his teeth on cruise ships, and what those experiences taught him about endurance, posture, and musical adaptability.* Lessons from working with Rich Mercurio and Nadia DiGiallonardo on Waitress, and the moment that turned a sub gig into his first big break.* The balance between consistency and creativity on tour — how to avoid burnout, stay healthy, and keep the show locked in night after night.* Why gratitude and discipline are non-negotiable for musicians who want longevity on the road.Tom's story is a reminder that Broadway drumming isn't just about chops — it's about mindset, focus, and knowing how to serve the show every night.For more: https://www.tomjorgensensound.comListen now wherever you get your podcasts.Subscribe at BroadwayDrumming101.com and pre-order my new book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Mentioned in this episode:* Beetlejuice National Tour* Shannon Ford* Michael Carvin* Rich Mercurio* Nadia DiGiallonardo* Postmodern Jukebox* Waitress First National TourClayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

"The NOW CDs, as they are often called, started in the UK in 1998 with Richard Branson. They were a hit out of the gate, each crafted to a specific formula. They are a professionally made mix tape. We have the full history and a good bit of trivia about the series."

Jeff and Scott talk out the Monday night game in Detroit and the latest on the injury front, plus hit on such topics as Hall of Fame voting, impossible field goals and football viewing on a plane.See omnystudio.com/listener for privacy information.

Send us a textHere in Episode 244 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to ask Joy what CDs she would take with her is she was stranded on an Island in the sea.Joy's picks include Shania Twain, Spice Girls and Jimmy Buffett.We also talk about Storm Doors, Threads, Motown and Rough Justice!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/