Podcasts about last house

Sean leaves the main road in the Nevada desert and discovers The Hills Have Eyes (1977), Wes Craven's shocking follow up to Last House on the Left, which locks an American nuclear family in life-or-death combat with an inbred clan of cannibals, inspired by the legend of Sawney Bean. Listen as we talk 70's roughness, parakeet juiceboxes, and name the movie Death Wishbone for its revenge plot involving a German Shepard named Beast. Hosted on Acast. See acast.com/privacy for more information.

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Bunch of Ace - My Guitar FOLLOW ON SPOTIFYLight the Wire - Your Moment (You Got This) FOLLOW ON SPOTIFYCaroline Parke - Hello Little Bird FOLLOW ON SPOTIFYHer Sound - The Return FOLLOW ON SPOTIFYDevyn Rush - Too Much Of A Good Thing FOLLOW ON SPOTIFYSianon - Northside FOLLOW ON SPOTIFYSandra Rust - Wild And Free FOLLOW ON BANDCAMPAri Bloom - My Mind (therapy session) FOLLOW ON SPOTIFYOlivia Bradley - Little Fairy (feat. Ashley Davis) FOLLOW ON SPOTIFYKentucky Avenue - B Side FOLLOW ON SPOTIFYLast House - Sister Song FOLLOW ON SPOTIFYCollaborations - Let The Love In FOLLOW ON SPOTIFYAsteroid Lily - I Lit a Fire FOLLOW ON SPOTIFYBlue Dust - Burning Forest FOLLOW ON SPOTIFYNeon Black Dreams - Into the Fire FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor 39 Streams of Income at profitablemusician.com/incomeVisit our Sponsor Kick Bookkeeping at profitablemusician.com/kickVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resources

Marc Sheffler joined joined me to discuss watching 50's children's TV; his father getting The Three Stooges for his tenth birthday; seeing Jerry Lewis in a movie and his dad telling him "Why not you?"; his dad getting him him a limo to the premiere of "The Last House on the Left"; going to college with David Duke; his dad sending sending him to the Catskills; working for comedian London Lee; having to pretend to be a conductor; selling a script to NBC; watching Dick Van Dyke and partnering with Sam Denoff; becoming stand up and throwing out his Catskills material; getting a spot at the Comedy Store; becoming friends with George Miller, David Letterman, and Andy Kaufman; Tony Clifton; writing How Bugs Bunny won the West; working on Co-Ed Fever and becoming life long friends with Heather Thomas; her intelligence; writing the pilot for Lewis & Clark but not getting hired on the series; having Johnny Carson apologize; writing for Sanford; Robin Williams; the Comedy Store being an orphanage for talent; creating his stand up character El Yid

Episode 56: Extreme Horror Iceberg Volume Two This episode was recorded on February 6, 2025 and posted on May 31, 2025.  Content Warning: Light vulgarity and discussions of extreme horror content.  Introduction Welcome to No Bodies Episode 56 Introductions to your Ghost Hosts with the Most - Lonely of Lonely Horror Club and Suzie aka Projectile Varmint Introductions to our guests - Libby Roach Today's Topic: Extreme Horror Iceberg Volume Two Revisiting Extreme Horror Is there an appeal to extreme horror as an art form? Common themes found in extreme horror The Iceberg Tier 1 examples include Psycho and The Exorcist Tier 2 examples include Hereditary and Hostel Tier 3 examples include Last House on the Left and The House that Jack Built Tier 4 examples include Antichrist and Mai-Chan's Daily Life Tier 5 examples include Salo and Guinea Pig: Flower of Flesh and Blood Tier 6 examples include Black Metal Veins and Tumbling Doll of Flesh Media Discussion Calvaire (2004) - Tier 4 Funny Games (1997) - Tier 5 Come and See (1985) - Tier 5 Closing Thoughts Would you move any of these films to another tier? Is there a film you would add to the list? Thank you to our guest! Check out Libby on Instagram @libbyroach_.  Keep Up with Your Hosts Check out our instagram antics and drop a follow @nobodieshorrorpodcast.  Subscribe to our YouTube channel for exclusive video episodes coming soon! Take part in our audience engagement challenge - The Coroner's Report! Comment, share, or interact with any Coroner's Report post on our socials to be featured in an upcoming episode.  Projectile Varmint - keep up with Suzie's film musings on Instagram @projectile__varmint Lonely - read more from Lonely and keep up with her filmstagram chaos @lonelyhorrorclub on Instagram and www.lonelyhorrorclub.com. Original No Bodies Theme music by Jacob Pini. Need music? Find Jacob on Instagram at @jacob.pini for rates and tell him No Bodies sent you!  Leave us a message at (617) 431-4322‬ and we just might answer you on the show! Sources An actual watchable disturbing movie Iceberg (no mixtapes, no porn, no snuff). (2021). Reddit. Retrieved April 30, 2025, from https://www.reddit.com/r/IcebergCharts/comments/o88280/an_actual_watchable_disturbing_movie_iceberg_no/  PSPA Editorial Staff. (n.d.). The Iceberg Theory. Private Security Professionals of America. Retrieved April 30, 2025, from https://www.mypspa.org/article/more/the-iceberg-theory  Spool, A. (2025, April 29). Iceberg Charts. Know Your Meme. https://knowyourmeme.com/memes/iceberg-charts

There have been many horror writers that have been important to the genre, but few have had the outsized impact of the one and only Chas. Balun. Whether it was his work in Fangoria, Gorezone, or his own magazine Deep Red, even if you didn't see his name at the head of the article, you knew it was him within a few sentences, by either by the tone of the writing, or maybe the films he was covering. Chas' style was humorous and more than a little confrontational, but he was always waving the flag in support of movies that he felt were important and hadn't received enough attention. Sure, they tended to be on the gory side, but for Chas. it wasn't just about the gore. Not entirely, anyway. While the three of us knew his work and the impact it had on us personally, for this very special episode, we felt we needed to talk with other folks who were just as impacted by him, and also knew him personally. In the second half of the show, you'll hear from John Szpunar, author of Xeroxferox: The Wild World of the Horror Film Fanzine and Blood Sucking Freak: The Life and Films of the Incredible Joel M. Reed; Art Ettinger, editor at Ultra Violent magazine; and finally Shawn Lewis, creator of Rotten Cotten and Eibon Press. They all share their own stories of Chas, and we all discuss the profound the impact Chas. had on us and on the horror genre in general.  Don't miss this one! Films mentioned in this episode: Abomination (1988), Bad Taste (1987), The Beyond (1981), Beyond the Darkness (1979), Blood Sucking Freaks (1976), Blue Velvet (1986), Braindead (1992), Bug (1975), Cannibal Holocaust (1980), City of the Walking Dead (1980), Dellamorte Dellamore (1994), The Exorcist (1973), Friday the 13th (1980), Guinea Pig 2: The Flower of Flesh and Blood (1985), Hell of the Living Dead (1980), Last House on Dead End Street (1973), Last House on the Left (1972), Mad Ron's Prevues from Hell (1987), The Nest (1987), Night of the Demon (1980), The Omen (1976), Pieces (1982), Splatterfest Exhumed (2024), Texas Chain Saw Massacre (1974), Tombs of the Blind Dead (1972), Zoltan: Hound of Dracula (1977), Zombie (1979)

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Last House - Yes I Do FOLLOW ON SPOTIFYKatherine Larsen - Home FOLLOW ON SPOTIFYAllison Asarch - Big Apple Red FOLLOW ON SPOTIFYEMMA - Howling At The Moon FOLLOW ON SPOTIFYMinni Verse - Even Kings Die FOLLOW ON SPOTIFYToria Woolf - See Things Through FOLLOW ON SPOTIFYAlly Palmer - Never Stop Loving You FOLLOW ON SPOTIFYHODJE - Lake Shore Drive FOLLOW ON SPOTIFYMattie Rose - Still Gone FOLLOW ON SPOTIFYVitalia - insecure FOLLOW ON SPOTIFYShanelle Rudrigo - It's Okay FOLLOW ON SPOTIFYChris Landi - Same Old Blues FOLLOW ON BROADJAMRuby Walker - Red Red Heart FOLLOW ON SPOTIFYMeghan Hayes - Surprised FOLLOW ON SPOTIFYEffy Harvard - Her Boots FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor 39 Streams of Income at profitablemusician.com/incomeVisit our Sponsor Kick Bookkeeping at profitablemusician.com/kickVisit our Sponsor Susie Maddocks at susiemaddocks.comVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

Escaped convicts kidnap and harm two teen girls who stop for weed in the city on their way to a rock concert.The Last House on the Left is a controversial film due to the depiction of sexual violence in the movie. Many regard it as a horror classic that has had wide-ranging influence on the genre. After multiple watches, we have differing opinions on the movie than Wes Craven fans of his first film. Does the movie hold up after all these years? Watch the movie and catch our review.Subscribe to our YouTube channel @thefinalpodcast  Join the Discord | https://discord.gg/UFtVP243Follow us on Facebook The Final Podcast Follow us on Instagram @thefinalpodcastFollow us on X @thefinalpodeverMusic Credit: Karl Casey @ White Bat Audiohttps://www.youtube.com/channel/UC_6h...What should we review next? Toss us a vibe and send over a recommendation!

Episode 54: Extreme Horror Iceberg Volume One This episode was recorded on February 6, 2025 and posted on May 3, 2025.  Content Warning: Light vulgarity and discussions of extreme horror content.  Introduction Welcome to No Bodies Episode 54 Introductions to your Ghost Hosts with the Most - Lonely of Lonely Horror Club and Suzie aka Projectile Varmint Introductions to our guests - Libby Roach Today's Topic: Extreme Horror Iceberg Volume One Defining Extreme Horror Iceberg charts and iceberg theory What is the Extreme Horror Iceberg? The ethical implications of existing versions of the iceberg Our experiences with extreme horror The Iceberg Tier 1 examples include Psycho and The Exorcist Tier 2 examples include Hereditary and Hostel Tier 3 examples include Last House on the Left and The House that Jack Built Tier 4 examples include Antichrist and Mai-Chan's Daily Life Tier 5 examples include Salo and Guinea Pig: Flower of Flesh and Blood Tier 6 examples include Black Metal Veins and Tumbling Doll of Flesh Media Discussion Dancer in the Dark (2020) - Tier 2 Requiem for a Dream (2000) - Tier 2 Eden Lake (2008) - Tier 3 Threads (1984) - Tier 3 Thank you to our guest! Check out Libby on Instagram @libbyroach_.  Keep Up with Your Hosts Check out our instagram antics and drop a follow @nobodieshorrorpodcast.  Subscribe to our YouTube channel for exclusive video episodes coming soon! Take part in our audience engagement challenge - The Coroner's Report! Comment, share, or interact with any Coroner's Report post on our socials to be featured in an upcoming episode.  Projectile Varmint - keep up with Suzie's film musings on Instagram @projectile__varmint Lonely - read more from Lonely and keep up with her filmstagram chaos @lonelyhorrorclub on Instagram and www.lonelyhorrorclub.com. Original No Bodies Theme music by Jacob Pini. Need music? Find Jacob on Instagram at @jacob.pini for rates and tell him No Bodies sent you!  Leave us a message at (617) 431-4322‬ and we just might answer you on the show! Sources An actual watchable disturbing movie Iceberg (no mixtapes, no porn, no snuff). (2021). Reddit. Retrieved April 30, 2025, from https://www.reddit.com/r/IcebergCharts/comments/o88280/an_actual_watchable_disturbing_movie_iceberg_no/  PSPA Editorial Staff. (n.d.). The Iceberg Theory. Private Security Professionals of America. Retrieved April 30, 2025, from https://www.mypspa.org/article/more/the-iceberg-theory  Spool, A. (2025, April 29). Iceberg Charts. Know Your Meme. https://knowyourmeme.com/memes/iceberg-charts

Today we talk about moral panics. Specifically, the "Video Nasty" moral panic that happened in the UK in the early 1980s, and then again in the 1990s, when there was widespread fear that by kids watching horror movies with titles like Cannibal Holocaust, Flesh for Frankenstein, I Spit on Your Grave, and The Last House on the Left, they would literally be turned into rapists and killers. Was there any justification for this panic? Can hyper-violent or hyper-sexualized media in general erode the morality of children? Merch and more: www.badmagicproductions.com Timesuck Discord! https://discord.gg/tqzH89vWant to join the Cult of the Curious PrivateFacebook Group? Go directly to Facebook and search for "Cult of the Curious" to locate whatever happens to be our most current page :)For all merch-related questions/problems: store@badmagicproductions.com (copy and paste)Please rate and subscribe on Apple Podcasts and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcastWanna become a Space Lizard? Click here: https://www.patreon.com/timesuckpodcast.Sign up through Patreon, and for $5 a month, you get access to the entire Secret Suck catalog (295 episodes) PLUS the entire catalog of Timesuck, AD FREE. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch.

It's week two of April's theme on Fully-Booked, and in today's literary podcast episode, we're diving deep into the world of fools, tricksters, and - our main focus today - unreliable narrators.Last week, we examined the mythological and folkloric origins of fools and tricksters - how these figures evolved and what they symbolized. This week, we're exploring how those archetypes translate into literary devices, especially when it comes to unreliable narrators. It's a natural progression: What happens when the trickster gets to tell the story?What Makes a Narrator Unreliable?We started by teasing out a basic premise:Not all unreliable narrators are tricksters.But every trickster who narrates is, in some form, unreliable.When a trickster character narrates a story, readers are immediately on guard. Are they bending the truth, lying outright, or withholding key information? Their intent to manipulate the narrative often colors everything they say. This introduces a built-in level of mistrust, pushing readers to question what's true and what's fabricated constantly.Unreliable narrators challenge:Reader assumptionsThe line between truth and fictionMoral boundaries and societal normsAs readers, we end up reflecting on our own perceptions. Are we missing signs of dishonesty? Were there clues we should have caught earlier? This layered storytelling technique becomes especially potent in modern fiction, where readers enjoy being kept on their toes.Examples Of Trickster NarratorsArthur posed an interesting question: Do we enjoy being tricked as readers? Meaghan said yes - most of the time. She loves it when a book surprises her in a way she didn't see coming. With so much content available these days, true surprises are rare and, therefore, even more satisfying.Meaghan's recent favorite in this category?The Last House on Needless Street by Catriona Ward.A psychological thriller with multiple points of view.Several narrators, each unreliable for different reasons.One of the narrators is a cat.Made Meaghan's top 5 list the year she read it.Types Of Trickster NarratorsArthur then introduced some types of trickster narrators, each with a corresponding example:The Charming Liar:The Gospel of Loki by Joanne M. HarrisLoki narrates Norse myths in a sarcastic, self-serving tone.The Trickster “Playing Dumb”:Pale Fire by Vladimir NabokovCharles, the narrator, presents himself as humble but co-opts the text for his own delusional storytelling.The Con Artist:The Lies of Locke Lamora by Scott LynchLocke recounts smooth, confident cons while hiding important facts.The Satirical Joker:Lamb by Christopher MooreNarrated by Biff, Jesus' childhood friend, offering a wild and irreverent version of the gospels.Meaghan also mentioned Moore's Fool, a retelling of King Lear from the jester's point of view - full of skewed perception and dark humor.Breaking Down Unreliable Narrator TypesWe moved on to categorize unreliable narrators, going beyond trickster stereotypes and into broader literary theory. Meaghan broke it down with literary references and examples:1. Naive NarratorsOften, children or individuals who don't grasp the full complexity of events.Atonement by Ian McEwan: Told from a 12-year-old's perspective.Room by Emma Donoghue: Told by a 6-year-old boy, Jack.These narrators are unreliable due to innocence or inexperience.2. Outsider NarratorsThese are characters who observe the story but aren't involved deeply enough to know all the facts.Wuthering Heights by Emily Brontë: Nelly, the maid, is both observer and embellisher.Rebecca by Daphne du Maurier: The second Mrs. de Winter tries to piece together a past she wasn't part of.3. Picaros (Embellishers)Narrators who intentionally exaggerate or glorify events.A classic example is Wuthering Heights again.Trickster example: Loki, who retells stories for his own benefit.4. Mentally Unstable or Addicted NarratorsCharacters with distorted perceptions due to mental health or substance abuse.Shutter IslandGirl on the Train by Paula Hawkins: The protagonist's alcoholism clouds her judgment and memory.5. Outright LiarsCharacters who knowingly lie to the reader.Gone Girl by Gillian Flynn: Amy's diary entries mislead the reader.Lolita by Vladimir Nabokov: Humbert manipulates the reader into sympathizing with him despite his actions.Sometimes, books combine multiple types - like Lolita, which features both delusion and deception.Literary vs. Mystery NarrativesArthur and Meaghan also discussed the line between unreliable narration and general mystery storytelling. Just because a thriller keeps secrets doesn't mean its narrator is unreliable.For example:The Boyfriend by Freida McFadden uses shifting POVs and flashbacks but doesn't rely on unreliable narration.It's simply a mystery where the reader is only given pieces of the puzzle over time.The distinction matters. If the narrator isn't lying or misinterpreting events, it doesn't fall into the unreliable category.Final Thoughts and What's NextWe wrapped up with a few key reflections:Unreliable narrators are fascinating because they play with perception and challenge the reader's role in interpreting the story.These narratives are especially popular in genres like thrillers, where surprise is a major draw.There's value in understanding why a narrator is unreliable - whether due to innocence, manipulation, delusion, or deception.Next week, Meaghan and Arthur are planning to explore a specific book-to-film adaptation that features unreliable narration. They'll dive into whether the adaptation holds up and how the narrative trickery translates to the screen.

Insieme a Michela Gorini ripercorriamo le tappe della carriera cinematografica del grande Wes Craven uno degli autori più importanti del genere horror tra gli anni '70 e '90 con alcuni dei suoi film più rappresentativi: “L'ultima casa a sinistra” (The Last House on the Left) (1972) “Le colline hanno gli occhi”(The Hills Have Eyes) (1977) “Benedizione mortale”(Deadly Blessing) (1981) “Nightmare - Dal profondo della notte” (A Nightmare on Elm Street) (1984) “Il serpente e l'arcobaleno”(The Serpent and the Rainbow) (1988) “Sotto shock” (Shocker) (1989) “La casa nera”(The People Under the Stairs) (1991) “Scream” (1996) “La musica nel cuore” (Music of the Heart) (1999)

This month Lee has revenge on his mind... 1970s revenge to be specific. So, he created a playlist of music from various 1970s films that deal with revenge in some form or another. Do not transgress against this podcast or it might come back to get your ass! --Main Theme from "The Night Visitor" (1971) --Henry Mancini --Daughter of Loneliness from "Bury Me an Angel" (1971) --East-West Pipeline --Dedicated to Love from "She Killed in Ecstasy" (1971) --Manfred Hubler & Siegfried Schwab --Wait for the Rain from "Last House on the Left" (1972) --David Alexander Hess --Amen from "Thriller: A Cruel Picture" (1973) --Ralph Lundsten --Opening Titles from "Karate Girl" (1973) --Unknown --Party People from "Death Wish" (1974) --Herbie Hancock --Mothball Karate from "The Killer Elite" (1975) --Jerry Fielding --J'entends Frapper & Notre Côté B from "Gina" (1975) --Michel Pagliaro --A Flower's All You Need from "The Night Train Murders" (1975) --Ennio Morricone & Demis Roussos --Di Corsa Oltre I Cento from "Hitch-Hike" (1977) --Ennio Morricone --Garrote from "The Farmer" (1977) --Hugo Montenegro --Max the Hunter & Max Decides on Vengeance from "Mad Max" (1979) --Brian May --The Glove from "The Glove" (1979) --Robert O. Ragland, vocals by Ernie Andrews Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

To avoid fainting, keep repeating, it's only a podcast… only a podcast… only a podcast. The ghouls dissect the infamous 1972 shocker THE LAST HOUSE ON THE LEFT — digging into shifting tonalities, crazy needle drops, and how it stacks up to other revenge films of the era.     WARNING: This episode contains descriptions of sexual assault/violence, torture, murder, humiliation, and more in the context of the film discussed. Listener discretion is advised.     DBBT Theme Song by James Pizziketti For questions, comments, or other information, send us an email at deadbodpod@gmail.com or visit us on Instagram at https://www.instagram.com/deadbodpod/ 

Live Recorded Set from VirtualDJ Radio Hypnotica

Time to get back in our DeLorean and venture to the past in this special 70's versus battle. These movies have everything that defined the 70's: sex.....drugs.....and the antichrist? Up on the chopping block, we got Wes Craven's debut film with "The Last House on the Left." Was he always the meta satirist that we know him to be? And along side that, we have "The Omen," directed by Richard Donner. Can the guy who gave us "The Goonies" and "Superman" also deliver us a good hell spawn movie? Two well known films, but at the end of the day, one has to be declared the victor. Which shall it be?

The Door of Faith Ministries Podcast is based on the teachings of the Gospel of Grace for Salvation. We teach Christ's death, burial and resurrection! • Podcasts are added weekly from our Sunday services.

Mic and Brigitte return to discuss The Substance being nominated for the Academy Awards and horror's impact on the ceremony. They talk recent watches including Brigitte's first viewing on A Serbian Film, Companion, Heart Eyes, Wolf Man, and The Last House on The Left knockoff/remake Chaos (2005).

In this episode of Terror Talk Podcast, we dive deep into the chilling world of Wes Craven, one of the most influential directors in horror history. From the raw terror of Last House on the Left to the iconic nightmares of A Nightmare on Elm Street and the meta brilliance of Scream, we explore Craven's genius in redefining the horror genre across decades. Join us as we share personal takes on his groundbreaking films, discuss why Freddy Krueger still haunts our dreams, and analyze how Craven brought self-aware humor and social commentary to Scream. Whether you're a lifelong fan or just discovering his work, this episode celebrates the legacy of a master storyteller who turned fear into an art form. Last House on the Left: Pushing the boundaries of horror with raw, unfiltered violence. A Nightmare on Elm Street: Crafting one of the most memorable horror villains, Freddy Krueger. Scream: Reinventing the slasher genre with wit, twists, and self-aware characters. Wes Craven horror films #TerrorTalkPodcast #HorrorLegend #WesCraven #LastHouseOnTheLeft #NightmareOnElmStreet #FreddyKrueger #ScreamMovie #HorrorDirectors #HorrorCinema #ClassicHorror Instagram: @terrortalkpodcast YouTube: TerrorTalk Podcast Facebook: Halloween All Year Long TikTok: @dark.psychology.girls Music by Mannequin Uprising

Episode 185: Week two of our Craving for Craven month, an entire month spotlighting the more obscure Wes Craven  films with our second entry, The Last House on the Left from 1972.Get a fix for your Wes Craven cravings next week with our coverage of The People Under the Stairs from 1991.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

Episode 184: Well this entire month we have a craving, for more Craven. An entire month of spotlighting some lesser known Wes Craven films, starting with 1982's Swamp Thing. Craving for more? Come back next week for our coverage of Wes Craven's Last House on the Left from 1972.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

Film critic Keith Phipps returns for his second UNWATCHABLES season finale, and how better to close out the year than with a harrowing arthouse classic and its unlikely grindhouse remake? Ingmar Bergman's THE VIRGIN SPRING is a stark, unsettling adaptation of a 13th century folk ballad; 12 years later, it served as the inspiration for the grisly debut of horror director Wes Craven, 1972's THE LAST HOUSE ON THE LEFT. We discuss how Bergman's religious fable morphed into the template for the modern rape-revenge film, and what was lost—or gained—in translation. Don't forget to join us at http://Patreon.com/Unwatchables for an exclusive Q&A with Keith, plus all our weekly bonus content! Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/unwatchables to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod.

Send us a textThis is the last way-back episode before the show returns with a scream next week. But this is an episode worth remembering – my first ever conversation with Catriona Ward, about her game-changing The Last House on Needless Street too! This was a big ask for a novice interviewer. How the hell do you talk about a book that hinges on such a huge secret. Somehow we managed to walk that tightrope, whilst also talking about cats (feline) serial killers, and the haunted bedroom of Cat's (author) girlhood. It's fun to retread this grim path. Enjoy! Other books mentioned: Rawblood (2015), by Catriona WardLittle Eve (2018), by Catriona WardThe Five: The Untold Lives of the Women Killed by Jack the Ripper (2019), by Hallie RubenholdSpider (1990), by Patrick McGrath Support Talking Scared on Patreon Come talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com Support the show

One of the things we continue to preach on this podcast is learning about the people that are involved with the films we love. It helps you see more and understand more, about the person, as well as the final product they are involved with, whether they are an actor, makeup artist, or director. Author Joe Maddrey's recent book, The Soul of Wes Craven, from Harker Press, does just this, digging deep into the man, and shows us fans a lot more behind this Master of Horror than we might not have known. To help dig into Craven and his work, we invited Mr. Maddrey on the show to talk about his book and this highly influential filmmaker. Films mention in this episode: Act of Vengeance (1974), Alone in the Dark (1982), Angel Heart (1987), The Believers (1987), Chiller (1985), Deadly Friend (1986), Death Wish (1974), Dreamscape (1984), Frankenstein Unbound (1990), Freddy's Dead: The Final Nightmare (1991), Friday the 13th (1980), Friday the 13th Part VI: Jason Lives (1986), Friday the 13th Part 3 (1982), Friday the 13th: A New Beginning (1985), Ghost (1990), Hills Have Eyes (1977), Hills Have Eyes 2 (1984), The Horror Show (1989), I Spit on Your Grave (1978), Jacob's Ladder (1990), Last House on the Left (1972), A Nightmare on Elm Street (1984), A Nightmare on Elm Street 3: Dream Warriors (1987), Night of the Living Dead (1968), Red (2005), Scream (1996), The Serpent and the Rainbow (1988), Shocker (1989), Swamp Thing (1982), The Thing (1982), Together (1971), War of the Worlds (1953), Wes Craven's New Nightmare (1994)  

In this episode of Cult Film School, hosts Adrian and Dion reminisce on their relationships with film critic Robin Wood, and talk about his work on the horror film, culminating in the influential The American Nightmare film program (and book) in 1979. On its 45th anniversary, they discuss Robin Wood's contributions to the critical study of horror through two films he championed: Alfred Hitchcock's Psycho (1960) and Wes Craven's The Last House on the Left (1972). They discuss personal memories as well as themes and reactions to the films, and the critical perspectives Robin Wood brought to bear on the horror film genre.   Chapters: 0:00:12 - Welcome to Cult Film School 0:02:09 - Robin Wood Stories 0:09:28 - The American Nightmare (1979) 0:11:22 - Thanks for the Film Recommendation, Daniel! 0:12:36 - Psycho (1960): IMDb Plot Summary 0:13:34 - Robin Wood's "Psychoanalysis of Psycho" (1960) 0:15:15 - Psycho as Exploitation Horror Film Experiment 0:17:30 - Film Marketing and Hitchcock as Showman 0:19:36 - Psycho as Transitional (and Seminal) Film 0:25:35 - Families in Psycho 0:29:18 - Psycho (1960): Tagline 0:32:47 - The Last House on the Left (1972): IMDb Plot Summary 0:34:26 - Robin Wood's "Neglected Nightmares" (1980) 0:38:39 - Tonal Shifts in The Last House on the Left 0:43:19 - Empathy in The Last House on the Left 0:49:15 - Off-putting Imagery in The Last House on the Left 0:54:00 - The Last House on the Left (1972): Tagline 0:55:05 - Taking the Horror Film Seriously 0:58:30 - Curious to Read Robin Wood? 1:02:33 - Happy Halloween! 1:03:23 - Next Episode Preview   Robin Wood on the Horror Film: Collected Essays and Reviews (2018) is available via Amazon: Amazon.ca, Amazon.com, or Amazon.co.uk.   Connect with Adrian & Dion: Letterboxd ~ CultFilmSchool Instagram ~ @cultfilmschool  Threads ~ @cultfilmschool X ~ @cultfilmschool Facebook  ~ Follow Us! Send an Email ~ cultfilmschoolpodcast@gmail.com  Don't forget to leave a rating and review!

For many film buffs, October is Scary Movie Month, when we go to the vault to watch "Last House on the Left" or head to the theater to catch "Beetlejuice Beetlejuice." It is also election season. So does "The Apprentice" fit in here? It's a biopic about the relationship between Roy Cohn and a young Donald Trump and how Cohn helped shape the future president's no-holds-barred approach to business, politics and life. Learn more about your ad choices. Visit megaphone.fm/adchoices

For many film buffs, October is Scary Movie Month, when we go to the vault to watch "Last House on the Left" or head to the theater to catch "Beetlejuice Beetlejuice." It is also election season. So does "The Apprentice" fit in here? It's a biopic about the relationship between Roy Cohn and a young Donald Trump and how Cohn helped shape the future president's no-holds-barred approach to business, politics and life. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 242: Grime Time. The Last House on Dead End Street (1977), The New York Ripper (1982). Plus, Terrifier 3, Salem's Lot, Cuckoo, I Saw the TV Glow, and more. 22:00min - The Last House on Dead End Street 38:00min - The New York Ripper  

A story of a haunted house and the evil spirits roaming off the walls.Written by Amanda Wisdom. Full Body Chills is brought to you by Max. This Halloween, the movies that haunt you are available on Max. Stream all month long. Subscription required. Visit max.com. Looking for more chills? Follow Full Body Chills on Instagram @fullbodychillspod. Full Body Chills is an audiochuck production.Instagram: @audiochuckTwitter: @audiochuckFacebook: /audiochuckllcTikTok: @audiochuck

ONE TWO, Freddy's coming for you...THREE FOUR, Better lock your door...Forty years ago this November saw the release of one of the most influential horror films of all time directed by the late, great Wes Craven who would gradually be acknowledged as one of the true masters of the horror genre having directed iconic genre classics before this (The Hills Have Eyes, The Last House on the Left) and after, most notably Scream which would come out twelve years later.  And what he created as both writer and director was a truly terrifying concept: An otherworldly monster who could invade your dreams to murder you while you were asleep. :o  That monster was of course Freddy Krueger played by Robert England, sporting a crinkled fedora and most memorably a leather glove with sharpened razor blades protruding from each finger.  Freddy was the stuff of nightmares and quickly caught fire as a hugely popular film icon.  Fortunately, there were folks on the side of good to fight and hopefully defeat this new evil force....for this first film, they were lead by mild-mannered teenager Nancy played by Heather Langenkamp.  And she had help including her father played by John Saxon (Enter the Dragon) and her boyfriend by a young, baby-faced Johnny Depp in his film debut.  Let's head on over to Elm Street....Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

This week Bryan and Dave get real weird with it as they take a deep dive into a movie that defined not only Wes Craven's career but Heather Langenkamp and Robert Englund's. Just when everyone thought that the slasher movie was dead on arrival, along comes Freddy Krueger to give it a powerful shot in the arm. Where slashers of the past felt like hangovers of the 1970's, pretenders to the Michael Myers legacy, A Nightmare on Elm Street is the first slasher movie that feels properly 80's. It lands at a crucial moment in American pop culture and just as Last House on the Left gave direction to the flagging horror movies of 70's and Scream gave direction to the flagging horror movies of the 90's, Nightmare and Freddy come to define the shape of horror movies to come in the 1980's. It's a hat trick of horrifying proportions and we can't wait to tell you all about uit.

Carissa and I are kicking off spooky season with a triple feature of Wes Cravens The Last House on the Left, it's 2009 remake, and The Virgin Spring by Ingmar Bergman. For this episode we break the seal on the brand new Elijah Craig Toasted Rye.

Jessica Shattuck is The New York Times Bestselling author of the novels Last House, The Women in the Castle, a New York Times Bestseller, #1 Indie Next Pick, and winner of The New England Book Award; Perfect Life, and The Hazards of Good Breeding, which was a New York Times Notable Book, a Boston Globe Editor's Choice Best Book of the Year, and a finalist for the 2003 PEN/Winship Award. Her fiction has appeared in The New Yorker, Guernica, Glamour, Open City, and The Tampa Review among other publications. She lives in Massachusetts with her husband and three children. We talked about research, setting her novel in two time periods, oil in Iran, the CIA, Vermont, how idealism and activism may change as we age, and patience in the long journey of writing a novel. Learn more about your ad choices. Visit megaphone.fm/adchoices

www.kintinue.com www.murdermoose.com Rod's Book https://www.amazon.com/dp/2525398777  https://www.youtube.com/@WereGonnaMakeYouWatch  https://twitter.com/weregonnacast

This episode discusses sexual assault. Listener discretion is advised. Discussion of SA at 50:53 Revenge has never felt sweeter than in this psychotic tale. Rotten FM and Fangoria contributor Vannah Taylor assists the Knights in discussing one of the most brutal remakes of the 21st century. Pack the car, don't forget your bags, and hopefully, your parents are badasses who don't f*** around! Most importantly, don't miss The Last House on the Left. Next movie: Hunter Hunter Edited by Mae Shults ————————————————————— We officially have merch! Shop your little demonic heart! Want to keep the horror chats alive? Do you want to join a super awesome community that loves the genre and Knight Light? Want to have access to exclusive content? It sounds like you should join our Discord!  For as little as $2 a month, you can access Knight Light's full-month release schedule and participate in polls to choose the last film of the month! Click our Patreon link below to learn more about our tiers. —————————————————————  Sign up on our Patreon to access our Patreon-exclusive show, MidKnight Hour. Still on the fence? Sign up for a 7-day trial, and if you like what we offer, stick around! Want to be a part of the growth of Knight Light? Please support us at these links! PATREON | MERCH | TWITTER | DISCORD | INSTAGRAM | PRINCE | FREDDY Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim watched the wrong Last House on the Left, so we do a little bit of talking about the remake. But it's an iconic rape and revenge movie paired with a movie about a killer cat attacking George Kennedy, with Jim watching the wrong movies. What could go wrong? 

There's something about infection movies that just hit so differently in this format! Flesh-eating parasites take over this island town in this mockumentary commentary on capital greed. Everyone was having a splendid time as the whole town celebrated until people started getting deathly ill. Don't drink the water, and stay out of the water if you're planning a trip down by The Bay!  Next month, we have chosen to take a break from our Co-Ghosts Series to get caught up a bit with our content. You can expect a month of pure revenge! Kicking things off with The Last House on the Left (2009) with Siren Death Cult and Fangoria contributor Vannah Taylor! Edited by Mae Shults ————————————————————— We officially have merch! Shop your little demonic heart! Want to keep the horror chats alive? Do you want to join a super awesome community that loves the genre and Knight Light? Want to have access to exclusive content? It sounds like you should join our Discord!  For as little as $2 a month, you can access Knight Light's full-month release schedule and participate in polls to choose the last film of the month! Click our Patreon link below to learn more about our tiers. —————————————————————  Sign up on our Patreon to access our Patreon-exclusive show, MidKnight Hour. Still on the fence? Sign up for a 7-day trial, and if you like what we offer, stick around! Want to be a part of the growth of Knight Light? Please support us at these links! PATREON | MERCH | TWITTER | DISCORD | INSTAGRAM | PRINCE | FREDDY Learn more about your ad choices. Visit megaphone.fm/adchoices

The Blind Rage Podcast is using a sticky hand to wave a fond farewell to Sleazy ‘70s month. With its graphic depictions of violence and sexual assault, Wes Craven's original 1972 THE LAST HOUSE ON THE LEFT outraged a nation. Surprisingly, Roger Ebert, a man known for being incredibly vocal about his revulsion for all things horror, gave the film a near-perfect score in his original review. Though condemned by many, the film went on to become a cult classic, inspiring endless copy cats, as well as an official (2009) and an unofficial (David DeFalco's CHAOS) remake, both of which have been featured on past episodes of the podcast.

well fuck, it’s been’a minute! The Mummy and the Curse of the Jackals(69) and Last House on Dead End Street(73). Also all music from Tojo Yamamoto. Great stuff if you like them support them. Voicemail: 732-639-1435

In Episode 175, Susie Boutry (@NovelVisits) and I explore our favorite Micro Genres for 2024. Over the past year, we've continued to refine our reading tastes and identify specific themes and types of books that resonate deeply with us. This year, Susie and I have a curated list of 10 all-new Micro Genres, along with standout books from each category. It's another big episode with tons of great book recommendations! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Cold War Espionage (Sarah) [3:19] Sarah Red Widow by Alma Katsu | Amazon | Bookshop.org  [4:49] Red London by Alma Katsu | Amazon | Bookshop.org  [4:50] Our American Friend by Anna Pitoniak | Amazon | Bookshop.org  [5:10]  The Charm School by Nelson DeMille | Amazon | Bookshop.org  [5:20]   Red Notice by Bill Browder | Amazon | Bookshop.org  [5:47] The Spy and the Traitor by Ben Macintyre | Amazon | Bookshop.org  [6:01] Susie The Sisterhood by Liz Mundy | Amazon | Bookshop.org  [6:26]  Angsty Motherhood (Susie) [7:21] Sarah Perfect Tunes by Emily Gould | Amazon | Bookshop.org [12:00] Susie Soldier Sailor by Claire Kilroy | Amazon | Bookshop.org [8:38] Same As It Ever Was by Claire Lombardo | Amazon | Bookshop.org [10:04] Amazing Grace Adams by Fran Littlewood | Amazon | Bookshop.org  [10:37] When I Ran Away by Ilona Bannister | Amazon | Bookshop.org  [10:53]  Little Prisons by Ilona Bannister (currently unavailable in the US)  [10:54]  Landslide by Susan Conley | Amazon | Bookshop.org [10:57] The Push by Ashley Audrain | Amazon | Bookshop.org  [11:00]  Memoirs About the Demise of a Marriage (Sarah) [12:18] Sarah How to Stay Married by Harrison Scott Key | Amazon | Bookshop.org [13:26] You Could Make This Place Beautiful by Maggie Smith | Amazon | Bookshop.org  [13:52]  A Beautiful, Terrible Thing by Jen Waite | Amazon | Bookshop.org  [14:11]  Bankruptcy by Janet Lombardi | Amazon | Bookshop.org  [14:14]  Susie Untamed by Glennon Doyle | Amazon | Bookshop.org [14:49] Pandemic Stories (Susie) [15:26] NOT Based on the COVID-19 Pandemic & More Dystopian [15:49]  Sarah Wanderers by Chunk Wendig | Amazon | Bookshop.org  [17:43]  Susie Station Eleven by Emily St. John Mandel | Amazon | Bookshop.org  [16:06] The Dog Stars by Peter Heller | Amazon | Bookshop.org [16:20] The Memory of Animals by Claire Fuller | Amazon | Bookshop.org [16:41]  Severance by Ling Ma | Amazon | Bookshop.org  [17:07] The Dreamers by Karen Thompson Walker | Amazon | Bookshop.org  [18:20]  With the COVID-19 Pandemic in the Background [18:28]  Sarah 56 Days by Catherine Ryan Howard | Amazon | Bookshop.org  [20:37]  Reef Road by Deborah Goodrich Royce | Amazon | Bookshop.org  [20:40]  Susie Blue Ruin by Hari Kunzru | Amazon | Bookshop.org  [18:37]  Day by Michael Cunningham | Amazon | Bookshop.org  [19:17]  Tom Lake by Ann Patchett | Amazon | Bookshop.org  [19:47]  Pete and Alice in Maine by Caitlin Shetterly | Amazon | Bookshop.org  [19:49]  Other Books Mentioned Wish You Were Here by Jodi Picoult [21:09]  Invisible Son by Kim Johnson [21:14]  This Is My America by Kim Johnson [21:19]  The Measure by Nikki Erlick [22:03]  Did She Actually Say That?! (Sarah) [23:03] Sarah Miracle Creek by Angie Kim | Amazon | Bookshop.org [24:18]  Happiness Falls by Angie Kim | Amazon | Bookshop.org [24:19]  The Push by Ashley Audrain | Amazon | Bookshop.org  [24:55]  All This Could Be Yours by Jami Attenberg | Amazon | Bookshop.org  [25:14]  Sociopath by Patric Gagne, PhD | Amazon | Bookshop.org  [25:42]  Susie The Change by Kirsten Miller | Amazon | Bookshop.org  [26:15] On the Savage Side by Tiffany McDaniel | Amazon | Bookshop.org  [26:32]   Books Revolving Around Generational Trauma (Susie) [27:34] Sarah Strange Sally Diamond by Liz Nugent | Amazon | Bookshop.org [31:24]  Memphis by Tara M. Stringfellow | Amazon | Bookshop.org  [31:28]  What My Bones Know by Stephanie Foo | Amazon | Bookshop.org  [31:52]  The Body Keeps the Score by Bessel van der Kolk, MD | Amazon | Bookshop.org  [31:54] What Happened to You? by Oprah Winfrey and Bruce D. Perry, MD PhD | Amazon | Bookshop.org  [31:57]   Susie Grown Women by Sarai Johnson | Amazon | Bookshop.org  [29:08]  Homegoing by Yaa Gyasi | Amazon | Bookshop.org  [29:58]  The Postcard by Anne Berest | Amazon | Bookshop.org  [30:27]  Saving Ruby King by Catherine Adel West | Amazon | Bookshop.org  [30:50]  All My Rage by Sabaa Tahir | Amazon | Bookshop.org   [30:53]  Swift River by Essie Chambers | Amazon | Bookshop.org  [30:56]  Brotherless Night by V. V. Ganeshanathan | Amazon | Bookshop.org  [30:59]  Co-Ed Friend Groups (Sarah) [32:18] Sarah The Interestings by Meg Wolitzer | Amazon | Bookshop.org [33:17]  Shotgun Lovesongs by Nickolas Butler | Amazon | Bookshop.org  [33:29]  The Ensemble by Aja Gabel | Amazon | Bookshop.org  [33:39]   All Together Now by Matthew Norman | Amazon | Bookshop.org  [33:47]  Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin | Amazon | Bookshop.org  [34:01] The Christmas Orphans Club by Becca Freeman | Amazon | Bookshop.org [34:14] Susie The Celebrants by Steven Rowley | Amazon | Bookshop.org  [34:36]  Who We Are Now by Lauryn Chamberlain | Amazon | Bookshop.org  [35:16]  Peace, Love, and Rock n' Roll / Books Set in the '60s & '70s (Susie) [36:58] Susie The Women by Kristin Hannah | Amazon | Bookshop.org [38:09]  Daisy Jones & The Six by Taylor Jenkins Reid | Amazon | Bookshop.org [38:31]  Mary Jane by Jessica Anya Blau | Amazon | Bookshop.org  [38:57]  The Nickel Boys by Colson Whitehead | Amazon | Bookshop.org [spp-timestamp time=”[39:11]″]  All You Have to Do Is Call by Kerri Maher | Amazon | Bookshop.org  [39:39] Last House by Jessica Shattuck | Amazon | Bookshop.org  [39:53]  Surprisingly High-Quality Celebrity Memoirs (Sarah) [40:33] Sarah Open by Andre Agassi | Amazon | Bookshop.org  [41:05]  Spare by Prince Harry | Amazon | Bookshop.org  [41:07]  Open Book by Jessica Simpson | Amazon | Bookshop.org  [42:16]  Finding Me by Viola Davis | Amazon | Bookshop.org  [43:11]  Becoming by Michelle Obama | Amazon | Bookshop.org  [43:15] Only Say Good Things by Crystal Hefner | Amazon | Bookshop.org  [43:21]   Susie Born a Crime by Trevor Noah | Amazon | Bookshop.org  [44:19]  Other Books Mentioned The Woman in Me by Britney Spears [41:45]  The Many Lives of Mama Love by Laura Love Hardin [43:33]  Look Backs (Susie) [44:38] Sarah City of Girls by Elizabeth Gilbert | Amazon | Bookshop.org [48:11] Lillian Boxfish Takes a Walk by Kathleen Rooney | Amazon | Bookshop.org  [48:33]  Victim by Andrew Boryga | Amazon | Bookshop.org [49:06]  Susie The Rachel Incident by Caroline O'Donoghue | Amazon | Bookshop.org [45:30] The Age of Miracles by Karen Thompson Walker | Amazon | Bookshop.org [46:03] Now Is Not the Time to Panic by Kevin Wilson | Amazon | Bookshop.org [47:08] Absolution by Alice McDermott | Amazon | Bookshop.org [47:30] Other Books Mentioned Happiness Falls by Angie Kim [47:47] 

A controversial and nasty rape-revenge shocker when it came out, it nevertheless was defended by critics for being a standout amongst its kind for its uncompromising and raw treatment of violence against two innocent teens at the hands of some hardened and callous criminals. And it certainly set the stage for Wes Craven's and Sean Cunningham's takeover of the horror genre in the decades to follow. Listen as we dissect this uncomfortable classic through a modern lens. We also reflect on 9+ years of friendship and fun talking about horror movies here on 2 Guys a Chainsaw.

This week, I'm taking a trip to a very different horror house - the Last House on Dead End Street! Will Sloan (Gold Ninja Video, the Important Cinema Club) joins us to talk about the cult film that had people sure it was snuff if it even existed, and the crazy backstory that lead to what we seen on screen, plus the movie's resurgence! We're also getting into how it plays with our cultivated sense of fiction like Funny Games, exploits Last House on the Left, and is ultimately totally unique. Don't miss out on this one! Content warning for those watching before listening: there is a pretty intense scene of animal death in Last House on Dead End Street.  link to post about the show's conclusion ----more----PLUS: New bonus content for the patreon includes Round 1 of the trivia competition we held, full video of the Gremlins commentary I did with Mike Mitchell of the Doughboys and the Choose Your Own Adventure book "Track Star" being navigated with the help of the twitch chat. Sign up now so you don't miss out on this and many more great bonus episodes.

Has Gothtober come early!!! Join us this week as we wildly celebrate frightastic flicks. We are joined by horror film Writer / Producer / Director Terry R. Wickham to hear about an amazing opportunity to be part of his new horror film: Beginning Of The End. This film is connected to what we do here on InObscuria as it will have a metal soundtrack and includes some famous names like: Keel, Portnoy, and Romeo. Check out his awesome crowdfunding opportunities here: https://igg.me/at/BeginningOfTheEnd/x#/What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week we get the inside scoop on things that make us SCREAM! Terry has some awesome stories about being both a lifetime metalhead and filmmaker. Our hope is that we turn you on to something new… and that you contribute to the making of this movie! Look forward to enjoying a film that promises to be, “Texas Chainsaw meets Wes Craven's The Last House with a John Carpenter siege feel”!Check out all of Terry's incredible films and his “Into The Depths…” YouTube Metal show here: https://www.facebook.com/MantarayPicturesLLC/https://www.imdb.com/name/nm1101050https://www.youtube.com/c/TerryWickhamhttps://www.instagram.com/mantapics/Songs this week include:Michael Knight – “The Pheonix” from Dreamscapes (1994)Keel – “Rock ‘N' Roll Outlaw” from Dudes – The Original Motion Picture Soundtrack Album (1987)Dream Theater – “Battery” from Master Of Puppets Live (2002)Meanstreak – “Giant Speaks” from Blood Moon EP (2024)Symphony X – “The Eyes Of Medusa” from Live On The Edge Of Forever (2001)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Speaker: Jeff Schwarzentraub

Actress Riki Lindhome joins Matt to discuss her role as Mardell Fitzgerald in the 2004 Best Picture winner Million Dollar Baby. Riki talks about what it was like to work with Clint Eastwood as both an actor and a director, her origins with The Actors Gang, and the amazing food on set. Plus, Riki discusses her other projects such as The Last House on the Left and Buffy the Vampire Slayer as well as finding success through casting director workshops.This episode is sponsored by MUBI. Hosted on Acast. See acast.com/privacy for more information.

Actress Riki Lindhome joins Matt to discuss her role as Mardell Fitzgerald in the 2004 Best Picture winner Million Dollar Baby. Riki talks about what it was like to work with Clint Eastwood as both an actor and a director, her origins with The Actors Gang, and the amazing food on set. Plus, Riki discusses her other projects such as The Last House on the Left and Buffy the Vampire Slayer as well as finding success through casting director workshops.This episode is sponsored by MUBI. Hosted on Acast. See acast.com/privacy for more information.

[School of Movies 2024] Another unexpected Commission that came out of nowhere. Big thank you to Dean R for requisitioning this. Far less well-known in Wes Craven's body of work than the slashers, A Nightmare on Elm Street, Scream, The Hills Have Eyes, Last House on the Left, this one is going outside his comfort zone. Starting out like a romantic comedy, an aspect highlighted in the trailer, starring the stunning and wildly talented young actors Rachel McAdams (fresh from Mean Girls and The Notebook) and Cillian Murphy (recently of 28 Days Later, and about to play Jonathan Crane in Batman Begins) this movie turns a corner at the beginning of Act 2 and becomes a taut, tense, claustrophobic, dialogue-based Hitchcokian thriller. As it happens, this is Sharon's favourite of ALL of Craven's body of work, and you will find out why in this extremely enthusiastic episode.

This week on From the Front Porch, it's another New Release Rundown! Annie, Erin, and Olivia are sharing the May releases they're excited about to help you build your TBR. When you purchase or preorder any of the books they talk about, enter the code NEWRELEASEPLEASE at checkout for 10% off your order! To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (type “Episode 475” into the search bar and tap enter to find the books mentioned in this episode), or shop on The Bookshelf's official app: Annie's books: The Ministry of Time by Kaliane Bradley (5/7) Lies and Weddings by Kevin Kwan (5/21) Knife River by Justine Champine (5/28) Olivia's books: The Kid by Jeff Schill (5/7) The Secret Library by Kekla Magoon (5/7) The Last Murder at the End of the World by Stuart Turton (5/21) Erin's books: Last House by Jessica Shattuck (5/14) When We Were Silent by Fiona McPhillips (5/21) I Hope This Finds You Well by Natalie Sue (5/21) From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading Very Bad Company by Emma Rosenblum. Olivia is reading The Unwedding by Ally Condie. Erin is listening to Funny Story by Emily Henry. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Jennifer Bannerton, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Susan Hulings, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, and Amanda Whigham.

In Episode 135 of Book Talk, Etc. Tina and Renee share their recent new release reads. They also share what they've been loving lately, their latest reads, and have book talk about  nonfiction . If you enjoy this episode, be sure to FOLLOW /SUBSCRIBE on your podcast app so you never miss an episode!**If you enjoy our commercial free podcast please consider supporting us on Patreon!  You get access to our exclusive Audiobook Guide and we have great bonus episodes including: Books we DNFed, What's in the Mailbag, + Criminally Booked! Plus, we host fun Zoom events like Mood Reader Happy Hour and Book Talk Book Club, a private Facebook group &  Discord where you can interact with other patrons all for just $5 a month!Loving Lately 2:18 Cold Brew Coffee Maker (T)Chobani Sweet Cream Creamer 4:23 Elevate Vision board kit (R)Latest Reads 7:50 The Last House on the Street | Diane Chamberlain (T) The Dream Daughter 11:00 Erasure | Percival Everett (R)