Podcasts about Photography

Get a FREE Posing eBook from The Portrait System here: https://the-portrait-system.lpages.co/podcast-pose-funnel/To end the year off on a strong note, we are re-releasing a very special episode of The Portrait System Podcast! Host, photographer and educator Nikki Closser interviews Stephanie Ewens who tells us all about her amazing inspiring story. Stephanie went from being a shoot and burn photographer with a $300 sales average to a full time working photographer with a $3500 average. Don't miss out on this episode and don't forget to subscribe for more inspirational stories!PODCAST LISTENER SPECIAL!! If you want to get started with the Portrait System, get a special discount using code “POD7” to get one month access for just $7 here https://theportraitsystem.com/pricing/IG https://www.instagram.com/theportraitsystem/YouTube https://www.youtube.com/c/theportraitsystemSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

New Zealand Photography Collected: 175 Years of Photography in Aotearoa spans nearly two centuries in more than 400 pages, exploring our identity as a nation. 

FOOD IS FOR EVERYONE—That meal your grandmother always cooked. Or your mother. Or your father, for that matter. The odors that permeated a kitchen or the entire house. The first taste. The idea of comfort food.So much of who we are and what we remember are about food, sure, but also about place, and most definitely about the person doing the cooking.While many food magazines go beyond food to create the context about the recipes they print, writer and editor Kyle Yoshioka felt they lacked the backstories that make food about more than taste or trends or wine accompaniments. And with no experience in the form, he was part of a team in Portland, Oregon that decided to launch Provecho, a magazine all about the backstories, and especially the culture and communities, behind each and every ingredient that goes into each and every lovingly created dish. And without a single recipe.Provecho, then, is not really a food magazine at all, but a cultural review that uses food as a focal point. It's anthropology that tastes good. One that is, in its own way, creating a community all its own.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Fluent Fiction - Norwegian: Autumn Connections: How Art Sparked a Beautiful New Chapter Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-11-21-23-34-02-no Story Transcript:No: I Frognerparken lyste høstfarger mot himmelen.En: In Frognerparken, autumn colors illuminated the sky.No: Bladene på trærne var røde, gule, og oransje.En: The leaves on the trees were red, yellow, and orange.No: Det var en utendørs kunstutstilling der.En: There was an outdoor art exhibition there.No: Folk samlet seg for å se skulpturer, malerier, og fotografier.En: People gathered to see sculptures, paintings, and photographs.No: Luften var kjølig, men levende med hvisking og latter.En: The air was cool, but lively with whispers and laughter.No: Eirik gikk alene langs stiene.En: Eirik walked alone along the paths.No: Kameraet hang rundt halsen hans.En: The camera hung around his neck.No: Han elsket å ta bilder av naturens detaljer, men ofte følte han seg isolert.En: He loved taking pictures of the details of nature, but often felt isolated.No: Han var sjenert i store folkemengder.En: He was shy in large crowds.No: I dag bestemte han seg for å utfordre seg selv og møte noen nye.En: Today, he decided to challenge himself and meet someone new.No: Litt lenger borte sto Signe.En: A little further away stood Signe.No: Hun var en kunstlærer på jakt etter inspirasjon.En: She was an art teacher searching for inspiration.No: Hun ville også møte folk som delte den samme lidenskapen for kunst som henne.En: She also wanted to meet people who shared the same passion for art as she did.No: Men blant de mange ansiktene var det vanskelig å få kontakt.En: But among the many faces, it was difficult to make a connection.No: Eirik så på et av bildene sine som var utstilt.En: Eirik looked at one of his photos on display.No: Det viste et nærbilde av et enkelt lønneblad dekket med duggdråper.En: It showed a close-up of a single maple leaf covered with dewdrops.No: Signe stoppet opp ved bildet.En: Signe stopped at the picture.No: Hun betraktet det lenge, fascinert.En: She considered it for a long time, fascinated.No: "Utrolig vakkert," sa hun stille til seg selv.En: "Incredibly beautiful," she quietly said to herself.No: Eirik hørte henne, og hjertet banket raskere.En: Eirik heard her, and his heart beat faster.No: Kunne dette være øyeblikket?En: Could this be the moment?No: Han bestemte seg for å være modig.En: He decided to be brave.No: "Liker du det?En: "Do you like it?"No: " spurte han nervøst.En: he asked nervously.No: Signe snudde seg med et varmt smil.En: Signe turned with a warm smile.No: "Ja, det er fantastisk!En: "Yes, it's fantastic!No: Jeg liker måten du har fanget detaljene.En: I like the way you've captured the details."No: "De begynte å snakke om kunst, farger, og detaljene som ofte ble oversett.En: They began to talk about art, colors, and the details that were often overlooked.No: Eirik følte seg forstått.En: Eirik felt understood.No: Signe snakket entusiastisk om hvordan hun kunne bruke slik inspirasjon i jobben sin.En: Signe spoke enthusiastically about how she could use such inspiration in her work.No: Samtalen fløt lett, og det var som om tiden sto stille.En: The conversation flowed easily, and it was as if time stood still.No: De var omringet av den vakre parken, men alt som gjaldt var forbindelsen de skapte.En: They were surrounded by the beautiful park, but all that mattered was the connection they were creating.No: De delte sine drømmer og ambisjoner.En: They shared their dreams and ambitions.No: Til slutt, før de gikk hver til sitt, tok Signe fram telefonen.En: Finally, before they went their separate ways, Signe took out her phone.No: "La oss holde kontakten," foreslo hun.En: "Let's keep in touch," she suggested.No: "Ja!En: "Yes!No: Vi kan kanskje samarbeide om noe!En: Maybe we can collaborate on something!"No: " svarte Eirik glad.En: replied Eirik happily.No: De utvekslet kontaktinformasjon, og skiltes med et løfte om å møtes igjen.En: They exchanged contact information and parted with a promise to meet again.No: Eirik kjente en ny trygghet i seg selv.En: Eirik felt a new confidence within himself.No: Signe følte en ny gnist av inspirasjon.En: Signe felt a new spark of inspiration.No: Begge visste at dette møtet var begynnelsen på noe vakkert.En: Both knew that this meeting was the beginning of something beautiful.No: Frognerparkens skulpturer og farger ble bakgrunn til et nytt kapittel.En: Frognerparken's sculptures and colors became the backdrop to a new chapter.No: To sjeler som fant hverandre blant bladene i vinden.En: Two souls who found each other among the leaves in the wind.No: historii om kunst, forbindelser, og mot til å åpne seg for verden.En: A story about art, connections, and the courage to open up to the world. Vocabulary Words:illuminated: lystegallery: utstillingsculptures: skulpturerwhispers: hviskingnature: naturenisolated: isolertshy: sjenertchallenge: utfordrepath: stiinspiration: inspirasjonpassion: lidenskapenmaple: lønnebladdewdrops: duggdråperfascinated: fascinertnervously: nervøstcaptured: fangetenthusiastically: entusiastiskflowed: fløtconnection: forbindelsenambitions: ambisjonerspark: gnistconfidence: trygghetcourage: motbackdrop: bakgrunnchapter: kapittelsculptures: skulpturerparted: skilteswhispers: hviskingdetails: detaljerbrave: modig

In this episode of The Photography Pod, wedding photographers Steve Vaughan and Nick Church discuss the upcoming new Sony Alpha 7M5, scheduled for launch in early December. They discuss the pro's and con's of the rumoured specification, particularly for hybrid photo/video shooters. The guys also discuss their approach for shooting hybrid at weddings, including using the DJI Osmo Pocket 3.Luke Vaughan Photography https://www.lukevaughanphotography.com/Support the showNick Church and Steve Vaughan are professional wedding photographers based in the UK. They both use Sony Alpha cameras and lenses. Video version of the Podcast including slide shows of images https://www.youtube.com/@thephotographypod Nick's website : https://www.nickchurchphotography.co.uk/Nick's Instagram : https://www.instagram.com/nickchurchphotography/ Nick Church Creative Academy https://www.nickchurchphotography.co.uk/news/introducing-nick-church-creative-academy Steve's website : https://www.samandstevephotography.com/Steve's Wedding Instagram : https://www.instagram.com/samandstevephotography/Steve's personal Instagram: https://www.instagram.com/stevevaughanphotography Music from Artlist.io Any technical information given by the presenters is based on their understanding and opinion at the time of recording

Host Dennis Scully and BOH executive editor Fred Nicolaus discuss the biggest news in the design world, including an update on Dupe.com, Williams-Sonoma earnings, and a new platform for AI-generated home goods. Later, editor Steele Marcoux and brand consultant Sean Yashar join the show to talk about the disappearance of nighttime design photography—and why Veranda is bringing it back.  This episode is sponsored by Renewal by Andersen and Eichholtz. LINKSThe Culture Creative PapersBusiness of Home

You've probably heard me talk a lot about niching into brand photography... and for good reason. It changed my business and my bookings. But today, we're zooming out and talking about something I don't cover nearly enough: what it looks like to simply add brand photography to the services you already offer.Because here's the truth: you don't have to completely niche down to benefit from this work. And for so many photographers (weddings, families, seniors, interiors), adding brand photography in 2026 might be the smartest, most profitable move you make. In this episode, we're breaking down why.We're talking:Why brand photography helps you avoid burnoutThe income consistency brand photographers see year-roundThe creative side of brand shootsWhich photographers transition beautifully into brand photography, and whyHow your existing skill set probably already makes you perfect for this nicheLinks & Resources

This week I'm joined by Jack Small. Jack had traveled quite extensively and he has countless hours in the field observing and photographing dart frogs and other wildlife. In this episode, we discuss Jack's field expeditions, wildlife photography techniques and equipment, and guiding groups through the rainforest. We also talk about yellow fever and the effects of other tropical diseases Broaden your knowledge of herpetology online or in person at the Amphibian Foundation. Register now at www.amphibianfoundation.org and use code AMPHIBICAST at checkout for 10% off Exo Terra is our sponsor this week. For all your amphibian needs visit: Exo-terra.com or visit your local dealer and follow @exoterrausa on social media. NEHERP is our sponsor this week For your bioactive vivarium needs visit: https://www.neherpetoculture.com/

Hello, hello! In this episode, Benjamin Von Wong shares his journey from a traditional upbringing to becoming an environmental artist and activist. He reflects on the influence of his parents' stable lifestyle, his unexpected path into photography, and his transition into environmentalism. Benjamin also discusses the challenges and rewards of using art to communicate complex issues, emphasizing the importance of collaboration and storytelling in his work. He explores the balance between highlighting problems and inspiring change, aiming to create meaningful impact through his art.Join host Ved Krishna as he learns from inspiring guests and experts in the industry of sustainable packaging about ways to leave the planet cleaner and answer what is #GoodGarbage?Check out the Good Garbage podcast on YouTube, Spotify, Apple Podcasts and wherever you listen to podcasts about making the planet cleaner!Check out more on our journey! Get involved at pakka.com#composting #sustainability #packaging #environment #innovation #compostableProducer: Alex MooreVideo Producer: Sargam KrishnaSubscribe to Good Garbage Podcast on Apple Podcasts: https://podcasts.apple.com/us/podcast/good-garbage-with-ved-krishna/id1613337676Subscribe to Good Garbage Podcast on YouTube: https://www.youtube.com/@GoodGarbageFollow us on Instagram: https://www.instagram.com/goodgarbagepodcast/Send us your questions by texting us at 971-533-5338, or email alex.moore@pakka.comEnvironmental Art, Activism, Photography, Storytelling, Collaboration, Sustainability, Creative Process, Impactful Art, Climate Change, Personal Journey, composting, organic farming, chemical fertilizers, waste management, sustainability, soil health, compostable packaging, environmental impact, data collection, agricultural practices composting, US Composting Council, commercial composting, compostable packaging, soil health, organic waste recycling, composting industry, sustainable waste management, landfills, policy, packaging policy, garbage, garbage cleanup, beach clean up, India, waste collection, sustainable packaging podcast

Thinking about pivoting your photography business? Rebranding can feel risky, but it may be the key to unlocking new opportunities. In this episode of The Nerdy Photographer Podcast, I sit down with photographer Justin Haugen, who successfully transitioned from being a wedding photographer to building a thriving commercial photography brand. We discuss: Knowing when to pivot – signs your current niche isn't serving your long-term goals. Rebranding strategies – reshaping your portfolio, website, and marketing to reach new clients. Leveraging past experience – how skills from one genre can build credibility in another. Communicating the shift – managing how clients and peers view your rebrand. Opportunities ahead – the doors that open when you align your work with your vision. If you've ever wondered how to move beyond your current niche—or feared losing momentum by making a change—this episode will give you a roadmap for rebranding your photography business with confidence. Tune in now to hear Justin Haugen's story and practical advice for photographers ready to reinvent their careers. Episode Promos This episode contains promos for: BackBlaze Cloud Data Backup Services - https://www.backblaze.com/cloud-backup/personal#afc32p Style Cloud Website Templates - https://stylecloud.co/ref/380/ Siteground Website Hosting - https://nerdyphotographer.com/recommends/pic-time/ Narrative AI Culling, Editing, and Publishing - https://narrative.so/select?affiliate=casey2746 Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe if you enjoyed the episode! Tell other photographers about the podcast Sign up for the newsletter - https://nerdyphotographer.com/newsletter Subscribe to our YouTube Channel - https://www.youtube.com/@CaseyFatchett Buy a print from the print shop - https://art.caseyfphoto.com Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow on BlueSky - https://bsky.app/profile/thenerdyphoto.bsky.social Follow in Tiktok - https://tiktok.com/@thenerdyphoto Get some Nerdy Photographer merchandise - https://nerdyphoto.dashery.com If you're feeling extra generous, check out our support page - https://nerdyphotographer.com/support-nerdy-photographer/ About My Guest Justin is a Photographer hailing from Tucson, Arizona by way of Seoul, Korea. Having first picked up a camera in 2004, Justin has experienced several photography careers, but now finds himself in corporate and commercial spaces as he raises his young children with his wife. Justin is a Tamron USA ambassador and sometimes educator. You can see more of Justin's work at his website - https://JustinHaugen.com - or on Instagram https://instagram.com/photowarlock About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his corporate, event, and portraiture work at https://caseyfatchettphotography.com    If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact      

David sits down with local historian Dr. Jeremy Popkin and local photographer Bob Willcutt about their collaboration on Gratz Park: The Heart of Historic Lexington, a gorgeously photographed book about the history of Lexington's Gratz Park. They discuss their inspirations, research sources, and their favorite stories of the park, including how it became a public park.Gratz Park: The Heart of Historic Lexington is available for checkout from the library and for purchase at your favorite bookstore or Willcutt Guitars in Lexington.

We had a proper sit-down with Nana Yaw Ofori-Atta and this episode went everywhere!We spoke about his songs blowing up and ending up in the club, how he feels about the attention, and the whole conversation around pastors being treated like "mini-gods".We also got into toxic church culture, his short back-and-forth with Kwadwo Sheldon, his love for Arsenal, and he even gave advice to someone who feels guilty about changing churches.A very honest, very needed conversation. Tap in!Follow Nana Yaw:https://www.instagram.com/oneman1000/https://www.tiktok.com/@oneman1000/https://www.x.com/oneman1000_/

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

Conservation urgently needs creative and artistic solutions to addressing pressing biodiversity and climate issues in democratic and ethical ways. What role can the creative storytelling practice of native insect photography play in transforming species conservation to a discipline which respects and cares for overlooked insects and the critical ecosystems that support declining populations such as native bees, and is inclusive of the invaluable contributions of communities and those outside the discipline?    In this month's conversation, we are joined by Krystle Hickman, a National Geographic Explorer, TEDx speaker, conservation photographer, and native bee expert who uses her photography to raise awareness about the decline of native bee species and their complex ecosystems. Her work has been featured on platforms like Vox, PBS, and the podcast Ologies, expanding her impact beyond visual storytelling. Hickman has also presented at major global and academic venues, including the 2024 United Nations Biodiversity Conference (COP16) and universities such as Harvard, UCLA, and UC Irvine. Visit mindfullofeverything.com to access full episode shownotes, resources and archives. Connect with us on Instagram (@mindfullofeverything_pod) and Facebook (@mindfullofeverything).

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For the third year in a row, Paris Photo presented a full Digital Sector curated by Nina Roehrs — and for the past six weeks, NFT Morning has been the only media to interview nearly all the key artists, galleries, institutions, and curators behind this edition.From on-chain photography to AI-driven installations, from institutional innovation to Web3-native practices, we spoke with the voices shaping today's digital image culture.

Strengthening Community Engagement and Sustaining Development in a Digital Era© 2025 .mp3Podcast 233 The Interaction of Media Arts, Cultural Literacy, Theology, and Illiteracy © 2025 ISBN 978-976-97719-9-4filmed by Dr. William Anderson Gittens,D.D. of Devgro Media Arts Services®2015Bridgetown BarbadosI wish to express gratitude to the Creator for guiding me and my late parents, Charles and Ira Gittens, for their guidance and creative expression.  Thanks to those who assisted me along this journey namely my Beloved wife Magnola Gittens, my Brothers Shurland, Charles, Ricardo, Arnott, Stephen, Sisters Emerald, Marcella, Cheryl, Cousins Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, Jackie Clarke, Uncles Clifford, Leonard Mayers, David Bruce, and Collin Rock. My children Laron and Lisa.  Well-wishers Mr.and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr.& Mrs. Gordon Alleyne, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, Mrs. Ellen Gordon, Dr.Nicholas Gordon, the late Dr.Joseph Drew, Merline Mayers, Mr. and Mrs. Trevor Millington, Rev. Dr. Scoffield Eversley and Rev. Dr. Margaret Eversley, Rev. & Mrs. Donavon Shoemaker, Rev. & Mrs. Clayton Springer, Ms. Geraldine Davis, Rev.Carl and Rev Angie Dixon, Mr. David Brathwaite,Mrs. Zenda Phillips,Mrs. Gloria Rock, Rev.Pauline Harewood, Mr. and Mrs. Stewart Russell, Mrs. Shirley Smith, Mr.and Mr. David Trotman, Mr. and Mrs. Felton Ince, Mr. and Mrs. David Brathwaite, Mr.and Mrs. Ryan Miller Mr.and Mrs. Neilo Mascoll, Mrs.Zenda Phillips, Mr. and Mrs. Robert Quintyne and Mr. and Mrs. Joseph Cummins, Dr. Joseph Drew served as my advisor, mentor, and teacher during my academic tenure as a Media Arts Major at New Jersey City University (NJCU). The conversation centered on my post-graduation writing skills improvement after returning to Barbados. From 1995 to 2025, my practice in the leisure pursuit profession has shown to be infectious among other nuances. The combination of passion, prolific writing, and the Creator's assistance has led me to produce publication 395E-Publications according to academia.edu and 233 Podcasts buzz sprout .The above mentioned information provided significantly influenced my academic development journey, leading me to dedicate my 66th publication, "A Tribute to Culture" Vol 1, in memory of Dr. Joseph Drew.https://www.academia.edu/35701754/itanuts2016_pdf.No portion of this publication may be duplicated, saved in a retrieval system, or transmitted in any way, whether it be mechanical, electronic, photocopying, recording, or otherwise, without the prior written consent of the copyright owner, Dr. William Anderson Gittens, D.D. Photography, illustrations, layout design, and typesetting by Dr. William Anderson Gittens, D.D.Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8 Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest, https://brainly.com/question/36353773 https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19 https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18 https://independent.academia.edu/WilliamGittens/Books https://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittens https://www.academia.edu/123754463/ https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

Hausmeisterei Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen Aus der Preshow Präsendung, Küchenmöbel, Geräusch™ HS Workshops Neue Workshops geöffnet: Fotoprojekte & Großformat HS Workshop-Newsletter Testimonials von Workshopteilnehmern gesucht Alte Newsletter funktionieren nicht mehr, bitte neu anmelden Neue Newsletter Statt Werbung DANKE an alle Spender #hshi / #hsnachtrag Eik: Gimp in Unternehmen Andreas: Zum … „#919 – BallaLeica“ weiterlesen

HT2446 - Caravaggio Ignored His Eyes Caravaggio, the Italian painter from the 16th century, is well known for his use of a technique called "foreshortening." Today we would call it " focus stacking." It's curious to me that this view of the world is impossible for the human eye. Essentially, Caravaggio had to ignore his eyes and what he saw in order to paint using this technique that seems so real. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Ed Kashi is a renowned photojournalist, filmmaker, speaker and educator who has been making images and telling stories for 40 years. His restless creativity has continually placed him at the forefront of new approaches to visual storytelling. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate and compassionate relationship to his subjects are signatures of his intense and unsparing work. As a member of VII Photo, Ed has been recognized for his complex imagery and its compelling rendering of the human condition. Ed's innovative approach to photography and filmmaking has produced a number of influential short films and earned recognition by the POYi Awards as 2015's Multimedia Photographer of the Year. Ed's embrace of technology has led to creative social media projects for clients including National Geographic, The New Yorker, and MSNBC. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook, to paradigm shifting coverage of Hurricane Sandy for TIME in 2012, Ed continues to create compelling imagery and engage with the world in new ways.Along with numerous awards from World Press Photo, POYi, CommArts and American Photography, Ed's images have been published and exhibited worldwide. His editorial assignments and personal projects have generated fourteen books.In 2002, Ed in partnership with his wife, writer + filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous award-winning short films, exhibits, books, and multimedia pieces that explore significant social issues.In 2019, The Enigma Room, an immersive installation, premiered at NYC's Photoville festival, and has since been seen in Israel, the Netherlands, South Korea, and New Mexico, USA.HIs new book is, A Period In Time: Looking Back While Moving Forward, 1977 - 2022. In episode 269, Ed discusses, among other things:Wanting to contribute to positive changeDonating his archive and whyA lesson learned on being assertiveHis new book A Period In TimePublishing extracts from his journal entriesEditing language in response to modern sensibilitiesSeeing the impact of identity politics in the USAHis book project with his wife, Julie, American SketchesAmerica being less divided than we are being led to believeHis interest in ‘advocacy journalism'Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Join the Imagen Community on Facebook to continue the discussions between episodes.Joshua Dwain Frith shares his journey from classic photography challenges to embracing tech solutions like AI-powered editing and workflow automation. Get the inside scoop on teaching new photographers, crafting efficient post-production pipelines, and making space for creative projects, even when life gets busy. Joshua's honest look at the ups and downs of the craft will inspire you to find joy behind the camera and make your workflow work for you.Joshua Dwain Frith is an award-winning photographer, Director, and Content Producer based in Brooklyn, NY. Specializing in wedding, editorial, portrait, and commercial photography. Based in Brooklyn, NY, Joshua enjoys documenting life, relationships, and special moments for his clients. He believes that a camera is a tool that is used to capture authentic stories and evoke long-lasting memories and emotions."I don't want people to be distracted by how the edit looks. Editing should be the thing of. You think about secondary, right? Like people, especially non photographers, they should look at the image and feel the image and then talk. And then you say, man is beautiful, and then try to figure out why it's beautiful." - Joshua Dwain FrithResourcesTrue by Joshua DwainJoshua's WorkshopsJoshua's DUMBO StudioEarring EnvyWhy You Should ListenGet actionable photography workflow improvements from a seasoned professional.Learn practical tips for automating tasks, from culling to website updates.Find relatable stories about balancing creativity with business responsibilities.Be inspired to start (or restart) personal projects that grow your photography skills.Hear how AI and tech can actually simplify, not complicate, your daily photo work.Don't miss this behind-the-scenes look at how other photographers handle the real-world challenges of creative life and business. Packed with useful tips, humor, and honest insight.(00:00) - 72 (01:30) - Behind the Camera: Challenges and Joys (04:26) - Exploring New Skills and AI Integration (10:51) - AI in Post-Production and Workflow Automation (17:24) - Evolution of Editing Style (21:04) - Struggles with Creative Shoots (23:35) - Balancing Commercial and Personal Work (28:05) - Collaborative Efforts in Photography

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://thephotographersgallery.org.uk/whats-on/boris-mikhailov-ukrainian-diary www.npg.org.uk/whatson/exhibitions/2025/cecil-beaton/ https://www.youtube.com/watch?v=rLjkQyp2Bjk www.saatchigallery.com/exhibition/futurespective Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. ©Grant Scott 2025

Meet Lola! Lola Reid Allin is a former Airline Transport Pilot who worked as a pilot for the Ontario Government and DeHavilland/Flight Safety, a Class I flight instructor, and the first female Chief Flying Instructor at Waterloo-Wellington Flight Centre. In addition, she is a professional SCUBA Dive Master and an award-winning photographer and author whose work has appeared in national and international publications, including National Post, National Geographic, Globe & Mail, Verge: Travel with Purpose, Toronto Star, Grapevine, and Santa Fe Centre for Photography. Lola is an adventurer whose art and writing reflects the world vision of her experience. In addition to a three-year residency in Mexico, she's explored more than 65 countries in depth — under water and on foot, and by dogsled, jeep, and camel. To share her adventures & photographs, to provide a showcase for other photographers, and to inspire others to travel—she created the Armchair Traveller Travelogue in 2017. In addition to these personally narrated travel and adventure presentations, Lola does outreach presentations to promote the role of women in aviation/STEM careers. Her professional associations include The Ninety-Nines International Organization of Women Pilots, Women in Aviation International, and The Writers' Union of Canada. Her memoir, Highway to the Sky: An Aviator's Journey, was released Sept 2024 by She Writes Press/Simon & Schuster.er mH Contact Lola for your next meeting, retreat, or book club! lola@lolareidallin.com   lolareidallin.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

Send us a textCited as one of "20 of the world's most influential photographers" by the George Eastman House International Museum of Photography and Film, Peter Guttman is an acclaimed travel journalist, adventurer, author, photographer, lecturer and television personality, winner of the Walter Cronkite Award for Excellence in Exploration and Storytelling, three time recipient of the Lowell Thomas Travel Journalist of the Year Award, author of nine books and creator of two honored series of hardcover books about magical travel experiences around the world. He created five apps for the iPad and iPhone including the number one bestselling iPad app, Beautiful Planet HD, a groundbreaking showcase of global beauty, named by NBC News one of "eight outstanding educational apps".   Peter has made numerous television appearances (Today Show, CNN Travel Guide, Travel Channel, A&E profiles) discussing his adventures and discoveries.  In addition, he's been a frequent contributor to Conde Nast Traveller, Dallas Morning News, National Geographic Adventure, Outside, BBC.com as well as a national spokesman for Kodak.  He was chosen as a Fellow of The Explorers Club having “directly and substantially contributed to scientific understanding of the world” and cited for the “sheer diversity and thoroughness of his exploration experience”.Support this Podcast:  buy me a coffeeFind Peter's Books here on Amazon  Follow Peter at his website PeterGuttman.comAnd on his Facebook Page HereHosted by Michael J. ReinhartMichaelJReinhart.com   Whiskey and a Map:  Stories of Adventure and Exploration. 

Learn how heat distortion causes blurry photos and how to keep your shots sharp in hot or changing weather.   Transcript available at: NYC Photo Safari

-> This episode is an extract from an interview. You will find the entire interview on this same account.In this episode, we talk with Diane Smyth, editor at the British Journal of Photography and an established writer and lecturer based in London. Alongside her role at BJP, Diane contributes to major publications such as The Guardian, FT Weekend Magazine, Aperture, Foam, and Apollo. She also collaborates with Photoworks, where she has contributed as an editor and writer. Diane teaches history and theory of photography at the London College of Communication and has curated exhibitions for The Photographers' Gallery and the Lianzhou Foto Festival.With Diane, we discuss her career path, her editorial practice, and how she approaches working with photographers. She also shares her thoughts on the shifts in photography over the past fifteen years, and offers advice for photographers, writers, and editors who want to better understand the editorial world.Enjoy the episode!British Journal of Photography's website: https://www.1854.photography/Diane's Intagram account: https://www.instagram.com/dismy/?hl=frLink to my questionnaire to help you reflect on your artistic career: https://bit.ly/carriereartistiqueLien vers mon questionnaire pour vous aider à faire un point sur votre projet de livre : https://bit.ly/LVDLPlivrephotoMy website: https://marinelefort.fr/To subscribe to the podcast newsletter: https://bit.ly/lesvoixdelaphotonewsletterPodcast website: https://lesvoixdelaphoto.fr/You can also follow the podcast on Instagram, Facebook, and LinkedIn @lesvoixdelaphotoLes Voix de la Photo is a podcast produced and hosted by Marine Lefort. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The curator Thelma Golden is a major presence in New York City's cultural life, having mounted era-defining exhibitions such as “Black Male” and “Freestyle” early on in her career. Golden is the Ford Foundation director and chief curator of the Studio Museum in Harlem, an institution, founded in 1968, that is dedicated to contemporary artists of the African diaspora. But, for a significant portion of her tenure, this singular institution has been closed to the public. Golden led the initiative to create a new, purpose-built home—requiring the demolition of an old building and reconstruction on the same site. To mark its reopening, David Remnick tours the new space with Golden, discussing some key works and the museum's mission. He notes that this triumphant moment for the Studio Museum comes during a time of broad attacks on cultural institutions, particularly on expressions of identity politics. “I take a lot of inspiration from our founders, who opened up in a complicated moment,” Golden reflects. “My own career began in the midst of the culture wars of [the nineteen-nineties]. Understanding museums as a place that should be, can be, must be where we engage deeply in ideas. In this moment, that has to offer some hope as we consider a future.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Get a FREE Posing eBook from The Portrait System here: https://the-portrait-system.lpages.co/podcast-pose-funnel/Today on this special re-release of The Portrait System Podcast, Vancouver-based boudoir and empowerment Michele Mateus is our guest. Listen in as Michele tells us all about her business journey and how she has achieved a $3k+ sales average. Don't miss out on this exceptional episode!PODCAST LISTENER SPECIAL!! If you want to get started with the Portrait System, get a special discount using code “POD7” to get one month access for just $7 here https://theportraitsystem.com/pricing/IG https://www.instagram.com/theportraitsystem/YouTube https://www.youtube.com/c/theportraitsystemSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

HT2445 - To Increase Sharpness, Move the Sun Yes, lens sharpness, stabilization techniques, and resolution all add to build a sharp image. As a pragmatic photographer, however, I can't help but observe and admit that the most important way to increase apparent sharpness is to use the angle of incidence between the light source and the subject that maximizes visible contrast and detail. Light that strikes the subject at an extremely low angle does more to increase detail than buying a sharper lens. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,026, Nov. 18, 2025. Today's theme is, "Photographer's Gift Guide 2025." I'm Derrick Story. Over the course of a year, I test many cool photo and camping accessories. Most of these would make affordable, excellent gifts for the photo enthusiast in your life. This week I'll share my favorites, just in time for the holiday season. I hope you enjoy the show.

In this episode, we saddle up and ride straight into the wild territory of doing the “hard things” — the ones that stretch you, scare you a little, and make you a better photographer and a stronger human. We talk about choosing the right kind of hard… the kind that calls to you from deep inside, not the kind the world thinks you should be doing.You'll hear how breaking big, intimidating goals into bite-sized trail markers makes the journey not just doable, but actually fun. And we share why having a loyal posse — whether it's a mastermind group, your creative herd, or your trail-ride buddies — can make the difference between stalling out at the gate and crossing the finish line with dusty boots and a victory grin.This one's all about honest mindset discussions, real-talk photography growth, and finding the courage to chase the challenges that light you up. So grab your hat, tighten your cinch, and let's ride into the good kind of hard together.Takeaways Mindset is your saddle: if it's not cinched up right, nothing else is going to sit comfortably — in photography or business.Not all “hard things” are worth your energy. Learning to pick the ones your soul is actually craving is part of the adventure.Perfectionism? She's the dusty outlaw trying to slow you down. Progress — even messy, crooked, imperfect progress — is what gets you across the prairie.A supportive community is your herd. Big challenges get a whole lot easier when you're not riding that trail alone.Links referenced in this episode:cowgirlswithcameras.comcowgirlswithcameras.community

This cast is about supporting the individual and interesting creator in the face of crappy, generic Ai produced slop. Because individuality, human mistakes, and human weirdness are so much more interesting than averaged out, smoothed down, generic pablum that's produced by "generative" Ai. I must apologise though because I slept through the usual Quackcast time (I was sick), and it took my brave, loyal and helpful cat almost 2 hours to finally wake me up and get me ready for the cast! So my brain wasn't fully awake and I was a dopey ditz for most of the cast. Gunwallace joined our crew for this cast. He's always a welcome member to the team. These big Ai models work by stealing text and images from all over the place and giving us averaged out versions of them. The text and images they churn out are typically bland and often wrong because they are an average of both bad and good information that are delivered in an entirely overconfident manner. AI is a great real-time example of the Dunning-Kruger effect in action. The blandness is key though- this is why as a creator you shouldn't feel disheartened, the novelty and creativity of you work is still wake makes it interesting in the face of all this generic glurge. As Ai use increases, genuine creatives will adapt to it and make it their own as just another of their tools. The people who think they can replace creatives will be disabused of that fantasy just like they were with things like photography and synthesisers: Photography didn't replace the artist like people feared, good photos still take a lot of skill, experience, talent, and training to produce. Synthesisers didn't replace musicians, you still needed to know what you're doing to make music with them. Ai is much the same in that the generic images and text produced by inane "prompts" are generic garbage based on stolen content and the more they're produced the more generic people will see them to be, unless true creatives come along who know how to manipulate them to produce interesting things instead of simply simulacra of interesting things. It is already starting with people who forgo Ai trained with stolen IP and instead use their own work for the training models. And to a much lessor extent for people who use prompted Ai creations as the basis for further creative work of their own. In the mean time though fully creator produced work will always have value. This week we have a best-off Gunwallace - Awfully decent fellows - JAMES FREAKIN' BOND. That's all I originally wrote. This is one of my faves that I often listen to. Originally from Quackcast 195 14th of December 2014. Topics and shownotes Links How people become dumber through the use of Ai - https://bsky.app/profile/cozmicsoulfire.bsky.social/post/3lzkwart27k2z Featured comic: Trip And Tessa - https://www.theduckwebcomics.com/news/2025/nov/12/featured-comic-trip-and-tessa/ Featured music: Awfully decent fellows - https://www.theduckwebcomics.com/Awfully_Decent_Fellows/ - by Ironscraf, rated E. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

LW1480 - Art and Story Art, as an inanimate object, doesn't do anything, Art doesn't do, it tells — it tells us about some thing, some place, some person, some moment, some feeling, some idea. Art can cause something in us to take place by simply looking at the artwork and thinking about what we see. That process of looking and thinking lays bare the fact that every piece of artwork is a launching pad for a story, or perhaps a cluster of stories. There are biographic stories, production stories, materials stories, acquisition stories, relationship stories, provenance stories. This list can be quite lengthy. To me as an artmaker, the ones that are most interesting are always about the content, which so often is tied to metaphor and meaning. This is the realm of the artmaker. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT2444 - Dark Writing I've thought for years that photographers often think about tones exactly backwards. There are lots of photographic gurus who preach that we must pay special attention to the light. Early in my dark room days, it seemed obvious to me that we don't create a print by adding light to the paper, that instead we start with white paper and add shadows. Photography is supposedly "light writing" but getting the blacks right is what we actually do. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In this episode of F-Stop Collaborate and Listen, host Matt Payne talks with Marc Muench and Sara Linssen, co-owners of Muench Workshops, about what it takes to create world-class photography workshops. They dive into the backstory of Muench Workshops, sharing how it all began with a desire to offer immersive, learning-focused experiences rather than conventional tours. The conversation covers the evolving landscape of travel, the importance of ethical practices, and how they balance growth with maintaining quality. Sara discusses the business challenges behind the scenes, and Marc reflects on the value of sharing authentic experiences to inspire both creativity and environmental stewardship. They also touch on building a positive team culture, the role of local guides, and what it means to truly delight participants. The episode is packed with practical advice for aspiring workshop leaders and anyone interested in elevating their own photography journey. Resources: Muench Workshops Muench Workshops Social Media: Instagram TikTok Leave No Trace F-Stop Collaborate and Listen Patreon If you have any questions about the workshops, email the Muench Workshops team Stay up to date: Muench Workshops Mailing List Signup Matt Payne's Upcoming Workshops

In this episode, we dive into the art of landing photography clients with guest Dalton Johnson (@storiesbydalton), a full-time commercial and editorial photographer known for his outdoor and adventure work. Dalton shares his insights on balancing inbound and outbound strategies, building genuine relationships, and creating systems that attract work. Whether you're a full-time photographer or balancing a side hustle, this conversation is packed with actionable tips to help you connect with clients, stay top of mind, and create a sustainable career.Expect to Learn: The difference between pitching clients directly and building systems that attract them to youWhy fostering long-term connections with potential clients can lead to consistent workHow to use social media effectively without getting caught in the "posting for the algorithm" trapHow to use your portfolio to showcase your capabilities to potential clientsHow to maintain subtle, meaningful outreach that keeps you on a client's radar without being pushyDalton's Website: https://dalton-johnson.com/Dalton's YouTube: https://www.youtube.com/@storiesbydaltonSponsors:Thanks to Tamron for sponsoring this episode! Their Holiday Instant Savings are here! Save up to $300 on select lenses for Sony, Nikon, and FUJIFILM mirrorless cameras now through January 11th, 2026. Explore here at www.tamron-americas.com Thanks to the National Park Foundation for sponsoring today's episode. Enter the Share the Experience photo contest for a chance to win $10,000 and prizes from Celestron, Historic Hotels of America, and YETI. The grand prize winner's photo could be featured on the America the Beautiful—the National Parks and Federal Recreational Lands Annual Pass. Submit your best shots now at sharetheexperience.org/tpmOur Links:Join our subreddit where you can share stories and ask questions:https://www.reddit.com/r/photographermindset/Subscribe to TPM's Youtube page and watch full length episodes: https://www.youtube.com/thephotographermindset/Make a donation via PayPal for any amount you feel is equal to the value you receive from our podcast episodes! Donations help with the fees related to hosting the show: https://paypal.me/podcasttpm?country.x=CA&locale.x=en_USThanks for listening!Go get shooting, go get editing, and stay focused.@sethmacey@mantis_photography@thephotographermindsetSupport the show

This is a preview of this week's Patreon episode. To listen to the full episode and to enjoy weekly bonus content, videos, BTS bits, extra guest stories, live show discount codes and more, sign up to the Yer Don't Get Owt Fer Nowt! tier on Patreon at patreon.com/northernnews.This week on Patreon, Ian and Amy make up new storm names from A-Z.Got a juicy story from t'North? Email it to northernnewspod@gmail.com.And follow Northern News on Instagram @NorthernNewsPodcastRecorded and edited by Aniya Das for Plosive.Artwork by Welcome Studio.Photography by Jonathan Birch. Hosted on Acast. See acast.com/privacy for more information.

Shopping is not a hobby. Watch video here: https://youtu.be/jTFulO6Hz6oSubscribe to the Double Negative Dispatch: https://doublenegativedispatch.substack.comInstagram: ⁠https://www.instagram.com/willmalone/⁠Polaroid Instagram: ⁠https://www.instagram.com/everydayinstant/⁠Website: ⁠https://willmalone.com⁠Thanks for watching!

What is the real path to artistic success? Some people say it is nothing more than practice. Not just practice in general, but practice in one single area of photography, always working on that one slice of the craft. I see it differently. I think success grows out of diversity. Different styles, different techniques, and even different genres. Even the genres that might not be your favorites. Let me walk you through why I think this matters... Podcast Notes: https://www.moneymakerphotography.com/should-you-stick-to-one-genre-or-should-you-diversify/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Follow me: https://www.facebook.com/Will.Moneymaker  #PhotographyClips #WillMoneymaker #Photography

⭐️⭐️ Special thanks to our sponsor, Vanta AI. Get $1000 off at vanta.com/mydailybusiness  ⭐️⭐️You'll learn how to identify the 10 people you truly admire, uncover the patterns behind why they inspire you, and use those insights to make clearer decisions, set better boundaries, and create a more intentional, sustainable business.Perfect for anyone feeling overwhelmed, stuck in comparison, or unsure about their direction.Sponsored by Vanta AI: vanta.com/mydailybusinessConnect with My Daily Business:Instagram: @mydailybusiness_TikTok: @mydailybusinessEmail: hello@mydailybusiness.comWebsite: mydailybusiness.comResources mentioned:Vanta AIHow to Get Your Book Published course Join our AI Chat Group for small business ownersMy Daily Business courses - mydailybusiness.com/courses Special thanks to our sponsor, Vanta AI. Get $1000 off at vanta.com/mydailybusiness Want to get your #smallbusiness sorted in 2026? Check out our 1:1 business coaching packages from a one-off session to 6-months of coaching. Want to know more about AI and how to harness it for your small businesS? Join our new monthly AI chat for small business owners. You can join anytime at www.mydailybusiness.com/AIchat Try out my fave AI tool, Poppy AI here and use discount code FIONA. We also love Descript. Connect and get in touch with My Daily Business via our shop, freebies, award-winning books, Instagram and Tik Tok.

HT2443 - Color by the Truckload If there is a photographic aesthetic that defines the early years of the 20th century it will undoubtedly be the fine art black and white print. We are 100 years removed from that era, and it appears to me that the photographic aesthetic that defines the early years of the 21st century is MORE COLOR. Slap it on with a trowel, and crank it up to 11. Is this trend virtuous because it's a wonderful aesthetic or simply a choice we engage now that we have the capabilities to do so? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

The vital role of a digitech in ensuring seamless photo shoots. George Brooks (aka Digibrooks (https://www.instagram.com/brooksdigi/)) shares his expertise on camera technology, data management, and offers practical advice for photographers Watch the video (https://youtu.be/eKECl3EblBA)

HT2442 - Limitations Money is limited. Time is limited. Access is limited. Equipment is limited. Techniques are limited. It's a wonder we can get anything done with all these limitations. But that's the thing about the art life, we are surrounded by limitations that conspire to interfere with our productivity. If we let these limitations inhibit our work, it's not the limitations that need to be removed, but rather our willingness to allow those limitations to intimidate us. Artmaking is always about what we can do, not about what we can't. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Am I the Jerk? is the show where you can confess your deepest darkest secrets and be part of the conversation.

HT2441 - No One Will Ever See It The often insurmountable distance from production to consumption. Rick Beato has a YouTube channel all about contemporary music. It's surprising how many times his topics pertain perfectly to our lives as fine art photographers. Here is an example that is so spot on that I thought he was talking directly to me — art without an audience. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

What if you could earn $5,000 in a single weekend taking rainbow-colored portraits that help people feel seen and valued? This year, Summer Ray built an aura photography business. She creates portraits that visualize someone's energy field—and commands $44 per session. From somalumin.com, Summer has earned $70,000 in just six months while keeping her full-time job. If you've never heard of aura photography before, that's totally fine. But whether you believe in energy fields or not, Summer's strategic approach to building this business offers valuable lessons for any event-based side hustle. Tune in to Episode 707 of the Side Hustle Show to learn: how strategic partnerships with local businesses created immediate customer flow what makes customers willing to pay $44 for a 10-minute experience creative ways to turn a weekend into $5,000 in revenue (Learn more about Soma Lumin Guide program — use promo code HUSTLE for $100 off!) Full Show Notes: $70k on the Side in 6 months with Aura Photography New to the Show? Get your personalized money-making playlist ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Sponsors: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mint Mobile⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Cut your wireless bill to $15 a month! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Indeed⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Start hiring NOW with a $75 sponsored job credit to upgrade your job post! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quo (formerly OpenPhone)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Get 20% off of your first 6 months! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shopify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Sign up for a $1 per month trial! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Policygenius⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Compare free life insurance quotes from top companies and see how much you could save. About The Side Hustle Show This is the entrepreneurship podcast you can actually apply! The award-winning small business show covers the best side hustles and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠side hustle ideas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We share how to start a business and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠make money online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and offline, including online business, side gigs, freelancing, marketing, sales funnels, investing, and much more. Join 100,000+ listeners and get legit business ideas and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠passive income⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ strategies straight to your earbuds. No BS, just actionable tips on how to start and grow your side hustle. Hosted by Nick Loper of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Side Hustle Nation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

In this episode of PhotoWork with Sasha Wolf, April Watson, Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri, joins Sasha to discuss her upcoming exhibition, American Prospects and Landscape Photography, 1839 to Today. The two dive into an insider's conversation about how acquisitions—whether through donations or direct purchases—shape curatorial decisions. April speaks about the importance of honoring donor gifts through thoughtful exhibitions, and about working closely with museum education staff to shape exhibition language to engage audiences who may not have an art-historical background. She then turns the tables, inviting Sasha to share her perspective on the current state of the photographic art market and how it has evolved or devolved over time. https://nelson-atkins.org/art/exhibitions/american-prospects-and-landscape-photography-1839-to-today/ https://www.instagram.com/nama_photographs/ April M. Watson is Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri. During her eighteen-year tenure at the museum, Watson has curated over 20 exhibitions that span the history of photography. These include: American Prospects and Landscape Photography, 1839 to the Present (forthcoming 2026); Strange and Familiar Places (2025); Evelyn Hofer: Eyes on the City (2023, with the High Museum of Art); Jim Dow: Signs (2022); Gordon Parks X Muhammad Ali: The Image of a Champion, 1966/1970 (2020, with the Gordon Parks Foundation); Eugene Richards: The Run-On of Time (2018, with the George Eastman Museum); Impressionist France: Visions of Nation from Le Gray to Monet (2013); and Heartland: The Photographs of Terry Evans (2012). Prior to the Nelson-Atkins, Watson held curatorial research positions at the National Gallery of Art, Washington D.C., and the Center for Creative Photography, Tucson. She holds an MA in Art History from the University of New Mexico and a Ph.D. in Art History from the University of Kansas. She is currently at work on a major exhibition for 2027 that explores the relationship between early photography the antislavery movement. The exhibition will also feature major contemporary works inspired by this history.

HT2440 - Bit Rot Might Be Destroying Your Backups Have you heard of a thing called bit rot? I hadn't either, but it turns out it can be slowly leading your backups to failure. And speaking of backups, it's that time of year again when it's a good idea to back up all your computerized data, images, and those 1s and 0s that are the measure of your creative life. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!