Podcasts about little richard penniman

The very complicated legacy of entertainer Little Richard is thoroughly examined in a new documentary by Emmy Award-winning filmmaker, Lisa Cortés. The film showcases a bold, audacious man who's trying to navigate his life through sex, drugs, rock and roll, and the Lord – with the help of archival footage mixed with deep, social context from family, friends, scholars, ethnomusicologists, and on-screen fact-checkers. Join us as host Eddie Robinson chats unguarded with celebrated director, Lisa Cortés, about her critically-acclaimed documentary, "Little Richard: I Am Everything." Cortés shares insight into how the film was conceived and why it was important for her to reveal the struggles of Richard Wayne Penniman – a musical icon who was coming to terms with being a man of faith as well as being a man who was queer. I SEE U will also dive into her own personal life story, as the former Def Jam record label executive offers up her thoughts on today's LGBTQ+ artists and performers maneuvering through the music industry in their quest to make a name for themselves.

The very complicated legacy of entertainer Little Richard is thoroughly examined in a new documentary by Emmy Award-winning filmmaker, Lisa Cortés. The film showcases a bold, audacious man who's trying to navigate his life through sex, drugs, rock and roll, and the Lord – with the help of archival footage mixed with deep, social context from family, friends, scholars, ethnomusicologists, and on-screen fact-checkers. Join us as host Eddie Robinson chats unguarded with celebrated director, Lisa Cortés, about her critically-acclaimed documentary, “Little Richard: I Am Everything.” Cortés shares insight into how the film was conceived and why it was important for her to reveal the struggles of Richard Wayne Penniman – a musical icon who was coming to terms with being a man of faith as well as being a man who was queer. I SEE U will also dive into her own personal life story, as the former Def Jam record label executive offers up her thoughts on today's LGBTQ+ artists and performers maneuvering through the music industry in their quest to make a name for themselves.

The story of R&B, gospel, and early rock were embellished by many performers, artists, and personalities. The early influencers behind the scenes also included people like Art Rupe, a native of Pittsburg who lept into the entertainment industry with both feet after the Second World War, co-founding a small West Coast label called Juke Box Records in 1944. Breaking away from his partners, he would later form a label of his own: Specialty Records. His keen ear for what he termed the "secret [that] lay in a big band sound with a churchy feel" was spot on. Specifically, he took the stigma out of the 'race' of 'race records' of the day and targeted larger audiences. There were dozens of performers that came from the Specialty stable, chief among them being Roy Milton, Percy Mayfield, Sam Cooke and, of course, Little Richard Penniman. Art Rupe passed away this month at the age of 104 and we'll be sharing the early-to-mid-century classic pieces from a cross-section of Specialty performers that spanned the gospel, R&B and rock genres that Art helped bring into the mainstream.

What is the price of a free hotel breakfast has been question debated by scholars for ages, or maybe it hasn't...  that said, it's certainly is a question that provided pivotal in the lifestyle of comedian Yale Hollander.  Yale joins the show to discuss breakfast and has a strange encounter with Little Richard Penniman in the process.  Plus!  Our Thanksgiving recap, Tina gets in a fight, Jeremy finds out the worst way to eat duck in Cleveland and how to spot a hooker!!  All of this and a comedy from Rick Matthews' new album "This Is Where I Lose You" Sponsored by Tea Rex!!

“A-wop-bop-a-loo-mop, a-lop-bam-boom!”And so rock and roll was born. And so American culture changed forever. So says David Kirby in Little Richard: The Birth of Rock ‘n’ Roll (Continuum, 2009). “Tutti Frutti,” Little Richard’s first hit, recorded by Robert “Bumps” Blackwell at Cosimo Matassa’s J & M Studio in New Orleans in September 1955, co-written and sanitized by Dorothy LaBostrie after Richard’s original lyric (“A-wop-bop-a-loo-mop, a-good-goddamn/Tutti Frutti, good booty”) was deemed a bit too racy for a recorded release (it was, after all, a song about anal copulation, writes the author), is the lynchpin around which Kirby builds a biography of one of the greats of twentieth-century American music and art. His story moves from Richard’s childhood in Macon, Georgia, to his place among the greats of the old, weird America, to his legacy as the Architect of Rock. It’s Kirby’s contention, really, that Richard’s story is America’s story. It’s filled with entrepreneurs, con artists, straights, gays, gospels, devils, showmen and, best of all, outrageous and booty shakin’ music, and Little Richard Penniman, in a more than fifty-year career, embraces all of these and more with abandon. David Kirby is the Robert O. Lawton Distinguished Professor of English at Florida State University. He has written on music for the Chicago Tribune, The New York Times Book Review, The Washington Post, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices

“A-wop-bop-a-loo-mop, a-lop-bam-boom!”And so rock and roll was born. And so American culture changed forever. So says David Kirby in Little Richard: The Birth of Rock ‘n’ Roll (Continuum, 2009). “Tutti Frutti,” Little Richard’s first hit, recorded by Robert “Bumps” Blackwell at Cosimo Matassa’s J & M Studio in New Orleans in September 1955, co-written and sanitized by Dorothy LaBostrie after Richard’s original lyric (“A-wop-bop-a-loo-mop, a-good-goddamn/Tutti Frutti, good booty”) was deemed a bit too racy for a recorded release (it was, after all, a song about anal copulation, writes the author), is the lynchpin around which Kirby builds a biography of one of the greats of twentieth-century American music and art. His story moves from Richard’s childhood in Macon, Georgia, to his place among the greats of the old, weird America, to his legacy as the Architect of Rock. It’s Kirby’s contention, really, that Richard’s story is America’s story. It’s filled with entrepreneurs, con artists, straights, gays, gospels, devils, showmen and, best of all, outrageous and booty shakin’ music, and Little Richard Penniman, in a more than fifty-year career, embraces all of these and more with abandon. David Kirby is the Robert O. Lawton Distinguished Professor of English at Florida State University. He has written on music for the Chicago Tribune, The New York Times Book Review, The Washington Post, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices

“A-wop-bop-a-loo-mop, a-lop-bam-boom!”And so rock and roll was born. And so American culture changed forever. So says David Kirby in Little Richard: The Birth of Rock ‘n’ Roll (Continuum, 2009). “Tutti Frutti,” Little Richard’s first hit, recorded by Robert “Bumps” Blackwell at Cosimo Matassa’s J & M Studio in New Orleans in September 1955, co-written and sanitized by Dorothy LaBostrie after Richard’s original lyric (“A-wop-bop-a-loo-mop, a-good-goddamn/Tutti Frutti, good booty”) was deemed a bit too racy for a recorded release (it was, after all, a song about anal copulation, writes the author), is the lynchpin around which Kirby builds a biography of one of the greats of twentieth-century American music and art. His story moves from Richard’s childhood in Macon, Georgia, to his place among the greats of the old, weird America, to his legacy as the Architect of Rock. It’s Kirby’s contention, really, that Richard’s story is America’s story. It’s filled with entrepreneurs, con artists, straights, gays, gospels, devils, showmen and, best of all, outrageous and booty shakin’ music, and Little Richard Penniman, in a more than fifty-year career, embraces all of these and more with abandon. David Kirby is the Robert O. Lawton Distinguished Professor of English at Florida State University. He has written on music for the Chicago Tribune, The New York Times Book Review, The Washington Post, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices

“A-wop-bop-a-loo-mop, a-lop-bam-boom!”And so rock and roll was born. And so American culture changed forever. So says David Kirby in Little Richard: The Birth of Rock ‘n' Roll (Continuum, 2009). “Tutti Frutti,” Little Richard's first hit, recorded by Robert “Bumps” Blackwell at Cosimo Matassa's J & M Studio in New Orleans in September 1955, co-written and sanitized by Dorothy LaBostrie after Richard's original lyric (“A-wop-bop-a-loo-mop, a-good-goddamn/Tutti Frutti, good booty”) was deemed a bit too racy for a recorded release (it was, after all, a song about anal copulation, writes the author), is the lynchpin around which Kirby builds a biography of one of the greats of twentieth-century American music and art. His story moves from Richard's childhood in Macon, Georgia, to his place among the greats of the old, weird America, to his legacy as the Architect of Rock. It's Kirby's contention, really, that Richard's story is America's story. It's filled with entrepreneurs, con artists, straights, gays, gospels, devils, showmen and, best of all, outrageous and booty shakin' music, and Little Richard Penniman, in a more than fifty-year career, embraces all of these and more with abandon. David Kirby is the Robert O. Lawton Distinguished Professor of English at Florida State University. He has written on music for the Chicago Tribune, The New York Times Book Review, The Washington Post, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies