Podcasts about The Rolling Stones

While its origin is murky, the adage "Take nothing but photographs, leave nothing but footprints, kill nothing but time," is at the heart of this wide-ranging discussion about ethical practices in wildlife photography. From exotic safaris to local birding expeditions, interest in this subject matter has grown tremendously in recent years. Ever advancing camera technologies and increasing ease of use make stunning pictures more accessible than ever, but when these advantages combine with an unbridled enthusiasm for getting the shot, it can often put wildlife at risk. After defining conservation photography as an act that extends beyond image capture to effect a change in the world, we delve into questionable practices that can threaten animal safety and compromise natural behaviors. From avoiding obvious red flags of baiting an animal with food or using audio lures to trigger photogenic results, to more subtle actions of approaching too quickly, getting too close, or staying too long—our guests shed light on alternative methods for ethical behavior in the field. As Melissa states, "You just have to become a part of the landscape and feel yourself within this community of other beings whose voices and whose messages are as filled with meaning as ours are, but we really have yet to tap into it." Guests: Melissa Groo & Bobby Stormer Episode Timeline: 3:56: Defining the term conservation photographer and making a distinction with the term wildlife photographer. 5:25: Melissa's career shift to focus on animal research and her early days photographing wildlife. 12:15: Bobby's expansion from fine art to photography, his shift to photographing animals, plus his passion for local wildlife & animal rescue. 16:49: Bobby's rescue of a fox and her kits, and his work with rehabbers to rehabilitate animals in need. 20:04: The ethics of photographing wildlife, best practices to consider, and mistakes photographers can make that cross ethical lines. 28:59: An increased awareness of wildlife ethics and the importance of sharing best practices in photographing animals to help educate one another. 36:04: Truth in image captioning and the question of sharing detailed location details, plus the distressing truth behind wildlife game farms. 44:42: Episode Break 46:24: The cameras, lenses, and related photo gear Melissa and Bobby pack, plus their camera set-ups. 56:09: Bobby and Melissa talk focusing, aperture, shutter speed, ISO and other considerations for settings. 102:45: Ethical considerations beyond baiting animals and staging wildlife photo-ops at a time when nature and animal photography has gained huge traction. 1:05:57: Concerns related to captive animal photography, plus distinctions between various facilities—from zoos to sanctuaries to animal havens to wildlife game farms. 1:11:08: Wildlife rescue, the path to becoming a licensed animal rehabber, plus discussing the upsurge in interest in wildlife photography during the pandemic. 1:25:45: Advice for anyone seeking to become a professional wildlife or conservation photographer.              Guest Bios: Melissa Groo is a photographer, writer, and conservationist dedicated to telling stories of the natural world. As a leading voice and consultant on ethics in wildlife photography, it's her mission to inspire conservation of the animals she's privileged to witness, and the habitat crucial to their survival. A Sony Artisan of Imagery since 2024, Melissa also serves as an Associate Fellow with the International League of Conservation Photographers, an advisor to the National Audubon Society, and a contributing editor for Audubon magazine. In 2023, Melissa received the "Jay N. Ding Darling Memorial Award for Wildlife Stewardship Through Art," from The Wildlife Society. In 2017, she received NANPA's Vision Award, in recognition of early career excellence, vision and inspiration to others in nature photography, conservation, and education. Her award-winning fine art prints are widely exhibited and featured in both personal and corporate collections. Additionally, Melissa has served as a juror for numerous competitions—from the Audubon Photography Awards to Wildlife Photographer of the Year and beyond. As an ambassador for Project Coyote, Melissa is equally invested in the importance of carnivores in our landscapes, continually advocating for co-existence with, and appreciation of, these animals.. She also serves on the Advisory Council for Wyoming Untrapped, the Board of Directors for The Little Egg Foundation, and as a volunteer photographer at the Cornell Wildlife Hospital, near her home in Ithaca, New York. Bobby Stormer first picked up a camera in 2010, transitioning from traditional art to photography as a new creative outlet. Born and raised just outside New York City, his early work focused on urban exploration and automotive shoots, but everything changed six years ago when he took a deep dive into wildlife photography. Shaped by both cityscapes and suburban ecosystems, Bobby developed a unique approach to capturing local wildlife, from foxes and owls to black bears, often within minutes of home. His mission is to show others the beauty hidden in their own backyards and foster a sense of coexistence with the wild. But what truly sets Bobby apart is his hands-on commitment to animal welfare. Apart from the image making, he's helped rescue and rehabilitate hundreds of animals. For Bobby, the photo is just a keepsake, his real reward is the moment itself, while letting empathy and respect guide his every frame.   Stay Connected: Melissa Groo Website: https://www.melissagroo.com/ Melissa Groo Instagram: https://www.instagram.com/melissagroo/ Melissa Groo Facebook: https://www.facebook.com/melissa.groo Melissa Groo LinkedIn: https://www.linkedin.com/in/melissa-groo-23252324/ Melissa Groo Linktree: https://linktr.ee/melgroo   Bobby Stormer Website: https://robertstormer.smugmug.com/ Bobby Stormer Instagram: https://www.instagram.com/b.stormer/ Bobby Stormer Facebook: https://www.facebook.com/bobby.stormer/ Bobby Stormer Flickr: https://www.flickr.com/photos/bobby_stormer32/   National Audubon Guide to Ethical Bird Photography: https://www.audubon.org/photography/awards/audubons-guide-ethical-bird-photography-and-videography Melissa's Rolling Stone article on Game Farms: https://www.rollingstone.com/culture/culture-features/photography-game-farms-exploiting-wild-animals-1235002275/ B&H Explora article on the Ethics of Wildlife Photography: https://www.bhphotovideo.com/explora/photography/tips-and-solutions/the-ethics-of-wildlife-photography   Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

Join us in Vegas for Podjam 3! My conversation with Tony starts at 24 minutes and Maura and I being at 58 mins in to today's show after headlines and clips Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous souls Tony Box is a soldier, FBI agent, and prosecutor who's dedicated his life to service, courage, and integrity—from leading troops in Iraq to putting criminals behind bars as a federal prosecutor. A lifelong public servant, he's running to be the next Attorney General of Texas to restore trust, accountability, and justice for everyday Texans. Follow Maura on Blue Sky Follow Maura on Instagram Read Maura recap of SOTU at McSweenwey's Support Families over Billionaires Maura Quint is a humor writer and activist whose work has been featured in publications such as McSweeneys and The New Yorker. She was named one of Rolling Stone's top 25 funniest twitter accounts of 2016. When not writing comedy, Maura has worked extensively with non-profits in diverse sectors including political action campaigns, international arts collectives and health and human services organizations. She has never been officially paid to protest but did once find fifteen cents on the ground at an immigrants' rights rally and wanted to make sure that had been disclosed. She was the co founder and executive director of TaxMarch.org Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page  

On the surface, Ian Leslie's book John & Paul: A Love Story in Songs is a dual biography of the greatest songwriting duo the world has ever seen. So not exactly standard Next Big Idea territory. But what's remarkable about Ian's book, which I've been pressing on everyone I know, whether they're Beatlemaniacs or the opposite (i.e., Rolling Stones fans), is that through the narrative of this tender, tempestuous, radically inventive partnership — romance, really — emerge genuinely big ideas about creativity, vulnerability, and how to get by with a little help from your friends. Watch The Next Big Idea on YouTube! You can find our episodes ⁠⁠⁠here⁠⁠⁠. Follow Rufus on ⁠⁠LinkedIn⁠⁠, subscribe to our ⁠⁠Substack⁠⁠, or send us an email at ⁠podcast@nextbigideaclub.com⁠. We love getting fan mail. Sponsored By: Bitdefender — Get 30% off your plan at bitdefender.com/idea Factor — Head to ⁠factormeals.com/idea50off⁠ and use code idea50off to get 50% off your first box Granola — Get three months free at granola.ai/idea Shopify — Start your $1/month trial at ⁠⁠⁠shopify.com/nbi⁠⁠⁠

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠The latest segment of Notorious Mass Effect hosted by Analytic Dreamz explores BTS's major 2026 comeback announcement: the BTS WORLD TOUR ‘ARIRANG' LIVE VIEWING in cinemas worldwide.Analytic Dreamz covers the official reveal from @bts_bighiton February 25, 2026, featuring the main trailer soundtracked by "Mic Drop." This initiative brings full-length concert broadcasts (~3 hours, NR rating) to theaters in 75–80+ territories through chains like AMC Theatres, Cinemark, Shaw Theatres, and Golden Village.The live viewings kick off with the tour's opening stops: April 11 from Goyang Stadium (South Korea, part of April 9–11 shows) and April 18 from Tokyo (Japan). Tickets went on sale February 25 at 10:00 AM KST via btsliveviewing.com and regional platforms like Fandango in the U.S., with more screenings from later dates TBA.This ties into BTS's broader return post-military service: their 5th studio album ARIRANG drops March 20, 2026, followed by the massive world tour spanning ~34 cities and 82 shows—setting K-pop records—with rapid sellouts in many locations, including upcoming North America stops like Tampa and Los Angeles.The strategy boosts global ARMY access via cinema screenings on a 360-degree in-the-round stage, mirroring past successful models while amplifying engagement across Instagram, Reddit's /r/bangtan, and major outlets like Billboard, Rolling Stone, and Forbes.Analytic Dreamz delivers an in-depth look at this high-scale cultural and commercial rollout, extending the tour's reach far beyond stadiums and marking BTS's triumphant full-group resurgence. Tune in for the complete breakdown and what it means for the future of K-pop dominance. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Outlouders, enjoy this free bite of Mia Freedman. Catch the full conversation — Oh Sh*t. We Let Creeps Decide Our Beauty Standards — at 5 pm TODAY. Not a subscriber yet? Put matters right HERE. When a newsletter has the internet in a chokehold, you better believe that Mia Freedman has to unpack it. And so it is with the recent Substack from Jameela Jamil. Writing from what Jamil calls the "funeral of the body positivity movement," she posits a theory that is as provocative as it is dark: that the obsession with extreme thinness, hairlessness, and agelessness isn't just about vanity — it’s a standard designed to mimic the aesthetics of children. Jessie and Holly join Mia to dive deep into the sinister framework of the 'sexy baby' trope, questioning why grown women are taught to spend their lives trying to get back to a body they had at thirteen. Is the 'Epstein-ness' of this current cultural moment exposing a wider fetishisation of youth among the world's most powerful men? Or is Jamil's critique of the homogenised look of our favourite female stars—from Sabrina Carpenter to Taylor Swift—unfairly judging their "sparkly underpants" choice? "Your body is not meant to look the same at 28 as it did at 18." Is it time to reclaim our waistlines, our wrinkles, and our right to look like grown-ass women? Mia has thoughts — and we're pretty sure you do too. Remember, this is your free sample of today's subs episode. The full debrief drops for subscribers at 5pm. What To Listen To Next: Listen to our latest episode: "I'm A Working Mum & I Just Want To Quit" Listen: Mia & Amelia On CBK: The Clothes, The Curse, The Love Story Listen: Prince William Has Entered The Chat Listen: The New Dating Rule That Blew Up A Comments Section Listen: 'Prince' Andrew's Arrest Is Not What You Think It Is Listen: Angelina Jolie & The Existential Threat Of Desirable Older Women Listen: MAFS & The Specific Cruelty of the ‘Sexual Chemistry’ Question Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media Watch Australia's #1 podcast, Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: Jameela Jamil's Substack: Ah shit! We let pedophiles decide our beauty standards. Britney Spears, Brooke Shields and the 'criminal' interviews child stars don't want us to forget. Chappell Roan can take a stand, we apparently just need her to suffer a bit first. 'You’re routinely underestimated.' The 9 untold benefits of being an ugly child. Sarah says she has 'ugly privilege'. Okay, it's time we talk about the thing we're all too scared to talk about. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloudBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Carly Pearce is unafraid to raise tough questions about faith, marriage, and success in country music. In a startling candid episode of Rolling Stone's Nashville Now podcast, the Kentucky singer-songwriter addresses the polarizing response to her new song “Church Girl,” opens up about the sacrifices she's had to make for her career, and wonders if you can ever really “move on” from a broken relationship. “Those parts of your story, they're never gone,” Pearce says. Also, we run down the week's news, including word of a new Highwomen album, and give you our five Hear Nows, the songs in country music you just have to hear this week. Country is Here…Nashville is Now. Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Are these really the worst songs from the 70s? A Rolling Stones poll picked these 10 songs to be the worst. Listen up and see if you agree.

Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, they've recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and what's changed the way they sound. Among the highlights … … what he learnt from watching Radiohead and Doechii … when you walk into a teashop and Tír na nÓg are playing … T. Rex and screaming girls at the Lewisham Odeon – “comfortable, confident, thrilling” … Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971 … “that age when Pickettywitch are as engaging as the Rolling Stones” … the song that came to him in a dream … constructing “a knockout set that'll slay any audience” … winning a talent contest at Butlins in Clacton, aged 12 – “a week's free holiday!” … “the breadth and depth of what we can do now outstrips the way we were”. Order the ‘Trixies' album here: https://squeeze.lnk.to/trixies And Squeeze tickets here: https://www.squeezeofficial.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Donald Trump made history again on Tuesday evening, delivering the longest State of the Union address on record. But while the president declared the ‘golden age of America', many Democrats boycotted the event, telling the country Republicans are ‘making your life harder'. The Guardian's Jenna Amatulli talks to Rolling Stone's Nikki McCann Ramírez about Trump's claims, the Democrats' rebuttal, and how the speech will land with a divided nation

Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, they've recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and what's changed the way they sound. Among the highlights … … what he learnt from watching Radiohead and Doechii … when you walk into a teashop and Tír na nÓg are playing … T. Rex and screaming girls at the Lewisham Odeon – “comfortable, confident, thrilling” … Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971 … “that age when Pickettywitch are as engaging as the Rolling Stones” … the song that came to him in a dream … constructing “a knockout set that'll slay any audience” … winning a talent contest at Butlins in Clacton, aged 12 – “a week's free holiday!” … “the breadth and depth of what we can do now outstrips the way we were”. Order the ‘Trixies' album here: https://squeeze.lnk.to/trixies And Squeeze tickets here: https://www.squeezeofficial.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, they've recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and what's changed the way they sound. Among the highlights … … what he learnt from watching Radiohead and Doechii … when you walk into a teashop and Tír na nÓg are playing … T. Rex and screaming girls at the Lewisham Odeon – “comfortable, confident, thrilling” … Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971 … “that age when Pickettywitch are as engaging as the Rolling Stones” … the song that came to him in a dream … constructing “a knockout set that'll slay any audience” … winning a talent contest at Butlins in Clacton, aged 12 – “a week's free holiday!” … “the breadth and depth of what we can do now outstrips the way we were”. Order the ‘Trixies' album here: https://squeeze.lnk.to/trixies And Squeeze tickets here: https://www.squeezeofficial.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Il a représenté le visage du rock sur plusieurs générations, sans être musicien lui-même : le journaliste musical Philippe Manœuvre fait ses débuts sur scène à 71 ans ! Dans son spectacle Un enfant du rock raconte, joué en ce moment au Théâtre de l'Œuvre, à Paris, le critique rock relate, deux heures durant, ses anecdotes les plus folles. Au cours de sa carrière, Philippe Manoeuvre a rencontré plus de 450 artistes, il y a donc de quoi raconter !  RFI : Vous présentez en ce moment un spectacle intitulé Un enfant du rock raconte. Comment ça se présente ? Philippe Manœuvre : C'est une tentative de théâtre rock. Notamment, j'ai un guitariste, un guitariste électrique et électrifié, M. Yarol Poupaud, qui a été le dernier lead guitariste de Johnny Hallyday, son chef d'orchestre. On a aussi un décor : moi, je suis installé dans un ampli Marshall avec un fauteuil gothique. (rires) On a essayé de faire quelque chose de rassembleur autour de gens que tout le monde connaît, les anciens Beatles, les Rolling Stones, Prince, Johnny Hallyday... J'ai eu la chance de les rencontrer tous, même de vivre des choses uniques avec eux. On a construit une vraie pièce de théâtre autour du rock. Et sur tous ces artistes que vous avez rencontrés, vous avez aussi pu rencontrer des rockers africains... Pour moi, la musique, elle vient d'Afrique. Moi, je suis le premier qui a mis des rockers black à la télévision. Quand on a créé l'émission Sex Machine en hommage à James Brown, pendant trois ans, on n'a rien passé d'autre. À lire aussiUne pensée pour James Brown... Cinquante ans plus tard, vous semblez avoir gardé l'émerveillement et l'enthousiasme qui vous ont poussé à faire ce métier en premier lieu !  Totalement ! Je n'écoute que du rock, les nouveautés... C'est le début de l'année, de nouveaux groupes arrivent. Le rock refuse de disparaître. Les gens, ils aiment cette musique. Ça leur tient à cœur ! La France, c'est une nation rock.  Parlons-en, justement, du rock d'aujourd'hui – en France ou ailleurs. Quel regard portez-vous dessus ? On n'est plus dans le même monde. Entre les années 1970 en France et les années 2020, on n'a plus les mêmes problèmes. Quand le rock est arrivé, il voulait secouer la société. Mais ce n'est plus la même société du tout. Tous les matins, on se réveille, on regarde le téléphone en disant « qu'est-ce que Trump a encore fait cette nuit ? » Donc, on est dans un monde qui n'a pas besoin d'être challengé non plus. Les gens ont au contraire besoin d'être rassurés, de se retrouver autour d'émotions collectives, artistiques. Et le rock leur en offre. Vous pensez que c'est pour cela aussi que cela marche autant quand, par exemple, des Oasis se reforment ? Que c'est le côté rassurant ? Évidemment ! Les gens sont contents, parce qu'Oasis, ils viennent d'une époque où tout allait bien, quoi qu'on en dise. Rendez-vous compte ! 1995, on était dans le bonheur parfait, on ne s'en rendait pas compte ! (rires) Vous avez rencontré beaucoup de monde, mais il y en a peut-être aussi que vous avez loupé. Est-ce qu'il y en a que vous avez regretté de ne pas avoir pu interviewer ou rencontrer ? Oui, Jimi Hendrix, évidemment. Jimi Hendrix et Jim Morrison, c'est vraiment les deux personnalités que j'aurais aimé rencontrer. Ces deux-là me manquent énormément, et ils manquent à la musique aussi. C'était le plus grand guitariste et le plus grand chanteur pour moi. Et leur disparition, c'est encore très dur aujourd'hui, bien sûr. Retrouvez plus d'informations sur le site du Théâtre de l'Œuvre. À lire aussiÀ la source du Rock'n'roll

On this episode of The Rolling Stone Interview, Johnny Knoxville – the patron saint of beautiful stupidity – looks back on 25 years of broken bones, bad ideas, and cultural chaos as he gears up for what he insists will be the final chapter of Jackass. In a wide-ranging conversation with Rolling Stone senior writer Alex Morris, he opens up about the darker aftershocks of that legacy: concussions, “catastrophic thinking,” addiction within the cast, and the uneasy realization that aging bodies don't bounce the way they used to. It's a raw, unexpectedly tender reckoning with risk, rebellion, fatherhood, and how the guy who made a career out of pain is finally learning his limits. Learn more about your ad choices. Visit podcastchoices.com/adchoices

From high school breakouts to a low-dose of Accutane… to the massive hormonal flare-up I experienced after coming off birth control in 2020 — I know firsthand how consuming, painful, and isolating acne can be. It's not “just skin.” It affects your confidence, your relationships, your work, and your mental health.In this episode, I'm joined by Kayleigh and Danielle, the co-founders of CLEARSTEM, a brand born out of their own devastating acne journeys. Danielle battled cystic acne for decades, tried Accutane three times, and eventually left the corporate world to study skin and open her own acne clinic. Kayleigh found her after nearly going on Accutane herself and what she learned in that first appointment completely changed her life.We talk about the emotional toll of acne (and why no one talks about it) and why so many traditional acne treatments don't address the root cause. We get into the surprising supplement triggers that can worsen breakouts (vitamin D, B12, zinc, biotin… and more), hidden pore-clogging ingredients in skincare and makeup, and internal + external connections when it comes to clear skin, eggs, dairy, whey protein, blood sugar spikes — and how to test your personal thresholds. We explore over-exfoliating vs. under-exfoliating, hormonal acne, stress acne, and adult acne in your 20s and 30s, and what to do when you feel like you've “tried everything.”Tired of guessing what's causing your breakouts? Find out in seconds by running your skincare + makeup products through CLEARSTEM's Pore Clogging Ingredients Checker.Head to clearstem.com/REALSTUFF and use code REALSTUFF for 15% off your first order.Watch this episode in video form on YouTube: https://www.youtube.com/playlist?list=PLjmevEcbh5h5FEX0pazPEtN86t7eb2OgX To apply to be a guest on the show, visit luciefink.com/apply and send us your story. I also want to extend a special thank you to East Love for the show's theme song, Rolling Stone. Follow the show on Instagram: https://www.instagram.com/therealstuffpod Find Lucie here: Instagram: https://www.instagram.com/luciebfink/ TikTok: https://www.tiktok.com/@luciebfink YouTube: https://www.youtube.com/luciebfinkWebsite: https://luciefink.com/ Subscribe to my free newsletter "The Lucie List" here: https://thelucielist.beehiiv.com/subscribeSubscribe to "The Creator Confidential": http://www.luciefink.com/confidentialExecutive Producer: Cloud10Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:56:19 - Very Good Trip - par : Michka Assayas - Voici l'histoire d'une fusion d'un genre nouveau, celle du rock et de la musique indienne qui a débuté en 1966 avec les Beatles, aussi les Rolling Stones, et se poursuit encore en 2026 avec Gorillaz et son album "The Mountain". De Ravi Shankar et George Harrison, à sa fille Anouhska et Damon Albarn Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

Danny Goldberg shares insider stories from his 50-year career as Led Zeppelin's publicist and Nirvana's manager, revealing Kurt Cobain's creative genius and the first-hand dynamics behind rock's biggest bands. Order Danny's book "Bumping Into Geniuses" here Topics Include: Danny discusses the 2026 reissue of "Bumping into Genius" Admits his turntables are mostly for show, prefers streaming now Kept about 100 vinyls including The Fugs on ESP Records Answered a Billboard ad not knowing music business existed Found his calling through enthusiasm and sensitivity to artists Became Led Zeppelin's US publicist in 1973 for Houses of the Holy The biggest band in the world had never gotten positive press Peter Grant described them as "just mild barbarians" Bonzo would arrive early to tune drums for each room's acoustics Jimmy Page avoided TV—felt it couldn't deliver Zeppelin's true sound Physical Graffiti era: Danny became Swan Song Records vice president His blues tribute pitch rejected—later repurposed for Foghat Robert Plant was eloquent and handled most press duties willingly Jimmy's Crowley interest rarely came up in day-to-day interactions Met Ringo, never John or George—All Things Must Pass is essential Nirvana's 92 Australian tour produced the Rolling Stone cover shoot Kurt's "Corporate magazines still suck" shirt was pure tightrope genius He storyboarded every Nirvana video shot by shot himself Appeared on Headbangers Ball in a dress to subvert metal culture Nevermind hit five radio formats simultaneously—unprecedented crossover success Kurt agreed to edit In Utero packaging for Walmart-only kids Fame invaded his privacy—tabloid coverage of Courtney infuriated him Depression and heroin predated fame—confirmed by Chris Novoselic Danny dismisses conspiracy theories—Seattle PD had no coverup motive Sub Pop planned "Cash Cow"—Kurt licensed it back as Incesticide Incesticide liner notes rank among Kurt's most remarkable creative statements Danny calls In Utero Kurt's best songwriting, his personal favorite Bonnie Raitt's Nick of Time gave Danny credibility to expand management John Silva brought Redd Kross, leading to Sonic Youth, then Nirvana Born Innocent documentary on Redd Kross earns Danny's recommendation High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Today's program features tuneage from Otis Redding, Pink Floyd, Peter Green, King Crimson, Pacific Gas & Electric, Radiohead, Red House Painters, The Four Tops, Supremes, Three Dog Night, Procol Harum, Rod Stewart, Rolling Stones, Walker Bros, Righteous Bros, Brian Auger w Julie Driscoll, Fortunes, Beatles, Tears For  Fears, Chicago, Colin Winfield Blues Band, Ray LaMontagne, Van Morrison and Blood Sweat & Tears.

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Matt Taibbi is an American journalist, author, and prominent Substack publisher known for his adversarial reporting on finance, politics, and media, often compared to Gonzo journalism. Formerly a longtime Rolling Stone contributing editor and National Magazine Award winner, he gained fame for covering the 2008 financial crisis and publishing bestsellers like Griftopia and The Divide.    These podcasts, posted here, are now all on a slight delay and are taken from my near-daily blog, Fringe Finance. As of right now I have no sponsors, so the best way to show support is just to listen/read or subscribe to my blog: http://quoththeraven.substack.com    You can also still contribute a one time or recurring donation to the podcast via Patreon: https://www.patreon.com/QTRResearch All podcast content is subject to this disclaimer, which you should read slowly, multiple times. Thank you all for your continued support over the years. I stand on the shoulders of the people who listen to and/or enjoy my content and I never lose sight of that. QTR's Disclaimer: Please read my full legal disclaimer on my About page here. This post represents my opinions only. In addition, please understand I am an idiot and often get things wrong and lose money. I may own or transact in any names mentioned in this piece at any time without warning. Contributor posts and aggregated posts have been hand selected by me, have not been fact checked and are the opinions of their authors. They are either submitted to QTR by their author, reprinted under a Creative Commons license with my best effort to uphold what the license asks, or with the permission of the author. This is not a recommendation to buy or sell any stocks or securities, just my opinions. I often lose money on positions I trade/invest in. I may add any name mentioned in this article and sell any name mentioned in this piece at any time, without further warning. None of this is a solicitation to buy or sell securities. I may or may not own names I write about and are watching. Sometimes I'm bullish without owning things, sometimes I'm bearish and do own things. Just assume my positions could be exactly the opposite of what you think they are just in case. If I'm long I could quickly be short and vice versa. I won't update my positions. All positions can change immediately as soon as I publish this, with or without notice and at any point I can be long, short or neutral on any position. You are on your own. Do not make decisions based on my blog or what my guests say. Nothing is fact checked. I exist on the fringe. Assume any and all numbers in this piece are wrong and make sure you check them yourself. The publisher does not guarantee the accuracy or completeness of the information provided in this page. These are not the opinions of any of my employers, partners, or associates. I did my best to be honest about my disclosures but can't guarantee I am right; I write these posts after a couple beers sometimes. I edit after my posts are published because I'm impatient and lazy, so if you see a typo, check back in a half hour. Also, I just straight up get shit wrong a lot. I mention it twice because it's that important.

Rolling Stones terrible list.      To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TheJeffWardShow

Stella Donnelly's third album "Love and Fortune" was ranked number one on Rolling Stone's "50 Best Australian Albums of 2025." She will be touring Japan in April. Listen to Nao's segment for more. - メルボルンを拠点に活動するインディーロック・シンガーソングライター、ステラ・ドネリー。昨年リリースしたアルバムは、あのローリングストーンズ誌が選ぶ「オーストラリアのベスト50アルバム2025」のナンバー１に選ばれました。

Manuel Comesaña dedica su espacio a los Rolling Stones y Miguel del Pino nos informa sobre nidos.

Manuel Comesaña dedica una primera sección de muchas a los Rolling Stones, hoy sus inicios. ¡No te lo pierdas!

This week on Reelin' In The Years... The Featured Five Theme is The "Silver Spoon"... Plus, a song David Bowie wrote about actress, model, and Warhol superstar - Cyrinda Foxe... A hit by Badfinger that was first recorded at a slower tempo and was nearly not released... A song inspired by an awkward relationship between a father and his son... John Fogerty shares the story behind the 1969 CCR hit, "Fortunate Son"... That time when Roger McGuinn reunited with a few of his former Byrds bandmates... New music from The Black Crowes, and folk-pop singer/songwriter Noah Kahan... Deep cuts from Jimi Hendrix, Mavis Staples, The Rolling Stones, The Barenaked Ladies, Spin Doctors, Koko Taylor, Patti Smith, Bruce Cockburn, and more! For more info on the show, visit reelinwithryan.com

How did one of rock's most successful bands of all time accidentally create one of the darkest hits in pop history? Diallo Riddle and LUXXURY dig into The Rolling Stones' “Paint It Black,” unpacking the band's complicated legacy and tracing the blend of American blues, surf rock, and global sounds that gave the song its spell-like power. Songs Discussed: “Paint It Black” - The Rolling Stones “Start Me Up” - The Rolling Stones “Miss You” - The Rolling Stones “Emotional Rescue” - The Rolling Stones “Brown Sugar” - The Rolling Stones “Shattered” - The Rolling Stones “Under My Thumb” - The Rolling Stones “Boléro” - Maurice Ravel “Norwegian Wood” - The Beatles “Pipeline” - The Chantays “Bir Eylül Akşamı” - Erkin Koray “My World Is Empty Without You Babe” - The Supremes “Lorelei” - Cocteau Twins “Love Attack” - Konk One Song Spotify Playlist Learn more about your ad choices. Visit megaphone.fm/adchoices

The Podcast That Rocked for 2/18/26. Shinedown responding and dealing with the fall out, TOOL for the Sphere, Arch Enemy new singer, and more.Discussion Topics:Shinedown left Kid Rock's Scam The Country festival, and the fallout is still comingArch Enemy still working with Angela Gossow, but not as a singerTOOL might be hitting a residency at the Las Vegas SphereThe never ending Kurt Cobain theories and researchChuck Billy and Testament want to work with MetallicaUpcoming albums/tours/moreSONG OF THE WEEK: Converge “Bad Faith” https://www.youtube.com/watch?v=oZv3ZbyZfoE“With the announcement of Shinedown's new single, album and tour, frontman Brent Smith did an interview with Rolling Stone and was asked about their decision to drop off Kid Rock's “Rock The Country” festival tour. Originally Shinedown was set to play the Anderson, SC date, but they dropped off because they didn't want to “participate in something we believe will create further division.” Shortly after, that entire date of the tour was canceled. Speaking to Rolling Stone, Smith further addressed the decision saying: “We saw infighting that we had never seen before, and for us, it was our job to diffuse it. There were certain people that were not happy about [pulling back.] I will say that there was an overwhelming amount of people that agreed with the decision.… You're entitled to your opinion 1,000 percent in this country, and that's one of the beautiful things about it.” (Rolling Stone)Hosted by: Luke = https://www.youtube.com/@rockednet Alex = https://www.youtube.com/@voiceofalex

As the singer of Rival Sons, Jay Buchanan has one of the most powerful voices in all of music, but on his new solo album, Weapons of Beauty, he dials back the volume in favor of a rootsy, Americana approach. The results are stunning. In a special episode of Rolling Stone's Nashville Now, taped in front of a live audience, Buchanan talks about writing the album off the grid in the Mojave desert, where he slept with a pistol beneath his pillow. He also goes deep on his role in the Bruce Springsteen biopic Deliver Me From Nowhere, and shares how Springsteen's Nebraska inspired his new chapter. If you don't know Jay Buchanan, you will now.    Country is Here…Nashville is Now.   Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In January 2025, Rolling Stone published an article by Cheyenne Roundtree and Nancy Dillon titled "As Sean Combs' ‘Love' Era Began, New Accusers Say He Was Still a ‘Demon'." The piece examines Sean "Diddy" Combs' public rebranding as a changed man, contrasting it with recent allegations suggesting continued abusive behavior. Despite Combs' claims of personal growth following a 2016 incident where he was recorded assaulting his then-girlfriend Cassie Ventura, multiple sources allege that his abusive actions persisted well beyond this purported turning point.The article details accounts from new accusers who describe experiences of manipulation, coercion, and violence at the hands of Combs. These allegations challenge the narrative of redemption that Combs has promoted, painting a picture of ongoing misconduct that contradicts his public persona during his "Love" era. The piece underscores the disparity between Combs' professed transformation and the troubling claims of those who have come forward, suggesting that his abusive behavior did not cease as he has asserted.to contact me:bobbycapucci@protonmail.comsource:Sean 'Diddy' Combs Was a ‘Demon' in 'Love' Era, New Accusers Say

In January 2025, Rolling Stone published an article by Cheyenne Roundtree and Nancy Dillon titled "As Sean Combs' ‘Love' Era Began, New Accusers Say He Was Still a ‘Demon'." The piece examines Sean "Diddy" Combs' public rebranding as a changed man, contrasting it with recent allegations suggesting continued abusive behavior. Despite Combs' claims of personal growth following a 2016 incident where he was recorded assaulting his then-girlfriend Cassie Ventura, multiple sources allege that his abusive actions persisted well beyond this purported turning point.The article details accounts from new accusers who describe experiences of manipulation, coercion, and violence at the hands of Combs. These allegations challenge the narrative of redemption that Combs has promoted, painting a picture of ongoing misconduct that contradicts his public persona during his "Love" era. The piece underscores the disparity between Combs' professed transformation and the troubling claims of those who have come forward, suggesting that his abusive behavior did not cease as he has asserted.to contact me:bobbycapucci@protonmail.comsource:Sean 'Diddy' Combs Was a ‘Demon' in 'Love' Era, New Accusers Say

This episode of Across The Margin : The Podcast features an interview with Jonathan Bernstein, a senior research editor and writer at Rolling Stone, who before that was a freelancer for Oxford American, The Guardian, GQ, Vulture, Pitchfork, The Village Voice, Spin, Entertainment Weekly, and American Songwriter. His book, What Do You Do When You're Lonesome : The Authorized Biography of Justin Townes Earle, is the focus of this episode. In What To Do When You're Lonely, Jonathan Bernstein, with the full cooperation of the Justin Townes Earle estate, unravels a short but incredibly creative life, and reveals the backstories behind Justin's greatest songs and what happened when it all fell apart while also capturing a shadow world of the neglected children of Nashville legends who wrestle with the legacies of their hard-living, road-weary, often absent parents. Hosted on Acast. See acast.com/privacy for more information.

️ LA RUINA está de gira en http://www.laruinashow.com La Ruina desde Sevilla con Ignasi Taltavull (@ignasitf), Tomàs Fuentes (@cap0) y Los Delinqüentes yendo a ver a los Rolling Stones. El juego, la taza y todo el merchandising oficial de La Ruina en https://lallamastore.com/ Ignasi Taltavull: http://www.instagram.com/ignasitf Tomàs Fuentes http://www.twitter.com/cap0 http://www.instagram.com/cap0 La Ruina sigue en redes: @laruinashow http://www.instagram.com/laruinashow

“Look who’s back” es la nueva entrega de The Nude Party. Los siete mismos amigos que se juntaron en una universidad de Carolina del Norte siguen unidos tras cuatro álbumes, asentados en una casa comunal en el estado de Nueva York. Su receta sonora mezcla a los Rolling Stones con Lou Reed pasando por los Byrds, T-Rex, los Kinks, Gram Parsons o Grateful Dead. De su alquimia salen canciones que llegan para quedarse. Es un placer que hayan vuelto.Playlist;THE NUDE PARTY “Look who’s back” (Look who’s back, 2026)THE NUDE PARTY Juarez” (Look who’s back, 2026)THE NUDE PARTY “Love is electric” (Look who’s back, 2026)DANIEL ROMANO’S OUTFIT feat CARSON McHONE “Cardinal star” (Preservers of the Pearl, 2026)JE’TEXAS “Love is teasin” (Suit yourself, 2025)THE SHEEPDOGS “I do” (Keep out of the storm, 2026)FAST KIDS “Too busy hatin’ to understand love” (Fast Kids forever, 2026)ADAM AMRAM “Locked in” (To the end, 2025)AWEFUL KANAWFUL “A horse with no name” (Endless pleasure, 2025)RATBOYS “Anywhere” (Singin’ to an empty chair, 2026)THE PARANOID STYLE “Known associates” (Known associates, 2026)SNÜFF “Luciana” (2026)OLD LADY “Giggle” (Kissing creek, 2023)JEFF CLARKE “Sparrow” (Miracle after miracle after…, 2025)JACUZZI BOYS “Ozone” (Too cold to Tango, 2025)PROGRAM “Sparks” (It’s a sign, 2024)Escuchar audio

Madonna n'a jamais eu d'enfance. Sa vie venait tout juste de commencer, qu'elle dut apprendre à marcher toute seule. Sa mère, n'avait pas eu le temps de l'aimer, elle chercha alors désespérément le regard des autres. Désormais prête à tout pour exister. Invitée : Sophie Rosemont, journaliste culture pour Vanity Fair, Rolling Stone, Les Inrocks.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Rival Sons front man Jay Buchanan takes us deep into the writing process for his fantastic debut solo album, Weapons of BeautyPART ONE:Scott and Paul talk about Scott's experiences at the GRAMMY AwardsPART TWOOur in depth conversation with Jay BuchananABOUT JAY BUCHANANJay Buchanan is best known as the front man of the rock band Rival Sons whose catalog includes the landmark albums Pressure & Time, Great Western Valkyrie, and Feral Roots, which earned GRAMMY nominations for Best Rock Album and Best Rock Performance. Hand-picked by Black Sabbath for their final tour and chosen by Guns N' Roses for their 2025 European stadium run, Rival Sons have shared stages with The Rolling Stones, AC/DC, Aerosmith, Metallica and Lenny Kravitz. Buchanan has recently switched creative gears to release his debut solo album, Weapons of Beauty, a stark departure from his work with Rival Sons that emerged from three months of intensive songwriting sessions in the solitude of the Mojave Desert.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In the latest episode, I catch up with my MIAMI NICE co-host - the Queen of One Heat Minute Productions - Katie Walsh to talk about Sean Baker's madcap TANGERINE.Katie Walsh is a Los Angeles-based film critic, journalist, podcast host, and moderator. She reviews weekly film releases for the Tribune News Service, and the Los Angeles Times, and is a frequent guest host of the Maximum Fun podcast Switchblade Sisters. Her writing has been published in Vanity Fair, Rolling Stone, Playboy,The Playlist, Nerdist,Slate, The Hairpin, indieWIRE, Women and Hollywood, Town & Country, Movieline, CAP the Magazine, and Nonfics, and she frequently contributes film reviews to KCRW's Press Play with Madeline Brand. She has covered many international film festivals as a critic and reporter, and has moderated dozens of Q&As with filmmakers and actors around LA.Check out Rotten Tomatoes for links to recent reviews.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In January 2025, Rolling Stone published an article by Cheyenne Roundtree and Nancy Dillon titled "As Sean Combs' ‘Love' Era Began, New Accusers Say He Was Still a ‘Demon'." The piece examines Sean "Diddy" Combs' public rebranding as a changed man, contrasting it with recent allegations suggesting continued abusive behavior. Despite Combs' claims of personal growth following a 2016 incident where he was recorded assaulting his then-girlfriend Cassie Ventura, multiple sources allege that his abusive actions persisted well beyond this purported turning point.The article details accounts from new accusers who describe experiences of manipulation, coercion, and violence at the hands of Combs. These allegations challenge the narrative of redemption that Combs has promoted, painting a picture of ongoing misconduct that contradicts his public persona during his "Love" era. The piece underscores the disparity between Combs' professed transformation and the troubling claims of those who have come forward, suggesting that his abusive behavior did not cease as he has asserted.to contact me:bobbycapucci@protonmail.comsource:Sean 'Diddy' Combs Was a ‘Demon' in 'Love' Era, New Accusers Say

In January 2025, Rolling Stone published an article by Cheyenne Roundtree and Nancy Dillon titled "As Sean Combs' ‘Love' Era Began, New Accusers Say He Was Still a ‘Demon'." The piece examines Sean "Diddy" Combs' public rebranding as a changed man, contrasting it with recent allegations suggesting continued abusive behavior. Despite Combs' claims of personal growth following a 2016 incident where he was recorded assaulting his then-girlfriend Cassie Ventura, multiple sources allege that his abusive actions persisted well beyond this purported turning point.The article details accounts from new accusers who describe experiences of manipulation, coercion, and violence at the hands of Combs. These allegations challenge the narrative of redemption that Combs has promoted, painting a picture of ongoing misconduct that contradicts his public persona during his "Love" era. The piece underscores the disparity between Combs' professed transformation and the troubling claims of those who have come forward, suggesting that his abusive behavior did not cease as he has asserted.to contact me:bobbycapucci@protonmail.comsource:Sean 'Diddy' Combs Was a ‘Demon' in 'Love' Era, New Accusers Say

In January 2025, Rolling Stone published an article by Cheyenne Roundtree and Nancy Dillon titled "As Sean Combs' ‘Love' Era Began, New Accusers Say He Was Still a ‘Demon'." The piece examines Sean "Diddy" Combs' public rebranding as a changed man, contrasting it with recent allegations suggesting continued abusive behavior. Despite Combs' claims of personal growth following a 2016 incident where he was recorded assaulting his then-girlfriend Cassie Ventura, multiple sources allege that his abusive actions persisted well beyond this purported turning point.The article details accounts from new accusers who describe experiences of manipulation, coercion, and violence at the hands of Combs. These allegations challenge the narrative of redemption that Combs has promoted, painting a picture of ongoing misconduct that contradicts his public persona during his "Love" era. The piece underscores the disparity between Combs' professed transformation and the troubling claims of those who have come forward, suggesting that his abusive behavior did not cease as he has asserted.to contact me:bobbycapucci@protonmail.comsource:Sean 'Diddy' Combs Was a ‘Demon' in 'Love' Era, New Accusers Say

In January 2025, Rolling Stone published an article by Cheyenne Roundtree and Nancy Dillon titled "As Sean Combs' ‘Love' Era Began, New Accusers Say He Was Still a ‘Demon'." The piece examines Sean "Diddy" Combs' public rebranding as a changed man, contrasting it with recent allegations suggesting continued abusive behavior. Despite Combs' claims of personal growth following a 2016 incident where he was recorded assaulting his then-girlfriend Cassie Ventura, multiple sources allege that his abusive actions persisted well beyond this purported turning point.The article details accounts from new accusers who describe experiences of manipulation, coercion, and violence at the hands of Combs. These allegations challenge the narrative of redemption that Combs has promoted, painting a picture of ongoing misconduct that contradicts his public persona during his "Love" era. The piece underscores the disparity between Combs' professed transformation and the troubling claims of those who have come forward, suggesting that his abusive behavior did not cease as he has asserted.to contact me:bobbycapucci@protonmail.comsource:Sean 'Diddy' Combs Was a ‘Demon' in 'Love' Era, New Accusers Say

Michael Penn II, aka CRASHprez, makes two rapper episodes in a row! Not since Mike Watt has there been a This Is Your Afterlife guest slinging this much of their own lingo (what is it about Mikes?), and I do my best not to pretend too hard like I understand it all. Fortunately, we take a detour into the topic of slang ("getting kirk" is simply unbelievable) on the way to Michael revealing one of his origin stories as an artist. It's a small, powerful moment, the kind I love featuring on TIYA, and I'm glad he didn't save it for his eventual Rolling Stone interview.We talk about: gay shit, COVID shit, ally fatigue, underground rapper trade, social death theory, Lil Wayne's "The Carter" documentary, the relationship between actions and words.Support the show and get the TIYA After Dark feed on Patreon:https://www.patreon.com/thisisyourafterlifeFollow CRASHprez:https://www.instagram.com/crashprez/https://crashprez.bandcamp.com/https://twitter.com/CRASHprezFollow/contact This Is Your Afterlife:https://thisisyourafterlife.com/https://www.instagram.com/thisisyourafterlife/thisisyourafterlifepodcast@gmail.comMusic by TIYA house band Lake Mary:https://lakemary.bandcamp.com/https://www.instagram.com/chaz.prymek/Artwork by Matt Sage:https://www.instagram.com/matthewjsage/

The white Anglo-Saxon supremacy in Trumpland is so over the top that even child-of-Cuban-immigrants Marco Rubio claims America's common cultural heritage is European. But then with a schizophrenic touch, our secretary of state went on to endorse the reelection of Viktor Orban, who has decidedly turned Hungary away from Western democratic values. In response, some high-profile Democrats weighed in, including AOC from Munich. Plus, we are constantly reminded to not trust anything DHS says, the Dems should not agree to give one more penny to ICE, and Marco: The music of The Beatles and The Rolling Stones would not have existed without African American culture.Bill Kristol joins Tim Miller for the holiday pod.show notes Monday's "Morning Shots" Tickets are now on sale for our LIVE shows in Dallas on March 18 and in Austin on March 19. Plus,,we have a handful of seats still available for our second show in Minneapolis on February 18. TheBulwark.com/Events. NOBL gives you real travel peace of mind — security, design, and convenience all in one. Head to NOBLTravel.com for 46% off your entire order! #NOBL #ad

In this episode of Gangland Wire, host Gary Jenkins, retired Kansas City Police Intelligence Unit detective, steps outside traditional Mafia territory and into a shadowy world just as dangerous—and just as fascinating: the international theft of ultra-rare automobiles.  Gary is joined by author Stayton Bonner, former senior editor at Rolling Stone, and legendary car-recovery specialist Joe Ford, the real-life figure behind Bonner's book The Million Dollar Car Detective. At the center of the story is a breathtaking pre-World War II automobile—the Talbot-Lago Teardrop Coupé—once described as the most beautiful car in the world. Stolen from a Milwaukee industrialist's garage in 2001, the car vanished into the international underground of elite collectors, forged paperwork, and high-stakes deception. Joe Ford explains how he became the go-to investigator when rare cars worth millions disappear—and why stolen vehicles are far harder to recover than stolen art. What follows is a years-long global hunt involving disgruntled mechanics, fabricated titles, shell corporations, Swiss intermediaries, and a billionaire buyer now locked in civil litigation. Bonner adds rich historical context, tracing the car's glamorous past—from European aristocracy to Hollywood royalty—and exposing how loneliness, obsession, and greed often surround these legendary machines. The conversation expands into other notorious cases, including the disappearance of the original James Bond Aston Martin from Goldfinger, and how wealthy collectors sometimes knowingly harbor stolen artifacts. This episode is a true-crime story without guns or gangs—but filled with deception, betrayal, and the relentless pursuit of justice across borders. If you love investigative work, high-end crime, and stories that feel like James Bond meets Gone in 60 Seconds, this one's for you.

If you've been to a major concert in the past thirty years, there's a decent chance this week's guest had a hand in fueling the talent. Debbie Sharpe, the charming Aussie behind The Goddess and Grocer, built her culinary chops touring the globe and cooking for the likes of Rod Stewart, Tina Turner, The Rolling Stones, and Paul McCartney before jumping off the tour bus and making Chicago her permanent home. Inspired by the bustling delis and markets of her native Melbourne, she opened her first Goddess and Grocer in Bucktown in 2005, combining rock 'n' roll and a distinctly Australian sensibility to the neighborhood food scene. Today, her shops are known for globally inspired, ingredient-driven dishes, legendary sandwiches and salads, showstopping Rainbow Cake, and catering rooted in backstage hospitality for some of the world's most exacting performers. She joins us to talk about life on tour, feeding rock royalty, juggling brick and mortar with catering — and so much more.

In January 2025, Rolling Stone published an article by Cheyenne Roundtree and Nancy Dillon titled "As Sean Combs' ‘Love' Era Began, New Accusers Say He Was Still a ‘Demon'." The piece examines Sean "Diddy" Combs' public rebranding as a changed man, contrasting it with recent allegations suggesting continued abusive behavior. Despite Combs' claims of personal growth following a 2016 incident where he was recorded assaulting his then-girlfriend Cassie Ventura, multiple sources allege that his abusive actions persisted well beyond this purported turning point.The article details accounts from new accusers who describe experiences of manipulation, coercion, and violence at the hands of Combs. These allegations challenge the narrative of redemption that Combs has promoted, painting a picture of ongoing misconduct that contradicts his public persona during his "Love" era. The piece underscores the disparity between Combs' professed transformation and the troubling claims of those who have come forward, suggesting that his abusive behavior did not cease as he has asserted.to contact me:bobbycapucci@protonmail.comsource:Sean 'Diddy' Combs Was a ‘Demon' in 'Love' Era, New Accusers Say

James Van Der Beek dies after long cancer battle, HGTV cancels Nicole Curtis for n-word use, Epstein file fireworks, Winter Olympics, Bill Maher v. Jimmy Kimmel, Nancy Guthrie suspect released, and Drew's Watch War with Tom Brady. RIP James Van Der Beek. His wife has launched a GoFundMe. HGTV's Nicole Curtis has been BLOWN OUT for the weirdest use of the n-word. Reality TV's Jill Zarin has been BLOWN OUT for her Super Bowl Halftime Show hot take. Nancy Guthrie: Carlos Palazuelos was apprehended and released in the search for Nancy Guthrie. Even his mother-in-law had to explain herself. A SECOND ransom has come in and something smells fishy. A black glove has been discovered near Nancy's home. Olympics: Sturla Holm Lægreid has stepped in it again. Ilia Malinin is good at skating. We remember Yannick Bertrand destroying his French dong downhill skiing in 2007. Canada school shooting leaves 10 dead. Jesse Van Rootselaar (Strang?) has been identified as the perpetrator. We watch as The Fighter and The Kid (Bryan Callen and Brendan Schaub) break down the Epstein Files. Casey Wasserman is losing clients over his Ghislaine Maxwell ties, but keeps his 2028 LA Olympic post. Howard Lutnick is a liar. Pam Bondi lashed out at everyone in Washington DC today. Blake Lively and Justin Baldoni clash in court, but match outside. Bijou Phillips has blown through a kidney and needs one ASAP. Music: Eddie Vedder did an interview with Rolling Stone and says Pearl Jam is “between eras”. Bobby Caldwell is not a Black man. Gene Simmons doesn't listen to hip hop. Cardi B got a new watch after dumping Stefon Diggs. Sophie Rain is a boner-maker. Watch Wars: Drew vs Tom Brady. We chat with Tom Mazawey to find out if he wore his Justin Verlander jersey today. Welcome back, JV. Bill Maher and Jimmy Kimmel are beefing. This leads us down a Karl Malone rabbit hole. Merch can still be purchased. Click here to see what we have to offer for a limited time. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon)