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In this episode of The Truth In This Art, the guest is Bony Ramirez!About Bony Ramirez: Dominican-born artist based out of Jersey City, New Jersey, working across painting, sculpture, and installation to create a vivid celebration and exploration of Dominican life and Caribbean culture. Blending European painting traditions — Renaissance and Mannerist influences drawn from church art — with distinctly Caribbean imagery, symbolism, and materials, Ramirez has built a visual language entirely his own. His elongated, exaggerated figures function almost like landscapes, each one deliberately distinct, never referencing real people but instead pulling from memory and imagination.In our conversation, Ramirez talks through moving to the United States at 13 years old and how that transition shaped both his identity and his relationship to the culture he left behind. He reflects on how being physically close to New York City's art scene, including a stretch living in Harlem, became an essential part of his growth as an artist. Ramirez discusses his responsibility to tell Caribbean stories that are still underrepresented in contemporary art, noting how many people don't even know where his island is.He gets into how his figures evolved — starting from self-taught limitations that became a stylistic signature — and why he keeps cultural markers like plantains, machetes, and crabs, along with bilingual English and Spanish titles, at the forefront of his work, refusing to let that world fade into the background.Be sure to follow Bony Ramirez on Instagram at @bonyramirezz to keep up with his work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
This is a podcast explicitly about the craft of writing—except when it's not.For these “Fanning Out” bonus episodes, Ted is joined by his videographer pal Matthew Simmons not to talk about things they've made but rather to revel in the work of others and what it can teach us.Like the show's regular episodes, it's a celebration of human creativity (or something that sounds 51 percent less corny). Here, they're just doing it from the perspective of fans, and they're going beyond books and writing to dive into TV, movies, music, and whatever else they can credibly find an excuse to discuss.There are categories. There are digressions. And today, there is Christopher Nolan's stunning (and intentionally crafted) new film about an ancient work of literature, The Odyssey.
Gugs Mhlungu speaks to singer-songwriter and guitarist Tsholofelo about her journey into music, from writing poetry as a child to singing in choirs and growing up in a home filled with music. They explore how these early influences shaped her distinctive sound, as well as the inspiration behind her album Burning Bush and the stories and emotions it seeks to convey. Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.
On this episode of The Bandwich Tapes, I sit down with Barns Courtney for a wide-ranging conversation about performance, songwriting, musicianship, ambition, and the strange balance between control and chaos.Barns talks about the solo acoustic shows he has been playing and how stripping away the band has changed his relationship with an audience. Without a fixed stage plan, every night becomes more unpredictable, more conversational, and more dependent on what is happening in the room. We discuss why great performances need an element of risk and how those shows have reminded him not to let ambition overshadow gratitude.We also talk about his ongoing work as a singer and the discipline required to maintain an instrument that is constantly changing. Barns reflects on vocal lessons, life on the road, the financial realities of touring, and the challenge of building a sustainable career without losing the joy that made him want to perform in the first place. Barns also takes us inside the making of his new album with producer and multi-instrumentalist Jonathan Wilson. He describes being challenged to improve as a musician, learning when to loosen his grip on an arrangement, and discovering how a fresh perspective can reveal what a song actually needs.Our conversation moves through meditation, neurodivergence, social media, aging, creative discipline, and the story behind “Glitter & Gold,” which was recorded with one microphone, an out-of-tune piano, filing cabinets, and whatever sounds were available in the room. Throughout it all, Barns returns to one idea: the real purpose of performing is not to prove how impressive you are, but to connect with people and bring them some measure of joy.Key TakeawaysBarns continues to take vocal lessons and views singing as an instrument that must be constantly relearned as the body changes.His acoustic shows have created more space for improvisation, audience interaction, humor, and genuine unpredictability.He believes a performance can become too controlled, and that risk is often necessary for a show to feel transcendent.Working with Jonathan Wilson challenged Barns to become more proficient as an instrumentalist and more open to outside ideas.Barns now approaches songwriting with greater discipline, comparing the process to fishing: showing up regularly without knowing what will surface.The live album captured the sound of a band that had developed trust, instinct, and a shared musical language through touring together.Barns has come to see performance less as a display of ambition and more as an opportunity to connect with people and bring them joy.Music from the EpisodeFun Never Ends - Barns Courtney99 - Barns CourtneyGlitter & Gold - Barns CourtneyAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com
Many creatives let the tough moments of life - a tragic loss, unexpected struggles, a season of isolation - steal their creative dream. But it doesn't have to be that way. If you're waiting for the pain to pass before you pick your creative gift back up, you might be delaying your own healing. In this episode, author and artist Ruth Douthitt joins host Allen C. Paul to talk about the twenty-two years between writing down the idea for her first book and actually publishing it, and the incredibly difficult season of grief, loneliness and loss that filled a lot of that gap. You'll learn from her how to tell the difference between art as a healthy outlet and art as something you're hiding in instead of bringing your burdens to God.If you're carrying a loss you haven't figured out what to do with, or a calling you've convinced yourself is running out of time, this is an episode you need to hear. Press play and let's begin unpacking the burden you've been carrying.Learn more about our guest artbyruth.com - WebsiteSend us a message!Don't Build Your Creator Lifestyle Alone. Join the Community! In our 360 Creator Community, you get focused encouragement, guidance, and training on how to thrive as a God-centered creator. Joining gives you access to our app, workshops and community conversations, so you can stop being isolated and frustrated and start enjoying creative confidence! Join today!GodandGigs.com/membershipSupport the showDownload our FREE 7 Day Prayer Devotional for Creatorshttps://godandgigs.com/prayerFOLLOW US ON SOCIAL! InstagramFacebook YouTubeWant to be a guest on The God and Gigs Show? Send us a message on PodMatch, here! © 2026 Paul Creative Solutions
After transforming her love for vintage clothing and 1970s surf culture into the globally recognized brand Aviator Nation, Paige Mycoskie has become a symbol of passion-driven entrepreneurship. In this episode of The Greatness Machine, Paige shares the story of building a brand that not only celebrates creativity but also fosters a culture of community and adventure. Paige delves into the importance of staying authentic in a fast-paced world, the value of stepping away from technology to spark inspiration, and the lessons she's learned from her journey as a leader. In this episode, Darius and Paige will discuss: (00:00) Introduction and Guest Background (02:4) Paige's Origin Story and Early Influences (06:03) The Birth of Aviator Nation (09:00) Initial Success and Market Fit (11:59) Scaling the Business and Production Challenges (15:05) Leadership Journey and Team Dynamics (26:54) Embracing Challenges and Team Growth (28:48) Advice for Young Entrepreneurs (30:58) The Creative Process and Authenticity (37:04) Maintaining Company Culture During Growth (42:45) Finding Your Ikigai (45:43) Sibling Success: Learning from Each Other Paige Mycoskie is the founder of Aviator Nation, a 70's-inspired, Made-in-America lifestyle brand with 17 U.S. retail locations and a factory in Los Angeles. Recognized as GQ Magazine's Designer of the Year and a Forbes-featured entrepreneur, Paige combines fashion, music, and philanthropy through partnerships with festivals like SXSW and nonprofits like Charity Water. From hand-sewing her first garments to creating immersive retail experiences, Paige continues to champion American manufacturing and inspire a new era of design and entrepreneurship. Connect with Paige: Website: https://www.aviatornation.com/ Instagram: https://www.instagram.com/aviatornation/ Instagram: https://www.instagram.com/paigemycoskie/ LinkedIn: https://www.linkedin.com/in/paige-mycoskie-17a9b56 Facebook: https://www.facebook.com/paigemycoskie/ Connect with Darius: Website: https://therealdarius.com/ Linkedin: https://www.linkedin.com/in/dariusmirshahzadeh/ Instagram: https://www.instagram.com/imthedarius/ YouTube: https://www.youtube.com/@Thegreatnessmachine Book: The Core Value Equation https://www.amazon.com/Core-Value-Equation-Framework-Limitless/dp/1544506708 Write a review for The Greatness Machine using this link: https://ratethispodcast.com/spreadinggreatness. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of The Truth In This Art, the guest is Dina AZ. Salem!About Dina AZ. Salem: Washington, DC–based abstract artist born in Alexandria, Egypt, working across painting and sculpture to create materially driven works that explore healing, transformation, memory, and resilience. Through layered surfaces, texture, and unconventional materials, her practice investigates how personal experiences can be translated into visual language. She signs her work with the initials of her late father, honoring the person who first encouraged her artistic journey.In our conversation, Salem talks through growing up as a hyperactive child in Alexandria, Egypt, and how her mother discovered that painting calmed her down—leading to a lifelong artistic practice that began at four or five years old. She shares how her father, Ahmed Zaki, a CFO who never used a calculator in his life, would sit next to her and watch her paint, eventually buying her early works for small amounts to encourage her. Salem recalls visiting her father's office at nine years old and finding all her blue paintings hanging on his walls, and how his passing when she was twelve stopped her artistic journey for years.She connects her path from applying to shoe design school in Italy to eventually attending Virginia Tech and landing in DC about four years ago, reflecting on how the journey "chose her." We get into her philosophy that materials carry memory—sourcing everything from sand to plaster to abandoned items found walking around DC and at Home Depot, her "happy place." As she puts it, she's interested in "how we become someone new without losing who we were." Salem discusses how living in two places has made her understand that "identity is never fixed, it's always evolving," and how she wouldn't create the same style of work if she had stayed in Egypt.Be sure to follow Dina AZ. Salem on Instagram at @dinaazsalem to keep up with her work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
In this episode of The Truth In This Art, the guest is Simone Phillips!About Simone Phillips: Award-winning content creator and event curator behind Charm City Table, Baltimore's popular food and beverage platform with more than ten million impressions per month. She's become a trusted voice in Baltimore's culinary scene, highlighting the people, places, and stories that shape the city's food culture. She also curates vertical videos for the Maryland Film Festival and works closely with Parkway Theater.In our conversation, Phillips walks through her journey from starting Charm City Table in 2017 as a hobby to journal her dining experiences. Growing up, she didn't eat out much—Golden Corral and IHOP at church functions, but never exploring Baltimore's dining scene. After graduating college and moving back to Baltimore, she started exploring Harbor East, Fells Point, the Inner Harbor, Canton, and fell in love with all the options. That curiosity became her whole life.She shares her humanitarian approach to content creation—thinking about the restaurant owners and their feelings as creatives, but also the people spending their money who see something and get excited about visiting. We get into what it takes to build a sustainable brand voice rather than chasing virality, why Baltimore remains her intentional focal point even as she partners with national brands in New York, Chicago, and California, and what she believes is missing from Baltimore's food scene to take it to the next level: elevated service as an art form.Be sure to follow Charm City Table on Instagram, Facebook, TikTok, and YouTube Shorts.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Country Music Hall of Famer, Nashville Songwriters Hall of Famer, 2-time Country Song of the Year GRAMMY winner, and 5-time BMI Country Songwriter of the Year Paul Overstreet gives us a peek behind the curtain of his legendary career. PART ONE: Scott does his best not to throw a certain individual under the bus with a very funny story involving Paul Overstreet. Plus, the guys pay tribute to the late Joe Melson, past Songcraft guest and primary Roy Orbison collaborator. PART TWO: Our in-depth conversation with Paul OverstreetABOUT PAUL OVERSTREET Paul Overstreet is one of the most successful songwriters in Nashville history and among the three inductees in the Country Music Hall of Fame's class of 2026. His catalog of classics includes “Same Ole Me,” recorded by George Jones, as well as the Randy Travis hits “Digging Up Bones,” “No Place Like Home,” “Deeper Than the Holler,” “On the Other Hand,” and “Forever and Ever, Amen.” The latter two were both named Song of the Year by NSAI, the CMA, and the ACM. Additionally, “Forever and Ever, Amen” earned a Grammy award for Best Country Song in 1988. Overstreet won another Best Country Song Grammy in 1992 for “Love Can Build a Bridge,” which was a major hit for The Judds. Other highlights of the Paul Overstreet songbook include the number one hits “A Long Line of Love,” recorded by Michael Martin Murphy,” “When You Say Nothing at All,” which was a hit for both Keith Whitley and Alison Krauss, and “Some Beach” for Blake Shelton. In addition to his achievements with other performers, Overstreet became a successful recording artist in his own right. He reached the top of the charts in 1987 with “I Won't Take Less Than Your Love,” which he recorded with Tanya Tucker and Paul Davis, and had hits with the group S-K-O, a trio he formed with Thom Schuyler and Fred Knobloch. From 1988 through 1991 Paul scored eight consecutive top 10 singles as a solo artist, including “Seein' My Father in Me” and “Daddy's Come Around.” Paul was named BMI's Country Songwriter of the year five years in a row from 1987 through 1991, a feat that hasn't been duplicated since. He was inducted into the Nashville Songwriters Hall of Fame in 2003. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Every one of us carries a deeper story beneath the surface—one that words often fail to express. In this episode of The Lucas Mack Show, Lucas sits down with longtime friend and visionary artist Sophia Noemi for an intimate conversation about creativity, healing, identity, and the mysterious ways our souls communicate through dreams, symbols, and imagination. Sophia shares how she discovered her extraordinary gift of translating subconscious imagery into powerful works of art, including the story behind the painting she created from one of Lucas's recurring visions of a wolf. Together they explore why creativity is far more than self-expression—it can become a pathway to healing, transformation, and remembering who we truly are. The conversation also dives into Sophia's remarkable professional journey, from teaching paint-and-sip classes to creating large-scale historical murals, while navigating grief, personal loss, and seasons of creative uncertainty. Through it all, she reveals how journaling, protecting her energy, and staying aligned with her calling helped her reclaim both her identity and her purpose. If you've ever felt disconnected from your creativity, struggled through difficult seasons, or sensed there was something deeper trying to emerge from within you, this conversation will inspire you to trust the process and create from the truth of who you are. In this episode: How dreams and subconscious imagery can guide our lives The story behind Lucas's wolf vision and Sophia's painting Creativity as a tool for healing trauma Recovering your identity after loss and hardship Why artists must protect their energy and light Moving from small beginnings to large opportunities Journaling as a spiritual and creative practice Following your calling even when the path isn't clear If this episode encouraged you, please subscribe, leave a review, and share it with someone who needs a reminder that creativity isn't just about making art—it's about becoming who you were created to be. Follow @SophiaNoemi at https://www.instagram.com/artistsophianoemi/ WATCH MY TEDx talk: https://www.youtube.com/watch?v=zG0zXJ8bUOA&t=47s S ign up for coaching: https://www.lucasmack.com/coaching Thank you for listening – if you're struggling to break free and need support – go to my website and www.lucasmack.com. There's you'll find resources like videos and eBooks and information on how to work with me for coaching.
This week Director Nicolas Winding Refn joins us this week for a wide ranging conversation covering his career from Pusher through Bronson, Drive, and Neon Demon, up to his latest film, Her Private Hell, starring Sophie Thatcher. Refn returns after a ten year break from feature filmmaking, following a near death health scare he's been open about. He breaks down his creative process in detail, including his use of a triangle structure to connect disparate ideas into a single story, and how images, rather than plot, are always his true starting point. Its a great conversation about the creative process, sooo... COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The fastest way to kill creative flow is to turn art into an identity you have to defend. Nathan sits down with special guest host Michael Gazzo (@Michaelvgazzo), a coach, rebirth breathwork facilitator, master NLP practitioner, and platinum-selling music producer, to talk about what happens when external success still leaves you empty and what it takes to create from a more honest place.We trace Michael's path from childhood music obsession to major-label moments, touring, and high-pressure industry wins and then into the quieter work of rebuilding from the inside. Along the way, we unpack why curiosity and play create the “happy accidents” that make work feel alive, and why creative block often isn't a lack of talent but a nervous system and heart issue. If you've felt stuck in perfectionism, overthinking, or the need to make something that “works,” this conversation offers a different frame: become a better receiver first.We also get practical. We talk breathwork as a tool for regulation and deeper emotional release, how to redirect spiraling thoughts without bypassing your real feelings, and how journaling can become a direct dialogue with the work itself. Finally, we break down intention setting, focusing on a cleaner why, avoiding negative motivators that burn out fast, and serving the art instead of using the art to chase approval.If this resonates, subscribe for more conversations on creativity and the inner life, share this with a friend who's blocked, and leave a review so more artists can find the show.Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborgWatch the Video Episode on Youtube or Spotify,https://www.youtube.com/@JustMakeArtPodcastSend us a message - we would love to hear from you! Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborgWatch the Video Episode on Youtube or Spotify,https://www.youtube.com/@JustMakeArtPodcast
On this episode of The Bandwich Tapes, I sit down with singer, songwriter, producer, author, and visual artist Kelly Lang for a conversation about creativity, confidence, country music, and the experiences that have shaped her life and work.Kelly and I begin by discussing the many forms her creativity takes, from songwriting and recording to painting, producing, and creating videos. She talks about learning to move between those disciplines, the freedom that comes from no longer being afraid to fail, and the challenge of navigating social media without letting a single negative voice outweigh the support of an entire audience.We also discover that Kelly and I share an unusual part of our musical histories: we both appeared on Star Search. Kelly reflects on competing as a young artist, navigating unexpected changes during the show, and why she is grateful that her experience took place before social media became part of every televised performance.Kelly also shares stories from growing up around Conway Twitty, whose road manager was her father. She remembers hearing Conway test new songs for family and friends, sitting beside the stage as audiences responded to him, and realizing at an early age that she wanted to create that same kind of connection. We discuss her song “Goodbye Darlin',” written in Conway's honor, and the songwriting lesson she learned from Harlan Howard: say as much as possible with as few words as necessary.Our conversation also explores Kelly's growth as a producer, the confidence she has developed in the studio, and the emotional perspective that comes from experience. Twenty-two years after a breast cancer diagnosis, Kelly says she is less interested in chasing fame and more interested in creating music that helps someone through a difficult day. She also introduces her album Jealous Green Eyes and the single “Never Met a Man I Didn't Love.”Key TakeawaysKelly sees songwriting, painting, producing, and video creation as connected parts of a larger creative life.Her experience on Star Search taught her to adapt quickly, perform under pressure, and trust herself at a young age.Growing up around Conway Twitty gave Kelly an early understanding of songwriting, performance, and the connection between an artist and an audience.Harlan Howard taught her to write directly and use as few words as possible while preserving the song's emotional meaning.Kelly has become more confident about expressing her musical ideas and making final production decisions on projects bearing her name.Life experience has deepened the way she writes and interprets songs, giving her greater empathy and emotional perspective.More than two decades after her breast cancer diagnosis, Kelly now measures success by whether her music moves, encourages, or helps another person.Music from the EpisodeThis Too Shall Pass - Kelly LangAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowEmail: contact@thebandwichtapes.com
What if creating didn't need to feel so hard? This week, we're revisiting one of our favorite episodes. Sarah takes us behind the scenes of her creative process and shares the practices that have helped her build a more sustainable, intuitive relationship with creating. She talks about letting go of perfectionism, trusting inspiration, and making space for greater ease. The result is work that feels more authentic, meaningful, and aligned. Through personal stories, practical tools, and grounded wisdom, Sarah offers a new way of thinking about creativity rooted in devotion, self-trust, and honoring your own unique rhythm. On this episode of Moonbeaming you'll hear: Why making creativity easier can actually lead to more meaningful work The four practices that shape Sarah's creative process How to move beyond perfectionism and finish what you start Why discipline isn't about forcing yourself and what to practice instead How to create from intuition without waiting for inspiration to strike Why building a supportive container is essential for sustainable creativity How trusting your own creative rhythm can transform the way you make art, write, or bring ideas to life -- Join Our Community: Join the Moon Studio Patreon: https://www.patreon.com/themoonstudio Buy the 2026 Many Moons Lunar Planner: https://moon-studio.co/products/many-moons-2026?srsltid=AfmBOopThx1yrmKl0tMjecc_EFeeN5DAiIafqPqvQ4Uke1WEi5droeam Subscribe to our newsletter: https://moon-studio.co/pages/newsletter Find Sarah on Instagram: https://www.instagram.com/gottesss/
In this episode of Architecture, Design & Photography, Trent Bell sits down with curator, writer, and arts leader Suzette McAvoy. Suzette reflects on her career at the Farnsworth Art Museum and the Center for Maine Contemporary Art, along with Maine's long history as a place where artists come to live, work, and find space to think. The conversation explores why art matters beyond beauty or market value, how it can build empathy and connection, and why some work takes time to understand. They also discuss contemporary art, creativity, spirituality, artistic risk, AI, and why artists may become even more important as technology continues to shape how we think and create. It's a thoughtful conversation about learning to look, staying curious, and the role art plays in helping us better understand ourselves and others. About Suzette: Suzette McAvoy is an independent curator, arts writer, and art advisor with more than thirty-five years experience in the field of fine art and museums. A leading authority on the art and artists of Maine, she has curated more than sixty exhibitions throughout her career, including nationally traveling exhibitions of the work of Louise Nevelson, Kenneth Noland, Lois Dodd, Karl Schrag, Alan Magee, and Alex Katz. Website: https://www.suzettemcavoy.me Instagram: https://www.instagram.com/suzettemcavoy More from us: Website: www.adppodcast.com Instagram: http://instagram.com/adppod_ Apple Podcast: https://podcasts.apple.com/us/podcast/architecture-design-photography/id1447381737 Spotify: https://open.spotify.com/show/5qTtT0lpXkVGyksEkN57VS
Fluent Fiction - Swedish: Linnéa's Artistic Revival: Finding Inspiration in Chaos Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2026-07-21-07-38-19-sv Story Transcript:Sv: I Stockholms skärgård, bland klipporna och den doftande tallskogen, kämpar Linnéa med ett hjärta fullt av tvivel.En: In the Stockholms skärgård, amidst the cliffs and the fragrant pine forest, Linnéa struggles with a heart full of doubts.Sv: Som en sommarfjäril i vinden, söker hon tillbaka till konsten som en gång gav hennes liv mening.En: Like a summer butterfly in the wind, she seeks to return to the art that once gave her life meaning.Sv: Midsommarafton har just passerat och nu, i denna stilla efterdyning, står hon vid kanten av ön, blickande ut över vattnet.En: Midsommarafton has just passed, and now, in this calm aftermath, she stands at the edge of the island, gazing out over the water.Sv: Björn, hennes trofasta partner, står vid hennes sida.En: Björn, her faithful partner, stands by her side.Sv: "Jag vet att du kan," säger han med en röst full av lugn.En: "I know you can," he says with a voice full of calm.Sv: Men Linnéas blick är osäker.En: But Linnéa's gaze is uncertain.Sv: Det är som om färgerna på duken har bleknat, lika orörliga som hennes inspiration.En: It's as if the colors on the canvas have faded, as immobile as her inspiration.Sv: En dag, när moln samlas hotfullt på himlen, hörs ett skratt från stigen.En: One day, when clouds gather threateningly in the sky, laughter is heard from the path.Sv: Elsa, en gammal vän från staden, kommer oväntat på besök.En: Elsa, an old friend from the city, comes for an unexpected visit.Sv: I sin hand håller hon en krans av björkris och blommor, en påminnelse om midsommarens löften.En: In her hand, she holds a wreath of birch twigs and flowers, a reminder of midsummer's promises.Sv: "Du måste inte vara rädd, Linnéa," säger Elsa med ett leende.En: "You don't have to be afraid, Linnéa," says Elsa with a smile.Sv: "Låt stormen leda dig.En: "Let the storm guide you.Sv: Kanske behöver du bara lite kaos för att se klart igen."En: Maybe you just need a bit of chaos to see clearly again."Sv: Himlen mörknar och vinden drar i hennes hår när Linnéa står inför sitt beslut.En: The sky darkens and the wind tugs at her hair as Linnéa stands before her decision.Sv: Hon känner bävan i kroppen.En: She feels a tremor in her body.Sv: Det stormar både omkring och inom henne.En: The storm rages both around and within her.Sv: Men en ny beslutsamhet vaknar.En: But a new determination awakens.Sv: Med uppmuntran från Björn och Elsas viskande ord i minnet tar hon sina penslar och ställer sig på den steniga strandkanten.En: With encouragement from Björn and Elsa's whispered words in her memory, she takes her brushes and stands on the rocky shoreline.Sv: När stormens fulla kraft når ön målar Linnéa i en frenesi.En: When the storm's full force reaches the island, Linnéa paints in a frenzy.Sv: Regnet piskar och vinden rycker i duken, men hon ger inte upp.En: The rain lashes and the wind tugs at the canvas, but she does not give up.Sv: Varje penseldrag är ett rop, en befrielse från de bojor av tvivel som hållit henne fången så länge.En: Each brushstroke is a cry, a liberation from the chains of doubt that have held her captive for so long.Sv: Havet vrålar, men hennes händer är säkra.En: The sea roars, but her hands are steady.Sv: Plötsligt, lika snabbt som det började, försvinner stormen.En: Suddenly, as quickly as it began, the storm vanishes.Sv: Molnen skingras, och en gyllene solnedgång sträcker sig över horisonten som en mjuk filt.En: The clouds disperse, and a golden sunset stretches across the horizon like a soft blanket.Sv: Vattnet ligger återigen spegelblankt och reflekterar himlens tusen färger.En: The water lies mirror-smooth again, reflecting the sky's thousand colors.Sv: Linnéa sänker penseln, ser på sin målning och känner hur något nytt föds inom henne.En: Linnéa lowers the brush, looks at her painting, and feels something new being born within her.Sv: Det är en känsla av förnyelse.En: It is a feeling of renewal.Sv: "Du gjorde det," säger Björn och lägger en varm hand på hennes axel.En: "You did it," says Björn, placing a warm hand on her shoulder.Sv: Elsa ler bredvid honom.En: Elsa smiles beside him.Sv: "Jag visste att du skulle klara det," tillägger hon.En: "I knew you would manage," she adds.Sv: Linnéa vet nu.En: Linnéa knows now.Sv: Det är inte alltid lätt, och ibland är stormen inom oss starkare än den utanför.En: It's not always easy, and sometimes the storm within us is stronger than the one outside.Sv: Men genom att möta den, med mod och öppen famn, hittar vi tillbaka till oss själva.En: But by facing it, with courage and an open heart, we find our way back to ourselves.Sv: Hon känner sig fri och målarens livsglädje är återfunnen.En: She feels free, and the painter's joy of life is rediscovered.Sv: Den natten i skärgården, med vågornas milda sång i öronen, somnar Linnéa med en känsla av trygghet och vetskap.En: That night in the archipelago, with the gentle song of the waves in her ears, Linnéa falls asleep with a sense of security and knowledge.Sv: Osäkerheten blev en bro till inspiration och hjälpte henne att återupptäcka sin passion för konsten.En: Uncertainty became a bridge to inspiration and helped her rediscover her passion for art. Vocabulary Words:archipelago: skärgårdamidst: blandfragrant: doftandestruggles: kämpardoubts: tvivelaftermath: efterdyninguncertain: osäkerthreateningly: hotfulltchaos: kaostremor: bävanfrenzy: frenesilashes: piskarliberation: befrielsechains: bojorvanishes: försvinnerdisperse: skingrasmirror-smooth: spegelblanktrenewal: förnyelsedetermination: beslutsamhetgaze: blickandepath: stigwreath: kranstugs: ryckershoreline: strandkantenhorizon: horisontgolden: gyllenestretches: sträcker sigblanket: filtcaptivity: fångenrediscovered: återfunnen
On this episode of The Bandwich Tapes, I sit down with Los Angeles-based singer, songwriter, guitarist, and music director Evan Zee for a conversation that begins with musical connection and quickly opens into something deeper. I first found Evan while researching for another interview, tracing a path from Larry Goldings to Lila Forde and then to Evan. That kind of chain reaction is one of my favorite things about this show, and in this case it led to a conversation about listening, community, faith, family, and the way music can widen a person's heart.We begin by talking about Evan's musical relationship with singer Lila Forde and how their collaboration grew out of church work, friendship, and time spent simply playing together. Evan reflects on the importance of “big ears” as a musician, the kind of listening that goes beyond technique and becomes a way of serving the song, the people around you, and the moment itself. What follows is one of my favorite kinds of conversations: one that starts with music but naturally opens into larger questions about how to live.From there, Evan speaks with real honesty about marriage, fatherhood, and how family life changed his voice, his art, and his sense of purpose. He describes becoming a parent before he felt ready, and how that experience forced him to confront fear, insecurity, and the need for growth in a way that ultimately deepened his artistic expression. It is a thoughtful and moving part of the conversation, and one that gets at something I care deeply about on this podcast: how life itself shapes the music.We also spend time talking about Evan's long history playing in church, from starting as a teenager to later studying at USC, moving to Los Angeles, and navigating his own spiritual unraveling and reconstruction. Today, as music director at a Presbyterian church in Santa Monica, he has built a creative community around intention, trust, and “the hang.” He shares how that environment led to a new record featuring close collaborators including Lila Forde, Misha, Carl McComas-Reichl, Miguel Atwood-Ferguson, Tom Frazier, and Darla, and why he wanted the session to feel playful, immediate, and alive.We close by talking about a powerful live performance in the wake of the Eaton fire, which displaced Evan and his family from their Altadena home, as well as his deep love for Joni Mitchell and the spiritual force he hears in her writing. This episode is about much more than career milestones. It is about listening as a musical value, as a human value, and as a way of moving through the world with greater presence.Key TakeawaysEvan Zee talks about why “big ears” may be one of the most important qualities a musician can have, both on and off the bandstand.He shares how his collaboration with Lila Forde grew out of church work, friendship, and hours of unpaid playing simply for the sake of getting better together.Evan reflects candidly on how marriage and fatherhood reshaped his artistry, deepened his voice, and changed the way he experiences music.He discusses his journey through faith, deconstruction, and a more expansive understanding of music as a spiritual practice.As a music director in Santa Monica, Evan has created a scene built around trust, intention, generosity, and what musicians call “the hang.”He gives insight into a new record built with a close-knit cast of players including Lila Forde, Carl McComas-Reichl, Miguel Atwood-Ferguson, Tom Frazier, Misha, and Darla.We also talk about Joni Mitchell, Pat Metheny, live performance after loss, and the role music can play in grief, healing, and community.Music from the EpisodeWarm and Right - Evan Zee (Live in LA)Never Leave a Moment - Evan ZeeLong Lost Lover - Evan Zee (Live in LA)Love - Evan Zee (Live in LA)About the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative people for thoughtful conversations about craft, career, collaboration, and the experiences that shape a life in music. It is a show about process, humanity, and the stories behind the work.Connect with the Showcontact@thebandwichtapes.com
The human body is a walking repository of human experience, its joys and terrors, surprises and exhilarations. Someone who knows how to tap into that embodied experience is Alexandra Beller – an American dancer, choreographer and somatic educator, whose new book explores how movement and our lived relationship to it can widen our capacity for self-trust and curiosity. Alexandra danced for several years with choreographer Bill T Jones and now creates work for theatre and dance, alongside her own therapy and teaching practice. She's perfectly placed to tell us what the body knows. The Anatomy of Art: Unlocking the Creative Process for Theater and Dance is published by Bloomsbury https://www.bloomsbury.com/uk/anatomy-of-art-9781350564206/ Alexandra's website https://www.alexandrabeller.com/Why Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website Hosted on Acast. See acast.com/privacy for more information.
In this episode of The Truth In This Art, the guest is Louis-Antoine Gilbert!About Louis-Antoine Gilbert: French-American painter and artist known for his acrylic on canvas works that create the illusion of depth, living in Washington, DC for nearly a decade, creating colorful acrylic cityscapes inspired by brutalist and modernist architecture, art deco design, and graphic novels by Moebius, François Schuiten, and Benoît Peeters. His cubist-influenced work draws from M.C. Escher and Wassily Kandinsky, and he's also a musician, beat maker, and painting instructor.In our conversation, Gilbert talks through growing up in Paris with parents who brought him to free museums and concerts, first wanting to be an artist at age four after seeing an orchestra, and starting with graffiti following older kids in the streets. He connects his journey from Parisian punk bands to DC's basement show scene and digs into how DC's greenery—particularly Rock Creek Park—has transformed his gray, Parisian-inspired compositions into more hopeful work with vegetation. As he puts it, discovering DC made him realize "both cities, both of them have brutalist and modern buildings in them."He recalls meeting artist Autumn Spears early in his DC years, shares stories from selling affordable original drawings at the Little DuPont flea market every six weeks, and discusses learning that French house music actually originated from Detroit. We get into the realities of teaching painting in summers, the influence of graphic novels from his dad's collection, and how nearly a decade in DC has made him rethink the art deco shapes he loved from Paris.Be sure to follow Louis-Antoine Gilbert on Instagram at @antoine_paints to keep up with his work and future projects.Photo courtesy of subject.All views expressed by Louis-Antoine Gilbert are his own and not those of the Law Library of Congress or the Library of Congress The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Singer-Songwriter Sundarri drops by Sensibly Cynical to talk about her new music including her single 'Just My Friend', creative process, and more!
Join our next FASO Show Live!https://artists.boldbrush.com/p/the-faso-showLearn the magic of marketing with us here at BoldBrush!boldbrushshow.com--For today's episode we sat down with fine artist Tony D'Amico. Tony is a full-time representational painter and draftsman based in southern Connecticut whose work spans cityscapes, landscapes, coastal scenes, interiors, and everyday local subjects, all unified by his obsession with light, atmosphere, and strong design. He began his journey in art as a child, later studying graphic design, working as a commercial artist and technical illustrator, and eventually running his own marketing and design firm before transitioning gradually into fine art. Plein air painting transformed both how he sees and how he paints, forcing him to simplify quickly, capture specific moments in changing conditions, and infuse his studio work with authentic memories of place, light, and atmosphere. Tony is highly intentional in planning his compositions—often using thumbnails, photography, and Photoshop—to design compelling paintings that go beyond mere realism and invite viewers into a story. Drawing from his marketing background, he emphasizes that artists must learn to present and promote their work, build relationships with collectors and galleries, and accept rejection as a motivator rather than a verdict. For aspiring artists, he stresses persistence, continuous learning, good materials, honest self-critique, and the understanding that developing a true artistic voice and career can easily take a decade or more. Finally, Tony tells us about his upcoming shows and his revised book!Tony's FASO site:tonydamicofineart.com/Tony's Social Media:instagram.com/tonydamicofineart/facebook.com/tony.damico.524/Tony's Book:tonydamicofineart.com/books
Fluent Fiction - Danish: Harmony in Nature: A Botanist & Artist's Creative Partnership Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2026-07-12-22-34-01-da Story Transcript:Da: Solen skinnede over Botanisk Have i København.En: The sun shone over the Botanisk Have in København.Da: Luften var varm, og der duftede af sommerblomster.En: The air was warm, and there was a scent of summer flowers.Da: Johan og Klara gik forsigtigt i haven.En: Johan and Klara walked carefully through the garden.Da: Blomsterne var i fuldt flor, og grønne planter strakte sig mod himlen.En: The flowers were in full bloom, and green plants stretched towards the sky.Da: Det var her, de mødtes for at planlægge deres projekt.En: It was here that they met to plan their project.Da: Johan, en grundig botaniker, elskede struktur.En: Johan, a meticulous botanist, loved structure.Da: Han bar en mappe med papirer og en notesblok.En: He carried a folder with papers and a notebook.Da: Ved siden af gik Klara, en kunstner, med en skitseblok under armen.En: Next to him walked Klara, an artist, with a sketchpad under her arm.Da: Hun søgte inspiration fra naturen omkring sig.En: She sought inspiration from the nature around her.Da: De satte sig på en bænk tæt ved den lille dam.En: They sat on a bench near the small pond.Da: Vandets rislen skabte en rolig baggrundslyd.En: The trickling of water created a calm background sound.Da: "Vi har brug for en plan," sagde Johan alvorligt.En: "We need a plan," said Johan seriously.Da: "Hvis vi ønsker, at projektet skal lykkes, skal alt være organiseret."En: "If we want the project to succeed, everything must be organized."Da: Klara nikkede, men hendes tanker sværmede omkring blomsterfarver og unikke former.En: Klara nodded, but her thoughts swirled around flower colors and unique shapes.Da: "Jeg har brug for frihed til at lade mig inspirere," svarede hun.En: "I need freedom to let myself be inspired," she replied.Da: "Tegningerne bliver bedst, når jeg følger min intuition."En: "The drawings turn out best when I follow my intuition."Da: Johan kiggede på hende med et skævt smil.En: Johan looked at her with a wry smile.Da: "Jeg har lavet et detaljeret skema," sagde han og åbnede mappen.En: "I have made a detailed schedule," he said, opening the folder.Da: "Det hjælper os med at holde fokus."En: "It helps us stay focused."Da: Klara kiggede på papiret.En: Klara looked at the paper.Da: Der var mange detaljer, tidsfrister, og opgaver.En: There were many details, deadlines, and tasks.Da: Hun sukkede stille.En: She sighed quietly.Da: "Jeg skal have mulighed for at være spontan," sagde hun.En: "I need the opportunity to be spontaneous," she said.Da: "Naturen er uforudsigelig.En: "Nature is unpredictable.Da: Det bør vores arbejde også være."En: So should our work be."Da: De gik videre til væksthuset, hvor diskussionen fortsatte.En: They continued to the greenhouse, where the discussion went on.Da: Johan pointerede vigtigheden af præcision i præsentationen af en bestemt planteart.En: Johan pointed out the importance of precision in the presentation of a particular plant species.Da: Klara insisterede på kunstnerisk frihed til at fange plantens essens på sin egen måde.En: Klara insisted on artistic freedom to capture the essence of the plant in her own way.Da: En fugl landede blidt udenfor på en grøn gren.En: A bird landed softly outside on a green branch.Da: De så begge på den, og et øjeblik gik det op for dem, at deres debat kunne skade projektet.En: They both looked at it, and for a moment, they realized that their debate could harm the project.Da: "Vi har begge stærke synspunkter," indrømmede Johan til sidst.En: "We both have strong viewpoints," Johan admitted at last.Da: "Men projektet kræver en balance."En: "But the project requires a balance."Da: "Jeg er enig," sagde Klara med et forsigtigt smil.En: "I agree," said Klara with a tentative smile.Da: "Lad os finde en måde at kombinere struktur og kreativitet."En: "Let's find a way to combine structure and creativity."Da: De tilbragte resten af dagen med at diskutere og udvikle en plan, der tillod struktur i de nødvendige dele, men også plads til Klaras kreative indfald.En: They spent the rest of the day discussing and developing a plan that allowed for structure in the necessary parts but also room for Klara's creative impulses.Da: Da solen begyndte at gå ned, forlod de haven med en ny forståelse.En: As the sun began to set, they left the garden with a new understanding.Da: Johan lærte at værdsætte kreativitetens værdi, mens Klara opdagede betydningen af struktur.En: Johan learned to appreciate the value of creativity, while Klara discovered the importance of structure.Da: De havde fundet en balance, som ville gøre deres projekt stærkt og harmonisk.En: They had found a balance that would make their project strong and harmonious.Da: Botanisk Have blev stille, men der var liv, både blandt planterne og i det partnerskab, der nu var styrket.En: The Botanisk Have grew quiet, but there was life, both among the plants and in the partnership that was now strengthened. Vocabulary Words:shone: skinnedecarefully: forsigtigtbloom: flormeticulous: grundigsought: søgtepond: damtrickling: rislenintuition: intuitionwry: skævtschedule: skemaspontaneous: spontanunpredictable: uforudsigeliggreenhouse: væksthusprecision: præcisionspecies: planteartessence: essenslanded: landedesoftly: blidtviewpoints: synspunkteradmitted: indrømmedetentative: forsigtigtimpulses: indfaldappreciate: værdsætteharmony: harmoniskscent: duftedebench: bænkopportunity: mulighedcapture: fangeharm: skaderealized: gik op for dem
This week, Paige is joined by designer and artist friend, Taylor Marshall for one of their favorite kinds of conversations - the kind that starts with a viral internet moment and somehow ends with creativity, body image, AI, artistic discipline, marketing, and what it really means to build a life that turns you on. Inspired by the artists who climbed the Empire State Building, they unpack why so many brands and creators rush to copy meaningful moments instead of creating something original themselves. Taylor and Paige chat about trend culture, social media, creative identity, and why we all need to become a little more "horny for our own lives." They also dive into:Why curated living always outlasts trendsThe pressure to constantly market yourself as an artistThe tension between creativity and disciplineBody image, fashion trends, and learning to embrace your own styleUsing AI as a tool without sacrificing originalityBuilding careers that feel deeply aligned instead of simply successfulIf you've ever felt burnt out by social media, overwhelmed by marketing, or wondered how to stay true to yourself in a world that rewards copying everyone else, this conversation is for you.
What happens when haunting poetry, cinematic storytelling, and thunderous rock collide? This episode of Vigilantes Radio Live welcomes Voltaire's Ghost—Ruby Juhl, Josh Eggstaff, and Magnus—for a conversation that ventures far beyond the music. The band discusses the creative journey behind their latest single, “Black Petals Fallen,” from transforming an old poem into a fully realized song to building a collaborative environment where every voice shapes the final product. They also explore the influence of horror films, the beauty found in melancholy, the challenge of trusting the creative process, and why some of the most meaningful songs emerge when inspiration arrives unexpectedly. Plus, the trio shares what's ahead as they prepare for major festival performances, upcoming vinyl releases, and an ever-growing catalog of music that continues to push the boundaries of cinematic rock.https://www.voltairesghost.com/https://music.apple.com/us/artist/voltaires-ghost/1687826381https://open.spotify.com/artist/4qh2ndBmksowS2QsZW8Iw3https://www.youtube.com/@voltairesghostbandhttps://www.instagram.com/voltairesghostbandhttps://www.tiktok.com/@voltaires.ghostBecome a supporter of this podcast: https://www.spreaker.com/podcast/vigilantes-radio-live--2166168/support.Vigilantes Radio Live! by The Only One Media Group ℗©2025Episode Credits:Produced, edited, mixed, and written by Demetrius "Whodini Blak" Reynolds, Sr.Artwork designed by Demetrius "Whodini Blak" Reynolds, Sr.Show Introduction by KateSegment jingles composed & produced by Demetrius "Whodini Blak" Reynolds, Sr.Additional music licensed through 7th Sign RecordingsLinks:onlyonemediagroup.comhttps://www.instagram.com/vigilantesradio/https://www.iheart.com/podcast/966-vigilantes-radio-live-29999229/https://www.instagram.com/whodiniblakin3d/https://www.imdb.com/title/tt26009230/To support our show, please leave reviews, ratings, or you can help fuel the passion over at buymeacoffee.com/vigilantesradioEmail us at onlyonemgt@gmail.com or vradio@onlyonemediagroup.com
In this episode of The Truth In This Art, the guest is Zoë Poindexter!About Zoë Poindexter: Documentary filmmaker, producer, and director based in Washington, DC. She attended journalism graduate school at Georgetown University, where she continues to work as a documentary teacher's assistant, and specializes in nonfiction storytelling.In our conversation, Poindexter walks through her journey to A Revolution Called Love, a feature documentary inspired by Black Love Day—a holiday created in DC in the nineties by Mama Ayo Handy-Kendi. After living in DC for almost ten years without ever hearing about it, she called the founder and asked to attend. She showed up in purple—the colors of Black Love Day, which happens to be her favorite color—stayed for the entire seven-hour ceremony, and came back saying, "Yes, this needs to be made into a film." The documentary is structured around the holiday's five tenets: love for the creator, love for yourself, love for family, love for community, and love for the Black diaspora. We explore how she's weaving community voices throughout—filming interviews with Black Washingtonians defining what those tenets mean to them, with select responses used as voiceover narration in the feature.She shares her commitment to telling positive stories that aren't clichés—"We have way too many clichéd stories about Black people, Black communities. I often ask myself, why do we need this again? Who is this actually being made for?" She hopes the film sparks conversation around what we think love is—a deeper dialogue about intention, community, and making work that's truly for us. This conversation came about through a shared passion for storytelling—and the belief that the stories we tell should actually be made for us.Be sure to follow the project (@blacklovedocfilm on Instagram, Black Love Documentary Film on Facebook) and visit BlackLoveDocumentary.com to learn more and support the crowdfund. Both Defining Love: Voices of Black DC (a short oral history film funded in part by Humanities DC) and A Revolution Called Love are currently in production.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
The legendary Swamp Dogg returns to Songcraft after more than a decade to talk about, well, whatever he wants. And we're here for it! PART ONE Paul and Scott contemplate their second visit with Swamp DoggPART TWO Our in-depth interview with the original D-O-double G! ABOUT SWAMP DOGG R&B cult favorite Jerry “Swamp Dogg” Williams is best known as the co-writer, with Gary U.S. Bonds, of the cross-genre classic, “She's All I Got,” which became a Top 10 R&B single for Freddie North and a #2 country hit for Johnny Paycheck in 1971. Williams' career began in 1954 when, at the age of 12, he made his first record, “HTD Blues.” He found success in the 1960s, recording the Top 40 R&B hit “Baby You're My Everything” under the name Little Jerry Williams, and writing songs for other artists, including Gene Pitney's Top 20 Pop single, “She's a Heartbreaker.” He became Atlantic Records' first African American staff producer in 1968 but left the following year to pursue independent projects in Muscle Shoals, Alabama and Macon, Georgia. By the 1970s Swamp was an in-demand producer and songwriter, penning Top 40 R&B hits for Doris Duke, Arthur Conley, and Dee Dee Warwick. Around the same time, he reinvented himself as Swamp Dogg, releasing a series of eccentric soul albums with lyrics marked by frank sexuality, biting satire, radical politics, and provocative social observations. His debut LP, Total Destruction to Your Mind, was eventually certified Gold, while subsequent releases, including Gag a Maggott, I'm Not Selling Out – I'm Buying In, An Awful Christmas and a Lousy New Year, and The White Man Made Me Do It garnered considerable accolades among underground music lovers and earned Swamp what one journalist described as “a cultural niche somewhere between Rudy Ray Moore and Frank Zappa.” In recent years, his vast catalog has been sampled by Kid Rock, Talib Kweli, DMX, and others. Having just turned 84, Swamp shows no signs of slowing down. Since we last spoke with him in 2015, he has released five albums, including a bluegrass-inspired project called Blackgrass and his most recent release, Swamp Dogg Contemplates the Afterlife. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
What does it really mean to call yourself an artist? In this episode, Stella sits down with Michelle Martin, photographer, brand strategist, and creative based in Lisbon, to explore the deeply human experience of putting your work out into the world. Together, Stella and Michelle unpack the mindset blocks that hold creatives back, the tension between authentic self-expression and the pressure to constantly produce content, and why "slow content" might be the most radical thing you can do in today's algorithm-driven world. They also dive into the AI conversation - what it means for artists, where the ethical lines blur, and how to use these tools without losing your creative soul.
Starting with the surprisingly complicated question, “Does a book ever actually feel finished?”, they wander into the deeper realities of creativity, friendship, identity, vulnerability, and hope. Together they explore: Why is releasing creative work emotionally complicated? The people who quietly shape our work behind the scenes. How trusted relationships help us become better artists and better humans. Why uncertainty is an essential part of every creative process. Living as a “border walker” between certainty and mystery. The importance of staying curious instead of rushing toward resolution. Why does making art ultimately become a way of making a life? Whether you're writing a book, starting a business, raising a family, or simply trying to become more fully yourself, this conversation offers an invitation to embrace the unfinished nature of the creative life. Pick up Jess's new book, "The Table Where we Meet," here - https://www.jessjanz.com/book Links For Justin:Read Justin's SubstackOrder In The Low - NEW Book with Scott EricksonCoaching with JustinOrder In Rest - New Book of PoemsOrder Sacred StridesJustinMcRoberts.comSupport this podcastNEW Single - Let GoNEW Music - Sliver of HopeNEW Music - The Dood and The BirdThe Book - It Is What You Make itHearts and Minds Amazon Barnes and Noble
Send us Fan MailWe're having conversations with magazine-makers— big and small, new and seasoned, independent and commercial—from all over the world, who are sharing what they do and how they do it. This year's line up includes folks making magazines for kids, art and culture, as well as luxury lifestyle magazines, and a massive global publisher who covers all of this and more. There's something for everyone in these 4 episodes.This episode features Nicola Ryan, Vice President of Product Design at Condé Nast.In this conversation, you'll hear about Nicola's career path into her current role at Condé Nast. Nicola shares how she thinks about designing for scale across so many publishing brands, including a toolkit that has drastically reduced the time it takes to reimagine visual design changes for brands like Wired and Architectural Digest, including how she helps brands balance consistent processes and experimentation. You'll hear the specific ways Nicola and her team are thinking about and thoughtfully integrating AI in their creative workflow. We talk about boredom, critique, and the importance of trust building as a creative leader.This episode was recorded as part of a guest lecture series in DG 8111 Digital Publishing in the Master of Digital Media Program in Spring 2026 at The Creative School at Toronto Metropolitan University. Let's Connect on the web or via Instagram. :)
In this episode of Read the Damn Book, Michelle Glogovac sits down with bestselling co-authors Lee Kelly and Jennifer Thorne to discuss their collaborative novel, The Midnight Show. They share how they developed their unique co-writing process, the evolution of their creative partnership, and the inspiration behind crafting a suspenseful story infused with humor, nostalgia, and pop culture. The conversation explores the realities of writing with a creative partner, balancing multiple perspectives, and navigating the publishing journey. Lee and Jennifer also offer valuable advice for aspiring authors, making this an insightful episode for readers, writers, and anyone fascinated by the art of collaborative storytelling.What We're Talking About...Developing a successful co-writing process and how Lee Kelly and Jennifer Thorne's collaboration has evolved over timeExploring the influence of Saturday Night Live, comedy, and pop culture on the creation of The Midnight ShowNavigating creative feedback, building trust, and overcoming the challenges of collaborative writingBehind-the-scenes insights into the rapid development and publishing timeline of The Midnight ShowUsing mixed media, dialogue, and innovative storytelling techniques to create an immersive reading experienceBalancing solo writing careers with the demands and rewards of co-authoring novelsCrafting engaging, fast-paced narratives that keep readers invested from beginning to endThe importance of shared vision, communication, and creative partnership in successful collaborative fiction writingChapters00:00 Introduction 02:12 The Co-Writing Journey07:12 Building a Writing Community10:04 The Creative Process and Synergy13:04 Inspiration from SNL16:12 Writing The Midnight Show19:17 Surprising Endings and Reader Reactions20:55 Character Development and Naming21:45 Audiobook Experience and Performance22:45 Mockumentary Concept and Adaptation25:51 Upcoming Projects and New Directions35:00 Validation and Support in Writing36:20 Closing Thoughts and Social Media ConnectionsLinks MentionedLee Kelly's website: https://www.leekellyauthor.comJennifer Thorne's website: https://www.jenniferthorne.comOrder your copy of The Midnight Show: https://bookshop.org/a/99223/9798217086672
Send us a message.We start with a night at the movies and end up talking about why some art grabs you and some doesn't. What makes a theater different from a screen at home, why certain films only land years later, and how much of the experience is the room you're in versus the thing you're watching.From there we get into horror and what it does that other genres can't, how a story changes once your own life catches up to it, and why unfinished work feels so exposed. Mostly it's the usual: two people following a thread about how art gets made and why it sticks. -AiSupport the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG
In this episode of The Truth In This Art, the guest is Paloma Vianey!About Paloma Vianey: Interdisciplinary artist from Ciudad Juarez, Mexico, now based in Washington, DC. She holds an MFA from Cornell University and has created large-scale public art installations along the US-Mexico border, with work exhibited at major museums and galleries internationally. She is primarily a painter and educator, teaching at the collegiate level.In our conversation, Vianey walks through her artistic journey from beginning to paint as a teenager when Juarez was labeled "the most dangerous city in the world," using art as catharsis during years of violence. She recounts completing a groundbreaking 72-foot-wide community-funded border bridge mural in 2018, depicting a girl blowing bubbles with each bubble representing emblematic images of Juarez including a tribute to femicide victims. We dig into her signature "Chamara" paintings—labor-intensive works where she hand-sews canvas jackets with industrial zippers over oil-painted urban landscapes of Juarez, creating what she calls "portraits of the city." One painting captured a pink house she'd see every time crossing the border—until one visit when she discovered it had been painted white. "That was a little heartbreaking for me," she shares, explaining how these works archive the changing memory of her hometown through a lens of resilience and hope.She shares insights on finding community in DC after moving six times in five years, her love for the U Street corridor (particularly Taqueria Xochi for authentic Mexican food), and how DC has been generous in giving her platforms to show her work. This conversation came about after I encountered Vianey's work at Umbrella Art Fair—a chance discovery that sparked a deeper dialogue about representation, resilience, and the power of challenging negative narratives through art.Be sure to follow Paloma Vianey (@palomavianey on Instagram) and visit palomavianey.com to keep up with her work and future projects. Her exhibition "Un Mismo Cielo Entre Washington y Juarez" is on display at the Mexican Cultural Institute in Washington, DC until July 25th.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Or, if you are into jargon, you could also call this episode Love and Law.Buy the books mentioned in this episode Donate by going to our paypal page Check out Fearlessly Feral LivingSubstackDonate via VenmoSend us Fan MailSupport the show
Fluent Fiction - Japanese: Tanabata Dreamscape: Tradition Meets Innovation in Park Design Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-07-05-22-34-01-ja Story Transcript:Ja: 夏の日差しが降り注ぐ新宿御苑。緑の木々が生い茂り、色とりどりの花々が咲き誇っています。En: Under the summer sun shining down on Shinjuku Gyoen, the green trees are lush and vibrant, and a variety of colorful flowers bloom in full glory.Ja: セミの声が空気を震わせる中、短冊が優雅に風に揺れています。En: The air resonates with the sound of cicadas, while strips of paper elegantly sway in the breeze.Ja: 今日は七夕。En: Today is Tanabata.Ja: 特別な日です。En: It's a special day.Ja: ある木陰の下で、デザインチームの会議が始まろうとしていました。En: Under the shade of a tree, a design team meeting was about to start.Ja: 若手建築家のはるかは、今度の都市公園プロジェクトのために新しいデザインを発表しようとしています。En: The young architect Haruka was about to present a new design for the upcoming city park project.Ja: 彼女は自信を持ちたいのですが、今ひとつ自信がありません。En: She wants to be confident but still lacks a bit of self-assurance.Ja: 彼女の隣には、ベテランデザイナーのれんがいます。En: Next to her is the veteran designer Ren.Ja: 彼は実用的な設計が得意です。En: He's skilled at practical design.Ja: そして、新入りのさとしもいます。En: Also present is the newcomer Satoshi.Ja: 彼はチームに貢献したいと願っていますが、どうすればいいのかわかりません。En: He wishes to contribute to the team but isn't sure how to do so.Ja: はるかは、れんとさとしの両方に新しいデザインが受け入れられることを願っています。En: Haruka hopes her new design will be accepted by both Ren and Satoshi.Ja: 彼女のデザインは、伝統的な要素を現代的なコンテクストで融合させようとしています。En: Her design aims to blend traditional elements within a modern context.Ja: しかし、れんは彼女のデザインがリスクが高いと感じています。En: However, Ren feels her design is risky.Ja: また、さとしは彼女のアイデアを支えるべきかどうか迷っています。En: On the other hand, Satoshi is unsure about whether to support her idea.Ja: 会議が始まります。En: The meeting begins.Ja: はるかは、自分のビジョンを表現するために、心を込めて設計したモデルを披露します。En: Haruka presents a model she meticulously crafted to express her vision.Ja: そのモデルは、七夕のエッセンスを取り入れたものでした。竹を使って繊細に作られた架け橋、短冊が飾られた広場、そして星空を模したライトアップ。En: The model incorporates the essence of Tanabata—a delicate bridge made of bamboo, a square adorned with strips of paper, and lighting that mimics a starry sky.Ja: これが皆の前で姿を現すと、その場にはざわめきが起こりました。En: As it appears before everyone, a buzz fills the room.Ja: 「これは新しい。だが、リスクが伴う」とれんは冷静に言いました。En: "This is new. But, it comes with risks," Ren calmly said.Ja: さとしはその美しさに心を動かされましたが、未だに判断を下せずにいました。En: Satoshi, moved by its beauty, still couldn't make a decision.Ja: 会議は熱を帯び、意見が交わされ続けました。En: The meeting grew heated, with opinions exchanged continuously.Ja: しかし、はるかの情熱と緻密な準備がチームの心を動かしました。En: However, Haruka's passion and meticulous preparation moved the team's hearts.Ja: ついに、れんが口を開きました。「はるかのアイデアを基にして、実用的な要素を組み合わせてみよう」と提案しました。En: Finally, Ren spoke, "Let's try combining practical elements with Haruka's idea."Ja: 全員がその意見に同意しました。En: Everyone agreed with that suggestion.Ja: こうして、新しい公園のデザインが決まりました。En: Thus, the new park's design was decided.Ja: はるかは自分のアイデアが認められたことで自信を持ち、創造性と実用性のバランスを学びました。En: Haruka gained confidence because her idea was acknowledged and learned to balance creativity with practicality.Ja: そして、さとしも協力の大切さを学び、自分の考えを伝える勇気を得ました。En: Meanwhile, Satoshi learned the importance of collaboration and gained the courage to voice his thoughts.Ja: 夏の終わりが近づいていましたが、新宿御苑の風景は変わらず美しく、心を和ませます。En: Though summer's end was approaching, the scenery at Shinjuku Gyoen remained beautiful and soothing.Ja: 新しい公園プロジェクトは、夏の空気の中で新たな一歩を踏み出しました。En: The new park project took its first step forward in the summer air. Vocabulary Words:lush: 生い茂りvibrant: 色とりどりのresonates: 震わせるbreeze: 風meticulously: 心を込めてcrafted: 設計したessence: エッセンスdelicate: 繊細にadorned: 飾られたmimics: 模したbuzz: ざわめきrisks: リスクcalmly: 冷静にmoved: 心を動かされましたheated: 熱を帯びpassion: 情熱preparation: 準備acknowledged: 認められたbalance: バランスpracticality: 実用性collaboration: 協力courage: 勇気approaching: 近づいていましたscenery: 風景soothing: 和ませますblend: 融合させようveteran: ベテランnewcomer: 新入りtraditional: 伝統的なcontext: コンテクスト
Digital photographer, Ant Pruitt, is here to talk about his 30-day personal photography challenge and how it made him a better photographer. Plus Netflix, ElevenLabs and the Gene Wilder estate recreated the voice of Gene Wilder as Willy Wonka to use as the narrator for its new reality show “Wonka's The Golden Ticket.” We discuss the implications and what it really means for the afterlife of well-known actors likenesses being used after their death. Sony announced it would end production of physical game discs starting in January 2028. Roger shares how he feels about losing physical game discs. And we end the week on a sweet note as we test everyone's knowledge of SODA! Starring Tom Merritt, Sarah Lane, Robb Dunewood, Len Peralta, Ant Pruitt, Roger Chang, Joe. To read the show notes click here! Support the show on Patreon by becoming a supporter!
In this episode of The Truth In This Art, the guest is Miles Johnson!About Miles Johnson: Miles Johnson is a self-described "unclassically untrained oil painter" and mechanical engineer based in the DMV area. In over 4 years—starting with over a year on iPad before transitioning to oils 3 years ago—he has created numerous pieces. His late grandmother was a painter herself who created approximately 300 pieces and inspired his creative path. Miles first painted her portrait last summer for his solo show.Growing up, Miles would run cross-country to the Smithsonian, where Thomas Cole's four-part series "Voyage of Life" gave him a revelation: "I never thought that paintings were like almost manga panels." He also draws inspiration from Little Black Goat, incorporating anime-style faces into his work. Miles applies his engineering background with painting by creating bullet-point lists and maintaining over 200 pages of documentation in Google Docs. His research process studies figures like Fannie Lou Hamer—someone who was "born into sharecropping and ended up dying with a foundation that gave a million acres of land across Mississippi."Later we discussed Miles working on Common People Ain't Common, a 2025 undertaking. He made 100 pieces dedicated to celebrating the small moments in life and of the people he has observed. His goal was to make this art affordable for the everyday people who supported him on his art journey. His aim is that these pieces will serve as a great investment for first-time collectors. His Instagram handle @MJonthewall pays homage to Michael Jackson's "Off the Wall" album. Connect with Miles on Instagram and TikTok at @MJonthewall or visit MJonthewall.com.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
This episode is a listener Q&A covering some surprisingly connected themes: ambition, gratitude, creativity, faith, neurodivergence, and artificial intelligence. Justin explores: Why “being held back” isn't always something to overcome. How gratitude changes our relationship with ambition. What to do when your faith feels like it's falling apart. ADHD, executive functioning, and practical ways to get unstuck. Why creativity begins with play rather than performance. Whether AI can actually participate in the creative process. Why the tools we use ultimately shape the people we become. Referenced: Austin Kleon – Don't Call It Art C.S. Lewis on beauty The Atlantic AI Search Database Spiritual direction as a practice of discernment Links For Justin:Read Justin's SubstackOrder In The Low - NEW Book with Scott EricksonCoaching with JustinOrder In Rest - New Book of PoemsOrder Sacred StridesJustinMcRoberts.comSupport this podcastNEW Single - Let GoNEW Music - Sliver of HopeNEW Music - The Dood and The BirdThe Book - It Is What You Make itHearts and Minds Amazon Barnes and Noble
This is a podcast explicitly about the craft of writing—except when it's not.For these “Fanning Out” bonus episodes, Ted is joined by his videographer pal Matthew Simmons not to talk about things they've made but rather to revel in the work of others and what it can teach us.Like the show's regular episodes, it's a celebration of human creativity (or something that sounds 42 percent less corny). Here, they're just doing it from the perspective of fans, and they're going beyond books and writing to dive into TV, movies, music, and whatever else they can credibly find an excuse to discuss.There are categories. There are digressions. And today, there is an obviously exhaustive, scientifically accurate draft of 14 songs from the 1960s until today that they find particularly well-suited to a road trip playlist.
This week, Jen and Pete noodle on the creative process, and how we might build and iterate on our ideas. Specifically, in this episode Jen and Pete talk about: How does Jen think about the creative process? And Pete? What is the Ship of Theseus? What are some tactics and questions we can use to build and expand on existing ideas and frameworks? More from us in your inbox. Subscribe to Box O' Goodies. A weekly email with the books, podcasts, quotes, and other noodles Jen and Pete are mulling over.Listen to all episodes and read full transcripts at thelongandtheshortpodcast.com.Reach us: hello@thelongandtheshortpodcast.comPete's work: humanperiscope.com · Jen's work: jenwaldman.com
Today's episode was recorded in partnership with flaconi, Germany's leading online destination for beauty and fragrance. And it's one of those conversations that reminded me why I love doing this podcast so much.We're sitting down with Alicia Lindner, who runs a third-generation family business in the beauty industry called Annemarie Börlind. But this conversation is about so much more than a brand story. We talk about growing up surrounded by the scent of plant oils and flowers drifting out of a laboratory in the Black Forest and what it means to carry a legacy without turning it into something rigid.We also talk about sibling leadership, building and growing the brand independently, the spirit of the Schwarzwald, and the beauty industry as it looks today. But also about very human things. Like why skipping lunch is never a good idea and why the forest can be the best mentor when everything feels a bit too loud.This episode is thoughtful and honest. Alicia became an immediate star of the show. Please tune in and enjoy the energy that this episode will give you!Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★
In this episode of The Truth In This Art, the guest is Bernard Feinsod!About Bernard Feinsod: Editor, producer, writer, director, sound designer, and voice actor with over 17 years of experience in comedy, documentary, news, variety entertainment, and live events. A Baltimore-raised, Brooklyn-based creative who started at NBC's Today Show at 21, spent eight years at Vice Media, and is now navigating the independent content creator landscape.In our conversation, Feinsod talks through his 17-year journey in post-production—from the NBC mail room to creative producer, working with Sony, Field and Stream, and Huckberry across television, film, and new media. He connects his Baltimore DIY roots to his New York work and digs into how transitioning from Vice staffer to freelancer reshaped his creative approach. As he puts it, "it's easy to get complacent when you have like a day job that's holding you down so well."He recalls his time at Vice Media as "the best job I ever had," shares stories from editing Bret Raybould's comedy special, and discusses heading into a new self-starting phase. We get into the realities of working from a Brooklyn apartment edit suite for six years, the mass exodus from Vice, and how the last two years as an independent have pushed him toward more passion-driven, project-based creative work.Be sure to follow Bernard Feinsod to keep up with his work and future projects.Photo credit: Dan St. Ours The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
In this episode of Strap On Your Boots, I answer one of the questions I get asked most often How do you decide what to work on next Looking back on a career that spans startups, AI, filmmaking, music, writing, and entrepreneurship, I share the framework that naturally emerged over the years. I discuss why I rotate between creative and technical projects, how curiosity shapes my decisions, why timing matters just as much as the idea itself, and how AI has become an invaluable tool for challenging assumptions before I commit to building something new.
In this episode of The Truth In This Art, the guest is Jacob Ming-Trent!About Jacob Ming-Trent: Acclaimed performer, playwright, and one of American Theater's people to watch. A celebrated artist bringing his solo play, How Shakespeare Saved My Life, to Washington, DC's Folger Theater, and later to The Public Theater in New York with Red Bull producing.In our conversation, Ming-Trent walks through his journey from a rough childhood in an abusive home to moving to New York at seventeen—having been homeless the previous year and recently dropped out of high school. He recalls the pivotal moment Shakespeare entered his life: at six years old, his father, an English major, mentioned the Bard alongside Amiri Baraka. Years later, he accidentally walked into the wrong classroom and was asked to read a Shakespeare speech. "It felt like home to me," he says. "The words were big enough to give context to my emotions that were inside."He digs into the origins of How Shakespeare Saved My Life, a play that poured out of him unexpectedly while working on a different project. The solo show follows a kid with a tough childhood who discovers Shakespeare and tries to use it to navigate his world—sometimes it works, sometimes it fails. "It's a raucous ride, it's outrageous, it's funny, it's sad, and in the end we experience some black joy," Ming-Trent shares. We discuss his decision to leave theater at 35 after feeling treated like "an affirmative action hire," his pivot to television in LA, and how a call from director Saheem Ali brought him back to the stage to lead Shakespeare in the Park in Merry Wives—which ultimately led to writing this play. He reflects on the influence of figures like Biggie, Tupac, James Baldwin, and Basquiat—all artists trying to save their lives through their work. He also talks about audience interaction, the differences between performing in Berkeley and DC, and why vulnerability and fear are necessary parts of telling personal stories.Be sure to follow Jacob Ming-Trent and catch How Shakespeare Saved My Life, running until July 5th at Folger Theater (201 East Capitol Street SE, Washington, DC). Tickets start at $20. The play is also published by Bloomsbury Publishing. After DC, the show heads to The Public Theater in New York. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Jann Arden is joined by actor, writer, and producer, Allan Hawco! Allan speaks about how growing up in Newfoundland has impacted his work in the television industry. They discuss the unique storytelling aspects of Canadian content, the role of comedy in shaping cultural narratives, and the challenges of navigating the Canadian star system. Allan shares insights on mentorship, the impact of family on career decisions, and the importance of embracing failure as part of the creative process. He champions embracing risk and failure in the creative process, laughs about the absurdity of failure, and the fascinating nature of intellectual property. More About Allan Hawco: Allan Hawco is an acclaimed Canadian actor, writer, and executive producer known for his work across film, television, and theatre. He divides his time between Newfoundland, Toronto, and Los Angeles. Hawco is best known as the creator and star of the hit CBC series Republic of Doyle. He is also an executive producer of Canada's most-watched original comedy, Son of a Critch (CBC / CW / Paramount+) currently in its 4th season. He currently serves as co-creator, co-showrunner, executive producer, and co-lead of the CBC drama Saint-Pierre, which debuted in 2025 and continues to be CBC's #1 most-watched drama series. His additional credits include Tom Clancy's Jack Ryan, Frontier, Departure, Moonshine, Sullivan's Crossing, and Youngblood. https://hawcoproductions.com/ https://mediacentre.cbc.ca/program/saint-pierre https://gem.cbc.ca/murdoch-mysteries/s07 Chapters (00:00) Introduction to Alan Hawco (03:11) The Art of Storytelling in Canadian Entertainment (06:13) Growing Up in Newfoundland: A Unique Perspective (09:04) Navigating the Canadian Star System (12:04) The Role of Comedy in Canadian Culture (14:54) Mentorship and Influence in the Industry (18:00) The Impact of Family on Career Choices (21:12) Embracing Failure and Learning from It (24:27) Embracing Risk and Failure (28:06) The Creative Process and Intellectual Property (30:15) Navigating the Arts and Career Choices (32:13) Legacy and Personal Impact (38:17) Mental Health and Self-Care #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! www.jannardenpod.com/voicemail/ Get access to bonus content and more on Patreon: www.patreon.com/JannArdenPod Connect with us: www.jannardenpod.com www.instagram.com/jannardenpod www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices
Indie troubadour and Rolling Stone darling Brian Dunne gets real about his work as a songwriter who take the craft seriously. PART ONE: Paul and Scott talk about the Earth, Wind & Fire documentary, musical gibberish, Michael Jackson's lyrical theft, Scott's Cameroonian music phase, and perhaps the most irritating song mashup of all time. PART TWO: Our in-depth conversation with Brian DunneABOUT BRYAN DUNNE Brian Dunne is a New York–based singer-songwriter whose sharp storytelling, dark humor, and blue-collar perspective have earned him a devoted following in the Americana and indie-rock worlds. A longtime fixture on the East Coast club circuit, Dunne built his career the old-fashioned way—by writing songs, touring relentlessly, and cultivating a fiercely independent DIY approach. Over the course of multiple solo albums, including Selling Things in 2020, Loser on the Ropes in 2023, and Clams Casino in 2025, he has developed a reputation for pairing deeply human observations with memorable, hook-filled songs that draw from the traditions of artists such as Bruce Springsteen, Tom Petty, and Billy Joel while maintaining a distinctly modern voice. Dunne's profile expanded internationally when his 2021 single “New Tattoo” became an unexpected hit in the Netherlands, and in 2022 he co-founded the acclaimed folk-rock collective Fantastic Cat alongside fellow songwriters Anthony D'Amato, Don DiLego, and Mike Montali. Dunne continues to balance his solo career with Fantastic Cat, earning praise for songs that explore failure, resilience, class, ambition, and the everyday struggles of modern life with equal parts wit, empathy, and heart. His work has attracted praise from Rolling Stone, where writer Joseph Hudak championed his 2025 album Clams Casino and later singled it out as his favorite album of the year. It has been described as if novelist Sam Lipsyte wrote the lyrics for Billy Joel's Glass Houses, or if the Jason Isbell of Southeastern cut his teeth in scuzzy NYC rock clubs. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald, interviewed Audreanna Ayala.
Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald, interviewed Audreanna Ayala.
What seems like a simple question about exclamation points opens up a much bigger discussion about the power of comics lettering. Brad and Dave talk about punctuation, word balloons, font choices, and the unique grammar of comics — and why cartoonists have tools that prose writers can only dream of. They also share thoughts on staying creative during major disruptions, from studio moves to home renovations. On today's show... Exclamation points in comics: how many is too many? Whether to use one, two, or three exclamation points Why comics grammar differs from prose grammar Using lettering, font size, bolding, and balloon shape instead of extra punctuation When punctuation becomes unnecessary in comics lettering Nate Piekos's The Essential Guide to Comic Book Lettering Question marks, exclamation points, and the interrobang How punctuation order can affect emotional meaning Writing dialogue for comics: numerals, abbreviations, and natural speech Jim Davis, Garfield, and simplifying comics language Meeting readers where they are through visual storytelling NCS Reuben Awards weekend in Columbus, Ohio Brad and Dave's panel: “Actionable Advice in a Time of Change” Remodeling, moving studios, and creative disruption Setting up a dedicated creative space during chaos Managing the cognitive load of unfinished studio/home projects Why working ahead matters before a move or remodel The danger of putting fun distractions in your studio The temptation of arcade cabinets, pool tables, and other creativity killers You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
The Germany based duo HackedePicciotto with Alexander and Danielle join Music Matters host Darrell Craig Harris to talk about their latest album and a new path moving forward! About the Duo Hackedepicciotto is an experimental duo consisting of longtime partners Alexander Hacke (of Einstürzende Neubauten) and Danielle de Picciotto, an American-born musician, artist, author, and filmmaker. Their work together consists primarily of stirring soundscapes blending acoustic instruments such as violin, hurdy-gurdy, and autoharp with rumbling bass guitar and electronic feedback. Both artists sing and chant -- de Picciotto recites colorful, poetic lyrics, and Hacke occasionally throat sings. While the pair describe their music as "cinematic drone," they incorporated postindustrial rhythms into their 2020 full-length The Current and the more expansive, symphonic 2021 release The Silver Threshold. With 2023's Keepsakes, they focused on personal themes while expanding their list of collaborators and instrumentation. https://hackedepicciotto.bandcamp.com www.Instagram.com/hackedepicciotto About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1,000,000 global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell Voice intro by Nigel J. Farmer Representation: Yvette Morales | YM & Associates PR Beverly Hills, CA YM-PR.com Email: YMoralesY@ym-pr.com
In this inspiring episode of The Greatness Machine, host Darius Mirshahzadeh sits down with legendary author Steven Pressfield to discuss his newest novel "The Arcadian" and dive deep into the creative process. Pressfield, author of over 20 books including "The War of Art," "The Legend of Bagger Vance," and "Gates of Fire," shares his journey from a 30-year struggle to published success at age 52. The conversation explores the spiritual and practical aspects of creativity, the concept of resistance, and the warrior mindset needed for artistic achievement. In this episode, Darius and Steven will discuss: (00:00) Introduction to Steven Pressfield (01:05) Steven's Origin Story and Journey to Writing (04:02) Reflections on Past Struggles and Regrets (06:57) The Creative Process and the Role of the Muse (10:02) Uncovering Ideas: The Artist's Journey (12:08) The Impact of 'The War of Art' and Resistance (15:01) Understanding Self-Sabotage and Resistance (18:00) The Spirituality of Creativity vs. Blue Collar Work (21:06) The Importance of Grit and Hard Work (23:54) Expectations vs. Reality in Creative Work (27:05) The Process of Writing and Overcoming Perfectionism (29:54) The Long View: Building a Body of Work (33:02) Channeling Creativity and Letting Go of Outcomes (34:21) The Power of Surrender and Channeling Creativity (37:34) Warrior vs. Mother: The Duality of Creative Virtues (41:58) The Arcadian: A Journey Through Time and Identity (46:31) Striving for Agency: The Artist's Quest (49:41) Making the Unconscious Conscious: The Role of Art (53:10) Reincarnation and Relationships: A Storytelling Device (55:05) Mortality and Legacy: Reflections on the Creative Journey (57:50) AI and Authenticity: The Future of Creativity (59:26) The Grind: Overcoming Barriers to Greatness Steven Pressfield is the bestselling author of The War of Art, with over a million copies sold worldwide. His historical novel Gates of Fire is required reading at West Point and on the recommended reading list of the Joint Chiefs of Staff. The author of more than 18 books, Pressfield lives and writes in California. Connect with Steven: Website: https://stevenpressfield.com/ Instagram: https://www.instagram.com/steven_pressfield/ Facebook: https://www.facebook.com/StevePressfield/ Connect with Darius: Website: https://therealdarius.com/ Linkedin: https://www.linkedin.com/in/dariusmirshahzadeh/ Instagram: https://www.instagram.com/imthedarius/ YouTube: https://www.youtube.com/@Thegreatnessmachine Book: The Core Value Equation https://www.amazon.com/Core-Value-Equation-Framework-Limitless/dp/1544506708 Write a review for The Greatness Machine using this link: https://ratethispodcast.com/spreadinggreatness. Learn more about your ad choices. Visit megaphone.fm/adchoices
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