Podcasts about Motown

Dario Boatner is a dancing force to be reckoned with — starting at just six years old in Detroit and going from the 313 to the Rhythm Nation. In this 1-on-1 with Jay Towers, Dario opens up about his journey from Motown roots to performing alongside Janet Jackson in her Las Vegas residency. He talks about the pressure of living up to a pop legend's legacy, the passion that drives him on stage, his growing fashion brand, and what's next as he steps into choreography and creative direction.A conversation about hard work, humility, and the kind of Detroit drive that never stops moving.

Send us a textHere's a selection of classic soul. Enjoy. From London with Love  Support the showWebsite https://www.djbenniejames.com TikTok https://www.tiktok.com/@benniejames5 YouTube https://www.youtube.com/@djbenniejameslive Instagram https://www.instagram.com/benniejames3/ X https://x.com/benniejames123 Facebook https://www.facebook.com/bennie.james.10 Studio Phone Line 1-856 295-1753 - (for voicemail message only)Licensed by ASCAP 400009874

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I'm excited to share that a new Broadway Drumming 101 podcast episode with Larry Lelli will be re-released soon. I originally sat down with Larry back on December 16, 2021, and since then, his career has kept growing in remarkable ways.Larry isn't just a veteran Broadway drummer—he's now also a Broadway producer. He's gone on to co-produce Water for Elephants (opened March 21, 2024), Gutenberg! The Musical! (opened October 12, 2023), and most recently Waiting for Godot (opened September 28, 2025).Before stepping into producing, Larry built a career most musicians dream of. He's played drums and conducted for over 40 Broadway shows, including The Producers, Assassins, How To Succeed In Business, and Million Dollar Quartet. His list of collaborations is just as impressive—Melissa Etheridge, Josh Groban, Audra McDonald, Patti LuPone, Bernadette Peters, Nick Jonas, Vanessa Williams, Jerry Lee Lewis, and even the New York Philharmonic.Larry is also a clinician with Yamaha Drums and Sabian Cymbals, and you can currently catch him performing in the Tony Award-winning hit Come From Away.In our conversation, we dug into:* Growing up in the Midwest playing in baton and drum corps* Touring with country star Doug Stone after moving to Nashville* How a jazz cruise changed his life and led him to New York City* Why subbing for Michael Hinton on Miss Saigon was his big break* Learning from legends like Paul Gemignani* How he approaches learning an entire Broadway showLarry's story is a masterclass in building a long, versatile career in music—and now he's added producing to his list of achievements.Stay tuned for the re-release of this edited Broadway Drumming 101 episode. It's one you won't want to miss.https://www.larrylelli.comClayton Craddock is the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows like Rent, Motown, Evita, Avenue Q, and the Hadestown tour. He has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis. www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this exclusive episode of The Mike Litton Experience, we sit down with the award-winning author, Emmy-nominated journalist, and cultural historian Dr. Dhyana Ziegler for an unforgettable conversation about one of music's most legendary groups: Gladys Knight & The Pips.

IT'S FRIDAY YA ALL!!!! Get your Groove on headed towards the Weekend with some GREAT Motown Hits!! I give you a good solid 2 hours of music to get you strolling down the halls!!! I'll be back next Friday with more AWESOME Music!! Later Gators!!!!   *Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree   *Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com     *Contact us at: theoldmanspodcast@gmail.com     Checkout and Follow the Writings of Shonda Sinclair here: Roaming the Road (of Life):https://www.shondasinclair.com/   *TOMPodcast Music Shows: https://www.mixcloud.com/TOMPodcast/    

Los Yesterdays are a California-based band carrying the torch of Chicano soul into a new era. Formed in 2017 by drummer/composer Gabriel Rowland and singer-songwriter Victor “Bad Vic” Benavides, the group began as a studio project rooted in a deep love for vintage East L.A. soul. Their sound—warm, nostalgic, and timeless—draws from Motown, doo-wop, and Latin soul traditions, blending sweet harmonies, textured instrumentation, and heartfelt storytelling. What started as a nod to the past has grown into a vital part of today's “souldies” movement, connecting generations through music that feels both familiar and fresh. Songs like “Nobody's Clown” and “Tell Me I'm Dreaming” showcase their knack for crafting melodies that linger. At the same time, their 2024 release Frozen in Time expands their sonic palette with lush arrangements and an undeniable groove. Los Yesterdays continue to honor tradition while carving out their own soulful lane in modern music. LINKS Los Yesterdays on Band Camp Los Yesterdays on IG Los Yesterdays on Spotify Los Yesterdays on YouTube Souldies Article in NYTimes  

Janvier – DeBarge : Rhythm Of the NightIssus d'une véritable saga familiale, les DeBarge passent du funk/soul de Switch à une pop FM plus large voulue par Motown. Composée par Diane Warren, cette chanson caribéenne devient leur plus gros hit, accompagnée d'un clip marquant et une présencce dans la B.O. du film The Last Dragon.Février – Jesse Johnson : Be Your ManAncien guitariste de The Time, proche de Prince mais souvent éclipsé par lui, Jesse Johnson lance sa carrière solo chez A&M. Son premier album révèle un guitariste brillant, héritier assumé de Hendrix et acteur clé du Minneapolis Sound.Mars – Steve Arrington : Feel So RealEx-membre de Slave, Arrington brille en solo avec ce tube soulful et jazzy où apparaît Freddie Hubbard à la trompette. Gros succès international, il sera son chant du cygne avant son virage spirituel et son retrait de la scène musicale.Avril – Freddie Jackson : Rock Me Tonight (For Old Times Sake)Dès son premier album, Freddie Jackson détrône Luther Vandross au sommet du R&B. Avec ce slow jam produit par Paul Lawrence et Barry Eastmond, il s'impose comme l'un des crooners emblématiques de l'ère quiet storm.Mai – Rick James : GlowDernier grand éclat de Rick James, ce single funky et théâtral met en scène son auto-dérision dans un clip culte. Entre grooves puissants et ballades samplées par le hip-hop, il reste un jalon marquant de sa carrière chez Motown.Juin – Aretha Franklin : Freeway Of LoveRelancée par Narada Michael Walden, Aretha Franklin signe un triomphe pop avec ce tube énergique, porté par le sax de Clarence Clemons. L'album Who's Zoomin' Who? lui offre un disque de platine et plusieurs hits mondiaux.Juillet – Ready For The World : Oh SheilaOriginaire du Michigan, RFTW connaît un succès fulgurant avec ce premier album inspiré par Prince et le son de Minneapolis. Leur tube Oh Sheila atteint la première place des classements R&B, dance et pop US, un sommet qu'ils ne retrouveront jamais.Août – Colonel Abrams : TrappedChanteur de Detroit installé à New York, Colonel Abrams marque la transition entre funk/disco et house music. Son titre Trapped devient un classique dance, annonciateur de la vague House à venir.Septembre – Full Force : Alice, I Want You Just For Me !Véritables pionniers du son new jack swing avant Teddy Riley, Full Force combinent funk, hip-hop et soul avec audace. Ce single, extrait de leur premier album, illustre leur créativité explosive, aussi bien en tant qu'artistes que producteurs.Octobre – Grace Jones : Slave To The RhythmProduit par Trevor Horn, ce titre conceptuel mêlant funk, new wave et orchestration luxuriante devient un hit international. Le clip, monté à partir des pubs de Jean-Paul Goude, contribue à renforcer l'aura iconique de Grace Jones.Novembre – Sheila E. : A Love BizarreExtrait de son deuxième album Romance 1600, ce single co-écrit avec Prince s'impose comme un classique Minneapolis Sound. Le clip, lié au film Krush Groove, immortalise l'énergie de Sheila E. et son rôle central dans l'univers des productions Paisley Park.Décembre – James Brown : Living in AmericaRevenu en force grâce à la BO de Rocky IV, James Brown livre un hymne patriotique produit par Dan Hartman. Avec ce tube où l'on trouve Stevie Ray Vaughan à la guitare, il décroche un Grammy et un ultime succès international.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Steve Avo Lindsey in conversation with David Eastaugh  https://linktr.ee/steveavolindsey A nervous suitor, a guitarist at the end of his Strat and his tether, wistful ex-partners on a work trip to Wales. Art school Futurists and singalongs in Cooper's Bar, Denmark Street and suburbia's (two) ups and downs – and earbudded Londoners on the Tube, sailing away on their own private playlists. “In my head,” confides STEVE ‘AVO' LINDSEY, making his solo long-playing debut just five decades into his music career, “this sounds like a Nick Lowe album.”   But given that PING is the work of the Wirral-born bassist of DEAF SCHOOL and frontman of new wave chart act THE PLANETS who would later become a music exec known for his ears and acumen, it's hardly surprising that these twelve tracks offer more than just fond footnotes to Lowe.   Factor in Lindsey's love of Donald Fagen and Jimmy Webb, Arctic Monkeys and Tom Waits, Todd Rundgren and Nashville-style storytelling, and his lo-fi, groove-driven takes on Motown, and you'll have an idea of what to expect from this joyful, playful, gorgeously varied sheaf of love letters to music and Merseyside, sweaters and Swordfishtrombones.   Listen to tracks like the finger-clicking soul of ‘Beautiful 45' and the bottoms-up vaudeville of ‘Cheers My Dears', the rockaway baroque pop of ‘Royal Iris' and the sultry Latinisms of ‘To Know You Better', and you'll also hear warm and winning musical contributions from family and friends: Lindsey's daughter Uainín Lindsey on backing vocals; the late Tony ‘Wims' Wimshurst, ex-Planets and Nasty Pop, on lead guitar; and drummer Josh McCartney, the nephew of a local lad named Paul.   But first, some back story. When Deaf School invented itself in 1974 at Liverpool College of Art, Lindsey, one of two Steves in the band, modestly opted for the moniker Mr Average. Deaf School would become (nearly) famous for its extravagant Sparks-via-Kurt Weill pop and its distinctly un-average cast of sirens, showmen, keyboard philosophers and future superstar producers.

i also cannot take this anymore.

Phil Troll Motown Hour

We saw Spinal Tap 2, flipped the big red switch, and counted down the best 1980s songs that peaked at #11. Because these… go to 11. Also: sexy drummers, armadillos, and Milt trying to make Kenny Loggins a sports anthem (again). Quick Hit Summary Mini-review of Spinal Tap 2 (Paul! Elton! Still loud.) Countdown: our blended Top 10 “peaked at #11” bangers from the '80s Playdate: 11 questions about… 11 (of course) A respectable pile of “also-rans” that just missed the podium Chapter Guide 00:00 – Cold open / mic check / Past Tens roll call 06:05 – Fire up the Time Machine 07:06 – What we're doing: '80s songs that peaked at #11 (Spinal Tap salute) Tap Talk 07:50 – Spinal Tap 2 quick take: tone matched, laughs landed 09:45 – Cameos: Paul McCartney (charming), Elton John (scene-stealer) 10:55 – Aging rockers, commitments vibes, and a very funny new drummer 12:40 – Why sequels usually whiff and why this one didn't The Countdown — The '80s Songs That Went to 11 #11 – 00:15:00 Thompson Twins – “Doctor! Doctor!” (1984) Second-British-Invasion synth-pop sugar rush. “How was this not Top 10?” energy. #10 – 00:16:00 Gary U.S. Bonds – “This Little Girl” (1981) Boss-built boomerang: written/produced by Springsteen & Stevie Van Zandt; Clarence on sax. Roots-rock strut with comeback swagger. #9 – 00:22:00 Sheila E. – “A Love Bizarre” (1985) Prince pixie dust, 12-minute club glide, percussion queen doing queen things. #8 – 00:27:00 Michael Jackson – “Another Part of Me” (1987) From the Captain EO era: Quincy groove, Disney cheese, undeniable bounce. #7 – 00:34:00 The Contours – “Do You Love Me” (re-charted 1988) Dirty Dancing rocket fuel: Motown growl makes the Catskills naughty again. Playdate – 00:43:00 11 Questions about “11” (Kyrie, Larkin/Rollins, 7-Eleven's rogue lowercase n, Swingers, Messier, Bledsoe & Edelman, Ocean's Eleven = Matt Damon, Marshall amps, Eleven = Millie Bobby Brown, Jeter wore 11 in the minors, etc.) #6 – 00:52:00 Kenny Loggins – “This Is It” (1980) Blue-eyed soul with Michael McDonald cosign; NCAA montage hall-of-famer. #5 – 00:57:00 Loverboy – “Hot Girls in Love” (1983) Aerosol, hooks, and harmless himbo energy. Dumb? Sure. Fun? Absolutely. #4 – 01:01:00 Prince – “I Wanna Be Your Lover” (1980) Pre-Purple Rain princelet: falsetto glide, post-disco snap, future royalty loading. #3 – 01:07:00 Bryan Adams – “Somebody” (1985) Reckless sweet spot: denim-rock churner with live-aid mojo. Ballad break = beer run. #2 – 01:11:00 Go-Go's – “Head Over Heels” (1984) Pop truffle perfection. Jane Wiedlin piano break = pure dopamine. #1 – 01:26:00 Stevie Nicks – “Edge of Seventeen” (1981) The white-wing-dove war cry. Signature solo cut. A Top 10 snub so egregious it should be a congressional hearing. Also-Rans & Near-Misses (rapid fire) Stevie Wonder – “I Ain't Gonna Stand for It” Bangles – “Walking Down Your Street” Little River Band – “The Other Guy” (The Other Guys synergy!) Toto – “I'll Be Over You” Debbie Gibson – “Electric Youth” (Dave votes yes; Milt files an appeal) Soul II Soul – “Keep On Movin'” (Milt's neo-soul crush) Benny Mardones – “Into the Night” (we heard you, Internet) The Police – “Spirits in the Material World” Paul Davis – “Cool Night” (yacht softness) Naked Eyes – “Promises, Promises” Dead or Alive – “You Spin Me Round (Like a Record)” If this episode made your dial go to 11, share it with a friend, drop a 5-star on Apple/Spotify, and come argue with us at timemachinepod.com or toptentimemachine@gmail.com. Rock responsibly, Time Travelers.  

Another week, new content to release into the wild! In this week's episode of FTINFX, we'll cover NFL week 3, disaster in Motown, the Sunday of the Duck, and high drama in the WNBA playoffs. Tune into Episode #09-25 to catch the latest rants about what's happening on the course, trackside, pitchside, and all the other craziness in the sports world. Additionally, we'll provide MLB updates, a bird's-eye analysis of what's happening on campus, and our weekly overview in Open Face. Check out Episode #09-25 and don't forget to suggest it to a friend!

Indian Summer is your seasonal soundtrack to autumn days as the days get shorter and we're treated to beautiful golden sunsets! In this episode we're going to be diving into the heart of music's autumnal side, spotlighting rising artists, nostalgic tracks, and the stories behind the songs that define the season. Playing music featuring September and Indian Summer in the title, from breezy acoustic ballads, dreamy pop anthems to Motown classics, we celebrate the sounds that make autumn unforgettable. Whether you're on a road trip, relaxing at the beach, or chasing the sunset, Indian Summer is here to keep your sounds fresh and your spirit light!

This week, Shat The Movies enters the world of Harlem kung fu, Motown soundtracks, and glowing fists with 1985's The Last Dragon. Commissioned by listener Daylen, this mashup of martial arts flicks and music videos introduced audiences to Bruce Leroy, the Shogun of Harlem and one of the wildest cult classics of the '80s. But does its mix of camp and kung fu still shine today, or is it just a guilty pleasure best left in the VHS era? Gene and Big D debate whether Taimak was an underrated action star or just a wooden lead propped up by Vanity's charisma.  The Shat Crew relives Sho'nuff's scene-stealing swagger, the bizarre Eddie Arkadian subplot and a soundtrack so strong it sometimes overshadows the movie itself. Along the way, Dick and Gene marvel at the glowing special effects, question if Leroy's innocence makes him endearing or frustrating and admit that this might be the most “1985” movie ever made. Is The Last Dragon a true martial arts masterpiece with soul or just Motown's strangest experiment? Who's the master? Sho'nuff! Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

"An Idiom is a group of words that suggest a meaning different than their specific words. Many of them come from the world of music and we have created a solid list. You will recognize a lot of them."

Reposted from Still Slaying: A Buffy-verse podcast which you can find at Still Slaying: a Buffy-verse podcast | Podcastica. Fun, in-depth talk about great TV. “That's the funny thing about hope. Nobody else gets to decide if you feel it. That choice belongs to you.” Penny, Kara and Karen celebrate all things HUNTR/X, talking through the three main characters, the allure of the Saja Boys, the powerful draw of the music, the fun choreography, finding community through shared fandom, inspiring creativity in fans, the deeper meanings hidden behind the bright colors and banging tunes and the power of love in original content. The discussion touches on neurodivergence, generational trauma, the value of a layered film that families can watch and enjoy together (co-viewing), cultural appropriation, K-pop and K-pop culture, Motown and factory music systems, soft power, K-Dramas, voice acting, gender in fandoms, bad boy appeal, shame, toxic fandom, and the intersection of art and commerce.          Next time we'll be talking about Buffy, Season 4, Episode 14, “Goodbye, Iowa.” Keep Slaying! News Links/Referenced Links Additional notes about Korean cultural references can be found on our Facebook page at Still Slaying A Buffy-verse Podcast AMA with KPop Demon Hunter's Maggie Kang, Chris Appelhans and Ian Eisendrath Why Co-Viewing is Important: Tips to Share Screen Time with Your Kids - HealthyChildren.org The New Coviewing: Investigating and Designing for Joint Media Engagement KPop Demon Hunters DELETED Scenes | Celine KILLED Rumi's Parents & Rumi's Flashbacks The Neuroscience of Shame | CPTSDfoundation.org Brett Boles (@thebrettboles) • Threads, Say more (Talks about Musicals) https://www.instagram.com/reel/DNE5bIPNXvz/ https://www.instagram.com/reel/DM-qkhnupuC/ Fan remakes https://www.instagram.com/reel/DM2RgkDvScN/ https://www.instagram.com/reel/DNK2tvBTVu6/ Dance routines https://www.instagram.com/reel/DMu_cmfOolZ/ https://www.instagram.com/reel/DMsjChXTsEC/ Cosplay https://www.instagram.com/reel/DM4anrzNtxd/ Fans Add Scenes https://www.instagram.com/reel/DNUCFDnyxMV/ https://www.instagram.com/reel/DNV7ZwmpliL/ https://www.instagram.com/reel/DM86NHnPNNa/ Analysis https://www.instagram.com/reel/DMxwoogufvv/ https://www.instagram.com/reel/DOCV9rTjeDm/ https://www.instagram.com/p/DOMmLIwEyzV/ —---------------------------------------- Viewing Order BONUS: K-POP DEMON HUNTERS Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover.  Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videos Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #smashthepatriarchy #slaythepatriarchy #feminism #patriarchy #kpop #kpopdemonhunters #sajaboys #golden #Huntrix #rumi #mira #zoey #netflix #huntrx #rumimirazoey #whatitsoundslike #Jinu #gwima #mystery #baby #romance #abby Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally aired as episode 120 on December 9, 2020. Nik Walker is an artist, educator, and activist who made his Broadway debut in Motown The Musical. He spent 3 years with the Broadway and touring companies of Hamilton, adding both Aaron Burr and George Washington to his resume. Other stage credits include Peter and the Starcatcher (off-Broadway), and regional productions at La Jolla Playhouse, The Old Globe and The Denver Center, to name a few. He can also be seen on TV in Law & Order: SVU. Nik is a self-proclaimed cinefile and theme park nerd, and co-hosts his own movie analysis podcast called Little Justice The Podcast. He also co-hosts a video series on Broadwayworld.com called The Chaos Twins. Nik currently leads the Broadway cast of Ain't Too Proud playing Otis Williams, and is an adjunct professor at his alma mater, New York University. Nik shares that his mother worked a job as a news anchor when he was growing up, so she wasn't really home a lot. So it was movies that played babysitter and kept his imagination going. But movies and stories played an even bigger and more important role in focusing him as a child after he was diagnosed with ADHD, eventually leading to his early involvement in theater. And later, a BFA in Theater from NYU.  During our conversation, Nik speaks candidly about coming to Broadway with very little dance background, sharing that Motown was his first brush with dancing professionally and getting paid for it. He shares memories of intense dance training for Ain't Too Proud while still on tour with Hamilton - 5 hours of dance a day, and a performance of Hamilton in the evening - and the sense of pride he gained as a result of “being comfortable with letting go of your comfort zone”. Nik also opens up about the journey he has taken during the COVID pandemic which brought him back to NYU, this time as a professor. And while he acknowledges performing in Ain't Too Proud and teaching at the same time will be a lot of work, he not only feels rewarded by his new job, but knows he is contributing to the education and growth of the next generation of theater artists.  Connect with Nik: Listen to ⁠Little Justice, the Podcast⁠ Instagram: @⁠nikkywalks⁠ Twitter: @⁠nikkywalks⁠ Connect with The Theatre Podcast: Support us on Patreon: ⁠Patreon.com/TheTheatrePodcast⁠ Twitter & Instagram: ⁠@theatre_podcast⁠ ⁠Facebook.com/OfficialTheatrePodcast⁠ ⁠TheTheatrePodcast.com⁠ Alan's personal Instagram: ⁠@alanseales⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is Nigil Mack, head honcho of All Flowers Group label drink sum wtr. With roots in hip hop, R&B, and alternative, the emerging record label looks beyond trends to invest in a new cultural legacy, releasing music from Annahstasia, THEY., Gareth Donkin, Aja Monet, and more. Prior to co-founding drink sum wtr, Nigil served as an A&R at Motown and Republic Records,  where his signings include Kid Cudi and focused on artist development on numerous projects; an A&R consultant for Atlantic Records, and as a manger of artists such as DRAM. Now lending his ear to the independent spectrum, Nigil IDs songs for co-hosts Tom Davies and Alexandra Berenson, Senior Director of A&R, from drink sum wtr's already extensive catalog, weaving stories of his inspirations and influences along the way.   Links:   Secretly Frequencies: drink sum wtr Playlist Secretly Society Podcast Episodes Secretly Society Podcast on Secretly Store Secretly Society General Information   drink sum wtr: drink sum wtr Website Link drink sum wtr on Instagram drink sum wtr on X drink sum wtr Newsletter  

The pastors stop by with a word

The bright lights will be out for Monday Night Football but it's the injury report that has Luke Jones and Nestor concerned beyond the roar of the Detroit Lions. How long will the Baltimore Ravens be without Nnamdi Madubuike bolstering the pass rush as Jared Goff looms with a high-powered Motown attack? The post Luke Jones and Nestor discuss Ravens concerns about Madubuike and Lions attack first appeared on Baltimore Positive WNST.

Premiering on Broadway in 1975, The Wiz: The Super Soul Musical “Wonderful Wizard of Oz” won seven Tony Awards including Best Musical and became a mainstream breakthrough for productions with all-Black casts on Broadway. By the late 70's, Motown mastermind … Continue reading →

"This past 4th of July someone posted the Preamble and I wondered who the singer was. I watched a few more and wondered who they were. We will answer that today. We will play some of their Schoolhouse Rock song and then one of their singles. Plus we have some trivia about the show."

Sixto Rodriguez, known simply as Rodriguez, lived one of the most extraordinary and unlikely journeys in modern music history. Born in Detroit, Michigan, he grew up the son of Mexican immigrants in a city teeming with both industrial promise and economic struggle. His upbringing in Detroit's working-class neighbourhoods profoundly shaped his worldview and his music. Rodriguez's songs spoke of poverty, social injustice, and the struggles of everyday people—lyrics that would later resonate deeply with audiences halfway across the world.From an early age, Rodriguez gravitated toward music. He learned guitar on his own and began writing songs that mixed folk, rock, and blues with a poet's touch. His lyrics were sharp, socially conscious, and often laced with a haunting melancholy. Though Rodriguez possessed immense talent, Detroit in the late 1960s was already overflowing with Motown stars, garage rock bands, and rising folk voices. Breaking through wasn't easy.In '67, Rodriguez recorded a single that didn't gain much traction. A few years later his big break seemed to arrive with his debut album, Cold Fact, in 1970. Critics admired the record, but commercially it fell flat in the US.Undeterred, Rodriguez recorded a second album, Coming from Reality, in '71. But like its predecessor, the album struggled to find an audience. Disillusioned, Rodriguez quietly stepped away from the music industry. Heworked a series of manual labor jobs—construction, demolition, even factory work. For years, he lived modestly, raising his daughters while music became more of a private outlet than a public pursuit. Unbeknownst to him, his music was taking on a life of its own thousands of miles away. In South Africa, during the height of apartheid, Rodriguez's albums had found their way to audiences. To South Africans, Rodriguez was as revered as Bob Dylan or John Lennon.Yet in Detroit, he had no idea of his fame overseas.For decades, South African fans knew every lyric, while the man himself remained in the dark about his global impact.The truth began to unravel in the late '90s, when two South African fans set out to discover where he was. They found him in Detroit and brought hin to South Africa fin 1998. Concert halls overflowed with fans . For Rodriguez, it was a surreal moment of validation, arriving nearly three decades after he'd walked away from music.The story of Rodriguez's rediscovery was later captured in the 2012 Academy Award-winning documentary Searching for Sugar Man. With its mix of mystery, tragedy, and triumph, the documentary transformed Rodriguez into an international icon almost overnight. His albums were reissued, he toured internationally, and he finally enjoyed the recognition that had eluded him in his youth.Rodriguez's daughter, Sandra tells us that despite his newfound fame, her dad remained grounded. He continued living in his modest home. Known for his humility and gentle nature, he preferred to let his music speak for itself. He carried no bitterness at al.Rodriguez's story is often described as one of the most remarkable in rock history—a tale of how music can transcend time, borders, and politics. His songs, rooted in the struggles of Detroit in the '70s, found their greatest meaning in a country he'd never visited until decades later. In the process, Rodriguez became a symbol of resilience, artistry, and the unpredictable power of music.Sixto Rodriguez passed away in 2023 at the age of 81. His death marked the end of a truly singular life, but his music continues to live on. For those who grew up singing his words in South Africa and in Australia, and for the many around the world who discovered him through Searching for Sugar Man, Rodriguez will always be remembered not just as a musician, but as a poet of the people, a voice of quiet defiance, and the ultimate comeback story.I know you'll enjoy hearing Sandra Rodriguez tell her Dad's story.

‘Songs are like a statement from the spirit of you, the spirit in you'Annie Macmanus speaks to global music icon Stevie Wonder about his life and career. Stevie was born in 1950 in the industrial city of Saginaw in Michigan, USA. Even from a young age, he displayed a great love of music - first with a church choir, and then teaching himself how to play a range of instruments, including the harmonica, piano and drums - all before the age of 10.He was just 11 years old when he was discovered and signed by the legendary Motown record label - and the rest is history.Across a career that's spanned seven decades, he's sold over 100 million records worldwide, won numerous awards - including multiple Grammys, a Golden Globe and even an Oscar, and received the US Presidential Medal of Freedom too.Over the years, Stevie has also used his platform to campaign on social issues close to his heart. He's long-advocated for greater rights for disabled people around the world, and he successfully spearheaded a movement to create a national holiday in the US to recognise the birthday of the civil rights activist Dr. Martin Luther King Jr. He was also a vocal critic of apartheid in South Africa and called for the release of Nelson Mandela.In this wide-ranging interview, Stevie discusses his journey to stardom, where he gets his creative spark, and speaking out against injustice.Thank you to the Sidetracked team for their help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service, Mondays and Wednesdays at 0700 GMT. Or you can listen to The Interview as a podcast, out twice a week on BBC Sounds or wherever you get your podcasts.Presenter: Annie Macmanus Producers: Ben Cooper and Gráinne Morrison Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Stevie Wonder Credit: Savion Washington/Getty Images)

Paul Hoynes and Joe Noga preview Cleveland's biggest series of the season in Motown. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Detroit, Patrick Finley and Jason Lieser break down the Bears' 52-21 blowout loss to the Lions.

The pastors stop by with a word.

Dan Campbell's Lions dominated Ben Johnson's Bears from the opening drive on, hanging 52 points on Chicago, proving they are exactly who we thought they were, in a Week Two beat down, in Motown. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ben Johnson & The Chicago Bears head to Motown to take on the Detroit Lions! #ChicagoBears vs. #DetroitLions ! Get in the chat and LET'S GOOOO!To become a TTNL Network Patron, head over to www.TheTapeNeverLies.com to sign up for expanded TTNL Network coverage of the #ChicagoBears #DaBears #Bears #BearDownOne stop shop for ALL TTNL Network social media! https://linktr.ee/TTNLNetworkTTNLNetwork (@TTNLNetwork) https://twitter.com/TTNLNetworkTTNL Network Patreon https://www.patreon.com/thetapeneverliesPhil Ottochian (@phil_ottochian) https://www.instagram.com/phil_ottochian/Shayne Marsaw (@wasram) https://twitter.com/wasramCopyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

"Long before American Idol and Americas Got Talent, there was Star Search. It was pretty schmaltzy but looking back, some of the biggest singers, actors and comedians got their big break on Star Search. We have grabbed as many examples as we could."

THE GOOD, THE BAD, AND THE UNACCEPTABLE.......What a crappy way to start the 2025 season for the Bears as they allow 21 unanswered points in the 4th quarter and lose to the Vikings on Monday Night Football. Let's talk about what needs to happen going into week 2 as the Bears head to Detroit to face the Lions in Ben Johnsons return to Mo-Town. #BEARS #VIKINGS #PACKERS #LIONS #NFCNORTH #NFLFollow the crew: One stop shop for ALL TTNL Network social media! https://linktr.ee/TTNLNetwork TTNLNetwork (@TTNLNetwork) / ttnlnetwork TTNL Network Patreon / thetapeneverlies Phil Ottochian (@phil_ottochian) / phil_ottochian Shayne Marsaw (@wasram) / wasram Ivan Vargas (@IvanV_TTNL) / ivanv_ttnl Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

Today, I'm thrilled to announce my interview with Tony-winning writer Dick Scanlan. Tune in to hear some of the stories of his legendary career, including his eight years performing in PAGEANT, how THOROUGHLY MODERN MILLIE turned him into a theater writer, giving Sutton Foster her breakout role in the show, directing Ellen Greene in LITTLE SHOP OF HORRORS, being influenced by Gilbert and Sullivan, the benefit performance that spawned EVERYDAY RAPTURE, editing Poz Magazine, watching THE SOUND OF MUSIC in a theater full of nuns, his unconventional journey from Carnegie Mellon to NYU, his research process for AN OFFICER AND A GENTLEMAN, why he turned down TOOTSIE, the thrill of working with Berry Gordy on MOTOWN, revising THE UNSINKABLE MOLLY BROWN, telling prisoners' real stories in WHORL INSIDE A LOOP, and so much more. Don't miss this in-depth conversation with one of Broadway's best wordsmiths.

Welcome to the Personal Development Trailblazers Podcast! In today's episode, we're talking about how to overcome imposter syndrome and reclaim your confidence so you can live your best life.Susaye Greene is a three-time #1 international best-selling author, a highly accomplished media professional, singer with a five-octave range, songwriter, producer, and thought leader. With an impressive career spanning decades, she has made significant contributions to the music industry and beyond. Greene is the CEO of Your Supreme Confidence LLC, where she serves as a confidence and media coach, and is the co-founder of Capital Code, a successful tech and media company established in collaboration with Anitha Vadavatha. As the last member signed to Motown's legendary group The Supremes, she co-wrote I Can't Help It with Stevie Wonder, one of Michael Jackson's most covered songs, and has written for artists including Deniece Williams, Will Downing, Seal, Lil' Kim, Fabolous, and Ruben Studdard. She has toured extensively with Ray Charles and Stevie Wonder and collaborated with jazz great Courtney Pine on the iconic Children of the Ghetto. Beyond music, Greene served as President of Dollface Records, co-founded the Goodwill Treaty for World Peace with Bryant McGill, and directed Film Music and the Arts for the PeacePrize Foundation. She was a long-time judge for the Raw Science Film Festival and advised Team Plan B Canada for the Google Lunar XPrize competition. A passionate advocate for technology and creativity, she develops Web3 games, animated 3D films, and explores opportunities in the Metaverse, while also showcasing her work as a visual artist and photographer. Her art has been exhibited internationally, and she was featured on the cover of STEM for Women Magazine for her advocacy in STEAM education. Greene has been recognized by the Motown Museum, featured in The Wall Street Journal, BBC Soul in America documentaries, the Academy Award-winning 20 Feet From Stardom, and has made thousands of media appearances worldwide. Guided by her personal philosophy, she believes, “Kindness is the key to successful humanity.”Connect with Susaye Here: https://linktr.ee/susayegreenehttps://susaye.com/Hater Blockers Handbook play.susaye.comhttps://revolution.susaye.com/register===================================If you enjoyed this episode, remember to hit the like button and subscribe. Then share this episode with your friends.Thanks for watching the Personal Development Trailblazers Podcast. This podcast is part of the Digital Trailblazer family of podcasts. To learn more about Digital Trailblazer and what we do to help entrepreneurs, go to DigitalTrailblazer.com.Are you a coach, consultant, expert, or online course creator? Then we'd love to invite you to our FREE Facebook Group where you can learn the best strategies to land more high-ticket clients and customers. QUICK LINKS: APPLY TO BE FEATURED: https://app.digitaltrailblazer.com/podcast-guest-applicationDIGITAL TRAILBLAZER: https://digitaltrailblazer.com/

Episode 506: Shamone Now This week Host Dave Bledsoe won third prize in a “Moonwalking” competition when he lost his balance trying to get up to take a piss and stumbled backward across the stage. (It was a $10 Gift Certificate to Hardees) On the show this week it is part one of a two part show about the biggest pop star of the 80s, Michael Bolton. (We kid, we are talking about Michael Jackson!) Along the way we find out that Dave once thought he was gay because he accidentally liked Michael Jackson's music. (He had a very sheltered childhood) Then we dive into a brief history of Motown for script reasons before, and speaking of sheltered childhoods, we meet the Jacksons.  (All dozen of them) We follow the rise of young Michael from his childhood parental abuse to the pinnacle of cultural dominance before the age of 30 years old. (Can't imagine why Mike turned out the way he did). We talk about this music, the videos, the cultural impact and the world fell in love with him.  We do NOT talk about the weird stuff.  (We're saving that for NEXT week!) Our Sponsor this week is Sequin Hut, all we sell is sequins, which was a pretty bad business choice.  We open the show with the news about Thriller and close with Gipsy Danger inquiring about Annie. Show Theme: Hypnostate Prelude to Common Sense The Show on Bluesky: https://bsky.app/profile/whatthehellpodcast.bsky.social The Show on Facebook: https://www.facebook.com/whatthehellpodcast/ The Show on Youtube:  https://www.youtube.com/channel/UCjxP5ywpZ-O7qu_MFkLXQUQ The Show on Instagram: https://www.instagram.com/whatthehellwereyouthinkingpod/ Our Discord Server: https://discord.gg/kHmmrjptrq Our Website: https://www.whatthehellpodcast.com Patreon:  https://www.patreon.com/Whatthehellpodcast The Show Line: 347 687 9601 Closing Music: https://youtu.be/NU4LsUPWZxI?si=iDcOK-3X5buMjkhP Buy Our Stuff: https://www.seltzerkings.com/shop Citations Needed: Wikipedia: The Motown Sound https://en.wikipedia.org/wiki/Motown#Motown_sound Joe Jackson was one of the most monstrous fathers in pop https://www.theguardian.com/music/2018/jun/27/joe-jackson-one-of-the-most-monstrous-fathers-in-pop Michael Jackson's 1987 Cover Story: ‘The Pressure to Beat It' https://www.spin.com/2014/06/michael-jackson-bad-1987-cover-story/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Today's guest is a little different. Usually, I feature drummers on this podcast, and we've had some incredible ones—plus music directors like Nate Patten and music coordinators like Michael Aarons and Michael Keller. But this time, I wanted to bring on someone I've known and played with for the past ten years, a true “Piano Man” and multi-instrumentalist who has made his mark on Broadway and beyond: Matthew Friedman.Matthew isn't just a pianist—he's a singer, a bandleader, a composer, and yes, even a drummer. He was “The Piano Man” in the national touring company of Movin' Out and has performed with the legendary Lords of 52nd Street, Billy Joel's original band. He's also been part of Broadway productions like Jersey Boys and Smokey Joe's Café, while leading his own group, Matthew Friedman & Stiletto.In this episode, we talk about:* His early start in music and the influences that shaped him.* How he made the leap from being an attorney to a full-time musician.* The highs and lows of touring life—from first-class gigs to rough bus-and-truck runs.* Stories from his time on Broadway, including connections to past podcast guest Jon Berger and future guest Joe Bergamini.* What it means to be more than just a player in the pit—how to lead, adapt, and thrive as a versatile instrumentalist.Matthew has great stories, big insights, and a unique perspective on what it takes to succeed in this business—not just as a drummer, but as a full-fledged musician and bandleader.Some clips of me playing a fun gig with him several years ago:Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

The Sponsors We want to thank Underground Printing for starting this and making it possible—stop by and pick up some gear, check them out at ugpmichiganapparel.com, or check out our selection of shirts on the MGoBlogStore.com. And let's not forget our associate sponsors: Peak Wealth Management, Matt Demorest - Realtor and Lender, Ann Arbor Elder Law, Michigan Law Grad, Human Element, Sharon's Heating & Air Conditioning, The Sklar Brothers, Winewood Organics, Community Pest Solutions, Radecki Oral Surgery, Long Road Distillers, and SignalWire where we are recording this. Featured Musician: Booster THE VIDEO: [After THE JUMP: Things to be said.]  --------------------- 1. Oklahoma Preview: Offense starts at noon It's John Mateer doing Tate Forcier things in an RPO-heavy system that meets its greatest challenge yet in a defense that doesn't give you any easy reads. Can their haphazard OL with one or two true freshman hold up to Michigan's DL? Can Michigan force Mateer into mistakes? Are his receivers enough to get open for him? Fascinating matchup. 2. Oklahoma Preview: Defense starts around 12:20 The other side of our Spiderman Pointing: their defense is Legit. Venables defense is the older cousin of the Don Brown system: it's 50% Don Brown's cover 1, which he calls "Brown" and 50% Dantonio's quarters. The DL get upfield in a hurry and the LBs have to make them right, but there's always a safety or two involved in the run fits to collect when you break outside. Best way to attack it is CJ Stroud and NFL receivers but we're probably not there yet. He has two hybrid OLBs so he doesn't get Devin Gil'd but those guys might be susceptible to some Bredesoning. 3. New Mexico After Review: Offense starts around 12:45 This is where we talk about Bryce Underwood. 4. New Mexico After Review: Defense starts around 1:10 PM This is where we talk about College Crappe. Featured Artist: Booster Detroit born (East side in August 1990), and Detroit educated, Booster was exposed to music from an early age from his artist/performer mother, which you can tell because his music is dripping with 1960s (you'll hear that Motown cooing in All Night Long) and 1970s (the funk in Real City) Detroit, and honed himself at the Detroit School of Arts and the music program at Kentucky State University. He's changed his approach several times in his career, but the throughline is his creativity. A musician's musician, Booster is the guy a lot of local creators get their ideas from—like how all the rock bands in Ann Arbor in my day were obsessed with At the Drive-In. You can read more about him here and check out his socials: Ig: @imyourboost YouTube: imyourboost Facebook: @imyourboost Songs: All Night Long    Box    Real City    Also because Across 110th Street will get our Youtubes taken down, the opener and outro: “The Employee is Not Afraid”—Bear vs. Shark “Ruska Vodka”—Motorboat

Here are 3 big things you need to know—   One — The Trump administration taking Boston to court over its immigration policies.  On Thursday the Department of Justice filed suit against the city's Democratic Mayor Michelle Wu.  The DOJ alleges Boston's policies that limit cooperation between police and federal immigration authorities violate the law.  In response, Wu accused the administration of pursuing an authoritarian agenda.   Two ---  The Trump administration is scrapping a Biden-era proposal requiring airlines to pay passengers for long delays, including up to 700 dollars for extended waits.  The Transportation Department says the move aligns with administration priorities and is also weighing whether to roll back a rule forcing airlines to disclose service fees upfront. And number three ---   U.S. Senate candidate Mike Rogers says Detroit's Mayor needs to call President Trump to get federal troops patrolling Motown.  The Republican former congressman says Detroit is a hub for violent crime and soars above the national average for murder, rape, robbery, and aggravated assault.  A city of Detroit spokesman counters Rogers, saying carjackings in Detroit have fallen 90-percent from 2013.

"Here is a game to play. Name as many two minute songs as you can following these rules. Only one song per group and you cannot name just punk songs. We then go one step farther and change the game to as many one minute songs as you can."

Miss Heard celebrates Season 7, Episode 314 as we dive into the timeless hit “Midnight Train to Georgia” by Gladys Knight & the Pips—a song born from a casual conversation between Jim Weatherly and Farrah Fawcett that became a Grammy-winning, chart-topping anthem. We explore the song's origins, lyrical meaning, and transformation from “Midnight Plane to Houston” to a soulful R&B masterpiece. Plus, we trace the rise of Gladys Knight & the Pips—from their early days in Atlanta to Motown stardom and beyond.   Learn how this iconic track captured the heartbreak of broken dreams, the devotion of love, and the power of going home.   You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #podcastinavan #vanpodcast #SongLyricsFails #MusicPodcast #PodcastLovers #MustListen #TuneInNowTop of Form #MidnightTrainToGeorgia #GladysKnight #ThePips #SoulMusic #ClassicHits #MusicHistory #BehindTheMusic #70sMusic #RnBClassic #GrammyWinner #LegendaryVoices #SongStory #MusicPodcast #OnThisTrack #IconicSongs   https://www.youtube.com/watch?v=A0F9lh8TiSM https://en.wikipedia.org/wiki/Midnight_Train_to_Georgia https://en.wikipedia.org/wiki/Gladys_Knight_%26_the_Pips https://en.wikipedia.org/wiki/Gladys_Knight https://www.songfacts.com/facts/gladys-knight-the-pips/midnight-train-to-georgia

R&B legend KEM joins Angela Yee and the Lip Service crew for a heartfelt conversation on love, family, and music. He opens up about manifesting relationships, lessons from past struggles, and the journey to sobriety that reshaped his life. KEM also talks independence after Motown, building longevity in the industry, and why truth and vulnerability matter most in love. From his serendipitous love story to his new music and memoir, this episode is packed with wisdom, laughs, and inspiration.See omnystudio.com/listener for privacy information.

EZ off till Tuesday, 9/2/25. Enjoy three Patreon Bonus encore showsSegments include:*Amazing vid of bull kicking ass at hillbilly convention*Money Line Monday.*Sol's intros for the EZSP*WNBA player has awesome response in press conference*The ridiculous process of delivering news for the Hunter Biden case. Also, who cares about Hunter Biden?*EZ breaks down a new study about kids with ADHD.*The world's worst broadcaster, Maitlyn, has a horrible bummer joke.*Southern Michigan whacko intentionally smashes truck into grandma and grandma while they took a walk.*A wild story about the lead singer of MoTown group, The Four Tops.  Dude went to the hospital complaining of chest pains, what happened next is next level, bullshit.Support this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy