Podcasts about images

Pour la première fois dans un tribunal, des films servent de preuves. À Nuremberg, ces images des camps et du nazisme, parfois tournées par des cinéastes d'Hollywood comme John Ford, deviennent des pièces à conviction historiques. L'épisode révèle comment ces documents visuels, aujourd'hui ancrés dans notre mémoire collective, ont été utilisés pour prouver l'impensable. Avec Sylvie Lindeperg, historienne spécialiste du cinéma de la Deuxième guerre mondiale et autrice de Nuremberg, la bataille des images, Payot, 2021.

durée : 00:08:06 - par : Elodie Suigo - L'ancien footballeur, acteur, et désormais chanteur, Eric Cantona est l'invité exceptionnel toute cette semaine du Monde d'Elodie à l'occasion de la sortie de son tout premier album "Perfect Imperfection. Épisode 1 : L'artiste. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Images, heb_o_rav_2026-08-03_lesson_bs-tes-01-or-pnimi-perek-01_n1_p2. Lesson_part :: Lessons_series. בעל הסולם. תלמוד עשר הספירות. כרך א'. חלק א' :: Daily_lesson 1

Quand le monde reste sourd à un message, une image peut tout changer. Elle peut constituer une pièce à conviction, une preuve irréfutable. Quitte à choquer, au nom de la vérité. Et lorsque l'on milite pour des causes comme l'antiracisme ou l'antispécisme, la diffusion d'images choquantes de violences policières ou de mauvais traitements dans des élevages devient un argument fort pour faire bouger les consciences. Première diffusion le 24 août 2025. Reportages de Mathias Délétroz et Elias Baillif Réalisation : Jonathan Haslebacher Production : Laurence Difélix

Le jeu vidéo de guerre "Call of Duty" est un succès commercial mondial. On y incarne le plus souvent un soldat dont la mission est de progresser en terrain ennemi, en tuant ses adversaires à l'aide d'armes variées. Dans la réalité, aucune goutte de sang n'est versée, mais en 2013, le CICR demandait tout de même aux éditeurs de jeux vidéo de respecter le droit de la guerre dans leurs jeux. Et Nicolas Akladios, vice-président de la SIEA, l'association qui regroupe les représentants de l'industrie du divertissement interactif en Suisse militait pour une surveillance de l'âge des joueurs, comme au cinéma. Rediffusion du 9 décembre 2013. Reportage d'Antoine Droux.

Une masse fracasse un crâne et cette image, vous devez la regarder 10, 20 ou 50 fois, car c'est votre métier. Dimitri et Tibio visionnent de telles images depuis des années. Le premier, enquête sur le groupe Wagner, l'autre est monteur TV à la RTS et reçoit chaque matin des flux d'images en provenance des terrains de guerres et de catastrophes du monde entier. Comment gérer ces émotions? Comment se préparer à ces images imprévisibles ? Est-il possible d'y être insensible ? Première diffusion le 24 août 2025. Reportages de Mathias Délétroz et Elias Baillif Réalisation : Jonathan Haslebacher Production : Laurence Difélix

Quand Gaétan avait 12 ans, la consommation sur Internet d'images de violence extrême n'était qu'une manière de rire entre amis. Mais des années plus tard, il se retrouve à avaler des heures de vidéos de la guerre en Ukraine. Des images qui provoquent chez lui excitation et dégoût. En Valais, cinq pré-adolescentes scrollaient sur leur fil Tiktok, quand l'assassinat en direct de l'influenceuse mexicaine Valeria Marquez s'est invité sur leur smartphone. Première diffusion le 24 août 2025. Reportages de Mathias Délétroz et Elias Baillif Réalisation : Jonathan Haslebacher Production : Laurence Difélix

Certains traumatismes naissent par procuration, à partir d'histoires ou d'images de souffrance vécues par d'autres. C'est pour éviter des séquelles que Marc, inspecteur à la brigade des mœurs, division cyber pédophilie, utilise de nombreuses techniques de mise à distance des images insoutenables. Nathalie Bennoun, psychologue psychothérapeute FSP, s'est, quant à elle, spécialisée dans la prévention et la formation des traumas vicariants. Première diffusion le 24 août 2025. Reportages de Mathias Délétroz et Elias Baillif Réalisation : Jonathan Haslebacher Production : Laurence Difélix

Summary: One area we plan to explore at Resolution is personas and character training, operationalized as finding and controlling low-dimensional structure in models that emerges in pretraining and flows through post-training to superintelligence. The hope is to expand and systematize phenomena such as emergent misalignment, subliminal learning, and other empirical persona research, then intervene on this structure without accidentally hiding undesirable behavior elsewhere. If this approach resonates with you, considering working with us. Glimmers of low-dimensional structure Our understanding of AI training and alignment as a field is very poor. If sufficient alignment of superintelligent AI agents requires pinning down the precise meaning of alignment and turning that meaning into high-accuracy training data and algorithms, we are likely to fail. Modern LLMs have trillions of parameters: our understanding is unlikely to be sufficient to pin down a trillion separate numbers. Happily, there is a growing literature on such low-dimensional structure in AI models, showing that intervening on one aspect of model behavior has strong downstream effects on other aspects: Topic Description Emergent misalignment Betley et al. 2025 found that LLMs fine-tuned to output insecure code can become broadly misaligned across many other behaviors. MacDiarmid et al. 2025 found [...] ---Outline:(00:42) Glimmers of low-dimensional structure(03:57) Intervening without hiding the structure(06:34) Toy models of modern training[... 4 more sections]--- First published: July 30th, 2026 Source: https://www.lesswrong.com/posts/sFhW3ZnPMJdnB4Dd6/thousand-dimensional-structure-1 --- Narrated by TYPE III AUDIO. ---Images from the article:Apple Podcasts and Spotify do not show images in the episode description. Try Pocket Casts, or another podcast app.

“Your balls are baked aren't they, mate”. He would not have been bornThanks Lyndon, that describes the situation. Like almost 1 in 10 modern men, my sperm weren't up to the task - at least not the old fashioned way. So IVF it was - the miracle that now feels almost commonplace. We landed on the moon and Woodstock changed music forever. But in 1969 a quieter event transformed the world. The first human embryo was fertilised “In vitro”, outside the body. Yet 10 years passed before one was inserted into a womb, and then born. 48 years ago, Louise Joy Brown was the first woman born through IVF. This year about a million babies will be born through IVF. IVF stands at the frontier of rich-privilege, a norm for the middle class in rich countries. In my home country New Zealand, the government even pays for it! Yet every week I meet women here in Northern Uganda who can't have kids, and could never afford IVF. Even the human “right” to have a kid can depend on where you are born. If I was born 25 years ago, or in Uganda, my boy would never have [...] ---Outline:(00:13) He would not have been born(01:35) Our Risky Choice(03:47) He didn't die once - a routine miracle(05:33) He didn't die twice - Neonatal care(08:54) I am Grateful The original text contained 2 footnotes which were omitted from this narration. --- First published: July 28th, 2026 Source: https://forum.effectivealtruism.org/posts/KMNk8zXLxHQXgN7rK/never-born-then-maybe-died-twice --- Narrated by TYPE III AUDIO. ---Images from the article:Apple Podcasts and Spotify do not show images in the episode description. Try Pocket Casts, or another podcast app.

Consider the following situations: when you are a small, growing startup in a big market, standard advice is not to worry too much about your competitors or try to do anything adversarial “against” them, but just to focus on growing and providing value to your own customers. when you are a small trader in a big market, you don't need to worry about your trades shifting the market price or revealing information to your competitors; in many contexts, your optimal strategy is simply to bid your true price, buying when an asset is cheaper than your “happy price” and selling when it's more expensive. when you are in the early stages of a game, often your best strategy is to grow your “resources” (like developing your pieces in chess, trying to control more territory and have more value on the board), following a pattern that's mostly independent of what the other players are doing and gets you more of something that's valuable across many possible game states. when you are a species whose resource needs are much smaller than the carrying capacity of your environment, you are r-selected; your fitness is maximized by just [...] The original text contained 2 footnotes which were omitted from this narration. --- First published: July 30th, 2026 Source: https://www.lesswrong.com/posts/s22XzjQsrh6JXhXGH/big-world-intuitions --- Narrated by TYPE III AUDIO. ---Images from the article:Apple Podcasts and Spotify do not show images in the episode description. Try Pocket Casts, or another podcast app.

Images from Spain's North African enclave of Ceuta have sparked a renewed debate over border security, immigration, and the future of Western nations. As thousands attempted to cross into Spanish territory, questions are being raised about Europe's migration policies, national sovereignty, and what these scenes could mean for the United States. Never miss a moment from Buck by subscribing to the Buck Sexton Show Podcast on IHeart Radio, Apple Podcasts or wherever you get your podcasts! Connect with Buck Sexton:Facebook – / bucksexton X – @bucksexton Instagram – @bucksexton TikTok - @BuckSexton YouTube - @BuckSexton Website – https://www.bucksexton.com/Support the show: https://www.youtube.com/@BuckSextonSee omnystudio.com/listener for privacy information.

Hey, it's Alex (yeah, I'm finally back from my vacation!) What a freaking week to come back to! Just after our last episode was published, Anthropic releases Opus 5, Jensen joins X and drops the “Open Weights & AI Leadership” open letter, Kimi K3 is released the following Monday beating expectations, and then the AI hack (OpenAI model breaking sandbox and infiltrating HuggingFace) is on everyone's mind, another Open Letter, this time from over 1K employees inside the frontier AI companies all talk about pacing the pace of frontier AI development. We played with Opus 5 and Kimi K3, and had the great pleasure to chat with friends of the pod Elie Bakouch (Prime Intellect) and Philip Kiely (BaseTen) about this important open weights release, then covered our general thoughts on Opus 5, and made order of all the different open letters that came out this week. Finally we chatted with Max from Pangram about the next version of AI writing detection (their biggest yet) and finished with Zuckerbergs (also on X! what's going on with everyone joining X) op-ed on the vision of personal superintelligence for everyone. Let's dive into this (as always, all the links and sources at the end, please don't forget to sub to our podcast on your favorite podcast app!) Open Weights AIKimi K3 the king of open weights - 2.8T chonker MoE near frontier model (X, HF, Blog, Tech report)This has got to be the biggest news of this week, and maybe the open weights AI news since GLM 5.2. MoonShot came back with Kimi K3, and we haven't seen any models quite this large in the open. Even Grok 4.5 is around 1.5T, this model is nearly 2x the size. Coming in at close to 3T parameters (and 2.5terabytes of weights at MXFP4 format), this model comes in very close to frontier! This was such an important release that I invited 2 friends of the pod, Elie Bakouch (prev HuggingFace, now Prime Intellect) and Philip Kiely (Author of Inference Engineering book, BaseTen) to dive deep into what makes this special! Elie's take, from reading the tech report, there's no single secret sauce, it's a combination of already available in the open techniques. Like KDA (Kimi Delta Attention) that has been out for a while, attention residuals, NVIDIA's latent MoEs. The highlight for Elie was the scaling work they did that reported a 2.5x scaling efficiency over Kimi K2.5 (2.5 performance at the same compute)! They also skipped RoPE entirely in favor of NoPE (the report calls it No Positional Encoding) for long context.Serving 1.4TB on eight GB300s (Baseten blog)Philip's team at Baseten was a day-zero provider (we're still working on bringing this model to CW Inference, stay tuned!) so I invited him to tell us behind the scenes of hosting this beast. Philip said that just loading the weights takes about 1.5TB!! of VRAM, and that's before the KV cache allocation + 1M token windows, so they're serving it on 8 GB300s where NVL72 . Baseten worked with the vLLM and SGLang teams on kernels and he also said they contributed patches back upstream! The model was trained with MXFP4, which, unlike Nvidia's own NVFP4 is a more standard format per Philip. I enjoyed his deep dive analysis into the differences, but because of this and because they trained the model with quantization awareness, it's “only” 1.5TB vs the would-be 5-6 TB if that this model in FP16 would demand. One of the more favorite nerd snipes moments, Philip pointed out that his colleague discovered that with over 99% of the usage being cached (think harnesses that send millions of the same cached tokens back and forth), tokenization actually starts to become a bottleneck. So they released a custom “basetenkenizer” that reduces the latency to serve the first token significantly! Great job!The harness in question is very importantOne important callout with 2 evidence pieces - the way you inference this model really matters. Kimi trained K3 with preserving thinking history, so when your harness uses it, it must send back the full thinking and tool use into the API to get the best next response. If your harness strips that out, you're not getting the most intelligence out of Kimi (shoutout to Niels from HF team for pointing this out). Additionally, the Composio folks, tested K3 on 3 harnesses, Kimi Code, Hermes and Claude Code. The difference in outcome was negligible, but the different in cost and number of tokens is definitely surprising! Claude Code (as a harness only) took 9x more Kimi tokens to get the same responses! This is also why Kimi Vendor Verified exists, their own held back benchmark of how well model providers serve Kimi across different quantization, tokenizer and KV cache settings. Benchmarks and the license! Ok let's start with the ugly... this isn't MIT, not remotely. This model is suspiciously served by all providers with exactly the same price (check OpenRouter) and requires inference companies to sign a contract with Kimi (I've no internal knowledge of this except that CW folks are working on it). Not something I particularly like, but hey... we're still advancing the frontier here! Speaking of frontier, this model approaches the frontier very closely. On DeepSWE, K3 sits just behind Fable 5 and GPT-5.6 Sol at 67%, beating GPT-5.5 & Opus 4.8. On Terminal-Bench 2.1 it takes second place behind GPT 5.6 Sol! It's 4th overall on Agentic Arena, with frontend design being genuinely good across the board - 1st on Design Arena

Images, heb_o_norav_2026-07-31_lesson_mivne-haolamot-haelionim_n2_p1. Lesson_part :: Daily_lesson 2

You can be an exceptional photographer and still be completely invisible to the clients actively searching for someone like you. Not because your work isn't good enough, but because Google doesn't know you exist. Don't worry, though! This episode is going to make that problem go away. SEO for photographers isn't dark magic. For a local photography business, roughly 90% of what moves the needle comes down to three things: your H1 tag, your image alt-text, and your site speed. Your H1 is the main headline on your webpage and one of the strongest signals Google uses to understand what your page is about. "Capturing the Essence of Your Soul" is lovely — but nobody is searching for it. "Wedding Photographer in Austin" is what actually gets you found. Alt-text is the written description attached to every image on your site. Google cannot see your photographs — it reads the label you give them. A file named "_MG_5422.jpg" tells Google nothing. A file named "golden-hour-bride-groom-portrait-austin-texas.jpg" with a matching alt-text description tells Google exactly what it needs to know. Site speed is a documented Google ranking factor, and photographers are almost universally the worst offenders — uploading massive unoptimised files directly from Lightroom. Images destined for the web should be under 500KB. Free tools like Squoosh make this straightforward. I also recommend using a file format such as WebP to bring down file sizes. Finally, we cover Google Business Profile — the free local listing that puts you on the map, literally, when someone searches for a photographer near them. A complete, well-reviewed profile can outperform a first-page organic ranking for local search intent. Support The Nerdy Photographer Sign Up for The Power Up - https://nerdyphotographer.com/newsletter Get some artwork from the print shop - https://art.caseyfphoto.com Buy some Nerdy Photographer Merch - https://nerdyphoto.dashery.com Use our link to buy new gear from Adorama - https://nerdyphotographer.com/recommends/adorama Use our link to buy used gear from KEH - https://nerdyphotographer.com/recommends/keh Follow along with us on social media @thenerdyphoto About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com    If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact

Most investors miss the hidden signs of market rotation until it's too late. This episode features insights from portfolio expert Chuck Filler, revealing how sector shifts and unexpected signals can tell you exactly when to stay steady or accelerate your moves. Images were taken from the Nasdaq Dorsey Wright Research Platform (linked below).  Get Our Weekly Newsletter:  NDW Lite: https://nd.nasdaq.com/Index-Preference-Center-LP-.html  How to Find Us:  X: https://x.com/DorseyWrightNDW  LinkedIn:  https://www.linkedin.com/company/nasdaqdorseywright  Research: https://dorseywright.nasdaq.com  

TL;DR We're hosting an essay competition to elicit responses to Anthony DiGiovanni's sequence, ‘The challenge of unawareness for impartial altruist action guidance'—submit your entries by August 14th. There will be cash prizes for the best essays and the best comments: 7 thousand dollars in total. Additionally, we're offering an outlier prize of up to 50 thousand dollars for a truly exceptional entry: an original solution to cluelessness, or a critique decisive enough to move the debate. We're also offering a referral prize of $250 if a winner says you're responsible for telling them about the competition. Motivation When I announced April's Better Futures Highlight Week,[1] I confidently wrote: “To make the future go better, we can either work to avoid near-term catastrophes like human extinction or improve the futures where we survive.” But what if I was wrong? What if both options are bankrupt, and we have no justified answer as to whether any particular work would make the future better? In his Challenge of Unawareness sequence, Anthony DiGiovanni argues that we are in just this position. Specifically, he argues that our evidence about the future is so poor that our assessments of impact (explicit expected-value estimates [...] ---Outline:(00:12) TL;DR(00:54) Motivation(02:12) How the competition works(02:55) What your entry should look like(03:49) Option 1: Challenge a premise(05:19) Option 2: Challenge the inference(05:33) Option 3: Offer a constructive response(05:54) Prizes(05:58) Essay competition(07:43) Comment competition(08:09) How will the essays and comments be judged?(08:40) What comes after the competition?(09:00) Judges(09:13) Essay competition(09:33) Comment competition(09:50) Disclaimer(10:44) FAQs(10:48) Can I use AI?(11:21) Can I co-author a piece?(11:31) Can I submit a piece I've already published elsewhere?(12:03) Will I get feedback on my entry?(12:31) Does style matter? --- First published: June 19th, 2026 Source: https://forum.effectivealtruism.org/posts/2aooibAEDSdreCqrJ/announcing-cluelessness-critiques-competition --- Narrated by TYPE III AUDIO. ---Images from the article:Apple Podcasts and Spotify do not show images in the episode description. Try Pocket Casts, or another podcast app.

durée : 00:44:05 - Les émissions culturelles de France Culture - par : Chloë Cambreling - Ernest Pignon-Ernest est à l'honneur de deux expositions provençales cet été. Au musée Ziem de Martigues, une carte blanche retrace 60 ans du parcours artistique du plasticien. A Carpentras, le musée Inguimbertine expose sa série des "Ombres de Naples", créée dans la ville entre 1988 et 2015. - équipe : Olivier Bétard, Colin Gruel, Zoé Couppé, Louis Cosnard, Alice Puydebois, Louan Chailleux, Sara Ben Abderrahmane - invités : Ernest Pignon-Ernest Artiste plasticien Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Kenny Truong who owns the #4 team in California joins The Broke Agent to discuss replacing boring team leader content with hyper local visuals that drive massive engagement. He breaks down his exact AI prompt workflow for transforming Bay Area news headlines, regional humor, and trending visual styles into high performing carousels and motion graphics.BAM Camp: https://bamcamp.remindermedia.com

The Sandman will see you now! THE SANDMAN SLEPT HERE returns as Ryan Daly, Paul Kien, and Max Romero discuss Sandman Mystery Theatre issues #21-24. If you thought healthcare in America was bad now, be thankful you don't have an appointment with the murderous malpracticer of medicine in this tale! Who is poisoning washed-up celebrities, and why does he give his victims sinister prescriptions before they die? How far will Dian go to learn the truth of Wesley Dodds' secret life as a mystery man, and what will she do when she finds out? And how much sex is too much in a four-issue story? (Trick question: too much and not enough.) Find out the answers in "Dr. Death". Plus, as always, Ryan, Paul, and Max respond to listener feedback and play another round of the Dream Sequence. Check it out... assuming you have insurance. Have a question or comment? Looking for more great content? Leave comments on our website: http://fireandwaterpodcast.com/podcast/sandman0/ Images from this episode: http://fireandwaterpodcast.com/podcast/sandman0g/ Email the show at: justicesocietypresents@gmail.com Subscribe to THE SANDMAN SLEPT HERE as part of the JUSTICE SOCIETY PRESENTS Podcast: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/justice-society-presents/id1549429702 Don't use Apple Podcasts? Use this link for your podcast catcher: https://feeds.feedburner.com/jsapresents Also available on Spotify, Audible, and Amazon Music Follow JUSTICE SOCIETY PRESENTS on social media: Facebook: https://www.facebook.com/jsapresents Instagram: https://www.instagram.com/jsapresents/ Bluesky: https://bsky.app/profile/jsapresents.bsky.social Threads: https://www.threads.net/@jsapresents This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Music: “The Way You Look Tonight” by Fred Astaire with Johnny Green and His Orchestra Thanks for listening! Join the fight… for Justice!

“The Smoak Show” on 365 Sports-YouTube Tuesday, July 28th: ***UTAH GOLF VACATION VIEWS*** (Coral Canyon GC View, Wolf Creek Video, Sand Hollow Most Beautiful + 13 + 15) Utah Trip Colors, Utah Trip-Unread Texts-SmoakyPeteJohn) ***LANCE LEIPOLD GIFT-KU FOOTBALL HELMET****Tony Petitti Opening Comments on Big Ten's Strength (Big Ten-Video)*Big Ten Football Media Pre-Season Poll (On3)*Big Ten Football Champions Poll (Graphic) *Michigan's Kyle Whittingham on Fixing College Sports (Rich Eisen Show Video) *Tony Petitti on SEC and 24-Team CFB Playoff (Brett McMurphy)*Tony Petitti on Big Ten and Non-Conference P4 Opponents (Brett McMurphy)*Tony Petitti on Big Ten Rivalry vs. SEC (ESPN Rittenberg)*Illinois' Bret Bielema on SEC “Living in the Past” (Brett McMurphy)*Tony Petitti on Greg Sankey SEC's “Breakaway” (ESPN Rittenberg) *Protect College Act Continuing Negotiations (Ross Dellenger)*Protect College Act Revisions for Big Ten/SEC (Dave Portnoy-Image)(Smoaky Note on Petitti and Sankey Talking Today) *UNC Places Michael Lombardi on Administrative Leave (Bruce Feldman) *Notre Dame Athletics Jersey Patch Sponsorship (On3)*Ohio State Athletics Jersey Sponsorship Patches-JP Morgan (11W))*Ohio State Gets $17M vs. Big 12's Monster Energy Dollar$ (FOS)*Illinois Athletics Jersey Patch Sponsorship (SBJ)Baylor Opening Home “Night Game” Helmet & Offer (Baylor FB) *Transfer Portal Hurting American Conference (Brett McMurphy) *365 Sports Flags Available (Link and Images, Black, White, The Smoak Show)0:40:00-Brett Ciancia, Pick Six Previews1:00:00-Trey Wallace, Fox/Outkick1:45:00-Craig Smoak's “Off the Radar”2:05:00-John McClain, Hall of Fame Columnist2:25:00-Super Chats/Wheel/Quizzes/Polls*Rez, Garrett, Andrew, Logan Producing *Please Hit Like and/or Subscribe Buttons*365 Sports Tonight at 10:30 on Local CWSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A devastating earthquake struck Kumamoto, Japan, on July 28, 2026, causing widespread damage. Images and videos show split roads, fires, and a mall where a gas line resulted in an explosion. The quake registered as a 7.1 but for some reason western media said it was a 6.8. Others called it a mega-quake, which is inaccurate until a scale of 8.0 or higher. Is this just poor reporting or catastrophizing? Furthermore, J-anon, the Japanese version of the Q-anon, went wild claiming the mall was struck by a foreign missile, that the earthquake was artificial, and that even the weather was fake that day. *The is the FREE archive, which includes advertisements. If you want an ad-free experience, subscribe below.

The Sandman will see you now! THE SANDMAN SLEPT HERE returns as Ryan Daly, Paul Kien, and Max Romero discuss Sandman Mystery Theatre issues #21-24. If you thought healthcare in America was bad now, be thankful you don't have an appointment with the murderous malpracticer of medicine in this tale! Who is poisoning washed-up celebrities, and why does he give his victims sinister prescriptions before they die? How far will Dian go to learn the truth of Wesley Dodds' secret life as a mystery man, and what will she do when she finds out? And how much sex is too much in a four-issue story? (Trick question: too much and not enough.) Find out the answers in "Dr. Death". Plus, as always, Ryan, Paul, and Max respond to listener feedback and play another round of the Dream Sequence. Check it out... assuming you have insurance. Have a question or comment? Looking for more great content? Leave comments on our website: http://fireandwaterpodcast.com/podcast/sandman0/ Images from this episode: http://fireandwaterpodcast.com/podcast/sandman0g/ Email the show at: justicesocietypresents@gmail.com Subscribe to THE SANDMAN SLEPT HERE as part of the JUSTICE SOCIETY PRESENTS Podcast: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/justice-society-presents/id1549429702 Don't use Apple Podcasts? Use this link for your podcast catcher: https://feeds.feedburner.com/jsapresents Also available on Spotify, Audible, and Amazon Music Follow JUSTICE SOCIETY PRESENTS on social media: Facebook: https://www.facebook.com/jsapresents Instagram: https://www.instagram.com/jsapresents/ Bluesky: https://bsky.app/profile/jsapresents.bsky.social Threads: https://www.threads.net/@jsapresents This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Music: “The Way You Look Tonight” by Fred Astaire with Johnny Green and His Orchestra Thanks for listening! Join the fight… for Justice!

Learn all about the newest set from the dynamic duo of Redbay and MonoWhiteBorder! Heavy creature focus, lots of combat rewards, and a free spirit of rebellion. Cyberpunk minus the artifact theme! Lots of fun things to learn about their new project. Browse the cards from the set: https://rrredbay.github.io/sets/NRC Join Beacon of Creation's Discord: https://discord.gg/t88Vpwh Show Notes and Images: https://beaconofcreation.com

A review of the All-Australian Composite Courses we unveiled in Episode 100. We tackle audience feedback, some reflections on each of our courses two weeks on and some holes that were unlucky to miss out.We mull over the process of compiling such a course and touch on a range of issues related to the eclectic layouts. Do people tend to favour photogenic holes? Are our courses full of our favourite holes ? Do they layouts work as balanced and playable (albeit in an imaginary sense) courses?We then go on to look at a different kind of 18, selecting an Anti-All-Australian 18 featuring weak holes from the top 18 courses in the land (according to our inaugural AGP course rankings). We discuss why some of these holes are less memorable than their colleagues and highlight the fact that even stellar courses have low spots.Bryson's fescue stomping rules snafu during The Open comes in for a little discussion, as does Ryan Fox's win and the upcoming Aussie Open at Kingston Heath, which Corey Connors is confirmed for... We briefly mentioned an old book written by Peter Thomson titled "Classic Golf Holes of Australia" It features some great old images of some of our best holes. There's a copy or two on eBay currently - going cheap.Our Podcast is published with support from Angus And Grace Go Golfing. Check their William St Paddington store if you're in Sydney, or visit their insta page or website for some of the best golf apparel on the planet. Splurge on yourself and be the best dressed golfer at your club – grab an AAGGG cashmere sweater while they're still available. You can thank us later.Thanks to Dean and everyone at Seed Golf – they continue to provide 20% off for Australian Golf Passport listeners via the code AGP at checkout. Get your hands on some premium golf balls at a super low price. Once you've tried them you will be so thankful. And if you're a dedicated Seed player – do your wallet a favour and buy a box of loosies. It's one of the best bargains in golf.Images related to this episode can be found on our Instagram page (@AustralianGolfPassport) and on Twitter / X (@AusGolfPassport). Images accompanied by attribution to their owners / creators when photos or video is not captured by Scott or Matt.Podcast intro music - Nbhd Nick / Stop Playing With Me-Instrumental / courtesy of ⁠⁠⁠⁠⁠⁠⁠www.epidemicsound.com

McDonald's said no to Disney. Burger King said yes. And a 90s fast food war was born. Before Happy Meal toys and Disney-themed cups became background noise, a $40 million promotion disaster, a Splash Mountain delay, and a scrappy competitor nearly changed the entire landscape of Disney marketing. This is the story of how two burger giants fought for the right to put a mouse in your kid's meal — and how that rivalry shaped the toys, the nostalgia, and the partnerships we still see today. Check out My New Patreon!: https://patreon.com/synergylovescompany Subscribe on Youtube for more Disney connections: https://www.youtube.com/@SynergyLovesCompany?sub_confirmation=1 Podcast: Listen to Synergy Loves Company → https://synergylovescompany.com Support the Show: Patreon: https://patreon.com/synergylovescompany Shop official Synergy Loves Company merch → https://shop.synergylovescompany.com Affiliate Disclosure: Some links above may be affiliate links. If you click and purchase, I may receive a small commission at no extra cost to you. Thank you for supporting the channel! Connect with Me: Instagram → https://www.instagram.com/synergylovescompany Bluesky → https://bsky.app/profile/erichsynergy.bsky.social Facebook → https://www.facebook.com/synergylovescompany Credits / Resources: • Music licensed via Melod.ie • Synergy Loves Company is not affiliated with The Walt Disney Company or any of its subsidiaries. • Images and clips are used under fair use for commentary, criticism, and education. This podcast is powered by Pinecast.

Hey there, fellow detectives and eagle-eyed enthusiasts! Ready to put your sleuthing skills to the test? Join us in our exciting new video where we've gathered a bunch of tricky images that are hiding some sneaky mistakes. From hidden objects to mind-bending optical illusions, this challenge is your chance to prove you've got what it takes to be the ultimate detective. Grab your magnifying glass and get ready to spot the errors that might just be right under your nose. So, are you up for the challenge?  Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Clever's 10th anniversary! We're celebrating by honoring and revisiting some of the amazing stories we've collected over the years. Our guests have continued to make meaningful contributions to the world since we had our initial conversations, be sure to subscribe to our Substack to catch up on some of their recent news!Ep 215: Artist, creative technologist, and educator, Idris Brewster grew up in Brooklyn, being filmed for a documentary about his education as a black student at a prestigious, primarily white, school. His coming-of-age, only partially caught on camera, included a lot of basketball and hands-on artistic development. A grant awarded in college gave him early access to VR technology which opened a path to combining all of his talents and interests and expressing them through new media. Now, as co-founder and Executive Director of Kinfolk Foundation, he's harnessing augmented reality, location-based technology, and community to engage in placing digital monuments in public spaces, memory building, and foregrounding the Black, Brown and Queer histories that have been intentionally silenced. Images and more from Idris Brewster on our website!Clever is hosted & produced by Amy Devers, with editing by Mark Zurawinski, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydevers Hosted on Acast. See acast.com/privacy for more information.

durée : 00:02:12 - Des vidéos et des photos faites avec l'IA mettent en scène des pompiers secourant des bêtes prises au piège des flammes. Ce type d'intervention est extrêmement rare. - équipe : Armêl Balogog, La cellule Vrai ou faux Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

A person on the autism spectrum leaves a file-sharing program running overnight because they want cartoons or anime. By morning, thousands of images have downloaded onto their hard drive, some of them child sexual abuse material they never chose and, in some cases, never even opened. Months later, the FBI is at the door. A judge stares at the download count and asks how anyone could not understand what they were doing. My guest Dr. Mary Riggs Cohen, spends her working life answering that question in courtrooms across the country. She is a clinical psychologist with thirty years specializing in autism spectrum disorders and has conducted forensic evaluations of autistic defendants since 2009. Her new book, co-written with defense attorney Elizabeth Kelley and digital forensics expert Michele Bush, is Cybercrime and the Autism Spectrum: How the Online World Creates Victims and Offenders. I met Dr. Cohen at the International Academy of Law and Mental Health Congress in Montreal, and I asked her on the show the moment her presentation ended, because so much of what she described maps directly onto the recruitment tactics I have studied for five decades. Dr. Cohen's first point cuts against the instinct to sort people into predators and prey. “Most people on the spectrum are both victimized and offenders at some point,” she told me. Cyberbullying, financial scams, and sexual exploitation run in one direction. Chat rooms that ask for “a picture of a child in your family” run in the other, quietly moving an autistic person into possession of CSAM they may never have sought out. Child sexual abuse material (CSAM) is not “child pornography.” It's evidence of child sexual abuse—and it's a crime to create distribute or possess. CSAM includes both real and synthetic content such as images created with artificial intelligence tools. Because many autistic individuals catalog and organize obsessively, agents who search a seized computer often find the material sorted into folders, which reads to an outsider as intent rather than what it frequently is: a hyperfocus trait turned against the person who has it. This is a justice issue and more people need to learn, please. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings together several of his essays on film, photography, archive work, as well as reflections of visual methods such as photo-elicitation and ways of teaching visual anthroplogy. The conversation begins with Marcus Banks himself, his place within anthropology, his influence on visual anthropology, and the broader effort to preserve and extend his work through a set of posthumous collections. From there, the discussion turns to one of the central themes that emerge from across several essays, namely, that images are not simply illustrations or transparent representations, but socially and temporally situated objects with disctinct social lives. From there, we discuss Banks's interest in the materiality of the visual and how the circulation and afterlives of images gather new meaning over time. A substantial part of the interview focuses on Banks's film Raju and His Friends (1988), which proved foundational to his later reflections on ethnographic filmmaking, and especially on the ethics and politics of representation. As well as providing an introduction to Marcus Banks's work and serving as a tribute to a scholar whose influence continues to shape the field, many of the topics covered in the interview touches on many broader questions in anthropology itself, and as such will be of interest not only to students of visual anthropology, but to anthropology students and anthropologists more generally. David Zeitlyn is Professor of Social Anthropology at the University of Oxford and a Fellow of Wolfson College. His work spans visual anthropology, photography and archives, religion and divination, and long-term fieldwork in Cameroon. He also collaborated with Marcus Banks on the second edition of Visual Methods in Social Research. Chihab El Khachab is Associate Professor in Visual Anthropology at the University of Oxford and a Fellow of Wolfson College. He is a social anthropologist specializing in visual and media anthropology, especially Egyptian media production, and is the author of Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry. Further reading and resources mentioned in the recording Jainism as Social and Visual Practice: Anthropological PerspectivesMarcus Banks. Edited by John E. Cort, David Zeitlyn and Chihab El Khachab. New Delhi: Primus Books, 2026. This posthumous volume gathers Banks's writings on Jain social organization and visual representation. The revived HADDON catalogue of ethnographic filmsOriginally created by Marcus Banks in the 1990s, HADDON is an online catalogue of archival ethnographic film. The revived site presents a restored version of the database, now hosted through Paul Henley's Silent Time Machine project. Raju and His Friends (1988)The film discussed at length in this episode, and a key reference point for Banks's later reflections on visual anthropology and ethnographic filmmaking. Marcus Banks was Professor of Visual Anthropology at the Institute of Social and Cultural Anthropology (ISCA), University of Oxford until he passed away in 2020. He was a pioneer in integrating visual approaches into the mainstream of social and cultural anthropology. With Howard Morphy, he edited the influential volume Rethinking Visual Anthropology (Yale University Press, 1999). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings together several of his essays on film, photography, archive work, as well as reflections of visual methods such as photo-elicitation and ways of teaching visual anthroplogy. The conversation begins with Marcus Banks himself, his place within anthropology, his influence on visual anthropology, and the broader effort to preserve and extend his work through a set of posthumous collections. From there, the discussion turns to one of the central themes that emerge from across several essays, namely, that images are not simply illustrations or transparent representations, but socially and temporally situated objects with disctinct social lives. From there, we discuss Banks's interest in the materiality of the visual and how the circulation and afterlives of images gather new meaning over time. A substantial part of the interview focuses on Banks's film Raju and His Friends (1988), which proved foundational to his later reflections on ethnographic filmmaking, and especially on the ethics and politics of representation. As well as providing an introduction to Marcus Banks's work and serving as a tribute to a scholar whose influence continues to shape the field, many of the topics covered in the interview touches on many broader questions in anthropology itself, and as such will be of interest not only to students of visual anthropology, but to anthropology students and anthropologists more generally. David Zeitlyn is Professor of Social Anthropology at the University of Oxford and a Fellow of Wolfson College. His work spans visual anthropology, photography and archives, religion and divination, and long-term fieldwork in Cameroon. He also collaborated with Marcus Banks on the second edition of Visual Methods in Social Research. Chihab El Khachab is Associate Professor in Visual Anthropology at the University of Oxford and a Fellow of Wolfson College. He is a social anthropologist specializing in visual and media anthropology, especially Egyptian media production, and is the author of Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry. Further reading and resources mentioned in the recording Jainism as Social and Visual Practice: Anthropological PerspectivesMarcus Banks. Edited by John E. Cort, David Zeitlyn and Chihab El Khachab. New Delhi: Primus Books, 2026. This posthumous volume gathers Banks's writings on Jain social organization and visual representation. The revived HADDON catalogue of ethnographic filmsOriginally created by Marcus Banks in the 1990s, HADDON is an online catalogue of archival ethnographic film. The revived site presents a restored version of the database, now hosted through Paul Henley's Silent Time Machine project. Raju and His Friends (1988)The film discussed at length in this episode, and a key reference point for Banks's later reflections on visual anthropology and ethnographic filmmaking. Marcus Banks was Professor of Visual Anthropology at the Institute of Social and Cultural Anthropology (ISCA), University of Oxford until he passed away in 2020. He was a pioneer in integrating visual approaches into the mainstream of social and cultural anthropology. With Howard Morphy, he edited the influential volume Rethinking Visual Anthropology (Yale University Press, 1999). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings together several of his essays on film, photography, archive work, as well as reflections of visual methods such as photo-elicitation and ways of teaching visual anthroplogy. The conversation begins with Marcus Banks himself, his place within anthropology, his influence on visual anthropology, and the broader effort to preserve and extend his work through a set of posthumous collections. From there, the discussion turns to one of the central themes that emerge from across several essays, namely, that images are not simply illustrations or transparent representations, but socially and temporally situated objects with disctinct social lives. From there, we discuss Banks's interest in the materiality of the visual and how the circulation and afterlives of images gather new meaning over time. A substantial part of the interview focuses on Banks's film Raju and His Friends (1988), which proved foundational to his later reflections on ethnographic filmmaking, and especially on the ethics and politics of representation. As well as providing an introduction to Marcus Banks's work and serving as a tribute to a scholar whose influence continues to shape the field, many of the topics covered in the interview touches on many broader questions in anthropology itself, and as such will be of interest not only to students of visual anthropology, but to anthropology students and anthropologists more generally. David Zeitlyn is Professor of Social Anthropology at the University of Oxford and a Fellow of Wolfson College. His work spans visual anthropology, photography and archives, religion and divination, and long-term fieldwork in Cameroon. He also collaborated with Marcus Banks on the second edition of Visual Methods in Social Research. Chihab El Khachab is Associate Professor in Visual Anthropology at the University of Oxford and a Fellow of Wolfson College. He is a social anthropologist specializing in visual and media anthropology, especially Egyptian media production, and is the author of Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry. Further reading and resources mentioned in the recording Jainism as Social and Visual Practice: Anthropological PerspectivesMarcus Banks. Edited by John E. Cort, David Zeitlyn and Chihab El Khachab. New Delhi: Primus Books, 2026. This posthumous volume gathers Banks's writings on Jain social organization and visual representation. The revived HADDON catalogue of ethnographic filmsOriginally created by Marcus Banks in the 1990s, HADDON is an online catalogue of archival ethnographic film. The revived site presents a restored version of the database, now hosted through Paul Henley's Silent Time Machine project. Raju and His Friends (1988)The film discussed at length in this episode, and a key reference point for Banks's later reflections on visual anthropology and ethnographic filmmaking. Marcus Banks was Professor of Visual Anthropology at the Institute of Social and Cultural Anthropology (ISCA), University of Oxford until he passed away in 2020. He was a pioneer in integrating visual approaches into the mainstream of social and cultural anthropology. With Howard Morphy, he edited the influential volume Rethinking Visual Anthropology (Yale University Press, 1999). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings together several of his essays on film, photography, archive work, as well as reflections of visual methods such as photo-elicitation and ways of teaching visual anthroplogy. The conversation begins with Marcus Banks himself, his place within anthropology, his influence on visual anthropology, and the broader effort to preserve and extend his work through a set of posthumous collections. From there, the discussion turns to one of the central themes that emerge from across several essays, namely, that images are not simply illustrations or transparent representations, but socially and temporally situated objects with disctinct social lives. From there, we discuss Banks's interest in the materiality of the visual and how the circulation and afterlives of images gather new meaning over time. A substantial part of the interview focuses on Banks's film Raju and His Friends (1988), which proved foundational to his later reflections on ethnographic filmmaking, and especially on the ethics and politics of representation. As well as providing an introduction to Marcus Banks's work and serving as a tribute to a scholar whose influence continues to shape the field, many of the topics covered in the interview touches on many broader questions in anthropology itself, and as such will be of interest not only to students of visual anthropology, but to anthropology students and anthropologists more generally. David Zeitlyn is Professor of Social Anthropology at the University of Oxford and a Fellow of Wolfson College. His work spans visual anthropology, photography and archives, religion and divination, and long-term fieldwork in Cameroon. He also collaborated with Marcus Banks on the second edition of Visual Methods in Social Research. Chihab El Khachab is Associate Professor in Visual Anthropology at the University of Oxford and a Fellow of Wolfson College. He is a social anthropologist specializing in visual and media anthropology, especially Egyptian media production, and is the author of Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry. Further reading and resources mentioned in the recording Jainism as Social and Visual Practice: Anthropological PerspectivesMarcus Banks. Edited by John E. Cort, David Zeitlyn and Chihab El Khachab. New Delhi: Primus Books, 2026. This posthumous volume gathers Banks's writings on Jain social organization and visual representation. The revived HADDON catalogue of ethnographic filmsOriginally created by Marcus Banks in the 1990s, HADDON is an online catalogue of archival ethnographic film. The revived site presents a restored version of the database, now hosted through Paul Henley's Silent Time Machine project. Raju and His Friends (1988)The film discussed at length in this episode, and a key reference point for Banks's later reflections on visual anthropology and ethnographic filmmaking. Marcus Banks was Professor of Visual Anthropology at the Institute of Social and Cultural Anthropology (ISCA), University of Oxford until he passed away in 2020. He was a pioneer in integrating visual approaches into the mainstream of social and cultural anthropology. With Howard Morphy, he edited the influential volume Rethinking Visual Anthropology (Yale University Press, 1999). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings together several of his essays on film, photography, archive work, as well as reflections of visual methods such as photo-elicitation and ways of teaching visual anthroplogy. The conversation begins with Marcus Banks himself, his place within anthropology, his influence on visual anthropology, and the broader effort to preserve and extend his work through a set of posthumous collections. From there, the discussion turns to one of the central themes that emerge from across several essays, namely, that images are not simply illustrations or transparent representations, but socially and temporally situated objects with disctinct social lives. From there, we discuss Banks's interest in the materiality of the visual and how the circulation and afterlives of images gather new meaning over time. A substantial part of the interview focuses on Banks's film Raju and His Friends (1988), which proved foundational to his later reflections on ethnographic filmmaking, and especially on the ethics and politics of representation. As well as providing an introduction to Marcus Banks's work and serving as a tribute to a scholar whose influence continues to shape the field, many of the topics covered in the interview touches on many broader questions in anthropology itself, and as such will be of interest not only to students of visual anthropology, but to anthropology students and anthropologists more generally. David Zeitlyn is Professor of Social Anthropology at the University of Oxford and a Fellow of Wolfson College. His work spans visual anthropology, photography and archives, religion and divination, and long-term fieldwork in Cameroon. He also collaborated with Marcus Banks on the second edition of Visual Methods in Social Research. Chihab El Khachab is Associate Professor in Visual Anthropology at the University of Oxford and a Fellow of Wolfson College. He is a social anthropologist specializing in visual and media anthropology, especially Egyptian media production, and is the author of Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry. Further reading and resources mentioned in the recording Jainism as Social and Visual Practice: Anthropological PerspectivesMarcus Banks. Edited by John E. Cort, David Zeitlyn and Chihab El Khachab. New Delhi: Primus Books, 2026. This posthumous volume gathers Banks's writings on Jain social organization and visual representation. The revived HADDON catalogue of ethnographic filmsOriginally created by Marcus Banks in the 1990s, HADDON is an online catalogue of archival ethnographic film. The revived site presents a restored version of the database, now hosted through Paul Henley's Silent Time Machine project. Raju and His Friends (1988)The film discussed at length in this episode, and a key reference point for Banks's later reflections on visual anthropology and ethnographic filmmaking. Marcus Banks was Professor of Visual Anthropology at the Institute of Social and Cultural Anthropology (ISCA), University of Oxford until he passed away in 2020. He was a pioneer in integrating visual approaches into the mainstream of social and cultural anthropology. With Howard Morphy, he edited the influential volume Rethinking Visual Anthropology (Yale University Press, 1999). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings together several of his essays on film, photography, archive work, as well as reflections of visual methods such as photo-elicitation and ways of teaching visual anthroplogy. The conversation begins with Marcus Banks himself, his place within anthropology, his influence on visual anthropology, and the broader effort to preserve and extend his work through a set of posthumous collections. From there, the discussion turns to one of the central themes that emerge from across several essays, namely, that images are not simply illustrations or transparent representations, but socially and temporally situated objects with disctinct social lives. From there, we discuss Banks's interest in the materiality of the visual and how the circulation and afterlives of images gather new meaning over time. A substantial part of the interview focuses on Banks's film Raju and His Friends (1988), which proved foundational to his later reflections on ethnographic filmmaking, and especially on the ethics and politics of representation. As well as providing an introduction to Marcus Banks's work and serving as a tribute to a scholar whose influence continues to shape the field, many of the topics covered in the interview touches on many broader questions in anthropology itself, and as such will be of interest not only to students of visual anthropology, but to anthropology students and anthropologists more generally. David Zeitlyn is Professor of Social Anthropology at the University of Oxford and a Fellow of Wolfson College. His work spans visual anthropology, photography and archives, religion and divination, and long-term fieldwork in Cameroon. He also collaborated with Marcus Banks on the second edition of Visual Methods in Social Research. Chihab El Khachab is Associate Professor in Visual Anthropology at the University of Oxford and a Fellow of Wolfson College. He is a social anthropologist specializing in visual and media anthropology, especially Egyptian media production, and is the author of Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry. Further reading and resources mentioned in the recording Jainism as Social and Visual Practice: Anthropological PerspectivesMarcus Banks. Edited by John E. Cort, David Zeitlyn and Chihab El Khachab. New Delhi: Primus Books, 2026. This posthumous volume gathers Banks's writings on Jain social organization and visual representation. The revived HADDON catalogue of ethnographic filmsOriginally created by Marcus Banks in the 1990s, HADDON is an online catalogue of archival ethnographic film. The revived site presents a restored version of the database, now hosted through Paul Henley's Silent Time Machine project. Raju and His Friends (1988)The film discussed at length in this episode, and a key reference point for Banks's later reflections on visual anthropology and ethnographic filmmaking. Marcus Banks was Professor of Visual Anthropology at the Institute of Social and Cultural Anthropology (ISCA), University of Oxford until he passed away in 2020. He was a pioneer in integrating visual approaches into the mainstream of social and cultural anthropology. With Howard Morphy, he edited the influential volume Rethinking Visual Anthropology (Yale University Press, 1999). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Summary Back in November 2023 I posted here to launch Spiro and raise our first 198 thousand dollars. Two and a half years later this is an update and a fundraiser for the next step. The short version: we've now reached over-5,900 people with TB preventive medicine, including over 3,000 children under five years old. Our early results have held up well and GiveWell made us a grant last year. Now there's an urgent opportunity in front of us: US funding for community TB contact tracing across half of Sindh province in Pakistan ends this month. The provincial government has invited us to expand our work - taking on those 15 districts and expanding to cover all 30 districts of Sindh, up from the 7 we serve today. To do that we're aiming to raise 512 thousand dollars by the end of July, the most urgent slice of a ~1.8 million dollars gap for 2026–2027. By our own modelling, our work is in the ballpark of something that would meet GiveWell's bar - around $5,000 per life saved. But if we want to avoid a gap in coverage on the ground after the US pulls out, we'll need to [...] ---Outline:(00:13) Summary(01:55) What Spiro does(03:35) Progress since our launch(05:14) The next opportunity: all of Sindh(06:22) We're fundraising for an urgent $512k now(08:01) Risk and uncertainties(09:37) How to give(10:07) The future for Spiro(10:27) Appendix: More on what we've done since Spiro's launch --- First published: July 15th, 2026 Source: https://forum.effectivealtruism.org/posts/hBoGLwKwMmizeRyZx/spiro-an-update-2-5-years-on-and-a-fundraising-ask-for --- Narrated by TYPE III AUDIO. ---Images from the article:Apple Podcasts and Spotify do not show images in the episode description. Try Pocket Casts, or another podcast app.

Stray Kids Explore the City in a new teaser images for This and That new album August 1st

The Analysis: This report breaks down the structural shift in Commodity Markets and why the "Great Food Repricing" is a permanent price increase function of current Macro-Economic debt cycles. David DuByne provides the strategic intelligence needed to understand the new baseline for global trade.

Shocking twist after shocking twist! Ryan Daly and Chris Franklin are back with another episode of Batman Knightcast. First, the saga of Black Mask and the False Face Society of Gotham comes to a tragic and fiery conclusion in Batman #387. Then, a jaw-dropping surprise awaits the Dynamic Duo at the three-quarters mark of Batman & Robin Year One with issue #9. Have a question or comment? Looking for more great content? Leave comments on our website: https://fireandwaterpodcast.com/show/batman-knightcast-2/ Images from this episode: https://fireandwaterpodcast.com/podcast/batman-knightcast-46-image-gallery/ Subscribe to BATMAN KNIGHTCAST: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/batman-knightcast/id1788229385 Don't use Apple Podcasts? Use this link for your podcast catcher: https://feeds.feedburner.com/knightcast Follow BATMAN KNIGHTCAST on social media: Facebook: https://www.facebook.com/BatmanKnightcast Bluesky: https://bsky.app/profile/batmanknightcast.bsky.social This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Music: “The Batman Theme: Epic Version (feat. Mask of the Phantasm + Imperial March” arranged by Samuel Kim. Check it out on Youtube right here: https://youtu.be/m-AnLl9Vyb8?si=H5SsJPY_L8FMdtG5 Additional music: “The Killing Moon” by Echo & The Bunnymen Thanks for listening!

In this commodities intelligence briefing, David DuByne sits down with Jake Bell of Noble Gold Investments to analyze the accelerating erosion of the global fiat system and "Math of the Precipice," contrasting $122 trillion in global money supply with the record-breaking 1,000-ton annual gold acquisitions by central banks. The world's largest financial institutions are moving toward Tier 1 assets during the 2030 Reset, owning physical metals with zero counter-party risk.

It's Clever's 10th anniversary! We're celebrating by honoring and revisiting some of the amazing stories we've collected over the years. Our guests have continued to make meaningful contributions to the world since we had our initial conversations, be sure to subscribe to our Substack to catch up on some of their recent news!Ep 89: Google's Head of Hardware Design, Ivy Ross, learned from her industrial designer father how to see the world for how it's made, and for the possibilities of how it could be remade. Early professional success as a jewelry designer taught her that life is not about ego hits, it's about the journey. Fueled by curiosity, she's traveled through the corporate world as a way to keep learning. She approaches work like conducting an orchestra - drawing out the best in individuals to create beautiful music as a team. Images and more from Ivy Ross on our website!Clever is hosted & produced by Amy Devers, with editing by Mark Zurawinski, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydevers Hosted on Acast. See acast.com/privacy for more information.

A full breakdown of the Nolan Wells case in the order it actually happened — every logged timestamp, every competing account, start to finish.Two piles of material come out of that exercise and they don't weigh the same. One is verifiable: departure and arrival times, a distress call to a towing company, a run back through Fort Bayou, a recovery time on Monday morning. The other is everything people have stacked on top of those numbers, and it's guesswork all the way down — well-informed in spots, but guesswork.The sequence hits the stretch of afternoon nobody has accounted for. It hits the night the family spent chasing belongings through houses that weren't eager to hand them over. It hits the empty photo roll his mother says shouldn't have been empty, and the friend who says nobody's photo roll had anything on it, because everyone was standing waist-deep in the Gulf. It hits the thirteen hours between a friend's late call for help and the first aircraft in the air, and gives that gap both the family's reading and the reasonable operational one.And it hits the morning Nolan's father went out on his own, before any agency arrived, and covered the exact water where his son would surface a day later.Images generated by AI have been circulating alongside the real material, which creates its own obstacle for anyone trying to follow this honestly. Tony Brueski doesn't resolve the contradictions, because they aren't resolved. He names them, gives each side its strongest form, and leaves the open questions open. More than sixty people have sat for interviews. There's still nothing official explaining how an eighteen-year-old ended up where he was found.END_LINKSJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodDISCLAIMERThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.HASHTAGS#NolanWells #BenCrump #HiddenKillers #HornIsland #MississippiNews #OceanSprings #ElmoreWonsley #TrueCrimePodcast #JusticeForNolan #Unsolved

The "Gold-to-Wheat" ratio has been a 2,500-year anchor for human value, but in that is larger 42-year cycle converging with a global shift of the fiat system. As empires from the U.S, Russia and China scramble to seize the world's remaining resources.

Is art reality? Kind of! It's IN reality! Are ghosts real? Kind of! We ALL know what they are! Join Alex as he brings Mathas and Jesse on a guided tour through FIVE PIECES OF HAUNTED ART!CHILLUMINATI is a weekly comedy podcast hosted by Mike Martin, Jesse Cox and Alex Faciane. Hold on to your tin-foil hats and traverse the realms of the mysterious, supernatural, spooky and sometimes truly horrible - and your third eye will never be the same!Subscribe to our Patreon to support us and for extra content like full video episodes, weekly Minisodes, exclusive art, and more at http://patreon.com/CHILLUMINATIPODThank you to our sponsors:MINTMOBILE: If you like your money, Mint Mobile is for you. Shop plans at mintmobile.com/chill Mike Martin - http://www.youtube.com/@themoleculemindset Jesse Cox - http://www.youtube.com/jessecox Alex Faciane - https://www.youtube.com/@StarWarsOldCanonBookClub/Editor: DeanCutty Producer: Hilde @ https://bsky.app/profile/heksen.bsky.social Show Art: Studio Melectro @ http://www.instagram.com/studio_melectro Logo Design: Shawn JPB @ https://twitter.com/JetpackBragginEpisode Sources:https://ruthmillington.co.uk/most-haunted-art-in-the-world/The Treachery of Images:https://en.wikipedia.org/wiki/The_Treachery_of_Images#/media/File:MagrittePipe.jpgThe Hands Resist Him:https://ruthmillington.co.uk/wp-content/uploads/2024/10/IMG_7689-704x1024.pnghttps://stonehamstudios.com/haunted#https://www.bbc.co.uk/derby/unexplained/2002/haunted_painting/ebay_haunted_painting_04.shtmlBlack Aggie:https://web.archive.org/web/20180720165350/http://www.prairieghosts.com/druidridge.htmlhttps://web.archive.org/web/20190428173156im_/http://www.prairieghosts.com/blackaggie.jpgGloomy Sunday:https://www.snopes.com/fact-check/gloomy-sunday/https://www.youtube.com/watch?v=XQ2AuLaClmkAtuk:https://darkhauntings.wordpress.com/2016/03/16/the-curse-of-the-atuk-script/https://www.oddthingsiveseen.com/2020/09/bonus-cursed-objects-material-atuk.htmlYoung Girl in a Red Dress Glaring Into the Unknown:https://www.dailymail.com/news/article-12443685/Im-owner-haunted-painting-turned-life-upside-Woman-claims-20-portrait-girl-bought-charity-shop-enchanted-mother-like-Gollum-One-Ring-wants-professional-lift-curse.html?ito=social-reddithttps://i.dailymail.co.uk/1s/2023/08/25/22/74738665-12443685-image-a-16_1693000219459.jpghttps://i.dailymail.co.uk/1s/2023/08/25/22/74738659-12443685-image-a-15_1693000217224.jpg

The Devil Within Presents: The Campfire Files The City Beneath the City — Episode Three Every mystery reaches a point where two paths emerge. One leads back to reason. The other disappears into the impossible. In the epic conclusion to The City Beneath the City, Matt and Claire escape the Paris Catacombs convinced they can explain everything they experienced beneath the streets of France. The strange voices. The forgotten gallery. The impossible red scarf. Surely exhaustion, jet lag, and the disorienting atmosphere of the Catacombs are enough to account for it all. Until they return home. While organizing the photographs from their vacation, they discover images neither of them remembers taking. Images that place them inside a tunnel that, according to retired quarry engineers and historical records, has been sealed for more than fifty years. Then comes the final revelation. An inscription that shouldn't exist. A photograph with no timestamp. And a message that suggests the Catacombs were never trying to trap them... Only to remember them. Part travel memoir, part historical mystery, and part supernatural horror, The City Beneath the City concludes with one haunting question: What if the places we visit never truly let us leave? Join Branden Morgan for the unforgettable conclusion to this inaugural installment of The Campfire Files. �If you've enjoyed this series, please follow The Devil Within, leave a rating and review, and share it with someone who loves immersive horror, historical mysteries, and stories that blur the line between fact and folklore. Sometimes we think we're exploring old places. Sometimes... they're exploring us.