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inSonic 2020: syntheses | streaming festival [12.12.2020] During the first panel discussion, US-American experts in computer music will meet the director of the ZKM | Hertz Lab, Ludger Brümmer, to discuss historical AI approaches in areas such as computer-aided algorithmic composition. Ludger Brümmer (Mod.), Scot Gresham-Lancaster, George Lewis, Palle Dahlstedt
Giga-Hertz-Preis 2018 | Talk and discussion [25.11.2018] The Giga-Hertz main award winners »The Hub« - John Bischoff, Tim Perkis, Chris Brown, Scot Gresham-Lancaster and Phil Stone – will present aspects of their work in a lecture. Founded in 1986, the US network music ensemble emerged from the »League of Automatic Music Composers«, which explored the potential of the computer as a live musical instrument in the late 1970s. »The Hub« are among the pioneers in the field of network art, live coding and laptop ensembles.
A conversation on sonification and electroacoustics between Scot Gresham-Lancaster and Roger Dean, British-Australian musician, academic, biochemist and cognitive scientist.
Chris Chafe talks about his years of experiences in the field of sonification with Scot Gresham-Lancaster. Chris is the Director of the Stanford Center for Computer Research in Music and Acoustics. Listeners who want to hear some of Chris’s excellent sonification work can go here: http://chrischafe.net/portfolio/sonification-2/. His bio is at: http://chrischafe.net/about-2-2/
First of all, Welcome to my channel! My intention with this channel is to draw parallels between chess, art and technology. If you have ideas or topics that you would want to hear regarding chess, please do let me know. Let’s get started! Scot Gresham-Lancaster is a composer, performer, instrument builder, educator and educational technology specialist with over three decades of professional experience. Scott has worked with variety of different artists, one of them being a modernist giant John Cage. John Cage was a close friend of another very influential artist Marcel Duchamp, who was expert in chess. In 1967, Cage came up with the idea of using chess board as medium for live performance. Photoreceptors on the board would translate signals into the sound, so artist were composing music while playing chess. At 50years anniversary of the original piece, Scott reinvented ‘’Reunion’’ to perform at 9evenings Art exhibition in Seattle. Astrophysicist and head of ArtScienceLab Roger Malina and Neuroscientist Gagan Wig were part of the performance playing chess, while visually projecting data of aging process. Short video about the performance. Read more about the original piece. Contact Scott to hear more about the artwork.
Scot Gresham-Lancaster meets with colleague Bert Barten to touch bases on a decade-long project called Talking Trees. The project studies the ability of 'mother trees' communicating with their forests through chemical reactions in mycelium.
Steve Bull and channel producer Scot Gresham-Lancaster meet online to look back over the early days of putting the cellphonia project together. This is just the first of several interviews that will cover the background of the technical and aesthetic challenges that make up this new audio art form, the cellphone opera.
Pauline Oliveros and host Scot Gresham-Lancaster have collaborated on many projects over the years and in this podcast they talk over some of that work with a focus on the pieces at the Art/Science boundary. The Deep Listening Art/Science Conference comes up as well as the interesting "moon bounce" pieces, "Echoes from the Moon"
Andrew Blanton and Scot Gresham-Lancaster introduce and discuss CONDUCTOR, an exploration in real-time sound diffusion using multiple iOS devices as sensors for the placement of sound. The design references the historical use of spatial dimensions in music and addresses how the disintegration of traditional audience/performer roles creates massive implications for this new approach to "conducting". The system requires at least four channels of audio for 360 degree audio spatialization.