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In this episode of The Truth In This Art, the guest is Dina AZ. Salem!About Dina AZ. Salem: Washington, DC–based abstract artist born in Alexandria, Egypt, working across painting and sculpture to create materially driven works that explore healing, transformation, memory, and resilience. Through layered surfaces, texture, and unconventional materials, her practice investigates how personal experiences can be translated into visual language. She signs her work with the initials of her late father, honoring the person who first encouraged her artistic journey.In our conversation, Salem talks through growing up as a hyperactive child in Alexandria, Egypt, and how her mother discovered that painting calmed her down—leading to a lifelong artistic practice that began at four or five years old. She shares how her father, Ahmed Zaki, a CFO who never used a calculator in his life, would sit next to her and watch her paint, eventually buying her early works for small amounts to encourage her. Salem recalls visiting her father's office at nine years old and finding all her blue paintings hanging on his walls, and how his passing when she was twelve stopped her artistic journey for years.She connects her path from applying to shoe design school in Italy to eventually attending Virginia Tech and landing in DC about four years ago, reflecting on how the journey "chose her." We get into her philosophy that materials carry memory—sourcing everything from sand to plaster to abandoned items found walking around DC and at Home Depot, her "happy place." As she puts it, she's interested in "how we become someone new without losing who we were." Salem discusses how living in two places has made her understand that "identity is never fixed, it's always evolving," and how she wouldn't create the same style of work if she had stayed in Egypt.Be sure to follow Dina AZ. Salem on Instagram at @dinaazsalem to keep up with her work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
In this episode of The Truth In This Art, the guest is Simone Phillips!About Simone Phillips: Award-winning content creator and event curator behind Charm City Table, Baltimore's popular food and beverage platform with more than ten million impressions per month. She's become a trusted voice in Baltimore's culinary scene, highlighting the people, places, and stories that shape the city's food culture. She also curates vertical videos for the Maryland Film Festival and works closely with Parkway Theater.In our conversation, Phillips walks through her journey from starting Charm City Table in 2017 as a hobby to journal her dining experiences. Growing up, she didn't eat out much—Golden Corral and IHOP at church functions, but never exploring Baltimore's dining scene. After graduating college and moving back to Baltimore, she started exploring Harbor East, Fells Point, the Inner Harbor, Canton, and fell in love with all the options. That curiosity became her whole life.She shares her humanitarian approach to content creation—thinking about the restaurant owners and their feelings as creatives, but also the people spending their money who see something and get excited about visiting. We get into what it takes to build a sustainable brand voice rather than chasing virality, why Baltimore remains her intentional focal point even as she partners with national brands in New York, Chicago, and California, and what she believes is missing from Baltimore's food scene to take it to the next level: elevated service as an art form.Be sure to follow Charm City Table on Instagram, Facebook, TikTok, and YouTube Shorts.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Country Music Hall of Famer, Nashville Songwriters Hall of Famer, 2-time Country Song of the Year GRAMMY winner, and 5-time BMI Country Songwriter of the Year Paul Overstreet gives us a peek behind the curtain of his legendary career. PART ONE: Scott does his best not to throw a certain individual under the bus with a very funny story involving Paul Overstreet. Plus, the guys pay tribute to the late Joe Melson, past Songcraft guest and primary Roy Orbison collaborator. PART TWO: Our in-depth conversation with Paul OverstreetABOUT PAUL OVERSTREET Paul Overstreet is one of the most successful songwriters in Nashville history and among the three inductees in the Country Music Hall of Fame's class of 2026. His catalog of classics includes “Same Ole Me,” recorded by George Jones, as well as the Randy Travis hits “Digging Up Bones,” “No Place Like Home,” “Deeper Than the Holler,” “On the Other Hand,” and “Forever and Ever, Amen.” The latter two were both named Song of the Year by NSAI, the CMA, and the ACM. Additionally, “Forever and Ever, Amen” earned a Grammy award for Best Country Song in 1988. Overstreet won another Best Country Song Grammy in 1992 for “Love Can Build a Bridge,” which was a major hit for The Judds. Other highlights of the Paul Overstreet songbook include the number one hits “A Long Line of Love,” recorded by Michael Martin Murphy,” “When You Say Nothing at All,” which was a hit for both Keith Whitley and Alison Krauss, and “Some Beach” for Blake Shelton. In addition to his achievements with other performers, Overstreet became a successful recording artist in his own right. He reached the top of the charts in 1987 with “I Won't Take Less Than Your Love,” which he recorded with Tanya Tucker and Paul Davis, and had hits with the group S-K-O, a trio he formed with Thom Schuyler and Fred Knobloch. From 1988 through 1991 Paul scored eight consecutive top 10 singles as a solo artist, including “Seein' My Father in Me” and “Daddy's Come Around.” Paul was named BMI's Country Songwriter of the year five years in a row from 1987 through 1991, a feat that hasn't been duplicated since. He was inducted into the Nashville Songwriters Hall of Fame in 2003. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
What if creating didn't need to feel so hard? This week, we're revisiting one of our favorite episodes. Sarah takes us behind the scenes of her creative process and shares the practices that have helped her build a more sustainable, intuitive relationship with creating. She talks about letting go of perfectionism, trusting inspiration, and making space for greater ease. The result is work that feels more authentic, meaningful, and aligned. Through personal stories, practical tools, and grounded wisdom, Sarah offers a new way of thinking about creativity rooted in devotion, self-trust, and honoring your own unique rhythm. On this episode of Moonbeaming you'll hear: Why making creativity easier can actually lead to more meaningful work The four practices that shape Sarah's creative process How to move beyond perfectionism and finish what you start Why discipline isn't about forcing yourself and what to practice instead How to create from intuition without waiting for inspiration to strike Why building a supportive container is essential for sustainable creativity How trusting your own creative rhythm can transform the way you make art, write, or bring ideas to life -- Join Our Community: Join the Moon Studio Patreon: https://www.patreon.com/themoonstudio Buy the 2026 Many Moons Lunar Planner: https://moon-studio.co/products/many-moons-2026?srsltid=AfmBOopThx1yrmKl0tMjecc_EFeeN5DAiIafqPqvQ4Uke1WEi5droeam Subscribe to our newsletter: https://moon-studio.co/pages/newsletter Find Sarah on Instagram: https://www.instagram.com/gottesss/
Fluent Fiction - Swedish: Linnéa's Artistic Revival: Finding Inspiration in Chaos Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2026-07-21-07-38-19-sv Story Transcript:Sv: I Stockholms skärgård, bland klipporna och den doftande tallskogen, kämpar Linnéa med ett hjärta fullt av tvivel.En: In the Stockholms skärgård, amidst the cliffs and the fragrant pine forest, Linnéa struggles with a heart full of doubts.Sv: Som en sommarfjäril i vinden, söker hon tillbaka till konsten som en gång gav hennes liv mening.En: Like a summer butterfly in the wind, she seeks to return to the art that once gave her life meaning.Sv: Midsommarafton har just passerat och nu, i denna stilla efterdyning, står hon vid kanten av ön, blickande ut över vattnet.En: Midsommarafton has just passed, and now, in this calm aftermath, she stands at the edge of the island, gazing out over the water.Sv: Björn, hennes trofasta partner, står vid hennes sida.En: Björn, her faithful partner, stands by her side.Sv: "Jag vet att du kan," säger han med en röst full av lugn.En: "I know you can," he says with a voice full of calm.Sv: Men Linnéas blick är osäker.En: But Linnéa's gaze is uncertain.Sv: Det är som om färgerna på duken har bleknat, lika orörliga som hennes inspiration.En: It's as if the colors on the canvas have faded, as immobile as her inspiration.Sv: En dag, när moln samlas hotfullt på himlen, hörs ett skratt från stigen.En: One day, when clouds gather threateningly in the sky, laughter is heard from the path.Sv: Elsa, en gammal vän från staden, kommer oväntat på besök.En: Elsa, an old friend from the city, comes for an unexpected visit.Sv: I sin hand håller hon en krans av björkris och blommor, en påminnelse om midsommarens löften.En: In her hand, she holds a wreath of birch twigs and flowers, a reminder of midsummer's promises.Sv: "Du måste inte vara rädd, Linnéa," säger Elsa med ett leende.En: "You don't have to be afraid, Linnéa," says Elsa with a smile.Sv: "Låt stormen leda dig.En: "Let the storm guide you.Sv: Kanske behöver du bara lite kaos för att se klart igen."En: Maybe you just need a bit of chaos to see clearly again."Sv: Himlen mörknar och vinden drar i hennes hår när Linnéa står inför sitt beslut.En: The sky darkens and the wind tugs at her hair as Linnéa stands before her decision.Sv: Hon känner bävan i kroppen.En: She feels a tremor in her body.Sv: Det stormar både omkring och inom henne.En: The storm rages both around and within her.Sv: Men en ny beslutsamhet vaknar.En: But a new determination awakens.Sv: Med uppmuntran från Björn och Elsas viskande ord i minnet tar hon sina penslar och ställer sig på den steniga strandkanten.En: With encouragement from Björn and Elsa's whispered words in her memory, she takes her brushes and stands on the rocky shoreline.Sv: När stormens fulla kraft når ön målar Linnéa i en frenesi.En: When the storm's full force reaches the island, Linnéa paints in a frenzy.Sv: Regnet piskar och vinden rycker i duken, men hon ger inte upp.En: The rain lashes and the wind tugs at the canvas, but she does not give up.Sv: Varje penseldrag är ett rop, en befrielse från de bojor av tvivel som hållit henne fången så länge.En: Each brushstroke is a cry, a liberation from the chains of doubt that have held her captive for so long.Sv: Havet vrålar, men hennes händer är säkra.En: The sea roars, but her hands are steady.Sv: Plötsligt, lika snabbt som det började, försvinner stormen.En: Suddenly, as quickly as it began, the storm vanishes.Sv: Molnen skingras, och en gyllene solnedgång sträcker sig över horisonten som en mjuk filt.En: The clouds disperse, and a golden sunset stretches across the horizon like a soft blanket.Sv: Vattnet ligger återigen spegelblankt och reflekterar himlens tusen färger.En: The water lies mirror-smooth again, reflecting the sky's thousand colors.Sv: Linnéa sänker penseln, ser på sin målning och känner hur något nytt föds inom henne.En: Linnéa lowers the brush, looks at her painting, and feels something new being born within her.Sv: Det är en känsla av förnyelse.En: It is a feeling of renewal.Sv: "Du gjorde det," säger Björn och lägger en varm hand på hennes axel.En: "You did it," says Björn, placing a warm hand on her shoulder.Sv: Elsa ler bredvid honom.En: Elsa smiles beside him.Sv: "Jag visste att du skulle klara det," tillägger hon.En: "I knew you would manage," she adds.Sv: Linnéa vet nu.En: Linnéa knows now.Sv: Det är inte alltid lätt, och ibland är stormen inom oss starkare än den utanför.En: It's not always easy, and sometimes the storm within us is stronger than the one outside.Sv: Men genom att möta den, med mod och öppen famn, hittar vi tillbaka till oss själva.En: But by facing it, with courage and an open heart, we find our way back to ourselves.Sv: Hon känner sig fri och målarens livsglädje är återfunnen.En: She feels free, and the painter's joy of life is rediscovered.Sv: Den natten i skärgården, med vågornas milda sång i öronen, somnar Linnéa med en känsla av trygghet och vetskap.En: That night in the archipelago, with the gentle song of the waves in her ears, Linnéa falls asleep with a sense of security and knowledge.Sv: Osäkerheten blev en bro till inspiration och hjälpte henne att återupptäcka sin passion för konsten.En: Uncertainty became a bridge to inspiration and helped her rediscover her passion for art. Vocabulary Words:archipelago: skärgårdamidst: blandfragrant: doftandestruggles: kämpardoubts: tvivelaftermath: efterdyninguncertain: osäkerthreateningly: hotfulltchaos: kaostremor: bävanfrenzy: frenesilashes: piskarliberation: befrielsechains: bojorvanishes: försvinnerdisperse: skingrasmirror-smooth: spegelblanktrenewal: förnyelsedetermination: beslutsamhetgaze: blickandepath: stigwreath: kranstugs: ryckershoreline: strandkantenhorizon: horisontgolden: gyllenestretches: sträcker sigblanket: filtcaptivity: fångenrediscovered: återfunnen
On this episode of The Bandwich Tapes, I sit down with Los Angeles-based singer, songwriter, guitarist, and music director Evan Zee for a conversation that begins with musical connection and quickly opens into something deeper. I first found Evan while researching for another interview, tracing a path from Larry Goldings to Lila Forde and then to Evan. That kind of chain reaction is one of my favorite things about this show, and in this case it led to a conversation about listening, community, faith, family, and the way music can widen a person's heart.We begin by talking about Evan's musical relationship with singer Lila Forde and how their collaboration grew out of church work, friendship, and time spent simply playing together. Evan reflects on the importance of “big ears” as a musician, the kind of listening that goes beyond technique and becomes a way of serving the song, the people around you, and the moment itself. What follows is one of my favorite kinds of conversations: one that starts with music but naturally opens into larger questions about how to live.From there, Evan speaks with real honesty about marriage, fatherhood, and how family life changed his voice, his art, and his sense of purpose. He describes becoming a parent before he felt ready, and how that experience forced him to confront fear, insecurity, and the need for growth in a way that ultimately deepened his artistic expression. It is a thoughtful and moving part of the conversation, and one that gets at something I care deeply about on this podcast: how life itself shapes the music.We also spend time talking about Evan's long history playing in church, from starting as a teenager to later studying at USC, moving to Los Angeles, and navigating his own spiritual unraveling and reconstruction. Today, as music director at a Presbyterian church in Santa Monica, he has built a creative community around intention, trust, and “the hang.” He shares how that environment led to a new record featuring close collaborators including Lila Forde, Misha, Carl McComas-Reichl, Miguel Atwood-Ferguson, Tom Frazier, and Darla, and why he wanted the session to feel playful, immediate, and alive.We close by talking about a powerful live performance in the wake of the Eaton fire, which displaced Evan and his family from their Altadena home, as well as his deep love for Joni Mitchell and the spiritual force he hears in her writing. This episode is about much more than career milestones. It is about listening as a musical value, as a human value, and as a way of moving through the world with greater presence.Key TakeawaysEvan Zee talks about why “big ears” may be one of the most important qualities a musician can have, both on and off the bandstand.He shares how his collaboration with Lila Forde grew out of church work, friendship, and hours of unpaid playing simply for the sake of getting better together.Evan reflects candidly on how marriage and fatherhood reshaped his artistry, deepened his voice, and changed the way he experiences music.He discusses his journey through faith, deconstruction, and a more expansive understanding of music as a spiritual practice.As a music director in Santa Monica, Evan has created a scene built around trust, intention, generosity, and what musicians call “the hang.”He gives insight into a new record built with a close-knit cast of players including Lila Forde, Carl McComas-Reichl, Miguel Atwood-Ferguson, Tom Frazier, Misha, and Darla.We also talk about Joni Mitchell, Pat Metheny, live performance after loss, and the role music can play in grief, healing, and community.Music from the EpisodeWarm and Right - Evan Zee (Live in LA)Never Leave a Moment - Evan ZeeLong Lost Lover - Evan Zee (Live in LA)Love - Evan Zee (Live in LA)About the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative people for thoughtful conversations about craft, career, collaboration, and the experiences that shape a life in music. It is a show about process, humanity, and the stories behind the work.Connect with the Showcontact@thebandwichtapes.com
In this episode of The Truth In This Art, the guest is Louis-Antoine Gilbert!About Louis-Antoine Gilbert: French-American painter and artist known for his acrylic on canvas works that create the illusion of depth, living in Washington, DC for nearly a decade, creating colorful acrylic cityscapes inspired by brutalist and modernist architecture, art deco design, and graphic novels by Moebius, François Schuiten, and Benoît Peeters. His cubist-influenced work draws from M.C. Escher and Wassily Kandinsky, and he's also a musician, beat maker, and painting instructor.In our conversation, Gilbert talks through growing up in Paris with parents who brought him to free museums and concerts, first wanting to be an artist at age four after seeing an orchestra, and starting with graffiti following older kids in the streets. He connects his journey from Parisian punk bands to DC's basement show scene and digs into how DC's greenery—particularly Rock Creek Park—has transformed his gray, Parisian-inspired compositions into more hopeful work with vegetation. As he puts it, discovering DC made him realize "both cities, both of them have brutalist and modern buildings in them."He recalls meeting artist Autumn Spears early in his DC years, shares stories from selling affordable original drawings at the Little DuPont flea market every six weeks, and discusses learning that French house music actually originated from Detroit. We get into the realities of teaching painting in summers, the influence of graphic novels from his dad's collection, and how nearly a decade in DC has made him rethink the art deco shapes he loved from Paris.Be sure to follow Louis-Antoine Gilbert on Instagram at @antoine_paints to keep up with his work and future projects.Photo courtesy of subject.All views expressed by Louis-Antoine Gilbert are his own and not those of the Law Library of Congress or the Library of Congress The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Join our next FASO Show Live!https://artists.boldbrush.com/p/the-faso-showLearn the magic of marketing with us here at BoldBrush!boldbrushshow.com--For today's episode we sat down with fine artist Tony D'Amico. Tony is a full-time representational painter and draftsman based in southern Connecticut whose work spans cityscapes, landscapes, coastal scenes, interiors, and everyday local subjects, all unified by his obsession with light, atmosphere, and strong design. He began his journey in art as a child, later studying graphic design, working as a commercial artist and technical illustrator, and eventually running his own marketing and design firm before transitioning gradually into fine art. Plein air painting transformed both how he sees and how he paints, forcing him to simplify quickly, capture specific moments in changing conditions, and infuse his studio work with authentic memories of place, light, and atmosphere. Tony is highly intentional in planning his compositions—often using thumbnails, photography, and Photoshop—to design compelling paintings that go beyond mere realism and invite viewers into a story. Drawing from his marketing background, he emphasizes that artists must learn to present and promote their work, build relationships with collectors and galleries, and accept rejection as a motivator rather than a verdict. For aspiring artists, he stresses persistence, continuous learning, good materials, honest self-critique, and the understanding that developing a true artistic voice and career can easily take a decade or more. Finally, Tony tells us about his upcoming shows and his revised book!Tony's FASO site:tonydamicofineart.com/Tony's Social Media:instagram.com/tonydamicofineart/facebook.com/tony.damico.524/Tony's Book:tonydamicofineart.com/books
Fluent Fiction - Danish: Harmony in Nature: A Botanist & Artist's Creative Partnership Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2026-07-12-22-34-01-da Story Transcript:Da: Solen skinnede over Botanisk Have i København.En: The sun shone over the Botanisk Have in København.Da: Luften var varm, og der duftede af sommerblomster.En: The air was warm, and there was a scent of summer flowers.Da: Johan og Klara gik forsigtigt i haven.En: Johan and Klara walked carefully through the garden.Da: Blomsterne var i fuldt flor, og grønne planter strakte sig mod himlen.En: The flowers were in full bloom, and green plants stretched towards the sky.Da: Det var her, de mødtes for at planlægge deres projekt.En: It was here that they met to plan their project.Da: Johan, en grundig botaniker, elskede struktur.En: Johan, a meticulous botanist, loved structure.Da: Han bar en mappe med papirer og en notesblok.En: He carried a folder with papers and a notebook.Da: Ved siden af gik Klara, en kunstner, med en skitseblok under armen.En: Next to him walked Klara, an artist, with a sketchpad under her arm.Da: Hun søgte inspiration fra naturen omkring sig.En: She sought inspiration from the nature around her.Da: De satte sig på en bænk tæt ved den lille dam.En: They sat on a bench near the small pond.Da: Vandets rislen skabte en rolig baggrundslyd.En: The trickling of water created a calm background sound.Da: "Vi har brug for en plan," sagde Johan alvorligt.En: "We need a plan," said Johan seriously.Da: "Hvis vi ønsker, at projektet skal lykkes, skal alt være organiseret."En: "If we want the project to succeed, everything must be organized."Da: Klara nikkede, men hendes tanker sværmede omkring blomsterfarver og unikke former.En: Klara nodded, but her thoughts swirled around flower colors and unique shapes.Da: "Jeg har brug for frihed til at lade mig inspirere," svarede hun.En: "I need freedom to let myself be inspired," she replied.Da: "Tegningerne bliver bedst, når jeg følger min intuition."En: "The drawings turn out best when I follow my intuition."Da: Johan kiggede på hende med et skævt smil.En: Johan looked at her with a wry smile.Da: "Jeg har lavet et detaljeret skema," sagde han og åbnede mappen.En: "I have made a detailed schedule," he said, opening the folder.Da: "Det hjælper os med at holde fokus."En: "It helps us stay focused."Da: Klara kiggede på papiret.En: Klara looked at the paper.Da: Der var mange detaljer, tidsfrister, og opgaver.En: There were many details, deadlines, and tasks.Da: Hun sukkede stille.En: She sighed quietly.Da: "Jeg skal have mulighed for at være spontan," sagde hun.En: "I need the opportunity to be spontaneous," she said.Da: "Naturen er uforudsigelig.En: "Nature is unpredictable.Da: Det bør vores arbejde også være."En: So should our work be."Da: De gik videre til væksthuset, hvor diskussionen fortsatte.En: They continued to the greenhouse, where the discussion went on.Da: Johan pointerede vigtigheden af præcision i præsentationen af en bestemt planteart.En: Johan pointed out the importance of precision in the presentation of a particular plant species.Da: Klara insisterede på kunstnerisk frihed til at fange plantens essens på sin egen måde.En: Klara insisted on artistic freedom to capture the essence of the plant in her own way.Da: En fugl landede blidt udenfor på en grøn gren.En: A bird landed softly outside on a green branch.Da: De så begge på den, og et øjeblik gik det op for dem, at deres debat kunne skade projektet.En: They both looked at it, and for a moment, they realized that their debate could harm the project.Da: "Vi har begge stærke synspunkter," indrømmede Johan til sidst.En: "We both have strong viewpoints," Johan admitted at last.Da: "Men projektet kræver en balance."En: "But the project requires a balance."Da: "Jeg er enig," sagde Klara med et forsigtigt smil.En: "I agree," said Klara with a tentative smile.Da: "Lad os finde en måde at kombinere struktur og kreativitet."En: "Let's find a way to combine structure and creativity."Da: De tilbragte resten af dagen med at diskutere og udvikle en plan, der tillod struktur i de nødvendige dele, men også plads til Klaras kreative indfald.En: They spent the rest of the day discussing and developing a plan that allowed for structure in the necessary parts but also room for Klara's creative impulses.Da: Da solen begyndte at gå ned, forlod de haven med en ny forståelse.En: As the sun began to set, they left the garden with a new understanding.Da: Johan lærte at værdsætte kreativitetens værdi, mens Klara opdagede betydningen af struktur.En: Johan learned to appreciate the value of creativity, while Klara discovered the importance of structure.Da: De havde fundet en balance, som ville gøre deres projekt stærkt og harmonisk.En: They had found a balance that would make their project strong and harmonious.Da: Botanisk Have blev stille, men der var liv, både blandt planterne og i det partnerskab, der nu var styrket.En: The Botanisk Have grew quiet, but there was life, both among the plants and in the partnership that was now strengthened. Vocabulary Words:shone: skinnedecarefully: forsigtigtbloom: flormeticulous: grundigsought: søgtepond: damtrickling: rislenintuition: intuitionwry: skævtschedule: skemaspontaneous: spontanunpredictable: uforudsigeliggreenhouse: væksthusprecision: præcisionspecies: planteartessence: essenslanded: landedesoftly: blidtviewpoints: synspunkteradmitted: indrømmedetentative: forsigtigtimpulses: indfaldappreciate: værdsætteharmony: harmoniskscent: duftedebench: bænkopportunity: mulighedcapture: fangeharm: skaderealized: gik op for dem
This week, Paige is joined by designer and artist friend, Taylor Marshall for one of their favorite kinds of conversations - the kind that starts with a viral internet moment and somehow ends with creativity, body image, AI, artistic discipline, marketing, and what it really means to build a life that turns you on. Inspired by the artists who climbed the Empire State Building, they unpack why so many brands and creators rush to copy meaningful moments instead of creating something original themselves. Taylor and Paige chat about trend culture, social media, creative identity, and why we all need to become a little more "horny for our own lives." They also dive into:Why curated living always outlasts trendsThe pressure to constantly market yourself as an artistThe tension between creativity and disciplineBody image, fashion trends, and learning to embrace your own styleUsing AI as a tool without sacrificing originalityBuilding careers that feel deeply aligned instead of simply successfulIf you've ever felt burnt out by social media, overwhelmed by marketing, or wondered how to stay true to yourself in a world that rewards copying everyone else, this conversation is for you.
In this episode of The Truth In This Art, the guest is Zoë Poindexter!About Zoë Poindexter: Documentary filmmaker, producer, and director based in Washington, DC. She attended journalism graduate school at Georgetown University, where she continues to work as a documentary teacher's assistant, and specializes in nonfiction storytelling.In our conversation, Poindexter walks through her journey to A Revolution Called Love, a feature documentary inspired by Black Love Day—a holiday created in DC in the nineties by Mama Ayo Handy-Kendi. After living in DC for almost ten years without ever hearing about it, she called the founder and asked to attend. She showed up in purple—the colors of Black Love Day, which happens to be her favorite color—stayed for the entire seven-hour ceremony, and came back saying, "Yes, this needs to be made into a film." The documentary is structured around the holiday's five tenets: love for the creator, love for yourself, love for family, love for community, and love for the Black diaspora. We explore how she's weaving community voices throughout—filming interviews with Black Washingtonians defining what those tenets mean to them, with select responses used as voiceover narration in the feature.She shares her commitment to telling positive stories that aren't clichés—"We have way too many clichéd stories about Black people, Black communities. I often ask myself, why do we need this again? Who is this actually being made for?" She hopes the film sparks conversation around what we think love is—a deeper dialogue about intention, community, and making work that's truly for us. This conversation came about through a shared passion for storytelling—and the belief that the stories we tell should actually be made for us.Be sure to follow the project (@blacklovedocfilm on Instagram, Black Love Documentary Film on Facebook) and visit BlackLoveDocumentary.com to learn more and support the crowdfund. Both Defining Love: Voices of Black DC (a short oral history film funded in part by Humanities DC) and A Revolution Called Love are currently in production.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
The legendary Swamp Dogg returns to Songcraft after more than a decade to talk about, well, whatever he wants. And we're here for it! PART ONE Paul and Scott contemplate their second visit with Swamp DoggPART TWO Our in-depth interview with the original D-O-double G! ABOUT SWAMP DOGG R&B cult favorite Jerry “Swamp Dogg” Williams is best known as the co-writer, with Gary U.S. Bonds, of the cross-genre classic, “She's All I Got,” which became a Top 10 R&B single for Freddie North and a #2 country hit for Johnny Paycheck in 1971. Williams' career began in 1954 when, at the age of 12, he made his first record, “HTD Blues.” He found success in the 1960s, recording the Top 40 R&B hit “Baby You're My Everything” under the name Little Jerry Williams, and writing songs for other artists, including Gene Pitney's Top 20 Pop single, “She's a Heartbreaker.” He became Atlantic Records' first African American staff producer in 1968 but left the following year to pursue independent projects in Muscle Shoals, Alabama and Macon, Georgia. By the 1970s Swamp was an in-demand producer and songwriter, penning Top 40 R&B hits for Doris Duke, Arthur Conley, and Dee Dee Warwick. Around the same time, he reinvented himself as Swamp Dogg, releasing a series of eccentric soul albums with lyrics marked by frank sexuality, biting satire, radical politics, and provocative social observations. His debut LP, Total Destruction to Your Mind, was eventually certified Gold, while subsequent releases, including Gag a Maggott, I'm Not Selling Out – I'm Buying In, An Awful Christmas and a Lousy New Year, and The White Man Made Me Do It garnered considerable accolades among underground music lovers and earned Swamp what one journalist described as “a cultural niche somewhere between Rudy Ray Moore and Frank Zappa.” In recent years, his vast catalog has been sampled by Kid Rock, Talib Kweli, DMX, and others. Having just turned 84, Swamp shows no signs of slowing down. Since we last spoke with him in 2015, he has released five albums, including a bluegrass-inspired project called Blackgrass and his most recent release, Swamp Dogg Contemplates the Afterlife. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us Fan MailWe're having conversations with magazine-makers— big and small, new and seasoned, independent and commercial—from all over the world, who are sharing what they do and how they do it. This year's line up includes folks making magazines for kids, art and culture, as well as luxury lifestyle magazines, and a massive global publisher who covers all of this and more. There's something for everyone in these 4 episodes.This episode features Nicola Ryan, Vice President of Product Design at Condé Nast.In this conversation, you'll hear about Nicola's career path into her current role at Condé Nast. Nicola shares how she thinks about designing for scale across so many publishing brands, including a toolkit that has drastically reduced the time it takes to reimagine visual design changes for brands like Wired and Architectural Digest, including how she helps brands balance consistent processes and experimentation. You'll hear the specific ways Nicola and her team are thinking about and thoughtfully integrating AI in their creative workflow. We talk about boredom, critique, and the importance of trust building as a creative leader.This episode was recorded as part of a guest lecture series in DG 8111 Digital Publishing in the Master of Digital Media Program in Spring 2026 at The Creative School at Toronto Metropolitan University. Let's Connect on the web or via Instagram. :)
In this episode of Read the Damn Book, Michelle Glogovac sits down with bestselling co-authors Lee Kelly and Jennifer Thorne to discuss their collaborative novel, The Midnight Show. They share how they developed their unique co-writing process, the evolution of their creative partnership, and the inspiration behind crafting a suspenseful story infused with humor, nostalgia, and pop culture. The conversation explores the realities of writing with a creative partner, balancing multiple perspectives, and navigating the publishing journey. Lee and Jennifer also offer valuable advice for aspiring authors, making this an insightful episode for readers, writers, and anyone fascinated by the art of collaborative storytelling.What We're Talking About...Developing a successful co-writing process and how Lee Kelly and Jennifer Thorne's collaboration has evolved over timeExploring the influence of Saturday Night Live, comedy, and pop culture on the creation of The Midnight ShowNavigating creative feedback, building trust, and overcoming the challenges of collaborative writingBehind-the-scenes insights into the rapid development and publishing timeline of The Midnight ShowUsing mixed media, dialogue, and innovative storytelling techniques to create an immersive reading experienceBalancing solo writing careers with the demands and rewards of co-authoring novelsCrafting engaging, fast-paced narratives that keep readers invested from beginning to endThe importance of shared vision, communication, and creative partnership in successful collaborative fiction writingChapters00:00 Introduction 02:12 The Co-Writing Journey07:12 Building a Writing Community10:04 The Creative Process and Synergy13:04 Inspiration from SNL16:12 Writing The Midnight Show19:17 Surprising Endings and Reader Reactions20:55 Character Development and Naming21:45 Audiobook Experience and Performance22:45 Mockumentary Concept and Adaptation25:51 Upcoming Projects and New Directions35:00 Validation and Support in Writing36:20 Closing Thoughts and Social Media ConnectionsLinks MentionedLee Kelly's website: https://www.leekellyauthor.comJennifer Thorne's website: https://www.jenniferthorne.comOrder your copy of The Midnight Show: https://bookshop.org/a/99223/9798217086672
In this episode of The Truth In This Art, the guest is Paloma Vianey!About Paloma Vianey: Interdisciplinary artist from Ciudad Juarez, Mexico, now based in Washington, DC. She holds an MFA from Cornell University and has created large-scale public art installations along the US-Mexico border, with work exhibited at major museums and galleries internationally. She is primarily a painter and educator, teaching at the collegiate level.In our conversation, Vianey walks through her artistic journey from beginning to paint as a teenager when Juarez was labeled "the most dangerous city in the world," using art as catharsis during years of violence. She recounts completing a groundbreaking 72-foot-wide community-funded border bridge mural in 2018, depicting a girl blowing bubbles with each bubble representing emblematic images of Juarez including a tribute to femicide victims. We dig into her signature "Chamara" paintings—labor-intensive works where she hand-sews canvas jackets with industrial zippers over oil-painted urban landscapes of Juarez, creating what she calls "portraits of the city." One painting captured a pink house she'd see every time crossing the border—until one visit when she discovered it had been painted white. "That was a little heartbreaking for me," she shares, explaining how these works archive the changing memory of her hometown through a lens of resilience and hope.She shares insights on finding community in DC after moving six times in five years, her love for the U Street corridor (particularly Taqueria Xochi for authentic Mexican food), and how DC has been generous in giving her platforms to show her work. This conversation came about after I encountered Vianey's work at Umbrella Art Fair—a chance discovery that sparked a deeper dialogue about representation, resilience, and the power of challenging negative narratives through art.Be sure to follow Paloma Vianey (@palomavianey on Instagram) and visit palomavianey.com to keep up with her work and future projects. Her exhibition "Un Mismo Cielo Entre Washington y Juarez" is on display at the Mexican Cultural Institute in Washington, DC until July 25th.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Fluent Fiction - Japanese: Tanabata Dreamscape: Tradition Meets Innovation in Park Design Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-07-05-22-34-01-ja Story Transcript:Ja: 夏の日差しが降り注ぐ新宿御苑。緑の木々が生い茂り、色とりどりの花々が咲き誇っています。En: Under the summer sun shining down on Shinjuku Gyoen, the green trees are lush and vibrant, and a variety of colorful flowers bloom in full glory.Ja: セミの声が空気を震わせる中、短冊が優雅に風に揺れています。En: The air resonates with the sound of cicadas, while strips of paper elegantly sway in the breeze.Ja: 今日は七夕。En: Today is Tanabata.Ja: 特別な日です。En: It's a special day.Ja: ある木陰の下で、デザインチームの会議が始まろうとしていました。En: Under the shade of a tree, a design team meeting was about to start.Ja: 若手建築家のはるかは、今度の都市公園プロジェクトのために新しいデザインを発表しようとしています。En: The young architect Haruka was about to present a new design for the upcoming city park project.Ja: 彼女は自信を持ちたいのですが、今ひとつ自信がありません。En: She wants to be confident but still lacks a bit of self-assurance.Ja: 彼女の隣には、ベテランデザイナーのれんがいます。En: Next to her is the veteran designer Ren.Ja: 彼は実用的な設計が得意です。En: He's skilled at practical design.Ja: そして、新入りのさとしもいます。En: Also present is the newcomer Satoshi.Ja: 彼はチームに貢献したいと願っていますが、どうすればいいのかわかりません。En: He wishes to contribute to the team but isn't sure how to do so.Ja: はるかは、れんとさとしの両方に新しいデザインが受け入れられることを願っています。En: Haruka hopes her new design will be accepted by both Ren and Satoshi.Ja: 彼女のデザインは、伝統的な要素を現代的なコンテクストで融合させようとしています。En: Her design aims to blend traditional elements within a modern context.Ja: しかし、れんは彼女のデザインがリスクが高いと感じています。En: However, Ren feels her design is risky.Ja: また、さとしは彼女のアイデアを支えるべきかどうか迷っています。En: On the other hand, Satoshi is unsure about whether to support her idea.Ja: 会議が始まります。En: The meeting begins.Ja: はるかは、自分のビジョンを表現するために、心を込めて設計したモデルを披露します。En: Haruka presents a model she meticulously crafted to express her vision.Ja: そのモデルは、七夕のエッセンスを取り入れたものでした。竹を使って繊細に作られた架け橋、短冊が飾られた広場、そして星空を模したライトアップ。En: The model incorporates the essence of Tanabata—a delicate bridge made of bamboo, a square adorned with strips of paper, and lighting that mimics a starry sky.Ja: これが皆の前で姿を現すと、その場にはざわめきが起こりました。En: As it appears before everyone, a buzz fills the room.Ja: 「これは新しい。だが、リスクが伴う」とれんは冷静に言いました。En: "This is new. But, it comes with risks," Ren calmly said.Ja: さとしはその美しさに心を動かされましたが、未だに判断を下せずにいました。En: Satoshi, moved by its beauty, still couldn't make a decision.Ja: 会議は熱を帯び、意見が交わされ続けました。En: The meeting grew heated, with opinions exchanged continuously.Ja: しかし、はるかの情熱と緻密な準備がチームの心を動かしました。En: However, Haruka's passion and meticulous preparation moved the team's hearts.Ja: ついに、れんが口を開きました。「はるかのアイデアを基にして、実用的な要素を組み合わせてみよう」と提案しました。En: Finally, Ren spoke, "Let's try combining practical elements with Haruka's idea."Ja: 全員がその意見に同意しました。En: Everyone agreed with that suggestion.Ja: こうして、新しい公園のデザインが決まりました。En: Thus, the new park's design was decided.Ja: はるかは自分のアイデアが認められたことで自信を持ち、創造性と実用性のバランスを学びました。En: Haruka gained confidence because her idea was acknowledged and learned to balance creativity with practicality.Ja: そして、さとしも協力の大切さを学び、自分の考えを伝える勇気を得ました。En: Meanwhile, Satoshi learned the importance of collaboration and gained the courage to voice his thoughts.Ja: 夏の終わりが近づいていましたが、新宿御苑の風景は変わらず美しく、心を和ませます。En: Though summer's end was approaching, the scenery at Shinjuku Gyoen remained beautiful and soothing.Ja: 新しい公園プロジェクトは、夏の空気の中で新たな一歩を踏み出しました。En: The new park project took its first step forward in the summer air. Vocabulary Words:lush: 生い茂りvibrant: 色とりどりのresonates: 震わせるbreeze: 風meticulously: 心を込めてcrafted: 設計したessence: エッセンスdelicate: 繊細にadorned: 飾られたmimics: 模したbuzz: ざわめきrisks: リスクcalmly: 冷静にmoved: 心を動かされましたheated: 熱を帯びpassion: 情熱preparation: 準備acknowledged: 認められたbalance: バランスpracticality: 実用性collaboration: 協力courage: 勇気approaching: 近づいていましたscenery: 風景soothing: 和ませますblend: 融合させようveteran: ベテランnewcomer: 新入りtraditional: 伝統的なcontext: コンテクスト
Digital photographer, Ant Pruitt, is here to talk about his 30-day personal photography challenge and how it made him a better photographer. Plus Netflix, ElevenLabs and the Gene Wilder estate recreated the voice of Gene Wilder as Willy Wonka to use as the narrator for its new reality show “Wonka's The Golden Ticket.” We discuss the implications and what it really means for the afterlife of well-known actors likenesses being used after their death. Sony announced it would end production of physical game discs starting in January 2028. Roger shares how he feels about losing physical game discs. And we end the week on a sweet note as we test everyone's knowledge of SODA! Starring Tom Merritt, Sarah Lane, Robb Dunewood, Len Peralta, Ant Pruitt, Roger Chang, Joe. To read the show notes click here! Support the show on Patreon by becoming a supporter!
In this episode of The Truth In This Art, the guest is Miles Johnson!About Miles Johnson: Miles Johnson is a self-described "unclassically untrained oil painter" and mechanical engineer based in the DMV area. In over 4 years—starting with over a year on iPad before transitioning to oils 3 years ago—he has created numerous pieces. His late grandmother was a painter herself who created approximately 300 pieces and inspired his creative path. Miles first painted her portrait last summer for his solo show.Growing up, Miles would run cross-country to the Smithsonian, where Thomas Cole's four-part series "Voyage of Life" gave him a revelation: "I never thought that paintings were like almost manga panels." He also draws inspiration from Little Black Goat, incorporating anime-style faces into his work. Miles applies his engineering background with painting by creating bullet-point lists and maintaining over 200 pages of documentation in Google Docs. His research process studies figures like Fannie Lou Hamer—someone who was "born into sharecropping and ended up dying with a foundation that gave a million acres of land across Mississippi."Later we discussed Miles working on Common People Ain't Common, a 2025 undertaking. He made 100 pieces dedicated to celebrating the small moments in life and of the people he has observed. His goal was to make this art affordable for the everyday people who supported him on his art journey. His aim is that these pieces will serve as a great investment for first-time collectors. His Instagram handle @MJonthewall pays homage to Michael Jackson's "Off the Wall" album. Connect with Miles on Instagram and TikTok at @MJonthewall or visit MJonthewall.com.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
This week, Jen and Pete noodle on the creative process, and how we might build and iterate on our ideas. Specifically, in this episode Jen and Pete talk about: How does Jen think about the creative process? And Pete? What is the Ship of Theseus? What are some tactics and questions we can use to build and expand on existing ideas and frameworks? More from us in your inbox. Subscribe to Box O' Goodies. A weekly email with the books, podcasts, quotes, and other noodles Jen and Pete are mulling over.Listen to all episodes and read full transcripts at thelongandtheshortpodcast.com.Reach us: hello@thelongandtheshortpodcast.comPete's work: humanperiscope.com · Jen's work: jenwaldman.com
Today's episode was recorded in partnership with flaconi, Germany's leading online destination for beauty and fragrance. And it's one of those conversations that reminded me why I love doing this podcast so much.We're sitting down with Alicia Lindner, who runs a third-generation family business in the beauty industry called Annemarie Börlind. But this conversation is about so much more than a brand story. We talk about growing up surrounded by the scent of plant oils and flowers drifting out of a laboratory in the Black Forest and what it means to carry a legacy without turning it into something rigid.We also talk about sibling leadership, building and growing the brand independently, the spirit of the Schwarzwald, and the beauty industry as it looks today. But also about very human things. Like why skipping lunch is never a good idea and why the forest can be the best mentor when everything feels a bit too loud.This episode is thoughtful and honest. Alicia became an immediate star of the show. Please tune in and enjoy the energy that this episode will give you!Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★
In this episode of The Truth In This Art, the guest is Bernard Feinsod!About Bernard Feinsod: Editor, producer, writer, director, sound designer, and voice actor with over 17 years of experience in comedy, documentary, news, variety entertainment, and live events. A Baltimore-raised, Brooklyn-based creative who started at NBC's Today Show at 21, spent eight years at Vice Media, and is now navigating the independent content creator landscape.In our conversation, Feinsod talks through his 17-year journey in post-production—from the NBC mail room to creative producer, working with Sony, Field and Stream, and Huckberry across television, film, and new media. He connects his Baltimore DIY roots to his New York work and digs into how transitioning from Vice staffer to freelancer reshaped his creative approach. As he puts it, "it's easy to get complacent when you have like a day job that's holding you down so well."He recalls his time at Vice Media as "the best job I ever had," shares stories from editing Bret Raybould's comedy special, and discusses heading into a new self-starting phase. We get into the realities of working from a Brooklyn apartment edit suite for six years, the mass exodus from Vice, and how the last two years as an independent have pushed him toward more passion-driven, project-based creative work.Be sure to follow Bernard Feinsod to keep up with his work and future projects.Photo credit: Dan St. Ours The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
In this episode of Strap On Your Boots, I answer one of the questions I get asked most often How do you decide what to work on next Looking back on a career that spans startups, AI, filmmaking, music, writing, and entrepreneurship, I share the framework that naturally emerged over the years. I discuss why I rotate between creative and technical projects, how curiosity shapes my decisions, why timing matters just as much as the idea itself, and how AI has become an invaluable tool for challenging assumptions before I commit to building something new.
In this episode of The Truth In This Art, the guest is Jacob Ming-Trent!About Jacob Ming-Trent: Acclaimed performer, playwright, and one of American Theater's people to watch. A celebrated artist bringing his solo play, How Shakespeare Saved My Life, to Washington, DC's Folger Theater, and later to The Public Theater in New York with Red Bull producing.In our conversation, Ming-Trent walks through his journey from a rough childhood in an abusive home to moving to New York at seventeen—having been homeless the previous year and recently dropped out of high school. He recalls the pivotal moment Shakespeare entered his life: at six years old, his father, an English major, mentioned the Bard alongside Amiri Baraka. Years later, he accidentally walked into the wrong classroom and was asked to read a Shakespeare speech. "It felt like home to me," he says. "The words were big enough to give context to my emotions that were inside."He digs into the origins of How Shakespeare Saved My Life, a play that poured out of him unexpectedly while working on a different project. The solo show follows a kid with a tough childhood who discovers Shakespeare and tries to use it to navigate his world—sometimes it works, sometimes it fails. "It's a raucous ride, it's outrageous, it's funny, it's sad, and in the end we experience some black joy," Ming-Trent shares. We discuss his decision to leave theater at 35 after feeling treated like "an affirmative action hire," his pivot to television in LA, and how a call from director Saheem Ali brought him back to the stage to lead Shakespeare in the Park in Merry Wives—which ultimately led to writing this play. He reflects on the influence of figures like Biggie, Tupac, James Baldwin, and Basquiat—all artists trying to save their lives through their work. He also talks about audience interaction, the differences between performing in Berkeley and DC, and why vulnerability and fear are necessary parts of telling personal stories.Be sure to follow Jacob Ming-Trent and catch How Shakespeare Saved My Life, running until July 5th at Folger Theater (201 East Capitol Street SE, Washington, DC). Tickets start at $20. The play is also published by Bloomsbury Publishing. After DC, the show heads to The Public Theater in New York. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Jann Arden is joined by actor, writer, and producer, Allan Hawco! Allan speaks about how growing up in Newfoundland has impacted his work in the television industry. They discuss the unique storytelling aspects of Canadian content, the role of comedy in shaping cultural narratives, and the challenges of navigating the Canadian star system. Allan shares insights on mentorship, the impact of family on career decisions, and the importance of embracing failure as part of the creative process. He champions embracing risk and failure in the creative process, laughs about the absurdity of failure, and the fascinating nature of intellectual property. More About Allan Hawco: Allan Hawco is an acclaimed Canadian actor, writer, and executive producer known for his work across film, television, and theatre. He divides his time between Newfoundland, Toronto, and Los Angeles. Hawco is best known as the creator and star of the hit CBC series Republic of Doyle. He is also an executive producer of Canada's most-watched original comedy, Son of a Critch (CBC / CW / Paramount+) currently in its 4th season. He currently serves as co-creator, co-showrunner, executive producer, and co-lead of the CBC drama Saint-Pierre, which debuted in 2025 and continues to be CBC's #1 most-watched drama series. His additional credits include Tom Clancy's Jack Ryan, Frontier, Departure, Moonshine, Sullivan's Crossing, and Youngblood. https://hawcoproductions.com/ https://mediacentre.cbc.ca/program/saint-pierre https://gem.cbc.ca/murdoch-mysteries/s07 Chapters (00:00) Introduction to Alan Hawco (03:11) The Art of Storytelling in Canadian Entertainment (06:13) Growing Up in Newfoundland: A Unique Perspective (09:04) Navigating the Canadian Star System (12:04) The Role of Comedy in Canadian Culture (14:54) Mentorship and Influence in the Industry (18:00) The Impact of Family on Career Choices (21:12) Embracing Failure and Learning from It (24:27) Embracing Risk and Failure (28:06) The Creative Process and Intellectual Property (30:15) Navigating the Arts and Career Choices (32:13) Legacy and Personal Impact (38:17) Mental Health and Self-Care #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! www.jannardenpod.com/voicemail/ Get access to bonus content and more on Patreon: www.patreon.com/JannArdenPod Connect with us: www.jannardenpod.com www.instagram.com/jannardenpod www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices
Videos mentioned in this podcast: Oransi Googleheimer
Indie troubadour and Rolling Stone darling Brian Dunne gets real about his work as a songwriter who take the craft seriously. PART ONE: Paul and Scott talk about the Earth, Wind & Fire documentary, musical gibberish, Michael Jackson's lyrical theft, Scott's Cameroonian music phase, and perhaps the most irritating song mashup of all time. PART TWO: Our in-depth conversation with Brian DunneABOUT BRYAN DUNNE Brian Dunne is a New York–based singer-songwriter whose sharp storytelling, dark humor, and blue-collar perspective have earned him a devoted following in the Americana and indie-rock worlds. A longtime fixture on the East Coast club circuit, Dunne built his career the old-fashioned way—by writing songs, touring relentlessly, and cultivating a fiercely independent DIY approach. Over the course of multiple solo albums, including Selling Things in 2020, Loser on the Ropes in 2023, and Clams Casino in 2025, he has developed a reputation for pairing deeply human observations with memorable, hook-filled songs that draw from the traditions of artists such as Bruce Springsteen, Tom Petty, and Billy Joel while maintaining a distinctly modern voice. Dunne's profile expanded internationally when his 2021 single “New Tattoo” became an unexpected hit in the Netherlands, and in 2022 he co-founded the acclaimed folk-rock collective Fantastic Cat alongside fellow songwriters Anthony D'Amato, Don DiLego, and Mike Montali. Dunne continues to balance his solo career with Fantastic Cat, earning praise for songs that explore failure, resilience, class, ambition, and the everyday struggles of modern life with equal parts wit, empathy, and heart. His work has attracted praise from Rolling Stone, where writer Joseph Hudak championed his 2025 album Clams Casino and later singled it out as his favorite album of the year. It has been described as if novelist Sam Lipsyte wrote the lyrics for Billy Joel's Glass Houses, or if the Jason Isbell of Southeastern cut his teeth in scuzzy NYC rock clubs. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Julian, Madeline, and Emilio welcome back writer, performer, and Julian's longtime friend Michaela Brady to discuss the iconic meditation on the creative process that is "Adaptation" (2002), written by Charlie Kaufman, directed by Spike Jonze, and starring Nicolas Cage, Meryl Streep, and Chris Cooper in an Oscar-winning role. As the "View-nanimous" entry in a new episode cycle focusing on Twins and Doppelgangers in film, the group members all re-watch this exceptionally meta movie to discuss its relationship to reality, both in the literary process and its specific characters, as well as how its fusion of sincerity and irony produces an inimitable outcome, and how having a dual performance at the center actualizes the film's messages. And while the main four participants generally praise "Adaptation," they also consider a hot take from friend of the pod Idris Goodwin, for whom the distinct qualities of this film landed a little differently compared to many others. Follow Michaela Brady on IG @leatrice_write or @jillnjeff11, and check out her writing and blog at leatrice-author.com.Follow Idris Goodwin on IG at idrisgoodwin, and learn more about his latest book "King of the Neuro Verse" as well as his plays, music, published works, and varied artistic endeavors at http://www.idrisgoodwin.com/If you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!We have a monthly newsletter! Subscribe at sleeplesscinematicpod.substack.comFollow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats
Trying to force your creativity to happen? There may be another way. As artists, we often feel pressure to know exactly where we're going. We want the finished vision, the clear plan, the perfect idea — and when we don't have those things, we may assume we're stuck. But the creative process doesn't always unfold in a straight line. Sometimes the work is in the unknown. In this episode, I'm exploring what it means to stop forcing an outcome and start trusting the creative process — allowing space for exploration, discovery, curiosity, and transformation. I'll share reflections from my own creative season of not knowing what my next project will be, and how I'm learning to embrace the adventure of creating rather than rushing toward the destination. We'll talk about: outcome-driven creativity vs. process-oriented creativity becoming comfortable with uncertainty why the unknown is part of the artistic journey how curiosity and exploration lead to meaningful work trusting yourself when the path isn't clear yet If you've been waiting for clarity before you begin, this episode is an invitation to stay engaged with your creativity and let the process reveal what comes next.
Send us a message.We open on what a trip does to you once you're home. Time away, then the return, where the familiar looks sharper and the work feels urgent again. That sets up the thread running through the whole episode: the difference between a trip planned down to the hour and one you make up as you go, and why the unplanned kind tends to leave the stronger memory. No itinerary, no booked room, just landing somewhere and letting it unfold.From there we get into friction: the small obstacles we put in our own way to avoid doing the things we actually want to do, and how clearing them is most of the work. That carries into gear. The pull to bring everything, the freedom of bringing almost nothing, and the old principle that a fraction of your tools does most of the lifting. What sits in front of the camera matters more than what's in the bag.The back half settles on one question: when does skill start working against the work? Too controlled, too finished, no room for the accident that makes a thing feel alive. We talk about how constraints, small budgets and short schedules, can produce better work than freedom does, and why mastery alone isn't the whole story. If it were, the most experienced would always make the best thing, and they don't. We close on keeping expectations small enough to leave room for chance, plus a sweet interruption from home. -AiSupport the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG
Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald, interviewed Audreanna Ayala.
Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald, interviewed Audreanna Ayala.
What seems like a simple question about exclamation points opens up a much bigger discussion about the power of comics lettering. Brad and Dave talk about punctuation, word balloons, font choices, and the unique grammar of comics — and why cartoonists have tools that prose writers can only dream of. They also share thoughts on staying creative during major disruptions, from studio moves to home renovations. On today's show... Exclamation points in comics: how many is too many? Whether to use one, two, or three exclamation points Why comics grammar differs from prose grammar Using lettering, font size, bolding, and balloon shape instead of extra punctuation When punctuation becomes unnecessary in comics lettering Nate Piekos's The Essential Guide to Comic Book Lettering Question marks, exclamation points, and the interrobang How punctuation order can affect emotional meaning Writing dialogue for comics: numerals, abbreviations, and natural speech Jim Davis, Garfield, and simplifying comics language Meeting readers where they are through visual storytelling NCS Reuben Awards weekend in Columbus, Ohio Brad and Dave's panel: “Actionable Advice in a Time of Change” Remodeling, moving studios, and creative disruption Setting up a dedicated creative space during chaos Managing the cognitive load of unfinished studio/home projects Why working ahead matters before a move or remodel The danger of putting fun distractions in your studio The temptation of arcade cabinets, pool tables, and other creativity killers You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
On this episode of The Bandwich Tapes, I sit down with drummer, collaborator, and educator Eric Doob for a wide-ranging conversation about sound, taste, collaboration, and what it really means to make music in today's world. I first came across Eric's playing through his work on Live From Here with Chris Thile, and I've been a fan ever since. From the very beginning of our conversation, it's clear that Eric approaches music with a deep sense of curiosity and care, whether he's performing, recording, producing, or teaching.We spend time talking about his work with guitarist Matthew Stevens, including his role as both a drummer and a collaborator in shaping the sound of those records. Eric offers great insight into the importance of sonic identity, how the sound of the drums, the tuning, the cymbals, and even the engineer's perspective can shape the emotional core of a track. It's a thoughtful look at how sound itself becomes part of the composition.Our conversation also dives into collaboration and the idea of “taste” as a guiding force. Eric shares how the strongest musical relationships often come from a shared aesthetic sensibility rather than just technical ability. We talk about bands, chemistry, and the unspoken communication that happens when musicians are truly aligned.We also explore his path from growing up outside Boston to studying at Berklee College of Music and eventually building a life in New York. Along the way, Eric reflects on early musical experiences, the importance of access to live music, and how those formative years shaped his voice as a musician.Toward the end of the conversation, we get into teaching, creativity, and the challenges of making music in an age of constant distraction. Eric shares some really thoughtful perspectives on how access to everything can be both a gift and a challenge, and why focused listening and presence might be more important than ever.It's a conversation about listening, really listening, to music, to collaborators, and to the moment you're in.Key TakeawaysEric Doob discusses how sound—especially drum sound—can define the emotional identity of a track.He shares insights into his collaboration with Matthew Stevens and the importance of long-term musical relationships.We explore the idea that shared “taste” can be more important than technical ability in building great musical chemistry.Eric reflects on his early musical experiences growing up near Boston and the importance of access to live music.He talks about his evolving role in recording, producing, and shaping music beyond just playing drums.We discuss teaching and how working with students has deepened his own understanding of music.Eric offers a thoughtful perspective on modern music consumption, distraction, and the importance of focused listening.Music from the EpisodeTake Heart - Matthew StevensThree Card Molly - from Live From Here with Chris ThileEl Duelo - Diego Urcola QuartetTangled in the Endless Chain - Ryan Keberle & CatharsisAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It's a show about process, perspective, and the stories behind a life in music.Connect with the ShowEmail: contact@thebandwichtapes.com
Clients are brilliant. They show up with bright ideas and requests when you're already deep into a project. The concern with these mid-process changes is that it's very difficult to hit a moving target. These add-ons are known as scope creep, add time and expenses, and can require a change in direction and outcomes. Few freelancers appreciate scope creep. One way to reduce the likelihood of scope creep and even avoid it (the preferred idea) is to incorporate the creative brief into your process. A creative brief is a type of contract — a written agreement between you and the client — that describes a project's creative objectives. Coming to terms regarding design direction and desired results before you begin work on the project can keep scope creep from creeping in. A solid brief supports effective solutions, reduces stress, saves time, and helps ensure you and your client are in unity about their project. In this episode Alvalyn tackles the principles for using creative briefs, what to include, why to use them, and when.
For more than four decades, Anthony Mason has been one of the most trusted voices in American journalism, bringing curiosity, intelligence, and a steady presence to his reporting for CBS News. As a correspondent and former co-host of CBS This Morning, he's interviewed presidents, cultural icons, and some of the world's most influential artists.Now, Mason is launching a project that feels especially personal. His new series, 'Alchemy,' explores the creative process through intimate, long-form conversations with musicians and artists including Hozier, Paul Simon, and Nile Rodgers. But 'Alchemy' isn't focused on fame, success, or even the work itself. Instead, it asks a deeper question: how does creativity help people transform hardship, uncertainty, and experience into something meaningful?
Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald, interviewed Audreanna Ayala.
Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Germany based duo HackedePicciotto with Alexander and Danielle join Music Matters host Darrell Craig Harris to talk about their latest album and a new path moving forward! About the Duo Hackedepicciotto is an experimental duo consisting of longtime partners Alexander Hacke (of Einstürzende Neubauten) and Danielle de Picciotto, an American-born musician, artist, author, and filmmaker. Their work together consists primarily of stirring soundscapes blending acoustic instruments such as violin, hurdy-gurdy, and autoharp with rumbling bass guitar and electronic feedback. Both artists sing and chant -- de Picciotto recites colorful, poetic lyrics, and Hacke occasionally throat sings. While the pair describe their music as "cinematic drone," they incorporated postindustrial rhythms into their 2020 full-length The Current and the more expansive, symphonic 2021 release The Silver Threshold. With 2023's Keepsakes, they focused on personal themes while expanding their list of collaborators and instrumentation. https://hackedepicciotto.bandcamp.com www.Instagram.com/hackedepicciotto About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1,000,000 global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell Voice intro by Nigel J. Farmer Representation: Yvette Morales | YM & Associates PR Beverly Hills, CA YM-PR.com Email: YMoralesY@ym-pr.com
Known for co-writing Jewel's "You Were Meant For Me," Steve Poltz has spent more than three decades as a singer-songwriter-performer of the first order, earning international applause and fans worldwide with his inspired brand of rock-influenced countrified folk Americana. This incredibly witty and insightful conversation is a true inspiration.PART ONE Paul and Scott chat about supergroups. What qualifies as a supergroup? What so-called "supergroups" don't live up to the hype? We're not afraid to do a hard-hitting investigation!PART TWO Our in-depth interview with Steve PoltzABOUT STEVE POLTZ Steve Poltz is a Canadian-American singer-songwriter and guitarist. He is a founding member of the indie-rock band the Rugburns and is known for co-writing “You Were Meant for Me” with Jewel, which became a major hit for her in 1996. He signed with Mercury Records in the late 1990s and has since built a loyal following as an independent troubadour. Steve has released fourteen studio albums, the latest of which is called JoyRide. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
In this special Onward and Upward segment episode of Mission Matters, Adam Torres interviews ML Bruin, Author of The Noah Series of Books. ML shares insights into his creative process, discusses the evolution of The Noah Series, and reflects on the lessons learned from writing, publishing, and connecting with young readers through positive storytelling. Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this inspiring episode of The Greatness Machine, host Darius Mirshahzadeh sits down with legendary author Steven Pressfield to discuss his newest novel "The Arcadian" and dive deep into the creative process. Pressfield, author of over 20 books including "The War of Art," "The Legend of Bagger Vance," and "Gates of Fire," shares his journey from a 30-year struggle to published success at age 52. The conversation explores the spiritual and practical aspects of creativity, the concept of resistance, and the warrior mindset needed for artistic achievement. In this episode, Darius and Steven will discuss: (00:00) Introduction to Steven Pressfield (01:05) Steven's Origin Story and Journey to Writing (04:02) Reflections on Past Struggles and Regrets (06:57) The Creative Process and the Role of the Muse (10:02) Uncovering Ideas: The Artist's Journey (12:08) The Impact of 'The War of Art' and Resistance (15:01) Understanding Self-Sabotage and Resistance (18:00) The Spirituality of Creativity vs. Blue Collar Work (21:06) The Importance of Grit and Hard Work (23:54) Expectations vs. Reality in Creative Work (27:05) The Process of Writing and Overcoming Perfectionism (29:54) The Long View: Building a Body of Work (33:02) Channeling Creativity and Letting Go of Outcomes (34:21) The Power of Surrender and Channeling Creativity (37:34) Warrior vs. Mother: The Duality of Creative Virtues (41:58) The Arcadian: A Journey Through Time and Identity (46:31) Striving for Agency: The Artist's Quest (49:41) Making the Unconscious Conscious: The Role of Art (53:10) Reincarnation and Relationships: A Storytelling Device (55:05) Mortality and Legacy: Reflections on the Creative Journey (57:50) AI and Authenticity: The Future of Creativity (59:26) The Grind: Overcoming Barriers to Greatness Steven Pressfield is the bestselling author of The War of Art, with over a million copies sold worldwide. His historical novel Gates of Fire is required reading at West Point and on the recommended reading list of the Joint Chiefs of Staff. The author of more than 18 books, Pressfield lives and writes in California. Connect with Steven: Website: https://stevenpressfield.com/ Instagram: https://www.instagram.com/steven_pressfield/ Facebook: https://www.facebook.com/StevePressfield/ Connect with Darius: Website: https://therealdarius.com/ Linkedin: https://www.linkedin.com/in/dariusmirshahzadeh/ Instagram: https://www.instagram.com/imthedarius/ YouTube: https://www.youtube.com/@Thegreatnessmachine Book: The Core Value Equation https://www.amazon.com/Core-Value-Equation-Framework-Limitless/dp/1544506708 Write a review for The Greatness Machine using this link: https://ratethispodcast.com/spreadinggreatness. Learn more about your ad choices. Visit megaphone.fm/adchoices
Late last year, I sat down to speak with John Enger Cheng about the early roots of his creativity in childhood, his creative process as an artist, what it means to him to be Taiwanese American and how that shows up in his art. We also talked about how he maintains a creative practice and believes that inspiration finds you working. Related Links: https://talkingtaiwan.com/john-enger-cheng-on-his-creative-process-and-how-inspiration-finds-you-working-tuf-part-2-ep-347/ In this candid conversation, John talks about his artwork that has been inducted into the permanent collection of Taiwanese Art Treasures Preserved Overseas – The Homecoming Exhibition of the Sun Ten Collection at the National Taiwan Museum of Fine Arts, which is located in Taichung John Enger Cheng is Designer, Co-founder, and Creative Director of the design practice Winnow+Glean, and a visual artist known as @madebyenger on Instagram. You can find his work on madebyenger.com We will be releasing a YouTube video of my interview with John for listeners who'd like to see some of the visuals referred to in this episode. You can find it soon on Talking Taiwan's YouTube channel. This episode is sponsored by the Taiwanese United Fund (TUF). TUF is an arts and culture foundation that celebrates the cultural heritages of Taiwanese Americans. Established in 1986, the foundation's mission is to facilitate cultural exchange between the Taiwanese American community and other American cultural communities, hoping to enrich and expand our cultural experiences. Related Links: https://talkingtaiwan.com/john-enger-cheng-on-his-creative-process-and-how-inspiration-finds-you-working-tuf-part-2-ep-347/
Send us Fan MailWhat happens when the thing you love most becomes the thing you can never completely walk away from?This week on Here's What We Know, conductor and pianist Robert Emery returns for a conversation about creativity, music, and the curious ways our minds work. From practice rooms to Abbey Road Studios, Robert shares what life is really like for a professional musician, why creative people often struggle to switch off, and what he's learned from spending a lifetime immersed in music.Gary and Robert also trade stories about family, parenting, travel, questionable hotel experiences, and the challenges that come with building a career around passion. They explore the lives of Mozart, Franz Liszt, and Berlioz, uncovering the very human struggles, quirks, and triumphs behind some of history's most celebrated composers.Robert also shares the story behind Orchestral Meditations, his latest project featuring meditation music recorded at Abbey Road Studios with a full symphony orchestra and choir.In This Episode:• Why musicians never really leave work behind• The truth about practicing and mastering a craft• What Mozart and Michael Jackson may have had in common• How creativity affects everyday life• Stories from Abbey Road Studios• The fascinating history of Franz Liszt and musical celebrity• Why travel helps reset the mind This episode is sponsored by: Reed Animal Hospital Bio:Robert Emery is a conductor, pianist, and serial entrepreneur. He is lucky enough to travel the world; ranging from performances in London's Royal Albert Hall, through to the Sydney Opera House, Robert has seen them all.Besides music, he is the Founder & Director of The Arts Group, one of the most diverse entertainment companies in the UK. Within the portfolio is a national music tuition agency, symphony orchestra, choir, artist agency, record label, and production company.Aside from that, he lives in London and Cambridge, has a wife (Mrs. E), a toddler (Master T), a baby (Master A), and 4 cats.Website: https://robertemery.com/Orchestral Meditation: http://orchestralmeditation.comYouTube: https://www.youtube.com/robertemeryofficial/Facebook: https://www.facebook.com/robertemeryofficial/Instagram: https://www.instagram.com/robertemeryofficial/Tags: Robert Emery, Creativity, Classical Music, Professional Musician, Music Career, Mozart, Franz Liszt, Music History, Conducting, Pianist, Abbey Road Studios, Orchestral Meditations, Creative Process, Creative Life, Music Industry, Composers, Arts & Culture, Creativity and Purpose, Work-Life Balance, Performing Arts, Creative Careers, Music Education, Connect with Gary:Gary's WebsiteFollow Gary on InstagramGary's TiktokGary's FacebookWatch the episodes on YouTubeAdvertise on the PodcastThank you for listening. Let us know what you think about this episode. Leave us a review!
Atta Boy joins Caught On The Mike to discuss the making of their new album Silt, a record built through years of friendship, long-distance collaboration, and creative trust. In this episode, Mike sits down with Eden Brolin, Freddy Reish, Dashel Thompson, and Lewis Pullman to talk about growing up together, forming the band as teenagers, and how they've continued creating music despite being separated by thousands of miles. The conversation dives into the themes behind Silt, the evolution of their songwriting process, the inspiration behind songs like "Full Cloud," and the challenges and advantages of making music remotely. The band also reflects on revisiting old memories through "Full Cloud" video, experimenting with new sounds and textures on the record, and why their connection as friends remains the foundation of everything they create. If you're a fan of thoughtful songwriting, indie rock, and hearing the stories behind the music, you're going to enjoy this one. #AttaBoy #Silt #IndieRock #CaughtOnTheMike #MusicPodcast
This episode of The Gentle Rebel Podcast is an introduction to “Leave it There”, this season’s theme. I share some of the initial topics it brought to my mind. I’d love to hear from you about what it brings to yours. What Does Leave It There Mean To You? Is there something you want to leave behind? Do you want to get better at letting things go? Or maybe, the opposite, persisting with important things even when others tell you to drop it. Have you stumbled across something left somewhere, deliberately or accidentally? Do you want to leave nice things for others to discover? Maybe you’d like to get better at spotting and ignoring bait that others want you to react to. Do you want to trust your preparation and know when something is good enough, rather than sabotaging it through over-preparation? This theme is open for exploring. I want to move through it in ways that reflect your curiosities, needs, and desires. Leave It There – A Train of Thought Mini-Zine I started off by jumping on the Train of Thought. I love using mini-zines to generate and explore creative ideas quickly, so that’s what I did. Old Hurt (leaving it in the past) Beliefs (recognising our ability to choose) The Point (avoiding over-explanation) Dropping It (letting go or standing firm) Surprises (discovering unexpected things) Gifts (subverting the myth that humans are driven by greed and self-interest) Blaming the Victim (was it my fault for leaving it there?) Objects in Unusual Places (there’s a story here) A Creative Process (germination, satisfaction, and courage) Exits and Quitting (knowing when and how to walk away) Bait (cultivating indifference) Conditions For Change (leaving things visible) Trusting Preparation (recognising when enough is enough) Offloading (sharing the burden) Setting Limits (running out of space) What would you add? Let me know! Loading Viewer... Journal Circle Prompts This season’s Journal Circle questions are all inspired by the theme “Leave it There”. Whether you have a journal practice, you’d like to start one, or you simply want to play with some of the ideas we are exploring, here are some prompts to get you started… Coming To Our Senses – End of Season Zine This season’s issue of Coming To Our Senses will bring together our Leave It There explorations. We will watch the video version together at the listening party on Sunday, September 6th 2026. It would be great to have you involved in some way, big or small! I’m always looking for contributions to fill the pages. You can send something below, or if you would like help deciding what to do, use the form to get in touch.
Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald, interviewed Audreanna Ayala.
Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald, interviewed Audreanna Ayala.
Today's book lover is seeking a literary doorway into the creative world of art and museums. Kristine Parsons doesn't have an art background. She works as a county road commission manager in Michigan, yet she is fascinated by art and museums, and finds herself drawn to immersive and engaging stories that incorporate one or both elements into the story. Kristine loves to travel and visit museums in person, but her day-to-day life between work and two active pre-teens means that in this season, these visits are more likely to occur on the page. Today, Kristine and Anne explore stories featuring art and the creative process. If Anne has recommendations that are actually set in museums, well, so much the better. We'd love to hear your ideas for Kristine, too: please tell us by leaving a comment on our show notes page, where you'll also find the list of titles mentioned today. That's at whatshouldireadnextpodcast.com/527. We're so happy to announce that our long-awaited MMD sorority style sweatshirt is available for pre-order. A mid-weight Comfort Colors crew, choose from two shades: a soft blue called blue jean and a soft red called crimson. Both feature an MMD applique in deep navy. These are cute and comfortable, and our team is excited to wear them on cool summer nights and into the colder months of the year. We also have a new hat style and other restocked favorites: find everything at modernmrsdarcy.com/shop. Chapters: 03:43 Meet Kristine 09:06 What brings Kristine to What Should I Read Next? 14:31 The Great Believers by Rebecca Makkai 17:55 The Unseen World by Liz Moore 21:47 Heart the Lover by Lily King 24:47 A Marriage at Sea by Sophie Elmhirst 31:14 The Fine Art of Lying by Alexandra Andrews 36:52 Lightbreakers by Aja Gabel 43:07 Dear Monica Lewinsky by Julia Langbein 48:08 What will Kristine read next? Learn more about your ad choices. Visit megaphone.fm/adchoices
Want to Start or Grow a Successful Business? Schedule a FREE 13-Point Assessment with Clay Clark Today At: www.ThrivetimeShow.com Join Clay Clark's Thrivetime Show Business Workshop!!! Learn Branding, Marketing, SEO, Sales, Workflow Design, Accounting & More. **Request Tickets & See Testimonials At: www.ThrivetimeShow.com **Request Tickets Via Text At (918) 851-0102 See the Thousands of Success Stories and Millionaires That Clay Clark Has Helped to Produce HERE: https://www.thrivetimeshow.com/testimonials/ Download A Millionaire's Guide to Become Sustainably Rich: A Step-by-Step Guide to Become a Successful Money-Generating and Time-Freedom Creating Business HERE: www.ThrivetimeShow.com/Millionaire See Thousands of Case Studies Today HERE: www.thrivetimeshow.com/does-it-work/
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