Podcast appearances and mentions of john chiara

“a ppr oc he“ 5e éditionUn salon dédié à l 'ex pér imenta tiondu médium pho togr aphi queau 40 rue de Richelieu [Le Molière]du 12 au 14 novembre 2021Interview de Emilia Genuardi, fondatrice et directrice de a ppr oc he,par Anne-Frédérique Fer, à Paris, le 27 octobre 2021, durée 18'53.© FranceFineArt.Communiqué de presseIntroductionLe salon a ppr oc he franchit cette année le cap de sa cinquième édition. Un cap important, qui démontre que son format singulier, à rebours des modèles existants, séduit collectionneurs, amateurs, artistes et galeries participants, et professionnels de l'art contemporain. Un cap sous le signe d'un retour à la normale, au Molière, hôtel particulier qui accueille le salon depuis ses débuts, et aujourd'hui emblématique de son format intimiste. Pour marquer cet évènement, j'ai invité 5 curateurs à présenter un ou deux artistes chacun. Avec toujours le même désir : ouvrir de nouveaux horizons, provoquer de nouvelles rencontres, tisser des liens.Les artistes sélectionnés cette année sont le reflet de préoccupations majeures de beaucoup de leurs contemporains. L'exploration de nouveaux territoires, qu'ils soient géographiques, scientifiques, ou imaginaires, est au coeur des oeuvres de Caroline Corbasson, Grégoire Eloy, Sylvie Bonnot et Ilanit Illouz. Alors que Kim Boske et Bertrand Hugues par des gestes précis et calculés, donnent une nouvelle forme à la réalité ; les experts des techniques anciennes que sont Antony Cairns, John Chiara et Yasmina Benabderrahmane expérimentent dès la prise de vue et les bains de chimie, jusqu'aux supports d'impression. Entre fiction et réalité, Mouna Saboni et Vasantha Yogananthan documentent et revisitent leur mémoire personnelle. Alors que Camille Benarab-Lopez et Alix Marie oscillent entre photographie, sculpture et installation, Marleen Sleeuwits et Laurent Millet poussent l'intervention jusqu'à devenir scénographes de l'installation in situ ainsi photographiée. Enfin, David Weber-Krebs propose une forme d'expérimentation inédite, à travers une performance en ligne où cette dernière prend la forme d'un appel Zoom de fin de soirée dans lequel une sur-stimulation d'images conduit à une expérience de sommeil partagée entre le performeur et le spectateur.Un contenu riche et pluriel, à travers un parcours de découvertes qui appelleront collectionneurs et visiteurs à s'interroger sur l'état actuel de l'expérimentation du médium.À découvrir au Molière, du 12 au 14 novembre 2021.Emilia Genuardi, Fondatrice & directriceLes informations pratiques :horaires d'ouverture au public, entrée libre sur réservation obligatoire, à partir du 15 octobre 2021 sur http://www.approche.parisVendredi 12 novembre 2021, 13h – 20h Ouvert au public, sur réservationSamedi 13 novembre 2021, 13h – 21h Ouvert au public, sur réservationDimanche 14 novembre 2021, 13h – 18h Ouvert au public, sur réservation Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

From photography’s beginnings, clouds had been central to aesthetic and technological debates in photographic circles. Moreover, they featured in discussions about the nature of the medium itself. Through the juxtaposition of nineteenth-century and contemporary works, the exhibition further considers the longstanding metaphorical relationship between clouds and photography. This audio tour features contemporary artists from the exhibition, who each answer the question: why clouds?

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This week, we discuss a terrific NPR article on how people prefer to consume and contextualize information. It may offer some insights into how we as creators present our own work and how and to what degree a given audience may respond. Also, what do you do when what's popular isn't the way you see? Do you try to bend your own aesthetic to fit in, or stay in the familiar and let them come to you? Plus, we tease up a few items for next week, so be sure to check the show notes. John Chiara is our Photographer of the Week.

This week, we discuss a terrific NPR article on how people prefer to consume and contextualize information. It may offer some insights into how we as creators present our own work and how and to what degree a given audience may respond. Also, what do you do when what’s popular isn’t the way you see? Do you try to bend your own aesthetic to fit in, or stay in the familiar and let them come to you? Plus, we tease up a few items for next week, so be sure to check the show notes. John Chiara is our Photographer of the Week.

Crown Point Press publishes the prints of five or six artists a year who are invited to complete artistic residencies that range from two weeks to six months. For this program, Brown enjoys inviting the participation of established artists in addition to those whose specialty is outside the printing sphere, such as photographer John Chiara. Spark visits with William T. Wiley, one of the leaders of the Bay Area's figurative movement, during his Crown Point Press residency in 2006. The Marin artist guides us through the making of a print, from idea to finished product.

Whereas most of us have embraced digital cameras for their sleek, lightweight design and instant gratification, landscape photographer John Chiara favors his own super-sized camera. In the episode "Experimentation," Spark catches up with Chiara on location as he sets up his camera obscura atop one of San Francisco's familiar vista points. His unique approach is influenced by the early days of photography when artists dealt with heavy, awkward equipment and endured long exposure times and cumbersome developments. Chiara's own process is a labor-intensive endeavor -- often taking him an entire day to get a single image -- however, unlike his 19th-century predecessors, Chiara's images are, like his camera, large, usually measuring 62 inches by 50 inches

In this episode Wayne interviews Director Rocky Karlage and actor John Chiara. The two worked together in the indie horror film "The Farm" and each talks about how they got into filmaking, what it is like filming on the creative side, where acting, writing, and directing is taking them, and what else is in store for Ghostwalk Productions.  Ghostwalk Productions online John Chiara on facebook Rocky Karlage on facebook

Super-size it with photographer John Chiara, whose camera is so large that he has to tow it on a flatbed trailer. Original air date: May 2006.