Podcasts about Little Richard

Back by popular demand! The California multi-talentedentertainer, vocalist, keyboardist Terry Lawrence is back with more music with“Dream”, “Love Me With All Your Heart”, “Come Fly With Me” and shares morestories from his days as a child actor with Abbott & Costello, BarbaraStanwyck, Joel McRae, The Lone Ranger and Lawrence Welk, plus as a musicianwith Bill Medley, Tina Turner, Little Richard and all of his releases can befound on Spotify, Reverbnation, Airplay Express and www.terrylawrencemusic.comtoday! #terrylawrence #palmsprings #entertainer #vocalist #terrylawrence#keyboardist #dream #lovemewithallyourheart #comeflywithme #classichits #childactor#abbottandcostello #barabarastanwyck #joelmcrae #theloneranger #lawrencewelk#billmedley #tunaturner #littlerichard  #spreaker#spotify #iheartradio #applemusic #bitchute #rumble #youtube #mikewagner#themikewagnershow #mikewagnerterrylawrence #themikewagnershowterrylawrence  

Back by popular demand! The California multi-talentedentertainer, vocalist, keyboardist Terry Lawrence is back with more music with“Dream”, “Love Me With All Your Heart”, “Come Fly With Me” and shares morestories from his days as a child actor with Abbott & Costello, BarbaraStanwyck, Joel McRae, The Lone Ranger and Lawrence Welk, plus as a musicianwith Bill Medley, Tina Turner, Little Richard and all of his releases can befound on Spotify, Reverbnation, Airplay Express and www.terrylawrencemusic.comtoday! #terrylawrence #palmsprings #entertainer #vocalist #terrylawrence#keyboardist #dream #lovemewithallyourheart #comeflywithme #classichits #childactor#abbottandcostello #barabarastanwyck #joelmcrae #theloneranger #lawrencewelk#billmedley #tunaturner #littlerichard  #spreaker#spotify #iheartradio #applemusic #bitchute #rumble #youtube #mikewagner#themikewagnershow #mikewagnerterrylawrence #themikewagnershowterrylawrence  

Hon var svart, queer och ett gitarrgeni som bröt ny mark långt före Elvis Presley och Little Richard. Sister Rosetta Tharpe slog igenom på 1930‑talet med sin elgitarr och sin kraftfulla röst som förenade gospelns glöd med rockens rytm. Trots rasism, motgångar och förbjuden kärlek fortsatte hon att tänja gränser och skapa musik som inspirerade generationer av rockikoner.

A child prodigy, Billy Preston began performing at his local church in Los Angeles, but his talents on the keyboard and singing quickly led him to guest appearances on The Nat King Cole Show, and later touring with Ray Charles. Preston was a popular musician in his own right, known for hits like ‘Will It Go Round in Circles,’ and ‘Nothing From Nothing,’ but he also had a reputation for working behind the scenes with icons like Little Richard and The Beatles. Today on FilmWeek we talk with Paris Barclay, the director behind a new documentary on Billy Preston. Billy Preston: That’s the Way God Planned It is in select theaters.

This week I am joined by the one and only Kid Congo Powers of The Gun Club, The Cramps, Nick Cave & The Bad Seeds, and Juanita & Juan (to just scratch the surface of his incredible career), who picked the iconic 1956 rock n' roll comedy classic The Girl Can't Help It!!!We discuss Kid running the Ramones fan club, sleeping outside for tickets, recording and performing as Juanita and Juan with his bandmate Alice Bag, his first time playing guitar with Lydia Lunch, faking your way through music, Jeffrey Lee Pierce taking acting classes at the Lee Strasberg studio, lying to get The Gun Club's first show with The Blasters, Kid playing his first show after only a month of having a guitar in his hands, joining The Cramps and recording Psychedelic Jungle with them, The Gun Club's The Las Vegas Story and unlocking the intro to 'Walking With The Beast', William Burroughs and cut-up technique, the art of collaboration, making blobs of sound, Kid discovering The Girl Can't Help It with the help of The Screamers, the Nuggets comp, cheapo rock n' roll exploitation films like Carnival Rock & Rock Baby Rock It, the power of Deluxe color used in the film, John Waters' obsessions and tributes to The Girl Can't Help It, the mystique, power and performance of Jayne Mansfield, the newly formed concept of the teenager when this film came out, Lady In A Cage, director Frank Tashlin and his animation roots, Julie London, Little Richard's incredible performance (while seeming to stare out into space), the weird lesser-known bands in this film, The Chuckles in the film standing next to legends like Fats Domino, the dragging up of Jayne Mansfield, Jayne's legendary home- The Pink Palace- and its wall-to-ceiling carpeting, mob ties in the rock world, Kid seeing legends like Yma Sumac and Eartha Kitt perform, confronting the audience and so much more!So let's throw another jukebox out the window in this week's episode of Revolutions Per Movie!!! KID CONGO POWERS: officialkidcongopowers.com/@kidcongopowersjuanitajuan.bandcamp.com/album/jungle-cruiseREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

John X hosts the third episode of “Born In Trouble” with guests Robert Brooks (in-studio) and Andrew Johnson (host of the Men Money and Marriage Podcast). The conversation ranges from reactions to a Spanish-language halftime performance and public discomfort with other cultures, to concerns that the U.S. is increasingly divided and “full of” contradictions. They discuss faith and the idea that there is only one God/Jesus, argue that protecting vulnerable children is a moral imperative, and condemn pedophilia while criticizing how high-profile cases and trials are drip-fed to distract the public. They talk about Jeffrey Epstein, Ghislaine Maxwell's alleged intelligence ties, and claim Epstein did not want Black people on the island, framing it as “white on white crime,” while cautioning against pulling Black people in as scapegoats. They revisit Michael Jackson, suggesting allegations were tied to power and music publishing, describing how he amassed catalogs (including the Beatles and Sony-related publishing) and used leverage in the industry, including returning Little Richard's rights. The episode also covers immigration and business incentives to exploit undocumented labor, including avoiding taxes/benefits, and connects this to broader U.S. history and Manifest Destiny, arguing people are “coming back” to land taken from Mexico. They speculate about hidden history, restricted sites like parts of the Grand Canyon, and debates over identity, criticizing tribalism and the use of slurs within communities. Andrew shares concerns about his daughter's future, rising costs, and the increasing age of first-time homebuyers; they discuss 50-year mortgages as “glorified renting” and how lack of equity could discourage divorce. They debate AI's impact on jobs, suggesting timelines are exaggerated but warning about motives, and they argue screen-based schooling and phone dependence reduce creativity and critical thinking in Gen Z. They briefly mention hypocrisy around anti-LGBTQ rhetoric (including Grindr spikes during Republican conventions) and insist people should be judged by character rather than group identity. The episode closes with a warning about scapegoating, references to “ghetto loans” from mortgage work, commentary on hypocrisy in politics and culture, and a sign-off framing the episode as “Devil Worshipers,” with plans for future episodes and a possible one-on-one with Grant Lancaster. 00:00 Cold Open and Guests 01:02 Valentine's Day Banter 02:49 Welcome to Born In Trouble 03:40 Super Bowl Halftime Debate 05:47 Do We Stand for Anything 06:19 Faith and Protecting Kids 08:40 Immigration and Business Incentives 10:57 Division and Distraction Politics 12:35 Michael Jackson Revisited 15:02 Publishing Power and Catalog Wars 18:06 Epstein Network and Race 23:01 Manifest Destiny and Hidden History 25:34 Identity Tribalism and Language 28:55 When Did It Get So Tribal 29:16 Tribal Cities Talk 31:18 Parenting and Housing Fears 32:25 Looking Rich Economy 33:22 Fifty Year Mortgages 36:16 Aging Out the Demo 37:32 AI Jobs Reality Check 42:02 Screen Age Kids 45:05 Tribalism and Community 49:19 LGBTQ and Hypocrisy 54:17 Closing Thoughts and Signoff

02-18-26 - Entertainment Drill - BEST - 5x - Ass Hobgoblins - Jackee - Bells Palsy - Muppet Shootout - Little Richard - BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

02-18-26 - Entertainment Drill - BEST - 5x - Ass Hobgoblins - Jackee - Bells Palsy - Muppet Shootout - Little Richard - BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's show features music performed by Little Richard, B.B. King, and The Blues Brothers

Sintonía: "The Big Push" (1956) - Cal Green 1.- "Willie and Lillie" (1958) - Bo Diddley 2.- "Whoe Ho Ho" (1956) - Lloyd Price 3.- "Who´s Been Fooling You" (1956) - Big Boy Myles 4.- "I Want You To Know" (1957) - Fats Domino 5.- "Touch and Go" (1958) - Wynona Carr 6.- "Bip A Little-Bop A Lot" (1958) - Joe Penny 7.- "Almost Grown" (1959) - Chuck Berry 8.- "Heebie Jeebies" (1956) - Little Richard 9.- "I´m Gonna Get Married" (1959) - Lloyd Price 10.- "Back In The USA" (1959) - Chuck Berry 11.- "I´m In Love Again" (1956) - Fats Domino 12.- "Aunt Susie" (1960) - Mister P.T. 13.- "Betty Jean" (1960) - Chuck Berry 14.- "Jump Jack, Jump" (1956) - Wynona Carr 15.- "She Knows How To Rock" (1959) - Little Richard 16.- "Hey Hey Loretta" (1958) - Joe McCoy 17.- "Flippin´" - Rene Hall 18.- "Do You Mean It" (1957) - Ike Turner19.- "Rockin´This Joint To-Nite" (1959) - Kid Thomas20.- "What Can I Do" (1957) - Roy Milton21.- "Don´t You Lie To Me - Chuck Berry22.- Rock And Roll In The Groove (1959) - Cledus HarrisonRelación de fechas de emisión de las otras 4 entregas de este coleccionable: 1.- Lo mejor de los CDs 1 y 2 emitido el 24/09/2025 2.- Lo mejor de los CDs 3 y 4 emitido el 15/10/2025 3.- Lo mejor de los CDs 5 y 6 emitido el 01/12/2025 4.- Lo mejor de los CDs 7 y 8 emitido el 05/01/2026Todas las músicas extraídas del cofre (10xCD) "Black Stars Of Rock And Roll" (Intense Media)Todas las músicas seleccionadas por Klaus FaberEscuchar audio

LinksTLC - "Waterfalls" Alex was four.No Such Thing as a Fish QI researchers' podcast; Merlin's been listening for yearsNo Such Thing As Debreadtion — No Such Thing As A Fish — Overcast The episode Merlin mentionedKen Burns' Jazz Episode 9 "The Adventure."TLC - "Unpretty" Merlin's favorite TLC song.Dead Drop Spycraft term for passing info without meetingKen Burns' Baseball Source of the Lincoln "tiredest" quoteA Knight of the Seven Kingdoms New Game of Thrones spinoffWhy Are Icelandic Horses Not Called Ponies? (Iceland Mag) Pony-sized but Iceland said it's a horseShip of Theseus (Khan Academy video) The philosophical paradox behind "Thesean Horse"Saint John Coltrane Church (KQED) Yes, there's literally a church for this albumJohn Coltrane - A Love Supreme (1965) The album that inspired the church"Is he quare?" Comedy repetition referenceHarry Enfield British comedian; "Is he queer?" sketchPaul Whitehouse The other half of the old men in the clubI Spy books (Walter Wick Studio) Merlin's analogy for how Claude Code sees things"40, 45 Years" - Stewart Lee The callback kingClaude Code (Anthropic) The AI tool Merlin won't shut up aboutRik Mayall: Lord of Misrule 2014 BBC tribute documentary; narrated by Simon CallowThe Young Ones (IMDb) What you most likely know Rik Mayall fromThe Young Ones - "Bambi" / University Challenge (YouTube) Fry, Laurie, Thompson vs. the ladsNell (1994) Merlin's first memory of Liam Neeson as a leadNell (1994) Trailer "Can't abide a canna peas," is a line Merlin feels like he remembers Jodie Foster's Nell sayingScotiabank Saddledome: Building Design Say it soft, and it's almost like praying.Mortimer & Whitehouse: Gone Fishing Bob and Paul's fishing showGame of Thrones - "Fire and Blood" (Fandom) Season 1 finale; Daenerys and the dragon eggsLucy Liu on the "Dragon Lady" Stereotype (NextShark) "I could have been wearing a tuxedo and a blond wig"The Slop Hash Merlin's project to get you excited about making something cool."I never said she stole my money" has 7 different meanings Stress a different word, get a different sentence.The Butterfield Diet Plan (YouTube) "The results have been increbidle"The Night Left Eye Burned Down Andre Rison's Mansion (Investigation Discovery) It started with sneakers in a fiberglass bathtubMemento Mori "Remember you will die"Anterograde Amnesia The condition from Memento — can't form new memoriesOne Hundred Years of Solitude García Márquez's masterpieceKieran's very good post "Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father was discovered and taken by ICE."Hammer A tool so durable it works across timeCottaging: History of the Term (Idiom Origins) How they got John Gielgud, Wilfrid Brambell, and poor Brian Epstein.Brian Epstein (Beatles Bible) Beatles manager; arrested 1957, blackmailed for years, died a month before decriminalizationClarke's Three Laws "Sufficiently advanced technology is indistinguishable from magic"Ducking Stool Chair on a stick for dunking witches and scoldsRoget's Thesaurus (Project Gutenberg) Category 1: Existence12 Facts About Taking of Pelham 123 (Mental Floss) They fictionalized the dead man's switch to foil copycatsThe 36-Hour Day (Johns Hopkins Press) Read it before someone you love has dementiaSome folks I love and admire do come off sounding a little like the same people who loudly hated Little Richard and disco music.Honestly, sometimes it's legit difficult to notice when we've gotten more emotionally invested than we'd realized in seeming right.And that shit is a LOT to decide to carry forever.

Monique Cassells joins Jan-Willem to chat about “Rock Around the Jukebox”, a tribute to legends from the 1950s and 1960s, including Bill Haley and the Comets, Elvis Presley, Chubby Checker, the Beatles, the Everly Brothers, the Platters, Cliff Richard, the Beach Boys, Roy Orbison, Buddy Holly, Little Richard and more. 1 February 16h00 Tickets cost: R200 / R180 Bookings: https://www.dramafactory.co.za/whatson Groups of 4 R160 - WhatsApp 0732152290

On the January 16 edition of the Music History Today podcast, there's Carnegie Hall, The Cavern Club, Donny & Marie, Eric Clapton, Little Richard, Aaliyah, & SadeFor more music history, subscribe to my YouTube Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:16 What happened on this date in music history04:40 Music award ceremonies that were held on this date in music history05:37 Albums released on this date in music history 06:23 Singles released on this date in music history 06:39 Podcast advertisement 07:12 Birthdays of music artists on this date in music history 08:17 Passings of music artists on this date in music history 10:10 What's on tomorrow's episode

Little Richard appears as a throwaway character and we have Stuart aboard to explain alligator lore.

33.001 Happy New Year to all of my rockin' friends all over this big, wide rockin' world! It's your pal, the ever-ready Aztec Werewolf™, DJ Del with a brand new 3 hour program sure to get your year off to a fantastic start... fresh music from favorites such as Rockin' Bonnie Western Combo, Pat Capocci, The Honktonk Wranglers, Anna Dukke, Willy Barry w/ Deke Dickerson, Jake Calypso & Bubba Feathers, Union Avenue and The Diamond Daddios! Super NEW selections to debut this evening from The Rhine Valley Ramblers, Honeyboy Slim and the Bad Habits, Jay Ernest with Don Diego Trio and The Royal Flush!! There's always plenty of room for rockin' selections from the Motorbilly vaults and you'll flip with killer retro cuts from Billy & Don Hart, Rusty & Doug, Johnny Cash & The Tennessee Two, Little Richard, The Brown Brothers, Herbie Duncan, Jerry Lee Lewis and even Ricky Nelson will join the show! Sad to share that our longtime friend, genuine SUN studio legend and Rockabilly Hall of Famer Hayden Thompson passed away last week at the age of 87. He was a tremendously talented singer and musician who has recorded so many influential and essential roots rock n' roll classics. We'll do our best to honor his legacy with a generous sampling of his vintage and modern day recordings tonite... R.I.P. Hayden, you will be missed... keep on a listenin' and enjoying the best in vintage & modern rockin' sounds with DJ Del Villarreal and "Go Kat, GO! The Rock-A-Billy Show!" -it's good to the last bop!™Please follow on FaceBook, Instagram & Twitter!

Encore! Encore! After spending a wonderful New Year's with our loved ones we thought what better way to start off this new year of Cinema Sounds and Secrets than revist two films with two takes on love! We'll drop back in time 500 years to the time of Lords and Ladies and sword fights, then leap ahead in time to hot rods, Little Richard and poodle skirts! Uptown Girls, Downtown Boys…you get the drift – but as is the way with love – both young lovers meet on the dance floor!  Franco Zeffirelli directed his iconic young love masterpiece with actors who were actually the correct ages that The Bard had written in his version of Romeo and Juliet (1968) …while our sixties version goes dancing, rock'n'roll style where boy swings girl…on the dance floor in Emile Ardolino's Dirty Dancing (1987).  Join us in busting a move as we revist Episode 13: Starcrossed!  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

Elvis Presley loved the Memphis singer Johnny Ace. Johnny died long before Elvis' became the King of Rock ‘N' Roll and the way in which Johnny Ace died was as tragic as it was violent. It involved a game of Russian roulette, a greedy and dubious rock ‘n' roll impresario, BB King, Big Mama Thornton, Little Richard, and a killer conspiracy and music history myth in desperate need of busting. Buckle up for a Christmas story like no other. What are your favorite rock 'n' roll myths? Which ones need busting? Let Jake know at 617-906-6638, ⁠disgracelandpod@gmail.com⁠, or on socials @disgracelandpod. This episode was originally published on December 17, 2024. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We roll into our 80s hard rock showdown, where we put ACDC's Back in Black, Van Halen's 1984, and Guns N' Roses' Appetite for Destruction under the brightest light we know: track-by-track comparison. Jump meets It's So Easy; Panama squares off with Nightrain; Hot for Teacher tangles with Paradise City. The fun isn't just the score—it's how those matchups rewire your nostalgia.From there, we zoom in on live recordings that changed how we hear legends: Elton John's 1970 trio storm on 17-11-70, and The Doors' final Jim Morrison concert, a difficult night for him by all accounts, that closes on the aptly chosen "The End."Minute with Jimmy unwraps the shockingly modern birth of Little Richard's Tutti Frutti—those opening syllables were a drum part first—and why 1955 still sounds like tomorrow. We close on the Jim Carroll Band's People Who Died, a song that once felt like pure punk adrenaline and now reads like a roll call of lives that shaped us. If you love rock history, live albums, and the way songs become landmarks, you'll feel right at home.Learn Something New orRemember Something OldIf you enjoyed the show, follow, rate, and share it with a friend. Got a take or a memory to add? Email musicinmyshoes@gmail.com and join the next Mailbag.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Hello and welcome to a special holiday bonus episode of Revolutions Per Movie!!!! I'm delighted to be joined by film critic/author Alonso Duralde (Hollywood Pride: A Celebration of LGBTQ+ Representation in Film & Have Yourself A Movie Little Christmas) to discuss one of the greatest holiday feasts of all time: PEE-WEE'S CHRISTMAS SPECIAL!!!!We also discuss whether or not it's easy to truly love holiday movies, the pain behind the awful Christmas film Santa And The Ice Cream Bunny, what Bowie or Zappa were thinking when they played the Florida amusement park Pirates World (where Iron Butterfly also filmed their film Musical Mutiny), Blast Of Silence, how Pee-Wee scored prime time appearances by Grace Jones and KD Lang while also convincing Cher & Little Richard not to sing, joining the Pee-Wee fan club, David Letterman, the new Pee-Wee doc, how people like Diana Shore were in on the joke by appearing on the special, the incredible pacing of a typical Pee-Wee episode, John Waters, how we love when Pee-Wee was just an asshole, which member of the playhouse would we want to hang out with, David Bowie & Bing Crosby's rendition of Little Drummer Boy, TV crap and variety shows feeding our 10 year old brains in the 70s, the verdict on Christmas carols, having "verse blindness" with music, top dollar Santas and more!So please come join me at my Revolutions Per Movie holiday party...the cups of instant coffee are on the floor...so help yourself!ALONSO DURALDE:instagram.com/alonso.duraldehttps://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/?lens=running-presshttps://www.bloomsbury.com/us/have-yourself-a-movie-little-christmas-9781493087440/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Ready Teddy by Little Richard (1956)Song 1: Dixie Chicken by Little Feat (1973)Song 2: It's a Wonderful Life by Sparklehorse (2001)Song 3: Could Have Been Me by The Struts (2013)Song 4: A Milli by Lil Wayne (2008)Song 5: I Am a Pilgrim by The Byrds (1968)Song 6: Rag Mop by The Ames Brothers (1950)Song 7 : Travelin' Alone by Lil' Son Jackson (1951)Song 8: Where Do Broken Hearts Go by Whitney Houston (1987)Song 9: Before You Go by Lewis Capaldi (2019)Song 10: North Carolina by Little Chief (2013)

National bathtub party day. Entertainment from 2017. Charlegagne takes charge of Europe, 1st electric car, Prohibition ended, US Navy flight 19 disappeared. Todays birthdays - Martin Van Buren, George Armstong Custer, Walt Disney, Little Richard, John Rzeznik, Gary Allan, Frankie Muniz. Nelson Mandela died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/Splish splash - Bobby DarinRock Star - Post Malone   21 SavageGreatest love story - LancoCelebration - Kool & the GangBirthdays - In da club - 50 Cent    http://50cent.com/When you wish apon a star - Jiminy CricketTutti Fruiti - Little RichardIris - Goo Goo DollsMan to man - Gary AllanExit - Other Plans - Hunter Fountain   Hunter on Facebookcountryundergroundradio.comHistory & Factoids about today webpage

On the December 5 edition of the Music History Today podcast, U2 does a first, John Lennon does a last, & Graham Nash quits one band to start another. Also, happy birthday to the Architect of Rock & Roll, Little Richard For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday 

Drag: A British History (University of California Press, 2023) is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage. Jacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. Jacob is the author of Drag: A British History (2023). His second monograph will be about the historical reception to, and cultural impact of, musician Little Richard. Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Drag: A British History (University of California Press, 2023) is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage. Jacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. Jacob is the author of Drag: A British History (2023). His second monograph will be about the historical reception to, and cultural impact of, musician Little Richard. Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Drag: A British History (University of California Press, 2023) is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage. Jacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. Jacob is the author of Drag: A British History (2023). His second monograph will be about the historical reception to, and cultural impact of, musician Little Richard. Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Drag: A British History (University of California Press, 2023) is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage. Jacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. Jacob is the author of Drag: A British History (2023). His second monograph will be about the historical reception to, and cultural impact of, musician Little Richard. Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drag: A British History (University of California Press, 2023) is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage. Jacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. Jacob is the author of Drag: A British History (2023). His second monograph will be about the historical reception to, and cultural impact of, musician Little Richard. Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In this episode, Mike rewinds the clock to January 1978 and relives one of the most legendary winter storms in Michigan history — not as an adult, but as the 12-year-old kid he was at the time. Join Mike as he shares what it was like watching the storm unfold on TV and Radio as the local weather team track the impossible, and experiencing the chaos, excitement, and wonder of a once-in-a-generation blizzard. From the snow drifts taller than a kid to the surreal quiet of a world that completely shut down, this episode captures the Blizzard of '78 as only someone who lived it — wide-eyed and bundled up — can tell it. Mike sets the scene by sharing that he had just celebrated his birthday when the blizzard began, remembering how he had a pizza party at home after his father picked up Sicilian square pizza from a local place called Little Richard’s. He recalls the excitement in the air as TV news talked about the potential for a blizzard. On the morning of January 26, schools were closed as drifts of snow created significant chaos. Mike describes how everything was completely buried under the snow, with even the antenna of his mother’s car barely visible. The storm had high winds, creating massive drifts and making travel impossible. He recounts the challenges of feeding horses at a nearby barn and how his family navigated the snow-laden landscape. He humorously shares anecdotes about the struggles of shoveling snow with his cousin and their father using a 1970 John Deere lawn tractor equipped with a snowblower. After several days, the roads began to open again, and stories about neighbors and their interactions during the storm emerge, including a humorous tale about a front-end loader being used to deliver cigarettes to a stranded neighbor. As the storm’s impact persisted, schools were closed for an entire week, and the community adapted to the extraordinary amount of snow with creative solutions like snowshoeing for transportation. Mike also describes his memories of hot soups simmering on the wood stove during the storm, a comforting detail from those winter days. He revisits the enormous snowbanks that formed by the season’s end, making comparisons to today’s weather reactions and reminiscing about the blizzard’s lasting impact. Mike wraps up by inviting listeners who experienced the Blizzard of ’78 to share their stories and reflecting on how this blizzard remains a notable part of his childhood memory.

In this episode, Mike rewinds the clock to January 1978 and relives one of the most legendary winter storms in Michigan history — not as an adult, but as the 12-year-old kid he was at the time. Join Mike as he shares what it was like watching the storm unfold on TV and Radio as the local weather team track the impossible, and experiencing the chaos, excitement, and wonder of a once-in-a-generation blizzard. From the snow drifts taller than a kid to the surreal quiet of a world that completely shut down, this episode captures the Blizzard of '78 as only someone who lived it — wide-eyed and bundled up — can tell it. Mike sets the scene by sharing that he had just celebrated his birthday when the blizzard began, remembering how he had a pizza party at home after his father picked up Sicilian square pizza from a local place called Little Richard’s. He recalls the excitement in the air as TV news talked about the potential for a blizzard. On the morning of January 26, schools were closed as drifts of snow created significant chaos. Mike describes how everything was completely buried under the snow, with even the antenna of his mother’s car barely visible. The storm had high winds, creating massive drifts and making travel impossible. He recounts the challenges of feeding horses at a nearby barn and how his family navigated the snow-laden landscape. He humorously shares anecdotes about the struggles of shoveling snow with his cousin and their father using a 1970 John Deere lawn tractor equipped with a snowblower. After several days, the roads began to open again, and stories about neighbors and their interactions during the storm emerge, including a humorous tale about a front-end loader being used to deliver cigarettes to a stranded neighbor. As the storm’s impact persisted, schools were closed for an entire week, and the community adapted to the extraordinary amount of snow with creative solutions like snowshoeing for transportation. Mike also describes his memories of hot soups simmering on the wood stove during the storm, a comforting detail from those winter days. He revisits the enormous snowbanks that formed by the season’s end, making comparisons to today’s weather reactions and reminiscing about the blizzard’s lasting impact. Mike wraps up by inviting listeners who experienced the Blizzard of ’78 to share their stories and reflecting on how this blizzard remains a notable part of his childhood memory.

Send us a textHere in Episode 248 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to talk about music from 1955!We cover Elvis, Little Richard and Fats Domino to name only a few.We also cover Kiss Alive, Coal Mines, Back To The Future and The Running Man!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Indiana Avenue played an important role in the development of rock and roll. Artists like Chuck Berry, Little Richard and Fats Domino played their first Indiana concerts on the Avenue, and Naptown artists like the Ink Spots, and Leroy Carr influenced the development of rock and roll. But very few Hoosiers are aware of the Avenue's important rock and roll history. This week on Echoes of Indiana Avenue, we'll pay tribute to the early rock and roll heroes of Naptown, including music from Roosevelt Johnson, Toni Cavanaugh, Lois Blaine, Thurston Harris, Tiny Brown, Bobby Lewis and more.

Bob Merlis ran the Warner Bros. publicity department for much of his 29 years at the label, and he has tales to tell. He recalls his adventures as a Columbia University student presenting concerts by the Byrds and others, as well as his rock journalist stint, his encounter with “supernova” Little Richard and a classic misunderstanding with the Carpenters. Soon he was working with Dion DiMucci, ZZ Top, Debbie Gibson, Talking Heads, Devo, the B-52's, the BoDeans, Madonna, R.E.M. and many others. Which act was the beneficiary of “the cheapest promo in the history of Warner Bros”? Who reacted hostilely to his publicity ideas? Who was especially cool? How did the label vibe change? After Merlis left Warner Brothers, what was Chris Isaak's valuable advice? And what role did late Rolling Stones/Beatles manager Allen Klein play in Merlis's next act?

Marc Bonilla is a renowned guitarist, composer, and producer whose dynamic career spans decades across the worlds of rock, film, and television. He first gained recognition touring with Warner Bros. recording artists Toy Matinee and later released three critically acclaimed instrumental guitar albums on Reprise Records: EE Ticket, American Matador, and Celluloid Debris.  A versatile and south-after collaborator, Bonill has performed, recorded and produced with an impressive roster of artists including Asia, Ronnie Montrose, Gamma, Glenn Hughes, Eddie Jobson, Slash, Little Richard, Peter Frampton, Rob Halford, David Coversale, Paul Rodgers, Edgar Winter, Ambrosia, David Pack, Todd Rundgren, Robby Krieger, Don Felder, Sammy Hagar and Tesla, among many others. In the Realm of film and television, Marc has composed and performed on scores for numersous major motion pictures such as The Bourne Legacy, Iron Man 2, Green Lantern, The Scorpion King, Falling Down, Waterworld, The Replacements, Spiderman 2, Bruce Almighty, ER and many more. He has collaborated with top Hollywood composers including James Newton Howard, John Debney, Joel McNeely, and Snuffy Walden, earning an Emmy nomination in 2001 for his work on David Milch's Big Apple. For Show notes and more info, visit our website: www.rockandrollconfessional.rocks Also Marc mentions many of our previoius guests that you may want to hear those interviews, including Lee Sklar, Glenn Hughes, Kipp Lennon, Peter Frampton, Robby Krieger and more. Find those interviews where ever you found this one!   More info on Marc's site: https://marcbonillamusic.com/

Nueva entrega de la serie mensual donde recordamos singles que alcanzaron su puesto más alto en las listas pop de EEUU en este mismo mes de hace 60 años. Un pequeño retrato de lo que era la música popular en aquellos días, la enorme variedad de estilos que abarcaba y cómo iba evolucionando en aquellos tiempos frenéticos.Playlist;(sintonía) HERB ALPERT and THE TIJUANA BRASS “Taste of honey” (top 7)THE ROLLING STONES “Get off of my cloud” (top 1)THE SUPREMES “I hear a symphony” (top 1)LEN BARRY “1-2-3” (top 2)OTIS REDDING “Respect” (top 35)FONTELLA BASS “Rescue me” (top 4)KIM WESTON “Take me in your arms (rock me a little while)” (top 50)MARVIN GAYE “Ain’t that peculiar” (top 8)THE TEMPTATIONS “My baby” (top 13)JAN and DEAN “I found a girl” (top 30)TRINI LOPEZ “Sinner man” (top 54)SAM THE SHAM and THE PHARAOHS “Ring dang doo” (top 33)THE BEAU BRUMMELS “Don’t talk to strangers” (top 52)BOB DYLAN “Positively 4th Street” (top 7)THE TURTLES “Let me be” (top 29)NANCY SINATRA “So long babe” (top 86)LITTLE RICHARD “I don't know what you've got but it's Got Me” (top 92)Escuchar audio

Send us a textIntro song: LucilleSong 1: Jenny JennySong 2: Bama Lama Bama LooSong 3: Long Tall SallySong 4: Ooh! My SoulSong 5: Going Home TomorrowOutro song: The Girl Can't Help It

At long last Shannon gets to talk about the book she's been planning on since the last Halloween episode — The Picture of Dorian Gray by Oscar Wilde. We first discuss the Aesthetic Movement of the 19th century and a tiny bit of the life of Oscar Wilde before we jump into the book itself. Then Bryce gifts you with an abbreviated history of metal music. Get a notepad ready to take notes because he gives you a LOT of information! Happy Halloween! Show Notes: The Picture of Dorian Gray by Oscar Wilde: Oscar Wilde Official Website: http://www.cmgww.com/historic/wilde/ Oscar Wilde: https://en.wikipedia.org/wiki/Oscar_Wilde Aestheticism: https://en.wikipedia.org/wiki/Aestheticism Decadent Movement: https://en.wikipedia.org/wiki/Decadent_movement The Aesthetic Movement by Fiona McCarthy: https://www.theguardian.com/artanddesign/2011/mar/26/aestheticism-exhibition-victoria-albert-museum Aesthetic Movement in England by Walter Hamilton: https://archive.org/details/aestheticmovemen00hamiuoft Oscar WIlde's Cello Coat: https://oscarwilde.blog/2018/01/04/oscar-wildes-cello-coat/ The Picture of Dorian Gray: https://en.wikipedia.org/wiki/The_Picture_of_Dorian_Gray# Metal music: VH1 Documentary https://www.youtube.com/watch?v=AR78XBi_nAE&t=13s https://en.wikipedia.org/wiki/Rock_and_roll https://en.wikipedia.org/wiki/The_Beatles https://en.wikipedia.org/wiki/Birmingham#History https://en.wikipedia.org/wiki/Black_Sabbath#History https://en.wikipedia.org/wiki/Led_Zeppelin This is Spinal Tap amps go to 11 https://www.youtube.com/watch?v=uMSV4OteqBE https://en.wikipedia.org/wiki/Psychedelic_rock https://en.wikipedia.org/wiki/Satanic_panic https://en.wikipedia.org/wiki/Parents_Music_Resource_Center https://en.wikipedia.org/wiki/Heavy_metal_genres https://en.wikipedia.org/wiki/Dimebag_Darrell https://www.rollingstone.com/feature/behind-the-murder-of-dimebag-darrell-233541/ Songs list: Little Richard, Tutti Frutti - Here's Little Richard 1957 James Brown, Shout and Shimmy - Good, Good Twistin' With James Brown 1962 Chuck Berry, School Day - After School Session 1957 The Beatles, Love Me Do - Please Please Me 1963 Black Sabbath, Wasp/Behind the Wall of Sleep/Bassically/N.I.B. - Black Sabbath 1970 Led Zeppelin, Good TImes Bad TImes - Led Zeppelin I 1969 Led Zeppelin, Dazed and Confused - Led Zeppelin I 1969 Tenacious D, Karate - Tenacious D 2001 Worm Shepherd, The Anguished Throne - Hunger 2024 Humble Pie, As Safe As Yesterday Is - As Safe As Yesterday Is 1969 Deep Purple, Smoke on the Water - Machine Head 1972 Back Sabbath, Black Sabbath - Black Sabbath 1970 Black Sabbath, War Pigs - Paranoid 1970 Steppenwolf, Born to be Wild - self titled 1968 Alice Cooper, Poison - Trash 1989 KISS, Sure Know Something - Dynasty 1979 AC/DC, TNT - High Voltage 1976 Judas Priest, Realms of Death - Stained Class 1978 Motorhead, Ace of Spades - Ace of Spades 1980 13th Floor Elevators, You're Gonna Miss Me - 7th Heaven Music of the Spheres 1966 Chelsea Grin, Cursed - My Damnation 2011 The Damned, New Rose - Damned Damned Damned 1977 Judas Priest, Breaking the Law - British Steel 1980 Candlemass, Solitude - Epicus Doomicus Metallicus 1986 Venom, Black Metal - In League With Satan 1981 Van Halen, You Really Got Me - Van Halen 1978 Black Sabbath, Neon Knights - Heaven and Hell 1980 Black Sabbath, Sabbath Bloody Sabbath - Sabbath Bloody Sabbath 1973 Def Leppard, Photograph - Pyromania 1983 Quiet Riot, Cum on Feel the Noize - Metal Health 1983 Mercyful Fate, Evil - Melissa 1983 Frank Zappa, We're Turning Again - Frank Zappa Meets the Mothers of Prevention 1985 Cannibal Corpse, Hammer Smashed Face - Tomb of the Mutilated 1992 Kreator, People of the Lie - Coma of Souls 1990 Napalm Death, Suffer the Children - Harmony Corruption 1990 Helloween, I Want Out - Keeper of the Seven Keys, Pt. 2 1988 TOOL, Sober - Undertow 1993 Linkin Park, One Step Closer - Hybrid Theory 2000 Pantera, Walk - Vulgar Display of Power 1992 Finntroll, Jaktens Tid - Jaktens Tid 2001 Slaughter to Prevail, Demolisher - Kostolom 2019 Other appearances: Chris Shelton interviewed us in the beginning of a series on Mormonism on his Speaking of Cults series. He has had MANY different fascinating people on so go take a look! Here is the whole playlist: https://www.youtube.com/watch?v=OpGuS7GcsgA&list=PLGrPM1Pg2h72ADIuv8eYmzrJ-ppLOlw_g Email: glassboxpodcast@gmail.com Patreon: https://www.patreon.com/GlassBoxPod Patreon page for documentary: https://www.patreon.com/SeerStonedProductions BlueSky: @glassboxpodcast.bsky.social Other BlueSky: @bryceblankenagel.bsky.social and @shannongrover.bsky.social Instagram: https://www.instagram.com/glassboxpodcast/ Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on "Store" here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com Venmo: @Shannon-Grover-10

Hear interviews with members of the cast and creative team behind the Indianapolis Repertory Theatre's production of Marie and Rosetta —including actors Cherish Love, Jaela Cheeks-Lomax, and music director Morgan E. Stevenson.  Marie and Rosetta, written by George Brant, explores the powerful artistic partnership between gospel music legends Sister Rosetta Tharpe and Marie Knight. The production runs at the Indianapolis Repertory Theatre from October 28 through November 23.  Born in Arkansas in 1915, Sister Rosetta Tharpe was a trailblazing guitarist and vocalist whose music fused the ecstatic spirit of gospel with the rhythmic drive of rhythm and blues — paving the way for rock and roll pioneers like Chuck Berry and Little Richard. Inducted into the Rock and Roll Hall of Fame in 2018, Tharpe is now widely celebrated as the Godmother of Rock and Roll. Known for her powerful voice, magnetic stage presence, and groundbreaking mastery of the electric guitar, Tharpe broke barriers as one of the first gospel artists to cross into secular music — achieving mainstream success throughout the 1930s and 1940s.

649. This week we chat with Leah Payne about her book, God Gave Rock and Roll To You: A History of Contemporary Christian Music. We focus especially on the role of the family of Jimmy Swaggart, Jerry Lee Lewis, and Mickey Gilley in the history of Rock and Roll. Her book chronicles the confluence of evangelical, Pentecostal, and charismatic networks through the lens of Contemporary Christian Music, or CCM. The book indexes American evangelicalism's political and social aspirations as seen through its cultural intermediaries: the youth group leaders, non-profit groups, industry executives, and parents who contributed to what was morally permissible and economically profitable in CCM.  Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in the Louisiana Anthology. H. P. Lovecraft. "The Call of Cthulhu." "In a natural glade of the swamp stood a grassy island of perhaps an acre's extent, clear of trees and tolerably dry. On this now leaped and twisted a more indescribable horde of human abnormality than any but a Sime or an Angarola could paint. Void of clothing, this hybrid spawn were braying, bellowing, and writhing about a monstrous ring-shaped bonfire; in the centre of which, revealed by occasional rifts in the curtain of flame, stood a great granite monolith some eight feet in height; on top of which, incongruous in its diminutiveness, rested the noxious carven statuette." This week in Louisiana history. October 25, 1769. Bloody" O'Reilly executes rebels who ousted Ulloa to hang but no hangman, they were shot instead. This week in New Orleans history. Earl Cyril Palmer born in New Orleans and raised in the Tremé (October 25, 1924 – September 19, 2008) was an American rock & roll and rhythm and blues drummer, and member of the Rock and Roll Hall of Fame. Palmer played on many recording sessions, including Little Richard's first several albums and Tom Waits' 1978 album Blue Valentine. playing on New Orleans recording sessions, including Fats Domino's "The Fat Man", "I'm Walkin" (and all the rest of Domino's hits), "Tipitina" by Professor Longhair, "Tutti Frutti" by Little Richard (and most of Richard's hits), "Lawdy Miss Clawdy" by Lloyd Price, and "I Hear You Knockin'" by Smiley Lewis. This week in Louisiana. Halloween in New Orleans Website     If you thought that Halloween was just a night for the kids to go trick or treating with their parents in tow, you need to think again. Here in New Orleans, like everything else, it's different.     Halloween, Crescent City-style, is second only to Mardi Gras for wild and crazy, dressing-up-in-costume kind of fun and it isn't just for kids, either. Adults get to join the fun and craziness as well. In fact, there are a few events that are much more fun for the grown-ups than for the little ones! You can go on our haunted tours, visit our voodoo shops, our costume shops, our street parties, and we even have events for the kids! Postcards from Louisiana. Delfeyo Marsalis at Snug Harbor. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Dive into the twisted rock 'n' roll nightmare of Brian De Palma's Phantom of the Paradise this Spooptober, where fame devours the soul and every contract's signed in blood. The Grindhouse Girls, Katie and Brit, are joined by the host of The Cinedicate, Armand Haddad, for a wild ride through Faustian bargains, flamboyant beefcakes, and cult classic chaos. Tune in for laughs, lore, and a healthy dose of '70s horror glam—because nothing says Halloween like a phantom who just wants his music back.What to expect from the episode:Hosts unpack Brian De Palma's elevator epiphany that birthed Phantom of the Paradise, blending Beatles rage with Faustian pacts, Edgar Allan Poe nods, and '70s satire.Deep dives into standout characters like Jessica Harper's ethereal Phoenix and the effervescent Beef (a Little Richard-inspired beefcake channeling Dennis Reynolds vibes).Explorations of the film's enduring ripples on Daft Punk, manga aesthetics, Rocky Horror echoes, and its box-office bomb status turning into underground legend.Episode Chapters:00:00 - Spooptober Intro00:54 - Elevator Rage to Rock Opera: De Palma's Wild Inspiration03:07 - From Secondhand DVDs to Daft Punk Dreams: How We Found This Gem05:35 - Box Office Bomb to Cult Icon06:33 - Chaos Behind the Mask08:09 - Faust, Frankenstein, and Gothic Roots10:36 - Rocky Horror Riffs13:18 - De Palma's Fury19:01 - Beef's Glittery Grind22:43 - Pop Culture Nods38:33 - Ratings, Raves, and Grindhouse Grades41:31 - Plugs, Previews, and Next Haunts48:12 - Stephen King Gripes, Adaptations, and Derry Dreams54:35 - Outro and Stay Spoopy----------Listen to Brit and Katie on their podcast, The Grindhouse Girls.----------The Cinedicate on InstagramThe Cinedicate's Discord Community Hosted on Acast. See acast.com/privacy for more information.

Double Dee & Steinski in conversation with David Eastaugh  https://ddski.com/ Double Dee and Steinski is a duo of hip hop producers, composed of Doug "Double Dee" DiFranco and Steven "Steinski" Stein. They achieved notoriety in the early 1980s for a series of underground hip-hop sample-based collages known as the "Lessons". Their contest entry, "Lesson 1 – The Payoff Mix", was packed with sampled appropriations from other records—not only from early hip-hop records and from Funk and Disco records that were popular with hip-hop DJs, but with short snippets of older songs by Little Richard and The Supremes, along with vocal samples from sources as diverse as instructional tap-dancing records and Humphrey Bogart films. The record was pieced together in DiFranco's studio in 12–14 hours over two days and was critically praised

We pull a classic episode from the archives, one of our longtime favorites from episode 32. A musical theater classic and cover you'd never think to ask for, but once you know about it, you understand the treat you're in for. I Feel Pretty, originally by Marni Nixon, covered by Little Richard.  Outro music is Keep A Knockin', also by Little Richard. 

durée : 01:02:27 - Club Jazzafip - Chanteuse et guitariste virtuose, décédée le 9 octobre 1973, elle a été la première à mêler au gospel, au blues des riffs rock de guitare électrique, inspirant Little Richard, Chuck Berry ou Elvis Presley. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Barrence Whitfield in conversation with David Eastaugh https://www.facebook.com/BarrenceWhitfieldSavages White adopted the stage name Barrence Whitfield to avoid being mistaken for superstar Barry White and began performing as Barrence Whitfield & the Savages. The band garnered a strong reputation for explosive stage performances, described as "raucous and rough, in high gear from the moment they hit the stage." Whitfield himself was described as "a soul screamer in the spirit of Little Richard, Wilson Pickett, Solomon Burke, and early Don Covay." In 1984, the band released their self-titled debut album, mostly comprising cover versions of obscure soul and R&B songs. It received good critical reviews. The following year, they released a second album, Dig Yourself, on Rounder Records. Their music was heard by English radio DJ Andy Kershaw, who taped a Boston performance for airplay in Britain, and brought them to the UK for a tour.

Roger Armstrong co-founded the legendary Rock On record shop and was running the Chiswick label long before the punk rock explosion of independents, a believer that you could license rare R&B, soul and rockabilly classics while cutting new records with rising stars (Shane MacGowan, Kirsty MacColl and Joe Strummer among them). He then co-founded Ace Records and talks to us here about the thrill of trawling through American label vaults, locating vintage tracks and finding them a whole new audience. Along with … … seeing Ella Fitzgerald and the Beatles in Belfast in the early ‘60s ... inventing a new Irish rock circuit and turning showbands into soul bands … how American Graffiti, Gaz's Rockin' Blues and the mod revival all chimed with Ace Records' re-issues … promoting ‘Tin' Lizzy (“that's what it sounded like on the phone”) and being immortalised in one of their lyrics (“I get my records at the Rock On stall”) … Joe Strummer in the 101-ers – “sensational, full-tilt, as if playing a stadium” … releasing Dylan's Theme-Time Radio Hour box-sets and the size of his record collection … finding a Little Richard demo and making an Elvis Presley speech album a money-spinner … being a pioneer tape rat and crate-digger and Ace Records quality control – “Stack ‘em low, sell ‘em high!” … “think of the strapline, then choose the tracks”: making compilations with Jon Savage, Bob Stanley, Bobby Gillespie and Paul Weller … plus reflections on John Martyn, Carol Grimes, Brinsley Schwarz, Rocky Sharpe, Irma Thomas, Arthur Alexander and the Count Bishops (“like the Stones at 78”). Order ‘Chiswick Records 1975 - 1982 Seven Years At 45 RPM' here: https://www.acerecords.co.uk/chiswick-records-1975-1982-seven-years-at-45-rpmFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode.Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars.For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Hosted on Acast. See acast.com/privacy for more information.

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

As What Next celebrates Juneteenth, please enjoy this episode ⁠from our colleagues at Hit Parade⁠. What Next will be back in your feed on Monday.Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars.For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real.Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.