Podcasts about Motown

“Detroit gives me free concerts, the architecture, the river — I told my friends, ‘Detroit got this.'” In this rich and inspiring episode of Detroit is Different, Cheryl Ajamu joins Khary Frazier to share her journey from Memphis to the woman behind the revival of the Detroit Football Classic. Cheryl is the Owner & Executive Producer for the 2025 Detroit Football Classic August 30, 1pm at Ford Field, Central State University vs Kentucky State University. Cheryl recounts arriving in Detroit in 1996 and falling in love with the city's cultural soul—its historic architecture, its cooler summers, and its abundance of free concerts: “95 is much better than a hundred.” From ad sales at BET Detroit to helping promote the city's neo-soul underground through Urban Organic, she describes how she “lived on both sides of the equation”—connecting Black creatives with major brands while keeping community at the center. But this story isn't just about the past; it's a roadmap for the future. Cheryl discusses ownership, empowerment, and strategy as she brings back the Classic—not as a nostalgic tribute, but as a declaration of Black cultural and economic power in Detroit. “I own this,” she says proudly, marking her place in a space traditionally dominated by men. This episode weaves Detroit's historical Black pride—from Paradise Valley to Motown to the architecture she once explored alone—into a call for intentional cultural preservation, community building, and ownership. Cheryl's story is a powerful reminder that Detroit's legacy isn't just history—it's still in the making. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com

Podcast for a deep examination into the career and life choices of Eddie Murphy & Jim Carrey. Patrick and Joe get a big surprise in the recording studio, but they are disappointed at how small the box containing it is. Lev tries to turn the hosts into a Simon and Garfunkle style singing pair to help him get rich quick. How hungry are audiences for an alpha-gen era American folk rock duo (keeping in mind there will be no autotune)? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in July 2025. References may feel confusing and/or dated unusually quickly. 'Dreamgirls' is available on DVD, Blu-ray, and HD DVD (if you believe in those): https://www.amazon.com/Dreamgirls-Blu-ray-Jamie-Foxx/dp/B0C1P72T2S/ Music from "Cadillac Car" and "One Night Only (Disco Version)" by Henry Krieger and Tom Eyen Artwork from BJ West   quixotic, united, skeyhill, vekeman, murphy, carrey, versus, vs, dreamgirls, dream, girls, beyonce, hudson, foxx, musical, motown, supremes, ross, carey, football

Phil Troll Motown Hour

DETROIT - known for fast cars, loud rock n roll, pizza, and the soulful "Motown" sound. Episode 200 of A-SIDES takes a look at the bands and artists of this Midwest mecca, from Bob Seger to Iggy Pop, Grand Funk Railroad, and even lesser known acts like Death and Sonic's Rendezvous Band. Paul Tincher makes a return appearance on the podcast to share his favorite bands, venues, and stories of the city, as well as how we uncovered our favorites and their connections to other musicians we love.  Thanks to Paul Tincher for returning to A-SIDES, a huge thanks to all of our guests, listeners, the friends we've made through this podcast, and most of all the musicians who have given us endless hours of joy and episode topics!

Another 60 minutes of vintage Northern Soul, Ska, Rocksteady & Reggae

Mary Sheffield, president of the Detroit City Council, shares why she's the leading candidate in the Democratic primary for the next mayor of Motown.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

"Here is the second show where we play songs you might not know were covers. Often the cover version of a song becomes a bigger hit. And even if you did know the hit was a cover you may not know the original. We will play you a few."

Music is one of those things that can bring families together…and sometimes, that togetherness grows into a business… The BeeGees had the three Gibb brothers…baby brother Andy Gibb was also part of that universe for a while… Then there's The Beach Boys…the original lineup included Brian, Dennis, and Carl Wilson and their cousin Mike Love…Murray Wilson—the father of Brian, Dennis, and Carl—was their manager…he was terrible at it (in fact, Murray was an all-around disaster for his sons), but at least they were all together…or something like that…three brothers, their father and a cousin… We have The Cowsills…this was a 60s pop group from Rhode island who had a series of hits…six siblings: Bob, Bill, Barry, John, Paul and Susan…they ranged from 8 to 18…and then there was mother Barbra…this arrangement was the inspiration for the TV show “the partridge family”…that's seven people, which later became eight when Bob's twin brother Richard joined up for a bit… And we have to talk about the Jackson 5: Michael, Jackie, Tito, Jermaine, and Marlon…when the group left Motown, Jermaine was replaced by Randy… So that's six members of the Jackson 5… then we have Janet, LaToya and Rebbie…that's nine, and everything was run by father Joe Jackson—another abusive disaster…so the count is up to 10… All this got me thinking: are there equivalents in the world of alt-rock?...What are the biggest family affairs the genre has ever seen?...Let's take a look… Learn more about your ad choices. Visit megaphone.fm/adchoices

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.We're closing in on 100 interviews here at Broadway Drumming 101, and we're just getting started. We've got a great lineup ahead. Upcoming episodes include conversations with:* Pili Fronda* Michael Manesseh* Matthew Friedman* Joe Bergamini* Tom Jorgensen* Trevor HolderWe're also re-releasing some Broadway Drumming 101 Classic Episodes you may have missed, featuring:* Jesse-Ray Leich* Jake Goldbas* Paul Pizzuti* Dena Tauriello* Larry Lelli* Rich Rosenzweig* Elena Bonomo…and many more.Be sure to subscribe on Spotify, Apple Podcasts, or wherever you listen. And subscribe to the Broadway Drumming 101 YouTube channel for behind-the-scenes video content.In this episode, I talk with Augusto Oropeza, the drummer on the national tour of Ain't Too Proud – The Life and Times of the Temptations. He shares what it's really like playing this music night after night, life on the road, his transition from an IT career into full-time performance, and the story of how he landed the gig in the first place.We discuss:* How he went from auditing the show to joining the cast on tour* The challenges of split-week travel and three-city weeks* Why he left behind a steady job in cybersecurity to chase his dream* His influences—from Jonathan Moffett and Vinnie Colaiuta to Karen Carpenter and Sheila E* What it takes to stay healthy and injury-free on tour* The importance of networking, versatility, and being a good hang* The reality of drum booths, tight pits, late-night DoorDash, and finding community on the road* How Cirque du Soleil and musical theater sparked his passion for live performanceThis is an honest and inspiring look at what it means to live the touring musician's life.Support the show by visiting our merch store: merchandise.broadwaydrumming101.comAnd if you've ever dreamed of building a theater career of your own, my new book is almost here.Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is launching soon.Get your name on the list at BroadwayBoundBook.com to be among the first to grab a copy when it drops.Thanks for listening!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

So just what is "Cooking in Grammi's Kitchen" all about? It's going into Grammi's kitchen and hanging out with Family and Friends. Do we talk about food, yeah but going into your Grandma's or Mom's kitchen was more than just cooking. It was a time where you could talk to them and tap into their knowledge and wisdom. Where you could share some laughs and poke fun at each other and just enjoy the company of Family. That, in a nutshell is what "Cooking in Grammi's Kitchen" is all about!!!! Glad to see everyone join in the fun for a Friday. You all are the BEST!!!! Have a GREAT Weekend, do some fun stuff and enjoy LIFE!!!! We'll be back Monday!! Later Gators!!!   Catch our Re-Play at 11am pst every day on: W-ESN Epic Strategies Network Download their phone app for easy listening or go to their webpage www.epicstrategiesnetwork.com Other Shows from The Old Man Podcast on the W-ESN Epic Strategies Network you may like: “The Old Man's Blues Show” at 1pm pst Monday thru Saturday, “Motown, Soul and R&B” at 11am pst Saturdays and “Classical Music for a Sunday Morning” at 6am pst Sundays. Check them out!!!!   Listen and Download on these platforms: Podbean, Spotify, Stitcher, Podcast Addict, Deezer Podcasts, Tumblr, Linked In, I-Heart Radio, Google Podcasts, Player FM, Listen Notes, Tune-In, Podchaser, Goodpods, PodBay.fm, Amazon Music, Apple Podcasts, Samsung Podcasts and Pandora. Follow us on: Facebook: The Old Man's Podcast @TheOldManOnPodbean Twitter: The Old Man's Podcast. @TheOldMansPodc1 Gettr: TOM-Pod @TOM_Pod Visit our Web Page: www.theoldmanspodcast.com   Contact us with Email at: theoldmanspodcast@gmail.com   Check out Podcast Overlord on Twitter and at https://overlordshop.com/store to see how they can help get your Podcast footprint on twitter to grow.

With a B3 organ, a prophetic imagination, and a heart broken wide open by grace, gospel music legend Andraé Crouch (1942–2015) left an indelible mark on modern Christian worship music. In this episode, Stephen Newby and Robert Darden offer a sweeping yet intimate exploration of his life, spiritual vision, and genre-defining genius. Together with Mark Labberton, they discuss their new biography, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch. Through laughter, lament, and lyrical memory, Newby and Darden—both scholars at Baylor University and coauthors of the first serious biography of Crouch—share stories of discovering his music, the theological and cultural forces that shaped it, and why his legacy matters now more than ever. They offer insights into modern musical history, spiritual reflection, and cultural analysis, inviting us into the soul of a man who helped bring modern gospel into being. Episode Highlights “Musical genius is where observation, curiosity, imagination, and humility are baked in the oven.” “He was always tracking what was going on in the room and in his heart. He understood the cues, clues, and codes of what God was doing.” “Andre felt it was important that the music was just as inspired as the lyrics. It was total praise.” “'Soon and Very Soon' is an ancient future song—we have to keep singing it, especially now.” “Andraé burned out a lot of musicians—but all of them adore him to this day.” Helpful Links and Resources Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch by Stephen Newby and Robert Darden (Penn State University Press) Black Gospel Music Preservation Project (Baylor University) “Jesus is the Answer,” by Andraé Crouch “Through It All,” by Andraé Crouch “Soon and Very Soon” **by Andraé Crouch People Get Ready!: A New History of Black Gospel Music by Robert Darden About Stephen Newby Stephen Michael Newby is a composer, conductor, and scholar. He serves as the Lev H. Prichard III Endowed Chair in the Study of Black Worship at Baylor University and is a professor of music in the Baylor School of Music. A widely recognized expert on gospel, jazz, and Black sacred music, he is also affiliated with the Black Gospel Music Preservation Project as an ambassador and collaborator. He is co-author of Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch. About Robert Darden Robert F. Darden is Emeritus Professor of Journalism at Baylor University and founder of the Black Gospel Music Preservation Project. A former gospel music editor at Billboard magazine, Darden is the author of numerous books on gospel music history, including People Get Ready: A New History of Black Gospel Music and Nothing But Love in God's Water. He is co-author of Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch. Show Notes Andraé Crouch called the “father of contemporary modern gospel” for his groundbreaking influence on the genre Guest Stephen Newby holds the Lev H. Pritchard III Chair in Black Worship and Music at Baylor University Guest Robert Darden is emeritus professor of journalism at Baylor and founder of the Black Gospel Music Preservation Project Labberton celebrates the book's narrative, musical, and sociocultural scope Crouch grew up in a Pentecostal context that encouraged musical exploration and spiritual improvisation Gospel rooted in KoGIC (Church of God in Christ) tradition, blending Beale Street sounds with evangelical fervor Darden describes Crouch's early music as “jazz, pop... but wait, it is gospel—they're singing about Jesus” Crouch and his sister Sandra composed “Jesus Is the Answer,” considered the first modern praise and worship song The book includes more than 200 interviews from gospel musicians, friends, and collaborators Crouch read the room and followed the Spirit—every performance was improvisational, responsive, alive “Through It All” composed after the heartbreak of a failed relationship; the grief birthed one of his most lasting songs Gospel music as lament and praise: “We hear the pain, we hear the resolve, we hear the lament turning to praise” Crouch's “Take Me Back” begins with Billy Preston on B3 organ—“He hasn't forgotten the church,” says Newby Earth, Wind & Fire, Motown, and classical influences shaped Crouch's orchestration and arrangements Darden: “He wanted the music to sound as good as the words. It was obsessive—but it was for God.” Andre's collaboration with producer/drummer Bill Maxwell led to a string of gospel albums with unmatched quality “We are going to see the King”: the timeless hope of “Soon and Very Soon” rooted in the Black spiritual tradition Crouch's music was not only groundbreaking—it was pastoral, prophetic, and profoundly personal Evangelistic to his dying breath, Crouch witnessed to hospital staff and janitors alike The book's subtitle “Transformative Music and Ministry” is more than academic—it's biographical theology Newby and Darden's friendship mirrors Crouch and Maxwell's cross-cultural collaboration Soon and Very Soon offers readers a chance to read with phone in hand—listening and learning simultaneously “Jesus is the answer” remains a musical and theological call across generations Production Credits Conversing is produced and distributed in partnership with Comment magazine and Fuller Seminary.

The Shenandoah Valley Music Festival (SVMF) has been a staple of summer entertainment in the Valley for over six decades, and this year is no different. Janet Michael, host of ‘The Valley Today,' sat down with Dennis Lynch, SVMF's Executive Director, to discuss the exciting lineup and community impact of the festival. The conversation, filled with insights and anecdotes, sheds light on what attendees can expect from this season's performances. Recording from the corporate headquarters in Woodstock, Janet and Dennis kicked off their discussion by highlighting the festival's rich history and vibrant community presence. Founded to present symphonic music back in 1963, the festival has since expanded to include a diverse array of genres, becoming a cultural cornerstone. Dennis, reflecting on the longevity and evolution of SVMF, emphasized the importance of community and the festival's nonprofit status. Maintaining such a heartfelt, community-centered approach ensures the festival remains a cherished event for locals and visitors alike. This year's lineup is designed to appeal to a broad audience, with performances spanning classic rock, Motown, Irish folk, symphonic tributes, and more. Highlights include Grand Funk Railroad on July 25th delivering their quintessential American rock hits, and the Lynchburg Symphony Orchestra's big band swing music on July 26th, commemorating the end of World War II. The festival also promises some unique experiences such as free guitar workshops and swing dance lessons, enhancing the immersive, community-oriented atmosphere. These 'Easter eggs,' as Dennis calls them, offer festival-goers more than just music—they present opportunities to engage and connect. The Motortown All Stars will bring the soulful sounds of Motown to the Valley, while Gaelic Storm promises a night of high-energy Irish music. The latter, known for their performance in the film Titanic, will undoubtedly leave a lasting impact. Alongside them, the Screaming Orphans, an Irish band of four sisters, will add to the evening's rustic charm. As the festival gears up for another thrilling season, the excitement is palpable. With performances from the Bacon Brothers and the classic sounds of Shenandoah wrapping up the festival, there's something for every music lover. Tickets and accommodation packages are available on the festival's official website, musicfest.org. Whether you're a long-time attendee or a newcomer, the Shenandoah Valley Music Festival offers an unmatched blend of music, community, and scenic beauty. As Dennis and Janet aptly put it—buy your tickets early and often, and don't miss the chance to be part of this cherished summer experience. For those interested in more than just the music, the festival's website provides a treasure trove of information about past performances, artists, and, of course, ticket details. 

Phil Troll Motown Hour

Here is this weeks Show from Keep The Faith Internet Radio(7-07-2025)All Your Fave Northern Soul, Motown and all the usual requests and shout outs. Hope you enjoy and please feel free to share!

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.We're closing in on 100 interviews here at Broadway Drumming 101, and we're just getting started. We've got a great lineup ahead. Upcoming episodes include conversations with:* Pili Fronda* Michael Manesseh* Matthew Friedman* Joe Bergamini* Tom Jorgensen* Trevor HolderWe're also re-releasing some Broadway Drumming 101 Classic Episodes you may have missed, featuring:* Jesse-Ray Leich* Jake Goldbas* Paul Pizzuti* Dena Tauriello* Larry Lelli* Rich Rosenzweig* Elena Bonomo…and many more.Be sure to subscribe on Spotify, Apple Podcasts, or wherever you listen. And subscribe to the Broadway Drumming 101 YouTube channel for behind-the-scenes video content.In this episode, I talk with Augusto Oropeza, the drummer on the national tour of Ain't Too Proud – The Life and Times of the Temptations. He shares what it's really like playing this music night after night, life on the road, his transition from an IT career into full-time performance, and the story of how he landed the gig in the first place.We discuss:* How he went from auditing the show to joining the cast on tour* The challenges of split-week travel and three-city weeks* Why he left behind a steady job in cybersecurity to chase his dream* His influences—from Jonathan Moffett and Vinnie Colaiuta to Karen Carpenter and Sheila E* What it takes to stay healthy and injury-free on tour* The importance of networking, versatility, and being a good hang* The reality of drum booths, tight pits, late-night DoorDash, and finding community on the road* How Cirque du Soleil and musical theater sparked his passion for live performanceThis is an honest and inspiring look at what it means to live the touring musician's life.Support the show by visiting our merch store: merchandise.broadwaydrumming101.comAnd if you've ever dreamed of building a theater career of your own, my new book is almost here.Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is launching soon.Get your name on the list at BroadwayBoundBook.com to be among the first to grab a copy when it drops.Thanks for listening!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In July 1985, music legends Mick Jagger and David Bowie were asked to perform a duet with a twist at Live Aid, the biggest concert in pop history. Utilising the latest satellite technology, Mick would perform on the US stage in Philadelphia, while David would perform on the UK stage at Wembley Stadium. As the technical issues were being discussed, it soon became obvious that a half-second delay in the link between cities would prevent the live performance from happening, so a recording was planned instead. A short list of songs was discussed before the duo finally settled on the Motown classic Dancing in the Street. Live Aid press officer Bernard Doherty tells Des Shaw how the duet and video were recorded in just 18 hours and became a highlight of the benefit concert on 13 July 1985. A Zinc Media production.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Mick Jagger and David Bowie performing Dancing In The Street. Credit: Getty Images)

Jason Fraley interviews Otis Williams, last surviving original member of The Temptations, which performs live at “A Capitol Fourth” in Washington D.C. tomorrow at 8 p.m. on PBS. They discuss classic Motown hits like “My Girl,” “The Way You Do the Things You Do,” “Get Ready” and “Ain't Too Proud to Beg,” as well as evolving into a new era with “Cloud Nine,” “Ball of Confusion,” “Just My Imagination” and “Papa Was a Rolling Stone.”  (Theme Music: Scott Buckley's "Clarion")

Dive into the musical journey of a true American legend as Matt and Sam explore the extraordinary career of Stevie Wonder. From his groundbreaking beginnings as "Little Stevie Wonder" at Motown Records to his status as one of music's most influential figures, this episode celebrates the artist who transformed popular music across six decades.The hosts trace Wonder's remarkable evolution through twelve essential tracks, highlighting how a blind child prodigy who signed with Motown at age 11 went on to become the youngest artist ever to top the Billboard charts at just 13 years old. Through early hits like "Uptight (Everything's Alright)" and "I Was Made to Love Her," listeners experience the joyful exuberance that first captivated audiences in the 1960s.The conversation shifts to Wonder's revolutionary 1970s period when he achieved the unprecedented feat of winning three consecutive Grammy Awards for Album of the Year. Matt and Sam analyze how songs like "Superstition" and "Boogie On Reggae Woman" showcased his innovative fusion of funk, soul, and synthesizer technologies that somehow never sound dated despite their era. The hosts don't shy away from Wonder's 1980s commercial peak, discussing how tracks like "I Just Called to Say I Love You" brought him Oscar gold and global recognition, while "Happy Birthday" actually helped establish Martin Luther King Jr. Day as a national holiday. Throughout the episode, Matt and Sam highlight Wonder's extraordinary musical versatility, his philanthropic impact, and the timeless quality that makes his music resonate across generations.Whether you're a longtime fan or discovering Stevie Wonder for the first time, this episode offers a perfect introduction to an artist whose 26 studio albums and numerous accolades (including the Presidential Medal of Freedom) only begin to tell the story of his profound influence on American music and culture.Check out our videos on YouTube and follow us on Instagram and Threads @SuperAwesomeMix for more musical deep dives!https://music.apple.com/us/playlist/sam-intro-to-stevie-wonder/pl.u-y0pmTbq4xE1. Uptight (Everything's Alright)2. I Was Made To Love Her3. Yester-Me, Yester-You, Yesterday4. For Once in My Life5. Signed, Sealed, Delivered (I'm Yours)6. Superstition7. Don't You Worry 'Bout A Thing8. Boogie On Reggae Woman9. I Wish10. Happy Birthday11. I Just Called To Say I Love You12. Overjoyed  Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

"This is the first of a two show set. Often people are shocked to hear that a hit song is a cover. We have put together a long list of hit songs that are covers and we will play the original to you can hear where the hit you know came from."

Detroit's a special city to the world, from Motown, to motors, to techno, and more. But what about the city of today and tomorrow? What about making sure those making ideas happen in Detroit have the support and resources they need to go to the next level, sustainably?  I had a compelling conversation with Simon Moss, the co-founder of Global Citizen. The Global Citizen Now conference is coming to town next week at Hudson's Detroit, bringing together  leaders from business, government, media, philanthropy, nonprofits, and culture to explore what it takes to build inclusive, sustainable cities. Four key areas of focus are economic equity, talent development, climate resilience, and community impact. Learn more: https://www.globalcitizen.org/en/now/detroit/ Show notes to come Feedback as always - dailydetroit -at- gmail -dot- com or leave a voicemail 313-789-3211. Follow Daily Detroit on Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942  Or sign up for our newsletter: https://www.dailydetroit.com/newsletter/  

What does the American Dream sound like? In this special Fourth of July episode of Fritanga, host Antonio Tijerino sits down with one of the composers of that dream: Emilio Estefan. Long before he became a 19-time Grammy-winning producer, a Presidential Medal of Freedom recipient, and one of the most influential Latino cultural architects of our time, Emilio was an 11-year-old Cuban boy arriving in Miami with an accordion, no money, and a belief in something bigger. A belief in this country. In music. In himself.From creating the “Miami Sound” to launching the global careers of artists like Shakira, Ricky Martin, and Gloria Estefan, Emilio's story is one of hustle, heart, and the rhythm of possibility.In this episode, Antonio and Emilio dive into:Emilio's journey from Cuba to the global stageHow immigrant resilience redefined American musicWorking with legends—and fighting for Celia Cruz's comebackFatherhood and creative legacy with his daughter Emily EstefanNew projects including Raíces, Gloria Estefan's first Spanish album in nearly 20 yearsBASURA, the new Broadway-bound musical co-created by Emily and Gloria EstefanThis isn't just an interview—it's a love letter to culture, legacy, and what it means to build something lasting from nothing.WATCH: Click here to watch this and other episodes on YouTube. FOLLOW: Follow us on Insta @FritangaPodcastCONNECT: For questions or guest recommendations, email us at Fritanga@HispanicHeritage.orgFeatured Resources & Mentions:

They were shutout 3-0 in Detroit on Sunday. Reaction to the weekend in Motown and a big win for the Lynx from Henry Lake on the WCCO Morning News with Vineeta Sawkar.

Jeff Anthony is the lead vocalist of Brass from the Past, a high-energy Chicago-based band known for its powerhouse performances of Motown, soul, funk, and classic rock hits. Jeff joins Steve Dale in the studio to discuss joining the group and his experiences performing. They'll be at Ravinia, July 1st.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally released: October 2021In this classic episode, I talk with Dennis Arcano—an all-around force in the musical theater world: Educator / Audio Engineer / Synth & Drum Programmer / Composer. He's subbed on shows like Death Becomes Her, tick, tick...BOOM!, Altar Boyz, The 25th Annual Putnam County Spelling Bee, Jagged Little Pill, and more.Dennis and I go way back, and in this episode, we talk about how he broke into the scene, from his first professional gig at Candlewood Playhouse to subbing on Broadway. He shares how a single connection led to his first Broadway subbing gig on Follies, and how that eventually led to touring tick, tick...BOOM! with his wife alongside him.He gets into:* How to properly prepare for a subbing gig (and what not to do)* His path as a multi-instrumentalist and why that matters* Why it's important to play like the drummer you're subbing for* His philosophy on groove, gear, teaching, and building trust in the pit* What it was like to come back to Broadway years later for Jagged Little PillThis episode is a masterclass in professionalism, humility, and the power of staying ready. Whether you're a drummer looking to break into the Broadway scene or someone who wants to understand what it really takes to make it, this is one worth going back to.Listen now and subscribe to the podcast for more inspiring and honest conversations with the drummers behind the shows.And grab your copy of my book: BroadwayBoundBook.comClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, Clayton chats with drummer Patrick Phelan IV, the current touring drummer for the Shucked First National Tour. Patrick shares how a random hangout in NYC led to his first Broadway subbing opportunity and how he's since built a career full of friendship, groove, and grit.We dive into his musical upbringing in Wisconsin, where he studied classical percussion at the University of Wisconsin–Eau Claire, and how his early decision to leave veterinary studies for a life behind the drum kit changed everything. Patrick talks about balancing eight shows a week, playing pickleball and golf to stay sane on the road, and bleeding all over his snare in Dallas — literally.Patrick also opens up about:* His deep love for Yacht Rock and why he dreams of touring with Michael McDonald or Christopher Cross* Learning to play entire shows from Vimeo videos (with no charts!) — like his recent tour with Clay Aiken & Ruben Studdard* Why subbing on Shucked led to a national tour* Playing music for music's sake—not just for the showWhether you're a drummer, a theater musician, or someone trying to figure out how to break into the Broadway world, this episode is packed with real advice, honest stories, and some good laughs.Featured Topics:* Getting into musical theater through friendship and trust, not just auditions* Classical chops meeting country-pop grooves on Shucked* Why networking isn't just schmoozing—it's about real human connection* Staying musically inspired while playing the same show night after night* The role of joy, artistic outlets, and “pretending you're at your own rock concert” when playing in isolationAbout Patrick Phelan:Outside of Broadway, Patrick has toured internationally with Americana band Them Coulee Boys, recording the album Die Happy, which charted on the American Radio Album charts. He played for the Grammy-nominated Jazz Ensemble 1 at the University of Wisconsin–Eau Claire and performed at PASIC with the UWEC percussion quartet. Patrick also teaches private lessons in drum set, concert percussion, and piano.Connect with Patrick:Instagram: @patrickphelan4Email: patrickphelan4@gmail.comCheck out the Broadway Bound and Beyond book and merch!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

"In July of 1962, the Rolling Stones play their first gig in the Marquee Club. The Marquee Club was one of the main venues for 1960s British rock. This week we will discuss the rather interesting history of the Marquee Club."

Label: Atco 7035 djYear: 1975Condition: MPrice: $12.00From a warehouse find, this is a new, unplayed Stereo/Mono promo copy, in its original factory sleeve. This early Sister Sledge single is an absolutely perfect neo-Motown dance number, from the strings and sax to the great vocals. Check out the Mp3 snippet (in Mono)! By the way, this tune wasn't on their only Atco album, making this a non-album single. (This scan is a representative image from our archives.)

In the lawsuit filed by Rodney "Lil Rod" Jones against Diddy and associated entities, Universal Music Group (UMG) and its representatives, including Martha Brathwaite, have made significant moves to distance the label from the allegations. Jones accuses Diddy of various forms of misconduct, including an alleged shooting incident at a 2022 writing camp. In response, UMG's legal team, supported by Brathwaite's declaration, asserts that UMG and Motown Records were not responsible for organizing or providing security for the camp where the alleged shooting took place.Brathwaite's declaration clarifies that Diddy's Love Records, not UMG or Motown, oversaw and financed the camp, arguing that UMG should not be held accountable for any security failures or incidents that occurred. The label's legal filings aim to have UMG dismissed from the case, contending that Jones is inappropriately attempting to involve the label despite its lack of operational control or direct involvement in the events under dispute.Additionally, the legal strategy seeks to prevent the lawsuit from being amended further, with UMG lawyers arguing that any additional claims would be futile. The case exemplifies how UMG and other corporate entities named in the lawsuit are seeking to limit their exposure and sever any implied connections to Diddy's alleged misconduct during these events. This legal push reflects the complexities of liability when artists manage multiple companies across overlapping spheres.(commercial at 8:36)to contact me:bobbycapucci@protonmail.com

What do Motown, Mozart, and “Dark Side of the Moon” all have in common? The Wisconsin Chamber Orchestra will be paying tribute to all of them in their annual six-week free outdoor concert series. Concerts on the Square is a Madison summer favorite that will attract thousands to the capitol each Wednesday through the end of July. Will you be one of them? To learn more, executive producer Hayley Sperling chats with WCO Music Director Andrew Sewell about what is in store this year, and what you should know before you go.

In this season finale episode, Kirk and Paul revisit the topics from season 14 for one more video each: — Mid-‘90s Harmless Rock. — Paul McCartney Covers. — Good Songs, Bad Videos. — Memphis. — TV Theme Music 2. — Clavinet. — Dominic Sena. — Billboard Top 10 Singles of 1985. — Motown. — Martha Wash.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, Clayton chats with drummer Patrick Phelan IV, the current touring drummer for the Shucked First National Tour. Patrick shares how a random hangout in NYC led to his first Broadway subbing opportunity and how he's since built a career full of friendship, groove, and grit.We dive into his musical upbringing in Wisconsin, studying classical percussion at UW–Eau Claire, and how his early decision to leave veterinary studies for a life behind the drum kit changed everything. Patrick talks about balancing eight shows a week, playing pickleball and golf to stay sane on the road, and bleeding all over his snare in Dallas — literally.Patrick also opens up about:* His deep love for Yacht Rock and why he dreams of touring with Michael McDonald or Christopher Cross* Learning to play entire shows from Vimeo videos (with no charts!) — like his recent tour with Clay Aiken & Ruben Studdard* Why subbing on Shucked led to a national tour* Playing music for music's sake—not just for the showWhether you're a drummer, a theater musician, or someone trying to figure out how to break into the Broadway world, this episode is packed with real advice, honest stories, and some good laughs.Featured Topics:* Getting into musical theater through friendship and trust, not just auditions* Classical chops meeting country-pop grooves on Shucked* Why networking isn't just schmoozing—it's about real human connection* Staying musically inspired while playing the same show night after night* The role of joy, artistic outlets, and “pretending you're at your own rock concert” when playing in isolationAbout Patrick Phelan:Outside of Broadway, Patrick has toured internationally with Americana band Them Coulee Boys, recording the album Die Happy, which charted on the American Radio Album charts. He played for the Grammy-nominated Jazz Ensemble 1 at the University of Wisconsin–Eau Claire and performed at PASIC with the UWEC percussion quartet. Patrick also teaches private lessons in drum set, concert percussion, and piano.Connect with Patrick:Instagram: @patrickphelan4Email: patrickphelan4@gmail.comCheck out the Broadway Bound and Beyond book and merch!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

What happens when you're brand new to NYC, hanging out between shows, and you meet someone who might change your life? That's exactly what happened to drummer Patrick Phalen.In this candid clip, Patrick shares how a simple hangout with Shannon Ford and Joshua Samuels, who were both playing Beetlejuice, introduced him to Emma Ford, who later offered him the chance to sub on Shucked. Fast forward, and he's now on the First National Tour.The episode drops on Saturday, June 21st!Listen on Apple Podcasts or Spotify⭐️ Please subscribe, rate, and review—it helps more people discover the show and supports what we're building with Broadway Drumming 101.Hit that follow button, tell a friend, and join us as we explore the real stories behind Broadway's pit musicians.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This week's tune is a pop-psych confection called "Mr. Personality Man" - and there's only three recorded versions, so you'll hear 'em all if you tune in. The original is from The West Coast Delegation, a band confusingly from England. It's got a pretty heavy backbeat reminiscent of Motown or "Pretty Woman" and it doesn't let up. The lyrics deal with a charming but dangerous rogue, so we think the song might be inspired by "David Watts" by The Kinks (not played). The Foundations are the next personalities to tackle the tune - you might remember them from "Build Me Up Buttercup" fame. They slow the tempo down, add horns, and jauntify the song by about 75%. The third and final candidate is from Sweden's Slamcreepers, one of the best band names of all time - and Weldon has exhaustively researched the name's meaning. Fans of Swedish linguistics rejoice! Their version is fun but singer Bjorn Skif (later to star in Blue Swede's megahit version of "Hooked on a Feeling) had an off day. Get out your Lucky Charms and listen!!

In which the Mister and Kid 2 join me in reviewing THE LAST DRAGON (1985), from a script by Louis Venosta and directed by Michael Schultz.  In 1980s New York City, a young martial artist named Leroy Green (Taimak), also known as “Bruce Leroy,” embarks on a spiritual and physical journey to attain the highest level of martial arts mastery known as “The Glow.” Along the way, he must protect a music video host, Laura Charles (Vanity) from Eddie Arkadian (Christopher Murney), a corrupt promoter and confront his flamboyant arch-nemesis, Sho'nuff (Julius Carry), the self-proclaimed Shogun of Harlem. Blending kung fu, Motown music, and comic-book flair, the film is a quirky celebration of self-discovery and inner strength.  The film clocks in at 1 h and 49 m, is rated PG-13 and is currently streaming on Tubi but is also available to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#TheLastDragon #MichaelSchultz #LouisVenosta #BerryGordy #Taimak #LeroyGreen #BruceLeroy ##Vanity #LauraCharles #ChristopherMurney #EddieArkadian #JuliusCarry #ShoNuff #TheShogunOfHarlem #LeoOBrien #RichieGreen #MikeStarr #Rock#FaithPrince #Angela #GlenEaton #JohnnyYu #ErnieReyesJr #Tai #EstherMarrow #MamaGreen #JimMoody #DaddyGreen #KeishaKnightPulliam #Sophia #WilliamHMacy #JJ #ThomasIkeda #Master #MartialArts #Drama #Comedy #Music #1980s #BlackStories #Juneteenth  @Tubi  @PrimeVideo⁩  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In the lawsuit filed by Rodney "Lil Rod" Jones against Diddy and associated entities, Universal Music Group (UMG) and its representatives, including Martha Brathwaite, have made significant moves to distance the label from the allegations. Jones accuses Diddy of various forms of misconduct, including an alleged shooting incident at a 2022 writing camp. In response, UMG's legal team, supported by Brathwaite's declaration, asserts that UMG and Motown Records were not responsible for organizing or providing security for the camp where the alleged shooting took place.Brathwaite's declaration clarifies that Diddy's Love Records, not UMG or Motown, oversaw and financed the camp, arguing that UMG should not be held accountable for any security failures or incidents that occurred. The label's legal filings aim to have UMG dismissed from the case, contending that Jones is inappropriately attempting to involve the label despite its lack of operational control or direct involvement in the events under dispute.Additionally, the legal strategy seeks to prevent the lawsuit from being amended further, with UMG lawyers arguing that any additional claims would be futile. The case exemplifies how UMG and other corporate entities named in the lawsuit are seeking to limit their exposure and sever any implied connections to Diddy's alleged misconduct during these events. This legal push reflects the complexities of liability when artists manage multiple companies across overlapping spheres.(commercial at 8:36)to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."