Podcasts about The Washington Post

Two weeks ago, a gunman fired over 500 bullets at the Centers for Disease Control and Prevention building in Atlanta. Between the anti-public health rhetoric coming from Robert F. Kennedy Jr. at the top, personnel cuts and firings, and now a literal shooting, many employees are reaching their breaking point.     Guest: Lauren Weber, health science accountability reporter for the Washington Post. Want more What Next TBD? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In July, the Justice Department (DOJ) announced it had issued subpoenas to medical providers that had provided gender-affirming care to minors. On today's show: Washington Post reporter Casey Parks discusses one of those subpoenas, which was newly made public, and what it means for transgender healthcare. 

Two weeks ago, a gunman fired over 500 bullets at the Centers for Disease Control and Prevention building in Atlanta. Between the anti-public health rhetoric coming from Robert F. Kennedy Jr. at the top, personnel cuts and firings, and now a literal shooting, many employees are reaching their breaking point.     Guest: Lauren Weber, health science accountability reporter for the Washington Post. Want more What Next TBD? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jess here! A while back, Sarina and KJ talked about how much they enjoyed Tess Gerritsen's novel, The Spy Coast, and Sarina reassured KJ she'd enjoy book two of the series even more. I had never read a Tess Gerritsen novel, and while I'd heard her name before and vaguely understood she wrote thrillers, I was starting from square one when I downloaded the audio version of The Spy Coast. Now, I'm not an international spy thriller kind of gal. In the abstract, I understand the allure of books like Tinker Tailor Soldier Spy or Six Days of the Condor. Spies! Intrigue! International [almost exclusively men] of mystery! But they have never really floated my proverbial boat. That said, I loved Tess Gerritsen's spies and the world they inhabit. There's a sense of place - nay, a downright LOVE of place - and a retiring, rural New England domesticity that spoke to this retiring, rural New England reader. Book two, The Summer Guests, is even more rooted in Maine, on its history and the social dynamics of its natives and its summer people. Once I tore through those first two books, I went back to Gerritsen's first book, The Surgeon, one of Time Magazine's top 100 thriller/mystery books of all time and the first in the Rizzoli & Isles series, consequently made into a long-running television series. Gerritsen has a fascinating career trajectory, lots to talk about regarding pantsing and plotting, where the ideas come from, and lots of other geeky details about the writing life. I hope you enjoy it as much as we did. Find Tess at Tessgerritsen.com, or on Bluesky, @TessGerritsen Transcript below!EPISODE 462 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional, and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out the free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning, and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, this is Jess Lahey, and this is the Hashtag AmWriting Podcast. This is the podcast about writing all the things—short things, long things, poetry, prose, narrative nonfiction, fiction, creative nonfiction, queries, proposals. This is the podcast about writing all the things. More than anything else, this is the podcast about the writing life and about getting the work done. I am Jess Lahey. I'm the author of The Gift of Failure and The Addiction Inoculation. And you can find my journalism at The Atlantic and The Washington Post, and my bi-weekly (formerly bi-weekly) column at The New York Times, The Parent-Teacher Conference, ran for about three years I am joined today by Sarina Bowen, who has written 50-odd books. She has written lots and lots of romance, and her most recent addition to the world of publishing has been her thrillers, Dying to Meet You and The Five Year Lie. And she has a book coming out this fall called Thrown for a Loop. The reason I am recording this intro on my own—which, as you may know if you've been listening, is highly unusual for us—is because I know myself. And I know when I'm really excited to talk to someone on the podcast; I'm going to flub the intro. I'm going to forget something. I'm going to forget to introduce them altogether. So today, I'm doing that first, so I don't mess it up. A while ago on the podcast, you may have heard Sarina and KJ read some books by an author named Tess Gerritsen. I had heard of Tess Gerritsen, but I had never read any of her books. I just hadn't yet. I haven't read Nora Roberts yet. I haven't read—there are lots of authors I haven't read yet. And sometimes you don't even know where to start. So when Sarina and KJ recommended Tess Gerritsen's new series set in Maine—the first one being The Spy Coast and the second one being The Summer Guests—I figured I had a good place to start. And you know, as a New Englander, I love a good book about New England, and that was the start of my interest in Tess Gerritsen's work. I have gone back to the beginning and started with her book The Surgeon, which was her first book in the series that became the Rizzoli and Isles Series, as well as a television show. Tess Gerritsen has a—she's written through 33 books at this point. And as I now know, she has also directed a documentary called Magnificent Beast about pigs, which I listened to this morning while I was vacuuming the house. I loved it. She also—she has a lot to say about genre, about publishing, about second careers, about a writing place, and about process. So let's just jump right into it. I am so excited to introduce to you today, Tess Gerritsen. So from the perspective of what our listeners love—this podcast, the Hashtag AmWriting Podcast —is super geek. People who love the nuts and bolts and the dorky details of the writing life. Sarina has a past life in finance, and so she tends to be, like, our “no, but let's talk about the numbers” kind of person. I'm just the research super dork, which is why I spent my morning watching your documentary about pigs.Tess GerritsenOh my god! (Laughing)Jess LaheyMagnificent Beast. I—I've joked in the past that if I could, I would probably just research things in—in, you know, maybe there'll be a book out there, maybe there won't, but I would research things and—and just learn as much as I could. And so I loved—loved—your Magnificent Beast documentary. I thought it was fantastic. But one of the reasons that we wanted to talk to you, just from the very beginning, is that we feel like you do some pretty incredible world-building and relationship-building with your places and your characters. And so I just—I would love to start there, mainly with the idea of starting with the real nuts and bolts stuff, which is, like, what does an average writing day look like for you? And how do you, sort of—how do you set that up? What does it look like, if you have an average writing day? Maybe you don't.Tess GerritsenWell, it's hard to describe an average writing day, because every day is—there are days when you sit at your desk and you just, you know, pull your hair. And there are days when you get distracted by the news. And there are many days when I just do not want to write. But when I'm writing, the good days are when my characters are alive and talking to me. And it's—it's—you talked about world-building and character-building. That is really key to me. What are they saying to me? Can I hear their voices? And it sounds a little—a little crazy, because I am hearing voices. But it's those voices that really make characters come alive.Jess LaheyI—You have said in other interviews that you are very much—sorry to those of you who hate the terms—that you are very much a pantser. And you are sitting on this interview with a consummate plotter. Sarina is our consummate plotter. So could you talk a little bit about how those character—how those voices—influence, you know, the pantsing of the—of the book, and—and how that works for you?Tess GerritsenWell, I mean, it is weird that I am a pantser. And it's funny—I think that people who are plotters tend to be people who are in finance or in law, because they're used to having their ducks lined up, you know. They—they want everything set up ahead of time, and it makes them feel comfortable. And I think a large part of becoming a pantser is learning to be comfortable with unpredictability. Learning to just let things happen, and know you're going to take wrong turns, know you're going to end up in blind alleys—and yet just keep on forging ahead and change direction. So I suppose that what helps me become a pantser, as I said, is hearing a character's voice. If, for instance, when I wrote The Spy Coast, the first thing I heard about that book was Maggie Bird's voice. And she just said, “I'm not the woman I used to be.” And that's an opening there, right? Because you want to find out, Maggie, who did you used to be? And why do you sound so sad? So a lot of it was just—just getting into her head and letting her talk about what a day-to-day life is, which is, you know, raising chickens and collecting eggs and becoming—and being—a farmer. And then she does something surprising in that very first chapter. There's a fox that's killing her chickens, so she grabs her rifle and kills it with one shot. And that opens up another thing, like—how are you, a 62-year-old woman, able to take out a rifle and kill a fox with one shot? So it's—it's those things. It's those revelations of character. When they come out and they tell you something, or they show you they—they have a skill that you weren't aware of, you want to dig deeper and find out, you know, where did they get that skill?Sarina BowenAnd that is a really fun way to show it. I mean, you're talking today with two people who have also kept chickens.Multiple Speakers(All laughing)Jess LaheyAnd had foxes take their chickens, actually.Sarina BowenOh yes, because the two go together.Tess GerritsenYes.Sarina BowenBut yes, I admit I have never shot a fox, and maybe wouldn't.Jess LaheyI have yelled very loudly at a fox, and he actually—I have to say—really mad respect for the fox, because he took one look at me—he did drop the chicken that I was yelling at him for grabbing—and then he went across the street, around the neighbor's house, around the back of the other neighbor's house, and came at the exact same chicken from the other side of the house, where I couldn't see him out the window.Tess GerritsenOh, they are so smart. They are so smart.Jess LaheySo smart. Sarina, it sounded like you had something— you had something you wanted to add, and I interrupted you when we were talking about pantsing and we were talking about world-building and characters speaking to you.Sarina BowenWell, I just had thought that it was a lovely moment to explain why I was so excited to read this book after I heard Tess speak at Thriller Fest 2024, in a packed room where there was nowhere to sit except on the floor. You told the audience a little bit of a story from your real life that—that made you want to write that book. And I wonder if you could tell us what that was, because for me—I mean, we were only five minutes into your talk, and I'm like, oh, I'm—I'm going to download that tonight.Tess GerritsenWell, yes, it was. A lot of my books come from ideas that I've been stewing over for years. I have a folder called the ideas folder. It's an actual physical manila folder. And if I see something in an article or a newspaper or a magazine, I'll just rip it out and stick it in there, and it sometimes takes a long time before I know how to turn this into a book. So the idea for The Spy Coast is a little bit of obscure knowledge that I learned 35 years ago, when I first moved to Maine. My husband is a medical doctor. He opened up a practice, and when he would bring in new patients, he would always get an occupational history. And he used to get this answer—this very strange answer—from his new patients. They would say, “I used to work for the government, but I can't talk about it.” And after he heard that three times, he thought, what town did we land in? And who are these people? And we later found out that on our very short street, on one side of us was a retired OSS person, and on the other side was retired CIA. A realtor told us that our town was full of CIA retirees. So, I mean, of course you want to ask, why did they get here? What are they doing here? What are their lives like? I knew there was a book in there, but I didn't know what that book was. I needed 35 years to come up with the idea. And what I really needed to do was become old and—and realize that as you get older, especially women, we become invisible. People don't pay attention to us. We are over the hill. You know, everybody looks at the young, pretty chicks, but once you start getting gray hair, you fade into the background. And with that experience myself; I began to think more and more about what it's like to be retired. What is it like to be retired from a job that was maybe dangerous, or exciting, or something that you really risked your life to—to achieve? So that was—that was the beginning of The Spy Coast. What happens to CIA retirees—especially women—who are now invisible? But that makes them the best spies of all.Jess LaheyYeah, and we have—we did this really cool thing, this really fun thing for us on the Hashtag AmWriting Podcast. It's like a supporter-only thing, where we call First Pages, where very brave authors—very brave writers—submit their first page to us, and we talk about it and decide whether or not we'd want to turn the page. And you have an incredible skill on your first pages. You're very, very good at first pages. And I was thinking about The Summer Guests, that you had this wonderful line that I'm going to read now:Purity, Maine, 1972. On the last day of his life, Purity police officer Randy Pelletier ordered a blueberry muffin and a cup of coffee at the Marigold Café,Which immediately reminded me of my very, very favorite line from all of literature—my very favorite first line—which is Irving's first line from A Prayer for Owen Meany, in which he ruins the story for you right there in the first line:I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God.There is this incredible power to first lines. And I'm sort of wondering where—how first lines happen for you. Do they happen first? Do they happen last? Do they happen along the way?Tess GerritsenFirst lines usually happen last. I—it's—I will write the whole book, and I'll think, something's missing in that first chapter. How do I open this up? And, you know, there are things that make lines immediately hypnotic, and one of those things is an inherent contradiction—something that makes you think, wait, okay, you start off this way, but then all of a sudden, the meaning of that line switches. So, yeah, it starts off with, you know, this guy's going to die. But on that last day of his life, he does something very ordinary. He just orders coffee at the local café. So I think it's that contradiction that makes us want to read more. It's also a way to end chapters. I think that—that if you leave your reader with a sense of unease—something is about to go wrong, but they don't know what it is yet—or leave them with an unanswered question, or leave them with, as I said, a contradiction—that is what's page-turning. I think that a lot of thriller writers in particular mistake action for—for being—for being interesting. A car chase on the page is really very boring. But what's interesting is something that—you could feel that tension building, but you don't know why.Sarina BowenI have joked sometimes that when I get stuck on a plot, sometimes I will talk at my husband and—and say, “you know, I'm stuck here.” And he always says, “And then a giant squid attacked.” And it—of course I don't write books that take place where this is possible, so—but it never fails to remind me that, like, external action can sometimes be just, you know, totally pointless. And that if you're stuck, it's because one of your dominoes isn't leaning, you know, in the right spot. So...Tess GerritsenYeah, it's—it's not as much fun seeing that domino fall as seeing it go slowly tilting over. You know, I really learned this when I was watching a James Bond movie. And it starts off—you know, the usual James Bonds have their cold open to those action and chasing and death-defying acts. I found that—I find that really, in that movie anyway—I was like, Ho hum. Can we get to the story? And I found the time when I was leaning forward in my theater seat, watching every moment, was really a very quiet conversation aboard a train between him and this woman who was going to become his lover. That was fascinating to me. So I think that that transfers to book writing as well. Action is boring.Jess LaheyYou and Sarina do something that I feel, as a writer; I would probably not be very good at, which is creating that unease. I—Sarina in particular does this thing... I've read every one of Sarina's books, as a good friend is supposed to do. And I text her, and I say, Why don't they just talk about it and just deal? Get it out in the open! And she's like, you know, we just got to make these people uncomfortable. And you both have this incredible talent for helping—keeping the reader, uh, along with you, simply because there is this sense of unease. We're slightly off-kilter the whole time. And yet in me, as a people pleaser, that makes me very uncomfortable. I want people to be happy with each other. So how do you—if you get to a place where you feel like maybe things aren't off-kilter enough, or things aren't off-balance enough—how do you introduce a little bit of unease into your—into your story?Tess GerritsenWell, I think it comes down to very small points of conflict—little bits of tension. Like, we call it micro-tension. And I think those occur in everyday life all the time. For instance, you know, things that happen that really don't have any big consequence, but are still irritating. We will stew about those for—for a while. And, you know, I used to write romance as well, so I understand entirely what Sarina is doing, because romance is really about courtship and conflict. And it's the conflict that makes us keep reading. We just—we know this is the courtship. So there's always that sense of it's not quite there, because once the characters are happy, the story is over, right?Sarina BowenYeah.Multiple Speakers(All laughing)Sarina BowenAlso, writing the ends of romance novels is the least interesting part. Like, what...? Once the conflict is resolved, like, I cannot wait to get out of there.Tess GerritsenRight, exactly. You know, I—I pay attention to my feelings when I'm reading a book, and I've noticed that the books that I remember are not the books with happy endings, because happiness is so fleeting. You know, you can be happy one second, and then something terrible will happen. You'll be unhappy. What lasts for us is sadness, or the sense of bittersweet. So when I read a book that ends with a bittersweet ending—such as, you know, Larry McMurtry Lonesome Dove—I ended up crying at the end of that book, and I have never forgotten that ending. Now, if everybody had been happy and there had been nobody to drag all those miles at the end, I would have forgotten that book very quickly. So I think—I try—I always try to leave the end of the book either bittersweet—I mean, you want to resolve all the major plot points—but also leave that sense of unease, because people remember that. And it also helps you, if you have a sequel.Sarina BowenThat's so interesting you've just brought up a couple of really interesting points, because there is a thriller—I actually write suspense now—and one of the books that so captured my attention about five years ago was killing it on the charts. And I thought it was actually a terrible book, but it nailed the bittersweet ending. Like, the premise was solid, and then the bittersweet ending was perfect, and the everything between the first chapter and the last chapter was a hot mess, but—but—um, that ending really stuck with me. And I remember carrying it around with me, like, Wow, they really nailed that ending. You know, and—and maybe that has, like, legs in terms of, like, talking about it. And, you know, if it—if—if it's irritating enough, like, the tension is still there—enough to, like, make people talk about it—it could actually affect the performance of that book. But also, um, one thing that I really love about this series—you have—what is the series title for the...?Tess GerritsenMartini—The Martini Club.Sarina BowenThe Martini Club, right? So The Martini Club is two books now. I inhaled the first one last summer, and I inhaled the second one this summer. And The Martini Club refers to this group of friends—these retired spies. And of course, there are two completely different mysteries in book one and book two. And I noticed a couple of things about the difference between those mysteries that was really fun. So in the first case—or in one of the two cases, let's see—in one of them, the thing that happens in their town is actually, like, related to them. And in the other one, it's kind of not. So to me, that felt like a boundary expansion of your world and your system. But also, I just love the way you leaned into the relationship of these people and their town in such a way. And how did you know to do that? Like, how—what does your toolbox say about how to get that expansiveness in your character set? Like, you know, to—to find all the limits of it?Tess GerritsenThat—you know, so much is like—it's like asking a pole-vaulter how they do it. They just—they have just—I guess its muscle memory. You don't really know how you're doing it, but what I did know was—with age, and because I love these characters so much—it really became about them and about what is going to deepen their friendship? What kind of a challenge is going to make them lean into each other—lean on each other? That's really what I was writing about, I think, was this circle of friends, and—and what you will do, how much you will sacrifice, to make sure your friends are safe. No, you're right—the second book is much more of a classic mystery. Yeah—a girl disappears. I mean, there was—there were—there were CIA undertones in that, because that becomes an important part of the book. But I think that what people are—when people say they love this book—they really talk about the characters and that friendship. And we all want friends like this, where we can go and—and—and have martinis together, and then if we—one of us needs to—we'll go help them bury a body.Multiple Speakers(All laughing)Tess GerritsenThat's—they all have shovels, and they're willing to do it. That's the kind of friendship—friends—we want.Jess LaheyWell, and that's funny you mention that—I had an entire question—it wasn't even a question, it was a statement—in here about friendships and being grateful to you for the reminder about the importance of relationships. And this entire podcast was born out of the fact that we were talking writing all the time, and we just wanted an official way to sit down once a week and actually talk about the work. And your work is suffused with just these incredible relationships—whether that's the Rizzoli and Isles—you know, in your first—in the one of your other series—and I'm just—I'm very grateful for that, because we—especially—I think I re—I really crave books about female relationships, especially about older female relationships. And I have been loving your books, and I've—like, as I may have mentioned to you in my initial email—I had—I'm so sorry—never read your books before. And I admitted in the introduction that there are lots of very, very famous authors whose books I have never read. And it's always so exciting to me to dive into someone's series and realize, oh, this person really touches on themes that mean a lot to me, and I can already tell that I'm going to be enjoying a lot of their books to come forward. So thank you for all of the great descriptions of relationships and how we do rely on each other for various aspects of just how we get through all of this stuff.Tess GerritsenYeah—get through life. But you know what's funny about it is that it didn't start that way. For instance, let's go back to Rizzoli and Isles. The very first time they both appear in a book is in The Apprentice. And they don't start off being friends. They start off being—they're so different. As the TV producer once said, “you've really written about Captain Kirk and Mr. Spock.” That's okay—they are—in the books. They are not natural friends. But like real-life friendships, sometimes—just kind of develop slowly, and—and they have their ups and downs. So there are times when—when Jane and Maura are barely speaking to each other because of conflicts they have. But by the time book twelve comes around—or maybe book seven comes around—you know that they would risk their lives for each other. So I think that if you're writing a series like Rizzoli and Isles, or like The Martini Club, it really helps to develop the friendship on the fly and see how they react to certain stresses. The next book, which I just turned in, called The Shadow Friends—it even put—pushes them even further, and it really—it really strains a marriage, because it's—it's more about Ingrid, and an old lover comes back into her life. She used to—they were both spies—and he is, like, hot, hot, hot—Antonio Banderas kind of guy. And here's Ingrid, married to Lloyd, you know, who's just a sweet analyst who cooks dinner for her every night. And I—when I was coming up with that story, I thought, I want to write a book about their marriage. So it wasn't—the plot wasn't about, oh, you know, international assassinations, even though that does occur in the book. It's really about the story of a marriage.Jess LaheyAnd it gives you, it gives you added unease. You know, if you have your two characters not speaking to each other, and you know your readers love those characters and crave those characters to be getting along at some point, then that's just another reason that we're following along. I was just thinking about, uh, Michael Connelly, uh, book the other day, because I really, really like the series he did with Renée Ballard and her relationship with the Bosch character, and how that series is totally about crime, but yet it's also very much about the relationship. And I think I follow—I continue to read those because of the relationship between those two human beings, and less so because of the murder mystery sort of stuff.Tess GerritsenI think it really becomes important if you're dealing also with Hollywood television series. I still remember what the producer first said when he called me up about Rizzoli and Isles. He said, "I love your girls, and I think they belong on TV.” He didn't say, I love your plots. He didn't say, I love your mysteries, you know, all your intricate ups and downs. It was really about the girls. So if you hope to sell to a television series, really, it's about characters again.Jess LaheyAbsolutely.Sarina BowenI was going to ask about longevity, because you have so many books, and you're so obviously still invigorated by the process, or there wouldn't be a book three that you just turned in. So how have you been able to avoid just being sick to death of—of writing suspense novel after suspense novel?Tess GerritsenI refused. That's what it is. You know, I—I don't—I guess I could say that I have a little bit of ADHD when it comes to—to the books I write. I cannot—after 13 books of Rizzoli and Isles, I just had a different idea. And it takes—it takes a certain amount of backbone to say no to your publisher, to your editor, to people who are going, well, when's the next one in this series coming out? And to be able to say, I need a break. I need to do something completely different. So over—how many years I've been a writer—almost 40 now—I've written science fiction and historicals and a ghost story and romantic suspense and spy novels and medical thrillers and crime novels. I've been all over the place, but each one of those books that took me out of what I was expected to do was so invigorating. It was a book that I needed to write. As an example, I wrote a book called Playing with Fire. Nobody wanted that book. Nobody expected that book. It was a historical about World War II, and about music—about the power of music—and having to do with the death camps. I remember my publisher going, "What are you doing?" And, you know, it's—it's true—they're—they—they are marketers, and they understood that that book would not sell as well, and it didn't. But it still remains one of my favorite books. And when you want to write a book, you need to write that book. That's all—even—even if nobody wants it.Jess LaheyI actually was—I'm so pleased that this came up, because that was actually going to be my question, because both you and Sarina have done this—done, you know, 90 degrees—whether it's out of, you know, one genre into another—and that, to me, requires an enormous amount of courage. Because you know you have people expecting things from you. And you in particular, Tess, have people saying, "No, I want the next one. I love this relationship. I want the next one." And—and dealing—you're not just dealing with the disappointment of whether it's an agent or an editor, but the disappointment of fans. And that's a pressure as well. So when I used to do journalism, I remember a question I asked of another journalist was, "How do you continue to write without fear of the comment section?" And essentially, for us, that's our—you know, those are our readers. So how do you find that thing within yourself to say, no, this really is the thing that I need to be writing now?Tess GerritsenWell, that is a really—it's a really tough decision to buck the trend or buck what everybody's expecting, because there's a thing in publishing called the death spiral. And if your book does not sell well, they will print fewer copies for the next one. And then that won't sell well. So you start—your career starts to go down the drain. And that is a danger every time you step out of your tried and true series and do something out of—you know, completely out of the ordinary. I think the reason I did it was that I really didn't give a damn. It was—it was like, Okay, maybe this will kill my career, but I've got to write this book. And it was always with the idea that if my publisher did not want that, I would just self-publish. I would just, you know, find another way to get it out there. And I—I was warned, rightly so, that your sales will not be good for this book, and that will—it will hurt the next contract. And I understood that. But it was the only way I could keep my career going. Once you get bored, and you're—you're trapped in a drawer, I think it shows up in your writing.Jess LaheyI had this very conversation with my agent. The—my first book did well. And so then, you know, the expectation is, I'll write like part two of that, or I'll write something for that exact same audience again. And when I told my agent—I said, "You know, this book on substance use prevention and kids—I—it's—I have to write it. And I'm going to write it even, you know, if I have to go out there and sell it out of the trunk of my car." And she said, "Okay, then I guess we're doing this." And yes...Tess Gerritsen(Laughing) They had their best wishes at heart.Jess LaheyAnd honestly, I love—I loved my book that did well. But The Addiction Inoculation is the book I'm most proud of. And, you know, that's—yeah, that's been very important to me.Tess GerritsenI often hear from writers that the book that sold the fewest copies was one that was—were their favorites. Those are the ones that they took a risk on, that they—I mean, they put their heart and soul into it. And maybe those hurt their careers, but those are the ones that we end up being proud of.Jess LaheyI like to remind Sarina of that, because I do remember we text each other constantly. We have a little group, the three of us, a little group text all day long. And there was—I remember when she first wrote a male-male romance, she was scared. She was really scared that this was going to be too different for her readers. And it ended up being, I think, my favorite book that she's ever written, and also a very important book for her in terms of her career development and growth, and what she loves about the work that she does. And so I like to remind her every once in a while, remember when you said that really scared you and you weren't sure how your readers were going to handle it?Sarina BowenRight? Well, I also did that in the middle of a series, and I went looking for confirmation that that is a thing that people did sometimes, and it was not findable. You know, that was...Jess LaheyWhat? Change things up in terms of—change things up in the middle of a series?Sarina BowenIn the middle of a series. And anyway, that book still sells.Tess GerritsenThat is a great act of courage, but it's also an act of confidence in yourself as a writer. There are ways to do it. I think some writers will just adopt a different pen name for something that's way out there.Jess LaheyIt's funny you should say... it's funny you should say that.Sarina BowenWell, no, and I never have done that, but, um—but anyway, yeah, that's hard. I, uh...Jess LaheyYeah.Sarina BowenIt's hard to know. Sometimes...Jess LaheyWe entertain it all the time. We do talk about that as an option all the time. Shouldn't we just pick up and do something completely different? One of the things that I also—I mentioned at the top of the podcast about, you know, you went off—not only have you done lots of different things in terms of your writing—but you went off and you did an entire documentary about pigs. I have—I have to ask you where on earth that came from and why. And it is a total delight, as I mentioned, and I have already recommended it to two people that I know also love the topic. But, you know, to go off—and especially when you usually, as some of us have experienced—our agents saying, so when am I going to see more pages? or when am I going to see the next book? And you say, I'm really sorry, but I have to go off and film this documentary about pigs.Tess GerritsenYes. Well, you know, I was an anthropology major in college, and I've always been interested in the pig taboo. You know, back then, everybody just assumed it was because, yeah, it was disease or they're dirty animals—that's why they're forbidden food. It never quite convinced me, because I'm Chinese-American. Asia—you know, Asia loves pork. Why aren't they worried about all that? So I was in Istanbul for a book tour once, and I remember I really wanted bacon, and, you know, I couldn't get bacon. And then I thought, okay, I really need to find out why pork is forbidden. This is a—this is a cultural and historical mystery that never made sense to me. The explanations just never made sense to me. It cannot be trichinosis. So I told my son that—my son is—he does—he's a filmmaker as well. And he just said, "Well, let's do it. Let's—we will pose it as a mystery," because it is a mystery. So it took us probably two years to go and—you know, we interviewed anthropologists and pet pig owners and archaeologists, actually, just to find out, what do they say? What is the answer to this? And to us, the answer really just came down to this cultural desire for every—every tribe—to define us versus them. You know, they eat pigs. They're not us, so therefore they're the enemy. And it was fascinating because we—we ended up finding out more about pigs than I was expecting, and also finding out that people who have pet pigs can sometimes be a little unusual.Jess LaheyAnd the people who purchase the clothes for the pigs are also crazy.Tess GerritsenYes. Sew outfits for their pigs and sleep with their pigs. And there was—there was one woman who had—she slept on the second floor of her house, so she had an elevator for her pig who couldn't make it up the stairs, and, you know, ramps to get up onto the bed because they've gotten so fat—they've been overfed. But it was—for me, at the heart of it was a mystery.Jess LaheyAs a nonfiction author whose whole entire reason for being is, "I don't know—let's find out," I think that's just the most delightful thing. And I loved your framing as, "I don't know, we have this question, let's go out there and just ask people about it and find the experts." And that's—oh, I could just live on that stuff. So...Tess GerritsenSo could I. You know, research is so enticing. It's enticing. It is—it can get you into trouble because you never write your book. Some of us just love to do the research.Jess LaheySarina actually has taken skating lessons, done glass blowing—what else have you done? Yoga classes and all—all kinds of things in the pursuit of knowledge for her characters. And I think that's a delight.Sarina BowenYes. If you can sign up for a class as part of your research, like, that is just the best day. Like, you know, oh, I must take these ice skating lessons twice a day for five months, because—yeah—or twice a week, but still.Tess GerritsenYou must be a good ice skater then.Sarina BowenI'm getting better.Tess GerritsenSo you never gave them up, I see.Jess LaheyWell, it's fun because she usually writes about hockey, but she has a figure skater coming up in this book that's coming out this fall. And she's like, "Well, I guess I'm just going to have to learn how to figure skate."Tess GerritsenYeah.Sarina BowenI also—one time I went to see Rebecca Skloot speak about her big nonfiction The Immortal Life of Henrietta Lacks.Tess GerritsenOh, okay.Sarina BowenAnd she said that all her best ideas had come from moments in her life when she went, "Wait, what?!"Tess GerritsenYes. Yep.Sarina BowenIncluding for The Immortal Life of Henrietta Lacks. Like, she learned about the cells in high school—she was in high school biology class—and the teacher said, like, "This woman died in the '60s, but we're still using her cells," and she said, "Wait, what?!" And that's—that's what you made me think of with the pigs. Like, I think...Jess LaheyWell, and also your folder of ideas. I mean, I immediately texted Sarina after listening to a podcast where I heard an ad, and the ad made me go, "Oh that could be creepy." And then I'm like, "Okay, this is—this is a plot. This is going in the folder somewhere." And so you have to just think about how those things could unfold over time. And I love the idea of—and even in journalism—there are articles that I've written where I said, this just isn't their time. And then, like, five years later, I'll hear something out there, and I'm like, okay, finally, it's the time for this thing. And there's a reason you put that article in your idea—in your paper—manila folder of ideas.Tess GerritsenWell, I think writers are—we have to be curious. We have to be engaged in what's going on around us, because the ideas are everywhere. And I have this—I like to say I have a formula. It's called "two plus two equals five." And what that means is, sometimes you'll have a—you'll have a piece of information that, you know, there's a book here, but you haven't figured out what to do with it. And you wait for another piece of information from some completely different source, and you put them together, and they end up being like nuclear fusion—bigger than the…Sarina BowenYes!Jess LaheyYes!Tess GerritsenSome of the parts.Sarina BowenMost every book I've ever written works like that. Like, I have one idea that I drag around for, like, five years, and then I have this other idea, and one day I'm like, oh, those two things go together.Tess GerritsenYep.Jess LaheyYeah, absolutely. I think Stephen King mentioned that about Carrie. I think it was like, telekinesis, and that usually starts about the time of menstruation, and it was like, boom, there was Carrie. You know, those two things came together. I love that so much. So you mentioned that you have just handed in your next book, and we don't—we do not, as a rule, ask about what's next for an author, because I find that to be an incredibly intimidating and horrifying question to be asked. But I would love to hear; you know, is this—is this series one that you hope to continue working on? The main series, mainly because we have quite fallen in love with your little town in Maine—in Purity, Maine. Fantastic name for your town, by the way. It's really lovely. It creates such a nice dichotomy for these people who have seen and heard things during their careers that maybe are quite dark, and then they retire to a place called Purity. Is this a place where we can hopefully spend a little bit of time?Tess GerritsenWell, I am thinking about book number four now. I have an idea. You know, it always starts with—it starts with an idea and doodling around and trying to figure out what—you know, you start with this horrible situation, and then you have to explain it. So that's where I am now. I have this horrible situation, I have to explain it. So, yeah, I'm thinking about book four. I don't know how—you never know how long a series is going to go. It's a little tough because I have my characters who are internationally based—I mean, they've been around the world—but then I can't leave behind my local cop who is also a part of this group as well. So I have to keep an eye out on Maine being the center of most of the action.Sarina BowenRight, because how many international plots can you give Purity, Maine?Tess GerritsenThat's right, exactly. Well, luckily…Jess LaheyLook, Murder, She Wrote—how many things happened to that woman in that small town?Tess GerritsenExactly, exactly. Well, luckily, because I have so many CIA retirees up here, the international world comes to us. Like the next book, The Shadow Friends, is about a global security conference where one of the speakers gets murdered. And it turns out we have a global security conference right here in our town that was started by CIA 40 years ago. So I'm just—I'm just piggybacking on reality here. And—not that the spies up here think that's very amusing.Sarina BowenThat is fantastic, because, you know, the essential problem of writing a suspense novel is that you have to ground it in a reality that everyone is super familiar with, and you have to bring in this explosive bit of action that is unlikely to happen near any of us. And those two things have to fit together correctly. So by, um, by putting your retired spies in this tiny town, you have sort of, like, gifted yourself with that, you know, precise problem solver.Tess GerritsenYeah, reminding us.Sarina BowenYeah.Tess GerritsenBut there's only so far I can take that. I'm not sure what the limits... I think book four is going to take them all overseas, because my local cop, Jo, she's never been out of the country—except for Canada—and it's time for her dad to drag her over to Italy and say, "Your dead mom wanted to come to Italy, so I'm taking you." And, of course, things go wrong in Italy for Jo.Jess LaheyOf course, of course. Well, we're going to keep just banging on about how much we love these books. I think we've already mentioned it in three podcast episodes so far in our “What have you been reading lately that you've really loved?” So we're—we're big fans. And thank you so much for sitting down to talk with us and to—you know, one of the whole points of our podcast is to flatten the learning curve for other authors, so we hope that that's done a little bit of that for our listeners. And again, thank you so much. Where can people find you and your work if they want to learn a little bit more about Tess Gerritsen—her work?Tess GerritsenYou can go to TessGerritsen.com, and I try to post as much information there as I can. But I'm also at Bluesky, @TessGerritsen, and what is now called “X”—a legacy person on X—@TessGerritsen, yes.Jess LaheyThank you so, so much again. And for everyone out there listening, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music—aptly titled Unemployed Monday—was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Less than 400 left — that's how many North Atlantic right whales remain in the world. These critically endangered whales are at the center of an urgent conservation story, but how the media communicates about them plays a powerful role in shaping public awareness and action. In this episode of How to Protect the Ocean, Andrew Lewin sits down with Dr. Marcus Reamer, a new PhD graduate in science communication, to explore how newspapers and digital outlets covered right whale crises over the past decade. Science communication emerges as a critical conservation tool, with Dr. Reamer sharing insights from his research on major publications like the New York Times, Washington Post, and LA Times. Together, they unpack why media coverage spikes during crises but fades when attention shifts elsewhere, and what this means for endangered species storytelling. Whale conservation depends not only on data and science but also on the narratives shared with the public. This conversation highlights how media framing can help or hinder conservation literacy, and how improved communication can increase support for saving one of the world's rarest whales. Link to article: https://iopscience.iop.org/article/10.1088/2515-7620/adeeec Join the Undertow: https://www.speakupforblue.com/jointheundertow Connect with Speak Up For Blue Website: https://bit.ly/3fOF3Wf Instagram: https://bit.ly/3rIaJSG TikTok: https://www.tiktok.com/@speakupforblue Twitter: https://bit.ly/3rHZxpc YouTube: www.speakupforblue.com/youtube    

 The Trump administration's work requirement hits SNAP recipients and pushes one mother to do a video explaining her incredulity that she should have to WORK for the $2000 in monthly food benefits she's been receiving for 7 YEARS. The Washington Post doxxes Pete Hegseth with a hit piece releasing sensitive information about his security detail. Glenn Beck nearly breaks down in tears after receiving a personal tour of the White House from President Trump. 

Olga Khazan⁠ is a staff writer for The Atlantic and the author of⁠ ⁠⁠Weird: The Power of Being an Outsider in an Insider World⁠. She has also written for The New York Times, the Los Angeles Times, The Washington Post, Vox, and other publications. She is a two-time recipient of the International Reporting Project's Journalism Fellowship and winner of the 2017 National Headliner Award. Olga is also the author of a new book on changing your personality,⁠ ⁠⁠Me, But Better⁠, which released March 11. In this classic episode, Olga joined host Robert Glazer on the Elevate Podcast to discuss her own experiment to change her personality, the big five personality types, and much more. Thank you to the sponsors of The Elevate Podcast Shopify: ⁠⁠⁠⁠shopify.com/elevate⁠⁠⁠⁠ Indeed: ⁠⁠⁠⁠indeed.com/elevate⁠⁠⁠⁠ Found: ⁠⁠⁠⁠found.com/elevate⁠⁠⁠⁠ Fabric: ⁠⁠⁠⁠meetfabric.com/elevate Learn more about your ad choices. Visit megaphone.fm/adchoices

[@ 5 min] Alright, this week…music critic Anne Midgette goes Inside the Huddle. As the co-author of the article that launched Classical Music's #metoo movement in 2018 AND as the former music critic of the Washington Post, today's guest is uniquely qualified to comment on just about everything we care about on this podcast. Next month, Anne Midgette is a guest speaker for the Jussi Bjorling Society's webinar “The Myth of Park and Bark,” so in addition to asking her about the Kennedy Center and what we should do with all of our Domingo recordings, we'll talk about acting for singers too! [@ 47 min] Plus, in the ‘Two Minute Drill'…Tom Cruise has to wash his hair, Ben Folds is not really into North Korea vibes, and we warned you, Peter Gelb. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

As states roll out or expand private school voucher programs, many public school districts are trying new ways to recruit families and keep their schools open. In Arizona, the national model for school vouchers, families can get up to $7,500 per child. But critics warn that it diverts critical funding from struggling schools. Geoff Bennett discussed more with Laura Meckler of The Washington Post. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Choose the Hard Way creator Andrew Vontz in conversation with Steve Grant, author of the memoir MAILMAN: My Wild Ride Delivering the Mail in Appalachia and Finally Finding Home.  With rave reviews in The New York Times, the Washington Post, The New Yorker and The Atlantic, the memoir MAILMAN: My Wild Ride Delivering the Mail in Appalachia and Finally Finding Home is one of the hottest literary debuts in recent memory. Steve is a graduate of the Iowa Writers' Workshop and has been a marketing consultant and behavioral economist for more than 25 years. He's also an Eagle Scout and led the rebranding effort to transform the Boy Scout of America into Scouting America and is the only person I have personally met who has both been shot by a mass shooter and has also made a movie about a mass shooter.   Find Steve at www.stevegrantworks.com and on Instagram at http://www.instagram.com/stevegrant_mailman.  

Andrew Golden from the Washington Post joins G&D to discuss the Nats series against the Mets.

In this episode, recorded in conjunction with Hay Festival, Rachel and Simon speak with the novelist Jacqueline Wilson. Born in 1945, Jacqueline wrote her first (unpublished) novel, "Meet the Maggots", when she was nine and has since gone on to write more than 100 books; her novels have been translated into 34 languages and have sold more than 40m copies in Britain alone. Jacqueline started her career as a journalist for DC Thomson in Dundee—the bestselling teen magazine Jackie was reportedly named after her—and she published her first story for children, "Ricky's Birthday", in 1973. She is the author of several bestselling children's titles, including "The Story of Tracy Beaker", "Double Act", "Vicky Angel", and several popular series, such as "Girls", "Hetty Feather" and "Sleepovers". Jacqueline has won many literary prizes and was the British Children's Laureate from 2005-07. In the 2025 New Year Honours List she was awarded the Dame Grand Cross of the Order of the British Empire. We spoke to Jacqueline about starting out in magazines while in her teens, breaking out in children's books in 1991 with "Tracy Beaker" and writing for adults, most recently in "Think Again".We've made another update for those ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We've added 40 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. The whole compendium now runs to a whopping 160 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (seven are left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a monthly call with Simon and Rachel.A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Washington Post writer Adam Kilgore joins the show to discuss the Commanders offseason additions and preview the season.

In this episode, the hosts discuss the controversy surrounding Department of Homeland Security Secretary Kristi Noem, who is reportedly living rent-free in military housing. They argue that this move was a necessary security measure after her Washington D.C. apartment was doxxed by the media and she began receiving death threats from terrorist groups, cartels, and what they refer to as "deranged lunatic leftist." The hosts criticize The Washington Post for publishing her location on a military base, calling it a "sick" and dangerous act that reveals a "lack of basic humanity." They assert that Democrats and their allies in the media are trying to undermine the Trump administration and intimidate potential recruits for government jobs like ICE. The hosts connect this incident to a broader pattern of political targeting and violence, referencing past attacks against ICE agents and suggesting that the left is willing to go to extreme lengths to stop the administration's agenda. They conclude that the situation is a sign of a "civil war" and a new low in American politics.

O ministro Alexandre de Moraes declarou ao jornal norte-americano The Washington Post que não pretende recuar diante das sanções impostas pelos EUA pela Lei Magnitsky.O magistrado afirmou que nada mudará no julgamento de Jair Bolsonaro no STF.A fala foi interpretada como uma resposta direta às pressões da família Bolsonaro e de aliados nos Estados Unidos.Meio-Dia em Brasília traz as principais notícias e análises da política nacional direto   de Brasília.     Com apresentação de José Inácio Pilar e Wilson Lima, o programa aborda os temas mais quentes do cenário político e econômico do Brasil.     Com um olhar atento sobre política, notícias e economia, mantém o público bem informado.   Transmissão ao vivo de segunda a sexta-feira às 12h.   Apoie o jornalismo Vigilante: 10% de desconto para audiência do Meio-Dia em Brasília   https://bit.ly/meiodiaoa   Siga O Antagonista no X:  https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais.  https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344  Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

OJ Simpson est mort le 10 avril 2024 à Las Vegas, à l'âge de 76 ans, laissant, derrière lui, l'image d'une figure très controversée de l'histoire américaine. Pour comprendre, il faut remonter trente ans en arrière. En 1994. Cette année-là, on inaugurait le tunnel sous la Manche, on allait voir The Mask et Pulp Fiction au cinéma, et on portait toutes des débardeurs en lycra en écoutant The Rythm of the Night de Corona à la radio. Au même moment, la star du football américain OJ Simpson était arrêtée et inculpée pour le double meurtre de son ex-femme Nicole Brown et d'un ami Ronald Goldman, écrivant les premières lignes de l'une des plus fascinantes affaires criminelles.Dans cette mini-série consacrée aux affaires qui ont entaché le monde du sport, la journaliste Camille Maestracci revient sur les circonstances du crime, mais aussi sur le procès-fleuve et l'acquittement spectaculaire de celui qu'on surnommait “The Juice”. À son micro se succèdent :François René Julliard, agrégé d'histoire, docteur en histoire contemporaine à l'Université de Clermont-Ferrand, auteur d'une thèse sur les athlètes noirs-américains Kevin Blackistone, chroniqueur au Washington Post et commentateur sur la chaîne sportive ESPNEsther Cyna, spécialiste de l'histoire raciale des États-UnisScandales est un podcast de Madame Figaro, écrit et présenté par Marion Galy-Ramounot, et produit par Lucile Rousseau-Garcia. Camille Maestracci est l'auteure et la voix de cette mini-série consacrée aux scandales du sport. Océane Ciuni est la responsable éditoriale de Scandales, un podcast produit par Louie Créative, l'agence de contenus audios de Louie Média. Cet épisode est à retrouver sur toutes les plateformes d'écoutes : Apple Podcast, Spotify, Deezer et Amazon Music.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

News & features from the August 18th, 2025 edition of the Washington Post

In the latest installment in her series of podcasts called Through to Thriving, Tech Policy Press fellow Anika Collier Navoroli speaks with Dr. Jasmine McNealy, an attorney, critical public interest technologist, and professor in the Department of Media Production, Management, and Technology at the University of Florida;, and Naomi Nix, a staff writer for The Washington Post, where she reports on technology and social media companies. They discuss how they found themselves on the path through journalism and into a focus on tech and tech policy, the distinctions between truth and facts and whether there has ever been such a thing as a singular truth, how communities of color have historically seen and filled the gaps in mainstream media coverage, the rise of news influencers, and how journalists can regain the trust of the public.

Jeremy Drummond's work has been exhibited in museums, galleries, and festivals worldwide. His films/videos have received awards such as the National Film Board of Canada Award at the Images Festival (Toronto), Best Experimental Video at the Reeling: Chicago Lesbian & Gay International Film Festival, the People's Choice Award at the New Forms Festival (Vancouver), and the No Budget Award at the Cinematexas Festival of International Film & Video (Austin). He has received grants and fellowships from the Canada Council for the Arts, National Film Board of Canada, and Virginia Museum of Fine Arts. His work has been featured and/or reviewed in magazines, journals, and newspapers, including Art Papers, Cabinet, Canadian Architect, Frieze, NRC Handelsblad, Prefix Photo, SEAMUS, The Washington Post, and The Wire: Adventures in Sound & Music.Drummond's films and videos are distributed internationally by LIMA (Amsterdam), Videographe (Montreal), Video Pool Inc. (Winnipeg), Vtape (Toronto), and The Film-maker's Cooperative/The New American Cinema Group (NYC). His printed works are/have been available from Art Metropole (Toronto), Printed Matter Inc. (NYC), and the New Museum of Contemporary Art (NYC). In addition to his solo work, Drummond works extensively with artist David Poolman as Never Met A Stranger -- a collaborative platform for the production of art and experimental media, a publisher of vernacular arts and culture, and an ongoing archive of field recordings, interviews, and documentary resources that collectively explore relationships between perception and representation, industry and the environment, and landscape and culture throughout central Appalachia and the rural North American South.Drummond is the organizer and curator of the Frames of Reference annual program of artists' film and video. With support from the University of Richmond's Department of Art & Art History, University Museums, and School of Arts & Sciences, Frames of Reference showcases some of the most creative, challenging, thoughtful, and visionary artists working in film, video, and alternative media today. Programs feature artists and artworks that resist conventions and ideologies of mainstream media; explore creative, innovative approaches to narrative and experiments in time-based media; and embrace unique viewpoints, perspectives, or frames of reference.

The kickoff of college football, blessedly, is just around the corner, something I've been waiting for since January and the end of the last college football season. College football is jam-packed with rivalries, and one of the most heated among them is the rivalry between the University of Alabama Crimson Tide and the Auburn Tigers. Both teams are located, of course, in Alabama, where I lived—Birmingham specifically—for nearly 11 years, so this is a rivalry I know well. Their annual matchup every November is called the Iron Bowl, and today on the show I have decorated sportswriter Jay Busbee here to talk about it and his new book, Iron in the Blood: How the Alabama vs. Auburn Rivalry Shaped the Soul of the South, which is out August 26. Today on the show Jay and I discuss how vicious the hatred actually is between these two teams, why the Iron Bowl is called as such, what rivalries mean to college football, the infamous Kick Six play and whether Jay thinks that is the best Iron Bowl moment of all time, what his favorite tradition is from each school—both schools are filled with traditions—and so much more. By the way, this book is a great companion piece to Netflix's new docuseries SEC Football: Any Given Saturday, which my husband and I just binged. Jay is a senior writer for Yahoo Sports and has covered the Olympics, the Super Bowl, the Masters, the World Series, the Daytona 500, the Kentucky Derby, and, you guessed it, the Iron Bowl. He hosts the travel and history show Home Turn for NASCAR Studios and has a Substack about Southern culture, “Flashlight & A Biscuit.” In addition to Iron in the Blood, Jay has written the book Earnhardt Nation, a biography of NASCAR's Earnhardt family, and, according to his biography, he “worships at the church of SEC football.” He has written everywhere from ⁠ESPN.com⁠ to Esquire, USA Today, The Washington Post, and more.⁠Iron in the Blood: How the Alabama vs. Auburn Rivalry Shaped the Soul of the South⁠ by Jay Busbee

An Amish community in northern Indiana is considered one of the least-allergic populations ever measured in the developed world. The WASHINGTON POST reports only 7-percent of Amish children there had a positive response to one or more common allergens in a skin prick test compared with more than 50-percent of the general U.S. population.

Today, all eyes are on Alaska where American President Donald Trump and Russian President Vladimir Putin will meet.Face-to-face for the first time in six years and joined only by their translators, President Trump says he'll know within minutes if there is a deal to be done to end the war in Ukraine. Adam is joined by Lord Kim Darroch, the former UK Ambassador to the United States and former National Security Advisor, and Catherine Belton, Russia reporter for the Washington Post and author of Putin's People. They discuss who's in each president's delegation, how the summit is being discussed in Russia and what the most likely outcomes could be. You can now listen to Newscast on a smart speaker. If you want to listen, just say "Ask BBC Sounds to play Newscast”. It works on most smart speakers. You can join our Newscast online community here: https://tinyurl.com/newscastcommunityhereGet in touch with Newscast by emailing newscast@bbc.co.uk or send us a whatsapp on +44 0330 123 9480.New episodes released every day. If you're in the UK, for more News and Current Affairs podcasts from the BBC, listen on BBC Sounds: https://bit.ly/3ENLcS1 Newscast brings you daily analysis of the latest political news stories from the BBC. It was presented by Adam Fleming. It was made by Miranda Slade with Shiler Mahmoudi and Gabriel May. The social producer was Grace Braddock. The technical producer was Mike Regaard. The assistant editor is Chris Gray. The senior news editor is Sam Bonham.

California's Democratic Governor, Gavin Newsom, is standing up to Trump with his Election Rigging Response Act. It's an effort to counter Texas, which at Trump's demand, drew up new congressional districts where voters would likely elect Republican representatives. The new Texas maps could also mean incumbent Democratic representatives could face each other in some districts. It's an effort to keep the House under GOP control in the 2026 midterm elections. Governor Newsom is asking California voters to allow redrawn maps in to keep Republicans from unethically stealing Democratic seats. Newsom wants state lawmakers to allow a November ballot measure where voters would weigh in on his plan to temporarily change districts. We'll talk redistricting and politics with Philip Bump. He is known for his work as a national columnist for The Washington Post and his coverage of politics for The Atlantic Wire. Bump's book “The Aftermath: The Last Days of the Baby Boom and the Future of Power in America” looks at the upheaval in American politics and the U.S. economy. Find him at pbump.com Our segment “This Week in Politics” brings former ABC White House correspondent Jim Avila to the show to talk about current events. We'll sprinkle in some Friday Fabulous Florida and add a dash of Culture Blaster Michael Snyder with movie and streaming reviews and it's a perfect Friday.

Join Wall Street Journal's Josh Dawsey, The New York Times' Tyler Pager and The Washington Post's Isaac Arnsdorf with Pulitzer Prize winner Maggie Haberman for a conversation about Donald Trump's stunning political comeback, what it means for America, and Dawsey, Pager, and Arnsdorf's new account of the election, 2024: How Trump Retook the White House and the Democrats Lost America. “The whole world was against me, and I won,” said Donald Trump in an exclusive interview, ten days before his second inauguration. Nearly four years after Trump's first turbulent presidency concluded in a violent attempt to overturn the election, he made a political comeback on a scale that stunned the nation. In 2024 — drawing on extraordinary access to the Trump, Biden, and Harris teams —Dawsey, Pager, and Arnsdorf bring us the definitive account of how he did it. In a special conversation, hear these award-winning reporters talk to Maggie Haberman about how the 2024 election is influencing Trump's policy — vindicating and emboldening him — and what it means for US democracy. This talk was recorded on July 17th, 2025, at The 92nd Street Y, New York.

The Washington Post's Olivia George joins the show to chat about the federal takeover of DC law enforcement: on the streets, in politics — where city officials from the mayor on down are sticking with a muted response — and online, where locals have been reacting in a wild variety of ways. And in a member's only segment, we'll get into the Trump administration's latest edict on the Smithsonian, and check in on how the Trumpification of DC culture is proceeding.  We're doing our annual survey to learn more about our listeners. We'd be grateful if you took the survey at citycast.fm/survey—it's only 7 minutes long. You'll be doing us a big favor. Plus, anyone who takes the survey will be eligible to win a $250 Visa gift card–and City Cast City swag. Want some more DC news? Then make sure to sign up for our morning newsletter Hey DC. You can also become a member, with ad-free listening, for as little as $10 a month. Learn more about the sponsors of this August 15th episode: Metropolitan Washington Restaurant Week Rock & Roll Hall of Fame Backroom Babbel - Get up to 60% off at Babbel.com/CITYCAST Interested in advertising with City Cast? Find more info HERE

On this week's episode, Nathan and Gita are joined by their former Kotaku colleague Harper Jay for a discussion of criticism's role in a world that seems determined to reject it – or at least cast it out of mainstream publications like Vanity Fair, The New York Times, The Washington Post, and the Associated Press, as well as many video game publications. What does it mean for institutions to cede this ground to fandoms and social media? What do we lose when we cease to respect the expertise that goes into well-considered critical work – or even eliminate the idea of “critic” as a legitimate role or job altogether? Then we talk about the news of the week: Unionized workers at Arkane, a Microsoft-owned studio, released a statement decrying the company's complicity in Israel's genocide of Palestinians – a subject that hits close to home for Harper, who until very recently worked at Double Fine, another Microsoft studio. Finally, Gita explains why Eevee is the best Pokémon design (it's a prism through which to view the infinite possibilities of childhood, obviously). Credits- Hosts: Nathan Grayson, Gita Jackson, & special guest Harper Jay- Podcast Production & Ads: Multitude- Subscribe to Aftermath!About The ShowAftermath Hours is the flagship podcast of Aftermath, a worker-owned, subscription-based website covering video games, the internet, and everything that comes after from journalists who previously worked at Kotaku, Vice, and The Washington Post. Each week, games journalism veterans Luke Plunkett, Nathan Grayson, Chris Person, Riley MacLeod, and Gita Jackson – though not always all at once, because that's too many people for a podcast – break down video game news, Remember Some Games, and learn about Chris' frankly incredible number of special interests. Sometimes we even bring on guests from both inside and outside the video game industry! I don't know what else to tell you; it's a great time. Simply by reading this description, you're already wasting time that you could be spending listening to the show. Head to aftermath.site for more info. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What if starting your meal with a mediocre appetizer could actually make the main course taste better? In this surprising opening segment, we dive into the psychology of taste and explore clever, science-backed tricks to make your food taste better — using your brain, not just your palate. https://www.dailymail.co.uk/sciencetech/article-3139067/ We're all being influenced by algorithms every day — from what we watch and buy to what we believe. But what exactly is an algorithm, how does it work, and can you fight back against its invisible influence? Math professor and author Noah Giansiracusa breaks it all down and shares practical ways to take back control from the algorithms quietly shaping your life. Noah is an associate professor of mathematics at Bentley University whose work has appeared in Scientific American, Time, Wired, Slate, and the Washington Post. He is author of the book Robin Hood Math: Take Control of the Algorithms That Run Your Life (https://amzn.to/3U66fnt). Hard work gets all the glory — but rest may be just as essential. Neuroscientist Joseph Jebelli reveals how letting your brain idle can improve creativity, memory, and emotional health. Joseph is the author of the book The Brain at Rest (https://amzn.to/458OlWb). This conversation might just convince you that doing nothing is actually one of the healthiest things you can do. Think you lose most of your body heat through your head? Believe urine is sterile? Think again. In this quick and eye-opening segment, we bust some of the most common — and most stubborn — myths about your body that many people still believe. https://www.menshealth.com/health/a19547125/lies-about-your-body/?cid=isynd_PV_0615 Learn more about your ad choices. Visit megaphone.fm/adchoices

And Just Like That writer and producer Samantha Irby joins to discuss the final season, the internet backlash, and what she really thinks about Aidan. Erin and Alyssa also dish on Pete Hegseth's praises for his bigoted pastor, Donald Trump's messy takeover of DC's police, and how school choice is ruining education funding in Arizona. They wrap with a scathing roast of Katie Miller's ridiculous new podcast for conservative moms. For a closed-captioned version of this episode, click here. For a transcript of this episode, please email transcripts@crooked.com and include the name of the podcast.Defense Secretary Pete Hegseth reposts video of pastors saying women shouldn't vote (NPR 8/9)U.S. Air Force to deny early retirement benefits to some transgender service members (NPR 8/8)Restoring Confederate memorial to cost $10M: Army official (The Hill 8/7)Trump federalizes DC police, deploys National Guard (NBC Washington 8/11)Nudity on Oklahoma superintendent's office TV was just a mishap, state House speaker suggests (The 19th 8/7)LA County CEO paints bleak financial picture; public hospital closure a possibility (LAist 8/5)Public schools are closing as Arizona's school voucher program soars (Washington Post 8/5)

On today's Capital Record, David looks at the issue of housing affordability and walks through Rahm Emanuel's new op-ed in the Washington Post whereby a confused explanation of the financial crisis is given, and even more confused solutions are offered to a problem Rahm mostly identifies correctly. Few subjects in the American economy touch more people than housing, and if housing has become unaffordable for too many, the one thing we really cannot afford is to get this subject wrong.Show notes:What's Really Depressing America's Young Men 

In this episode of What the Hell's summer book series, bestselling author, Jonathan Horn, discusses his new book, The Fate of the Generals: MacArthur, Wainwright, and the Epic Battle for the Philippines (Scribner, 2025). In it, Jonathan tells the tale of lesser-known American Pacific Theater hero, General Jonathan Wainwright. General Wainwright's story is a lesson of the importance of keeping your word and honor. As a leader, he says, “no other course of action would be honorable but to stay with my men and share their fate.” What else came of the man left behind? What led him to his infamous surrender? And beyond the medal they share, how should the two generals be remembered?Jonathan Horn is the author of Washington's End and the Robert E. Lee biography The Man Who Would Not Be Washington, which was a Washington Post bestseller. Jonathan has written for outlets including The Wall Street Journal, The Washington Post, The New York Times Disunion series, New York Post, The Daily Beast, National Review, and POLITICO. A former White House presidential speechwriter, Jonathan served under President George W. Bush. Find The Fate of the Generals: MacArthur, Wainwright, and the Epic Battle for the Philippines here.Find the transcript here.

Jonathan Capehart is a Pulitzer Prize-winning journalist, renowned opinion writer at The Washington Post, and a prominent anchor on MSNBC. With decades of experience shaping and shifting national conversations, Capehart is celebrated for his fearless pursuit of truth and authentic storytelling. As an openly gay Black man, he brings powerful perspective and empathy to every story he tells, drawing from lived experience to illuminate the complexities of identity, politics, and culture. Most recently, Capehart released his memoir, Yet Here I Am: Lessons from a Black Man's Search for Home, offering candid reflections on resilience, belonging, and the power of self-belief.  Takeaways: Authenticity and Curiosity Drive Connection: Jonathan emphasizes the importance of genuine curiosity and emotional attentiveness when interviewing guests, allowing their true stories and emotions to emerge beyond surface-level questions. Self-Belief Fuels Success: Capehart shares a pivotal moment where he affirmed his own worth and talents, a declaration that became a turning point in his career and opened doors to new opportunities and confidence. Sharing Vulnerability Empowers Others: By openly discussing failures and personal challenges in his memoir, Jonathan aims to relate to readers from all walks of life, offering lessons learned as guideposts for those facing similar struggles.  Sound Bites: “At the root of that connection you're talking about is curiosity. You have to be in these roles—especially as a podcaster—because we're in people's ears. It's one of the most intimate experiences a person can have.” “The moment I said that out loud to myself in the privacy of my own shower—‘I am damn good at what I do'—that's when everything changed.” “If you don't believe in yourself, you're not going to be able to do anything. Or as RuPaul says, ‘If you can't love yourself, how in the hell are you going to love somebody else?'” Connect & Discover Jonathan: Instagram: https://www.instagram.com/capehartj/ Facebook: https://www.facebook.com/capehart/ Threads: https://www.threads.com/@capehartj Book: Yet Here I Am: Lessons from a Black Man's Search for Home

Maura Casey joins Let's Talk Memoir for a conversation about the toll longterm illness has on a family, her sister Ellen's kidney disease and researching the history of kidney transplants for her memoir, when alcohol is a member of the family, growing up with a manipulative parent who didn't keep promises, sibling dynamics, being a lifelong diary keeper, her decades in journalism and transitioning to memoir, joining a writer's group, keeping chapters short, deciding on a structure, portraying complicated love, leaving space for forgiveness, and her new memoir Saving Ellen: A Memoir of Hope and Recovery.   Also in this episode: -parentified children -medical trauma -supporting independent bookstores   Books mentioned in this episode: -I Know Why the Caged Bird Sings by Maya Angelou -Angela's Ashes by Frank McCourt -The Glass Castle by Jeannette Walls -Remarkably Bright Creatures by Shelby Van Pelt -The Art of Memoir by Mary Karr   Maura Casey is a native of Buffalo NY, and is the youngest of six in a big Irish family. She's been a writer since the age of 12 and grew up to have a more than three decade career in journalism, writing opinion for four newspapers- including as a member of The NY Times editorial board. She has won more than 40 awards in journalism. Her book, “Saving Ellen: A Memoir of Hope and Recovery,” will be release by Skyhorse Publishing in April of 2025. Connect with Maura: Website: www.caseyink.com Facebook: https://m.facebook.com/maura.casey.57/ BlueSky: @mauracasey.bsky.social Get the book: https://a.co/d/79edoZ3 – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

This may only be the start of Trump using the National Guard. According to the Washington Post, there is a Pentagon plan that would create a military ‘reaction force' for civil unrest. In the case of massive protests, documents suggest a plan to have hundreds of National Guard troops ready at any given time. We'll share the details.We welcome Everett Kelley to the show. He is the president of the American Federation of Government Employees (AFGE) - the largest union representing federal and D.C. government employees.The Mark Thompson Show8/13/25Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:   / themarkthompsonshow   Maybe you're more into PayPal. https://www.paypal.com/donate/?hosted... And you'll find everything on our website: https://www.themarkthompsonshow.com#Trump #Epstein #TrumpEpstein #NationalGuard #DC #immigration #samesexmarriage #SCOTUS #VotingRights #politics #political #EverettKelley #FederalWorkersTranscriptFollow along using the transcript.

What happens when world-class research escapes the ivory tower and takes root in the boardroom In this episode of Leveraging Thought Leadership, Peter Winick sits down with Christopher Marquis — Professor of Chinese Management at the University of Cambridge and author of "Profiteers: How Business Privatizes Profits and Socializes Costs" — to explore the art of turning academic insight into practical, high-impact business thinking. Chris is on a mission to bridge the gap between scholarship and the real world. He believes that ideas shouldn't be trapped in academic journals read by only a handful of peers. Instead, they should spark change in boardrooms, inspire sustainable business practices, and help leaders tackle global challenges like climate change. His work blends rigorous research with compelling storytelling, translating complex theories into actionable strategies that resonate with executives, policymakers, and entrepreneurs alike. From op-eds in The Washington Post to features in Harvard Business Review, Chris knows how to make ideas travel. He shares how brevity, boldness, and a clear thesis can elevate a message — and why writing 800 words for a newspaper can sometimes have more impact than publishing in the most prestigious academic journal. For Chris, thought leadership is about reach and relevance, not just citations and tenure points. The conversation dives into the discipline of choosing which ideas deserve a book, the craft of finding evergreen principles that survive political and economic cycles, and the skill of meeting business leaders where they are — without losing academic rigor. Chris also offers practical advice for academics ready to step beyond their university walls, connect with executive audiences, and position their work at the intersection of insight and impact. If you want to understand how to turn deep expertise into broad influence — without watering it down — this episode will show you how. Three Key Takeaways: • Academic credibility needs business reach — Groundbreaking research has little impact if it stays locked in academic journals. Translating ideas into accessible formats like op-eds, HBR articles, and books makes them actionable for business leaders. • Evergreen principles drive lasting influence — Successful thought leadership balances timeless core ideas (like sustainability imperatives) with timely examples that connect to current cultural, political, or economic contexts. • Storytelling bridges the gap — Data and theory matter, but real-world stories, case studies, and clear narratives are what resonate with executive audiences and create lasting engagement. If you enjoyed Christopher's episode, don't miss our conversation with Mark Smith, who built SHRM's thought leadership function from the ground up. Both share a passion for taking complex research and turning it into clear, actionable insights that reach the right audiences. Chris brings the global lens of sustainability; Mark offers the inside view of embedding thought leadership within an organization. Together, these episodes show you how to move ideas from theory to real-world influence. Listen here: Discovering Thought Leadership – Mark Smith

A decades-long manhunt closed in on international terrorist Illich Ramirez Sanchez, aka Carlos the Jackal, on 14th August, 1994 - when he was sedated and kidnapped by French intelligence agents in Khartoum, Sudan, following a tip-off by the CIA. Affiliated with the Popular Front for the Liberation of Palestine, the Organization for Armed Arab Struggle, and the Japanese Red Army, the Venezuelan militant had been responsible for a slew of major terrorist attacks in the 1970s and 80s, notably the storming of an OPEC meeting in 1975, during which he took hostages and demanded ransoms, and was widely considered the world's most-wanted man.  In this episode, Arion, Rebecca and Olly explain how ‘Carlos' came to acquire not just one, but two nicknames; consider how the politics of the day enabled both his terrorism and his womanising; and reveal why his sperm count ultimately cost him his freedom… Further Reading: • ‘SUDAN SEIZES TERRORIST 'CARLOS THE JACKAL'' (The Washington Post, 1994): https://www.washingtonpost.com/archive/politics/1994/08/16/sudan-seizes-terrorist-carlos-the-jackal/4e8d3daa-b064-4ca7-ba16-e6f0d68744aa/?itid=sr_2 • ‘Carlos the Jackal: The Extraordinary Life of the Most Notorious Terrorist Before Bin Laden' (Vice, 2022): https://www.vice.com/en/article/4awdbq/carlos-the-jackal-communist-terrorist • ‘'Carlos the Jackal' convicted in France' (AlJazeera English, 2011): https://www.youtube.com/watch?v=g2sUuxYcdro This episode first aired in 2023 Love the show? Support us!  Join 

Megyn Kelly is joined by John Solomon, founder of "Just The News," to discuss new documents revealing classified info leaks between former FBI Director James Comey and the New York Times, why the previous DOJ refused to bring charges, what we know about the intermediary between Comey and the media, what we know about how the FBI spun the media, the New York Times and Washington Post winning Pulitzers for false Russiagate reporting, and more. Then Rich Lowry and Charles C.W. Cooke of National Review join to discuss how Trump's push to make DC safer is enraging the left, Judge Jeanine Pirro's fiery response to the claims that crime is down, MSNBC's Symone Sanders arguing that more police makes black people feel less safe, how the left is fighting Trump by keeping homeless people on the streets, handing out “help” whistles as resistance to a “fascist” regime, how Monica Lewinsky is comparing her past paparazzi experience to illegal migrants and “feeling hunted,” how she continues to focus on her past experience at the White House in everything she talks about, the left's nonstop victimhood, and more. Then Steve Hilton, candidate for California governor, joins to discuss how Gavin Newsom destroyed the state, Newsom's focus on himself over helping the people, the ongoing homeless problem, how the hundreds of millions raised after the wildfires haven't gone to help the residents, the hope for a return to normalcy in California, and more. Solomon- https://justthenews.com/Cooke- https://twitter.com/charlescwcookeLowry- https://www.nationalreview.com/Hilton- https://stevehiltonforgovernor.com/ Pique: Get 20% off your order plus a FREE frother & glass beaker with this exclusive link: https://piquelife.com/MEGYNByrna: Go to https://Byrna.com or your local Sportsman's Warehouse today.CHEF iQ: Visit https://CHEFIQ.com and use code MK for 15% off sitewide.Tax Network USA: Call 1-800-958-1000 or visit https://TNUSA.com/MEGYNto speak with a strategist for FREE today Follow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShow Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow 

For these final weeks of summer we wanted to transport you away from the doom and gloom of the daily news with a trio of stories produced by our friends at the public radio documentary-maker, Radio Diaries. The series is called “Making Waves” and it profiles three people who pushed the boundaries of radio: one to warn, one to rile, one to preach. This week's focus is the preacher. In 1934, the Washington Post called Elder Lightfoot Solomon Michaux the “best known colored man in America.” His Sunday services were broadcast to over 25 million listeners on CBS radio. Black America saw Michaux as a leader for racial harmony and progress. But during the civil rights movement, his reputation took an unlikely turn. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Jimmy Carter sent his daughter to its public schools; pictures of Obama still grace businesses' walls; and now Trump has taken an interest in Washington, D.C…by deploying the National Guard, reassigning FBI agents, vowing to evict the city's homeless population. Guest: Jenny Gathright, reporter at the Washington Post covering the D.C. region. Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gen Z is having a rough go at finding a job. AI tools are making it easier for companies to downsize. In an effort to cut costs, many workplaces are laying off people en masse. And all of that talent is flooding a job market where entry-level positions often require multiple years of experience. That's leaving Gen Z workers at the bottom of the hiring pool.Audio intern Tadeo Ruiz Sandoval interviews business reporter Taylor Telford about what the job landscape looks like for his generation. What does it take to stand out in a crowded labor market? And will Gen Z be able to find work?Today's episode was produced by Tadeo Ruiz Sandoval. It was edited by Reena Flores and mixed by Sean Carter.Our newsroom has been covering the federal takeover of D.C. police and the deployment of the National Guard in the city from every angle. You can stay up-to-date on this fast-moving story with a one-week pass for just $7. Learn more at washingtonpost.com/weekpass. Or subscribe to The Washington Post here.

Jimmy Carter sent his daughter to its public schools; pictures of Obama still grace businesses' walls; and now Trump has taken an interest in Washington, D.C…by deploying the National Guard, reassigning FBI agents, vowing to evict the city's homeless population. Guest: Jenny Gathright, reporter at the Washington Post covering the D.C. region. Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest today is Dr. Erica Komisar, a psychoanalyst, parent coach, and author known for her work at the intersection of mental health and family life. With over three decades of clinical experience, she has guided parents through the challenges of raising resilient, emotionally healthy children. Dr. Komisar is the author of Being There and Chicken Little the Sky Isn't Falling, and a regular contributor to outlets like The Wall Street Journal and The Washington Post. Today, she joins us to discuss some of her most talked-about—and often controversial—parenting techniques, offering insights that challenge conventional wisdom and spark important conversations. ✨ **THANK YOU TO OUR SPONSORS!**

A new National Guard force that would react to incidents of civil unrest is allegedly being considered. The Washington Post alleges that unreleased documents propose a new “Domestic Civil Disturbance Quick Reaction Force.” The alleged proposal appears to follow a similar model to the deployment of the National Guard to respond to recent riots in Los Angeles and the new deployments in Washington to quell crime in the nation's capital.Views expressed in this video are opinions of the host and guests and do not necessarily reflect the views of The Epoch Times.

Jimmy Carter sent his daughter to its public schools; pictures of Obama still grace businesses' walls; and now Trump has taken an interest in Washington, D.C…by deploying the National Guard, reassigning FBI agents, vowing to evict the city's homeless population. Guest: Jenny Gathright, reporter at the Washington Post covering the D.C. region. Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

Trump deployed the National Guard to Washington, D.C. Brian Mann from NPR explains how the president is using emergency powers to take control of the city's police force. Elizabeth Findell from the Wall Street Journal reports on the growing number of ICE detainees being flown from state to state so often that lawyers are losing them in the system. Mothers are leaving the workforce in greater numbers. Abha Bhattarai from the Washington Post has been looking into why. Plus, Trump picked a conservative economist and Project 2025 contributor to run the Bureau of Labor Statistics, what we know about a steel-plant explosion in Pennsylvania, and the towns and cities offering big checks to tempt you into moving. Today’s episode was hosted by Shumita Basu.

August 12, 2025; 6pm: MSNBC's Jason Johnson reports on a stunning new report from The Washington Post about Pentagon plans to create a "domestic civil disturbance quick reaction force" in cities facing protests and other unrest. Plus, critics are warning President Trump is crossing a red line as he taps a MAGA loyalist for the top job at the Bureau of Labor Statistics. Justin Wolfers, Rick Wilson, Joyce Vance and others join "The Beat" to break it all down. 

Israel has announced a plan that could eventually allow it to take military control of the entire Gaza Strip. But the announcement has been met with widespread criticism inside and outside Israel. Foreign leaders and protesters say this approach lacks clarity and will prolong the suffering of Palestinian civilians and endanger hostages still held by Hamas.Host Colby Itkowitz speaks with Tel Aviv- based correspondent Shira Rubin about the consequences of this tactical shift and why Netanyahu has seemed unswayed by international pressure. Today's show was produced by Rennie Svirnovskiy with help from Sabby Robinson. It was edited by Maggie Penman and mixed by Sam Bair. Thank you to Lior Siroka and Alan Sipress.Subscribe to The Washington Post here, or check out our new one-week pass at washingtonpost.com/weekpass.

Becky Weiss breaks down the Supreme Court's latest gay marriage drama while President Trump takes center stage in D.C. with a fiery Liberation Day presser — torching Democrats' soft-on-crime policies, exposing the absurdity of cash bail, and facing down a packed press room.We call out Washington Post hypocrisy, mock the Left's bizarre “pots and pans at 8 p.m.” protest plan, and dive into Judge Jeanine's takedown of D.C.'s crime stats. Patel blows the lid off Adam Schiff's alleged leaks of classified intel to hurt Trump, while Gavin Newsom faces ridicule for threatening to redistrict California.Plus:-Charlie Kirk takes Newsom to task-Trump's gold upgrades inside the White House-Adults de-stressing with pacifiers (yes, really)-TikTok melts down over DOGE coin cuts-Brittney Griner's child sparks headlines calling her “pops”-Cristiano Ronaldo's fiancée's massive engagement ring-Jennifer Welch gets roasted for “white savior complex”-Hunter Biden on AI stealing jobs-Doctors feel the AI squeeze-TikTok users complain about… having a job-Laura Loomer joins the fight against Marjorie Taylor GreeneAnd Candace Owens and Nick Fuentes' viral spat — and Candace playing victimSUPPORT OUR SPONSORS TO SUPPORT OUR SHOW!Stay hurricane-ready and be prepared for any emergency with ReadyWise. Visit https://ReadyWise.com and use promo code CHICKS10 for 10% off your entire purchase.Experience your dream bedding and stay cool all night long with Buffy's breathable, eco-friendly comforters and sheets. Get 20% off your first Buffy order using code CHICKS at https://Buffy.coTry Beam's best-selling Creatine and get up to 30% off at https://ShopBeam.com/CHICKS with code CHICKS—limited time only!

Becky Weiss breaks down the Supreme Court's latest gay marriage drama while President Trump takes center stage in D.C. with a fiery Liberation Day presser — torching Democrats' soft-on-crime policies, exposing the absurdity of cash bail, and facing down a packed press room. We call out Washington Post hypocrisy, mock the Left's bizarre “pots and […]

On Monday morning, President Donald Trump announced that he is putting Washington, D.C., under federal control and deploying the National Guard to fight crime. While police data shows a drop in violent crime in D.C. in recent years, Trump said this historic action would “rescue our nation's capital from crime, bloodshed, bedlam and squalor and worse.” He suggested he could deploy the National Guard in other cities as well, referencing the deployment of Guard troops in Los Angeles earlier this year. Host Colby Itkowitz speaks with local reporter Olivia George about this unprecedented move to militarize Washington, D.C.; how some of the city's residents are already protesting; and what this deployment could mean for cities across America.Today's show was produced by Sabby Robinson, with help from Laura Benshoff and Rennie Svirnovskiy. It was edited by Reena Flores and mixed by Sam Bair. Subscribe to The Washington Post here.

You might think you know what a Washington Post columnist sounds like, but Megan McArdle is not your typical liberal media voice. She's spent years inside the most established outlets in journalism: The Atlantic, Bloomberg, The Economist and yet she's managed to surprise and infuriate readers on the left with sharp critiques that don't always toe the party line. Today on Conversations we talk about why progressives often get economic policy wrong and the real mess behind America's broken healthcare system. Megan makes a solid pitch for why Americans should continue to have a private system. Megan and I get into it about insurance companies, pharmaceutical giants, and where the incentives in healthcare are completely backwards . . . and, believe it or not, where they actually work. Go to groundnews.com/Coleman to get 40% off the unlimited access Vantage plan and unlock world-wide perspectives on today's biggest news stories. Learn more about your ad choices. Visit megaphone.fm/adchoices