OH. podcast

Two classic 70's rape-revenge movies face off in the first episode of our new series "retrOH". Which will we determine emerges victorious? Hint: Roger Ebert may happen to disagray. . . Natural Resources for Sexual Assault Survivors and Their Loved Ones:  https://www.rainn.org/national-resources-sexual-assault-survivors-and-their-loved-ones

Ferrets - they can find their way into just about anything, including - occasionally - movies! We delve into their minimal catalog of films including the 1983 cult-classic BEASTMASTER and a series of ferret-centric Canadian short films (DUDE, WHERE'S MY FERRET, SANTA'S LITTLE FERRETS, etc.)

"HAVE YOU SEEN" gets an extended cut with this rundown of random movays and shows we find worth mentioning. You see, Graham mentions a movie HE enjoyed first, then I discuss a show I enjoyed, and then Graham discusses a show he has been watching, and it continues from there. Convoluted, I know. . .

The boys trek out to the local Covid cesspool to bring you a review, not of Scream, but of 5CREAM. 

In this unlucky 13th episode, we endure a shitty zombie film where Malcolm McDowell, Corey Feldman, AND Sid Haig all embarrass themselves for a paycheck, a found footage film whose marketing lied about using practical effects, and the newest in the movie series of "LETS PUT NICOLAS CAGE IN A HORROR MOVIE ISN'T IT FUNNY GUYS?!?"

We count down our lists of the BEST HORROR MOVIES EVER MADE.

We did it. The conquest to discover the the worst film ever made has been completed. . . . or has it?

LAME.

Jonathan and Graham BOOKED tickets at the local theater and SAW the new film SPIRAL: FROM THE BOOK OF SAW starring Chris Rock. But does it SPIRAL the franchise out of control?

We review Derek Savage's new "film" COOL CAT FIGHTS CORONAVIRUS. We're really not trying to be bullies, but dear lord. . . 

Pedophiles, BIgfoots, dinosaurs, OH my! An episode containing various films featuring fearsome predatory beasts (most of all Woody Allen). Our feature, LAND OF THE EXTINCT, is an all dinosaurs/no budget epic movie production of OH proportions.

Graham completely effs up his turn to pick a movie by selecting the 2021 found footage film RED WOODS and in another exciting segment of "HAVE YOU SEEN?" Jonathan learns about the found footage horror film CURSE OF AURORE that Graham mistakenly chose not to select as our main feature. Jonathan shares his thoughts of the Netflix horror "documentary" series HAUNTED and Jessica pops in to inform everyone not to watch the Russian film THE GREEN ELEPHANT. 

After years of watching unspeakably awful movies, Jonathan and Graham pose the question, "When is a movie not even worth mentioning at all?" We also discuss whether the broadened ability to produce a film is a positive or negative evolution for cinema and whether or not we like Terrence Malick films. Oh yeah, we watched RISE OF THE UNDEAD that includes standing around in a storage facility fronting as a government facility, easily defeated zombies, and a floating water-electricity monster.

Jonathan tricks Graham into watching AREA 407 under the pretense that dinosaurs will be involved. Graham also briefly shares his thoughts on why Russell Crowe is amazing in the thriller UNHINGED while Jonathan complains about the new Netflix documentary CRIME SCENE: THE VANISHING AT THE CECIL HOTEL.

In this special DOUBLE FEATURE episode, Jonathan and Graham get triggered by RUN HIDE FIGHT, The Daily Wire's first feature film executive produced by the wet-ass p-word himself Ben Shapiro. Then we endure the elongated video game cutscene TRUMP VS. THE ILLUMINATI. 

To celebrate the New Year we discuss a legitimately good film- Jon Stevenson's directorial debut RENT-A-PAL starring Brian Landis Folkins and Wil Wheaton!

Which form of movie padding is the most unbearable? Does SURVIVING THE OUTBREAK feature 70 or 80 percent of sitting in the director's house? And will Jonathan and Graham peacefully accept the other's final rating? All that and more in this episode of OH.

This is the first episode of the OH. podcast, a discussion of obscure, low budget, and eclectic cinematic finds. We debut with the 42-minute redemptive horror film THE PIG WITCH REDEMPTION, from the enigmatic and multitalented mind of William Sikora III.