Podcasts about Americana

I had such a blast recording this episode. It's not every day you get to talk about a brand that is both deeply committed to the planet and also named… well, Big Dick's Banana Whiskey.I'm joined by a repeat guest, the brilliant Manya Rubinstein, CEO of Isco Spirits and Providence Distilling. If you missed our first conversation back in 2024, go check out Episode 295. But today, we're talking about Isco's “naughty little sibling” brand.

This episode was originally released on 8/1/2021. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 118 we hit the road with part one of an Americana mini-series. We'll gas up with some of radio's best and examine shows taking place at America's filling stations. —————————— Highlights: • Al Hodge and The Green Hornet • Getting a Checkup at Doctor Christian's • Lux Presents: They Drive By Night with Lana Turner and Lucille Ball • Orson Welles and The Hitchhiker • ABC competes with NBC and CBS • Dragnet leads to The Lineup • Stacey Keach and The Last Tales of the Texas Rangers • The Gas Crisis and the CBS Radio Mystery Theater —————————— The WallBreakers: thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On the Air - By John Dunning • Network Radio Ratings — by Jim Ramsburg As well as articles from • The Association For Convenience and Fuel Retailing • Family Tree Magazine • NationalParkService.Org • Newsweek • The Smithsonian Magazine —————————— On the interview front: • Virginia Gregg and Lurene Tuttle spoke to Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Himan Brown, Larry Haines, Vincent Price, and Rudy Vallée spoke with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these full interviews at Goldenage-WTIC.org. • Herb Ellis, Byron Kane, Stacy Keach Sr, and Herb Vigran were with SPERDVAC. For more information, go to SPERDVAC.com. • Bing Crosby and John Scott Trotter spoke with Same Time, Same Station. • Lucille Ball was with both Dick Cavett and Joan Rivers. • Orson Welles with Johnny Carson. • Al Hodge with Richard Lamparski. • Vic Perrin with Neill Ross for KMPC. • Joel McCrae was interviewed by Al Greenberg for Orco Development. —————————— Selected music featured in today's episode was: • Route 66 — By Nat King Cole • Deep Night — By Rudy Vallée • The Klezmer's Wedding — By Andre Moisan • Living Without You — By George Winston • Fly Me To The Moon — By Julie London

Don and Dude crash headfirst into 1989's alternative basements and hip hop boomboxes, where quiet loud guitar nightmares share airspace with sample stacked punchline barrages and label side eye. One of us dives into a twisted surf rock carnival that helped teach the 90s how to go loud quiet loud, while the other rides a brainy, boom bap Def Jam debut packed with Beastie Boys disses, Hammer threats, and the first appearance of a future underground legend.The Albums Pixies – Doolittle (1989) Pixies turn their Boston art punk chaos into a tightly wound alt rock statement, mixing sugar sweet hooks, violent surrealism, and that now classic quiet loud dynamic. "Debaser," "Monkey Gone to Heaven," and "Wave of Mutilation" spin eyeball slicing cinema, environmental dread, and surf rock murder suicide into songs that feel like pop songs and panic attacks at the same time. 3rd Bass – The Cactus Al/Bum (1989) MC Serch, Prime Minister Pete Nice, and DJ Richie Rich plant a Def Jam flag with dense golden era beats and back and forth verses that blend jokes, battle bars, and real talk about New York and hip hop credibility. From "Sons of 3rd Bass" and its anti Beastie mission statement to "The Gas Face" and "Steppin to the A M," the record plays like a long, funny, aggressive brief on who gets to be taken seriously in rap.Diggin' Albums Zach Bryan – With Heaven on Top (2026) Raw, heart on sleeve Americana and country stories about love, loss, and faith, delivered over rough hewn acoustic strums and fuller band swells. Lenny Kravitz – Let Love Rule (1989) A retro soaked debut that welds late 60s and early 70s rock and soul influences into warm analog grooves and idealistic love and unity anthems. GUM – Blue Gum Way (2026) Australian multi instrumentalist Jay Watson drifts through jazzy psych pop vignettes, each track a little mood world of woozy synths and warped guitars. Katherine Priddy – These Frightening Machines (2026) Intricate modern folk songwriting about technology, anxiety, and everyday life, wrapped in fingerpicked guitar, immersive atmosphere, and literary minded lyrics.Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing.“Carpe diem. Seize the day, boys. Make your lives extraordinary." - John Keating Dead Poets Society (1989)

Nashville recording artist and country singer-songwriter Whey Jennings reveals his sophomore album, Baptized By Firearriving everywhere digitally on March 27, 2026 by Dirt Rock Empire.Baptized By Fire finds the Jennings family disciple writing and singing more songs about his own life's journey as a traveling troubadour, father, and man of God who was saved in 2020 during the pandemic from a life of drug and alcohol addiction.Reflecting his artistic ambitions, Jennings co-wrote several of the songs from first time songwriting sessions with Jim "Moose" Brown (Willie Nelson, Jamey Johnson, Jimmy Buffett), Tyler Booth (Josh Turner), and Whey's second duet with The Voice's breakout country recording artist Karen Waldrup. Balanced out with heartfelt ballads, honky-tonk rockers Baptized By Fire is a well-rounded album of songs rooted in traditional country, blues, with some notable Americana vibes in style and instrumentation.Jennings and his co-writers' expertly crafted lyrics are combined with top-tier production from Producer Gary Carter (Kenny Chesney, Marty Stuart, Alan Jackson) and his team, recording the tracks at Danny Parks Long Hollow Studio and his own GC studio. Guitar work comes from Grand Ole Opry band member Danny Parks, piano and organs by Mike Rojas (Ricky Skaggs, Hank Williams Jr.), a multi-winner of ACM's Keyboard Player of the Year award, acoustic guitar by Joel Key (Cody Johnson, Thomas Rhett, and Toby Keith), steel guitar by Gary Carter, fiddle by Deanie Richardson (Del McCoury Band, Hank Williams Jr., Marty Stuart) and percussion by Garth Justice (Ricky Skaggs, Reba McEntire, Jo Dee Messina)."This album is close to my heart and I've never felt more at home with my music as I do now," Jennings said. "If you want to know who I really am as a person, the songs on this album present an open window to both my heart and soul as a songwriter."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Host Jeremy C. Park talks with Hope MacGregor, a singer-songwriter, Americana artist, West Point graduate and US Army Aviation Veteran, who discusses her musical journey and charitable work to support other veterans. Hope shares how she transitioned from planning to drop out of high school to pursue music to attending West Point, graduating and serving 8 years as an aviation officer, and later returning to music after experiencing multiple personal challenges during law school. She explains how music helps her communicate complex emotions more effectively than words alone, and where she draws inspiration for her songwriting. Hope discusses the unique position of being based in Jackson, Tennessee, which allows her easy access to both Memphis and Nashville while maintaining a strong connection to her local music scene. She highlights the authenticity of the musicians in Jackson and describes her current band setup, emphasizing their ability to deliver a powerful live performance. Hope also shares her involvement with CreatiVets, a nonprofit organization that provides art therapy and songwriting programs for veterans. Through this initiative, she volunteers as a guitar teacher, offering free lessons to veterans who participate in the songwriting program, aiming to provide them with a therapeutic tool to express their experiences and emotions. Hope then discusses her involvement with the Airpower Foundation's Walk 22 event, a 22-mile walk in June to raise awareness about veteran suicide. She shares her personal experience with suicidal ideation after leaving the military and emphasizes the importance of combating veteran suicide. The kickoff event for Walk 22 will feature a performance by Hope MacGregor and take place on May 31st at Rhinestone Saloon in Fort Worth, Texas. Hope encourages listeners to reach out to her through social media platforms and streaming services to learn more about her music and upcoming performances. Visit https://www.hopemacgregormusic.com to learn more about Hope MacGregor and her music. Visit https://airpowerfoundation.org to learn more about the Walk 22 event.

TrulySignificant.com riffs with the one and only Warren Hood. Warren is one of Austin's most respected musicians—known especially as a fiddler, violinist, mandolin player, singer, and songwriter. He's deeply rooted in the Austin music scene and blends Americana, country, folk, bluegrass, and swing influences.He comes from a musical family: his father Champ Hood was a member of the legendary Austin acoustic trio Uncle Walt's Band, which had a major influence on the Texas singer-songwriter movement.Here are the bands and artists Warren Hood has played with starting with The Warren Hood Band-His primary group since the early 2000s.Known for a blend of Texas country, blues, swing, and Americana.The band has held a long-running residency at Austin Beer Garden Brewing (ABGB).Current lineup has included:Marshall Hood – guitarWillie Pipkin – guitarNate Rowe – bassJordan Cook – drums2. The WaybacksA nationally touring acoustic Americana / bluegrass band from San Francisco.Warren joined in 2004 as fiddler and singer, replacing Wayne “Chojo” Jacques.The band performs at major venues and festivals across North America.3. South Austin Jug BandAn Austin acoustic/roots group mixing jug-band tradition, swing, and bluegrass.Hood was a key member earlier in his career.4. Blue Light SpecialOne of Hood's earlier bands while developing his reputation in Austin.5. Warren Hood & the HoodlumsA project blending jazz, blues, and new-grass acoustic styles in Austin clubs.In addition to his own groups, Warren is a highly sought-after sideman, touring or performing with many well-known artists including:Lyle LovettAlejandro EscovedoJoe ElyBob Weir (Grateful Dead)Robert Earl KeenHayes CarllJerry Jeff WalkerBruce Robison & Kelly WillisBen KwellerJoan OsborneLittle FeatBob SchneiderToni PriceHood has been part of the core network of musicians supporting Texas singer-songwriters for decades. Other Notable FactsBegan playing fiddle at age 11.Studied at Berklee College of Music and received the String Achievement Award.Has won multiple Austin Music Awards for Best String Player.His music often pays tribute to Uncle Walt's Band, honoring his father's legacy.Visit www.warrenhood.com to follow Warren's career.✅ In short:Warren Hood is one of Austin's “musician's musicians”—a virtuoso fiddler who leads his own band while also playing with a wide range of Americana and Texas roots artists.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

“Recognize” is Original 8 (OG8) lead singer Jaime Lynch's personal mantra. And while she ends the new single, “W.O.M.A.N” with the phrase “I am woman, recognize…”, the meaning behind it goes way back to how Lynch and her bandmates have approached both the music business and life.Based in Portland, Ore., the driving force behind OG8 is founder and guitarist Troy Williver. Bent on being a band that doesn't rely on a record label for both success and acknowledgment, in early 2023 Williver established Beat Farm Music. From there, the OG8 band took hold. Williver's search for a vocalist that matched the values and could both command the stage and captivate the audience in a way that accentuates OG8's eclectic rock-Americana-blues sound led him to Lynch.“W.O.M.A.N” is a profound, unapologetic anthem redefining the rock and roll landscape“I wanted to capture confidence, freedom and owning who you are without apology or explanation,” Lynch, a multiple winner of “Best of Las Vegas” for her powerful vocals and stage presence for Pussycat Dolls, Peep Show, Vegas The Show and more, said. “So many times as women in this society, and especially in this industry, we are expected to behave a certain way, look a certain way – be a certain way. This song is really about taking that power back and owning it for yourself.”Sure, the streams and the album sales are nice, but for OG8 the recognition that they have a bond and a central mission, they can look in the mirror and see that they are doing meaningful work. They are unapologetically true to themselves. Their origin story is rooted in decades of musical collaboration, friendship and a shared ideological belief system of love of music over pursuit of ego. Drummer Michael Thomas Underwood III, Renato Caranto on saxophone, George Mitchell on keyboard, bassist Phil Baker and sound engineer Drew Canulette round out the band.A recuring theme in all of their experiences - OG8 has endured the pressures and feeling of being overlooked.“Stay in this place – don't go higher,” Lynch said. “People see you one way and use you for what they need. I want credit where it's due.”Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Randy Wood is an American master luthier, instrument builder, and music entrepreneur known for his influence on the modern vintage-instrument industry and the bluegrass and roots music community. Over a career spanning more than five decades, Wood has built and repaired instruments for many of the biggest names in country, rock, and bluegrass while also operating one of the South's most respected acoustic music venues.Randy Wood grew up in a musical and woodworking family. His father was a carpenter and woodworker, and music was a common part of family life, with relatives frequently playing and singing together. Those two influences—woodworking and music—would shape Wood's lifelong career as a luthier. By the 1960s, Wood had begun developing his craft of instrument repair and building, quickly gaining a reputation for meticulous work and a deep understanding of acoustic instruments.In the early 1970s, Wood moved to Nashville and became a founding partner in GTR, Inc., a pioneering vintage instrument shop located behind the Ryman Auditorium. The business was started with fellow musicians and dealers Tut Taylor and George Gruhn, and it later evolved into the famous Gruhn Guitars. Because of its proximity to the Grand Ole Opry and Nashville recording studios, the shop quickly became a gathering place for musicians needing repairs, vintage instruments, or simply a place to pick. During this period, Wood built and repaired instruments for legendary performers including Bill Monroe, Johnny Cash, Elvis Presley, Chet Atkins, Eric Clapton, and Keith Richards. Wood later partnered with Taylor to open the original Old Time Pickin' Parlor, a combination music store, repair shop, and performance space that became a hub for bluegrass musicians and fans in the early 1970s. In 1979, Wood sold the Nashville business and returned to coastal Georgia. For many years he operated a small workshop and mail-order business while building custom instruments. Over time he produced more than 1,500 handmade instruments, including guitars, mandolins, banjos, dobroes, and violins, many of which are used by professional musicians around the world. In 1999, Wood established Randy Wood Guitars, a guitar shop, repair center, and instrument workshop near Savannah. He also built a small concert venue called Randy's Old-Time Pickin' Parlor, an intimate hall known for hosting world-class acoustic performers in bluegrass, country, and Americana music. The venue has become a regional destination for roots music fans and regularly features nationally recognized artists in an intimate setting.Randy Wood is widely regarded as a pioneer of the modern vintage instrument business and one of the most respected repairmen and builders in acoustic music. His influence extends beyond instrument making; through his shops and the Pickin' Parlor, he helped create gathering places where musicians could meet, jam, and share traditions that shaped American roots music. Early Life and Musical Roots Nashville Years and the Vintage Instrument Boom Return to Georgia Randy Wood Music and the Pickin' Parlor Legacy

Estás escuchando #JUNTOSRadio - EPOC: La enfermedad pulmonar que muchos no conocen. ¿Qué es y cómo afecta los pulmones?, ¿Qué factores de riesgo, como el uso de vapeadores, podrían aumentar desarrollar EPOC? ¿Cuáles son los métodos para el diagnóstico y tratamiento de la enfermedad? El Dr. Mario Castro del servicio de Neumología del Centro Médico de la Universidad de Kansas nos responde a estas otras preguntas. Sobre nuestro invitado: El Dr. Castro es profesor titular de Medicina L.E. Phillips y Lenora Carr Phillips, vicedirector de Investigación Clínica y Traslacional del Departamento de Medicina, jefe de la División de Neumología, Cuidados Intensivos y Medicina del Sueño del Centro Médico de la Universidad de Kansas (KUMC), director del Instituto de Ciencias Clínicas y Traslacionales Frontiers de la Universidad de Kansas y profesor adjunto de investigación en la Facultad de Medicina de la Universidad de Missouri-Kansas City. Ha sido líder en los programas de investigación Control del Asma en Ciudades Americanas de los CDC, Centros de Investigación Clínica de las Vías Respiratorias de la Asociación Americana del Pulmón y la Red de Investigación Clínica del Asma del NHLBI, el Programa de Investigación del Asma Grave, AsthmaNet y las redes de investigación PrecISE. Sus proyectos de investigación traslacional en la Unidad de Investigación Traslacional de Asma y Vías Respiratorias (AATRU) se centran en la patogénesis y el tratamiento del asma, especialmente en casos graves. Recientemente, el Dr. Castro ha liderado varias iniciativas para combatir la pandemia de COVID-19: investigador principal del ensayo CoVPN (financiado por los NIH/NIAID), el ensayo ACTIV-2 y el ensayo PCORNET HERO HCQ. Es autor de más de 30 capítulos/libros y más de 300 artículos revisados ​​por pares; a lo largo de más de 25 años, el Dr. Castro ha formado a más de 40 jóvenes investigadores clínicos y traslacionales. Es ampliamente reconocido como un clínico experto, un excelente mentor y un educador competente con un compromiso significativo con el desarrollo de las carreras de jóvenes investigadores. Recursos informativos en español American Lung Health Association recursos https://www.lung.org/espanol/epoc COPD Foundation materiales educativos https://www.copdfoundation.org/es/Materiales-Educativos.aspx Facebook: @juntosKS    Instagram: juntos_ks    YouTube: Juntos KS   Página web: http://juntosks.org     Suscríbete en cualquiera de nuestras plataformas de Podcast: Podbean, Spotify, Amazon Music y Apple Podcast - Juntos Radio    Centro JUNTOS 4125 Rainbow Blvd. M.S. 1076,    Kansas City, KS 66160    Este programa es únicamente con fines educativos. Para recibir un diagnóstico o tratamiento, consulte a su médico. La información proporcionada por el invitado es responsabilidad de este. No tenemos los derechos de autor de la música que aparece en este video. Todos los derechos de la música pertenecen a sus respectivos creadores

Send a textAn accomplished performer with more than three decades of professional experience as a singer, songwriter, voice actor and music producer, Jason Charles Miller has established himself as a veteran presence in entertainment. with 6 albums straddling the genres of rock, country, Americana and heavy southern rock, he extended even further with composing music for video games and voice acting such as Final Fantasy XIV: Shadowbringers in 2019. You can check him out atwww.jasoncharlesmiller.comall links are thereSupport the showThe David Bradley ShowHost: David Bradleyhttps://www.facebook.com/100087472238854https://youtube.com/@thedavidbradleyshowwww.thedavidbradleyshow.com Like to be a guestContact Us david@thedavidbradleyshow.comRecorded at Bradley StudiosProduced by: Caitlin BackesProud CMA MemberSPONSERS Purity Dairy Viation AV/ IT DKDproductions

In this episode of Americana Podcast: The 51st State, Robert Earl Keen sits down with Billy Strings to talk about learning to play, the craft of songwriting, and the evolving world of Americana music. Born William Apostol and raised in rural Michigan, Billy Strings grew up surrounded by bluegrass. By the time he was a teenager, his blistering flatpicking had already earned him a reputation as a prodigy among pickers and players. Years of relentless practice and countless small gigs eventually carried him from Midwestern bars and festivals to some of the biggest stages in roots music. For years, bluegrass lived mostly in whispers. You might hear it referenced in liner notes, spot it in a citation, or see it pop up in the occasional New Yorker cartoon. But something has changed. The conversation has gotten louder, and the reality is harder to ignore. Bluegrass music is considered cool now. It should not come as much of a surprise. Bluegrass has always carried a rich and vibrant history stretching back to the early twentieth century. It is a genre that holds tight to regional identity, creative freedom, and remarkable musicianship. At the same time, it has always fostered a deeply communal culture of learning, where songs, skills, and stories move naturally from one player to another. What the music needed was a new voice. New chapters. New songs added to the bluegrass canon. That is where Billy Strings comes in. Over the past several years, Billy has emerged as one of the most influential figures in modern bluegrass. His albums Home and Renewal helped push the genre into new territory while earning widespread acclaim, including multiple Grammy Awards, with Home winning Best Bluegrass Album. His live shows have developed a devoted following, blending traditional bluegrass musicianship with the improvisational spirit of jam bands and the storytelling roots of Americana. Billy Strings makes music that is rooted in bluegrass but stretches well beyond it. His songwriting reflects a deep understanding of the power of a well-crafted song. His lyrics move easily between personal reflection, observations about economic and ecological change, and the everyday questions that shape a life. All of it is supported by remarkable musicianship and production, where intricate playing and layered sonic details often create moments that feel almost like soundscapes. Trying to describe how good he is can be difficult. Some things are simply easier to hear than to explain. Listen to the full episode on all streaming platforms or at Americanapodcast.com. Like, share, and subscribe to Americana Podcast. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this week's show, our good friend, Charlotte Observer columnist, and author of Finding Your Walden: How to Strive Less, Simplify More & Embrace What Matters Most  Jen Tota-McGivney joins us for the very 4th time to share her 2026 Oscars picks. All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Episode 361 features Andrew Savage from Austin, TX. We are playing a show together this Saturday in Austin during South by Southwest weekend at The Liberty on 6th Street. We (The Hollow Truths) are playing just before Andrew and his band go on. Zach Black kicks things off at 4:00pm. So we play at 445 and 530 respectively. This is the second time Andrew has been on the show, and he also played with us last year. It was a great turnout, and we hope for the same again this year. There will be a bunch of bands playing all day long at Liberty (as well as all week), so if you're in town definitely come by, hang out, have a few Lone Stars, and check out the bands. Andrew Savage has a folk-punk/Americana rock sound, and I featured Andrew's latest track, “Parking Lot Puddle,” on the episode. You can find it wherever you listen to music. Jack Meidel, who is in Andrew's band, was also part of the interview. We talked a lot about nostalgia, songwriting, playing hotel bars, and following your dreams year after year. Thanks for listening and supporting local artists!   Please follow, rate, or review the podcast wherever you are streaming if you'd like to help us out.  -- Part-Time Rockstar Productions is available in the DMV for music videos and live filming.       

March 2026's edition of BLUES TIME. PLAYLIST: ARTIST - ALBUM - TRACK. 1 Ndidi O - It's About Time - Come On Home. 2 Bluesman Mike & The Blues Review Band - Blues Is My Business - I Feel the Blues Comin' On. 3 Derrick Dove & the Peacekeepers - Rough Time - Rough Time. 4 Crossroad Union Band - Robert Johnson Re-Imagined - Preachin' Blues. 5 Redfish Blues Band - Together is Better - Got a Feeling About You. 6 Cheryl Lescom & The Tucson Choir Boys - Last Call - Evermore. 7 Larry McCray - Heartbreak City - Try To Be a Good Man. 8 Doug MacLeod & miXendorp - Bluestronica Midnight Sessions - The Devil is beating his Wife. 9 Paul Bonn - True Stories - El Chupacabra 10 The Johnny Max Band - Johnnt Max and his so-called Friends - Might As Well Be On Mars. 11 Muddy What - Neon Soul - Letters on a Line. 12 The Sheyana Band - All the Best - Wasted. 13 Emanuel Casablanca - Rain On My Window. 14 Crossroad Union Band - Robert Johnson Re-Imagined - Come on in My Kitchen. Size: 159 MB (167,628,237 bytes) Duration: 1:09:43

Some songs don't just play; They mark seasons of your life.And you don't realize it until years later.These are the Americana songs that shaped who we (Ben and Zach) have become.As you'll hear it's not because they were chart-toppers or because everyone else loved them......it's because they found us at a very specific moment.A long drive after a hard loss.A tiny club when you felt invisible.A lyric that said what you couldn't say out loud.That's the part we don't talk about enough!We analyze strategy. We debate business models. We optimize everything.But songs?They bypass ALL logic.They attach themselves to your identity. When you look back, you realize certain bands didn't just soundtrack your life, they helped AUTHOR IT.We can trace chapters of our own growth to specific records.Certain risks we took. Certain conversations we had. Certain seasons we survived.It's wild how an honest lyric can do what no book ever could.The real question becomes isn't whether music changes us.It's this...Are we CHOOSING the songs and bands that shape us…Or are we passively letting whatever's loudest do the shaping?What if the music you surround yourself with is determining the leader, parent, and partner you become?

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, and multi-instrumentalist Sarah Jarosz at a remarkable moment in her career, fresh off multiple Grammy wins, including recent recognition with I'm With Her. We talk about what it actually feels like to experience that kind of validation after years of nominations, and why the support she receives from her hometown of Wimberley, Texas, still means so much, especially with music that reflects on family, time, and staying connected to where you come from.Sarah shares how I'm With Her, her trio with Aoife O'Donovan and Sara Watkins, became a creative counterbalance to the pressures of solo work. What stands out is how naturally the collaboration works: three distinct musical voices, no ego battles, and an instinctive approach to arranging harmonies and deciding who carries each musical moment. It's a reminder of how powerful true musical trust can be.We also explore how her perspective on collaboration has evolved over the years. Early in her career, Sarah felt a strong need to protect her artistic voice. But as she gained experience, she realized that once you truly understand what you bring to the table, collaboration becomes less risky and far more rewarding.One of my favorite parts of the conversation is a deep dive into the next generation of acoustic musicians, artists with deep bluegrass roots who aren't confined by genre boundaries. Sarah traces that lineage through musicians like Chris Thile, Punch Brothers, David Grisman, Mike Marshall, Béla Fleck, and Edgar Meyer, framing today's scene not as a sudden movement but as a continuation of a long and evolving acoustic tradition.We also nerd out about her time at the New England Conservatory, why she chose it over Berklee, and how her early Kodály training gave her a powerful foundation in ear training and musical intuition. We wrap by talking about what's next: an upcoming I'm With Her live album, summer touring, and a rare pause in her solo career as she finds herself between record contracts for the first time. In a music industry constantly shifting, from streaming economics to AI, the grounded takeaway is simple: the real thing still matters, and people continue to show up for honest music played by real humans.Key TakeawaysWhat it actually feels like to win Grammys after years of nominations.Why Sarah Jarosz still feels deeply connected to her hometown of Wimberley, Texas.How I'm With Her works creatively—three voices collaborating without ego.Why collaboration becomes easier once artists understand their own musical identity.The lineage of modern acoustic music through artists like Chris Thile, David Grisman, Béla Fleck, Edgar Meyer, and Mike Marshall.How Kodály training and ear development shaped Sarah's musicianship early on.Why the “real thing”—human voices and acoustic instruments—still resonates in a rapidly changing music industry.Music from the EpisodeJealous Moon — Sarah JaroszWhen the Lights Go Out — Sarah JaroszRunaway Train — Sarah JaroszAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

Americana, Roots, Folk, Blues and Country music. Featured Artists . New and classic tracks.  Episode includes Jackson Browne, Willie Nelson, Nina Simone and The Dubliners.A SPECIAL ON POLITICAL SONGS.

Join Dave Stroud for a look at a fascinating, if somewhat cringey, slice of music history, where white cover versions of black R&B nuggets were whitewashed across the pop charts in the 1950s. While the ‘cover version' was a standard industry practice, so were the ‘sanitized' versions of R&B hits by black artists that made them more ‘palatable' for white radio audiences, spotlighting white artists while the original creators stayed in the shadows. It's certainly something that could be the topic of numerous Deeper Roots episodes but we'll limit our scope to a two hour exploration, measuring the original against the cover. On one side of the house we'll hear from Fats Domino (a popular source for the practic), Big Joe Turner, The Moonglows and a handful of others. The other side of the house has the names of Pat Boone, Art Mooney, The Fontane Sisters and others among the dubious roster ‘favorites'. Radio and media helped to democratize the landscape but today's parallels with the frothing ‘look over thereness' of right wing hate is unmistakable and hard to ignore. It was George Santayana who observed that “those who do not learn from history, are bound to repeat it.“

In this Episode: Our heroes discuss the NASCAR fest Days of Thunder! It's in honor of Robert Duvall who passed recently and is a classic bit of Americana. Tune in! Follow Us: Our Website Twitter Instagram Facebook Items discussed (links to more info): Note - if the below links don't work in your podcast player please visit the show page at: https://ebd.fm/episodes/340

On this week's show, we spend quality time with new records from Cordovas, Meels and Ratboys, spin fresh tracks from The Long Ryders, Delvon Lamarr Organ Trio and Labi Siffre, and get downright spooky in two very different ways. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

The Bent Twig (Part 3)⁠⁠Dorothy Canfield Fisher (1879 - 1958)⁠⁠Semi-autobiographical series of incidents in the life of an intellectual American family in the late 19th - early 20th Century as seen by favored daughter, Sylvia Marshall. Her father is an economics professor in a Midwestern state university and she is following in his inquisitive footsteps. Canfield writes this in a matter-of-fact manner with Tarkingtonesque good humor. ( Summary by BellonaTimes )Genre(s): General Fiction, Humorous Fiction, RomanceLanguage: EnglishKeyword(s): ⁠⁠family⁠⁠ , ⁠⁠kids⁠⁠ , ⁠⁠Americana⁠⁠ , ⁠⁠Montessori⁠⁠ , unconventional

Our conversations with the 2026 Automotive Intelligence Award winners continue with Patrick Manzi, who is the chief economist at the National Automobile Dealers Association. Manzi , who got his first subscription to Car and Driver in his early teens, talks with Auto Remarketing senior editor Joe Overby about how his affinity for cars and his economic studies intersected, learning the business side of automotive, how he gathers data, working with dealers and much more. But Manzi has expertise beyond automotive. The longtime drummer has provided the backbeat for rock, hip-hop, dance and Americana bands. Listen to this episode to hear what moves him.

Nat Simons comenzó en 2013: con un álbum autoeditado se convirtió en una de las nuevas promesas de la música Americana. Más de una década después, se ha convertido en una voz imprescindible de la escena de rock alternativo. A lo largo de su carrera ha compartido escenario con artistas como Emmylou Harris o Rodney Crowell y ha recibido alabanzas de músicos como Ryan Adams o Gary Louris, líder de la banda The Jayhawks, para los que ha actuado como artista invitada. Gracias a eso, consiguió grabar su álbum “Lights” (2018) en EEUU. Ha presentado su arrollador directo en grandes festivales de nuestro país, como el Primavera Sound, el Azkena o el Sonorama y ha actuado junto a artistas como Loquillo en su gira de 40 aniversario.Escuchar audio

Ep 249 | Trump just invoked a wartime law to boost domestic glyphosate production — you know, that controversial pesticide the MAHA movement has been fighting against for years. This week on Discover Ag, Natalie and Tara explain why the glyphosate executive order is more complicated than the headlines make it sound, why farmers are caught in the middle, and how an initiative banning hunting, fishing, and livestock could actually make it to the ballot. They bring it home with some classic Americana, from viral content of Team USA's hockey gold to a nostalgic grocery store staple that's about to leave shelves forever. What We Discovered This Week

On this episode of the I'M A FAN OF podcast, Travis Wright sits down with Chris J. Norwood, a musician and songwriter based in North Texas. Throughout his career, Norwood has navigated a diverse range of genres, from Americana and indie rock to his recent explorations of blues and soul with his ensemble, Chris J. Norwood & The Knockdown Dragout. His latest single, American Healthcare Blues, is a track inspired by his personal experiences with the United States medical system. Listen to the interview, check out is music and and go watch a live show! Enjoy!  I'M A FAN OF: https://linktr.ee/Imafanof Chris J. Norwood: https://www.chrisjnorwood.com/  

Steve Earle is rock and roll, he is country, and Earle has deep roots in early Americana all the way back to Guy Clarke, Townes Van Zandt, and Rodney Crowell, among many. A songwriter first, I found him with his "Guitar Town" release back in 1986.  Listened to the second album, the Springsteen-esque "Exit 0", a lot, and when 1988's "Copperhead Road" album came out, we turned it up loud. With this episode, I wanted to listen to his older music and talk about artistry, rebellion, and political themes that the three-time Grammy winner has embraced through 20 albums with themes of social justice, addiction recovery, and political, anti-war views. A newly-invited member to the Grand Ole Opery (who would have ever thought that would happen back in 1987), we also listen to some of what is a whole lot of great cover songs. Let's go.

The Bent Twig (Part 2)⁠Dorothy Canfield Fisher (1879 - 1958)⁠Semi-autobiographical series of incidents in the life of an intellectual American family in the late 19th - early 20th Century as seen by favored daughter, Sylvia Marshall. Her father is an economics professor in a Midwestern state university and she is following in his inquisitive footsteps. Canfield writes this in a matter-of-fact manner with Tarkingtonesque good humor. ( Summary by BellonaTimes )Genre(s): General Fiction, Humorous Fiction, RomanceLanguage: EnglishKeyword(s): ⁠family⁠ , ⁠kids⁠ , ⁠Americana⁠ , ⁠Montessori⁠ , unconventional

Oliver checks out a favourite indie rock album on it's tenth birthday, Nada Surf's 'You Know Who You Are'. It's an album he thinks finds a perfect middle ground between the band's grungy early sound and their more pop-based indie sound. Then, a look at a reissue of the first studio release by Americana legend Jason Molina's band Magnolia Electric Co.. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Season 7 of The American Songster Radio kicks off with Dom Flemons and Vania Kinard welcoming in documentarian Jon Jenks, producer of the new film Pu'uwai Haokila: The Story of How Hawai'i Shaped Modern Music, in conjunction with PBS Hawaii! Learn more about the film: https://www.pbshawaii.org/puuwai-haokila/ For more about Dom: https://www.theamericansongster.com/ Listen for full episodes of The American Songster Radio (with music curated by Dom and Vania that we can't include in the podcast) quarterly on WSM Radio in Nashville, Tennessee. New episodes air on the third Sunday of January, March, April, June, July, September, October, and December at 7pm CT, and on the Route 650 Americana streaming channel every Saturday night at 9pm during those months. Listen online at http://wsmradio.com or via the free WSM Radio App | Download on iOS & Android.

Devon Gilfillian has been putting his own spin on Americana music since moving to Nashville from Philadelphia back in 2013. He pushes the boundaries even further on his forthcoming album Time Will Tell, which he recorded at historic RCA Studio A on Music Row. But, Gilfillian says, this is far from a Music Row-type album. During his visit to the Nashville Now cabin, the singer-guitarist talks about sidestepping the system as an indie artist, how Sturgill Simpson's Metamodern Sounds in Country Music influenced his career, and why things have or haven't changed for Black artists making their art in Music City. Get to know one of American roots music's most dynamic voices on this episode of Rolling Stone's all-things-Nashville podcast.   Country is Here…Nashville is Now.   Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bad Dads Film Review goes full courtroom chaos this week with My Cousin Vinny (1992) — the fish-out-of-water legal comedy where two broke New York kids take a wrong turn into the Deep South… and somehow end up charged with murder because of a misunderstanding that starts with a can of tuna.Sidey finally ticks off a long-standing gap (he'd never seen it), and we break down why this film still works: a tight premise, a brilliant “outsider vs small-town system” vibe, and a courtroom structure that's way smarter than it has any right to be for a broad comedy. Joe Pesci turns up looking like he's wandered in from Goodfellas in cowboy boots, tries to blag his way through Alabama procedure, and gets repeatedly threatened with contempt by an all-time stern judge (Fred Gwynne, aka Herman Munster).What we talked aboutThe opening setup: poverty-tour Americana, the road trip, and the tuna “crime of the century” that accidentally feeds the tension.Mistaken confession comedy: how the boys basically incriminate themselves… for the wrong offence.Vinny's legal “credentials”: six tries at the bar, no trial experience, and a running battle with courtroom etiquette (“judge” vs “your honour”, the suit, the procedure handbook).The judge dynamic: why Fred Gwynne is the perfect straight man and how the contempt/lock-up beats become a recurring gag.Mona Lisa Vito (Marisa Tomei): the film's secret weapon — and why her role isn't just “girlfriend”, she's the brain that solves the case.Courtroom mechanics: cross-exams, witness deconstruction, and why parts of this film get referenced in law-school conversations as a simple example of dismantling testimony.The car/tire evidence: the key pivot from “they're screwed” to “hang on…” and the satisfying payoff when the story flips.Does it hold up? Runtime bloat (two hours is generous for this kind of comedy), how a lot of the plot collapses in the internet era, and why it's surprisingly not as offensively “of its time” as plenty of early-90s comedies.The Oscar chat: why Tomei winning Best Supporting Actress felt weird for a comedy… and whether it was actually deserved.Standard warning: we spoil the beats as we go, because that's the whole fun of a courtroom film.If you want a movie that's basically “competence porn disguised as a daft comedy” — where the final win is earned by actual reasoning rather than magic — this one's worth your time. (And yes: Tomei still, somehow, only gets more powerful with age.)Streaming note from the episode: available on Disney+.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

The Bent Twig (Part 1)Dorothy Canfield Fisher (1879 - 1958)Semi-autobiographical series of incidents in the life of an intellectual American family in the late 19th - early 20th Century as seen by favored daughter, Sylvia Marshall. Her father is an economics professor in a Midwestern state university and she is following in his inquisitive footsteps. Canfield writes this in a matter-of-fact manner with Tarkingtonesque good humor. ( Summary by BellonaTimes )Genre(s): General Fiction, Humorous Fiction, RomanceLanguage: EnglishKeyword(s): family , kids , Americana , Montessori , unconventional

On “Invited (to the Party),” Brontë Fall captures a feeling that's both deeply personal and universally understood; that electric moment when perseverance finally turns into recognition. It's a song that glows with earned confidence, not bravado, balancing a pop accessibility with the kind of emotional specificity that makes a listener feel like they've been quietly rooting for her all along. Wrapped in Americana-tinged pop, the track plays like a victory lap that still remembers every mile it took to get there.

Americana, Roots, Folk, Blues and Country music. A MARY CHAPIN CARPENTER SPECIAL.

Stuart Maconie talks to the Riot Women and In The Thick Of It actress Joanna Scanlan on her lastest project, Mercy - a dark comic thriller.Faye Tozer is perhaps best known as part of the crowd pleasing, hearts and flowers pop band Steps, but now she's joining the cast of Mean Girls the musical - what does she make of the world of queen bees and "plastics". Fascinating Aïda's Adèle Anderson on staying fierce and fabulous while on tour with Priscilla Queen of The Desert the musical without her caberet co-stars. Plus music from smokey-voiced, Americana-inspired English singer song-writer Elles Bailey and BBC Introducing NorthEast indie pop singer ERNIE. Presenter: Stuart Maconie Producer: Olive Clancy

These days, country and pop acts regularly invade each other's territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

These days, country and pop acts regularly invade each other's territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

These days, country and pop acts regularly invade each other's territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Recently, Nadine Saylor has been creating a series of gas and oil cans featuring imagery of her local surroundings. These more "masculine" objects remind her of the things her grandfather had in his shed. In thinking about gender and how it relates to the objects with which we surround ourselves, she investigates what role gender plays in our world writ large. Assistant Professor of Glass and Sculpture at University of Nebraska, Kearney, Saylor is originally from Hershey, Pennsylvania. She received her BFA in Photography from the University of the Arts in Philadelphia and her MFA in Glass from Alfred University in upstate New York. Since then, she has taught at Bowling Green State University in Ohio, Harrisburg Area Community College in Pennsylvania, and at Southern Illinois University in Carbondale. In addition to teaching at the collegiate level, she has taught many workshops internationally including The Studio at the Corning Museum of Glass and Penland School of Craft in North Carolina. She has also given demonstrations nationally and lectured internationally. Saylor has exhibited in many exhibitions across the country including the Cafesjian Art Trust, in Shoreview, MN, Toyama's International Glass Exhibition 2024 in Japan and has shown at SOFA Chicago. She recently completed a commission of two works Carrie Oilcan and Copper Kettle Nebraska for the Federal Reserve Board Gallery to be on display in Washington, DC, and to compliment her works commemorating American industry that were purchased in 2024. Derivative of her childhood, Saylor's works are instilled with love of Americana and history along with an interest in the stories behind the objects, the places, and the lives they have touched.  For example, Saylor's series of pincushions began with the familiar Tomato and Strawberry forms. In researching the history of these objects, the artist learned the pincushion was placed on the mantle to ward off evil spirits. When tomatoes were out of season, women made them out of fabric and used them as voodoo dolls. "I enjoy these kinds of historical narratives and use them as a vantage point in my work," she says. Imagery tells a story on the surface of many Saylor works. For example, Foggy Morning in the Black Swamp is a replica of an antique coffee pot she found in an antique store. The imagery on the surface is inspired by the artist's bike rides on the old railroad trail bike path through the Black Swamp.  She states: "My surroundings continue to affect the imagery on my glass as I lived on a farm in Southern Illinois with an array of chickens, goats and horses. This nostalgic life took me back to traveling to my grandmother's house in the countryside of rural Pennsylvania. Not only does my current rural life in Nebraska play a part in my glasswork, but I am also interested in the memories sparked by certain objects and what roles they play in our lives."   

Americana singer-songwriter Reverend Hylton shares how sobriety, van life touring, and radical leaps of faith shaped both his music and his life. From playing intimate Georgia venues to performing nearly 200 shows a year while living on the road, he reflects on songwriting as therapy, fatherhood, and a transformative journey through the Grand Canyon. This episode explores creativity, resilience, and what it means to truly follow the dream.

A raíz de la desclasificación de los documentos del 23F, Javier Traité aparca las conspiraciones patrias para analizar una polémica mucho más actual: las declaraciones de Elon Musk sobre la necesidad de una "cultura común" en Estados Unidos y su reivindicación del origen "anglo-escoto-irlandés" del país.El historiador desmonta esa lectura etnicista de la identidad nacional y recuerda que los imperios más duraderos, como el persa en la Antigüedad, se sostuvieron sobre estructuras multiculturales. Frente a la idea de una esencia blanca y fundacional, Traité repasa la diversidad que ha construido Estados Unidos: desde los pueblos nativos hasta los millones de italianos, alemanes y afroamericanos que han moldeado su historia. Más que una lección de pasado, una advertencia sobre cómo se instrumentaliza la Historia para justificar discursos supremacistas en el presente.

This is a clip of the latest Bonus pod! For the full episode, please subscribe on Patreon. In this bonus pod, we talk about the workwear/Americana goodness found in Clint Bentley's Train Dreams (2025). Malgosia Turzanska's costuming is really well done, being a combination of true vintage, repro, and modern garments to evoke the rugged attire of loggers in the 1910s. With all of the picturesque imagery and composed blocking, every shot in the film serves as inspo fodder for any menswear enthusiast, while also harkening to the bygone days of 2010 heritage-core. The movie also just feels like one long, sad/contemplative Filson editorial— and we mean that in a good way! Ethan's Blog: https://alittlebitofrest.com/2026/02/25/the-menswear-in-train-dreams-2025/ Support us on Patreon for the FULL episode and join the Discord: https://www.patreon.com/styleanddirection/ Follow us on Instagram! www.instagram.com/styleanddirection/ Podcast is produced by MJ

Jason and Paul welcome singer/songwriter Chris Pierce to show as he readies his new album Songs for the Heavy Hearted. Chris has written and performed socially concious, deep and meaningful songs for over two decades, toured with the likes of Neil Young and has the respect of some of most revered in Americana music. We dive into his songwriting process, lyrical perspectives and how he articulates his feelings about the current state of the world through his music. Chris has an indiegogo campaign to help fund the promotion and production of the record with some pretty great perks. You can support him at the link below:Support Chris's new album HEREBuy Pod MerchBecome a PatronWatch Us on YouTubeFollow Us on InstagramFollow Us on FacebookFollow us on XPlease take a short survey HERE to help us better the show! Hosted on Acast. See acast.com/privacy for more information.

Episode Title: Blood, Gold & the Brotherhood Runtime: ~20 minutes Tone: High-energy, cultural commentary, celebratory

Support the sponsors to support the show!Head to factormeals.com/soder50off and use code soder50off to get 50 percent off and free breakfast for a year. Eat like a pro this month with Factor. New subscribers only, varies by plan. 1 free breakfast item per box for 1 year while subscription is activehttps://www.factor75.com/pages/podcast?c=SODER50OFF&mealsize=1-8&utm_source=podcast&utm_medium=cpm&utm_campaign=podcast50off&discount_comm_id=ae97cdba-b315-4752-8023-6a6a77bae942&utm_content=act_podcast_podcastadsStop putting off those doctors appointments and go to Zocdoc.com/SODER to find and instantly book a doctor you love today.  Thanks Zocdoc for sponsoring this message.https://www.zocdoc.com/?utm_medium=audiopodcast&utm_campaign=soderFor a limited time, new Cash App customers can earn $10 if they use the code CASHAPP10 in their profile at signup and send $5 to a friend within 14 days. Terms apply. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Cash App Green, overdraft coverage, borrow, cash back offers and promotions provided by Cash App, a Block, Inc. brand. Visit cash.app/legal/podcast for full disclosures.Chubbies is here to keep you comfy and looking good year-round. Get 20% off with code soder20 at chubbiesshorts.com/soder20 #chubbiespodhttps://www.chubbiesshorts.com/?utm_source=Soder&utm_medium=Podcast&amount=20percentThe Golden Retriever of Comedy Tour is coming to your city!Get tickets at https://www.dansoder.com/tourFEB 28 - Buffalo,NYMarch 6 - Boston - 2 shows 7pm and 9:30March 7 - Philadelphia,PAMarch 19 Dallas,TXMarch 20 - Houston,TXMarch 21- Oklahoma City,OKApril 4 - Huntington,KYApril 10 - Charlotte,NCApril 11 - Durham,NCApril 17 - Munhall,PAApril 18 - Cleveland,OHApril 19 - Columbus,OHApril 24 - Larchwood,IAFollow Craig Fergusonhttps://www.thecraigfergusonshow.com/https://x.com/CraigyFerghttps://www.instagram.com/craigyferg/?hl=enhttps://www.youtube.com/watch?v=m9Xp-WM-Kg8PLEASE Drop us a rating on iTunes and subscribe to the show to help us grow.https://podcasts.apple.com/us/podcast/soder/id1716617572Connect with SoderTwitter: https://Twitter.com/dansoderInstagram: https://www.instagram.com/dansoderTiktok: https://www.tiktok.com/@dansodercomedyFacebook: https://www.facebook.com/dansoderYoutube: http://www.youtube.com/@dansoder.comedy#dansoder #standup #comedy #entertainment #podcastProduced by  Mike Lavin   @homelesspimp  https://www.instagram.com/thehomelesspimp/?hl=en

What really happened at Girls Just Wanna Weekend? (Short answer: joy, gyrations, no restraint.) Glennon and Abby take you inside Brandi Carlile's Mexico gathering—a wildly safe, queer weekend beaming with music, connection, and collective joy. They unpack their now-iconic onstage “Come to My Window” performance (there were lifts), how rehearsals accidentally became couples therapy, and why joy, sexuality, and community aren't distractions from this moment—but acts of resistance. Plus: the magic of Titans of Americana, where Brandi shared the stage with her legendary idols and Tish—bridging generations and honoring the past while lifting up what's next. Listen to last year's debrief – 277. What Happened Last Weekend: Girls Just Wanna Have Fun & We DID! – here.  Follow We Can Do Hard Things on:  Instagram — ⁠https://www.instagram.com/wecandohardthings⁠ TikTok — ⁠https://www.tiktok.com/@wecandohardthingsshow⁠