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The great filmmaker Guillermo Del Toro has a new adaptation of Frankenstein. He saw the 1931 film when he was 7. “I realized I understood my faith better through Frankenstein than through Sunday Mass,” he tells Terry Gross. “And I decided at age seven that the creature of Frankenstein was gonna be my personal avatar and my personal messiah.” His other films include Pan's Labyrinth and The Shape of Water. Also, we hear from Cameron Crowe, who wrote and directed Jerry Maguire, Say Anything and the semi-autobiographical film Almost Famous, about writing for Rolling Stone starting at age 15. His new memoir is about being a naive teen, exposed to the excesses of rock musicians.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
The great filmmaker Guillermo Del Toro has a new adaptation of Frankenstein. He saw the 1931 film when he was 7. “I realized I understood my faith better through Frankenstein than through Sunday Mass,” he tells Terry Gross. “And I decided at age seven that the creature of Frankenstein was gonna be my personal avatar and my personal messiah.” His other films include Pan's Labyrinth and The Shape of Water. Also, we hear from Cameron Crowe, who wrote and directed Jerry Maguire, Say Anything and the semi-autobiographical film Almost Famous, about writing for Rolling Stone starting at age 15. His new memoir is about being a naive teen, exposed to the excesses of rock musicians.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Welcome to The Rolling Stone Interview – the brand new, bi-weekly podcast that brings to life Rolling Stone's iconic legacy of in-depth conversations with the world's most influential artists, icons, and leaders. Our debut episode kicks off in style, live from New York City's legendary Cherry Lane Theatre, with Florence Welch of Florence + The Machine. Senior writer Brittany Spanos leads an intimate, unfiltered conversation about Welch's new album Everybody Scream, the cathartic power of performance, and what it means to find freedom through art. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In 1973 most 15 year olds barely scratch together enough cash to buy an album, yet Cameron Crowe was already touring with bands like Led Zeppelin, The Allman Brothers and Fleetwood Mac, and writing about it for Rolling Stone. He harnessed those talents into a successful filmmaking career and that early experience was showcased in the critically-acclaimed "Almost Famous." Music lovers Laura Lubrano and Jason Zollan return to the show and join Dennis to stand up for the uncool, because the only true currency in this bankrupt world is what you share with someone else when you're uncool. Hosted on Acast. See acast.com/privacy for more information.
This week on Reelin'... The Featured Five Theme is The Graveyard Shift... Also, a CCR song inspired by John Fogerty's visit to a Fortune Teller in California... Music from a band named after the site of the first & second Battles Of Bull Run... Dickey Betts, The wife of Boz Scaggs, and a grave - What's the connection?... Which Blues Traveler album is a reference to Peter Pan & Neverland?... That time when Chrissie Hynde and Ray Davies attempted to get married... Plus, deep cuts from Joe Walsh, Rolling Stones, Buddy Guy, The Alarm, Jerry Garcia, Leftover Salmon, The Youngbloods, and much more! For more info on the show, visit reelinwithryan.com
Nuestra máquina del tiempo vuelve a ponerse en funcionamiento para llevarnos esta vez hasta 2005 y, sí, ofrecerte un nuevo especial de guitarrazos del siglo XXI (dentro de la serie dedicada a discos de rock internacionales publicados entre 2001 y 2025). Recordamos cañonazos de Queens Of The Stone Age, The White Stripes, Kaiser Chiefs, Bloc Party, Garbage, The Subways, Foo Fighters, Spoon, Franz Ferdinand, Audioslave, Editors, Gorillaz, The Rolling Stones, Oasis, Nine Inch Nails, LCD Soundsystem, Wolfmother o Porcupine Tree, entre otros.Playlist:QUEENS OF THE STONE AGE - Little SisterTHE WHITE STRIPES - Blue OrchidKAISER CHIEFS - I Predict A RiotBLOC PARTY - BanquetEDITORS - MunichFOO FIGHTERS - Best of YouGARBAGE - Why Do You Love MeAUDIOSLAVE - Your Time Has ComeSEETHER - RemedyTHE SUBWAYS - Rock & Roll QueenWOLFMOTHER - Joker And The ThiefLCD SOUNDSYSTEM - Daft Punk Is Playing at My HouseGORILLAZ - Feel Good Inc. (feat. De La Soul)FRANZ FERDINAND - Do You Want ToOK GO - Here It Goes AgainTHE HOLD STEADY - Banging CampWEEZER - Beverly HillsSPOON - I Turn My Camera OnBECK - E-ProBLACK REBEL MOTORCYCLE CLUB - Ain't No Easy WayOASIS - LylaTHE DANDY WARHOLS - All The Money or The Simple Life HoneyTHE ROLLING STONES - Rough JusticeNINE INCH NAILS - The Hand That FeedsPORCUPINE TREE - Open CarSYSTEM OF A DOWN - Violent PornographyDROPKICK MURPHYS - I'm Shipping Up To BostonEscuchar audio
Chaque jour, Ombline Roche revient sur les musiques qui ont marqué Europe 1. Aujourd'hui, Patrick Juvet, The Rolling Stones et Marc Lavoine.Tous les jours, entre 14h et 15h, Ombline Roche vous fait revivre la musique des années 1950 à la fin des années 1980 !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Dating these days? Absolutely brutal. If you've managed to dodge the endless swipe-fest, consider yourself lucky. According to a new Rolling Stone piece by a high school senior, Gen Z guys are tapping out of dating altogether. Kennedy says to delete the apps, grab a drink, and talk to someone in person. You know, like it's 1998. Kennedy Now Available on YouTube: https://link.chtbl.com/kennedyytp Follow on TikTok: https://www.tiktok.com/@kennedy_foxnews Join Kennedy for Happy Hour on Fridays! https://youtube.com/playlist?list=PLWlNiiSXX4BNUbXM5X8KkYbDepFgUIVZj Learn more about your ad choices. Visit podcastchoices.com/adchoices
L'auteur de « Like a Rolling Stone » reprend sa guitare et son harmonica pour se produire ce soir et demain sur la scène du Palais des Congrès à Paris. C'est l'occasion pour Marc Bourreau de revenir sur le lien entre l'artiste et notre pays. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Can You Have It All: Passion, Intimacy, and a Happy Marriage? Join us on this episode of Shameless Sex as we dive into the world of intimate marriages with the incredible Dr. Alexandra Stockwell, MD, aka "The Intimacy Doctor." With her extensive experience in helping high-achieving couples ignite their passion, sensual connection, and erotic intimacy, you'll want to take notes. Here's what you'll learn from this episode: • The surprising reasons why intimacy often fades in long-term relationships (and it's not just about marriage) • How to keep the spark alive in a long-term relationship whether married or not, with and without kids • The importance of the initial courting phase and how long you should date before tying the knot • Top tips for maintaining intimacy in long-term relationships, from a leading expert in the field • How to prioritize your relationship and make time for each other, even when life gets busy As a physician coach, Intimate Marriage Expert, and best-selling author, Dr. Alexandra has helped countless couples transform their relationships. With her expertise and warm demeanor, you'll feel inspired and empowered to take your relationship to the next level. By tuning in, you'll gain a deeper understanding of what it means to be in an intimate marriage, and how to create a relationship that's juicy, erotically alive, and deeply nourishing. Plus, you'll learn how to avoid the common pitfalls that can lead to intimacy fade, and how to keep the spark alive even when life gets in the way. And, as a special treat, Dr. Alexandra shares her top tips for keeping the spark alive, including one surprising activity that will make you laugh and maybe even blush... So, what are you waiting for? Tune in and get ready to ignite your passion and intimacy! Dr. Alexandra has been featured in top publications such as the New York Times, Huffington Post, and Rolling Stone, and has been named one of the "Top 10 Relationship Experts to Watch in 2023" by LA Weekly Magazine. She's the host of The Intimate Marriage Podcast and the creator of the Aligned & Hot Marriage program. To learn more go to https://www.alexandrastockwell.com IG: @intimacydoctor FB:@intimacydoctor Youtube: @intimacydoctor Tiktok: @intimacydoctor LinkedIn: https://www.linkedin.com/in/alexandrastockwell/ Link to her Relationship Check-ins: https://www.alexandrastockwell.com/checkins/ Get premium access to our behind the scenes episodes here: https://shamelesssex.supportingcast.fm Do you love us? Do you REALLY love us? Then order our book now! Go to shamelesssex.com to snag your copy Support Shameless Sex by sending us gifts via our Amazon Wish List Other links: Get 15% off any annual membership at http://Masterclass.com/shameless Get 10% off + free shipping with code SHAMELESS on Uberlube AKA our favorite lubricant at http://uberlube.com Get 10% off while learning the art of pleasure at http://OMGyes.com/shameless Get 15% off all of your sex toys with code SHAMELESSSEX at http://purepleasureshop.com
In this special drop, Tom, Jeff, and Bun B introduce Two Mothers, One Aché: A Grief Dialogue, a powerful new series from Merrick Studios about love, loss, and the courage to heal out loud. You'll hear why this show matters, why it belongs on our network, and why Bun is stepping up not just as a co-sign—but as a future guest.Then we get into last week's headline: VIBE Magazine is teaming up with Rolling Stone. Smart evolution or culture grab? We break down what this means for hip hop journalism, why VIBE never lost its credibility, and who deserves the first cover when the new era begins. What do you think? We're taking bets.And please, stay to the end for a sneak preview of Episode 1 of Two Mothers, One Aché: A Grief Dialogue. Tap in now to Unglossy."Unglossy with Bun B" is produced and distributed by Merrick Studio and hosted by Bun B, Tom Frank and Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/Send us a textSupport the show
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine's “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis's legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can't See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don't Know Like I Know,” “You Got Me Hummin',” “Hold On! I'm Comin'” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who've covered Porter's songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Radiohead's fourth studio album Kid A (released October 2, 2000) departed from the group's earlier releases, featuring more slippery, ambient electronic sounds. Rolling Stone called it the "weirdest hit album of that year, by a band poised to be the modern-rock Beatles, following the breakthrough of OK Computer." The magazine also named it the best album of 2000. It was Radiohead's first album to hit number one on Billboard. Steven Hyden, Uproxx cultural critic and author of the book, This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century, discusses the album's legacy, and listeners call in to share what Kid A means to them.
In this episode of our sub-series “Don't Hang Up,” I called my talent manager, Sam, for a raw and unfiltered conversation about what it's really like to work together.Sam and I have been working side by side for years, and on this call, we talk openly about everything from how the creator–manager relationship actually works to the differences between an agent and a manager, how to find good representation, and what makes a partnership successful.I even ask her the questions I've never asked before — like how many other clients she manages, how she pitches me to brands, and what she really thinks it takes to build a sustainable creative career.This episode is a behind-the-scenes look at the business side of content creation and the friendships that keep it all running.Watch this episode in video form on YouTube: https://www.youtube.com/playlist?list=PLjmevEcbh5h5FEX0pazPEtN86t7eb2OgX To apply to be a guest on the show, visit luciefink.com/apply and send us your story. I also want to extend a special thank you to East Love for the show's theme song, Rolling Stone. Follow the show on Instagram: https://www.instagram.com/therealstuffpod Find Lucie here: Instagram: https://www.instagram.com/luciebfink/ TikTok: https://www.tiktok.com/@luciebfink YouTube: https://www.youtube.com/luciebfinkWebsite: https://luciefink.com/ Executive Producer: Cloud10Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What does it take to keep your voice—and your purpose—strong through every season of life? In this episode of Unstoppable Mindset, I sit down with my friend Bill Ratner, one of Hollywood's most recognized voice actors, best known as Flint from GI Joe. Bill's voice has carried him through radio, animation, and narration, but what stands out most is how he's used that same voice to serve others through storytelling, teaching, and grief counseling. Together, we explore the heart behind his work—from bringing animated heroes to life to standing on The Moth stage and helping people find healing through poetry. Bill shares lessons from his own journey, including losing both parents early, finding family in unexpected places, and discovering how creative expression can rebuild what life breaks down. We also reflect on 9/11, preparedness, and the quiet confidence that comes from trusting your training—whether you're a first responder, a performer, or just navigating the unknown. This conversation isn't just about performance; it's about presence. It's about using your story, your craft, and your compassion to keep moving forward—unstoppable, one voice at a time. Highlights: 00:31 – Hear the Flint voice and what it takes to bring animated characters to life. 06:57 – Learn why an uneven college path still led to a lifelong acting career. 11:50 – Understand how GI Joe became a team and a toy phenomenon that shaped culture. 15:58 – See how comics and cartoons boosted classroom literacy when used well. 17:06 – Pick up simple ways parents can spark reading through shared stories. 19:29 – Discover how early, honest conversations about death can model resilience. 24:09 – Learn to critique ads and media like a pro to sharpen your own performance. 36:19 – Follow the pivot from radio to voiceover and why specialization pays. 47:48 – Hear practical editing approaches and accessible tools that keep shows tight. 49:38 – Learn how The Moth builds storytelling chops through timed, judged practice. 55:21 – See how poetry—and poetry therapy—support grief work with students. 59:39 – Take notes on memoir writing, emotional management, and one-person shows. About the Guest: Bill Ratner is one of America's best known voice actors and author of poetry collections Lamenting While Doing Laps in the Lake (Slow Lightning Lit 2024,) Fear of Fish (Alien Buddha Press 2021,) To Decorate a Casket (Finishing Line Press 2021,) and the non-fiction book Parenting For The Digital Age: The Truth Behind Media's Effect On Children and What To Do About It (Familius Books 2014.) He is a 9-time winner of the Moth StorySLAM, 2-time winner of Best of The Hollywood Fringe Extension Award for Solo Performance, Best of the Net Poetry Nominee 2023 (Lascaux Review,) and New Millennium "America One Year From Now" Writing Award Finalist. His writing appears in Best Small Fictions 2021 (Sonder Press,) Missouri Review (audio,) Baltimore Review, Chiron Review, Feminine Collective, and other journals. He is the voice of "Flint" in the TV cartoon G.I. Joe, "Donnell Udina" in the computer game Mass Effect, the voice of Air Disasters on Smithsonian Channel, NewsNation, and network TV affiliates across the country. He is a committee chair for his union, SAG-AFTRA, teaches Voiceovers for SAG-AFTRA Foundation, Media Awareness for Los Angeles Unified School District, and is a trained grief counsellor. Member: Actors Equity Association, Screen Actors Guild-AFTRA, National Storytelling Network • https://billratner.com • @billratner Ways to connect with Bill: https://soundcloud.com/bill-ratner https://www.instagram.com/billratner/ https://twitter.com/billratner https://www.threads.net/@billratner https://billratner.tumblr.com https://www.youtube.com/@billratner/videos https://www.facebook.com/billratner.voiceover.author https://bsky.app/profile/bilorat.bsky.social About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:21 Well on a gracious hello to you, wherever you may be, I am your host. Mike hingson, and you are listening to unstoppable mindset. Today, we get to have a voice actor, person, Bill Ratner, who you want to know who Bill Radnor is, go back and watch the old GI Joe cartoons and listen to the voice of Flint. Bill Ratner ** 01:42 All right. Lady Jay, you better get your battle gear on, because Cobra is on their way. And I can't bring up the Lacher threat weapon system. We got to get out of here. Yo, Joe, Michael Hingson ** 01:52 there you go. I rest my case Well, Bill, welcome to unstoppable mindset. Bill Ratner ** 02:00 We can't rest now. Michael, we've just begun. No, we've just begun. Michael Hingson ** 02:04 We got to keep going here. Well, I'm really glad that you're here. Bill is another person who we inveigled to get on unstoppable mindset with the help of Walden Hughes. And so that means we can talk about Walden all we want today. Bill just saying, oh goodness. And I got a lot to say. Let me tell you perfect, perfect. Bring it on. So we are really grateful to Walden, although I hope he's not listening. We don't want to give him a big head. But no, seriously, we're really grateful. Ah, good point. Bill Ratner ** 02:38 But his posture, oddly enough, is perfect. Michael Hingson ** 02:40 Well, there you go. What do you do? He practiced. Well, anyway, we're glad you're here. Tell us about the early bill, growing up and all that stuff. It's always fun to start a good beginning. Bill Ratner ** 02:54 Well, I was a very lucky little boy. I was born in Des Moines, Iowa in 1947 to two lovely people, professionals, both with master's degree out at University of Chicago. My mother was a social worker. My father had an MBA in business. He was managing editor of Better Homes and Gardens magazine. So I had the joy of living in a better home and living in a garden. Michael Hingson ** 03:21 My mother. How long were you in Des Moines? Bill Ratner ** 03:24 Five and a half years left before my sixth birthday. My dad got a fancy job at an ad agency in Minneapolis, and had a big brother named Pete and big handsome, curly haired boy with green eyes. And moved to Minneapolis, Minnesota, and was was brought up there. Michael Hingson ** 03:45 Wow. So you went to school there and and chased the girls and all that stuff. Bill Ratner ** 03:54 I went to school there at Blake School for Boys in Hopkins, Minnesota. Couldn't chase the girls day school, but the girls we are allowed to dance with certainly not chase. Michael was at woodhue dancing school, the Northrop girls from Northrop girls school and the Blake boys were put together in eighth grade and taught the Cha Cha Cha, the waltz, the Charleston, and we danced together, and the girls wore white gloves, and we sniffed their perfume, and we all learned how to be lovers when we were 45 Michael Hingson ** 04:37 There you are. Well, as long as you learned at some point, that's a good start. Bill Ratner ** 04:44 It's a weird generation. Michael, Michael Hingson ** 04:46 I've been to Des Moines before. I was born in Chicago, but moved out to California when I was five, but I did some work with the National Federation of the Blind in the mid 19. 1970s 1976 into 1978 so spent time at the Iowa Commission for the Blind in Des Moines, which became a top agency for the Blind in well, the late 50s into the to the 60s and so on. So Bill Ratner ** 05:15 both my parents are from Chicago. My father from the south side of Chicago, 44th and Kenzie, which was a Irish, Polish, Italian, Jewish, Ukrainian neighborhood. And my mother from Glencoe, which was a middle class suburb above Northwestern University in Evanston. Michael Hingson ** 05:34 I Where were you born? 57th and union, north, south side, no, South Bill Ratner ** 05:42 57th union is that? Is that west of Kenzie? Michael Hingson ** 05:46 You know, I don't remember the geography well enough to know, but I know that it was, I think, Mount Sinai Hospital where I was born. But it was, it's, it's, it's a pretty tough neighborhood today. So I understand, Bill Ratner ** 06:00 yeah, yeah, my it was tough, then it's tough now, Michael Hingson ** 06:03 yeah, I think it's tougher, supposedly, than it was. But we lived there for five years, and then we we moved to California, and I remember some things about Chicago. I remember walking down to the local candy store most days, and had no problem doing that. My parents were told they should shut me away at a home somewhere, because no blind child could ever grow up to amount to anything. And my parents said, You guys are you're totally wrong. And they brought me up with that attitude. So, you Bill Ratner ** 06:32 know who said that the school says school so that Michael Hingson ** 06:35 doctors doctors when they discovered I was blind with the Bill Ratner ** 06:38 kid, goodness gracious, horrified. Michael Hingson ** 06:44 Well, my parents said absolutely not, and they brought me up, and they actually worked with other parents of premature kids who became blind, and when kindergarten started in for us in in the age of four, they actually had a special kindergarten class for blind kids at the Perry School, which is where I went. And so I did that for a year, learn braille and some other things. Then we moved to California, but yeah, and I go back to Chicago every so often. And when I do nowadays, they I one of my favorite places to migrate in Chicago is Garrett Popcorn. Bill Ratner ** 07:21 Ah, yes, with caramel corn, regular corn, the Michael Hingson ** 07:25 Chicago blend, which is a mixture, yeah, the Chicago blend is cheese corn, well, as it is with caramel corn, and they put much other mozzarella on it as well. It's really good. Bill Ratner ** 07:39 Yeah, so we're on the air. Michael, what do you call your what do you call your program? Here I am your new friend, and I can't even announce your program because I don't know Michael Hingson ** 07:48 the name, unstoppable mindset. This Bill Ratner ** 07:51 is unstoppable mindset. Michael Hingson ** 07:56 We're back. Well, we're back already. We're fast. So you, you, you moved off elsewhere, out of Des Moines and all that. And where did you go to college? Bill Ratner ** 08:09 Well, this is like, why did you this is, this is a bit like talking about the Vietnam War. Looking back on my college career is like looking back on the Vietnam War series, a series of delusions and defeats. By the time I the time i for college, by the time I was applying for college, I was an orphan, orphan, having been born to fabulous parents who died too young of natural causes. So my grades in high school were my mediocre. I couldn't get into the Ivy Leagues. I got into the big 10 schools. My stepmother said, you're going to Michigan State in East Lansing because your cousin Eddie became a successful realtor. And Michigan State was known as mu u it was the most successful, largest agriculture college and university in the country. Kids from South Asia, China, Northern Europe, Southern Europe, South America all over the world came to Michigan State to study agricultural sciences, children of rich farmers all over the world and middle class farmers all over the world, and a huge police science department. Part of the campus was fenced off, and the young cadets, 1819, 20 years old, would practice on the rest of the student body, uniformed with hats and all right, excuse me, young man, we're just going to get some pizza at eight o'clock on Friday night. Stand against your car. Hands in your car. I said, Are you guys practicing again? Shut up and spread your legs. So that was that was Michigan State, and even though both my parents had master's degrees, I just found all the diversions available in the 1960s to be too interesting, and was not invited. Return after my sophomore year, and in order to flunk out of a big 10 University, and they're fine universities, all of them, you have to be either really determined or not so smart, not really capable of doing that level of study in undergraduate school. And I'd like to think that I was determined. I used to show up for my exams with a little blue book, and the only thing I would write is due to lack of knowledge, I am unable to complete this exam, sign Bill ranter and get up early and hand it in and go off. And so what was, what was left for a young man like that was the theater I'd seen the great Zero Mostel when I was 14 years old and on stage live, he looked just like my father, and he was funny, and if I Were a rich man, and that's the grade zero must tell. Yeah, and it took about five, no, it took about six, seven years to percolate inside my bread and my brain. In high school, I didn't want to do theater. The cheerleaders and guys who I had didn't happen to be friends with or doing theater. I took my girlfriends to see plays, but when I was 21 I started acting, and I've been an actor ever since. I'm a committee chair on the screen actors guild in Hollywood and Screen Actors Guild AFTRA, and work as a voice actor and collect my pensions and God bless the union. Michael Hingson ** 11:44 Well, hey, as long as it works and you're making progress, you know you're still with it, right? Bill Ratner ** 11:53 That's the that's the point. There's no accounting for taste in my business. Michael, you work for a few different broadcast entities at my age. And it's, you know, it's younger people. It's 18 to 3418 years to 34 years old is the ideal demographic for advertisers, Ford, Motor Company, Dove soap, Betty, Crocker, cake mixes and cereals, every conceivable product that sold online or sold on television and radio. This is my this is my meat, and I don't work for religion. However, if a religious organization calls, I call and say, I I'm not, not qualified or not have my divinity degree in order to sell your church to the public? Michael Hingson ** 12:46 Yeah, yeah. Well, I, I can understand that. But you, you obviously do a lot, and as we talked about, you were Flint and GI Joe, which is kind of cool. Bill Ratner ** 13:01 Flynn GI Joe was very cool. Hasbro Corporation, which was based in Providence, Rhode Island, had a huge success with GI Joe, the figure. The figure was about 11 and a half inches tall, like a Barbie, and was at first, was introduced to the public after the Korean War. There is a comic book that was that was also published about GI Joe. He was an individual figure. He was a figure, a sort of mythic cartoon figure during World War Two, GI Joe, generic American soldier, fighting man and but the Vietnam war dragged on for a long time, and the American buying public or buying kids toys got tired of GI Joe, got tired of a military figure in their household and stopped buying. And when Nixon ended the Vietnam War, or allotted to finish in 1974 Hasbro was in the tank. It's got its stock was cheap, and executives are getting nervous. And then came the Great George Lucas in Star Wars, who shrank all these action figures down from 11 and a half inches to three and a half inches, and went to China and had Chinese game and toy makers make Star Wars toys, and began to earn billions and billions dollars. And so Hasbro said, let's turn GI Joe into into a team. And the team began with flint and Lady J and Scarlett and Duke and Destro and cover commander, and grew to 85 different characters, because Hasbro and the toy maker partners could create 85 different sets of toys and action figures. So I was actor in this show and had a good time, and also a purveyor of a billion dollar industry of American toys. And the good news about these toys is I was at a conference where we signed autographs the voice actors, and we have supper with fans and so on. And I was sitting next to a 30 year old kid and his parents. And this kid was so knowledgeable about pop culture and every conceivable children's show and animated show that had ever been on the screen or on television. I turned to his mother and sort of being a wise acre, said, So ma'am, how do you feel about your 30 year old still playing with GI Joe action figures? And she said, Well, he and I both teach English in the Pittsburgh, Pennsylvania school system, and last year, the literacy level of my ninth graders was 50% 50% of those kids could not read in ninth grade. So I asked the principal if I could borrow my son's GI Joe, action figures, comic books and VHS tapes, recordings of the shows from TV. And he said, Sure, whatever you want to try. And so she did, and she played the video tapes, and these kids were thrilled. They'd never seen a GI Joe cartoon in class before. Passed out the comic books, let him read comics. And then she said, Okay, you guys. And passed out notebooks and pens and pencils, and said, I want you guys to make up some some shows, some GI Joe shows. And so they said, Yeah, we're ready. All right, Cobra, you better get into the barber shop, because the barber bill is no longer there and the fire engines are in the way. And wait a minute, there's a dog in the street. And so they're making this up, using their imagination, doing their schoolwork, by coming up with scenarios, imaginary fam fan fiction for GI Joe and she raised the literacy level in her classroom by 50% that year, by the end of that year, so, so that was the only story that I've ever heard about the sort of the efficacy of GI Joe, other than, you know, kids play with them. Do they? Are they shooting each other all the time? I certainly hope not. I hope not. Are they using the action figures? Do they strip their guns off and put them in a little, you know, stub over by the side and and have them do physical battle with each other, or have them hump the woods, or have them climb the stairs, or have them search the trees. Who knows what kids do? Same with same with girls and and Barbies. Barbie has been a source of fun and creativity for lots of girls, and the source of of worry and bother to a lot of parents as Michael Hingson ** 17:54 well. Well, at the same time, though, when kids start to react and relate to some of these things. It's, it's pretty cool. I mean, look what's happened with the whole Harry Potter movement and craze. Harry Potter has probably done more in the last 20 or 25 years to promote reading for kids than most anything else, and Bill Ratner ** 18:17 that's because it's such a good series of books. I read them to my daughters, yeah. And the quality of writing. She was a brilliant writer, not only just the stories and the storytelling, which is fun to watch in the movies, and you know, it's great for a parent to read. If there are any parents listening, I don't care how old your kids are. I don't care if they're 15. Offer to read to them. The 15 year old might, of course, say mom, but anybody younger than that might say either, all right, fine, which is, which means you better do it or read, read a book. To me, sure, it's fun for the parent, fun for the kid, and it makes the child a completely different kind of thinker and worker and earner. Michael Hingson ** 19:05 Well, also the people who they got to read the books for the recordings Stephen Fry and in the US here, Jim Dale did such an incredible job as well. I've, I've read the whole Harry Potter series more than once, because I just enjoy them, and I enjoy listening to the the voices. They do such a good job. Yeah. And of course, for me, one of the interesting stories that I know about Jim Dale reading Harry Potter was since it was published by Scholastic he was actually scheduled to do a reading from one of the Harry from the new Harry Potter book that was coming out in 2001 on September 11, he was going to be at Scholastic reading. And of course, that didn't happen because of of everything that did occur. So I don't know whether I'm. I'm assuming at some point a little bit later, he did, but still he was scheduled to be there and read. But it they are there. They've done so much to help promote reading, and a lot of those kinds of cartoons and so on. Have done some of that, which is, which is pretty good. So it's good to, you know, to see that continue to happen. Well, so you've written several books on poetry and so on, and I know that you you've mentioned more than once grief and loss. How come those words keep coming up? Bill Ratner ** 20:40 Well, I had an unusual childhood. Again. I mentioned earlier how, what a lucky kid I was. My parents were happy, educated, good people, not abusers. You know, I don't have a I don't have horror stories to tell about my mother or my father, until my mother grew sick with breast cancer and and it took about a year and a half or two years to die when I was seven years old. The good news is, because she was a sensitive, educated social worker, as she was actually dying, she arranged a death counseling session with me and my older brother and the Unitarian minister who was also a death counselor, and whom she was seeing to talk about, you know, what it was like to be dying of breast cancer with two young kids. And at this session, which was sort of surprised me, I was second grade, came home from school. In the living room was my mother and my brother looking a little nervous, and Dr Carl storm from the Unitarian Church, and she said, you know, Dr storm from church, but he's also my therapist. And we talk about my illness and how I feel, and we talk about how much I love you boys, and talk about how I worry about Daddy. And this is what one does when one is in crisis. That was a moment that was not traumatic for me. It's a moment I recalled hundreds of times, and one that has been a guiding light through my life. My mother's death was very difficult for my older brother, who was 13 who grew up in World War Two without without my father, it was just him and my mother when he was off in the Pacific fighting in World War Two. And then I was born after the war. And the loss of a mother in a family is like the bottom dropping out of a family. But luckily, my dad met a woman he worked with a highly placed advertising executive, which was unusual for a female in the 1950s and she became our stepmother a year later, and we had some very lovely, warm family years with her extended family and our extended family and all of us together until my brother got sick, came down with kidney disease a couple of years before kidney dialysis was invented, and a couple of years before kidney transplants were done, died at 19. Had been the captain of the swimming team at our high school, but did a year in college out in California and died on Halloween of 1960 my father was 51 years old. His eldest son had died. He had lost his wife six years earlier. He was working too hard in the advertising industry, successful man and dropped out of a heart attack 14th birthday. Gosh, I found him unconscious on the floor of our master bathroom in our house. So my life changed. I My life has taught me many, many things. It's taught me how the defense system works in trauma. It's taught me the resilience of a child. It's taught me the kindness of strangers. It's taught me the sadness of loss. Michael Hingson ** 24:09 Well, you, you seem to come through all of it pretty well. Well, thank you. A question behind that, just an observation, but, but you do seem to, you know, obviously, cope with all of it and do pretty well. So you, you've always liked to be involved in acting and so on. How did you actually end up deciding to be a voice actor? Bill Ratner ** 24:39 Well, my dad, after he was managing editor of Better Homes and Gardens magazine in Des Moines for Meredith publishing, got offered a fancy job as executive vice president of the flower and mix division for Campbell within advertising and later at General Mills Corporation. From Betty Crocker brand, and would bring me to work all the time, and would sit with me, and we'd watch the wonderful old westerns that were on prime time television, rawhide and Gunsmoke and the Virginian and sure Michael Hingson ** 25:15 and all those. Yeah, during Bill Ratner ** 25:17 the commercials, my father would make fun of the commercials. Oh, look at that guy. And number one, son, that's lousy acting. Number two, listen to that copy. It's the dumbest ad copy I've ever seen. The jingles and and then he would say, No, that's a good commercial, right there. And he wasn't always negative. He would he was just a good critic of advertising. So at a very young age, starting, you know, when we watch television, I think the first television ever, he bought us when I was five years old, I was around one of the most educated, active, funny, animated television critics I could hope to have in my life as a 56789, 1011, 12 year old. And so when I was 12, I became one of the founding members of the Brotherhood of radio stations with my friends John Waterhouse and John Barstow and Steve gray and Bill Connors in South Minneapolis. I named my five watt night kit am transmitter after my sixth grade teacher, Bob close this is wclo stereo radio. And when I was in sixth grade, I built myself a switch box, and I had a turntable and I had an intercom, and I wired my house for sound, as did all the other boys in the in the B, O, R, S, and that's brotherhood of radio stations. And we were guests on each other's shows, and we were obsessed, and we would go to the shopping malls whenever a local DJ was making an appearance and torture him and ask him dumb questions and listen obsessively to American am radio. And at the time for am radio, not FM like today, or internet on your little radio tuner, all the big old grandma and grandpa radios, the wooden ones, were AM, for amplitude modulated. You could get stations at night, once the sun went down and the later it got, the ionosphere would lift and the am radio signals would bounce higher and farther. And in Minneapolis, at age six and seven, I was able to to listen to stations out of Mexico and Texas and Chicago, and was absolutely fascinated with with what was being put out. And I would, I would switch my brother when I was about eight years old, gave me a transistor radio, which I hid under my bed covers. And at night, would turn on and listen for, who knows, hours at a time, and just tuning the dial and tuning the dial from country to rock and roll to hit parade to news to commercials to to agric agriculture reports to cow crossings in Kansas and grain harvesting and cheese making in Wisconsin, and on and on and on that made up the great medium of radio that was handing its power and its business over to television, just as I was growing As a child. Fast, fascinating transition Michael Hingson ** 28:18 and well, but as it was transitioning, how did that affect you? Bill Ratner ** 28:26 It made television the romantic, exciting, dynamic medium. It made radio seem a little limited and antiquated, and although I listened for environment and wasn't able to drag a television set under my covers. Yeah, and television became memorable with with everything from actual world war two battle footage being shown because there wasn't enough programming to 1930s Warner Brothers gangster movies with James Cagney, Edward G Michael Hingson ** 29:01 Robinson and yeah Bill Ratner ** 29:02 to all the sitcoms, Leave It to Beaver and television cartoons and on and on and on. And the most memorable elements to me were the personalities, and some of whom were invisible. Five years old, I was watching a Kids program after school, after kindergarten. We'll be back with more funny puppets, marionettes after this message and the first words that came on from an invisible voice of this D baritone voice, this commercial message will be 60 seconds long, Chrysler Dodge for 1954 blah, blah, blah, blah, blah. And I watched hypnotized, hypnotized as a 1953 dodge drove across the screen with a happy family of four waving out the window. And at the end of the commercial, I ran into the kitchen said, Mom, mom, I know what a minute. Is, and it was said, it had suddenly come into my brain in one of those very rare and memorable moments in a person's life where your brain actually speaks to you in its own private language and says, Here is something very new and very true, that 60 seconds is in fact a minute. When someone says, See you in five minutes, they mean five times that, five times as long as that. Chrysler commercial, five times 60. That's 300 seconds. And she said, Did you learn it that that on T in kindergarten? And I said, No, I learned it from kangaroo Bob on TV, his announcer, oh, kangaroo Bob, no, but this guy was invisible. And so at five years of age, I was aware of the existence of the practice of the sound, of the magic of the seemingly unlimited access to facts, figures, products, brand names that these voices had and would say on the air in This sort of majestic, patriarchal way, Michael Hingson ** 31:21 and just think 20 years later, then you had James Earl Jones, Bill Ratner ** 31:26 the great dame. James Earl Jones, father was a star on stage at that time the 1950s James Earl Jones came of age in the 60s and became Broadway and off Broadway star. Michael Hingson ** 31:38 I got to see him in Othello. He was playing Othello. What a powerful performance. It was Bill Ratner ** 31:43 wonderful performer. Yeah, yeah. I got to see him as Big Daddy in Canada, Hot Tin Roof, ah, live and in person, he got front row seats for me and my family. Michael Hingson ** 31:53 Yeah, we weren't in the front row, but we saw it. We saw it on on Broadway, Bill Ratner ** 31:58 the closest I ever got to James Earl Jones. He and I had the same voice over agent, woman named Rita vinari of southern Barth and benare company. And I came into the agency to audition for Doritos, and I hear this magnificent voice coming from behind a closed voiceover booth, saying, with a with a Spanish accent, Doritos. I thought that's James Earl Jones. Why is he saying burritos? And he came out, and he bowed to me, nodded and smiled, and I said, hello and and the agent probably in the booth and shut the door. And she said, I said, that was James Earl Jones. What a voice. What she said, Oh, he's such a nice man. And she said, but I couldn't. I was too embarrassed. I was too afraid to stop him from saying, Doritos. And it turns out he didn't get the gig. So it is some other voice actor got it because he didn't say, had he said Doritos with the agent froze it froze up. That was as close as I ever got to did you get the gig? Oh goodness no, Michael Hingson ** 33:01 no, you didn't, huh? Oh, well, well, yeah. I mean, it was a very, it was, it was wonderful. It was James Earl Jones and Christopher Plummer played Iago. Oh, goodness, oh, I know. What a what a combination. Well, so you, you did a lot of voiceover stuff. What did you do regarding radio moving forward? Or did you just go completely out of that and you were in TV? Or did you have any opportunity Bill Ratner ** 33:33 for me to go back at age 15, my brother and father, who were big supporters of my radio. My dad would read my W, C, l, o, newsletter and need an initial, an excellent journalism son and my brother would bring his teenage friends up. He'd play the elderly brothers, man, you got an Elvis record, and I did. And you know, they were, they were big supporters for me as a 13 year old, but when I turned 14, and had lost my brother and my father, I lost my enthusiasm and put all of my radio equipment in a box intended to play with it later. Never, ever, ever did again. And when I was about 30 years old and I'd done years of acting in the theater, having a great time doing fun plays and small theaters in Minneapolis and South Dakota and and Oakland, California and San Francisco. I needed money, so I looked in the want ads and saw a job for telephone sales, and I thought, Well, I used to love the telephone. I used to make phony phone calls to people all the time. Used to call funeral homes. Hi Carson, funeral I help you. Yes, I'm calling to tell you that you have a you have a dark green slate tile. Roof, isn't that correct? Yes. Well, there's, there's a corpse on your roof. Lady for goodness sake, bring it down and we laugh and we record it and and so I thought, Well, gee, I used to have a lot of fun with the phone. And so I called the number of telephone sales and got hired to sell magazine subscriptions and dinner tickets to Union dinners and all kinds of things. And then I saw a new job at a radio station, suburban radio station out in Walnut Creek, California, a lovely Metro BART train ride. And so I got on the BART train, rode out there and walked in for the interview, and was told I was going to be selling small advertising packages on radio for the station on the phone. And so I called barber shops and beauty shops and gas stations in the area, and one guy picked up the phone and said, Wait a minute, wait a minute. Wait a minute. Are you on the radio right now? And I said, No, I'm just I'm in the sales room. Well, maybe you should be. And he slams the phone on me. He didn't want to talk to me anymore. It wasn't interested in buying advertising. I thought, gee. And I told somebody at the station, and they said, Well, you want to be in the radio? And he went, Yeah, I was on the radio when I was 13. And it just so happened that an older fellow was retiring from the 10am to 2pm slot. K I S King, kiss 99 and KD FM, Pittsburgh, California. And it was a beautiful music station. It was a music station. Remember, old enough will remember music that used to play in elevators that was like violin music, the Percy faith orchestra playing a Rolling Stone song here in the elevator. Yes, well, that's exactly what we played. And it would have been harder to get a job at the local rock stations because, you know, they were popular places. And so I applied for the job, and Michael Hingson ** 37:06 could have lost your voice a lot sooner, and it would have been a lot harder if you had had to do Wolfman Jack. But that's another story. Bill Ratner ** 37:13 Yeah, I used to listen to Wolf Man Jack. I worked in a studio in Hollywood. He became a studio. Yeah, big time. Michael Hingson ** 37:22 Anyway, so you you got to work at the muzack station, got Bill Ratner ** 37:27 to work at the muzack station, and I was moving to Los Angeles to go to a bigger market, to attempt to penetrate a bigger broadcast market. And one of the sales guys, a very nice guy named Ralph pizzella said, Well, when you get to La you should study with a friend of mine down to pie Troy, he teaches voiceovers. I said, What are voice overs? He said, You know that CVS Pharmacy commercial just carted up and did 75 tags, available in San Fernando, available in San Clemente, available in Los Angeles, available in Pasadena. And I said, Yeah. He said, Well, you didn't get paid any extra. You got paid your $165 a week. The guy who did that commercial for the ad agency got paid probably 300 bucks, plus extra for the tags, that's voiceovers. And I thought, why? There's an idea, what a concept. So he gave me the name and number of old friend acquaintance of his who he'd known in radio, named Don DiPietro, alias Johnny rabbit, who worked for the Dick Clark organization, had a big rock and roll station there. He'd come to LA was doing voiceovers and teaching voiceover classes in a little second story storefront out of the San Fernando Valley in Los Angeles. So I signed up for his class, and he was an experienced guy, and he liked me, and we all had fun, and I realized I was beginning to study like an actor at 1818, who goes to New York or goes to Los Angeles or Chicago or Atlanta or St Louis to act in the big theaters, and starts acting classes and realizes, oh my goodness, these people are truly professionals. I don't know how to do what they do. And so for six years, I took voice over classes, probably 4050, nights a year, and from disc jockeys, from ex show hosts, from actors, from animated cartoon voices, and put enough time in to get a degree in neurology in medical school. And worked my way up in radio in Los Angeles and had a morning show, a lovely show with a wonderful news man named Phil Reed, and we talked about things and reviewed movies and and played a lot of music. And then I realized, wait a minute, I'm earning three times the money in voiceovers as I am on the radio, and I have to get up at 430 in the morning to be on the radio. Uh, and a wonderful guy who was Johnny Carson's staff announcer named Jack angel said, You're not still on radio, are you? And I said, Well, yeah, I'm working in the morning. And Ka big, get out of there. Man, quit. Quit. And I thought, well, how can I quit? I've always wanted to be a radio announcer. And then there was another wonderful guy on the old am station, kmpc, sweet Dick Whittington. Whittington, right? And he said at a seminar that I went to at a union voice over training class, when you wake up at four in the morning and you swing your legs over the bed and your shoes hit the floor, and you put your head in your hands, and you say to yourself, I don't want to do this anymore. That's when you quit radio. Well, that hadn't happened to me. I was just getting up early to write some comedy segments and on and on and on, and then I was driving around town all day doing auditions and rented an ex girlfriend's second bedroom so that I could nap by myself during the day, when I had an hour in and I would as I would fall asleep, I'd picture myself every single day I'm in a dark voiceover studio, a microphone Is before me, a music stand is before the microphone, and on it is a piece of paper with advertising copy on it. On the other side of the large piece of glass of the recording booth are three individuals, my employers, I begin to read, and somehow the text leaps off the page, streams into my eyes, letter for letter, word for word, into a part of my back brain that I don't understand and can't describe. It is processed in my semi conscious mind with the help of voice over training and hope and faith, and comes out my mouth, goes into the microphone, is recorded in the digital recorder, and those three men, like little monkeys, lean forward and say, Wow, how do you do that? That was my daily creative visualization. Michael, that was my daily fantasy. And I had learned that from from Dale Carnegie, and I had learned that from Olympic athletes on NBC TV in the 60s and 70s, when the announcer would say, this young man you're seeing practicing his high jump is actually standing there. He's standing stationary, and the bouncing of the head is he's actually rehearsing in his mind running and running and leaping over the seven feet two inch bar and falling into the sawdust. And now he's doing it again, and you could just barely see the man nodding his head on camera at the exact rhythm that he would be running the 25 yards toward the high bar and leaping, and he raised his head up during the imaginary lead that he was visualizing, and then he actually jumped the seven foot two inches. That's how I learned about creative visualization from NBC sports on TV. Michael Hingson ** 43:23 Channel Four in Los Angeles. There you go. Well, so you you broke into voice over, and that's what you did. Bill Ratner ** 43:38 That's what I did, darn it, I ain't stopping now, there's a wonderful old actor named Bill Irwin. There two Bill Irwin's one is a younger actor in his 50s or 60s, a brilliant actor from Broadway to film and TV. There's an older William Irwin. They also named Bill Irwin, who's probably in his 90s now. And I went to a premiere of a film, and he was always showing up in these films as The senile stock broker who answers the phone upside down, or the senile board member who always asks inappropriate questions. And I went up to him and I said, you know, I see you in everything, man. I'm 85 years old. Some friends and associates of mine tell me I should slow down. I only got cast in movies and TV when I was 65 I ain't slowing down. If I tried to slow down at 85 I'd have to stop That's my philosophy. My hero is the great Don Pardo, the late great Michael Hingson ** 44:42 for Saturday Night Live and Jeopardy Bill Ratner ** 44:45 lives starring Bill Murray, Gilder Radner, and Michael Hingson ** 44:49 he died for Jeopardy before that, Bill Ratner ** 44:52 yeah, died at 92 with I picture him, whether it probably not, with a microphone and. His hand in his in his soundproof booth, in his in his garage, and I believe he lived in Arizona, although the show was aired and taped in New York, New York, right where he worked for for decades as a successful announcer. So that's the story. Michael Hingson ** 45:16 Michael. Well, you know, I miss, very frankly, some of the the the days of radio back in the 60s and 70s and so on. We had, in LA what you mentioned, Dick Whittington, Dick whittinghill on kmpc, Gary Owens, you know, so many people who were such wonderful announcers and doing some wonderful things, and radio just isn't the same anymore. It's gone. It's Bill Ratner ** 45:47 gone to Tiktok and YouTube. And the truth is, I'm not gonna whine about Tiktok or YouTube, because some of the most creative moments on camera are being done on Tiktok and YouTube by young quote influencers who hire themselves out to advertisers, everything from lipstick. You know, Speaker 1 ** 46:09 when I went to a party last night was just wild and but this makeup look, watch me apply this lip remover and blah, blah, blah, blah, blah, no, I have no lip. Bill Ratner ** 46:20 You know, these are the people with the voices. These are the new voices. And then, of course, the faces. And so I would really advise before, before people who, in fact, use the internet. If you use the internet, you can't complain if you use the internet, if you go to Facebook or Instagram, or you get collect your email or Google, this or that, which most of us do, it's handy. You can't complain about tick tock, tick tock, tick tock. You can't complain about tick tock or YouTube, because it's what the younger generation is using, and it's what the younger generation advertisers and advertising executives and creators and musicians and actors are using to parade before us, as Gary Owens did, as Marlon Brando did, as Sarah Bernhardt did in the 19 so as all as you do, Michael, you're a parader. You're the head of the parade. You've been in on your own float for years. I read your your bio. I don't even know why you want to waste a minute talking to me for goodness sakes. Michael Hingson ** 47:26 You know, the one thing about podcasts that I like over radio, and I did radio at kuci for seven years when I was in school, what I really like about podcasts is they're not and this is also would be true for Tiktok and YouTube. Primarily Tiktok, I would would say it isn't as structured. So if we don't finish in 60 minutes, and we finish in 61 minutes, no one's gonna shoot us. Bill Ratner ** 47:53 Well, I beg to differ with you. Now. I'm gonna start a fight with you. Michael, yeah, we need conflict in this script. Is that it The Tick Tock is very structured. Six. No, Michael Hingson ** 48:03 no, I understand that. I'm talking about podcasts, Bill Ratner ** 48:07 though, but there's a problem. We gotta Tone It Up. We gotta pick it up. We gotta there's a lot of and I listen to what are otherwise really bright, wonderful personalities on screen, celebrities who have podcasts and the car sucks, and then I had meatballs for dinner, haha. And you know what my wife said? Why? You know? And there's just too much of that. And, Michael Hingson ** 48:32 oh, I understand, yeah. I mean, it's like, like anything, but I'm just saying that's one of the reasons I love podcasting. So it's my way of continuing what I used to do in radio and having a lot of fun doing it Bill Ratner ** 48:43 all right, let me ask you. Let me ask you a technical and editorial question. Let me ask you an artistic question. An artist, can you edit this podcast? Yeah. Are you? Do you plan to Nope. Michael Hingson ** 48:56 I think conversations are conversations, but there is a but, I mean, Bill Ratner ** 49:01 there have been starts and stops and I answer a question, and there's a long pause, and then, yeah, we can do you edit that stuff Michael Hingson ** 49:08 out. We do, we do, edit some of that out. And I have somebody that that that does a lot of it, because I'm doing more podcasts, and also I travel and speak, but I can edit. There's a program called Reaper, which is really a very sophisticated Bill Ratner ** 49:26 close up spaces. You Michael Hingson ** 49:28 can close up spaces with it, yes, but the neat thing about Reaper is that somebody has written scripts to make it incredibly accessible for blind people using screen readers. Bill Ratner ** 49:40 What does it do? What does it do? Give me the elevator pitch. Michael Hingson ** 49:46 You've seen some of the the programs that people use, like computer vision and other things to do editing of videos and so on. Yeah. Bill Ratner ** 49:55 Yeah. Even Apple. Apple edit. What is it called? Apple? Garage Band. No, that's audio. What's that Michael Hingson ** 50:03 audio? Oh, Bill Ratner ** 50:06 quick time is quick Michael Hingson ** 50:07 time. But whether it's video or audio, the point is that Reaper allows me to do all of that. I can edit audio. I can insert, I can remove pauses. I can do anything with Reaper that anyone else can do editing audio, because it's been made completely accessible. Bill Ratner ** 50:27 That's great. That's good. That's nice. Oh, it is. It's cool. Michael Hingson ** 50:31 So so if I want, I can edit this and just have my questions and then silence when you're talking. Bill Ratner ** 50:38 That might be best. Ladies and gentlemen, here's Bill Ratner, Michael Hingson ** 50:46 yep, exactly, exactly. Now you have won the moth stories. Slam, what? Tell me about my story. Slam, you've won it nine times. Bill Ratner ** 51:00 The Moth was started by a writer, a novelist who had lived in the South and moved to New York City, successful novelist named George Dawes green. And the inception of the moth, which many people listening are familiar with from the Moth Radio Hour. It was, I believe, either late 90s or early 2000s when he'd been in New York for a while and was was publishing as a fiction writer, and threw a party, and decided, instead of going to one of these dumb, boring parties or the same drinks being served and same cigarettes being smoked out in the veranda and the same orders. I'm going to ask people to bring a five minute story, a personal story, nature, a true story. You don't have to have one to get into the party, but I encourage you to. And so you know, the 3040, 50 people showed up, many of whom had stories, and they had a few drinks, and they had hors d'oeuvres. And then he said, Okay, ladies and gentlemen, take your seats. It's time for and then I picked names out of a hat, and person after person after person stood up in a very unusual setting, which was almost never done at parties. You How often do you see that happen? Suddenly, the room falls silent, and someone with permission being having been asked by the host to tell a personal story, some funny, some tragic, some complex, some embarrassing, some racy, some wild, some action filled. And afterward, the feedback he got from his friends was, this is the most amazing experience I've ever had in my life. And someone said, you need to do this. And he said, Well, you people left a lot of cigarette butts and beer cans around my apartment. And they said, well, let's do it at a coffee shop. Let's do it at a church basement. So slowly but surely, the moth storytelling, story slams, which were designed after the old poetry slams in the 50s and 60s, where they were judged contests like, like a dance contest. Everybody's familiar with dance contests? Well, there were, then came poetry contests with people singing and, you know, and singing and really energetically, really reading. There then came storytelling contests with people standing on a stage before a silent audience, telling a hopefully interesting, riveting story, beginning middle, end in five minutes. And so a coffee house was found. A monthly calendar was set up. Then came the internet. Then it was so popular standing room only that they had to open yet another and another, and today, some 20 years later, 20 some years later, from Austin, Texas to San Francisco, California to Minneapolis, Minnesota to New York City to Los Angeles. There are moth story slams available on online for you to schedule yourself to go live and in person at the moth.org as in the moth with wings. Friend of mine, I was in New York. He said, You can't believe it. This writer guy, a writer friend of mine who I had read, kind of an avant garde, strange, funny writer was was hosting something called the moth in New York, and we were texting each other. He said, Well, I want to go. The theme was show business. I was going to talk to my Uncle Bobby, who was the bell boy. And I Love Lucy. I'll tell a story. And I texted him that day. He said, Oh man, I'm so sorry. I had the day wrong. It's next week. Next week, I'm going to be back home. And so he said, Well, I think there's a moth in Los Angeles. So about 15 years ago, I searched it down and what? Went to a small Korean barbecue that had a tiny little stage that originally was for Korean musicians, and it was now being used for everything from stand up comedy to evenings of rock and roll to now moth storytelling once a month. And I think the theme was first time. And so I got up and told a silly story and didn't win first prize. They have judges that volunteer judges a table of three judges scoring, you like, at a swim meet or a track beat or, you know, and our gymnastics meet. So this is all sort of familiar territory for everybody, except it's storytelling and not high jumping or pull ups. And I kept going back. I was addicted to it. I would write a story and I'd memorize it, and I'd show up and try to make it four minutes and 50 seconds and try to make it sound like I was really telling a story and not reading from a script. And wish I wasn't, because I would throw the script away, and I knew the stories well enough. And then they created a radio show. And then I began to win slams and compete in the grand slams. And then I started submitting these 750 word, you know, two and a half page stories. Literary magazines got a few published and found a whole new way to spend my time and not make much Michael Hingson ** 56:25 money. Then you went into poetry. Bill Ratner ** 56:29 Then I got so bored with my prose writing that I took a poetry course from a wonderful guy in LA called Jack grapes, who had been an actor and a football player and come to Hollywood and did some TV, episodics and and some some episodic TV, and taught poetry. It was a poet in the schools, and I took his class of adults and got a poem published. And thought, wait a minute, these aren't even 750 words. They're like 75 words. I mean, you could write a 10,000 word poem if you want, but some people have, yeah, and it was complex, and there was so much to read and so much to learn and so much that was interesting and odd. And a daughter of a friend of mine is a poet, said, Mommy, are you going to read me one of those little word movies before I go to sleep? Michael Hingson ** 57:23 A little word movie, word movie out of the Bill Ratner ** 57:27 mouths of babes. Yeah, and so, so and I perform. You know, last night, I was in Orange County at a organization called ugly mug Cafe, and a bunch of us poets read from an anthology that was published, and we sold our books, and heard other young poets who were absolutely marvelous and and it's, you know, it's not for everybody, but it's one of the things I do. Michael Hingson ** 57:54 Well, you sent me pictures of book covers, so they're going to be in the show notes. And I hope people will will go out and get them Bill Ratner ** 58:01 cool. One of the one of the things that I did with poetry, in addition to wanting to get published and wanting to read before people, is wanting to see if there is a way. Because poetry was, was very satisfying, emotionally to me, intellectually very challenging and satisfying at times. And emotionally challenging and very satisfying at times, writing about things personal, writing about nature, writing about friends, writing about stories that I received some training from the National Association for poetry therapy. Poetry therapy is being used like art therapy, right? And have conducted some sessions and and participated in many and ended up working with eighth graders of kids who had lost someone to death in the past year of their lives. This is before covid in the public schools in Los Angeles. And so there's a lot of that kind of work that is being done by constable people, by writers, by poets, by playwrights, Michael Hingson ** 59:09 and you became a grief counselor, Bill Ratner ** 59:13 yes, and don't do that full time, because I do voiceovers full time, right? Write poetry and a grand. Am an active grandparent, but I do the occasional poetry session around around grief poetry. Michael Hingson ** 59:31 So you're a grandparent, so you've had kids and all that. Yes, sir, well, that's is your wife still with us? Yes? Bill Ratner ** 59:40 Oh, great, yeah, she's an artist and an art educator. Well, that Michael Hingson ** 59:46 so the two of you can criticize each other's works, then, just Bill Ratner ** 59:52 saying, we're actually pretty kind to each other. I Yeah, we have a lot of we have a lot of outside criticism. Them. So, yeah, you don't need to do it internally. We don't rely on it. What do you think of this although, although, more than occasionally, each of us will say, What do you think of this poem, honey? Or what do you think of this painting, honey? And my the favorite, favorite thing that my wife says that always thrills me and makes me very happy to be with her is, I'll come down and she's beginning a new work of a new piece of art for an exhibition somewhere. I'll say, what? Tell me about what's, what's going on with that, and she'll go, you know, I have no idea, but it'll tell me what to do. Michael Hingson ** 1:00:33 Yeah, it's, it's like a lot of authors talk about the fact that their characters write the stories right, which, which makes a lot of sense. So with all that you've done, are you writing a memoir? By any chance, I Bill Ratner ** 1:00:46 am writing a memoir, and writing has been interesting. I've been doing it for many years. I got it was my graduate thesis from University of California Riverside Palm Desert. Michael Hingson ** 1:00:57 My wife was a UC Riverside graduate. Oh, hi. Well, they Bill Ratner ** 1:01:01 have a low residency program where you go for 10 days in January, 10 days in June. The rest of it's online, which a lot of universities are doing, low residency programs for people who work and I got an MFA in creative writing nonfiction, had a book called parenting for the digital age, the truth about media's effect on children. And was halfway through it, the publisher liked it, but they said you got to double the length. So I went back to school to try to figure out how to double the length. And was was able to do it, and decided to move on to personal memoir and personal storytelling, such as goes on at the moth but a little more personal than that. Some of the material that I was reading in the memoir section of a bookstore was very, very personal and was very helpful to read about people who've gone through particular issues in their childhood. Mine not being physical abuse or sexual abuse, mine being death and loss, which is different. And so that became a focus of my graduate thesis, and many people were urging me to write a memoir. Someone said, you need to do a one man show. So I entered the Hollywood fringe and did a one man show and got good reviews and had a good time and did another one man show the next year and and so on. So But writing memoir as anybody knows, and they're probably listeners who are either taking memoir courses online or who may be actively writing memoirs or short memoir pieces, as everybody knows it, can put you through moods from absolutely ecstatic, oh my gosh, I got this done. I got this story told, and someone liked it, to oh my gosh, I'm so depressed I don't understand why. Oh, wait a minute, I was writing about such and such today. Yeah. So that's the challenge for the memoir is for the personal storyteller, it's also, you know, and it's more of a challenge than it is for the reader, unless it's bad writing and the reader can't stand that. For me as a reader, I'm fascinated by people's difficult stories, if they're well Michael Hingson ** 1:03:24 told well, I know that when in 2002 I was advised to write a book about the World Trade Center experiences and all, and it took eight years to kind of pull it all together. And then I met a woman who actually I collaborated with, Susie Florey, and we wrote thunder dog. And her agent became my agent, who loved the proposal that we sent and actually got a contract within a week. So thunder dog came out in 2011 was a New York Times bestseller, and very blessed by that, and we're working toward the day that it will become a movie still, but it'll happen. And then I wrote a children's version of it, well, not a children's version of the book, but a children's book about me growing up in Roselle, growing up the guide dog who was with me in the World Trade Center, and that's been on Amazon. We self published it. Then last year, we published a new book called Live like a guide dog, which is all about controlling fear and teaching people lessons that I learned prior to September 11. That helped me focus and remain calm. Bill Ratner ** 1:04:23 What happened to you on September 11, Michael Hingson ** 1:04:27 I was in the World Trade Center. I worked on the 78th floor of Tower One. Bill Ratner ** 1:04:32 And what happened? I mean, what happened to you? Michael Hingson ** 1:04:36 Um, nothing that day. I mean, well, I got out. How did you get out? Down the stairs? That was the only way to go. So, so the real story is not doing it, but why it worked. And the real issue is that I spent a lot of time when I first went into the World Trade Center, learning all I could about what to do in an emergency, talking to police, port authorities. Security people, emergency preparedness people, and also just walking around the world trade center and learning the whole place, because I ran an office for a company, and I wasn't going to rely on someone else to, like, lead me around if we're going to go to lunch somewhere and take people out before we negotiated contracts. So I needed to know all of that, and I learned all I could, also realizing that if there ever was an emergency, I might be the only one in the office, or we might be in an area where people couldn't read the signs to know what to do anyway. And so I had to take the responsibility of learning all that, which I did. And then when the planes hit 18 floors above us on the other side of the building, we get we had some guests in the office. Got them out, and then another colleague, who was in from our corporate office, and I and my guide dog, Roselle, went to the stairs, and we started down. And Bill Ratner ** 1:05:54 so, so what floor did the plane strike? Michael Hingson ** 1:05:58 It struck and the NOR and the North Tower, between floors 93 and 99 so I just say 96 okay, and you were 20 floors down, 78 floors 78 so we were 18 floors below, and Bill Ratner ** 1:06:09 at the moment of impact, what did you think? Michael Hingson ** 1:06:13 Had no idea we heard a muffled kind of explosion, because the plane hit on the other side of the building, 18 floors above us. There was no way to know what was going on. Did you feel? Did you feel? Oh, the building literally tipped, probably about 20 feet. It kept tipping. And then we actually said goodbye to each other, and then the building came back upright. And then we went, Bill Ratner ** 1:06:34 really you so you thought you were going to die? Michael Hingson ** 1:06:38 David, my colleague who was with me, as I said, he was from our California office, and he was there to help with some seminars we were going to be doing. We actually were saying goodbye to each other because we thought we were about to take a 78 floor plunge to the street, when the building stopped tipping and it came back. Designed to do that by the architect. It was designed to do that, which is the point, the point. Bill Ratner ** 1:07:02 Goodness, gracious. And then did you know how to get to the stairway? Michael Hingson ** 1:07:04 Oh, absolutely. And did you do it with your friend? Yeah, the first thing we did, the first thing we did is I got him to get we had some guests, and I said, get him to the stairs. Don't let him take the elevators, because I knew he had seen fire above us, but that's all we knew. And but I said, don't take the elevators. Don't let them take elevators. Get them to the stairs and then come back and we'll leave. So he did all that, and then he came back, and we went to the stairs and started down. Bill Ratner ** 1:07:33 Wow. Could you smell anything? Michael Hingson ** 1:07:36 We smelled burning jet fuel fumes on the way down. And that's how we figured out an airplane must have hit the building, but we had no idea what happened. We didn't know what happened until the until both towers had collapsed, and I actually talked to my wife, and she's the one who told us how to aircraft have been crashed into the towers, one into the Pentagon, and a fourth, at that time, was still missing over Pennsylvania. Wow. So you'll have to go pick up a copy of thunder dog. Goodness. Good. Thunder dog. The name of the book is Thunder dog, and the book I wrote last year is called Live like a guide dog. It's le
John sits down for an epic conversation with Oscar-winning writer-director Cameron Crowe about his new memoir, “The Uncool,” which covers his years as a teenaged rock music writer for Rolling Stone in the 1970s — years that served as the inspiration for his classic movie, “Almost Famous.” In the first installment of this special two-part episode, Crowe details his seminal experiences on the road with The Eagles, The Allman Brothers, Led Zeppelin, and other defining bands of the era, which shaped his unusual adolescence and turned him into a magazine journalism wunderkind, as well as the unique relationship he forged with Bob Dylan, which ultimately paid dividends for another of his hit films, “Jerry Maguire.” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
On today's podcast I welcome on photographer Lanna Apisukh a NYC based photographer who has worked with clients such as Rolling Stone, The New York Times, and HBO to name a few. In this interview I speak to Lanna about her creative process and how she approaches photographing celebrity parties as well as some of her personal projects. Use Promo Code "Banter" and receive 2 months free at picdrop.com www.picdrop.com/go/banter Peep Lanna's work : www.lannaapisukh.com Lanna's Instagram : https://www.instagram.com/apisukh/
2021 - it's a lot like 2020, but different. Tune in to hear which host serves as the crew's very own spotlight team, weigh in on the debate of what constitutes a "deep cut" in the Twenty Twenties, and discover a “new" tune from 1981. Featuring Sleaford Mods, Yard Act, Matthew Sweet, Good Morning and The Rolling Stones. Learn more about your ad choices. Visit megaphone.fm/adchoices
MARK GRAY IS OUR GUEST FOR A FASCINATING HOURThe Las Vegas Massacre Connections: Finding Strength Through Tragedy After America's Deadliest Mass ShootingAn outstanding narrative of the shootings from journalist Mark Gray whose first-person account of the tragedy was published in Rolling Stone Magazine the day after the event.When the Music Stopped, Her Life Changed ForeverOn October 1, 2017, Mary Jo von Tillow's world changed forever.Her husband, Kurt, was killed in the Route 91 Harvest Festival mass shooting in Las Vegas, the deadliest in U.S. history. In just eleven minutes, her life-and the lives of thousands of others-were shattered.But what followed was more than grief. Out of devastation came unexpected bonds with other survivors, advocates, and families who knew the same kind of loss. From a 9/11 firefighter who turned his pain into kindness, to a victims' rights attorney who changed national law, to fellow widows and survivors who refused to give up, Mary Jo discovered what it means to carry tragedy together.THE LAS VEGAS MASSACRE CONNECTIONS is both a deeply personal account and a collective portrait of resilience. Through Mark Gray's in-depth reporting and Mary Jo's courage to share her story, this book captures the enduring impact of Route 91 and the human strength that rises after unimaginable loss.Mark Gray is a longtime writer for People Magazine and Rolling Stone. His work has also been published in Entertainment Weekly, MSN and Las Vegas Weekly, and his past interviews have been cited by the New York Times, Daily Mail, the New York Post, Yahoo!, the Los Angeles Times and more. His Flip The Strip radio show on KXNT Las Vegas garnered national press throughout its two-year run, and he pens a weekly sports gambling column for Station Casinos.Mark wrote a first-person account of the Route 91 Harvest Festival shooting (from his perspective) about three hours after the bullets stopped flying. It was posted on RollingStone.com in the early morning of Oct. 2, 2017. He's written over 10,000 published articles as a journalist.Filed Under: Biography and Memoir Books, New Releases, The Las Vegas Massacre Connections, True Crime BooksTagged With: america's deadliest mass shooting, best true crime books, coping with loss books, gun violence memoir, healing after tragedy, inspirational survivor stories, las vegas massacre survivors, las vegas shooting book, las vegas true crime, mandalay bay massacre, mary jo von tillow, mass shooting connections, mass shooting survivor story, overcoming grief memoir, resilience after trauma, route 91 harvest festival, Serial Killer, survivor memoir, tragedy to triumph, True Crime, true crime book, true crime mass shootings, widow memoirOctober 13, 2025 By Michael CordovaOrder THE LAS VEGAS MASSACRE CONNECTIONS by Mark Gray Now
We're back!! Time to talk about a bunch of stuff including 40-year-old movies, a 30-year-old book and a 50-year-old movie.CW: Discussion of drowning 41:00-44:35Oh and get your Undertale questions in!!THINGS MENTIONED:05:35 The ‘Counter-Strike 2' Skins Market Crash, Explained – Forbes14:04 Days After Hyping Games Business To Investors, Netflix Closes Squid Game: Unleashed Studio – AftermathFurther reading: Netflix and Spotify partner to bring podcasts by The Ringer to the video platform - CNBC19:44 D'Angelo F-cking Loves Playing ‘Red Dead Redemption 2' - Rolling Stone (2018)26:05 What we're playingAdam Conover re: AI slop videosQuinn the GM re: A Feast for Crows 20th anniversaryTori's on bluesky: toridp98Nathaniel's on PSN: nathanbasedNoah's onlineOur show is a proud member of The Worst Garbage network of podcasts. Find all the rest of the great shows on the network at TheWorstGarbage.online.Join The Worst Garbage Discord channel!Our intro/outro music are by GEIST and our show art is by@tristemegistus. We curate your gaming news together and Noah, Tori and Nathaniel take turns producing the show. You can follow the show on Twitter @Press_StartPod, on tumblr at press-startpod.tumblr.com and on bluesky @press-startpod. Email us questions about Undertale, what you wanna hear us talk about, game recs and other stuff at heypressstart@gmail.com. We'd also appreciate if you left us reviews on your podcast app of choice! Good text reviews will be read out on the show.
As seen in People magazine, Lindsay Perrin joins the show to talk about her journey as a surrogate for a gay couple, working as a photographer for Rolling Stone and covering Taylor Swift's concerts. And we can't forget her epic Lesbian Bar Crawls in NYC. We also chat about the epidemic of lesbians canceling on dates.Follow Linsay on TikTok and Instagram Become a supporter of this podcast: https://www.spreaker.com/podcast/lesbian-chronicles-coming-out-later-in-life--5601514/support.
Pacific St Blues & AmericanaPart 2 of 2October 26, 2025 21. T Bone Burnett / Sometimes I Wonder22. Bruce Springsteen / If I Should Fall Behind (Wait for Me)23. Deanna Carter / State Trooper24. Los Lobos / Johnny 99 25. John Lee Hooker / Baby Please Don't Go26. Earl Hooker / Swear to Tell the Truth27. Indigenous / Rest of My Days 28. Los Lonely Boys / Bloodwater 29. Jimi Hendrix / Little Miss Strange 30. Stevie Ray Vaughan / Voodoo Chile Slight Return 31. Monster Mike Welch / If I Had Possession Over Judgment Day 32. Cody Dickenson / Big City 33. Eli Cook / Statesboro Blues 34. Albert Collins / Soul Food 35. Aerosmith / You Gotta Move (Mississippi Fred McDowell, Rolling Stones) 36. Dave Alvin / Evening Blues
Thee Lolitas / Cocksucker BluesNashville Allstars / Turd on the Run / Exile on 8th StreetGuerilla Teens / Rip this Joints / split single with pat toddArmitage Shanks / Brown Sugar / Skanks Pony love Shauna and the Shamms / Dead Flowers / Bad Girl Sorrows / Have You seen Your Mother, baby, Standing in the Shadows / Parting is Such Sweet Sorrow Jack Oblivian / 2000 Man / American Slang Wrong Turn / Off the Hook / Wrong Turn 2 Reigning Sound / I'd Rather Be With the Boys / The Norton Stones Singlesnashhville Allstars / Loving Cup / Exile on 8th StreetThe Humpers / 19th Nervous Breakdown / War is Hell Gentlemen Rogues / Connection austin split single with the drolls 2024Left Lane Cruiser w James Leg / Sway / Painkillers 2012Charlie Walker / Honky Tonk Women / A Tast of Bear Family Records 2012 compThe Greenhornes / Sad Day / The Norton Stones Singles The Shanks / Dontcha Bother Me / the Norton singlesAll Seeing Eyes / Hip Shake / all Seeing Eyes johnny walkers newest bandGuitar Wolf / (ICant Get No) Satisfaction / Planet of the Wolves Rough Trade / Play With Fire / Bloodstains Across Norway bloodstain seriesThe Eyes / Get Off My Cloud the pupils 65-66 The Lazy Jeans / Let it Bleed / Nuevas Botas Viejas EP Johnny Cash / No Expectations mottey63@gmail.com
Tom & Liam do their usual bullshit before talking about the NBA Betting Scandal of 2025 and a heartbreaking Rolling Stone story on betting apps. Plus listener messages and bad accents. Find our bonus episodes and Discord at: https://www.patreon.com/tenthousandlosses Follow us on Bluesky: Podcast: https://bsky.app/profile/10klosses.bsky.social Liam: https://bsky.app/profile/wtyppod.com Tom: https://bsky.app/profile/tompain.bsky.social Shoot a message or leave us a voicemail (leave your name and pronouns): 267-371-7218
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Die Themen: Der neue Rocky Film; Die „Ick“ Abtörner; Kevin Kühnert schreibt jetzt für den Rolling Stone; 40 Jahre Schwarzwaldklinik; Goodbye MTV; die neue Haftbefehl Doku; Die Zukunft der Popkritik; Das Phänomen der Biopics Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee
John J. Lennon is a prison journalist who is currently serving a 25-year sentence in Sing Sing prison in New York. His work has been featured by such leading publications as New York Review of Books, The New York Times Magazine, The Atlantic, Esquire, Rolling Stone, and New York magazine. John's new book is The Tragedy of True Crime. John shares his surreal experience of being on a book tour while inside prison and reflects on his own personal experiences with the "true crime" genre. He also warns about the seductive nature -- and problematic relationship these shows have with reality -- of The First 48, Law and Order, Cops, and others in the reality TV show - crime entertainment genre. John explains how his new book goes beyond the sensationalistic headlines and explores the human side and complexity of four men who have been convicted of murder. Robert Chambers, the so-called “Preppy Killer” of 1980s tabloid fame Milton E. Jones, drawn from petty crime into tragedy as a teenager Michael Shane Hale, a gay man facing the death penalty after a crime of passion Lennon himself, who discovered his voice as a writer while serving time for murder Chauncey DeVega shares what it is like in Chicago as Trump's DHS/ICE immigration dragnet "Operation Midway Blitz" and threats of a National Guard "invasion” have created a climate that feels ripped from a bad dystopian movie. To better understand who would want to take a job working for DHS/ICE as one of its enforcers, Chauncey shares a very important news story from the Intercept where they interview people at a job fair for that government agency. And Chauncey DeVega goes to the local cineplex and reviews three new films: Tron: Ares, The Smashing Machine starring Dwayne "The Rock" Johnson, and Paul Thomas Anderson's essential document and cultural artifact of this era One Battle After Another. WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com: Patreon: https://www.patreon.com/thechaunceydevegashow https://www.patreon.com/TheTruthReportPodcast
We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Join us on October 26th at 7pm for a panel on resisting state repression. The panel will feature journalist and author Will Potter, Meg Calaw with Gabriela Berkeley, civil rights and criminal defense attorney John Viola, Sara Kershnar from the International Jewish Anti-Zionist Network . RSVP for the Panel (in person and watch on our YouTube channel): https://bit.ly/ResistStateRepression WHERE: First Unitarian Church of Oakland; 685 14th St, Oakland, CA WHEN: Sunday, October 26th at 7pm; Doors open at 6:30pm DONATE: $5-$20 at the door, sliding scale, no one refused for lack of funds President Trump has designated the anti-fascist movement as a terrorist organization. While, in fact, it's an opportunity for his administration to target and destroy a broader network of left and progressive groups. We're living in challenging times with crises around war in the Middle East, renewed McCarthyist attacks on free speech, corporate domination of everyday life, escalating climate disasters and, now, a fascist takeover of our government. As Will Potter has said, “The intention is to capitalize on this to crack down on their opponents and to consolidate authoritarian power.” We're also living in a time where large numbers of people have taken to the streets to confront those responsible for these crises. Today's state repression is aimed to eliminate that opposition. This panel will explore the ongoing conflict between democratic resistance movements and state repression and lessons that we can use to push back against this authoritarian takeover. Panelist Bios// **Will Potter is an award-winning investigative journalist and TED Senior Fellow who exposes political repression and the erosion of civil liberties. His reporting and commentary have appeared in The Washington Post, Foreign Policy, and Rolling Stone. He is the author of “Green is the New Red” and his new book is “Little Red Barns: Hiding The Truth, From Farm To Fable.” **Meg Kalaw is an organizer with Gabriela Berkeley, a local organization of Filipina women that fights for genuine liberation and national democracy in the Philippines. Currently, Gab Berkeley is waging the Chevron Out of the Philippines campaign, to expose the corporate plunder that multinational corporations like Chevron enact in the Philippines and the particular impacts on peasant and indigenous women and children. Meg is also the regional coordinator of the International League of People's Struggles NorCal, a regional alliance of anti-imperialist organizations in the Bay Area who are united under fighting state repression and promoting international solidarity. **John Viola is a Bay Area civil rights and criminal defense attorney. ** Sara Kershnar is the co-founder and international coordinator of the International Jewish Anti-Zionist Network established in 2007. Sara began her Palestinian solidarity work during the second intifada. Sara is also a co-founder of Generation FIVE, an organization working on transformative justice approaches to addressing child sexual abuse and works towards prison abolition in solidarity with currently and formerly-incarcerated people. **Donations on a $5-20 sliding scale, no one turned away for lack of funds. Co-sponsored by Green and Red Podcast, Diablo Rising Tide, XR SF Bay, Oil and Gas Action Network and Bay Resistance. ------------------- Intro/Outro- "Green and Red Blues" by Moody
In which we talk about perfectionism and how to get out from under it, as well as loving yourself as who you are. Kaila Yu is an author based in Los Angeles. Her debut memoir, ‘Fetishized: A Reckoning with Yellow Fever, Feminism, and Beauty,' was just published with Penguin Random House's Crown Publishing. She's also a luxury travel and culture writer with bylines in The New York Times, Rolling Stone, Los Angeles Times, Condé Nast Traveler, and many more.
Named one of the Top 20 Guitarists of All Time by Rolling Stone, Richard Thompson is one of the world's most critically acclaimed and prolific songwriters. In addition to his beloved catalog and in addition to many other honors - Thompson has received Lifetime Achievement Awards for Songwriting on both sides of the Atlantic.He'll be in the WAMC region early next month, playing The Bardavon in Poughkeepsie, New York on November 7 and Stone Church in Brattleboro, Vermont on November 8.Will Hermes is a regular contributor to NPR, The New York Times, Rolling Stone, and Pitchfork. He's the author of “Love Goes to Buildings on Fire” and “Lou Reed: The King of New York.” His substack of music writing is at newmusicoldmusic.substack.com.Hermes spoke with Richard Thompson for WAMC.
07 23-10-25 LHDW Abellán nos habla de Eric Clapton que 80 años sale de gira. Rolling Stones nuevo disco, ¿impostores?. Rosalía y Aitana son actualidad
Ce 23 octobre, Marjorie Hache livre une nouvelle édition de Pop-Rock Station riche en contrastes. Elle ouvre avec Florence + The Machine et le morceau-titre du futur album "Everybody Scream", avant de plonger dans les classiques de Neil Young, Nirvana ou The Rolling Stones. L'animatrice de RTL2 célèbre aussi les 19 ans du titre "Rehab" d'Amy Winehouse, devenu emblématique depuis sa sortie. L'album de la semaine reste "Some Like It Hot" du trio londonien Bar Italia, présenté ici dans sa version la plus douce avec le titre éponyme. Côté découvertes, Marjorie Hache propose les nouveautés de The Charlatans, avec "Deeper and Deeper", annonciateur de leur album "We Are Love", et le retour punk des Américains Be Your Own Pet avec "What A Bitch". La reprise du soir revisite "Personal Jesus" de Depeche Mode, dans une version puissante signée Def Leppard. En fin d'émission, Pop-Rock Station s'aventure entre rock alternatif et garage avec Eagles of Death Metal, Babes in Toyland, les Yeah Yeah Yeahs et les Deftones. La nouveauté "Fresh Fresh Fresh" du jour présente UFO, le nouveau projet réunissant des membres de Phoenix et le duo Braxe & Falcon. Florence + The Machine - Everybody Scream Emerson, Lake & Palmer - From The Beginning Amy Winehouse - Rehab Nirvana - Polly Idles - Dancer The Beach Boys - Surfin' U.S.A. Franz Ferdinand - Walk Away Bar Italia - Some Like It Hot The Rolling Stones - Miss You Suicidal Tendencies - How Will I Laugh Tomorrow Neil Young - Rockin In The Free World The Charlatans - Deeper And Deeper Def Leppard - Personal Jesus Gorillaz - Dirty Harry Coilguns - Nightshifter Supertramp - Give A Little Bit Slowdive - When The Sun Hits Be Your Own Pet - What A Bitch Otis Redding - My Girl Alanis Morissette - Hands Clean UFOs - UFO Elton John - Crocodile Rock Eagles Of Death Metal - Wannabe In La Babes In Toyland - He's My Thing Yeah Yeah Yeahs - Date With The Night Deftones - Infinite Source The B52's - Rock LobsterHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 23ú lá de mí Dheireadh Fómhair, liomsa Lauren Ní Loingsigh. I 1971 fuair printíseach aois 15 a bhí ag obair I ngaráiste carr bás in aice leis an gharáiste agus cheap na Gardaí go bhfuair sé bás de bharr gur análaigh sé peitreal de thimpiste. I 1987 bhí gach duine ag cuardach do phíolóta RAF a raibh caite amach as a shuíochán san eitleán sa chósta theas den tír. I 1971 tháinig sé amach go mbeadh clár leis an aidhm chun baile an tSionainn a coimeád glan gach lá. I 2009 tháinig sé amach go mbeadh daoine a raibh chun mún ag doras siopa ceol in Inis chun turraing leictreach a fháil. Sin Alexandra Burke le Bad Boys – an t-amhrán is mó ar an lá seo I 2009. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1962 thaifead Stevie Wonder a chéad amhrán ag aois 12 do Motown Records. An t-ainm den amhrán ná Thank You For Loving Me All The Way le na Frunk Brothers. I 1963 chan The Everly Brothers, Little Richard, Bo Diddley, Mickie Most, The Rolling Stones, Julie Grant agus The Flintstones ag an amharclann Odeon sa Bhreatain. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh aisteoir Ryan Reynolds I gCeanads I 1976 agus rugadh aisteoir Emelia Clarke sa Bhreatain ar an lá seo I 1986 agus seo chuid de na rudaí a rinne sí. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 23rd of October, with me Lauren Ní Loingsigh 1971: Gardaí in Cork believe that the 15 year old garage apprentice who was found dead near the garage may have died from accidental inhalation of petrol fumes. 1987: A full scale emergency search involving Irish and British rescue services was underway for a RAF pilot who ejected from his aircraft off the Republics south coast. 1971: A program aimed at maintaining a clean environment is going ahead steadily at the new town of Shannon. 2009: A nasty electric shock awaits Ennis pub goers who decide to urinate on the doorway of a well-known music shop, a local business, man has warned. That was Alexandra Burke featuring Flo Rida with Bad Boys – the biggest song on this day in 2009 Onto music news on this day In 1962 12 year old Little Stevie Wonder recorded his first single for Motown Records, 'Thank You For Loving Me All The Way' backed by the Funk Brothers. 1963 The Everly Brothers, Little Richard, Bo Diddley, Mickie Most, The Rolling Stones, Julie Grant and The Flintstones all appeared at Odeon Theatre, Nottingham, England. And finally celebrity birthdays on this day – actor Ryan Reynolds was born in Canada in 1976 and actress Emelia Clarke was born in the UK on this day in 1986 and this is some of the stuff she has done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.
This week BJ Barham, the lead singer of American Aquarium, stops by to talk about his run for town board. What's it like to be in The Rolling Stone the same week you're being called a Communist for pointing out that local officials are giving sweetheart land deals to their relatives? We get into it. Before that: Jelly Roll-based psyops, the No Kings protests vs. Operation A.I. Sky Diarrhea, and the cartels' (fake? fake.) bounties on CPB.Support the show
Leila Guerriero es periodista y cronista. El trabajo de la protagonista de este Aprendemos juntos se ha convertido en un referente para el periodismo narrativo en América Latina y España, habiendo publicado en medios como El País, Rolling Stone o La Nación. Nació en Junín, provincia de Buenos Aires, y desde muy joven descubrió en la escritura un modo de explorar el mundo. Sus crónicas se caracterizan por la profundidad en la observación, la precisión del lenguaje y una mirada ética y sensible sobre la realidad. Es autora de 'Los suicidas del fin del mundo', 'La llamada', 'Una historia sencilla' y 'Opus Gelber', entre otros. Defiende el periodismo como una forma de resistencia frente al olvido y la superficialidad. Hoy su voz inspira a escritores y lectores a concebir la realidad con sensibilidad y compromiso.
Lera Lynn has released 8+ records, written and recorded songs for True Detective (HBO) with T-Bone Burnett and Rosanne Cash (as well as being cast as a character), played Late Night with David Letterman, toured extensively nationally and internationally, and has been praised by NPR, Rolling Stone, Nylon, and other outlets. We go deep with Lera on learning and setting your own boundaries with yourself and with the industry, lived experiences with the impact and bias against women and mothers by the music industry, losing your sense of purpose and finding it again, enjoying yourself, and more.Get more access and support this show by subscribing to our Patreon, right here.Links:Lera LynnTrue DetectiveKorby LenkerDaniel TashianEp 126 - Yancey StricklerEp 27 - Mary GauthierJillian JacquelineEp 107 - Caitlyn SmithClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.
Stefan Sagmeister is the author of six books and one of the most influential designers in the world. He's won multiple Grammy Awards for his designs, and he's designed album covers for people like Jay-Z and David Byrne, the Rolling Stones. But he's a writer. What does he write about? Well, design, beauty, how to find good ideas. You'll notice when you pick up one of his books that the form, the style, the vibe, the typography is every bit as important as the content. This is really about design, beauty, and why our world looks the way it does. Enjoy! About the host Hey! I'm David Perell and I'm a writer, teacher, and podcaster. I believe writing online is one of the biggest opportunities in the world today. For the first time in human history, everybody can freely share their ideas with a global audience. I seek to help as many people publish their writing online as possible. Follow me Apple: https://podcasts.apple.com/us/podcast/how-i-write/id1700171470 YouTube: https://www.youtube.com/@DavidPerellChannel X: https://x.com/david_perell Learn more about your ad choices. Visit megaphone.fm/adchoices
Berated by the tabloids as exhibitionist pornography, Madonna's coffee table book, ‘Sex', quickly sold out upon its release on 21st October, 1992. Influenced by artists Robert Mapplethorpe and Cindy Sherman, the book included images of full-frontal nudity, simulated gay sex, mixed race couples, threesomes and trans imagery. Madonna vigorously defended it, in a series of interviews, as a portrayal of female sexuality. In this episode, Arion, Rebecca and Olly ask if Madonna was fighting an uphill battle to be taken seriously; debate whether the book was art, a smutty publicity stunt… or both; and consider whether a particularly sensational spread involving a canine companion was taken out of context... Content Warning: discussion of erotic imagery, including abusive sexual fantasies Further Reading: • ‘How Madonna Turned Controversy Into a Best-Selling Book' (Entertainment Tonight, 2020): https://www.youtube.com/watch?v=ILybauhbA00 • ‘25 Years Later, Madonna's 'Sex' Book Is Still Pop's Most Radical Moment' (HuffPost, 2017): https://www.huffingtonpost.co.uk/entry/madonna-sex-book-25th-anniversary_n_59e9f8f1e4b0f9d35bca11e6 • ‘Madonna's 'Erotica,' 'Sex': Misunderstood Masterpieces' (Rolling Stone, 2017): https://www.rollingstone.com/music/music-news/madonnas-erotica-sex-why-musical-masterpiece-defiant-book-still-matter-200685/ This episode first aired in 2021 This episode first premiered in 2024, for members of
When today's audience caller, Lindsey, was seven months pregnant, her husband walked out — leaving her to face the end of her marriage and the start of motherhood alone. In this raw, emotional episode of The Real Stuff, I sat down with Lindsay to unpack the unbelievable story of love, betrayal, and resilience.We talk about the moment everything changed, how she found the strength to rebuild her life, and what it really feels like to be abandoned in the middle of pregnancy. This honest conversation explores marriage, divorce, motherhood, and healing after heartbreak — with the empathy and depth that defines this podcast.Listen if you've ever experienced heartbreak, felt blindsided by someone you trusted, or needed a reminder that you can start over, even in your darkest moment.Sponsors:Rhoback: Use the code “REALSTUFF” on Rhoback.com for a generous 20% off your first order through the end of this week.Magnetic Me: If you haven't ordered Magnetic Me yet, now is the time! I know you'll love these, too. If you're a parent, or shopping for one, go now to MagneticMe.com and new customers will get 15% off!Happy Mammoth: Right now, you can try Prebiotic Collagen Protein risk-free AND get 15% off your entire first order with code REALSTUFF at checkout.Watch this episode in video form on YouTube: https://www.youtube.com/playlist?list=PLjmevEcbh5h5FEX0pazPEtN86t7eb2OgX To apply to be a guest on the show, visit luciefink.com/apply and send us your story. I also want to extend a special thank you to East Love for the show's theme song, Rolling Stone. Follow the show on Instagram: https://www.instagram.com/therealstuffpod Find Lucie here: Instagram: https://www.instagram.com/luciebfink/ TikTok: https://www.tiktok.com/@luciebfink YouTube: https://www.youtube.com/luciebfinkWebsite: https://luciefink.com/ Executive Producer: Cloud10Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hailed by Rolling Stone magazine for their "late-night decadence and velvet tones", wht.rbbt.obj. is a rock and roll reckoning! Rabbit and Francis from wht.rbbt.ob. join us to deep dive into their latest amazing album Oscar Bravo Juliett.
Comedian Caleb Hearon just turned 30 and he's already got an hour-long HBO special, hosts a hit podcast (So True with Caleb Hearon), and was named one of the top social media influencers of 2025 by Rolling Stone. But it hasn't been an easy road. Caleb talks with Mike about his battles with suicidal ideation, how improv comedy saved his life, and how he drew on the passing of his estranged father for his comedy special. Plus, Caleb and Mike discuss the value seeing stand-up live vs. on TV, and come up with a plan to go off the grid and live in a cabin in the mountains together.Please consider donating to KC Tenants Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
He wrote the definitive history of Indian wrestling. His longform reportage has taken him into strange territories. He embedded himself with the Delhi police and has now come out with his first crime novel. Rudraneil Sengupta joins Amit Varma in episode 429 of The Seen and the Unseen to talk about he throws himself into both his life and his work. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Rudraneil Sengupta on Instagram, Twitter, Mint and Amazon. 2. The Beast Within -- Rudraneil Sengupta. 3. Enter the Dangal -- Rudraneil Sengupta. 4. The Girl From Haryana -- Amit Varma's feature story on Sakshi Malik (2016). 5. Aadha Gaon — Rahi Masoom Raza. 6. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 7. From Cairo to Delhi With Max Rodenbeck — Episode 281 of The Seen and the Unseen. 8. Kind of Blue -- Miles Davis. 9. Wall-E -- Andrew Stanton. 10. The Complete Adventures of Feluda (Volume 1) (Volume 2) -- Satyajit Ray. 11. The Adventures Of Kakababu -- Sunil Gangopadhyay. 12. More Adventures Of Kakababu -- Sunil Gangopadhyay. 13. Sandesh. 14. Paar -- Goutam Ghose. 15. Do Androids Dream Of Electric Sheep? -- Philip K Dick. 16. Philip K Dick and Ursula K Le Guin on Amazon. 17. Sandman -- Neil Gaimon. 18. Persepolis -- Marjane Satrapi. 19. The Buddha -- Osamu Tezuka. 20. The Solitary Writer Meets the Impossible Man -- Episode 428 of The Seen and the Unseen (w Narayani Basu). 21. A Man For All Seasons: The Life Of KM Panikkar — Narayani Basu. 22. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 23. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 24. Frank Zappa, The Beatles, The Rolling Stones, Muddy Waters and Django Reinhardt on Spotify. 25. Satyaki Banerjee and Paban Das Baul on Spotify. 26. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 27. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 28. Stage.in. 29. Tom Waits, Mark Strand and Mary Oliver. 30. The Golden Age of Murder -- Martin Edwards. 31. Roseanna -- Maj Sjöwall and Per Wahlöö. 32. Ian Rankin (of Inspector Rebus fame) on Amazon. 33. Six Four -- Hideo Yokoyama. 34. Raag Darbari -- Shrilal Shukla (translated by Gillian Wright). 35. Saans -- Neena Gupta. 36. Anne Tyler on Amazon. 37. Fear and Loathing in Las Vegas -- Hunter S Thompson. 38. The Kentucky Derby Is Decadent and Depraved -- Hunter S Thompson. 39. The Life and Times of Gurcharan Das -- Episode 425 of The Seen and the Unseen. 40. Meet Suyash Dixit, the man who would be king -- Rudraneil Sengupta. 41. The Autopsy Report -- Rudraneil Sengupta. 42. Court -- Chaitanya Tamhane. 43. The Crowd: A Study of the Popular Mind -- Gustave Le Bon. 44. Invisible Man -- Ralph Ellison. 45. The Is-Ought Problem and the Naturalistic Fallacy. 46. V for Vendetta -- Alan Moore and David Lloyd. 47. Murder in Mahim -- Jerry Pinto. 48. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 49. Hayao Miyazaki, Satyajit Ray and Martin Beck. 50. Disgrace -- JM Coetzee. 51. Moby Dick -- Herman Melville. 52. Julian Lage and Bill Frisell on Spotify. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Delhi' by Simahina.
It's still thought of as the World Series to which all other World Series' are compared. The Boston Red Sox vs the Cincinnati Reds. A classic 7-game series that had as much drama, controversy, rain, Hall of Famers, and unforgettable moments as baseball fans could ever hope for. The Big Red Machine was a juggernaut in '75 led by Johnny Bench, Joe Morgan, Pete Rose, Tony Perez and their Hall of Fame skipper Sparky Anderson. Yet, the upstart Red Sox were matching them at every turn with Rookie of the Year/MVP Fred Lynn, Yaz, El Tiante and Carlton Fisk playing inspiring baseball. The only thing that could stop either of these teams was Mother Nature. Rain interrupted the series on mud;tiple occasions, but once they got on the field… some of the most thrilling baseball ever played was on full display. None more thrilling than the 12th inning home run by Carlton Fisk that ended a captivating Game 6 and sent the series to a 7th game. The shot of Fisk waving the ball fair as it hugged the left field line and then bounced off the foul pole is a moment that has stood the test of time for half a century and will be forever remembered by baseball fans as long as they still play this game. The starting pitcher for Game 7 for Boston was Bill Lee… the Spaceman. One of the gams true characters and at this time, one of the games best left-handed starters. The winner of 17 games in 1975, Lee had thrown 8 beautiful innings in Game 2 only to leave in the 9th when the Reds rallied for a 3-2 win. Now, in Game 7, he once again tossed 6 innings and came out with the lead in the 7th only to see the Reds rally again. Two wonderful starts for Lee, two no decisions… and a lifetime of what if's… 50 years later, the Spaceman is still as outrageous and entertaining as he was back in Boston in the mid 70's. He tells us how he couldn't stand Don Zimmer as a manager and how wearing a Rolling Stones shirt cost him and the Red Sox the 1972 AL East Division. He recalls how as a teenager he had a job as locksmith and locked some of the most famous people in the world out of their own houses. He tells us how he almost died on the pitching mound pitching for the Savannah Bananas and how he's lucky to still be alive. And mostly, he just tells us all sorts of things you can't believe happened… but they did. One of the most revered and loved Red Sox pitchers in their storied history… Bill The Spaceman Lee on the Past Our Prime podcast… Listen and download wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ralph welcomes Professor Roddey Reid to break down his book “Confronting Political Intimidation and Public Bullying: A Handbook for the Trump Era and Beyond.” Then, we are joined by the original Nader's Raider, Professor Robert Fellmeth, who enlightens us on how online anonymity and Artificial Intelligence are harming children.Roddey Reid is Professor Emeritus at the University of California, San Diego where he taught classes on modern cultures and societies in the US, France, and Japan. Since 2008 he has researched and published on trauma, daily life, and political intimidation in the US and Europe. He is a member of Indivisible.org San Francisco, and he hosts the blog UnSafe Thoughts on the fluidity of politics in dangerous times. He is also the author of Confronting Political Intimidation and Public Bullying: A Handbook for the Trump Era and Beyond.I think we still have trouble acknowledging what's actually happening. Particularly our established institutions that are supposed to protect us and safeguard us—many of their leaders are struggling with the sheer verbal and physical violence that's been unfurling in front of our very eyes. Many people are exhausted by it all. And it's transformed our daily life to the point that I think one of the goals is (quite clearly) to disenfranchise people such that they don't want to go out and participate in civic life.Roddey ReidWhat's broken down is…a collective response, organized group response. Now, in the absence of that, this is where No King's Day and other activities come to the fore. They're trying to restore collective action. They're trying to restore the public realm as a place for politics, dignity, safety, and shared purpose. And that's been lost. And so this is where the activists and civically engaged citizens and residents come in. They're having to supplement or even replace what these institutions traditionally have been understood to do. It's exhilarating, but it's also a sad moment.Roddey ReidRobert Fellmeth worked as a Nader's Raider from 1968 to 1973 in the early days of the consumer movement. He went on to become the Price Professor of Public Interest Law at the University of San Diego (where he taught for 47 years until his retirement early this year) and he founded their Children's Advocacy Institute in 1983. Since then, the Institute has sponsored 100 statutes and 35 appellate cases involving child rights, and today it has offices in Sacramento and DC. He is also the co-author of the leading law textbook Child Rights and Remedies.I think an easy remedy—it doesn't solve the problem totally—but simply require the AI to identify itself when it's being used. I mean, to me, that's something that should always be the case. You have a right to know. Again, free speech extends not only to the speaker, but also to the audience. The audience has a right to look at the information, to look at the speech, and to judge something about it, to be able to evaluate it. That's part of free speech.Robert FellmethNews 10/17/25* In Gaza, the Trump administration claims to have brokered a ceasefire. However, this peace – predicated on an exchange of prisoners – is extremely fragile. On Tuesday, Palestinians attempting to return to their homes were fired upon by Israeli soldiers. Defense Minister Israel Katz claimed those shot were “terrorists” whose attempts to “approach and cross [the Yellow Line] were thwarted.” Al Jazeera quotes Lorenzo Kamel, a professor of international history at Italy's University of Turin, who calls the ceasefire a “facade” and that the “structural violence will remain there precisely as it was – and perhaps even worse.” We can only hope that peace prevails and the Palestinians in Gaza are able to return to their land. Whatever is left of it.* Despite this ceasefire, Trump was denied in his bid for a Nobel Peace Prize. The prize instead went to right-wing Venezuelan dissident María Corina Machado. Democracy Now! reports Machado ran against Venezuelan President Nicolás Maduro in 2023, but was “barred from running after the government accused her of corruption and cited her support for U.S. sanctions against Venezuela.” If elected Machado has promised to privatize Venezuela's state oil industry and move Venezuela's Embassy in Israel from Tel Aviv to Jerusalem, and in 2020, her party, Vente Venezuela, “signed a pact formalizing strategic ties with Israel's Likud party led by Prime Minister Benjamin Netanyahu.” Machado has also showered praise on right-wing Latin American leaders like Javier Milei of Argentina and following her victory, praised Trump's “decisive support,” even telling Fox News that Trump “deserves” the prize for his anti-Maduro campaign, per the Nation.* Machado's prize comes within the context of Trump's escalating attacks on Venezuela. In addition to a fifth deadly strike on a Venezuelan boat, which killed six, the New York Times reports Trump has ordered his envoy to the country Richard Grenell to cease all diplomatic outreach to Venezuela, including talks with President Maduro. According to this report, “Trump has grown frustrated with…Maduro's failure to accede to American demands to give up power voluntarily and the continued insistence by Venezuelan officials that they have no part in drug trafficking.” Grenell had been trying to strike a deal with the Bolivarian Republic to “avoid a larger conflict and give American companies access to Venezuelan oil,” but these efforts were obviously undercut by the attacks on the boats – which Democrats contend are illegal under U.S. and international law – as well as Secretary of State Marco Rubio labeling Maduro a “fugitive from American justice,” and placing a $50 million bounty on his head. With this situation escalating rapidly, many now fear direct U.S. military deployment into Venezuela.* Meanwhile, Trump has already deployed National Guard troops to terrorize immigrants in Chicago. The Chicago Sun-Times reports Pope Leo XIV, the first American Pope and a Chicago native, met with Chicago union leaders in Rome last week and urged them to take action to protect immigrants in the city. Defending poor immigrants is rapidly becoming a top priority for the Catholic Church. Pope Leo has urged American bishops to “speak with one voice” on the issue and this story related that “El Paso bishop Mark Seitz brought Leo letters from desperate immigrant families.” Chicago Cardinal Blase Cupich, also at the meeting with Leo and the union leaders, said that the Pope “wants us to make sure, as bishops, that we speak out on behalf of the undocumented or anybody who's vulnerable to preserve their dignity…We all have to remember that we all share a common dignity as human beings.”* David Ellison, the newly-minted CEO of Paramount, is ploughing ahead with a planned expansion of his media empire. His next target: Warner Bros. Discovery. According to the Hollywood Reporter, Ellison already pitched a deal to WB CEO David Zaslav, but the $20 per share offer was rejected. However, Ellison is likely to offer a new deal “possibly…backed by his father Larry Ellison or a third party like Apollo [Global Management].” There is also talk that he could go directly to the WBD shareholders if the corporate leadership proves unresponsive. If Ellison is intent on this acquisition, he will need to move fast. Zaslav is planning to split the company into a “studios and HBO business,” and a Discovery business, which would include CNN. Ellison is clearly interested in acquiring CNN to help shape newsroom perspectives, as his recent appointment of Bari Weiss as “editor-in-chief” of CBS News demonstrates, so this split would make an acquisition far less of an attractive prospect. We will be watching this space.* In another Ellison-related media story, Newsweek reports Barron Trump, President Trump's 19-year-old son, is being eyed for a board seat at the newly reorganized Tik-Tok. According to this story, “Trump's former social media manager Jack Advent proposed the role at the social media giant, as it comes into U.S. ownership, arguing that the younger Trump's appointment could broaden TikTok's appeal among young users.” Barron is currently enrolled in New York University's Stern School of Business and serves as an “ambassador” for World Liberty Financial, the “Trump family's crypto venture.” TikTok U.S., formerly owned and operated by the Chinese company ByteDance, is being taken over by a “consortium of American investors [including Larry Ellison's] Oracle and investment firm Silver Lake Partners,” among others.* As the government shutdown drags on, the Trump administration is taking the opportunity to further gut the federal government, seeming to specifically target the offices protecting the most vulnerable. According to NPR, “all staff in the [Department of Education] Office of Special Education and Rehabilitative Services (OSERS), with the exception of a handful of top officials and support staff, were cut,” in a reduction-in-force or RIF order issued Friday. One employee is quoted saying “This is decimating the office responsible for safeguarding the rights of infants, toddlers, children and youth with disabilities.” Per this report, OSERS is “responsible for roughly $15 billion in special education funding and for making sure states provide special education services to the nation's 7.5 million children with disabilities.” Just why exactly the administration is seeking to undercut federal support for disabled children is unclear. Over at the Department of Health and Human Services, headed by Secretary Robert F. Kennedy Jr., HHS sent out an RIF to “approximately 1,760 employees last Friday — instead of the intended 982,” as a “result of data discrepancies and processing errors,” NOTUS reports. The agency admitted the error in a court filing in response to a suit brought by the employees' unions. Even still, the cuts are staggering and include 596 employees at the Centers for Disease Control and Prevention and 125 at the Substance Abuse and Mental Health Services Administration, to name just a few. This report notes that other agencies, including the Departments of Justice, Treasury and Homeland Security all sent out inaccurately high RIFs as well.* The Lever reports Boeing, the troubled airline manufacturer, is fighting a new Federal Aviation Administration rule demanding additional inspections for older 737 series planes after regulators discovered cracks in their fuselages. The rule “would revise the inspection standards…through a regulatory action called an ‘airworthiness directive.'...akin to a product recall if inspectors find a defective piece of equipment on the plane…in [this case] cracks along the body of the plane's main cabin.” The lobbying group Airlines for America is seeking to weaken the rule by arguing that the maintenance checks would be too “costly” for the airline industry, who would ultimately have to bear the financial brunt of these inspections. Boeing is fighting them too because such a rule would make airlines less likely to buy Boeing's decaying airplanes. As this report notes, Transportation Secretary Sean Duffy – who oversees the FAA – “previously worked as an airline lobbyist…[and] Airlines for America recently selected the former Republican Governor of New Hampshire, Chris Sununu to be their chief executive officer.”* In more consumer-related news, Consumer Reports has been conducting a series of studies on lead levels in various consumer products. Most recently, a survey of protein powders and shakes found “troubling levels of toxic heavy metals,” in many of the most popular brands. They write, “For more than two-thirds of the products we analyzed, a single serving contained more lead than CR's food safety experts say is safe to consume in a day—some by more than 10 times.” Some of these products have massively increased in heavy metal content just over the last several years. CR reports “Naked Nutrition's Vegan Mass Gainer powder, the product with the highest lead levels, had nearly twice as much lead per serving as the worst product we analyzed in 2010.” The experts quoted in this piece advise against daily use of these products, instead limiting them to just once per week.* Finally, in a new piece in Rolling Stone, David Sirota and Jared Jacang Maher lay out how conservatives are waging new legal campaigns to strip away the last remaining fig leaves of campaign finance regulation – and what states are doing to fight back. One angle of attack is a lawsuit targeting the restrictions on coordination between parties and individual campaigns, with House Republicans arguing that, “because parties pool money from many contributors, that ‘significantly dilutes the potential for any particular donor to exercise a corrupting influence over any particular candidate' who ultimately benefits from their cash.” Another angle is a lawsuit brought by P.G. Sittenfeld, the former Democratic mayor of Cincinnati – who has already been pardoned by Trump for accepting bribes – but is seeking to establish that “pay-to-play culture is now so pervasive that it should no longer be considered prosecutable.” However, the authors do throw out one ray of hope from an unlikely source: Montana. The authors write, “Thirteen years after the Supreme Court gutted the state's century-old anti-corruption law, Montana luminaries of both parties are now spearheading a ballot initiative circumventing Citizens United jurisprudence and instead focusing on changing state incorporation laws that the high court rarely meddles with.The measure's proponents note that Citizens United is predicated on state laws giving corporations the same powers as actual human beings, including the power to spend on politics. But they point out that in past eras, state laws granted corporations more limited powers — and states never relinquished their authority to redefine what corporations can and cannot do. The Montana initiative proposes to simply use that authority to change the law — in this case, to no longer grant corporations the power to spend on elections.” Who knows if this initiative will move forward in Montana, but it does provide states a blueprint for combatting the pernicious influence of Citizens United. States should and must act on it.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe
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The Coffee Opie is drinking with Protein use this link for 20% offhttps://strongcoffeecompany.com/discount/OPIERADIOJoin Opie for a wild and hilarious episode of the Opie Radio podcast, live from Gebhards in NYC! When co-host Matt bails last minute due to an epic "liquid war," Opie calls in the cavalry—comedians Ron the Waiter and Tony P—to keep the laughs flowing. The trio dives into raucous banter about everything from Ron's questionable audition for a Benjamin Franklin role to Tony P's flooded basement and surprising fear of swimming. Things take a soulful turn when musical guest Michael G. Potter, a Strawberry Fields regular, delivers stellar performances of Beatles classics "Dig a Pony" and "Yesterday," joined unexpectedly by local singer Junior for a magical duet. Potter also shares his original song "Truth" and a heartfelt Neil Young cover, "Tell Me Why." Expect crude tales of lost virginities, bizarre childhood snacks like "sugar eggs," and heated debates over Rolling Stone's top songs of the 21st century. It's a chaotic, laugh-filled, and heartfelt snapshot of NYC's gritty comedy scene!
In this episode, we recap this week in pop culture news. Join us as we break down the snubs, the surprises, and the placements clearly designed to ruin friendships in Rolling Stone's "Greatest Songs" list. Plus, we check in on the box office and upcoming trailers in the hopes of finding something that isn't just for rage clicks.Relevant links: Our full show notes are at knoxandjamie.com/629Gift giving is hard, but our 2025 Gift Guide presented by Fashion Fix is free and here to help! Get it at Knoxandjamie.com/giftguideHow Do We Feel // The 250 Greatest Songs of the 21st Century So Far (via Rolling Stone) Box Office Report // Out now: Tron: Ares | Roofman | One Battle After Another Coming Soon: Regretting You | Springsteen: Deliver Me From Nowhere | The Hand That Rocks the Cradle | If I Had Legs I'd Kick You | Last Days | House of Dynamite Trailer Park // Mercy Red Light Mentions: SNL | Diane Keaton | Lover Green Light | James Franklin Fired | Time Out or Clapping? | Curt Cignetti | 49er's Ankle Injury Green Lights:Jamie: book - Mate by Ali HazelwoodKnox: book - Flesh by David Szalay Hosted on Acast. See acast.com/privacy for more information.
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