Podcasts about Mutual Broadcasting System

This week we have “Death Comes for Adolf Hitler,” the March 24, 1945, episode of The Mysterious Traveler as it aired over the Mutual Broadcasting System. This episode, airing before Hitler's suicide in a Berlin bunker, imagines a scenario where the Fuhrer attempts to escape aboard a German U-boat. But it appears someone – or something – has other ideas …Visit our website at BrickPickleMedia.com/podcasts. Subscribe to the ad-free version at https://podcasters.spotify.com/pod/show/worldwar2radio/subscribe.

We're back in the theatre again for Jack's birthday week with his hero of Old Time Radio and with our Monday Matinee for the Mutual Present's addition from the Mutual Broadcasting System's classic shows. This week we continue Orson Welles, incredible seven part performance for Mutual of "Les Miserables"! And now, Part Three "The Trial". Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back in the theatre again for Jack's birthday week with his hero of Old Time Radio and with our Monday Matinee for the Mutual Present's addition from the Mutual Broadcasting System's classic shows. This week we continue Orson Welles, incredible seven part performance for Mutual of "Les Miserables"! And now, Part Three "The Trial". Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to Sunday Showcase's Mutual Presents as we continue with another favourite from the Mutual Broadcasting System, our spiritual forefather to the Mutual Audio Network- This week one the Crime Club we feature "Fear Came First" and "Dead Man Control"! Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to Sunday Showcase's Mutual Presents as we continue with another favourite from the Mutual Broadcasting System, our spiritual forefather to the Mutual Audio Network- This week one the Crime Club we feature "Fear Came First" and "Dead Man Control"! Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back in the theatre again with our Monday Matinee for the Mutual Present's addition from the Mutual Broadcasting System's classic shows. This week we continue Orson Welles, incredible seven part performance for Mutual of "Les Miserables"! And now, Part Two! Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back in the theatre again with our Monday Matinee for the Mutual Present's addition from the Mutual Broadcasting System's classic shows. This week we continue Orson Welles, incredible seven part performance for Mutual of "Les Miserables"! And now, Part Two! Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to Sunday Showcase's Mutual Presents as we introduce another favourite from the Mutual Broadcasting System, our spiritual forefather to the Mutual Audio Network- Welcome to "The Crime Club"! The Crime Club aired on the Mutual Broadcasting System as a half-hour weekly radio series, beginning on December 2, 1946 and continuing until October 16, 1947, a run of 47 episodes. It aired on Mondays at 8 p.m. through December and then on Thursdays at 10 p.m. It was also heard on Wednesdays and Sundays on some stations. Each installment was introduced by the series host, The Librarian, portrayed by Barry Thomson and Raymond Edward Johnson (who was perhaps better known as the host of Inner Sanctum Mysteries). The series featured murder and mystery dramas, some of which had already been published by the Doubleday Crime Club. A new Crime Club book was made available to the public each week and distributed though local newsstands and bookstores. Each show in the series began the same way. The telephone rings and the Librarian answers "Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. (name of the program)? Yes, we have that Crime Club story for you. Come right over. (The organist plays a creepy tune). The doorbell chimes. "Ah you're here. Good. Take the easy chair by the window. Comfortable? The book is on this shelf." (The organist plays a scary chord). Here it is - (name of the program, the author and a very brief summary). "Let's look at it under the reading lamp." The Librarian begins reading the prologue for the tale, and another Crime Club offering begins. This week we start things off with "Death Blew Out the Match" and "Mr. Smith's Hat"! Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to Sunday Showcase's Mutual Presents as we introduce another favourite from the Mutual Broadcasting System, our spiritual forefather to the Mutual Audio Network- Welcome to "The Crime Club"! The Crime Club aired on the Mutual Broadcasting System as a half-hour weekly radio series, beginning on December 2, 1946 and continuing until October 16, 1947, a run of 47 episodes. It aired on Mondays at 8 p.m. through December and then on Thursdays at 10 p.m. It was also heard on Wednesdays and Sundays on some stations. Each installment was introduced by the series host, The Librarian, portrayed by Barry Thomson and Raymond Edward Johnson (who was perhaps better known as the host of Inner Sanctum Mysteries). The series featured murder and mystery dramas, some of which had already been published by the Doubleday Crime Club. A new Crime Club book was made available to the public each week and distributed though local newsstands and bookstores. Each show in the series began the same way. The telephone rings and the Librarian answers "Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. (name of the program)? Yes, we have that Crime Club story for you. Come right over. (The organist plays a creepy tune). The doorbell chimes. "Ah you're here. Good. Take the easy chair by the window. Comfortable? The book is on this shelf." (The organist plays a scary chord). Here it is - (name of the program, the author and a very brief summary). "Let's look at it under the reading lamp." The Librarian begins reading the prologue for the tale, and another Crime Club offering begins. This week we start things off with "Death Blew Out the Match" and "Mr. Smith's Hat"! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode was originally released on 11/1/2019. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls Episode 97 we usher in the holiday season with the first of a three-part mini-series on the 1947-48 radio season. The 1947-48 season had the largest radio audience in history. Homes with radios jumped 6%, car radios 29%. The major networks—NBC, CBS, ABC, and the Mutual Broadcasting System added 147 new affiliates. 97% of the nation's AM stations were now linked to one of the big four. Network revenue topped $200 Million. —————————— Highlights: Famine in Europe; Anti-Communism at Home—The World is Changing Boomer Babes Fuel a Ratings Increase The Annual Hollywood Santa Parade Happy Thanksgiving 1947 Breakfast with the Couples Prepping With the Soaps The Answer Man Takes to the Air The Annual Elgin Thanksgiving Special Juvenile Adventure At Dusk Settling Into Prime Time George Burns: French Crooner Casey Gets His Turkey Home is Where the Heart Is Eddie Cantor Has Been Kidnapped Late Night and Looking Ahead —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: Frank and Anne Hummert's Radio Factory - By Jim Cox On the Air - By John Dunning Network Radio Ratings, 1932-53 — by Jim Ramsburg As well as articles from: Broadcasting Magazine: January 20th, 1947; October 27th, 1947; December 1st, 1947 —————————— On the interview front: Jackson Beck, Hans Conried, Staats Cotsworth, John Gibson, Tony Marvin, and Jan Miner were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. These interviews can be heard at GoldenAge-WTIC.org. Chuck Schaden interviewed Ken Carpenter and Les Tremayne. Hear their full chats at SpeakingofRadio.com. While SPERDVAC was with Betty Lou Gerson and Jack Johnstone. For more information, please go to SPERDVAC.com. Barbara Walters interviewed George Burns for 20/20. —————————— Selected Music featured in today's episode was: “Over the River and Through The Woods” — by the US Airforce Band “Holiday On Skis” - by Al Caiola & Riz Ortolani “Joy” - by George Winston “Star of Bethlehem” - by John Williams

Today we have two items from the Mutual Broadcasting System as Americans were still awaiting updates on the surrender of Japan. First, we have a roundtable discussion with several war commentators from August 12, 1945. That is followed by the Mutual news update from August 13, 1945.Visit our website at BrickPickleMedia.com/podcasts. Subscribe to the ad-free version at https://podcasters.spotify.com/pod/show/worldwar2radio/subscribe.

We're back in the theatre again with our Monday Matinee for the Mutual Present's addition from the Mutual Broadcasting System's classic shows. Since "First Nighter" has finished her run, we've begin Orson Welles, incredible seven part performance for Mutual- "Les Miserables"! This week we begin with Part One! Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back in the theatre again with our Monday Matinee for the Mutual Present's addition from the Mutual Broadcasting System's classic shows. Since "First Nighter" has finished her run, we've begin Orson Welles, incredible seven part performance for Mutual- "Les Miserables"! This week we begin with Part One! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey everyone, James Scully here, producer and host of Breaking Walls, the docu-podcast on the history of US Network Radio Broadcasting. I wanted to let you know about a new webinar I'm doing this Thursday July 17th, at 7PM on Orson Welles' early career of Orson Welles through the end of 1941. If you can't make it live this Thursday July 17th at 7PM, don't worry, I'll be emailing every person who registers a video of the webinar once it's over. Here's a link to register: https://www.eventbrite.com/e/orson-welles-career-part-1-from-boy-wonder-to-trouble-maker-webinar-tickets-1445315741289?aff=oddtdtcreator Some more information: Throughout the last one-hundred years of American entertainment, few people have gotten as strong a reaction as Orson Welles. A rare quadruple threat: writer, director, actor, producer, Welles found immense success on stage, in films, on television, and in radio. In fact, he took center stage in the United States on more than one occasion… and not always to a positive reaction, but always with pushing the creative envelope in mind. Welles managed to alienate the newspaper industry, the Hollywood studio system, and occasionally even the broadcasting networks, but he rarely had a door closed in his face. Welles was known to work himself to the bone, and party even harder. He had romances with some of the most famous and attractive women in the country, including Virginia Nicholson, Dolores del Rio, and Rita Hayworth. He was hailed as a genius, a charlatan, a magician, an incredible friend, an a***hole, a hard-driver, a steady worker, and a man who drank too much. Welles liked to joke that he began his career on top and spent the rest of his life working his way down. Such a strong-willed, creative person deserves an in-depth look. In Part 1: From Boy Wonder To Trouble Maker (1931-1941) we'll explore Welles' early life, through his explosion of success in the 1930s all the way to the end of 1941, complete with audio clips and highlights including: • Beginnings in Illinois and China — How they helped shape Orson • The Todd Seminary School — His first exposure to theater and Radio • Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway • Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time • 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio • How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937 • The Shadow Knows! — Agnes Moorehead and Orson Welles' one season on The Shadow • The birth of the Mercury Theater on the Air as First Person singular. How its success led to the most infamous night in radio in October of 1938 • Mainstream success with Campbell's Soups • Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24 • Citizen Kane — How William Randolph Hearst and RKO shaped the film • Lady Esther Presents — Orson comes back to radio in the autumn of 1941 • Pearl Harbor Day and collaborating with Norman Corwin • How Joseph Cotton introduced Orson to Rita Hayworth Afterward, I'll do a Q&A — any and all questions are welcomed and encouraged! Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there!

Welcome back to Mutual Presents! Jack and Penny are back on board with one last adventure from "The Voyage of the Scarlet Queen" and more classic old time radio from the Mutual Broadcasting System with our triple feature "Queen Anne Pistols and the Dealer on King George Road", "Winchester Rifle and the Ambitious Groom", and "Log Of The Black Parrot"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Mutual Presents! Jack and Penny are back on board with one last adventure from "The Voyage of the Scarlet Queen" and more classic old time radio from the Mutual Broadcasting System with our triple feature "Queen Anne Pistols and the Dealer on King George Road", "Winchester Rifle and the Ambitious Groom", and "Log Of The Black Parrot"! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have “No Grave Can Hold Me,” the January 12, 1947, episode of The Mysterious Traveler as it aired over the Mutual Broadcasting System. Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.

Welcome back to Mutual Presents! This week Jack and Penny return to space with a different series and the last original science fiction of the Mutual Broadcasting System. Who knows what evil lurks in the heart of man? The Shadow knows! It's the incredible first hero, The Shadow with "The Death House Rescue" and "The Temple Bells of Neban". Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Mutual Presents! This week Jack and Penny return to space with a different series and the last original science fiction of the Mutual Broadcasting System. Who knows what evil lurks in the heart of man? The Shadow knows! It's the incredible first hero, The Shadow with "The Death House Rescue" and "The Temple Bells of Neban". Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back with Mutual Presents and another series of misadventures with Adventures with Maisie double-feature with "Fontaine's Phony Talent Scout Racket" and "Maisie The Financial Counselor" from the Mutual Broadcasting System... Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back with Mutual Presents and another series of misadventures with Adventures with Maisie double-feature with "Fontaine's Phony Talent Scout Racket" and "Maisie The Financial Counselor" from the Mutual Broadcasting System... Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Mutual Presents! Jack and Penny are back on board with another double feature from "The Voyage of the Scarlet Queen" and more classic old time radio from the Mutual Broadcasting System with the double feature of adventure with "The Pegleg Skipper and the Iberian Blade" and "Rocky III and the Dead Man's Chest"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Mutual Presents! Jack and Penny are back on board with another double feature from "The Voyage of the Scarlet Queen" and more classic old time radio from the Mutual Broadcasting System with the double feature of adventure with "The Pegleg Skipper and the Iberian Blade" and "Rocky III and the Dead Man's Chest"! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode was originally released on 8/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls episode 82 we focus on the state of the radio broadcasting industry in the late 1930s and early 1940s, as Broadcasting booms while the world goes to War.  Highlights: • Early days at NBC's Radio City in New York • How Press Associations caused NBC and CBS to launch a news service • The Birth of the Mutual Broadcasting System and their Struggles • NBC Red and NBC Blue • The FCC and US Justice Department Get Involved with Radio • The Murrow Boys and Encroaching War in Europe • The War Comes Home • NBC sells The Blue Network • Norman Corwin and His World War II Work • Bing Crosby, Philco Radios, and Network Transcription • The Talent Raids of 1949 The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • The General: David Sarnoff & The Rise of the Communications Industry - by Kenneth Bilby • The Encyclopedia of Old-Time Radio - by John Dunning • Beating The Odds: The Untold Story Behind the Rise of ABC - by Leonard H. Goldenson with Marvin J. Wolf • Empire: William S. Paley & The Making of CBS - by Lewis J. Paper • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling As well as four articles from the archives of TIME Magazine: • HAPPY BIRTHDAY MBS - September 15, 1941 • Old Law v. New Thing - January 12, 1942 • Black & Blue - January 11, 1943 • Network Without Ulcers - April 21, 1947 Norman Corwin was with Chuck Schaden on August 8th, 1976. You can stream this interview and many others for free on Chuck's site, Speakingofradio.com Selected Music featured in today's Episode was: • Rudy Vallee - Brother Can You Spare A Dime • Jaqueline Schwab - The Minstrel Boy & The Battle Cry for Freedom • Bing Crosby - Blues in the Night & Don't Fence Me in with The Andrews Sisters

This week we have “The Good Die Young,” the February 27, 1944, episode of The Mysterious Traveler as it aired over the Mutual Broadcasting System. Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.

This episode was originally released on 5/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls Episode 79, we present a detailed look at Orson Welles' radio career through the end of 1941. Highlights: • Beginnings in Illinois and China — How they helped shape Orson • The Todd Seminary School — His first exposure to theater and Radio • Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway • Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time • 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio • How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937
 • The Shadow Knows! — Agnes Moorehead and Orson Welles' one season on The Shadow • The birth of the Mercury Theater on the Air as First Person singular. • How it's success led to the most infamous night in radio in October of 1938 • Mainstream success with Campbell's Soups • Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24 • Citizen Kane — How William Randolph Hearst and RKO shaped the film • Lady Esther Presents — Orson comes back to radio in the autumn of 1941 • Pearl Harbor Day and collaborating with Norman Corwin • Joseph Cotton introduces Orson to Rita Hayworth The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • Citizen Welles: A Biography of Orson Welles by Frank Brady • This is Orson Welles by Welles and Peter Bogdanovich • The Encyclopedia of Old-Time Radio by John Dunning • Discovering Orson Welles by Jonathan Rosenbaum Other materials included: • http://www.wellesnet.com - an incredibly comprehensive website on Orson's career • Orson Welles on the Air, 1938-1946 at https://orsonwelles.indiana.edu • The Radio Preservation Task Force also has a great Facebook group headed by Josh Shepperd Selected Interviews in this episode were: • Orson Welles with Dick Cavett, Johnny Carson, and Huw Wheldon, • Agnes Moorehead and Alan Reed were with radio Hall of Fame Member Chuck Schaden, who interviewed over 200 members of the radio community during his 39 year career. Chuck's interviews can be streamed for free at SpeakingofRadio.com. • William Robson was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio in January of 1976 and Kenny Delmare was with John Dunning in 1983. Those interviews can be found at the Old Time Radio Researcher's Group at Otrrlibrary.org • William Herz was with Walden Hughes and John and Larry Gassman in 2013 for their program on the Yesterday USA Radio Network, which you can visit at http://www.yesterdayusa.com.

This episode was originally released on 3/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. —————————— In Breaking Walls Episode 77 we pick up our story on the history of American radio broadcasting, as a few ramshackle radio stations become large national networks, giving rise to an entire generation of entertainment giants during the roaring 1920s. Highlights: • July 2, 1921— Jack Dempsey defends his heavyweight boxing title in front of 80,000 fans as RCA broadcasts the event Closed Circuit to over 300,000 fans. Its the first broadcast of its kind. • The Radio Craze begins as almost 600 stations sign on in 1922 • Herbert Hoover tries to better organize the radio dial and put small stations out of business • AT&T's attempt to monopolize radio broadcasting • The formation of the National Broadcasting Company • The Radio Act of 1927 • William S. Paley buys The Columbia Broadcasting System and turns it into a 2nd major network • Rudy Vallee becomes radio's first mega-star • Chicago becomes radio's 2nd capital • Hollywood's radio recording rise in the late 1930s • The Mutual Broadcasting System is formed—The Shadow debuts • War, once again, comes to Europe The reading material for today's episode was: • The Rise of Radio, From Marconi through The Golden Age by Alfred Balk • Inventing American Broadcasting 1899-1922 by Susan J. Douglas • The Encyclopedia of Old-Time Radio by John Dunning • A Pictorial History of Radio's First 75 Years by B. Eric Rhoads • Hello Everybody! The Dawn of American Radio by Anthony Rudel & • The Network by Scott Woolley Featured on today's show were interviews conducted by Dick Bertel and the late Ed Corcoran and numerous others for Westinghouse, CBS, and NBC. Harold Arlin's was interviewed by author J. Fred McDonald for his book Don't Touch That Dial.

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them.Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m.Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!"George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character.The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

This week we have “Strange New World,” the February 19, 1952, episode of The Mysterious Traveler as it aired over the Mutual Broadcasting System. Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them.Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m.Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!"George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character.The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

This week, we have The Black Figurine of Death, an episode of The Hall of Fantasy that first aired in January 1953, syndicated by the Mutual Broadcasting System. Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.

The new theme song for the hit podcast Big Conversations, Little Bar with Patrick Evans and Randy Florence from the Mutual Broadcasting System

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them. Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m. Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!" George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character. The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them. Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m. Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!" George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character. The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

Support Breaking Walls at https://www.patreon.com/thewallbreakers The General Mills sponsored Lone Ranger from WXYZ in Detroit first began airing on January 31st, 1933. The next year it became one of the cornerstone programs which led to the formation of the Mutual Broadcasting System. The show moved to the Blue Network in 1942 and would remain on the network after it became ABC in 1945. The Christmas Day, 1944 episode was entitled, “A Present for Janey.”

Join Patrick Evans and Randy Florence on this week's episode of Big Conversations, Little Bar as they sit down with Lisa May, former iconic voice from the Kevin & Bean Show and now a successful private weight-training coach in Palm Desert. Podcasting from the cozy corner booth at Skip Paige's Little Bar, they delve into Lisa's fascinating journey from radio stardom to fitness entrepreneurship. Discover how Lisa's slow-motion, high-intensity strength training method at The Strength Code can transform your workout experience. Lisa shares behind-the-scenes insights from her radio days, including memorable (and infamous) moments with celebrity guests. Don't miss this engaging conversation that is both humorous and heartfelt, brought to you by the McCallum Theatre on the Mutual Broadcasting System.Takeaways:• Transition from Radio to Fitness: Lisa May, a former radio personality from the Kevin & Bean Show, successfully transitioned to a career in fitness by founding The Strength Code, a private strength training business in Palm Desert.• Slow-Motion, High-Intensity Training: The Strength Code utilizes a unique workout approach focusing on slow-motion, high-intensity strength training to maximize muscle stimulation while minimizing injury risk.• Personal Motivation: Lisa found her passion for this type of training during her time in radio, appreciating its effectiveness and efficiency, which fit into her busy schedule.• Adaptability and Change: After a long career in radio, Lisa embraced change and turned a passion into a business, showcasing her adaptability and entrepreneurial spirit.• Memorable Radio Career: Lisa shared stories of her time in radio, highlighting the unpredictable and entertaining nature of live broadcasting, including infamous celebrity encounters.• Community Engagement: Lisa's training studio attracts a diverse clientele, ranging in age and fitness level, emphasizing a personalized approach to strength training.• The End of an Era: The interview touches on the changing landscape of radio, with Lisa recounting how industry shifts and services like Waze impacted the need for radio traffic reports.• Public Reception and Legacy: Despite the challenges she faced, including her eventual departure from radio, Lisa's legacy continues through her loyal fanbase and her vibrant career in fitness.#BigConversationsLittleBar #PodcastEpisode #LisaMay #RadioToFitness #KevinAndBean #StrengthCode #PalmDesert #PatrickEvans #RandyFlorence #McCallumTheatre #MutualBroadcastingSystem #CelebrityInterview #FitnessJourney #Entrepreneurship #RadioStories #HighIntensityTraining #SlowMotionWorkout #PodcastFun #SkipsLittleBar