Podcasts about Photography

Episode: 1481 A revealing view of photography's early days.  Today, where was photography headed in 1854?

Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd Watch the video version of this podcast on YouTube here: https://www.youtube.com/watch?v=a6W8fHBavM8 Jake Jalbert began his journey into producing and cinematography 14 years ago, shooting his first feature film, House Guest Massacre (2013), starring Alex Vincent from the Child's Play franchise (as Andy Barclay). Over the years, he's worked his way up by contributing to numerous films and TV shows, collaborating with actors such as Burt Reynolds, Amy Smart, Sean Astin, Michael Shannon, Alexander Ludwig, and Charles Melton. From 2020 to 2024, Jake served as Director of Photography on several films, beginning with Mind Games*, starring A-list talents Robert LaSardo, Jim Fitzpatrick, and Michael Paré, as well as *Soulmates*. Jake was later hired to shoot two studio films, *Megaboa and Shark Waters*, both of which had small theatrical releases through The Asylum, the studio behind the *Sharknado franchise. In addition, Jake was the cinematographer for the Tubi original film *DC Down*, directed by Geoff Meed and starring Eric Roberts and Sean Young. In 2023, Jake produced and shot his most ambitious project to date, Off Rip (Sports/Drama), directed by and starring Jadon Cal, which is currently in post-production. CONNECT WITH JAKE JALBERT: / jake_jalbert https://www.imdb.com/name/nm5221732/ / @beastmodecreative PERSONALLY SPONSOR FILM COURAGE https://ko-fi.com/filmcourage SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage Affiliates: ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Photographs preserve what daily life cannot—moments that would otherwise fade into obscurity. In today's show, we explore this topic through a nexus of American culture, popular folklore, and photographic archives in a chat with Alan Govenar and Adam Forgash, two photographers and visual historians who are passionate about unearthing and preserving forgotten stories. Coming from different backgrounds, Alan's formal training and experience with the non-profit Documentary Arts complements Adam's hands-on skills hunting for treasures and selling vintage photographica at New York's Chelsea Flea Market. A few of the points they discuss include: the central role of the community photographer in twentieth-century life, the cultural significance of Route 66 as a favored connection point, the painstaking process of resurrecting century-old portraits from damaged glass plates, and much more. As Adam notes about these rescued portraits now titled "Faces of the Mother Road," "I've had these kinds of collections over the last 30 years and kind of let them go, but this one, I knew there was something special about it. So, as soon as I realized what I was looking at, I stopped. I put it in climate control storage. I got archival paper to put it in. I started a numbering system.  "It feels pretty good," he adds, "to get more serious about my craft, realizing that I am a photo historian, even though I don't have a degree." Guests: Alan Govenar & Adam Forgash Episode Timeline: 3:07: Alan Govenar's early connections to photography and his introduction to Stoney, the hunchbacked tattoo artist who jumpstarted his photo career. 8:33: The role various media has played in Alan's work as an interdisciplinary artist and how changes to media has influenced his storytelling. 11:37: Adam Forgash describes New York's Chelsea Flea Market and the treasure trove of 8,000 glass negatives he discovered there. 16:18: A peek into the Texas African American Photography Archive, and the era of the community photographer. 22:02: Storytelling within a historical context and a photographer's accountability in reverse engineering a story from vestiges of the past. 27:01: Adam's accidental discovery of a second half to SJ Tyler's archive and tracking down information about the photographer. 30:49: Connecting the story of SJ Tyler's portrait studio to an exhibit celebrating the centennial of Route 66. 32:28: Episode Break 33:47: Making distinctions between Alan's formal education in folklore and Adam's schooling at the hands of New York's Chelsea flea market crowd.  40:23: Adam's approach to beginning this project, and how SJ Tyler's collection differed from past archives he's worked on. 42:52: Connections between Tyler's photographs and the significance of travel on Route 66, plus Adam's relationship to Tulsa. 44:26: Placing photographic stories in a wider historical context and their connection to the communities being served. 49:54: Funding and sponsorship for large photographic projects and the benefits to working with a registered non-profit as a pass-through organization. Guest Bios: Alan Govenar is an acclaimed photographer, filmmaker, writer and folklorist. A 2010 Guggenheim Fellow and the author of more than 40 books, Alan is also founder and president of the organization Documentary Arts, which he created to spotlight marginalized voices and cultures, through projects such as the Texas African American Photography Archive. As a filmmaker, Alan has produced and directed documentaries in association with NOVA, ARTE, and PBS. And as a playwright, he has written and produced musicals that have been performed from New York City to major venues across Europe. This year marks some major milestones in Alan's career, with a photography retrospective at the Center for Photography at Woodstock, a new documentary film premiering at New York's Cinema Village, and the publication of three new books, including Kinship & Community, released by Aperture.  Adam Forgash is a photographer, filmmaker, photo history specialist, and proud former Oklahoman. In 2023, while foraging for visual treasures at New York's famed Chelsea Flea Market, Adam happened upon the archive of the undiscovered portrait photographer Sidney J Tyler. From 1913 to 1943, Tyler operated a photo studio in Afton, Oklahoma, making portraits of everyday subjects as they passed through the region, during a break in their travels along Route 66, otherwise known as the "Mother Road". This once-lost visual history of northeast Oklahoma features working-class people of all races and communities, including the famed Tuskegee airmen.  After two years of intensive research into Tyler's archive, Adam's project, now titled Faces of the Mother Road: The Lost Portraits of S.J. Tyler - A Route 66 Story, is poised to make a lasting impact on Oklahoma's visual and historical narrative, just in time for the centennial of Route 66 in 2026. Stay Connected: Alan Govenar Documentary Arts Website: https://www.docarts.com/  Adam Forgash Website: https://adamforgash.com/  Adam Forgash Instagram: https://www.instagram.com/adamforgash/ Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

Jenny Palmer is a Vancouver-born artist and potter based on Vancouver Island. An Emily Carr graduate (BFA, 2008) in Photography, Jenny spent years working her way through breweries and children's art studios before running a home-based childcare program. In 2019, she discovered clay and began exploring pottery as a creative outlet in the evenings. When Covid hit, the world slowed down and that pause helped push Jenny to grow her late night pottery hobby into something bigger. Working from her cozy home studio, she creates vibrant, textural, functional stoneware that brings color, warmth, and joy to everyday life, reflecting her love of process, play, and the beauty of handmade craft. https://ThePottersCast.com/1184

HT2461 - Variations on a Theme I'm a fan of Sergei Rachmaninoff's piano compositions. I was not aware, however, until last night, of a composition he wrote titled Variations on a Theme of Corelli. The backstory of this work is simple. Corelli wrote a short piece of music in which there is a central tune. That tune captured Rachmaninoff's imagination. Rachmaninoff then took this short musical theme and composed 20 variations that are different in every regard, but still identifiable because of the basic tune. As I listened last night, I couldn't help but think how we could use this idea in our creative photographic expressions. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

As AI and automation transform photography, one question keeps coming up: how do we keep the humanity in our images? In this episode of The Nerdy Photographer Podcast, I talk with photographer and tech innovator Sam Hurd about finding balance between embracing technology and preserving the emotional, human side of photography. We explore: Art vs. automation – using tech to amplify creativity, not replace it. AI with intention – treating AI tools as collaborators, not shortcuts. The emotional core – why empathy, connection, and storytelling still matter most. The beauty of imperfection – how flaws and unpredictability make photos feel real. Future-proofing creativity – staying adaptable without losing your artistic voice. If you've ever wondered where photography ends and technology begins - or worried that AI might dull your creative edge - this episode is a must-listen. Tune in now to hear Sam Hurd's insights on how photographers can stay authentic, creative, and human in a rapidly evolving digital world. Episode Promos This episode contains promos for: Nerdy Photographer Let's Be Real Unposed Photography Prompts - https://nerdyphotographer.com/lets-be-real/ StyleCloud WordPress Website Templates - https://stylecloud.co/ref/380/ Siteground Web Hosting - https://siteground.com/go/nerdy Backblaze Cloud Data Backup - https://www.backblaze.com/cloud-backup/personal#afc32p Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe to the podcast! Tell your friends about the podcast Sign up for the newsletter - https://nerdyphotographer.com/newsletter Subscribe to our YouTube Channel - https://www.youtube.com/@CaseyFatchett Buy a print from the print shop - https://art.caseyfphoto.com Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow on BlueSky - https://bsky.app/profile/thenerdyphoto.bsky.social Follow in Tiktok - https://tiktok.com/@thenerdyphoto Get some Nerdy Photographer merchandise - https://nerdyphoto.dashery.com If you're feeling extra generous, check out our support page - https://nerdyphotographer.com/support-nerdy-photographer/ About My Guest Starting as a political news and celebrity portrait photographer in DC, Sam was instantly drawn to wedding photography as a space to promote more inventive ideas. Sam's focus is on photographic techniques that are deceptively simple but have the potential to transform difficult or uninspiring shooting environments into one-of-a-kind opportunities for every photo made. You can learn more about Sam and view his work on his Patreon – patreon.com/samhurd – or on Instagram @iamthesam About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com    If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact

It's the series finale, and Ian and Amy are joined in the studio by guest correspondent Maisie Adam! To celebrate, you can enjoy the full video episode over on our Patreon.Headlines this week include: a couple devastated as their favourite Pizza Hut shuts down, and a sheep is absolutely "asking for it" in Yorkshire.Maisie is going on tour with her new show 'Whatsherface' in autumn 2026. For tickets and information head to www.maisieadam.com.And Ian's on tour with his Edinburgh Comedy Award nominated show Foot Spa Half Empty. For tickets and information head to iansmithcomedian.co.uk.Want Extra! Extra! content? Join our Patreon for weekly bonus episodes, videos, live show discount codes, BTS clips and more...Got a juicy story from t'North? Email it to northernnewspod@gmail.com.Follow Northern News on Instagram @NorthernNewsPodcastRecorded and edited by Aniya Das for Plosive.Artwork by Welcome Studio.Photography by Jonathan Birch. Hosted on Acast. See acast.com/privacy for more information.

Visual Storytelling for Authors and Speakers with John DeMato In this episode of the All Things Book Marketing podcast, this episode's host Marissa Eigenbrood, President of Smith Publicity, welcomes visual storytelling strategist and photographer, John DeMato.They delve into John's background, from his early days in photography to his evolution as a strategist helping professionals enhance their visual presence.  John shares insights on the importance of having a well-rounded visual library, including core assets, visual evidence, and personal touches, highlighting how these elements contribute to an expert's brand credibility and marketability.  The discussion also covers strategies for effectively capturing key moments, the necessity of regular updates to visual content, and practical advice on hiring the right photographer. The episode concludes with anecdotes reflecting John's passion for his work and the meaningful connections he forms with his clients.00:00 Introduction and Guest Welcome00:32 John's Impressive Bio and Career Highlights01:49 The Physical Demands of Photography02:53 How Marissa and John Connected04:34 John's Journey into Photography10:02 Building a Visual Storytelling Library17:07 The Importance of Consistent Visual Content22:38 Evaluating Your Brand's Visual Assets23:44 Importance of Event Visuals24:22 Capturing the Full Event Experience28:28 Starting Your Visual Storytelling Journey33:50 Choosing the Right Photographer36:44 The Value of Authentic Imagery39:40 A Photographer's Favorite Moments42:57 Conclusion and Contact InformationJohn DeMato is a New York–based branded lifestyle photographer who specializes in creating strategic, story-driven images for authors, speakers, and thought leaders. A former TV producer, he brings a marketing mindset to every shoot, helping experts show up confidently and consistently across their platforms. Visit John DeMato for more information.Smith Publicity is an international book publicity firm specializing in non-fiction, business, lifestyle and thought-leadership projects. Since 1997, they have helped authors and experts amplify their voices, reach the right audiences, and make a meaningful impact through media placements, strategic campaigns, and expert guidance. For more information visit Smith Publicity. 

Get a Vyky kit! https://stories.vyky.coThis week on Stay By Plan, we sat down with a listener who literally shot her shot… and we said yes!

HT2460 - With the Passage of Time I'm certainly not the only photographer who looks back at their earlier work and feels a sense of embarrassment. What was I thinking? Of all the negatives or digital captures I had to choose from, why did I think this one was worth printing, matting, and (God forbid) framing? Isn't it equally odd that a few images from those early years seem to have held up pretty well? Can I trust my own aesthetic judgments? Will the images I'm producing today seem ridiculous 5 or 10 years from now? Each finished artwork is a product of its time. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Featuring:Yasuhiro OgawaMarshall ToLua RibeiraGianluca Gamberini (L'artiere books)Eleonora AgostiniPia-Paulina GuilmothAletheia CaseyBooks/Projects mentioned:Lost in Kyoto, Yasuhiro OgawaBlank Notes, Marshall To44 Irvine Street 1970-1971, Susan MeiselasAgony In The Garden, Lua RibeiraCalling The Bird Home, Cheryl St. OngeAnother England, Phil ToledanoA Study On Waitressing, Eleonora AgostiniFlowers Drink The River, Pia Paulina GuilmothFishworm, Pia Paulina Guilmoth & Jesse B. SaffireA Lost Place, Aletheia Casey Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

49ers Director of Photography Terrell Lloyd joins Papa & Silver to share his experience as a Bay Area native becoming the 49ers Director of Photography. Learn how you can bid on the experience to be team photographer for a day.See omnystudio.com/listener for privacy information.

We have reconvened our Upmarket Mastermind group and recorded an episode LIVE IN PERSON together in Las Vegas at PMRE 2025! Reed, Alex, Kelly and Jenn got together towards the end of the week to sit down and go over all the thoughts swirling in their heads after the whirlwind that is the Photography and Media for Real Estate Conference. What a crazy and informative week and the crew does their best to distill what they've learned and how they are going to apply it to their businesses. The Upmarket Mastermind consists of:Alex Coombs, of Northern Spruce Media in Hamilton, Ontario.Kelly Clark of Local Flavor Films in Atlanta Georgia.Jenn Lueck, of Jenn Lueck Photography in Prescott, Arizona.Reed Fish of Upmarket Media in Ventura, California.Upmarket Pod is beyond excited to partner with iGUIDE to bring you our Mastermind Series. iGUIDE is an easy and amazing 3D tour option that displays on ANY website, including Zillow, Redfin etc. Check them out and show them some love!The Presenting Sponsor of Upmarket is Aryeo, the best place to help grow and manage your Real Estate Media business. Use the code "Upmarket" at aryeo.com to get 15 free bonus listings with any new account.Another amazing sponsor of Upmarket is SecondFloor, the fastest way to create a finished floor plan. It's so fast that you can deliver the finished floor plan while you are still on-site! Not only that, but you can get UNLIMITED floorplans for one low monthly fee. We love SecondFloor and you can use the code UPMARKET at checkout and any new subscriber will get a 1 month free trial.Go to Fotello.co to check out Fotello, an ethically sourced AI photo editor. Try it for free and if you end up signing up, use the code UPMARKET25 to receive 25 free listings (~1,500 photos / $500 value) added to your account — no matter which plan you choose.Our Action Items are sponsored by PixlCRM, where you can scale your real estate photography business through automation. It's an all-in-one business and marketing platform that compliments your current delivery app. If you go to pixlcrm.com/upmarket you can get a 30 day risk free trial!!!

PART OF THE STORY—Susan Casey has won National Magazine Awards for editing, writing, and design—a feat that may well be unprecedented in the industry's history.In her native Canada, they call people like this “Wayne Gretzky.”She has worked—under various titles—for the following magazines: The Globe & Mail, Outside, Time, Esquire, eCompany, Business 2.0, Sports Illustrated Women, National Geographic, Fortune, and O, The Oprah Magazine. She also worked for the iconic 1990s fashion brand Esprit. These days—literally on any given day—you're likely to find Casey in the water, where she spent much of her childhood, later with the swim team at the University of Arizona, and, as an adult, as the author of four immersive books—all best sellers—about the ocean: The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean; The Devil's Teeth: A True Story of Obsession and Survival Among America's Great White Sharks; Voices in the Ocean: A Journey Into the Wild and Haunting World of Dolphins; and her most recent, The Underworld: Journeys to the Depths of the Ocean.A self-proclaimed “outspoken designer” early in her career, she refused to accept the career path limits others imposed and instead laid the groundwork for a rich creative life.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill reflects on his recent trip to Paris Photo, whilst he and Grant lock horns over AI and agree about the importance of experts. Mentioned in this episode: Jack Davison www.jackdavison.co.uk Marie-Laure de Decker www.mep-fr.org/en/event/marie-laure-de-decker-3/ Nino Migliori www.keithdelellisgallery.com/artists/nino-migliori Erica Lennard https://ericalennardphotography.com Fred Herzog www.equinoxgallery.com/our-artists/fred-herzog/ Emma Hartvig www.emmahartvig.com Kit Young www.kityoung.co.uk Henry O. Head www.henryohead.com Michael Wolf https://photomichaelwolf.com The Hulett Collection https://thehulettcollection.com Louis Stettner https://louisstettner.co Todd Webb www.toddwebbarchive.com Phillip Toledano https://mrtoledano.com Sean Scully www.tate.org.uk/art/artists/sean-scully-1917 Paul Strand www.icp.org/browse/archive/constituents/paul-strand www.bluephoto.co Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2025

49ers Director of Photography Terrell Lloyd joins Papa & Silver to share his experience as a Bay Area native becoming the 49ers Director of Photography. Learn how you can bid on the experience to be team photographer for a day.See omnystudio.com/listener for privacy information.

LIVE SHOW! Paranormal Heart is celebrating 8 YEARS !!!!!!! Special Guest joining in the festivity is Al ‘The SquatchFather” Santariga December 2nd, 2025 EP: 62 TOPIC: Celebrating 8 years as a Podcast Al Santariga graduated from the Center for Media Arts NYC with a Degree in Visual arts majoring in Photography. Mother was a psychic; Brother is one of the first parapsychologists in the US. Grandmother & Aunt were white witches. Cousin was a black witch. Sister is a sensitive & intuitive. Over 56 years of experience in all aspects of the paranormal. Psychic abilities - Clairvoyance – Vision, Clairaudience – Hearing, Clairsentience – Feeling, Claircognizant- Knowing, Clairalience – Smelling, Clairgustance – Tasting, Clairtangencey – Touching, Investigator, Experiencer, Researcher, Crypto Zoologist, Ufologist, Actor (has appeared in half a dozen independent Documentary along with Network TV regarding all aspects of the paranormal. Has appeared in & co-directed a TV commercial for Mountain biking. Has appeared in a made for Country Music Television Video. Founder/ Director of the Bronxville Paranormal Society, founder/ Director of the New York State UFO Project, founder/ Director of the New York State Sasquatch Organization, and Founder/ Director of the New York State Dogman Project. Region 3 Director of the North American Dogman Project. Ex Podcaster & Co-Host of Beyond the Realm Digital Radio Network. MUFON member New York State Chapter. Profiled in: Putnam Valley After Dark News Magazine, New York's Outdoor News Magazine, The Times Community Newspaper of the Hudson Valley, The Gothamist Internet Newspaper, Author Frank R. Santariga's book titled Paranormal Family & Friends, Author Richard Moschella's book titled Case Files of the Paranormal. Lecturer / Speaker / Presenter/ Podcast Interviewee/ On all paranormal aspects. Where to contact Al: https://www.facebook.com/groups/3558038479...

HT2459 - AI and the Ideal When we say that one photograph is better than another, how do we arrive at that conclusion? When we are processing our images, what is the criteria we use to take the next step in processing? As I've thought about this, one answer keeps reoccurring: all of the decisions we make have the intention of revealing an ideal. What do we mean by "the ideal"? Why is our goal not the truth? When did photography change from a sensitive pursuit of truth into a technological and aesthetic pursuit of a fictional ideal? Now that AI makes the ideal so accessible, will that change our aesthetic objectives? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,028, Dec. 2, 2025. Today's theme is, "Catching Up on the Latest Photo News." I'm Derrick Story. We've been so busy with workshops and gift guides that I haven't been able to share the latest interesting news stories in our space. Well that changes today! I have the DP Review Camera of the Year, the Leica Photo of the Year, and the scoop on what really killed Minolta. All of that, and more, on today's TDS Photography Podcast. I hope you enjoy the show.

319 - Scrolling Instagram and feeling like every photographer in your area is booked solid… except you? This episode breaks down what's really happening when photography competition triggers that spiral — and how to shift your mindset so you can get back to serving, creating, and growing.What to listen for:The surprising emotional chain reaction your brain creates when you see photographers who look “busy” onlineWhy competition feels threatening even when it technically isn'tThe #1 thought that keeps photographers stuck in comparisonHow your brain jumps from “They're busy” to “I'm going to end up broke in a ditch”Why you assume competitors are taking clients that “should” be yoursWhy more local photographers can actually help grow demandHow to reframe comparison into something that fuels your business instead of draining itThe simple thought protocol to use the next time you see a competitor post a winThe one question that reveals whether comparison is stealing your best creative energyFeeling triggered by photography competition doesn't mean anything is wrong with you — it means you're human. This episode will show you how to redirect that energy back into your business so you can create momentum instead of comparison.If you're ready for coaching, clarity, and a community that helps you rise above the noise, come join us inside Elevate. Hit play now and let's shift your mindset together.IMPORTANT LINKSCrack the code to booking more clients inside Elevate – www.freedomfocusformula.com/elevateMaster the craft of pet photography at the Hair of the Dog Academy – www.hairofthedogacademy.comStop competing on price, sell without feeling pushy, and reach consistent $2,000+ sales in the Freedom Focus Formula – www.freedomfocusformula.comDiscover the world of commercial pet photography in the Commercial Pet Photography Academy – www.hairofthedogacademy.com/commercialJOIN THE PARTY: Connect with us on Instagram Explore valuable pet photography resources here Discover effective pricing and sales strategies for all portrait photographers. Ready to grow your business? Elevate helps you do just that. Check out our recommended gear and favorite books.

The story of how Randall Ann Homan got her name is a unique one. In this episode, meet and get to know Randall and her partner, in life and in neon, Al Barna. Today, the couple are all about all things San Francisco neon. But we'll get to that. When Randall's dad was a teenager, he saved a young girl named Randall from drowning. After saving the little girl, he taught her to swim. Years later, when he had his own daughter, he carried the name forward. Randall Homan grew up in Goodyear, Arizona, just outside of Phoenix. The town was named for the tire company, and it was where, back in the day, the eponymous blimp lived when not in use. Randall has a fun story about being brushed by the Goodyear blimp's ropes when she was a kid. She considered her hometown "Nowheresville" and left as soon as she could—at 17, after graduating from high school early. Randall came straight to San Francisco to attend Lone Mountain College (the University of San Francisco today). "It was wild," she says about her time in the Seventies in The City. Art school is what brought both Randall and Al to San Francisco. At her school, there was a dorm where all the art students, including Randall, lived. Views out the window of that dorm were always completely foggy except for one thing—the neon sign at the Bridge Theater on Geary pierced that blanket of gray. It left a strong impression on them both. Rewinding a bit, Randall says that there was a little neon in her hometown of Goodyear, and she was fascinated by it. She was interested in how it worked, but also was drawn to the beauty of the colored light. When I ask Randall whether she ever left San Francisco after her initial move here, she rewinds a little bit to talk about how young they both were when she and Al met. "Cupid hit us both square in the heart," she says. But they wanted to see the rest of the country. They both wanted to visit where the other is from (Al came here from Pennsylvania), but they compromised on New Orleans. They were drawn to NOLA by the music, and they sure did see a lot of that. But getting jobs was a different story. That didn't come easy in "the Big Easy," and so they came back. They've been in their San Francisco apartment for 30-plus years, and they're not going anywhere. As mentioned, Al comes from Pennsylvania, specifically the Scranton/Wilkes-Barre northeast area of the state. It was coal country, but young Al wanted to pursue art. And so he came to The City to go to the San Francisco Art Institute (RIP). It was 1976, and even though he was in college, Al never intended to stay longer than a year or two. The Beats influenced Al, and though San Francisco figures largely in their history, so does travel. But he and Randall were here during the so-called Season of the Witch—1978. Randall is quick to point out how much easier it was to move within The City back then, something they did every six months or so for a stretch. I ask them to rattle off the different neighborhoods, and they oblige me: Lower Nob Hill, North Beach, and The Mission figure prominently, among others. Al goes into a little more detail about how the two met. It was at a going-away party for a mutual friend. For him, that first meeting settled it. Randall was about to go to school in Los Angeles, and Al decided to join her down south. After a couple years at SFAI, Al left school to work for a film company, where he did a lot more learning. He was taking lots of photos, and it wasn't until Randall pointed out the abundance of neon signs in the backgrounds of his pictures that Al picked up on it. In addition to LA, they also spent some time in Flagstaff, Arizona, where they both got jobs at a silk screen company. Randall also got a job working for a sign painter whose hands were too shaky for his craft. The work she did painting signs left a big impression on Randall, and you can see it in her love of old neon signs today. Between the Eighties and early 2000s, they each worked in their respective crafts—photography for Al, and graphic design for Randall. Al worked for several decades for the Fine Arts Museums of San Francisco (the parent org for the de Young and Legion of Honor museums). He shares a story of helping prevent a bomb from exploding at the old de Young museum building, just before it was scheduled to be demolished anyway. Randall's graphic design work had her, among other jobs, designing album covers for bands. She did show posters, logos, and branding—work she still engages in to this day. In the Nineties, she designed the cover page for one of the Bay Guardian Best of The Bay issues. Eventually, the two decided to create a book all about neon. Putting together that first book—San Francisco Neon: Survivors and Lost Icons—took five years. We'll talk in more depth about that and their other, more recent projects in Part 2. We end Part 1 with the story of how neon became the central focus of both Al's and Randall's lives. It involved a sign in the Mission that was there one day and gone the next. Check back Thursday for Part 2 with Randall and Al. We recorded this podcast at Mario's Bohemian Cigar Store in North Beach in November 2025. Photography by Nate Oliveira

Ed Kashi on Archiving, Personal Projects & the Future of Photojournalism Insights from the “10 Frames Per Second” Podcast with photojournalist Ed Kashi, co‑founder of Talking Eyes Media, and his newest book A Period of Time (Briscoe Center, UT Austin). Ed's career spans 40 years of visual storytelling—from early analog darkrooms to iPhone coverage of Hurricane Sandy, from Iraq's Kurdish frontlines to a decades‑long “Aging in America” project. His journey offers timeless lessons for anyone who creates, curates, or consumes visual media. 10 Frames Per Second – a weekly photojournalism podcast from Loyola Radio (WLOY) – brings together veteran photojournalists to discuss the craft, the business, and the stories that shape our world. In episode 168 (released 12/02/25), hosts Molly Roberts, and guest host Stephen Crowley (a guest on Episode 91) sit down with Ed Kashi, a 40‑year visual storyteller who has worked for National Geographic, The New Yorker, Time, MSNBC and more. “We love to start with an origin story. So, Ed, how did you first fall in love with photography?” – Molly The interview uncovers the hidden gems behind Kashi's career, his new retrospective book, and the lessons he's learned while navigating a changing media landscape. If you're a photojournalist, documentary filmmaker, or simply love visual storytelling, you've just landed on a summary of Ed Kashi's recent interview on the 10 Frames Per Second podcast. We break down: Ed Kashi's origin story and why photography hooked him 50 years ago. The making of his new book A Period of Time (Briscoe Center, UT Austin). Why archiving is essential for a sustainable career. The power of personal projects—especially his “Aging in America” series. Mentorship tips for emerging photographers. Ethical challenges in the age of AI. Grab a coffee, skim the headings, and dive into the actionable takeaways! How Ed Kashi Fell in Love With Photography Freshman at Syracuse University (1976) – originally wanted to be a novelist, but a poetry professor told him he was “a really bad writer.” Discovered the Newhouse School of Public Communications, one of the world's top photojournalism programs. Took a basic black‑and‑white darkroom course, learned about legendary photographer Imogen Cunningham (who was still shooting in her 90s). Realized photography could synthesize politics, art, and storytelling—the perfect medium for his activist spirit. “Even at age 10 I was stuffing envelopes for Hubert Humphrey against Nixon. Photography just seemed the vehicle to combine that political impulse with art.” Takeaway for Readers If you're just starting out, look for a mentor or a historic figure who inspires you. That spark can sustain a 50‑year career. A Period of Time: A 40‑Year Retrospective Why a Retrospective Now? Archive donation – Ed Kashi gave 127 banker‑boxes of negatives, slides, prints, and ephemera to the Briscoe Center for American History (UT Austin). Unexpected invitation – Briscoe's director, Don Carlton, asked Ed Kashi, “How does one get collected?” and then offered to collect him. Creative freedom – The Center gave him full editorial control: “This is your story. Do whatever you want.” The Book's Core Idea Linear, issue‑oriented storytelling – Each chapter is a deep dive into a major project (e.g., Northern Ireland, Kurds, Aging in America). Scholarly rigor meets journalistic depth – The book reads like a photo‑anthropology textbook with stunning visuals. “Opening the book felt like holding a newborn—overwhelming but beautiful.” The Power of a Well‑Organized Archive “My archive is like a garden; I can harvest what I need because everything is sorted.” – Ed Kashi How Ed Kashi Keeps His Archive Manageable Early adoption of digital workflow – Transitioned from analog boxes to searchable digital files. Meticulous cataloguing – Every image tagged by date, location, project, and theme. Professional support – Collaborated with studio managers (e.g., Frish Brandt) and curators (e.g., Alison Nordstrom). Benefits for Photojournalists Monetization – Ability to license old images for new publications. Storytelling efficiency – Quickly locate relevant photos for pitches or books. Legacy preservation – Ensures future generations can study and exhibit the work. Quick Tips to Organize Your Own Archive Create a consistent naming convention (YYMMDD_Location_Project_Sequence). Use metadata tags for keywords, people, and locations. Back up on at least two external drives and a cloud service. Review annually – purge duplicates and update tags. Personal Projects: The “Aging in America” Series Why Aging? Not “sexy” but universally human – Kashi wanted a topic that would outlive trends. Long‑term commitment – 8 years, 25 states, $300k in grant funding (Robert Wood Johnson, George Soros). Humanizing statistics – The project shows “the vitality of life, love, and hope” beyond the typical “dying” narrative. Key Outcomes Iconic image – Death scene of Maxine Peters (West Virginia) that resonates across cultures. Global collaboration – “Climate Elders” exhibition at COP 30, involving 150 photographers from 40 countries. Lessons for Emerging Photographers Research first; then shoot – Deep immersion builds trust and authentic moments. Secure funding early – Grants give creative freedom and resources. Be patient – Long‑term projects earn credibility and impact. Mentorship & Teaching: Ed Kashi's Advice for New Photographers Area Kashi's Insight Actionable Tip Tenacity “Failure is not an option; keep going.” Set mini‑milestones; celebrate small wins. Ethics No manipulation, no staging; honor subjects as collaborators. Draft a personal ethics checklist before each shoot. Access Build relationships; be respectful of vulnerable communities. Attend local events, volunteer, network before pitching. AI & Credibility Trust reputable media; AI threatens misinformation. Verify sources; use AI for organization, not image creation. Joy of Photography Keep the joy alive—look at others' work for inspiration. Schedule weekly “inspiration sessions” with peers. Ethics & AI: The New Frontier Ed Kashi worries about political actors using AI to fake images, not about entertainment misuse. He believes trusted news outlets (NYT, BBC, National Geographic) will gain more value as AI blurs reality. Over‑post‑production can create a gloomy aesthetic that misrepresents the world. Practical Guidance Never alter factual content in post‑production. Label AI‑generated edits clearly if they're artistic. Teach media literacy: help audiences distinguish authentic journalism from AI‑fueled “deepfakes.” Closing Thoughts, Ed Kashi Call‑to‑Action Ed Kashi's journey—from a panic‑driven freshman at Syracuse to a globally respected visual storyteller—offers an actionable roadmap for anyone chasing a sustainable photojournalism career. Archive like a gardener. Invest in personal, issue‑driven projects. Mentor, learn, and stay ethically grounded. Embrace technology wisely, especially AI. Want More? Listen to the full episode on 10 Frames Per Second (new episodes drop every Tuesday). Explore “A Period of Time” at the Briscoe Center or order the book online. Join the conversation: Share your favorite archival tip or personal project story in the comments below! Optimized for: photojournalism, Ed Kashi interview, archiving photos, personal documentary projects, aging in America, mentorship for photographers, AI ethics in photography. photojournalism, documentary storytelling, archival organization, personal projects, political theater, Washington D.C., New York Times, National Geographic, Hurricane Sandy coverage, iPhone journalism, Kurdish flip‑book, award recognitions, book publishing, Briscoe Center for American History, archive donation, analog negatives, digital workflow, aging in America, hospice care, climate elders, grant funding, long‑term projects, mentorship, ethics in photography, AI manipulation concerns, media literacy, visual tropes, storytelling methodology, access and tenacity, cultural preservation, collaborative authorship.The post Episode 168: Ed Kashi (Archiving Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

It's raining shows in Brisbane with Valley Crawl and Southwave dropping their line-ups, Live Nation is bringing the heat with a new format of shows to get artists their due, and Max is looking back at the Rufus Du Sol show. Then, it's another round of This or That with another group of big hitter artists.Follow along with the songs we discuss with this week's Spotify playlist.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok. Watch episodes on our YouTube channel and don't forget to like and subscribe.

Understanding white balance is one of those topics that gets talked about so much that the meaning starts to blur. In simple terms, white balance is about making sure the colors in your photograph look true. When the white areas in a photo actually look white, your color is accurate... Podcast Notes: https://www.moneymakerphotography.com/determination-in-photography/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Follow me: https://www.facebook.com/Will.Moneymaker  #PhotographyClips #WillMoneymaker #Photography

LW1482 - The Importance of Momentum Borrowing a phrase from Carl Chiarenza and his book, Pictures Come from Pictures, I'd like to propose that "projects come from projects." We may not be aware of the threads that run through our creative life as we are living it, but in retrospect we can often see how one artistic effort begets another. This is precisely why preserving creative momentum is so important. But, how to do it? All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT2458 - Every Capture Is a Teacher The core of artmaking is the twin fusion of learning and producing. It's easy to see that if there is no producing there is no artwork. It's not so obvious that if there is no learning there is no artwork. Learning comes from many sources, One of the most important is our past decisions. Here is a simple exercise that can amplify the importance of learning with every capture. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Join the Imagen Community on Facebook to continue the discussions between episodes.Get ready for an honest look at the art and reality of running a photography business from someone who's been thriving in the industry for nearly two decades.Sandra Åberg is an internationally acclaimed fashion, wedding, and travel photographer whose dreamy, light-filled imagery has been featured in Vogue, Harper's Bazaar, Brides, and Martha Stewart. Combining her background in fashion with a passion for storytelling, she creates elegant, emotive photographs that celebrate love, beauty, and authenticity. Through her studio, Atelier Åberg, and her mentoring work, Sandra inspires others to embrace creativity and vulnerability, capturing life's most meaningful moments with artful intention.Sandra reveals her annual business planning ritual using paper and pen, opens up about why she's scaling back on weddings she personally photographs, and talks real about the anxiety tied to endless editing. Whether you're a seasoned photographer or just starting out, Sandra's refreshing approach to workflow, creativity, and self-care will change how you look at the day-to-day of photography.“It's being really present. Like for me, that's what it is. Mainly it's like being super present with the people that I'm with and really 100 giving myself to the session, if that makes sense.” - Sandra ÅbergResourcesAtelier Åberg WeddingsWay Up NorthSandra's AI ProfileEpisode 12 with Mike MorbyWhy You Should ListenHear a real-world photographer's workflow, from session prep to business management.Learn how AI photo editing is transforming the post-production process.Find tips for setting boundaries and goals in your photography business.Get honest advice about anxiety, outsourcing, and balancing creativity with business.Gain inspiration to design your own ideal photography life, not just survive the busy season.Ready to level up your photography workflow, save time on editing, and discover what truly works for creative business owners? Subscribe to the Workflows podcast on Apple Podcasts, Spotify, or your favorite app.(00:00) - 73 (03:38) - The Art of Being Present (09:19) - Balancing Business and Creativity (18:17) - Leveraging AI in Photography (20:32) - Streamlining Post-Production Workflow (22:48) - Overcoming Technical Challenges (27:34) - Balancing Work and Personal Life

This is a preview of this week's Patreon episode. To listen to the full episode and to enjoy weekly bonus content, videos, BTS bits, extra guest stories, live show discount codes and more, sign up to the Yer Don't Get Owt Fer Nowt! tier on Patreon at patreon.com/northernnews.This week on Patreon, Ian and Amy do the BBC's Yorkshire News of the Week Quiz, and then do it a second time immediately after.Got a juicy story from t'North? Email it to northernnewspod@gmail.com.And follow Northern News on Instagram @NorthernNewsPodcastRecorded and edited by Aniya Das for Plosive.Artwork by Welcome Studio.Photography by Jonathan Birch. Hosted on Acast. See acast.com/privacy for more information.

Featuring: Sydney Sweeney, Dwayne The Rock Johnson, Henry Winkler and more. In this #papisode Jedi is on many secret journey's that can't be revealed yet, Mark may have found the biggest diva in Hollywood and we discuss some whacha. Plus a lot more. For the content in this papisode please visit our socials @paparazzipodcast or watch the unedited version of this papisode on YouTube. Thank you for listening and sharing. Be Well!Become a supporter of this podcast: https://www.spreaker.com/podcast/paparazzi-podcast--4122011/support.

Unique and useful gifts for photographers this holiday season. Forget the cliche gifts. Let's get creative and thoughtful!   Download the PDF with links here: https://shorturl.at/UmpPk   ⬇️ SUPPORT THE SHOW ⬇️  

ORDER TODAY   Capture the intense heat and vibrant color of summer with this stunning close-up photograph of a Daylily (Hemerocallis). The image showcases the flower’s dramatic beauty, with petals Continue Reading Read more on this topic: Prize Winning Chrysanthemum 10, Sherman Library and Gardens, Corona del Mar, California [Photography] Prize Winning Chrysanthemum 9, Sherman Library and Gardens, Corona del Mar, California [Photography] Daffodil Closeup via Instagram [Photography] Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] Prize Winning Chrysanthemum, Sherman Library and Gardens, Corona del Mar, California [Photography]

Find more of my photos on PixelFed Read more on this topic: Otter and Umbrella by the Pond, Sherman Library and Gardens, Corona del Mar, California [Photography] Prize Winning Chrysanthemum 6, Sherman Library and Gardens, Corona del Mar, California [Photography] Prize Winning Chrysanthemum 7, Sherman Library and Gardens, Corona del Mar, California [Photography] Prize Winning Chrysanthemum 5, Sherman Library and Gardens, Corona del Mar, California [Photography] Prize Winning Chrysanthemum 3, Sherman Library and Gardens, Corona del Mar, California [Photography]

Hey everyone! We're still off  this week for the holiday break, but worry not - i'm back in the driver seat and working on an awesome episode for next week! While you wait, I thought you might enjoy listening to an interview I did on another podcast about Light Pollution! If you like the show, feel free to check out Lori and Debbie here: The Backyard NaturalistsWe'll be back next week with an all new episode...it's been cloudy and rainy in Charlotte! Hope you're having clearer skies than us! 

HT2457 - One of One In 1989, I commissioned a metal shop expert to create an adapter for my Arca Swiss monorail view camera that would allow me to use Polaroid 3¼ by 4¼ film packs. This led to a summer-long project that today exists as a box of matted Polaroid originals that are all unique prints. I recently found this box of prints and reviewed that 37-year-old work, completed half a life ago when I was 34. A lot of those prints are wonderful, but what do I do with them? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Find more of my photos on PixelFed   Read more on this topic: Prize Winning Chrysanthemum 6, Sherman Library and Gardens, Corona del Mar, California [Photography] Prize Winning Chrysanthemum 7, Sherman Library and Gardens, Corona del Mar, California [Photography] Prize Winning Chrysanthemum 5, Sherman Library and Gardens, Corona del Mar, California [Photography] Prize Winning Chrysanthemum 3, Sherman Library and Gardens, Corona del Mar, California [Photography] Prize Winning Chrysanthemum 8, Sherman Library and Gardens, Corona del Mar, California [Photography]

Find more of my photos on PixelFed Read more on this topic: Quince Flowers (Cydonia oblonga ‘Pineapple'), Adelaide, Australia [Photography] Prize Winning Chrysanthemum 2, Sherman Library and Gardens, Corona del Mar, California [Photography] Succulent Planting 3, Sherman Library and Gardens, Corona del Mar, California [Photography] Koi Pond in Tropical Conservatory 2, Sherman Library and Gardens, Corona del Mar, California Vintage Botanical Print – 81 in a series – Aquilegia Canadensis from The Floral world and garden guide (1878)

SHOW 11-28-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR 1963   The Genius of Early Photography: Nadar, Daguerre, and Dangerous Chemistry — Anika Burgess — Burgess details the risky and adventurous origins of photography as a practical medium. She examines Nadar, a visionary figure who deployed a giant balloon named Léon to fund experiments in heavier-than-air flight, having previously conducted innovative photographic expeditions into Paris's catacombs. Burgess also recounts Daguerre's 1839 presentation of the daguerreotype—a remarkably realistic, singular image created using hazardous chemicals including iodine and mercury, which posed significant occupational and health risks to early practitioners. Early Photography's Scientific Reach: Lunar and Underwater Photography — Anika Burgess — Burgessexplores early photography's critical scientific applications, noting that François Arago predicted the daguerreotype would enable detailed mapping of the lunar surface. Early astrophotographers encountered formidable technical challenges involving distance calculations, celestial motion, and insufficient ambient light. James Nasmyth controversially photographed plaster casts and molds of the lunar surface, which contemporary observers praised as scientifically truthful. Burgess also highlights Louis Boutan, who persistently developed practical underwater photography using pressurized hard-hat diving equipment, establishing a new scientific capability. Photography and Social Justice: Riis, Watkins, and the Question of Truth — Anika Burgess — Burgessdemonstrates how photography became a transformative tool for social advocacy and reform. Jacob Riis, a newspaper journalist documenting Manhattan's tenement poverty, employed flash powder ignited in cast-iron frying pans to photograph the grim, overcrowded interior conditions of slums for his landmark book How the Other Half Lives, frequently without obtaining subject consent. Burgess also discusses Carleton Watkins, who transported over 2,000 pounds of large-format photographic equipment to Yosemite Valley, producing images that proved instrumental in securing federal preservation and protection of the landscape. From X-Rays to Motion Pictures: Expanding the Photographic Medium — Anika Burgess — Burgess traces the expansion of photographic technology beyond conventional image capture. She examines Alice Austin'sintimate and playful photographs documenting her social circle with candid authenticity. The discovery of X-raysby Wilhelm Röntgen was rapidly branded as "the new photography" or "shadow photography," adopted swiftly for both entertainment and medical diagnostic applications despite practitioners possessing no understanding of severe radiation hazards. Burgess concludes with Paul Martin's candid street photography using concealed cameras hidden within top hats and Eadweard Muybridge's sequential motion studies, which directly enabled the invention of motion pictures. Angelica Schuyler: Albany, Elopement, and the Start of the Revolution — Molly Beer — Beer discusses her book Angelica, focusing on Angelica Schuyler Church, daughter of General Philip Schuyler. Her mother, Katherine, oversaw construction of their Albany residence, The Pastures, a substantial estate reflecting family prominence. Angelica received a rigorous education consistent with Dutch cultural traditions emphasizing women's financial and business literacy for family management. In 1777, during Burgoyne's invasion of New York, Angelica profoundly disappointed her mother by eloping with John Carter, an Englishman she found intellectually engaging and cosmopolitan. Angelica and the Founders: The Revolution and the Hamilton Connection — Molly Beer — Beer examines Angelica's pivotal role during the American Revolution, including her service alongside Rochambeau's army, traveling to Yorktown shortly after delivering her third child. Her sister Elizabeth ("Betsy") married Alexander Hamilton, who deliberately married into the prominent Schuyler family to elevate his social standing and political prospects. Following the war, Angelica's eldest son, Philip, founded the town of Angelica in western New York, the community where Beer herself was subsequently raised. Angelica in Europe: John Church, London Society, and Diplomacy — Molly Beer — Following ratification of the peace treaty, Angelica and her husband sailed to Paris to collect outstanding payments owed by the Frenchgovernment. John Carter leveraged the wartime amnesty to settle accumulated debts, reconcile with his estranged family, and legally adopt the name John Barker Church. Angelica relocated to London's elegant Mayfairneighborhood, where she established herself as a prominent American patriot. She strategically positioned herself at the intersection of cultural and diplomatic negotiations, entertaining influential figures including Lafayette and the Adamses, while exerting subtle influence over American diplomatic representatives toward negotiated peace. Angelica's Later Life: Return, Tragedy, and Founding Angelica, NY — Molly Beer — Angelica visited the United States for President Washington's 1789 inauguration but quickly returned to London, disappointed that the nascent republic fell short o Woke Capitalism: Origins, ESG, DEI, and the Power of BlackRock — Charles Gasparino — Gasparinotraces the origins of "woke capitalism," detailing how corporate America shareholder returns toward stakeholder capitalism models. L The Flashpoints of Woke Capitalism: Occupy Wall Street and the SEC — Charles Gasparino — Gasparinoidentifies the 2008 financial crisis and the ensuing progressive populist backlash, including the Occupy Wall Streetencampment at Zuccotti Park, as pivotal flashpoints accelerating corporate woke adoption.... Disney and ESPN: Running a Blue Company in a Red State — Charles Gasparino — Gasparino analyzes the radicalization of the Walt Disney Company, noting that CEO Bob Iger brought progressive cultural affinities while the company.... Go Woke, Go Broke: The Financial Backlash and Corporate Retreat — Charles Gasparino — Gasparinoreports that woke capitalism is experiencing significant financial retrenchment as corporations suffer bottom-line consequences... Freedom's Forge: FDR, WWII Mobilization, and Bill Knudsen — Arthur Herman — Herman discusses his book Freedom's Forge, detailing the extraordinary challenge FDR confronted in May 1940 to prepare America for modern industrial warfare. The preeminent industrialist summoned for this task was Bill Knudsen, CEO of General Motors. Knudsen, a Danish immigrant and former Ford executive, possessed unparalleled expertise in flexible mass production—the capacity to modify production line processes continuously while maintaining output. Knudsen applied these revolutionary manufacturing techniques to transform the American automobile industry into an "Arsenal of Democracy," producing critical war materiel including military trucks and armored tanks. Henry Kaiser: The Builder of Liberty Ships — Arthur Herman — Herman profiles Henry Kaiser, the second transformative figure in Freedom's Forge. Kaiser, a road construction entrepreneur who had previously coordinated monumental infrastructure projects including the Boulder Dam, demonstrated relentless commitment to ambitious thinking and delivery ahead of schedule and under budget constraints. In late 1940, Kaiser persuaded both Britishand American governments to contract him to construct "throwaway freighters"—Liberty ships—despite possessing no prior shipbuilding experience. Between 1941 and 1945, Kaiser successfully built 2,710 Liberty ships, fundamentally enabling Allied logistics and supply operations. The B-29 Superfortress and the Battle of Omaha — Arthur Herman — Herman recounts the genesis of the B-29 Superfortress bomber, conceived after General Hap Arnold consulted with Charles Lindbergh in 1939. The B-29 represented the ultimate expression of air supremacy doctrine, demanding revolutionary technologies including pressurized crew cabins and remote-controlled gun turrets that did not yet exist. Bill Knudsen directed the program, overcoming severe delays and persistent technical deficiencies. Knudsen won the "Battle of Omaha" by insisting that aircraft be extensively modified after assembly to achieve operational flight status, thereby integrating a massive female industrial workforce into B-29 production processes. Lessons from WWII: Unleashing Private Enterprise — Arthur Herman — Herman explores the strategic tension during WWII between New Deal administrators favoring centralized government command and industrialists prioritizing private sector innovation and operational flexibility. FDR and Knudsen learned from the disastrous centralized economic control failures of WWI, choosing instead to permit American private enterprise to "determine production methodologies and develop solutions for urgent national requirements." The fundamental secret to Allied victory was unleashing private sector dynamism, entrepreneurial expertise, and competitive energy. Herman draws contemporary parallels, arguing that modern defense strategy must replicate this model, contrasting bureaucratic NASA operations with innovative private enterprises including SpaceX.

HT2456 - The Most Memorable Photographs of our Age Time has a way of filtering out the unimportant. Think back 500 years ago. We don't remember local politics, but we do remember the great art from that era. What will people, 500 years from now, look back at our era and find most remarkable? I'll guarantee you it won't be your work or my work, nor even the photographs of the masters like Ansel Adams or Edward Weston. No, they will look back at the images the astronauts captured while on the moon, the Voyager, Cassini, and Juno expeditions to the distant planets, the Hubble and Webb telescope images of distant galaxies. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

We've got several things to discuss in this episode, from little-known settings in the iPhone Camera app, to shooting panoramas, to the Leica M EV1 and to Guillermo del Toro's Frankenstein. Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson), Jeff on Bluesky (https://bsky.app/profile/jeffcarlson.bsky.social) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn), Kirk on Bluesky (https://bsky.app/profile/kirkville.com) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-198-animal)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Leica M EV1 (https://leica-camera.com/en-US/photography/cameras/m/m-ev1-black) Leica M EV1 PetaPixel Video (https://www.youtube.com/watch?v=ExvNUZfsUh0) Snapshots: Kirk & Jeff: Frankenstein (https://www.netflix.com/title/81507921) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

Carlo discovered his fascination for photography at a young age, but it wasn't until he bought his first camera that he truly began forming meaningful connections through the craft. - Bata pa lang ay nahilig na sa photography si Carlo. Nagsimula siyang makabuo ng koneksyon nang bumili siya ng kanyang unang camera. Ang simpleng hobby ay naging daan sa pagkuha ng litrato ng mga tao at paghatid ng kanilang kwento.

Photography and Social Justice: Riis, Watkins, and the Question of Truth — Anika Burgess — Burgessdemonstrates how photography became a transformative tool for social advocacy and reform. Jacob Riis, a newspaper journalist documenting Manhattan's tenement poverty, employed flash powder ignited in cast-iron frying pans to photograph the grim, overcrowded interior conditions of slums for his landmark book How the Other Half Lives, frequently without obtaining subject consent. Burgess also discusses Carleton Watkins, who transported over 2,000 pounds of large-format photographic equipment to Yosemite Valley, producing images that proved instrumental in securing federal preservation and protection of the landscape. 1880 COPENHAGEN

The Genius of Early Photography: Nadar, Daguerre, and Dangerous Chemistry — Anika Burgess — Burgessdetails the risky and adventurous origins of photography as a practical medium. She examines Nadar, a visionary figure who deployed a giant balloon named Léon to fund experiments in heavier-than-air flight, having previously conducted innovative photographic expeditions into Paris's catacombs. Burgess also recounts Daguerre's 1839 presentation of the daguerreotype—a remarkably realistic, singular image created using hazardous chemicals including iodine and mercury, which posed significant occupational and health risks to early practitioners. PARIS

PREVIEW — Anika Burgess — The Invention of the Daguerreotype and Early Photography. Burgess examines the invention of the daguerreotype, the genesis of practical photography, by Louis Daguerre. Daguerre, who previously created innovative dioramas, partnered strategically with Niépce to develop the technology. Presented to the public by François Arago in 1839, the remarkably realistic daguerreotype images astonished contemporary observers. Daguerre deliberately delayed the final public revelation to negotiate favorable pension terms and secure the exclusive rights to the invention through the French government. 1850 DAGUERRE

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HT2455 - To Prime or Not to Prime There is no question that prime lenses have a reputation for being superior in comparison to zoom lenses. The most expensive lenses are often the very best primes. They are often faster, sharper, and many photographers swear by them. There is a trade-off to a prime lens, however, that's not always obvious but one that persuades me convincingly against primes. Think "optical cropping." Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

We might not be done with 2025 just yet, but it's time to start planning for your most profitable (and peaceful) year yet in 2026. In this episode, I'm walking you through a simple three-part process to reflect on your past year, dream big for what's next, and create a realistic action plan you can actually stick to.Here's what you'll learn:The key questions to review from 2025 before setting new goalsHow to set meaningful business and lifestyle goals for 2026My step-by-step method for turning those goals into an actionable planIf you're ready to step into 2026 with clarity, confidence, and a business that fits your life—not the other way around—press play now.

HT2454 - Decisions vs Execution Art making is the fusion of decisions and execution. It's not at all uncommon for photographers to explain that they became a photographer because they can't draw decent stick figures. That is to say, execution prevents them from being a successful pen-and-ink artist, or painter, or musician. Unlike in photography, with these media, there is a barrier that cannot be crossed with luck. With photography, however, we can both be lucky and master the execution of the craft with relative ease, especially here in the digital age. This seems to imply that the decisions we make in the process are even more weighty than in other media. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Unwind with this calm bedtime reading designed to support peaceful sleep and ease insomnia. This gentle session blends restful pacing with soft educational exploration to help your mind settle. In this episode, you'll discover the world of photography—its history, methods, and the fascinating evolution of capturing images—while drifting into a soothing state. Benjamin's steady, comforting cadence offers relaxation without whispers or hypnosis, just peaceful learning to ease stress, anxiety, and sleeplessness. Let your thoughts soften as you settle in, breathe slowly, and allow this quiet exploration to guide you toward rest. Press play, relax deeply, and drift off. Happy sleeping! Read with permission from Photography, Wikipedia (https://en.wikipedia.org/wiki/Photography), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

HT2453 - From My Distant Past Twice now in the last few months, I've received a kind-hearted compliment about one of my pictures — in both cases, however, from images I made more than 25 years ago. I'm always grateful when someone compliments my work, but it does leave me wondering about my more recent efforts. I suppose it makes sense for us to receive compliments about our ancient work with grace and humility. There is a part of me, however, that wants to bring out a few hundred examples recent work and bring them up to date. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!