Podcasts about The Rolling Stones

The JBP tackles a number of topics in its latest episode starting with reaction to Brandy & Monica's 'The Boy is Mine Tour' (18:30) before turning to Joe being highlighted by Rolling Stone (43:05), and Mona cracking a top-25 list from Complex (47:43). The crew then reacts to Burna Boy outing a fan at a recent show (51:20), Marc Lamont Hill responds to Brian McKnight (1:02:28), and a brand new album from De La Soul (1:31:32). Also, new Pharrell Timbaland's lead the JBP to discuss wastefulness (1:50:20), actor Michael Beach says he lives with his wife and ex wife in the same house (2:13:20), Pharrell's take on politics & DEI (2:42:10), Part of the Show (2:50:20), Joe's thoughts on the new Netflix show 'The Beast In Me' (3:05:10), and much more! Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden 

Episode 318 features Grammy-winning country music superstar, Brad Paisley and Emmy-winning writer extraordinaire, David Wild as we discuss our mutual love for baseball, barbecue, music, and so much more. Brad Paisley is a country music superstar and has won three Grammy Awards, two American Music Awards, 14 Country Music Association Awards and 15 Academy of Country Music Awards.  Brad has 24 number one hits and, in 2008 became the first artist to achieve 10 consecutive Billboard Country Airplay number one singles and in 2010 he was named the CMA Entertainer of the Year.  He and his wife, Kimberly Williams-Paisley, are co-founders of the nonprofit organization The Store, a free-referral based grocery store, which aims to empower low-income individuals and families in the Nashville area. For more information, visit www.thestore.org.  Brad is a tremendous Los Angeles Dodgers fan and has played the National Anthem for some of their games.  His most recent rendition was prior to this year's extra inning game which the Dodgers won in the 18th inning.  For more information on Brad Paisley go to  https://www.bradpaisley.com/ David Wild  is an award-winning writer, producer, and longtime Rolling Stone magazine contributing editor.  Prior to Rolling Stone he wrote for Esquire magazine.  He has written or produced scores of major specials including the Grammy Awards, Oscars, Emmys, and the Academy of Country Music Awards.  Additionally, he has written books on the television shows, Friends and Seinfeld.  He now co-hosts the podcast, Naked Lunch with Phil Rosenthal.  He first joined us on episode 300 and is back with his friend, Brad Paisley as they are both tremendous Los Angeles Dodgers fans and enjoying their back-to-back World Series Championships. We recommend you go to Rogue Cookers website, https://roguecookers.com/ for award-winning rubs, Chef Ray Sheehan's website, https://www.raysheehan.com/ for award-winning saucess, rubs, and cookbooks, Baseball BBQ, https://baseballbbq.com for special grilling tools and accessories, Magnechef https://magnechef.com/ for excellent and unique barbecue gloves, Cutting Edge Firewood High Quality Kiln Dried Firewood - Cutting Edge Firewood in Atlanta for high quality firewood and cooking wood, Mantis BBQ, https://mantisbbq.com/ to purchase their outstanding sauces with a portion of the proceeds being donated to the Kidney Project, and for exceptional sauces, Elda's Kitchen https://eldaskitchen.com/ We conclude the show with the song, Baseball Always Brings You Home from the musician, Dave Dresser and the poet, Shel Krakofsky. We truly appreciate our listeners and hope that all of you are staying safe. If you would like to contact the show, we would love to hear from you. Call the show:  (516) 855-8214 Email:  baseballandbbq@gmail.com Twitter:  @baseballandbbq Instagram:  baseballandbarbecue YouTube:  baseball and bbq Website:  https//baseballandbbq.weebly.com Facebook:  baseball and bbq        Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Onlangs kwam de Super Deluxe editie uit van Black And Blue van The Rolling Stones (1976). Je zou het album kunnen zien de openbare audities van de nieuwe gitarist die de band na het vertrek van Mick Taylor zag. Ronnie Wood kreeg de baan, maar er doken echt interessante andere kandidaten op. In deze podcast passeren zij de revue.

My talk with Celeste starts at  minutes and  Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous soul Follow Maura on Blue Sky Follow Maura on Tik Tok  Follow Maura on Instagram Support Fair Share America  Maura Quint is a humor writer and activist whose work has been featured in publications such as McSweeneys and The New Yorker. She was named one of Rolling Stone's top 25 funniest twitter accounts of 2016. When not writing comedy, Maura has worked extensively with non-profits in diverse sectors including political action campaigns, international arts collectives and health and human services organizations. She has never been officially paid to protest but did once find fifteen cents on the ground at an immigrants' rights rally and wanted to make sure that had been disclosed. She was the co founder and executive director of TaxMarch.org Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art 

The 2025 CMA Awards took Nashville by storm this week, crowning new winners and welcoming fresh faces. In this special bonus episode of Rolling Stone's Nashville Now podcast, we break down the good, the bad, and the “what were they thinking?!” Country music journalist Marissa R. Moss joins host Joseph Hudak to heap praise, talk smack, and question if the country music establishment finally got it right.   Country is Here…Nashville is Now.   Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is our NEW RELEASE review podcast, ONE HOT TAKE.Synopsis:When Ashley asks for a divorce, the good-natured Carey runs to his friends, Julie and Paul, for support. Their secret to happiness is an open marriage; that is, until Carey crosses the line and throws all of their relationships into chaos.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In an incredible U-turn, Donald Trump this week signed a bill directing the justice department to release more files from the investigation into the convicted child sex offender Jeffrey Epstein. It comes amid a huge bust-up with his former firebrand loyalist Marjorie Taylor Greene, who has led the calls for him to release the documents. Is this the start of a Maga breakdown? And where will this increasingly hostile row between them go? Jonathan Freedland speaks to Rolling Stone reporter Nikki McCann Ramirez about how the former allies fell out and what will happen next with the Epstein files

Love comes in many forms - sometimes confrontational. Today's episode is a paean to a couple of dominating dames that lit up the punk scene in the late 70s. Johnny Rotten once stated that the only person that actually frightened him was the gone too soon, Poly Styrene of X-Ray Spex. That product of a Somali father and a British mother railed against consumerist culture, and her band's career might have been short lived, but their single, Oh Bondage, Up Yours! with it's bleating saxophone cavalry charge, blown by band mate Lora Logic, was a battle cry to aspiring Riot Grrls everywhere.The other indomitable mistress we wish to spotlight, Chrissie Hynde of the Pretenders, is still rocking 50 years later. This survivor from America's Midwest by way of England, -  this vegetarian restauranteur/punk legend, who fronted one of the most thrilling acts of the era, scored multiple hits across the pop spectrum, including this classic, Middle of the Road.X-RAY SPEXMarianne Joan Elliot-Said died prematurely at age 53, but she lived abundantly, migrating through several personae. Early on, she was a hippie, sleeping in crash pads and nearly dying from sepsis, which she contracted from stepping on a rusty nail while bathing in a stream. Later, inspired by seeing the Sex Pistols, she had found her calling. Choosing her moniker from the Yellow Pages, wearing braces on her teeth and Day-Glo outfits, she became a sensation. Like a comet, she streaked across the pop firmament and burnt out quickly, being diagnosed with bipolar disorder in 1978. She pursued a gentler and jazzier sound for her subsequent solo recordings, and in '83 became a Hare Krishna and a vegetarian. In February 2011 she revealed that she had been treated for breast cancer that had spread to her spine and lungs. She died later that year, yet in her short life she accomplished the nearly impossible: cultural immortality. THE PRETENDERSThe guitar signature, driven by Robbie McIntosh on 1983's Middle of the Road by The Pretenders creates an irresistible force, defining a clear road map for singer, Chrissie Hynde. It feels like she's behind the wheel, with the high beams on, going 120, roaring through the Ohio night, around the bend of a Rust Belt highway. She was already 33, and a single mother, as she tells us in the song. With one fist held high, she assures us that she'll be a survivor, and there's no shame in that. She's listed by Rolling Stone as 114 on its list of the 200 Greatest Singers of all time, and at 74, she's still going strong - still driving that muscle car of rock. This woman has ageless style and charisma. She is also a citizen of Great Britain, having moved there initially in '73, and almost marrying Johnny Rotten, Sid vicious, and Ray Davies (she has a daughter by the Kink).  After several misfires trying to start a band, her solo demo tape made it's way to Dave Hill, the owner of Real Records who helped her put the original Pretenders line up together, and the rest, as they say is “Herstory”.

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Clipse's Pusha T and Malice reunited this year for the first time since 2009 with Let God Sort Em Out, and it ended up as one of the year's best albums. In the first episode of Rolling Stone's Voices of the Year, a limited-edition podcast featuring some of the entertainers on our first-ever Voices of the Year list, Simon-Vozick Levinson sits down with Clipse.  The duo talks about their bond as brothers and collaborators, working with their old friend Pharrell Williams, and why they're not close to done. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Climate Positive, Gil Jenkins speaks with Bill McKibben: author, educator, and one of the most acclaimed environmental voices of our time. His latest book, Here Comes the Sun, traces the rise of abundant, inexpensive solar power and argues that if we keep accelerating, we have a real chance not only to limit climate damage, but also to reorder the world on saner and more humane grounds. We dig into the data, the politics, and the people driving the global shift to solar, and Bill also opens up about the role of faith in his work and how he views the environmental movement's trajectory today.Links:Bill McKibben WebsitePurchase Bill's Book - Here Comes the Sun: A Last Chance for the Climate and a Fresh Chance for CivilizationBook Excerpt: 4.6 Billion Years On, the Sun Is Having a Moment – The New Yorker, July 9, 2025Substack: The Crucial Years - Bill's ongoing essays on climate, energy, and activismSun Day WebsiteThird Act WebsiteArticle: Sunday Was Also Sun Day - The New York Times, Sept. 20, 2025Episode recorded on October 20, 2025 About Bill:Bill McKibben is founder of Third Act, which organizes people over the age of 60 for action on climate and justice. His 1989 book The End of Nature is regarded as the first book for a general audience about climate change, and has appeared in 24 languages. He's gone on to write 20 books, and his work appears regularly in periodicals from the New Yorker to Rolling Stone. He serves as the Schumann Distinguished Scholar in Environmental Studies at Middlebury College, as a fellow of the American Academy of Arts and Sciences, and he has won the Gandhi Peace Prize as well as honorary degrees from 20 colleges and universities. He was awarded the Right Livelihood Award, sometimes called the alternative Nobel, in the Swedish Parliament. Foreign Policy named him to its inaugural list of the world's 100 most important global thinkers. McKibben helped found 350.org, the first global grassroots climate campaign, which has organized protests on every continent, including Antarctica, for climate action. He played a leading role in launching the opposition to big oil pipeline projects like Keystone XL, and the fossil fuel divestment campaign, which has become the biggest anti-corporate campaign in history, with endowments worth more than $40 trillion stepping back from oil, gas and coal. He stepped down as board chair of 350 in 2015, and left the board and stepped down from his volunteer role as senior adviser in 2020, accepting emeritus status. He lives in the mountains above Lake Champlain with his wife, the writer Sue Halpern, where he spends as much time as possible outdoors. In 2014, biologists credited his career by naming a new species of woodland gnat—Megophthalmidia mckibbeni–in his honor.Book Blurb:From the acclaimed environmentalist, a call to harness the power of the sun and rewrite our scientific, economic, and political future. Our climate, and our democracy, are melting down. But Bill McKibben, one of the first to sound the alarm about the climate crisis, insists the moment is also full of possibility. Energy from the sun and wind is suddenly the cheapest power on the planet and growing faster than any energy source in history—if we can keep accelerating the pace, we have a chance. Here Comes the Sun tells the story of the sudden spike in power from the sun and wind—and the desperate fight of the fossil fuel industry and their politicians to hold this new power at bay. From the everyday citizens who installed solar panels equal to a third of Pakistan's electric grid in a year to the world's sixth-largest economy—California—nearly halving its use of natural gas in the last two years, Bill McKibben traces the arrival of plentiful, inexpensive solar energy. And he shows how solar power is more than just a path out of the climate crisis: it is a chance to reorder the world on saner and more humane grounds. You can't hoard solar energy or hold it in reserves—it's available to all.There's no guarantee we can make this change in time, but there is a hope—in McKibben's eyes, our best hope for a new civilization: one that looks up to the sun, every day, as the star that fuels our world. Email your feedback to Chad, Gil, Hilary, and Guy at climatepositive@hasi.com.

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with Thanksgiving coming up, we're getting a bit hungry, so all this week's songs have the name of a food in the title. On today's episode, Steve Riddle is watching, “Brown Sugar” by The Rolling Stones from 1971.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=Fmfi3UbDPnQ

This week on The Kelly Alexander Show we're diving into the biggest stories in music, pop culture and entertainment. We break down Lady Gaga's revealing new Rolling Stone interview where she opens up about her life and career. We're also talking Sabrina Carpenter and the exciting new projects she has coming in the new year, plus the first trailer drop for the highly-anticipated Devil Wears Prada sequel. Kelly shares her take on Billie Eilish calling out high-net-worth individuals, what fans can expect from The Voice Season 29 and the launch of a brand-new SNL sister show in the UK. And from our Vintage Vault, we revisit a 2016 interview with Alessia Cara as she reflects on the breakout success of her hit single “Here.”   Thanks for joining us on The Kelly Alexander Show! Follow, rate, and review the podcast to support the show and stay tuned for more music news, pop-culture updates and can't-miss artist interviews every week.

The parents of a Kent baby who died after choking on pasta at nursery have described a six-figure settlement as "the end of a long road".Nine-month old Oliver Steeper was fed chopped up penne bolognese by a member of staff at Jelly Beans in Ashford - despite not being weaned onto solid food. Oliver's dad Lewis has told us how the battle for accountability has been really tough.Also in today's podcast, a couple who run a pub in Northfleet say they're having to leave after 16 years because of rising costs and financial pressures.Val and Janine Buzatu took on Ye Olde Leather Bottle in 2009, and became official licensees in 2020.A Kent councillor has criticised a Reform UK MP after he said it was 'insane' for some pupils to wear ear defenders in class.Richard Tice was asked in a press conference what should be done to tackle what he describes as the 'colossal overdiagnosis of children with conditions like adhd'.Helen Whitehead is Deputy Leader of Thanet District Council and was diagnosed with autism in her 30s. Hear what she had to say in response.And, Sir Mick Jagger's been back to his former school in Kent to mark the 25th anniversary of a performing arts centre named after him.The Rolling Stones legend went to Dartford Grammar while living in nearby Denver Road.The Mick Jagger centre cost £2 million to build and opened in 2000 - Sir Mick has been speaking to reporter Alan Smith. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jake Owen is one of the architects of bro country, churning out radio smashes like “Barefoot Blue Jean Night” and “The One That Got Away.” But on his new album of outlaw country songs, he buries his bro persona. In a shockingly emotional interview on Nashville Now, Owen talks about his big musical risk and how he ended up working with producer Shooter Jennings on the new album Dreams to Dream. It's a vulnerable interview that shows a major country star letting down his guard, and it's only on Rolling Stone's Nashville Now.   Country is Here…Nashville is Now.   Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kirk recently read Cameron Crowe's memoir The Uncool, about his experience writing about music, notably for Rolling Stone. Doug and Kirk reflect on rock music journalism. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes Cameron Crowe: The Uncool, a Memoir (https://amzn.to/4oOzPf3) Almost Famous (https://amzn.to/485TQ9O) Fast Times at Ridgemont High (https://amzn.to/3XD38oG) Jerry Maguire (https://amzn.to/485Ct8O) Aloha (https://amzn.to/3XI2LJr) Can AI tell us anything meaningful about Bob Dylan's songs? - Aeon Essays (https://aeon.co/essays/can-ai-tell-us-anything-meaningful-about-bob-dylans-songs) Write Now with Scrivener (https://podcast.scrivenerapp.com/) The Bongos - Wikipedia (https://en.wikipedia.org/wiki/The_Bongos) Richard Hambleton, ‘Shadowman' of the '80s Art Scene, Dies at 65 - The New York Times (https://www.nytimes.com/2017/11/03/obituaries/richard-hambleton-dead-shadowman-of-the-80s-art-scene.html) Shadowman (https://amzn.to/48mUuAP) (documentary about Richard Hambleton) Our next tracks: Patti Smith: Horses (https://amzn.to/47RAE0E) Superchunk: Misfits & Mistakes: Singles, B-sides & Strays 2007–2023 (https://amzn.to/4idX0gm) If you like the show, please subscribe in Apple Podcasts (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

In this episode, we're joined by one of our absolute favorite authors and experts, Dr. Meg Jay, PhD. She's a clinical psychologist and bestselling author of The Defining Decade and The 20-Something Treatment, and she dives deep with us into why our 20s are such a defining time—and how many of the same principles can also empower us in midlife.We explore identity capital, weak ties, economic uncertainty, and how to better support our 20-something children as they navigate early adulthood. If you're in your 40s or 50s and parenting adult children, or just looking to reimagine your own next chapter, this conversation is packed with validation, insight, and incredibly practical advice. You do not want to miss this one! Episode Highlights: [0:40] - Welcoming Dr. Meg Jay and fangirling over The Defining Decade [3:36] - Why your 20s are the most uncertain and anxiety-filled decade [5:53] - The myth of the carefree 20s and how financial constraints factor in [8:17] - The stress of unstructured life after college and the reality of job-hopping [10:12] - Identity capital: what it is and why it matters [14:57] - Learning from jobs you don't love (hello, Rolling Stone fashion closet!) [16:20] - How perfectionism and enabling parenting can keep 20-somethings stuck [20:05] - The "redefining decade": applying these principles to midlife [21:22] - The power of weak ties and how to actually use them [24:25] - Gen Z vs Gen X: similarities, differences, and the impact of social media [26:21] - Economic challenges and the nuance of living with your parents [30:06] - Launching vs enabling: helping adult children become independent[33:20] - Teaching resilience: tolerating uncertainty without pathologizing it [34:08] - From cooking to job skills: the basics that build real confidence [36:18] - Helping young adults recognize and activate their own agency [38:50] - Dating intentionally: choosing your partner is choosing your family [42:09] - Avoiding emotional entanglement before compatibility is clear [44:57] - Trial, error, and the wisdom of approaching dating like job searching  Links & Resources:Dr. Meg Jay's Website: https://megjay.com/ Dr. Meg Jay's Instagram: https://www.instagram.com/drmegjay  If today's discussion resonated with you or sparked curiosity, please rate, follow, and share "Insights from the Couch" with others. Your support helps us reach more people and continue providing valuable insights. Here's to finding our purposes and living a life full of meaning and joy. Stay tuned for more! Pre-order The Cost of Quiet now! Colette's new book, The Cost of Quiet: How to Have the Hard Conversations that Create Secure, Lasting Love, launches February 3rd. Secure your copy today and get VIP bonuses available only before launch day. https://www.colettejanefehr.com/new-book

Anna Davlantes, WGN Radio's investigative correspondent, joins Bob Sirott to share what happened this week in Chicago history. Stories include when the Chicago Bears signed Red Grange, The Rolling Stones’ impromptu performance with Muddy Waters, the invention of the chocolate phosphate, and more.

Rolling Stone Magazine: 100 Greatest Artists of All Time - Part 1 You owe us one! Kennedy and Clarke endured both pain and pleasure with this list. It takes mucho guts and endurance to make it entertaining and engaging and sensible. So please, good people, listen in!

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A major server in San Jose is down, so you might not be able to reach your favorite site. Roblox is introducing facial recognition to verify users' ages. Tom Cruise was chatting up Sydney Sweeney at the Governors Awards, but she's with a dude named Scooter! Real Christmas trees are in trouble. Are we using too much butter? Definitely not. It's the time of year for family and food traditions - to each their own. Ariana Grande hints at a third Wicked movie. Speaking of Cher, she and Ariana Grande are hosting SNL's final episode of the year. A week before, Josh O'Connor will host promoting the new ‘Knives Out' film with Lily Allen as the musical guest. A 2nd hand doobie smoke turns around a whole flight. Vinnie's telling the hang about a potato bed hack, and it reminds Bob of Burning Man. The conversation gets interesting from there. Death is not an option: Caterpillar or frat boy sheets. Let's talk about some successful stars who ARE self made: Viola Davis, Selena Gomez, and Cardi B. Just because they are self made doesn't mean Vinnie likes them. The live action ‘Moana' trailer is here! Childless? AI can help! Maybe it's better to have pretend kids. San Francisco needs to step up its sins. Ronnie Wood (of The Rolling Stones) makes art that's inspiring in an unusual way. There's so many ways to embrace going gray, but Vinnie doesn't want to be Santa Claus. Patrick Mahomes and his wife Brittany Mahomes are not good artists, but it's probably not the reason their relationship is on the rocks. Weird Al has announced a tour! Don't forget to watch ‘Planes, Trains, & Automobiles' for Bob's Movie Club! Vinnie's got a disturbing story about a real life Black Mirror episode. Plus, how old is that guy?

Ronnie Wood (of The Rolling Stones) makes art that's inspiring in an unusual way. There's so many ways to embrace going gray, but Vinnie doesn't want to be Santa Claus. Patrick Mahomes and his wife Brittany Mahomes are not good artists, but it's probably not the reason their relationship is on the rocks. Weird Al has announced a tour! Don't forget to watch ‘Planes, Trains, & Automobiles' for Bob's Movie Club! Vinnie's got a disturbing story about a real life Black Mirror episode. Plus, how old is that guy?

Notes and Links to Kaila Yu's Work       Kaila Yu is a singer, songwriter, former model, and freelance journalist for Rolling Stone, CNN, Glamour, and more.    She was formerly the lead singer for the all-Asian-American, female rock band Nylon Pink. Yu is also one of the founders of the jewelry/fashion line "Hello Drama" which is affiliated with the Nylon Pink band and style. Buy Fetishized: A Reckoning With Yellow Fever, Feminism, and Beauty   Kaila's Instagram   Review of Fetishized for The New York Times   At about 1:10, Kaila responds to Pete's questions about feedback she has gotten on the book, and how she sees the book now, post-publication  At about 3:15, Pete asks Kaila to share background information on her reading and language life At about 4:45, Kaila talks about how writing as a profession developed and shouts out Minor Feelings by Cathy Park Hong and Melissa Febos and Roxane Gay's greatness At about 7:05, Kaila talks about the catalysts for her writing her book, largely around the beginning of the Covid pandemic At about 10:20, Kaila talks about distinctions, or lack thereof, between “fetish” and preference  At about 11:45, Kaila and Pete discuss the book's opening and hurtful and harmful comments towards Kaila, some in recent years  At about 13:20, Kaila reflects on “mainstreamed objectification” and an observation from the book that “objectification was better than invisibility” At about 16:35, the two discuss halting attempts at Asian representation in the 90s and early 2000s At about 18:10, Kaila discusses the evolution of Asian and Asian-American stars and their ability to “make their own lane” At about 19:05, Kaila talks about ideas of personal “diminish[ment]” growing up in comparison to media portrayals  At about 20:30, Kaila responds to Pete's questions about the effects of Memoirs of a Geisha and perpetuation of harmful tropes At about 22:30, more examples of problematic representation of Asian women in pop culture and in Kaila's schooling are discussed At about 23:00, Kaila talks about the evolution of “ABGs” At about 25:30, Kaila talks about the “groundbreaking” Joy Luck Club and also ways that it could have been better in minimizing stereotypes At about 26:30, Kaila gives background on the start of her pinup model, as well as how rife the industry is with sexualization and sexual crimes At about 27:45, Kaila gives background on a contemporary San Diego “modeling gig” agency that led to sexual crimes, showing how her experience was sadly not unique  At about 30:05, Kaila responds to Pete's question about online and in-person hateful and misogynistic comments and how she and bandmates  At about 31:50, Kaila talks about she didn't connect at the time, but does now, about how she dealt with traumas  At about 33:00, Shoutout to Allen Carr and his anti-smoking books At about 33:45, Pete asks Kaila about the pitfalls of fame, and her ceaseless battle to remove a defamatory video At about 35:35, Kaila talks about ideas of a "separation" and the impetus for her name change At about 36:40, The two discuss ideas of interchangeability and the history of blepharoplasty At about 38:50, Afong Moy and other exoticism and inhumane conditions for Asian women are discussed, and how this led to a sexualization of these women  At about 41:15, Kaila and Pete discuss some acting and entertainment highlights and struggles; included is some reminiscing about MySpace! At about 43:50, Kaila responds to Pete's questions about the end of her music career and performing in multiple ways At about 45:15, Kaila talks about recent iterations of KPop and patriarchal and feminism in more current music  At about 46:55, Kaila reflects on positive feedback and the legacy involving Nylon Pink At about 47:10, Kaila talks Guns n Roses and “classic” songs and concerts At about 49:15, Kaila forecasts what she will be writing about in the future       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 310 with Stephanie Elizondo Griest, a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman's Global Exploration of the Joys and Torments of a Creative Life. The latter will be the main conversation piece. This episode airs on November 20. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

Tori Dunlap is back on The Real Stuff!

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With a film credits in Dr. Strangelove, Conan the Barbarian, Coming to America, Field of Dreams and The Hunt for Red October and off-screen credits in many Shakespearean stage roles, two Tony awards, military service, Ranger School and his Ranger Tab, there would be so many conversations to have with James Earl Jones. But over and over, fans just clamored for the catch phrase, “Luke. I am your Father.” Peter Su's “catch phrase” is writing for Rolling Stone. He loves the gig. But as a banker with over 24 years experience, who can paper a wall with his credentials, he is occasionally annoyed that is all people want to talk to him is the Rolling Stone. So, of course, we ask him about writing for Rolling Stone.Also listen for why Trevor's fictitious New York State licensed, legal cannabis dispensary could be laundering money, how your Mandarin speaking parents have a literal language barrier to understanding why you want to start that cannabis business and the Asian Cannabis Roundtable.Peter Su - LinkedInRolling StoneAsian Cannabis RoundtableMusic by:Taiwan MC - Let the Weed Bun - YouTubeAdditional Music:Desiree Dorion desireedorion.comMarc Clement - FacebookTranscripts, papers and so much more at: reefermed.ca

How did a once-celebrated critic of Wall Street end up advancing Elon Musk's “anti-woke” agenda and defending MAGA? This episode retraced the life and career of Matt Taibbi to find out, featuring in-depth perspective from our guest Eoin Higgins.You'll hear about Taibbi's early years in Russia, his controversial comments about women, and his rise to prominence as a star writer at Rolling Stone. Then, you'll hear about pivotal moments in his career that signaled his drift into reactionary politics and appeals to conservative audiences.Taibbi is one of the most successful journalists in the world, and his eagerness to punch left has earned him affection from a host of right-wing reactionaries. This episode of Posting Through It explores how he got there and what his transformation might reveal about today's media ecosystem.Links for Eoin:Owned: How Tech Billionaires on the Right Bought the Loudest Voices on the LeftTwitter / BlueskyTransition Music: "White Gloves II" by Kahrugabin

Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk!  PART ONE:Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft. PART TWO:Our in-depth conversation with the legendary Bootsy CollinsABOUT BOOTSY COLLINS:Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B's most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown's backup band, The J.B.'s. He was credited as a songwriter on classic J.B.'s songs such as “The Grunt” and “These Are the J.B.'s.” In 1972, he joined George Clinton's Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy's Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I'd Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino's Grammy-winning platinum hit “Redbone,” which paid homage to “I'd Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Puerto Rico is the oldest colony in the world, something that must change, says Ed Morales. Today Ed drops in to talk about the history of Puerto Rico, the Puerto Rican diaspora, and how colonialism has hurt the island over the last 500 years.About our guest:Ed Morales is an author and journalist who has written for The Nation, The New York Times, The Washington Post, Rolling Stone, and the Guardian. He was staff writer at The Village Voice and columnist at Newsday. He is the author of Fantasy Island: Colonialism, Exploitation, and the Betrayal of Puerto Rico (Bold Type Books), Latinx: The New Force in Politics and Culture (Verso Books 2018), The Latin Beat (Da Capo Press 2003) and Living in Spanglish (St. Martins 2002). In 2019 Latinx was shortlisted for the Nayef Al-Rodhan Prize for Global Cultural Understanding by the British Academy in London. In 2009, while a Columbia University Revson Fellow, Morales wrote and directed Whose Barrio? (2009) an award-winning documentary about the gentrification of East Harlem. The film was inspired by “Spanish Harlem on His Mind,” an essay published in The Best of the City Section of the New York Times (NYU Press 2005). Morales is also a 2022-23 Mellon Bridging the Divides Fellow at the Center for Puerto Rican Studies in New York.

This episode of Across The Margin : The Podcast features an interview with author and seasoned music and culture journalist, Mike Ayers. Mike has had work published in Billboard, The Wall Street Journal, Rolling Stone, Time, Esquire, and Relix. His first book, One Last Song: Conversations on Life, Death, and Music came out in 2020, with Variety declaring it as one of the best music books of the year. His latest book, Sharing in the Groove: The Untold Story of the '90s Jam Band Explosion and the Scene that Followed, is the focus of this episode Sharing in the Groove is a rich examination of an underdog genre that helped define the 1990s musical landscape — a scene that paved the way for modern-day cultural institutions such as the Bonnaroo Music Festival and kept the Grateful Dead ethos alive. Beginning in the mid-'80s and traveling up to New Year's Eve 1999, Sharing in the Groove covers milestones such as getting signed to record labels and working the club scenes to playing amphitheaters and arenas. Along the way, details emerge of the scene's own cultural values and the desire to be unique in a world that wanted them to follow a prescribed path. Ultimately, it's a DIY story of creativity and making music — and how that won over a huge audience. Filled with anecdotes and stories directly from the musicians, promoters, managers, roadies, producers, label executives, and fans who lived this scene, Sharing in the Groove is a fun, fast-paced oral history that will appeal to music lovers everywhere. Hosted on Acast. See acast.com/privacy for more information.

Hello from James VanOsdol. As I type this, I’m recovering from appendix-related issues and preparing for an appendectomy just before Christmas. I’m counting it as a holiday gift. Bottom line: I’m not able to get out and record the podcast in-person or at my usual pace at the moment. When I first announced that I had been hospitalized (twice!) for a perforated appendix, I had a few kind friends offer to step in and guest host Car Con Carne in my expected absence. The first person to suggest the idea is friend and former radio colleague Kevin Kellam (Q101). I told him to go nuts and do whatever he wanted, and he killed it. For this episode, he interviews author/rock journalist Greg Prato, whose work has been seen in major publications like Rolling Stone and Classic Rock. He’s also the author of dozens (!) of books, including the focus of this conversation, Alternative for the Masses: The '90s Alt-Rock Revolution - An Oral History. Greg knows his stuff, and if you have any interest in the 90s (I mean, who doesn’t ?), you’re going to love this chat with Greg and Kevin. Thanks for supporting Car Con Carne, especially during this weird period where I’m off the grid. Please support the podcast’s guest hosts (listen to Kevin on Q101; buy Greg’s books)! Thank you for listening and watching. -JVO ## Car Con Carne is sponsored by Easy Automation: If you’re looking to transform your home, office, or business into a smart, seamlessly connected space, Easy Automation delivers custom automation solutions that are tailored to your lifestyle. Easy Automation makes technology work for you—effortlessly, reliably, and always with your satisfaction guaranteed. Visit easy-automation.net or call Dan at 630-730-3728 and take control of your environment today! ## Car Con Carne is also sponsored by Exploding House Printing. Bands, brands, listeners who want to get the word out: Exploding House Printing can help with your screen printing, embroidery and other merch needs. Exploding House delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or go to their website or just email info@explodinghouseprinting.com to get a quote! See omnystudio.com/listener for privacy information.

Welcome to Episode #25 of the 90s State of Mind podcast - a collaborative project between 4ever in Electric Dreams and Blue-in-Green:RADIO. This podcast series sees Imran (London, UK) and Rhonda (California, USA) delve into some of their favourite releases from the 90s and for this episode, the pair celebrate the timeless and pioneering music of D'Angelo. Michael Eugene Archer - better known as D'Angelo - sadly passed away 14th October 2025. Following the success of albums 'Brown Sugar' (1995), 'Voodoo' (2000) and 'Black Messiah' (2014), D'Angelo went on to achieve widespread acclaim and be heralded as ushering in the introduction of neo-soul, opening the door to artists including Erykah Badu, Bilal and Jill Scott. As a Grammy-winning artist, Billboard named him one of the greatest R&B artists, while Rolling Stone magazine ranked him as one of the 200 Greatest Singers of All Time. In 2025, D'Angelo was inducted into the National Rhythm & Blues Hall of Fame. Imran & Rhonda delve deep into D'Angelo's music, exploring each of his three album releases, numerous collaborations and b-sides, plus they regard his efforts within the wider context of contemporary soul. www.4everinelectricdreams.com/ Blue-in-Green:RADIO is a London-based online internet radio station which celebrates 21st century soul, jazz, funk, Latin & hip-hop music. www.blueingreenradio.com TuneIn: bit.ly/2LBK0BD

Simone Biles talks about her implants, Michigan at Wrigley Field, Sami Sheen vapid tattoo tour, Texas cop v. Gamecocks, KISS honors Ace, Bond girl Kendall Jenner, Ohtani's dog > his wife, and our show causes car accidents. We'll do a LIVE Detroit Lions overreaction show tomorrow at 10:30am. Get your Drew Lane Show merch today! Sports: Marc went to Wrigley Field to support the cult. The Michigan Wolverines defeated Northwestern 24-22. Texas A&M had a wild comeback against the South Carolina Gamecocks. A Texas State Trooper stole the show with some roughhousing. The Alabama kicker is a hothead! Bronny James started and sucked it up. MSU lost another one, this time to Penn State. College GameDay had the worst $2M kicks possibly ever. The Eddie Murphy documentary remains watchable. Drew went on a Murphy movie binge this weekend. Music: Gene Simmons had some nice words for Ace Frehley. Paul Stanley led a moment of silence. Some lost Black Sabbath demos are going to be released. Sharon Osbourne is none too pleased. Alex Van Halen is dropping another book. AI country is taking over the charts. Wolfgang Van Halen has a new Mammoth album out. Shohei Ohtani won another MVP award and he shows his love to his dog. A THIRD deer was smoked while listening to our program. Another dude was involved in a hit and run while listening. Send your crashes to 209-66-Boner! Michelle Obama has another book out. She claims the US isn't ready for a female president. She goes on to explain why Black people can't swim. California gubernatorial candidate Katie Porter is cratering. Politics: Tucker Carlson got ahold of Thomas Matthew Crook's digital footprint. Rocket Money pulls their advertising from Carlson due to Nick Fuentes' appearance on the show. Dasha Nekrasova was dropped by her talent agency for appearing on Fuentes' show. Zohran Mamdani may get his tax raise approved in New York. Kanye West is sorry for being antisemetic. Kylie Jenner is about to make a crappy album. Kendall Jenner wants to be the next Bond girl. Britney Spears cuddled up with the Kardashians over the weekend. The Rolling Stones covered disco classic Shame, Shame, Shame by Shirley & Company. The Stones had quite the Disco run. Simone Biles got some great new boobies. Dave Portnoy heckler, Patrick McClintock, had a GoFundMe that raised $30K. It seems to be gone now. Sami Sheen gives us a tour of her crappy tattoos. She hates the vast majority of them. The Wikipedia co-founder storms off podcast. Billie Eilish vs Elon Musk. There is a war against billionaires! Amy Schumer has lost weight and so she's dumping her husband. South Park continues going hard at Donald Trump as they show him nailing JD Vance. The BBC edited a Jan 6th clip of Donald Trump and the head of the network has resigned. Nauseating troll, Jack Doherty, was arrested in Miami. Hilary Duff is going on tour. She once gave Mike Comrie a BJ after he proposed. Meghan Markle shares a preview of her Christmas decorations. We roll through this Markle classic. She recently made another cooking blunder. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Oscar-Winning legend Martin Scorsese (Killers of the Flower Moon, Taxi Driver, The Departed) directs this epic tale about The Rise and Fall of the Mob in Las Vegas, based on true events.  It's the story of how mafia handicapper Sam "Ace" Rothstein (Robert DeNiro) took over the Tangiers casino on The Strip and helped bring it to unprecendented sucess, helped by mafia enforcer Nicky Santoro (Joe Pesci).  He falls in love with a local hustler named Ginger McKenna (Sharon Stone) and over time, their relationship deteriorates as does his handle on many crazy things being done by Nicky....and eventually the Mob no longer had power in Las Vegas.  Nominated for one Oscar (Sharon Stone, Best Actress), this was initially met with some disappointment upon release as many compared it to Scorsese's similarly themed classic mob epic Goodfellas from five years prior.  Over time, its reputation has grown thanks to several memorable scenes and performances - the stacked cast also includes James Woods, Don Rickles, Kevin Pollak, Alan King, and Frank Vincent.Host: Geoff GershonEdited By Ella GershonProducer: Marlene Gershon Send us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

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Officials in Charlotte, North Carolina, are expecting Border Patrol agents to arrive in the city in the coming days for a crackdown on illegal immigration. CBS News' Camilo Montoya-Galvez talks about why the administration is increasingly turning to Border Patrol agents for its immigration operations in cities that are not on the border. Then, AI stocks are sagging after reaching record highs, prompting some investors to warn of a bubble. We speak with The New York Times' Andrew Ross Sorkin about whether a crash is near. And, Vibe magazine is merging with Rolling Stone to help bolster its hip-hop coverage to include podcasts, long-form journalism and social media. Duke University professor Mark Anthony Neal discusses what this merger could mean for the future of Black cultural criticism.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

First up, Christopher and Tom talk about artists who have come back when many people had bet against them – from Tina Turner to The Rolling Stones to Miley Cyrus to The Chicks. In light of the recent Oasis reunion, we have some incredible clips of both Liam and Noel Gallagher from almost 25 years ago, years before their split and decades before their reunion. It’s a great, and often very funny, collection of comments and insight from the brothers. Plus, we talk to our good friend Bill Welychka, whose interviews with Liam and Noel are what we’re highlighting this week. And Bill has some great insights into the brothers. Speaking of brothers, The Kinks were fueled by the Davies brothers, Ray and Dave – and they, like the Gallaghers, created incredible music while also feuding bitterly with each other. This chat is from 1979, as the Kinks were promoting the Low Budget, which was somewhat of comeback for them. And Christopher is going to love what he has to say about songwriting. Then we feature a brief couple of clips with a woman who had two very different hits in the ‘70s. Yvonne Elliman was featured on the Jesus Christ Superstar album in the early ‘70s and then on the Saturday Night Fever album a few years later. The story of Yvonne’s big break is a great one… and she tells it well. We’ll also hear how she walked away from a deal that could have meant millions of dollars in the long run – and how she dealt with that. And we wrap up the show with Cool Song Facts… in which we find out what huge Stones song got the thumbs down by Mick and Keith… thank god they were outvoted. Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

On Episode 115 of the Planet LP Podcast, Ted Asregadoo dives deep into a pivotal moment in The Who's history — their 1978 album Who Are You — with longtime Who aficionado Jason Hare. Who Are You may not top most fans' lists of the band's greatest albums, but it remains one of the most significant. Released on August 18, 1978, it was the last record to feature the original lineup and arrived at a moment when the band — and Pete Townshend in particular — were confronting their own fading relevance. As rock critic Greil Marcus noted in his 1978 Rolling Stone review, much of the album is shaped by Townshend's anxieties about obsolescence, artistic exhaustion, and the shifting musical landscape. Forty-seven years later, Who Are You gets the full Super Deluxe treatment, just as The Who call it quits (again) after their final “This Song Is Over” tour in 2025 — a greatest-hits victory lap for casual fans, but not always the deep-cut celebration hardcore devotees were hoping for. Ted and Jason unpack what this new box set offers: the unheard material, the surprises, what genuinely adds to the album's legacy, and where the collection may come up short. They also take a candid look at Keith Moon's final performances — the brilliance, the decline, and the tragedy of a 32-year-old who seemed decades older. It's an episode for fans who want more than nostalgia — they want context, history, and a dash of humor in The Who's transitional chapter. Steve Fox's Old School sponsors the Planet LP podcast! Steve Fox's Old School. It's the first place to go to stream R&B dance hits from the 1970s to the 1990s. Read Greil Marcus's 1978 review of "Who Are You" in Rolling Stone magazine.

Barry and Abigail try something a little different with newly minted Three-Timer Jeff “Jafo” Shettler, who previously appeared on Jukebox: Wish There Were Beer (Pink Floyd and brewLAB) and Bonus: Pink Floyd Leftovers (Pink Floyd and brewLAB Leftovers). Jafo brings us on location to brewLAB in Carpinteria, California, to open a bottle of The False Prophet he had been saving for over eight years.Watch this video version of this episode!Suggested pairings of brewLAB beers and albums we heard included: Green Tea IPA and Mad Villainy by MF DOOM, Coco Johnny and Time Out of Mind by Bob Dylan, Green Tea IPA and Rust Never Sleeps by Neil Young, Beatbox and License to Ill by Beastie Boys, and Sorciere Noir and Dub Side of the Moon by Easy Star All-Stars.Abigail was intrigued by Mangose and Botanicale Deux. Barry called out Rice Rice Baby.Jafo suggested pairing The False Prophet with Sympathy for the Devil by The Rolling Stones, Bitches Brew by Miles Davis, or Ripple by Grateful Dead. Other suggested song pairings we heard included California Dreamin' by The Mamas & The Papas, Caravan by Van Morrison, Cinnamon Girl by Neil Young, Banana Pancakes by Jack Johnson, and Worst Comes to Worst by Dilated Peoples.Barry suggested pairing Jafo's homebrewed Maple Bacon Bourbon Porter with Darkness on the Edge of Town by Bruce Springsteen. By the way, you can hear our discussion of this album in our episode Dark Beer on the Edge of Town from 2021.Abigail wasn't drinking, but she plugged I Don't Want to Know by Fleetwood Mac.Dave, one of the brewers and the beertender the night we “stopped by,” suggested pairing The False Prophet with (Got) Everything to Shine by Saudade Experiment.Up next… Brothers in Arms by Dire StraitsJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

Gangsters, rude boys, drug dealers, soviet bootleggers, ticket scalping syndicates, and psychedelic chemists—why do criminals like the “Nitrous Mafia” associated with Phish, and the Italian Mafia linked to Tommy James, so often infiltrate and influence music culture? This topic, along with your voicemails, texts, and emails, and in the All Access portion, Jake and Zeth unpack the fascinating history of violence in Jamaican music. You can become an All Access member and hear this and more exclusive content, along with ad-free listening of all Disgraceland episodes, by going to disgracelandpod.com and signing up via Patreon or Apple Podcasts. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 104 - George Harrison Episode 36 - Rolling Stones in Exile Episode 135 - Aerosmith To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Trace Foster on AC/DC, Aerosmith & Close Enemies | Guitar Tech to Rockstar What's it like teaching for AC/DC, Aerosmith, and The Rolling Stones—and then stepping into the spotlight yourself?

On the latest episode of The Rolling Stone Interview video podcast, FKA Twigs sits down with Rolling Stone Deputy Music Editor Julyssa Lopez ahead of the release of her highly anticipated fourth studio album, Eusexua Afterglow (out November 14th). In the intimate conversation, the Grammy-nominated British artist opens up about her creative evolution, the spiritual themes behind her Eusexua era, and the lessons she's learned running her own career. Twigs also shares stories from the set of her new film The Carpenter's Son with Nicolas Cage, reflects on her early days as a backup dancer for Kylie Minogue, and talks about featuring North West in her new video for “Childlike Things.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Malin Pettersen is a Norwegian singer-songwriter and Spellemannprisen winner (Norwegian Grammy), who has released multiple solo records as well as records with her band, Lucky Lips, has toured extensively throughout Europe and America, and has been acclaimed by Rolling Stone, Forbes, No Depression, Paste and even Iris Dement is a fan. We talk with Malin about the illusion of success, cultural duality between Norway and America, the Norwegian government's support for artists,  embracing uncertainty, doubt, and struggle, and so much more.Get more access and support this show by subscribing to our Patreon, right here.Links:Malin PettersonEp 123 - Dave HausDarling WestEp 69 - Lilly HiattJansen RecordsEp 128 - FlyteEzra Klein x Ta-Nehisi Coates conversation“Just Kids” - Patti SmithClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Greg Banaszak- Described by The New York Times as "a saxophone tour de force" and hailed by Rolling Stone as "The Greg Banaszak Juggernaut," Greg Banaszak stands among today's leading saxophonists, captivating audiences across the globe. Renowned for his versatility, Banaszak is one of the rare artists equally celebrated in both the classical and jazz worlds. His career seamlessly bridges these genres through concerto performances, solo and chamber recitals, and appearances at major jazz festivals. He has performed throughout the United States, Europe, and beyond, gracing such prestigious venues as Vienna's Bösendorfer Concert Hall, the Royal Palace in Warsaw, and New York's Lincoln Center's Bruno Walter Hall. Notably, Banaszak was the first saxophone concerto soloist to perform with orchestras in both the Middle East and Korea. A dedicated educator and performer, Greg Banaszak shares his expertise with the next generation of musicians at the Cleveland Institute of Music at Case Western Reserve University. Greg's Website Here ______________________________ Follow me on my Instagram or Facebook Podcast Facebook page here Check out KristiCapel.com Email: Kristicapelpodcast@gmail.com        

This week, we tune our ears back 50 years to 1975 and flip through some of the albums released in that year. Each episode will examine those records from a different angle. In the second part of the series, we run down some of the critical choices for best album of 1975, including lists from Paste, Rolling Stone and the Village Voice's Pazz and Jop.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

1965 may feel like an entirely different lifetime, but even if you're Gen X or a Millennial, chances are you know the songs and the icons from that incredible year. Cher! The Beatles! The Rolling Stones! The Supremes! Legends in their prime whose music continues to hold cultural cache 60 years after its release. So join the Great Pop Culture Debate as we do the time warp and try to determine the Best Song of 1965. Songs discussed: “Unchained Melody” by The Righteous Brothers, “Help!” by The Beatles, “(I Can't Get No) Satisfaction” by The Rolling Stones, “My Girl” by The Temptations, “Ticket to Ride” by The Beatles, “You've Lost That Lovin' Feeling” by The Righteous Brothers, “Stop! In the Name of Love” by The Supremes, “I Got You Babe” by Sonny & Cher, “Do You Believe in Magic?” by The Lovin' Spoonful, “How Sweet It Is (To Be Loved By You)” by Marvin Gaye, “What the World Needs Now is Love” by Jackie DeShannon, “It's Not Unusual” by Tom Jones, “I Can't Help Myself (Sugar Pie Honey Bunch)” by The Four Tops, “California Girls” by The Beach Boys, “We Got to Get Out of This Place” by The Animals Join host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Zack Derby as they discuss and debate 16 of the biggest hits from 60 years ago. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, John Higgins, Zack Derby Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #music #1960s #60smusic #popmusic #rockmusic #unchainedmelody #righteousbrothers #cher #sonnyandcher #igotyoubabe #thebeatles #beatles #beatleshelp #rollingstones #satisfaction #marvingaye #thefourtops #thebeachboys #beachboys #fourtops #temptations #thetemptations #thesupremes #supremes #dianaross #motown #tomjones Learn more about your ad choices. Visit megaphone.fm/adchoices

Ronnie Wood is a musician and artist who has been a major player on the UK music scene for over 60 years. In 1975 Ronnie became a member of the Rolling Stones, one of the most influential and enduring bands of the rock era.Ronnie's parents were born and worked on barges moving cargo up and down the canals between Manchester, Stratford-upon-Avon and London. Ronnie and his two older brothers were the first in the family to be born on dry land.Ronnie's brothers, Ted and Art, were accomplished musicians and played in highly respected bands. Ronnie made his debut at nine-years-old when he played the washboard in Ted's band during a performance at their local cinema. Ronnie formed his first band, The Birds, with some friends. In 1967 he joined the Jeff Beck Group with his lifelong friend Rod Stewart. Two years later they formed the Faces with the remaining members of the Small Faces. Ronnie joined the Rolling Stones in 1975, replacing the band's previous guitarist Mick Taylor. Ronnie's love of art developed in childhood and he studied at Ealing College of Art. His work has been shown in exhibitions around the world.Ronnie lives in Hertfordshire with his wife Sally and their two children.Presenter: Lauren Laverne Producer: Paula McGinleyDISC ONE: Guitar Shuffle - Big Bill Broonzy DISC TWO: Shame, Shame, Shame - Jimmy Reed DISC THREE: Smokestack Lightnin' - Howlin' Wolf DISC FOUR: You Need Love - Muddy Waters DISC FIVE: Adelaide - Frank Sinatra DISC SIX: Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante "Elvira Madigan". Performed by Géza Anda (piano) and Camerata Salzburg (Orchestra) DISC SEVEN: Roll Over Beethoven – Chuck Berry DISC EIGHT: Maybe I'm Amazed - Paul McCartney BOOK CHOICE: Just for Today: Daily Meditations for Recovering Addicts by Narcotics Anonymous LUXURY ITEM: A chest containing art materials and a carpet CASTAWAY'S FAVOURITE: Smokestack Lightnin' - Howlin' Wolf There are more than 2000 programmes in our archive available for you to listen to. We have cast away other musicians and songwriters including Mark Knopfler, Bruce Springsteen and Cyndi Lauper. Ronnie's fellow Stones, Keith Richards and Charlie Watts, are in our archive too along with Ronnie's friend Paul McCartney. You can find their episodes on BBC Sounds or on our Desert Island Discs website.

All of this week's episodes of It Could Happen Here put together in one large file. - Occulture, Technomancy vs Tradition, and the Role of Magick in 2025 - The Shady Business of Lethal Injection: The Heart Stops Reluctantly - The Shady Business of Lethal Injection: Out of Sight, Out of Mind - The Shady Business of Lethal Injection: The Quality of Mercy - Executive Disorder: White House Weekly #40 You can now listen to all Cool Zone Media shows, 100% ad-free through the Cooler Zone Media subscription, available exclusively on Apple Podcasts. So, open your Apple Podcasts app, search for “Cooler Zone Media” and subscribe today! http://apple.co/coolerzone Sources: The Shady Business of Lethal Injection: The Heart Stops Reluctantly Corinna Barrett Lain, Secrets of the Killing State: The Untold Story of Lethal Injection (New York: New York University Press, 2025.) Michael Phillips and Betsy Friauf, The Purifying Knife: The Troubling History of Eugenics in Texas (Norman: University of Oklahoma Press, 2025.) Austin Sarat, Gruesome Spectacles: Botched Executions and America’s Death Penalty (Stanford: Stanford University Press, 2014.) The Shady Business of Lethal Injection: Out of Sight, Out of Mind Corinna Barrett Lain, Secrets of the Killing State: The Untold Story of Lethal Injection (New York: New York University Press, 2025.) Dick Reavis, “Charlie Brooks’ Last Words,” Texas Monthly (February 1983.) The Shady Business of Lethal Injection: The Quality of Mercy Breanna Ehrlich, “The Last Face Death Row Inmates See,” Rolling Stone, March 29, 2025 (https://www.rollingstone.com/culture/culture-features/death-row-reverend-jeff-hood-1235305460/) Anand Giridharadas, The True American: Murder and Mercy in Texas (New York: W.W. Norton and Company, 2014.) Corinna Barrett Lain, Secrets of the Killing State: The Untold Story of Lethal Injection (New York: New York University Press, 2025.) Executive Disorder: White House Weekly #40 https://www.texasobserver.org/texas-dps-287g-ice-trump-abbott/ https://www.courtlistener.com/docket/71832522/moreno-gonzalez-v-noem-secretary-us-department-of-homeland-security/ https://www.courtlistener.com/docket/71875910/1/tangipa-v-newsom/ https://calmatters.org/politics/2025/11/proposition-50-overnight-results/ https://truthsocial.com/@realDonaldTrump/posts/115492361756063244 https://www.whitehouse.gov/fact-sheets/2025/11/fact-sheet-president-donald-j-trump-strikes-deal-on-economic-and-trade-relations-with-china/ https://archive.vn/rR8Ix https://projects.propublica.org/nonprofits/organizations/522166327/202133199349305758/full https://finance.yahoo.com/news/live/trump-tariffs-live-updates-trump-says-china-cant-have-nvidias-top-ai-chips-supreme-court-case-looms-162418765.html https://archive.vn/BFLOe https://archive.vn/uxkws#selection-799.0-808.0 https://thehill.com/homenews/state-watch/5588695-abbott-tariffs-new-yorkers-texas-election/ https://www.nytimes.com/interactive/2025/11/04/us/elections/nyc-mayor-results-precinct-map.html https://www.theguardian.com/us-news/2025/nov/05/zohran-mamdani-victory-speech-transcript https://finance.yahoo.com/news/live/trump-tariffs-live-updates-trump-says-china-cant-have-nvidias-top-ai-chips-supreme-court-case-looms-162418765.html https://archive.vn/BFLOe https://archive.vn/uxkws#selection-799.0-808.0 https://thehill.com/homenews/state-watch/5588695-abbott-tariffs-new-yorkers-texas-election/ https://www.nytimes.com/interactive/2025/11/04/us/elections/nyc-mayor-results-precinct-map.html https://www.theguardian.com/us-news/2025/nov/05/zohran-mamdani-victory-speech-transcriptSee omnystudio.com/listener for privacy information.