Podcasts about Photography

Get a FREE Posing eBook from The Portrait System here: https://the-portrait-system.lpages.co/podcast-pose-funnel/On today's special re-release of The Portrait System Podcast, our guest is portrait photographer Ivan Weiss. Listen in as host Nikki Closser interviews Ivan about his process, his business and how he infuses creativity and uniqueness into his headshot sessions. If you're looking for inspiration this week, then this episode is for you!PODCAST LISTENER SPECIAL!! If you want to get started with the Portrait System, get a special discount using code “POD7” to get one month access for just $7 here https://theportraitsystem.com/pricing/IG https://www.instagram.com/theportraitsystem/YouTube https://www.youtube.com/c/theportraitsystemSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this conversation, Jim McDonald and firefighter Chad Dillon delve into deeper topics surrounding mental health, community, and self-expression through photography and music. They discuss Chad's journey from firefighting to founding the nonprofit, Ruted Above, aimed at fostering community connections and safe spaces for expression. The conversation highlights the importance of therapy, the impact of culture on personal growth, and the role of art in healing. They also touch on the significance of manifesting goals and the influence of music and tattoos in their lives.You can find Chad and his new non-profit on Instagram at https://www.instagram.com/ruted_above/  Chapters00:00 Reconnecting and Reflecting on the Past03:00 The Journey into Photography and Culture05:53 Exploring Mental Health and Personal Growth09:12 The Impact of Community and Expression12:07 Building a Nonprofit: Rooted Above15:05 The Art of Photography and Its Evolution18:01 The Importance of Community and Connection27:04 The Art of Photography and Personal Expression29:16 Building Community Through Events and Nonprofits32:06 The Search for Belonging in a Negative World33:50 Mental Health and Identity in First Responders37:41 The Impact of Technology on Human Connection41:18 Tattoos: Personal Stories and Meanings45:02 Manifesting Goals and Building Community48:26 Music as Motivation and Personal GrowthJoin our Discord for free at goodcompanydiscord.com!Check out our gym (Third Street Barbell) at ThirdStreetBarbell.com https://www.thirdstreetbarbell.com/!Check out our podcast website: 50percentfacts.com https://www.50percentfacts.com/50% Facts is a Spreaker Prime podcast on OCN – the Obscure Celebrity Network.Hosted by Jim McDonald (@thejimmcd). https://www.instagram.com/thejimmcd/Produced by Jim McDonaldProduction assistance by Sebastian Brambila.Theme by Aaron Moore.Show art by Joseph Manzo (@jmanzo523)  Check out our gym (Third Street Barbell) at ThirdStreetBarbell.com https://www.thirdstreetbarbell.com/!  Check out our podcast website: 50percentfacts.com https://www.50percentfacts.com/  Become a supporter of this podcast: https://www.spreaker.com/podcast/50-facts-with-silent-mike-jim-mcd--5538735/support.

I recently joined Sabrina Gebhardt on the Shoot It Straight podcast to talk about one of the biggest challenges photographers face—booking more clients and converting inquiries into paying sessions. As a family photographer and business coach with 14 years of experience, I shared the lessons I've learned (often the hard way!) about what actually works.We covered: The 3 biggest obstacles that keep photographers from booking more clients—self-doubt, impatience, and generic messaging. Why most inquiries don't convert (and how simplifying your pricing and booking process changes everything). The importance of clear, simple communication and creating a seamless, professional experience from start to finish.If you're ready to stop hearing “we'll think about it” and start booking more clients, press play on this episode!________________________________________________________________________________________Start the new year strong with my 30-Day Marketing Challenge for Photographers! We kick off on Friday January 2nd. Each day, you'll get a quick marketing action to help you get seen, book more clients, and build momentum — all sent straight to your inbox. Sign up here - https://brookejefferson.com/challenge

HT2475 - Tinker, Tailor, Soldier, Sailor I suppose everyone listening to this commentary would, to one degree or another, describe themselves as "a photographer." But how we define ourselves and how that creates our self-image can be helpful or hurtful to our creative life. Self-image and the psychology behind it can be a powerful influence on how we think and what we produce. By the term "photographer" do you mean someone who makes images to be framed and displayed on the wall? Do you define yourself as a seeker of truth? Do you define yourself as someone who does photography to make money? If asked, how would you describe the kind of photographer you are? Has that been consistent through the years and decades of your involvement in photography? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

It's Christmas Special time, and Amy and Ian ring in the festive season with special guest Kiell Smith-Bynoe in the studio! Enjoy the full video episode over on our Patreon.Ian's on tour with his Edinburgh Comedy Award nominated show Foot Spa Half Empty. For tickets and information head to iansmithcomedian.co.uk.And we'll be heading up t'North to record a live edition of the pod at Crossed Wires Podcast Festival on Saturday 4 July 2026! For tickets head to crossedwires.live.Want Extra! Extra! content? Join our Patreon for weekly bonus episodes, videos, live show discount codes, BTS clips and more...Got a juicy story from t'North? Email it to northernnewspod@gmail.com.Follow Northern News on Instagram @NorthernNewsPodcastRecorded and edited by Aniya Das for Plosive.Artwork by Welcome Studio.Photography by Jonathan Birch. Hosted on Acast. See acast.com/privacy for more information.

Featuring: The Bidens,Jennifer Garner, Kim Kardasian, The Wine Robbers and more. In this #Papisode Jedi journeys to the beyond to shoot the Bidens and 3 top exclusive news stories from around the country. Mark shoots Jen shopping. We discuss celebs in commercial ads, the Diddy Doc, Kim Kardasians new show and much more. For the content in this papisode please visit our socials @paparazzipodcast. Thank you for listening and sharing. Be Well!Become a supporter of this podcast: https://www.spreaker.com/podcast/paparazzi-podcast--4122011/support.

HT2474 - Validation via Publication Last spring, I had an opportunity to show some work to a new acquaintance. They were complimentary and then asked where the images had been published. I found that a curious question. When I told them the work had never been published, they expressed a visible dismissal as though without publication the work was unworthy of their attention. How and when did publication of a photograph become the high water mark of accomplishment in the eyes of the public? I found it doubly curious when I later realized they had not asked if the work had ever been exhibited. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Rachel Elizabeth Seed is a Brooklyn and Los Angeles-based nonfiction storyteller working in film, photography, and writing.In 2025, she won the Truer Than Fiction Spirit Award for her debut feature film, A Photographic Memory, which is also a New York Times Critics Pick.Rachel's work has received support from the Sundance Institute, Chicken + Egg Films, the Jewish Film Institute, the California Film Institute, Jewish Story Partners, NYFA, Field of Vision, the Jerome Foundation, NYSCA, the Maine Media Workshops, the Roy W. Dean grant, the National Arts Club, IFP, and many others. Formerly a photo editor at New York Magazine, her photography has been exhibited worldwide, including at the International Center of Photography, and she was a cameraperson on several award-winning feature documentaries. Rachel's writing has been published by No Film School, the Sundance Institute, and Talkhouse and she is Executive Director / Co-founder of the Brooklyn Documentary Club, a NYC-based filmmaker collective with 250+ members.In episode 271, Rachel discusses, among other things:A summary of her mum's characternature vs. nurtureHer mum's Images of Man interviews for ICP/ScholasticWhat inspired her to make a filmHow her own story became interwined with her mum'sDiscovering a family archive of super 8 footageHow she recreated the interviews using actorsThe importance of working with good editorsThe challenge of funding and financingKey advice for anyone wanting to make a personal documentaryThe fine balance between collaboration and having the courage of your convitions as directorWriting for narration as opposed to for readingSharing her personal stories as the film evolved over a ten year period - How to balance life and art‘Selling the film' and what that means in practiceThe Brooklyn Documentary ClubMoving to L.A.Projects she has in developmentWebsite | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Join the Imagen Community on Facebook to continue the discussions between episodes.Feeling swamped by the demands of running a photography business or two? Discover how effective workflows and clear boundaries can unlock productivity, creativity, and precious family time. This episode shows working photographers how to balance multiple projects without burning out.Scott sits down with Toronto-based wedding photographers and educators Gary & Kim Evans. Together, they break down the secrets behind running multiple photography businesses, including traditional weddings, pop-up weddings, headshots, Santa sessions, and international photographer retreats all while keeping work-life balance in check.Gary & Kim share how they've developed systems to keep their businesses running smoothly, tips for choosing the right tools, and the importance of saying “no” to non-essential projects. Whether you're shooting weddings or running portrait sessions, this episode will help you streamline and get more done in less time.“Our workflows have been so efficient that we've been able to open another brand. It's finding the right tools for each niche, so you don't have to think about it again—it just becomes part of the normal.”ResourcesThe Retreat17hatsCloudSpotConvertKitSmartAlbumsWhy You Should ListenDiscover actionable workflows for photographers handling multiple brands or services.Learn real-world tips for dividing business roles and reducing friction (especially for couples).Get advice on choosing the best software to boost efficiency and profits.Find out how pop-up weddings can open surprising revenue streams.Feel inspired by simple strategies to protect your family time without sacrificing business growth.Listen now and take the first step toward a more organized, productive, and fulfilling photography business!Ready to organize your photography business, reclaim your calendar? Subscribe and listen to Workflows on Apple Podcasts, Spotify, or your favorite podcast app!(00:00) - 74 (01:26) - Managing Multiple Businesses and Niches (03:43) - Exploring Pop-Up Weddings and Seasonal Sessions (09:52) - International Retreats and New Ventures (21:59) - Client Experience: Traditional vs. Popup Weddings (22:57) - Marketing Popup Weddings: Stress-Free and Unique (29:36) - Balancing Creativity and Workflow (36:11) - Advice for Photographers: Time Management and Embracing Technology

Paranormal Heart is celebrating 8 YEARS !!!!!!!Special Guest joining in the festivity is Al "The Squatch Father” SantarigaDecember 2nd, 2025 EP: 62TOPIC: Celebrating 8 years as a PodcastAl Santariga graduated from the Center for Media Arts NYC with a Degree in Visual Arts majoring in Photography. Mother was a psychic; Brother is one of the first parapsychologists in the US. Grandmother & Aunt were white witches. Cousin was a black witch. Sister is a sensitive & intuitive. Over 56 years of experience in all aspects of the paranormal. Psychic abilities - Clairvoyance – Vision, Clairaudience – Hearing, Clairsentience – Feeling, Claircognizant- Knowing, Clairalience – Smelling, Clairgustance – Tasting, Clairtangencey – Touching, Investigator, Experiencer, Researcher, Crypto Zoologist, Ufologist, Actor (has appeared in half a dozen independent Documentary along with Network TV regarding all aspects of the paranormal. Has appeared in & co-directed a TV commercial for Mountain biking. Has appeared in a made for Country Music Television Video. Founder/ Director of the Bronxville Paranormal Society, founder/ Director of the New York State UFO Project, founder/ Director of the New York State Sasquatch Organization, and Founder/ Director of the New York State Dogman Project. Region 3 Director of the North American Dogman Project. Ex Podcaster & Co-Host of Beyond the Realm Digital Radio Network. MUFON member New York State Chapter. Profiled in: Putnam Valley After Dark News Magazine, New York's Outdoor News Magazine, The Times Community Newspaper of the Hudson Valley, The Gothamist Internet Newspaper, Author Frank R. Santariga's book titled Paranormal Family & Friends, Author Richard Moschella's book titled Case Files of the Paranormal. Lecturer / Speaker / Presenter/ Podcast Interviewee/ On all paranormal aspects.Where to contact Al: https://www.facebook.com/groups/3558038479...

Jason and Jared break down why creatives NEED to create, follow and maintain a budget and how to harness your creative energy and emotions to make budgeting... fun? 

It's another Christmas edition of the After Party featuring the one and only Freddy! As he comes on shares his horny story, tells us who broke his heart and how he became a horny boy/party boy in El Paso. Plus Voo lines up some questions so we can roundtable! Follow us on social media @AaronScenesAfterParty

In this special episode recorded at our A Photographic Life Live 2025 event at Oxford Brookes University Grant speaks with photographer and filmmaker Chris Floyd focusing on his approach to the photographic portrait, and the physical, spiritual and mental requirements of photographing celebrities. Chris Floyd Chris Floyd is a British photographer and film maker.  His photographic work has appeared in some of the world's most highly respected publications, including Vogue, Vanity Fair, The New Yorker, Harpers Bazaar, GQ, Esquire, The New York Times Magazine, The Sunday Times Magazine and Wallpaper* among others. In April 2021 Floyd was commissioned by The Duke and Duchess of Cambridge to photograph them at Kensington Palace in London in honour of their tenth wedding anniversary. In 2022 he published his first monograph dedicated to the broad sweep of his career 'NOT JUST PICTURES' is a 320 page volume, of portraits, with 60 pieces of written text that tell the stories behind some of his favourite pictures. Floyd has produced commercial work for Apple, Avis, Berry Bros. & Rudd, Glenfiddich, Haleon, Open University, Philips, Sony, The National Lottery, and Virgin Radio. As a director he has produced moving image work for Avis, BMW, Anthropologie, Nissan, Mr Porter, Sleaford Mods, The Smithsonian, Space NK, UBS, and Virgin Radio. www.chrisfloyd.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2025

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

Get a FREE Posing eBook from The Portrait System here: https://the-portrait-system.lpages.co/podcast-pose-funnel/Today, we have a very special re-release of the Portrait System Podcast! In this episode, host Nikki Closser interviews photographer/author/activist and body image expert Teri Hofford, who tells us about how she managed to expand her brand with body positivity. Listen in as Teri shares the ups and downs of her journey, how her own relation to body image has changed through the years, and how she now spreads body positivity to people around the world. If you're looking for an uplifting and inspiring conversation, then this podcast episode is for you!PODCAST LISTENER SPECIAL!! If you want to get started with the Portrait System, get a special discount using code “POD7” to get one month access for just $7 here https://theportraitsystem.com/pricing/IG https://www.instagram.com/theportraitsystem/YouTube https://www.youtube.com/c/theportraitsystemSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is The Digital Story Podcast 1,030, Dec. 16, 2025. Today's theme is, "My 5 Favorite Photo Purchases of 2025." I'm Derrick Story. I'm lucky enough to be able to test loaner gear for my podcasts and articles. But sometimes I like something so much that I buy it with my own money and incorporate it into my workflow. Today, I will share my five favorite purchases in 2025 - plus some industry news as well. All of that, and more, on Today's TDS Photography Podcast. I hope you enjoy the show.

Non-Rev Adventures: From Mongolia to Anchorage – Gate Agent EtiquetteIn this episode, Kelsey, Nicole, and Tyler discuss their recent travels and experiences as airline employees. They delve into their career backgrounds, and Nicole shares insights from her previous job in global operations, including process simulations and passenger recovery. The conversation shifts to their latest trips: Tyler's challenging adventure in Mongolia, Nicole's achievement of her 50th state milestone in North Dakota, and Kelsey's memorable experiences in Curacao and Alaska. They also highlight the importance of proper non-rev etiquette, offering practical tips for airline companions, and discuss Temporary Duty (TDY) opportunities, contemplating dream locations for brief work stays. This episode provides an informative and entertaining take on the fascinating worlds of aviation and non-revenue travel.00:00 Catch-Up and Career Updates02:28 Airline Operations and Challenges04:28 Transition Back to Airport Work06:40 Steel-Toed Boots and Safety10:42 New Airport Developments14:39 Travel Adventures and Experiences15:19 Mongolia: A Unique Journey29:37 Travel Logistics and Challenges35:29 Caribbean Getaway: Curacao40:14 Oshkosh Airshow Highlights42:22 Air Show Highlights and Fireworks42:36 Tribute to Rob Holland42:49 Photography and Tickets43:05 Family Fun and Free Swag44:08 Air Traffic Coordination45:00 North Dakota: The Best for Last Club45:30 Exploring Fargo47:17 Alaska Adventures49:50 New England Road Trip55:32 Gate Agent Etiquette and Non-Rev Tips01:08:42 Temporary Duty Assignments (TDY)01:12:28 Travel Dreams and Recommendations01:17:48 Conclusion and Farewell

When you tell friends you're going to see a movie at The Roxie, there's an almost palpable envy that sets in for them. In this episode, meet Lex Sloan and Henry S. Rosenthal. Lex is The Roxie's executive director and Henry is on its Board of Directors and the chair of the theater's capital campaign, which we'll get to. In the meantime, if you'd like to help keep a bona fide San Francisco landmark in its rightful home until the end of time (they'd sure love you to, and so would I), donate to the Forever Roxie fund here. We start with Henry, who lets us know that the "S" in his name stands for Sigmund. Henry was born in Cincinnati and had what he describes as an "idyllic childhood" there. He started going to music shows when he was 13, seeing bands like Iggy and the Stooges and MC5. After graduating from high school, he moved to San Francisco in 1973 to attend school at The New College of California. He was an early subscriber to Rolling Stone magazine, where he had seen a New College ad. That ad captivated young Henry's imagination. He visited the campus, which was in Sausalito at the time, after a road trip from Ohio to the West Coast. The school tried to get him to enroll right then, but Henry decided to go back home and finish high school first. Henry produced cable TV shows while in college. In a sense, it's what he's been doing ever since. When Henry moved to San Francisco, there were still operating movie palaces on Market. Before really making friends here, he'd spend a lot of time inside those theaters. It was the era of movies like The Texas Chainsaw Massacre and Enter the Dragon. He says it's difficult to put into words (it is), but San Francisco just grabbed him and never let go. Then we turn to Lex Sloan. Lex went to college in Bellingham, Washington, at the type of school that allows you to design your own degree, which she did. Lex got a bachelor's in "social change media," which is so on the nose, it tickles. Post-graduation, she went to what she calls "the middle of nowhere, Arizona," but that lasted all of seven or eight months. Looking for where to land next and being a spreadsheet nerd (like me), Lex made a list. And lo and behold, San Francisco checked the most boxes. She got a job in Redwood City, not knowing that that Peninsula town wasn't exactly The City. No matter—she landed. The job involved teaching video production at a community center. At first, she stayed in a hostel on Mission Street before finding a place all her own on Craigslist. That was 2005, and Lex hasn't looked back. We go back to Henry to hear the story of how The Roxie drew him in. Perhaps jokingly, he says he laments not visiting when The Roxie was a porn theater. Henry doesn't recall his actual first visit, but says he's been a regular since first learning about the place. He knew Bill Banning, who created Roxie Releases, the organization's distribution operation. (Rivers and Tides, the documentary about artist Andy Goldsworthy, is among their releases.) Banning and he were friends for a while. Their kids went to school together. Their lives kept intertwining, including at film festivals. When The Roxie transitioned to a nonprofit and created a board, folks like Bill invited Henry to join it. He politely refused … until the theater was on firmer ground financially. And once it was, he was in. Henry's goal in joining The Roxie board was singular, he says: To help the organization buy the building where the theater sits. Lex does remember her first time at The Roxie. After she landed in The City, she sought work on local film crews. She found a crew and their film (Getting Off) premiered at The Roxie during Frameline. Because she was "only" a production assistant, she wasn't comped a ticket. Lex remembers showing up and seeing a rather long and daunting line to get in. But! That line was filled with her people. She calls that screening "magical" and "electrifying." Over the years, she came back time and again, for one-off movies as well as for film festivals. When Lex worked for Frameline, one of her jobs was carrying film prints into the projection booth at The Roxie and other theaters. Fast-forward to 10 years or so ago, when Lex became operations director at The Roxie. We then turn to the history of The Roxie, with Lex as our tour guide. The space where the theater sits today was built to be just that—a movie theater. It wasn't converted at any point from something else to become a place where folks watch movies. The folks who run the theater today have discovered and held onto the original blueprints from 1913. Its first name was The Poppy Theater. Then it was The 16th Street. Then The New 16th Street, The Gaiety, The Rex, and finally, in the early 1930s, The Roxie. That oh-so-recognizable marquee came to The Mission from an auto dealership in Oakland aboard a barge that traveled across The Bay. A lot of the history of The Roxie before the Seventies is not well-known. But, after becoming The Roxie, it was first a German-language cinema (concessions at the time were German candies). Thanks to some projectionist's notes they've found, they know that in the Fifties, it became a variety space of sorts. In the late Sixties/early Seventies, it was an XXX theater, as mentioned in Henry's story earlier. In those days, a turnstile out front kept underage folks and those who didn't pay out (or did it?). In 1976 or '77, a group of local artists took over. That group changed a lot of things. It became more of an arthouse cinema, as it remains to this day. The folks who ran the place put people before profits. Midnight movies became a thing The Roxie was known for. Check back Thursday for Part 2 with Lex and Henry. We recorded this podcast at The Roxie in The Mission in October 2025. Photography by Jeff Hunt

In this episode, we're looking back at our favorite photography moments or "things" from 2025 and spoiler alert, none of them involve shiny new gear. We talk about the things that actually mattered this year: building a community that feels supportive and alive, reconnecting with the joy of photography, embracing exploration and growth, and watching photographers step into confidence right in front of our eyes. From deep conversations about AI and creativity, to meaningful time spent on a working ranch during calving season, this episode is all about care, commitment, and why the people and experiences behind the camera matter more than anything else.

What happens when your voice is built through visuals, not volume? In this Unstoppable Mindset episode, I talk with photographer and storyteller Mobeen Ansari about growing up with hearing loss, learning speech with support from his family and the John Tracy Center, and using technology to stay connected in real time. We also explore how his art became a bridge across culture and faith, from documenting religious minorities in Pakistan to chronicling everyday heroes, and why he feels urgency to photograph climate change before more communities, heritage sites, and ways of life are lost. You'll hear how purpose grows when you share your story in a way that helps others feel less alone, and why Mobeen believes one story can become a blueprint for someone else to navigate their own challenge. Highlights: 00:03:54 - Learn how early family support can shape confidence, communication, and independence for life. 00:08:31 - Discover how deciding when to capture a moment can define your values as a storyteller. 00:15:14 - Learn practical ways to stay fully present in conversations when hearing is a daily challenge. 00:23:24 - See how unexpected role models can redefine what living fully looks like at any stage of life. 00:39:15 - Understand how visual storytelling can cross cultural and faith boundaries without words. 00:46:38 - Learn why documenting climate change now matters before stories, places, and communities disappear. About the Guest: Mobeen Ansari is a photographer, filmmaker and artist from Islamabad, Pakistan. Having a background in fine arts, he picked up the camera during high school and photographed his surroundings and friends- a path that motivated him to be a pictorial historian. His journey as a photographer and artist is deeply linked to a challenge that he had faced since after his birth.  Three weeks after he was born, Mobeen was diagnosed with hearing loss due to meningitis, and this challenge has inspired him to observe people more visually, which eventually led him to being an artist. He does advocacy for people with hearing loss.  Mobeen's work focuses on his home country of Pakistan and its people, promoting a diverse & poetic image of his country through his photos & films. As a photojournalist he focuses on human interest stories and has extensively worked on topics of climate change, global health and migration. Mobeen has published three photography books. His first one, ‘Dharkan: The Heartbeat of a Nation', features portraits of iconic people of Pakistan from all walks of life. His second book, called ‘White in the Flag' is based on the lives & festivities of religious minorities in Pakistan. Both these books have had two volumes published over the years. His third book is called ‘Miraas' which is also about iconic people of Pakistan and follows ‘Dharkan' as a sequel. Mobeen has also made two silent movies; 'Hellhole' is a black and white short film, based on the life of a sanitation worker, and ‘Lady of the Emerald Scarf' is based on the life of Aziza, a carpet maker in Guilmit in Northern Pakistan. He has exhibited in Pakistan & around the world, namely in UK, Italy, China Iraq, & across the US and UAE. His photographs have been displayed in many famous places as well, including Times Square in New York City. Mobeen is also a recipient of the Swedish Red Cross Journalism prize for his photography on the story of FIFA World Cup football manufacture in Sialkot. Ways to connect with Mobeen**:** www.mobeenansari.com Facebook: www.facebook.com/mobeenart  Linkedin: https://www.linkedin.com/in/mobeenansari/ Instagram: @mobeenansariphoto X: @Mobeen_Ansari About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset. I am your host. Michael Hingson, we're really glad that you are here, and today we are going to talk to Mobeen Ansari, and Mobeen is in Islamabad. I believe you're still in Islamabad, aren't you? There we go. I am, yeah. And so, so he is 12 hours ahead of where we are. So it is four in the afternoon here, and I can't believe it, but he's up at four in the morning where he is actually I get up around the same time most mornings, but I go to bed earlier than he does. Anyway. We're really glad that he is here. He is a photographer, he speaks he's a journalist in so many ways, and we're going to talk about all of that as we go forward. Mobin also is profoundly hard of hearing. Uses hearing aids. He was diagnosed as being hard of hearing when he was three weeks old. So I'm sure we're going to talk about that a little bit near the beginning, so we'll go ahead and start. So mo bean, I want to welcome you to unstoppable mindset. We're really glad that you're here. Mobeen Ansari  02:32 It's a pleasure to be here, and I'm honored to plan your show. Thank you so much. Michael Hingson  02:37 Well, thank you very much, and I'm glad that we're able to make this work, and I should explain that he is able to read what is going on the screen. I use a program called otter to transcribe when necessary, whatever I and other people in a meeting, or in this case, in a podcast, are saying, and well being is able to read all of that. So that's one of the ways, and one of the reasons that we get to do this in real time. So it's really kind of cool, and I'm really excited by that. Well, let's go ahead and move forward. Why don't you tell us a little about the early Beau beam growing up? And obviously that starts, that's where your adventure starts in a lot of ways. So why don't you tell us about you growing up and all that. Mobeen Ansari  03:22 So I'm glad you mentioned the captions part, because, you know, that has been really, really revolutionary. That has been quite a lifesaver, be it, you know, Netflix, be it anywhere I go into your life, I read captions like there's an app on my phone that I use for real life competitions, and that's where I, you know, get everything. That's where technology is pretty cool. So I do that because of my hearing does, as you mentioned, when I was three weeks old, I had severe meningitis due to it, had lost hearing in both my ear and so when my hearing loss were diagnosed, it was, you know, around the time we didn't have resources, the technology that we do today. Michael Hingson  04:15 When was that? What year was that about? Mobeen Ansari  04:19 1986 okay, sorry, 1987 so yeah, so they figured that I had locked my hearing at three weeks of age, but didn't properly diagnose it until I think I was three months old. So yeah, then January was my diagnosis, okay. Michael Hingson  04:44 And so how did you how did you function, how did you do things when you were, when you were a young child? Because at that point was kind of well, much before you could use a hearing aid and learn to speak and so on. So what? Mobeen Ansari  05:00 You do. So my parents would have a better memory of that than I would, but I would say that they were, you know, extra hard. They went an extra mile. I mean, I would say, you know, 100 extra mile. My mother learned to be a peace therapist, and my father. He learned to be he learned how to read audiogram, to learn the audiology, familiarize himself with hearing a technology with an engineer support. My parents work around me. David went to a lot of doctors, obviously, I was a very difficult child, but I think that actually laid the foundation in me becoming an artist. Because, you know, today, the hearing is it fits right into my ear so you cannot see it, basically because my hair is longer. But back then, hearing aids used to be almost like on a harness, and you to be full of quiet, so you would actually stick out like a sore thumb. So, you know, obviously you stand out in a crowd. So I would be very conscious, and I would often, you know, get asked what this is. So I would say, this is a radio but for most part of my childhood, I was very introverted, but I absolutely love art. My grandmother's for the painter, and she was also photographer, as well as my grandfather, the hobbyist photographer, and you know, seeing them create all of the visuals in different ways, I was inspired, and I would tell my stories in form of sketching or making modified action figures. And photography was something I picked up way later on in high school, when the first digital camera had just come out, and I finally started in a really interacting with the world. Michael Hingson  07:13 So early on you you drew because you didn't really use the camera yet. And I think it's very interesting how much your parents worked to make sure they could really help you. As you said, Your mother was a speech you became a speech therapist, and your father learned about the technologies and so on. So when did you start using hearing aids? That's Mobeen Ansari  07:42 a good question. I think I probably started using it when I was two years old. Okay, yeah, yeah, that's gonna start using it, but then, you know, I think I'll probably have to ask my parents capacity, but a moment, Mobeen Ansari  08:08 you know, go ahead, I think they worked around me. They really improvised on the situation. They learned at the went along, and I think I learned speech gradually. Did a lot of, you know, technical know, how about this? But I would also have to credit John Troy clinic in Los Angeles, because, you know, back then, there was no mobile phone, there were no emails, but my mother would put in touch with John Troy center in LA and they would send a lot of material back and forth for many years, and they would provide a guidance. They would provide her a lot of articles, a lot of details on how to help me learn speech. A lot of visuals were involved. And because of the emphasis on visuals, I think that kind of pushed me further to become an artist, because I would speak more, but with just so to Michael Hingson  09:25 say so, it was sort of a natural progression for you, at least it seemed that way to you, to start using art as a way to communicate, as opposed as opposed to talking. Mobeen Ansari  09:39 Yeah, absolutely, you know, so I would like pass forward a little bit to my high school. You know, I was always a very shy child up until, you know, my early teens, and the first camera had just come out, this was like 2001 2002 at. It. That's when my dad got one, and I would take that to school today. You know, everyone has a smartphone back then, if you had a camera, you're pretty cool. And that is what. I started taking pictures of my friends. I started taking pictures of my teachers, of landscapes around me. And I would even capture, you know, funniest of things, like my friend getting late for school, and one day, a friend of mine got into a fight because somebody stole his girlfriend, or something like that happened, you know, that was a long time ago, and he lost the fight, and he turned off into the world court to cry, and he was just sort of, you're trying to hide all his vulnerability. I happened to be in the same place as him, and I had my camera, and I was like, should I capture this moment, or should I let this permit go? And well, I decided to capture it, and that is when human emotion truly started to fascinate me. So I was born in a very old city. I live in the capital of Islamabad right now, but I was born in the city of travel to be and that is home to lots of old, you know, heritage sites, lots of old places, lots of old, interesting scenes. And you know, that always inspired you, that always makes you feel alive. And I guess all of these things came together. And, you know, I really got into the art of picture storytelling. And by the end of my high school graduation, everybody was given an award. The certificate that I was given was, it was called pictorial historian, and that is what inspired me to really document everything. Document my country. Document is people, document landscape. In fact, that award it actually has in my studio right now been there for, you know, over 21 years, but it inspired me luck to this day. Michael Hingson  12:20 So going back to the story you just told, did you tell your friend that you took pictures of him when he was crying? Mobeen Ansari  12:32 Eventually, yes, I would not talk. You're familiar with the content back then, but the Catholic friend, I know so I mean, you know everyone, you're all kids, so yeah, very, yeah, that was a very normal circumstance. But yeah, you know, Michael Hingson  12:52 how did he react when you told him, Mobeen Ansari  12:56 Oh, he was fine. It's pretty cool about it, okay, but I should probably touch base with him. I haven't spoken to him for many years that Yeah, Michael Hingson  13:08 well, but as long as Yeah, but obviously you were, you were good friends, and you were able to continue that. So that's, that's pretty cool. So you, your hearing aids were also probably pretty large and pretty clunky as well, weren't they? Mobeen Ansari  13:26 Yeah, they were. But you know, with time my hearing aid became smaller. Oh sure. So hearing aid model that I'm wearing right now that kind of started coming in place from 1995 1995 96 onwards. But you know, like, even today, it's called like BDE behind the ear, hearing it even today, I still wear the large format because my hearing loss is more it's on the profound side, right? Just like if I take my hearing, it off. I cannot hear but that's a great thing, because if I don't want to listen to anybody, right, and I can sleep peacefully at night. Michael Hingson  14:21 Have you ever used bone conduction headphones or earphones? Mobeen Ansari  14:30 But I have actually used something I forgot what is called, but these are very specific kind of ear bone that get plugged into your hearing it. So once you plug into that, you cannot hear anything else. But it discontinued that. So now they use Bluetooth. Michael Hingson  14:49 Well, bone conduction headphones are, are, are devices that, rather than projecting the audio into your ear, they actually. Be projected straight into the bone and bypassing most of the ear. And I know a number of people have found them to be useful, like, if you want to listen to music and so on, or listen to audio, you can connect them. There are Bluetooth versions, and then there are cable versions, but the sound doesn't go into your ear. It goes into the bone, which is why they call it bone conduction. Mobeen Ansari  15:26 Okay, that's interesting, I think. Michael Hingson  15:29 And some of them do work with hearing aids as well. Mobeen Ansari  15:34 Okay, yeah, I think I've experienced that when they do the audio can test they put, like at the back of your head or something? Michael Hingson  15:43 Yeah, the the most common one, at least in the United States, and I suspect most places, is made by a company called aftershocks. I think it's spelled A, F, T, E, R, S, H, O, k, s, but something to think about. Anyway. So you went through high school mostly were, were your student colleagues and friends, and maybe not always friends? Were they pretty tolerant of the fact that you were a little bit different than they were. Did you ever have major problems with people? Mobeen Ansari  16:22 You know, I've actually had a great support system, and for most part, I actually had a lot of amazing friends from college who are still my, you know, friend to the dead, sorry, from school. I'm actually closer to my friend from school than I am two friends of college difficulties. You know, if you're different, you'll always be prone to people who sort of are not sure how to navigate that, or just want, you know, sort of test things out. So to say, so it wasn't without his problems, but for most part of it's surprisingly, surprisingly, I've had a great support system, but, you know, the biggest challenge was actually not being able to understand conversation. So I'm going to go a bit back and forth on the timeline here. You know, if so, in 2021, I had something known as menus disease. Menier disease is something, it's an irregular infection that arises from stress, and what happens is that you're hearing it drops and it is replaced by drinking and bathing and all sorts of real according to my experience, it affects those with hearing loss much more than it affects those with regular, normal hearing. It's almost like tinnitus on steroids. That is how I would type it. And I've had about three occurrences of that, either going to stress or being around loud situations and noises, and that is where it became so challenging that it became difficult to hear, even with hearing it or lip reading. So that is why I use a transcriber app wherever I go, and that been a lifesaver, you know. So I believe that every time I have evolved to life, every time I have grown up, I've been able to better understand people to like at the last, you know, four years I've been using this application to now, I think I'm catching up on all the nuances of conversation that I've missed. Right if I would talk to you five years ago, I would probably understand 40% of what you're saying. I would understand it by reading your lips or your body language or ask you to write or take something for me, but now with this app, I'm able to actually get to 99% of the conversation. So I think with time, people have actually become more tired and more accepting, and now there is more awareness. I think, awareness, right? Michael Hingson  19:24 Well, yeah, I was gonna say it's been an only like the last four years or so, that a lot of this has become very doable in real time, and I think also AI has helped the process. But do you find that the apps and the other technologies, like what we use here, do you find that occasionally it does make mistakes, or do you not even see that very much at all? Mobeen Ansari  19:55 You know it does make mistakes, and the biggest problem is when there is no data, when there is no. Wide network, or if it runs out of battery, you know, because now I kind of almost 24/7 so my battery just integrate that very fast. And also because, you know, if I travel in remote regions of Pakistan, because I'm a photographer, my job to travel to all of these places, all of these hidden corners. So I need to have conversation, especially in those places. And if that ad didn't work there, then we have a problem. Yeah, that is when it's problem. Sometimes, depending on accidents, it doesn't pick up everything. So, you know, sometimes that happens, but I think technology is improving. Michael Hingson  20:50 Let me ask the question. Let me ask the question this way. Certainly we're speaking essentially from two different parts of the world. When you hear, when you hear or see me speak, because you're you're able to read the transcriptions. I'm assuming it's pretty accurate. What is it like when you're speaking? Does the system that we're using here understand you well as in addition to understanding me? Mobeen Ansari  21:18 Well, yes, I think it does so like, you know, I just occasionally look down to see if it's catching up on everything. Yeah, on that note, I ought to try and improve my speech over time. I used to speak very fast. I used to mumble a lot, and so now I become more mindful of it, hopefully during covid. You know, during covid, a lot of podcasts started coming out, and I had my own actually, so I would, like brought myself back. I would look at this recording, and I would see what kind of mistakes I'm making. So I'm not sure if transcription pick up everything I'm saying, but I do try and improve myself, just like the next chapter of my life where I'm trying to improve my speech, my enunciation Michael Hingson  22:16 Well, and that's why I was was asking, it must be a great help to you to be able to look at your speaking through the eyes of the Translate. Well, not translation, but through the eyes of the speech program, so you're able to see what it's doing. And as you said, you can use it to practice. You can use it to improve your speech. Probably it is true that slowing down speech helps the system understand it better as well. Yeah, yeah. So that makes sense. Well, when you were growing up, your parents clearly were very supportive. Did they really encourage you to do whatever you wanted to do? Do they have any preconceived notions of what kind of work you should do when you grew up? Or do they really leave it to you and and say we're going to support you with whatever you do? Mobeen Ansari  23:21 Oh, they were supportive. And whatever I wanted to do, they were very supportive in what my brother had gone to do I had to enter brothers. So they were engineers. And you know what my my parents were always, always, you know, very encouraging of whatever period we wanted to follow. So I get the a lot of credit goes to my my parents, also, because they even put their very distinct fields. They actually had a great understanding of arts and photography, especially my dad, and that really helped me have conversations. You know, when I was younger to have a better understanding of art. You know, because my grandmother used to paint a lot, and because she did photography. When she migrated from India to Pakistan in 1947 she took, like, really, really powerful pictures. And I think that instilled a lot of this in me as well. I've had a great support that way. Michael Hingson  24:26 Yeah, so your grandmother helps as well. Mobeen Ansari  24:32 Oh yeah, oh yeah. She did very, very ahead of her time. She's very cool, and she made really large scale painting. So she was an example of always making the best of life, no matter where you are, no matter how old you are. She actually practiced a Kibana in the 80s. So that was pretty cool. So, you know. Yeah, she played a major part in my life. Michael Hingson  25:05 When did you start learning English? Because that I won't say it was a harder challenge for you. Was a different challenge, but clearly, I assume you learned originally Pakistani and so on. But how did you go about learning English? Mobeen Ansari  25:23 Oh, so I learned about the languages when I started speech. So I mean to be split the languages of Urdu. You are, be you. So I started learning about my mother tongue and English at the same time. You know, basically both languages at work to both ran in parallel, but other today, I have to speak a bit of Italian and a few other regional languages of Pakistan so and in my school. I don't know why, but we had French as a subject, but now I've completely forgotten French at Yeah, this kind of, it kind of helped a lot. It's pretty cool, very interesting. But yeah, I mean, I love to speak English. Just when I learned speech, what Michael Hingson  26:19 did you major in when you went to college? Mobeen Ansari  26:24 So I majored in painting. I went to National College of Arts, and I did my bachelor's in fine arts, and I did my majors in painting, and I did my minor in printmaking and sculpture. So my background was always rooted in fine arts. Photography was something that ran in parallel until I decided that photography was the ultimate medium that I absolutely love doing that became kind of the voice of my heart or a medium of oppression and tougher and bone today for Michael Hingson  27:11 did they even have a major in photography when you went to college? Mobeen Ansari  27:17 No, photography was something that I learned, you know, as a hobby, because I learned that during school, and I was self taught. One of my uncles is a globally renowned photographer. So he also taught me, you know, the art of lighting. He also taught me on how to interact with people, on how to set up appointments. He taught me so many things. So you could say that being a painter helped me become a better photographer. Being a photographer helped me become a better painter. So both went hand in hand report co existed. Yeah, so photography is something that I don't exactly have a degree in, but something that I learned because I'm more of an art photographer. I'm more of an artist than I am a photographer, Michael Hingson  28:17 okay, but you're using photography as kind of the main vehicle to display or project your art, absolutely. Mobeen Ansari  28:30 So what I try to do is I still try to incorporate painting into my photography, meaning I try to use the kind of lighting that you see in painting all of these subtle colors that Rembrandt of Caravaggio use, so I tried to sort of incorporate that. And anytime I press my photograph, I don't print it on paper, I print it on canvas. There's a paint really element to it, so so that my photo don't come up as a challenge, or just photos bottles or commercial in nature, but that they look like painting. And I think I have probably achieved that to a degree, because a lot of people asked me, Do you know, like, Okay, how much I did painting for and create painting. So I think you know, whatever my objective was, I think I'm probably just, you know, I'm getting there. Probably that's what my aim is. So you have a photography my main objective with the main voice that I use, and it has helped me tell stories of my homeland. It has helped me to tell stories of my life. It has helped me tell stories of people around Michael Hingson  29:49 me, but you're but what you do is as I understand you, you're, you may take pictures. You may capture the images. With a camera, but then you put them on canvas. Mobeen Ansari  30:05 Yeah, I just every time I have an exhibition or a display pictures which are present in my room right now, I always print them on Canvas, because when you print them on Canvas, the colors become more richer, right, Michael Hingson  30:22 more mentally. But what? But what you're doing, but what you're putting on Canvas are the pictures that you've taken with your camera. Mobeen Ansari  30:31 Oh, yeah, yeah, okay. But occasionally, occasionally, I tried to do something like I would print my photos on Canvas, and then I would try to paint on them. It's something that I've been experimenting with, but I'm not directly quite there yet. Conceptually, let's see in the future when these two things make properly. But now photographs? Michael Hingson  31:02 Yeah, it's a big challenge. I i can imagine that it would be a challenge to try to be able to print them on cameras and then canvas, and then do some painting, because it is two different media, but in a sense, but it will be interesting to see if you're able to be successful with that in the future. What would you say? It's easier today, though, to to print your pictures on Canvas, because you're able to do it from digital photographs, as opposed to what you must have needed to do, oh, 20 years ago and so on, where you had film and you had negatives and so on, and printing them like you do today was a whole different thing to do. Mobeen Ansari  31:50 Oh yeah, it's same to think good yesterday, somebody asked me if I do photography on an analog camera, and I have a lot of them, like lots and lots of them, I still have a lot of black and white film, but the problem is, nobody could develop them. I don't have that room. So otherwise I would do that very often. Otherwise I have a few functional cameras that tend to it. I'm consciously just thinking of reviving that. Let's see what happens to it. So I think it's become very difficult. You know also, because Pakistan has a small community of photographers, so the last person who everybody would go to for developing the film or making sure that the analog cameras became functional. He unfortunately passed away a few years ago, so I'm sort of trying to find somebody who can help me do this. It's a very fascinating process, but I haven't done any analog film camera photography for the last 15 years now, definitely a different ball game with, you know, typical cameras, yeah, the pattern, you could just take 36 pictures, and today you can just, you know, take 300 and do all sorts of trial and error. But I tried, you know, I think I'm a bit of a purist when it comes to photography, so I kind of try and make sure that I get the shots at the very first photograph, you know, because that's how my dad trained me on analog cameras, because back then, you couldn't see how the pictures are going to turn out until you printed them. So every time my dad took a picture, he would spend maybe two or three minutes on the setting, and he would really make the person in front of him wait a long time. And then you need to work on shutter speed or the aperture or the ISO, and once you would take that picture is perfect, no need to anything to it, Michael Hingson  34:09 but, but transposing it, but, but transferring it to from an analog picture back then to Canvas must have been a lot more of a challenge than it is today. Mobeen Ansari  34:24 No back then, working canvas printing. Canvas printing was something that I guess I just started discovering from 2014 onwards. So it would like during that this is laid up, Michael Hingson  34:38 but you were still able to do it because you just substituted Canvas for the the typical photographic paper that you normally would use is what I hear you say, Mobeen Ansari  34:50 Oh yeah, Canvas printing was something that I figured out much later on, right? Michael Hingson  34:59 Um. But you were still able to do it with some analog pictures until digital cameras really came into existence. Or did you always use it with a digital camera? Mobeen Ansari  35:11 So I basically, when I started off, I started with the handle camera. And obviously, you know, back in the 90s, if somebody asked you to take a picture, or we have to take a picture of something, you just had the analog camera at hand. Yeah. And my grandparents, my dad, they all had, you know, analog cameras. Some of it, I still have it Michael Hingson  35:36 with me, but were you able to do canvas painting from the analog cameras? No, yeah, that's what I was wondering. Mobeen Ansari  35:43 No, I haven't tried, yeah, but I think must have been possible, but I've only tried Canvas printing in the digital real. Michael Hingson  35:53 Do you are you finding other people do the same thing? Are there? Are there a number of people that do canvas painting? Mobeen Ansari  36:02 I lot of them do. I think it's not very common because it's very expensive to print it on canvas. Yeah, because you know, once you once you test again, but you don't know how it's going to turn out. A lot of images, they turn out very rough. The pictures trade, and if can, with print, expose to the camera, sometimes, sorry, the canvas print exposed to the sun, then there's the risk of a lot of fading that can happen. So there's a lot of risk involved. Obviously, printing is a lot better now. It can withstand exposure to heat and sun, but Canvas printing is not as common as you know, matte paper printing, non reflective, matte paper. Some photographers do. It depends on what kind of images you want to get out? Yeah, what's your budget is, and what kind of field you're hoping to get out of it. My aim is very specific, because I aim to make it very Painterly. That's my objective with the canvas. Michael Hingson  37:17 Yeah, you want them to look like paintings? Mobeen Ansari  37:21 Yeah? Yeah, absolutely, Michael Hingson  37:23 which, which? I understand it's, it is a fascinating thing. I hadn't really heard of the whole idea of canvas painting with photograph or photography before, but it sounds really fascinating to to have that Yeah, and it makes you a unique kind of person when you do that, but if it works, and you're able to make it work, that's really a pretty cool thing to do. So you have you you've done both painting and photography and well, and sculpting as well. What made you really decide, what was the turning point that made you decide to to go to photography is kind of your main way of capturing images. Mobeen Ansari  38:12 So it was with high school, because I was still studying, you know, art as a subject back then, but I was still consistently doing that. And then, like earlier, I mentioned to you that my school gave me an award called pictorial historian. That is what inspired me to follow this girl. That is what set me on this path. That is what made me find this whole purpose of capturing history. You know, Pakistan is home to a lot of rich cultures, rich landscapes, incredible heritage sites. And I think that's when I became fascinated. Because, you know, so many Pakistanis have these incredible stories of resilience entrepreneurship, and they have incredible faces, and, you know, so I guess that what made me want to capture it really. So I think, yeah, it was in high school, and then eventually in college, because, you know, port and school and college, I would be asked to take pictures of events. I'll be asked to take pictures of things around me. Where I went to college, it was surrounded by all kinds of, you know, old temples and churches and old houses and very old streets. So that, really, you know, always kept me inspired. So I get over time. I think it's just always been there in my heart. I decided to really, really go for it during college. Well. Michael Hingson  40:00 But you've, you've done pretty well with it. Needless to say, which is, which is really exciting and which is certainly very rewarding. Have you? Have you done any pictures that have really been famous, that that people regard as exceptionally well done? Mobeen Ansari  40:22 I Yes, obviously, that's it for the audience to decide. But right, I understand, yeah, I mean, but judging from my path exhibitions, and judging from system media, there have been quite a few, including the monitor out of just last week, I went to this abandoned railway station, which was on a British colonial time, abandoned now, but that became a very, very successful photograph. I was pretty surprised to see the feedback. But yes, in my career, they have been about, maybe about 10 to 15 picture that really, really stood out or transcended barriers. Because coming out is about transcending barriers. Art is about transcending barriers, whether it is cultural or political, anything right if a person entered a part of the world views a portrait that I've taken in Pakistan, and define the connection with the subject. My mission is accomplished, because that's what I would love to do through art, to connect the world through art, through art and in the absence of verbal communication. I would like for this to be a visual communication to show where I'm coming from, or the very interesting people that I beat. And that is that sort of what I do. So I guess you know, there have been some portraits. I've taken some landscapes or some heritage sites, and including the subjects that I have photography of my book that acting have probably stood out in mind of people. Michael Hingson  42:14 So you have published three books so far, right? Yes, but tell me about your books, if you would. Mobeen Ansari  42:24 So my first book is called Harkin. I will just hold it up for the camera. It is my first book, and what is it called? It is called turken, and the book is about iconic people of Pakistan who have impacted this history, be it philanthropist, be it sports people, be it people in music or in performing arts, or be it Even people who are sanitation workers or electricians to it's about people who who have impacted the country, whether they are famous or not, but who I consider to be icons. Some of them are really, really, really famous, very well known people around the world, you know, obviously based in Pakistan. So my book is about chronicling them. It's about documenting them. It's about celebrating them. My second book without, okay, most Michael Hingson  43:29 people are going to listen to the podcast anyway, but go ahead. Yeah. Mobeen Ansari  43:35 So basically it's writing the flag is about the religious minorities of Pakistan, because, you know, Pakistan is largely a Muslim country. But when people around the world, they look at Pakistan, they don't realize that it's a multicultural society. There's so many religions. Pakistan is home to a lot of ancient civilizations, a lot of religions that are there. And so this book document life and festivities of religious minorities of Pakistan. You know, like I in my childhood, have actually attended Easter mass, Christmas and all of these festivities, because my father's best friend was a Christian. So we had that exposure to, you know, different faiths, how people practice them. So I wanted to document that. That's my second book. Michael Hingson  44:39 It's wonderful that you had, it's wonderful that you had parents that were willing to not only experience but share experiences with you about different cultures, different people, so that it gave you a broader view of society, which is really cool. Mobeen Ansari  44:58 Yeah. Absolutely, absolutely. So your third book? So my third book is a sequel to my first one, same topic, people who have impacted the country. And you know, with the Pakistan has a huge, huge population, it had no shortage of heroes and heroines and people who have created history in the country. So my first book has 98 people, obviously, which is not enough to feature everybody. So my second book, it features 115 people. So it features people who are not in the first book. Michael Hingson  45:41 Your third book? Yeah, okay, yeah. Well, there's, you know, I appreciate that there's a very rich culture, and I'm really glad that you're, you're making Chronicles or or records of all of that. Is there a fourth book coming? Have you started working on a fourth book yet? Mobeen Ansari  46:05 You know in fact, yes, there is. Whenever people hear about my book, they assume that there's going to be landscape or portraits or street photography or something that is more anthropological in nature. That's the photography I truly enjoy doing. These are the photographs that are displayed in my studio right now. So, but I would never really study for it, because Pakistan had, you know, we have poor provinces. And when I started these books, I hadn't really documented everything. You know, I come from the urban city, and, you know, I just, just only take taking pictures in main cities at that time. But now I have taken pictures everywhere. I've been literally to every nook and cranny in the country. So now I have a better understanding, a better visual representation. So a fourth book, it may be down the line, maybe five years, 10 years, I don't know yet. Michael Hingson  47:13 Well, one thing that I know you're interested in, that you've, you've at least thought about, is the whole idea behind climate change and the environment. And I know you've done some work to travel and document climate change and the environment and so on. Tell us, tell us more about that and where that might be going. Mobeen Ansari  47:36 So on tape, note, Michael, you know there's a lot of flooding going on in Pakistan. You know, in just one day, almost 314 people died, but many others you had missing. You had some of the worst flooding test time round. And to be reeling from that, and we had some major flooding some teachers back in. Well, climate change is no longer a wake up call. We had to take action years ago, if not, you know, yesterday and till right now, we are seeing effects of it. And you know, Pakistan has a lot of high mountain peaks. It has, it is home to the second highest mountain in the world, Ketu, and it has a lot of glaciers. You know, people talk about melting polar ice caps. People talk about effects of climate change around the world, but I think it had to be seen everywhere. So in Pakistan, especially, climate change is really, really rearing space. So I have traveled to the north to capture melting glacier, to capture stories of how it affects different communities, the water supply and the agriculture. So that is what I'm trying to do. And if I take pictures of a desert down south where a sand dune is spreading over agricultural land that it wasn't doing up until seven months ago. So you know climate change is it's everywhere. Right now, we are experiencing rains every day. It's been the longest monsoon. So it has also affected the way of life. It has also affected ancient heritage sites. Some of these heritage sites, which are over 3000 years old, and they have bestowed, you know, so much, but they are not able to withstand what we are facing right now. Um, and unfortunately, you know, with unregulated construction, with carbon emissions here and around the world, where deforestation, I felt that there was a strong need to document these places, to bring awareness of what is happening to bring awareness to what we would lose if we don't look after mother nature, that the work I have been doing on climate change, as well as topics of global health and migration, so those two topics are also very close To My Heart. Michael Hingson  50:40 Have you done any traveling outside Pakistan? Mobeen Ansari  50:45 Oh, yeah. I mean, I've been traveling abroad since I was very little. I have exhibited in Italy, in the United States. I was just in the US debris. My brother lives in Dallas, so, yeah, I keep traveling because, because my workshop, because of my book events, or my exhibition, usually here and around the world. Michael Hingson  51:14 Have you done any photography work here in the United States? Mobeen Ansari  51:19 Yeah, I have, I mean, in the US, I just don't directly do photography, but I do workshop, because whatever tool that I captured from Pakistan, I do it there. Okay, funny thing is, a funny thing is that, you know, when you take so many pictures in Pakistan, you become so used to rustic beauty and a very specific kind of beauty that you have a hard time capturing what's outside. But I've always, always just enjoyed taking pictures in in Mexico and Netherlands, in Italy, in India, because they that rustic beauty. But for the first time, you know, I actually spent some time on photography. This year, I went to Chicago, and I was able to take pictures of Chicago landscape, Chicago cityscape, completely. You know, Snowden, that was a pretty cool kind of palette to work with. Got to take some night pictures with everything Snowden, traveling Chicago, downtown. So yeah, sometimes I do photography in the US, but I'm mostly there to do workshops or exhibitions or meet my brothers. Michael Hingson  52:34 What is your your work process? In other words, how do you decide what ideas for you are worthwhile pursuing and and recording and chronicling. Mobeen Ansari  52:46 So I think it depends on where their story, where there is a lot of uniqueness, that is what stands out to me, and obviously beauty there. But they have to be there. They have to be some uniqueness, you know, like, if you look at one of the pictures behind me, this is a person who used to run a library that had been there since 1933 his father, he had this really, really cool library. And you know, to that guy would always maintain it, that library would have, you know, three old books, you know, a philosophy of religion, of theology, and there was even a handwritten, 600 years old copy of the Quran with his religious book for Muslims. So, you know, I found these stories very interesting. So I found it interesting because he was so passionate about literature, and his library was pretty cool. So that's something that you don't get to see. So I love seeing where there is a soul, where there is a connection. I love taking pictures of indigenous communities, and obviously, you know, landscapes as well. Okay? Also, you know, when it comes to climate change, when it comes to migration, when it comes to global health, that's what I take picture to raise awareness. Michael Hingson  54:33 Yeah, and your job is to raise awareness. Mobeen Ansari  54:41 So that's what I try to do, if I'm well informed about it, or if I feel that is something that needed a light to be shown on it, that's what I do. Took my photograph, and also, you know. Whatever had this appeal, whatever has a beauty, whatever has a story that's in spur of the moment. Sometimes it determined beforehand, like this year, particularly, it particularly helped me understand how to pick my subject. Even though I've been doing this for 22 years, this year, I did not do as much photography as I normally do, and I'm very, very picky about it. Like last week I went to this abandoned railway station. I decided to capture it because it's very fascinating. It's no longer used, but the local residents of that area, they still use it. And if you look at it, it kind of almost looks like it's almost science fiction film. So, you know, I'm a big star. Was that Big Star Trek fan? So, yes, I'm in port the camps. So I also like something that had these elements of fantasy to it. So my work, it can be all over the place, sometimes, Michael Hingson  56:09 well, as a as a speaker, it's, it's clearly very important to you to share your own personal journey and your own experiences. Why is that? Why do you want to share what you do with others? Mobeen Ansari  56:28 So earlier, I mentioned to you that John Tracy center played a major, major role in my life. He helped my mother. They provided all the materials. You know, in late 80s, early 90s, and so I will tell you what happened. So my aunt, my mom's sister, she used to live in the US, and when my hearing loss were diagnosed, my mother jumped right into action. I mean, both my parents did. So my mother, she landed in New York, and to my aunt would live in New Jersey. So every day she would go to New York, and she landed in New York League of hard of hearing. And a lady over there asked my mom, do you want your child to speak, or do you want him to learn? Frank Lacher and my mother, without any hesitation, she said, I want my child to speak and to see what put in touch with John Troy center and rest with history, and they provided with everything that needed. So I am affiliated with the center as an alumni. And whenever I'm with the US, whenever I'm in LA, I visit the center to see how I can support parents of those with hearing loss, and I remember when I went in 2016 2018 I gave a little talk to the parents of those with hair in glass. And I got to two other place as well, where I spent my childhood joint. Every time I went there, I saw the same fears. I saw the same determination in parents of those with hearing loss, as I saw in my parents eyes. And by the end of my talk, they came up to me, and they would tell me, you know, that sharing my experiences helped them. It motivated them. It helped them not be discouraged, because having a child hearing loss is not easy. And you know, like there was this lady from Ecuador, and you know, she spoke in Spanish, and she see other translators, you know, tell me this, so to be able to reach out with those stories, to be able to provide encouragement and any little guidance, or whatever little knowledge I have from my experience, it gave me this purpose. And a lot of people, I think, you know, you feel less lonely in this you feel hurt, you feel seen. And when you share experiences, then you have sort of a blueprint how you want to navigate in one small thing can help the other person. That's fantastic. That's why I share my personal experiences, not just to help those with hearing loss, but with any challenge. Because you know when you. Have a challenge when you have, you know, when a person is differently able, so it's a whole community in itself. You know, we lift each other up, and if one story can help do that, because, you know, like for me, my parents told me, never let your hearing loss be seen as a disability. Never let it be seen as a weakness, but let it be seen as a challenge that makes you stronger and that will aspire to do be it when I get it lost all of my life, be it when I had the latest or many years, or anything. So I want to be able to become stronger from to share my experiences with it. And that is why I feel it's important to share the story. Michael Hingson  1:00:56 And I think that's absolutely appropriate, and that's absolutely right. Do you have a family of your own? Are you married? Do you have any children or anything? Not yet. Not yet. You're still working on that, huh? Mobeen Ansari  1:01:10 Well, so to say, Yeah, I've just been married to my work for way too long. Michael Hingson  1:01:16 Oh, there you are. There's nothing wrong with that. You've got something that you Mobeen Ansari  1:01:22 kind of get batting after a while, yeah. Michael Hingson  1:01:26 Well, if the time, if the right person comes along, then it, then that will happen. But meanwhile, you're, you're doing a lot of good work, and I really appreciate it. And I hope everyone who listens and watches this podcast appreciates it as well. If people want to reach out to you, how do they do that? Mobeen Ansari  1:01:45 They can send me an email, which is out there for everybody on my website. I'm on all my social media as well. My email is being.ansarima.com Michael Hingson  1:01:57 so can you spell that? Can you Yeah, M, o b e n, dot a do it once more, M O B, E N, Mobeen Ansari  1:02:07 M O B, double, e n, dot, a n, S, A R, i@gmail.com Michael Hingson  1:02:17 at gmail.com, okay, and your website is.com Mobeen Ansari  1:02:26 same as my name. Michael Hingson  1:02:27 So, okay, so it's mo bean.ansari@our.www.mo Michael Hingson  1:02:35 bean dot Ansari, or just mo Bean on, sorry, Mobeen Ansari  1:02:41 just moving on, sorry. We com, no.no. Michael Hingson  1:02:44 Dot between mobien and Ansari, okay, so it's www, dot mobile being on sorry, yeah, so it's www, dot, M, O, B, E, N, A, N, S, A, R, i.com Yes. Well, great. I have absolutely enjoyed you being with us today. I really appreciate your time and your insights, and I value a lot what you do. I think you represent so many things so well. So thank you for being here with us, and I want to thank all of you who are out there listening and watching the podcast today, I'd love to hear your thoughts. Please email me at Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, and we appreciate it if you would give us a five star rating wherever you are observing the podcast. Please do that. We value that a great deal. And if you know anyone else who ought to be a guest, please let me know. We're always looking for people and mobeen you as well. If you know anyone else who you think ought to be a guest on the podcast, I would appreciate it if you would introduce us. But for now, I just want to thank you one more time for being here. This has been absolutely wonderful. Thank you for being on the podcast with us today. Mobeen Ansari  1:04:08 Thank you so much. It's been wonderful, and thank you for giving me the platform to share my stories. And I hope that it helps whoever watching this. Up to date. Michael Hingson  1:04:26 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

In this episode of Talk Nerdy, Cara is joined by MIT research scientist, and science photographer, Felice Frankel. They discuss her book, Phenomenal Moments: Revealing the Hidden Science Around Us. Follow Felice: @Felice_Frankel

HT2472 - The YOU Who Photographs When I go out photographing, I often begin with the sense that I need to shift mental gears from everyday thought to artmaking thought. I feel the need to begin the process of "seeing aesthetically." What does that actually mean? How is my aesthetic Self different than my ordinary self? Is it possible that my aesthetic self is simply more in touch with the rules and conventions that define the medium throughout history? If so, is it possible that "shifting gears to art making mode" is actually a barrier to creativity? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1484 - Persistence and Longevity I'm a believer in sustained effort. I know this puts me in direct conflict with today's instantaneous culture, but I'm first and foremost a pragmatist. My 50 years in photography have provided evidence over and over of the virtues of longevity. What do I mean by that? Simply this: if you stick with something long enough, good things will result. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

Steve Turek and Kevin Slick get stalked by Robert Mitchum as they try to survive The Night of the Hunter (dir. Charles Laughton). Plus Mark Matzke's Beta Capsule Review (Ultraman Taro)! Voicemail: (360) 524-2484‬ Email: monsterkidradio@gmail.com Deth Designs - https://dethdesigns.bigcartel.com/ Monster Kid Radio on Patreon - https://www.patreon.com/c/monsterkidradio Monster Kid Radio on Twitch! - https://www.twitch.tv/monsterkidradio Monster Kid Radio on YouTube - http://youtube.com/monsterkidradio Follow Mark MatzkeMonster Study Group - https://podcasts.apple.com/us/podcast/monster-study-group/id1526013554 Small Town Monsters - https://www.smalltownmonsters.com Follow Steve TurekDieCast Movie Podcast - https://www.facebook.com/profile.php?id=100063695340771 Follow Kevin SlickMusic, Photography, and More - https://kevinslick.com/ Kevin Slick on YouTube - https://www.youtube.com/@kgslick50 Follow Monster Bash Creepy Classic - https://creepyclassics.com/ Classic Horror Film Board - https://classichorrorfilmboard.com/ Executive Producer - https://www.podcascadia.com/ "el Oasis" (Porsaguera) provided courtesy of Porsaguera https://porsaguera.bandcamp.com/ Bride of Monster Kid Radio is a Team Deth Production. All original content of Bride of Monster Kid Radio is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International License. You can learn more about Team Deth, our other projects like Deth Merchant, Mail Order Zombie, Deth Writer, and more at www.teamdeth.com. Please rate and review Monster Kid Radio wherever you download your favorite podcasts. Next time on Bride of Monster Kid Radio: Follow us on Patreon to find out!

Be the FIRST to know about my private Mastermind Group: https://johnbunn.myflodesk.com/mentorship   In this episode of the Shifting Focus Podcast, John Bunn sits down with Staci Brucks, a wedding photographer who grew her Instagram following to over 110,000 by doing something most people avoid. She stopped overthinking and started taking action. Instead of waiting for perfect posts, perfect captions, or perfect timing, Staci focused on consistency, alignment, and showing up as herself online. That single shift led to real momentum, brand deals, and sustainable growth without chasing trends or algorithms. • Why overthinking stalls growth • The difference between strategy and momentum • How consistency builds trust faster than perfection • Posting before you feel ready • Building relationships that create referrals • Using Instagram as a business tool, not a stress machine • Balancing creativity with professionalism • Creating efficient workflows • Working smarter with tools and systems • Staying aligned while you grow Follow Staci: Website https://stacibrucksphotography.com  Instagram https://www.instagram.com/stacibrucks/ 

This is a preview of this week's Patreon episode. To listen to the full episode and to enjoy weekly bonus content, videos, BTS bits, extra guest stories, live show discount codes and more, sign up to the Yer Don't Get Owt Fer Nowt! tier on Patreon at patreon.com/northernnews.This week on Patreon, enjoy some exclusive unheard content from Series 5.Got a juicy story from t'North? Email it to northernnewspod@gmail.com.And follow Northern News on Instagram @NorthernNewsPodcastRecorded and edited by Aniya Das for Plosive.Artwork by Welcome Studio.Photography by Jonathan Birch. Hosted on Acast. See acast.com/privacy for more information.

Here's something I've mentioned before, and I believe that I've spoken of it in terms of how organization and trip planning is a good thing. Because that is the truth—none of us wants to spend a lot of money and time on a trip only to come home with no photographs to show for it. This time around, however, I want to argue the opposite. Conflicting opinions, I know, but as with everything, I believe that there is a balance to strike. Sometimes planning out your photographic excursions down to the last detail is a good thing... Podcast Notes: https://www.moneymakerphotography.com/wandering/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Follow me: https://www.facebook.com/Will.Moneymaker  #PhotographyClips #WillMoneymaker #PhotographyPodcast

Best-selling author and imaging specialist Andy Saunders follows up his remarkable Apollo Remastered with Gemini and Mercury Remastered. Gemini was NASA's highly ambitious 20-month sprint to prove that they could get to the moon in time to meet President John F. Kennedy's challenge.Andy's remastering of the first space photography allows us to see our world the way NASA's Mount Rushmore of astronauts did 60 years ago.Buy Gemini and Mercury Remastered by Andy Saunders through our Bookshop.org affiliate links. 10% of each purchase supports the show:UK Link: https://uk.bookshop.org/a/11015/9780241638194US Link: https://bookshop.org/a/111804/9780762488346Visit Andy's website to find out more about the upcoming events and buy prints of the remastered images: apolloremastered.comFind out more about The Moonwalkers with Tom Hanks here: https://lightroom.uk/whats-on/the-moonwalkers/-----------------------------------------------------

Find more of my photos on PixelFed Read more on this topic: Quince Flowers (Cydonia oblonga ‘Pineapple'), Adelaide, Australia [Photography] Succulent Planting 3, Sherman Library and Gardens, Corona del Mar, California [Photography] Koi Pond in Tropical Conservatory 2, Sherman Library and Gardens, Corona del Mar, California Prize Winning Chrysanthemum 2, Sherman Library and Gardens, Corona del Mar, California [Photography] From My Shop: “Purple Explosion…Again” Prints and Products

HT2471 - Predictability and Art Lynn and I have been watching a series on Netflix that has become totally predictable. Every plot twist, every character reaction, every conflict between characters has become so predictable that it has turned into a game for us to make such predictions as we're watching. Curiously enough, its predictability has us slowly becoming less interested. Does predictability play a role in all other art media as well? Turning this to our chosen medium, does a perfectly predictable photograph become less interesting because it lacks an element of surprise? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2400 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Vann Thomas Powell, Lisa Beard, and Micah McCoy remotely joined Michael Chovan-Dalton and Dani Paglione at the JKC Gallery at Mercer County College to talk about their newly formed photography collective, Disparate Projects. We will also discuss the process of publishing their first book, Fractured by Christiaan Lopez-Miro.Vann Thomas Powell is a photographer, curator, and researcher. Vann received his MFA in Experimental and Documentary Art at Duke University (2023) and has been featured in solo exhibitions, books, and periodicals in the United States and abroad including The Independent (UK), Glitterati Editions (New York, NY). His books and works can be found in private and public collections including the Rubenstein Rare Books and Manuscripts Library (Duke University) and the Museum of Fine Art Special Collections (Tufts University). Vann is a Photolucida Critical Mass 2023 Top 200 Finalist.Lisa Beard is a photo-based artist, writer, teacher, and curator. Featured in national and international exhibitions, her work has appeared in group and solo shows, recently as a featured exhibitor for Head On Photo Festival in Sydney, AU. She has also been included in publications for The International Center of Photography, The Hand Magazine, Float Magazine, and Broad Magazine. She is a 2024 Klompching Fresh Finalist and Photolucida Critical Mass 2024 Top 200 Finalist. Lisa received her MFA in Media Arts from Maine Media College (2022).Micah McCoy is a photographer, curator, and poet based in Northwest Arkansas. He received his MFA in Photography from Columbia College Chicago (2022) and has exhibited work in solo and group exhibitions both in the United States and abroad. His work explores issues of religiosity, anxiety, and social detachment. Micah's editorial photography has been featured in publications including NBC News, The New York Post, and others. https://disparateprojects.comDisparate Projects is an evolving collective and platform dedicated to the exploration of contemporary photography. Founded by Lisa Beard, Micah McCoy, and Vann Thomas Powell, we are committed to thoughtful photographic curation, engaging critical discussions in photographic theory, and nurturing collaborations with photographers of disparate approaches.This podcast is sponsored by the Charcoal Book ClubBegin Building your dream photobook library today athttps://charcoalbookclub.comThe Real Photo Show is hosted and produced by Michael Chovan-DaltonThe JKC Gallery Artist Talks are hosted and produced by: Real Photo Show/Michael Chovan-Dalton, Julia Colonna, and Dani Paglione.

Hey Retro Gamers! On today's episode of Smashing Bricks we travel back to 1997 where we ignore every rule of the road and most other laws, too, in Grand Theft Auto for the PC and Sony PlayStation.Smashing Bricks is a retro gaming podcast about revisiting classic video games together to see if they hold up to the rose tint of nostalgia. Join me, Eddie Inzauto, and returning guest Kyle Stallock as we engage in a crime spree across three cities.Make sure you listen until the end to hear what the next game is and play through with us before the 14th of next month! Smashing Bricks Bonus Round Episodes are now available to all Fire Flower tier (and higher) Patreon Patrons! These amazing episodes post on the 28th of each month, and I really want as many of you to hear them as possible, so I've made it easier to be a part of that audience! Be sure to check them out at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/smashingbricks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Non-patrons can ALSO now hear these episodes on the main feed, but they'll be posted there a little over a year after initial release, on the 1st of each month.Smashing Bricks has a Discord server! Follow this link to join our community and chat about games, the podcast, and anything else your heart desires! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/gfnpx62JzS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You're invited to join the discussion with your comments on our current and upcoming titles or any past game we've played. You can also make suggestions for games you'd like to hear about on future episodes!Check out the Smashing Bricks Playlist and help me fill in the gaps, or let me know that a game that's already on the list is a must-play for the show! Here's a link to the list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠playlist.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And again, if you'd like to go above and beyond to support the show and even get yourself some brand new bonus episodes, donate a few bucks a month via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/SmashingBricks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SOCIAL LINKS:Linktree with all links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠links.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SB on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SB on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SB on Intagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SB on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Eddie's Photography on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/edwardinzauto⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

HT2470 - Enough Camera for the Purpose In my life, I've owned and used an 8x10 camera, a 5x7 camera, a medium format monorail camera, 35 mm cameras, twin lens reflex cameras, and over a dozen different digital cameras. To that list I should add a half a dozen phones that have been pretty good cameras. Isn't it interesting that when I look in my finished artwork I rarely remember anything about which cameras used? More to the point, when I go out photographing today, does it make a difference which camera I bring with me? As long as I have enough camera for the purpose, do I need to put any more thought into which camera I use? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2400 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

Find more of my photos on PixelFed Read more on this topic: Quince Flowers (Cydonia oblonga ‘Pineapple'), Adelaide, Australia [Photography] Prize Winning Chrysanthemum 2, Sherman Library and Gardens, Corona del Mar, California [Photography] Succulent Planting 3, Sherman Library and Gardens, Corona del Mar, California [Photography] Recently Favorited: Brugmansia Blossoms Prints and More Airplants, Sherman Library and Gardens, Corona del Mar, California

HT2469 - The Doors Lit My Fire My generation, like most generations, had their own music. As a child of the '60s and '70s, I had no idea that rock and roll was following the well-established patterns that had been established for decades. I was thoroughly unaware that popular music had a 3½ minute barrier based on the recording medium of the day, 45 RPM records. When The Doors created their extended version of Light My Fire, it exploded a limitation whose ripples still affect my thinking today. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Dr. Jenkins sits down with photographer, filmmaker and field naturalist Mark Lotterhand to explore his astonishing discovery that weasels are dragging Timber Rattlesnakes out of their winter dens—and eating them. The conversation traces Mark's early fascination with snakes and how it grew into a passion for photography, eventually leading him to experiment with drones and remote cameras to capture elusive behaviors in the wild. They also dive into Mark's new book, In Search of New England's Pit Vipers, a collection of thrilling field stories featuring Timber Rattlesnakes and Copperheads and the adventures behind documenting these remarkable species.Watch Mark's weasel video. Connect with Chris on Facebook, Instagram or at The Orianne Society.Shop Snake Talk merch.If you like what you've been hearing on this podcast, consider supporting The Orianne Society today.

A MODERN MAGAZINE EDITOR IN A POST-MAGAZINE WORLD—In the media storm that is 2025, the person you want captaining your ship is smart, decisive, and cool, calm, and collected—in other words, she's Nikki Ogunnaike.The editor-in-chief of Marie Claire, whom we got to know when we worked together at Elle, is the very model of a modern magazine editor, in that—unlike the lifers of old—she hopscotched through a ton of jobs, accruing skills as a writer, a fashion editor, a digital editor and a print editor, and, oh yeah, a social-media savvy multi-platform operator—to become what she is now: someone uniquely equipped to lead a new era of Marie Claire.We talked to Nikki about what it's like to run a modern media brand in a post-magazine world—what does the job of “magazine editor” even mean now? Also: how is the post-Hearst Marie Claire evolving to meet a new reader, or should we say “follower,” and which parts of its original DNA Nikki is working to preserve. Also: Is the “girlboss” back?—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Send us a textIn this inspiring episode of the SheClicks Women in Photography Podcast, host Angela Nicholson speaks with photographer and director Madeleine Penfold about her powerful journey into the world of photography and how she uses her craft to drive representation and social change.Mads reflects on growing up without seeing herself reflected in the media and how that experience shaped her desire to create the kinds of images she longed for as a child. From her early years as a self-described tomboy in Manchester to discovering her identity and building confidence through university, Mads opens up about how photography became her voice.Although she studied business at university, Mads always had a camera in hand and a deep curiosity for people. She shares how teaching photography at a summer camp in the US helped her realise the impact of visual media on self-worth and led her to make a lasting promise—to only create images that matter.Angela and Mads explore how she broke into sports photography almost by chance, and how working with top footballers became a stepping stone to championing representation in the women's game. From photographing Premier League players to advocating for proper visibility of women athletes, Mads discusses the power of storytelling, intuition on set, and the importance of building trust with her subjects.Whether she's on set with the Lionesses or documenting change in Gambia, Mads brings a deeply human approach to her work. This conversation is full of wisdom, warmth and practical insights for any photographer wanting to make an impact through visual storytelling.Follow Madeleine's journey as she creates the world she needed to see - and helps others see themselves in it too.TakeawaysYour personal story can become your creative purpose – Let your own experiences guide the kind of work you want to create.Photography can be a tool for social change – Use your work to challenge stereotypes and increase representation.Success isn't linear – A squiggly career path can still lead you exactly where you're meant to be.Trust is everything when photographing people – Building rapport and respect makes all the difference.Inclusivity starts behind the scenes – A diverse creative team leads to better, more authentic storytelling.You don't need formal training to succeed – Passion, practice, and persistence are just as valuable as a degree.Connect with MadsWebsiteInstagramSupport the show

HT2468 - Until Spoken Through One of my favorite quotes about the art life comes from Anaïs Nin who advised "Do not speak unless spoken through." This captures my philosophy of photography in its entirety. I think of myself as a conduit rather than a source; I find it useful to imagine that inanimate subjects have a way they would like to be portrayed; the task of the artist is to feel, not to preach; that photography is about listening to the whispers rather than "chasing the light." I'd rather the light seduce me than be some sort of prey that I hunt. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Oscar-Nominated Filmmaker Pen Densham on Writing, Cinematography, Photography, Creativity and the Freedom of Breaking the Rules There's a particular kind of magic that happens when a storyteller stops trying to please the market and starts listening to their soul. Pen Densham knows this better than most—he's lived it across three different mediums, each time learning to let go a little more. Densham's creative journey spans decades and disciplines: from screenwriting to cinematography to, now, impressionist photography. When I sat down with him for Audio Signals Podcast, we didn't dwell on credits or awards. We talked about the vulnerability of creativity, the courage it takes to break the rules, and the freedom that comes when you stop asking for permission. "Those scripts that I wrote out of passion, even though they didn't seem necessary to fit the market, got made more frequently than the ones I wrote when I was architecting to hit goals for a studio," Densham told me. It's a paradox he's discovered over and over: the work born from genuine emotional need resonates in ways that calculated formulas never can. His thinking has been shaped by extraordinary influences. He studied with Marshall McLuhan, who opened his eyes to the biology of storytelling—how audiences enter a trance state, mirroring the characters on screen, processing strategies through their neurons. He found resonance in Joseph Campbell's work on myth. "We're the shamans of our age," Densham reflects. "We're trying to interpret society in ways that people can learn and change." But what struck me most was how Densham, after mastering the craft of writing and the machinery of cinematography, has circled back to the simplest tool: a camera. Not to capture perfect images, but to create what he calls "visual music." He moves his camera deliberately during long exposures. He shoots koi through blinding sunlight. He photographs waves at dusk until they fragment into impressionistic dances of light and motion. "The biggest effort was letting go of self-criticism," he admitted. "Thinking 'this is stupid, these aren't real photographs.' But I'm making images that blow my mind." This is the thread that runs through Densham's entire creative life: the willingness to unlearn. In writing, he learned to trust his instincts over studio formulas. In cinematography, he learned that visual storytelling could carry emotional weight beyond dialogue. And now, in photography, he's learned that breaking every rule he ever absorbed—holding the camera still, getting the exposure right, capturing a "correct" image—has unlocked something entirely new. There's a lesson here for anyone who creates. We absorb rules unconsciously—what a proper screenplay looks like, how a film should be shot, what makes a "real" photograph. And sometimes those rules serve us. But sometimes they become cages. Densham's journey is proof that the most profound creative freedom comes not from mastering the rules, but from having the courage to abandon them. "I'm not smarter than anybody else," he said. "But like Einstein said, I stay at things longer." We left the door open for more—AI, the creator economy, the future of storytelling. But for now, there's something powerful in Densham's path across writing, cinematography, and photography: a reminder that creativity is not a destination but a continuous act of letting go.Stay tuned. Subscribe. And remember—we are all made of stories. Learn more about Pen Densham: https://pendenshamphotography.comLearn more about my work and podcasts at marcociappelli.com and audiosignalspodcast.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tired of seeing photographers bash others online just to gain clout? In this episode of The Nerdy Photographer Podcast, we tackle the trend of newer photographers criticizing more experienced pros, and explore how to spend your energy more productively. We cover: Why rage-baiting backfires – the short-term attention versus long-term impact. Learning from experience – how respecting seasoned photographers can accelerate your growth. Building your voice authentically – growing your presence without negativity. The value of collaboration – how mentorship and community foster success. Investing in yourself – using time and energy on projects, skills, and learning instead of online drama. If you've ever felt caught up in comparison or online conflict, this episode provides practical advice for focusing on your craft, building meaningful connections, and contributing positively to the photography community. Listen now to learn how to rise above the noise and grow as a photographer with purpose. Episode Promos This episode contains promos for: Nerdy Photographer Let's Be Real Unposed Photography Prompts StyleCloud WordPress Website Templates Siteground Web Hosting Backblaze Cloud Data Backup Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe to the podcast! Tell your friends about the podcast Sign up for the newsletter - https://nerdyphotographer.com/newsletter Subscribe to our YouTube Channel - https://www.youtube.com/@CaseyFatchett Buy a print from the print shop - https://art.caseyfphoto.com Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow on BlueSky - https://bsky.app/profile/thenerdyphoto.bsky.social Follow in Tiktok - https://tiktok.com/@thenerdyphoto Get some Nerdy Photographer merchandise - https://nerdyphoto.dashery.com If you're feeling extra generous, check out our support page - https://nerdyphotographer.com/support-nerdy-photographer/ About My Guest Brandi Potter is a destination wedding photographer with a love for darkness and emotion. She likes her dogs and the winter time. You can find her work on her website – brandi-potter.com – or on Instagram @bran.potter About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's work at https://caseyfphoto.com   If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact      

HT2467 - Depreciation Happens We all know the bumper sticker wisdom that can be politely translated with the phrase "poo poo occurs." That's the sense with which I titled this commentary, Depreciation Happens. The other day I opened a box in the attic and found a Minolta Hi-Matic 9, a 35 mm camera that was originally manufactured in 1966. On eBay, if I were lucky, I might get $20 for this used piece of gear. That got me thinking about all the things I've purchased in my photographic life, not a single one of which has appreciated in value, not even my artwork. The art life is a privilege we must be willing to pay for. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Max Wanger is an LA-based photographer who has shot the likes of Taylor Swift, Mandy Moore, Blake Mills, Glen Hansard, Madison Cunningham and past guests of ours Lucius, The Watson Twins, and The Milk Carton Kids, as well as Conde Nast Traveler, Virgin Records, Vans, Nike and many many more. We talk to Max about listening to the lull, doing jobs that pay the bills while protecting play and soul in the work, imposter syndrome, admitting what you don't know, and how vulnerability deepens community, the long arc of following what makes you happy, and so much more.Get more access and support this show by subscribing to our Patreon, right here.Links:Max Wanger24x2425x25Ep 124 - AJRClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

HT2473 - Sorry Disney, Snow Is Not White With the turn of the weather, we photographers in the northern hemisphere can start thinking about snow photography. I've always found snow to be one of the trickiest things to photograph because I think of it as being white but photographically it's not. It's bright, but bright and white are not the same thing. What makes snow look like snow are the very delicate gray tones that give pure white its three dimensionality. Snow is an example where ETTR fails us. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2466 - Postpone or Intensify Photography has the ability to lead us to two completely different relationships with existence. We can use photography to postpone our relationship with the world, or we can use photography to intensify our relationship with what is right before us. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,029, Dec. 9, 2025. Today's theme is, "Year-End Organizing Checklist for Photographers." I'm Derrick Story. It's easy for photographers to be distracted by holiday sales as the year closes. Black Friday discounts and Cyber Monday deals are indeed tempting. But instead of focusing on acquiring new gear, this is a great time of year to manage what we already have. And that's what we're going to talk about on today's TDS Photography Podcast. I hope you enjoy the show.

Deborah Willis is one of the foremost authorities on Black photography. The MacArthur “genius award” winner has dedicated her career to cataloging and showcasing Black photographers and photos of Black people. And her seminal work – Reflections in Black: A History of Black Photographers 1840 to the Present – has been reissued after 25 years. In today's episode, Michel Martin visits Willis at New York University to talk about the expanded edition of the book and the gallery show inspired by it. To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Grand Canyon has always been a magnet for the bold, the reckless, and the people who look at a mile-deep chasm and think... yeah, I can take that. In this episode, we race through a century of jaw-dropping stunts, from a 1922 biplane pilot who somehow landed inside the park's early boundaries to Nik Wallenda balancing across tribal land on a high-wire without a harness. Along the way we unravel how thrill-seekers dodged rules, rewrote them, or ignored them entirely in a quest to outdo nature itself. Sources: Grand Canyon Stunts Over the Years | National Geographic Wallenda Survives Terrifying Grand Canyon Tightrope Walk 1922 - Into the Grand Canyon and Out Again by Airplane (U.S. National Park Service) Attractions & Activities | Tourist Attractions | Grand Canyon IMAX Park Statistics - Grand Canyon National Park (U.S. National Park Service) Filming, Photography and News Gathering - Grand Canyon National Park (U.S. National Park Service) Nik Wallenda completes tightrope walk across gorge near Grand Canyon - CBS News Swiss ‘JetMan' completes flight over Grand Canyon - Las Vegas Sun News BBC News | Americas | Knievel cracks Grand Canyon Scott's World: Don't Call Him Daredevil - UPI Archives 1922 - Into the Grand Canyon and Out Again by Airplane (U.S. National Park Service) History & Culture - Grand Canyon National Park (U.S. National Park Service) Alex Honnold, the Free Solo Climber, Will Try to Scale Taipei 101 in Netflix Live Special - Netflix Tudum 10 Escape Acts and Daring Feats That Left Viewers Stunned - The Scroller Grand Canyon Stunts Over the Years | National Geographic The deadly cost of livestream culture: How pressure for views drives creators to extremes Authorities investigate tragic death following tourist's illegal stunt at Grand Canyon For a full list of our sources, visit npadpodcast.com/episodes For the latest NPAD updates, group travel details, merch and more, follow us on npadpodcast.com and our socials at: Instagram: @nationalparkafterdark TikTok: @nationalparkafterdark Support the show by becoming an Outsider and receive ad free listening, bonus content and more on Patreon or Apple Podcasts. Want to see our faces? Catch full episodes on our YouTube Page! Thank you to the week's partners! Smalls: For a limited time, get 60% off your first order, plus free shipping, when you head to Smalls.com/NPAD. Blueland: Use our link to get 15% off your first order. Rocket Money: Use our link to get started saving. Quince: Use our link to get free shipping and 365-day returns. Against The Odds: Follow Against The Odds: Tsunami in Thailand on the Wondery App or wherever you get your podcasts. Binge all episodes early and ad-free right now on Wondery+.

Sun, 07 Dec 2025 16:00:00 GMT http://relay.fm/mpu/826 http://relay.fm/mpu/826 2025 State of the Platforms (Part 2) 826 David Sparks and Stephen Hackett The guys wrap up their review of Apple's 2025 with a look at the iPhone, Apple TV, iCloud, and Apple's other services. They then zoom out and look at the overall ecosystem. The guys wrap up their review of Apple's 2025 with a look at the iPhone, Apple TV, iCloud, and Apple's other services. They then zoom out and look at the overall ecosystem. clean 8679 Subtitle: iPhone, Apple TV, iCloud, Other Services, and the EcosystemThe guys wrap up their review of Apple's 2025 with a look at the iPhone, Apple TV, iCloud, and Apple's other services. They then zoom out and look at the overall ecosystem. This episode of Mac Power Users is sponsored by: Squarespace: Save 10% off your first purchase of a website or domain using code MPU. Indeed: Join more than 3.5 million businesses worldwide using Indeed to hire great talent fast. DEVONthink: Get Organized — Unleash Your Creativity. Get 10% off. Links and Show Notes: Sign up for the MPU email newsletter and join the MPU forums. More Power Users: Ad-free episodes with regular bonus segments Submit Feedback Give the Gift of RelayAll annual plans are 20% off through the end of the year! Mac Power Users #824: Life After iPadOS 26 - Relay Mac Power Users #825: 2025 State of the Platforms (Part 1) - Relay iPhone Heir to the Throne - 512 Pixels iPhone Air review: Back to the future – Six Colors Report: iPhone Air 2 is delayed until 2027 so Apple can add a second camera to it - 9to5Mac iPhone 17 Pro review: Orange you glad you've gone Pro? – Six Colors Mac Power Users #822: iPhone 17 Photography with Tyler Stalman - Relay Apple responds to iPhone 17 Pro scratch and durability concerns - 9to5Mac Set up eSIM on iPhone - Apple Support Use eSIM while traveling internationally with your iPhone - Apple Support Use the Camera Control on iPhone - Apple Support Use and customize the Action button on iPhone - Apple Support What's new in iOS 26 - Apple Support ‎Widgetsmith - App Store Here's everything new for the Phone app in iOS 26 - 9to5Mac CarPlay's Messages App for iOS 26 is Bad - 512 Pixels So, Three Things - 512 Pixels Apple Intelligence - Apple John Giannandrea to retire from Apple - Apple Apple's New Siri Will Be Powered By Google Gemini - MacRumors iOS 26.1 Beta 4 Adds Liquid Glass Transparency Toggle - 512 Pixels iOS 26.2 Lock Screen Gets Liquid Glass Slider - MacRumors Apple University - Wikipedia The iPhone Ultra - 512 Pixels TV & Home - Apple Apple TV+ to Apple TV Rebrand Now Official, Here's the New Intro - MacRumors No Ad Tier for Apple TV 'At This Time,' According to Eddy Cue - MacRumors The Original Apple TV - Quinn Nelson on YouTube iCloud+ - Apple iCloud Plans - Apple Entertainment - Services - Apple Apple One - Apple The future of Apple Fitness+ is 'under review' amid reorganization: report - 9to5Mac Apple introduces AppleCare One, streamlining coverage into a single plan - Apple Android Quick Share can now work with iOS's AirDrop - Google