Podcast appearances and mentions of Malcolm McDowell

Strap into your submarine, jet, or sentient tank as the Say Reporters take you on a wild ride celebrating the 30th Anniversary of yet another comic book to film adaptation in Rachel Talalay's “Tank Girl”Thrill as Lori Petty steps in to the combat boots of Rebecca Buck, sticks it to Malcolm McDowell as the Master of Water and Power Kesslee, and eventually finds love with Booga a Genetically Altered Kangaroo Super Soldier much to the chagrin of Ice-T's T-Saint. You'll laugh, you'll cry, you'lll laugh again, and you'll cheer as Tank Girl unapologetically drives straight though the hearts and minds of her fans making both Devon and Sejohn long for a time where film's trusted their audience and weren't afraid to take big risks.Episode Artwork by Dayle Decker

Mrparka's Weekly Reviews and Update Week 423 (06.21.2025) (Dark Half 4K, Dangerous Animals, Swordfish 4K) www.youtube.com/mrparkahttps://www.instagram.com/mrparka/https://twitter.com/mrparka00http://www.screamingtoilet.com/dvd--blu-rayhttps://www.facebook.com/mrparkahttps://www.facebook.com/screamingpotty/https://letterboxd.com/mrparka/https://www.patreon.com/mrparkahttps://open.spotify.com/show/2oJbmHxOPfYIl92x5g6ogKhttps://anchor.fm/mrparkahttps://podcasts.apple.com/us/podcast/mrparkas-weekly-reviews-and-update-the-secret-top-10/id1615278571 Time Stamps 0:00“Swordfish” 4K Review - 0:12“The Invisible Swordsman” 4K Review - 8:52“I Married a Strange Person!” Review - 14:36“Baby's It's You” Review - 20:03“The Racetrack Murders” Review - 25:36“Dangerous Animals” Review - 29:49“The Dark Half” 4K Review - 32:591982 “Britannia Hospital” Review - 41:421982 “No Thanks, Coffee Makes Me Nervous” Review - 47:54Patreon Pick “No Resistance” Review - 51:14Questions and Answers- 57:03Update - 1:05:0922 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/Podcast Under the Stairs – https://tputscast.com/podcastVideo Version – https://youtu.be/vpY27XAOzP0LinksArrow Video - https://www.arrowfilms.com/Swordfish 4K- https://mvdshop.com/products/swordfish-limited-edition-4k-ultra-hdThe Invisible Swordsman Blu-Ray - https://mvdshop.com/products/the-invisible-swordsman-limited-edition-blu-rayDeaf Crocodile - https://deafcrocodile.com/I Married a Strange Person Blu-Ray - https://mvdshop.com/products/i-married-a-strange-person-blu-rayFun City - https://www.funcityeditions.com/filmsBaby It's You Blu-Ray - https://mvdshop.com/products/baby-its-you-blu-rayEureka Films - https://eurekavideo.co.uk/Terror in the Fog: Wallace Krimi at CCC Blu-Set Boxset - https://mvdshop.com/products/terror-in-the-fog-the-wallace-krimi-at-ccc-blu-rayDangerous Animals IMdb - https://www.imdb.com/title/tt32299316Vinegar Syndrome - https://vinegarsyndrome.com/The Dark Half 4K - https://vinegarsyndrome.com/collections/frontpage/products/the-dark-halfBritannia Hospital Blu-Ray - https://www.amazon.com/Britannia-Hospital-Blu-ray-Malcolm-McDowell/dp/B08BR84G2DNo Thanks, Coffee Makes Me Nervous IMdb - https://www.imdb.com/title/tt0084416/No Resistance Blu-Ray - https://vinegarsyndrome.com/products/no-resistance-saturns-coreUpdate 4K1. When Evil LurksBlu-Ray 2. Portrait in Crystal Film NotesSwordfish - 2001 - Dominic SenaThe Invisible Swordsman - 1970 - Yoshiyuki Kuroda I Married a Strange Person! - 1997 - Bill PlymptonBaby It's You - 1983 - John SaylesThe Racetrack Murders - 1964 - Franz Josef GottliebDangerous Animals - 2025 - Sean ByrneThe Dark Half - 1993 - George A. Romero Britannia Hospital - 1982 - Lindsay AndersonNo Thanks, Coffee Makes Me Nervous - 1982 - Lodovico GaspariniNo Resistance - 1994 - Tim Thomson

National Weed your garden day.  Entertainment from 2012.  Pope Gregory 9th orders all cats killed, US Postal service says no mailing your children, Miranda law becomes manditory.  Todays birthdays - Seigfried Fischbacher, Bobby Freeman, Malcolm McDowell, Richard Thoms, Tim Allen, Ally Sheedy, Chris Evans, Rivers Cuomo, Mary Kate & Ashley Olsen.  Jimmy Dean died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Grow grow grow your garden - AO KidsSomebody I used to know - Gotye  KimbraGood girl - Carrie UnderwoodBirthdays - In da club - 50 Cent   http://50cent.com/Do you want to dance - Bobby FreemanThe Waltons TV themeHome Improvement TV themeBuddy Holly - WeezerFull House TV themeBig John - Jimmy DeanExit - Only girl in town - Donna Fisk    https://www.donnafisk.com/countryundergroundradio.comcooolmedia.com

This episode, everyone pour yourself a tall glass of ice cold water, grab your mutant Kangaroo bestie and your missile bra - we are talking about Tank Girl (1995)   Written By Tedi Sarafian. Based on the comic Tank Girl by Alan Martin and Jamie Hewlett. Directed By Rachel Talalay. Starring Lori Petty as Tank Girl, Naiomi Watts as Jet Girl and Malcolm McDowell as Kesslee with Ice-T as T-Saint (a mutant kangaroo).   Weird Kid Video is hosted by Keean Murrell-Snape, Kira Jade Oppitz and Brodie Kerrkillen.  Each sold separately.   New episodes every two weeks. Don't follow us on Instagram @weirdkidvideo This podcast was recorded on Dharawal Country.

In this episode of Exploring Humanity Through Sci-Fi, host Tony Tellado talked with the renowned actress Alice Krige, best known to Star Trek fans as the iconic Borg Queen. Alice discusses her powerful role in the film She Will, where she portrays Veronica Ghent, an aging movie star recovering from surgery in a mysterious Scottish retreat—a place infamous for its history with witch burnings. She delves into how trauma, vulnerability, and the quest for redemption shape her character and enrich the film's narrative. Alice shares fascinating behind-the-scenes insights about working with first-time director Charlotte Colbert, executive producer Dario Argento, and her talented co-stars, including Malcolm McDowell and Kota Eberhardt. She highlights the film's unique visual style and how nature and the cosmos are artfully interwoven with personal healing and justice. The conversation moves to Alice's multifaceted journey as the Borg Queen across multiple Star Trek projects, including her pivotal roles in Star Trek: First Contact, Star Trek: Voyager, and the animated series Lower Decks. Alice reflects on the character's enduring allure, mysterious qualities, and cultural significance as an archetype that evokes complex reactions in viewers. Tony and Alice also reminisce about her acclaimed performances in projects like Carnival Row, Ghost Story, and her broad theater background. Alice provides a candid look at how immersive roles can profoundly affect actors—sometimes lingering well past filming, as she recounts from her experience on Silent Hill. With warmth and wisdom, Alice credits her career's richness to a passion for storytelling, collaboration, and the enduring joy of working with devoted creative teams. Whether discussing the demands of fantasy roles, the art of transformation through makeup and costume, or her gratitude for a life spent in performance, Alice offers an inspiring perspective for fans and fellow artists alike. Start Your Free One Year Trial On Sci-Fi Talk Plus

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Malcolm McDowell in a little-known costume adventure

Steve & Izzy continue 2025 the Year of the Apocalypse celebrating movies after the fall of man, as they are joined by Bobby of the Grindbin Podcast to discuss 2008's "Doomsday" starring Rhona Mitra, Malcolm McDowell, Bob Hoskins, Alexander Siddig & more!!! Ever get really good advice from your phone? Who actually keeps track of the time on the Doomsday Clock? What does this movie have to do with rats & rabbits? Want to know how to properly cook a human?!? Let's find out!!! So kick back, grab a few brews, eat the rich, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - www.twitter.com/eilfmovies Facebook - www.facebook.com/eilfmovies Etsy - www.untidyvenus.etsy.com TeePublic - www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

Lily Tomlin and Jane Fonda join forces in a fight against evil, sort of, in the 2022 film “Moving On,” also starring Malcolm McDowell and Richard Roundtree.

Our exit today has us wandering through the streets of the city, rambling through the avenues of time. This week, we are discussing Just Visiting, written by Jean-Marie Poire, Christian Clavier and John Hughes and directed by Jean-Marie Poire. And this remake of the French hit might just be right up Tripp's alley.Along the way, we try to figure out why Christina Applegate wasn't a bigger movie star, debate French humor, and talk John Hughes, Chicago movies, time travel, Malcolm McDowell, and Waiting for Godot!Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

TSC News TV host Fred Richani interviews actress/director Kayla Tabish and actor/producer Nick Liam Heaney about their new thriller film "Conspiracy of Fear", which also stars legendary actors Steven Bauer and Malcolm McDowell! Plus: They discuss their world famous cat Surfer Cat Mav (@SurferCatMav) as seen on Netflix and IG! Trailer audio courtesy of Kayla Tabish and Vision Films.   ✅Subscribe: https://www.youtube.com/TSCGaming?sub_confirmation=1 ✅More Interviews: https://buff.ly/2ZXUtmt   ✅For more info: https://surfercat.com/

Una mujer de 93 años decide buscar por sus propios medios al estafador que se hizo pasar por su nieto para robarle diez mil dólares. Josh Margolin escribe y dirige su primer largometraje, basado en una historia real vivida por él y su propia abuela. June Squibb realizó todas sus escenas de acción en el rol protagónico, en un reparto donde también lucen el ya fallecido Richard Roundtree, Parker Posey y Malcolm McDowell. Ya disponible en la plataforma Max.

GGACP celebrates the birthday of Emmy-winning director and producer Allan Arkush by revisiting this in-depth interview from 2018. In this episode, Allan entertains Gilbert and Frank with tales of working at the late, great Fillmore East, crossing paths with Ol' Blue Eyes (and Groucho!) apprenticing for the legendary Roger Corman and helming the cult classic “Rock ‘n' Roll High School.” Also, Jackie Mason fails to connect, Malcolm McDowell talks to his crotch, Bruce Willis locks horns with Cybill Shepherd and “A Hard Day's Night” changes Allan's life forever. PLUS: P.J. Soles! “The Girl Can't Help It”! In praise of Alexander & Karaszewski! Zacherle introduces the Grateful Dead! And Allan (reluctantly) remembers “Caddyshack 2”! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're chatting to Robert Whitlow, prolific writer of over 20 bestselling novels. His new one is 'Guilty Until Innocent', a legal thriller that looks an an old case being reopened, and the two lawyers who have to prove the convicted's innocence against the odds. His debut novel, 'The List', was adapted into a successful movie starring Malcolm McDowell. In fact, four of Robert's novels have been adapted for the big screen, and Robert still divides his time between writing and working as a local attorney. You can hear how he seperates his day, energy and creativity for that, and why he thinks the secret is to relax and be consistent... it's to discover your 'writing bio-rhythm'Faith plays a huge part in Robert's work, and we figure out why that is, how organic it can ever be, and whether he's bothered about how a reader's opinion towards religion might change with his writing. It's led him to win the prestigious 'Christy Award for Contemporary Writing' in 2001. He reveals why he loves editing, how he wrestles characters back to his ideas, and why he needs a few drafts to really figure out who his protagonist is.Get a copy of the novel - uk.bookshop.org/shop/writersroutineSupport the show -patreon.com/writersroutineko-fi.com/writersroutineSubscribe to the weekly newsletter - writersroutine.substack.com@writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.

CAT PEOPLE review starts at 50:46 Movie Recap: Boo! A Madea Halloween (2016) Chaos: The Manson Murders (2025) Inglorious Bastards (2009) Bad Lieutenant (1992) Bad Lieutenant: Port of Call New Orleans (2009) Support: patereon.com/notforeveryone Drink more coffee: https://www.foxnsons.com/  PROMOCODE: NFE

In this episode, we're diving headfirst into the chaotic, punk-fueled world of Tank Girl (1995)! Based on the cult comic series, this dystopian sci-fi action-comedy follows Lori Petty as the rebellious, tank-driving heroine taking on a corrupt megacorporation in a post-apocalyptic wasteland. With wild visuals, a killer soundtrack, and a supporting cast that includes Naomi Watts, Ice-T as a mutant kangaroo, and Malcolm McDowell as the villainous Kesslee, Tank Girl is an anarchic ride like no other. We'll explore the film's production, its reception, and why it remains a beloved cult classic. Grab your water rations and buckle up—it's going to be a bumpy ride!Article About Tank GirlCLICK HERE----Intro/Outro Music: "Phantom Fun" by Jonathan BoyleShow E-Mail: cultcinemacircle@gmail.com----Follow Mark on InstagramFollow Release Date Rewind on Instagram and YoutubeFollow Cult Cinema Circle on Instagram, Bluesky, and Letterboxd Hosted on Acast. See acast.com/privacy for more information.

It's All Been Trekked Before #407  Season 13, Episode 9  Star Trek: Generations   Jimmy-Jerome walks through all the novel scenes that didn't make the film. Stephen is very excited about Spot making it to the big screen.  Keith only caught half the movie. We have lots of suggestions to improve this work.     Edited by Jerome Wetzel, with assistance from Resound.fm   It's All Been Trekked Before is produced by IABD Presents entertainment network. http://iabdpresents.com Please support us at http://pateron.com/iabd Follow us on social media @IABDPresents and https://www.facebook.com/ItsAllBeenTrekkedBefore

Steve & Izzy continue 2025 the Year of the Apocalypse, where they celebrate movies after the fall of man, as they are joined by Matt Anderson of the Bloody Bits Horror Show to discuss 1995's "Tank Girl" starring Lori Petty, Malcolm McDowell, Naomi Watts, Ice-T & more!!! Ever wonder what Izzy's political views are? How well do you know your marsupials? Who else can't wait to meet this Johnny Prophet? What else was Stan Winston up to in 1995?!? Let's find out!!! So kick back, grab a few brews, shower like a chinchilla, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - www.twitter.com/eilfmovies Facebook - www.facebook.com/eilfmovies Etsy - www.untidyvenus.etsy.com TeePublic - www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

Cinematic Karma - Stanley Kubrick's                     A Clockwork Orange  WatchThis fan and BuyMeACoffee contributor, Alan Lamberg, suggests this week's title, Stanley Kubrick's 1971 controversial (masterpiece - ?), A Clockwork Orange. In the late 60s and early 70s the cinematic landscape was changing and evolving into a very different creature. Arthur Penn's Bonnie & Clyde and Sam Peckinpah's The Wild Bunch would usher in a new era of cinematic violence. Stanley Kubrick would soon pick up the baton and create one of the most polarizing and controversial films ever made. From the novella by Anthony Burgess, Kubrick would create a dystopian England that would change the attitudes and expectations of film audiences. With a powerful and compelling performance by Malcolm McDowell, A Clockwork Orange has riveted audiences since its premiere in 1971. Fifty plus years later we have to ask ourselves if the film continues to offend and frighten as it did those many years ago. Mr. Chavez & I definitely have our opinions and are thrilled to lay it out for you the listener. Sit down, download, and enjoy a spirited discussion on the film, its role in cinematic history, and Kubrick's continuing power as a filmmaker. It's a fun time. As always, we can be reached at gondoramos@yahoo.com - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Diane and Sean are out of their element as they discuss Star Trek: Generations. Episode music is, "Star Trek Generations Overture", by Dennis McCarthy from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Today on The Social, Jason Kelce says his kids and wife aren’t fans of his “tough love” parenting style. And, Ozzy Osbourne is reuniting with Black Sabbath for a final concert in Birmingham, but is there a point when musicians should retire? Then, a happily married woman confesses she has a deep desire to sleep with one other man before she dies or gets too old. Plus, women reveal the things men do that are actually a turn-off. And, a survey says Canadians spend $173 per date! Then, Khloé Kardashian vows to get back into dating and find her "forever partner". Can you really put a deadline on love? And, kids are now celebrating birthdays at Sephora. Plus, the hosts debate whether rain showers are sexist! And, we sit down with the legendary British actor Malcolm McDowell.

Once in a while you stumble upon a movie that makes life worth living. This week on Erotic Thriller Club we're taking a trip back to New Orleans for Paul Schrader's Cat People. A sister reunites with her long lost brother and finds out not only is he a weird British guy by day but also a sex worker eating, leopard by night. Is this sexy Animorphs? What kind of meal do you eat before turning into a cat and murdering? We ask the big questions as we dissect one of the best movies we've ever seen.

Send us a textOur look at sci-fi films through the decades continues into the 1970's with another H.G. Wells time travel film. This one with a what if twist. Robert hosts Amber and Eric Dearth as they discuss Time After Time.Promo Mystery Frequency podcastTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7

On the Saturday January 11, 2025 edition of "The Richard Crouse Show" we meet Mark Critch, star of "Son of a Critch," now entering its fourth season on CBC and CBC Gem. Developed from his 2018 memoir, “Son of a Critch,” which was in turn based on his real-life experiences growing up in Newfoundland, the series is an entertaining look into the life of a kid who is much older than his years. Young Mark is played by Benjamin Evan Ainsworth, Claire Rankin (Mary, Mark's mother), Sophia Powers (friend and love interest Fox), Colton Gobbo (Mike Jr., Mark's older brother), Mark Rivera (best friend Ritche) film legend Malcolm McDowell (Pop) and Mark plays his late father, Mike Critch, a popular local radio host. The first three seasons saw young Mark face awkward crushes, near-death experiences, family tensions and grapple with needing glasses. With comedy, self-depreciation and heartfelt authenticity, the show now enters into its fourth season. Drawing heavily on his own life for inspiration Mark Critich the new season sees young Mark on the bottom rung in Grade 10. There Mark meets a teacher who ignites his love for acting, leading him to start a sketch comedy troupe, Cat Fud. His mom Mary, facing menopause and a mid-life crisis, goes back to school for a fresh start. Brother Mike Jr. embarks on a radio career, joining Magic 97, a new FM radio station, and finds himself competing with his father, Mike Sr. who struggles to feel relevant when a new owner buys the radio station VOCM. I chat with Mark, then go to the vault for an interview with his co-star, the legendary Malcolm McDowell who plays his grandfather on the show.

On the Saturday January 11, 2025 edition of "The Richard Crouse Show" we meet Mark Critch, star of "Son of a Critch," now entering its fourth season on CBC and CBC Gem. Developed from his 2018 memoir, “Son of a Critch,” which was in turn based on his real-life experiences growing up in Newfoundland, the series is an entertaining look into the life of a kid who is much older than his years. Young Mark is played by Benjamin Evan Ainsworth, Claire Rankin (Mary, Mark's mother), Sophia Powers (friend and love interest Fox), Colton Gobbo (Mike Jr., Mark's older brother), Mark Rivera (best friend Ritche) film legend Malcolm McDowell (Pop) and Mark plays his late father, Mike Critch, a popular local radio host. The first three seasons saw young Mark face awkward crushes, near-death experiences, family tensions and grapple with needing glasses. With comedy, self-depreciation and heartfelt authenticity, the show now enters into its fourth season. Drawing heavily on his own life for inspiration Mark Critich the new season sees young Mark on the bottom rung in Grade 10. There Mark meets a teacher who ignites his love for acting, leading him to start a sketch comedy troupe, Cat Fud. His mom Mary, facing menopause and a mid-life crisis, goes back to school for a fresh start. Brother Mike Jr. embarks on a radio career, joining Magic 97, a new FM radio station, and finds himself competing with his father, Mike Sr. who struggles to feel relevant when a new owner buys the radio station VOCM. I chat with Mark, then go to the vault for an interview with his co-star, the legendary Malcolm McDowell who plays his grandfather on the show.

It is time to return to our rewatch of SUPERMAN: THE ANIMATED SERIES!! This time out, we are covering:THE WAY OF ALL FLESH (Airdate: 10/19/96)Join us as we discuss topics such as:LEX'S FREAK ISLAND~!~!~!Clark gooning over exotic diseasesMetallo's most European of outfitsSuperman rides a bikeMetallica joins the DCAU?!?*** PROPER EPISODE DISCUSSION STARTS AT 00:11:37 ***Also, we chat about some additional DC Animated offerings in CRISIS ON INFINITE EARTHS: PART 3 and JUSTICE LEAGUE ACTIONPromo: COFFEE & COMICS (https://coffeeandcomicspodcast.blogspot.com/)Continue the conversation with Shawn and Jen on Twitter (X) @angryheroshawn and @JenStansfield and email the show at worstcollectionever@gmail.comAlso, get hip to all of our episodes on YouTube in its own playlist! https://bit.ly/WorstCollectionEverYTDownload the podcast on Spotify, Apple Podcasts and wherever you get your favorite shows. Please rate, review, subscribe and tell a friend! Please rate, review, subscribe and tell a friend!

With his brilliant book 'Printopia' hitting shelves the gang grabbed hold of Bob Fingerman (Minimum Wage) to talk about it and his work in comics! Process chat, future projects, new york and los Angeles styles and, of course, Malcolm McDowell! Theres also amazing comic recommendations that range from revisiting old characters, pulpy sci-fi westerns and an exhibition you need to see for yourself! Great stuff to check out this week - Bob Fingerman, Printopia, Cosmic Lion Productions, Zoop,The Black Hammer Universe, Zak Cahill, Omega Black, Prairie Gods #3, Nothing is Real, Steven Appleby, Body Bags, Jason Pearson, Hack/Slash, Nights, Tanager, Karl Kerschl

In this episode of Say Whats Reel, Dom, and Q dive into the 1994 sci-fi epic Star Trek Generations! Join us as we explore the thrilling crossover where Captain Jean-Luc Picard (Patrick Stewart) teams up with the legendary Captain James T. Kirk (William Shatner) to take on the villainous Tolian Soran (Malcolm McDowell). Together, they race against time to stop Soran's destructive quest to return to the mysterious Nexus. Does this cinematic fusion of The Original Series and The Next Generation live up to its legacy? Beam in for our breakdown and bold reactions!startrek #filmreactions #swr #firsttimewatchingStar Trek Generations is a 1994 American science fiction film and the seventh film in the Star Trek film series. Malcolm McDowell joins cast members from the 1960s television show Star Trek and the 1987 sequel series The Next Generation, including William Shatner and Patrick Stewart. In the film, Captain Jean-Luc Picard of the USS Enterprise-D joins forces with Captain James T. Kirk to stop the villain Tolian Soran from destroying a planetary system in his attempt to return to an extra-dimensional realm known as the Nexus.Don't forget to like, comment, and subscribe to stay tuned for more movie reviews and reactions!Find the SWR Crew DOM CRUZETwitter: https://twitter.com/itzdomcruzehoe Instagram: https://www.instagram.com/itzdomcruzehoe/QTwitter: https://twitter.com/King_Quisemoe Instagram: https://www.instagram.com/king_quisemoe/We hope you enjoyed the video and the content we put out here at Say Whats Reel Thank you for watching!

En este episodio conversamos sobre la película del año 1971, “A Clockwork Orange” (La Naranja Mecánica) del director Stanley Kubrick, protagonizada por Malcolm McDowell, Patrick Magee, Warren Clarke y Adrienne Corri.

This week, Roy Scheider tries to stamp out corruption in the Los Angeles Police Department with the help of a militarized helicopter in the 1983 thriller, Blue Thunder. Join us as we discuss our expectations for the movie going in, Malcolm McDowell, and discuss what constitutes 'gratuitous'. Find us on Twitter and Instagram @TCTAMPod and on TikTok @theycalledthisamovie.

It's Popzara's Movie Time! Halloween Spooktacular!, our yearly dose of creepy movie mayhem to help make the holidays extra sweet and double-dangerous. The theme for this year's ghoulish goulash of frightful fun is Terrifying Tots!, i.e. films meant for kids that were unintentionally (or intentionally) scary, leaving impressions for all the wrong reasons. Our regular hosts “Embalmed” Ethan Brehm and “Nasty” Nate Evans are joined by “Sadistic” Susana Bojorquez for an extended look at a batch of terrifying titles that left kiddos cinematically scarred, but satisfied. A special intro from Hollywood legend Malcolm McDowell helps make this spoonful of salty sugar go down just a little easier. Films diabolically discussed on this episode include: Sleeping Beauty (1959), Willy Wonka & The Chocolate Factory (1971), Shelley Duvall's Mother Goose Rock 'n' Rhyme (1989), Labyrinth (1986), Return to Oz (1985), and Coraline (2009).

On this week's episode, I'm joined by Thomas Negovan, who oversaw the reconstruction of Caligula: The Ultimate Cut. Combing through 96 hours of the original negatives, Tom rebuilt the film from the ground up in order to bring it closer in line with the vision of writer Gore Vidal, director Tinto Brass, and star Malcolm McDowell. We discussed some of the technical challenges of tracking down source materials, the challenge of reconstructing a film that felt entirely different from every version previously known, and how McDowell and costar Helen Mirren responded to the reconstituted picture. The Ultimate Cut debuted at Cannes last year and is available now via streaming, Blu-ray, and 4K from Drafthouse Films and Unobstructed View. (The Blu-ray and 4K sets also include a previous cut of the film; for more on that cut and its odd provenance, I'd recommend reading this note at Diabolik DVD.) And if you enjoyed this episode, please share it with a friend!

Stacy Keach, Pam Grier, and Malcolm McDowell star in this absolutely wonderful tale of cyborg teachers, and the gangs of students they cannot wait to murder. Great movie.

Send us a textIn 1980s Hollywood, adult film star and aspiring actor Rocky Overhang finally gets his big break. But as a mysterious killer stalks the back lots of Hollywood, a trail of blood threatens to reveal the secret hiding beneath his jeans. On Episode 634 of Trick or Treat Radio we discuss MaXXXine the final film in the X trilogy from director Ti West! We are also joined by our good pal Anthony Landry to talk about the Silver Scream III Convention, there is plenty of 80s horror thrillers discussed, and we find out the significance of the number 784. So grab your favorite 80s outfit, indulge in an excessive amount of your favorite vice, and strap on for the world's most dangerous podcast!Stuff we talk about: Art the Clown, collectible popcorn buckets, Anthony Landry, Lucio Fulci, Conquest, 784 Dildos, Diddy is a Douche, Vince McMahon, revealing affidavits, Rock and Shock, Morbid Vision Films, Rough House Publishing, Silver Scream Con, Spencer Charnas, Ice Nine Kills, Eli Roth, Cannibal Holocaust, Egotesticle, Sean Cunningham, Worcester MA, Art the Clown, Terrifier 3, David Howard Thornton, Mike Nelson, Jose Mangin, Liquid Metal, Fantastic Fest, Pennywise: The Story of It, John Campopiano, Brian Collins, Fangoria, hyperbole, Don Henley, MonstaXpo, The Levy Brothers, Fuzz on the Lens Productions, Damien Maffei, Damien Leone, Kevin Barbare, Scout Taylor Compton, Danielle Harris, Metallica, Derek Mears, Janes Addiction, Kurando Mitsutake, A Clockwork Orange, Malcolm McDowell, Blackout Bacchanalia, Mistress Carrie, The Horror Nerds Podcast, Chris Nelson, “A Work of Art” the official theme song of Terrifier 3, Misty Mundae, Mummy Raider, I'm the Labattman, House of the Devil, Ti West, X, Pearl, MaXXXine, Sophie Thatcher, Yellowjackets, Kevin Bacon, The First Power, Angel, Kathryn Hahn, Stephen King, PMRC, Tipper Gore, Dee Snider, John Denver, Frank Zappa, Kim Carnes, New Order, Frankie Goes To Hollywood, Ratt, “good for her” moments, Elizabeth Debicki, The Texas Porn Star Massacre, Lou Diamond Phillips, Hollywood back lots, sleazy bacon, The Night Stalker Richard Ramirez, “don't page me bro”, Barbara Steels, Behind the Green Door, Humanoids from the Deep, Infinity Pool, Poor Things, The Vourdalak, A Different Man, Sebastian Stan, Brian de Palma, Paramount, Mrs. Doubtfire, a comedy of horrors, the freaky freak off fertility was flowing, ain't no party like an Ewok party, and Hot Fudge Mundaes.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Peter Sobczynski returns to catch you up on a couple weeks of physical media releases with Erik Childress. They include one of the great British crime thrillers with Bob Hoskins. They dive into the Friday the 13th and Riddick series while highlighting an even better ‘80s horror film. One of the great stand-up concerts ever filmed gets the 4K upgrade and a new film noir set highlights one of the inspirations for Top Secret. Peter highlights an overlooked Scorsese and goes Doomsday on Neil Marshall. One of the films featured in It Came From Hollywood gets the Blu-ray treatment as does the infamous Caligula whose history is documented this week as well. 0:00 - Intro 1:40 – Criterion (The Long Good Friday 4K) 9:02 - Arrow (Torso 4K, Friday the 13th 4K, The Chronicles of Riddick 4K) 38:01 - Sony (Richard Pryor Live on the Sunset Strip 4K) 47:33 - Shout (The Stepfather 4K, Clockwatchers, Doomsday, The Strangers 4K, Man of the Year) 1:17:33 - Kino (Film Noir XXI, Two Weeks in September, Rolling Vengeance) 1:39:40 – Paramount (Bringing Out the Dead 4K) 1:51:45 - Warner Archive (Black Belt Jones) 1:59:22 – Drafthouse (Caligula 4K) 2:11:16 – New TV & Theatrical Titles On Blu-ray 2:15:20 – New Blu-ray Announcements

It's YOUR time to #EdUp  In this episode, #948, brought to YOU by the InsightsEDU 2025 conference YOUR guests are ⁠Adam Rifkin⁠, Hollywood Director & Malcolm McDowell⁠, Actor, ⁠Last Train to Fortune⁠ (LTTF) YOUR host is ⁠⁠⁠⁠⁠⁠⁠⁠⁠Dr. Joe Sallustio How does "Last Train to Fortune" celebrate the power of literature & education? What unique challenges did Adam face in bringing his mother's script to life? How does Malcolm's portrayal of Cecil Peachtree honor the passion of educators? What message does this Western send about the enduring value of books in the digital age? How can films like this inspire a renewed interest in classic literature? Listen in to #EdUp! If YOU want to accelerate YOUR professional development & get exclusive early access to ad-free episodes, extended episodes, bonus episodes, original content, invites to special events, & more, all while helping to sustain EdUp, for only $2.99 a month - this life long founders rate will end on December 31, 2024 - then... BECOME A SUBSCRIBER TODAY! Thank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp! Connect with YOUR EdUp Team - ⁠⁠⁠⁠⁠Elvin Freytes⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Dr. Joe Sallustio⁠⁠⁠⁠⁠ ● Join YOUR EdUp community at ⁠⁠⁠⁠⁠The EdUp Experience⁠⁠⁠⁠⁠! We make education YOUR business!

GGACP marks the 45th anniversary of the 1979 release of Nicholas Meyer's terrific sci-fi- adventure film, "Time After Time" by revisiting this mini-ep from 2015. In this episode: Charles Laughton chases skirts, Gilbert tears down "Regarding Henry," Malcolm McDowell meets his future wife and the boys pay tribute to a lesser-known Lugosi classic. PLUS: "Jack the Stripper"! "The Night of the Hunter"! The brilliance of David Warner! And Marlon Brando inspires Mike Myers! Learn more about your ad choices. Visit megaphone.fm/adchoices

The fourth episode of our season on the awesome movie year of 1969 features the Cannes Film Festival Palme d'Or winner, Lindsay Anderson's If….. Directed by Lindsay Anderson from a screenplay by David Sherwin and starring Malcolm McDowell, Robert Swann, Richard Warwick, Christine Noonan and David Wood, If…. is the first of three films Anderson directed featuring McDowell's character Mick Travis.The contemporary reviews quoted in this episode come from Vincent Canby in The New York Times (https://www.nytimes.com/1969/03/10/archives/screen-if-begins-runtale-of-school-revolt-opens-at-the-plaza.html), Paul Schrader in the Los Angeles Free Press (https://paulschrader.org/articles/pdf/1969-If.pdf), and Penelope Houston in The Spectator (https://archive.spectator.co.uk/article/20th-december-1968/20/much-virtue-in-if-arts).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring our documentary pick, the Maysles brothers' Salesman.

Culture Clash Live EP. 256: Time Travel Spotlight: "Time After Time" (1979), Alien: Romulus (2024) Review & Fandom News! Watch the video on the Fandom Podcast Network YouTube Channel: https://www.youtube.com/c/FandomPodcastNetwork On this episode of Culture Clash we return to the Time Travel Spotlight with 1979's "Time After Time".  Time After Time is a 1979 American science fiction film written and directed by Nicholas Meyer and starring Malcolm McDowell, David Warner, and Mary Steenburgen. Filmed in Panavision, it was the directing debut of Meyer, whose screenplay is based on the premise from Karl Alexander's novel Time After Time (which was unfinished at the time) and a story by Alexander and Steve Hayes. The film presents a story in which British author H. G. Wells uses his time machine to pursue Jack the Ripper into the 20th century. We also review the summer's newest entry into the Alien franchise, Alien: Romulus (2024), which includes the Alien: Romulus Popcorn Bucket crusade update! We will also look at the recent Fandom News and Reviews! Let's do this thing! Fandom Podcast Network Contact Info: PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/ - The Fandom Podcast Network can stream and download on the Podbean app The Fandom Podcast Network is on all major podcast platforms, which includes: Apple Podcasts / iTunes Contact Information: - Facebook: Fandom Podcast Network - Email: fandompodcastnetwork@gmail.com - Instagram: @FandomPodcastNetwork - X (Twitter): @FanPodNetwork Host & Guests Contact Info On Social Media - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd - Kevin Reitzel on X, Instagram, Threads, Discord & Letterboxd: @spartan_phoenix - Lacee Aderhold on X: @LaceePants / Instagram: @thelaceepants / Letterboxd: @Laceepants. #CultureClash #CiltureClashLive #TheFandomPodcastNetwork #FPNet #FPN #AlienRomulus2024 #AlienRomulus #AlienRomulusMovie #AlienRomulusPopcornBucket #AlienRomulusReview #TimeTravel #TimeTravelSpotlight #TimeAfterTime #TimeAfterTime1979 #TimeAfterTimeMovie #NicholasMeyer #MalcolmMcDowell #DavidWarner #MarySteenburgen #KarlAlexander #HGWells #SarahPaulson #JackTheRipper #AlexanderHayes #SteveHayes #KevinReitzel #KyleWagner #LaceeAderhold  

In this episode of the I Hate Critics Movie Review Podcast, we dive into a diverse lineup of films ranging from the provocative to the nostalgic. First up is Caligula: The Ultimate Cut, the notorious historical drama directed by Tinto Brass, starring Malcolm McDowell, Helen Mirren, and Peter O'Toole. This new cut offers a fresh perspective on the controversial classic. Next, we discuss Skincare, a 2024 crime thriller directed by Austin Peters and starring Elizabeth Banks and Nathan Fillion. This tense and stylish film brings a gripping narrative that will keep you on the edge of your seat. We also review Jackpot!, a 2024 action comedy directed by Paul Feig. The film stars Awkwafina and John Cena in a wild tale of a former child star who wins a $3.6 billion lottery, only to find herself targeted by a host of dangerous adversaries in a futuristic California. Alien: Romulus, the latest installment in the iconic Alien franchise, is up next. Directed by Fede Álvarez, this 2024 sci-fi horror thriller brings us back to the terrifying world of xenomorphs with a new cast led by Cailee Spaeny and Isabela Merced. This film is set between the events of the original Alien and Aliens and promises to deliver the tension and horror fans have come to expect. Finally, we take a trip back to the '80s with a look at Purple Rain, the 1984 romantic rock musical drama starring Prince. Directed by Albert Magnoli, this film is a showcase of Prince's immense talent, blending music, drama, and romance into a cult classic that continues to resonate today. Don't forget to follow us on social media and support the podcast through our Patreon and TeePublic store. You can also check out Jeff's art and Sean's reviews through the links below. Social Media Links: Website: I Hate Critics Facebook: Everyone's a Critic Podcast X (Twitter): @criticspod Instagram: @criticspod Patreon: Support Us on Patreon TeePublic: Critics Pod Merch YouTube: Critics Pod Channel Jeff's Art: Jeff Lassiter Art Sean's Reviews: Sean at the Movies Tune in to hear our thoughts on these films and more!

Arthouse Tuesdays don't get artier than this one, with specialty movies on extremely opposite ends of the spectrum. First, we catch up with "Didi (弟弟)" a deeply personal and relatable coming-of-age indie from writer-director Sean Wang. Izaac Wang plays the 13-year-old son of Taiwanese immigrants who's navigating the last month of summer before entering high school in 2008. It's cringe-inducing in its emotional truth. In theaters now. Then, we review "Caligula: The Ultimate Cut," which is a totally different version of the notorious 1980 epic. It's longer at three hours, but features less sex and more palace intrigue. Malcolm McDowell and Helen Mirren star. In theaters. And for our Patreon subscribers, we visit "Network," the Faye Dunaway movie that won August's Off the Menu poll. The 1976 satire, winner of four Academy Awards, remains just as sharp and searing nearly 50 years later. Thanks for hanging our with us!

Chae Tate, Dorian Price and Mark Radulich review movies currently on streaming services and in theaters: Tank Girl/Mystery Men/Rocketeer Movie Review! First up is Tank Girl (1995). Then we move on to Mystery Men (1999). Finally we review The Rocketeer (1991).Tank Girl is a 1995 American post-apocalyptic science fiction film directed by Rachel Talalay and written by Tedi Sarafian. Based on the British comics series created by Jamie Hewlett and Alan Martin, the film stars Lori Petty, Naomi Watts, Ice-T, and Malcolm McDowell. Set in a drought ravaged Australia years after a catastrophic impact event, it follows the antihero Tank Girl (Petty) as she, Jet Girl (Watts), and genetically modified supersoldiers called the Rippers fight Water & Power, an oppressive corporation led by Kesslee (McDowell).Mystery Men is a 1999 American superhero comedy film directed by Kinka Usher (in his feature-length directorial debut), written by Neil Cuthbert, loosely based on Bob Burden's Flaming Carrot Comics, starring Ben Stiller, Hank Azaria, William H. Macy, Greg Kinnear, Claire Forlani, Kel Mitchell, Paul Reubens, Janeane Garofalo, Wes Studi, Geoffrey Rush, Lena Olin, Eddie Izzard, and Tom Waits. The film details the story of a team of lesser superheroes with unimpressive powers who are required to save the day from a criminal genius when Champion City's resident superhero gets captured.The Rocketeer (released internationally as The Adventures of the Rocketeer) is a 1991 American superhero film from Walt Disney Pictures and Touchstone Pictures. It was produced by Charles Gordon, Lawrence Gordon, and Lloyd Levin, directed by Joe Johnston, and stars Billy Campbell, Jennifer Connelly, Alan Arkin, Timothy Dalton, Paul Sorvino, and Tiny Ron Taylor. It is based on the character of the same name created by comic book artist and writer Dave Stevens.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Mark Kermode and Ellen E Jones ask if we still go to the movies to be shocked.As Caligula: The Ultimate Cut hits cinemas, Mark talks to stars of the notorious cult classic, Dame Helen Mirren and Malcolm McDowell. They discuss the film's long journey to the new version, and what it was really like on set of one of independent cinemas most controversial productions.Ellen examines what shock value means in the digital age and how shocking cinema has evolved over cinema's history. She speaks to film critic Virginie Selavy about how critical and audience perception of 'shocking' content has evolved from Tod Browning's Freaks to the cinema of Lar Von Trier, and if audiences really are harder to shock. Ellen then talks to comedian and director Bobcat Goldthwait about his transgressive films, which are favourites of John Waters, and how an increasingly bizarre political landscape has affected his filmmaking.Producer: Jane Long A Prospect Street production for BBC Radio 4

Bill Maher and legendary actor Malcolm McDowell discuss the impact of his film A Clockwork Orange, how some American cities are living in a Clockwork Orange simulation, the futility of Hollywood remakes, gender roles for actors, Malcolm's early inspiration from actor Albert Finney, working with renowned directors like Stanley Kubrick and Lindsay Anderson, the real story behind the set of the movie "Caligula" and its controversial nature, English humor and its differences from American humor, Malcolm's recovery journey, the British monarchy and its cultural significance, stories about Richard Pryor and Garry Shandling, the difference between comedy and serious acting, and much, much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

RMR 0271: Special Guest, Nick Roth, a TV writer and indie filmmaker, joins your hosts Lizzy Haynes and Russell Guest for the Retro Movie Roundtable as they revisit The Iron Tank Girl (1995) [R] Genre: Action, Comedy, Science Fiction Starring: Lori Petty, Ice-T, Naomi Watts, Don Harvey, Jeff Kober, Reg E. Cathey, Scott Coffey, Malcolm McDowell, Stacy Linn Ramsower, Ann Cusack, Brian Wimmer, Iggy Pop, Dawn Robinson, Billy L. Sullivan, James Hong, Charles Lucia   Director: Rachel Talalay Recorded on 2024-06-04

On November 22nd, 1980, actor Malcolm McDowell hosted "Saturday Night Live," and to put it kindly, it was a disaster. The episode started with a lousy Cold Open, followed by an uninspired monologue (which you will hear), a brutal bit involving an S&M "Leather Weather" report, many sight gags that bombed HARD, and a sketch featuring McDowell and Gilbert Gottfried in drag. To top it off, the talent-free Charles Rocket appeared as a stripping/flashing Prince Charles. These elements combined to create what many consider the worst SNL episode of all time—a claim that is arguable but the episode remains a train-wreck of biblical proportions. It all culminates in one of the most offensive, least funny, and ill-timed sketches ever aired on the show: "Commie Hunting Season." In this sketch, not only is the "n" word freely used by cast member Rocket, but murder, mayhem, and shock value are emphasized instead of satire. You will hear this jaw-droppingly awful sketch in its entirety, learn how it got on air (and BOMBED to a deadly silent crowd), and how it, along with two other horrible sketches, contributed to this nightmare. This episode marked the first chink in Executive Producer Jean Doumanian's armor, eventually leading to her inevitable firing. While many painfully unfunny sketches exist in SNL history, could this be the worst? You be the judge. [Ep79]

Hello Horror Heads! We have reached the penultimate episode of the Summer of Rob. This week we cover The Munsters (yes out of order) and 31. We also discuss who is better, Fat Randy Bumpagussy or Big Pussy Bonpensiero. Enjoy! 5:57 Reviewing "The Monsters" and Upcoming "31" 10:55 Transition to "31" Discussion 28:15 Blob Talk and Transition to "31" Review 45:33 A Bloody Beginning 54:30 Excessive Music Choices 1:11:32 Carnival Chaos 1:19:14 Unsettling Encounter with Sickhead 1:23:41 Chainsaw-Wielding Brothers 1:25:06 The Bizarre Skid Zone Psycho 1:33:21 Panda's Sacrifice 1:36:39 The Crew's Dilemma 1:45:29 Unnecessary Dialogue 1:52:30 Confrontation with Doomhead 1:54:22 Malcolm McDowell's Decision 1:58:23 Close Talkers 2:03:05 Announcement: Live Show Reminder Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP continues its celebration of the birthday of actor and raconteur Malcolm McDowell (b. June 13) by revisiting PART TWO of a memorable two-part episode from 2020. In this episode, Malcolm talks about the art and design of "A Clockwork Orange," the troubled history of "Caligula," the awkward truth about H.G. Wells and the lives and careers of screen legends John Gielgud, James Mason, Peter O'Toole and Robert Shaw. Also, Anthony Quinn grunts, Gene Kelly turns a cold shoulder, Albert Finney turns down "Lawrence of Arabia" and Malcolm rids the world of Captain Kirk. PLUS: J. Lee Thompson! Gore Vidal pulls out! Christopher Lee wigs out! The improvisational talents of Peter Sellers! And Malcolm remembers his mentor Lindsay Anderson! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday of legendary actor Malcolm McDowell (b. June 13) with this ENCORE of the first part of an unforgettable 2-part episode from 2020. In this installment, Malcolm weighs in on a number of essential topics, including the birth of the Beatles, the eccentricities of Stanley Kubrick, the intensity of James Cagney and the “friendship” of Danny Kaye and Laurence Olivier. Also, John Lennon has a laugh, Ian Holm holds a grudge, Mick Jagger considers “A Clockwork Orange” and Gilbert and Malcolm send up Jack the Ripper. PLUS: The Liverpool Stomp! The generosity of Albert Finney! The comedy of Derek and Clive! And Malcolm performs a “phallic monologue”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily and Jordan are joined by Brad and Lisa Gullickson of the podcast Comic Book Couples Counseling to talk about the 1995 cult classic Tank Girl, starring Lori Petty and Malcolm McDowell. Give us 5 stars and a review on the Apple Podcast Store! DO IT NOW!Listen to Comic Book Couples Counseling and check out their episode on the 40th Anniversary of the Teenage Mutant Ninja TurtlesPre-order Jordan's new graphic novel Youth Group here bit.ly/youthgroupbookVisit Emily's ETSY store right now and buy some stuff!