Podcasts about Grave

Everything is better when bundled right? Phone and internet, burger and fries… but what about your eternal resting place? We’ll put it to the test in your Phone Tap!See omnystudio.com/listener for privacy information.

"For an experiment, I denoted the last ten generations and attempted to define the song of their generation. Some were easy and some quite difficult. I offer five possibilities first and then pick. See if I made the correct choice."

Well Shamea just keeps going, doesn't she? Not only does she not see herself as being the one that started the Mama drama, but she also causes more chaos by going to the club right after the fight. Phaedra takes some of the girls to a cemetery, which leads to some deep discussions about death at her birthday dinner.

Esta grave colusión fue detallada por la periodista Adela Navarro, directora general del semanario Zeta, en entrevista para MVS Noticias con Pamela Cerdeira. La comunicadora reveló que los comerciantes de la entidad sufren el asedio coordinado tanto de células del narcotráfico como de inspectores locales que operan bajo un mismo esquema de impunidad.See omnystudio.com/listener for privacy information.

En esta entrevista, el alcalde de Tamajón explica la gravedad de los incendios en Guadalajara y Soria y critica la gestión de los montes.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/mas-noticias--4412383/support.ESCUCHAR RADIO 

Back on the planet of Eox the crew of the Nova Rush rest in the zephyrous shelter, while zombies are destroyed by large undead beasts outside. Can they make a break for it and survive an attack from these former beasts of burden? Find out the answer to the riddles “What hops, tramples and impales in the pale Eoxian sunlight?” on this week's Cosmic Crit!

I'd love to hear your thoughts - send me a text hereA very important announcement about the future of the podcast and the story of the only US secret service agent to be killed protecting a president.Today's Ghost of Arlington is White House Police Officer and US Army Private Leslie William Coffelt, who is buried in Section 17, Grave 17719-55.

Listen Ad Free https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free!

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Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's hot on the West Coast, the air is unbreathable on the East Coast, and so this week's show gets weird right from jump. Facts are misstated, and names have a hard time being remembered. It's all in a day's work for Conor Kilpatrick and Josh Flanagan. Note: Time codes are estimates due to dynamic ad insertion by the distributor. Running Time: 01:06:10 Pick of the Week:00:03:20 – Dark Knights of Steel II #1 Comics:00:12:23 – Punisher vs. Spider-Man #100:20:41 – Superman Unlimited #1500:24:40 – Fantastic Four #740 (14)00:31:16 – Super Creepshow #500:34:33 – Absolute Flash #1700:38:45 – The Savage Sword of Conan #1500:41:58 – Captain America #784 (13) Patron Pick:00:46:57 – Dark Knights of Steel II #1 Patron Thanks:00:48:05 – Dan Audience Questions:00:51:49 – Josh H. from Philadelphia, Pennsylvania wants to know when The Bronze Age officially began. Brought To You By: iFanboy Patrons – Become one today for as little as $3/month! Or join for a full year and get a discount! You can also make a one time donation of any amount! iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got TWENTY THREE designs! Music:“Left to Right (iFanboy Theme)”Josh Flanagan Watch The iFanboy After Show for Pick of the Week #1035! Listen to Conor, Josh, and Ron on their other show Goodfellas Minute. Listen to Conor and Ron reminisce about Goodfellas Minute on Sporadicast: An Oral History of Movies by Minutes. Listen to Conor discuss Dirty Harry on Movie of the Year: 1971. Watch Ron talk about the online pinball ecosystem on Dirty Pool Podcast. Listen to Conor, Josh, and Ron discuss Blade (1998) on Cradle to the Grave. Listen to Josh discuss Fargo on Movie of the Year: 1996. Listen to Conor discuss Swingers on Movie of the Year: 1996. Watch Ron talk about pinball technology on the Daily Tech News Show. Listen to Conor discuss Ghostbusters on Movie of the Year: 1984. Listen to Conor, Josh, and Ron discuss The Crow (1994) on Cradle to the Grave. Listen to Josh discuss Jaws 4: The Revenge (1987) on Cradle to the Grave. Listen to Josh discuss Indiana Jones and the Temple of Doom (1984) on Cradle to the Grave. Watch Josh and Conor talk about how to start a podcast on OpenWater. Listen to Ron talk about The Phantom Menace minute 80 on Star Wars Minute. Listen to Ron talk about Return of the Jedi minute 124 on Star Wars Minute. Listen to Conor talk about Return of the Jedi minute 104 on Star Wars Minute. Listen to Ron talk about The Empire Strikes Back minute 115 on Star Wars Minute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our ancestors are awoken by Yirmiyahs to plead on behalf of their children. But their children continue to sin and the merit of our ancestors has long expired. This is Episode 12 of our new daily podcast, running from the 17th of Tammuz through the 9th of Av. Check it out on Spotify or Apple Podcasts, to get all the episodes. If you would like to partner with us to create more thoughtful and accessible jewish content, visit torahinmotion.org/donate, or email us at info@torahinmotion.org.Please send any questions, comments, or critiques to podcasts@torahinmotion.orgYou can find more thoughtful Jewish content at torahinmotion.org 

Une actu sportive, un débat, et deux camps : c'est le Ring des GG ! Nos Grandes Gueules du Sport s'affrontent à coup d'arguments... Mais à la fin, c'est vous les auditeurs, qui choisissez l'équipe victorieuse !

What could be worse than dying? Waking up after everyone has already buried you.Weekly Spooky presents a complete reading of “The Premature Burial” by Edgar Allan Poe, a claustrophobic gothic horror story built around one of humanity's oldest and most terrifying fears: being buried alive.Tormented by a medical condition that can make him appear dead, a man becomes consumed by accounts of premature burial. He studies coffins, graves, crypts, and horrifying cases of people awakening beneath the earth. As his obsession grows, he takes increasingly desperate precautions to ensure that he will never open his eyes inside a sealed coffin.But fear has a way of following us into the darkness.This classic Edgar Allan Poe audiobook is perfect for listeners searching for buried alive horror stories, gothic horror, classic scary stories, macabre fiction, claustrophobic horror, literary horror, and complete Edgar Allan Poe readings.Tonight, the most terrifying place imaginable is not a haunted house.It is six feet underground.

This week, I'm joined by an absolute music video legend, Graeme Whifler, who created iconic work with The Residents, Devo, Sparks, Tuxedomoon, MX-80 Sound, 45 Grave, Oingo Boingo, Red Hot Chili Peppers & Renaldo & The Loaf, to name a few. Get ready for some of the most hilarious, dark, and mind-bending stories that have ever been unleashed on the show.We discuss Graeme's jawdropping story of first meeting The Residents when they were just starting to talk about doing music, how my seeing an interview on Night Flight with Graeme's as a 13 year old kid completely changed my life trajectory, shooting the B/W feature length Residents filmVileness Fats, the creative stamina of youth, his haunting and mind-searing film Hello Skinny, how he embraces the horrors within your psyche in every music film he made, where he found his incredible talent pool, how Graeme built all the elaborate sets for all the Ralph Records music films, the unique choice of putting title sequences and end credtis for his music videos, pulling teeth to get MX-80 Sound to come up with a concept for their video and how he embraced their thin concept, David Lynch taking element from the Why Are We Here video for Blue Velvet, the making of Tuxedomoon's Jinx video and how it got banned in the UK, The Cockettes, smearing shit over the walls, where were people finding these films before music television, Snakefinger getting played on MTV, the insipiration for the upsetting & epic Renaldo & The Loaf Songs For Swinging Larvae short film, breaking the hearts of the kid actors in the 45 Grave video, Graeme working with Devo on the R U Experienced music video, why there was an unlikely controversy buried within Sparks' Cool Places video, writing the screenplay for Dr. Giggles, making people think about upsetting things they don't want to think about with his film work, and much more.So join me on this wild trip with one of the absolute legends of music videos and film. Be ready.The Restored Films Of Graeme Whifler:rumble.com/user/graemeww?e9s=src_v1_cblREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Arizona man faces first-degree murder charges after his movie date is found buried in a shallow desert grave. Alabama military veteran and his wife brutally murdered inside their home by an acquaintance who then robbed their home. Texas teenager charged in assault after a brave woman fiercely fought off bayou attack. Sydney Silvagni reports. See omnystudio.com/listener for privacy information.

This episode we are taking a quick break from our overall story of Uno no Sarara (aka Jito Tenno) and we are focusing on Ise Shrine and Amaterasu, the Sun Goddess. There is a lot, for a bit more, check out our podcast blogpost at:  https://sengokudaimyo.com/podcast/episode-153   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Episode 153:  Ise and the Sun Goddess.   In the newly built hall of the Fujiwara Palace, the nobles of the court were gathered for a grand banquet.  Snow-white walls were off-set by bright crimson pillars and trim, highlighted by bright green windows.   The nobles themselves were a rainbow of colors, arranged as they were by rank.   At the head of it all, on a dais, sat the Queen herself, Uno no Sarara.  However, the attention was no longer on her.  Instead, it was on another figure, standing in front of the assembled audience.  A quiet spread throughout the hall, the court listening as Hieda no Are began to tell the story of the Sun Goddess in the Plain of High Heaven.  They listened to the story of her and Susano'o, and of the backward flayed horse.  They heard the tale of the Heavenly Rock Cave, and of all that came after, including the sending of the August Grandchild, Ninigi.  They listened to the story—the story of Yamato.   Last episode, we talked in more detail about Uno No Sarara—starting from her early years as the daughter of Naka no Ohoe, granddaughter of Soga no Kurayamada, and child-bride to her uncle, Ohoama.  I'll admit we didn't look too hard at that last bit, and I don't have enough information to confirm what exactly "marriage" entailed in that context, but it is still something that I find tremendously creepy and, unfortunately, anything but unique.  So I'm not going to dive too much further into it right now but… ew. We talked about how she gave birth to her son, Kusakabe, in Kyushu, during the war on the continent, and how she eventually left for Yoshino with her husband when he retired from court, presumably to outsmart his court rivals, who were positioning him to be taken out.  She also is said to have played a part in the planning and execution of the resulting Jinshin no Ran, later helping her husband govern the realm.  And now, she was on the throne, overseeing the completion of many of the projects started in the reign of her husband.  This included the completion of the Kiyomihara code, the Fujiwara palace, and the support given to the institution of Ise Grand Shrine. This episode, I want to dive into that last topic: the emphasis in Uno no Sarara's reign on  Ise Shrine and its focus, the Great God, Amaterasu no Ohokami.  Although the Chronicles talk about Amaterasu as one of the founding deities of the Yamato royal line, there is plenty of evidence that this story was grafted into the tales at a later date, and that worship of Amaterasu, at least as anything more than a minor deity, likely also started relatively late.  Some have even suggested that Ise Shrine itself wasn't even built until the late 7th century.  So, all of this focus on Ise and Amaterasu appears to be part of the larger effort to structure the physical, cultural, and spiritual landscape of the new Yamato state. Last episode we mentioned how, according to the Nihon Shoki,   Ohoama turned to worship towards Ise.  Well, specifically, he worshipped Amaterasu Ohokami.  So let's take a moment and talk about what we know of the history of this Great God of Heavenly Brightness. Unfortunately, most of that history is based on what we know of the kami from works like the Nihon Shoki, the Kojiki, and the Sendai Kuji Hongi, all of which came out in the 8th century or so.  As such, it can be hard to know what things were actually like, earlier on, as opposed to what was added or removed later. Much of what I'm going to be talking about, today, I'm going to be pulling from a book written in 2017 by Mark Teeuvwen [Tayvin?] and John Breen titled "A Social History of the Ise Shrines", as well as Michael Como's work "Weaving and Binding: Immigrant Gods and Female Immortals in Ancient Japan", published in 2009, along with other sources.  In their book, Breen and Teeuwen point out that for those who do not take the events of the Nihon Shoki and Kojiki at face value, there are two primary theories for the origin of the worship of Amaterasu: an early theory and  a late theory.  The early theory places the development of the worship of Amaterasu in the 5th and 6th centuries, during the reigns of such figures as Wakatakeru no Ohokimi, aka Yuuryaku Tennou.  The Late Theory places the development in the 7th century, largely at the feet of such figures as Ohoama and Uno no Sarara herself.  We'll take a look at the evidence and see what it says. I would note that compared to the official history, both of these would be very late theories.  According to Ise Grand Shrine even today, Amaterasu arrived in Ise in the 26th year of Ikume Iribiko, aka Suinin Tennou, as stated in the Nihon Shoki, which corresponds to 4 BCE if you take the dating of the Nihon Shoki to be accurate. Of course, we've already spent plenty of time talking about the problems with the Nihon Shoki prior to the 6th century CE, as well as how the political nature of the text affected what it contained. So to kick things off, let's address the biggest question of all: why don't we believe that Amaterasu no Ohokami was always the primary deity of the pantheon of Yamato, at the very least, if not all of the Wa people of the archipelago?  After all, isn't she a sun goddess, and isn't sun worship fairly well documented among the ancient Japanese?  Just take a look at words like "Hiko" and "Hime", referring to rulers as sun man and sun woman.  Also note that early on, worship seems to have centered around places such as mountaintops, which focused worship towards the sky and the highest point.  In fact, as wet rice paddy agriculture became the dominant economic factor driving the engine of the archipelago in the Yayoi and early kofun period, early shrines were very likely about bringing the spirit of the mountain from the mountaintop and giving them a home amongst the rice fields.. And then we have the stories.  Don't the ancient stories all tell about Amaterasu as the ruler of Takama no Hara, the Heavenly Plain?  And isn't it her grandchild that then descends to the earth to pacify the Land of the Reed Plains—aka the Japanese archipelago? Well let's take a look at those same stories, which we've covered in earlier episodes of the podcast.  The first deities mentioned in the Chronicles are deities like Ama no Minaka Nushi, Lord of the August Middle of Heaven; Takami Musubi, High August Growth; and Kami Musubi, Divine August Growth.  There are other deities, like Kuni Toko Tachi, but they are barely mentioned again. Later we get Izanagi and Izanami, the masculine and feminine, who create the world and give birth to numerous deities from that point on.  Among the children of Izanagi are said to be Amaterasu, Tsukiyomi, and Susano'o.  Amaterasu, Heaven's Brightness, represents the sun while Tsukiyomi represents the dark of the moon.  Susano'o is then the god of the storms and seas, and was sent to the Nether Land, the Ne no Kuni. Right away we see that there are numerous different stories listed in the Nihon Shoki for just about everything.  Only the Kojiki gives everything as a single, coherent narrative, but surely the readers in the 8th century would have known some of these other stories, and thus the Nihon Shoki gives the alternates as well. Now the main narrative of the Kojiki and the Nihon Shoki tells us that Ama-terasu no Oho-kami was born to rule over everything.  In the Nihon Shoki, Izanagi and Izanami specifically mention that divine destiny in Amaterasu's creation—although actually, in that part of the text, the deity they are creating is named Oho-hiru-me no Muchi; the Great Sun Female Holder.  And in the next entry they call Amaterasu: Ama-terasu Oho-hiru-me.  Tsukiyomi, the deity of the moon, is made to be her consort, and they are supposedly sent to rule the plain of Heaven, Takama no Hara. The problem is that there are other entries that suggest that Takama no Hara already had a ruler:  Taka-mi-Musubi.  Reading the sections on Taka-mi-Musubi, we see a deity who is said to have produced 1500 children, himself—no mention of Izanagi and Izanami.  Some of his children are mentioned as Omohi-kane:  the Thought-Combining deity, and Sukuna-bikona: the Little-Prince-Named deity. Amatsu Hiko Hiko Ho Ninigi no Mikoto, the August Heavenly Prince, Prince Ho-ninigi, is not just a grandson of Amaterasu no Ohokami, but also a grandchild of Taka-mi Musubi.  In at least one story, Takami Musubi is the one who wants Ninigi no Mikoto to become the ruler of the Central Land of the Reed Plains.  Towards that end, he gathers the various kami and chooses someone to go down and prepare the way—Ama-ho-hi no Mikoto—who was to quote-unquote "expel and subdue" the evil gods of that land.  We covered this story in episode 21 and 22.  When that doesn't work, he gathers them again, sending others to try and do the same.  Eventually he sends Takemikazuchi and Futsunushi down.  All of this sounds like Taka-mi Musubi, whose name appears to refer to being the "high" deity, was the one in charge. In addition, we have the court ritual from sources like the Engi Shiki, which illustrates the deities that were invoked for the protection of the palace and the royal family.  These were:  Kami-musubi, Takami-musubi, Iku-musubi, Taru-musubi, Tamatsume-musubi, Oomiya-no-me, Oomiketsu-no-kami and Kotoshironushi.  One might notice a lot of the "musubi" names among the deities, and a distinct lack of appeal to Amaterasu.  If Amaterasu were the central deity and ancestral deity of the royal family, why is she not invoked in the rituals of the court itself? The thought, here, is that these rituals are likely much older than the worship of Amaterasu, and while Amaterasu would come to prominence in the stories that the court would tell, it was much more difficult for them to rearrange the traditional rituals to put her front and center.  Those rituals were maintained by ritualist families like the Nakatomi, and they weren't likely to change the rituals willy-nilly, even for a sovereign.  That was playing with supernatural fire, after all—if you changed the rituals, would they still even be effective?  Granted, rituals do change, so it isn't a perfect argument; perhaps it was just not considered to be important enough to make the change since it was not something that anyone except the court ritualists needed to worry themselves over.  Either way, it appears that we do have a list of deities that may have been the deities of the ruling elite prior to the rise of Amaterasu and Ise shrine more generally. We have a few other clues of what was going on in the narrative.  For instance, we see the story from the reign of Mimaki Iribiko, aka Sujin Tennou, also called the First Sovereign of Yamato, despite the legendary figures inserted prior to his reign.  It is in this chapter that we see a note that Ama-terasu no Oho-kami and Yamato no Oho-kuni-dama, which is to say the Spirit of the Country of Yamato, were both worshipped together in the hall—that is in the royal palace itself.  And yet apparently Mimaki Iribiko feared these deities residing with him in the palace, and he had their worship moved to locations outside of the palace.  Amaterasu's worship was given to Toyosuki-iri-bime, one of Mimaki Iribiko's daughters, and established in the district of Shiki, in Yamato.  Yamato no Ohokunidama, on the other hand, was given over to Nunaki-iri-bime no Mikoto, another daughter through a different wife. but we are told that she was lean, and her hair was falling out, and so she couldn't perform the rites.  Turning our attention back to Ama-terasu—in the reign of Ikume-Iribiko, aka Suinin Tennou, son and heir of Mimaki Iribiko, the worship of Ama-terasu would pass from Mimaki Iribiko's daughter, Nunaki Iri Bime to Ikume Iribiko's daughter, Yamato Hime.  She would move the worship site from Shiki to Uda, in the shadow of Mt. Miwa, and then proceed over to the upper banks, or Kawakami, of Isuzu, in the district of Watarai.  Here, in one of the alternate stories about this episode, we get the Great God of Yamato—Ohoyamato no Ohokami—speaking through a medium to warn the sovereign that he had better be careful.  Mimaki Iribiko had not been quite thorough enough in his worship, so he had not had a long life, and if Ikume Iribiko didn't do the same, he would suffer a similar fate. And so, in a record eerily similar to what we see in the previous reign, the worship of the "Great God of Yamato", the Oho-Yamato no Oho-kami, is given to Nunaki-waka-hime—as opposed to Nunaki-Iri-bime—who also fails in the task because of her emaciated body.  This also introduces Fukayu nushi, an ancestor of the Nakatomi, who was the one who divined what should be done. There is so much to unpack in these stories.  For one, the kami bring power, but also danger.  One can try to placate the kami, but it isn't like a ritual will always work, and the story is of the sovereign being actively afraid of what they might do, so they were removed from the palace.  Then there is the fact that we see two seemingly similar names—Ohoyamato no Ohokami and Yamato no Kunidama both seem like we are talking about the same spirit of Yamato, though some would point out that one is the spirit of the country and one is the great kami of the country, so, clearly different. Both are also being given to someone named "Nunaki—something-something—Hime", and in both cases Nunaki seems to fail in her task because she is apparently not hot enough for the kami.  She's described as too thin and emaciated or balding.  We aren't given the lineage of Nunaki Waka Hime, but Nunaki Iri Bime is connected with the land of Owari.  Nunaki Iri-bime is said to be the daughter of Mimaki Iribiko and Ohoama Hime, ancestor of the Owari no Muraji.  Owari was the land that supported Ohoama during the Jinshin no Ran. Finally, in both cases, we see the worship of the spirit of Yamato being given over to someone name "Nagochi", later identified as Nagochi no Sukune, ancestor of the Yamato no Atahe. One more note—closely on the heels of moving these two kami out of the palace, we see that the court brings in the worship of Oho-mono-nushi, the god of Mt. Miwa, under Ohotataneko, the ancestor of the Miwa clan. So the stories here account for Ama-terasu being moved to Watarai and why she isn't worshipped in the palace.  It also places Oho-mono-nushi at the center of worship in Yamato.  Oho-mono-nushi and Miwa continue to dominate the narrative from here on out, with a few notable exceptions, such as with Okinaga Tarashi Hime, aka Jingu Tennou and her mythical conquest of the Korean peninsula.  I'm sure that had no political implications at all given everything that had happened with Baekje, Silla, and the Tang dynasty in the latter half of the 7th century.  Other than scenes like that, however, the Miwa clan and worship of the Miwa deity appear frequently in the narrative.  It is clear that Mt. Miwa, and its deity, were important, and when Breen and Teeuwen hypothesize that when Naka no Ohoe, which is to say Tenji Tennou, took the drastic step of moving the capital up to Ohotsu, in the land of Afumi, he also brought the Miwa deity with him.  Those Afumi court rituals were conducted under the auspices of the Nakatomi, and particularly the auspices of Nakatomi no Kane, who would become one of the chief opponents of Ohoama during the Jinshin no Ran in 672.  After that conflict, Ohoama and his wife, Uno no Sarara, were building new traditions using Ise and constructing new legends.  Legends that would be under their control and influence and which would further bolster their rule from the city that they had designed to fit inside of this newly constructed cosmological framework. And yet this also brings up what seems like an obvious question.  If Ise Shrine and the worship of Amaterasu were so central to Ohoama and Uno's plans, then why would they put it so far away?  Proponents of the "early" theory of the development of Amaterasu and Ise Shrine suggest that the answer lies in the text of the Chronicles.  That there is some truth to the idea that there was worship in Yamato and that, for various reasons, it moved out to Watarai district early on and developed into Ise Shrine.  Those who hold to the "late" theory of development see all of those stories as later inserts meant to explain away why Ise Shrine was so far away—and perhaps why Amaterasu was not included in the cool-kami club of court ritual.   Teeuwen and Breen mention a few of the theories, from Naoki Koujiro stressing Ise as a strategic gateway between Yamato and Eastern Japan to Tanaka Takashi proposing that the movement of Amaterasu to Ise is actually a stand-in for one or more military campaigns to that area to bring it under Yamato control. And before we move too much further in the narrative, let's talk about how Ise is physically and geographically situated.  Ise is part of modern Mie prefecture, on the eastern edge of the Ki peninsula.  It is at the southern end of a series of adjoining alluvial plains that follow the coastline north to the modern prefectures of Aichi and Gifu—the ancient provinces of Owari and Mino.  The capital of Ise Province used to be in Suzuka, near the the two Tsubaki shrines which both lay claim to the title of Ise no Ichinomiya, the First shrine of the land of Ise, and the pass that served as one of three major routes from eastern Japan into the Home Provinces and beyond.  This puts Ise about as far away as you can get from the capital of the province without going over the mountains, themselves.  It also puts it a good deal south of most major travel routes.  If you are going to Ise shrine then it is pretty clear you were going to Ise shrine, as there isn't a lot of evidence for anything else in the area. The Shrine itself is actually made up of two primary shrine complexes.  There is the Naiku, the inner shrine, and the Geku, or outer shrine.  The Naiku, or inner shrine, is probably the area most people think about.  It is at the foot of the mountains where the Shimamichi River joins the Isuzu River and both flow out of the mountains.  The Naiku contains the shrine to Amaterasu no Ohokami, and is famous for its layout, where there are actually two shrine enclosures, one next to the other.  The main shrine is then rebuilt in the empty enclosure every 20 years, at which point the worship is moved to the new shrine, the old shrine is torn down, and the cycle is started once again. The Outer Shrine, or Geku, is further north, and probably not as well known to foreigners.  The Geku is said to enshrine the spirit of Toyouke-bime, a kami dedicated to food.  According to the traditions of the Geku itself, Toyouke-bime was enshrined in the Geku at the command of Wakatakiru no Ohokimi, aka Yuuryaku Tennou, based on a dream. Regarding the history of why the Shrines—both Inner and Outer—are located here, archaeological evidence doesn't give us a lot to suggest that these might be the case.  Despite the presence of the Miya River near Ise Shrine, we haven't found evidence of a large harbor or port, like we might expect if it was the jumping off point for crossing Ise Bay—or even the center of another large polity.  Instead, the areas to the north—around Fujikata and Matokata inlets, for instance—show much more evidence of occupation and, presumably, use.  Heck, the modern district of Fujikata is in the town of "Tsu", which literally means "port".  And the capital area of Suzuaka and the Ichinomiya of Tsubaki Grand Shrine is even farther north, still.  So who, if anybody, was living down in the area of Ise Shrine?  If we look at the progression of tomb mounds in the area in previous centuries, we see that they start in the Matokata region in the 5th century and work their way down towards the south, with late 5th century tombs found in the district of Taki, the district bordering on Watarai and modern Ise City to the northwest.  It is also where you can find the Saikuu, the site of the old purification palace for the Shrine Princesses.  Grave goods seem to show close ties with Yamato, in the Nara basin.  While the tombs expanded to the south through the 5th century, they appear to have stopped altogether in the 6th century—or at least we haven't found any.  This may indicate that the political situation had changed and there was no group in the area that could organize the labor for such an undertaking.  Whether that was because Yamato was taking it as corvee labor or just that population had dwindled due to war, famine, or something else, I don't know that we could say. Around the year 600, at the opening of the 7th century, we do see a large grave mound erected in the core area of what would later become Ise Shrine, on the east side of the Miya River, overlooking what would become the Geku, the Outer Shrine of the Ise complex.  For those who aren't aware, Ise Grand Shrine is a large complex of shrines, and it is divided into two main areas.  The "inner shrine", or Naiku, is where most people go, and it is the site of the famous shrine building that is supposed to be rebuilt every 20 years.  The Geku is the "outer shrine" complex, technically dedicated to Toyouke hime, a kami of agriculture.  The kofun overlooking the outer shrine is known as the Takakurayama kofun.  This is a round kofun, about 35 to 40 meters in diameter, with a horizontal stone chamber.  It is the largest in the Ise region.  It has been mentioned in records going back to at least the Kamakura era, and even though most of the grave goods are gone, there is evidence that it was richly appointed.  Given its shape and location, there were even those in later centuries who connected it with the Heavenly Rock Cave in which Amaterasu hid according to the ancient stories. The fact that there was nothing around this area and suddenly we see a giant tomb mound is pretty puzzling.  Why was it built here?  Is it connected to the founding of the Outer Shrine in some way, or is that just coincidental?  Teeuwen and Breen point out that it is pretty rare for a large tomb mound to be build in the precincts of an active shrine, which suggests that whatever was happening there, that area was not part of the shrine grounds.  That said, I have to wonder if the ritual worship at the kofun might not have later been transformed or coopted into something else.  There also is no other indication that the Outer Shrine area was used for ritual purposes any earlier than the kofun would have been built.  In contrast, around the Inner Shrine area, several kilometers away, there are caches of beads dated to the 5th, 6th, and 7th centuries in a small valley where a brook runs down from Mt. Asama, not too far from the current shrine complex.  Teeuwen and Breen suggest that this may relate to the "upper reaches of the Isuzu River", mentioned in the Chronicles, and that it may have had to do with rituals related to water supply—hence being found at the point where the water was coming down from the mountains.  And yet, despite these finds, there really aren't any large scale archaeological remains that have been discovered east of the Miya river, though there are modest signs of dwelling and habitation, and some minor burials mounds. Compare this to Tsubaki shrine, the home of Saruta Hiko no Kami, and the main shrine of Ise, situated in the ancient capital of Ise no Kuni.  Downstream from there are numerous tomb mounds and indications of habitation.  So this was probably the center for early sun worship in the region. Teeuwen and Breen conclude that all of this indicates that the region of Taki and areas east of the Miya river were probably more of an outpost—no major powerful chieftains or large polity had set up in the region.  In the late 6th century, some power had to move in to build Takakurayama kofun, but that was an outlier.  Maybe this area just largely fell under Yamato hegemony.  And perhaps that was the key.  Perhaps initially this wasn't a place to center power and authority, but rather it was more like a prison.  It was a place far away from the court, where a deity that was more of a threat could be kept away from the palace and the sovereign.  Perhaps Amaterasu, or whoever the kami was at the time, was placed out here because of the threat they posed, much as the Chronicle seems to suggest—just not necessarily at the time that is suggested. One of the aspects of the mythmaking that we see in the Chronicles appears to be the stress on the Amatsu kami and Kunitsu Kami—the Heavenly deities and the Earthly deities.  The Heavenly deities are those in Takama no Hara, and they are the progenitors of the royal line.  On the other hand are the earthly kami, the Kunitsu Kami, those dwelling on the earthly plane.  In the stories that were recorded in the Nihon Shoki, before the August Grandchild of Takami Musubi and Ama Terasu descended to take control of the Central Land of the Reed Plain, they sent down heavenly kami as warriors to subdue the earthly kami.  On the one hand, this may have been driven by some kind of deep memory of early conquests of the archipelago by various forces.  However, these legends also served another purpose, in that they set up the royal family's right to rule, and appear to establish a de facto hierarchy between those families descended from the Heavenly Kami and those descended from the earthly Kami. Another thing that Teeuwen and Breen point out and that is that Amaterasu is not necessarily a female deity, to start with.  In fact, Amaterasu was probably easily overlain atop the worship of Oho-mono-nushi of Mt. Miwa, at least early on.  To that point, they note stories where Oho-mono-nushi and other deities were commonly depicted as arrows, snakes, or similarly phallic imagery finding or even penetrating women who were thought to have a connection with them.   This suggests a context of these priestesses being married to the kami, and even fits in with early descriptions of individuals like the famous Queen Himiko being a spiritual leader as well as a political one.  If the original Amaterasu was conceived of as a male deity, then this could also explain the tradition of the Saigu, the consecrated shrine princess.  We only see a few royal princesses designated to the position up to this point in the narrative, and, beyond Tokosuki Iri bime and Yamato hime, we don't necessarily learn much more.  One wonders if there weren't other royal princesses likewise sent elsewhere to serve other deities.  We know about Nunaki Iri Hime, and presumably Nunaki Waka Hime.  There was also Yamato Totohi Momoso Hime, who was married to Oho-mono-nushi.  Presumably there were others who just never ended up in the stories that were passed down. The idea of a kami taking a "wife" and connecting that to the idea of women holding these priestly positions seems to fall in line with much of what we see, though, as I said, we only hear occasionally about the appointment of royal princesses to the position until the reign of Ohoama.  That's when we see specifics about appointments, the purification palace in Hase, and other arrangements.  It makes you wonder more than a little bit if Royal Princess Ohoku was, perhaps, the first royal princess to actually be appointed.  It would have been easy enough to add in previous "shrine princesses" into the lineage, especially far enough back that nobody could really fact check it.  We also see Royal Princess Taki journey to Ise with her companions, Princess Yamashiro no Hime and Lady Ishikawa. It is intriguing that this practice was temporarily interrupted during the reign of Uno no Sarara, as I mentioned last episode.  Could this have something to do with a female ruler on the throne and a corresponding lack of urgency about having a female representative at Ise? And in stories about Amaterasu, she is frequently shown with certain masculine qualities.  When she confronts her younger brother, Susano'wo, she is concerned that he might try to take her authority from her, so she meets him decked out in armor, her hair tied up in a typical male fashion, with a bow, ready for a fight.  It would be just as easy to imagine that Amaterasu and Susano'wo were brothers, contending over rulership.  Add to all of that the idea that kami were often personifications of various natural phenomena or ideas, and Japanese is not a naturally gendered language, and there are those that believe that the stories of Amaterasu were not necessarily about a female deity in the beginning, but a male deity, similar to Ohomono Nushi and others, who then took on a feminine persona.  On the other hand there are passages in the old stories recounted in the Chronicles that clearly make Amaterasu out to be a woman. To start with the activities she is associated with, such as weaving, are often associated with women as something they do in the home.  This is a tradition carried over from the continent, along with silk and the techniques to weave it.  In the lands where silk production started, there are silkworm goddesses and the gendered nature of silk production and weaving appears to have come over to Japan as well.  There is also the fact that Amaterasu is said to have another name:  Oho-hiru-me no muchi.  In this case, it would seem to mean something like Great Noontime Female Possessor.  And in the weaving hall it is sometimes Amaterasu that is weaving and sometimes Waka Hirume.  "Hirume" certainly feels like a feminine name. There is the distinct possibility that the stories of Amaterasu as recorded were actually about two or more different kami, so Amaterasu and Ohohirume could have been separate deities having to do with the sun that were rolled into a single kami.  As mentioned before, it is also possible that Amaterasu ended up with some stolen valor taken from the other Ise deity worshiped at Tsubaki, Saruta-hiko no Kami.   Teeuwen and Breen also note that the name "Amaterasu" is hardly unique, noting at least ten other shrines with a kami called "Amateru" or "Amaterasu", mostly in Yamato, but some as far away as Kyushu and Tsushima.  Nine of those shrines were dedicated to Ame no Hoakari, an ancestor deity of the Owari lineage who was also closely tied to metalworking.  It is worth remembering that it was Owari who helped support Ohoama during the Jinshin no Ran, and who may have even fostered Ohoama for a while when he was just a young prince.  All that to say there may have been several different traditions that were all contributing different elements to the story. And then there is the connection between Amaterasu and Uno no Sarara. Herman Ooms, in his book: "Imperial Politics and Sybmolics in Ancient Japan", notes the similarities between Amaterasu and Uno no Sarara, talking about the differences between the Kojiki and the Nihon Shoki, both of which had events that mirrored Uno no Sarara's own life.  According to Ooms, "The Kojiki's Amaterasu is a transparent double of the female tennou Jitou".  He points out that Uno no Sarara, besides her posthumous title of Jitou Tennou, also had a title making reference to Takamanohara:  Takama no Hara Hirono no Hime—the Princess High-Heaven-Plain.  But beyond that, we also see other linkages between the stories.  For instance, it isn't Amaterasu's son, Ame no Oshihomimi who is given the realm, but rather her grandchild, Ninigi.  This parallels the way that Uno no Sarara's son, Kusakabe, didn't ascend to the throne, but instead Uno no Sarara was holding the seat for his son, her grandson.  So one sees how Uno no Sarara could be seen as Amaterasu, and her grandson, Prince Karu, could be seen as Ninigi, the August grandchild.  Teeuwen and Breen also note that during this same time, we see the rise of a new institution: the Jingikan.  Again, we touched on this last episode, so just a quick recap:  The Jingikan was a government organization set up specifically to oversee the shrines, rituals, ceremonies, and other such things pertaining to the kami matters.  It does not appear in the initial stand-up of the new, bureaucratic government, wherein is created the bureaus, ministries, or departments, depending on your chosen vernacular, which make up the Dajokan, the Great Council of State.  Instead, the Jingikan is a separate organization, specifically organized around kami matters. The term "Jingi" is also a shorthand for "Ama-tsu-kami, Kuni-tsu-kami", or the kami of Heaven and the Kami of the earth.  "Ama-tsu-kami", meaning Kami of Heaven, was written with two characters meaning "Heaven" and "Kami", pronounced "Tenjin".  "Kuni-tsu-kami", or the Kami of the Earth, was written as "Earth" and "Earth Spirit", which was then pronounced "Chigi".  By taking the last character of each compound Tenjin-Chigi becomes just Jingi, for short.  Throughout the Chronicles, this term, "Jingi" is thrown around when they want to quickly note all the kami, together, though sometimes it is fully written out as "Tenjin Chigi", as well.  Interestingly, "Tenjin" or "Ama tsu Kami", sometimes appears alone, especially in the chapters on the Age of the Gods.  However, "Chigi" seems to only be used in the whole phrase.  There are a few instances, however, of "Chijin" being used, but they are few. That said, the term "Jingikan", also read as "Kami Tsukasa" or even "Kan Zukasa",  doesn't appear until 690, in the reign of Uno no Sarara.  This probably means that it was part of the reforms encompassed by the Kiyomihara codes.  The head of the Jingikan is known as the Jingihaku or "Kan-zukasa no Kami".  This term actually shows up well in advance of the Jingikan itself, initially referring to an unnamed official or officials in charge of kami worship at the court.  Nakatomi no Kamatari is said to have been offered the position in the first reign of Takara, aka Kougyoku Tennou, though the first confirmed individual appears to be Nakatomi no Ohoshima, during the reign of Uno no Sarara. This appears to be a distinctly Yamato invention in the bureaucratic system.  It leverages the language and structure of the Tang dynasty, but in its own way.  There was a Tang department of shrines, but it was described differently, as befits a different spiritual environment focused on ancestor worship and Confucian and Taoist ideas.  The Jingikan system  seems to have been a deliberate re-organization of the indigenous kami worship, incorporating what was probably traditional roles into the new bureaucratic system.  In so doing, however, it also gave the court greater control, and given that this was happening at the same time as the establishment of various stories and myths around Ise and the foundation more generally, it appears to be part of a concerted and deliberate effort to construct a new narrative. All of this points to them architecting much of what was going on, from the stories to the landscape.  Ohoama likely built the inner shrine as we know it.  If it really was an obscure, out-of-the-way shrine, perhaps that also meant that there weren't any other powerful court factions that were enhanced by it.  And then, over time, the Ise shrine and the deity there could be better incorporated into the overall myths and stories that surrounded the formation of Yamato.  A new Yamato, one that would soon enough be referring to itself as the origin of the Sun:  Nippon, a name often attributed to Ohoama and Uno no Sarara, though not found in the record of their reigns in the Chronicles. Another aspect to all of this, however, is what happened immediately after Uno no Sarara's reign, and into the 8th and early 9th centuries.  In the 8th century—the Nara period—Buddhism started to merge with a lot of the local practices.  This was not uncommon.  Buddhism had been born in a land with myriad deities and styles of worship, and it had the means to incorporate local deities into its cosmological worldview.  Kami were just other beings, stuck in the cycle of rebirth, who, as sentient beings, could equally benefit from the Buddha's teachings.  They became guardians of Buddhist institutions, and the lines between shrines and temples were often blurred.  At the same time, kami worship was also taking on various concepts from continental worship, such that even today we find a lot of what we might consider Taoist practices influencing Shinto worship. Had this continued, worship of the kami may have been completely subsumed into the Buddhist ritual practices, but there were areas where kami worship remained distinct.  One of these was at Ise. Early on, there was an attempt to build a temple at Ise, but it didn't last long.  The temple was eventually moved out of the shrine complex, and then eventually it was removed altogether.  Later writings from the Shrine would include certain Buddhist terms among the things that were taboo within the shrine grounds, considering Buddhism as something of a corrupting or polluting influence.  Shrine Princeses, during their tenure, had to devote themselves to the kami, and though they might retire as nuns, later in life, during their appointment they were to be free of any Buddhist influences.  In many ways this would make Ise a prime example of what would eventually be termed "Shinto", which gave it, and the worship of Amaterasu, a certain pride of place.  Of course, it didn't hurt that it was also intertwined with the State and the founding myths of the nation.  As such, Ise Shrine and its worship would become a template for many others to follow, helping to shape what we know as "Shinto" today. There are still a lot of questions.  We don't exactly know what Uno no Sarara did on her trip to Ise Shrine, and we don't know how things surrounding the worship at Ise and of Amaterasu herself changed in the intervening years between when these events happened and when, about two to three decades later, the Chronicles were finalized and published.  Certainly some of this seems tied to the Fujiwara capital, which was no longer populated at that point, the move to Heijo-kyo, in Nara, occurring between 708 and 710, two years before the Kojiki and a decade before the Nihon Shoki would come out.  And yet, the three sacred mountains that were incorporated into the plan of the Fujiwara Capital, Mt. Kagu, Mt. Miminashi, and Mt. Unebi, seem to continue to be important.  This is especially true of  Mt. Kagu, whose heavenly counterpart, Ame no Kaguyama—literally Heavenly Mt. Kagu— continues to play a major role in the stories surrounding Amaterasu and the Heavenly Rock Cave.  In addition,Mt. Unebi is closely tied to the story of Iware-biko, aka Jimmu, conquering and settling the land—perhaps to draw attention away from the stories about Mimaki and Ikume iribiko, aka Sujin and Suinin, who were both associated more with Mt. Mimoro, aka Mt. Miwa.  So even though the physical presence was moved, by that point we know that foundation of many of these stories were likely laid down around the time that the Fujiwara capital was in operation.  What does seem clear is that, just as there were clear efforts to set up the new State government, including the new capital, the court were also taking control of other levers of power and influence.  We previously talked about how they had created National Temples and included government positions to oversee Buddhist affairs more generally.  With Ise and the creation of the Jingikan, it appears as though that trend continued with the traditional kami worship. Many of the elite families still had connections to their own shrines, with their own kami.  Through the stories collected and written down—with a few editorial additions to help place them in an approved context—they were able to construct a narrative from separate or divergent traditions.  These traditions had already accreted to themselves various stories and culture-ways, some of them with clear links to the continent and others with overlapping portfolios.  The kami, and the ability to intercede with them for their blessings or to avert their wrath, were a form of power that was being structured for the purpose of supporting the new State.  A state now under the control of one Uno no Sarara. And we don't exactly have to wonder about this… the preface of the Kojiki all but says it.  They put the words in the mouth of Ohoama, or, as they call him, the Sovereign of the Kiyomihara Palace.  But the words are pretty clear: "I hear that the Imperial Records and Ancient Writing handed down by the various houses have come to differ from the truth and that many false hoods have been added to them. If these errors are not remedied at this time, their meaning will be lost before many years have passed. This is the framework of the state, the great foundation of the imperial influence. Therefore, recording the Imperial Records and examining the Old Writings, discarding the mistaken and establishing the true, I desire to hand them on to later generations." With that, 28 year old Hieda no Are was given the command to learn all the stories and presumably to recite them for the court.  And several decades later, Oho no Yasumaro was given the task to take Are's stories and write them down.  I imagine that Hieda no Are, or perhaps someone else who had learned the stories well enough, would be called into court or banquets to present some of the stories, or would be asked questions if there was any need for precedence.  Thus creating a single source for truth, according to the administration.  At the same time, the court had a problem.  They couldn't control all of the sources of written material, with all of the various contradictions, so we also would eventually get the more comprehensive—but also less narratively direct—Nihon Shoki as well.  After all, the game of propaganda was being played at many levels, and while the royal household had their motivations—primarily to support the legitimacy of their claim to power and the system within which that claim was validated— other families wanted to ensure that they were properly recorded as having connections to traditional nexuses of power—be that the ancient kami of Heaven or Earth, or their relationship to the royal family.  This is because precedence was important, even as new traditions were being created.  Like the way that the Mononobe and the Nakatomi played important roles in Uno no Sarara's ascension ceremony despite the actual individuals using new or different names, like Isonokami or Fujiwara.  See Episode 151 for the explanation, there.  And new traditions were much easier to justify if you could connect them with older traditions—whether those older traditions were truly ancient or newly made inventions. And all of this suggests that this was not an accident and it wasn't simply being imposed from the top down.  One could be charitable and suggest that those involved felt that this got them closest to what the truth actually was, given that they had now been inculcated in a new worldview and they were trying to view the ancient stories through the interpretive lens of that worldview.  On the other hand, they were ultimately doing it to structure power and authority that favored them and the government they had created.  A government that they hoped would outlast them, and be passed on to their descendants. Next episode, we will continue our discussion of Uno no Sarara's life and reign and the incredible steps she took to ensure that her line would continue to rule Yamato for decades. Until then if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

"I was talking about the Paul is Dead conspiracy theory in class one day and the students began asking me if I knew about THIS theory. And then THIS theory. We went on for 30 minutes and then I did some research. There were so many theories I had never heard of. Hopefully they are new to you as well. We have a long list."

Brecha no Claude para Chrome permite 'sequestrar' a IA para extrair dados do usuário. Após tarifaço, Lula defende Pix, rebate justificativas dos EUA e diz que vai acionar Lei de Reciprocidade. Xiaomi anuncia Redmi Note 17 Pro com superbateria de 9.000 mAh. OpenAI se prepara para baixar preço do ChatGPT, diz site. Hacker cria quase 300 repositórios falsos no GitHub para espalhar malware. Amazon pode lançar Kindle com bateria removível. Trump critica suspensão de data centers em Nova York e alerta sobre a China e mais!

It's the winter of 1968 and what better way to stay warm than watching a creature of the night stuck under a big old pile of ice?But wait!All is not what it seams as there's been much bloodshed and bells rung as the creepy count gets up to his dark deeds AGAIN!It's definitely all going to go well for him this time round right? RIGHT??Either way, the lads are here to see what all the fuss is about, try on some holy robes for size and meet the nobility with a couple of Joans.“The House Of Hammer Theme” and incidental music - written and produced by Cev Moore Artwork by Richard Wells All the links you think you'll need & more!https://linktr.ee/househammerpod

In this episode, I'll discuss some of the left's wildest talking points and how wrong they really are. 1776 Live Club: No purchase necessary. Must be 18+. See rules at https://Bongino.com/1776 Find the video podcast of The Dan Bongino Show exclusively on Rumble at https://Rumble.com/bongino Marco Rubio: Why We're Dismantling the International Criminal Court https://www.wsj.com/opinion/why-were-dismantling-the-icc-0af0a8a6 Abdul El-Sayed Wants Medicare for All ‘From Cradle to Grave.' His Psychiatrist Wife Doesn't Accept Medicare—or Any Insurance at All. https://freebeacon.com/democrats/abdul-el-sayed-wants-medicare-for-all-from-cradle-to-grave-his-psychiatrist-wife-doesnt-accept-medicare-or-any-insurance-at-all/ FBI Fires 2 Analysts in Georgia Election Inquiry https://www.newsmax.com/newsfront/fbi-fulton-county-georgia-2020-election/2026/07/13/id/1262682/ Sponsors: Sundays for Dogs - https://sundaysfordog.com/bongino - code: bongino All Family Pharmacy - https://allfamilypharmacy.com/bongino - code: Bongino10  American Financing - https://americanfinancing.net/bongino - NMLS 182334, nmlsconsumeraccess.org. APR for rates in the 5s start at 6.327% for well qualified borrowers. Call 888-994-7600 for details about credit costs and terms. Visit AmericanFinancing.net/Bongino. Average savings based on borrowers who save over $199.99 Patriot Mobile - https://patriotmobile.com/dan - code: dan Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jared Yates Sexton and Nick Hauselman open on the death of South Carolina Senator Lindsey Graham, who came back from Ukraine feeling unwell, skipped medical treatment to go do Meet the Press, and then died at 71. They argue over the legacy: whether Graham was blackmailed into MAGA or was simply a weak, attention-hungry climber who traded his soul for a seat at the club, plus the parade of Democrats falling over themselves to mourn a man who spent a career pushing wars. From there it's the Mitch McConnell proof-of-life photo, the internet hunting for clues in an Adidas logo, and the darker truth underneath the conspiracy talk: a geriatric political class clinging to power long past the point of elder abuse. Then the New York Times bombshell that Israel recruited former Iranian president Mahmoud Ahmadinejad as an intelligence asset and planned to install him after toppling the regime, a plan that fell apart when the Revolutionary Guard caught on. It closes on Trump gutting the Election Assistance Commission down to zero members while teasing a primetime speech about 2020, and why November may not be free or fair. Support the show by signing up to our Patreon to hear the full Weekender episode each Friday as well as special Live Shows and access to our community discord: http://patreon.com/muckrakepodcast

Ryan, Dana, and Nathalie Rodriguez discuss a Broward boy whose condition remains “very grave” after video showed him underwater for 15 minutes. They also discuss other recent drowning incidents and the importance of water safety.See omnystudio.com/listener for privacy information.

NEWS: NBI says grave threats charge vs VP 'airtight' | July 14, 2026Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribe Visit our website at https://www.manilatimes.net Follow us: Facebook - https://tmt.ph/facebook Instagram - https://tmt.ph/instagram Twitter - https://tmt.ph/twitter DailyMotion - https://tmt.ph/dailymotion Subscribe to our Digital Edition - https://tmt.ph/digital Check out our Podcasts: Spotify - https://tmt.ph/spotify Apple Podcasts - https://tmt.ph/applepodcasts Amazon Music - https://tmt.ph/amazonmusic Deezer: https://tmt.ph/deezer Stitcher: https://tmt.ph/stitcherTune In: https://tmt.ph/tunein#TheManilaTimes#KeepUpWithTheTimes Hosted on Acast. See acast.com/privacy for more information.

Last week we saw the dog's life and now it's time to dissect the 9 lives of Heathaeyun Delacourt! Follow us as we reverse time skip our way through the Captain of the Nova Rush and find out what brought him to his powers and cavalier lifestyle. 

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Send us Fan MailIN THE MIDDLE OF ITPastor Jerrid Fletcher Sunday, July 12, 2026In The Middle Of It is a message about learning to see the space between promise and possession — the waiting, the delay, the unresolved season — not as evidence God has forgotten you, but as the classroom where He does His deepest work. Before we can learn there, we have to deal with the whispers that convince us we've been overlooked, taking every thought captive and renewing our minds in truth. From there, Scripture shows a pattern: God didn't wait outside Israel's wilderness, Joseph's prison, or the disciples' storm — He moved into the middle of each one. Using Elijah's cave, the desert, the grave, and the storm as case studies, and then walking verse by verse through Psalm 27, the sermon traces David's posture shifting from bold declaration to broken petition to a soul preaching courage back into itself — proof that the middle isn't wasted space, it's where faith gets shaped, tested, and made real. The charge: stop asking only "how do I get out of this," and start asking "what is God teaching me while I'm in it."DISCUSSION QUESTIONS What's a "whisper" you've had to fight recently — a thought that sounded reasonable but didn't actually sound like God? How did you test it?Think of a "middle" season in your own life — a wilderness, a delay, an unanswered prayer. Looking back now, can you see anything God was building in you during it that you couldn't see at the time?Of the four classrooms discussed (Cave, Desert, Grave, Storm), which one feels closest to where you are right now? What do you think it's trying to teach you?David's posture in Psalm 27 shifts from standing tall and declarative (v.1-3) to on his face, pleading (v.7-9). Why do you think honest faith includes both postures? Is one harder for you than the other?The sermon draws a line between "surviving the middle" and "learning in it." What would it look like, practically, for you to shift from one to the other this week?Psalm 27:14 tells us to "wait on the Lord" twice. What makes waiting the second time harder than the first — and what helps you keep your courage up when you're still waiting?

Senator Lindsey Graham died suddenly Sunday morning after what his office called "a brief and unexpected illness" — just 36 hours after appearing energetic and healthy on a trip to Kyiv. This video covers the disturbing reactions from the left (Margaret Cho, Anika, and others celebrating his death), the odd timeline and messaging around his passing, President Trump's emotional call-in to Fox News Sunday recounting what may have been his last conversation with Graham, and a look back at Graham's career — from his "team player" approach to the Senate to his legendary takedown of Senate Democrats during the Brett Kavanaugh confirmation hearings.Become a Townhall VIP member with promo code "LARRY": https://townhall.com/subscribeSee omnystudio.com/listener for privacy information.

"Death leaves a heartache no one can heal; love leaves a memory no one can steal." When we take the time to learn from loss, we can prevent more tragedies in the future. Listen and learn. #lifelessons #spirituallessons

Hablamos con Virginia Barcones, secretaria general de Proteccion Civil después de que en la tarde de este lunes se haya dado por controlado el incendio de Los Gallardos, en Almería. "Han sido días con muchísima tensión, con muchísimo dolor (...) La excelente labor de los servicios de emergencia ha permitido que hoy podamos decir que el incendio está controlado".Del mismo modo, Barcones se ha referido al cambio climático: "Hay evidencias que son objetivas y es que cuando llueve lo hace de manera torrencial, que los episodios de calor cada vez son más extremos, son más prolongados, cada vez son más anticipados. El cambio climático está aquí, es una realidad científica y objetiva, como lo es que mata. Y la negación es un grave peligro para nuestro país. Negar que la realidad objetiva es esta, lo único que puede conseguir es que no nos anticipemos, que no nos preparemos, que no planifiquemos y que por lo tanto nuestra capacidad de minimizar el daño que estos incendios forestales provoca o cualquier otra catástrofe de índole natural es un grave peligro para todos los que vivimos en este país. porque el la realidad es tozuda y esta es una realidad científica y objetiva", ha señalado.Escuchar audio

The Day We Dug Jonas s Grave Together Without KnowingBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-unsolved-mysteries-forgotten-secrets-unanswered-questions--5684156/support.Darkest Mysteries Online

Avec : Jérôme Lavrilleux, propriétaire de gîtes. Élise Goldfarb, entrepreneure. Et Pierre Rondeau, économiste. - Accompagnée de Charles Magnien et sa bande, Estelle Denis s'invite à la table des français pour traiter des sujets qui font leur quotidien. Société, conso, actualité, débats, coup de gueule, coups de cœurs… En simultané sur RMC Story.

From the Garden to the Grave, every part of Jesus was tested to the extreme.  He passed every test perfectly.  Thats why we can trust Him with every part of our lives.

NEWS: ​​Impeach trial's first week 'laid foundation' for grave threat charge | July 12, 2026Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribe Visit our website at https://www.manilatimes.net Follow us: Facebook - https://tmt.ph/facebook Instagram - https://tmt.ph/instagram Twitter - https://tmt.ph/twitter DailyMotion - https://tmt.ph/dailymotion Subscribe to our Digital Edition - https://tmt.ph/digital Check out our Podcasts: Spotify - https://tmt.ph/spotify Apple Podcasts - https://tmt.ph/applepodcasts Amazon Music - https://tmt.ph/amazonmusic Deezer: https://tmt.ph/deezer Stitcher: https://tmt.ph/stitcherTune In: https://tmt.ph/tunein#TheManilaTimes#KeepUpWithTheTimes Hosted on Acast. See acast.com/privacy for more information.

To Find All Things StrangeBrew!---> linktr.ee/strangebrewpodcastSign up for our Patreon go to-> Patreon.com/cultofconspiracypodcastMeta Mysteries Podcast---> https://open.spotify.com/show/6IshwF6qc2iuqz3WTPz9Wv?si=3a32c8f730b34e79Cajun Knight Youtube Channel---> https://www.youtube.com/@Cajunknighthttps://flavorsforest.com/cult/Become a supporter of this podcast: https://www.spreaker.com/podcast/cult-of-conspiracy--5700337/support.

Corey Inganamort and Matt Vespa discuss the latest news of the day! From Graham Platner being a horrible human being, the rumors swirling around Mitch McConnell, and the latest situation with Iran, the guys have you covered!

Why shouldn't a cemetery make a believer nervous? Jim Scudder stands at his late father's grave to explain the confidence that let his dad face death without fear.

La periodista de Onda Cero ha explicado como se trata de una imagen clara de cómo el presidente de Estados Unidos se relaciona con el poder y las reglas, y que se ha reflejado también en su política exterior.

This week the crew of the Nova Rush takes a break as we focus in more clearly on the story of one Xeldan Gutteryoung. Follow the soldier's footsteps through the emancipation of Pulonis and meeting with Captain Heathaeyun for the first time in this fun one-on-one with Gibert on this week's Cosmic Crit!

I'd love to hear your thoughts - send me a text hereBob Dole continues to hold out hope that he will be made whole again until a respected doctor helps him most past dwelling on what he has lost and focus on what he still has - that is the moment Dole truly comes back form the war and moves on to a life full of love and public service.Today's Ghost of Arlington is US Army Captain Robert Joseph Dole, Section 4, Grave 3-A

Conor Kilpatrick quietly completes some self-care while a grumpy Josh Flanagan discusses the comics he and third-chair occupant Dr. Ryan Haupt read this week! Note: Time codes are estimates due to dynamic ad insertion by the distributor. Running Time: 01:12:00 Pick of the Week:00:01:14 – The Shaolin Cowboy: Staying A.I. Live #1 Comics:00:12:33 – The Mortal Thor #978 (12)00:17:38 – Fantastic Four #739 (13)00:24:37 – Iron Man #687 (7)00:30:08 – Batman #1100:35:54 – The Deadman #200:41:13 – Young Hellboy: Thrilling Sky Adventures #2 Patron Pick:00:42:38 – The Last Starfighter #1 Patron Thanks:00:51:45 – Joshua Yowell Audience Questions:00:54:26 – Ben F. from Erie, Pennsylvania, is sad that his local comic shop is closing and wondering if there are any ways for these businesses to survive in the digital on-demand era? Can we avoid the fate of Blockbuster Video? Brought To You By: iFanboy Patrons – Become one today for as little as $3/month! Or join for a full year and get a discount! You can also make a one time donation of any amount! iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got TWENTY THREE designs! Music:“Left to Right (iFanboy Theme)”Josh Flanagan Watch The iFanboy After Show for Pick of the Week #1033! Listen to Conor, Josh, and Ron on their other show Goodfellas Minute. Listen to Conor and Ron reminisce about Goodfellas Minute on Sporadicast: An Oral History of Movies by Minutes. Listen to Conor discuss Dirty Harry on Movie of the Year: 1971. Watch Ron talk about the online pinball ecosystem on Dirty Pool Podcast. Listen to Conor, Josh, and Ron discuss Blade (1998) on Cradle to the Grave. Listen to Josh discuss Fargo on Movie of the Year: 1996. Listen to Conor discuss Swingers on Movie of the Year: 1996. Watch Ron talk about pinball technology on the Daily Tech News Show. Listen to Conor discuss Ghostbusters on Movie of the Year: 1984. Listen to Conor, Josh, and Ron discuss The Crow (1994) on Cradle to the Grave. Listen to Josh discuss Jaws 4: The Revenge (1987) on Cradle to the Grave. Listen to Josh discuss Indiana Jones and the Temple of Doom (1984) on Cradle to the Grave.Watch Josh and Conor talk about how to start a podcast on OpenWater. Listen to Ron talk about The Phantom Menace minute 80 on Star Wars Minute. Listen to Ron talk about Return of the Jedi minute 124 on Star Wars Minute. Listen to Conor talk about Return of the Jedi minute 104 on Star Wars Minute. Listen to Ron talk about The Empire Strikes Back minute 115 on Star Wars Minute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Summary Friday's show is a sweaty pre-holiday fever dream packed with dildo rap, haunted Zoom glitches, chemically burned computer fingers, monkeypox typo humiliation, and a physiotherapist who apparently thought an adult diaper wedgie counted as medical care. In other words, America at 250 looks incredible. Opening Chaos Episode Highlights Patriotic Trash Fire Ongoing Freaks […] The post Abraham Lincoln Wants Man Pussy From Beyond the Grave first appeared on Distorted View Daily.

Here is another Studio Ghibli movie that means a lot to my Wife.  This is probably her favorite of Ghibli movies.  A movie that is very much a love story.  I have been wanting to cover this film for years but it wasn't until recently when we did the Studio Ghibli poll, i realized it was time to sit down with movie again.  This movie is much sweeter then I remembered and much better then I had any memory of.  Join us as we discuss this film. Starring Mike Albertin, Tiffany Albertin, Joe Butler, Joseph Larrey, and Phoebe Stanton.  A Gamer Looks at 40 - https://agamerlooksat40.com/ Carrying My Cross - https://podcasts.apple.com/pl/podcast/carrying-my-cross-a-faith-journey-podcast/id1865524685 Phoebe's Twitch - https://www.twitch.tv/theletsplayprincess Phoebe's Podcast - https://nerdsabroadcast.podbean.com/ Zac's Podcast - https://linktr.ee/absolutelythebest Helena - https://linktr.ee/helhathfury Patreon - https://www.patreon.com/GamesMyMomFound Follow us on Facebook. Instagram - gamesmymomfound_ YouTube  - https://youtube.com/c/GamesMyMomFoundPodcast Discord - https://discord.gg/ Grave of the Fireflies (Film 230) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/grave-of-the-fireflies-film-230-gmmf Spirited Away (Film 105) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/spirited-away-film-105-gmmf My Neighbor Totoro (Film 99) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/my-neghibor-totoro-film-99-gmmf

Anthony Graves spent eighteen years in prison, twelve of them on death row, for murders he did not commit. In 1992, a grandmother, her teen-aged daughter, and her four young grandchildren were all killed in their beds. Texas Rangers quickly zeroed in on Robert Carter, the father of the youngest victim. He admitted that he was at the crime scene, but said Anthony Graves committed the murders. "48 Hours" correspondent Richard Schlesinger reports. This classic "48 Hours" episode last aired on 3/17/2012. Watch all-new episodes of “48 Hours” on Saturdays and stream on demand on Paramount+.

The Dadley Boyz review last night's episode of AEW Dynamite and discuss...Kenny Omega risks it ALL!Hikaru Shida wins the TBS Title!MJF vs. Mark Briscoe!Switchblade Jay White is BACK!Kevin Knight digs his own grave?!ENJOY!Follow us on Twitter:@AdamWilbourn@MichaelHamflett@MSidgwick@WhatCultureWWEFor more awesome content, check out: whatculture.com/wwe Hosted on Acast. See acast.com/privacy for more information.

Donald Trump has made the 250th anniversary of America's independence about himself. Steve Schmidt breaks down the empty Great American State Fair, JD Vance's villainy, and why America has turned against Trump's regime. Today's Merch: Drain the Swamphttps://thewarningwithsteveschmidt.com/products/drain-the-swap-tee SUBSCRIBE for more and follow me here:Substack: https://steveschmidt.substack.com/subscribeStore: https://thewarningwithsteveschmidt.com/Bluesky: https://bsky.app/profile/thewarningses.bsky.socialFacebook: https://www.facebook.com/SteveSchmidtSES/TikTok: https://www.tiktok.com/@thewarningsesInstagram: https://www.instagram.com/thewarningses/X: https://x.com/SteveSchmidtSESSee omnystudio.com/listener for privacy information.

Frank, Ash, and Brandon answer questions about episodic games, the ever-changing “average gamer,” and full-frontal Mario. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: Video Game History Foundation Sonic Sez Punky Brewster “I'm brave, I'm hairy, and your dad loves me.” Legend of Zelda: Ocarina of Time - The Lost Woods Theme Alarmo Jay John Mayer - Waiting on the World to Change Evanesence - Bring Me to Life Wham! - Wake Me Up Before You Go-Go 1: When should a game be released in chapters as opposed to all at once? (04:28) Deltarune Esper's bluesky post Sam & Max series Toby Fox Poppy Playtime Dispatch Telltale Games AdHoc Studio Dreamcast Grauen no Torikago Kapitel 3: Kansei GameTap American McGee's Grimm Katamari Damacy Tim Burton Temu 2: How old should a game be before it gets a remake? (09:54) The Last of Us series Resident Evil series Silent Hill series Final Fantasy VII: Remake Metal Gear Solid series MindsEye Star Fox Disney's Robin Hood Five Nights at Freddy's series 3: What would you consider the worst timed video game releases in history? (15:18) Kotaku: Konami Is Suing To Unmask Whoever's Responsible For The Major Metal Gear Solid 2 Source Code Leak Disaster Report 4: Summer Memories Advance Wars 1+2: Re-Boot Camp Propeller Arena Grand Theft Auto VI Animal Crossing: New Horizons Doom Eternal Barbenheimer Hades Battleborn Overwatch The Outer Worlds Outer Wilds Duke Nukem Forever 4: What is an uncle game? (20:06) The Guardian: Long live the ‘unc game' AAVE Call of Duty: Black Ops 7 World of WarCraft Madden series FIFA series Wordle Spelling Bee Roblox Mecca Chameleon Mina the Hollower Friendslop Grand Theft Auto V NCAA Football series NBA 2K series NBA Jam series Grand Theft Auto: San Andreas Tiger Woods PGA series Street Fighter II Sonic the Hedgehog Guilty Gear series Dragon Ball Z: Budokai series Def Jam: Fight for NY Tony Hawk skateboarding series Lode Runner Duke Nukem series Atari Coleco Intellivision Sega Genesis Mortal Kombat 5: Room Check! (29:39) youtube.com/insertcreditshow Soundsheets Darius Space Harrier Quartet Fantasy Zone Master System Osamu Murata Casette tape KQED Forum Sega Take Your Daughter to Work Day City Year Cleveland Jesse Owens V for Vendetta V for Vendetta (2005) Scarabaeidae Dung beetle 6: SuperDQP asks, which game franchise should get a “the movie the game” treatment? (38:45) Street Fighter the Movie the Game Super Mario Bros. (1993) Super Mario series CD-i Midway Games Mortal Kombat series NARC Cyberpunk 2077 Lara Croft: Tomb Raider - The Cradle of Life (2003) Naughty Dog Crystal Dynamics Java JavaScript Cradle 2 the Grave (2003) Paul W. S. Anderson Wii Sonic the Hedgehog (2020) Jim Carrey The Riddler Sonic and the Black Knight 007: First Light King of Fighters (2009) Tekken (2009) Need for Speed (2014) Gran Turismo (2023) LIGHTNING ROUND: Pride or Die (46:12) Recommendations and Outro (57:50): Brandon: not any of the Jaws sequels Nirvana X-Rom - Wired Into Your Brain Priscilla Page's Predator and Prey essays Karaoke Videos - 99% Invisible InnerSpiral's I Built This Body To Hold Yours Jim Wilson's Center Core Never More seiji oda - LAST SUMMER Ash: Road to Empress II or maybe not because it has a lot of Gen AI Jaffe: give us money! Or leave a review This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

This week, all of the comics came out so Josh Flanagan and Conor Kilpatrick have no choice but to deploy The Bell. Note: Time codes are estimates due to dynamic ad insertion by the distributor. Running Time: 01:05:01 Pick of the Week:00:02:49 – Doomquest #2 Comics:00:12:15 – The Flash #834 (34)00:15:39 – The Twilight Zone #800:22:13 – Superman #882 (39)00:25:40 – Absolute Superman #2000:28:24 – Usagi Yojimbo: Kaitō '84 #400:33:05 – Narco #4 The Bell:00:35:11 – Meet The Bell00:35:40 – Absolute Wonder Woman #2100:36:11 – Captain America #1200:36:34 – Escape #800:36:57 – Ultimate Endgame #500:37:19 – X-Men #332 (32)00:37:44 – Justice League Unlimited #2000:38:08 – American Caper #800:38:33 – Summer of Supergirl Special #100:38:59 – Swamp Thing 1989 #300:39:39 – The Peril of the Brutal Dark: An Ezra Cain Mystery #5 Patron Pick:00:40:19 – X-Men: Outback #1 Patron Thanks:00:49:07 – Kris Vurraro Audience Questions:00:52:41 – Stephen D. from London, England, United Kingdom has been reading comics for a long time but really doesn't understand what colorists bring to the page. Brought To You By: iFanboy Patrons – Become one today for as little as $3/month! Or join for a full year and get a discount! You can also make a one time donation of any amount! iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got TWENTY THREE designs! Music:“Left to Right (iFanboy Theme)”Josh Flanagan Watch The iFanboy After Show for Pick of the Week #1032! Listen to Conor, Josh, and Ron on their other show Goodfellas Minute. Listen to Conor and Ron reminisce about Goodfellas Minute on Sporadicast: An Oral History of Movies by Minutes. Listen to Conor discuss Dirty Harry on Movie of the Year: 1971. Watch Ron talk about the online pinball ecosystem on Dirty Pool Podcast. Listen to Conor, Josh, and Ron discuss Blade (1998) on Cradle to the Grave. Listen to Josh discuss Fargo on Movie of the Year: 1996. Listen to Conor discuss Swingers on Movie of the Year: 1996. Watch Ron talk about pinball technology on the Daily Tech News Show. Listen to Conor discuss Ghostbusters on Movie of the Year: 1984. Listen to Conor, Josh, and Ron discuss The Crow (1994) on Cradle to the Grave. Listen to Josh discuss Jaws 4: The Revenge (1987) on Cradle to the Grave. Listen to Josh discuss Indiana Jones and the Temple of Doom (1984) on Cradle to the Grave. Watch Josh and Conor talk about how to start a podcast on OpenWater. Listen to Ron talk about The Phantom Menace minute 80 on Star Wars Minute. Listen to Ron talk about Return of the Jedi minute 124 on Star Wars Minute. Listen to Conor talk about Return of the Jedi minute 104 on Star Wars Minute. Listen to Ron talk about The Empire Strikes Back minute 115 on Star Wars Minute. Learn more about your ad choices. Visit megaphone.fm/adchoices