Podcasts about us american

We're gonna play this on a Monday! Ann is back again and Katie is back again and she went to some place called Punta Gorda Florida where she was looking at all kinds of animals and deers and boners out in nature. Edward really likes Ann's innuendo voice, we talk about the Gulf of America, Ann talks about her mail order adventure, Luke complains about the general public, Jaclyn and Katie share some info about their cheese people and Edward introduces us to his brand new game. Back in the olden days, there was a catalog showroom called Witmark that you could see crap to buy. Our contest this week is guessing how much all the neat crap in the catalog actually cost in US American dollars! Can you guess how much a Casio watch used to cost? Who was out there buying hobo clowns? Do you want your own Ted DiBiase wrastlin man? Play along this week only on Bubbles' Mushrooms!

For many of us, our country is walking a tightrope between democracy and autocracy.I am a US American civilian. I avoided serving in the US military during the Vietnam War. My father and son were in the military – one in WWII – the other a never-deployed Marine. Despite these secondary contact with our armed forces, I do not understand the US military mind and culture. I do know it is the most lethal force in human history.For this BCR series -- "Nature of the U.S. Military" -- I ask US Veterans to help me understand the nature of our armed forces. And ask them -- if push comes to shove -- will our military uphold this republic of and by the people – or follow the orders of a corrupt Commander-in-ChiefCaptain Matthew Hoh helped get me starte. Matthew Hoh is a Senior Fellow with the Center for International Policy and a member of the Eisenhower Media Network.Matthew Hoh served nearly a dozen years as a US Marine with experiences in overseas wars in the American occupation of Iraq between 2004 and 2007 -- and Captain Hoh contributed to US policy and operations at the Pentagon and State Department. In 2009, Matthew Hoh resigned his position with the State Department in Afghanistan in protest of the escalation of that war.Alan Winsonbarcrawlradio@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Jonny and Heather celebrate an unnexpacted and probably lasting warmer rest of February. They turn their attention to the World Human Rights report that notes the USAmerican impact on LGBTQ+ rights globally. They examine several examples of this unfortunate trend in Democratic Recession. In the back half of the show they turn to the great cultural distraction of ahtletics where two big sporty rituals--the Winter Olympics and The Superb Owl--give examples of both queer victories and queer losses. But with a bite of an ambiguously diverse oatmeal cookie, we are still in the game!

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice's “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice's “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice's “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice's “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice's “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice's “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice's “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Thanksgiving is back in the US, and so are we with a special reissue of our November 2022 episode, "Holidays of gratitude"! (And don't forget: Dean's newest book, "Business Beyond Borders: Stories, Tales, and Lessons Learned from Working in 100 Cultures Around the World”, IS OUT NOW. Order your copy today!) Happy Thanksgiving to our US American listeners! In this episode, Dean dishes to Tom about both experiencing US American holidays like Thanksgiving while in different countries, as well as immersing himself in different countries' holidays over the years – from Slovakia to India to China, and many more! Plus, Tom searches for wordplay (but does he find it?) and producer Torin calls out semantic satiation when he hears it (but can he say “satiation”?). Enjoy gobbling up this episode, and thank you for listening! ***Subscribe to Dean's Substack here to find all of Dean's “Culture's Consequences” articles, CultureQuizzes, and much much more!*** Have a cultural question or episode idea? Reach out on X/Twitter & Facebook (@OopsCultureShow) or by email at oopscultureshow@gmail.com. Hosts: Dean Foster & Tom Peterson Audio Production: Tom Peterson & Torin Peterson Music: “Little Idea” – Bensound.com

Welcome back!  Well, this was a fun one to make, haha!  The hardest part was remembering what was going on, haha.  I've really wanted to try invisible cooking, like really try invisible cooking!  Years ago I cooked an entire LoFi Thanksgiving video and that took 18 hours, so this was much more approachable!  Maybe again someday, maybe I'll have some help! Many blessings and the sweetest of dreams!

The typical American education ends in college. People pursue their passions, no matter how small, no matter how... atypical. This episode delves into some textbook "weird" college degrees and perhaps why they are not so weird as people believe, or why they truly are as weird as we think they are. And perhaps... we poke a bit at the USAmerican obsession with simply having a degree.Music provided by Dark Fantasy Studios. [License]Become a supporter of this podcast: https://www.spreaker.com/podcast/why-would-you-ask-that--5784165/support.

US American foods. Apple Day. Bigfoot sightings. Protein Pop-Tarts. Social sweet spot. Uniquely American foods. These people vote too. Airline news. No more Tortilla Tech.

Stealing scratch off tickets. US American foods. Apple Day. Bigfoot sightings. Protein Pop-Tarts. Social sweet spot. Uniquely American foods. These people vote too. Airline news. No more Tortilla Tech. Food news. Kiwi birds. Entertainment news. Lottery winner! Mean sea otters.

On slavery, racism, and the politics of freedom. Renowned sociologist Orlando Patterson talks to contributing editor Alex Gourevitch about themes brought up by his recent The Paradox of Freedom as well as his works as a whole. Why is the study of slavery too affected by the exceptional US American experience? In what way is violence a constitutive feature of slave relations that aren't true of others? Are we still mired in a politics of ethnic chauvinism? What does it mean for ethnic minorities to engage in self-criticism? Is there a politics of freedom that is hopeful today or has it been eclipsed?

Today is the day that the United States formerly celebrated its independence. But the events of recent months have not made me feel much like celebrating. As I racked my brain to think of an “American” (read: US-American) of whom we could be truly proud, my mind flew to Carol Neblett, one of the great (if relatively unsung) voices of the 1970s and beyond. Carol died prematurely and unexpectedly in November 2017, and from the earliest days of the podcast, it has been my intention to bring increased attention to her incandescent voice and artistry. For a while, her son Stefan Schermerhorn and I have been planning to do such a tribute, but as with so many such plans, life got in the way. With the looming national holiday, however, I felt the urgent need to do a Carol Neblett episode. So I contacted Stefan earlier this week to ask him if he had any reminiscences to share with us as I was preparing this urgently-needed episode. He returned with an absolutely charming Fourth of July anecdote which begins the tribute. There follows a plethora of live recordings of near-definitive performances of an enormous range of roles that were core to Carol's repertoire: Violetta, Ariadne, Thaïs, Marietta, Manon, Musetta, Louise, Tosca, Magda in La Rondine, Margherita in Mefistofele, Leonora in Il Trovatore, and Elettra in Idomeneo. Also well-represented is no doubt her most celebrated portrayal: Minnie in La Fanciulla del West. Being a tall and statuesque California-born blonde made Carol a physically ideal Minnie, but even moreso, it was THAT VOICE which allowed her to negotiate all of the part's considerable vocal difficulties and made her legendary in the part. This is the first of a planned series of Neblett episodes that I hope will bring you as much delight in listening as it did me in preparing it. And in this undeniably grim period of our nation's history, we desperately need Carol Neblett as a shining example of the brilliance of which the United States is still capable. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

NYT best-selling author Robert M. Edsel, who also wrote ‘The Monuments Men’, speaks to WGN Radio's Dave Plier about his new book ‘Remember Us', an ensemble piece that follows twelve main characters over a six-year span. It zeroes in on ordinary people from the small rural province of Limburg in the Netherlands, their gratitude for freedom […]

In this new episode of “bauhaus faces” we talk about Hannes Meyer, the second Bauhaus director. PART 1 concentrates on Hannes Meyer's formative years and his involvement in cooperativism and collectivism, his first steps as architect and artist, and then on to his pivotal role at the Bauhaus in Dessau. What was new when he became second director of the Bauhaus? And why did he have to leave the Bauhaus all at once after two successful years? The US-American art-historian Dara Kiese, who wrote her PhD thesis about Hannes Meyer's holistic education at the Bauhaus, and former Senator for Culture in Berlin and art-historian Thomas Flierl help tell the story of Hannes Meyer in this 1st part. The Meyer era of the Bauhaus ended in summer of 1930 when he is dismissed by the Dessau magistrate in absence from the school. The political tensions between the far left and the far right now became palpable. A communist cell had emerged at the Bauhaus, for which Meyer was blamed responsible. His peak in Germany was now beginning to decline and Meyer decided that it was time to try and establish himself in the Soviet Union – in a country from which he expected freedom of thought and a fulfilment of his architectural visions. Little did he know … PART 2 will launch at the beginning of June featuring Russian art-historian and artist Tatiana Efrussi and Mexican art-historian Raquel Franklin, who both wrote their PhD theses about Hannes Meyer's work in the Soviet Union (1930–36) and Mexico (1938–49) respectively. So, don't forget to listen to that part, too! Let's now dive into a the first part of this new episode of “bauhaus faces” and shine a light on Hannes Meyer.

May 8, 2025, marks the 80th anniversary of V-E Day, the Allied victory in Europe over Nazi Germany. Stan's guest this week is acclaimed author Robert Edsel, talking about his new book, Remember Us, the extraordinary story of the liberation of the Dutch people and the creation of the American Netherlands Cemetery. It is a ...Continue Reading »

Episodio 542 de Contralínea En Vivo conducido por Zósimo Camacho: -ASF revela que presidente del Inai usó American Express en cantinas- Transmisión 12 de febrero de 2024 Contralínea se transmite de lunes a viernes a las 10hrs (hora centro de México). Encuéntranos en Facebook, YouTube, X (antes Twitter), TikTok, Instagram, WhatsApp y Telegram como Contralínea. Escúchanos en Spotify, Apple Podcast e Ivoox como Contralínea Audio.

 Food Empowerment Project (F.E.P) is a volunteer-based non-profit organization focused on veganism and food justice.  F.E.P's mission to to create a more just and sustainable world by recognising the power of one's food choices. They encourage healthy good choices that reflect a more compassionate sociert by spotlightin the abuse of animals on farms, the depletion of natural resources, unfair working conditions for produce workers, and the lack of availability of healthy foods in low-income areas. Please see the links below for further details on their work and impact for food justice. We also spoke about Plant the Land Team Gaza, a vegan food justice and community projects volunteer team based in Gaza, co-founded by Anas Arafat, a Gazan humanitarian aid activist, and Laura Schleifer, a USAmerican vegan, Free Palestine solidarity activist and Total Liberation Campaign Director at the Institute for Critical Animal Studies. Plant the Land Team buys and distributes vegan food, plants food forests, and provides Gazan farmers with seeds and planting tools. Previous fundraising projects have also included providing plant-based insulin to children with diabetes, providing medical treatment, providing warm winter coats and blankets made from plant-based materials, and our yearly vegan food fundraiser for Ramadan. You can follow Plant the Land Team Gaza on Facebook here; https://www.facebook.com/PlantTheLandTeamGaza/ Right now people are facing extreme harship and starvation in Gaza, and donations are desperately needed. Follow co-founder Anas Arafat here for updates https://www.facebook.com/profile.php?id=100008448283358  Please donate via either of the links below:   Food, water and essential items via GoFundMe https://www.gofundme.com/f/support-mutual-aid-in-gaza?utm_campaign=fp_sharesheet_ai&utm_content=amp1v3&utm_medium=customer&utm_source=whatsapp Winter appeal via Muslim Giving https://www.muslimgiving.org/G4zawinter?fbclid=IwY2xjawGU-99leHRuA2FlbQIxMAABHREx6DqnNsKbUbSzjYKQr_isJpYDLXBpczroGEz9fzctnNUAY6fY6jfhfA_aem_HR9L6c5ldKu8NrDnu_Mclw  Links:   Food Empowerment Project: https://foodispower.org/  F.E.P's core work across veganism, access to healthy food, chocolate and farm workers' rights: https://foodispower.org/our-work/  F.E.P's anti-dairy campaign, One Glass at a Time https://gotcolonization.org/  Human slavery and child slavery in the chocolate industry: https://foodispower.org/human-labor-slavery/slavery-chocolate/  F.E.P's chocolate list: https://foodispower.org/chocolate-list/  F.E.P's collective organisational model https://foodispower.org/our-collective-model/  Lauren Ornelas interview with Monica Sanders on medium: How Food Empowerment Project is helping to promote sustainability and climate justice https://medium.com/authority-magazine/how-lauren-ornelas-of-food-empowerment-project-is-helping-to-promote-sustainability-and-climate-6308b4c989e1  Lauren's TEdX talk: The Power of Our Food Choices: Lauren Ornelas at TEDxGoldenGatePark https://www.youtube.com/watch?v=blfVA0a-CBc Music:  We featured music from Leila Hegazy and the benefit compilation album, We are the Resistance. We played three songs: War Machine, Catastrophe and Stay (cover). The We are the Resistance benefit compilation album is available on Bandcamp. All proceeds go to the Palestine Children's Relief Fund (PCRF). https://leilahegazy.bandcamp.com/album/we-are-the-resistance  Feedback: please contact the Freedom of Species team with any feedback via email: freedomofspecies@gmail.com Thank you for listening and supporting 3CR Community Radio. 

Michael Rababy documents US American gambling culture in his new book, Casinoland - Tired of Winning. Rows of shrill slot machines, glowing billboards, and gaudy splendor appear alongside exhausted faces, tired looks, and lost games. Rababy's realistic camera view scrutinizes the glamorous appearance of the gleaming gambling halls and exposes their mendacious promises of wealth. The series focuses more on the casino as a capitalist institution as a whole than on the individual gamblers. Michael Rababy is a Lebanese-American documentary photographer who frequently deals with US American culture and society in his work. He works as a freelance photographer and has photographed for numerous media companies. Resources Michael Rababy Casinoland - Tired of Winning Book Websites Photo Workshops Tokyo Exploration Workshop with Ibarionex Perello Sponsors Charcoal Book Club Chico Review Photobook Retreat Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Contribute a one-time donation to the show thru Buy Me a Coffee Support the work at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Today, on the Hudson Mohawk Magazine: First, Mark Dunlea gives a candidate profile of 107th State Assembly District Democratic Party nominee. Then, Willie Terry shares labor organizer's acceptance speech of Gregory Reynoso at the Jim Perry Awards. Later on, Blaise Bryant brings us disability trivia with Julia Duff, Executive Director of the Spina Bifida Association of New York State. After that, Andrea Cunliffe discusses how US American and Brazilian politics compare. Finally, Sina Basila Hickey speaks with panelist for "Farming While Black” Clara AgborTabi about the changing paradigm of land cultivation.

“When They Call It Disinformation” “FEMA Has Continually Failed Us” “Todd James, American Red Cross, We Have Urgent Need For Blood Donations” “Rotor Wash Sabotage Pilot Revealed”

In this episode, Dr. Sidra Lawrence, Associate Professor of Ethnomusicology and Director of the Afro-Caribbean Ensemble at BGSU, together with several members of BGSU's Afro-Caribbean Ensemble, share their experiences playing African and African diasporic music for an American audience. Both Sidra and the ensemble underline the complexity and sophistication of African and African diasporic music, arguing that it deserves as much study and attention as Western art music. The clips from their recordings included in this episode demonstrate the bandwidth of African music. As Sidra, Clayton and Téo eloquently argue, rethinking the African and Afro Diasporic music repertoire allows us to see its key contributions to US American and world culture, not as folklore, influence or inspiration, but as one of its main driving forces. Not surprisingly, the students who are part of the ensemble share how playing this repertoire has challenged them to improvise and explore and has furthered their training as musicians.

On JD Vance, Hillbilly Elegy, and arresting decline. [For the full episode: patreon.com/bungacast] We discuss the Netflix adaptation of vice-presidential nominee JD Vance's memoir – and the memoir itself – and what it tells us about the direction of US politics, Trump, and MAGA. We ask: What is Ryan's own anti-hillbilly elegy, drawn from his experience in Central Illinois? How far does the character in the film correspond with Vance's public persona today?  How do we account for Vance's political pivot – at least in rhetoric – from “lift yourself up by your bootstraps” meritocracy to pro-labour nationalism?  What will happen to rural/small-town US American life? Plus: Is reading books gay? Is a "hillbilly" just Hillary + Bill? And what is a horseshoe sandwich? Links: The State of Illinois is Killing My Family, Ryan Zickgraf, Jacobin An anti-Hillbilly Elegy, Ryan Zickgraf, The Third Rail (Substack)  Hillbilly Elegy Doesn't Reflect the Appalachia I Know, Cassie Chambers Armstrong, The Atlantic  Why the Left Gets J.D. Vance Wrong, Zaid Jilani, Compact

Join Greg Kelley and Dr. Mark Young on the Unknown Nations Podcast as they dive into Greg's recent travels with Unknown Nations and the realities of being a US American in hostile regions. They provide a spiritual perspective on the war in Israel and global unrest, offering Biblical insights into current events. The episode's main focus is on the urgent need for training indigenous leaders. Shockingly, outside the US, there is only one trained leader for every 400,000 people. Tune in for powerful examples from the Bible and compelling field testimonies of how God is changing hearts and reaching the nations. Explore more about Unknown Nations at www.UnknownNations.com or connect with us at UnknownNations.com/Contact.

Welcome to YOU HAVE BEEN WATCHING: A BRITISH SITCOM PODCAST We're back in the good old U S of A for the concluding part of of our epic (which means long) two part US Sitcom special, talking all things AMERICAN SITCOM! ROBERT and ALEX continue their look at the world of US American sitcoms and share their all important 5-1 of their personal Top 10s - as well as touching base ona. few sitcoms they don't like... you'll even get to hear ROBERT sing... sort of...  What shows make the grade and will your faves be on the list? Host / Editor Robert Turnbull (Twitter/X @Forducks) Co Host Alex Lynch (Twitter/X @AlexJRLynch) You Have Been Watching on social media: Twitter/X: @YHBWpod Subscribe to YOU HAVE BEEN WATCHING: EXTRA LAUGHS: patreon.com/YHBWPOD Part of the Film Stories family filmstories.co.uk Title music: Jumping Cricket (c) Birdies via epidemicsound.com Learn more about your ad choices. Visit megaphone.fm/adchoices

  Laura Schleifer is the Institute for Critical Animal Studies Conference Director, Program Chair at Promoting Enduring Peace, and co-founder of Plant the Land, a Gaza-based vegan food justice/community projects team. A lifelong “artivist” and graduate of NYU Tisch School of the Arts, she's performed throughout the Middle East with a circus troupe, taught in China, Nicaragua, and at Wesleyan University's Green Street Arts Center, performed off-Broadway, and arts-mentored homeless youth. Her screenplay, The Feral Child, was a Sundance Screenwriters' Lab finalist. Her essays appear in New Politics Magazine, Forca Vegan, and multiple anthologies, including "Expanding the Critical Animal Studies Imagination; Essays in Solidarity and Total Liberation" (Peter Lang, 2024), "Kropotkin Now! Life, Freedom and Ethics" (Black Rose Books, 2023), "Neoliberal Schooling of Selfishness and Exploitation: Rubricization and Corporatization of Higher Education", (Peter Lang, 2022) and "Fever Spores; William S. Burroughs and Queer Letters", (Rebel Satori Press, 2022).Links:Plant the Land Team Gaza is a vegan food justice and community projects volunteer team based in Gaza, co-founded by Anas Arafat, a Gazan humanitarian aid activist, and Laura Schleifer, a USAmerican vegan, Free Palestine solidarity activist and Total Liberation Campaign Director at the Institute for Critical Animal Studies. Plant the Land Team buys and distributes vegan food, plants food forests, and provides Gazan farmers with seeds and planting tools. Previous fundraising projects have also included providing plant-based insulin to children with diabetes, providing medical treatment, providing warm winter coats and blankets made from plant-based materials, and our yearly vegan food fundraiser for Ramadan. Follow Plant the Land on social media on Facebook and YouTube:https://www.facebook.com/PlantTheLandTeamGaza/  and https://www.youtube.com/@plantthelandteamgaza3395  Animal Liberation and Social Revolution by Brian A. Dominick (free download) https://theanarchistlibrary.org/library/brian-a-dominick-animal-liberation-and-social-revolution Institute for Critical Animal Studies https://www.criticalanimalstudies.org/ Promoting Enduring Peace https://pepeace.org/  Expanding the Critical Animal Studies Imagination: Critical Essays in Solidarity and Total Liberation, edited by Nathan Poirier, Sarah Tomasello and Amber E. George. https://www.peterlang.com/document/1298884  Kropotkin Now! Life, Freedom and Ethics, edited by Christopher Coquard. https://blackrosebooks.com/products/b-kropotkin-now-b-br-christopher-coquard-ed  Music we played:Public Enemy: Fight the PowerRebel Diaz: 1-800-GenocideLowkey: Palestine will never die 3CR's Radiothon is coming up for the month of June and this year's theme is Sound on for Solidarity. We need your help to keep fierce and indepenendent radio on the airwaves. Please consider donating if you can.Ways to donate:Online: www.3cr.org.au/donate (Note: you can nominate your favourite shows in the form)By phone: Call 03 9419 8377 during business hours (Monday - Friday 9-5pm) to pay by credit card.Come to the station: Drop by the station during business hours and pay by cash or EFTPOS. 21 Smith Street,Fitzroy.Thank you for your support. We welcome your feedback on our shows and would love to hear from you at freedomofspecies@gmail.com

Chrissy Metz steps Behind The Rope.  Just off her Masked Singer elim the other week, Chrissy is here to chat about that experience, Poodle Moth and her own music.  Of course, the convo quickly turns to her break out role as Kate Pearson in the brilliant, epic, “This Is Us” which changed the game for Kate, us (the audience) and TV forever.  Chrissy also chats working with Ryan Murphy, Jessica Lange, Sarah Paulson and the rest of the stellar cast in American Horror Story: Freak Show.  Finally, we chat The Real Housewives of New Jersey, Ariana Madix, The Hills, The Kardashians, Love Island and Love is Blind.  As we like to say, Chrissy mentions it all! @chrissymetz @behindvelvetrope @davidyontef BONUS & AD FREE EPISODES Available at - www.patreon.com/behindthevelvetrope  BROUGHT TO YOU BY: LOLAVIE - lolavie.com/VELVET (Use Code Velvet For 15% Off Jennifer Aniston's Award Winning Hair Care) TROPICAL SMOOTHIE CAFE (Visit One of Tropical Smoothie Cafe's 1400+ Locations or Order Online or Through Their App Their Summer Mocktail Smoothies) INDEED - indeed.com/velvet (Seventy Five Dollar $75 Sponsored Job Credit To Get Your Jobs More Visibility)  ASTEPRO - asteproallergy.com (Get Fast Acting Nasal Allergy Symptom Relief with Astepro. Discount Available on Website) THE KARDASHIANS (New Season Starts May 23rd Only On Hulu) ADVERTISING INQUIRIES - Please contact David@advertising-execs.com MERCH Available at - https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices

  This show aired on Mother's Day today in Australia and our discussion covers heavy topics such as violence, death and the genocide in Palestine. We recognise that trauma is widespread and that many listeners may have experienced traumatic events in their lives, and so mention these topics up front. Mother's Day:We discuss issues of speciesism around animal mothers and talk about the story of Clarabelle the cow and her baby Valentine who are living together at Edgar's Mission Farm Sanctuary.  https://edgarsmission.org.au/animal/clarabelle-and-valentine/Video story https://vimeo.com/415803158 Families for Palestine on Instagram carousel Honouring Palestinian Mothers https://www.instagram.com/familiesforpalestine/  269 Liberation Animale:  aims to raise awareness about the animal cause and to inform people about the non-necessity of living animals. It works to take into account the fundamental interests of sentient beings: the right to life, to liberty, to dignity. She is anti-speciesist and abolitionist, and organises street theater based on the reality of what humans do to other animals.  Benefit compilation for (by Total Liberation Records) for 269 Liberation Animale, an activist collective targeting speciesist industries by blockading slaughterhouses, freeing animals and sabotaging places.  We spoke about APEX Advocacy, an organisation founded by Christopher ‘Soul' Eubanks focused on building a community of BIPOC animal rights advocates by empowering their activism and providing resources and support. APEX aims to increase the number of BIPOC individuals who participate in animal activism by advocating for collective liberation through animal rights, particularly in marginalized areas and communities that are disproportionately affected by the animal industrial complex.In order to effectively eradicate animal industries, we maintain that the grassroots animal advocacy movement must actively welcome and amplify BIPOC voices, build bridges with other movements and communities, and recognize the interconnectedness between various systems of oppression.We spoke about the recent blog published by APEX Advocacy called Complicity & Selective Compassion: Making Sense of the Animal Rights Movement's Silence on the Palestinian GenocideIn their blog, APEX Advocacy made a really impactful and important statement directed at the animal rights movement denouncing its acquiescence to genocide, its capitulation to the imperial donor class, and it's selective ‘compassion' which excludes Palestinians - an exclusion rooted in anti-blackness and white supremacy. Mutual Aid:Plant the Land Team Gaza is a vegan food justice and community projects volunteer team based in Gaza, co-founded by Anas Arafat, a Gazan humanitarian aid activist, and Laura Schleifer, a USAmerican vegan, Free Palestine solidarity activist and Total Liberation Campaign Director at the Institute for Critical Animal Studies. Plant the Land Team buys and distributes vegan food, plants food forests, and provides Gazan farmers with seeds and planting tools. Previous fundraising projects have also included providing plant-based insulin to children with diabetes, providing medical treatment, providing warm winter coats and blankets made from plant-based materials, and our yearly vegan food fundraiser for Ramadan. They are also currently in the midst of a campaign to construct a village water well. On a previous show we aired an interview with Laura Schleifer by Dr Leila Deghan here. Videos from Plant the Land https://www.youtube.com/@plantthelandteamgaza3395   Please, please share and support the fundraiser set up to get critical funds to Anas in Gaza if you can. Clean water, food, clothing and toys are desperately needed by displaced Palestinians. You can donate via the Muslim Giving fundraiser link here https://www.muslimgiving.org/GazasupportOr via Paypal here https://www.paypal.com/pools/c/93MMUSLZkP  Mental Health resources:Dr Ash Nayate's book Staying Positive in a F*cked up World is a wonderful resource. Follow Dr Ash here: https://www.facebook.com/thisisdrashOur show with Dr Ash from 2021 about navigating activist burnout is available here: https://www.3cr.org.au/freedomofspecies/episode-202104251300/navigating-activism-and-burnout-dr-ash-nayate  Helpful article about vicarious trauma amidst the Palestinian catastrophe has many relatable points: https://muslimmirror.com/eng/war-on-gaza-coping-with-vicarious-trauma-amidst-the-palestinian-catastrophe/  Great resource overview from APAN - Australian Palestine Advocacy Network. Times are overwhelming, especially for individuals involved in activism for a Free Palestine, watching a genocide unfold while navigating the complexities of activism.A short guide to proactively create healthy patterns for ourselves and solidarity groups, with 8 steps to follow.https://www.facebook.com/AustraliaPalestineAdvocacyNetwork/  Music:We played two songs from the 269 Liberation Animale Benefit Compilation :A Plague: Long Dark Veins, and Tumultuous Ruin: Lamentation of this Nightmarish Realm.Our final song is by Macklemore called Hind's Hall. The song's title was inspired by Hind Rajab — the six-year-old Palestinian girl killed by the Israeli military — and the name pro-Palestine student protesters at Columbia University gave to a building on their campus, Hamilton Hall, as they waved Palestine's flag up high before the police attacked them. Macklemore is donating all proceeds from the sale of this song to UNWRA. Find it on Spotify here.  Radiothon is coming up at 3CR for the month of June. This year's theme is Sound on for Solidarity, and the station needs everyone's help to keep radical and independent radio going. We will share more information next week on how you can donate to Radiothon. Freedom of Species will have an Animal Trivia show for Radiothon on Sunday June 16. Thank you.

Welcome to YOU HAVE BEEN WATCHING: A BRITISH SITCOM PODCASTHot diggity-dog and gosh darn it, we've only gone and recorded an epic 2 part special talking about AMERICAN SITCOMS!Thats right, ROBERT and ALEX take a long look at the world of US American sitcoms and share numbers 10-6 of their personal Top 10s - as well as dipping a toe into the history of American Sitcoms. What shows make the grade and will your faves be on the list? (Numbers 5-1 will be covered in our next episode!)New episodes of YOU HAVE BEEN WATCHING drop every two weeks - or even sooner!Host / EditorRobert Turnbull (Twitter/X @Forducks)Co Host Alex Lynch (Twitter/X @AlexJRLynch)You Have Been Watching on social media:Twitter/X: @YHBWpodSubscribe to YOU HAVE BEEN WATCHING: EXTRA LAUGHS: patreon.com/YHBWPODSupport the We Made This podcast network on Patreon:www.patreon.com/wemadethisWe Made This on Twitter: @we_madethisWebsite:www.wemadethisnetwork.comTitle music: Jumping Cricket (c) Birdies via epidemicsound.com

Earth Day 2024 was this past Monday April 22nd! In honor of our one and only Earth, Dean brings Tom (and us) along with him on his recent excursion to Antarctica in this episode, where he walked among thousands of non-tap-dancing penguins and giant calving glaciers on the warmest day ever recorded there to-date. Specifically, Dean details his conversations on his Antarctic journey with global climate leader Christiana Figueres on how cultural “DNA” underlies the US-American case, the Asian case, and the Latin American case for addressing climate change. As Dean writes in his July 2023 Substack article about this: “To ignore culture's role in how we advocate for climate and the environment ensures a protracted struggle, even with all the best science, and the best negotiations. However, when we understand culture, and leverage that understanding in the strategic service of global goals, like climate, we accelerate the success we need to have. When it comes to climate, in the limited time we have left, we cannot afford to overlook or ignore the cultural advantage.” ***Subscribe to Dean's Substack here to read the whole July 2023 article titled “Climate & Culture”, plus check out Dean's “Culture's Consequences” articles, CultureQuizzes, and much much more!*** Have a cultural question or episode idea? Reach out on X/Twitter & Facebook (@OopsCultureShow) or by email at oopscultureshow@gmail.com. Music: “Little Idea” – Bensound.com

Gun Violence and Mass Shootings, while not unique to the United States, is a uniquely US American problem in how it is viewed and treated. In this week's episode, we are once again joined by Dr. Mekel to discuss this ethical concern, its impact on healthcare, and what future providers should be thinking about and considering to positively influence this issue in their future work - especially for primary care providers. AUDIO:INTRO Song is This Science by Coma-MediaOUTRO Song is Screening by Coma-MediaACKNOWLEDGEMENT:The Prehealth Podcast at Penn State is a production of Prehealth Advising in the Eberly College of Science at The Pennsylvania State University. It is produced, edited, and promoted by the Prehealth Advising Team. The views, opinions, and advice shared during this podcast are that of the hosts and any guests only and do not necessarily reflect the best advice for every student, at every institution, or for every health profession. This is a non-profit podcast made for the purpose of better serving prehealth students across the university system.

Vi får total hybris över Andrew och Marcianos svar på våra frågor. Vi diskuterar deras svar och kan inte komma över hur söta dom är! Följ oss behind the mic på instagram @almostamerikanMusik gjord av: Fannie hertzberg & Joseph WilcoxOm du gillar avsnittet glöm inte att lämna 5 stjärnor ❤️We get hubris from Andrew and Marcianos answers to our question. We discuss their answers and can't get over how sweet they are!Follow us behind the mic on instagram @almostamerikanMusic made by: Fannie Hertzberg & Joseph WilcoxIf you like the episode don't forget to leave 5 stars ❤️ Hosted on Acast. See acast.com/privacy for more information.

Whether it is your own experience, or that of someone you know, the dismissal of symptoms, minimization of pain, failure to diagnose or incorrect diagnoses, and other medical oversight have caused often irreparable physical issues, and prolonged pain and symptoms, in the gynecological world. The high incidents and often life-long impact of medical care, absent of patient autonomy, remains prevalent with respect to gynecological disorders, and continues to impact more lives, every day. How do we raise awareness of these realities, experienced by so many? How do we further educate ourselves, and hold the field of gynecology accountable, while inviting respect for patient autonomy, and compassionate care? Joining us today, is Rachael Jablo, creator of The Hysteria Project. Rachael is a chronically ill, queer, Jewish, Berlin-based US-American artist who works with photography, installation, collage and occasionally performance. Through The Hysteria Project, Rachael honors and visual recognizes the personal narratives of those living with and who have experienced gynecological disorders. Tune in live, to learn more about her powerful work, and what you can do today to learn more about these real life matters.

Join Randy and Matt on an exciting cinematic journey this month, featuring thrilling adventures, heart-pounding action, and thought-provoking dramas. Randy's List Killers of the Flower Moon The Last of Us American Nightmare The Greatest Showman Unknown: The Cosmic Time Machine Wonka Matt's List Killers of the Flower Moon Saltburn Invincible Season 2 Monarch

Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs (U Mississippi Press, 2023) explores women's food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs (U Mississippi Press, 2023) explores women's food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs (U Mississippi Press, 2023) explores women's food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs (U Mississippi Press, 2023) explores women's food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs (U Mississippi Press, 2023) explores women's food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs (U Mississippi Press, 2023) explores women's food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Women's US Soccer Match HEADLINE: US loses to Sweden on penalty kicks in its earliest Women's World Cup exit ever by Anne M Peterson  It was the fourth time the Americans went to extra time at the World Cup. All three previous matches went to penalties, including the 2011 final won by Japan. The U.S. won on penalties in a 2011 quarterfinal match against Brazil, and in the 1999 final at the Rose Bowl against China. The US American women took a knee, most of them when the National Anthem was played. How dare we not  Donald Trump took to Truth Social Media - The “shocking and totally unexpected” loss but the US Women's Soccer Team to Sweden is fully emblematic of what is happening to our once great Nation under Crooked Joe Biden. Many of our players were openly hostile to America - No other country behaved in such a manner, or even close. Woke equals failure. Nice shot Megan, the USA is going to Hell! MAGA  

Roger Hearing is joined by Steven Bertoni in New York and Karen Lema in Manila to look at the big business and financial stories of the day. Global grain prices have had a challenging day after Russian attacks on a Ukrainian port on the Danube river reportedly damaged tens of thousands of tonnes of supplies. Roger speaks to Marcelo Elizondo, Chairman of the International Chamber of Commerce in Argentina to discuss whether smaller exporters like Brazil and Argentina could step up to fill the gap. Plus how is Canada reacting after Facebook and Google blocked their Canadian news feeds; government plans to tackle immigration in Chile and the US-American plan to build a new International Space Station.

With Jeff on vacation, Phil flies solo and welcomes back Gene Luen Yang, author of AMERICAN BORN CHINESE, and actor Ben Wang, who stars as Jin Wang in the Disney+ series adaptation of the acclaimed graphic novel. They talk about some of the tricky considerations when it came to bringing this beloved book to life, how they updated the story for contemporary television (and contemporary Asian America), and how toy robots and Panda Express can bring people together. 

Kal Alston and Nick Burbules join Cara and Derek to talk about where the field of philosophy of education has been and where it is going, particularly in a US-American context. And fear not: We cover everyone's favorite question -- how do we know who a philosopher of education is, especially as the number of academic appointments with those words in the job title continues to dwindle? For Dr. Burbules's recent work on phronesis, click here. For Dr. Alston's 2021 PES Presidential Address, click here. For a transcript of this episode, click here. Suggest a topic or guest by using this form here!

Sanyu Estelle is the author of "The History (Mystery) of the Tarot," the opening chapter of Tarot for Pregnancy by Brittany Carmona-Holt. Sanyu is a Claircognizant ("clear knowing") Soothsayer ("truth teller") that is also known as "The Word Witch" because of her deep love for word origins (etymology) and word culture (philology). These natural inclinations are bolstered by an 11+ year practice of Taoism, as well as a 10+ year relationship with Ifa, the indigenous tradition of the Yoruba people of now-Nigeria. Sanyu is known for her straightforward card reading style and her way with words via writing, speaking and singing. A "1st generationish" US-American of Ugandan and Belizean descent, Sanyu was born, bred and buttered in Los Angeles on land traditionally stewarded by the Tongva. Many dream up the future, but it belongs to their descendants. Thus, Sanyu is the best thing that came out of her Colonizer's lineage. She uses their/her own ancestry to denounce their indoctrination into the invention of Whiteness through colonization. They are lucky to have her and they ensured not only that she is, but what she is. SUPPORT THIS PODCAST ON PATREON Visit Sanyu's Website Follow Sanyu on Instagram Buy Tarot for Pregnancy Book a Reading with Nick Follow Nick on Instagram Music by AJ Ackleson. Thanks AJ!

Every year in the US, we celebrate National Hispanic Heritage Month. We celebrate the histories, cultures and contributions of US American citizens whose ancestors came from Spain, Mexico, the Caribbean and Central and South America. In today's episode, Sophia and Olga join the National Hispanic Heritage Month celebration. They talk about the family values, festivities and diversity that we can all learn from our hispanic brothers and sisters as well as reasons why it is important to celebrate this event every year. They also talk about the story of Frida Kahlo, one of the most important Mexican artists and certainly one of the most iconic women in history. And for the fans of Encanto, Olga and Sophia will share four important culture and life lessons we can all learn from the Disney movie. This week, our challenge for you all big dreamers is to watch and discuss the characters of Encanto with your family. See how you can relate to them. You can think about your own unique gifts and talents, about your vision, your values, your feelings towards one of the other characters. Tell us about it and email us at olga@dreambigpodcast.com. We absolutely love hearing from you. Enjoy the episode!