Podcast appearances and mentions of bruce wark

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities. Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies. Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be." Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick.  Laura Landon is a librarian at Mount Allison University.

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities. Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies. Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be." Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick.  Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities. Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies. Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be." Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick.  Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities. Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies. Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be." Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick.  Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities. Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies. Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be." Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick.  Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities. Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies. Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be." Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick.  Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities. Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies. Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be." Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick.  Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities. Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies. Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be." Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick.  Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marvin Scott’s new book, As I Saw It: A Reporter’s Intrepid Journey (Beaufort Books, 2017) tells 26 stories of memorable people and events that the veteran TV journalist gathered during a career spanning more than 50 years. Scott estimates that he’s told more than 15,000 stories and interviewed 30,000 people for print, radio and television. He describes himself as a journalist who has “tried to stick to old-fashioned reporting, just the facts, without adding my personal views.” He also writes that “at the heart of every story, big and small, is a person. It is people who make the news.” The winner of 11 Emmy Awards, Scott is currently the senior correspondent at New York’s WPIX-TV. He has written for the New York Herald Tribune as well as Parade Magazine and has worked as a radio reporter for the Mutual Broadcasting System and at such television outfits as CNN, WNEW, and WABC. In this New Books Network interview, Marvin Scott recounts some of the stories he covered including one he did on Charlie Walsh, the bank thief who became a New York celebrity. He also describes how he managed to interview Abraham Zapruder and how many years later, he synced Zapruder’s recorded words to the 26-second amateur film he had shot of the Kennedy assassination in Dallas. Scott champions traditional, shoe-leather reporting and laments the influence of social media outlets that publish first and check the facts later. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marvin Scott’s new book, As I Saw It: A Reporter’s Intrepid Journey (Beaufort Books, 2017) tells 26 stories of memorable people and events that the veteran TV journalist gathered during a career spanning more than 50 years. Scott estimates that he’s told more than 15,000 stories and interviewed 30,000 people for print, radio and television. He describes himself as a journalist who has “tried to stick to old-fashioned reporting, just the facts, without adding my personal views.” He also writes that “at the heart of every story, big and small, is a person. It is people who make the news.” The winner of 11 Emmy Awards, Scott is currently the senior correspondent at New York’s WPIX-TV. He has written for the New York Herald Tribune as well as Parade Magazine and has worked as a radio reporter for the Mutual Broadcasting System and at such television outfits as CNN, WNEW, and WABC. In this New Books Network interview, Marvin Scott recounts some of the stories he covered including one he did on Charlie Walsh, the bank thief who became a New York celebrity. He also describes how he managed to interview Abraham Zapruder and how many years later, he synced Zapruder’s recorded words to the 26-second amateur film he had shot of the Kennedy assassination in Dallas. Scott champions traditional, shoe-leather reporting and laments the influence of social media outlets that publish first and check the facts later. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marvin Scott’s new book, As I Saw It: A Reporter’s Intrepid Journey (Beaufort Books, 2017) tells 26 stories of memorable people and events that the veteran TV journalist gathered during a career spanning more than 50 years. Scott estimates that he’s told more than 15,000 stories and interviewed 30,000 people for print, radio and television. He describes himself as a journalist who has “tried to stick to old-fashioned reporting, just the facts, without adding my personal views.” He also writes that “at the heart of every story, big and small, is a person. It is people who make the news.” The winner of 11 Emmy Awards, Scott is currently the senior correspondent at New York’s WPIX-TV. He has written for the New York Herald Tribune as well as Parade Magazine and has worked as a radio reporter for the Mutual Broadcasting System and at such television outfits as CNN, WNEW, and WABC. In this New Books Network interview, Marvin Scott recounts some of the stories he covered including one he did on Charlie Walsh, the bank thief who became a New York celebrity. He also describes how he managed to interview Abraham Zapruder and how many years later, he synced Zapruder’s recorded words to the 26-second amateur film he had shot of the Kennedy assassination in Dallas. Scott champions traditional, shoe-leather reporting and laments the influence of social media outlets that publish first and check the facts later. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marvin Scott’s new book, As I Saw It: A Reporter’s Intrepid Journey (Beaufort Books, 2017) tells 26 stories of memorable people and events that the veteran TV journalist gathered during a career spanning more than 50 years. Scott estimates that he’s told more than 15,000 stories and interviewed 30,000 people for print, radio and television. He describes himself as a journalist who has “tried to stick to old-fashioned reporting, just the facts, without adding my personal views.” He also writes that “at the heart of every story, big and small, is a person. It is people who make the news.” The winner of 11 Emmy Awards, Scott is currently the senior correspondent at New York’s WPIX-TV. He has written for the New York Herald Tribune as well as Parade Magazine and has worked as a radio reporter for the Mutual Broadcasting System and at such television outfits as CNN, WNEW, and WABC. In this New Books Network interview, Marvin Scott recounts some of the stories he covered including one he did on Charlie Walsh, the bank thief who became a New York celebrity. He also describes how he managed to interview Abraham Zapruder and how many years later, he synced Zapruder’s recorded words to the 26-second amateur film he had shot of the Kennedy assassination in Dallas. Scott champions traditional, shoe-leather reporting and laments the influence of social media outlets that publish first and check the facts later. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marvin Scott’s new book, As I Saw It: A Reporter’s Intrepid Journey (Beaufort Books, 2017) tells 26 stories of memorable people and events that the veteran TV journalist gathered during a career spanning more than 50 years. Scott estimates that he’s told more than 15,000 stories and interviewed 30,000 people for print, radio and television. He describes himself as a journalist who has “tried to stick to old-fashioned reporting, just the facts, without adding my personal views.” He also writes that “at the heart of every story, big and small, is a person. It is people who make the news.” The winner of 11 Emmy Awards, Scott is currently the senior correspondent at New York’s WPIX-TV. He has written for the New York Herald Tribune as well as Parade Magazine and has worked as a radio reporter for the Mutual Broadcasting System and at such television outfits as CNN, WNEW, and WABC. In this New Books Network interview, Marvin Scott recounts some of the stories he covered including one he did on Charlie Walsh, the bank thief who became a New York celebrity. He also describes how he managed to interview Abraham Zapruder and how many years later, he synced Zapruder’s recorded words to the 26-second amateur film he had shot of the Kennedy assassination in Dallas. Scott champions traditional, shoe-leather reporting and laments the influence of social media outlets that publish first and check the facts later. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror (Lexington Books, 2010) Geoff Martin and Erin Steuter argue that popular songs, Hollywood movies, professional sports, TV news and even children’s toys help generate public support for the use of military force to solve political problems such as international terrorism. At the same time, they also argue that other elements of popular culture such as The Daily Show, the Colbert Report and The Simpsons, for example, actively resist militarism with pointed political comedy and satire. In this New Books Network interview, Steuter and Martin say their book was inspired in part by the ideas of the Reverend Martin Luther King Jr. who preached against the War in Vietnam. “We can no longer afford to worship the god of hate or bow before the altar of retaliation,” King declared in a speech delivered a year before he was assassinated in 1968. Professors Steuter and Martin argue that King’s opposition to militarism is as relevant today during the seemingly endless post 9/11 War on Terror, as it was then. Erin Steuter teaches sociology at Mount Allison, in Sackville, New Brunswick while her partner, Geoff Martin is a professor of political science there. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror (Lexington Books, 2010) Geoff Martin and Erin Steuter argue that popular songs, Hollywood movies, professional sports, TV news and even children’s toys help generate public support for the use of military force to solve political problems such as international terrorism. At the same time, they also argue that other elements of popular culture such as The Daily Show, the Colbert Report and The Simpsons, for example, actively resist militarism with pointed political comedy and satire. In this New Books Network interview, Steuter and Martin say their book was inspired in part by the ideas of the Reverend Martin Luther King Jr. who preached against the War in Vietnam. “We can no longer afford to worship the god of hate or bow before the altar of retaliation,” King declared in a speech delivered a year before he was assassinated in 1968. Professors Steuter and Martin argue that King’s opposition to militarism is as relevant today during the seemingly endless post 9/11 War on Terror, as it was then. Erin Steuter teaches sociology at Mount Allison, in Sackville, New Brunswick while her partner, Geoff Martin is a professor of political science there. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror (Lexington Books, 2010) Geoff Martin and Erin Steuter argue that popular songs, Hollywood movies, professional sports, TV news and even children’s toys help generate public support for the use of military force to solve political problems such as international terrorism. At the same time, they also argue that other elements of popular culture such as The Daily Show, the Colbert Report and The Simpsons, for example, actively resist militarism with pointed political comedy and satire. In this New Books Network interview, Steuter and Martin say their book was inspired in part by the ideas of the Reverend Martin Luther King Jr. who preached against the War in Vietnam. “We can no longer afford to worship the god of hate or bow before the altar of retaliation,” King declared in a speech delivered a year before he was assassinated in 1968. Professors Steuter and Martin argue that King’s opposition to militarism is as relevant today during the seemingly endless post 9/11 War on Terror, as it was then. Erin Steuter teaches sociology at Mount Allison, in Sackville, New Brunswick while her partner, Geoff Martin is a professor of political science there. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror (Lexington Books, 2010) Geoff Martin and Erin Steuter argue that popular songs, Hollywood movies, professional sports, TV news and even children’s toys help generate public support for the use of military force to solve political problems such as international terrorism. At the same time, they also argue that other elements of popular culture such as The Daily Show, the Colbert Report and The Simpsons, for example, actively resist militarism with pointed political comedy and satire. In this New Books Network interview, Steuter and Martin say their book was inspired in part by the ideas of the Reverend Martin Luther King Jr. who preached against the War in Vietnam. “We can no longer afford to worship the god of hate or bow before the altar of retaliation,” King declared in a speech delivered a year before he was assassinated in 1968. Professors Steuter and Martin argue that King’s opposition to militarism is as relevant today during the seemingly endless post 9/11 War on Terror, as it was then. Erin Steuter teaches sociology at Mount Allison, in Sackville, New Brunswick while her partner, Geoff Martin is a professor of political science there. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror (Lexington Books, 2010) Geoff Martin and Erin Steuter argue that popular songs, Hollywood movies, professional sports, TV news and even children’s toys help generate public support for the use of military force to solve political problems such as international terrorism. At the same time, they also argue that other elements of popular culture such as The Daily Show, the Colbert Report and The Simpsons, for example, actively resist militarism with pointed political comedy and satire. In this New Books Network interview, Steuter and Martin say their book was inspired in part by the ideas of the Reverend Martin Luther King Jr. who preached against the War in Vietnam. “We can no longer afford to worship the god of hate or bow before the altar of retaliation,” King declared in a speech delivered a year before he was assassinated in 1968. Professors Steuter and Martin argue that King’s opposition to militarism is as relevant today during the seemingly endless post 9/11 War on Terror, as it was then. Erin Steuter teaches sociology at Mount Allison, in Sackville, New Brunswick while her partner, Geoff Martin is a professor of political science there. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mitchell Stephens‘s new book, The Voice of America: Lowell Thomas and the Invention of 20th Century Journalism (St. Martins Press, 2017), could be described, in part, as an entertaining book of stories about a legendary American storyteller. Stephens, professor of journalism at New York University, traces Lowell Thomas’s long career from his early days in the rough and tumble world of Chicago newspapers to his later fame as one of America’s earliest and longest-running radio newscasters and its first TV news host. Stephens tells how Thomas documented the First World War, weaving together photos, films and his own remarkable gift for oratory in multimedia presentations that he delivered live to two million people in theaters all over the world. It was Lowell Thomas who first reported the war exploits of Lawrence of Arabia, making both T.E. Lawrence and Thomas himself household names. As a journalism historian and author of the previous book, A History of News, Mitchell Stephens argues that Lowell Thomas helped invent the fact-based, authoritative and non-partisan style that characterized American journalism in the 20th century. In this interview with the New Books Network, Stephens talks about how Lowell Thomas forged a path as a broadcast celebrity that was later followed by his CBS colleague Edward R. Murrow and such TV anchors as Walter Cronkite, Huntley and Brinkley and Tom Brokaw. Bruce Wark is a freelance journalist and retired journalism professor based in the Canadian town of Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University in Sackville, New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mitchell Stephens‘s new book, The Voice of America: Lowell Thomas and the Invention of 20th Century Journalism (St. Martins Press, 2017), could be described, in part, as an entertaining book of stories about a legendary American storyteller. Stephens, professor of journalism at New York University, traces Lowell Thomas’s long career from his early days in the rough and tumble world of Chicago newspapers to his later fame as one of America’s earliest and longest-running radio newscasters and its first TV news host. Stephens tells how Thomas documented the First World War, weaving together photos, films and his own remarkable gift for oratory in multimedia presentations that he delivered live to two million people in theaters all over the world. It was Lowell Thomas who first reported the war exploits of Lawrence of Arabia, making both T.E. Lawrence and Thomas himself household names. As a journalism historian and author of the previous book, A History of News, Mitchell Stephens argues that Lowell Thomas helped invent the fact-based, authoritative and non-partisan style that characterized American journalism in the 20th century. In this interview with the New Books Network, Stephens talks about how Lowell Thomas forged a path as a broadcast celebrity that was later followed by his CBS colleague Edward R. Murrow and such TV anchors as Walter Cronkite, Huntley and Brinkley and Tom Brokaw. Bruce Wark is a freelance journalist and retired journalism professor based in the Canadian town of Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University in Sackville, New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mitchell Stephens‘s new book, The Voice of America: Lowell Thomas and the Invention of 20th Century Journalism (St. Martins Press, 2017), could be described, in part, as an entertaining book of stories about a legendary American storyteller. Stephens, professor of journalism at New York University, traces Lowell Thomas’s long career from his early days in the rough and tumble world of Chicago newspapers to his later fame as one of America’s earliest and longest-running radio newscasters and its first TV news host. Stephens tells how Thomas documented the First World War, weaving together photos, films and his own remarkable gift for oratory in multimedia presentations that he delivered live to two million people in theaters all over the world. It was Lowell Thomas who first reported the war exploits of Lawrence of Arabia, making both T.E. Lawrence and Thomas himself household names. As a journalism historian and author of the previous book, A History of News, Mitchell Stephens argues that Lowell Thomas helped invent the fact-based, authoritative and non-partisan style that characterized American journalism in the 20th century. In this interview with the New Books Network, Stephens talks about how Lowell Thomas forged a path as a broadcast celebrity that was later followed by his CBS colleague Edward R. Murrow and such TV anchors as Walter Cronkite, Huntley and Brinkley and Tom Brokaw. Bruce Wark is a freelance journalist and retired journalism professor based in the Canadian town of Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University in Sackville, New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mitchell Stephens‘s new book, The Voice of America: Lowell Thomas and the Invention of 20th Century Journalism (St. Martins Press, 2017), could be described, in part, as an entertaining book of stories about a legendary American storyteller. Stephens, professor of journalism at New York University, traces Lowell Thomas’s long career from his early days in the rough and tumble world of Chicago newspapers to his later fame as one of America’s earliest and longest-running radio newscasters and its first TV news host. Stephens tells how Thomas documented the First World War, weaving together photos, films and his own remarkable gift for oratory in multimedia presentations that he delivered live to two million people in theaters all over the world. It was Lowell Thomas who first reported the war exploits of Lawrence of Arabia, making both T.E. Lawrence and Thomas himself household names. As a journalism historian and author of the previous book, A History of News, Mitchell Stephens argues that Lowell Thomas helped invent the fact-based, authoritative and non-partisan style that characterized American journalism in the 20th century. In this interview with the New Books Network, Stephens talks about how Lowell Thomas forged a path as a broadcast celebrity that was later followed by his CBS colleague Edward R. Murrow and such TV anchors as Walter Cronkite, Huntley and Brinkley and Tom Brokaw. Bruce Wark is a freelance journalist and retired journalism professor based in the Canadian town of Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University in Sackville, New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mitchell Stephens‘s new book, The Voice of America: Lowell Thomas and the Invention of 20th Century Journalism (St. Martins Press, 2017), could be described, in part, as an entertaining book of stories about a legendary American storyteller. Stephens, professor of journalism at New York University, traces Lowell Thomas’s long career from his early days in the rough and tumble world of Chicago newspapers to his later fame as one of America’s earliest and longest-running radio newscasters and its first TV news host. Stephens tells how Thomas documented the First World War, weaving together photos, films and his own remarkable gift for oratory in multimedia presentations that he delivered live to two million people in theaters all over the world. It was Lowell Thomas who first reported the war exploits of Lawrence of Arabia, making both T.E. Lawrence and Thomas himself household names. As a journalism historian and author of the previous book, A History of News, Mitchell Stephens argues that Lowell Thomas helped invent the fact-based, authoritative and non-partisan style that characterized American journalism in the 20th century. In this interview with the New Books Network, Stephens talks about how Lowell Thomas forged a path as a broadcast celebrity that was later followed by his CBS colleague Edward R. Murrow and such TV anchors as Walter Cronkite, Huntley and Brinkley and Tom Brokaw. Bruce Wark is a freelance journalist and retired journalism professor based in the Canadian town of Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University in Sackville, New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mitchell Stephens‘s new book, The Voice of America: Lowell Thomas and the Invention of 20th Century Journalism (St. Martins Press, 2017), could be described, in part, as an entertaining book of stories about a legendary American storyteller. Stephens, professor of journalism at New York University, traces Lowell Thomas’s long career from his early days in the rough and tumble world of Chicago newspapers to his later fame as one of America’s earliest and longest-running radio newscasters and its first TV news host. Stephens tells how Thomas documented the First World War, weaving together photos, films and his own remarkable gift for oratory in multimedia presentations that he delivered live to two million people in theaters all over the world. It was Lowell Thomas who first reported the war exploits of Lawrence of Arabia, making both T.E. Lawrence and Thomas himself household names. As a journalism historian and author of the previous book, A History of News, Mitchell Stephens argues that Lowell Thomas helped invent the fact-based, authoritative and non-partisan style that characterized American journalism in the 20th century. In this interview with the New Books Network, Stephens talks about how Lowell Thomas forged a path as a broadcast celebrity that was later followed by his CBS colleague Edward R. Murrow and such TV anchors as Walter Cronkite, Huntley and Brinkley and Tom Brokaw. Bruce Wark is a freelance journalist and retired journalism professor based in the Canadian town of Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University in Sackville, New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices