Podcasts about Little Richard

Actor, comedian and musician, Skip Griparis returns to talk to the boys about his recent induction into the Illinois Rock and Roll Hall of Fame, hanging out with Little Richard, being invited to take part in Bob Uecker's Celebration of Life, meeting Bob Costas, hitting the convention circuit and, for some reason, celebrity hygiene. This week's podcast was brought to you by  Teambrown Apparel, Old Fort Baseball Co and Patrick's Custom Painting.

A2thaMo is joined by Southern Com4rt to talk about making music, politics, Cracker Barrel, No Man's Sky, TV Shows, Documentaries, Little Richard, Making Music, Redheads, America's 4th city, Racial Conversations, Rhyming, and much more while listening to new music!                  This World Don't Change - Sir NastyYou Gotta Get Up - Southern Com4rtClassy Cypher 5 ft Southern Com4rt and Bradster X - A2thaMo

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____ Newsletter: Musing On Society And Technology https://www.linkedin.com/newsletters/musing-on-society-technology-7079849705156870144/_____ Watch on Youtube: https://youtu.be/OYBjDHKhZOM_____ My Website: https://www.marcociappelli.com_____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3The First Smartphone Was a Transistor Radio — How a Tiny Device Rewired Youth Culture and Predicted Our Digital FutureA new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliI've been collecting vintage radios lately—just started, really—drawn to their analog souls in ways I'm still trying to understand. Each one I find reminds me of a small, battered transistor radio from my youth. It belonged to my father, and before that, probably my grandfather. The leather case was cracked, the antenna wobbled, and the dial drifted if you breathed on it wrong. But when I was sixteen, sprawled across my bedroom floor in that small town near Florence with homework scattered around me, this little machine was my portal to everything that mattered.Late at night, I'd start by chasing the latest hits and local shows on FM, but then I'd venture into the real adventure—tuning through the static on AM and shortwave frequencies. Voices would emerge from the electromagnetic soup—music from London, news from distant capitals, conversations in languages I couldn't understand but somehow felt. That radio gave me something I didn't even know I was missing: the profound sense of belonging to a world much bigger than my neighborhood, bigger than my small corner of Tuscany.What I didn't realize then—what I'm only now beginning to understand—is that I was holding the first smartphone in human history.Not literally, of course. But functionally? Sociologically? That transistor radio was the prototype for everything that followed: the first truly personal media device that rewired how young people related to the world, to each other, and to the adults trying to control both.But to understand why the transistor radio was so revolutionary, we need to trace radio's remarkable journey through the landscape of human communication—a journey that reveals patterns we're still living through today.When Radio Was the Family HearthBefore my little portable companion, radio was something entirely different. In the 1930s, radio was furniture—massive, wooden, commanding the living room like a shrine to shared experience. Families spent more than four hours a day listening together, with radio ownership reaching nearly 90 percent by 1940. From American theaters that wouldn't open until after "Amos 'n Andy" to British families gathered around their wireless sets, from RAI broadcasts bringing opera into Tuscan homes—entire communities synchronized their lives around these electromagnetic rituals.Radio didn't emerge in a media vacuum, though. It had to find its place alongside the dominant information medium of the era: newspapers. The relationship began as an unlikely alliance. In the early 1920s, newspapers weren't threatened by radio—they were actually radio's primary boosters, creating tie-ins with broadcasts and even owning stations. Detroit's WWJ was owned by The Detroit News, initially seen as "simply another press-supported community service."But then came the "Press-Radio War" of 1933-1935, one of the first great media conflicts of the modern age. Newspapers objected when radio began interrupting programs with breaking news, arguing that instant news delivery would diminish paper sales. The 1933 Biltmore Agreement tried to restrict radio to just two five-minute newscasts daily—an early attempt at what we might now recognize as media platform regulation.Sound familiar? The same tensions we see today between traditional media and digital platforms, between established gatekeepers and disruptive technologies, were playing out nearly a century ago. Rather than one medium destroying the other, they found ways to coexist and evolve—a pattern that would repeat again and again.By the mid-1950s, when the transistor was perfected, radio was ready for its next transformation.The Real Revolution Was Social, Not TechnicalThis is where my story begins, but it's also where radio's story reaches its most profound transformation. The transistor radio didn't just make radio portable—it fundamentally altered the social dynamics of media consumption and youth culture itself.Remember, radio had spent its first three decades as a communal experience. Parents controlled what the family heard and when. But transistor radios shattered this control structure completely, arriving at precisely the right cultural moment. The post-WWII baby boom had created an unprecedented youth population with disposable income, and rock and roll was exploding into mainstream culture—music that adults often disapproved of, music that spoke directly to teenage rebellion and independence.For the first time in human history, young people had private, personal access to media. They could take their music to bedrooms, to beaches, anywhere adults weren't monitoring. They could tune into stations playing Chuck Berry, Elvis, and Little Richard without parental oversight—and in many parts of Europe, they could discover the rebellious thrill of pirate radio stations broadcasting rock and roll from ships anchored just outside territorial waters, defying government regulations and cultural gatekeepers alike. The transistor radio became the soundtrack of teenage autonomy, the device that let youth culture define itself on its own terms.The timing created a perfect storm: pocket-sized technology collided with a new musical rebellion, creating the first "personal media bubble" in human history—and the first generation to grow up with truly private access to the cultural forces shaping their identity.The parallels to today's smartphone revolution are impossible to ignore. Both devices delivered the same fundamental promise: the ability to carry your entire media universe with you, to access information and entertainment on your terms, to connect with communities beyond your immediate physical environment.But there's something we've lost in translation from analog to digital. My generation with transistor radios had to work for connection. We had to hunt through static, tune carefully, wait patiently for distant signals to emerge from electromagnetic chaos. We learned to listen—really listen—because finding something worthwhile required skill, patience, and analog intuition.This wasn't inconvenience; it was meaning-making. The harder you worked to find something, the more it mattered when you found it. The more skilled you became at navigating radio's complex landscape, the richer your discoveries became.What the Transistor Radio Taught Us About TomorrowRadio's evolution illustrates a crucial principle that applies directly to our current digital transformation: technologies don't replace each other—they find new ways to matter. Printing presses didn't become obsolete when radio arrived. Radio adapted when television emerged. Today, radio lives on in podcasts, streaming services, internet radio—the format transformed, but the essential human need it serves persists.When I was sixteen, lying on that bedroom floor with my father's radio pressed to my ear, I was doing exactly what teenagers do today with their smartphones: using technology to construct identity, to explore possibilities, to imagine myself into larger narratives.The medium has changed; the human impulse remains constant. The transistor radio taught me that technology's real power isn't in its specifications or capabilities—it's in how it reshapes the fundamental social relationships that define our lives.Every device that promises connection is really promising transformation: not just of how we communicate, but of who we become through that communication. The transistor radio was revolutionary not because it was smaller or more efficient than tube radios, but because it created new forms of human agency and autonomy.Perhaps that's the most important lesson for our current moment of digital transformation. As we worry about AI replacing human creativity, social media destroying real connection, or smartphones making us antisocial, radio's history suggests a different possibility: technologies tend to find their proper place in the ecosystem of human needs, augmenting rather than replacing what came before.As Marshall McLuhan understood, "the medium is the message"—to truly understand what's happening to us in this digital age, we need to understand the media themselves, not just the content they carry. And that's exactly the message I'll keep exploring in future newsletters—going deeper into how we can understand the media to understand the messages, and what that means for our hybrid analog-digital future.The frequency is still there, waiting. You just have to know how to tune in.__________ End of transmission.

Wop-Bop-A-Loo-Wop-A-Wop-Bam-Boom! This week we're Slippin' And Slidin' into the world of Little Richard Penniman! Raised on Gospel music in his dad's church, the War Hawk soon took to the stage to play "the Devil's music," complete with rollicking piano, screaming vocals, and boundless energy. His 1957 debut Here's Little Richard exploded onto the scene with hits like Tutti Frutti and Long Tall Sally that defined early rock 'n' roll and changed the nature of music forever. We'll cover his career, his conversion from rock star to preacher, and more as we Rip It Up with this record! The Mixtaper has facts about Grammy anachronisms, pompadour problems, and 29 weddings (give or take). So if you're Ready, Teddy.. rock and roll!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro3:27 About Little Richard13:04 About Here's Little Richard21:15 Awards & Accolades23:01 Fact Or Spin23:58 He Made Grammy Award History28:11 He Had Car Problems32:27 A-Wop-Bop-A-Loo-Bop-A-Scoop-Bam-Boom39:17 Fast Fire Facts: Who Got Hitched?46:24 Album Art47:14 Tutti Frutti55:30 True, Fine Mama57:10 Can't Believe You Wanna Leave57:48 Ready Teddy59:37 Baby1:00:11 Slippin' And Slidin' (Peepin' And Hidin')1:01:59 Long Tall Sally (The Thing)1:05:41 Miss Ann1:07:06 Oh Why?1:08:09 Rip It Up1:08:57 Jenny, Jenny1:09:59 She's Got It1:11:36 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Chris Jasper, legendary musician, songwriter, and former member of the Rock and Roll Hall of Fame–inducted Isley Brothers, joins Joe Kelley on Musicians Reveal for an inspiring conversation about legacy, creativity, and the power of music. From his early days in Cincinnati to shaping timeless hits with the Isley Brothers and later with Isley, Jasper, Isley, Jasper reflects on his musical journey, his emotional Rock Hall induction presented by the iconic Little Richard, and his continued mission to create uplifting, spiritually infused music. This episode highlights Jasper's creative process, the impact of the internet on modern music, and the enduring message behind his celebrated solo career, including his latest album Invincible.

¿Por qué robar como un artista también mejora tu comunicación?Para Austin Kleon, autor del libro Steal Like an Artist, esta es la esencia de la creatividad, algo que sin duda también puede transformar la forma en que comunicamos.Para empezar, pensemos en algunos casos reales donde las grandes obras no surgieron de la nada, sino del diálogo con lo que ya existía:El “robo” de Los Beatles y el rock and roll americanoMuchos consideran a The Beatles como la banda más influyente de la historia de la música. Pero ellos mismos admitieron que buena parte de su inspiración vino del rock and roll y el rhythm and blues estadounidense de los años 50. Chuck Berry, Little Richard y Elvis Presley marcaron su sonido inicial. Lo que hicieron los Beatles fue absorber esas influencias, mezclarlas con su propio contexto británico y convertirlas en algo completamente nuevo.El “robo” de Steve Jobs y el diseño de AppleJobs nunca ocultó que buena parte del ADN de Apple provenía de su fascinación por el diseño tipográfico y por el trabajo de empresas como Xerox PARC. Allí vio por primera vez una interfaz gráfica con ventanas y un ratón. Jobs lo tomó, lo reinterpretó y lo llevó al mercado con un estilo elegante y minimalista. El resultado fue el Macintosh, un computador que no solo funcionaba, sino que también era bello de usar.El “robo” de Lin-Manuel Miranda y Hamilton.El exitoso musical Hamilton no se parece a ningún otro de Broadway, pero su innovación no vino de la nada. Miranda tomó la historia de los padres fundadores de Estados Unidos Alexander Hamilton, la cruzó con ritmos de hip hop, R&B y música pop, y la presentó en un formato clásico de teatro musical. El resultado fue un híbrido que revolucionó la escena cultural.Estos ejemplos demuestran algo clave: la creatividad rara vez nace en un vacío. Se construye sobre lo que ya existe, reinterpretado a través de nuestra mirada y experiencia.Robar como un artista en la comunicaciónCuando comunicamos, también estamos “robando como artistas”. No inventamos cada palabra desde cero. Usamos frases que hemos escuchado, estructuras que nos enseñaron en el colegio, ejemplos que alguna vez nos contaron, gestos que hemos visto en otros. Lo importante es cómo logramos tomar todo eso y darle nuestro propio sello.Un líder, por ejemplo, puede inspirarse en discursos históricos para motivar a su equipo, pero adaptándolos al contexto actual y al lenguaje de su organización. Un profesor puede apoyarse en referencias clásicas, pero presentarlas con humor o con ejemplos de la vida diaria. Incluso en un correo electrónico, tomar una estructura que ya funciona y personalizarla con nuestro estilo es una forma de “robar creativamente”.La clave, como dice Kleon, está en seleccionar bien las referencias. Robar de una sola fuente es plagio; hacerlo de muchas, es investigación. Y en la comunicación pasa igual: mientras más amplias y diversas sean nuestras influencias, más original puede ser lo que decimos.En este episodio de Mil Palabras partimos del libro Steal Like an Artist de Austin Kleon para entender cómo estas ideas aplican al mundo de la comunicación. Porque al final, comunicar también es un acto creativo: tomamos lo que otros ya dijeron, lo filtramos con nuestra visión y lo convertimos en un mensaje fresco y propio.Así que la próxima vez que pienses que “todo ya está dicho”, recuerda que lo importante no es inventar desde cero, sino cómo mezclas y presentas lo que recibes. Ahí está tu originalidad, y ahí está tu poder como comunicador.#Comunicación Oral, #Hablar En Público, #Comunicación Efectiva, #Presentaciones, #Podcast De Comunicación, #Podcast, #Podcast Corporativo, #Desarrollo Profesional, #Expresión Verbal, #Técnicas Para Hablar Mejor, #Santiago Ríos, #Robar Como Un Artista, #Steal Like An...

A downtown event Thursday night aimed to give audiences a better understanding of the role Indianapolis had in the musical road that led to rock ‘n' roll.Noted author and music historian Preston Lauterbach spoke, focusing on the historical significance of Indiana Avenue in the development of American music.Lauterbach is well-known for his extensive research into Black culture and music, as highlighted in his 2011 book, “The Chitlin Circuit and the Road to Rock ‘n' Roll.” The book revealed that the famed touring strategy that many musicians used began in Indianapolis, not the south as many presume.“It was invented by the owners of a club on Indiana Avenue, Denver Ferguson and his brother, C. Ferguson,” Wilkerson explained. “They became not just club owners, but promoters and agents, and provided safe passage (to) places were where black musicians could play.”Chuck Berry, Little Richard, Fats Domino, and other famed musicians performed on Indiana Avenue, contributing to its role as, in Lauterbach's view, a “true birthplace of rock ‘n' roll.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A personal favorite episode of a person who was a child star on Broadway in 1955,. She was an Ikette with Tina Turner, sang with Little Richard and David Ruffin on his first solo album after the Temptations and a founding member of great iconic groups of the 70's. The Honey Cone had a triumph recent concert in Los Angeles. And by the way...she found time to also be Funeral director for a short time!!!

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we're talking Revival69: The Concert That Rocked the World — the film that unpacks how a scrappy one-day festival turned into a legendary lineup featuring The Doors, Chuck Berry, Little Richard, and a last-minute appearance by John Lennon with the Plastic Ono Band.We break down the doc, the chaos behind the scenes, and how this one-night-only gig changed rock history.Underdogs, icons, and a crowd that had no idea what they were about to witness.

Few voices in rock history are as instantly recognizable as Allan Clarke, the co-founder and lead singer of the iconic British band The Hollies. With a career that spans more than six decades, Allan's soaring vocals, heartfelt delivery, and unforgettable harmonies have become synonymous with the golden age of classic rock and the British Invasion. Known for timeless hits like He Ain't Heavy, He's My Brother, Long Cool Woman (In a Black Dress), and Bus Stop, Allan's legacy as a rock legend is as vibrant today as it was in the 1960s.He was born Harold Allan Clarke n Salford, England. As a child, Allan developed a passion for music, drawing inspiration from early rock 'n' roll icons like Elvis, Buddy Holly, and Little Richard. His friendship with Graham Nash—who would later go on to fame with Crosby, Stills, Nash & Young—proved to be the foundation for one of the most beloved bands of all time.In 1962, Clarke and Nash formed The Hollies, a name inspired by their mutual admiration for Buddy Holly. The band's signature sound, marked by bright guitar riffs, tight vocal harmonies, and Allan's powerful yet soulful voice, quickly captured the attention of the British music scene. By '63, The Hollies were signed to the same label as The Beatles.The Hollies scored their first major hit with Stay in '63, but it was songs like Bus Stop and Carrie Anne that cemented their status as hitmakers. Allan Clarke's voice was the emotional core of The Hollies, effortlessly blending pop sensibilities with the raw energy of rock. One of Allan's most defining vocal performances came with the release of He Ain't Heavy, He's My Brother in '69. Featuring a young Elton John on piano, the song became a global anthem of brotherhood and compassion. In '72, The Hollies had another worldwide hit with Long Cool Woman , a track that still dominates classic rock radio playlists today.While Allan's legacy is firmly rooted in his work with The Hollies, he also pursued a solo career, releasing several solo albums that blended rock, folk, and country influences.Allan Clarke temporarily left The Hollies in '71 but returned in '73. His second departure in '99 marked what many assumed was the end of his career due to vocal health issues. In 2019, he made a remarkable comeback with his album Resurgence. The project marked his first solo release in decades and proved that his voice still carried the same warmth and emotion that defined his early work. Allan also collaborated with his old friend Graham Nash . His recent work bridges the gap between classic rock nostalgia and modern storytelling.The Hollies, with Allan Clarke at the helm, have sold over 60 million records worldwide and remain one of the most successful groups to emerge from the '60s.Their induction into the Rock and Roll Hall of Fame was a long-overdue recognition of their influence on generations of musicians and fans. Today, Allan Clarke stands as a bridge between the early days of rock ‘n' roll and the present. His journey from the streets of Salford to international stardom with The Hollies is a testament to the enduring power of great music, determination, and collaboration. For classic rock fans, Allan Clarke's voice is not just a sound — it's a memory, an era, and a feeling rolled into one.Whether you're revisiting He Ain't Heavy, He's My Brother, grooving to Long Cool Woman, or discovering Clarke's latest music, there's no denying his place in the pantheon of classic rock legends. Join us today as Allan Clarke shares stories of his rise to fame, his friendship with Graham Nash and what the music of The Hollies means to him.

What happens when a legendary radio insider meets a modern-day playlist curator? In this episode of Just Press Record, host Matt Zeigler brings together Laurie Kaye, the last person to interview John Lennon, and Kevin Alexander, the music-obsessed mind behind the On Repeat Records Substack. Together, they explore the emotional power of music discovery—from transistor radios under the covers to Substack playlists in your inbox. With stories that span from David Bowie and Mick Jagger to record store revelations and underground concerts, this episode is a love letter to curation, connection, and the soundtracks of our lives.

Today's show features music performed by Nat King Cole and Little Richard

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

Marc Mero, formerly known as Johnny B. Badd in WCW, is a former professional wrestler turned renowned motivational speaker who shares his powerful life story of overcoming addiction, personal loss, and the pitfalls of fame. Today, he inspires audiences—especially youth—through his “Champion of Choices” program, promoting positive decision-making and self-worth. In the newest "Casual Conversations with The Classic '' episode, Justin is joined by Marc Mero aka Johnny B Badd! They discuss his early days in professional wrestling, becoming Johnny B Band, Dusty Rhodes, Little Richard, becoming the Wildman, Marvelous Marc Mero, Sable, motivational speaking, Champions of Choices and more! Enjoy
 Social Handles Marc Mero - @marcmero (IG & X) Justin Dhillon - @thewrestlingclassic (IG) & @twcworldwide (X)My Official Website + Demo Reel - https://www.justindhillon.com Instagram - https://www.instagram.com/thewrestlingclassic/ TikTok - https://www.tiktok.com/@thewrestlingclassic X - https://x.com/twcworldwide Youtube - https://www.youtube.com/@TheWrestlingClassic/ Limited Edition TWC Tee https://headquartersclothing.com/products/headquarters-x-the-wrestling-classic-logo-tee?_pos=1&_psq=wrestlinhg&_ss=e&_v=1.0 WWE Shop Affiliate wwe-shop.sjv.io/RGRxQv 500 Level https://www.500level.com/ Join the Discord Community https://linktr.ee/thewrestlingclassic All Episodes are on "The Wrestling Classic" Youtube Channel https://www.youtube.com/channel/UCOQOYraeFlX-xd8f3adQtTw #MarcMero #JohnnyBBadd #ProWrestlingBecome a supporter of this podcast: https://www.spreaker.com/podcast/twc-show--4417554/support.

Book Vs. Movie: “The Girl Can't Help It” The Garson Kanin Play Vs. the Jayne Mansfield MovieThe 1956 Technicolor film The Girl Can't Help It is often remembered for Jayne Mansfield's curves and Little Richard's title song, but it originated from Garson Kanin's short story Do Re Mi. This satirical piece critiques the music industry and the manufactured nature of fame, suggesting that anyone can become a star with enough money and manipulation. Directed by Frank Tashlin, the film follows a down-on-his-luck music manager (Tom Ewell) hired by a mobster (Edmond O'Brien) to turn his disinterested girlfriend (Mansfield) into a music sensation. Between the short story and the movie, which did the Margos like better?Have a listen to find out! In this episode, the Margos discuss:The original sort story vs the Broadway musical starring Phil SylversThe life and career of Jayne MansfieldHow important Little Richard is to rock and roll. The cast includes: Jayne Mansfield (Jerri Jordan), Tom Ewell (Tom Miller), Edmond O'Brien (Fats), Julie London (herself), and Ray Anthony as himself. Clips Featured:Intro to the movieThe Girl Can't Help It (1956 trailer) “Jayne walking”“Eddie Cochran on TV”“Jayne and Little Richard”Music by Little RichardFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: “The Girl Can't Help It” The Garson Kanin Play Vs. the Jayne Mansfield MovieThe 1956 Technicolor film The Girl Can't Help It is often remembered for Jayne Mansfield's curves and Little Richard's title song, but it originated from Garson Kanin's short story Do Re Mi. This satirical piece critiques the music industry and the manufactured nature of fame, suggesting that anyone can become a star with enough money and manipulation. Directed by Frank Tashlin, the film follows a down-on-his-luck music manager (Tom Ewell) hired by a mobster (Edmond O'Brien) to turn his disinterested girlfriend (Mansfield) into a music sensation. Between the short story and the movie, which did the Margos like better?Have a listen to find out! In this episode, the Margos discuss:The original sort story vs the Broadway musical starring Phil SylversThe life and career of Jayne MansfieldHow important Little Richard is to rock and roll. The cast includes: Jayne Mansfield (Jerri Jordan), Tom Ewell (Tom Miller), Edmond O'Brien (Fats), Julie London (herself), and Ray Anthony as himself. Clips Featured:Intro to the movieThe Girl Can't Help It (1956 trailer) “Jayne walking”“Eddie Cochran on TV”“Jayne and Little Richard”Music by Little RichardFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

It's July somewhere, and that means it's finally time for Gimmick Month!! Niki has graciously taken point on engineering this year's gimmicks, starting off the 2025 season with PBS Week, which, of course, must include discussion of Little Richard, Fetch with Ruff Ruffman, video games on the roadshow, when you go "to see a thing and one of the people doesn't say anything," and folks? Somehow even more.Welcome to If You're Driving, Close Your Eyes, a listener-supported comedy podcast where three noble explorers chip away at the crumbling foundations of reality, five or six simultaneous topics at a time. Hosted by Niki Grayson, merritt k and John Warren, and produced by Jordan Mallory, with music by Jordan and art by Max Schwartz.Follow us on Bluesky: https://bsky.app/profile/ifyouredriving.bsky.socialSupport us on Patreon: https://www.patreon.com/ifyouredriving Hosted on Acast. See acast.com/privacy for more information.

 Jukeboxes were not only cultural touchstones and vital engines for the music industry in the forties and fifties, but they also contributed to the democratization of music consumption in a way that radio could not: by allowing people to pay a nickel and choose the exact song they wanted to hear. Radio's best effort was to feed the listener versus allow the listener to make their own choice. Over a half century later, streaming has become juggernaut replacing the jukebox. Like streaming of today, the jukebox once helped with music discovery driving regional hits and elevating lesser-known artists, turning local favorites into national stars. This week's show will be a thematic one and, yes, we're picking the music. But it's a fun and mixed bag of country, early rock and pop all with the jukebox as centerpiece. Drop into Deeper Roots this morning for some classic Bill Haley, Chuck Berry, Roy Orbison and Little Richard from the edgy side of the aisle and be ready for upbeat and swinging country from Ernest Tubb, Buck Owens, and Mel Tillis. Tune in for a show that recognizes this cultural phenomenon and proves the old saw “what is old is new again”. 

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

A conversation with drummer, producer, songwriter, motivational speaker and entrepreneur - Derrick D'MAR Martin - (Rick Estrin & The Nightcats, solo artist, Little Richard) - www.dmarmusic.com/

As What Next celebrates Juneteenth, please enjoy this episode ⁠from our colleagues at Hit Parade⁠. What Next will be back in your feed on Monday. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to a free-speech comedy podcast that dissects emerging technologies, societal changes, and potential threats to personal autonomy through a comedic and critical lens.Neoborn Caveman launches into a passionate critique of emerging digital identity technologies, specifically focusing on the 'Orb' system that uses iris scanning for online verification. He expresses deep concern about the potential privacy implications and the gradual erosion of personal freedoms, arguing that such technologies represent a dangerous step towards a surveillance state reminiscent of social credit systems.The episode also covers various topics including health advice about vitamin D and exercise, an Arizona law requiring human review of insurance claims, and commentary on global political and technological trends. Neoborn Caveman maintains his characteristic comedic and satirical style while discussing serious issues, interspersing his commentary with music breaks and personal reflections on societal changes.Throughout the episode, NC repeatedly emphasizes themes of human autonomy, personal choice, and resistance to technological systems that seek to categorize and control individuals. He challenges listeners to remain critical of emerging technologies, government policies, and corporate initiatives that promise convenience but potentially compromise individual privacy and freedom.Music guests: Inoxidables, Sami Chohfi, JafariEK, Big Bus DreamKEY QUOTES:• "The real question is not whether we have life after death, is whether we have life before death." - Neoborn Caveman• "Everything is in agony. Everything is in doom. Everyone wants the verse to some extent." - Neoborn Caveman• "Why would you take a laser ball and instead of having a Brazilian, I don't know, cleansing, you would just want to cleanse your iris?" - Neoborn Caveman• "I don't let my conditions determine me. I want to change my condition." - Neoborn Caveman• "Have you ever met any politicians on power, real power, who still could remain a human decent person entity with morals, ethics, values and not lies?" - Neoborn CavemanKEY TAKEAWAYS:• Digital identity technologies like iris scanning (via 'The Orb') raise significant privacy concerns, potentially creating a social credit system similar to China's model• Neoborn Caveman criticizes increased technological 'solutions' that replace human judgment, specifically highlighting Arizona's new law requiring doctors - not algorithms - to review insurance claims• Walking and moderate exercise can naturally boost vitamin D levels and potentially help slow cellular aging, without relying on pharmaceutical interventions• Neoborn Caveman argues that many current societal systems (political, technological, healthcare) are fundamentally broken and designed to control rather than serve people• Modern energy transition and 'green' technologies are not as environmentally friendly as claimed, with significant environmental costs in production• There's growing concern about AI and algorithmic decision-making replacing human expertise in critical areas like medical insurance and identity verification• The podcast advocates for maintaining human connection, authentic communication, and skepticism toward technological 'solutions' that erode personal privacyTOPICS: politics, AI, technology, Media, healthcare, PrivacyKEY FIGURES: Artificial Intelligence, Sam Altman, John Cleese, RFK Jr., Blockchain, Michael Jackson, Eminem, Little Richard, Yuka App, The Scarlet Lesson, Jafari Ek, World IDFree speech marinated in comedy.........Humanity centered satirical takes on the world & news + music - with a marble mouthed host.Free speech marinated in comedy.Supporting Purple Rabbits. Hosted on Acast. See acast.com/privacy for more information.

Send us a textSteve and Wyndham delve into the legacy of iconic rock pianists, debating which legends deserve a place on the Mount Rushmore of keyboard players who shaped rock history.• Tribute to recently departed Rick Derringer, known for "Hang On Sloopy," "Rock and Roll Hoochie Coo," Hulk Hogan's entrance music, and his work with Weird Al Yankovic• Discussion of a recent classic rock countdown that surprisingly placed Metallica's "Enter Sandman" at #1 over traditional classics• Billy Joel and Elton John considered piano rock royalty with both hosts ultimately choosing Billy Joel for Mount Rushmore status• Little Richard unanimously selected as a foundational figure who "started it all" for rock piano• Heated debate between Ray Charles and Stevie Wonder for the final spot on the piano Mount Rushmore• Brief consideration of other influential pianists including Chuck Lavelle, Jerry Lee Lewis, and Freddie Mercury• Announcement of next week's episode focusing on iconic opening bass riffs titled "All the Way to the Base"Join us next week for "All the Way to the Base" - an exploration of the most iconic opening bass riffs in rock history!One idea. Six songs. Infinite possibilities...

Cedric the Entertainer is featured in this edition of Mission Logs as Vincent and Len explore the "boring" antics of the Johnson Family Vacation, a review from May 2020. The Men of Micheaux also pay tribute to the then-recent losses of music luminaries Andre Harrell, Betty Wright, and the one and only Little Richard. Subscribe to the Mission on YouTube  Rate & Review The Mission on Apple Email  micheauxmission@gmail.com Follow The Mission on Instagram We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices

El “Aullido” de Ginsberg, el de la Beat Generation, el equivalente rockero «Awopbopaloobamboom» (“Tutti Frutti”) de Little Richard. 1955, el año, en el que una onomatopeya de segundos se convirtió en canción emblemática. Junto a Fats Domino o Larry Williams, acompañado por la flor y nata de los músicos de Nueva Orleans. "Long Tall Sally” o "Good Golly Miss Molly” clásicos del rock de los 50. Su imagen evolucionó hasta la "extravaganza" y su huella de Paul Mc Cartney a Prince. En EEUU un público segregado, emergente, juvenil, el mundo más tarde. Su historia merece ser contada, su aullido aún nos traspasa. Esta edición la prueba. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Jeff really thanks you all for your prayers for him and his family during his moms passing(2024) National Sleep over day.  Entertainment from 2005.  Oldest treaty in the world, US 1st to legalize birth control pill, Englands crown jewels stolen.  Todays birthdays - Howard Carter, William Marston, Hanks Snow, Albert Finney, Candice Bergen, Billy Joel, Devin Peter Hall, John Corbett, Dave Gahan, Lisa Simpson.  Little Richard died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Slumber Party - Haschek SistersHallaback girl - Gwen StefaniMy give a damn's busted - Jo Dee MessinaBirthdays - In da club - 50 Cent    http://50cent.com/It don't hurt anymore - Hank SnowMurphy Brown TV themeShe's got a way - Billy JoelGood to go - John CorbettJust can't get enough - Depeche ModeGood golly Miss Molly - Little RichardExit - Its not love - Dokken   http://dokken.net/ 

On this episode of Lipps Service, Scott sits down with legendary glam metal frontman of Hanoi Rocks – Michael Monroe! The two start by getting into Michael's return to America after several years away, comparing the old to the new NYC, and Northeast music icons like Bruce Springsteen and Joey Ramone. They explore Michael and Hanoi Rocks' various musical influences, including Black Sabbath, Little Richard, Elvis, and Stiv Bators. Michael reflects on his upbringing in Sweden, from living on the streets and surviving to the early days of the band and their early glam looks and expression. He also spills the lowdown on pivotal interactions within his career, including asking Prince to produce the band, producing with Bob Ezrin, and making peace with Vince Neil. To close, Michael talks about the band's last gig and lists his top 5 records everyone should own. Tune into a music history-filled chat with legend Michael Monroe!CREDITS (Instagram handles)Host @scottlippsEdited by @toastycakesMusic by @robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts LA Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. 01:50 - Returning to play in America 02:30 - Documentary 05:00 - The old NYC06:30 - Hells Angels 08:15 - Bruce Springsteen 11:30 - Joey Ramone 15:55 - Growing up 16:47 - Black Sabbath 18:00 - Hair metal movement 21:00 - Little Richard and Elvis 22:00 - Sax and harmonica 24:00 - Parents 24:30 - Meeting Hanoi's Andy McCoy 26:12 - Band's interesting early look 27:22 - Living on the streets in Sweden 30:22 - Surviving early on 33:49 - Legacy 34:35 - Razzle 36:00 - Prince producing Hanoi37:20 - Getting signed to CBS and Bob Ezrin producing 39:40 - Oriental best remastered 39:43 - Making peace with Vince Neil 40:00 - Razzle's death 42:00 - Stiv Bators 44:21 - Hanoi's last gig 47:30 - Writing a letter to Nikki Sixx about Razzle 52:15 - AI Stiv Bators 58:12 - Top 5 records everyone should own

He interviewed everyone from Paul McCartney to Willie Nelson for his long-running radio show, and he has written more than 50 books on the likes of Bob Dylan, Little Richard, and the Beatles.Now Spencer Leigh has written HIS autobiography, ' 80 @ 80 - A Liverpool Life', after more than 50 years throwing the spotlight on other people. He's our extra special guest in episode #32 of "Misadventures in Music" with Ian Prowse and Mick Ord..Get ready for tales of Dylan being booed in Liverpool and X-rated stories of Freddie Starr's wild antics at the Cavern before he was famous. Indeed, no other writer probably knows more about the Merseybeat era of the sixties than Spencer.Once more, he's still going strong and enjoying music and its larger-than-life personalities more than ever.

YOW!! We feel good, like you knew that we would when we listened to James Brown's album Out Of Sight! It features the debut of his iconic hit alongside other standards like Mona Lisa, Only You, I Loves You Porgy, and the ethereal Nature Boy. We'll talk about James Brown's time with the Famous Flames and learn how he became the hardest working man in show biz! Find out about the Godfather Of Soul's bougie Poojie, his backflipping Little Richard impression, and what happens when you try to use his private bathroom... Join us for a second go at Episode 21, and don't eat the yellow jell-o! Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro4:27 About James Brown10:14 About Out Of Sight15:55 Awards & Accolades17:23 Fact Or Spin19:10 An Infamous Bathroom Police Chase25:35 He Jumped Into A Pool During A Performance28:43 He Held A Lavish Poodle Funeral32:57 James Brown Would Get Little Richard's Fans P.O.'d37:29 Album Art39:40 Out Of Sight42:57 Come Rain Or Come Shine45:52 Good Rockin' Tonight47:23 Till Then48:42 Nature Boy50:55 I Wanna Be Around53:33 I Got You (I Feel Good)56:14 Maybe The Last Time57:06 Mona Lisa59:00 I Loves You Porgy1:01:41 Only You1:03:56 Somethin' Else1:05:33 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Today's show features music performed by Billie Holiday, Bessie Smith, The Crows, and Little Richard

Cyndi Lauper is a multi-award winning singer and songwriter. She has sold more than fifty million records, won an Emmy for acting and her musical Kinky Boots earned her a Tony and an Oliver award. Born in 1953, Cyndi grew up in a blue collar neighbourhood in New York. Her mother loved music and art and took her children to free exhibitions in New York which inspired Cyndi. As a very young girl, Cyndi listened to her mother's extensive record collection and mimicked the voices she heard from musicals and operas.After a difficult family home life due to her mother's turbulent marriages, Cyndi found solace in music and began writing songs when she was ten. She left home at seventeen determined to make it in the music industry. She started out as a singer in bands, whilst supporting herself doing a series of jobs. Early in her career, she lost her voice for almost a year after trying to make herself heard over amps which were too loud. Success eventually came when she released her debut solo album She's So Unusual in 1983 – the first album by a female artist to spawn four consecutive US Top 5 singles.Cyndi lives in New York with her husband, David who is an actor. They met on a set of a film and rock legend Little Richard officiated their wedding.DISC ONE: Prelude to the Afternoon of a Faun. Composed by Claude Debussy and performed by The Orchestre National de Lyon DISC TWO: All That Meat and No Potatoes - Louis Armstrong And His All-Stars DISC THREE: Puccini, “Un bel di, vedremo” (“One fine day, we shall see”) from Act II of Madame Butterfly. Performed by Maria Callas with Orchestra del Teatro alla Scala di Milano, conducted by Herbert von Karajan DISC FOUR: Getting to Know You - Marni Nixon DISC FIVE: I Want Hold Your Hand - The Beatles DISC SIX: A Sailboat in the Moonlight - Billie Holiday And Her Orchestra DISC SEVEN: One Way or Another - Blondie DISC EIGHT: Hound Dog - Big Mama ThorntonBOOK CHOICE: Me Talk Pretty One Day by David Sedaris LUXURY ITEM: A luxury hotel CASTAWAY'S FAVOURITE: Puccini, “Un bel di, vedremo” (“One fine day, we shall see”) from Act II of Madame Butterfly. Performed by Maria Callas with Orchestra del Teatro alla Scala di Milano, conducted by Herbert von KarajanPresenter: Lauren Laverne Producer: Sarah Taylor

Bobby Delvecchio currently represents The Franchise Consulting Company and has founded, and acts as CEO/President for Drumming Up Business, which conducts motivational seminars for organizations and corporations. And the Beat goes on… As a World Class Drummer; Bobby was the Featured Drummer on Dick Clark's “Caravan of Stars” and Rich Nader's “1950's Rock-n-Roll Revival,” backing major music artists such as Little Richard, Chuck Berry, Chubby Checker, Ricky Nelson, Jackie Wilson, Bo Diddley, The Dovells, The Shirelles, The Coasters, The Drifters, The Five Satins and Gary U.S. Bonds. He has played with The Edgar Winter Group, Rick Derringer, and Hall & Oates. He is passionate about giving back, through his “Beating The Odds” Foundation. Beating The Odds Foundation provides financial and therapeutic support for children with cancer and other debilitating diseases through the healing power of rhythm. website https://www.BobbyDelvecchio.com  About Music Matter with Darrell Craig Harris Music Matters Podcast is hosted by globally published music journalist, Pro musician, and Getty Images photographer Darrell Craig Harris! Music Matters with Darrell Craig Harris is now on Spotify, iTunes, Podbean and more! Darrell interviews globally known artists, musicians, music journalists, music business insiders, and more on a weekly basis!  https://www.MusicMattersPodcast.com https://www.Twitter.com/musicmattersdh contact: musicmatterspodcastshow@gmail.com   

Gurdip's back!!! ...kinda? April Fools! Originally released back in May 2022 on our Patreon, Gurdip demanded to have his say about Terry Stafford and his famous cover of "Suspicion," so Justin obliged and they sat down not just with the single, but Terry's full 1964 album. Released on the Crusader Records label to capitalize on Stafford's surprise Top 5 success with his hit recording of the same name, "Suspicion" featured an array of Elvis-likes from original Brill Building songwriters behind some of Elvis's early '60s material, including Doc Pomus, Ben Weisman, Fred Wise, and Sid Wayne. As you'll hear, evidence strongly suggests that many, if not all, of the songs included were pitched to Elvis for consideration, with several even getting recorded.  Justin also guides us a little further past the album to Stafford's post-Suspicion career, including later singles and more significantly as a songwriter himself, with such hits as Buck Owens' "Big in Vegas" and George Strait's "Amarillo by Morning." Joe W. Specht's short-but-thorough biography "The Life and Music of Terry Stafford" was immensely helpful to finding more information on Stafford's story. It's available as of this posting through Texas State University's website here: https://digital.library.txstate.edu/handle/10877/7519 No foolin' - This "TCBCast Jukebox" is one of our all-time favorites we've done. If you enjoyed this, we've also done bonus episodes about Elvis's musical contemporaries such as Ann-Margret, Johnny Cash, Little Richard, Chuck Berry, The Platters, Dean Martin, Eddie Cochran, Gene Vincent, and many more, with more on the way as exclusive bonus content. Please consider joining up over at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. While we're out this week, Justin and Bec will be back next week with a discussion about "G.I. Blues" - revisiting it, its soundtrack and recording sessions for the first time since literally our third-ever episode of TCBCast!

When it comes to infidelity: can we have our cake and eat it too? In the following two songs, written by the incomparable Don Covay, this theme is explored. The two men narrating these tales of inconstancy are in turmoil - one cheater feels guilty, while the other betrayer is suffering from hurt pride - because his woman is playing the same game. The soulful bard who created these parables of marital strife covers the gamut here: in the first you'll hear the voice of the creator himself, Mr. Covay, on a special alternate track of “I Was Checking Out While She Was Checking in”; the second song, “I Stole Some Love” features one of his best interpreters, Peter Wolf, of the J. Geils Band.Donald James Randolph, aka Don Covay aka “Superdude” left us in 2015 with a legacy of pungent excavations of the human psyche, often delivered with toe tapping, humorous perfection. Although he was a charismatic performer in his own right, he was known predominantly as a songwriter with an unerring instinct for hits. Starting out in the fifties as a chauffeur and opening act for Little Richard, Covay went on to pen a raft of chart toppers such as Mercy Mercy (recorded by the Stones), See Saw, and Chain of Fools, for which Aretha Franklin won a Grammy. But it was in '72, doubling as an A&R man for Mercury Records, that Don hit performing pay dirt with “Superdude,” which contained the following song-monologue, which we are honored to present here with this alternate take, where the singer ruminates on the irony of his unique situation.In '92, Don suffered a stroke, and Ronnie Wood of the Faces and the Stones, produced a tribute album entitled “Back to the Streets” which contained the Covay classic “I Stole Some Love,” delivered here with characteristic swagger by the one and only Peter Wolf - former front man for the J. Geils Band. 79 years old and still going strong, the ex late night DJ “Woofa Goofa”, turned undeniable Rock Star and raconteur, has recently delivered an engrossing memoir “Waiting on the Man: Artists, Poets, Drifters, Grifters, and Goddesses” about his life's journey, and the iconic artists he's encountered along the way- starting with his stint studying art at Tufts University, and rooming with David Lynch. (He was also married to Faye Dunaway for five years)…, so he knows a lot about a lot of stuff, including failed romance. And, on this cut, his tortured vocal attests to the emotional vise he's caught in.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Kung Fu Dancing by Carl Douglas (1974)Song 1: I Ain't Going Nowhere by Tito Jackson (2016)Song 2: Shut Up and Drive by Rihanna (2007)Song 3: Heartbreak Anniversary by Giveon (2020)Song 4: Camel Walk by Southern Culture on the Skids (1995)Song 5: Strange Magic by Electric Light Orchestra (1975)Song 6: Shoop by Salt-n-Pepa (1993)Song 7: Whole Wide World by Wreckless Eric (1977)Song 8: Rip It Up by Little Richard (1956)Song 9: I Need a Dollar by Aloe Blacc (2010)Song 10: Wild Thing by Sam Kinison (1988)

Today's show features music performed by Little Richard and Louis Jordan

The Corelink Solution Show host, James "Trig" Rosseau, interviews hip-hop artist Ike Rhythm from Macon, Georgia. They discuss Ike's passion for music and faith, his journey into Christian hip-hop, and the founding of Living Hydro Music Group to support independent artists with a shared vision. Ike shares personal anecdotes, including his emotional reaction to Whitney Houston's voice and his family connection to Little Richard. The conversation also covers Ike's musical influences, his transition to recording Christian hip-hop, and his career as an aircraft mechanic and community resilience coordinator. Ike emphasizes the importance of balancing ministry with industry knowledge, using content creation tools, and networking to reach a broader audience. He reveals plans for new music projects and attending major gospel awards for learning and networking.

This week, we start a new series all about appreciating the shredded, gravelly, gritty, raspy pipes and throats of rock n' roll. We are focusing on lead singers who crafted truly special tones with their sandpapered delivery. Join us in celebrating these unique sets of pipes that set them apart from all the others. Anyone can scream, but only a few deliver gravel, grit & glory!What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Our appreciation, this week, of rough and textured singing extends to all of the genres that we love. Kevin never realized how much this style of vocalizing had an impact on him until putting this whole thing together. As always, we hope we turn you onto something new!Songs this week include:Metal Church – “Ton Of Bricks” from The Dark (1986)Hot Water Music – “Trademark” from Fuel For The Hate Game (1997)Love/Hate – “Blackout In The Red Room” from Blackout In The Red Room (1990)The Baboon Show – “Gold” from God Bless You All (2022)Grave Digger – “Hymn Of The Damned” from The Living Dead (2018)The Distillers – “Die On A Rope” from Coral Fang (2003)Asomvel – “Born To Rock ‘n' Roll” from Born To Rock ‘n' Roll(2024)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

This week we become the best podcast about Little Richard and the 227th greatest album of all time, Here's Little Richard. This episode features a proper natter that'll leave you gobsmacked – whether you're in the loo, with your mates, or just chatting bollocks like a right wanker, we've got a treat for ya, you cheeky bloke!   When most music podcasts zig, we decide to gaz for the most F'd-up take ever about whether it's okay to eat salmon skin. Then we skip a night on the town to discuss Queen by Candlelight, celebrate little league team names, and cover the best WHOOOOO songs. We also became the best podcast about Saturday Night Live and SNL50. Then, we had to go to New York's most exclusive club for some canapes and dress code dilemmas.     If this podcast's first half doesn't fit you, you can grease it and make it easy by slipping and sliding to (1:00:00) when we rip it up on Little Richard's debut rock and roll album. We cover the best singles of 1955, why Little Richard played so fast, and Little Richard's swinging style.    Next week we're going to host a rolling skating jam named "Tuesdays" when we become the best De La Soul podcast and cover the East hip hop album De La Soul is Dead.

Elvis Presley loved the Memphis singer Johnny Ace. Johnny died long before Elvis' became the King of Rock ‘N' Roll and the way in which Johnny Ace died was as tragic as it was violent. It involved a game of Russian roulette, a greedy and dubious rock ‘n' roll impresario, BB King, Big Mama Thornton, Little Richard, and a killer conspiracy and music history myth in desperate need of busting. Buckle up for a Christmas story like no other. What are your favorite rock 'n' roll myths? Which ones need busting? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Check out Kikoff: https://getkikoff.com/DISGRACELAND Learn more about your ad choices. Visit megaphone.fm/adchoices