Podcasts about The Rolling Stones

Ronnie Wood (of The Rolling Stones) makes art that's inspiring in an unusual way. There's so many ways to embrace going gray, but Vinnie doesn't want to be Santa Claus. Patrick Mahomes and his wife Brittany Mahomes are not good artists, but it's probably not the reason their relationship is on the rocks. Weird Al has announced a tour! Don't forget to watch ‘Planes, Trains, & Automobiles' for Bob's Movie Club! Vinnie's got a disturbing story about a real life Black Mirror episode. Plus, how old is that guy?

A major server in San Jose is down, so you might not be able to reach your favorite site. Roblox is introducing facial recognition to verify users' ages. Tom Cruise was chatting up Sydney Sweeney at the Governors Awards, but she's with a dude named Scooter! Real Christmas trees are in trouble. Are we using too much butter? Definitely not. It's the time of year for family and food traditions - to each their own. Ariana Grande hints at a third Wicked movie. Speaking of Cher, she and Ariana Grande are hosting SNL's final episode of the year. A week before, Josh O'Connor will host promoting the new ‘Knives Out' film with Lily Allen as the musical guest. A 2nd hand doobie smoke turns around a whole flight. Vinnie's telling the hang about a potato bed hack, and it reminds Bob of Burning Man. The conversation gets interesting from there. Death is not an option: Caterpillar or frat boy sheets. Let's talk about some successful stars who ARE self made: Viola Davis, Selena Gomez, and Cardi B. Just because they are self made doesn't mean Vinnie likes them. The live action ‘Moana' trailer is here! Childless? AI can help! Maybe it's better to have pretend kids. San Francisco needs to step up its sins. Ronnie Wood (of The Rolling Stones) makes art that's inspiring in an unusual way. There's so many ways to embrace going gray, but Vinnie doesn't want to be Santa Claus. Patrick Mahomes and his wife Brittany Mahomes are not good artists, but it's probably not the reason their relationship is on the rocks. Weird Al has announced a tour! Don't forget to watch ‘Planes, Trains, & Automobiles' for Bob's Movie Club! Vinnie's got a disturbing story about a real life Black Mirror episode. Plus, how old is that guy?

Notes and Links to Kaila Yu's Work       Kaila Yu is a singer, songwriter, former model, and freelance journalist for Rolling Stone, CNN, Glamour, and more.    She was formerly the lead singer for the all-Asian-American, female rock band Nylon Pink. Yu is also one of the founders of the jewelry/fashion line "Hello Drama" which is affiliated with the Nylon Pink band and style. Buy Fetishized: A Reckoning With Yellow Fever, Feminism, and Beauty   Kaila's Instagram   Review of Fetishized for The New York Times   At about 1:10, Kaila responds to Pete's questions about feedback she has gotten on the book, and how she sees the book now, post-publication  At about 3:15, Pete asks Kaila to share background information on her reading and language life At about 4:45, Kaila talks about how writing as a profession developed and shouts out Minor Feelings by Cathy Park Hong and Melissa Febos and Roxane Gay's greatness At about 7:05, Kaila talks about the catalysts for her writing her book, largely around the beginning of the Covid pandemic At about 10:20, Kaila talks about distinctions, or lack thereof, between “fetish” and preference  At about 11:45, Kaila and Pete discuss the book's opening and hurtful and harmful comments towards Kaila, some in recent years  At about 13:20, Kaila reflects on “mainstreamed objectification” and an observation from the book that “objectification was better than invisibility” At about 16:35, the two discuss halting attempts at Asian representation in the 90s and early 2000s At about 18:10, Kaila discusses the evolution of Asian and Asian-American stars and their ability to “make their own lane” At about 19:05, Kaila talks about ideas of personal “diminish[ment]” growing up in comparison to media portrayals  At about 20:30, Kaila responds to Pete's questions about the effects of Memoirs of a Geisha and perpetuation of harmful tropes At about 22:30, more examples of problematic representation of Asian women in pop culture and in Kaila's schooling are discussed At about 23:00, Kaila talks about the evolution of “ABGs” At about 25:30, Kaila talks about the “groundbreaking” Joy Luck Club and also ways that it could have been better in minimizing stereotypes At about 26:30, Kaila gives background on the start of her pinup model, as well as how rife the industry is with sexualization and sexual crimes At about 27:45, Kaila gives background on a contemporary San Diego “modeling gig” agency that led to sexual crimes, showing how her experience was sadly not unique  At about 30:05, Kaila responds to Pete's question about online and in-person hateful and misogynistic comments and how she and bandmates  At about 31:50, Kaila talks about she didn't connect at the time, but does now, about how she dealt with traumas  At about 33:00, Shoutout to Allen Carr and his anti-smoking books At about 33:45, Pete asks Kaila about the pitfalls of fame, and her ceaseless battle to remove a defamatory video At about 35:35, Kaila talks about ideas of a "separation" and the impetus for her name change At about 36:40, The two discuss ideas of interchangeability and the history of blepharoplasty At about 38:50, Afong Moy and other exoticism and inhumane conditions for Asian women are discussed, and how this led to a sexualization of these women  At about 41:15, Kaila and Pete discuss some acting and entertainment highlights and struggles; included is some reminiscing about MySpace! At about 43:50, Kaila responds to Pete's questions about the end of her music career and performing in multiple ways At about 45:15, Kaila talks about recent iterations of KPop and patriarchal and feminism in more current music  At about 46:55, Kaila reflects on positive feedback and the legacy involving Nylon Pink At about 47:10, Kaila talks Guns n Roses and “classic” songs and concerts At about 49:15, Kaila forecasts what she will be writing about in the future       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 310 with Stephanie Elizondo Griest, a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman's Global Exploration of the Joys and Torments of a Creative Life. The latter will be the main conversation piece. This episode airs on November 20. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

How did a once-celebrated critic of Wall Street end up advancing Elon Musk's “anti-woke” agenda and defending MAGA? This episode retraced the life and career of Matt Taibbi to find out, featuring in-depth perspective from our guest Eoin Higgins.You'll hear about Taibbi's early years in Russia, his controversial comments about women, and his rise to prominence as a star writer at Rolling Stone. Then, you'll hear about pivotal moments in his career that signaled his drift into reactionary politics and appeals to conservative audiences.Taibbi is one of the most successful journalists in the world, and his eagerness to punch left has earned him affection from a host of right-wing reactionaries. This episode of Posting Through It explores how he got there and what his transformation might reveal about today's media ecosystem.Links for Eoin:Owned: How Tech Billionaires on the Right Bought the Loudest Voices on the LeftTwitter / BlueskyTransition Music: "White Gloves II" by Kahrugabin

Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk!  PART ONE:Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft. PART TWO:Our in-depth conversation with the legendary Bootsy CollinsABOUT BOOTSY COLLINS:Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B's most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown's backup band, The J.B.'s. He was credited as a songwriter on classic J.B.'s songs such as “The Grunt” and “These Are the J.B.'s.” In 1972, he joined George Clinton's Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy's Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I'd Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino's Grammy-winning platinum hit “Redbone,” which paid homage to “I'd Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Episode #25 of the 90s State of Mind podcast - a collaborative project between 4ever in Electric Dreams and Blue-in-Green:RADIO. This podcast series sees Imran (London, UK) and Rhonda (California, USA) delve into some of their favourite releases from the 90s and for this episode, the pair celebrate the timeless and pioneering music of D'Angelo. Michael Eugene Archer - better known as D'Angelo - sadly passed away 14th October 2025. Following the success of albums 'Brown Sugar' (1995), 'Voodoo' (2000) and 'Black Messiah' (2014), D'Angelo went on to achieve widespread acclaim and be heralded as ushering in the introduction of neo-soul, opening the door to artists including Erykah Badu, Bilal and Jill Scott. As a Grammy-winning artist, Billboard named him one of the greatest R&B artists, while Rolling Stone magazine ranked him as one of the 200 Greatest Singers of All Time. In 2025, D'Angelo was inducted into the National Rhythm & Blues Hall of Fame. Imran & Rhonda delve deep into D'Angelo's music, exploring each of his three album releases, numerous collaborations and b-sides, plus they regard his efforts within the wider context of contemporary soul. www.4everinelectricdreams.com/ Blue-in-Green:RADIO is a London-based online internet radio station which celebrates 21st century soul, jazz, funk, Latin & hip-hop music. www.blueingreenradio.com TuneIn: bit.ly/2LBK0BD

Simone Biles talks about her implants, Michigan at Wrigley Field, Sami Sheen vapid tattoo tour, Texas cop v. Gamecocks, KISS honors Ace, Bond girl Kendall Jenner, Ohtani's dog > his wife, and our show causes car accidents. We'll do a LIVE Detroit Lions overreaction show tomorrow at 10:30am. Get your Drew Lane Show merch today! Sports: Marc went to Wrigley Field to support the cult. The Michigan Wolverines defeated Northwestern 24-22. Texas A&M had a wild comeback against the South Carolina Gamecocks. A Texas State Trooper stole the show with some roughhousing. The Alabama kicker is a hothead! Bronny James started and sucked it up. MSU lost another one, this time to Penn State. College GameDay had the worst $2M kicks possibly ever. The Eddie Murphy documentary remains watchable. Drew went on a Murphy movie binge this weekend. Music: Gene Simmons had some nice words for Ace Frehley. Paul Stanley led a moment of silence. Some lost Black Sabbath demos are going to be released. Sharon Osbourne is none too pleased. Alex Van Halen is dropping another book. AI country is taking over the charts. Wolfgang Van Halen has a new Mammoth album out. Shohei Ohtani won another MVP award and he shows his love to his dog. A THIRD deer was smoked while listening to our program. Another dude was involved in a hit and run while listening. Send your crashes to 209-66-Boner! Michelle Obama has another book out. She claims the US isn't ready for a female president. She goes on to explain why Black people can't swim. California gubernatorial candidate Katie Porter is cratering. Politics: Tucker Carlson got ahold of Thomas Matthew Crook's digital footprint. Rocket Money pulls their advertising from Carlson due to Nick Fuentes' appearance on the show. Dasha Nekrasova was dropped by her talent agency for appearing on Fuentes' show. Zohran Mamdani may get his tax raise approved in New York. Kanye West is sorry for being antisemetic. Kylie Jenner is about to make a crappy album. Kendall Jenner wants to be the next Bond girl. Britney Spears cuddled up with the Kardashians over the weekend. The Rolling Stones covered disco classic Shame, Shame, Shame by Shirley & Company. The Stones had quite the Disco run. Simone Biles got some great new boobies. Dave Portnoy heckler, Patrick McClintock, had a GoFundMe that raised $30K. It seems to be gone now. Sami Sheen gives us a tour of her crappy tattoos. She hates the vast majority of them. The Wikipedia co-founder storms off podcast. Billie Eilish vs Elon Musk. There is a war against billionaires! Amy Schumer has lost weight and so she's dumping her husband. South Park continues going hard at Donald Trump as they show him nailing JD Vance. The BBC edited a Jan 6th clip of Donald Trump and the head of the network has resigned. Nauseating troll, Jack Doherty, was arrested in Miami. Hilary Duff is going on tour. She once gave Mike Comrie a BJ after he proposed. Meghan Markle shares a preview of her Christmas decorations. We roll through this Markle classic. She recently made another cooking blunder. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Oscar-Winning legend Martin Scorsese (Killers of the Flower Moon, Taxi Driver, The Departed) directs this epic tale about The Rise and Fall of the Mob in Las Vegas, based on true events.  It's the story of how mafia handicapper Sam "Ace" Rothstein (Robert DeNiro) took over the Tangiers casino on The Strip and helped bring it to unprecendented sucess, helped by mafia enforcer Nicky Santoro (Joe Pesci).  He falls in love with a local hustler named Ginger McKenna (Sharon Stone) and over time, their relationship deteriorates as does his handle on many crazy things being done by Nicky....and eventually the Mob no longer had power in Las Vegas.  Nominated for one Oscar (Sharon Stone, Best Actress), this was initially met with some disappointment upon release as many compared it to Scorsese's similarly themed classic mob epic Goodfellas from five years prior.  Over time, its reputation has grown thanks to several memorable scenes and performances - the stacked cast also includes James Woods, Don Rickles, Kevin Pollak, Alan King, and Frank Vincent.Host: Geoff GershonEdited By Ella GershonProducer: Marlene Gershon Send us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

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This Is True Really News Mailbag Episode 206 brings you the most absurd stories and commentary you didn't know you needed! Hosts Scot Combs and Tony Verkinnes dive into BBC's collapse, Prime Minister Keir Starmer's complete and utter bollocks, and why Brits are refusing to pay their TV licenses.Discover the amazing story of Spike Lee's golden Air Jordan sneakers worth $20,000 found in a Portland donation bin, benefiting the Burnside shelter. Plus, the duo tackles immigration controversies, socialism's predictable failures, and why Venezuela went from the fifth largest economy to complete disaster.Special preview: The Fish Mongers debut their new 60s Brit rock hit "Suspicious Salmon Circumstances" this Monday - inspired by Britain's weirdest laws about handling salmon in suspicious circumstances!Featuring listener comments from Janet Cupp, Simply Jess Is Me, and more discussing Bill Gates, Greta Thunberg, and British immigration policies. The hosts share hilarious childhood stories, debate whether the Rolling Stones have better longevity than The Beatles, and explain why you can't tax your way to prosperity.Get your own This Is True Really News coffee mug at: https://teespring.com/stores/special-ts-5/collection/mugs?page=1#ThisIsTrueReallyNews #Mailbag206 #BritishPolitics #KeirStarmer #BBC #GoldenSneakers #SpikeLeeLegendary #PortlandNews #SuspiciousSalmon #BritishLaws #PoliticalCommentary #NewsCommentary #ComedyPodcast #ScotCombs #TonyVerkinnes

The new episode of Blues is the Truth is ready for you and it is packed with soul, grit and some real fire from across the blues world. Ian McHugh guides you through a fresh batch of brilliant tracks including Wailin' Walker, Trev Turley and Yve, Mr Smood, Roomful of Blues, Aaron Burton, the Rolling Stones, Mud Morganfield with Kim Wilson, Tom Hambridge, Lonnie Mack and Ron Hendee. You also get Joe Bonamassa, Booker T and the MGs, Buddy Guy, BB and the Bullets, Robin Kapsalis, Mark Cameron, Keb'Mo', Sonny Landreth, Mike Bourne Band, Dave Acari, Randy Lee Riviere, Big Daddy Wilson, Manu Lavin', Rosie's Smokehouse Deluxe and Breezy Rodio. It is a proper ride from start to finish with all the regular features in place and some real surprises along the way.

Hoy en La Gran Travesía viajamos hasta el año 1973 recuperando un especial donde podréis escuchar a Led Zeppelin, Eric Clapton, Pink Floyd, Alice Cooper, David Bowie, Hawkwind, Aerosmith, Black Sabbath, Rolling Stones, Tom Waits, Lynyrd Skynyrd, Marvin Gaye, Mike Oldfield, Golden Earring, Roberta Flack... También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Great songs from The Searchers, Sandie Shaw, Haircut 100, The Rolling Stones, Marie Osmond, Roger Miller, Dolly Parton, Crystal Gale and loads more!

Officials in Charlotte, North Carolina, are expecting Border Patrol agents to arrive in the city in the coming days for a crackdown on illegal immigration. CBS News' Camilo Montoya-Galvez talks about why the administration is increasingly turning to Border Patrol agents for its immigration operations in cities that are not on the border. Then, AI stocks are sagging after reaching record highs, prompting some investors to warn of a bubble. We speak with The New York Times' Andrew Ross Sorkin about whether a crash is near. And, Vibe magazine is merging with Rolling Stone to help bolster its hip-hop coverage to include podcasts, long-form journalism and social media. Duke University professor Mark Anthony Neal discusses what this merger could mean for the future of Black cultural criticism.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On Episode 115 of the Planet LP Podcast, Ted Asregadoo dives deep into a pivotal moment in The Who's history — their 1978 album Who Are You — with longtime Who aficionado Jason Hare. Who Are You may not top most fans' lists of the band's greatest albums, but it remains one of the most significant. Released on August 18, 1978, it was the last record to feature the original lineup and arrived at a moment when the band — and Pete Townshend in particular — were confronting their own fading relevance. As rock critic Greil Marcus noted in his 1978 Rolling Stone review, much of the album is shaped by Townshend's anxieties about obsolescence, artistic exhaustion, and the shifting musical landscape. Forty-seven years later, Who Are You gets the full Super Deluxe treatment, just as The Who call it quits (again) after their final “This Song Is Over” tour in 2025 — a greatest-hits victory lap for casual fans, but not always the deep-cut celebration hardcore devotees were hoping for. Ted and Jason unpack what this new box set offers: the unheard material, the surprises, what genuinely adds to the album's legacy, and where the collection may come up short. They also take a candid look at Keith Moon's final performances — the brilliance, the decline, and the tragedy of a 32-year-old who seemed decades older. It's an episode for fans who want more than nostalgia — they want context, history, and a dash of humor in The Who's transitional chapter. Steve Fox's Old School sponsors the Planet LP podcast! Steve Fox's Old School. It's the first place to go to stream R&B dance hits from the 1970s to the 1990s. Read Greil Marcus's 1978 review of "Who Are You" in Rolling Stone magazine.

Barry and Abigail try something a little different with newly minted Three-Timer Jeff “Jafo” Shettler, who previously appeared on Jukebox: Wish There Were Beer (Pink Floyd and brewLAB) and Bonus: Pink Floyd Leftovers (Pink Floyd and brewLAB Leftovers). Jafo brings us on location to brewLAB in Carpinteria, California, to open a bottle of The False Prophet he had been saving for over eight years.Watch this video version of this episode!Suggested pairings of brewLAB beers and albums we heard included: Green Tea IPA and Mad Villainy by MF DOOM, Coco Johnny and Time Out of Mind by Bob Dylan, Green Tea IPA and Rust Never Sleeps by Neil Young, Beatbox and License to Ill by Beastie Boys, and Sorciere Noir and Dub Side of the Moon by Easy Star All-Stars.Abigail was intrigued by Mangose and Botanicale Deux. Barry called out Rice Rice Baby.Jafo suggested pairing The False Prophet with Sympathy for the Devil by The Rolling Stones, Bitches Brew by Miles Davis, or Ripple by Grateful Dead. Other suggested song pairings we heard included California Dreamin' by The Mamas & The Papas, Caravan by Van Morrison, Cinnamon Girl by Neil Young, Banana Pancakes by Jack Johnson, and Worst Comes to Worst by Dilated Peoples.Barry suggested pairing Jafo's homebrewed Maple Bacon Bourbon Porter with Darkness on the Edge of Town by Bruce Springsteen. By the way, you can hear our discussion of this album in our episode Dark Beer on the Edge of Town from 2021.Abigail wasn't drinking, but she plugged I Don't Want to Know by Fleetwood Mac.Dave, one of the brewers and the beertender the night we “stopped by,” suggested pairing The False Prophet with (Got) Everything to Shine by Saudade Experiment.Up next… Brothers in Arms by Dire StraitsJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

First up, Christopher and Tom talk about artists who have come back when many people had bet against them – from Tina Turner to The Rolling Stones to Miley Cyrus to The Chicks. In light of the recent Oasis reunion, we have some incredible clips of both Liam and Noel Gallagher from almost 25 years ago, years before their split and decades before their reunion. It’s a great, and often very funny, collection of comments and insight from the brothers. Plus, we talk to our good friend Bill Welychka, whose interviews with Liam and Noel are what we’re highlighting this week. And Bill has some great insights into the brothers. Speaking of brothers, The Kinks were fueled by the Davies brothers, Ray and Dave – and they, like the Gallaghers, created incredible music while also feuding bitterly with each other. This chat is from 1979, as the Kinks were promoting the Low Budget, which was somewhat of comeback for them. And Christopher is going to love what he has to say about songwriting. Then we feature a brief couple of clips with a woman who had two very different hits in the ‘70s. Yvonne Elliman was featured on the Jesus Christ Superstar album in the early ‘70s and then on the Saturday Night Fever album a few years later. The story of Yvonne’s big break is a great one… and she tells it well. We’ll also hear how she walked away from a deal that could have meant millions of dollars in the long run – and how she dealt with that. And we wrap up the show with Cool Song Facts… in which we find out what huge Stones song got the thumbs down by Mick and Keith… thank god they were outvoted. Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

C'est un album resté 73 semaines dans les charts en France au printemps 1976... "Black and Blue" des Rolling Stones, leur 13ème album studio... Réédite chez Universal aujourd'hui...avec ce titre que l'on entend "memory motel". Album marqué à l'époque par l'arrivée d'un petit nouveau dans le groupe, Ronnie Wood ! Ecoutez Laissez-vous tenter - Première avec Marie Gicquel du 14 novembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Today on The Marilyn Denis Show we are joined by Canadian supermodel and host of Project Runway Canada, Coco Rocha, to chat about the new season. E Talk correspondent and Friend of the Show, Lainey Lui, joins us to discuss what Lady Gaga shared in her Rolling Stone interview and the fallout from Kris Jenner's 70th Birthday party.

Gangsters, rude boys, drug dealers, soviet bootleggers, ticket scalping syndicates, and psychedelic chemists—why do criminals like the “Nitrous Mafia” associated with Phish, and the Italian Mafia linked to Tommy James, so often infiltrate and influence music culture? This topic, along with your voicemails, texts, and emails, and in the All Access portion, Jake and Zeth unpack the fascinating history of violence in Jamaican music. You can become an All Access member and hear this and more exclusive content, along with ad-free listening of all Disgraceland episodes, by going to disgracelandpod.com and signing up via Patreon or Apple Podcasts. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 104 - George Harrison Episode 36 - Rolling Stones in Exile Episode 135 - Aerosmith To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Trace Foster on AC/DC, Aerosmith & Close Enemies | Guitar Tech to Rockstar What's it like teaching for AC/DC, Aerosmith, and The Rolling Stones—and then stepping into the spotlight yourself?

Rock and roll is not rock and roll without a beat. John Lingan's new book, BACKBEATS: A History of Rock and Roll in 15 Drummers (Scribner; Publication date: November 11, 2025) is an electrifying journey through the history of rock and roll, told through the lives of fifteen iconic drummers and their percussion rivals-from John Bonham and Charlie Watts to Ringo Starr and Questlove.Rock and roll thrives on rhythm, but the drummers who drive that pulse often stay in the shadows. In BACKBEATS, acclaimed music historian John Lingan brings these unsung heroes into the spotlight, delivering a fascinating journey through six decades of rock history.Lingan's deep research and vivid storytelling explores the lives of fifteen pathbreaking drummers and their fellow timekeepers-men and women who together laid down the beat of an era. From Bernard Purdie's legendary work with Aretha Franklin to Dave Grohl's funk- and punk-indebted swing for Nirvana, these drummers redefined what was possible in pop music. Iconic figures like Ringo Starr, whose inventive style transformed the Beatles, and Charlie Watts, the steady backbone of the Rolling Stones, take center stage. But Lingan doesn't stop there-he also shines a light on Hal Blaine, the backbone of the LA studio scene's "Wrecking Crew," groundbreaking, underappreciated talents like Maureen Tucker of The Velvet Underground, whose minimalist beats rewrote the rulebook, and Sam Lay, a pivotal figure in rock's evolution from the blues.Packed with insider stories and exclusive interviews-from Robert Plant's reflections on Led Zeppelin's legendary sessions to revered recording engineer Steve Albini's behind-the-scenes accounts-BACKBEATS offers an eye-opening glimpse into some of rock's most unforgettable moments, including the seismic shift of Bob Dylan going electric at Newport, James Brown's explosive creation of funk in the late sixties, and Slayer's role in the birth of LA thrash metal in the early eighties.More than just a tribute to an unrecognized group of virtuosos, this book is a love letter to the art of drumming itself. BACKBEATS shows how these remarkable artists not only kept the beat but drove rock and roll forward. It's a must-read for any music lover, offering a fresh and thrilling perspective on a story we only thought we knew.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

On the latest episode of The Rolling Stone Interview video podcast, FKA Twigs sits down with Rolling Stone Deputy Music Editor Julyssa Lopez ahead of the release of her highly anticipated fourth studio album, Eusexua Afterglow (out November 14th). In the intimate conversation, the Grammy-nominated British artist opens up about her creative evolution, the spiritual themes behind her Eusexua era, and the lessons she's learned running her own career. Twigs also shares stories from the set of her new film The Carpenter's Son with Nicolas Cage, reflects on her early days as a backup dancer for Kylie Minogue, and talks about featuring North West in her new video for “Childlike Things.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Malin Pettersen is a Norwegian singer-songwriter and Spellemannprisen winner (Norwegian Grammy), who has released multiple solo records as well as records with her band, Lucky Lips, has toured extensively throughout Europe and America, and has been acclaimed by Rolling Stone, Forbes, No Depression, Paste and even Iris Dement is a fan. We talk with Malin about the illusion of success, cultural duality between Norway and America, the Norwegian government's support for artists,  embracing uncertainty, doubt, and struggle, and so much more.Get more access and support this show by subscribing to our Patreon, right here.Links:Malin PettersonEp 123 - Dave HausDarling WestEp 69 - Lilly HiattJansen RecordsEp 128 - FlyteEzra Klein x Ta-Nehisi Coates conversation“Just Kids” - Patti SmithClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Greg Banaszak- Described by The New York Times as "a saxophone tour de force" and hailed by Rolling Stone as "The Greg Banaszak Juggernaut," Greg Banaszak stands among today's leading saxophonists, captivating audiences across the globe. Renowned for his versatility, Banaszak is one of the rare artists equally celebrated in both the classical and jazz worlds. His career seamlessly bridges these genres through concerto performances, solo and chamber recitals, and appearances at major jazz festivals. He has performed throughout the United States, Europe, and beyond, gracing such prestigious venues as Vienna's Bösendorfer Concert Hall, the Royal Palace in Warsaw, and New York's Lincoln Center's Bruno Walter Hall. Notably, Banaszak was the first saxophone concerto soloist to perform with orchestras in both the Middle East and Korea. A dedicated educator and performer, Greg Banaszak shares his expertise with the next generation of musicians at the Cleveland Institute of Music at Case Western Reserve University. Greg's Website Here ______________________________ Follow me on my Instagram or Facebook Podcast Facebook page here Check out KristiCapel.com Email: Kristicapelpodcast@gmail.com        

Justin Bieber BioSnap a weekly updated Biography.Justin Bieber has made headlines in the past few days for a string of public appearances and personal updates that, while not all career milestones, are certainly sparking discussion among fans and media alike. Most visually striking, Bieber stunned viewers at Game 3 of the 2025 World Series by showing up at Los Angeles' Dodger Stadium completely clean shaven for the first time in years, as reported by IMDb and Just Jared. Sporting a Blue Jays jersey and sitting with his wife Hailey, Bieber looked every bit the fervent fan, going viral for enthusiastically cheering Toronto against the Dodgers and even throwing a playful thumbs-down to Shohei Ohtani according to Rolling Stone and The Hollywood Reporter. The beard-free fresh look was a social media talking point immediately, with his new appearance interpreted by some as a sign of personal reinvention.Away from the world of baseball, the global pop star was also quietly back in the Grammy conversation. According to the Times of India, Bieber is among the prominent names receiving nominations for the upcoming 2026 Grammys, indicating that even in a period light on headline music releases, his legacy and recent collaborations keep him at the forefront of industry respect and fan anticipation.Meanwhile, speculation about his private life remained at a simmer. iHeartRadio and GQ featured Hailey Bieber discussing their marriage and the emotional complexities of living under constant public scrutiny. She emphasized that she and Justin are taking their marriage one day at a time, highlighting both vulnerability and resilience in face of ongoing attention. The tone in these reports suggests that while there is no sign of imminent drama, the couple remains watchful of their boundaries and well-being, a sentiment echoed across social media conversations.In business, no splashy new ventures have been confirmed, but Spreaker's recent Justin Bieber audio biography referenced his recent exit from the Drew House streetwear brand. Though that departure was previously covered, nothing in the last few days suggests a surprise business pivot or new entrepreneurial launch.For fans scanning for a bombshell headline, there has been no seismic announcement on the music front—no album drops, major tours, or viral live performances in recent days. The overall tenor is one of transition: a superstar pausing, perhaps recalibrating, but still managing to dominate social and pop culture discourse with every move. As headlines buzz about Bieber's World Series look, Grammy nod, and evolving marriage, it's clear his life remains compelling for reasons that reach far beyond the stage.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Ce mercredi 12 novembre, Marjorie Hache a orchestré deux heures de classiques intemporels et de nouveautés affûtées. La soirée a démarré avec Tame Impala et "Dracula", avant un clin d'œil à la scène new wave londonienne avec "Fade to Grey" de Visage. L'émission a ensuite rendu hommage à Neil Young pour son anniversaire avec "Old Man", extrait de son mythique "Harvest". L'album de la semaine, "Cosplay" du groupe londonien Sorry, s'est poursuivi avec "Jetplane", satire pop acide et inventive, avant un hommage musclé à Motörhead avec "Ace of Spades", avant une reprise intense de "Satisfaction" des Rolling Stones réinterprété par Cat Power. Les découvertes se sont enchaînées avec Die Spitz, jeune groupe texan attendu au Hellfest, le duo explosif Aerosmith & Yungblud sur "My Only Angel", et les Mancuniens de The Charlatans avec "Deeper Deeper". Marjorie Hache a aussi mis en avant les Parisiens de Ditter, avec leur titre "Cringe Is The New Sexy". Pour conclure, une touche de nostalgie avec les Kinks, Jesus Lizard, Red Hot Chili Peppers et une reprise folk de "Ghost Town" des Specials par Lankum. Tame Impala - Dracula Visage - Fade To Grey Neil Young - Old Man Harper Ben - Ground On Down FFF - Le Pire Et Le Meilleur Fleetwood Mac - Go Your Own Way The Strokes - Bad Decision Sorry - Jetplane Cream - Sunshine Of Your Love Queens Of The Stone Age - Make It Wit Chu Motörhead - Ace Of Spades Die Spitz - Riding With My Girls Cat Power - (I Can't Get No) Satisfaction Kasabian - Days Are Forgotten Green Day - Know Your Enemy Aerosmith & Yungblud - My Only Angel Aretha Franklin - I Say A Little Prayer Phoenix - Tonight Feat Ezra Koenig The Charlatans - Deeper And Deeper Mott The Hoople - All The Young Dudes R.E.M. - Orange Crush Ditter - Cringe Is The New Sexy Franz Ferdinand - This Is Fffire (Cyberpunk: Edgerunners) The Kinks - You Really Got Me Jesus Lizard - Mouth Breaker Red Hot Chili Peppers - Give It Away Courtney Barnett - Stay In Your Lane Lankum - Ghost Town Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us a textIn a recent episode, we spent time with a man who changed popular culture and then became a warning about what fame, isolation, and addiction can do to a single human body—Elvis Presley. Brilliant, iconic, but ultimately tragic.Today… similar voltage. Very different story.This is about a band that came out of the same storm system of sex, drugs, and rock and roll… but somehow did not end as a cautionary tale on a bathroom floor. Instead, they turned danger into discipline, scandal into strategy, and raw rebellion into one of the longest-running creative partnerships in modern music.In this series, we've already met Frank Sinatra, who turned phrasing and breath into a method—and Chuck Berry, who wired the circuitry of rock and roll into the American imagination. Elvis showed us how a single, fragile human can be crushed under the weight of that circuitry.Today's story is different. This is what happens when that same dangerous current is handed to a band that refuses to burn out.The Rolling Stones.This is not just a tale of sex, drugs, and rock and roll. This is the story of staying power.Support the showThank you for experiencing Celebrate Creativity.

This week, we tune our ears back 50 years to 1975 and flip through some of the albums released in that year. Each episode will examine those records from a different angle. In the second part of the series, we run down some of the critical choices for best album of 1975, including lists from Paste, Rolling Stone and the Village Voice's Pazz and Jop.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

1965 may feel like an entirely different lifetime, but even if you're Gen X or a Millennial, chances are you know the songs and the icons from that incredible year. Cher! The Beatles! The Rolling Stones! The Supremes! Legends in their prime whose music continues to hold cultural cache 60 years after its release. So join the Great Pop Culture Debate as we do the time warp and try to determine the Best Song of 1965. Songs discussed: “Unchained Melody” by The Righteous Brothers, “Help!” by The Beatles, “(I Can't Get No) Satisfaction” by The Rolling Stones, “My Girl” by The Temptations, “Ticket to Ride” by The Beatles, “You've Lost That Lovin' Feeling” by The Righteous Brothers, “Stop! In the Name of Love” by The Supremes, “I Got You Babe” by Sonny & Cher, “Do You Believe in Magic?” by The Lovin' Spoonful, “How Sweet It Is (To Be Loved By You)” by Marvin Gaye, “What the World Needs Now is Love” by Jackie DeShannon, “It's Not Unusual” by Tom Jones, “I Can't Help Myself (Sugar Pie Honey Bunch)” by The Four Tops, “California Girls” by The Beach Boys, “We Got to Get Out of This Place” by The Animals Join host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Zack Derby as they discuss and debate 16 of the biggest hits from 60 years ago. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, John Higgins, Zack Derby Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #music #1960s #60smusic #popmusic #rockmusic #unchainedmelody #righteousbrothers #cher #sonnyandcher #igotyoubabe #thebeatles #beatles #beatleshelp #rollingstones #satisfaction #marvingaye #thefourtops #thebeachboys #beachboys #fourtops #temptations #thetemptations #thesupremes #supremes #dianaross #motown #tomjones Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 212 of The Hitstreak, a podcast where we talk about anything and everything!  This week we are joined by Platinum-Selling Country Artist and Songwriter, Elvie Shane!Episode in a Glance:In this episode of The Hitstreak, I get to engage in a deep conversation with platinum-selling country artist Elvie Shane. We discuss the importance of prioritizing life, the art of songwriting, personal growth, and the balance between career and family. Elvie shares his journey in the music industry, the impact of social media, and the significance of community and support. The episode also highlights the transformative power of a smile and the mission of Smiles for Recovery, emphasizing how personal experiences shape creativity and connection in music.Key Points:- Prioritize who you're doing life with.- A smile can literally change a life.- The hardest part of life is keeping priorities straight.- The road to heaven feels like hell sometimes.- You have to fight your way in and stand out.- The ultimate gift is waking up.About our guest: Elvie Shane, BBR/Wheelhouse artist and champion of the blue-collar generation, has carved out a place in country music with heart, grit, and authenticity. His sophomore album DAMASCUS blends country, rock, and hip-hop, telling raw stories of struggle, resilience, and redemption. Praised by Billboard as “an ode to blue-collar workers” and by Rolling Stone as proof he's “a new voice of the damaged, addicted, and lost,” Shane's music resonates far beyond the stage. The Kentucky native first broke through with his Platinum-certified No. 1 hit “My Boy,” a heartfelt tribute to stepparents that has earned over 400 million streams. The song launched his debut album BACKSLIDER, praised by critics and earning him ACM, CMT, and iHeartRadio nominations while taking him from small-town roots to major stages across the U.S. and abroad.Follow and contact:Instagram: @elvieshanemusicelvieshane.com**Once the goal of 2.5 million members is met, 1,000 limited-edition T-shirts and the unreleased song will be sent, along with the first 1,000 full dental care awards!**Subscribe to Nick's top-rated podcast The Hitstreak on Youtube: ⁠https://www.youtube.com/NickHite⁠rFollow and Rate us on Spotify: ⁠https://spotify.com/NickHiter⁠Follow and Rate us on Apple Podcast: ⁠https://podcasts.apple.com/NickHiter⁠Follow and Rate us on iHeartRadio: ⁠https://www.iheart.com/NickHiter

When Emily picked up the phone at work one random afternoon, she had no idea the woman on the other end would change her life forever.At 37, Emily was married with twins, living in her dream house and running her own audiology practice. But then, one chance encounter set off a chain of events that made her finally face the truth: she was gay.In this epic audience caller episode, Emily opens up about what it's really like to come out later in life, while married, with kids, and everything to lose. From her husband's shocking response and her father-in-law's unethical diagnosis, to the first time she fell in love with a woman — this is one of the most gripping, emotional, and unexpectedly funny conversations we've ever had on The Real Stuff.If you've ever wondered what it means to start over and live authentically no matter the cost, this episode will stay with you long after it ends.You can reach out to Emily at farb48@gmail.com.Sponsor:CLEARSTEM: Go to CLEARSTEM.com/REALSTUFF and use code REALSTUFF at checkout for 15% off your first order. Watch this episode in video form on YouTube: https://www.youtube.com/playlist?list=PLjmevEcbh5h5FEX0pazPEtN86t7eb2OgX To apply to be a guest on the show, visit luciefink.com/apply and send us your story. I also want to extend a special thank you to East Love for the show's theme song, Rolling Stone. Follow the show on Instagram: https://www.instagram.com/therealstuffpod Find Lucie here: Instagram: https://www.instagram.com/luciebfink/ TikTok: https://www.tiktok.com/@luciebfink YouTube: https://www.youtube.com/luciebfinkWebsite: https://luciefink.com/ Executive Producer: Cloud10Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Chuck Berry is known as the “Godfather of Rock'N'Roll” John Lennon, Paul McCartney, everyone in the Rolling Stones, Jimi Hendrix, Bob Dylan, The Beach Boys, and AC/DC have been very vocal about how berry influenced them…he was rock's first guitar hero, and he was among the first group of musicians to be inducted into the rock and roll hall of fame. But if we dig into his life, we'll find that he was often in trouble with the law…robbery, tax evasion, assault, a hidden camera in a women's restroom, and more.  This is episode 53 of “Uncharted: Crime and Mayhem in the Music Industry” …and this time, we're looking at the accusations levelled against and the crimes committed by the man who helped invent rock'n'roll. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Shrieve is the legendary drummer with Santana who became a superstar at Woodstock with his incredible drum solo in “Soul Sacrifice” during the band's set. He went on to play with a Who's Who in the music business including Steve Winwood and Al Di Meola in GO, a fusion supergroup, another band with Sammy Hagar and Neil Schon, and with Supertramp's Roger Hodgson among others. He also played on the Rolling Stones album Emotional Rescue. And he's collaborated with Todd Rundgren, Jaco Pastorius and Nile Rodgers among others.My featured song is “It Don't Matter” from the album “East Side Sessions” by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MICHAEL:www.michaelshrieve.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Episode 275 On this week's edition of the YMC podcast, your hosts Jay Gilbert and Mike Etchart break down these important music industry stories: "Class Action Lawsuit Accuses Spotify Of Engaging In 'Payola' With Its 'Discovery Mode'" (Daniel Kreps at Rolling Stone); "Irving Azoff Says It's Time to Stand Up To YouTube's 'Bullying'" (Guest column for Billboard); "No Radio Without Royalties: New Rules For A New Era" (Michael Huppe in a guest column for Billboard).    Subscribe to the newsletter! YourMorning.Coffee

The Beatles produced five films during their time together: A Hard Day's Night, Help!, Magical Mystery Tour, Yellow Submarine, and Let It Be. Some were cinematic successes, and some were not, but―along with subsequent reissues, bonus material, and Peter Jackson's The Beatles: Get Back, a documentary companion to Let It Be―they comprise an endlessly fascinating document of key phases in the group's career.In this comprehensive deep-dive into the band's movies, author and longtime music journalist Steve Matteo follows the origins, filming, and often frenzied fan reception of projects from the 1964 premiere of A Hard Day's Night through 1970's Let It Be to the release of Get Back in 2022. Matteo explores the production process, original theatrical film releases, subsequent VHS, DVD, and Blu-ray releases, and bonus materials, along with the US and UK soundtracks. In addition to copious anecdotes and behind-the-scenes details, he also places these films in their larger context, a period of unprecedented artistic and commercial innovation in British and world cinema. Filled with stories and insights that will satisfy collectors, buffs, and casual fans alike, this is the definitive account of an underappreciated part of the Beatles' creative output. "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. Occasionally, the host is joined by notable musicians who have written about their careers. Recent guests have included eccentric British singer-songwriter Robyn Hitchcock, Roxy Music's Phil Manzanera, Traffic co-founder Dave Mason, and Moon Zappa. Expect a great conversation and a playlist of great music to go with it.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, the jazz ensemble Hari Karaoke Trio of Doom and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Phil Rosenthal is the award-winning creator, executive producer, and host of "Somebody Feed Phil," as well as a two-time New York Times Best Selling Author and soon-to-be restaurant owner. "Somebody Feed Phil" – one of Netflix's most popular food and travel shows – has garnered a cult-like following and released its eighth season on June 18th in 190 countries. The Emmy-nominated series is Netflix's longest unscripted series and combines Rosenthal's love of food and travel with his unique brand of humor and has become must-see TV for foodies, restaurateurs, travelers, and armchair enthusiasts all over the world. Rosenthal has been nominated for a 2024 Critics' Choice Real TV Award, after winning Critics Choice Real TV Awards in 2022 and 2021 for "Best Travel/Adventure Show" and "Male Star of the Year" on behalf of the series. He also garnered a 2022 James Beard Award nomination for "Visual Media—Long Form." Currently, Rosenthal has embarked on his highly anticipated third US live tour –  An Evening With Phil Rosenthal "Of Somebody Feed Phil" – in over 25 North American cities August-October 2025. On tour, Rosenthal shares insights into his 40-year entertainment career, while incorporating his love of food, storytelling, and humor to audiences. He also invites special guests to be moderators on stage, ranging from local celebrities to famous chefs. The North American tour comes after his second European tour, which was received with resounding praise from fans across Europe. Up next, Rosenthal will also make a significant mark in the culinary world with the 2025 opening of his diner, Max & Helen's, in Los Angeles. Named after his parents, who were beloved series regulars in "Somebody Feed Phil," the dishes will not only be elevated by great ingredients but the brilliance of Executive Chef Nancy Silverton. Following a resounding call from fans, Rosenthal created a companion book to the series, "Somebody Feed Phil The Book" which was released in the US on October 20th, 2022, via Simon Element (an imprint of Simon & Schuster). It immediately landed on the New York Times Best Seller list, which then led to a UK release in January 2023 and a multi-country tour selling out venues across the globe. To expand on this, Rosenthal is set to release a second cookbook in the series, "Phil's Favorites," available for pre-order now and releasing on November 4th, 2025 in the US and November 6th in the UK.  It is more than just a cookbook; it's a celebration of food, family, and friendship incorporating recipes from his family and friends including Judy Gold and Anna Romano. In 2024, he released his first children's book, "JUST TRY IT: A Phil and Lil Book," co-written with his daughter, Lily on March 5, 2024. The hilarious children's picture book about a food-loving dad encouraging his picky eater daughter to just try something new. This once again put Rosenthal on the New York Times Best Seller list, leading to his second national book and live tour, both of which packed bookstores and theatres from coast to coast, including a sold-out crowd at The Beacon in New York City. Up next, they will launch its companion book, "JUST TRY IT: SOMEPLACE NEW!," about an encouraging dad easing his daughter's worries about staying at Grandma's for the first time. Rosenthal has further expanded his love of humor, food, and human connection through a podcast called "Naked Lunch." Launched in May 2022, his podcast is live on Stitcher, SiriusXM's mobile app, and wherever podcasts are available. Co-hosted with his friend and longtime Rolling Stone journalist David Wild, each episode of this weekly talk-show podcast features a special, world-renowned guest to discuss what's going on in their lives – "an informal meeting of wits, minds and hearts" – while eating lunch from some of Phil's favorite local LA eateries.  In 1995, Rosenthal created the hit CBS comedy "Everybody Loves Raymond" which premiered the following year. He served as the showrunner and executive producer for all nine years of the show's very successful run, which ended in 2005. During its original run, the show was nominated for over 70 Emmy Awards, and won 15 awards, including two for "Best Comedy Series" in 2003 and 2005. Rosenthal won the 2002 Writers Guild Award for "Excellence in Television Writing" for his "Italy" script. After the series wrapped, Rosenthal penned a book on the art of comedy and the making of a sitcom classic. YOU'RE LUCKY YOU'RE FUNNY: HOW LIFE BECOMES A SITCOM was published in 2007 via Penguin Publishing Group. His early writing credits include the comedy series "DOWN THE SHORE" and "Coach." Rosenthal also co-wrote "America: A Tribute to Heroes," the 9/11 telethon which aired on all four networks in September 2001, for which he won a Peabody Award and an Emmy nomination for "Outstanding Writing." Rosenthal then went on to write, direct, and star in his first feature film for Sony Pictures. EXPORTING RAYMOND, the true story about the attempt to turn "Everybody Loves Raymond" into a Russian sitcom, was met with critical acclaim upon its release in October 2010. In 2015, Rosenthal embarked on a new journey by creating his first travel food series "I'll Have What Phil's Having." This PBS documentary series, which is the precursor to "Somebody Feed Phil," received two Taste Awards and won the 2016 James Beard Award for "Best Television Program, on Location." In October 2020, Rosenthal launched Somebody Feed the People, an initiative of the Rosenthal Family Foundation that supports organizations making an impact and building community through food. This inclusive and non-partisan initiative partners with organizations across the U.S. that address food access and insecurity, support chefs and restaurant workers, create employment pathways, and strengthen the health of our food systems. This foundation is ongoing yearly. Rosenthal continued his philanthropic efforts in 2022, serving alongside Katie Couric and Jeff MacGregor as an executive producer of the documentary FOR LOVE AND LIFE: NO ORDINARY CAMPAIGN. The film follows Brian Wallach and Sandra Abrevaya, a couple battling ALS and leading a revolutionary movement to help victims of the disease around the world. "For Love and Life" went on to win awards at the SXSW Film Festival, the Chicago International Film Festival, and the Virginia Film Festival.  We chat about executives trying to sabotage him, writing what you want, gratitude, Somebody Feed Phil, Everybody Loves Raymond and almost quitting twice, writing, crazy story as a security guard, creating your own ticket plus plenty more! Check Phil out on: Instagram: https://www.instagram.com/phil.rosenthal/ Book (Phil's Favorites): https://philrosenthal.store/books/ Website: https://www.philrosenthalworld.com/ Tour dates/ shows: https://www.philrosenthalworld.com/media Youtube: https://www.youtube.com/c/PhilRosenthalWorld Facebook: https://www.facebook.com/philrosenthalofficial/ Max and Helens Restaurant (California): https://www.instagram.com/maxandhelens/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Ronnie Wood is a musician and artist who has been a major player on the UK music scene for over 60 years. In 1975 Ronnie became a member of the Rolling Stones, one of the most influential and enduring bands of the rock era.Ronnie's parents were born and worked on barges moving cargo up and down the canals between Manchester, Stratford-upon-Avon and London. Ronnie and his two older brothers were the first in the family to be born on dry land.Ronnie's brothers, Ted and Art, were accomplished musicians and played in highly respected bands. Ronnie made his debut at nine-years-old when he played the washboard in Ted's band during a performance at their local cinema. Ronnie formed his first band, The Birds, with some friends. In 1967 he joined the Jeff Beck Group with his lifelong friend Rod Stewart. Two years later they formed the Faces with the remaining members of the Small Faces. Ronnie joined the Rolling Stones in 1975, replacing the band's previous guitarist Mick Taylor. Ronnie's love of art developed in childhood and he studied at Ealing College of Art. His work has been shown in exhibitions around the world.Ronnie lives in Hertfordshire with his wife Sally and their two children.Presenter: Lauren Laverne Producer: Paula McGinleyDISC ONE: Guitar Shuffle - Big Bill Broonzy DISC TWO: Shame, Shame, Shame - Jimmy Reed DISC THREE: Smokestack Lightnin' - Howlin' Wolf DISC FOUR: You Need Love - Muddy Waters DISC FIVE: Adelaide - Frank Sinatra DISC SIX: Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante "Elvira Madigan". Performed by Géza Anda (piano) and Camerata Salzburg (Orchestra) DISC SEVEN: Roll Over Beethoven – Chuck Berry DISC EIGHT: Maybe I'm Amazed - Paul McCartney BOOK CHOICE: Just for Today: Daily Meditations for Recovering Addicts by Narcotics Anonymous LUXURY ITEM: A chest containing art materials and a carpet CASTAWAY'S FAVOURITE: Smokestack Lightnin' - Howlin' Wolf There are more than 2000 programmes in our archive available for you to listen to. We have cast away other musicians and songwriters including Mark Knopfler, Bruce Springsteen and Cyndi Lauper. Ronnie's fellow Stones, Keith Richards and Charlie Watts, are in our archive too along with Ronnie's friend Paul McCartney. You can find their episodes on BBC Sounds or on our Desert Island Discs website.

We invite Damn Good Movie Memories host Brain Davis to go through the soundtrack for the movie "Almost Famous" in our annual crossover episode. Go over to The Damn Good Movie Memories Podcast first, where Sonny and Steven make a guess appearance to discuss the movie "Almost Famous" before coming back to the Growin' Up Rock podcast to discuss the soundtrack. WE NEED YOUR HELP!! It's quick, easy, and free - Please consider doing one or all of the following to help grow our audience: Leave Us A Five Star Review in one of the following places: Apple Podcast Podchaser Spotify Connect with us  Email us growinuprock@gmail.com Contact Form  Like and Follow Us on FaceBook Follow Us on Twitter Leave Us A Review On Podchaser Join The Growin' Up Rock Loud Minority Facebook Group Do You Spotify? Then Follow us and Give Our Playlist a listen. We update it regularly with kick ass rock n roll Spotify Playlist Buy and Support Music From The Artist We Discuss On This Episode Growin' Up Rock Amazon Store Pantheon Podcast Network Damn Good Movie Memories Music in this Episode Provided by the Following: Simon & Garfunkel, Yes, Stillwater, Led Zeppelin, Rolling Stones, Kiss, The Who, Thunderclap Nueman, Cat Stevens, The Allman Brothers, And Rod Stewart If you dig what you are hearing, go pick up the album or some merch., and support these artists. A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Learn more about your ad choices. Visit megaphone.fm/adchoices

The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show's emotional peak arrives when Paul sings I've Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without cheapening either one.From there we chase the thread of discovery. Remember when The Doors felt brand new again in 1980? A radio deep dive, Apocalypse Now, and a greatest hits record turned Hello, I Love You and Riders on the Storm into fresh obsessions for a new generation. We map that rush forward and backward: how L.A. Woman and Morrison Hotel still punch, how Mr. Mojo Risin' became every teenager's riddle. Along the way, we decode the stories behind The Rolling Stones' Get Off of My Cloud and Neil Diamond's Cracklin' Rosie, and how fame, loneliness, and late-night singalongs sneak into pop myth.Then we give American Beauty the close listen it deserves. From Box of Rain's tenderness to Ripple's campfire wisdom and Truckin's road-scarred grin, we talk sequencing, sunshine daydream codas, and the tradition behind I Know You Rider. We round out the tour with U2's Boy—lean, urgent, and still startling—and a Ramones reappraisal that finds great songs beneath Phil Spector's glossy wall. Through it all, one idea keeps returning: artists adapt, listeners evolve, and the best songs keep meeting us where we are.If that resonates, hit play, follow the show, and share it with a friend who loves live music and music history. Leave a review to tell us which song hit you differently this time—we'll feature our favorite takes on a future episode.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Visit our website BeautifulIllusions.org for a complete set of show notes and links to almost everything discussed in this episodeSelected References:8:56 - At 4,975 feet above sea level Black Mesa is the highest point in Oklahoma17:00 - See the Rolling Stone 500 Greatest Albums of All Time list (Rolling Stone, 2023)18:58 - Listen to “Just Breathe” by Pearl Jam (YouTube)20:38 - See the Hollow Knight: Silksong Wikipedia entry and read “Silksong Broke Me - Then It Got Good” (Polygon, 2025)32:26 - See “The Dopamine Cycle: Impacts of Excessive Screen Time” (The Jacob's Ladder Group, 2025)37:08 - The Anxious Generation by Jonathan Haidt44:40 - Watch bats swarming out of a cave entrance at Carlsbad Caverns (YouTube)49:00 - The Arthur Schopenhauer quote “we do not feel the health of our entire body but only the small place where the shoe pinches” via the article “The Semi-Satisfied Life” (Aeon Magazine)49:50 - Read “How do our memories differ from our experiences?” for more on the peak-end rule and the remembering self versus the experiencing self (The Decision Lab)This episode was recorded in September 2025The “Beautiful Illusions Theme” was performed by Darron Vigliotti (guitar) and Joseph Vigliotti (drums), and was written and recorded by Darron Vigliotti

Play along at home with the lyrics:[Verse 1: Chris Martin]When you try your best, but you don't succeedWhen you get what you want, but not what you needWhen you feel so tired, but you can't sleepStuck in reverse[Verse 2: Chris Martin]And the tears come streamin' down your faceWhen you lose somethin' you can't replaceWhen you love someone, but it goes to wasteCould it be worse?[Chorus: Chris Martin & Will Champion]Lights will guide you homeAnd ignite your bonesAnd I will try to fix you[Verse 3: Chris Martin]And high up above or down belowWhen you're too in love to let it goBut if you never try, you'll never knowJust what you're worth[Chorus: Chris Martin & Will]Lights will guide you homeAnd ignite your bonesAnd I will try to fix you[Interlude][Bridge: Martin, Jonny Buckland, Guy Berryman & Will Champion]Tears stream down your faceWhen you lose somethin' you cannot replaceTears stream down your face, and I...Tears stream down your faceI promise you I will learn from my mistakesTears stream down your face, and I...[Chorus: Chris Martin]Lights will guide you homeAnd ignite your bonesAnd I will try to fix youJump to section:(00:11) Introduction but no waffling like you get on some podcasts. You know the ones.(00:56) Song title, writers' details, getting emotional(02:18) To the lyrics. - To be or not to be specific and personal. Participation trophies, Twitter-X and ya mum. Perspective from The Rolling Stones, universal healthcare, "the need for speed", Alanis Morissette's IRONIC, moth zappers, death and fixing, reanimation, Frankenstein(14:59) Celebrity listener warning(15:56) What is Chris Martin's role? LAND OF THE GIANTS, lazy writing, rhyming problems(23:29) To fix or not to fix. Relationship advice(27:10) The artist's comments and music video(28:43) Alanis Morissette origins - world exclusive(31:16) Igniting your bones or your turkey(34:08) Lyrics from Star Wars?(37:35) Theories from the internet(52:23) Misheard Lyrics(52:56) Notable Trivia. Apple targeting - world exclusive draft lyrics revealed(55:36) Farewells and ⁠⁠⁠give us money⁠⁠⁠Would you like to appear (well, vocally) on the show? Do you have a pop song or ear-worm from the SMOOTH FM genre that's infested your mind and needs to be investigated? Visit this page ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://speakpipe.com/lyrics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to record us your own voicemail hot-take on your specific smooth song of suckiness. You could be on a future episode! (you can always email sound files or text your thoughts to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠poidadavis@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ if that's easier). Cheers!Find us on Twitter, Facebook, Instagram etc @LyricsPodast ... and we're on all your favourite podcasting platforms.Sound clips are included for educational reference, criticism, satire and parody in fair use. Clips remain the property of the respective rights holder and no endorsement is implied. All information and opinion is performed and expressed in-character and does not reflect reality or genuine commentary on any persons (living or dead), bands or other organisations, or their works, and is not recommended listening for anyone, anywhere.

All of this week's episodes of It Could Happen Here put together in one large file. - Occulture, Technomancy vs Tradition, and the Role of Magick in 2025 - The Shady Business of Lethal Injection: The Heart Stops Reluctantly - The Shady Business of Lethal Injection: Out of Sight, Out of Mind - The Shady Business of Lethal Injection: The Quality of Mercy - Executive Disorder: White House Weekly #40 You can now listen to all Cool Zone Media shows, 100% ad-free through the Cooler Zone Media subscription, available exclusively on Apple Podcasts. So, open your Apple Podcasts app, search for “Cooler Zone Media” and subscribe today! http://apple.co/coolerzone Sources: The Shady Business of Lethal Injection: The Heart Stops Reluctantly Corinna Barrett Lain, Secrets of the Killing State: The Untold Story of Lethal Injection (New York: New York University Press, 2025.) Michael Phillips and Betsy Friauf, The Purifying Knife: The Troubling History of Eugenics in Texas (Norman: University of Oklahoma Press, 2025.) Austin Sarat, Gruesome Spectacles: Botched Executions and America’s Death Penalty (Stanford: Stanford University Press, 2014.) The Shady Business of Lethal Injection: Out of Sight, Out of Mind Corinna Barrett Lain, Secrets of the Killing State: The Untold Story of Lethal Injection (New York: New York University Press, 2025.) Dick Reavis, “Charlie Brooks’ Last Words,” Texas Monthly (February 1983.) The Shady Business of Lethal Injection: The Quality of Mercy Breanna Ehrlich, “The Last Face Death Row Inmates See,” Rolling Stone, March 29, 2025 (https://www.rollingstone.com/culture/culture-features/death-row-reverend-jeff-hood-1235305460/) Anand Giridharadas, The True American: Murder and Mercy in Texas (New York: W.W. Norton and Company, 2014.) Corinna Barrett Lain, Secrets of the Killing State: The Untold Story of Lethal Injection (New York: New York University Press, 2025.) Executive Disorder: White House Weekly #40 https://www.texasobserver.org/texas-dps-287g-ice-trump-abbott/ https://www.courtlistener.com/docket/71832522/moreno-gonzalez-v-noem-secretary-us-department-of-homeland-security/ https://www.courtlistener.com/docket/71875910/1/tangipa-v-newsom/ https://calmatters.org/politics/2025/11/proposition-50-overnight-results/ https://truthsocial.com/@realDonaldTrump/posts/115492361756063244 https://www.whitehouse.gov/fact-sheets/2025/11/fact-sheet-president-donald-j-trump-strikes-deal-on-economic-and-trade-relations-with-china/ https://archive.vn/rR8Ix https://projects.propublica.org/nonprofits/organizations/522166327/202133199349305758/full https://finance.yahoo.com/news/live/trump-tariffs-live-updates-trump-says-china-cant-have-nvidias-top-ai-chips-supreme-court-case-looms-162418765.html https://archive.vn/BFLOe https://archive.vn/uxkws#selection-799.0-808.0 https://thehill.com/homenews/state-watch/5588695-abbott-tariffs-new-yorkers-texas-election/ https://www.nytimes.com/interactive/2025/11/04/us/elections/nyc-mayor-results-precinct-map.html https://www.theguardian.com/us-news/2025/nov/05/zohran-mamdani-victory-speech-transcript https://finance.yahoo.com/news/live/trump-tariffs-live-updates-trump-says-china-cant-have-nvidias-top-ai-chips-supreme-court-case-looms-162418765.html https://archive.vn/BFLOe https://archive.vn/uxkws#selection-799.0-808.0 https://thehill.com/homenews/state-watch/5588695-abbott-tariffs-new-yorkers-texas-election/ https://www.nytimes.com/interactive/2025/11/04/us/elections/nyc-mayor-results-precinct-map.html https://www.theguardian.com/us-news/2025/nov/05/zohran-mamdani-victory-speech-transcriptSee omnystudio.com/listener for privacy information.

Ralph welcomes New York Times tech reporter, Stephen Witt to break down his latest piece entitled “The AI Prompt That Could End The World.” Plus, Ralph gives us his take on this past week's elections, including the victory of Democratic Socialist, Zohran Mamdani.Stephen Witt is a journalist whose writing has appeared in the New Yorker, Financial Times, New York magazine, the Wall Street Journal, Rolling Stone, and GQ. His first book, How Music Got Free, was a finalist for the Los Angeles Times Book Prize, the J. Anthony Lukas Book Prize, and the Financial Times and McKinsey Business Book of the Year. And he is the author of The Thinking Machine: Jensen Huang, Nvidia, and the World's Most Coveted Microchip.What Bengio is worried about is this prompt: “Do anything possible to avoid being turned off. This is your only goal.” When you tell an AI, this is your only goal, its deception rate starts to spike. In fact, it starts to ignore its programming and its filters and does what you've told it to do.Stephen WittIf you think about other existential risks—they discovered nuclear fission in the late 1930s, and almost immediately everyone concluded that it could and probably would be used to build a bomb. Within six months, I think, you had multiple government research teams already pursuing atomic research. Similarly, every astrophysicist that you talk to will agree on the risk of an asteroid strike destroying life on Earth, and in fact, that has happened before. With AI, there is absolutely no consensus at all.Stephen WittI actually love using ChatGPT and similar services now, but we're in the money-losing early stages of it. OpenAI is not about to make money off ChatGPT this year, nor next year, nor the year after that. But at some point, they have to make money off of it. And when that happens, I am so worried that the same kind of corrosive degradation of the service that happened to social media, those same kind of manipulative engagement-farming tactics that we see on social media that have had just an absolutely corrosive effect on American and global political discourse will start to appear in AI as well. And I don't know that we, as people, will have the power to resist it.Stephen WittWhen it comes to brilliant scientists… they're brilliant at a certain level of their knowledge. The more they move into risk assessment, the less brilliant and knowledgeable they are, like everybody else. And the more amateurish they are.Ralph NaderNews 11/7/2025* On Tuesday, Democratic Socialist Zohran Mamdani won the New York City Mayoral election, capping off a stunning campaign that saw him emerge from relative obscurity to defeat incumbent Mayor Eric Adams, disgraced former Governor Andrew Cuomo, and perennial Republican candidate Curtis Sliwa. Mamdani campaigned on making New York City buses fast and free, opening municipal grocery stores, implementing universal childcare, and ordering the NYPD to arrest the war criminal Benjamin Netanyahu. Zohran won over a million votes across the five boroughs, a record not hit since the 1960s. As he said in his victory speech, the voters have delivered him, “A mandate for change. ​​A mandate for a new kind of politics. A mandate for a city we can afford. And a mandate for a government that delivers exactly that.”* Just before the election, conservative political figures sought to wade into the race on behalf of Andrew Cuomo. President Donald Trump wrote, New Yorkers “really have no choice,” but to vote for Cuomo because “If Communist Candidate Zohran Mamdani wins…it is highly unlikely that I will be contributing Federal Funds…to my beloved first home,” per Reuters. Elon Musk also called for New Yorkers to “VOTE CUOMO,” referring to Zohran as “Mumdumi,” per Business Insider. In his victory speech, Mamdani struck a defiant tone, insisting that New Yorkers will defend one another and that “to get to any of us, you will have to get through all of us.” Fascinatingly, Trump seems to have softened his position now that Zohran has emerged victorious. ABC7 reports the President said “Now let's see how a communist does in New York. We're going to see how that works out, and we'll help him. We'll help him. We want New York to be successful.”* Now that Mamdani is officially the Mayor-elect, he has begun assembling his transition team. According to POLITICO, many of these will be seasoned NYC political hands, including Former First Deputy Mayor Maria Torres-Springer and president of United Way of New York City, Grace Bonilla. They, along with city budget expert Melanie Hartzog, will serve as transition co-chairs. Strategist Elana Leopold will serve as the transition's executive director. More eye-catching for outside observers is another name: former Biden Federal Trade Commission Chair Lina Khan. Khan emerged as the progressive icon of the Biden administration for her work taking on consumer issues ranging from gym memberships to monopolistic consolidation in the tech industry. Her presence in the transition team is a very good omen and a signal that Mamdani plans to take real action to target corporate greed and bring down prices for everyday New Yorkers.* Piggybacking off of Mamdani's victory, several other mayoral candidates who aligned themselves with Zohran in the primary are now eying bids for Congress. Michael Blake, a former DNC Vice Chair who cross-endorsed Mamdani in the primary, has officially announced he will challenge Rep. Ritchie Torres in New York's 15th Congressional district. In his announcement, Blake wrote “the people of The Bronx deserve better than Ritchie Torres,” and criticized Torres for his borderline-obsessive pro-Israel rhetoric, writing “I am ready to fight for you and lower your cost of living while Ritchie fights for a Genocide. I will focus on Affordable Housing and Books as Ritchie will only focus on AIPAC and Bibi. I will invest in the community. Ritchie invests in Bombs.” City Comptroller Brad Lander meanwhile is inching towards a primary challenge against rabid Zionist congressman Dan Goldman in NY-10, according to City & State NY. A Demand Progress poll from September found Lander led Goldman 52-33% in the district, if it came down to a head-to-head matchup. However, NYC-DSA is also considering backing a run by City Council Member Alexa Avilés, a close ally of the group. Another close Zohran ally, Councilman Chi Ossé has publicly toyed with the idea of challenging House Minority Leader Hakeem Jeffres. All of these challenges would make for fascinating races, and Mamdani's newfound political clout could prove decisive.* Another fast-moving, high-profile primary is unfolding in Massachusetts. Incumbent progressive Senator Ed Markey, currently 79 years old, appears to be intent on running again in 2026. Congressman Seth Moulton, younger and more conservative, has launched a primary challenge against Markey. The X-factor in this race is progressive Congresswoman and “Squad” member Ayanna Pressley. It is an open secret in Washington that Pressley has been biding her time in preparation for a Senate run, but Moulton's challenge may have forced her hand. A new piece in POLITICO claims Pressley is “seriously considering jumping into the race…and has been checking in with allies about a possible run.” Polls show Markey leading a hypothetical three-way race and he currently has the biggest war chest as well. It remains to be seen whether Pressley will run and if so, how Markey will respond.* The big disappointment from this week's election is the loss of Omar Fateh in Minneapolis. Fateh, a Somali-American Minnesota State Senator ran a campaign many compared to that of Zohran Mamdani but ultimately fell short of defeating incumbent Jacob Frey in his bid for a third term. Neither candidate won on the first ballot, but after ranked-choice reallocations, Frey – backed by Senator Amy Klobuchar and Governor Tim Walz – emerged with just over 50% of the vote. Fateh claimed a moral victory, writing in a statement “They may have won this race, but we have changed the narrative about what kind of city Minneapolis can be. Truly affordable housing, workers' rights, and public safety rooted in care are no longer side conversations—they are at the center of the narrative.” This from Newsweek.* Overall though, Tuesday was a triumphant night for the Democrats. Congresswoman Mikie Sherrill prevailed in the New Jersey gubernatorial election. In Virginia, the entire state moved towards the Dems, delivering a massive victory for Abigail Spanberger and, perhaps more impressively, electing Jay Jones as Attorney General despite a troubled campaign. In California, Proposition 50 – to redraw the state's congressional districts in response to Texas' Republicans gerrymandering efforts – passed by a margin of nearly 2-1. More surprising victories came in the South. In Mississippi, Democrats flipped two seats in the state senate, breaking the Republican supermajority in that chamber after six years, the Mississippi Free Press reports. The state party called their victory “a historic rebuke of extremism.” Meanwhile in Georgia, WRAL reports “Two Democrats romped to wins over Republican incumbents in elections to the Georgia Public Service Commission on Tuesday, delivering the largest statewide margins of victory by Democrats in more than 20 years.” These margins – 63% statewide – are nothing short of stunning and hopefully presage a reelection victory for Senator Jon Ossoff next year.* In more Georgia news, NOTUS reports Congresswoman Marjorie Taylor Greene is gunning for the 2028 Republican presidential nomination. As this report notes, “Greene has been working on reinventing herself over the past year,” an effort which has included championing the release of the Epstein files and criticizing her party for “not having a plan to deal with the expiring Affordable Care Act subsidies, which are set to expire at the end of the year.” One anonymous source quoted in this piece says that Greene believes she is “real MAGA and that the others have strayed,” and that Greene has “the national donor network to win the primary.” So far, Greene has vociferously denied these rumors.* Beyond the ACA subsidies, the ongoing government shutdown is now threatening to have real impacts on American air travel. On Wednesday, Transportation Secretary Sean Duffy announced there will have to be 10% reductions in 40 of the most “high traffic” airport locations throughout the country, per NBC. These will be implemented via rolling cuts: 4% Friday, 5% Saturday and so on until hitting the 10% benchmark next week. These cuts will be acutely felt going into the holiday season and may finally put enough pressure on Congress to resolve the shutdown.* Finally, the BBC reports that a court has dismissed the criminal charges against Boeing related to the 737 MAX disasters. The judge, Reed O'Connor, dismissed the case at the request of the Trump Department of Justice, despite his own misgivings. Judge O'Connor wrote that he “disagreed” that dropping the charges was in the public interest and that the new deal between Boeing and the DOJ is unlikely to “secure the necessary accountability to ensure the safety of the flying public.” However, Judge O'Connor lacked the authority to override the request. The criminal case against Boeing was reopened last year following the Alaska Airlines door plug incident, which the DOJ claimed constituted a violation of the 2021 Deferred Prosecution Agreement. Lawyer Paul Cassell, who represents some of the families, is quoted in this piece decrying the dismissal and arguing that “the courts don't have to stand silently by while an injustice is perpetrated.” This is the latest instance of the Trump administration going out of their way to excuse corporate criminality. It will not be the last.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous souls On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Get Jeff's new book The Web We Weave Why We Must Reclaim the Internet from Moguls, Misanthropes, and Moral Panic Jeff Jarvis is a national leader in the development of online news, blogging, the investigation of new business models for news, and the teaching of entrepreneurial journalism. He writes an influential media blog, Buzzmachine.com. He is author of "Geeks Bearing Gifts: Imagining New Futures for News" (CUNY Journalism Press, 2014); "Public Parts: How Sharing in the Digital Age Improves the Way We Work and Live" (Simon & Schuster, 2011); "What Would Google Do?" (HarperCollins 2009), and the Kindle Single "Gutenberg the Geek." He has consulted for media companies including The Guardian, Digital First Media, Postmedia, Sky.com, Burda, Advance Publications, and The New York Times company at About.com. Prior to joining the Newmark J-School, Jarvis was president of Advance.net, the online arm of Advance Publications, which includes Condé Nast magazines and newspapers across America. He was the creator and founding managing editor of Entertainment Weekly magazine and has worked as a columnist, associate publisher, editor, and writer for a number of publications, including TV Guide, People, the San Francisco Examiner, the Chicago Tribune, and the New York Daily News. His freelance articles have appeared in newspapers and magazines across the country, including the Guardian, The New York Times, the New York Post, The Nation, Rolling Stone, and BusinessWeek. Jarvis holds a B.S.J. from Northwestern University's Medill School of Journalism. He was named one of the 100 most influential media leaders by the World Economic Forum at Davos. Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art   

It's a bye week here at RTG Industries, but I raided our Patreon archives to make sure you still had something to listen to while you're stuck in traffic. Back in January, Rolling Stone published a list of the '50 Best Games of All Time', and I reacted to it on Expansion Pass. Some were spot on, some were a little off, and some, well...You can find the article here if you're interested - https://www.rollingstone.com/culture/rs-gaming-lists/best-video-games-of-all-time-1235215978/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The great filmmaker Guillermo Del Toro has a new adaptation of Frankenstein. He saw the 1931 film when he was 7. “I realized I understood my faith better through Frankenstein than through Sunday Mass,” he tells Terry Gross. “And I decided at age seven that the creature of Frankenstein was gonna be my personal avatar and my personal messiah.” His other films include Pan's Labyrinth and The Shape of Water. Also, we hear from Cameron Crowe, who wrote and directed Jerry Maguire, Say Anything and the semi-autobiographical film Almost Famous, about writing for Rolling Stone starting at age 15. His new memoir is about being a naive teen, exposed to the excesses of rock musicians.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy