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Political Scientists Jack Greenberg (Yale University) and John Dearborn (Vanderbilt University) have a new book that focuses on the idea of presidential self-restraint and the ways in which the U.S. Congress has tried to design Executive positions with an eye towards making real this dimension of presidential norms. The concept of presidential self-restraint is a component of how the president uses his/her executive powers: that the president has a certain expanse of power and chooses, based on a variety of reasons or outcomes, to husband some of that power, or restrain its use. Because presidential self-restraint is particularly hard to divine, especially in how presidents think about the execution of their powers, Greenberg and Dearborn turned to congressional considerations that essentially take into account this idea. Congress has spent quite a lot of time over the past fifty years (since Watergate) in designing appointed positions within the Executive branch in such a way as to flesh out a kind of restraint on the president's part. In so doing, Congress has attempted different means to insulate individuals/positions from potential abuse by a president. Congressional Expectations of Presidential Self-Restraint integrates a number of case studies of congressional action on presidential appointments to examine this push and pull between the legislative and executive branches. As the issue of self-restraint has become more pressing, Greenberg and Dearborn sketch out three foundational shifts that provides the framework for the way that Congress has tried to insulate executive positions, and the ways in which Congress has acknowledged the tension around depending on presidential self-restraint. The issues of political polarization, especially as demonstrated by congressional co-partisans with the president, the Supreme Court's growing commitment to constitutional formalism and unilateralism in the Executive, and Congress's unwillingness to defend its own powers and assert those powers all contribute to this conundrum of a reliance on presidential self-restraint that is often caught up in an expansion of the use of executive powers. The case studies provided demonstrate this conundrum and help us to see just how Congress tried to structure self-restraint into a number of different appointments and how presidents have tried to work around those constraints, some more successfully than others. This is a brief but complex analysis of the current dynamic between the president and Article II powers, the U.S. Congress's evaporating powers, and the Supreme Court's complicit role in fortifying an expansive understanding of presidential power. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022) and The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Scientists Jack Greenberg (Yale University) and John Dearborn (Vanderbilt University) have a new book that focuses on the idea of presidential self-restraint and the ways in which the U.S. Congress has tried to design Executive positions with an eye towards making real this dimension of presidential norms. The concept of presidential self-restraint is a component of how the president uses his/her executive powers: that the president has a certain expanse of power and chooses, based on a variety of reasons or outcomes, to husband some of that power, or restrain its use. Because presidential self-restraint is particularly hard to divine, especially in how presidents think about the execution of their powers, Greenberg and Dearborn turned to congressional considerations that essentially take into account this idea. Congress has spent quite a lot of time over the past fifty years (since Watergate) in designing appointed positions within the Executive branch in such a way as to flesh out a kind of restraint on the president's part. In so doing, Congress has attempted different means to insulate individuals/positions from potential abuse by a president. Congressional Expectations of Presidential Self-Restraint integrates a number of case studies of congressional action on presidential appointments to examine this push and pull between the legislative and executive branches. As the issue of self-restraint has become more pressing, Greenberg and Dearborn sketch out three foundational shifts that provides the framework for the way that Congress has tried to insulate executive positions, and the ways in which Congress has acknowledged the tension around depending on presidential self-restraint. The issues of political polarization, especially as demonstrated by congressional co-partisans with the president, the Supreme Court's growing commitment to constitutional formalism and unilateralism in the Executive, and Congress's unwillingness to defend its own powers and assert those powers all contribute to this conundrum of a reliance on presidential self-restraint that is often caught up in an expansion of the use of executive powers. The case studies provided demonstrate this conundrum and help us to see just how Congress tried to structure self-restraint into a number of different appointments and how presidents have tried to work around those constraints, some more successfully than others. This is a brief but complex analysis of the current dynamic between the president and Article II powers, the U.S. Congress's evaporating powers, and the Supreme Court's complicit role in fortifying an expansive understanding of presidential power. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022) and The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Political Scientists Jack Greenberg (Yale University) and John Dearborn (Vanderbilt University) have a new book that focuses on the idea of presidential self-restraint and the ways in which the U.S. Congress has tried to design Executive positions with an eye towards making real this dimension of presidential norms. The concept of presidential self-restraint is a component of how the president uses his/her executive powers: that the president has a certain expanse of power and chooses, based on a variety of reasons or outcomes, to husband some of that power, or restrain its use. Because presidential self-restraint is particularly hard to divine, especially in how presidents think about the execution of their powers, Greenberg and Dearborn turned to congressional considerations that essentially take into account this idea. Congress has spent quite a lot of time over the past fifty years (since Watergate) in designing appointed positions within the Executive branch in such a way as to flesh out a kind of restraint on the president's part. In so doing, Congress has attempted different means to insulate individuals/positions from potential abuse by a president. Congressional Expectations of Presidential Self-Restraint integrates a number of case studies of congressional action on presidential appointments to examine this push and pull between the legislative and executive branches. As the issue of self-restraint has become more pressing, Greenberg and Dearborn sketch out three foundational shifts that provides the framework for the way that Congress has tried to insulate executive positions, and the ways in which Congress has acknowledged the tension around depending on presidential self-restraint. The issues of political polarization, especially as demonstrated by congressional co-partisans with the president, the Supreme Court's growing commitment to constitutional formalism and unilateralism in the Executive, and Congress's unwillingness to defend its own powers and assert those powers all contribute to this conundrum of a reliance on presidential self-restraint that is often caught up in an expansion of the use of executive powers. The case studies provided demonstrate this conundrum and help us to see just how Congress tried to structure self-restraint into a number of different appointments and how presidents have tried to work around those constraints, some more successfully than others. This is a brief but complex analysis of the current dynamic between the president and Article II powers, the U.S. Congress's evaporating powers, and the Supreme Court's complicit role in fortifying an expansive understanding of presidential power. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022) and The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Political Scientists Jack Greenberg (Yale University) and John Dearborn (Vanderbilt University) have a new book that focuses on the idea of presidential self-restraint and the ways in which the U.S. Congress has tried to design Executive positions with an eye towards making real this dimension of presidential norms. The concept of presidential self-restraint is a component of how the president uses his/her executive powers: that the president has a certain expanse of power and chooses, based on a variety of reasons or outcomes, to husband some of that power, or restrain its use. Because presidential self-restraint is particularly hard to divine, especially in how presidents think about the execution of their powers, Greenberg and Dearborn turned to congressional considerations that essentially take into account this idea. Congress has spent quite a lot of time over the past fifty years (since Watergate) in designing appointed positions within the Executive branch in such a way as to flesh out a kind of restraint on the president's part. In so doing, Congress has attempted different means to insulate individuals/positions from potential abuse by a president. Congressional Expectations of Presidential Self-Restraint integrates a number of case studies of congressional action on presidential appointments to examine this push and pull between the legislative and executive branches. As the issue of self-restraint has become more pressing, Greenberg and Dearborn sketch out three foundational shifts that provides the framework for the way that Congress has tried to insulate executive positions, and the ways in which Congress has acknowledged the tension around depending on presidential self-restraint. The issues of political polarization, especially as demonstrated by congressional co-partisans with the president, the Supreme Court's growing commitment to constitutional formalism and unilateralism in the Executive, and Congress's unwillingness to defend its own powers and assert those powers all contribute to this conundrum of a reliance on presidential self-restraint that is often caught up in an expansion of the use of executive powers. The case studies provided demonstrate this conundrum and help us to see just how Congress tried to structure self-restraint into a number of different appointments and how presidents have tried to work around those constraints, some more successfully than others. This is a brief but complex analysis of the current dynamic between the president and Article II powers, the U.S. Congress's evaporating powers, and the Supreme Court's complicit role in fortifying an expansive understanding of presidential power. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022) and The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

Political Scientists Jack Greenberg (Yale University) and John Dearborn (Vanderbilt University) have a new book that focuses on the idea of presidential self-restraint and the ways in which the U.S. Congress has tried to design Executive positions with an eye towards making real this dimension of presidential norms. The concept of presidential self-restraint is a component of how the president uses his/her executive powers: that the president has a certain expanse of power and chooses, based on a variety of reasons or outcomes, to husband some of that power, or restrain its use. Because presidential self-restraint is particularly hard to divine, especially in how presidents think about the execution of their powers, Greenberg and Dearborn turned to congressional considerations that essentially take into account this idea. Congress has spent quite a lot of time over the past fifty years (since Watergate) in designing appointed positions within the Executive branch in such a way as to flesh out a kind of restraint on the president's part. In so doing, Congress has attempted different means to insulate individuals/positions from potential abuse by a president. Congressional Expectations of Presidential Self-Restraint integrates a number of case studies of congressional action on presidential appointments to examine this push and pull between the legislative and executive branches. As the issue of self-restraint has become more pressing, Greenberg and Dearborn sketch out three foundational shifts that provides the framework for the way that Congress has tried to insulate executive positions, and the ways in which Congress has acknowledged the tension around depending on presidential self-restraint. The issues of political polarization, especially as demonstrated by congressional co-partisans with the president, the Supreme Court's growing commitment to constitutional formalism and unilateralism in the Executive, and Congress's unwillingness to defend its own powers and assert those powers all contribute to this conundrum of a reliance on presidential self-restraint that is often caught up in an expansion of the use of executive powers. The case studies provided demonstrate this conundrum and help us to see just how Congress tried to structure self-restraint into a number of different appointments and how presidents have tried to work around those constraints, some more successfully than others. This is a brief but complex analysis of the current dynamic between the president and Article II powers, the U.S. Congress's evaporating powers, and the Supreme Court's complicit role in fortifying an expansive understanding of presidential power. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022) and The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

To join our Mega Orderers Club, and get ad free listening, early episode releases, bonus content and exclusive access to live events, visit https://disorder.supportingcast.fm/  In institutional design, the US justice system is more independent than its European counterparts. Even though the US President selects his Attorney General, a corrupt President can be dealt with not only via impeachment, but in Principal through independent special counsels pursing justice while avoiding potential conflicts of interest. And yet… from Hillary's emails to Trump's possible collusion with Russia and promotion of an insurrection, the Special Prosecutor system hasn't worked as it should. And now despite all those checks and balances, we have a weaponized justice, with a more political DOJ under Pam Bondi being used to pursue revenge against Trump's enemies.  How did we get to here? Why can't the American system – designed with the most checks and balances -- work to hold power to account?   To find out, Jason is joined this week by Elie Honig, senior legal analyst for CNN and author of When You Come at the King: Inside DOJ's Pursuit of the President, from Nixon to Trump. This episode is brought to you in partnership with the New Books Network. They discuss the legal details of Watergate, Hillary Clinton's emailgate, the Mueller investigation, and Jan 6. As they order the disorder, Elie and Jason consider whether and how the system can be reformed, and the importance of courage and integrity within the justice system. Producer: George McDonagh Subscribe to our Substack - https://natoandtheged.substack.com/ Disorder on YouTube - https://www.youtube.com/@DisorderShow Show Notes Links: Join the Mega Orderers Club via this link: ⁠https://disorder.supportingcast.fm/⁠ For more on our New Books Network partnership visit ⁠https://newbooksnetwork.com/category/up-partners/disorder⁠  Buy When You Come at the King: Inside DOJ's Pursuit of the President, from Nixon to Trump by Elie Honig ⁠https://www.amazon.co.uk/When-You-Come-King-President/dp/0063447363⁠  Read Why The Supreme Court Might Strike Down Trumps Tariffs ⁠https://nymag.com/intelligencer/article/why-the-supreme-court-might-strike-down-trumps-tariffs.html⁠ Read The John Bolton Indictment Is Different ⁠https://www.msn.com/en-us/news/opinion/the-john-bolton-indictment-is-different/ar-AA1OESRh?apiversion=v2&domshim=1&noservercache=1&noservertelemetry=1&batchservertelemetry=1&renderwebcomponents=1&wcseo=1⁠ Watch Elie Honig on the Lincoln Project ⁠https://www.youtube.com/watch?v=vSEytVs2Er4⁠  Read a review of Elie's book at ⁠https://www.kirkusreviews.com/book-reviews/elie-honig/when-you-come-at-the-king/⁠  Another take on Elie's book ⁠https://historynerdsunited.com/2025/09/when-you-come-at-the-king-by-elie-honig-book-review/⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout the centuries and into the present day, the Gospel of John has indelibly shaped Christian theology and thinkers in significant ways, but major new questions are being raised about the genesis of that gospel, its relationship to other Christian writings and influences, and especially the masked identity of its author. In The Gospel of John: A New History (Oxford University Press, 2025), Hugo Méndez presents a provocative new thesis that the Fourth Gospel was produced under false authorial pretenses, in a period after the distribution of the preceding Synoptic Gospels, to propound not just a high Logos-Christology amenable to trends in prevailing Jewish and Greco-Roman philosophy from the first century CE, but also its author's stark new vision of salvation in which believers could participate in Christ's exaltation and deification in the present. To plot out his new history and as a reintroduction to the New Testament's Johannine literature, Dr. Méndez joined the New Books Network recently to discuss John's relationship to the historical Jesus and other early Christian writings, the “invented” identity of the Fourth Gospel's “beloved disciple,” the gospel's later attribution to John of Zebedee in the church fathers, and the “afterlives” of the “beloved disciple” as a letter and treatise writer in canonical and extracanonical Christian texts. For a 30% discount on Dr. Mendez's The Gospel of John: A New History from Oxford University Press, use code AUFLY30. Hugo Méndez (Ph.D., University of Georgia, 2013) is Associate Professor in Ancient Mediterranean Religions at the University of North Carolina at Chapel Hill, where he teaches New Testament and Early Christianity. His research interests include the Gospel and Epistles of John and the reception of biblical texts, figures, and images in late antiquity. He has published multiple books, including The Cult of Stephen in Jerusalem (Oxford UP, 2022) and the most recent edition of a popular introductory textbook about The New Testament (8th ed.; Oxford UP, 2023), co-authored with Bart D. Ehrman. His research has also been featured in the Journal of Biblical Literature, the Journal of Early Christian Studies, and New Testament Studies, among other prominent venues, and in his spare time, he enjoys cooking and spending time outdoors with his family. For more on Hugo's work and research interests, visit his website at https://www.hugomendez.com/. Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books/Bloomsbury, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at https://www.robheaton.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout the centuries and into the present day, the Gospel of John has indelibly shaped Christian theology and thinkers in significant ways, but major new questions are being raised about the genesis of that gospel, its relationship to other Christian writings and influences, and especially the masked identity of its author. In The Gospel of John: A New History (Oxford University Press, 2025), Hugo Méndez presents a provocative new thesis that the Fourth Gospel was produced under false authorial pretenses, in a period after the distribution of the preceding Synoptic Gospels, to propound not just a high Logos-Christology amenable to trends in prevailing Jewish and Greco-Roman philosophy from the first century CE, but also its author's stark new vision of salvation in which believers could participate in Christ's exaltation and deification in the present. To plot out his new history and as a reintroduction to the New Testament's Johannine literature, Dr. Méndez joined the New Books Network recently to discuss John's relationship to the historical Jesus and other early Christian writings, the “invented” identity of the Fourth Gospel's “beloved disciple,” the gospel's later attribution to John of Zebedee in the church fathers, and the “afterlives” of the “beloved disciple” as a letter and treatise writer in canonical and extracanonical Christian texts. For a 30% discount on Dr. Mendez's The Gospel of John: A New History from Oxford University Press, use code AUFLY30. Hugo Méndez (Ph.D., University of Georgia, 2013) is Associate Professor in Ancient Mediterranean Religions at the University of North Carolina at Chapel Hill, where he teaches New Testament and Early Christianity. His research interests include the Gospel and Epistles of John and the reception of biblical texts, figures, and images in late antiquity. He has published multiple books, including The Cult of Stephen in Jerusalem (Oxford UP, 2022) and the most recent edition of a popular introductory textbook about The New Testament (8th ed.; Oxford UP, 2023), co-authored with Bart D. Ehrman. His research has also been featured in the Journal of Biblical Literature, the Journal of Early Christian Studies, and New Testament Studies, among other prominent venues, and in his spare time, he enjoys cooking and spending time outdoors with his family. For more on Hugo's work and research interests, visit his website at https://www.hugomendez.com/. Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books/Bloomsbury, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at https://www.robheaton.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biblical-studies

Throughout the centuries and into the present day, the Gospel of John has indelibly shaped Christian theology and thinkers in significant ways, but major new questions are being raised about the genesis of that gospel, its relationship to other Christian writings and influences, and especially the masked identity of its author. In The Gospel of John: A New History (Oxford University Press, 2025), Hugo Méndez presents a provocative new thesis that the Fourth Gospel was produced under false authorial pretenses, in a period after the distribution of the preceding Synoptic Gospels, to propound not just a high Logos-Christology amenable to trends in prevailing Jewish and Greco-Roman philosophy from the first century CE, but also its author's stark new vision of salvation in which believers could participate in Christ's exaltation and deification in the present. To plot out his new history and as a reintroduction to the New Testament's Johannine literature, Dr. Méndez joined the New Books Network recently to discuss John's relationship to the historical Jesus and other early Christian writings, the “invented” identity of the Fourth Gospel's “beloved disciple,” the gospel's later attribution to John of Zebedee in the church fathers, and the “afterlives” of the “beloved disciple” as a letter and treatise writer in canonical and extracanonical Christian texts. For a 30% discount on Dr. Mendez's The Gospel of John: A New History from Oxford University Press, use code AUFLY30. Hugo Méndez (Ph.D., University of Georgia, 2013) is Associate Professor in Ancient Mediterranean Religions at the University of North Carolina at Chapel Hill, where he teaches New Testament and Early Christianity. His research interests include the Gospel and Epistles of John and the reception of biblical texts, figures, and images in late antiquity. He has published multiple books, including The Cult of Stephen in Jerusalem (Oxford UP, 2022) and the most recent edition of a popular introductory textbook about The New Testament (8th ed.; Oxford UP, 2023), co-authored with Bart D. Ehrman. His research has also been featured in the Journal of Biblical Literature, the Journal of Early Christian Studies, and New Testament Studies, among other prominent venues, and in his spare time, he enjoys cooking and spending time outdoors with his family. For more on Hugo's work and research interests, visit his website at https://www.hugomendez.com/. Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books/Bloomsbury, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at https://www.robheaton.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Throughout the centuries and into the present day, the Gospel of John has indelibly shaped Christian theology and thinkers in significant ways, but major new questions are being raised about the genesis of that gospel, its relationship to other Christian writings and influences, and especially the masked identity of its author. In The Gospel of John: A New History (Oxford University Press, 2025), Hugo Méndez presents a provocative new thesis that the Fourth Gospel was produced under false authorial pretenses, in a period after the distribution of the preceding Synoptic Gospels, to propound not just a high Logos-Christology amenable to trends in prevailing Jewish and Greco-Roman philosophy from the first century CE, but also its author's stark new vision of salvation in which believers could participate in Christ's exaltation and deification in the present. To plot out his new history and as a reintroduction to the New Testament's Johannine literature, Dr. Méndez joined the New Books Network recently to discuss John's relationship to the historical Jesus and other early Christian writings, the “invented” identity of the Fourth Gospel's “beloved disciple,” the gospel's later attribution to John of Zebedee in the church fathers, and the “afterlives” of the “beloved disciple” as a letter and treatise writer in canonical and extracanonical Christian texts. For a 30% discount on Dr. Mendez's The Gospel of John: A New History from Oxford University Press, use code AUFLY30. Hugo Méndez (Ph.D., University of Georgia, 2013) is Associate Professor in Ancient Mediterranean Religions at the University of North Carolina at Chapel Hill, where he teaches New Testament and Early Christianity. His research interests include the Gospel and Epistles of John and the reception of biblical texts, figures, and images in late antiquity. He has published multiple books, including The Cult of Stephen in Jerusalem (Oxford UP, 2022) and the most recent edition of a popular introductory textbook about The New Testament (8th ed.; Oxford UP, 2023), co-authored with Bart D. Ehrman. His research has also been featured in the Journal of Biblical Literature, the Journal of Early Christian Studies, and New Testament Studies, among other prominent venues, and in his spare time, he enjoys cooking and spending time outdoors with his family. For more on Hugo's work and research interests, visit his website at https://www.hugomendez.com/. Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books/Bloomsbury, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at https://www.robheaton.com.

Beloved baker and author Gesine Bullock-Prado returns to the New Books Network to chat about her delicious new cookbook, My Harvest Kitchen, the highly anticipated follow-up to her best-selling My Vermont Table. This time, she invites us back into her kitchen to celebrate the beauty of cooking with the seasons. From the tender crunch of just-picked lettuce to the simple perfection of Aunt Sis's Tomato Sandwich, Bullock-Prado's recipes remind us that good food starts with what's fresh and local, whether it comes from your own garden, a farmers' market, or the neighborhood grocery store. There's even a revelatory recipe for perfect fries (spoiler: they're brined and twice-fried). In this lively conversation, Gesine shares her thoughts on growing food, understanding soil, and cultivating a real connection to the ingredients we use. She's candid about her dream of full-on homesteading and the reality checks along the way, offering an encouraging, down-to-earth perspective for anyone who loves the idea of living closer to the land. Her stories, like her recipes, are full of humor, heart, and honesty, and they'll leave you inspired to savor whatever's in season, wherever you are. Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Beloved baker and author Gesine Bullock-Prado returns to the New Books Network to chat about her delicious new cookbook, My Harvest Kitchen, the highly anticipated follow-up to her best-selling My Vermont Table. This time, she invites us back into her kitchen to celebrate the beauty of cooking with the seasons. From the tender crunch of just-picked lettuce to the simple perfection of Aunt Sis's Tomato Sandwich, Bullock-Prado's recipes remind us that good food starts with what's fresh and local, whether it comes from your own garden, a farmers' market, or the neighborhood grocery store. There's even a revelatory recipe for perfect fries (spoiler: they're brined and twice-fried). In this lively conversation, Gesine shares her thoughts on growing food, understanding soil, and cultivating a real connection to the ingredients we use. She's candid about her dream of full-on homesteading and the reality checks along the way, offering an encouraging, down-to-earth perspective for anyone who loves the idea of living closer to the land. Her stories, like her recipes, are full of humor, heart, and honesty, and they'll leave you inspired to savor whatever's in season, wherever you are. Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

My Dinner with Andre (1981) is a film that uses the simple premise of two men sharing a meal as a vehicle for exploration of how we should live our lives. It asks fundamental questions about happiness and self-fulfillment that it doesn't wholly answer. The Trip (2010) uses the same premise as a way to dramatize two men earnestly debating who does the better impressions of Michael Caine, Al Pacino, and Sean Connery. But for all its playground sensibility, The Trip is not without ideas regarding how friendships are formed and sustained. Join us for a conversation about the real reason why men befriend each other and what they want from each other. Hint: it's not sympathy, high regard, or a non-judgmental ear. If watching The Trip makes you want to make a reservation at your favorite spot, you may want to first read Adam Reiner's The New Rules of Dining Out: An Insider's Guide to Enjoying Restaurants. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

My Dinner with Andre (1981) is a film that uses the simple premise of two men sharing a meal as a vehicle for exploration of how we should live our lives. It asks fundamental questions about happiness and self-fulfillment that it doesn't wholly answer. The Trip (2010) uses the same premise as a way to dramatize two men earnestly debating who does the better impressions of Michael Caine, Al Pacino, and Sean Connery. But for all its playground sensibility, The Trip is not without ideas regarding how friendships are formed and sustained. Join us for a conversation about the real reason why men befriend each other and what they want from each other. Hint: it's not sympathy, high regard, or a non-judgmental ear. If watching The Trip makes you want to make a reservation at your favorite spot, you may want to first read Adam Reiner's The New Rules of Dining Out: An Insider's Guide to Enjoying Restaurants. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

In Indigenizing Japan: Ainu Past, Present, and Future (University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition. Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy. Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide. Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Indigenizing Japan: Ainu Past, Present, and Future (University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition. Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy. Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide. Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In Indigenizing Japan: Ainu Past, Present, and Future (University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition. Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy. Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide. Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

In Indigenizing Japan: Ainu Past, Present, and Future (University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition. Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy. Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide. Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Indigenizing Japan: Ainu Past, Present, and Future (University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition. Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy. Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide. Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

In Indigenizing Japan: Ainu Past, Present, and Future (University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition. Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy. Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide. Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

"I'll tell you everything I know. Though there might not be much to tell," confesses the speaker in Strange Hymn: Poems (U Mass Press, 2025) by Carlene Kucharczyk, in a meticulously crafted lyrical journey exploring morality and humanity. The poems here grapple with understanding physical loss: "I wanted / to know at once and definitively our animal bodies / were not all we were. It is shameful to be this fragile." They also engage with the more abstract slipping away of memory and time: "Since I was born, I have been forgetting. Forgetting what I have wanted to remember." Kucharczyk's insightful poems blur the lines between history and myth, love and grief, song and silence.Caught between lamenting the passage of time and rejoicing in small beauties, she writes, "I tell you, I wish we could stay here longer / in this hotel of lost grandeur, this palace of interesting disarray, / and stay here with these pieces of the impersonal past / that have somehow not yet outlasted their small lights." Each moment reflects on our ephemeral lives from musings on art and nature to reflections on the self, asking "Is a mirror a sort of glass house? / And, is there a way to see ourselves besides through the glass?"As readers traverse this collection, they learn how the body sings, the many iterations of Mary, what sirens truly think of Odysseus, how a Morning Glory unfurls, and lessons in orthodontics, but most importantly, how to live with absence. Kucharczyk is a master of manipulating time and space through her dynamic use of form, creating a narrative that begs, "After I'm gone, don't bury my body-- / Burn it, and turn it into song." Source: Publisher Kavya Sarathy is a Linguistics student at the University of Massachusetts, Amherst, and a Marketing Intern for the University of Massachusetts Press. She is currently a political Staff Writer at The Massachusetts Daily Collegian. Kavya has always enjoyed reading, writing, and engaging with literature in any form, and is thrilled to be in conversation with these authors through the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"I'll tell you everything I know. Though there might not be much to tell," confesses the speaker in Strange Hymn: Poems (U Mass Press, 2025) by Carlene Kucharczyk, in a meticulously crafted lyrical journey exploring morality and humanity. The poems here grapple with understanding physical loss: "I wanted / to know at once and definitively our animal bodies / were not all we were. It is shameful to be this fragile." They also engage with the more abstract slipping away of memory and time: "Since I was born, I have been forgetting. Forgetting what I have wanted to remember." Kucharczyk's insightful poems blur the lines between history and myth, love and grief, song and silence.Caught between lamenting the passage of time and rejoicing in small beauties, she writes, "I tell you, I wish we could stay here longer / in this hotel of lost grandeur, this palace of interesting disarray, / and stay here with these pieces of the impersonal past / that have somehow not yet outlasted their small lights." Each moment reflects on our ephemeral lives from musings on art and nature to reflections on the self, asking "Is a mirror a sort of glass house? / And, is there a way to see ourselves besides through the glass?"As readers traverse this collection, they learn how the body sings, the many iterations of Mary, what sirens truly think of Odysseus, how a Morning Glory unfurls, and lessons in orthodontics, but most importantly, how to live with absence. Kucharczyk is a master of manipulating time and space through her dynamic use of form, creating a narrative that begs, "After I'm gone, don't bury my body-- / Burn it, and turn it into song." Source: Publisher Kavya Sarathy is a Linguistics student at the University of Massachusetts, Amherst, and a Marketing Intern for the University of Massachusetts Press. She is currently a political Staff Writer at The Massachusetts Daily Collegian. Kavya has always enjoyed reading, writing, and engaging with literature in any form, and is thrilled to be in conversation with these authors through the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

AI is changing democracy. We still get to decide how.AI's impact on democracy will go far beyond headline-grabbing political deepfakes and automated misinformation. Everywhere it will be used, it will create risks and opportunities to shake up long-standing power structures.In this highly readable and advisedly optimistic book, Rewiring Democracy: How AI Will Transform Our Politics, Government, and Citizenship (MIT Press, 2025), security technologist Bruce Schneier and data scientist Nathan Sanders cut through the AI hype and examine the myriad ways that AI is transforming every aspect of democracy—for both good and ill.The authors describe how the sophistication of AI will fulfill demands from lawmakers for more complex legislation, reducing deference to the executive branch and altering the balance of power between lawmakers and administrators. They show how the scale and scope of AI is enhancing civil servants' ability to shape private-sector behavior, automating either the enforcement or neglect of industry regulations. They also explain how both lawyers and judges will leverage the speed of AI, upending how we think about law enforcement, litigation, and dispute resolution.Whether these outcomes enhance or degrade democracy depends on how we shape the development and use of AI technologies. Powerful players in private industry and public life are already using AI to increase their influence, and AIs built by corporations don't deliver the fairness and trust required by democratic governance. But, steered in the right direction, AI's broad capabilities can augment democratic processes and help citizens build consensus, express their voice, and shake up long-standing power structures.Democracy is facing new challenges worldwide, and AI has become a part of that. It can inform, empower, and engage citizens. It can also disinform, disempower, and disengage them. The choice is up to us. Schneier and Sanders blaze the path forward, showing us how we can use AI to make democracy stronger and more participatory. Nathan E. Sanders is a data scientist focused on making policymaking more participatory. His research spans machine learning, astrophysics, public health, environmental justice, and more. He has served in fellowships at the Massachusetts legislature and the Berkman-Klein Center at Harvard University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

AI is changing democracy. We still get to decide how.AI's impact on democracy will go far beyond headline-grabbing political deepfakes and automated misinformation. Everywhere it will be used, it will create risks and opportunities to shake up long-standing power structures.In this highly readable and advisedly optimistic book, Rewiring Democracy: How AI Will Transform Our Politics, Government, and Citizenship (MIT Press, 2025), security technologist Bruce Schneier and data scientist Nathan Sanders cut through the AI hype and examine the myriad ways that AI is transforming every aspect of democracy—for both good and ill.The authors describe how the sophistication of AI will fulfill demands from lawmakers for more complex legislation, reducing deference to the executive branch and altering the balance of power between lawmakers and administrators. They show how the scale and scope of AI is enhancing civil servants' ability to shape private-sector behavior, automating either the enforcement or neglect of industry regulations. They also explain how both lawyers and judges will leverage the speed of AI, upending how we think about law enforcement, litigation, and dispute resolution.Whether these outcomes enhance or degrade democracy depends on how we shape the development and use of AI technologies. Powerful players in private industry and public life are already using AI to increase their influence, and AIs built by corporations don't deliver the fairness and trust required by democratic governance. But, steered in the right direction, AI's broad capabilities can augment democratic processes and help citizens build consensus, express their voice, and shake up long-standing power structures.Democracy is facing new challenges worldwide, and AI has become a part of that. It can inform, empower, and engage citizens. It can also disinform, disempower, and disengage them. The choice is up to us. Schneier and Sanders blaze the path forward, showing us how we can use AI to make democracy stronger and more participatory. Nathan E. Sanders is a data scientist focused on making policymaking more participatory. His research spans machine learning, astrophysics, public health, environmental justice, and more. He has served in fellowships at the Massachusetts legislature and the Berkman-Klein Center at Harvard University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

AI is changing democracy. We still get to decide how.AI's impact on democracy will go far beyond headline-grabbing political deepfakes and automated misinformation. Everywhere it will be used, it will create risks and opportunities to shake up long-standing power structures.In this highly readable and advisedly optimistic book, Rewiring Democracy: How AI Will Transform Our Politics, Government, and Citizenship (MIT Press, 2025), security technologist Bruce Schneier and data scientist Nathan Sanders cut through the AI hype and examine the myriad ways that AI is transforming every aspect of democracy—for both good and ill.The authors describe how the sophistication of AI will fulfill demands from lawmakers for more complex legislation, reducing deference to the executive branch and altering the balance of power between lawmakers and administrators. They show how the scale and scope of AI is enhancing civil servants' ability to shape private-sector behavior, automating either the enforcement or neglect of industry regulations. They also explain how both lawyers and judges will leverage the speed of AI, upending how we think about law enforcement, litigation, and dispute resolution.Whether these outcomes enhance or degrade democracy depends on how we shape the development and use of AI technologies. Powerful players in private industry and public life are already using AI to increase their influence, and AIs built by corporations don't deliver the fairness and trust required by democratic governance. But, steered in the right direction, AI's broad capabilities can augment democratic processes and help citizens build consensus, express their voice, and shake up long-standing power structures.Democracy is facing new challenges worldwide, and AI has become a part of that. It can inform, empower, and engage citizens. It can also disinform, disempower, and disengage them. The choice is up to us. Schneier and Sanders blaze the path forward, showing us how we can use AI to make democracy stronger and more participatory. Nathan E. Sanders is a data scientist focused on making policymaking more participatory. His research spans machine learning, astrophysics, public health, environmental justice, and more. He has served in fellowships at the Massachusetts legislature and the Berkman-Klein Center at Harvard University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

AI is changing democracy. We still get to decide how.AI's impact on democracy will go far beyond headline-grabbing political deepfakes and automated misinformation. Everywhere it will be used, it will create risks and opportunities to shake up long-standing power structures.In this highly readable and advisedly optimistic book, Rewiring Democracy: How AI Will Transform Our Politics, Government, and Citizenship (MIT Press, 2025), security technologist Bruce Schneier and data scientist Nathan Sanders cut through the AI hype and examine the myriad ways that AI is transforming every aspect of democracy—for both good and ill.The authors describe how the sophistication of AI will fulfill demands from lawmakers for more complex legislation, reducing deference to the executive branch and altering the balance of power between lawmakers and administrators. They show how the scale and scope of AI is enhancing civil servants' ability to shape private-sector behavior, automating either the enforcement or neglect of industry regulations. They also explain how both lawyers and judges will leverage the speed of AI, upending how we think about law enforcement, litigation, and dispute resolution.Whether these outcomes enhance or degrade democracy depends on how we shape the development and use of AI technologies. Powerful players in private industry and public life are already using AI to increase their influence, and AIs built by corporations don't deliver the fairness and trust required by democratic governance. But, steered in the right direction, AI's broad capabilities can augment democratic processes and help citizens build consensus, express their voice, and shake up long-standing power structures.Democracy is facing new challenges worldwide, and AI has become a part of that. It can inform, empower, and engage citizens. It can also disinform, disempower, and disengage them. The choice is up to us. Schneier and Sanders blaze the path forward, showing us how we can use AI to make democracy stronger and more participatory. Nathan E. Sanders is a data scientist focused on making policymaking more participatory. His research spans machine learning, astrophysics, public health, environmental justice, and more. He has served in fellowships at the Massachusetts legislature and the Berkman-Klein Center at Harvard University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

AI is changing democracy. We still get to decide how.AI's impact on democracy will go far beyond headline-grabbing political deepfakes and automated misinformation. Everywhere it will be used, it will create risks and opportunities to shake up long-standing power structures.In this highly readable and advisedly optimistic book, Rewiring Democracy: How AI Will Transform Our Politics, Government, and Citizenship (MIT Press, 2025), security technologist Bruce Schneier and data scientist Nathan Sanders cut through the AI hype and examine the myriad ways that AI is transforming every aspect of democracy—for both good and ill.The authors describe how the sophistication of AI will fulfill demands from lawmakers for more complex legislation, reducing deference to the executive branch and altering the balance of power between lawmakers and administrators. They show how the scale and scope of AI is enhancing civil servants' ability to shape private-sector behavior, automating either the enforcement or neglect of industry regulations. They also explain how both lawyers and judges will leverage the speed of AI, upending how we think about law enforcement, litigation, and dispute resolution.Whether these outcomes enhance or degrade democracy depends on how we shape the development and use of AI technologies. Powerful players in private industry and public life are already using AI to increase their influence, and AIs built by corporations don't deliver the fairness and trust required by democratic governance. But, steered in the right direction, AI's broad capabilities can augment democratic processes and help citizens build consensus, express their voice, and shake up long-standing power structures.Democracy is facing new challenges worldwide, and AI has become a part of that. It can inform, empower, and engage citizens. It can also disinform, disempower, and disengage them. The choice is up to us. Schneier and Sanders blaze the path forward, showing us how we can use AI to make democracy stronger and more participatory. Nathan E. Sanders is a data scientist focused on making policymaking more participatory. His research spans machine learning, astrophysics, public health, environmental justice, and more. He has served in fellowships at the Massachusetts legislature and the Berkman-Klein Center at Harvard University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

AI is changing democracy. We still get to decide how.AI's impact on democracy will go far beyond headline-grabbing political deepfakes and automated misinformation. Everywhere it will be used, it will create risks and opportunities to shake up long-standing power structures.In this highly readable and advisedly optimistic book, Rewiring Democracy: How AI Will Transform Our Politics, Government, and Citizenship (MIT Press, 2025), security technologist Bruce Schneier and data scientist Nathan Sanders cut through the AI hype and examine the myriad ways that AI is transforming every aspect of democracy—for both good and ill.The authors describe how the sophistication of AI will fulfill demands from lawmakers for more complex legislation, reducing deference to the executive branch and altering the balance of power between lawmakers and administrators. They show how the scale and scope of AI is enhancing civil servants' ability to shape private-sector behavior, automating either the enforcement or neglect of industry regulations. They also explain how both lawyers and judges will leverage the speed of AI, upending how we think about law enforcement, litigation, and dispute resolution.Whether these outcomes enhance or degrade democracy depends on how we shape the development and use of AI technologies. Powerful players in private industry and public life are already using AI to increase their influence, and AIs built by corporations don't deliver the fairness and trust required by democratic governance. But, steered in the right direction, AI's broad capabilities can augment democratic processes and help citizens build consensus, express their voice, and shake up long-standing power structures.Democracy is facing new challenges worldwide, and AI has become a part of that. It can inform, empower, and engage citizens. It can also disinform, disempower, and disengage them. The choice is up to us. Schneier and Sanders blaze the path forward, showing us how we can use AI to make democracy stronger and more participatory. Nathan E. Sanders is a data scientist focused on making policymaking more participatory. His research spans machine learning, astrophysics, public health, environmental justice, and more. He has served in fellowships at the Massachusetts legislature and the Berkman-Klein Center at Harvard University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

AI is changing democracy. We still get to decide how.AI's impact on democracy will go far beyond headline-grabbing political deepfakes and automated misinformation. Everywhere it will be used, it will create risks and opportunities to shake up long-standing power structures.In this highly readable and advisedly optimistic book, Rewiring Democracy: How AI Will Transform Our Politics, Government, and Citizenship (MIT Press, 2025), security technologist Bruce Schneier and data scientist Nathan Sanders cut through the AI hype and examine the myriad ways that AI is transforming every aspect of democracy—for both good and ill.The authors describe how the sophistication of AI will fulfill demands from lawmakers for more complex legislation, reducing deference to the executive branch and altering the balance of power between lawmakers and administrators. They show how the scale and scope of AI is enhancing civil servants' ability to shape private-sector behavior, automating either the enforcement or neglect of industry regulations. They also explain how both lawyers and judges will leverage the speed of AI, upending how we think about law enforcement, litigation, and dispute resolution.Whether these outcomes enhance or degrade democracy depends on how we shape the development and use of AI technologies. Powerful players in private industry and public life are already using AI to increase their influence, and AIs built by corporations don't deliver the fairness and trust required by democratic governance. But, steered in the right direction, AI's broad capabilities can augment democratic processes and help citizens build consensus, express their voice, and shake up long-standing power structures.Democracy is facing new challenges worldwide, and AI has become a part of that. It can inform, empower, and engage citizens. It can also disinform, disempower, and disengage them. The choice is up to us. Schneier and Sanders blaze the path forward, showing us how we can use AI to make democracy stronger and more participatory. Nathan E. Sanders is a data scientist focused on making policymaking more participatory. His research spans machine learning, astrophysics, public health, environmental justice, and more. He has served in fellowships at the Massachusetts legislature and the Berkman-Klein Center at Harvard University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Propagandhi formed in 1986 in Portage la Prairie, Manitoba, Canada and are now based in Winnipeg. Their outspoken influence and consistency in anti-fascist, animal-friendly, gay-positive, and pro-feminist ideas have inspired thousands of hardcore, thrash metal and punk rock music fans across four decades. Unscripted Moments: A Podcast About Propagandhi began in 2020 as a fan-made song-by-song podcast exploring each release by the band. The podcast also features bonus episodes about touring, recording and more with friends, fans and collaborators from throughout the bands musical career. Among the hundreds of episodes about the band's music are more than fifteen hours of candid interviews with past and present members of Propagandhi recorded between 2020 and 2025. The conversations vary widely in topic and discuss songwriting, touring stories, favourite cover songs and side projects, as well as personal hobbies and interests of the band members. These edited interviews with Chris Hannah, Jord Samolesky, John Samson Fellows, Todd Kowalski, David Guillas, and Sulynn Hago span the career of the band from their earliest demos through to the recording of their eighth album, At Peace, released in May 2025. Propagandhi has released music with G7 Welcoming Committee, Recess Records, Fat Wreck Chords, and Epitaph Records. The 200+ episodes of Unscripted Moments: A Podcast About Propagandhi have been downloaded more than half a million times and are available to stream everywhere podcasts are available. Greg Soden is the host of 'Unscripted Moments: A Podcast About Propagandhi' and a super-fan of the band, with whom he worked to put together this book of candid conversations over the last five years. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, images of cartels, security agents donning face coverings, graphs depicting egregious murder rates, and military guards at US border crossings influence the world's perception of Mexico. Mexico's so-called drug war, as generally conceived by journalists and academics, was the product of recent cartel turf wars, the end of the PRI's single party rule in 2000, and enhanced US border security measures post-9/11. These explanations are compelling, but they overlook state actions beginning in the 1970s that set the foundation for drug violence over the longer term. In Policing on Drugs: The United States, Mexico, and the Origins of the Modern Drug War, 1969-2000 (Oxford University Press, 2025), Aileen Teague chronicles a largely ignored but critical prehistory of intensified bilateral antidrug efforts by exploring their origins and inherent contradictions in Mexico. Beginning in the 1960s, US leaders externalized their aggressive domestic drug control practices by forcing junior partners such as Mexico into adopting their policies. Leaders on both sides of the border situated counternarcotics within a larger paradigm of militarized policing, which increased the power and influence of the military and aggressive counternarcotics in both countries. However, different security imperatives motivated US and Mexican agents, complicating enforcement in Mexico. Between 1969 and 2000, Mexico's embrace of America's punitive antidrug policies strengthened the coercive capacities of the Mexican state, exacerbated crime, and were so ineffective in an era of open trade blocs that they hastened the expansion of the drug trade. Drawing on such sources as records from the Drug Enforcement Administration (DEA), the US State Department, interviews with key officials, accounts from Mexican journalists, and rarely seen Mexican intelligence reports, Teague relates the war on drugs as a transnational story with deep historical roots in US and Mexican conceptions of policing and security. The negative impacts of US-led counternarcotics policies in Mexico can be attributed to the complex relationship between the United States' and Mexico's shared approach to the drug war--with critical implications for present-day relations. Aileen Teague is an Assistant Professor of International Affairs at the Bush School of Government and Public Service at Texas A&M University. She is a former Marine Corps officer and a fellow at the Quincy Institute for Responsible Statecraft. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, images of cartels, security agents donning face coverings, graphs depicting egregious murder rates, and military guards at US border crossings influence the world's perception of Mexico. Mexico's so-called drug war, as generally conceived by journalists and academics, was the product of recent cartel turf wars, the end of the PRI's single party rule in 2000, and enhanced US border security measures post-9/11. These explanations are compelling, but they overlook state actions beginning in the 1970s that set the foundation for drug violence over the longer term. In Policing on Drugs: The United States, Mexico, and the Origins of the Modern Drug War, 1969-2000 (Oxford University Press, 2025), Aileen Teague chronicles a largely ignored but critical prehistory of intensified bilateral antidrug efforts by exploring their origins and inherent contradictions in Mexico. Beginning in the 1960s, US leaders externalized their aggressive domestic drug control practices by forcing junior partners such as Mexico into adopting their policies. Leaders on both sides of the border situated counternarcotics within a larger paradigm of militarized policing, which increased the power and influence of the military and aggressive counternarcotics in both countries. However, different security imperatives motivated US and Mexican agents, complicating enforcement in Mexico. Between 1969 and 2000, Mexico's embrace of America's punitive antidrug policies strengthened the coercive capacities of the Mexican state, exacerbated crime, and were so ineffective in an era of open trade blocs that they hastened the expansion of the drug trade. Drawing on such sources as records from the Drug Enforcement Administration (DEA), the US State Department, interviews with key officials, accounts from Mexican journalists, and rarely seen Mexican intelligence reports, Teague relates the war on drugs as a transnational story with deep historical roots in US and Mexican conceptions of policing and security. The negative impacts of US-led counternarcotics policies in Mexico can be attributed to the complex relationship between the United States' and Mexico's shared approach to the drug war--with critical implications for present-day relations. Aileen Teague is an Assistant Professor of International Affairs at the Bush School of Government and Public Service at Texas A&M University. She is a former Marine Corps officer and a fellow at the Quincy Institute for Responsible Statecraft. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Today, images of cartels, security agents donning face coverings, graphs depicting egregious murder rates, and military guards at US border crossings influence the world's perception of Mexico. Mexico's so-called drug war, as generally conceived by journalists and academics, was the product of recent cartel turf wars, the end of the PRI's single party rule in 2000, and enhanced US border security measures post-9/11. These explanations are compelling, but they overlook state actions beginning in the 1970s that set the foundation for drug violence over the longer term. In Policing on Drugs: The United States, Mexico, and the Origins of the Modern Drug War, 1969-2000 (Oxford University Press, 2025), Aileen Teague chronicles a largely ignored but critical prehistory of intensified bilateral antidrug efforts by exploring their origins and inherent contradictions in Mexico. Beginning in the 1960s, US leaders externalized their aggressive domestic drug control practices by forcing junior partners such as Mexico into adopting their policies. Leaders on both sides of the border situated counternarcotics within a larger paradigm of militarized policing, which increased the power and influence of the military and aggressive counternarcotics in both countries. However, different security imperatives motivated US and Mexican agents, complicating enforcement in Mexico. Between 1969 and 2000, Mexico's embrace of America's punitive antidrug policies strengthened the coercive capacities of the Mexican state, exacerbated crime, and were so ineffective in an era of open trade blocs that they hastened the expansion of the drug trade. Drawing on such sources as records from the Drug Enforcement Administration (DEA), the US State Department, interviews with key officials, accounts from Mexican journalists, and rarely seen Mexican intelligence reports, Teague relates the war on drugs as a transnational story with deep historical roots in US and Mexican conceptions of policing and security. The negative impacts of US-led counternarcotics policies in Mexico can be attributed to the complex relationship between the United States' and Mexico's shared approach to the drug war--with critical implications for present-day relations. Aileen Teague is an Assistant Professor of International Affairs at the Bush School of Government and Public Service at Texas A&M University. She is a former Marine Corps officer and a fellow at the Quincy Institute for Responsible Statecraft. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Today, images of cartels, security agents donning face coverings, graphs depicting egregious murder rates, and military guards at US border crossings influence the world's perception of Mexico. Mexico's so-called drug war, as generally conceived by journalists and academics, was the product of recent cartel turf wars, the end of the PRI's single party rule in 2000, and enhanced US border security measures post-9/11. These explanations are compelling, but they overlook state actions beginning in the 1970s that set the foundation for drug violence over the longer term. In Policing on Drugs: The United States, Mexico, and the Origins of the Modern Drug War, 1969-2000 (Oxford University Press, 2025), Aileen Teague chronicles a largely ignored but critical prehistory of intensified bilateral antidrug efforts by exploring their origins and inherent contradictions in Mexico. Beginning in the 1960s, US leaders externalized their aggressive domestic drug control practices by forcing junior partners such as Mexico into adopting their policies. Leaders on both sides of the border situated counternarcotics within a larger paradigm of militarized policing, which increased the power and influence of the military and aggressive counternarcotics in both countries. However, different security imperatives motivated US and Mexican agents, complicating enforcement in Mexico. Between 1969 and 2000, Mexico's embrace of America's punitive antidrug policies strengthened the coercive capacities of the Mexican state, exacerbated crime, and were so ineffective in an era of open trade blocs that they hastened the expansion of the drug trade. Drawing on such sources as records from the Drug Enforcement Administration (DEA), the US State Department, interviews with key officials, accounts from Mexican journalists, and rarely seen Mexican intelligence reports, Teague relates the war on drugs as a transnational story with deep historical roots in US and Mexican conceptions of policing and security. The negative impacts of US-led counternarcotics policies in Mexico can be attributed to the complex relationship between the United States' and Mexico's shared approach to the drug war--with critical implications for present-day relations. Aileen Teague is an Assistant Professor of International Affairs at the Bush School of Government and Public Service at Texas A&M University. She is a former Marine Corps officer and a fellow at the Quincy Institute for Responsible Statecraft. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Today, images of cartels, security agents donning face coverings, graphs depicting egregious murder rates, and military guards at US border crossings influence the world's perception of Mexico. Mexico's so-called drug war, as generally conceived by journalists and academics, was the product of recent cartel turf wars, the end of the PRI's single party rule in 2000, and enhanced US border security measures post-9/11. These explanations are compelling, but they overlook state actions beginning in the 1970s that set the foundation for drug violence over the longer term. In Policing on Drugs: The United States, Mexico, and the Origins of the Modern Drug War, 1969-2000 (Oxford University Press, 2025), Aileen Teague chronicles a largely ignored but critical prehistory of intensified bilateral antidrug efforts by exploring their origins and inherent contradictions in Mexico. Beginning in the 1960s, US leaders externalized their aggressive domestic drug control practices by forcing junior partners such as Mexico into adopting their policies. Leaders on both sides of the border situated counternarcotics within a larger paradigm of militarized policing, which increased the power and influence of the military and aggressive counternarcotics in both countries. However, different security imperatives motivated US and Mexican agents, complicating enforcement in Mexico. Between 1969 and 2000, Mexico's embrace of America's punitive antidrug policies strengthened the coercive capacities of the Mexican state, exacerbated crime, and were so ineffective in an era of open trade blocs that they hastened the expansion of the drug trade. Drawing on such sources as records from the Drug Enforcement Administration (DEA), the US State Department, interviews with key officials, accounts from Mexican journalists, and rarely seen Mexican intelligence reports, Teague relates the war on drugs as a transnational story with deep historical roots in US and Mexican conceptions of policing and security. The negative impacts of US-led counternarcotics policies in Mexico can be attributed to the complex relationship between the United States' and Mexico's shared approach to the drug war--with critical implications for present-day relations. Aileen Teague is an Assistant Professor of International Affairs at the Bush School of Government and Public Service at Texas A&M University. She is a former Marine Corps officer and a fellow at the Quincy Institute for Responsible Statecraft. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Propagandhi formed in 1986 in Portage la Prairie, Manitoba, Canada and are now based in Winnipeg. Their outspoken influence and consistency in anti-fascist, animal-friendly, gay-positive, and pro-feminist ideas have inspired thousands of hardcore, thrash metal and punk rock music fans across four decades. Unscripted Moments: A Podcast About Propagandhi began in 2020 as a fan-made song-by-song podcast exploring each release by the band. The podcast also features bonus episodes about touring, recording and more with friends, fans and collaborators from throughout the bands musical career. Among the hundreds of episodes about the band's music are more than fifteen hours of candid interviews with past and present members of Propagandhi recorded between 2020 and 2025. The conversations vary widely in topic and discuss songwriting, touring stories, favourite cover songs and side projects, as well as personal hobbies and interests of the band members. These edited interviews with Chris Hannah, Jord Samolesky, John Samson Fellows, Todd Kowalski, David Guillas, and Sulynn Hago span the career of the band from their earliest demos through to the recording of their eighth album, At Peace, released in May 2025. Propagandhi has released music with G7 Welcoming Committee, Recess Records, Fat Wreck Chords, and Epitaph Records. The 200+ episodes of Unscripted Moments: A Podcast About Propagandhi have been downloaded more than half a million times and are available to stream everywhere podcasts are available. Greg Soden is the host of 'Unscripted Moments: A Podcast About Propagandhi' and a super-fan of the band, with whom he worked to put together this book of candid conversations over the last five years. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Today, images of cartels, security agents donning face coverings, graphs depicting egregious murder rates, and military guards at US border crossings influence the world's perception of Mexico. Mexico's so-called drug war, as generally conceived by journalists and academics, was the product of recent cartel turf wars, the end of the PRI's single party rule in 2000, and enhanced US border security measures post-9/11. These explanations are compelling, but they overlook state actions beginning in the 1970s that set the foundation for drug violence over the longer term. In Policing on Drugs: The United States, Mexico, and the Origins of the Modern Drug War, 1969-2000 (Oxford University Press, 2025), Aileen Teague chronicles a largely ignored but critical prehistory of intensified bilateral antidrug efforts by exploring their origins and inherent contradictions in Mexico. Beginning in the 1960s, US leaders externalized their aggressive domestic drug control practices by forcing junior partners such as Mexico into adopting their policies. Leaders on both sides of the border situated counternarcotics within a larger paradigm of militarized policing, which increased the power and influence of the military and aggressive counternarcotics in both countries. However, different security imperatives motivated US and Mexican agents, complicating enforcement in Mexico. Between 1969 and 2000, Mexico's embrace of America's punitive antidrug policies strengthened the coercive capacities of the Mexican state, exacerbated crime, and were so ineffective in an era of open trade blocs that they hastened the expansion of the drug trade. Drawing on such sources as records from the Drug Enforcement Administration (DEA), the US State Department, interviews with key officials, accounts from Mexican journalists, and rarely seen Mexican intelligence reports, Teague relates the war on drugs as a transnational story with deep historical roots in US and Mexican conceptions of policing and security. The negative impacts of US-led counternarcotics policies in Mexico can be attributed to the complex relationship between the United States' and Mexico's shared approach to the drug war--with critical implications for present-day relations. Aileen Teague is an Assistant Professor of International Affairs at the Bush School of Government and Public Service at Texas A&M University. She is a former Marine Corps officer and a fellow at the Quincy Institute for Responsible Statecraft. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Today, images of cartels, security agents donning face coverings, graphs depicting egregious murder rates, and military guards at US border crossings influence the world's perception of Mexico. Mexico's so-called drug war, as generally conceived by journalists and academics, was the product of recent cartel turf wars, the end of the PRI's single party rule in 2000, and enhanced US border security measures post-9/11. These explanations are compelling, but they overlook state actions beginning in the 1970s that set the foundation for drug violence over the longer term. In Policing on Drugs: The United States, Mexico, and the Origins of the Modern Drug War, 1969-2000 (Oxford University Press, 2025), Aileen Teague chronicles a largely ignored but critical prehistory of intensified bilateral antidrug efforts by exploring their origins and inherent contradictions in Mexico. Beginning in the 1960s, US leaders externalized their aggressive domestic drug control practices by forcing junior partners such as Mexico into adopting their policies. Leaders on both sides of the border situated counternarcotics within a larger paradigm of militarized policing, which increased the power and influence of the military and aggressive counternarcotics in both countries. However, different security imperatives motivated US and Mexican agents, complicating enforcement in Mexico. Between 1969 and 2000, Mexico's embrace of America's punitive antidrug policies strengthened the coercive capacities of the Mexican state, exacerbated crime, and were so ineffective in an era of open trade blocs that they hastened the expansion of the drug trade. Drawing on such sources as records from the Drug Enforcement Administration (DEA), the US State Department, interviews with key officials, accounts from Mexican journalists, and rarely seen Mexican intelligence reports, Teague relates the war on drugs as a transnational story with deep historical roots in US and Mexican conceptions of policing and security. The negative impacts of US-led counternarcotics policies in Mexico can be attributed to the complex relationship between the United States' and Mexico's shared approach to the drug war--with critical implications for present-day relations. Aileen Teague is an Assistant Professor of International Affairs at the Bush School of Government and Public Service at Texas A&M University. She is a former Marine Corps officer and a fellow at the Quincy Institute for Responsible Statecraft. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

The views expressed by the guest are their own and do not reflect those of the New Books Network or its hosts. This episode contains some content that listeners may find controversial. A home cook's guide to one of America's most diverse - and delicious - cuisines, from James Beard Award-winning author and culinary historian Michael W. Twitty 'Our cuisine, with its grits and black-eyed peas, crab cakes, red rice, and endless variations on the staple foods of the region, casts a spell that, if you're lucky, gets passed down with snapping string beans at the table and chewing cane on the back porch.' - Michael W. Twitty In the introduction to this groundbreaking recipe collection, acclaimed historian Michael W. Twitty declares, 'No one state or area can give you the breadth of the Southern story or fully set the Southern table.' To answer this, Recipes from the American South journeys from the Louisiana Bayou to the Chesapeake Bay, showcasing more than 260 of the region's most beloved dishes. Across more than 400 pages, Twitty explores the broad culinary sweep that Southern history and its many cultures represent. Recipes for breads and biscuits, mains and sides, stews, sauces, and sweets feature insightful headnotes and clear, step-by-step instructions. Home cooks will discover both iconic dishes and lesser-known specialties: Chicken and Dumplings, She-crab Soup, Red Eye Gravy, Benne Seed Wafers, Hummingbird Cake, and Mint Juleps appear alongside Shrimp Pilau, Chorizo Dirty Rice, Sumac Lemonade, and Cajun Pig's Ears Pastry. A masterful storyteller, Twitty enriches his extensive recipe collection with lyrical, deeply researched essays that celebrate the region's "multicultural gumbo" of influences from immigrants from across the globe. Vibrant food photography adds further color to the fascinating narrative. Expansive, authoritative, and beautifully designed, Recipes from the American South is a classic cookbook in the making. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The views expressed by the guest are their own and do not reflect those of the New Books Network or its hosts. This episode contains some content that listeners may find controversial. A home cook's guide to one of America's most diverse - and delicious - cuisines, from James Beard Award-winning author and culinary historian Michael W. Twitty 'Our cuisine, with its grits and black-eyed peas, crab cakes, red rice, and endless variations on the staple foods of the region, casts a spell that, if you're lucky, gets passed down with snapping string beans at the table and chewing cane on the back porch.' - Michael W. Twitty In the introduction to this groundbreaking recipe collection, acclaimed historian Michael W. Twitty declares, 'No one state or area can give you the breadth of the Southern story or fully set the Southern table.' To answer this, Recipes from the American South journeys from the Louisiana Bayou to the Chesapeake Bay, showcasing more than 260 of the region's most beloved dishes. Across more than 400 pages, Twitty explores the broad culinary sweep that Southern history and its many cultures represent. Recipes for breads and biscuits, mains and sides, stews, sauces, and sweets feature insightful headnotes and clear, step-by-step instructions. Home cooks will discover both iconic dishes and lesser-known specialties: Chicken and Dumplings, She-crab Soup, Red Eye Gravy, Benne Seed Wafers, Hummingbird Cake, and Mint Juleps appear alongside Shrimp Pilau, Chorizo Dirty Rice, Sumac Lemonade, and Cajun Pig's Ears Pastry. A masterful storyteller, Twitty enriches his extensive recipe collection with lyrical, deeply researched essays that celebrate the region's "multicultural gumbo" of influences from immigrants from across the globe. Vibrant food photography adds further color to the fascinating narrative. Expansive, authoritative, and beautifully designed, Recipes from the American South is a classic cookbook in the making. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The views expressed by the guest are their own and do not reflect those of the New Books Network or its hosts. This episode contains some content that listeners may find controversial. A home cook's guide to one of America's most diverse - and delicious - cuisines, from James Beard Award-winning author and culinary historian Michael W. Twitty 'Our cuisine, with its grits and black-eyed peas, crab cakes, red rice, and endless variations on the staple foods of the region, casts a spell that, if you're lucky, gets passed down with snapping string beans at the table and chewing cane on the back porch.' - Michael W. Twitty In the introduction to this groundbreaking recipe collection, acclaimed historian Michael W. Twitty declares, 'No one state or area can give you the breadth of the Southern story or fully set the Southern table.' To answer this, Recipes from the American South journeys from the Louisiana Bayou to the Chesapeake Bay, showcasing more than 260 of the region's most beloved dishes. Across more than 400 pages, Twitty explores the broad culinary sweep that Southern history and its many cultures represent. Recipes for breads and biscuits, mains and sides, stews, sauces, and sweets feature insightful headnotes and clear, step-by-step instructions. Home cooks will discover both iconic dishes and lesser-known specialties: Chicken and Dumplings, She-crab Soup, Red Eye Gravy, Benne Seed Wafers, Hummingbird Cake, and Mint Juleps appear alongside Shrimp Pilau, Chorizo Dirty Rice, Sumac Lemonade, and Cajun Pig's Ears Pastry. A masterful storyteller, Twitty enriches his extensive recipe collection with lyrical, deeply researched essays that celebrate the region's "multicultural gumbo" of influences from immigrants from across the globe. Vibrant food photography adds further color to the fascinating narrative. Expansive, authoritative, and beautifully designed, Recipes from the American South is a classic cookbook in the making. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Bradley Morgan's U2: Until the End of the World (Gemini Books, 2025) celebrates fifty years of U2 with a career-spanning retrospective featuring more than 150 images that trace the band's journey from Dublin pubs to sold-out arena tours. Morgan delves into the history of U2, offering an intimate look at their formation and the evolution of their unique sound. From Boy and The Joshua Tree to Achtung Baby and beyond, the book captures how each album marked a creative turning point and cemented U2's place as musical pioneers. Through vivid photography and thoughtful storytelling, Morgan highlights the band's artistic growth and commitment to social activism. From Live Aid to Amnesty International, U2's impact on global causes is as significant as their musical legacy. Readers also gain a rare glimpse into the lives of Bono, The Edge, Adam Clayton, and Larry Mullen Jr., as individuals, collaborators, and lifelong friends behind one of the most influential bands in the world. A music journalist and media arts professional, Bradley Morgan is the director of CHIRP Radio 107.1 FM's music film festival, manages partnerships for the station, and serves on the associate board of the Art Institute of Chicago's Gene Siskel Film Center. He also interviews authors of music and pop culture books for the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts