Podcast appearances and mentions of Woody Allen

Not too many actors can say they've appeared on screen with John Belushi and Jason Vorhees, and also in over 3,000 episodes of a soap opera. But Lauren-Marie Taylor has done just that.For more information and to find out where she's be appearing next, check out her website.

Woody Allen has called A Streetcar Named Desire the most well-directed film ever made and its influence on Blue Jasmine (2013) is unmistakable. Both concern a woman whose fantasy life and self-deception break down and both feature incredible performances by the lead actress: in Streetcar, it's Vivien Leigh and here it's Cate Blanchett. And if Streetcar is a high point of Eliza Kazan's filmography, Blue Jasmine is surely one of Allen's and perhaps the best of the subgenre Woody Allen Movies Without The Woody Allen Character. Incredible bumper music by John Deley. Blue Jasmine is Allen's 44th film; his memoir, Apropos of Nothing, details how he became a writer and director of fifty films. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Woody Allen has called A Streetcar Named Desire the most well-directed film ever made and its influence on Blue Jasmine (2013) is unmistakable. Both concern a woman whose fantasy life and self-deception break down and both feature incredible performances by the lead actress: in Streetcar, it's Vivien Leigh and here it's Cate Blanchett. And if Streetcar is a high point of Eliza Kazan's filmography, Blue Jasmine is surely one of Allen's and perhaps the best of the subgenre Woody Allen Movies Without The Woody Allen Character. Incredible bumper music by John Deley. Blue Jasmine is Allen's 44th film; his memoir, Apropos of Nothing, details how he became a writer and director of fifty films. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Woody Allen has called A Streetcar Named Desire the most well-directed film ever made and its influence on Blue Jasmine (2013) is unmistakable. Both concern a woman whose fantasy life and self-deception break down and both feature incredible performances by the lead actress: in Streetcar, it's Vivien Leigh and here it's Cate Blanchett. And if Streetcar is a high point of Eliza Kazan's filmography, Blue Jasmine is surely one of Allen's and perhaps the best of the subgenre Woody Allen Movies Without The Woody Allen Character. Incredible bumper music by John Deley. Blue Jasmine is Allen's 44th film; his memoir, Apropos of Nothing, details how he became a writer and director of fifty films. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

It's time for everyone's favorite and not at all problematic film topic: Woody Allen! Whatever you might think of the man, we would be remiss as a movie podcast about New Hollywood if we didn't take the time to discuss his seminal breakthrough masterpiece, Annie Hall. Specifically, as a part of our ongoing series on all the 70s movie icons who keep dropping like flies, we wanted to talk about what is kinda inarguably THE Diane Keaton movie. We hope you find yourself capable of enjoying this episode. Topics include: Marshall McLuhan, Godard, and who is or isn't allowed to use Yiddish.

Brad Karp, the longtime chairman of the elite Wall Street law firm Paul, Weiss, was forced to step down in early 2026 after newly released Justice Department files exposed a series of previously undisclosed interactions with Jeffrey Epstein. The documents showed that Karp had a personal relationship with Epstein that went beyond incidental contact, including attending private dinners at Epstein's residence and exchanging emails that reflected a notably friendly tone. In one instance, Karp thanked Epstein for an evening he described as “once in a lifetime,” and in another, he asked Epstein to help his son secure a role in a Woody Allen film. While Karp and his firm maintained that neither he nor Paul, Weiss ever represented Epstein professionally, the optics of those interactions—particularly given Epstein's 2008 conviction—triggered intense scrutiny.The fallout was swift and reputationally severe. Karp resigned not only from his role as chairman of Paul, Weiss after nearly two decades but also from external positions, including a college board seat, as the controversy widened. Additional disclosures suggested that his interactions with Epstein intersected with his professional orbit, particularly through his representation of Apollo Global Management and its co-founder Leon Black, a key Epstein associate. Emails also indicated that Karp at times engaged with Epstein on legal and strategic matters involving high-profile individuals, further blurring the line between personal and professional contact. Even though Karp expressed regret and framed the relationship as limited, the broader reaction reflected a growing intolerance for any post-conviction association with Epstein, especially among powerful institutional figures whose judgment is expected to be beyond reproach.to contact me:bobbycapucci@protonmail.comsource:https://www.ft.com/content/064e81a5-5e1b-4364-a581-9062868a3735?syn-25a6b1a6=1Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

"La mayor satisfacción es que el actor se ponga delante del espejo, ya vestido del todo, y piense: ya me siento en el personaje". Con estas palabras resumió su oficio Yvonne Blake, británica nacionalizada española ganadora de un Oscar y cuatro premios Goya en la categoría de Diseño de vestuario. Blake ejemplifica todo lo que hemos aprendido leyendo 'El hábito hace al cine', de Manuela Partearroyo, sobre la historia del cine español a través de cómo han sido vestidos nuestros actores y actrices, desde 'La vida en un hilo' o 'Las chicas de la cruz roja' hasta 'La niña de tus ojos', 'El día de la bestia' o incluso 'Midnight in Paris' de Woody Allen. ¿Qué distingue a un buen vestuario de época en el cine? ¿Y por qué es tan difícil su diseño cuando, por contra, se trata de una historia de época actual? Lo analizamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, anticipamos la nueva película de Steven Spielberg con un ranking de sus mejores largometrajes (perpetrado por Altares).

"La mayor satisfacción es que el actor se ponga delante del espejo, ya vestido del todo, y piense: ya me siento en el personaje". Con estas palabras resumió su oficio Yvonne Blake, británica nacionalizada española ganadora de un Oscar y cuatro premios Goya en la categoría de Diseño de vestuario. Blake ejemplifica todo lo que hemos aprendido leyendo 'El hábito hace al cine', de Manuela Partearroyo, sobre la historia del cine español a través de cómo han sido vestidos nuestros actores y actrices, desde 'La vida en un hilo' o 'Las chicas de la cruz roja' hasta 'La niña de tus ojos', 'El día de la bestia' o incluso 'Midnight in Paris' de Woody Allen. ¿Qué distingue a un buen vestuario de época en el cine? ¿Y por qué es tan difícil su diseño cuando, por contra, se trata de una historia de época actual? Lo analizamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, anticipamos la nueva película de Steven Spielberg con un ranking de sus mejores largometrajes (perpetrado por Altares).

"La mayor satisfacción es que el actor se ponga delante del espejo, ya vestido del todo, y piense: ya me siento en el personaje". Con estas palabras resumió su oficio Yvonne Blake, británica nacionalizada española ganadora de un Oscar y cuatro premios Goya en la categoría de Diseño de vestuario. Blake ejemplifica todo lo que hemos aprendido leyendo 'El hábito hace al cine', de Manuela Partearroyo, sobre la historia del cine español a través de cómo han sido vestidos nuestros actores y actrices, desde 'La vida en un hilo' o 'Las chicas de la cruz roja' hasta 'La niña de tus ojos', 'El día de la bestia' o incluso 'Midnight in Paris' de Woody Allen. ¿Qué distingue a un buen vestuario de época en el cine? ¿Y por qué es tan difícil su diseño cuando, por contra, se trata de una historia de época actual? Lo analizamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, anticipamos la nueva película de Steven Spielberg con un ranking de sus mejores largometrajes (perpetrado por Altares).Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/mas-noticias--4412383/support.ESCUCHAR RADIO 

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Sam Morril and Dave Attell join the podcast to discuss the new Stavvy Baby HQ, getting denied to be a Big Brother, the rise and ubiquity of OnlyFans, the hidden Mormon terrors of the Utah desert, John Travolta's beret, Greeks being stoked to see Woody Allen play jazz at the Acropolis, and much more. Sam, Dave and Stav help callers including a guy whose dream girl turned out to be a raging alcoholic, and a woman who's wondering if guys really mean it when they tell her that she gives awesome top.   See Sam Morril live and follow him:   https://punchup.live/sammorril https://www.sammorril.com/ https://www.instagram.com/sammorril/ https://twitter.com/sammorril https://www.youtube.com/user/smorril/   See Dave Attell live and follow him:   https://daveattell.com/ https://www.facebook.com/daveattell https://x.com/attell https://www.instagram.com/daveattell https://www.youtube.com/@dave-attell   Thanks to our sponsors!!   Twisted Tea - https://www.twistedtea.com/locations Keep It Twisted!! Chubbies - chubbiesshorts.com/stavvy use code STAVVY for 20% off Visible - https://www.visible.com/     ☎️ Want to be a part of the show? Call 904-800-STAV and leave a voicemail to get advice!  

Il giorno è infine giunto e quindi ecco la lunga filmografia di Woody Allen, regista e autore di un cinema tragicomico e che parla per davvero di noi esseri umani e delle nostre vulnerabilità.Anni trenta, jazz, New York, Hollywood, gangster, amore e odio. Parecchi film riusciti si basano su molto meno e "Café Society" rende bene l'idea della semplicità che ripaga ampiamente gli spettatori.

In this episode of Reading Is Funktamental, we discuss the fascinating life of a true NYC music original, Brian Cullman, author of How to Prepare for the Past: Travels in Music & Times.New Yorker Brian Cullman is a true rock ‘n roll Zelig. Like the character from the Woody Allen film of the same name, Cullman has built friendships with a remarkable array of figures central to the past six decades of popular music, from Ed Sullivan, Lester Bangs, and Big Joe Turner to Joe Boyd, Bill Laswell, and the Master Musicians of Jajouka. Cullman's memories and adventures with this cast of noteworthy and often outlandish characters form the core of his entertaining new memoir, How to Prepare for the Past: Travels in Music & Time (Ze Books). Cullman's meetings with these names are presented in 37 concise, vivid vignettes over just 250 pages. I quickly devoured these highly readable snippets of life, music, and travel within about 48 hours. For more details, see the review I penned for NYSMusic.com https://nysmusic.com/2026/04/06/brian-cullmans-memoir-of-a-rock-n-roll-zelig/ "Reading is Funktamental" is a monthly one-hour podcast and radio show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify, and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books, and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Mariel Hemingway dominates "Manhattan" (1979) as she plays the role of Tracy -- Woody Allen's own projection. While "Manhattan" has become a controversial film due to the substantial age gap relationship (Woody Allen's character, Isaac, is 42, while Tracy is 17), this was not the case upon its release. Instead, it was universally praised and further cemented Woody Allen as a master of both drama and comedy. The world's leading Woody Allen critic, Alex Sheremet, is joined by Irish poet Laura Woods for a discussion of the film's illusions and the changing POVs around it. You can also watch this discussion on YouTube: https://youtu.be/HTHBvojj-vc Read Alex Sheremet's essay on "Manhattan": https://www.automachination.com/illusions-woody-allen-manhattan-review/ Subscribe to Patreon and get the full show ad-free: https://www.patreon.com/c/automachination  Bonus show topics: more controversy surrounding Mariel Hemingway; how Tracy's precociousness fails; the meaning of the great planetarium imagery; more cinematography; Isaac's bout of self-recognition; why Meryl Streep kept Isaac's last name; the "gay son"; the theme of "surprise" divorces; vicarious relationships in real life; Roger Ebert weasels out of praising "Manhattan"; black and white vs. color; Alex goes to Guyana for photography; why Dan Schneider listens to podcasts of himself; why "Annie Hall" is popular among women; Alex previews his Burma/Palestine research; why pre-Christian Jews fought other Abrahamic Jews; how theology adapts to heresy; Israel vs. Judea; AI art; milestones of world poetry; Shakespeare trutherism; Alex's literary run-in with a Mormon missionary; it's much easier to find great photography than great poetry Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D Apple Podcasts: https://apple.co/3wLpqEV Amazon Music: https://amzn.to/2SVJIxB Podbean: https://bit.ly/3yzLuUo iHeartRadio: https://ihr.fm/3AK942L Learn about our debut film, "From There To There: Bruce Ario, the Minneapolis Poet": https://www.automachination.com/cityboy-bruce-ario-great-american-novel/ Read more from the automachination universe: https://automachination.com Read Alex Sheremet's (archived) essays: https://alexsheremet.com Follow us on Twitter: https://twitter.com/automachination Timestamps: 0:00 -- Mariel Hemingway dominates Woody Allen's "Manhattan" 0:47 -- the film's illusions 2:27 -- Laura's soft spot for "Manhattan"; drawing the viewer into illusions and delusions 5:16 -- unreliable narrators; Isaac Davis is supposed to be a bad artist 12:22 -- Diane Keaton's anxieties; Woody Allen is merely depicting the artists he's known; how art gets misused by the elites 20:30 -- art is high stakes; not everyone can be a genius!; the artistic character of New York vs. Midwest; Laura on Diane Keaton's great artistic range 26:40 -- Mariel Hemingway dominates the film as an idealized male projection; Mariel Hemingway as a composite of Woody Allen's teen girlfriends; how men show off young women; why "Manhattan" is slightly better than "Annie Hall" 33:23 -- Woody Allen's "fake" vehicular homicide joke; the men in "Manhattan" have a strict moral code meant to miss the big picture; Woody Allen's peculiar use of self-delusion 37:47 -- Mariel Hemingway is the only one who "gets" Diane Keaton; how realistic is Mariel Hemingway's character; Tracy will probably grow out of Woody Allen's character 48:50 -- the DARK ending of "Manhattan"; how Woody Allen plays both sides; reviewers didn't analyze the film's more controversial themes in 1979; UK/Irish perceptions of relationship power dynamics 58:08 -- patron preview Tags: #woodyallen  #filmpodcast #cinematography

08 04-06-26 LHDW La Platea, cine: As bestas, una gran película sin tinte político. Woody Allen, los cinéfilos le adoran. Mejor director que actor

08 04-06-26 LHDW La Platea, cine: As bestas, una gran película sin tinte político. Woody Allen, los cinéfilos le adoran. Mejor director que actor

No.  Not the Woody Allen one.  Mixing it up this month, Nelson brings out a bizarre made for TV movie from his childhood: Ants aka It Happened At Lakewood Manor.  Will The Johns survive the ant onslaught?  Or will they be buried alive?  Listen and find out!

Jeffrey Epstein's relationship with Woody Allen was not some passing handshake or random name in an address book. Public reporting and released records have described Allen and Soon-Yi Previn as longtime friends and neighbors of Epstein in New York, with the three dining together often and maintaining contact even after Epstein's 2008 conviction. Newly released emails added more texture to that relationship, including records showing Epstein helped arrange a 2015 White House tour for Allen and Previn. That detail matters because it shows Epstein was not merely tolerated from a distance; he was still useful, still connected, and still treated as someone who could open doors for famous people. Allen has not been accused of criminal wrongdoing in connection with Epstein, but the relationship is still deeply uncomfortable because it fits the broader pattern of Epstein's post-conviction life: even after becoming a registered sex offender, he remained welcome in elite social circles where fame, money, and access insulated people from ordinary reputational consequences.Epstein's Hollywood world was part of a much larger celebrity-access machine. His name and records have been connected over the years to actors, comedians, models, producers, media figures, and entertainment-adjacent power brokers, not necessarily as criminal participants, but as people moving through the same rooms, dinners, parties, foundations, flights, introductions, and favor networks. Figures such as Kevin Spacey, Chris Tucker, Naomi Campbell, Chelsea Handler, and others have appeared in public Epstein-related reporting or records in different contexts, while modeling-world connections also show how Epstein used glamour industries as another access point to young women and status. The key point is not that every famous person who encountered Epstein committed a crime; the key point is that Hollywood, like Wall Street, academia, politics, philanthropy, and royalty, was one more prestige ecosystem where Epstein could launder himself socially. He understood that being seen around celebrities created legitimacy, and the entertainment world gave him exactly what he craved: proximity to fame, cultural polish, beautiful people, and the illusion that his criminal past could be buried under enough dinner invitations and famous names.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Il giorno è infine giunto e quindi ecco la lunga filmografia di Woody Allen, regista e autore di un cinema tragicomico e che parla per davvero di noi esseri umani e delle nostre vulnerabilità.Dopo alcuni viaggi nel tempo, Allen torna nel presente e si sposta persino in Rhode Island per narrarci una cinica e tragicomica storia sul costante rapporto tra causa ed effetto."Irrational Man" è un diabolico racconto sulla fatalità ma anche sull'apparente mancanza di senso dell'esistenza umana.

Jeffrey Epstein's relationship with Woody Allen was not some passing handshake or random name in an address book. Public reporting and released records have described Allen and Soon-Yi Previn as longtime friends and neighbors of Epstein in New York, with the three dining together often and maintaining contact even after Epstein's 2008 conviction. Newly released emails added more texture to that relationship, including records showing Epstein helped arrange a 2015 White House tour for Allen and Previn. That detail matters because it shows Epstein was not merely tolerated from a distance; he was still useful, still connected, and still treated as someone who could open doors for famous people. Allen has not been accused of criminal wrongdoing in connection with Epstein, but the relationship is still deeply uncomfortable because it fits the broader pattern of Epstein's post-conviction life: even after becoming a registered sex offender, he remained welcome in elite social circles where fame, money, and access insulated people from ordinary reputational consequences.Epstein's Hollywood world was part of a much larger celebrity-access machine. His name and records have been connected over the years to actors, comedians, models, producers, media figures, and entertainment-adjacent power brokers, not necessarily as criminal participants, but as people moving through the same rooms, dinners, parties, foundations, flights, introductions, and favor networks. Figures such as Kevin Spacey, Chris Tucker, Naomi Campbell, Chelsea Handler, and others have appeared in public Epstein-related reporting or records in different contexts, while modeling-world connections also show how Epstein used glamour industries as another access point to young women and status. The key point is not that every famous person who encountered Epstein committed a crime; the key point is that Hollywood, like Wall Street, academia, politics, philanthropy, and royalty, was one more prestige ecosystem where Epstein could launder himself socially. He understood that being seen around celebrities created legitimacy, and the entertainment world gave him exactly what he craved: proximity to fame, cultural polish, beautiful people, and the illusion that his criminal past could be buried under enough dinner invitations and famous names.to contact me:bobbycapucci@protonmail.com

Congressional Democrats on the House Oversight Committee released a set of 19 photos from a larger trove of over 95,000 images obtained from Jeffrey Epstein's estate, aiming to shed light on his social connections. The photos include well-known figures such as President Donald Trump, former President Bill Clinton, Bill Gates, Steve Bannon, Larry Summers, Woody Allen, and Prince Andrew, often shown in social settings with Epstein or others; some images show Trump with unidentified women whose faces are redacted and others depict social scenes on jets or at events. None of the released photos directly show criminal acts, and their context and dates are not provided, but Democrats argue they raise important questions about Epstein's associations with powerful individuals and call for fuller transparency as part of a broader investigation. The release is part of an ongoing effort by lawmakers to review and make public materials from Epstein's estate and related government files.The photo release has quickly become political: **House Democrats say the images underscore a need to end what they call a “cover-up” and demand that the Department of Justice release the full set of Epstein files under the recently passed Epstein Files Transparency Act, which requires federal release of related documents by a mid-December deadline. Republicans and White House officials have criticized the release as selective and politically motivated, accusing Democrats of cherry-picking photos to create a narrative rather than present an objective record, and emphasizing that the photos do not demonstrate wrongdoing by anyone pictured. The disclosures have reignited public debate over Epstein's network and the extent of powerful people's associations with him, even as broader document releases and further image batches are expected in the coming weeks.to contact me:Disturbing photo on Epstein's desk sparks horror over 'incapacitated young girl passed out on couch' | Daily Mail OnlineBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Jeffrey Epstein's relationship with Woody Allen was not some passing handshake or random name in an address book. Public reporting and released records have described Allen and Soon-Yi Previn as longtime friends and neighbors of Epstein in New York, with the three dining together often and maintaining contact even after Epstein's 2008 conviction. Newly released emails added more texture to that relationship, including records showing Epstein helped arrange a 2015 White House tour for Allen and Previn. That detail matters because it shows Epstein was not merely tolerated from a distance; he was still useful, still connected, and still treated as someone who could open doors for famous people. Allen has not been accused of criminal wrongdoing in connection with Epstein, but the relationship is still deeply uncomfortable because it fits the broader pattern of Epstein's post-conviction life: even after becoming a registered sex offender, he remained welcome in elite social circles where fame, money, and access insulated people from ordinary reputational consequences.Epstein's Hollywood world was part of a much larger celebrity-access machine. His name and records have been connected over the years to actors, comedians, models, producers, media figures, and entertainment-adjacent power brokers, not necessarily as criminal participants, but as people moving through the same rooms, dinners, parties, foundations, flights, introductions, and favor networks. Figures such as Kevin Spacey, Chris Tucker, Naomi Campbell, Chelsea Handler, and others have appeared in public Epstein-related reporting or records in different contexts, while modeling-world connections also show how Epstein used glamour industries as another access point to young women and status. The key point is not that every famous person who encountered Epstein committed a crime; the key point is that Hollywood, like Wall Street, academia, politics, philanthropy, and royalty, was one more prestige ecosystem where Epstein could launder himself socially. He understood that being seen around celebrities created legitimacy, and the entertainment world gave him exactly what he craved: proximity to fame, cultural polish, beautiful people, and the illusion that his criminal past could be buried under enough dinner invitations and famous names.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Welcome back to the Woody Allen Retrospective Podcast for another episode of Woody Allen Adjacent!   James actually kicks things off this month with a long overdue announcement regarding one of his major personal projects — something we know some listeners will be very interested in hearing about, while others may understandably just want to jump straight into the film discussion itself.   So for those purely here for the Woody Adjacent conversation, feel free to skip ahead to:   ⏩ 20 minutes, 02 seconds   Down the line, James and I will likely do separate discussion episodes covering some of our future non-Woody creative projects and ideas in a bit more detail.   As always, we genuinely appreciate the continued support — whether that's for the podcast itself, our side projects, or simply just taking the time to listen in the first place.   Anyway…   This time around, we head back into the AI recommendation list — that ongoing collection of Woody-esque films selected and defended by our ever-persistent podcast AI assistant. So far we've tackled quite a few picks from the list already, and now it was time for the AI to throw another one onto the table…   This episode's choice: Like Father (2018), directed by Lauren Miller Rogen and starring Kristen Bell, Kelsey Grammer, and Seth Rogen.   What initially presents itself as a glossy Netflix dramedy about a workaholic woman reconnecting with her estranged father during an accidental cruise vacation slowly reveals itself to be something a little more reflective underneath — a film about emotional inheritance, loneliness, career obsession, disappointment, forgiveness, and the uncomfortable realization that sometimes we slowly become the very people we spent years resenting.   Naturally, this led us into a surprisingly thoughtful discussion about late-period Woody Allen comparisons while at the same time enjoying the Ai's justification for choosing this film as an adjacent pick. It's fun to give artificial intelligence a chance to make its own case.. particularly when it fails miserably in the process :P    We're not saying that happned on this episode... or are we?   ______________________________________________________   For full cast details, user reviews, and more background on the film, check out:  

I studion: Fredrik Söderholm, Vanja Engström, Simon Gärdenfors, Sanna Dollan, Phlip Oros, August Bohlin

I studion: Fredrik Söderholm, Vanja Engström, Simon Gärdenfors, Sanna Dollan, Phlip Oros, August Bohlin

Dans le film Scoop de Woody Allen, le personnage joué par le réalisateur américain meurt dans un accident de la route parce qu'il n'arrive pas à s'habituer à la conduite à l'anglaise. S'aventurer à conduire à gauche de la chaussée serait courageux voire téméraire pour beaucoup d'entre nous tant la conduite à droite est un geste automatique comme se laver les dents ou faire coucou avec la main. Pourtant, on n'a pas toujours conduit à droite en France. C'est même assez récent. Avant on conduisait à gauche ? Quand est-ce que ça a changé ? À quel moment se met-on à rouler à droite en France ? Et dans les autres pays ? Écoutez la suite de cet épisode de "Maintenant vous savez". Un podcast Bababam Originals, écrit et réalisé par Antonella Francini. Première diffusion : mars 2023 À écouter aussi : ⁠⁠Pourquoi le rire est-il contagieux ?⁠⁠ ⁠⁠Quelles sont les 3 astuces pour préparer l'arrivée de l'été ?⁠⁠ ⁠⁠Qu'est-ce que la guerre contre le pipi sauvage ?⁠⁠ Retrouvez tous les épisodes de ⁠⁠"Maintenant vous savez".⁠⁠ Suivez Bababam sur ⁠⁠Instagram⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Con Gianfranco (e invitados) vamos a repasar COMPLETA COMPLETÍSIMA la filmografía del señor Woody Allen, desde la A hasta la Z, porque lo haremos en orden alfabético. ¿Por qué vamos a hacer esto? Escuche este capítulo 0 para enterarse de los detalles y súmese a nuestra aventura. Porque será una aventura, sin lugar a dudas. Si quiere venir de invitado a hablar, contáctenos. Si tiene propuesta de alguien que pueda ser un invitado interesante, también. Si quiere auspiciarnos, ya sabe. ¡Gracias por escuchar y atentos que se viene el primer capítulo! Suscríbase en www.patreon.com/hermeselsabio para tener acceso a pre-estrenos, material exclusivo, etc.

Three short films about New Yorkers: the relationship of an artist and his assistant falls apart; a very young rich girl has adventures; a lawyer's relationship falls apart when his mother disappears during a magic show. It's an uneven collection, as anthology films often are: Scorsese's "Life Lessons" is a savage look at exploitation, Coppola's "Life Without Zoe" is a middling children's film, and Allen's "Oedipus Wrecks" is a pretty standard Woody Allen sketch. Starring Nick Nolte, Rosanna Arquette, Steve Buscemi, Talia Shire, Mia Farrow, Julie Kavner, Mae Questel, and Woody Allen. Written by RIchard Price, Francis Ford Coppola, Sophia Coppola, and Woody Allen. Directed by Martin Scorsese, Francis Ford Coppola, and Woody Allen.

1) Levantó: Escuché alguna vez que uno en definitiva tiene el tamaño de los rivales que elige. El ser dueños de nuestras reacciones y nuestras actitudes nos hace comprender que el primer esfuerzo que uno tiene que trabajar es el propio. Uno debe desarrollar el “tolerar” y, al mismo tiempo, y por sobre todo, tiene que trabajar su propio carácter.2) Enviado: Ser maduro es discernir qué es bueno para mi alimento espiritual. Hay cosas que pueden ser entretenidas, pero que no me alimentan. Es importante madurar en la vida espiritual y poder comprender qué me hace bien y qué me hace mal. Tampoco es bueno caer en una dependencia espiritual donde espero que el cura o el pastor me esté diciendo todo el tiempo qué está bien y qué está mal. Es importante trabajar los sentidos espirituales. 3) Contigo: Einstein decía: “Dios no juega a los dados con el Universo”. Porque todo tiene un orden y un proceso en la vida. Woody Allen, cuando le contaron esta frase de Einstein, dijo: “Yo no diría que juega a los dados, más bien diría que juega a las escondidas”. Por eso, en este tiempo de preparación para Pentecostés pedile a Dios el don de ciencia para poder verlo en tu vida y comprender por dónde va tu vida. Algo bueno está por venir.

“The whole idea of the film business is based on a reactionary idea.” — Jonathan Rosenbaum"Orson Welles was considered a failed Hollywood Director"A Great Episode of THE ARTISTS has dropped on our you tube Watch

RHLSTP Book Club #179 - Thirst - Part two of the interview with John about his new book Thirst. They chat about why alcohol is addictive because it doesn't quite work, how annoying it is when authors don't translate stuff in different languages, Swarfega and lathes, whether it's OK to still like Woody Allen films (at least the good ones) and what the rules are for all of this, because it isn't clearBuy the book here - https://uk.bookshop.org/p/books/thirst-twelve-drinks-that-changed-my-life-john-robins/24157e3cdfc6ba19SUPPORT THE SHOW!See details of the RHLSTP LIVE DATES Watch our TWITCH CHANNELBecome a badger and see extra content at our WEBSITE Buy DVDs and books from GO FASTER STRIPEAudio mix by Ben Evans (NTO)Thanks to Chris Evans (NTO)Recorded at the Podcast Room Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailSeason 17's halfway to the finish line, and the TGTPTU boys are back from break revving their engines, ready for the next four in their “hack” director line-up. Jack's pick coming in third is Ron Howard, starting with his first film in the big chair, the “smash-‘em-up” smash success (for a Roger Corman feature) GRAND THEFT AUTO (1977).  Howard's only feature to co-write or to co-star in as director, the then-Happy Days star cut his teeth on GTA (no relation to the videogame) coming off the success as leading man-boy in the preceding Corman car chase flick Eat My Dust (1976). As part of Howard's deal with Corman, the success of EMD put the boy who once played Opie Taylor in TV's The Andy Griffith's Show in charge of first and second units, stunt coordinators, helicopters, and his kin/fellow actors brother Clint Howard and father Rance Howard—all this on the day after Ron's 23rd birthday.  GTA's plot follows young elopers played by Howard and Nacy Morgan (who might be best known as John Ritter's first wife), who've stolen Morgan's father's Rolls-Royce to avoid the pressure of her pseudo-arranged marriage to a rich dweeb. This theft leads Morgan's father, a prominent citizen about to run for major office, to have his security detail retrieve his car (and daughter). Morgan's jilted dweeb upon learning he's not to be betrothed assumes she's been kidnapped and calls a local radio station to put a bounty on her safe return before stealing a car to give chase himself, causing his wealthy mother to call the same station to offer a separate bounty for her son's safe return. From there, cars go crash, clang, boom, and pow.   Start peeling off your lead paint and start snacking on its sweet goodness to revel in this 70's film concept of comedy during what the hosts generally agree is a second-screener.   This ep, Ryan turns his head cold to his advantage as a radio announcer; Jack reveals this and Solo (2018) are the only Howard movies he's seen prior; and Thomas and Ken recommend (re)listening to the Any Which Way You Can episode and dunk hard on regular Howard collaborating producer Brian Grazer's hair.  CORRECTION: Jonathan Demme's film for Roger Corman wasn't Handle with Care (nor was it Woody Allen's Radio Days) but Caged Heat (followed by Crazy Momma) when Demme was giving Howard some Corman-related advice.   THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

What if your favorite sports broadcaster, late-night host, and even a former president all showed up for a speed round—on the same podcast? In this episode of Thrive LouD, master impressionist and comedian Josh Rosen joins Lou Diamond for an energetic and hilarious conversation that blurs the line between sports, pop culture, and satire. Josh Rosen reveals how his observational skills sparked his passion for impressions, talks about his social media creative process, and even drops spot-on renditions of Marv Albert, Skip Bayless, Stephen A. Smith, Woody Allen, Larry David, and Donald Trump—sometimes back-to-back! Plus, hear about his favorite influences, meeting the personalities he impersonates, the behind-the-scenes of social media content, and what's next for his comedic career.Whether you're a sports fanatic, comedy lover, or just need a good laugh, this episode is sure to entertain and surprise.Timestamped Overview00:00 Episode intro & Josh Rosen joins the show01:16 Josh Rosen on discovering comedy and impressions02:17 Influences from childhood: sports broadcasters and routines03:27 Becoming self-aware as an impressionist04:18 The intersection of sports, pop culture, and virality06:13 Impressionist idols and SNL influences08:05 Comedy material: building funny AND accurate impressions09:37 Social media and content creation behind-the-scenes11:05 Live impressions: Marv Albert, Skip Bayless, Stephen A. Smith, Woody Allen, Larry David, Donald Trump14:47 The Speakeasy Pub Crawl speed round18:17 Favorite impressions & meeting Nick Wright19:42 New voices and impressions in progress20:26 Where to find Josh Rosen & closing thoughts

Explicit Content: Authorized Eyes OnlyAgent Codenames: Old Dude; Diabolu FrankAssignment: Father & Son Spy-Fi PodcastMission: Discuss the off-brand “Jimmy” Bond Climax! teleplay with Barry Nelson & Peter Lorre; as well as the non-Eon James Bond 007 film starring David Niven, Peter Sellers, Ursula Andress, Woody Allen, Orson Welles, and a great many more.See Also:

Marc Weingarten joined me to discuss putting color strips on a black and white TV, trying to watch TV with Orthodox Jewish parents; moving from NY to Miami to Israel to California; his first time on stage; learning how to be a standup; producing Count Basie's final album; getting a job at the Laff Stop; investing 1% in that club; hearing the Ice House was for sale and buying it with three partners for $67,000; history of the Ice House; Pat Paulsen; seeing green George Lopez; Gallagher; David Letterman; producing Rick Dees comedy shows and writing an opening for Rick to be funny; sold out 6000 seats in 10 days; doing sports with Sweet Dick Whittington; getting Rudy Tellez as his manager; being a writer on Into the Night when Brad Garrett hosted; producing the Super Bowl of Comedy; creating the Uproar comedy label; becoming a Grammy voter; memories of Richard Jeni, Jay Leno, Harry Anderson, Jay Johnson, Marcia Warfield, Robin Williams, Ben Powers, Howie Mandel; what makes the best comedians; Woody Allen; George Carlin's friendship and advice; Bill Cosby; being bumped by Rodney Dangerfield.

It's been a while, but we're back! Sorry for the break, life got busy but we're back and we've got some bangers ready for you! Starting off with Woody Allen's second feature film, 1971's Bananas. What a mess this movie is! More about Woody Allen having sex than the plot which seemingly is about him bumbling into being the dictator of a Latin American country.  Part of our break was retooling some things to be better about sharing stuff on our socials, so be on the look out for us on IG and TikTok at @whitepeoplewontsaveyoupod or on Bluesky @WPWSY. We'll have videos and extra content about upcoming films so jump in with us!  We will be back next week (NEXT WEEK) with 1991's The Last Boy Scout, the movie where Billy Blanks snorts pcp and shoots someone during Monday Night Football. And that's just the first 5 minutes! 

Episodio 367.En un lugar de playa muy playero viendo la playa, la vista era como muy romana. El disfrute del que habla Sumito, el señor que cocina, era un Woody Allen pero italiano y un negro en camisa, divino, delgaditos y todos coquetos. El semen de árbol estaba intensisimo y la verdad que no me puedo quejar porque lo voy a pasar de manera pintoresca.

It's “VS” month, and instead of doing “guy vs. other guy,” we've decided to do “movie vs. a kind-of-similar movie” month!We're starting with the only two ant-based movies: Antz and A Bug's Life, kicking things off with Woody Allen's DreamWorks Antz.Antz follows Z, basically Woody Allen if he were an ant, as he accidentally sparks a revolution.Which one is better? It's probably A Bug's Life.If you have any questions or requests, send them to askwwwtpodcast@gmail.comFind us through:YouTube: https://www.youtube.com/@whowouldwatchthisInstagram: https://www.instagram.com/whowouldwatchthis/TikTok: @podcastwhowouldwatchthisLetterboxd:Carl: https://letterboxd.com/carlllllllllll1/Oscar: https://letterboxd.com/oscarfart/More links: https://linktr.ee/whowouldwatchthis  

Only got 6 weeks to get Swole by Summer? This episode will show you EXACTLY what to do:  [0:00:03] Six-Week "Get Jacked and Lean" Question Framing the core question: what to do in six weeks to look impressive at the beach/pool Brief expectation-setting: six weeks is enough for noticeable change, not total transformation [0:01:00] Introduction to Aleks ("Hebrew Hammer") & Training Background Aleks' personal training experience since 2010 Specialties: kettlebells, calisthenics, natural human movement, old-school bodybuilding, "True Grit" Philosophy: most answers are already within you; success is about arranging habits correctly [0:02:30] General Strategy: Move Every Day Daily movement as a non‑negotiable Pat Flynn guitar analogy: frequent practice beats occasional marathons Simple ideas: parking farther away, taking stairs, casual movement throughout the day [0:04:00] Weekly Training Framework Suggested structure: 3 days: traditional strength training (compound presses, pulls, squats, hinges) 2 days: intermediate / "in‑between" work (cardio or other chosen exercises) 2 days: "off" from hard training, but still walking and light movement Distinction between "moving every day" vs. "training hard every day" [0:06:00] Protein & Diet Fundamentals Protein at every meal Recommended intake: 0.7–1.0 g per pound of lean bodyweight Avoiding excessive protein obsession; importance of also getting fats, carbs, fruits, and vegetables Why supplements and fad diets are overhyped compared to basic nutrition "Gun to the head" test for healthy eating: lean meats, fruits, vegetables, whole foods [0:09:00] Muscle Building vs. Strength Training Focus Defining strength training (lower reps, more sets, more neural efficiency) Defining muscle building (working near failure with fewer hard sets) Example: 10‑rep max exercise used for 1–5 reps (strength) vs. 8–9 reps (hypertrophy) Quoting Lee Priest: "Stimulate, don't annihilate" – pushing hard without crippling recovery Why the beach cares more about visible muscle than pure nervous system strength [0:12:00] Getting Lean: Why Diet Dominates Importance of leanness even without massive new muscle Rough breakdown of daily calorie burn: ~60% basal metabolic rate ~10–15% general movement ~5% formal exercise Practical takeaway: diet quality and quantity drive fat loss more than workouts [0:14:00] Sleep, Recovery, and Hormones Sleep as a major lever for: Recovery from training Hormone production (e.g., testosterone) Reducing cravings for sugar- and carb‑dense foods Modern challenges: artificial light, doom‑scrolling Tease of future content on sleep improvement strategies [0:15:30] Loaded Gait Pattern Work: Concept & Benefits Explanation of "loaded gait pattern work" (walking/carrying weight) Why gait is the most natural human movement pattern Claim: loaded carries are powerful for fat loss and strength support, even with modest weights Idea that you can build muscle and lose fat simultaneously beyond just beginners if done intelligently [0:17:00] Real-World Success Stories with Loaded Carries & Crawling Crawl-A-Days Challenge examples: ER doctor Judson Korn: big strength gains (one‑arm pushup) in ~14 days without specific practice Lina Everby: noticeable fat loss and visible abs within ~14 days Malcolm McAllen: visible abs within ~30 days from 10 minutes of crawling per day Nine-Minute Kettlebell & Bodyweight Challenge: Program overview and purpose Link mention: nineminutechallenge.com (9minutechallenge.com) [0:19:00] More Loaded Carry Examples & Case Studies Matt Furey's story of the Canadian farmer: 60-day journey carrying a 40 lb weight Gradual progression to 10 short walks per day Result: ~30 lbs lost, very lean, PRs in pullups and pushups at ~60 years old Jamie Lewis' Amazon warehouse story: Pushing moderate-weight carts at a steady pace Rapid fat loss despite eating lots of pizza and being off steroids Reinforcing loaded gait as a practical, almost "accidental" fat loss strategy [0:21:00] Practical Six-Week "Swole for Summer" Recap Daily movement with 3 days of compound strength/muscle-building sessions Minimum 5 days per week of loaded gait work 2 lighter days (still walking/moving) Protein at each meal (0.7–1 g per pound of lean bodyweight) Emphasis on: Muscle-focused training (near-limit sets, low volume) Less emphasis on endless kettlebell ballistics for leanness vs. loaded gait Improved diet and better sleep as primary leanness drivers [0:22:00] "Swole by Summer" Program Tease & Call to Action Announcement of the upcoming 6‑week "Swole by Summer" program Program focus areas: "Movability" (flexibility, mobility, coordination) Brief strength sessions to "prime" high-threshold motor units Specific muscle-building work, including some avant‑garde movements Dedicated loaded gait work for leanness and "showing off" built muscle Managing expectations: you won't go from Woody Allen to Arnold Schwarzenegger in six weeks, but you can make dramatic, visible changes How to get updates and access: Join email list via http://www.9MinuteChallenge.com (and get the FREE 9 Minute Challenge, to boot!) Instructions to email/reply if listening later and still interested in Swole by Summer

Por culpa de una cucaracha, en Tijuana, Billy Wilder se puso detrás de la cámara. Por culpa de una gallina, en Nueva York, Alvy Singer se hizo prescriptor de huevos.

Dhruv, Cris, Aryan, Srilekha & Varun (correctly pronounced, as per Srilekha, as "Borun") are discussing a(nother) A24 Film that's been the talk of the town since it released in cinemas last month. Since most of them were relatively cold on the film itself, they've decided to dedicate at least half of this episode to discussing the drama surrounding not only the film but also its director, Kristoffer Borgli -- especially the casually disconcerting essay he wrote about May-December romances. In particular, he cites Woody Allen's "Manhattan" as the key inspiration that helped him justify his relationship with a 16-year-old girl as a 27-year-old man.The QID members discuss -- in length -- the value (or not) of having this kind of discussion before delving into the particularities of Borgli's films that interested (or irritated) them.MAJOR SPOILERS FOR "THE DRAMA" & MINOR SPOILERS FOR "MANHATTAN" THROUGHOUT THE ENTIRE EPISODE!Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/queenisdead.filmpodcast.⁠⁠⁠⁠⁠⁠⁠⁠⁠TIME CODESIntroduction : [00:00 - 13:19]A24's Marketing of "The Drama" : [13:19 - 24:32]Borgli & The Woody Allen Connection : [24:32 - 01:01:40]The Drama of "The Drama" : [01:01:40 - 01:44:12]Films (Recos) like "The Drama" : [01:44:12 - 02:04:37]Outro (Aryan's "Samay Raina" Tangent) : [02:04:37 - 02:11:49]You can also follow these mad people on Letterboxd at -ARYAN: https://letterboxd.com/aryantalksfilms/.SRILEKHA: https://letterboxd.com/srilekha__mitra/.DHRUV: https://letterboxd.com/aterminalcinema/.CRIS: https://letterboxd.com/crislim/.VARUN: https://letterboxd.com/varunoakbhakay/.

It's Friday. My wife's been out of town for a whole week. I spent the quiet time digging into famous quotes — the kind you've heard a thousand times but never sat with. Woody Allen. Yogi Berra. Will Rogers. Thomas Edison. The old voices still hit if you sit with them for a minute. Today, I ran seven of their best lines through Scott Logic. You'll leave with a simple way to show up, move when you're stuck, and stop rehearsing the life you're supposed to be living. Press play. Bring coffee. Featured Story My wife has scales everywhere. Kitchen scales. Bathroom scale. She weighs her food like a chemist measuring compounds. Twice a week, she hands me a perfectly measured bowl of ice cream. Four ounces, maybe five. It's good stuff. This week she's out of town. I found the half-gallon in the freezer and went to work. Night one. Night two. Night three. Somewhere around night three, I gave myself too much and realized exactly why she measures. Now I have a problem. Do I eat the rest and pretend it was never there? Do I buy a replacement and slide it onto the shelf? I'll tell you what I'm going to do. Important Points Your competition is mostly imaginary. Most never started or already quit, so showing up 70% puts you ahead of the pack. A wrong turn can always be fixed. Standing frozen at the intersection is where life actually runs you over for good. Figure out what you do naturally, without anyone pushing you, and you'll find the thing you should be doing for real. Memorable Quotes The competition is mostly imaginary. Half never started, the other half quit. Show up and the math takes care of itself. A wrong turn, you can fix. Standing at the intersection, you get honked at and hit by a truck. Life runs you over. Failure is just data. If you pay attention and collect enough of it, you accidentally become an expert in the room. Scott's Three-Step Approach Show up and pick a direction. Most of your competition never started or already quit, so being there puts you ahead. Keep moving when you stumble. Each mistake is just data that stacks until you accidentally become an expert in the room. Handle the unfinished business tonight. Don't let it fester until morning, or it will wear you out by tomorrow. Chapters 0:02 - Wife out of town, and the neighbors keep checking on me 0:41 - Half a gallon of ice cream becomes a real dilemma 3:18 - Why Woody Allen was right about showing up 80% 5:07 - Yogi Berra's fork in the road and how to pick 7:54 - Thomas Edison and 10,000 ways that don't work 9:35 - Why going to bed mad wears you out tomorrow 12:22 - Mae West's truth about living once, done right Connect With Me Search for the Daily Boost on YouTube, Apple Podcasts, and Spotify If you enjoy the Daily Boost, you might like Notes From Scott. A few mornings each week, I send a short note with something I've been thinking about or noticing lately. Sometimes those ideas turn into podcast episodes later. You can sign up at https://notesfromscott.com. Email: support@motivationtomove.com Main Website: https://motivationtomove.com YouTube: https://youtube.com/dailyboostpodcast Instagram: https://instagram.com/heyscottsmith Facebook Page: https://facebook.com/motivationtomove Facebook Group: https://dailyboostpodcast.com/facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

Você já estava curtindo demais um filme e, do nada, aquela informação inconveniente sobre o diretor apareceu na sua timeline e arruinou tudo? Bem-vindo ao dilema mais chato, e necessário, da cultura contemporânea.Neste episódio, Rafael Arinelli, Daniel Cury e Fabiana Lima debatem sobre a relação espinhosa entre a obra e o artista. Sem respostas fáceis, sem julgamentos apressados, mas com muita discussão honesta e alguns incômodos necessários.O papo passa por casos que você já conhece: Woody Allen, cujos filmes parecem ecoar de forma perturbadora sua vida pessoal; Roman Polanski, condenado e aplaudido de pé em Hollywood na mesma década; e J.K. Rowling, cujo ativismo anti-trans transforma cada Galleon gasto em Hogwarts numa escolha política, queira você ou não.Para dar embasamento teórico ao debate, o episódio apresenta dois lados da moeda: a Morte do Autor, de Roland Barthes, que defende que a obra pertence ao público assim que sai das mãos de quem a criou; e o Intentismo, que insiste que ignorar o autor é dar um cheque em branco para quem produz arte.No fim, a conversa não é sobre cancelamento, é sobre consumo consciente. Afinal, onde você coloca seu tempo, sua atenção e seu dinheiro diz muito sobre quem você é.Coloque seus fones de ouvido e venha pensar junto!• 05m50: Pauta Principal• 1h26m04: Plano Detalhe• 1h42m17: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • André Marinho Moreira• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Guilherme S. Arinelli• Thiago Custodio Coquelet• Wilmar Arinelli Jr• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Daniel): Livro: A elegância do ouriço• (Daniel): Revista: Cascártica• (Daniel): Filme: Oi, Sumido!• (Fabi): Texto: What Do We Do with the Art of Monstrous Men?• (Fabi): Filme: Repulsa ao Sexo• (Fabi): Filme: Limite• (Fabi): Série: Hacks• (Rafael): Vídeo: Roda Viva - Erika Hilton• (Rafael): Vídeo: Erika Hilton mostra pilha de livrosEdição: ISSOaí

Hello. This week's episode is our recent show recorded LIVE in downtown Toronto. After discussing the possibility of nuclear annihilation and being interrupted by an erotic tour guide, Chris, Mike and James dig into the life of comedian/bourbon salesman/MAGA enthusiast Rob Schneider. Woody Allen and Nosferatu also make some unforgettable appearances. Thanks to everybody who came to the show. Enjoy!Cast:Erotic Tour Guide - Aaron EvesErotic Tourists - Jan Caruana, Rob Baker, Joel EdmistonWoody Allen - Sam BurnsNosferatu - Nicole PassmoreEvilometer - Isaac WinterRecorded live at Comedy Bar (Bloor Street) in Toronto on April 10, 2026 by Stephan MacLeod.Photo by Aaron Ulledal ***Keep your ears open for James Hartnett's second album, It's Not Looking Good available most places now! And don't forget to subscribe to the Evil Men Patreon for bonus episodes every week! Hosted on Acast. See acast.com/privacy for more information.

This week, we're joined by comedy legend Jimmy Pardo for a conversation about autograph culture, carpooling with Juan Jamón, prank calling Woody Allen, and much more.  *Follow Jimmy's hilarious podcast Never Not Funny on Instagram.  *Celebrate 20 years of Never Not Funny! *Get tour dates to see Jimmy live—with or without your partner.  *Check out what's new on Bullseye with Jesse Thorn. *Check out more Amazing Spiderman content from Jordan. *Pre-order Jordan's new Web of Venom comic, out April 8th.  *Check out Jordan's comic Predator: Bloodshed. * Order Jordan's new Predator comic: Black, White & Blood! * Order Jordan's new Venom comic! * Donate to Al Otro Lado. * Purchase signed copies of *Youth Group* and *Bubble* from Mission: Comics And Art!   ~ NEW JJGo MERCH ~ Get  Bronto Dino-Merch! Get our ‘Ack Tuah' shirt in the Max Fun store. Grab an ‘Ack Tuah' mug! The Maximum Fun Bookshop! Follow the podcast on Instagram and send us your dank memes! Check out Jesse's thrifted clothing store, Put This On. Follow producer, Jordan Kauwling, on Instagram. Thank you to engineer Gabe Mara!

Dean Karayanis, columnist at the New York Sun and former Rush Limbaugh staffer, jumps into the week's political chaos from the anti-government “No Kings” protests to Iran and the midterms. He challenges how labels are used to shape public perception, citing that protesters “were out there just defying the government” and noting the double standard in how similar actions are described depending on who's involved. Dean also unpacks the bizarre uncertainty surrounding Iran's leadership, questioning why Western media treats the Ayatollah as alive despite no proof: “You can't negotiate with a ghost.” He draws parallels to pop culture — from Woody Allen's “Sleeper” to John Gill on the Nazi episode of “Star Trek” — to highlight how easily narratives can be manufactured. The episode then shifts to U.S. politics: Trump's messaging strategy, the GOP's internal fractures, and the danger of relying on personality over principles. Dean warns that Republicans must rediscover ideological consistency rather than “count on… everything going back to normal when he's gone.” He closes with media bias in coverage of war crimes, where analysis shows only Israel and America are ever accused of them but not Iran in the first three weeks of the war, as well as the geopolitical stakes of Iran's nuclear ambitions, and the overlooked voices of Iranians who oppose their regime. As always, Dean blends history, humor, and sharp critique to frame the week's events with context and clarity.

Come see Christina do standup live! Irving, TX! Denver, CO! Chicago, IL! She's coming to you! Get your tickets at https://christinap.com SPONSORS: - Tear. Pour. Live More. Go to https://liquid-iv.com and get 20% off your first order with code YMH at checkout. - Sign up for your one-dollar-per-month trial today at https://shopify.com/ymh - Visit http://BlueChew.com to get 10% off your first month. This week on Your Mom's House, comedian and SNL alum, Jim Breuer joins Christina P for a raw, hilarious, and no-holds-barred conversation that goes everywhere! From growing up as a fat kid with blue-collar parents, to surviving Saturday Night Live, to raising kids in a world that feels completely upside down. Christina P and Jim talk parenting boys, discipline, letting kids be kids, and why overprotective culture is failing families. Jim opens up about marriage, loyalty, divorce trauma, and why he refuses to blow up his family for fame or temptation. The two also dive deep into cancel culture, porn addiction, gender ideology, Hollywood hypocrisy, and the Epstein era, with Jim sharing jaw-dropping stories from his time inside the industry. Plus Christina shows Jim some insane Toks and other unhinged content we've discovered online. Enjoy! Your Mom's House Ep. 849 https://tomsegura.com/tour https://christinap.com/ https://store.ymhstudios.com https://www.reddit.com/r/yourmomshousepodcast Chapters 00:00:00 - Intro 00:01:18 - Being A Fat Kid 00:04:20 - Raising Kids 00:08:30 - Opening Clip: Gay Genderfluid Dog 00:14:14 - Woody Allen & Hollywood Creeps 00:20:16 - Marriage, Loyalty, & A Stolen Car 00:31:49 - Really Cool Relationships 00:37:29 - Porn Addiction & How It Rewires Young Minds 00:42:52 - Some Gay Clips 00:47:42 - Huffing Car Accident 00:52:14 - College Frat Boys 00:57:05 - Find The Funny Tour 01:00:02 - Christina's Curations 01:07:06 - Closing Song - "Bite The End of Your Dad's D*ck Off" by DJ Stanimom Learn more about your ad choices. Visit megaphone.fm/adchoices

Jay and Bobby debate comedy movies that were influential to them at a young age. Jacob loves Woody Allen and tries to convince everyone that he is funny. | There is a Taylor Swift Impersonator that does provocative dancing in front of young audiences. Jay tries to book her on the Bonfire. | Colin Quinn calls in with outdated impressions and explains why he always knows Bobby's location. *To hear the full show to go www.siriusxm.com/bonfire to learn more! FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolf Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early.  Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.