Podcasts about photos

Today we're going to talk about photo management. And this is something that's just driven me crazy for years, and I'm finally getting a handle on it after all these years. I've got tens of thousands of photos to deal with and videos and everything. So I decided to dig in a little bit more and learn how to do it myself, but I'm getting a better handle over it than the past month or so. Launch Team - https://www.ScrewTheCommute.com/launchteam Please watch this short trailer to the end and leave a comment - https://www.facebook.com/AmericanEntrepreneurFilm/videos/558575401181955 AI Hacks - https://www.ScrewTheCommute.com/aihacks AI Hacks Video Masterclass - https://www.youtube.com/watch?v=miJed0mCFHQ Professional Speaking Masterclass - https://www.youtube.com/watch?v=hFLR1MLTnf0 Email Marketing Masterclass - https://youtu.be/_wlvw073xP0 How Podcasting Got Me Invited to the White House - https://www.screwthecommute.com/pod Screw The Commute Podcast Show Notes Episode 1150 How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Training Center - https://imtcva.org/ Higher Education Webinar – https://screwthecommute.com/webinars See Tom's Stuff – https://linktr.ee/antionandassociates 00:23 Tom's introduction to Photo Management For Beginners 02:51 Using the Photos app and searching for photos 07:30 Types of Collections for your photos 11:36 Recents and Shared albums Entrepreneurial Resources Mentioned in This Podcast Higher Education Webinar - https://screwthecommute.com/webinars Screw The Commute - https://screwthecommute.com/ Screw The Commute Podcast App - https://screwthecommute.com/app/ Screw The Commute Podcast Producer - https://screwthecommute.com/larryguerrera/ College Ripoff Quiz - https://imtcva.org/quiz Know a young person for our Youth Episode Series? Send an email to Tom! - orders@antion.com Have a Roku box? Find Tom's Public Speaking Channel there! - https://channelstore.roku.com/details/267358/the-public-speaking-channel How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Retreat and Joint Venture Program - https://greatinternetmarketingtraining.com/ This is the shopping cart system Tom uses! Kartra - https://screwthecommute.com/kartra/ Copywriting901 - https://copywriting901.com/ Become a Great Podcast Guest - https://screwthecommute.com/greatpodcastguest Training - https://screwthecommute.com/training Disabilities Page - https://imtcva.org/disabilities/ Tom's Patreon Page - https://screwthecommute.com/patreon/ Tom on TikTok - https://tiktok.com/@digitalmultimillionaire/ Email Tom: Tom@ScrewTheCommute.com Internet Marketing Training Center - https://imtcva.org/ Related Episodes Software & SaaS - https://screwthecommute.com/1149/ More Entrepreneurial Resources for Home Based Business, Lifestyle Business, Passive Income, Professional Speaking and Online Business I discovered a great new headline / subject line / subheading generator that will actually analyze which headlines and subject lines are best for your market. I negotiated a deal with the developer of this revolutionary and inexpensive software. Oh, and it's good on Mac and PC. Go here: http://jvz1.com/c/41743/183906 The Wordpress Ecourse. Learn how to Make World Class Websites for $20 or less. https://screwthecommute.com/wordpressecourse/

Pop Culture Thursday: Jared reads the latest celebrity headlines from Page Six and gives his unfiltered takes!Matt Damon mistaken for Brad Pitt at FIFA World Cup finalJennifer Lopez bathtub birthday photos before turning 57BBC commentator confuses Pharrell with A$AP Rocky at World Cup finalSammy Sheen says Charlie Sheen has not given her money and credits OnlyFans for her successMegan Fox claps back after critics call her lingerie photos embarrassingJared is on tour!

It was an emotional and disturbing day in court Tuesday, as the parents of murdered 14 year old Celeste Rivas Hernandez sat through gruesome photos of their daughter’s dismembered remains. Her parents, just feet away from singer D4vd, who is charged with Celeste’s murder and dismemberment. The prosecution also presented evidence linking D4vd to online purchases in the aftermath of Celeste’s murder, body cam footage from officers questioning him a year before the murder, and a shocking look at just how much the singer was already earning at the time of her death.See omnystudio.com/listener for privacy information.

Fake lifestyle profiles are getting harder to spot when AI, heavy filters, old photos, one-sided couple accounts, and privacy concerns all blur together.Mrs. Doll sits down with Jax, The Dean, and David to talk about the difference between a private profile and a deceptive one, the warning signs that make them stop trusting an account, and why moving a conversation off-platform too quickly can create unnecessary risk.Jax also shares a wild early lifestyle story involving outdated photos, a woman's secret boyfriend, a bathroom proposition, a very drunk night at Punch Bowl Social, and a couple who seemed to be wrapped in one giant red flag.In This Episode: Why one active partner does not automatically mean a couple is fake Perfect pictures, AI edits, backward tattoos, and heavy filtering Old wedding photos and profiles that no longer match real life The buffalo profile that wanted to meet without showing anyone Jax's catfish night with a secret boyfriend and a chaotic after-party plan Why some people avoid sexting and move to an in-person meet quickly Pressure to move conversations away from a verified lifestyle platform How to protect intimate photos and personal information online Profile clues moderators look for when something feels wrong Why suspected fake profiles should be reported instead of posted publicly Green flags: recent activity, complete bios, balanced couple profiles, and verificationHost & Featured Voices: Host — Mrs. Doll Featured voices — Jax, The Dean, and David Producer — David Produced by — Down & Dirty Productions CompanySponsored by: Glitz by Jax / Good Supply PassionScapes Photography CouplesNextDoor.comCND New Member Promo Code: Use code DD25.Follow the show, leave a rating or review, and find more episodes at:https://downdirtypodcast.comJoin the CND community at:https://couplesnextdoor.com

Trump Media plans to sell traders priority access to the president's Truth Social post, Craig Melvin speaks out after terrifying studio encounter, Diddy's twin daughters rave about their 'amazing' father in new interview, and Kim Kardashian faces backlash for posting photos from her lake getaway amid death of her grandma. Learn more about your ad choices. Visit podcastchoices.com/adchoices

You need to see this before the next election: Olive Garden just exposed the hypocrisy on election security in the funniest way possible. The White House roasted Democrats after Olive Garden announced that its $100 Never-Ending Pasta Pass requires a valid photo ID every single time of use. The passes are personalized, non-transferable, and strictly enforced. Yet the same people who think that's perfectly reasonable fight like hell against basic voter ID for actual elections. Pat tears into the double standard and shows why this one hits so hard. Regular Americans live with common sense every day — you need an ID to buy beer, fly on a plane, check into a hotel, or pick up medicine. But somehow proving who you are to vote is treated like an impossible burden by some politicians. This Olive Garden pasta pass ID policy perfectly proves the elite hypocrisy and institutional failure we have all been seeing. Pat also covered: AOC is back and backing El-Sayed for Congress. Congrats to Spain for taking the W on the FIFA World Cup. Another round of attacks against Iran — what's next? Is John Fetterman about to switch to the GOP? Van Jones is COMPLETELY done with the progressive Democrats. Do you think a restaurant should have stricter rules than our polling places? What's the most ridiculous “no ID required” situation you have seen lately? Drop it in the comments. If you want unfiltered truth and common-sense analysis that cuts through the noise, hit subscribe and turn on notifications. 00:00 Pat Gray UNLEASHED! 01:03 WELCOME BACK, KEITH!!! 01:19 Spain Wins the FIFA World Cup! 02:55 President Trump Hands Spain their Trophy & Medals 03:56 Trump's Thoughts on Spain Two Weeks Ago 05:38 Europeans Returning Home from the World Cup 08:39 New Pat Gray BINGO! Sheet 13:02 The Odyssey is a Box Office SUCCESS! 16:37 U.S. Strikes against Iran Over the Weekend 23:17 What is China Planning??? 30:16 Caller Mike 32:00 Fat Five 45:03 Caller Rob 47:00 Another (Fake) Mitch McConnell Sighting 48:50 Keith Shares some Photos from His Trip 51:46 Olive Garden's Endless Pasta Pass REQUIRES AN ID?! 53:05 List of Things that Require an ID 55:44 Endless Pasta Pass VS. SAVE America Act 56:17 Mark Warner Caught Lying about Virginia Voter ID 59:06 FLASHBACK: AOC on the Filibuster 1:00:00 Bill Maher on the DSA 1:01:24 Bill Maher on the State of the Democrat Party 1:02:47 John Fetterman is Disgusted with Democrats 1:06:08 Andy Burnham Replaces Keir Starmer as Prime Minister 1:06:40 Emma Vigeland on Graham Platner's Political Collapse 1:08:04 AOC at Rally for Abdul El-Sayed 1:09:26 Abdul El-Sayed Calls Out Chuck Schumer 1:10:08 Zul Mohamed Does Not Support U.S. Veterans?! 1:12:45 Van Jones on How The Left has Gone Mad 1:19:54 Zohran Mamdani on Democratic Socialism 1:20:59 Zohran Mamdani on Illegal Immigration 1:21:59 What will Zohran Mamdani Do to Benjamin Netanyahu??? 1:25:20 Maine Senate Race Candidate Ashley Webb 1:31:54 Caller Ken Learn more about your ad choices. Visit megaphone.fm/adchoices

Mon, 20 Jul 2026 21:45:00 GMT http://relay.fm/upgrade/629 http://relay.fm/upgrade/629 Jony Ive Loves a Handle 629 Jason Snell and Myke Hurley While OpenAI readies a familar-sounding smart speaker, Jason and Myke break down the public betas for macOS, iOS, and watchOS, including Siri AI and new Photos features. While OpenAI readies a familar-sounding smart speaker, Jason and Myke break down the public betas for macOS, iOS, and watchOS, including Siri AI and new Photos features. clean 4985 While OpenAI readies a familar-sounding smart speaker, Jason and Myke break down the public betas for macOS, iOS, and watchOS, including Siri AI and new Photos features. This episode of Upgrade is sponsored by: Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Decagon: The AI concierge for every customer. Get a personalized demo. Squarespace: Save 10% off your first purchase of a website or domain using code UPGRADE. Links and Show Notes: Get Upgrade+. More content, no ads. Check out Upgrade merch! Submit Feedback Apple Intelligence AI service registered with Chinese cyberspace regulator | Reuters Apple raises prices for Apple Music and Apple One subscriptions - 9to5Mac Apple sends legal letters to former employees now at OpenAI - 9to5Mac Apple, DOJ Hold Early Settlement Talks in Antitrust Lawsuit Over iPhone - Bloomberg First Look: macOS Golden Gate Public Beta – Six Colors Wish List: Siri, Spotlight, and a unified search experience – Six Colors OpenAI's First Device Will Be Home Speaker B

Mon, 20 Jul 2026 21:45:00 GMT http://relay.fm/upgrade/629 http://relay.fm/upgrade/629 Jason Snell and Myke Hurley While OpenAI readies a familar-sounding smart speaker, Jason and Myke break down the public betas for macOS, iOS, and watchOS, including Siri AI and new Photos features. While OpenAI readies a familar-sounding smart speaker, Jason and Myke break down the public betas for macOS, iOS, and watchOS, including Siri AI and new Photos features. clean 4985 While OpenAI readies a familar-sounding smart speaker, Jason and Myke break down the public betas for macOS, iOS, and watchOS, including Siri AI and new Photos features. This episode of Upgrade is sponsored by: Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Decagon: The AI concierge for every customer. Get a personalized demo. Squarespace: Save 10% off your first purchase of a website or domain using code UPGRADE. Links and Show Notes: Get Upgrade+. More content, no ads. Check out Upgrade merch! Submit Feedback Apple Intelligence AI service registered with Chinese cyberspace regulator | Reuters Apple raises prices for Apple Music and Apple One subscriptions - 9to5Mac Apple sends legal letters to former employees now at OpenAI - 9to5Mac Apple, DOJ Hold Early Settlement Talks in Antitrust Lawsuit Over iPhone - Bloomberg First Look: macOS Golden Gate Public Beta – Six Colors Wish List: Siri, Spotlight, and a unified search experience – Six Colors OpenAI's First Device Will Be Home S

From legendary restaurants and iconic cocktails to world-famous festivals and unforgettable culinary traditions, this episode of Big Blend Radio's "Food, Wine & Travel" Show with International Food Wine and Travel Writers Association (IFWTWA) serves up A Taste of New Orleans with Mary Beth Romig, Assistant Vice President of Public Relations for New Orleans & Company Visit New Orleans  Discover why New Orleans continues to rank among America's greatest food destinations as Mary Beth shares insider tips on planning the perfect culinary getaway. Learn about historic restaurants like Antoine's and Tujague's, Michelin-recognized dining, James Beard Award-winning chefs, neighborhood food experiences, brunch culture, late-night eats, boutique hotels, and iconic cocktails like the Sazerac. The conversation also spotlights some of the city's biggest culinary celebrations, including Tales of the Cocktail, COOLinary New Orleans, French Quarter Festival, Jazz Fest, Fried Chicken Festival, Creole Tomato Festival, Réveillon dining during the holidays, and many more events that showcase the city's incredible food, music, and community spirit. Whether you're planning your first visit or returning for another unforgettable adventure, this episode proves there's always something delicious waiting in New Orleans.

What do baby pictures, "bored games," and waxworms have in common? This episode of WeWow, the bonkerballs variety show for kids and families from the creators of Wow in the World, has all of that and more. Dennis and Reggie are back with another weekend full of laughs, listener love, and an plastic-eating worm encore episode that'll have the whole family talking all over again. Whether you're a longtime Wowzer or just tuning in, WeWow on the Weekend is the kind of family variety podcast that makes every car ride, breakfast table, and slow Sunday morning a little more wow-worthy.This week, Dennis and Reggie look at baby photos and answer questions from their devoted listeners! Plus, Dennis tells us about his "bored games" that he plays in his mind when he's bored... And if that's not enough, WeWow on the Weekend wraps up with a fan-favorite encore of "Bag 'O' Worms" from Wow in the World—a wriggly, squirmy, worm episode packed with big ideas, bigger laughs, and the kind of curiosity that makes the whole family lean in."Bag 'O' Worms" originally aired on June 19th, 2017, and explores waxworms' special ability to eat plastic! Dennis and Reggie revisit all the wow-worthy moments and bring their signature bonkerballs energy to a topic that's equal parts wild, important, and totally fascinating.WeWow on the Weekend is part of the Tinkercast family of podcasts, created by the award-winning team behind the #1 science podcast for kids and families, Wow in the World. Every weekend, Dennis and his co-host Reggie answer listener questions, respond to fan reviews, play games, and celebrate the best moments from across the Tinkercast universe. It's a talk, talk, talk show unlike any other — and it's always better when YOU'RE part of it.Want to hear your name on WeWow? Send Dennis a question or leave a podcast review for a chance to be featured on the show! You can also leave a message for Dennis at 1-888-7WOW-WOW!Grownups, want to keep the Wow going? Join the World Organization of Wowzers (W.O.W.) at tinkercast.com/joinwewow and your Wowzers will receive quarterly mailings, birthday cards, a welcome kit with a t-shirt, autographed photo of Mindy & Guy Raz, access to 1,000+ digital activities, and exclusive access to members-only events!This episode of WeWow is the perfect family variety podcast for Wowzers of all ages, full of baby photos, questions and answers, and plastic-eating worms that will blow your socks off.Originally aired 6/3/23.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What do baby pictures, "bored games," and waxworms have in common? This episode of WeWow, the bonkerballs variety show for kids and families from the creators of Wow in the World, has all of that and more. Dennis and Reggie are back with another weekend full of laughs, listener love, and an plastic-eating worm encore episode that'll have the whole family talking all over again. Whether you're a longtime Wowzer or just tuning in, WeWow on the Weekend is the kind of family variety podcast that makes every car ride, breakfast table, and slow Sunday morning a little more wow-worthy.This week, Dennis and Reggie look at baby photos and answer questions from their devoted listeners! Plus, Dennis tells us about his "bored games" that he plays in his mind when he's bored... And if that's not enough, WeWow on the Weekend wraps up with a fan-favorite encore of "Bag 'O' Worms" from Wow in the World—a wriggly, squirmy, worm episode packed with big ideas, bigger laughs, and the kind of curiosity that makes the whole family lean in."Bag 'O' Worms" originally aired on June 19th, 2017, and explores waxworms' special ability to eat plastic! Dennis and Reggie revisit all the wow-worthy moments and bring their signature bonkerballs energy to a topic that's equal parts wild, important, and totally fascinating.WeWow on the Weekend is part of the Tinkercast family of podcasts, created by the award-winning team behind the #1 science podcast for kids and families, Wow in the World. Every weekend, Dennis and his co-host Reggie answer listener questions, respond to fan reviews, play games, and celebrate the best moments from across the Tinkercast universe. It's a talk, talk, talk show unlike any other — and it's always better when YOU'RE part of it.Want to hear your name on WeWow? Send Dennis a question or leave a podcast review for a chance to be featured on the show! You can also leave a message for Dennis at 1-888-7WOW-WOW!Grownups, want to keep the Wow going? Join the World Organization of Wowzers (W.O.W.) at tinkercast.com/joinwewow and your Wowzers will receive quarterly mailings, birthday cards, a welcome kit with a t-shirt, autographed photo of Mindy & Guy Raz, access to 1,000+ digital activities, and exclusive access to members-only events!This episode of WeWow is the perfect family variety podcast for Wowzers of all ages, full of baby photos, questions and answers, and plastic-eating worms that will blow your socks off.Originally aired 6/3/23.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Skip the store coloring book. AI turns any photo into a coloring sheet. Free. Plus, Barbara is nervous about selling her dolls on eBay. Listen here for my advice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joey tests OpenAI Codex + Blender MCP to reconstruct a real building in 3D from phone photos — and the results have real implications for production workflows. Plus: what to expect at SIGGRAPH and a free AI Workflows Summit in LA.Also: Nuke's SmartRoto...

Hosts: Gene MitchellAir date: July 18, 2026 Topic: Organic Maps, Contactless Payment Problems, Google is using your Photos,and Malware that destroys PCs

Monty Roberts Certified Instructor Jamie Jennings joined Monty Roberts at his famous round pen to start a beautiful Thoroughbred named Queen's Sceptre to accept her first saddle, bridle and rider during the annual The Movement event in Solvang, California. For the 9th year in a row, this team of trainers and instructors has captivated an audience of horse lovers from around the world. Listen in... Show Host: Debbie LoucksGuest: Jamie Jennings - Flyover FarmTitle Sponsor: Drimee Solarium Use promo code MONTY1 for $150 off your purchase of a Drimee Solarium!Photos used with permissionPurchase your own copy of Horse Sense for PeopleLearn more about Good Horsemanship at Monty Roberts EQUUS Online University Monty's CalendarPlease follow Monty Roberts on FacebookFollow Monty Roberts on Twitter or on InstagramSee more at: MontyRoberts.comHear all the shows on the Horse Radio NetworkSupport the show

In episode 427 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Have an idea or tip? Send us a text!Your camera can shoot 3,000 sharp photos in a day. So why does delivery still take a week? We sit down with Aayush Arora, CEO and founder of FilterPixel, to unpack the real “last mile” problem in professional photography: what happens after the shutter click. The bottleneck is not capture, it is the post-production workflow, especially photo culling and image selection when modern cameras produce tons of near-duplicate keepers that all look “good.” We trace the personal moments that pushed Arora toward building AI tools for photographers, then get specific about what makes culling so brutal: repeated sittings, decision paralysis, and the challenge of choosing the best frame from bursts where expressions change by millimeters. From there, we dig into how FilterPixel approaches AI photo culling with genre-aware criteria, why weddings and sports should not be judged the same way, and how transparency builds trust when an algorithm is picking images for your brand. Privacy is a major theme too. Arora explains consent-driven model training, retention policies, and why a clear privacy policy matters more than the simplistic “offline is safer than cloud” argument. We also explore AI editing as automation for redundant tasks like white balance and basic color correction, not a replacement for creative taste, plus event-ready tools like branded frames, live galleries, and QR-code sharing aimed at same-day delivery for conferences and high-volume shoots. Energize your sales with Shareme.chat, the proven texting platform. ShareMe.Chat ShareMe.Chat platform uses chat-to-text on your website to keep your customers connected and buying!MediaclipMediaclip strives to continuously enhance the user experience while dramatically increasing revenue.Buzzsprout - Let's get your podcast launched!Start for FREEIndependent Photo ImagersIPI is a member + trade association and a cooperative buying group in the photo + print industry.Photo Imaging CONNECTThe Photo Imaging CONNECT conference, March 2027, at the RIO Hotel and Resort in Las Vegas, NDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showSign up for the Dead Pixels Society newsletter at http://bit.ly/DeadPixelsSignUp.Contact us at gary@thedeadpixelssociety.comVisit our LinkedIn group, Photo/Digital Imaging Network, and Facebook group,  The Dead Pixels Society. Leave a review on Apple and Podchaser. Are you interested in being a guest? Click here for details.Hosted and produced by Gary PageauAnnouncer: Erin Manning

What Happens in This Episode? In this Jesus Stories episode, as Jesus approaches Jerusalem he tells a parable of a rich nobleman. He visits the home of Simon the leper, whom he had healed. Simon hosts a party in his honor. Among the attendees are Mary, Martha, and Lazarus. Mary anoints Jesus with oil – much to the dismay of some. Jesus finally rides into Jerusalem and is honored as the King he is. While the crowd shouts approval, the Pharisees plot to kill both Jesus and Lazarus. Jesus laments Jerusalem's future fate when he enters the city, takes a look at the Temple and then leaves. Scriptures Referenced in This Episode: Luke 19:11-28 John 11:55-57 John 12:1-13 Mark 14:3-9 Luke 19:29-44 Matthew 21:1-7 John 12:14-19 Find Us on Social Media: Facebook: https://www.facebook.com/JesusStoriesThePodcast Instagram: https://www.instagram.com/jesus_stories_the_podcast/ Twitter: https://twitter.com/JesusStoriesPod YouTube: https://www.youtube.com/watch?v=gXqA5H3HdRA&list=PLOT9Cm5P1tsQp1U8cEilDk5icjxE55KA8 Support Our Sponsors: Savorista Coffee: https://savorista.com/discount/STORIESDEAL Hero Care Packages: https://herocarepackages.com/discount/STORIESDEAL gt.Photos: https://gtPhotos.pixels.com Have You Subscribed to Jesus Stories? Subscribing helps us to understand who is listening to us. You'll always know when a new episode is available, too. A win for both of us! Unless otherwise indicated, all Scripture quotations are taken from the Holy Bible, New Living Translation, copyright © 1996, 2004, 2015 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved.

We go in-depth into the latest information surrounding the mysterious death of a black college football player who went to an island off the coast of Mississippi to party with his white friends, and never came home. 18-year-old Nolan Wells’ body was found 2 days later in the waters near Horn Island, and while there is no suggestion of race being an issue in his death, it’s necessary to understand why his parents might not trust Mississippi authorities leading this investigation. The local sheriff immediately announced there was no foul play suspected and suggested it was an accidental drowning…. And while that may all be true, it’s important to recognize the suspicious events surrounding Nolan’s death and the notorious racial history of Mississippi. See omnystudio.com/listener for privacy information.

We go in-depth into the latest information surrounding the mysterious death of a black college football player who went to an island off the coast of Mississippi to party with his white friends, and never came home. 18-year-old Nolan Wells’ body was found 2 days later in the waters near Horn Island, and while there is no suggestion of race being an issue in his death, it’s necessary to understand why his parents might not trust Mississippi authorities leading this investigation. The local sheriff immediately announced there was no foul play suspected and suggested it was an accidental drowning…. And while that may all be true, it’s important to recognize the suspicious events surrounding Nolan’s death and the notorious racial history of Mississippi. See omnystudio.com/listener for privacy information.

We go in-depth into the latest information surrounding the mysterious death of a black college football player who went to an island off the coast of Mississippi to party with his white friends, and never came home. 18-year-old Nolan Wells’ body was found 2 days later in the waters near Horn Island, and while there is no suggestion of race being an issue in his death, it’s necessary to understand why his parents might not trust Mississippi authorities leading this investigation. The local sheriff immediately announced there was no foul play suspected and suggested it was an accidental drowning…. And while that may all be true, it’s important to recognize the suspicious events surrounding Nolan’s death and the notorious racial history of Mississippi. See omnystudio.com/listener for privacy information.

J-Si is going to let us see him naked…. When he dies. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You know how you're always the one taking the photo? Never in it. You tell yourself you'll get in the pictures once you lose the weight, or fit the clothes, or just feel a little better about your body. Here's the hard truth: there's no magic day when it gets easier. If you don't do the body image work, your brain will still find something to pick apart — even after you lose weight. In this episode, I'm giving you a pep talk about getting in the photos of your own life. We'll talk about why summer makes body judgment louder, why the memory matters way more than the stomach roll, and why your body is worthy of being in the picture right now. If you've spent years hiding from the camera, this one's for you.  

We go in-depth into the latest information surrounding the mysterious death of a black college football player who went to an island off the coast of Mississippi to party with his white friends, and never came home. 18-year-old Nolan Wells’ body was found 2 days later in the waters near Horn Island, and while there is no suggestion of race being an issue in his death, it’s necessary to understand why his parents might not trust Mississippi authorities leading this investigation. The local sheriff immediately announced there was no foul play suspected and suggested it was an accidental drowning…. And while that may all be true, it’s important to recognize the suspicious events surrounding Nolan’s death and the notorious racial history of Mississippi. See omnystudio.com/listener for privacy information.

Natalie Stavola and Christopher Louis dive into what really creates attraction in today's digital world—and it's not the perfect photo or carefully curated profile. From dating app pictures and social media filters to confidence, presence, and self-worth, they explore how authenticity becomes your greatest advantage. They share personal stories, practical strategies, and mindset shifts for building genuine confidence, overcoming self-doubt, handling rejection with resilience, and showing up as your most authentic self. You'll also learn why your energy matters, how presence changes the way others experience you, and simple techniques to instantly access greater confidence in everyday life. Whether you're navigating dating apps, building stronger relationships, or working on personal growth, this conversation offers actionable insights to help you stop performing and start attracting from a place of authenticity.  Keywords: dating profiles, authenticity, self-confidence, social media, photos, self-image, dating apps, inner work, self-love, digital dating confidence, energy, presence, self-worth, relationships, personal growth, mindset, authenticity, rejection, success Key Topics The importance of authentic photos on dating apps How social media influences self-perception The role of inner confidence in dating success Tips for taking genuine and flattering photos The impact of editing and filters on self-image The role of self-confidence in social interactions How energy and mindset influence attraction Techniques to switch on confidence instantly Handling rejection without losing self-worth The importance of presence and authenticity in success Takeaways Confidence is a skill that fluctuates and can be learned.  Energy and mindset directly impact how others perceive us. Practicing presence helps in reducing anxiety and increasing authenticity. Reframing rejection as a growth opportunity boosts resilience. Being true to your emotions accelerates personal and relational growth. Sound Bites "You look how you look like who you look like." "iPhones distort your face." "Confidence is a skill set." Chapters 00:00 – Introduction and Personal Stories 01:55 – The Reality of Bathroom Selfies and Profile Photos 04:01 – The Evolution of Self-Perception and Photos 06:02 – The Skill of Taking Good Photos and Posing 09:01 – Authenticity vs. Filters and FaceTune 12:03 – The Impact of Social Media and Editing Apps 15:06 – Inner Confidence and Self-Love in Dating 17:54 – The Future of Video Profiles and Authenticity  21:07 – Rejection, Self-Worth, and Inner Work 24:01 – The Power of Self-Perception and Belief Systems 28:02 – The Fluctuation of Confidence and How to Manage It 30:08 – Techniques to Instantly Switch on Confidence 35:12 – Handling Rejection and Maintaining Self-Worth 40:42 – The Power of Presence and Authenticity 44:59 – Using Energy to Attract Success and Love 50:35 – Overcoming Childhood Programming and Limiting Beliefs 55:01 – Practical Tips for Staying Present in Daily Life 1:00:00 – The Role of Inner Work in Personal Transformation 1:05:02 – Celebrating Small Wins and Building Confidence 1:10:02 – The Importance of Self-Compassion and Forgiveness Sponsor: If you're struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/dating Hosts info: Natalie Stavola - Instagram Natalie Stavola Coaching - https://natalie-stavola-coach.com Christopher Louis - Instagram Dating Intelligence - https://dating-intelligence.com/

Not all work happens in writing. Teams that work with photos, videos, and audio need AI that works for them too. This is why, with Dropbox, you can search within multimedia content for key moments and important information—not just text. In this episode, we talk with Appu Shaji and Hicham Badri, two Dropbox machine learning engineers who are part of the team that makes all of this possible. They explain how multimodal search works—from understanding the context of the initial query, to identifying objects and actions in complex scenes—and how they ensure those models work fast, even at Dropbox-scale. ~ ~ ~  Working Smarter is brought to you by Dropbox. Find, organize, and share your work—all in one place—with context-aware AI from Dropbox. You can listen to more episodes of Working Smarter on Apple Podcasts, Spotify, YouTube, Amazon Music, or wherever you get your podcasts. To read more stories and past interviews, visit workingsmarter.ai This show would not be possible without the talented team at Cosmic Standard: producer Ben Montoya, sound engineer Aja Simpson, technical director Jacob Winik, and executive producer Eliza Smith. Special thanks to our illustrator Fanny Luor, marketing consultant Meggan Ellingboe, and editorial support from Catie Keck.  Our theme song was composed by Doug Stuart.  Working Smarter is hosted by Matthew Braga. Thanks for listening!

This week on Mac Geek Gab 1150, Pilot Pete, Adam Christianson, and Dave Hamilton pack an Embrace Your Geekness Day episode with Quick Tips you’ll put to work immediately. You’ll learn how to schedule birthday messages so you never miss one, silence those pesky automatic Shortcuts notifications, and give Apple Intelligence the context it needs to actually help. From automating Theater Mode the moment CarPlay connects, to using your iPhone to check for ticks, to texting “Marco” so your lost iPhone sings until you find it, these are the tips that keep you sharp. You’ll also dig into searching Safari history to retrace your steps, building Smart Folders to hunt down space-hogging files, and using Photos’ Map utility to surface shots from wherever you are. Then it’s your questions, answered. You’ll find out how to identify and clear runaway RAM, where Messages in the Cloud actually lives, and how to reclaim iCloud storage with tools like PowerPhotos and Gemini 2. You’ll get the real story on Time Machine drives and Spotlight, plus how to speed up sluggish Notes syncing. In Cool Stuff Found, the crew serves up Catchin’ Sync, the OBSBOT Tiny 3 webcam, Hyperspace for reclaiming space with file clones, and imessage-exporter to back up your texts. It’s an hour-plus of geek gold, and if you tune in every week, you Don’t Get Caught missing the fix you needed. 00:00:00 Mac Geek Gab 1150 for Monday, July 13th, 2026 July 13th: Embrace Your Geekness Day MGG Monthly Giveaway – Win a license to Mole Quick Tips 00:00:01 Jim-QT-Schedule Sending of Birthday Messages 00:04:16 JT Ray-QT-Disable automatic Shortcuts notifications 00:06:33 QT-Apple Intelligence and its context 00:09:26 Todd-Automate Theater Mode when CarPlay is enabled 00:10:44 Troy-QT-Use your iPhone to check for ticks 00:12:49 Larry-QT-Text Marco to your lose iPhone and have it play a song until you find it 00:18:31 Andy-QT-Search Safari’s History to find places you’ve visited 00:20:12 KiwiGraham-QT-Setup Smart Folders to find large files 00:23:38 Greg-QT-Use Photos > Utilities > Map to find photos in your current location (and elsewhere) Sponsors 00:26:42  SPONSOR: Helix Sleep makes premium mattresses and bedding that are customized to fit your personal needs, and conveniently shipped to your door. Go to https://helixsleep.com/MGG for 27% Off Sitewide. 00:27:50 SPONSOR: CleanMyMac. Get Tidy Today! Try 7 days free and use our code MACGEEK for 20% off at https://clnmy.com/MACGEEK 00:29:02 SPONSOR: OneSkin. Born from over a decade of longevity research, OneSkin's OS-01 Peptide is proven to target the visible signs of aging, helping you unlock your healthiest skin now and as you age. Get 15% off OneSkin with the code MGG at https://www.oneskin.co/MGG  #oneskinpod #ad Your Questions Answered and Tips Shared! 00:30:31 Bill-1148-How do you identify and clear up RAM usage? iStat Menus Marco Arment's Quitter 00:39:23 Gary-1149-Where can I see Messages In The Cloud? 00:44:17 Roy-How can I clean up my iCloud storage? PowerPhotos Gemini 2, the duplicate finder (and “similar finder”) 00:53:25 Bill-1148-Turns out you can’t exclude Time Machine drives from Spotlight 00:56:51 Henry-1148-Speeding Up Notes Syncing Cool Stuff Found 01:01:20 Andy-1149-CSF-Catchin' Sync 01:02:15 Andy-CSF-Obsbot Tiny3 Webcam 01:08:53 Harvey-CSF-Hyperspace to use file clones to save space 01:11:44 Chris-CSF-1149–imessage-exporter to export your iMessages 01:17:42 MGG 1150 Outtro MGG Monthly Giveaway Bandwidth Provided by CacheFly Pilot Pete's Aviation Podcast: So There I Was (for Aviation Enthusiasts) The Debut Film Podcast – Adam's new podcast! Dave's Business Brain (for Entrepreneurs) and Gig Gab (for Working Musicians) Podcasts MGG Merch is Available! Mac Geek Gab iOS app Mac Geek Gab YouTube Page Mac Geek Gab Live Calendar This Week's MGG Premium Contributors MGG Apple Podcasts Reviews feedback@macgeekgab.com 224-888-GEEK Active MGG Sponsors and Coupon Codes List BackBeat Media Podcast Network

What's the difference between a bundle, a box set, an anthology, and a collection? How can being part of an anthology be creatively interesting and useful for marketing? With Jamie Ferguson In the intro, Amazon Kindle increases the 70% royalty share; audiobook marketing tips (Voices by InAudio); The Builder's Creed [Seth Godin]; Future Vision XPrize; Researching the dark side of travel [Anna Sayburn Lane]; Photos from Bruges @jfpennauthor; Bones of the Deep: A Thriller – J.F. Penn. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes The difference between bundles, box sets, anthologies, and collections Why a multi-author project means lots of people promoting the same book, not just you How to find and pitch for anthology opportunities, and what editors look for in a contributor Contracts, rights, and royalty splits explained for short fiction Why Kickstarter and special print editions are changing the anthology game Inkwren, the publishing management tool Jamie built for backlists and anthologies You can find Jamie at JamieFerguson.com. Transcript of the interview ith Jamie Ferguson Jo: Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. Just for context too, one of my short stories, “The Dark Queen”, is in the Amazing Monster Tales: Into the Briny Deep anthology. So I'm excited to talk about this today. Welcome to the show, Jamie. Jamie: Thanks for having me, Jo. Jo: Lots to talk about. But first up— Tell us a bit more about you and how you got into writing and self-publishing. Jamie: Well, I wanted to be a writer since I was at least six, maybe before then. So it was just something I always wanted to do, but I always did it on the side. I had a year, many years ago, where I was really busy with work, and I just felt like I didn't write anything the entire year, and I thought, “I'm going to give it up.” Then the next year—that was 2011—I started seeing more about self-publishing, and that really invigorated me and made me feel like, “No, why am I giving up something I've wanted to do since before I went to school?” So I got back into a novel I had worked on years before. I went to a writing workshop with Dean Wesley Smith up in Oregon, back in the day, and then I had my energy back. I've been writing ever since. Still on the side, unfortunately, but someday. Jo: Hopefully! Tell us a bit more about what kind of genres you write. Because balancing your own books with also doing these anthologies and things is quite difficult. Jamie: Yes, it definitely is. I'd say I primarily write contemporary fantasy, but I'll write anything in any genre if I'm really excited about it. I also have a soft spot for Westerns. They take a little more time because I like to research all the facts, but those are really fun to write. Creating anthologies on your own is actually quite a bit of work. One of the things I also do is work with two other authors, DeAnna Knippling and Tami Veldura, and create more anthologies with them. That's really fun because then we can each take a different piece. There's also always somebody to talk to, as opposed to doing it on your own. Jo: Let's start with the terminology, because I definitely struggled with this, and I think people still do. We've got bundles, we've got box sets, we've got anthologies, we've got collections—and are these in ebook, audiobook, or print? Can you start by explaining what all of these words actually mean? Jamie: Yes. In my book I actually use the term “multi-author collection” or “multi-author project”, because there are so many different permutations and it does get confusing. From my perspective, I think of a bundle as a collection. It could be a collection of ebooks. Technically it could be a collection of print books, although people generally use “box set” for that—but then a box set can also be a box set that's all ebooks. An anthology, I usually use for something that's a collection of short stories where there's an editor who's actually edited all the stories. I have had stories in anthologies where somebody didn't edit them, and they would technically be called a curator. So it is definitely confusing. I have not done anything with audio collections, but that certainly is another area that I actually think is pretty interesting. Jo: I also think that a single author… so I've done a short story collection, but an anthology is multiple authors. Is that right? Jamie: Yes. Jo: I think when I came into the indie space, there were a lot more multi-author… we all called them box sets back in the day, when it was just ebooks, right? And now we can actually do boxed sets with boxes through things like BookVault. So it feels like the term “box set” has also gone out of fashion. So if people listening are thinking of doing any of this, you do have to figure out what is the thing you might be signing up for. So let's talk about the multi-author projects, as that's where you specialise. What are the benefits for an author to be involved in a multi-author anthology project? Jamie: The biggest benefit is that you are one of multiple people promoting the same project, whether it's print or ebook or whatever. If I put out a short story collection on my own, I'm the one promoting it, and maybe I can get a couple of other people to write about it, but it's really just me. If I'm part of an anthology with 15 other authors, that's 15 other people who are promoting the same project. That's more newsletters, more Facebook posts, maybe something on their Patreons, whatever it is. You get more synergy, and you get more touch points with potential readers. Then hopefully that translates into sales as well. So that's definitely the biggest part of it—the promotion. Then I also personally really enjoy these types of collections because it's just fun to work with other people. There's a nice energy when everybody's like, “Oh, I put this in my newsletter, and I put this here, and I put this here,” and you feel like you're part of something bigger than just your own piece. Jo: What about the creative benefits? Especially with short stories, often people will write them for a collection or for an anthology project. Jamie: Yes. I've definitely written some stories that I never would have thought I'd write, because somebody I knew asked if I would be interested in being in their collection—whether it's an ebook bundle or a print anthology. So at least for me, that's been really fun. One of the ones that stands out is that I was asked to be in a dinosaur collection once, and I was like, “I don't write dinosaur stories.” And then I did. I set a dinosaur story in London, and it was really fun to write, and I never would have come up with that in a million years. Jo: Let's say we've got 12 authors. They've all written short stories, and now it's in this anthology. But what is the market for these kinds of things? Have you found that there is a readership for short story anthologies that carries over to the author's longer work? Jamie: There is. I like to think of it as: if I have a story in a collection or an anthology—whether it's one I'm editing or somebody else is editing—that's one more place for people to find me. A lot of times anthologies will take reprints as well, like your story. “The Dark Queen”—that was a reprint. We asked if you'd be interested in participating in the Amazing Monster Tales series. And I actually really like printing stories again that have already been published, because there are a lot of stories out there that can be hard to find. Or if it's an older book. I have one author I've known for, like, 30 years. I reprinted one of her stories that was originally published in, I think, 1999, and the anthology it was in was out of print. You couldn't find it, and it was a fantastic story. So it's fun to be able to give new life to those stories and give them more opportunities, and also just have more ways for people to find you. Jo: Yes, I definitely think it's a long game. I don't think appearing in a short story anthology in one particular month is going to mean that your whole back collection just sells, right? Jamie: No, definitely not. It's more about avenues to be found. I know there have been some anthologies that have made quite a bit of money, but in general you're probably not going to make as much money, but you will have those extra places for people to find you. Jo: I always feel like yes, there is maybe a small amount of money, but it is more about almost a marketing thing in itself. So let's say an author is listening and they're like, “Do you know, this sounds like a great idea.” How can they pitch for things like this? How do they find out about opportunities, or get noticed to be asked? And what are the expectations for them? Jamie: The biggest thing is networking. There used to be a couple of opportunities where you could make people aware that you had stories that you were interested in potentially having picked up for something. I'm not aware of anything like that now. When I create a collection, I have a mailing list that I send out, and it includes authors I've published before. It includes a couple of extra people who somehow found my mailing list. And I'll publish, like, “Here's what I'm doing.” There are also authors I've met at writing workshops. I've been able to read some of their work, I'll approach them and say, “Hey, I really liked such and such a story. Would you be interested in writing for this?” Then there are a couple of other websites, like Duotrope, and places that advertise markets and calls for submissions. Jo: Yes, I've found them also on small presses that do these kinds of projects. They often put up one call for submission a month or something, and you can write for their particular thing. In general, the short story markets are the places to keep an eye on. Jamie: Yes, definitely. Jo: If an author wants to pitch to have their story as part of an anthology, do you want to know things like platform, or is it just the story itself? Jamie: I personally look at the author's platform. I do make exceptions—there are actually two authors I've worked with a couple of times who don't have websites. They are people I know personally and they are very, very good writers, so I'll make an exception for things like that. But otherwise, if somebody submitted a story to me and I didn't know that person, I would check out their website, I would check out their social media, I would see what else they had done. Part of what you're doing when you're creating a collection is thinking not just about how you, as the person organising this, will promote the collection, but how the authors who are participating will help promote it as well. If it's somebody who has a lot of fans, even if they're not very active on social media, that can help a lot too. There are a lot of different factors, though. Jo: So then talk us through the project timeline. How long do things take, and what sort of involvement do the authors have along the way? Because it's a lot to juggle. Jamie: Yes, it is a lot to juggle. I can give you an example with the Monster Tales series. We'll come up with an idea, and we also like to try to get the artwork done early on in the process. We don't need it that soon, but it's really great to have that taken care of. We'll contact authors. I think for this one we used my mailing list, but we've also contacted a number of people individually that we know who write the style of stories we like. Then, as the submissions come in, we usually wait until we have a nice chunk of them to start going through, and then we'll pick some right away. Sometimes it'll be like, “Oh my gosh, of course we want this story,” and we'll wait to fill out the other slots. Then we'll negotiate sometimes. Sometimes it's like, “I want this story.” “Well, I want this other story.” And we have to figure out how the word count works. Once we finalise the stories, then usually what happens with that anthology is that DeAnna—who is a very, very good editor—will make the first editing pass, and then I'll make the second. And now Tami's involved, so Tami will make the third, and then we'll iterate. Once all three of us have gone through the first time, then we'll send the story back to the author for edits. So the most the author has to do for most of the process is just wait for us to edit their story, and then work on their edits and get them back. Then, once we get closer to launch, we'll give them information about what we're going to do. For example, we're going to launch the next issue with a Kickstarter. So our authors know that we have a Kickstarter coming, and we'll give them more information as we get closer to the actual launch date. Jo: So how long might an author expect before their work is out there? Jamie: It really varies. I've had some collections published very quickly—let's say a couple of months. Some have taken longer just because somebody ends up having some life issue and things get delayed. So I'd say ideally it would be more like three to nine months. Jo: Yes, I think… depending on the— Jamie: —collection and the complexity. Jo: Yes, exactly. Jo: And you did mention word count there. Just give us a range of what word count you like to get. Jamie: So these days I'm shooting for between 75,000 and 80,000 for the total word count for a collection. That includes the stories, but it also includes the opening, the introduction. For one we're working on now, we're going to have some interstitials, where we have little bits of things we're going to write in between each story. So that's the overall size of the collection. I'll keep track of the word count as the stories come in, and then as we edit the stories, sometimes they grow, sometimes they shrink. Sometimes that's a big enough difference where we're like, “Okay, we need one more story to fill it in.” But that's the target. Jo: And how much for each individual story? Jamie: That varies. I've done a bunch of different things. These days, what I'm advertising is between 3,000 and 8,000 words. I also always tell people: if you're outside this range on either side, just check with me, and if it's something that's really an excellent fit for the book, I'll make an exception. The one that's coming out, I think we have a 1,500- or 2,000-word story that was just amazingly perfect for what we wanted. There was another story, actually I think it was the issue that you were in, that was at least 12,000 words, but it also was a perfect fit for the theme. So I will make exceptions, but within reason. I wouldn't put a novella inside an anthology, because then you'd have a 22,000-word story next to a 3,000-word story, and I personally feel like that's really jarring for the reader. You don't want to go from something super short to something super long. It just doesn't feel like it flows well to me. Jo: No, absolutely. Jo: We'll come back to the making of it because you mentioned some really interesting things there. But just on the contractual side—a lot of indie authors don't necessarily do any publishing contracts for their work, unless it's signing the terms and conditions when uploading on Amazon or Kobo. So tell us a bit about the contract side. What rights are we talking about here? Any red lines in contracts around this kind of thing? Jamie: For contracts, I would recommend people read Kristine Kathryn Rusch's posts on this. She is way more informed about this than I ever will be, so when I have questions, I'll look at her posts. I've asked her a couple of questions. What we're doing for the Amazing Monster Tales… this is the first time that I've actually had authors sign contracts. Prior to this, I've used PubShare, which handles royalty splits and all of that, and that was really great. We want to do direct sales and Kickstarters and have lots of other options. So we did put together a contract this time. I'd have to pull it up, but I think we asked for first worldwide rights in English—I'm getting the terminology wrong here—but that was basically it. Jo: Or, I guess, reprint rights if the story's already been licensed. Jamie: Correct. We have two contract templates, one for original stories and one for reprints. We made sure to make that distinction, because it is definitely a distinction. In the book by Kristine Kathryn Rusch—it's called Closing the Deal… on Your Terms—I highly recommend that for anybody interested in learning more about contracts. Jo: Yes, that's great. And just for people listening: when you said you didn't have contracts before, you just used PubShare. So in that way, the author still retained the rights and you just split the royalties—it was more of a co-writing thing. Jamie: Correct. When you publish stories through PubShare, the author signs an agreement with PubShare, and then I, as the editor or organiser, would also sign a separate agreement. So each of us has an agreement with PubShare. We don't have agreements with each other, if that makes sense. Jo: Yes, so it's very different to move into Kickstarter. So tell us about what you're now moving into. Jamie: Well, Kickstarters are a new world for me personally. I have many friends who have had Kickstarters. I've supported Kickstarters. I watch them. But it's something where I'm very happy to have two partners who have done Kickstarters before. I'm not sure how many Tami's done—I think Tami's done the most at this point. So this is all new to me. But it's very exciting. At this point we have a backlist, so part of the plan, for the Monster series, is to offer issues one through four as part of the rewards when we launch issue number five. That's really exciting, because I never had a backlist like that before. Jo: Yes, and in fact the money is in the backlist, as ever, and those add-ons or bundles as part of Kickstarter are great. So are you going to do special print editions, or is it digital only? Jamie: We are talking about special print editions. You mentioned BookVault earlier—we've been looking at BookVault. Our other anthology series that hasn't come out yet will also launch with a Kickstarter. It's dragon-themed, and Tami actually did the cover work, which is beautiful. BookVault just gives you so many options that we never had before, so I'm very excited about that. Jo: Yes, I think it's a really good idea. I did gorgeous hardbacks for my solo author collection, so I think it's a great idea. So from the publisher side, let's come back to that. You've mentioned you have to write things like an introduction and interstitials, and you're trying to balance the stories. What are some of the other things that people might think about if they want to organise their own anthologies? Jamie: Oh gosh, where to start? There's the basic setting up of the anthology, so you have to define the table of contents. You might get a bunch of stories that are really awesome, and you might have to tell somebody who has a wonderful story—and maybe even who's a good friend of yours—that you're going to pass on it because their story doesn't fit with all the other stories. Every time I have to do that, I feel kind of bad. But being on this side, it's really interesting to see how you can tell which stories fit together and which don't. There's also the editing process, which can be a lot of work. Part of what I like about working with Tami and DeAnna is that DeAnna really loves editing. I feel like I'm a good editor, and I can do it, but for me it's more of a job. For DeAnna, she loves it, so she does the bulk of the editing, which is great. When I do it on my own, I feel like it's a task I have to do. There's lots of cat-herding. Sometimes people take a while to get their edits back. Sometimes they have life events, and you have to delay things because you're waiting on them. There are all the little tiny pieces of organising things—like, if you're reprinting stories, you need to make sure you get the copyright attribution correct. A lot of times I'll have to go and look up where something was originally published. An author might say, “Oh, it was published in this year,” and I'm like, “Okay, actually it was published in this other year, by this other publication first.” So I'm trying to be organised there. henT one of the things that very infrequently—I think it's only happened to me twice—every once in a while, you're in the middle of editing a story and you have to pass on it, even though you've already accepted it, because the editorial vision and the author vision for the story are not the same, and you can't reconcile that. Jo: I think that's really interesting, because so much of what you're talking about there—you mentioned vision—it's almost taste. You're saying which stories fit. It's not just a case of, I don't know, a pirate anthology and then picking 10 stories about pirates, right? You seem to be thinking about this in a more artistic way. So can you talk a bit more about that? How do you decide on a theme, and then how do you know that a story doesn't fit? Jamie: In the beginning, I was not this selective. In the beginning I'd say, for example, “Hey, I'm putting out a collection about fairies. Give me a fairy story,” and that was it. As I've edited the stories, it's become easier to see how things fit. So, for example, if I have 10 stories in an anthology and I have an 11th story, and they have different tones—let's say the 11th story is really funny and all the other stories are very serious—then that would be a fit thing. That's not necessarily taste; it's just that you don't want one funny story if everything else is really dark and scary or serious. As far as picking a theme, the theme could be very broad. With this dragon anthology we're working on, we decided we wanted it to be called A Hoard of Books. So the theme was: has to have dragons, has to have books, and that's pretty much it. And then we were like, “Let's just see what we get.” We were very surprised at what we got. We thought we'd have more serious stories, and it turned out most of them were very light-hearted and really fun. And we're like, “You know what? That actually changes the way we're looking at the whole series,” because we did not expect that. With the monster series, we'll pick a theme. So, for example, the next issue is Monsters in Love, and for those it's more like, let's just see what happens. Sometimes I'll have a more specific theme. The next anthology I'm publishing on my own is called Fairy Bargains, and I wanted people to obviously have fairies, but I wanted there to be something related to the mythology and lore of having a bargain with a fairy—and there's a lot of stuff about that. So for some things like that, when I put out a call, I'll provide information. I might say, “Here's a link to a Wikipedia article. Here's some mythology that might be helpful for you,” just because I want things to stick a little bit more to the theme itself. Whereas with Monsters in Love, there's a very wide range of stories, and that was very fun to work through. Jo: Oh, yes. There's a lot of monster, on the spicy side as well. But were you doing a clean Monsters in Love, as opposed to in lust? Jamie: Yes, this is a clean one. That's pretty funny. But boy, when you give authors the room for these types of things, you get all kinds of stories, and it is super fun to work with those collections. Jo: As you're talking, I definitely want to do more short stories. It's really interesting, because you can actually generally get paid more for a first print—first print rights on a short story—but I often want to just publish it myself. Then I was really happy to be in yours, because it was a reprint anyway. So I was like, well, there's absolutely nothing to lose if it goes in as a reprint. So these things can be really interesting. Talking of the finance from your side of things: you have a small press and you're doing this publishing yourself, but you're paying all these authors and doing a lot of work. So how does it work as the publisher, in terms of these anthologies, financially? Jamie: With the ones we've published so far, because we've gone through PubShare, it's been a royalty split. As the editors, we would take a percentage, and then we pay for the artwork, and of course all of our time. I think what we were doing there was saying 70% of the royalties would be split equally between all of the authors and the stories. So, for example, if I had a story as well, I would get part of the author split—the same percentage as everybody else in the collection—in addition to the editor split. For what we're doing now, we've changed this a little bit, and I believe we said 60% goes to the authors, and then we're going to keep a share of the proceeds for the business because we want to be able to pay for the artwork out of the business account. We want to pay for advertising, whatever we need to do—like setting up our store, or if we wanted to invest in anything, we want to be able to do that as the business, as opposed to it just being us doing this on our own. We're just trying to treat it a little bit differently. Jo: And I know it's so much work—a crazy amount of work. How many anthologies and books do you have to do in a year to make it worthwhile financially? Jamie: Oh, I don't know. I would say, unless you get an opportunity—like, for example, to have an anthology in a story bundle or something like that—you may not break even. But if you're going to do this, do it more for the marketing, do it more because you enjoy it. Now, going forward, I think that will change, because we are looking at Kickstarters, we are looking at direct sales. We're very motivated to try to make this more of a business thing than a fun side project. So, ask me in a year. Jo: Yes, hopefully more. I do think Kickstarter is great for short stories. I actually buy quite a few collections on Kickstarter. I think they're actually really hard to discover through, say, Amazon—it's a place that is quite hard to identify short stories. Whereas I've found I've bought collections on Kickstarter because there's so much more of a sales page—there's so much more rich media that tells me how I'm going to feel about the stuff. I've bought short story anthologies and collections from people I don't know. So I think it's a really good thing to do. There is an audience there. Jamie: Yes, definitely. And it does feel like the anthologies on Amazon don't sell as well—you don't make as much as you used to. I've been doing this for, well, gosh, 10 years now, and I feel like the sales numbers on Amazon in the past year were noticeably lower than they would have been six or eight years ago. So I am very excited about Kickstarter. Plus, Kickstarter just feels really fun. You're not just throwing your book up; you also have all the extra stuff with the page, you have the rewards, and it just feels really exciting. Jo: No, I agree. I really love it. I didn't do it for a long time, and now I just love it. Jo: So, staying with the publisher side of things— Any practical formatting and production tips? Because in these types of projects, all kinds of people just send you different stuff. Jamie: I have a style guide. So whether it's me or it's the group project, once all the edits are complete, I'll do a formatting pass, and I'll make sure I use curly quotes and the same em dash format and everything, just so everything in the book is formatted the same way. Every once in a while there's an author who has something particular that they want, and I can work around that, and that's fine. I also work with a lot of Canadian authors, and I'll let them keep their Canadian spellings. I don't think everybody does that, but I feel like that's their voice in a way, so I don't correct those. I might check some things there. I think the formatting is important—it makes things look better if everything has the same style. Then I use Vellum, which makes things really easy. I love Vellum. Because I publish so many authors at this point, I have a Vellum file where I store their biographies and their links, so when I publish a new anthology I'll just go grab, say, Jo's “about the author” page from that collection and put it into the new file. Then I also track when the last time was that I checked with the author about their biography. If it's been more than a year, I'll check in with them and say, “Hey, do you have an updated biography you want me to use? Here are your links—do you have any different links now?” So that makes it a lot easier from the formatting standpoint. Jo: And you mentioned Vellum—having done box sets on Vellum, you can just drag a whole book in there if you want to do a three-book box set, or three short stories, whatever. It's much easier to just drag things in, and it makes it easier to format. So I would say to people: you don't need to worry too much about that. There are lots of things that can help you. But even with doing the print stuff for the Kickstarter—people have opinions, don't they? So in terms of authors' opinions and managing—you mentioned herding cats—how do you manage all of that side of things? Jamie: I haven't actually had a lot of trouble with that. The authors I've worked with seem to feel like they gave me their story, and then once the edits are out of the way… I haven't had anybody have any issues with the covers. Usually they love the covers, especially for the Monster series. So, no problems there. Jo: Oh, that's good. Well, I would say a tip would be to make sure you're communicating, if you're somebody who's organising. So talk a bit about communication. Jamie: Communication is very important. What I try to do is send regular updates, especially if I'm in the middle of edits or working on something and I'm not ready to launch. I'll send an update email out to the authors and just say, “Here's what's going on, here's what the plan is.” Or if the plan has to change, if the launch date has to change for some reason, I'll let the authors know about that. Actually, with the upcoming Monsters in Love issue, we were originally not going to do a Kickstarter. That was a late decision, so I contacted all the authors and said, “We've changed our plans. We're going to launch this with a Kickstarter. Please confirm that you're okay with this.” One author was not comfortable with the Kickstarter idea, so he pulled his story, and then we found a replacement story for that. But I just feel like the communication piece is really essential. It's really important for the authors to know what's going on. Jo: Yes, absolutely. So, we've talked about how marketing is a good thing, in terms of there being lots of people marketing. How are you effectively marketing these kinds of books, as the premise is quite different to a single author project? Jamie: Right. There's the usual—write a release post, write posts on social. I do additional things, so I'll publish what I call a story spotlight for each story in the anthology. That's just where I talk a little bit about the story, I provide an excerpt, and then I provide the author's bio and links to find them. Those are really great, because they're very quick to put together. The hardest part is getting a short excerpt that shows enough about the story to be engaging. But that really isn't that much time, either. Then those are also nicely evergreen. I've actually searched for authors before, when I'm trying to research them for an interview, and I've found my own spotlight posts and my own interview posts with authors come up at the top of the list, which is kind of funny. I also do interviews with as many of the authors in a collection as are willing to participate. Sometimes people just don't have the time—I don't make this required—but I usually get 80 to 90% of the authors participating. So, for example, this year I'm in a couple of bundles on StoryBundle, and I'm doing interviews for people there. It's also really fun, and you're not paying for advertising—you're just creating something that the authors are excited about and they want to share. So it promotes the collection, but it also promotes the author, which I find really nice. It's a nice networking thing too, and I'm happy if someone wants to interview me. It's like free publicity for each person, in addition to the collection. Jo: I love that you've used the word “fun” quite a lot, which I find amazing. You're obviously a super collaborative person. I've co-written a number of books— I've been part of some collections, and I really think that there are two personalities. One is like me, where we really love the creation stuff and the publishing stuff, but we're hyper-controlling. And then someone like you—you're very collaborative, and you're doing such a great job. To people listening, I would say: if you're more like me, don't organise an anthology. What you want is Jamie, or somebody who actually finds it fun to organise a big group of authors. Jamie: Yes. It is definitely interesting working with other partners in this, because when I publish an anthology on my own, I make all the decisions. I pick the artwork, I pick the theme, I do everything, I decide the table of contents. But when you're working with other people, you do need to negotiate. So we've had a couple of times where it's like, “I want this story.” “Well, I want this other story, I don't like the story that you want.” And so we have to barter, in a way. Aside from that, it is nice, because you get to split up the tasks. I could focus on things like the organising—I do the Vellum files, I do the final cover and everything. For the Kickstarters, actually, Tami's got more expertise, so Tami's going to be working on the Kickstarters for our collections together. If I had to do all this on my own, it's a ton of work. It's a ton of work. So it is nice to split it up. Jo: And of course, one of the things is managing so many moving parts—and you've actually built a tool to manage all this. So tell us a bit about that tool, and how it might be useful for people with big backlists as well as anthologies. Jamie: I built what I think of as a publishing management application. The original idea is that, for years and years, I wanted a software tool that would do catalogue management, because I was managing my own catalogue, and I was also managing—at this point I've published at least 20 anthologies, so that's a lot of authors. Then last summer, I had an author who I'd published a number of times, who was going to, I think, WorldCon, and she asked if I could give her covers for five anthologies she'd been in, so that she could make some promotional material. I was like, “Oh, sure, I can do that.” And then I was like, “Well, wait a second—is this in Notion?”—because I started trying to use Notion last year—”or is it in a spreadsheet?” It turned out her information was in, like, three different places, and I had to work to pull it together. And then I was like, “You know what? That's it. I'm just going to finally write this application.” So Inkwren manages your stories. As an author, I can manage my stories—I can track which are published, which are drafts, which are just ideas. I can track my publications. From the publisher standpoint, it's really helpful, because I can track each anthology I've published and what I'm working on. I can track the edits, I can track the contracts. I can upload contract templates—so we talked earlier about the original and reprint contract templates that I use. I upload those, and they have placeholders in them. When I generate the actual contract, the author's name will replace the placeholder—I'll have the text “author name” in the contract template, and it'll get replaced by, like, “Joanna Penn” or whatever. So that saves a lot of time. Then I also added in task tracking, because I started to feel like, well, now all my stuff is in one place, but my tasks are somewhere else. So now I can associate tasks with a publication. For example, for the book I'm working on right now, I know which tasks I need to do for the cover, and which for the interior, and everything. I have a template of tasks. Then I can also track tasks related to promotions. For example, the story bundle I'm promoting right now, I have a task for each interview I'm doing with the authors, and I have a calendar view. I can see when I'm going to publish them and know that they're all spread out. It saves me so much time, and it's so much easier. Jo: I do think building tools when you actually need the tool yourself is very useful. Just say the name again, and spell it out for people. Jamie: It's Inkwren. My own personal publishing company is Blackbird Publishing, and I wanted something related to birds and writing. So I came up with Inkwren, which is I-N-K-W-R-E-N, and it's just inkwren.com. Jo: And it is available for other people to potentially buy and use? Jamie: Yes, it is. Jo: Well, I think that's super useful, because it's very hard when people are starting out and they think, “Oh, I've only got one book—why would I need any kind of tool to manage it?” But over the years, your backlist grows, especially with short stories. So I love that you've built this, and there's probably more that you can add over time as you expand the business yourself. So much potential. So we are at the end. Where can people find you and your books and everything you do online? Jamie: My author website is JamieFerguson.com. And then, obviously, I mentioned Inkwren earlier. My publishing company is BlackbirdPublishing.com. And then the projects I'm doing with Tami and DeAnna—we have a couple of websites, but the easiest way to find us is our press, which is BorogrovePress.com. Jo: Fantastic. Well, thanks so much for your time, Jamie. That was great. Jamie: Thanks, Joanna.The post Bundles, Box Sets and Anthologies With Jamie Ferguson first appeared on The Creative Penn.

If you've ever wondered how some of the best outdoor photographers can create images that look three-dimensional, this week's podcast episode is just for you! Nothing is worse than returning from a shoot and editing photos you thought were going to be amazing, just to have them not quite have the same punch they had in the field. There are a couple of key mistakes you may be making in post-processing or in the field, which I'll detail in this week's podcast episode!Today's podcast is sponsored by my friends over at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MPB⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, the place to buy and sell used photography gear. Go online to get a quote for your gear today: https://tinyurl.com/mse6bzk2

What does it take to be a great rope model? In this episode, Fox and Mya explore the practical and creative aspects of bottoming for rope photography. From planning the concept and preparing for the day to communication, safety, posing and aftercare, they discuss how to make a photoshoot enjoyable and successful for everyone involved. They cover different types of shoots, collaborating with photographers and riggers, using mood boards, deciding whether to show your face, preparing clothing and rope, sharing your needs while tied, and even why bringing an iron and lint roller is a surprisingly good idea. Whether you're stepping in front of the camera for the first time or looking to improve your next shoot, this episode is packed with practical advice.

Former Canadian National Champion and factory motocross standout Josh Woods joins BigMX Radio for one of our most unique conversations yet. Instead of simply talking about the glory days, Josh takes us inside his office for a personal tour through decades of motocross history. We dig into old race photos, memorabilia, factory racing stories, the […]

I Thought They Were Just Joking Until the Secret Photos Proved EverythingBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2026-true-cheating-stories-podcast--5689182/support.

The Photos on the Family iPad Wrecked My Marriage OvernightBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2026-true-cheating-stories-podcast--5689182/support.

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Congressional Democrats on the House Oversight Committee released a set of 19 photos from a larger trove of over 95,000 images obtained from Jeffrey Epstein's estate, aiming to shed light on his social connections. The photos include well-known figures such as President Donald Trump, former President Bill Clinton, Bill Gates, Steve Bannon, Larry Summers, Woody Allen, and Prince Andrew, often shown in social settings with Epstein or others; some images show Trump with unidentified women whose faces are redacted and others depict social scenes on jets or at events. None of the released photos directly show criminal acts, and their context and dates are not provided, but Democrats argue they raise important questions about Epstein's associations with powerful individuals and call for fuller transparency as part of a broader investigation. The release is part of an ongoing effort by lawmakers to review and make public materials from Epstein's estate and related government files.The photo release has quickly become political: **House Democrats say the images underscore a need to end what they call a “cover-up” and demand that the Department of Justice release the full set of Epstein files under the recently passed Epstein Files Transparency Act, which requires federal release of related documents by a mid-December deadline. Republicans and White House officials have criticized the release as selective and politically motivated, accusing Democrats of cherry-picking photos to create a narrative rather than present an objective record, and emphasizing that the photos do not demonstrate wrongdoing by anyone pictured. The disclosures have reignited public debate over Epstein's network and the extent of powerful people's associations with him, even as broader document releases and further image batches are expected in the coming weeks.to contact me:Disturbing photo on Epstein's desk sparks horror over 'incapacitated young girl passed out on couch' | Daily Mail Online

You only get to find out how many photos are on my phone if you listen to the podcast! Haha...but seriously, it's embarrassing. I'm learning right along with you in this episode, offering strategies for how to go through an overwhelming number of photos, and best ways to organize them once we declutter. We also dive a bit deeper into the importance of photos. How can we be intentional about preserving memories instead of picking up the phone simply because that's what we're used to doing? What are we so afraid of in terms of not documenting every moment and experience? We also talk a bit about hard copy photos and what to do with all those 4x6s from high school or summer camp 2002. MENTIONED THIS EPISODE Shannon's family yearbook: Chatbooks app Ordering 4x6 prints: Snapfish (100 free prints/month with the app!) ⁠4x6 Album for Family Yearbook - large capacity ⁠($20.39 - I lied-- the 600 pocket one doesn't have margins for captions but you can write pertinent info on the back of a photo! I like that this has a display in the front where you could put a notecard with the year for a family yearbook) ⁠4x6 Album for Family Yearbook⁠ - 240 slots ($12.99) ⁠4x6 photo album - I have 2 for all my miscellaneous loose photos⁠ (turns out these hold 300...I said they held more on the podcast!) ⁠5x7 photo album⁠ ⁠8x10 photo album⁠ PARING DOWN (SHANNON LEYKO): Sign up for my newsletter! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The L.E.S.S. Express⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.shannonleyko.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@shannonleyko⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@shannon_leyko⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@shannonleyko⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/shannonleyko.paringdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blog & Additional Support (free trial!)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TAKE THE QUIZ!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "What's Your Decluttering Type?" & receive a customized playlist with 10 episodes of Paring Down for your exact needs. ⁠⁠⁠⁠⁠⁠⁠⁠⁠PARING DOWN RESOURCES⁠⁠⁠⁠⁠⁠⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE for free checklist, hacks, worksheet, & more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SPONSORS: $300 off Air Doctor Pro air purifier:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://airdoctorpro.com/ -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code PARING Ethical, luxury women's clothing at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quince.com/paring⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 365-day returns, plus free shipping on your order! Get 15% off your first order of organic bedsheets and more at Boll & Branch (⁠https://BollAndBranch.com/paring⁠) plus free shipping with code PARING Zenni Optical offers beautiful eye glasses starting at just $30- (⁠https://zenni.com/PODCAST⁠) use code PODCAST15 for 15% off your first order Green Chef is the leading sustainable meal kit - (⁠https://Greenchef.com/50paring⁠) use code 50paring to get 50% off your first month, then 20% off for two months Make custom gifts with Zazzle - save 25% on your first order (⁠https://Zazzle.com⁠) K12 Powered Schools offers tuition-free virtual public school- Enroll online today (⁠https://K12.com/paring⁠) 20% OFF any AquaTru water purifier when you go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AquaTru.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use promo code PARING Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Ray Cochrane breaks down AI distillation, the teacher-student technique frontier labs now lean on to train smaller, cheaper models. He also covers GPT-5.6’s government-vetted rollout, Claude Sonnet 5 landing on AWS, Maryland’s two-year data center pause, and Microsoft’s climbing carbon numbers. Finally, he wraps with Apple’s $30 billion Broadcom deal, Meta’s tamper-proof recording light, Michigan’s parasite outbreak, and a simulation that erased a super El Niño. – Want to start a podcast? Its easy to get started! Sign-up at Blubrry – Thinking of buying a Starlink? Use my link to support the show. Subscribe to the Newsletter. Email Ray if you want to get in touch! Like and Follow Geek News Central’s Facebook Page. Support my Show Sponsor: Best Godaddy Promo Codes Get 1Password Full Summary Cochrane opens with a quick personal update. Longer days have him outdoors, including a float trip on the Sandy River at Dabney State Park, where he found clearer water, clay-like sand, and easy footing. Next week brings both a move and a trip home, so he is stocking up on Trader Joe’s “Power Berries” and IKEA bags at his mom’s request. Then he turns to the lead story. AI Distillation Explained: How Frontier Models Teach Each Other Cochrane’s featured story comes from Hugging Face engineer Sergio Paniego. Distillation is teacher-student training for AI: a capable model generates the training signal, and a smaller student learns to match it. The classic off-policy version compresses giant models into cheap students, either through soft labels or piles of worked answers. Google’s Gemma models and DeepSeek’s R1-Distill line were built exactly this way. However, the industry is now converging on multi-teacher on-policy distillation, or MOPD. Labs build reinforcement-learning specialists for math, coding, and agentic work, then have them grade a single student, word by word, as the student generates its own answers. DeepSeek-V4, MiMo-V2-Flash, and NVIDIA’s Nemotron 3 Ultra all run versions of the recipe, and the Qwen3 team reported better results at roughly a tenth of the GPU hours of raw reinforcement learning. Finally, self-distillation lets models like Cursor’s Composer 2.5 learn from better-prompted versions of themselves. Sponsor: GoDaddy Economy hosting $6.99/month, WordPress hosting $12.99/month, domains $11.99. Website builder trial available. Use codes at geeknewscentral.com/godaddy to support the show. GPT-5.6 Arrives With a Government-Vetted Rollout OpenAI shipped GPT-5.6 as a three-tier family: Sol, Terra, and Luna. Sol costs five dollars in and thirty dollars out per million tokens, half of Claude Fable 5’s rate. The benchmarks split: Sol Ultra wins Terminal-Bench at 91.9 percent, while Claude Fable 5 still leads SWE-Bench Pro. Notably, the API launched in limited preview to roughly 20 partners vetted by the U.S. government, though the model went live in Microsoft 365 Copilot on day one. Claude Sonnet 5 Lands on AWS, Plus Quick AWS Wins Claude Sonnet 5 arrived on AWS through Bedrock, pitched as top-tier intelligence at Sonnet pricing. Additionally, Amazon WorkSpaces for AI agents reached general availability, enabling agents to drive full desktop applications securely. OpenSearch gained a log-analytics engine claiming four times the price-performance, and SageMaker now scales inference about twice as fast. Cochrane also flags that Kendra and Q Business move to maintenance mode at the end of July. Anthropic Wants You to Reflect on Your Claude Habits Anthropic launched Reflect, a beta feature that analyzes your past Claude conversations and visualizes how you actually use the assistant. It requires Memory, excludes incognito and health-related chats, and keeps its insights inside the tool. Cochrane loves the idea. He reviews his own transcripts to extract prompt patterns and turn them into reusable skills, and he suggests listeners simply ask their AI to do the same. AlphaEvolve Goes GA on Google Cloud Google made AlphaEvolve generally available to Google Cloud customers on the Gemini Enterprise Agent Platform. The agent acts as an evolutionary collaborator: provide a baseline algorithm and your goals, and it searches for better, human-readable code. BASF, JetBrains, and Kinaxis are the named early adopters. Meanwhile, Cochrane renews his standing wish that DeepMind release AlphaGo as a playable teacher. Google Adds “How This Ad Was Made” AI Labels Google is adding a “How this ad was made” section to My Ad Center across Search, YouTube, and Discover. Ads built with Google’s own AI tools automatically get the disclosure, backed by invisible watermarks. However, ads made with outside tools rely on advertiser self-declaration. Cochrane points out the limits of voluntary disclosure in an AI-flooded content economy. Microsoft’s Carbon Emissions Climb 25 Percent Microsoft’s new sustainability report shows emissions up 25% in 2025, driven by a data center construction spree. The gross figure is 34 million metric tons before offsets, while other coverage puts the net figure at around 20 million. Water consumption also jumped thirty-four percent, even as Microsoft claims its first water-positive year. Cochrane argues regulation needs to catch up, since Google and Amazon report similar increases. Prince George’s County Pauses Data Centers for Two Years Prince George’s County adopted a two-year moratorium on new data center development, the longest pause in Maryland so far. The resolution blocks new applications, including hyperscale projects, until the council passes real regulations. Water and energy impacts remain open questions the county intends to study. Cochrane gives kudos to residents for making their voices heard. Apple and Broadcom Ink a $30 Billion U.S. Chip Deal Apple is expanding its partnership with Broadcom with a multiyear agreement expected to exceed $30 billion. The deal covers custom silicon and wireless components, with more than fifteen billion chips to be made on American soil. Broadcom’s Fort Collins, Colorado plant anchors the work with a $1.5 billion equipment expansion. Tim Cook framed the deal as accelerating Apple’s commitment to American manufacturing. MSI and Intel Ship the First Arc G3 Extreme Handheld Intel detailed how it co-engineered the MSI Claw 8 EX AI+, the first handheld on the Arc G3 Extreme processor. Highlights include a heat-spreading board layout and game-tuning loops that Intel says run Cyberpunk 2077 up to thirty-seven percent faster. The device is on sale now in void purple for around $1,500. At that price, Cochrane jokes he would rather buy a computer. Meta’s Glasses Get a Tamper-Proof Recording Light Meta answered the most common privacy questions about its AI glasses. Photos stay private on the device until the wearer imports or shares them, and a white capture LED blinks during any recording with no off switch. Moreover, newer glasses disable the camera if the LED is blocked, tampered with, or destroyed. Cochrane reminds listeners these claims are Meta grading its own homework, but the blink signal is worth recognizing in public. Michigan’s Parasite Outbreak Tops 1,200 Cases Michigan’s cyclosporiasis outbreak reached 1,251 cases since June 22, with roughly forty hospitalizations along the way. Northwest Ohio adds more than five hundred cases. The parasite typically spreads through contaminated fresh produce, and investigators still have not found the source. Cochrane’s advice: wash your produce, and get tested if your symptoms fit. AI Finds the San Andreas Fault’s Silent Slips Researchers paired AI with borehole strainmeters to detect dozens of hidden slow-slip events beneath the San Andreas Fault’s Parkfield section. Each silent slip releases stress within hours and is reliably followed by low-frequency earthquakes. Together, the findings support a continuous spectrum from silent creep to destructive quakes. The study appears in Nature Communications, and Cochrane hopes it will lead to better earthquake prediction. Cloud Brightening Erased a Super El Niño, in a Simulation Finally, a Science Advances study simulated marine cloud brightening in response to the 1997 and 2015 super El Niño events. Seeding clouds over the eastern Pacific erased the events entirely inside the model. Real deployment would take roughly 2,400 ships spraying continuously, and the simulations showed side effects like extra warming over Europe and Asia. Cochrane finds the weather-machine concept fascinating, yet he questions the consequences of altering cycles the planet runs for a reason. The post AI Distillation: How Frontier Models Teach Each Other #1870 appeared first on Geek News Central.

Tu connais forcément cette situation. Quelqu'un sort son téléphone et se met à prendre une photo du groupe.Le flash se déclenche. Et quelques secondes plus tard, le résultat apparaît à l'écran. Tout est réussi. Ou presque. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Sources: https://lmg.gg/dXXMQ Timestamps: 0:00 Meta Muse Image Uses Instagram Likenesses1:31 Steam Machine Gets Windows Drivers2:39 EU Requires Driver Distraction Warnings4:48 QUICK BITS INTRO4:57 Sony Sued Over PlayStation Discs5:39 DuckDuckGo Blocks YouTube Ads6:08 Discord Bans Users for Grid Images6:45 Sony Headphones Become Head Trackers7:27 Waymo Delivers Teens to Police7:50 Credits Learn more about your ad choices. Visit megaphone.fm/adchoices

Congressional Democrats on the House Oversight Committee released a set of 19 photos from a larger trove of over 95,000 images obtained from Jeffrey Epstein's estate, aiming to shed light on his social connections. The photos include well-known figures such as President Donald Trump, former President Bill Clinton, Bill Gates, Steve Bannon, Larry Summers, Woody Allen, and Prince Andrew, often shown in social settings with Epstein or others; some images show Trump with unidentified women whose faces are redacted and others depict social scenes on jets or at events. None of the released photos directly show criminal acts, and their context and dates are not provided, but Democrats argue they raise important questions about Epstein's associations with powerful individuals and call for fuller transparency as part of a broader investigation. The release is part of an ongoing effort by lawmakers to review and make public materials from Epstein's estate and related government files.The photo release has quickly become political: **House Democrats say the images underscore a need to end what they call a “cover-up” and demand that the Department of Justice release the full set of Epstein files under the recently passed Epstein Files Transparency Act, which requires federal release of related documents by a mid-December deadline. Republicans and White House officials have criticized the release as selective and politically motivated, accusing Democrats of cherry-picking photos to create a narrative rather than present an objective record, and emphasizing that the photos do not demonstrate wrongdoing by anyone pictured. The disclosures have reignited public debate over Epstein's network and the extent of powerful people's associations with him, even as broader document releases and further image batches are expected in the coming weeks.to contact me:Disturbing photo on Epstein's desk sparks horror over 'incapacitated young girl passed out on couch' | Daily Mail OnlineBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Are US government alien agreements real? Examine current Congressional statements and the latest reports on secretive extraterrestrial technology.This briefing analyzes claims surrounding hybrid experiments, UFO abductions, and the role of Lue Elizondo in the ongoing disclosure conversation. We focus specifically on the advisory team pushing defense firms to address secret alien tech and the recent exposé on medbeds, providing a factual breakdown of what these developments mean for public understanding of non-human intelligence.Whether you follow official government reports or alternative research, this summary provides the necessary context for upcoming events like the Exopolitics Live Briefing. By reviewing the intersection of policy and alleged extraterrestrial contact, you gain a clearer picture of how these claims are being handled at the highest levels of national security.Subscribe for weekly ET disclosure breakdowns, and comment below on which specific UFO claim you want us to investigate next.Topics: Two new crop circles in Oxfordshire England coincide with closure of LHC for four years: https://x.com/MichaelSalla/status/2073363360767172617Prof Avi Loeb says we need to forget the past; just focus on what the future holds for us in terms of scientific breakthroughs with ET life and technology https://x.com/MichaelSalla/status/2073415365057564939 The truth is slowly coming out about alien-US government agreements permitting hybrid experiments, UFO abductions, and corresponding MILABs. https://x.com/MichaelSalla/status/2073517472851103795 Only a matter of time now before fully autonomous bipedal AI robots are made available for domestic home use and deployed on the battlefield in conventional wars. https://x.com/MichaelSalla/status/2073738564974555204 Major defense contractors such as Lockheed Martin and Northrop Grumman being openly identified as holding some of the UFO secrets. https://x.com/MichaelSalla/status/2073767601482629165 Exclusive Interview: Eyewitness claims meeting Amy Eskridge who leads antigravity research at underground spaceport https://t.co/kQqdkkAsYD Exposé by JP (Jorge Pabon) on how medbeds work, based on his direct experience. https://x.com/MichaelSalla/status/2074121817447412142 Admiral Bobby Ray Inman headed the National Underwater Reconnaissance Office https://x.com/MichaelSalla/status/2074303647718998345 Monoliths on the Moon Have Been Photographed https://x.com/wow36932525/status/2074473016931573982 Join Dr. Salla on Patreon for Early Releases, Webinar Perks and More.Visit https://Patreon.com/MichaelSalla/

Zion joins me on the podcast to discuss one of the most iconic—and notoriously challenging—snakes in herpetoculture: the Emerald Tree Boa. We break down the biggest mistakes new keepers make, how Zion refined his husbandry through trial and error, and what it really takes to keep these incredible snakes thriving in captivity.We also discuss the differences between Northern and Amazon Basin Emerald Tree Boas, the pros and cons of captive-bred versus imported animals, enclosure design, humidity management, heating, UVB, quarantine, and why patience may be the single most important quality for anyone considering this species. Whether you already keep Emerald Tree Boas or have always dreamed of owning one, this episode is packed with practical husbandry advice and fascinating insights.SHOW NOTES: https://www.animalsathomenetwork.com/256-emerald-tree-boas/SPONSORS: Visit The BioDude: https://www.thebiodude.com/ Visit Zoo Med Labs here: https://zoomed.com/JOIN US ON PATREON: https://www.patreon.com/animalsathomeLINKS FROM THE EPISODE:https://www.emeraldtreeboas.org/https://www.instagram.com/emeraldtreeboashttps://www.instagram.com/zvivarium/Photos and Video in Episode:Provided by Zion0:00 Intro3:04 Welcome, Zion! Background6:30 Getting his first Emerald Tree Boa11:59 Initial Emerald Tree Boa Setup and Mistakes25:44 Northern vs Basin Emerald Tree Boas40:28 Who Should Keep an Emerald Tree Boa?50:20 Setting up a Proper Emerald Tree Boa Enclosure 55:40 Emerald Tree Boa Heating and Lighting1:16:38 ETB Humidity, Substrate & Ventilation 1:34:38 Basin vs Northern Husbandry1:38:08 ETB Perching Behaviour 1:42:56 Dealing with Wild-Caught Imports1:46:11 ETB Health Issues2:21:15 ETB Feeding Routine2:30:26 EmeraldTreeBoas.Org & Closing Thoughts2:42:20 Outro

I came out publicly six years ago today! And that means it's time for my annual check in on all things transition-related. Let's see where everything's at, and what changed since year five. We'll be off the rest of July for SDCC (stay tuned for our appearance schedules!), but Tilly's Trans Tuesdays will return on August 4... with my next trans allegory deep-dive! TEXT VERSION https://www.tillystranstuesdays.com/2026/07/07/six-years-out-and-on-hrt-check-in/ FURTHER READING (topics discussed with essays available at https://TillysTransTuesdays.com ) One Year Out and on HRT Retrospective, Two Years Out and on HRT Retrospective, Three Years Out and on HRT Retrospective, Four Years Out and on HRT Retrospective, Five Years Out and on HRT Retrospective, Confidence 3: Embracing Your True Self, Gender Dysphoria, Body Hair, A Pandemic Transition, Photos and Reflections, Trans Voices 1-3, Trans Body Hacking, Radical Trans Acceptance (roller derby), Hair 1-2, Bodily Autonomy (and my tattoo), Hormone Replacement Therapy, Internalized Transphobia, Heavily Gendered Clothes REFERENCE MATERIAL Just Another Summer, a queer trans YA graphic novel - https://maverickgraphicnovels.com/product/just-another-summer-vol-1/ Star Trek Voyager: Homecoming, a second finale for the show (with reunions!), full five-issue series collected in on volume - https://www.penguinrandomhouse.com/books/815846/star-trek-voyager--homecoming-by-susan-bridges-tilly-bridges-angel-hernandez/ Princesses of the DC Universe, a middle-grade/all ages teen girl space adventure comedy - https://www.penguinrandomhouse.com/books/830701/princesses-of-the-dc-universe-by-susan-bridges/ The effects of hormone replacement therapy (HRT) on the human eye - https://pubmed.ncbi.nlm.nih.gov/11944225/ Special thanks to Daisy and Jane for the use of "Sorry Not Sorry" as our show's theme music. Please stop by and show your support at https://daisyandjane.bandcamp.com and https://soundcloud.com/daisyandjane --Please leave us a rating on Apple Podcasts/iTunes!-- Website: pendantaudio.com Bluesky: @pendantaudio.bsky.social‬

-- On the Show: -- Donald Trump contacts FIFA President Gianni Infantino to reverse a red card suspension for American player Flo Balogun -- Donald Trump allegedly committed wire fraud by diverting America250 donations into a private Freedom250 account -- Donald Trump delivers a 35-minute partisan speech before a fireworks display celebrating America's 250th birthday -- Donald Trump draws historically low attendance at his heavily politicized Independence Day fair in Washington DC -- Senator Mitch McConnell remains absent from public view for three weeks following an unexplained medical emergency -- Second Lady Usha Vance interviews Donald Trump who admits he only reads media stories written about himself -- Photographs reveal that a visibly aging Donald Trump fell asleep during the Independence Day fireworks show -- Donald Trump posts a mock restraining order against Italian Prime Minister Giorgia Meloni following a public dispute -- On the Bonus Show: Shootings across the country over Fourth of July weekend, Iran holds a funeral for Ayatollah Ali Khamenei, Belgium is granted an appeal to undo FIFA's red card reversal, and much more...

Extend Feature in OS 27 Beta Photos Saves a Precious Memory Bruce from Tennessee Explains CDPATH Audiobook Audio (V3) Part 4: Choosing the Book Voice Support the Show Security Bits — 5 July 2026 Transcript of NC_2026_07_05 Join the Conversation: allison@podfeet.com podfeet.com/slack Support the Show: Patreon Donation Apple Pay or Credit Card one-time donation PayPal one-time donation Podfeet Podcasts Mugs at Zazzle NosillaCast 20th Anniversary Shirts Referral Links: Setapp - 1 month free for you and me 15% off Carbon Copy Cloner Wispr Flow - 1 month free for you PETLIBRO - 30% off for you and me Parallels Toolbox - 3 months free for you and me Learn through MacSparky Field Guides - 15% off for you and me Backblaze - One free month for me and you Eufy - $40 for me if you spend $200. Sadly nothing in it for you. PIA VPN - One month added to Paid Accounts for both of us CleanShot X - Earns me $25%, sorry nothing in it for you but my gratitude

James sails a Wharram catamaran with two free-standing masts side-by-side and Chinese junk rigged. I met him in Bocas del Toro, Panama, and later in San Blas, in 2023. When I interviewed him, he was in Madeira. We talk about San Blas (Guna Yala) Panama, the jungle, leaving Panama without clearing out, arriving in Colombia without a zarpe from Panama, rescuing a friend, sailing from Panama to Colombia, squalls, Islas de Rosario, the boat Banemalo - a Wharram Tiki 46, what a Wharram is, tarred nylon line, sailing a junk rig, sailing the boat on different points of sail, tacking angle, the difficulty of sailing upwind in the boat, Cartagena, trading goods, meeting people, sailing north from Colombia, Jamaica, breaking a batten, Port Antonio - Jamaica, the Windward Passage, the Ragged Islands, running aground, the family of Wharram owners, building a doghouse on the deck, cooking without gas, Bermuda, the Azores, Galicia, Spain, extending his EU visa, Porto, Potrugal, a storm in the anchorage, dragging anchor, Madeira, almost losing the boat in a flood on a river, and more. Photos and links are on the podcast website Support the show through Patreon Shop for Sailboats at https://sailboatsforsale.com/ Shop for tankless dive systems at https://www.diveblu3.com/

REDIFF - Entre Laura Calu, Pierre Niney et Elie Semoun, c'est un concours aux pires demandes des fans... Fous rires, réponses inattendues, nouvelles rencontres, redécouvrez cet été les meilleurs moments de cette saison 2025-2026 !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join Debbie Loucks on a special episode of Horsemanship Radio.Each month, we'll delve into a chapter from Monty Roberts' insightful book, Horse Sense for People. Discover how Monty's revolutionary, non-violent communication techniques with horses offer invaluable lessons for human relationships, business, and personal growth. This series aims to share Monty's timeless wisdom and inspiring stories with everyone, free of charge. Tune in on the 1st and 15th of every month for new episodes of Horsemanship Radio!Horsemanship Radio 306:Show Host: Debbie LoucksTitle Sponsor: Drimee Solarium Use promo code MONTY1 for $150 off your purchase of a Drimee Solarium!Photos used with permissionPurchase your own copy of Horse Sense for PeopleLearn more about Good Horsemanship at Monty Roberts EQUUS Online University Monty's CalendarPlease follow Monty Roberts on FacebookFollow Monty Roberts on Twitter or on InstagramSee more at: MontyRoberts.comHear all the shows on the Horse Radio NetworkSupport the show

Kim Jongen of Mother Puppers Studio is back on the podcast two years after first sharing how she became one of the most recognisable dog photographers in the Netherlands. In this follow-up interview, Kim shares what has changed since the early days of viral attention, media coverage and being booked out. She talks about reducing the number of clients she photographs each week, raising her prices, selling more wall art, outsourcing editing, moving into a professional studio and creating new income streams through stock image sales and coaching. What stands out is how Kim has shifted from simply being busy to building a photography business that feels more sustainable, profitable and enjoyable to run. The post 675: Kim Jongen – Turning Viral Dog Photos Into Wall Art, Stock Sales and Coaching appeared first on Photography Business Xposed - Photography Podcast - how to build and market your portrait and wedding photography business.

Send us Fan MailFamily photos can help build resilience in kids by connecting them with their heritages or reminding them of times when they felt competent, safe, and loved. In the digital age, we create more family photos than ever, but, ironically, we seem to be appreciating them less. My guest this episode, Megan O'Hare, teaches adults how to organize and keep their photos safe and how to convert them into formats that kids enjoy accessing and sharing. Megan and I discuss her tips for starting – what might seem to be – the herculean task of sorting digital photos and her professional insights on common mistakes and misconceptions about creating and storing photo archives. More information about Megan and her service, The Photo Project, is at talkingaboutkids.com.