Podcast appearances and mentions of luisa del giudice

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat... Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat...

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat... Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat... Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat... Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat... Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat... Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York. He's also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City's Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms. The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters. Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum's Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat... Learn more about your ad choices. Visit megaphone.fm/adchoices

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it. The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process. The result is a kind of textual “Wise Women's Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism. The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women's voices to be heard. Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it. The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process. The result is a kind of textual “Wise Women’s Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism. The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women’s voices to be heard. Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it. The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process. The result is a kind of textual “Wise Women’s Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism. The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women’s voices to be heard. Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it. The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process. The result is a kind of textual “Wise Women’s Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism. The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women’s voices to be heard. Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it. The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process. The result is a kind of textual “Wise Women’s Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism. The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women’s voices to be heard. Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it. The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process. The result is a kind of textual “Wise Women’s Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism. The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women’s voices to be heard. Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it. The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process. The result is a kind of textual “Wise Women’s Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism. The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women’s voices to be heard. Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices