Podcasts about Little Richard

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we're talking Revival69: The Concert That Rocked the World — the film that unpacks how a scrappy one-day festival turned into a legendary lineup featuring The Doors, Chuck Berry, Little Richard, and a last-minute appearance by John Lennon with the Plastic Ono Band.We break down the doc, the chaos behind the scenes, and how this one-night-only gig changed rock history.Underdogs, icons, and a crowd that had no idea what they were about to witness.

Few voices in rock history are as instantly recognizable as Allan Clarke, the co-founder and lead singer of the iconic British band The Hollies. With a career that spans more than six decades, Allan's soaring vocals, heartfelt delivery, and unforgettable harmonies have become synonymous with the golden age of classic rock and the British Invasion. Known for timeless hits like He Ain't Heavy, He's My Brother, Long Cool Woman (In a Black Dress), and Bus Stop, Allan's legacy as a rock legend is as vibrant today as it was in the 1960s.He was born Harold Allan Clarke n Salford, England. As a child, Allan developed a passion for music, drawing inspiration from early rock 'n' roll icons like Elvis, Buddy Holly, and Little Richard. His friendship with Graham Nash—who would later go on to fame with Crosby, Stills, Nash & Young—proved to be the foundation for one of the most beloved bands of all time.In 1962, Clarke and Nash formed The Hollies, a name inspired by their mutual admiration for Buddy Holly. The band's signature sound, marked by bright guitar riffs, tight vocal harmonies, and Allan's powerful yet soulful voice, quickly captured the attention of the British music scene. By '63, The Hollies were signed to the same label as The Beatles.The Hollies scored their first major hit with Stay in '63, but it was songs like Bus Stop and Carrie Anne that cemented their status as hitmakers. Allan Clarke's voice was the emotional core of The Hollies, effortlessly blending pop sensibilities with the raw energy of rock. One of Allan's most defining vocal performances came with the release of He Ain't Heavy, He's My Brother in '69. Featuring a young Elton John on piano, the song became a global anthem of brotherhood and compassion. In '72, The Hollies had another worldwide hit with Long Cool Woman , a track that still dominates classic rock radio playlists today.While Allan's legacy is firmly rooted in his work with The Hollies, he also pursued a solo career, releasing several solo albums that blended rock, folk, and country influences.Allan Clarke temporarily left The Hollies in '71 but returned in '73. His second departure in '99 marked what many assumed was the end of his career due to vocal health issues. In 2019, he made a remarkable comeback with his album Resurgence. The project marked his first solo release in decades and proved that his voice still carried the same warmth and emotion that defined his early work. Allan also collaborated with his old friend Graham Nash . His recent work bridges the gap between classic rock nostalgia and modern storytelling.The Hollies, with Allan Clarke at the helm, have sold over 60 million records worldwide and remain one of the most successful groups to emerge from the '60s.Their induction into the Rock and Roll Hall of Fame was a long-overdue recognition of their influence on generations of musicians and fans. Today, Allan Clarke stands as a bridge between the early days of rock ‘n' roll and the present. His journey from the streets of Salford to international stardom with The Hollies is a testament to the enduring power of great music, determination, and collaboration. For classic rock fans, Allan Clarke's voice is not just a sound — it's a memory, an era, and a feeling rolled into one.Whether you're revisiting He Ain't Heavy, He's My Brother, grooving to Long Cool Woman, or discovering Clarke's latest music, there's no denying his place in the pantheon of classic rock legends. Join us today as Allan Clarke shares stories of his rise to fame, his friendship with Graham Nash and what the music of The Hollies means to him.

What happens when a legendary radio insider meets a modern-day playlist curator? In this episode of Just Press Record, host Matt Zeigler brings together Laurie Kaye, the last person to interview John Lennon, and Kevin Alexander, the music-obsessed mind behind the On Repeat Records Substack. Together, they explore the emotional power of music discovery—from transistor radios under the covers to Substack playlists in your inbox. With stories that span from David Bowie and Mick Jagger to record store revelations and underground concerts, this episode is a love letter to curation, connection, and the soundtracks of our lives.

Today's show features music performed by Nat King Cole and Little Richard

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

Here's a preview from a new podcast, Charlie's Place. How did a Black man in the 1940s Jim Crow South open a club where Black and white people danced together? Charlie's Place was revolutionary, and that meant it was dangerous. Host Rhym Guissé explores the unbelievable true story of Charlie Fitzgerald, a mysterious Black businessman whose nightclub became an unlikely site of integration in Myrtle Beach. Charlie broke down racial barriers through the power of music and dance, hosting some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, and many more. But who was Charlie? How did he rise to power? And what price did he pay for achieving the impossible—an integrated club in the Jim Crow South? This is a story of joy and passion that erupted into violence and changed a community forever. Listen to Charlie's Place wherever you get your podcasts. Binge the entire season early and ad-free by subscribing to Pushkin+. Sign up on the Charlie's Place show page on Apple Podcasts or at pushkin.fm/plus. Learn about your ad choices: dovetail.prx.org/ad-choices

Marc Mero, formerly known as Johnny B. Badd in WCW, is a former professional wrestler turned renowned motivational speaker who shares his powerful life story of overcoming addiction, personal loss, and the pitfalls of fame. Today, he inspires audiences—especially youth—through his “Champion of Choices” program, promoting positive decision-making and self-worth. In the newest "Casual Conversations with The Classic '' episode, Justin is joined by Marc Mero aka Johnny B Badd! They discuss his early days in professional wrestling, becoming Johnny B Band, Dusty Rhodes, Little Richard, becoming the Wildman, Marvelous Marc Mero, Sable, motivational speaking, Champions of Choices and more! Enjoy
 Social Handles Marc Mero - @marcmero (IG & X) Justin Dhillon - @thewrestlingclassic (IG) & @twcworldwide (X)My Official Website + Demo Reel - https://www.justindhillon.com Instagram - https://www.instagram.com/thewrestlingclassic/ TikTok - https://www.tiktok.com/@thewrestlingclassic X - https://x.com/twcworldwide Youtube - https://www.youtube.com/@TheWrestlingClassic/ Limited Edition TWC Tee https://headquartersclothing.com/products/headquarters-x-the-wrestling-classic-logo-tee?_pos=1&_psq=wrestlinhg&_ss=e&_v=1.0 WWE Shop Affiliate wwe-shop.sjv.io/RGRxQv 500 Level https://www.500level.com/ Join the Discord Community https://linktr.ee/thewrestlingclassic All Episodes are on "The Wrestling Classic" Youtube Channel https://www.youtube.com/channel/UCOQOYraeFlX-xd8f3adQtTw #MarcMero #JohnnyBBadd #ProWrestlingBecome a supporter of this podcast: https://www.spreaker.com/podcast/twc-show--4417554/support.

Book Vs. Movie: “The Girl Can't Help It” The Garson Kanin Play Vs. the Jayne Mansfield MovieThe 1956 Technicolor film The Girl Can't Help It is often remembered for Jayne Mansfield's curves and Little Richard's title song, but it originated from Garson Kanin's short story Do Re Mi. This satirical piece critiques the music industry and the manufactured nature of fame, suggesting that anyone can become a star with enough money and manipulation. Directed by Frank Tashlin, the film follows a down-on-his-luck music manager (Tom Ewell) hired by a mobster (Edmond O'Brien) to turn his disinterested girlfriend (Mansfield) into a music sensation. Between the short story and the movie, which did the Margos like better?Have a listen to find out! In this episode, the Margos discuss:The original sort story vs the Broadway musical starring Phil SylversThe life and career of Jayne MansfieldHow important Little Richard is to rock and roll. The cast includes: Jayne Mansfield (Jerri Jordan), Tom Ewell (Tom Miller), Edmond O'Brien (Fats), Julie London (herself), and Ray Anthony as himself. Clips Featured:Intro to the movieThe Girl Can't Help It (1956 trailer) “Jayne walking”“Eddie Cochran on TV”“Jayne and Little Richard”Music by Little RichardFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: “The Girl Can't Help It” The Garson Kanin Play Vs. the Jayne Mansfield MovieThe 1956 Technicolor film The Girl Can't Help It is often remembered for Jayne Mansfield's curves and Little Richard's title song, but it originated from Garson Kanin's short story Do Re Mi. This satirical piece critiques the music industry and the manufactured nature of fame, suggesting that anyone can become a star with enough money and manipulation. Directed by Frank Tashlin, the film follows a down-on-his-luck music manager (Tom Ewell) hired by a mobster (Edmond O'Brien) to turn his disinterested girlfriend (Mansfield) into a music sensation. Between the short story and the movie, which did the Margos like better?Have a listen to find out! In this episode, the Margos discuss:The original sort story vs the Broadway musical starring Phil SylversThe life and career of Jayne MansfieldHow important Little Richard is to rock and roll. The cast includes: Jayne Mansfield (Jerri Jordan), Tom Ewell (Tom Miller), Edmond O'Brien (Fats), Julie London (herself), and Ray Anthony as himself. Clips Featured:Intro to the movieThe Girl Can't Help It (1956 trailer) “Jayne walking”“Eddie Cochran on TV”“Jayne and Little Richard”Music by Little RichardFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

It's July somewhere, and that means it's finally time for Gimmick Month!! Niki has graciously taken point on engineering this year's gimmicks, starting off the 2025 season with PBS Week, which, of course, must include discussion of Little Richard, Fetch with Ruff Ruffman, video games on the roadshow, when you go "to see a thing and one of the people doesn't say anything," and folks? Somehow even more.Welcome to If You're Driving, Close Your Eyes, a listener-supported comedy podcast where three noble explorers chip away at the crumbling foundations of reality, five or six simultaneous topics at a time. Hosted by Niki Grayson, merritt k and John Warren, and produced by Jordan Mallory, with music by Jordan and art by Max Schwartz.Follow us on Bluesky: https://bsky.app/profile/ifyouredriving.bsky.socialSupport us on Patreon: https://www.patreon.com/ifyouredriving Hosted on Acast. See acast.com/privacy for more information.

 Jukeboxes were not only cultural touchstones and vital engines for the music industry in the forties and fifties, but they also contributed to the democratization of music consumption in a way that radio could not: by allowing people to pay a nickel and choose the exact song they wanted to hear. Radio's best effort was to feed the listener versus allow the listener to make their own choice. Over a half century later, streaming has become juggernaut replacing the jukebox. Like streaming of today, the jukebox once helped with music discovery driving regional hits and elevating lesser-known artists, turning local favorites into national stars. This week's show will be a thematic one and, yes, we're picking the music. But it's a fun and mixed bag of country, early rock and pop all with the jukebox as centerpiece. Drop into Deeper Roots this morning for some classic Bill Haley, Chuck Berry, Roy Orbison and Little Richard from the edgy side of the aisle and be ready for upbeat and swinging country from Ernest Tubb, Buck Owens, and Mel Tillis. Tune in for a show that recognizes this cultural phenomenon and proves the old saw “what is old is new again”. 

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thématique: Les groupes et chansons qu'aime Paul McCartney P.McCartney-Yesterday-Help! (65)Little Richard-Long Tall Sally-Here's Little Richard (56)Beatles-Long Tall Sally-Past Master (88)Dire Straits-Sultan of swing-Dire Straits (79)Billy Joel-Just the way you are-The stranger (77)Beatles-A day in the life-Sgt Pepper's Lonely Hearts Club Band (67)Every brothers-On the wings of a nightingale (written by P.McCartney)-E.B. (84)Neil Young-Heart of gold-Harvest (72)Beatles (Quarrymen)-That'll be the day-Enregistré en 1958 (disque démo)/Anthology I (95)Buddy Holly-That'll be the day-Single (57)Elvis Presley-That's alright mama (feat. P.McCartney)-E.Gallot's "Les duos impossibles" (23)Beatles-Rock and roll music-For sale (64)Chuck Berry-Rock and roll music-Single (57)Queen-Bohemian rhapsody-A night at the opera (75)P.McCartney-Goodnight tonight-Single (79)Police-Every breathe you take-Synchronicity (83)Eric Clapton-Layla-The cream of Eric Clapton (95)10Cc-I'm not in love-The original soundtrack (75)P.McCartney-Silly love songs-At the speed of sound (76)Bob Dylan-Blowin' in the wind-The freewheelin' Bob Dylan (63)The Who-I can see for miles-Sell out (67)Beatles-Helter skelter-White album (68)George Michael-Heal the pain (feat. P.McCartney)-Recorded 2005, single (08)Brian Wilson-A friend like you (feat. P.McCartney)-Gettin' over my head (04)P.McCartney-Only our hearts (with S.Wonder)-Kisses on the bottom (12)Beatles-Let it be-Let it be (70)

A conversation with drummer, producer, songwriter, motivational speaker and entrepreneur - Derrick D'MAR Martin - (Rick Estrin & The Nightcats, solo artist, Little Richard) - www.dmarmusic.com/

As What Next celebrates Juneteenth, please enjoy this episode ⁠from our colleagues at Hit Parade⁠. What Next will be back in your feed on Monday. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to a free-speech comedy podcast that dissects emerging technologies, societal changes, and potential threats to personal autonomy through a comedic and critical lens.Neoborn Caveman launches into a passionate critique of emerging digital identity technologies, specifically focusing on the 'Orb' system that uses iris scanning for online verification. He expresses deep concern about the potential privacy implications and the gradual erosion of personal freedoms, arguing that such technologies represent a dangerous step towards a surveillance state reminiscent of social credit systems.The episode also covers various topics including health advice about vitamin D and exercise, an Arizona law requiring human review of insurance claims, and commentary on global political and technological trends. Neoborn Caveman maintains his characteristic comedic and satirical style while discussing serious issues, interspersing his commentary with music breaks and personal reflections on societal changes.Throughout the episode, NC repeatedly emphasizes themes of human autonomy, personal choice, and resistance to technological systems that seek to categorize and control individuals. He challenges listeners to remain critical of emerging technologies, government policies, and corporate initiatives that promise convenience but potentially compromise individual privacy and freedom.Music guests: Inoxidables, Sami Chohfi, JafariEK, Big Bus DreamKEY QUOTES:• "The real question is not whether we have life after death, is whether we have life before death." - Neoborn Caveman• "Everything is in agony. Everything is in doom. Everyone wants the verse to some extent." - Neoborn Caveman• "Why would you take a laser ball and instead of having a Brazilian, I don't know, cleansing, you would just want to cleanse your iris?" - Neoborn Caveman• "I don't let my conditions determine me. I want to change my condition." - Neoborn Caveman• "Have you ever met any politicians on power, real power, who still could remain a human decent person entity with morals, ethics, values and not lies?" - Neoborn CavemanKEY TAKEAWAYS:• Digital identity technologies like iris scanning (via 'The Orb') raise significant privacy concerns, potentially creating a social credit system similar to China's model• Neoborn Caveman criticizes increased technological 'solutions' that replace human judgment, specifically highlighting Arizona's new law requiring doctors - not algorithms - to review insurance claims• Walking and moderate exercise can naturally boost vitamin D levels and potentially help slow cellular aging, without relying on pharmaceutical interventions• Neoborn Caveman argues that many current societal systems (political, technological, healthcare) are fundamentally broken and designed to control rather than serve people• Modern energy transition and 'green' technologies are not as environmentally friendly as claimed, with significant environmental costs in production• There's growing concern about AI and algorithmic decision-making replacing human expertise in critical areas like medical insurance and identity verification• The podcast advocates for maintaining human connection, authentic communication, and skepticism toward technological 'solutions' that erode personal privacyTOPICS: politics, AI, technology, Media, healthcare, PrivacyKEY FIGURES: Artificial Intelligence, Sam Altman, John Cleese, RFK Jr., Blockchain, Michael Jackson, Eminem, Little Richard, Yuka App, The Scarlet Lesson, Jafari Ek, World IDFree speech marinated in comedy.........Humanity centered satirical takes on the world & news + music - with a marble mouthed host.Free speech marinated in comedy.Supporting Purple Rabbits. Hosted on Acast. See acast.com/privacy for more information.

Send us a textSteve and Wyndham delve into the legacy of iconic rock pianists, debating which legends deserve a place on the Mount Rushmore of keyboard players who shaped rock history.• Tribute to recently departed Rick Derringer, known for "Hang On Sloopy," "Rock and Roll Hoochie Coo," Hulk Hogan's entrance music, and his work with Weird Al Yankovic• Discussion of a recent classic rock countdown that surprisingly placed Metallica's "Enter Sandman" at #1 over traditional classics• Billy Joel and Elton John considered piano rock royalty with both hosts ultimately choosing Billy Joel for Mount Rushmore status• Little Richard unanimously selected as a foundational figure who "started it all" for rock piano• Heated debate between Ray Charles and Stevie Wonder for the final spot on the piano Mount Rushmore• Brief consideration of other influential pianists including Chuck Lavelle, Jerry Lee Lewis, and Freddie Mercury• Announcement of next week's episode focusing on iconic opening bass riffs titled "All the Way to the Base"Join us next week for "All the Way to the Base" - an exploration of the most iconic opening bass riffs in rock history!One idea. Six songs. Infinite possibilities...

Cedric the Entertainer is featured in this edition of Mission Logs as Vincent and Len explore the "boring" antics of the Johnson Family Vacation, a review from May 2020. The Men of Micheaux also pay tribute to the then-recent losses of music luminaries Andre Harrell, Betty Wright, and the one and only Little Richard. Subscribe to the Mission on YouTube  Rate & Review The Mission on Apple Email  micheauxmission@gmail.com Follow The Mission on Instagram We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices

El “Aullido” de Ginsberg, el de la Beat Generation, el equivalente rockero «Awopbopaloobamboom» (“Tutti Frutti”) de Little Richard. 1955, el año, en el que una onomatopeya de segundos se convirtió en canción emblemática. Junto a Fats Domino o Larry Williams, acompañado por la flor y nata de los músicos de Nueva Orleans. "Long Tall Sally” o "Good Golly Miss Molly” clásicos del rock de los 50. Su imagen evolucionó hasta la "extravaganza" y su huella de Paul Mc Cartney a Prince. En EEUU un público segregado, emergente, juvenil, el mundo más tarde. Su historia merece ser contada, su aullido aún nos traspasa. Esta edición la prueba. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Jeff really thanks you all for your prayers for him and his family during his moms passing(2024) National Sleep over day.  Entertainment from 2005.  Oldest treaty in the world, US 1st to legalize birth control pill, Englands crown jewels stolen.  Todays birthdays - Howard Carter, William Marston, Hanks Snow, Albert Finney, Candice Bergen, Billy Joel, Devin Peter Hall, John Corbett, Dave Gahan, Lisa Simpson.  Little Richard died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Slumber Party - Haschek SistersHallaback girl - Gwen StefaniMy give a damn's busted - Jo Dee MessinaBirthdays - In da club - 50 Cent    http://50cent.com/It don't hurt anymore - Hank SnowMurphy Brown TV themeShe's got a way - Billy JoelGood to go - John CorbettJust can't get enough - Depeche ModeGood golly Miss Molly - Little RichardExit - Its not love - Dokken   http://dokken.net/ 

On today's edition of Music History Today, the legend of Bruce begins, Louis Armstrong Ends the Beatles reign at number one, and the Beatles & the Rolling Stones sign on the dotted line.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠⁠https://allmylinks.com/musichistorytoday⁠

On this episode of Lipps Service, Scott sits down with legendary glam metal frontman of Hanoi Rocks – Michael Monroe! The two start by getting into Michael's return to America after several years away, comparing the old to the new NYC, and Northeast music icons like Bruce Springsteen and Joey Ramone. They explore Michael and Hanoi Rocks' various musical influences, including Black Sabbath, Little Richard, Elvis, and Stiv Bators. Michael reflects on his upbringing in Sweden, from living on the streets and surviving to the early days of the band and their early glam looks and expression. He also spills the lowdown on pivotal interactions within his career, including asking Prince to produce the band, producing with Bob Ezrin, and making peace with Vince Neil. To close, Michael talks about the band's last gig and lists his top 5 records everyone should own. Tune into a music history-filled chat with legend Michael Monroe!CREDITS (Instagram handles)Host @scottlippsEdited by @toastycakesMusic by @robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts LA Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. 01:50 - Returning to play in America 02:30 - Documentary 05:00 - The old NYC06:30 - Hells Angels 08:15 - Bruce Springsteen 11:30 - Joey Ramone 15:55 - Growing up 16:47 - Black Sabbath 18:00 - Hair metal movement 21:00 - Little Richard and Elvis 22:00 - Sax and harmonica 24:00 - Parents 24:30 - Meeting Hanoi's Andy McCoy 26:12 - Band's interesting early look 27:22 - Living on the streets in Sweden 30:22 - Surviving early on 33:49 - Legacy 34:35 - Razzle 36:00 - Prince producing Hanoi37:20 - Getting signed to CBS and Bob Ezrin producing 39:40 - Oriental best remastered 39:43 - Making peace with Vince Neil 40:00 - Razzle's death 42:00 - Stiv Bators 44:21 - Hanoi's last gig 47:30 - Writing a letter to Nikki Sixx about Razzle 52:15 - AI Stiv Bators 58:12 - Top 5 records everyone should own

He interviewed everyone from Paul McCartney to Willie Nelson for his long-running radio show, and he has written more than 50 books on the likes of Bob Dylan, Little Richard, and the Beatles.Now Spencer Leigh has written HIS autobiography, ' 80 @ 80 - A Liverpool Life', after more than 50 years throwing the spotlight on other people. He's our extra special guest in episode #32 of "Misadventures in Music" with Ian Prowse and Mick Ord..Get ready for tales of Dylan being booed in Liverpool and X-rated stories of Freddie Starr's wild antics at the Cavern before he was famous. Indeed, no other writer probably knows more about the Merseybeat era of the sixties than Spencer.Once more, he's still going strong and enjoying music and its larger-than-life personalities more than ever.

Jere B takes us behind the curtain of Entree Musician International, a thriving global community born during the 2020 pandemic when musicians everywhere faced the devastating reality of canceled performances. Drawing from his own career of failures and comebacks, Jere B transformed personal lessons into a movement that now connects artists across continents.What began as practical advice quickly evolved when industry veterans recognized something special in Jere B's approach. Linda Bolero from Berkeley, Tony Bennett's former road manager Vance Anderson, and metadata strategist Daryl Looney joined forces with him to create a virtual hub where musicians could grow together through honest feedback and encouragement.The magic happens in Jere B's collaborative sessions where musicians present their work to receive constructive criticism from seasoned professionals. One participant, a young Youngstown native named Jaron Brooks, has been working with Jere B since age 16 and is developing into "the next Usher" through this mentorship. Jere B's production philosophy echoes that of his heroes Arif Martin and Quincy Jones—drawing out each artist's authentic spirit rather than chasing fleeting trends.Having started his musical journey as a church drummer at four years old, Jere B learned his craft by studying the masters. He shares insights on finding your musical voice through careful study of influences (like Prince did with James Brown and Little Richard) while emphasizing that true musicianship requires more than talent—it demands the right mindset, discipline, and focus.For Jere B, music must fulfill four essential purposes: engage the spirit, enrich the heart, encourage the soul, and empower the listener. This philosophy guides everything he creates and produces. Ready to unlock your potential as an entrepreneur musician? Visit https://theentremusician.com/ or join Jere B's free workshop on April 3rd, focusing on sharpening your musical mindset.

YOW!! We feel good, like you knew that we would when we listened to James Brown's album Out Of Sight! It features the debut of his iconic hit alongside other standards like Mona Lisa, Only You, I Loves You Porgy, and the ethereal Nature Boy. We'll talk about James Brown's time with the Famous Flames and learn how he became the hardest working man in show biz! Find out about the Godfather Of Soul's bougie Poojie, his backflipping Little Richard impression, and what happens when you try to use his private bathroom... Join us for a second go at Episode 21, and don't eat the yellow jell-o! Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro4:27 About James Brown10:14 About Out Of Sight15:55 Awards & Accolades17:23 Fact Or Spin19:10 An Infamous Bathroom Police Chase25:35 He Jumped Into A Pool During A Performance28:43 He Held A Lavish Poodle Funeral32:57 James Brown Would Get Little Richard's Fans P.O.'d37:29 Album Art39:40 Out Of Sight42:57 Come Rain Or Come Shine45:52 Good Rockin' Tonight47:23 Till Then48:42 Nature Boy50:55 I Wanna Be Around53:33 I Got You (I Feel Good)56:14 Maybe The Last Time57:06 Mona Lisa59:00 I Loves You Porgy1:01:41 Only You1:03:56 Somethin' Else1:05:33 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Today's show features music performed by Billie Holiday, Bessie Smith, The Crows, and Little Richard

Cyndi Lauper is a multi-award winning singer and songwriter. She has sold more than fifty million records, won an Emmy for acting and her musical Kinky Boots earned her a Tony and an Oliver award. Born in 1953, Cyndi grew up in a blue collar neighbourhood in New York. Her mother loved music and art and took her children to free exhibitions in New York which inspired Cyndi. As a very young girl, Cyndi listened to her mother's extensive record collection and mimicked the voices she heard from musicals and operas.After a difficult family home life due to her mother's turbulent marriages, Cyndi found solace in music and began writing songs when she was ten. She left home at seventeen determined to make it in the music industry. She started out as a singer in bands, whilst supporting herself doing a series of jobs. Early in her career, she lost her voice for almost a year after trying to make herself heard over amps which were too loud. Success eventually came when she released her debut solo album She's So Unusual in 1983 – the first album by a female artist to spawn four consecutive US Top 5 singles.Cyndi lives in New York with her husband, David who is an actor. They met on a set of a film and rock legend Little Richard officiated their wedding.DISC ONE: Prelude to the Afternoon of a Faun. Composed by Claude Debussy and performed by The Orchestre National de Lyon DISC TWO: All That Meat and No Potatoes - Louis Armstrong And His All-Stars DISC THREE: Puccini, “Un bel di, vedremo” (“One fine day, we shall see”) from Act II of Madame Butterfly. Performed by Maria Callas with Orchestra del Teatro alla Scala di Milano, conducted by Herbert von Karajan DISC FOUR: Getting to Know You - Marni Nixon DISC FIVE: I Want Hold Your Hand - The Beatles DISC SIX: A Sailboat in the Moonlight - Billie Holiday And Her Orchestra DISC SEVEN: One Way or Another - Blondie DISC EIGHT: Hound Dog - Big Mama ThorntonBOOK CHOICE: Me Talk Pretty One Day by David Sedaris LUXURY ITEM: A luxury hotel CASTAWAY'S FAVOURITE: Puccini, “Un bel di, vedremo” (“One fine day, we shall see”) from Act II of Madame Butterfly. Performed by Maria Callas with Orchestra del Teatro alla Scala di Milano, conducted by Herbert von KarajanPresenter: Lauren Laverne Producer: Sarah Taylor

Bobby Delvecchio currently represents The Franchise Consulting Company and has founded, and acts as CEO/President for Drumming Up Business, which conducts motivational seminars for organizations and corporations. And the Beat goes on… As a World Class Drummer; Bobby was the Featured Drummer on Dick Clark's “Caravan of Stars” and Rich Nader's “1950's Rock-n-Roll Revival,” backing major music artists such as Little Richard, Chuck Berry, Chubby Checker, Ricky Nelson, Jackie Wilson, Bo Diddley, The Dovells, The Shirelles, The Coasters, The Drifters, The Five Satins and Gary U.S. Bonds. He has played with The Edgar Winter Group, Rick Derringer, and Hall & Oates. He is passionate about giving back, through his “Beating The Odds” Foundation. Beating The Odds Foundation provides financial and therapeutic support for children with cancer and other debilitating diseases through the healing power of rhythm. website https://www.BobbyDelvecchio.com  About Music Matter with Darrell Craig Harris Music Matters Podcast is hosted by globally published music journalist, Pro musician, and Getty Images photographer Darrell Craig Harris! Music Matters with Darrell Craig Harris is now on Spotify, iTunes, Podbean and more! Darrell interviews globally known artists, musicians, music journalists, music business insiders, and more on a weekly basis!  https://www.MusicMattersPodcast.com https://www.Twitter.com/musicmattersdh contact: musicmatterspodcastshow@gmail.com   

Gurdip's back!!! ...kinda? April Fools! Originally released back in May 2022 on our Patreon, Gurdip demanded to have his say about Terry Stafford and his famous cover of "Suspicion," so Justin obliged and they sat down not just with the single, but Terry's full 1964 album. Released on the Crusader Records label to capitalize on Stafford's surprise Top 5 success with his hit recording of the same name, "Suspicion" featured an array of Elvis-likes from original Brill Building songwriters behind some of Elvis's early '60s material, including Doc Pomus, Ben Weisman, Fred Wise, and Sid Wayne. As you'll hear, evidence strongly suggests that many, if not all, of the songs included were pitched to Elvis for consideration, with several even getting recorded.  Justin also guides us a little further past the album to Stafford's post-Suspicion career, including later singles and more significantly as a songwriter himself, with such hits as Buck Owens' "Big in Vegas" and George Strait's "Amarillo by Morning." Joe W. Specht's short-but-thorough biography "The Life and Music of Terry Stafford" was immensely helpful to finding more information on Stafford's story. It's available as of this posting through Texas State University's website here: https://digital.library.txstate.edu/handle/10877/7519 No foolin' - This "TCBCast Jukebox" is one of our all-time favorites we've done. If you enjoyed this, we've also done bonus episodes about Elvis's musical contemporaries such as Ann-Margret, Johnny Cash, Little Richard, Chuck Berry, The Platters, Dean Martin, Eddie Cochran, Gene Vincent, and many more, with more on the way as exclusive bonus content. Please consider joining up over at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. While we're out this week, Justin and Bec will be back next week with a discussion about "G.I. Blues" - revisiting it, its soundtrack and recording sessions for the first time since literally our third-ever episode of TCBCast!

When it comes to infidelity: can we have our cake and eat it too? In the following two songs, written by the incomparable Don Covay, this theme is explored. The two men narrating these tales of inconstancy are in turmoil - one cheater feels guilty, while the other betrayer is suffering from hurt pride - because his woman is playing the same game. The soulful bard who created these parables of marital strife covers the gamut here: in the first you'll hear the voice of the creator himself, Mr. Covay, on a special alternate track of “I Was Checking Out While She Was Checking in”; the second song, “I Stole Some Love” features one of his best interpreters, Peter Wolf, of the J. Geils Band.Donald James Randolph, aka Don Covay aka “Superdude” left us in 2015 with a legacy of pungent excavations of the human psyche, often delivered with toe tapping, humorous perfection. Although he was a charismatic performer in his own right, he was known predominantly as a songwriter with an unerring instinct for hits. Starting out in the fifties as a chauffeur and opening act for Little Richard, Covay went on to pen a raft of chart toppers such as Mercy Mercy (recorded by the Stones), See Saw, and Chain of Fools, for which Aretha Franklin won a Grammy. But it was in '72, doubling as an A&R man for Mercury Records, that Don hit performing pay dirt with “Superdude,” which contained the following song-monologue, which we are honored to present here with this alternate take, where the singer ruminates on the irony of his unique situation.In '92, Don suffered a stroke, and Ronnie Wood of the Faces and the Stones, produced a tribute album entitled “Back to the Streets” which contained the Covay classic “I Stole Some Love,” delivered here with characteristic swagger by the one and only Peter Wolf - former front man for the J. Geils Band. 79 years old and still going strong, the ex late night DJ “Woofa Goofa”, turned undeniable Rock Star and raconteur, has recently delivered an engrossing memoir “Waiting on the Man: Artists, Poets, Drifters, Grifters, and Goddesses” about his life's journey, and the iconic artists he's encountered along the way- starting with his stint studying art at Tufts University, and rooming with David Lynch. (He was also married to Faye Dunaway for five years)…, so he knows a lot about a lot of stuff, including failed romance. And, on this cut, his tortured vocal attests to the emotional vise he's caught in.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Kung Fu Dancing by Carl Douglas (1974)Song 1: I Ain't Going Nowhere by Tito Jackson (2016)Song 2: Shut Up and Drive by Rihanna (2007)Song 3: Heartbreak Anniversary by Giveon (2020)Song 4: Camel Walk by Southern Culture on the Skids (1995)Song 5: Strange Magic by Electric Light Orchestra (1975)Song 6: Shoop by Salt-n-Pepa (1993)Song 7: Whole Wide World by Wreckless Eric (1977)Song 8: Rip It Up by Little Richard (1956)Song 9: I Need a Dollar by Aloe Blacc (2010)Song 10: Wild Thing by Sam Kinison (1988)

Today's show features music performed by Little Richard and Louis Jordan

Come join us for a great time of coffee and music on coffee with the kayes. In this episode we will discuss "Becoming Led Zeppelin" along with the movie "A Complete Unknown" about Bob Dylan,Where were the Kayes Lately,Rebel Dog Coffee,Grounds and Hounds "The Beast" coffee,Our Florida snow,The influence of John Bonham,Jimmy Page,Constant practice and passion,student expectations,we are not a talent agency,life long learning,mastering an instrument,you don't know what you don't know,Bonham techniques,practice,gifted students,developing that gift,John Paul Jones,Zeppelni reads music,Paul McCartney's approach,musical theft,the drummers for James Brown,Little Richard's influence,who's the King of Rock and Roll?,the influence of Black music,a complete unknownKyle's childhood connection to the movie,amazing acting,learning to play the guitar,what's up in Football?,was the superbowl rigged?'the Chiefs slipping by,Saquon Barkley,Jalen Hurts,refereeing in the NFL,Tom Brady,Miles Garrett's trade request,and The Cleveland Browns rank 30th in player perspective

The Corelink Solution Show host, James "Trig" Rosseau, interviews hip-hop artist Ike Rhythm from Macon, Georgia. They discuss Ike's passion for music and faith, his journey into Christian hip-hop, and the founding of Living Hydro Music Group to support independent artists with a shared vision. Ike shares personal anecdotes, including his emotional reaction to Whitney Houston's voice and his family connection to Little Richard. The conversation also covers Ike's musical influences, his transition to recording Christian hip-hop, and his career as an aircraft mechanic and community resilience coordinator. Ike emphasizes the importance of balancing ministry with industry knowledge, using content creation tools, and networking to reach a broader audience. He reveals plans for new music projects and attending major gospel awards for learning and networking.

Cuti Vericad pasa consulta y ofrece antídotos con sonido a piano. Suenan Billy Joel, Little Richard, Jerry Lee Lewis, Scott Joplin, Tom Waits o Elton John, entre otros.

This week, we start a new series all about appreciating the shredded, gravelly, gritty, raspy pipes and throats of rock n' roll. We are focusing on lead singers who crafted truly special tones with their sandpapered delivery. Join us in celebrating these unique sets of pipes that set them apart from all the others. Anyone can scream, but only a few deliver gravel, grit & glory!What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Our appreciation, this week, of rough and textured singing extends to all of the genres that we love. Kevin never realized how much this style of vocalizing had an impact on him until putting this whole thing together. As always, we hope we turn you onto something new!Songs this week include:Metal Church – “Ton Of Bricks” from The Dark (1986)Hot Water Music – “Trademark” from Fuel For The Hate Game (1997)Love/Hate – “Blackout In The Red Room” from Blackout In The Red Room (1990)The Baboon Show – “Gold” from God Bless You All (2022)Grave Digger – “Hymn Of The Damned” from The Living Dead (2018)The Distillers – “Die On A Rope” from Coral Fang (2003)Asomvel – “Born To Rock ‘n' Roll” from Born To Rock ‘n' Roll(2024)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

This week we become the best podcast about Little Richard and the 227th greatest album of all time, Here's Little Richard. This episode features a proper natter that'll leave you gobsmacked – whether you're in the loo, with your mates, or just chatting bollocks like a right wanker, we've got a treat for ya, you cheeky bloke!   When most music podcasts zig, we decide to gaz for the most F'd-up take ever about whether it's okay to eat salmon skin. Then we skip a night on the town to discuss Queen by Candlelight, celebrate little league team names, and cover the best WHOOOOO songs. We also became the best podcast about Saturday Night Live and SNL50. Then, we had to go to New York's most exclusive club for some canapes and dress code dilemmas.     If this podcast's first half doesn't fit you, you can grease it and make it easy by slipping and sliding to (1:00:00) when we rip it up on Little Richard's debut rock and roll album. We cover the best singles of 1955, why Little Richard played so fast, and Little Richard's swinging style.    Next week we're going to host a rolling skating jam named "Tuesdays" when we become the best De La Soul podcast and cover the East hip hop album De La Soul is Dead.

Maybe it's just me, but I've got a real sweet spot for when, in the midst of all the chaos of exploding into the world's biggest band and becoming the greatest songwriters alive, the Beatles blow off steam by pulling out a song from their garage band days. "Slow Down," written by New Orleanian Larry Williams (protege to Little Richard and Lloyd Price) was recorded during the sessions for the A Hard Day's Night album, when John's early rock and roll voice is arguably at it's peak. Those screams...good lawdy, indeed ! It feels carefree and joyous, they're not fretting over if this new song is going to be the next big hit, they're just hitting the release valve and letting go all that pressure, just playing rock and roll for the fun of it. I love those moments. Bad news, folks: Julia's not with us today. Good news, folks: our podpals from Blotto Beatles are! We love any chance to catch up with our Blotto bros, and this time was no exception (well, except for Julia's absence). We talk about the trouble with Larrys, Beatle footware, covers, the Fest for Beatle Fans, and so much more! If you're not listening to Blotto Beatles, you should be, so check it out! What do you think about "Slow Down" at #76? Too high? Too low? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠find us now on Bluesky!⁠⁠⁠⁠⁠⁠⁠ Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, some of our new Revolver-themed merch, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

If you get lucky rolling your twelve-sided Flamingo dice today, you'll land on the best podcast about Derek and the Dominos and the 226th greatest album of all time, Layla and Other Assorted Love Songs. Careful though, last time Catherine the Great rolled the 12-sided dice she ended up leaving quite the legacy that would make even Big and Rich blush.   Before we get to the album we hold our annual State of the Union celebrate great customer service and provide tips on the use of warm water that don't involve your dead-ass Christmas tree. We're also talking bad memory songs, reviewing the Kendrick Lamar halftime show, and breaking down Shania Twain's Any Man of Mine music video.   Then at (1:20:00) we tell the truth about Derek and the Dominos' only studio album. We discuss Eric Clapton's infatuation with George Harrison's wife, the piano coda on Layla, and the best Duane Allman guitar riffs.     Next week we're going to rip it up when we become the best Little Richard podcast and cover Here's Little Richard.

Today's show features music performed by Little Richard and Johnny Winter

Elvis Presley loved the Memphis singer Johnny Ace. Johnny died long before Elvis' became the King of Rock ‘N' Roll and the way in which Johnny Ace died was as tragic as it was violent. It involved a game of Russian roulette, a greedy and dubious rock ‘n' roll impresario, BB King, Big Mama Thornton, Little Richard, and a killer conspiracy and music history myth in desperate need of busting. Buckle up for a Christmas story like no other. What are your favorite rock 'n' roll myths? Which ones need busting? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Check out Kikoff: https://getkikoff.com/DISGRACELAND Learn more about your ad choices. Visit megaphone.fm/adchoices