Podcasts about Photography

HT2494 - Bridging the Gap Between Life and Fiction I've been thinking a lot lately about the role of media in our generation and the growth of fiction. Most of what we see on television is a fiction, video games are a fiction, so much of YouTube is a fiction, and even social media includes a significant amount of fiction. AI is going to compound this. It's not surprising that so much of photography (a quintessential 20th century medium) has become a fiction. Is it fair to say that our generation, compared to our ancestors, have been thoroughly seduced by the fictions of media? As a means of resistance, is it possible to use photography as a tool to bridge the gap between life and fiction? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,033, Jan. 6, 2026. Today's theme is, "I Thought My iPhone Shots Were Fine, Until I Didn't." I'm Derrick Story. As I mentioned last week, my iPhone has saved me countless times. Plus, it's so convenient. So much so, that when I'm working on an article, I often pull it out of my pocket for a few quick illustration snaps. But then, I had an interesting revelation that caused me to recalibrate. I'll share that story on today's TDS Photography Podcast. I hope you enjoy the show.

We're baaaaaaack! Happy New Year, y'all! In this first episode of 2026, meet and get to know San Francisco artist Hollis Callas. Hollis first came across my radar a few years ago when she won a contest to design our city's new "I voted" stickers. I soon learned that she's something of an artistic fixture in one of my adopted neighborhoods—The Inner Richmond. So I sat down with her one afternoon in November to learn more about her life. In Part 1, Hollis, an artist, illustrator, and designer, begins sharing her life story, which started in Atlanta. She grew up in the same Georgia house where her dad was also raised. Her grandpa lived there when Hollis was young, and her parents still live in the house today. Both of Hollis's parents are creatives. Her mom studied fabric design and textiles and weaves quilts these days. Her dad is a carpenter and "builds everything." Along with her crafty dad, Hollis often found herself making big changes in her house when she was little. Her parents met when they were both at the University of Georgia, in Athens. When the two moved in together, Hollis's mom was friends with members of the B-52s. That now well-known band played one of its early shows at her parents house, in fact. Hollis met the band when she was a kid, but doesn't really remember it. After they each graduated college, Hollis's parents moved back to Atlanta to that ancestral home we talked about earlier to take care of her dad's dad, who had fallen ill. First, her older sister was born. And then, in 1987, along came baby Hollis. Life in Atlanta in the Nineties for Hollis meant lots of time outdoors. There's an acre of land with the house she grew up in, space for lots of trees and a bird sanctuary. It was still a time of latch-key kids, and she was definitely one. Hollis roamed her parents' land, wading in creeks and running through the forest. Her parents eventually got a second home up in the Blue Ridge Mountains where she also spent a lot of time. Hollis went to public school the whole way. Her mom went back to school to become an elementary school librarian, and her dad taught at her high school what we used to call woodshop and coached the boys cross-country team (Hollis was part of the girls team). Kids at her high school loved Coach Griffith, she says. Art didn't necessarily "enter" Hollis' life. It was always just there. She answered that dreaded question some adults ask kids of "what do you wanna be when you grow up?" with "an artist or a vet." But then she stared getting good grades in art and didn't do so well in math. The Universe spoke, and Hollis listened. Sports remained a big part of Hollis's life up to and through college, where she played intramural soccer. There was an art school in a small North Carolina town she'd had her eye on, but she ended up getting a scholarship to stay in-state, and landed at UGA in Athens, where she studied art. UGA is one of those intense Greek life schools (I relate, having gone to UT Austin), and Hollis found out quickly that it wasn't for her. She found her art school homies right away. At this point in the recording, Hollis and I go on a sidebar about recurring end-of-semester nightmares. Hollis graduated from UGA with two degrees—ceramics and art education. She student taught one year and got out in five total. After that, she and her boyfriend (now husband) applied for teaching jobs in Spain. They heard back almost a year later, and found themselves living in Zamora and staying for two years. We chat about her time in Spain. They had such a good time the first year and got really embedded, making friends, working, learning Spanish, and joining a bicycling group that they decided to double-up and stay one more year. At the end of that run, though, pressures started to mount for them to return to the US. They came back to Atlanta and Hollis got a job teaching ceramics at a high school. Not even 30 yet herself, she found it difficult to lead a group of kids who weren't that much younger than she was. And they were going through their own hard times. After one year teaching, when colleges came to recruit the teenagers, The Creative Circus ended up picking Hollis. It was a two-year "bootcamp" type of learning environment, geared toward careers in advertising. But before her two years were up, Hollis got a job in San Francisco. Check back Thursday for Part 2 with artist Hollis Callas. We recorded this podcast at Hollis's studio inside of Chloe Jackman Photography in The Inner Richmond in November 2025. Photography by Jeff Hunt

We sit down for our annual year-end conversation, reflecting on 2025 and mapping out intentions for 2026. The discussion moves between practical revenue planning and deeper questions about identity, authenticity, and what it means to build a creative life without losing yourself in the process.We explore the tension between chasing grandiose visions of success and learning to be present with who we actually are—people who source vintage records, make photographs, create videos, and build websites. The conversation touches on the difference between "playing the part" of a successful creator versus doing work that genuinely reflects our interests and values. We discuss building infrastructure: getting websites live, returning to photography, potentially publishing short stories, and establishing outlets for work that's been internal for too long. Both of us grapple with the pull of consumption and distraction versus the slower work of being present, disciplined, and engaged with the actual world.The episode ends on the idea of returning to being generalists rather than specialists—people with broad interests and connections across different areas of life, people who haven't traded their souls for narrow visions of achievement. -Ai If you enjoyed this episode, please consider giving us a rating and/or a review. We read and appreciate all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG

In this episode of Skin Anarchy, Dr. Ekta sits down with Natasha Denona for a rare, reflective conversation that traces the creative and philosophical roots of one of modern makeup's most influential brands. Known for palettes that have become industry benchmarks, Natasha opens up about how her work has always been driven less by trends—and more by intention, education, and respect for the user.Growing up between science and art shaped everything. Natasha's mother, a chemist in inorganic chemistry, exposed her early to laboratories, precision, and technical thinking. While chemistry itself didn't immediately click, the discipline behind it did. That structured curiosity later resurfaced in how Natasha approaches formulation, texture, and product architecture—where creativity is always grounded in control.Before makeup, there was painting, theater, and dance. Natasha shares how color became both emotional language and psychological tool, first explored through art and stage makeup. That foundation explains why her palettes feel cohesive yet expressive—each one designed as a complete story rather than a collection of random shades.A defining theme of the episode is education. Natasha doesn't create products to sit on a shelf; she designs tools that teach. Long before “educational beauty” became a marketing buzzword, her launches embedded technique—guiding users through layering, sculpting, and dimension the way professional artists actually work.Rather than chasing novelty, Natasha deliberately builds for longevity. Palettes like Biba and Camel weren't designed for a moment—they were designed to last across ages, skin tones, and styles. Inclusivity, she explains, has always been non-negotiable, not performative. Her decision to launch 52 foundation shades wasn't strategic—it was personal.Throughout the conversation, one belief remains constant: the product should be the star. Natasha never wanted her image to overshadow the work itself.Listen to the full episode of Skin Anarchy to hear Natasha Denona reflect on creativity, inclusivity, and why true innovation in beauty comes from intention—not trends.SHOP NATASHA DENONA CHAPTERS:(0:02) - Welcome & Introducing Natasha Denona(1:14) - Growing Up Around Science, Art, and Photography(4:43) - Early Relationship With Color, Makeup, and Expression(6:11) - From Dance & Modeling to Makeup Artistry(7:26) - Building Iconic Color Stories & Palette Philosophy(9:05) - Inclusivity as a Core Creative Principle(13:19) - Creating Complexion Products at Scale(17:05) - Longevity, Creativity, and Avoiding Trends(24:08) - Entrepreneurship, Visibility, and Authentic LeadershipPlease fill out this survey to give us feedback on the show!Don't forget to subscribe to Skin Anarchy on Apple Podcasts, Spotify, or your preferred platform.Reach out to us through email with any questions.Sign up for our newsletter!Shop all our episodes and products mentioned through our ShopMy Shelf! Hosted on Acast. See acast.com/privacy for more information.

Most people think a headshot is just a photo. James Stewart knows it's a leadership statement. As a nationally recognized brand portrait photographer, James works with executives, championship athletes, and top performers to capture confidence before they even say a word. In this episode, we uncover: 

Premium Members, click here to access this interview in the premium area Vincent Peters of www.vincentpetersstudio.com doesn't just capture moments — he reveals something deeper about the people we think we already know. He's a German-born photographer, artist, and visual storyteller whose images have graced the pages of Vogue, GQ, and Harper's Bazaar, [...] The post 649: Vincent Peters – The Courage to Stop Imitating and Start Seeing with Your Photography appeared first on Photography Business Xposed - Photography Podcast - how to build and market your portrait and wedding photography business.

HT2493 - More on Observation vs Project Yesterday I was talking about how we might describe what we photographers actually do. Is the core of our activities that we build something or is it that we observe something? Here are a few additional thoughts about this distinction that might change a great deal about our creative life. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1487 - The Photography I Love Aesthetic conventions come and go. Culture and popular tastes are constantly changing. Example: There are no radio stations that play big band music anymore even though it once ruled the airwaves. The photographic aesthetic I grew up with and still love to this day is losing audience and slowly sliding into history. All the more reason to spend time with and enjoy the work we love and love doing, while we can. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

This is a preview of this week's Patreon video episode. To listen to the full episode and to enjoy weekly bonus content, videos, BTS bits, extra guest stories, live show discount codes and more, sign up to the Yer Don't Get Owt Fer Nowt! tier on Patreon at patreon.com/northernnews.Exclusively for Patreon, enjoy more from our Christmas special guest, Kiell Smith-BynoeGot a juicy story from t'North? Email it to northernnewspod@gmail.com.And follow Northern News on Instagram @NorthernNewsPodcastRecorded and edited by Aniya Das for Plosive.Artwork by Welcome Studio.Photography by Jonathan Birch. Hosted on Acast. See acast.com/privacy for more information.

HT2492 - Observation or Project Terminology is such an interesting thing. For some time now, I've used the term "project" as the nomenclature for something produced with multiple images and a small amount of text or title. Of late, however, I have come to think of the word "observation" as perhaps a better term to illustrate the core of this activity in our art life. Observation is less about what we make and more about what is revealed to us, and as such seems closer to the core of what makes our artwork worth viewing. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2400 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Coming up in our January podcast: we discuss the photographer who took just minutes to recreate a shot that took him several years the first time round and James and Marcus get all excited about the sale of the world's largest walk-in, large-format camera. We start the year with a brand new POP Quiz - and see if Marcus's new technique carries on working for him - and we discover inflatable studio lights and the action figure with a hidden secret. LINKS

NADAR'S BALLOON AND THE BIRTH OF PHOTOGRAPHY Colleague Anika Burgess, Flashes of Brilliance. In 1863, the photographer Nadar undertook a perilous ascent in a giant balloon to fund experiments for heavier-than-air flight, illustrating the adventurous spirit required of early photographers. This era began with Daguerre's 1839 introduction of the daguerreotype, a process involving highly dangerous chemicals like mercury and iodine to create unique, mirror-like images on copper plates. Pioneers risked their lives using explosive materials to capture reality with unprecedented clarity and permanence. NUMBER 1 1870 siege of the Paris Commune.

PHOTOGRAPHING THE MOON AND SEA Colleague Anika Burgess, Flashes of Brilliance. Early photography expanded scientific understanding, allowing humanity to visualize the inaccessible. James Nasmyth produced realistic images of the moon by photographing plaster models based on telescope observations, aiming to prove its volcanic nature. Simultaneously, Louis Boutan spent a decade perfecting underwater photography, capturing divers in hard-hat helmets. These efforts demonstrated that photography could be a tool for scientific analysis and discovery, revealing details of the natural world previously hidden from the human eye. NUMBER 2 1871 Paris Commune national guard

X-RAYS, SURVEILLANCE, AND MOTION Colleague Anika Burgess, Flashes of Brilliance. The discovery of X-rays in 1895 sparked a "new photography" craze, though the radiation caused severe injuries to early practitioners and subjects. Photography also entered the realm of surveillance; British authorities used hidden cameras to photograph suffragettes, while doctors documented asylum patients without consent. Finally, Eadweard Muybridge's experiments captured horses in motion, settling debates about locomotion and laying the technical groundwork for the future development of motion pictures. NUMBER 4 1871 Vendomme

X-RAYS, SURVEILLANCE, AND MOTION Colleague Anika Burgess, Flashes of Brilliance. The discovery of X-rays in 1895 sparked a "new photography" craze, though the radiation caused severe injuries to early practitioners and subjects. Photography also entered the realm of surveillance; British authorities used hidden cameras to photograph suffragettes, while doctors documented asylum patients without consent. Finally, Eadweard Muybridge's experiments captured horses in motion, settling debates about locomotion and laying the technical groundwork for the future development of motion pictures. NUMBER 4 1914 Ferdinand arrives sarajevo

SHOW 12-2-2026 THE SHOW BEGIJS WITH DOUBTS ABOUT AI --  a useful invetion that can match the excitement of the first decades of Photography. November 1955 NADAR'S BALLOON AND THE BIRTH OF PHOTOGRAPHY Colleague Anika Burgess, Flashes of Brilliance. In 1863, the photographer Nadar undertook a perilous ascent in a giant balloon to fund experiments for heavier-than-air flight, illustrating the adventurous spirit required of early photographers. This era began with Daguerre's 1839 introduction of the daguerreotype, a process involving highly dangerous chemicals like mercury and iodine to create unique, mirror-like images on copper plates. Pioneers risked their lives using explosive materials to capture reality with unprecedented clarity and permanence. NUMBER 1 PHOTOGRAPHING THE MOON AND SEA Colleague Anika Burgess, Flashes of Brilliance. Early photography expanded scientific understanding, allowing humanity to visualize the inaccessible. James Nasmyth produced realistic images of the moon by photographing plaster models based on telescope observations, aiming to prove its volcanic nature. Simultaneously, Louis Boutan spent a decade perfecting underwater photography, capturing divers in hard-hat helmets. These efforts demonstrated that photography could be a tool for scientific analysis and discovery, revealing details of the natural world previously hidden from the human eye. NUMBER 2 SOCIAL JUSTICE AND NATURE CONSERVATION Colleague Anika Burgess, Flashes of Brilliance. Photography became a powerful agent for social and environmental change. Jacob Riis utilized dangerous flash powder to document the squalid conditions of Manhattan tenements, exposing poverty to the public in How the Other Half Lives. While his methods raised consent issues, they illuminated grim realities. Conversely, Carleton Watkins hauled massive equipment into the wilderness to photograph Yosemite; his majestic images influenced legislation signed by Lincoln to protect the land, proving photography's political impact. NUMBER 3 X-RAYS, SURVEILLANCE, AND MOTION Colleague Anika Burgess, Flashes of Brilliance. The discovery of X-rays in 1895 sparked a "new photography" craze, though the radiation caused severe injuries to early practitioners and subjects. Photography also entered the realm of surveillance; British authorities used hidden cameras to photograph suffragettes, while doctors documented asylum patients without consent. Finally, Eadweard Muybridge's experiments captured horses in motion, settling debates about locomotion and laying the technical groundwork for the future development of motion pictures. NUMBER 4 THE AWAKENING OF CHINA'S ECONOMY Colleague Anne Stevenson-Yang, Wild Ride. Returning to China in 1994, the author witnessed a transformation from the destitute, Maoist uniformity of 1985 to a budding export economy. In the earlier era, workers slept on desks and lacked basic goods, but Deng Xiaoping's realization that the state needed hard currency prompted reforms. Deng established Special Economic Zones like Shenzhen to generate foreign capital while attempting to isolate the population from foreign influence, marking the start of China's export boom. NUMBER 5 RED CAPITALISTS AND SMUGGLERS Colleague Anne Stevenson-Yang, Wild Ride. Following the 1989 Tiananmen crackdown, China reopened to investment in 1992, giving rise to "red capitalists"—often the children of party officials who traded political access for equity. As the central government lost control over local corruption and smuggling rings, it launched "Golden Projects" to digitize and centralize authority over customs and taxes. To avert a banking collapse in 1998, the state created asset management companies to absorb bad loans, effectively rolling over massive debt. NUMBER 6 GHOST CITIES AND THE STIMULUS TRAP Colleague Anne Stevenson-Yang, Wild Ride. China's growth model shifted toward massive infrastructure spending, resulting in "ghost cities" and replica Western towns built to inflate GDP rather than house people. This "Potemkin culture" peaked during the 2008 Olympics, where facades were painted to impress foreigners. To counter the global financial crisis, Beijing flooded the economy with loans, fueling a real estate bubble that consumed more cement in three years than the US did in a century, creating unsustainable debt. NUMBER 7 STAGNATION UNDER SURVEILLANCE Colleague Anne Stevenson-Yang, Wild Ride. The severe lockdowns of the COVID-19 pandemic shattered consumer confidence, leaving citizens insecure and unwilling to spend, which stalled economic recovery. Local governments, cut off from credit and burdened by debt, struggle to provide basic services. Faced with economic stagnation, Xi Jinping has rejected market liberalization in favor of increased surveillance and control, prioritizing regime security over resolving the structural debt crisis or restoring the dynamism of previous decades. NUMBER 8 FAMINE AND FLIGHT TO FREEDOM Colleague Mark Clifford, The Troublemaker. Jimmy Lai was born into a wealthy family that lost everything to the Communist revolution, forcing his father to flee to Hong Kong while his mother endured labor camps. Left behind, Lai survived as a child laborer during a devastating famine where he was perpetually hungry. A chance encounter with a traveler who gave him a chocolate bar inspired him to escape to Hong Kong, the "land of chocolate," stowing away on a boat at age twelve. NUMBER 9 THE FACTORY GUY Colleague Mark Clifford, The Troublemaker. By 1975, Jimmy Lai had risen from a child laborer to a factory owner, purchasing a bankrupt garment facility using stock market profits. Despite being a primary school dropout who learned English from a dictionary, Lai succeeded through relentless work and charm. He capitalized on the boom in American retail sourcing, winning orders from Kmart by producing samples overnight and eventually building Comitex into a leading sweater manufacturer, embodying the Hong Kong dream. NUMBER 10 CONSCIENCE AND CONVERSION Colleague Mark Clifford, The Troublemaker. The 1989 Tiananmen Squaremassacre radicalized Lai, who transitioned from textiles to media, founding Next magazine and Apple Daily to champion democracy. Realizing the brutality of the Chinese Communist Party, he used his wealth to support the student movement and expose regime corruption. As the 1997 handover approached, Lai converted to Catholicism, influenced by his wife and pro-democracy peers, seeking spiritual protection and a moral anchor against the coming political storm. NUMBER 11 PRISON AND LAWFARE Colleague Mark Clifford, The Troublemaker. Following the 2020 National Security Law, authorities raided Apple Daily, froze its assets, and arrested Lai, forcing the newspaper to close. Despite having the means to flee, Lai chose to stay and face imprisonment as a testament to his principles. Now held in solitary confinement, he is subjected to "lawfare"—sham legal proceedings designed to silence him—while he spends his time sketching religious images, remaining a symbol of resistance against Beijing's tyranny. NUMBER 12 FOUNDING OPENAI Colleague Keach Hagey, The Optimist. In 2016, Sam Altman, Greg Brockman, and Ilya Sutskever founded OpenAI as a nonprofit research lab to develop safe artificial general intelligence (AGI). Backed by investors like Elon Musk and Peter Thiel, the organization aimed to be a counterweight to Google's DeepMind, which was driven by profit. The team relied on massive computing power provided by GPUs—originally designed for video games—to train neural networks, recruiting top talent like Sutskever to lead their scientific efforts. NUMBER 13 THE ROOTS OF AMBITION Colleague Keach Hagey, The Optimist. Sam Altman grew up in St. Louis, the son of an idealistic developer and a driven dermatologist mother who instilled ambition and resilience in her children. Altmanattended the progressive John Burroughs School, where his intellect and charisma flourished, allowing him to connect with people on any topic. Though he was a tech enthusiast, his ability to charm others defined him early on, foreshadowing his future as a master persuader in Silicon Valley. NUMBER 14 SILICON VALLEY KINGMAKER Colleague Keach Hagey, The Optimist. At Stanford, Altman co-founded Loopt, a location-sharing app that won him a meeting with Steve Jobs and a spot in the App Store launch. While Loopt was not a commercial success, the experience taught Altman that his true talent lay in investing and spotting future trends rather than coding. He eventually succeeded Paul Graham as president of Y Combinator, becoming a powerful figure in Silicon Valley who could convince skeptics like Peter Thiel to back his visions. NUMBER 15 THE BLIP AND THE FUTURE Colleague Keach Hagey, The Optimist. The viral success of ChatGPT shifted OpenAI's focus from safety to commercialization, despite early internal warnings about the existential risks of AGI. Tensions over safety and Altman's management style led to a "blip" where the nonprofit board fired him, only for him to be quickly reinstated due to employee loyalty. Elon Musk, having lost a power struggle for control of the organization, severed ties, leaving Altman to lead the race toward AGI. NUMBER 16

HT2491 - Craft Becomes Obsolete, Art Does Not I'm not sure the title of this commentary is actually true, but it does point to a thought that can be helpful. In essence, how we make pictures is constantly changing since the first days of photography. Technology marches on, continually, relentlessly. The content of what are photographs portray, the artistic content, remains relevant and possibly even innovative even after the passage of decades. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2400 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

Is your phone not accurately capturing the world around you? An article in the Guardian questions whether image processing in smartphones is making photos that aren't genuine. Also, Leica released a firmware update that radically changes the entire interface, leading to a discussion of how important the UI in our cameras is when making photos. Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson), Jeff on Bluesky (https://bsky.app/profile/jeffcarlson.bsky.social) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn), Kirk on Bluesky (https://bsky.app/profile/kirkville.com) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-201-whats-real)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Now that phones alter our photos without us knowing, how do we know what's real? (https://www.theguardian.com/commentisfree/2025/dec/23/smartphones-photos-filters-pictures-software) Episode 114: Bryan Jones on Why Color Doesn't Exist (https://www.photoactive.co/home/episode-114-jones-color) Leica Q3 firmware update (https://leica-camera.com/en-GB/photography/q?cpid=c018e3e0aee64121a88a95ad52b645b1#firmware) Leica's engraved fonts (https://arun.is/blog/leica-font/) Leica TikTok (https://www.tiktok.com/@leica_camera_official/video/7587076089801952544) Actions Ring - On Screen Overlay (https://www.logitech.com/en-us/software/logi-options-plus/actions-ring.html) 3M Precise Mouse Pad (https://amzn.to/4jhTDW6) Kirk's Snapshot Logitech MX Master 4 (https://amzn.to/499oK1f) Jeff's Snapshot Moment Tripod Mount for MagSafe (https://www.shopmoment.com/products/moment-pro-tripod-mount-for-magsafe) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

HT2490 - The Competition for Attention Here, deep in the age of media, doesn't it seem obvious that there is a raging and ever-present contest for our attention. Consider the next hour of leisure in your life. What will you do with that 60 minutes? Watch TV? Read a book? Listen to some music? Go shopping? Spend time with your friends or family? Or, will you dedicate those 60 minutes to looking at art, especially photographic art? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In case you didn't already know, 2025 marks 10 years since we started the B&H Photography Podcast, making today's show our tenth annual Photo Gear of the Year episode! A lot of cameras have come down the pike since that first recap, along with a veritable roller coaster of marketing strategies and photographic trends. To follow up on a trend discussed last year, we start out with a nod to point-and-shoots, a craze that, according to Kevin, has "become fever pitch." To expand on this theme, we look back in time to when digital point-and-shoots were losing ground to the ubiquitous camera phone, leading to Mike's theory that the current digicam trend is "real nostalgia for mid-aughts frivolity." We also point to a multi-tiered strategy among manufacturers, allowing them to cater to different user bases—from vloggers to professionals to hybrid shooters to the all-important enthusiast market. This lighthearted banter leads into our main course, focused on new releases from Canon, FUJIFILM, Godox, Hasselblad, Leica, Nikon, OM SYSTEM, Panasonic, Peak Design, Ricoh Pentax, Sigma, and Sony. Finally, in addition to predictions for 2026, we wrap things up with Kevin's picks for travel-friendly photo accessories to catch his eye this year. Stay to the end to learn about Peak Design's latest travel bags and tripods, plus the innovative modular design behind a new flash system from Godox. Guest: Kevin Rickert Episode Timeline 2:50: Kevin looks back at recent camera trends, and identifies separate tiers for vlogging, high resolution cameras, hybrid cameras, and the nostalgia for old point & shoots. 9:11: Canon releases: R50 V, R6 Mark III, Powershot V1… plus a nod to the older G7 X Mark III 18:00: FUJIFILM releases: X-half digital camera, X-E5, X-T30 III, GFX100RF, Instax Wide EVO 33:10: Hasselblad release: X2D II 100C 37:37: Leica releases: M EV1, Q3 Monochrome, SL3-S, SL3 Reporter 43:30: Episode break 43:52: Nikon releases: ZR 6K, Z5 II, and a Z6 III firmware update 54:22: OM SYSTEMS releases: OM-3, OM-5 MK II 57:38: Panasonic releases: S1R II, S1 II, S1 IIE 1:02:48: Ricoh release: GR IV 1:05:40: Sigma release: BF Mirrorless 1:09:48: Sony releases: RX1R III, FX3A, FX2, a7 V 1:23:50: Kevin's recommendation for a better editing workflow when travelling with an Apple iPad Pro 1:26:06: Peak Design releases: Roller Pro Carry-On & Pro Carbon Fiber Tripods with Ball Head 1:28:45: Godox release: iT-32 TTL Mini Flash system 1:30:12: Revisiting the current point and-shoot craze and the digicam look 1:34:52: Kevin's upcoming travel plans, and thinking ahead for the total eclipse in mid-August 2026 1:39:00: Kevin, Derek, and Mike share their predictions for 2026 Guest Bio: Kevin Rickert is B&H Photo's Senior Sales Trainer for Photography and Lighting. It's Kevin's job to keep in touch with camera and lens manufacturers and get details about all the latest releases and updates. His role is to make sure the world-renowned B&H staff has all the information to answer your who, what, why, and other questions that you may ask, so they can satisfy all your wants and needs. Born and raised in New York, Kevin is an intrepid street photographer, an avid traveler, and a baseball fan with 23 years in electronic retail, the last 11 of which have been spent as a sales trainer at B&H. Stay Connected: B&H Photo Video Website: https://www.bhphotovideo.com B&H Photography Podcast landing page: https://www.bhphotovideo.com/explora/podcasts B&H Photography Podcast on B&H Photo's YouTube channel: https://www.youtube.com/@BandH/podcasts  B&H Photo Video Instagram: https://www.instagram.com/bhphoto B&H Photo Video Twitter: https://twitter.com/bhphoto  Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

HT2489 - Processing for the Medium There now exist so many different media we can choose for the output of our photographs. These choices imply that we need to process our images with the output medium in mind. An image intended for a small scale phone/screen presentation is likely to require different processing than if we intend to make a large scale framed print. We could possibly have a dozen different completions with any given image, each produced for a different kind of presentation. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Does growing your business without showing up on Instagram sound like a dream? In today's episode, visibility strategist Kylie Kelly joins us to explain how entrepreneurs can build authority, leads, and actual paying clients without having to live on social media. If you're tired of the “you must be on Instagram to succeed” narrative, this is your permission slip to do business your way.Find It Quickly00:24 - Meet Kylie01:47 - Kylie's Journey from Photography to Systems03:24 - The Power of Email Marketing06:06 - Experimenting with Marketing Strategies08:26 - The Importance of Data-Driven Decisions12:13 - Adapting and Pivoting in Business16:18 - Taking Action and Building Confidence18:58 - Personal Stories and Reflections21:38 - Permission to Take Action26:41 - Discussing AI Bots and Lead Magnets28:00 -Breakthrough Audits and Their Impact32:56 - Human Connection in Business34:29 - Networking Events and Their Benefits36:13 - Empire Expansion EventsMentioned in this Episode:Empire Expansion Event: kyliekelly.com/eventColie's Networking Events: coliejames.com/connectionConnect with KylieWebsite: kyliekelly.comPodcast: kyliekelly.com/category/podcastEmpire Expansion Event: kyliekelly.com/event

Photography is changing — but not in the way you think.As AI accelerated rapidly throughout 2025, many photographers expected the conversation to be all about tools, speed, and automation. But as this episode unfolds, a more nuanced picture begins to emerge — one centred on creativity, intention, human connection, and the long-term value of authenticity.In this annual Camera Shake tradition, 15 photographers, educators, and creative voices share their honest perspectives on where photography is heading in 2026. Drawing on real-world experience across commercial, editorial, fine-art, education, and business photography, this episode explores not just what is changing, but how photographers are responding.Rather than a single prediction, you'll hear a wide range of viewpoints — sometimes aligned, sometimes contradictory — reflecting the reality that photography is no longer moving in one clear direction.Featuring insights from (in order of appearance):Joe McNallyhttps://www.joemcnally.comScott Kelbyhttps://www.kelbyone.comMatthew Jordan Smithhttps://www.matthewjordansmith.comKarl Taylorhttps://www.karltaylor.co.ukBooray Perryhttps://www.boorayperry.comFrank Doorhofhttps://www.frankdoorhof.comTy Turnerhttps://flashfilmacademy.comSteve Brazillhttps://www.behindtheshot.tvAndy McSweeneyhttps://www.phototourbrugge.comTroy Millerhttps://www.spicyjello.comBen Bealehttps://www.bbdigitalarts.comJames Musselwhitehttps://www.musselwhitephotography.comLenworth Johnsonhttps://lenworthjohnson.comBob Coateshttps://www.bcphotography.comBob Piercehttps://www.bobpiercephotography.comCheck out Joe McNally's new website & learning platform:https://betterpictureswithjoe.comWhether you're navigating AI tools, refining your creative voice, or running a photography business, this episode offers grounded insight into what may matter most moving forward — beyond trends, beyond gear, and beyond algorithms.In this episode, we explore:How AI has changed photography workflows — and where it hasn'tWhy speed and automation aren't the full storyThe growing importance of intention, taste, and human connectionHow photographers are positioning themselves for relevance in 2026Why authenticity is becoming a differentiator, not a buzzwordWhat do you think photography will look like in 2026?Are you embracing new tools, resisting them, or redefining how you work altogether?Join the conversation in the comments.If you enjoy thoughtful, long-form discussions about photography and the creative industry, consider subscribing to the Camera Shake Podcast on YouTube or your favourite podcast platform.SUPPORT THE PODCAST:www.buymeacoffee.com/camerashakeJOIN THE CAMERA SHAKE COMMUNITY:www.camerashakepodcast.comCHECK OUT OUR SPONSOR:www.platypod.com FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Fluent Fiction - Swedish: Lost in the City Snow: A Photographer's Redemption Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2026-01-01-08-38-20-sv Story Transcript:Sv: Det var en kall januarimorgon.En: It was a cold January morning.Sv: Snön hade lagt sig som ett tjockt täcke över Stockholm, och den frusna vinden svepte genom stadens gator.En: The snow had settled like a thick blanket over Stockholm, and the freezing wind swept through the city streets.Sv: Mikael, med sin fingrar som var stela av kyla, stapplade in i Stockholms polisstation.En: Mikael, with fingers stiff from the cold, stumbled into Stockholm's police station.Sv: Han bar på en tung börda - inte bara hans fysiska trötthet, utan också en känsla av förlust.En: He carried a heavy burden—not just his physical exhaustion, but also a sense of loss.Sv: Hans kamera, med bilderna från norra Sveriges vildmark, var borta.En: His camera, with the pictures from northern Sweden's wilderness, was gone.Sv: Inne i polisstationen var det fullt kaos.En: Inside the police station, chaos reigned.Sv: Det var Nyårsdagen och folk trängdes för att rapportera sina egna katastrofer.En: It was New Year's Day, and people crowded in to report their own disasters.Sv: Mikael tog av sig sin tjocka mössa och kände hur värmen sakta började återvända till hans kropp, men han visste att han inte hade mycket tid innan hans kropp började ge vika.En: Mikael took off his thick hat and felt the warmth slowly returning to his body, but he knew he didn't have much time before his body began to collapse.Sv: Han såg sig om efter Astrid, en polis han träffat förr.En: He looked around for Astrid, an officer he had met before.Sv: Hon hade hjälpt honom tidigare, och han hoppades att hon skulle göra det igen.En: She had helped him previously, and he hoped she would do so again.Sv: Efter en stunds letande såg Mikael henne.En: After a moment of searching, Mikael saw her.Sv: Astrid stod där, djupt försjunken i ett samtal med en annan man.En: Astrid stood there, deeply engrossed in conversation with another man.Sv: Mikael samlade all sin återstående styrka och gick mot henne.En: Mikael gathered all his remaining strength and walked toward her.Sv: "Astrid", kallade han svagt.En: "Astrid," he called weakly.Sv: Hon vände sig om och såg genast hans tillstånd.En: She turned around and immediately noticed his condition.Sv: Hennes ansikte blev allvarligt, men hon visste vad hon behövde göra.En: Her face became serious, but she knew what she needed to do.Sv: "Vad har hänt, Mikael?"En: "What happened, Mikael?"Sv: frågade hon, och hennes röst var lugn och trygg.En: she asked, her voice calm and reassuring.Sv: "Min kamera...En: "My camera...Sv: Stulen.En: Stolen.Sv: Bilderna...", försökte han förklara, men orden kom hackigt på grund av kylan.En: The pictures..." he tried to explain, but the words came out haltingly due to the cold.Sv: Astrid reagerade omedelbart.En: Astrid reacted immediately.Sv: "Sätt dig här," sa hon och ledde honom till en stol.En: "Sit here," she said, guiding him to a chair.Sv: Hon inledde processen för att snabbare registrera hans rapport.En: She began the process to quickly register his report.Sv: Mitt i allt kände Mikael hur hans huvud började snurra, och plötsligt blev allt svart.En: Amid everything, Mikael felt his head start to spin, and suddenly everything went black.Sv: Han föll från stolen och tappade medvetandet.En: He fell from the chair and lost consciousness.Sv: När han vaknade igen, låg han under en varm filt på ett av stationens rum.En: When he awoke again, he was under a warm blanket in one of the station's rooms.Sv: Astrid satt bredvid honom, med en kopp varmt te i handen.En: Astrid sat beside him with a cup of warm tea in hand.Sv: "Du gav oss alla en rejäl chock", sa hon mjukt.En: "You gave us all quite a scare," she said softly.Sv: Mikael nickade svagt.En: Mikael nodded weakly.Sv: "Tack", lyckades han få fram.En: "Thank you," he managed to utter.Sv: Astrid log.En: Astrid smiled.Sv: "Vi har redan fått ett spår på din utrustning.En: "We've already got a lead on your equipment.Sv: Det kommer att lösa sig."En: It'll be sorted out."Sv: För första gången på länge kände Mikael en gnista av hopp.En: For the first time in a long while, Mikael felt a spark of hope.Sv: Kanske var det inte bara han själv, kanske behövde han inte bära allt ensam.En: Perhaps he wasn't alone in this, perhaps he didn't have to carry everything by himself.Sv: Han insåg att han kunde lita på andra, och ibland, behövde han någon annans hjälp för att uppnå sina drömmar.En: He realized that he could rely on others, and sometimes, he needed someone else's help to achieve his dreams.Sv: Stockholm kändes plötsligt mindre kallt, och Mikaels hjärta blev lite varmare.En: Stockholm suddenly felt less cold, and Mikael's heart grew a little warmer. Vocabulary Words:settled: lagt sigswept: sveptestumbled: stappladeburden: bördaexhaustion: trötthetchaos: kaoscrowded: trängdescollaps: ge vikaengrossed: försjunkenhaltingly: hackigtguide: ledereassuring: tryggregister: registreraconsciousness: medvetandescare: chocklead: spårsorted: lösa sigspark: gnistarely: litaachieve: uppnåwilderness: vildmarkthick: tjockloss: förlustpreviously: tidigarestrength: styrkacontemplate: övervägareport: rapporterafingers: fingrarserious: allvarligtblanket: filt

Fluent Fiction - Hindi: New Year Sparks Friendship and Artistic Renewal in the Gardens Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hi/episode/2026-01-01-23-34-02-hi Story Transcript:Hi: सर्दी की धूप कुछ अलग ही होती है।En: Winter sunlight has a distinct quality.Hi: लोधी गार्डन्स में हरियाली के बीच बिखरी हुई धूप सबको अपनी ओर खींच रही थी।En: Lodhi Gardens was drawing everyone towards it with sunlight dispersed among the greenery.Hi: नए साल की पहली सुबह थी।En: It was the first morning of the new year.Hi: पेड़ों के नीचे लोगों का जमावड़ा, हँसी के ठहाके और जगह-जगह पिकनिक मनाते परिवार दिखाई दे रहे थे।En: Gatherings of people under the trees, bursts of laughter, and families having picnics were visible everywhere.Hi: अदिति, अपने कैमरे के साथ, बाजू वाली बेंच पर बैठी थी।En: Aditi, with her camera, was sitting on the bench next to her.Hi: वह तस्वीरों को ध्यान से देख रही थी।En: She was carefully reviewing her photos.Hi: उसे अपनी अगली प्रदर्शनी के लिए कुछ खास तस्वीरें चाहिए थीं।En: She needed some special pictures for her upcoming exhibition.Hi: उसे ऐसा लगता था जैसे वह अपने विषयों से जुड़ नहीं पा रही थी।En: She felt as if she was not able to connect with her subjects.Hi: तस्वीरें बेजान सी लग रही थीं।En: The photos seemed lifeless.Hi: वहीं दूसरी ओर, राज ने अपना नोटबुक और पेन निकाला।En: On the other hand, Raj took out his notebook and pen.Hi: वह लोगों की कहानियों से अपनी लेखनी को नया आयाम देना चाहता था।En: He wanted to give a new dimension to his writing through people's stories.Hi: हाल ही में उसकी प्रेरणा कहीं गायब हो गई थी और उसकी कहानियों में जान नहीं थी।En: Recently, his inspiration had disappeared somewhere and his stories lacked life.Hi: अदिति ने फैसला लिया कि वह अपनी तस्वीरों में जीवन का रंग लाने के लिए बगीचे के कोनों-कोनों में घूमेगी।En: Aditi decided to wander through every corner of the garden to bring a splash of life to her photos.Hi: उसने अपनी रूमी की शायरी जैसी गहरी तस्वीरें लेने की ठानी।En: She resolved to capture deeply evocative pictures, like Rumi's poetry.Hi: राज ने सोचा कि वह लोगों के साथ बातचीत करेगा। उनकी कहानी जानने की कोशिश करेगा। शायद उनके जीवन के छोटे-छोटे अनुभव उसकी कल्पना के जाल में कुछ नया बुन सकें।En: Raj thought that he would talk to people, try to learn their stories, and perhaps weave something new into the fabric of his imagination from the small experiences of their lives.Hi: अचानक एक दृश्य ने अदिति का ध्यान खींचा।En: Suddenly, a scene caught Aditi's attention.Hi: राज एक बुजुर्ग जोड़े से बातचीत कर रहा था।En: Raj was conversing with an elderly couple.Hi: उनकी बातों में हँसी और उस समय की शांति का आनंद घुल रहा था।En: Laughter and the enjoyment of the moment were mixing in their conversation.Hi: अदिति के कैमरे की क्लिक ने उस पल को हमेशा के लिए कागज पर उतार लिया।En: A click from Aditi's camera captured that moment on paper forever.Hi: राज ने तस्वीर की आवाज सुनी और उसकी ओर देखा।En: Raj heard the sound of the photograph and looked over.Hi: वह इस आकस्मिक मुलाकात से खुश हुआ और दोनों ने बातचीत शुरू की।En: He was happy with this unexpected encounter, and the two began chatting.Hi: "तुम्हारी तस्वीरों में कहानी छुपी है," राज ने कहा, "और मेरा शब्द शायद तुम्हारी तस्वीरों को नया जीवन दे सकता है।"En: “There's a story hidden in your pictures,” Raj said, “and maybe my words can give new life to your photos.”Hi: अदिति मुस्कुराई, उसे लगा जैसे उसके कैमरे का लेंस राज की बातों से साफ हो गया हो।En: Aditi smiled, feeling as if the lens of her camera had been cleared by Raj's words.Hi: उस धूप भरे दिन में, उनकी बातचीत ने एक नई दोस्ती को जन्म दिया।En: That sunny day, their conversation gave birth to a new friendship.Hi: अदिति और राज ने एक-दूसरे के संपर्क जानकारी साझा की।En: Aditi and Raj shared their contact information with each other.Hi: अदिति ने क्या सीखा? हर पल की अद्वितीयता को अपनाना।En: What did Aditi learn? To embrace the uniqueness of every moment.Hi: और राज? उसने पाया कि कहानियाँ बस हमारी आँखों के सामने होती हैं।En: And Raj? He found that stories are right before our eyes.Hi: नए साल का यह दिन उनके रिश्ते को नया आयाम दे गया।En: This day of the new year gave their relationship a new dimension.Hi: लोधी गार्डन्स में जैसे नवाज़िशी माहौल था — इतिहास से घिरा हुआ वर्तमान।En: In Lodhi Gardens, there was as if a cozy atmosphere—surrounded by history in the present.Hi: अदिति और राज के लिए यह साल की शुरुआत करने का एक अद्वितीय तरीका बन गया।En: For Aditi and Raj, it turned into a unique way to start the year.Hi: इस जुड़ाव ने उनके काम को नई दिशा दी।En: This connection gave their work a new direction.Hi: अदिति को नई दृष्टि मिली और राज को अपनी कहानी का वो खोया धागा।En: Aditi gained a new perspective, and Raj found the lost thread of his story. Vocabulary Words:distinct: अलगdispersed: बिखरी हुईgatherings: जमावड़ाburst: ठहाकाlifeless: बेजानdimension: आयामinspiration: प्रेरणाevocative: गहरीwander: घूमनाpoetry: शायरीweave: बुननाimagination: कल्पनाelderly: बुजुर्गencounter: मुलाकातuniqueness: अद्वितीयताcontact information: संपर्क जानकारीcozy: नवाज़िशीperspective: दृष्टिthread: धागाexhibition: प्रदर्शनीreviewing: देख रहीfabric: जालcapture: उतारनाmoment: पलembrace: अपनानाunique: अद्वितीयatmosphere: माहौलconnection: जुड़ावlost: खोयाstories: कहानियाँ

Check out the video here! - you'll wanna watch this weeks episode if ya can!This week on The Astrocast, Roo, Justin, and Parish get together to discuss Astrophotography data management, Pixinsight, Network Attached Storage, NINA, and a whole lot more, on this weeks episode of The Astrocast. If you would like to support the show, consider joining our Patreon! https://www.patreon.com/c/TheAstrocast On today's episode, you'll learn all about: Justin's method for dealing with MASSIVE amounts of data Parish's method for dealing with a more "normal"/human amount of data Some awesome tips and tricks for Pixinsight NAS Storage for AP Event Scheduler for NINA ..and a whole lot more! If you like the video, please subscribe! You can also find The Astrocast on Spotify, Apple Podcasts, or wherever you listen! Links from this weeks show:Follow the Deepsky Collective on Instagram Jellyfin (Open source media server): https://jellyfin.org/ NINA: https://nighttime-imaging.eu/ A very special thank you and shout out to Parish and Justin for joining me this week. A huge heartfelt hug going out to @DylanODonnell hoping he recovers quickly, the community needs you, and you're just too great of a guy for this to hapen to. Godspeed Dylan.Support the showEmail me at "Roo@TheAstrocast.com" with any questions/comments. Thanks for listening!

If you're selling digital files, AI is about to shake your world—and not in a good way. The future of photography isn't just coming, it's here. But the photographers who'll survive this shift aren't the most creative or even the most tech-savvy. They're the ones who understand the one thing AI can never replicate. In this solo episode, Sarah breaks down why digital files are becoming obsolete, and how boutique photographers can rise above the AI tidal wave. From the way we serve clients to the artwork we create, everything is shifting—and if you lean in now, you can become completely AI-proof. ● Why digital files are being commoditized—and what that means for your income ● The irreplaceable magic of printed portraits and real human connection ● The 5-step boutique process that keeps AI completely irrelevant This is more than a business strategy. It's a reminder that photography is about love, memory, and legacy—and AI can't compete with that. If you've been feeling uneasy about where the industry is headed, this episode will give you clarity, confidence, and a new path forward. RESOURCES:  Photography Business Tools to Get Started 37 CLIENTS WHO CAN HIRE YOU TODAY https://info.photographybusinessinstitute.com/37-clients-optin   INSTAGRAM – DM me "Conversation Starters" for some genuine ways to strike up a conversation about your photography business wherever you are. https://www.instagram.com/sarah.petty   FREE COPY: NEW YORK TIMES BEST SELLING BOOK FOR PHOTOGRAPHERS www.photographybusinessinstitute.com/freebook    BOUTIQUE BREAKTHROUGH – 8-WEEK WORKSHOP www.photographybusinessinstitute.com/boutiquebreakthrough   FREE FACEBOOK GROUP: Join and get my free mini-class: How I earned $1,500 per client working 16 hours a week by becoming a boutique photographer. https://www.facebook.com/groups/ditchthedigitals    YOUTUBE: Check out my latest how to videos:  https://www.youtube.com/photographybusinessinstitute   LOVE THE SHOW? Subscribe & Review on Apple Podcasts https://podcasts.apple.com/us/podcast/worth-every-penny-joycast/id1513676756

HT2488 - If You Can See It, Too Over the years, I've talked a lot about using a camera like a Xerox copy machine. If your photograph shows me what I would have seen had I been standing next to you at the moment of exposure, how does your photograph bring me something new, something from you, something valuable? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In this special episode, editor, writer and curator of photography Bill Shapiro, art director, creative director and lecturer Fiona Hayes and UNP founder and curator Grant Scott look back on 2025 and forward to 2026 reflecting on photo exhibitions, books, social media, publishing and the expectations of the Twenty First Century photographer. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine. He was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. She currently divides her time between design consultancy for commercial clients, and lecturing. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2025

Chit-Chat Chill 唞吓啦! - 第三季 | 美國廣東話 Podcast 節目

How polarizing filters reduce glare, enhance skies, and affect real-world photography.   Transcript available here: New York City Photo Safari

Elijah Gowin uses photography to speak about ritual, landscape and memory.  He was born in Dayton, Ohio in 1967 and received his BA in Art History from Davidson College in 1990 and MFA in Photography from the University of New Mexico in 1997. His photographs are in the collection of the National Gallery of Art, Houston Museum of Fine Art, and the Virginia Museum of Fine Art, among others.   His awards include the John S. Guggenheim Fellowship in 2008 as well as grants from the Charlotte Street Foundation and the Puffin Foundation.  He founded Tin Roof Press to publish his books on art and photography including “The Last Firefly” in 2024 and “Of Falling and Floating” in 2011.  Presently, he is a Professor in the Department of Media, Art and Design at the University of Missouri-Kansas City where he directs photographic studies.  Gowin is represented by the Robert Mann Gallery, New York, Photo Gallery International, Tokyo and Bond Millen Gallery, Richmond, Virginia. Elijah Gowin, Tree 1. Date: 2012 Size: 15.33x 23, Pigment inkjet print Elijah Gowin, fireflies in trees, selangor river, malaysia, 2017 Size: 22”x30.75” Elijah Gowin, House 1 Date: 2014. Size: 15.33”x 23” Pigment inkjet print

He goes from behind the scenes to on the air! Dylan Lewis takes a break from designing graphics for BTB and taking photographs to spend time talking about his impact in sports media as well as some Mets and Orioles baseball. Enjoy!

James is a Kansas City-based photographer who is also embeded in the motorcycle scene. From capturing some amazing images of the culture to showcasing the aesthetic of Kansas City, I noticed his work from his recent trip to Born Free TX and had to have him on our podcast!   James Instagram: https://www.instagram.com/one38kc/   Join our Patreon community to gain access to our Patreon-only podcast, Garage Talk, our chat room, and ad-free episodes! https://Www.patreon.com/fastlifegare   Big thanks to our Show Sponsors   ⚡️ @arlennessmotorcycles https://www.arlenness.com Code "FASTLIFE10" for 10% off   ⚡️ @cowboyhdaustin https://www.cowboyharleyAustin.com   ⚡️ @customdynamics Https://www.customdynamics.com    ⚡️ @lawtigersdallastexas https://lawtigers.com 1-800-LAW-TIGERS

HT2487 - Solving a Non-Existing Problem I can't blame camera manufacturers for wanting to call our attention to their new features. However, it's amazing how many times the new features they brag about have absolutely nothing to do with my photography. It seems as though there are always technical solutions being offered for non-existent problems. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,032, Dec. 30, 2025. Today's theme is, "The Irish Coffee Incident." I'm Derrick Story. We had a tremendous opportunity this holiday season to gather family members from all over to meet at my brother-in-laws house on Christmas Day. To help with the festivities, we all contributed to the event. My job: To set up and run an Irish Coffee bar after the meal. I took my job seriously, but one can't foresee every ramification. And that's what led to a near historical disaster. I'll explain all in the first story of today's podcast. I hope you enjoy the show.

[REPLAY] This episode originally aired July 2025. 300- Your photography inquiry process that's been being taught for years is broken. In this episode, Nicole and Heather unpack a bold new approach to make your services easier to book and your client experience smoother from the very first click.What to Listen For:Why the traditional inquiry process is brokenThe psychology behind why clients bounce without bookingHow your website is sabotaging your bookings (and how to fix it)The importance of making your pricing accessible without scaring people offNicole's innovative new strategy to replace phone consultationsHow to build desire for your services like a luxury brandWhy removing friction in your inquiry process increases bookingsThe power of “behind the scenes” opt-ins for your websiteHow to market desire instead of pain (and why it matters)Your inquiry process shouldn't feel like a locked vault to your clients. This episode will help you rethink how you present your services to make booking simple, fast, and confidence-boosting for both you and your clients.Listen now, subscribe to the podcast, and start transforming how your photography business books clients today.More Resources:Master the craft of pet photography at the Hair of the Dog Academy - www.hairofthedogacademy.comStop competing on price, sell without feeling pushy, and reach consistently $2,000+ sales in the Freedom Focus Formula - www.freedomfocusformula.comCrack the code to booking more clients inside Elevate - www.freedomfocusformula.com/elevateDiscover the world of commercial pet photography in the Commercial Pet Photography Academy - www.hairofthedogacademy.com/commercialJOIN THE PARTY: Connect with us on Instagram Explore valuable pet photography resources here Discover effective pricing and sales strategies for all portrait photographers. Ready to grow your business? Elevate helps you do just that. Check out our recommended gear and favorite books.

This week Reed sits down with the Legend, Vince Collura! Vince is the former COO of VHT Studios and then the Director of Photography & Add-on Services at Matterport. Now, he's ready for the next chapter and is the Founder and CEO of The Collective. Vince has had a birds-eye view on the broad changes in our industry over the last 10 years and offers a ton of perspective on what's to come. Vince is a delight and Reed was so happy to sit down with him at the Upmarket Suite at Palms in Las Vegas during PMRE 2025. Of course, as always, they drum up some Action Items, so stick around until the end of the show!Upmarket Pod is once again, beyond excited to partner with iGUIDE to bring you our exclusive Road to PMRE 2025 series of Upmarket episodes.Upmarket is proud to be the official podcast of pmreconference.com!The Presenting Sponsor of Upmarket is Aryeo, the best place to help grow and manage your Real Estate Media business. Use the code "Upmarket" at aryeo.com to get 15 free bonus listings with any new account.Another amazing sponsor of Upmarket is SecondFloor, the fastest way to create a finished floor plan. It's so fast that you can deliver the finished floor plan while you are still on-site! Not only that, but you can get UNLIMITED floorplans for one low monthly fee. We love SecondFloor and you can use the code UPMARKET at checkout and any new subscriber will get a 1 month free trial.Go to Fotello.co to check out Fotello, an ethically sourced AI photo editor. Try it for free and if you end up signing up, use the code UPMARKET25 to receive 25 free listings (~1,500 photos / $500 value) added to your account — no matter which plan you choose.Our Action Items are sponsored by PixlCRM, where you can scale your real estate photography business through automation. It's an all-in-one business and marketing platform that compliments your current delivery app. If you go to pixlcrm.com/upmarket you can get a 30 day risk free trial!!!

Ep #98: Print Your Legacy: Lawrence Nalls on Multi-Generational Photography and PrideSummary of the episodeLawrence Nalls, managing photographer of Forty Photography, shares the profound journey of building a multi-generational Chicago photography studio rooted in legacy, storytelling, and community service. In this conversation, Lawrence reveals how his father's Vietnam War documentation sparked a family tradition that's now entering its third generation. We explore the emotional weight of photography as both art form and responsibility, the importance of print over digital, and why Lawrence believes every photograph should make you feel something. From learning to "figure it out" with his first camera to teaching his sons the business, Lawrence offers candid insights on building trust with clients, the hard lessons of running a creative business (yes, take deposits!), and how to help people see past their insecurities to capture pride. This episode is a masterclass in intentional photography, sustainable creative practice, and the power of printed images to preserve family legacy.What we're getting intoYou know how some conversations just feel like sitting down with someone who's lived it and learned it? That's this whole episode.The origin story of Forty Photography - from Vietnam War footage to a thriving multi-generational studioWhy prints matter more than digital files - and how Lawrence shifted his entire practice around this philosophyThe business side of photography - storage systems, deposits, redundancy, and the stuff nobody talks aboutBuilding trust and managing client insecurities - including Lawrence's "word bank" technique for portrait sessionsKeeping enthusiasm alive after 19 years - the daily present philosophy and why relationships are wealthFilm vs. digital and intentionality - how shooting film shaped Lawrence's approach to digital photographyParenting, sports, and passing down the legacy - raising two sons in the family businessFolks and Things We MentionedForty Photography - Lawrence's multi-generational Chicago photography studioJohn H. White - Pulitzer Prize-winning photographer and church friend who inspired LawrenceGordon Parks - Legendary photographer and director of ShaftAnnie Leibovitz - Renowned portrait photographerRichard Avedon - Fashion and portrait photographerSarah Oliphant - Artist who hand-paints canvases for photography backgroundsChicago Alliance of African American Photographers (CAAAP) - Organization focused on documenting Black life with prideRainbow Beach - Lawrence's "happy place" on Chicago's South SideArtist Admin Hour - Stephanie's Wednesday accountability sessions for...

It's the final episode of the year and we're going out sparkly, chaotic, and very on brand ✨ This week, we're joined by the incredible Melanie Eaton (Helms), Richmond-based luxury fashion, boudoir, and branding photographer, plus ME Program member Hannah, for a conversation about confidence, creativity, community, and taking bold artistic risks.We talk disposable cameras, Barbie shoots, Vikings, mermaids, snakes (yes, real ones), and why overthinking is the hardest thing to photograph. PLUS—Big Daddy brings us some truly unhinged Bad Santa crimes, and we round things out with high-key and low-key New Year's Eve plans around Richmond.

LW1486 - Alternative Aesthetics Photography has a natural aesthetic we might call photographic realism. The typical photograph is intended to mimic human vision and that aesthetic is the default for most photographs. There does exist the possibility, however, to borrow aesthetics from other media and forms of artistic expression. Recently I've been playing with a dark and moody aesthetic inspired by the look of film noir. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT2486 - Creativity on Demand Here we are in that week between the Christmas and New Year holidays when a lot of people take time off from work for a few personal days. For years, I thought of this week as a time I could concentrate on some darkroom work. I'd leap into the week full of enthusiasm in anticipation of a shower of creative ideas and inspiration. That's when I learned that relying on creativity on demand is a strategy that rarely works. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Photographer Jamel Shabazz grew up in Brooklyn. Naturally, he learned his craft of street photography through one of his favorite place's in his home borough: Prospect Park. This fall, Shabazz released a new photography book, Prospect Park: Photographs of a Brooklyn Oasis, 1980 to 2025. Shabazz discusses his photographic inspiration in the park, and listeners share their favorite parts to hang out or walk around in Prospect Park.

Tyler and Jordan Drake of PetaPixel (http://petapixel.com/)catch up on the year with the best in tech, cameras, apps and more in the 11th annual Gear of the Year episode Watch the episode (https://youtu.be/wrc1pFVVCB4) Special Guest: Jordan Drake.

Be the FIRST to know about my private Mastermind Group: https://johnbunn.myflodesk.com/mentorship  In this episode of Shifting Focus, John Bunn sits down with Leslee Layton, an Oklahoma based photographer and filmmaker who added photography to her brand after spending over a decade as a videographer. Leslee shares what it actually looked like to step into photography without starting over, how she worked through imposter syndrome, and why waiting until you feel ready is often the thing that keeps creatives stuck. They talk about navigating pricing differences between photo and video, building trust with planners and clients, and why genuine relationships matter more than chasing growth hacks. This conversation is honest, practical, and encouraging for photographers and filmmakers who feel the pull to evolve creatively while protecting what they have already built. Leslee Layton Website - https://lesleelayton.com/  Leslee Layton Instagram - https://www.instagram.com/lesleelayton/ 

Ian Jones (@iansjones) is a Pittsburgh-based commercial photographer and creative strategist known for crafting bold, story-driven visuals for brands and businesses, with a focus on content that connects, performs, and stands out.Expect to Learn: How to tactfully ask potential clients about their current marketing effortsThe importance of educating clients about what they're missing from or overpaying to social/marketing agenciesHow to create mock-up ads or showcase relevant portfolio work that demonstrates your capabilitiesHow being a local creator can give you an edge over large marketing agenciesHow explaining your process can help win over clients who may feel jaded by previous experiences.Ian's Website: https://www.isjdesigns.com/Sponsors:Thanks to WhiteWall for being our lead sponsor this episode! They're the top choice for photographers who want the highest-quality prints! Use the code TPM2025 at checkout for 15% off: https://www.whitewall.com/Our Links:Join our subreddit where you can share stories and ask questions:https://www.reddit.com/r/photographermindset/Subscribe to TPM's Youtube page and watch full length episodes: https://www.youtube.com/thephotographermindset/Make a donation via PayPal for any amount you feel is equal to the value you receive from our podcast episodes! Donations help with the fees related to hosting the show: https://paypal.me/podcasttpm?country.x=CA&locale.x=en_USThanks for listening!Go get shooting, go get editing, and stay focused.@sethmacey@mantis_photography@thephotographermindsetSupport the show

This is a preview of this week's Patreon video episode. To listen to the full episode and to enjoy weekly bonus content, videos, BTS bits, extra guest stories, live show discount codes and more, sign up to the Yer Don't Get Owt Fer Nowt! tier on Patreon at patreon.com/northernnews.To ring in the new year (in a few days time), Ian and Amy have a swift drink and taste test a Yorkshire Pudding Beer.Got a juicy story from t'North? Email it to northernnewspod@gmail.com.And follow Northern News on Instagram @NorthernNewsPodcastRecorded and edited by Aniya Das for Plosive.Artwork by Welcome Studio.Photography by Jonathan Birch. Hosted on Acast. See acast.com/privacy for more information.

HT2485 - One Lens to Rule Them All Clearly I'm not the only photographer who has dreamed of a single lens that would do everything I need. The popularity of so-called "superzoom" lenses would demonstrate that. I've tried several superzoom alternatives and all of them have left me unimpressed for one reason or another. Even with today's ultra-advanced lens designs and manufacturing tolerances, it seems there is always a compromise that leaves me unsatisfied. Statistically, however, in the last 8 years I've made 92% of my captures with just two lenses that cover the "superzoom" range of focal lengths. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2400 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2484 - Sometimes the Meaning Requires Time During one of the first Christmas holidays after my divorce in the late 1980s, I drove over to Eastern Oregon on Christmas Day for a little photography. I made one image that day. It took years for me to understand what that image was, but in many ways it changed my relationship with photography profoundly. Among other things, that image taught me that sometimes a photograph can be personally valuable yet have no impact beyond that. That doesn't diminish its importance to us. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2400 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.