Podcasts about The Simpsons

Giga Bytes Podcast #390 Hoy hablamos de varios rumores pre Game Awards, la saga de Wb y Mucho más!!! Paramount inicia adquisición hostil de WB por $108b Metroid Prime 4: Beyond Lego Batman Legacy of the Dark Knight a los Game Awards Black Friday 2025: PS5 Domina, mejor semana para PS5 Pro desde su lanzamiento US: PS5 1St (47%), Switch 2 2nd (24%), NEX Playground 3rd (14%) UK: PS5 1st (62%), Switch 2 2nd (23%), 3rd Xbox Series (10%) Phantom Blade Zero a recibir nuevo trailer y fecha de lanzamiento durante los Game Awards Teaser trailer Supergirl esta semana (TGAs?) Kojima: no sabe si OD funcionara, Physnit buscando nuevos gimicks para el titulo The Boys a lanza última temporada el 8 de abril Resident Evil Requiem a lanzar nuevo trailer en los Game Awards Severance S3 a comenzar filmacion de abril a diciembre 2026, lanza verano 2027 Euphoria S3 abril 2026 Star Wars A New Hope 50 anniversary Theatrical a cines Febrero 19 2027 Endgame regresa a Cines Sept 25, 2026, rumor nuevo post credit Katsuhiro Harada se ira de Bandai Namco luego de 30 anos Pelicula de los Simpsons se mueve a 9-3-2027 Peaky Blinders The Immortal Man a cines marzo 6 (limitado) marzo 20 en Netflix Bad Robot Games y Playstation Studios se unen para publicar primer título desarrollado internamente (4P Coop) Romeo is a Dead Man lanzara Feb 11 2026 PS/XB/PC Judas: (Ken Levine) Recibe Update en PS Blog Justin Lin (Fast & Furious) a dirigir película de Helldivers ]Sigueme y Suscribete: Facebook.com/elgiga Youtube.com/elgiga947 Instagram.com/elgiga947                                                                                                                                    Twitch.tv/elgiga947 Twitter.com/elgiga947 Giga Bytes Podcast   #monsterenergypr @monsterenergy @Stephreyesmarketing @caribbeanxsports @eriberto213 #gigabytespodcast #NintendoSwitch2 #PS5 #MarvelTokonFightingSouls #MarvelCosmicInvasion #Wolverine #Saros #GhostofYotei #NexPlayground #ResidentEvilRequiem #MetroidPrime4 #GhostofYotei #Switch #Xbox #PSSR #PS5Pro #Xbox #Switch2 #Review #Playstation #Switch2 @tiendasmesalve #gigabytespodcast #TGA2025 #PSPortal

Notes and Links to Jackie Domenus' Work   Jackie Domenus (she/they) is a queer writer from South Jersey and the author of NO OFFENSE: A MEMOIR IN ESSAYS (2025), published with ELJ Editions. A 2021 Tin House Winter Workshop graduate, Jackie's essays have appeared in The HuffPost, The Offing Mag, The Normal School, Variant Lit, Entropy, Watershed Review, Wig-Wag, Philadelphia Stories, and HerStry, among other publications Their poetry has appeared in Hooligan Mag and Giving Room Mag. Her short story “Mirror Image” published in So To Speak, as well as her essay “Two Truths and a Lie” published in Identity Theory, were both nominated for a Pushcart Prize.    Jackie has formerly served as a publishing assistant at Guernica Magazine, an associate editor for Glassworks Magazine, and a contest coordinator for Philadelphia Stories. They work as the Program Director for Fellowships at Mid Atlantic Arts. Buy No Offense: A Memoir in Essays   Jackie's Website   Review of No Offense in The Rumpus: “Misperceptions, Assumptions, and Slurs: Jackie Domenus's No Offense” At about 3:45, Jackie talks about ideas of representation and reading as a kid-they highlight The Perks of Being a Wallflower At about 6:50, shout out to Shel Silverstein's feet (and writing)! At about 7:15, Jackie responds to Pete's questions about their early writing journey At about 9:45, Jackie reflects on writing as “cathartic” and "therapeutic," in certain conditions, and in some conditions, not so At about 12:20, Zoe Bossier, Kiese Laymon, Melissa Febos, and K.B. Brookins are shouted out as writers who thrill and challenge Jackie At about 14:05, Pete asks Jackie about their book's Foreword and the process in ultimately deciding to include early writing that had them in different and perhaps more privileged places At about 18:10, Pete and Jackie  At about 20:40, Jackie talks about interesting and fun feedback from readers At about 24:30, Jackie responds to Pete asking about early on in the book defining “microaggression” At about 26:15, Pete lays out the book's exposition in discussing the first essay of the book, and Jackie expands upon the essay's themes and connecting POVs At about 30:20, Jackie emphasizes their belief that any memoir, particularly queer and trans memoir, does not need to be linear At about 31:15, the two discuss the book's essay meditations on the uses of terms for men and women connected to dogs At about 33:15, Jackie responds to Pete's question about the anecdote in the essay where their dad broke down over the loss of the family dog At about 35:35, Jackie and Pete discuss Mary Poppins and heroes and queer people and their representations in media in Jackie's formative years   At about 39:00, The two discuss ignorance and ideas of “othering” as reflected in a resonant anecdote in the book about a trip to the OB/GYN At about 42:45, Pete uses an example from a Simpsons' episode in asking Jackie about the balance between educating and becoming a crutch for people looking for validation At about 46:50, Jackie expands upon the line from the book that their “coming out was not really a ‘coming out' ” At about 49:10, Jackie reflects on the material from the book's essay dealing with interpretations of queerness in Jennifer's Body, Girl, Interrupted, and Black Swan At about 53:15, Jackie discusses an essay that identifies three “first loves” and traces their outward sexuality At about 56:20, Pete compliments Jackie's use of second person, highlighting a beautiful imagined scene on Page 84, and Jackie talks about their mindset and aim for the essay At about 1:00:35, “Burden of Proof” and a student of Jackie's, Isaac's, moving experiences are discussed At about 1:04:50, Fear and the Trump era are discussed as rendered in the book, as well as Jackie's continuing "realization"    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 314 with Mariah Rigg. She is a Samoan-Haole who was born and raised on the island of O‘ahu. She is the author of the short story collection EXTINCTION CAPITAL OF THE WORLD (Ecco/HarperCollins, 2025), which was listed a best book of 2025 by Esquire, Electric Lit, and Debutiful, and received praise from Vulture, Oprah Daily, Chicago Review of Books, Literary Hub, Autostraddle, Ms. Magazine, and more.    The episode airs on December 16.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Heather, Nick and Matt discuss Is This Seat Taken?, Final Fantasy VII Rebirth and Matt's trip to the San Francisco Nintendo Store and then dive into the genre of Beat-Em-Ups starting with old favorites like X-Men and The Simpsons and working up to modern titles such as Marvel Cosmic Invasion and more. Check out our brand new merch at kinshipgoods.com/getplayed Follow us on social media @getplayedpod Music by Ben Prunty benpruntymusic.com Art by Duck Brigade duckbrigade.com For ad-free main feed episodes, our complete back catalogue including How Did This Get Played? and our Premium DLC episodes and our exclusive show Get Anime'd where we're currently watching Serial Experiments Lain go to patreon.com/getplayed Join us on our Discord server here: https://discord.gg/getplayed Wanna leave us a voicemail? Call 616-2-PLAYED (616-275-2933) or write us an email at getplayedpod@gmail.com Advertise on Get Played via Gumball.fm All of our links can be found at linktree.com/getplayedpodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to the place where I get to let my geek flag fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This is where I look into the world of geekdom and some geek news, comics, The Simpsons, Star Wars, and whatever randomness finds its way onto the recording. This level of the podcast is another conversation all about the surprising and shocking moments in comics, movies, and TV. We did one of these back in Spetember 2021 (Level 262) but it was time to go back and chat about those images and things that just make geeks go… OOF! Whether you cheer, cry, cringe, or try to scrub the images from your memory… this was a bunch of moments I think you'll agree were big surprises. Join us for the nostalgia and a great talk between Blue and me. The list is below but I promise the listen is even better.Lex Luthor and Manchester BlackI am your father in ESBRed She-Hulk reveal Ultimates 2 Hawkeye uses fingernails as projectilesBetty as the Red HarpyImmortal Hulk #8 - Hulk in jarsTwo-fer: Moon Knight lifts Mjolnir / gets Phoenix ForceTwo-fer: Captain America: Civil War - Vision cripples War Machine / who killed Tony's parentsMagneto kills Wolverine in Ultimate Marvel's Ultimatum and is lobotomized by Professor X leading to Onslaught revealEnd of SevenKing in Black event - Knull vs VenomNorman Osborne gets Gwen Stacey pregnant in Sins PastIdentity Crisis - Zatanna causes autism / erases memoriesNeo's powers in The MatrixThe Blob eats The Wasp in Marvel UltimatesKeyser Soze reveal in The Usual SuspectsReed Richards causes Marvel ZombiesBen Affleck's Daredevil break Kingpin's kneesHank Pym and Black Panther in Marvel ZombiesSuperman almost makes a sex tape with Big BardaThe death of Goliath in Civil WarThe horse head in The GodfatherThe Sandman on Netflix - Doctor Destiny beaten by MorpheusTie-Breaker: Rio's death in Solo and/or Andor shoots TivikTransformers: The Movie - opening with the Decepticons especially ProwlLeonardo DiCaprio's Costigan is shot in the head at the end of The DepartedUltimates Marvel Scarlet Witch & QuicksilverCivil War comic - Thor smashes Iron ManCongrats on completing Level 262 of the podcast! Think positive, test negative, stay safe, wash your hands, wear a mask, and good luck out there. Feel free to contact me on Twitter and/or Instagram (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com., or by joining the Facebook group (https://www.facebook.com/groups/1879505335626093). I'd love to hear from you. Merch is available at teepublic.com/user/laugh-it-up-fuzzball. Also subscribe to the feed on Apple podcasts, Google podcasts, Stitcher, Breaker, IHeartRadio, RadioPublic, Spotify, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out!

In this episode, which I believe was recorded around this time last year, Kieran and I- both longtime fans of the show, The Simpsons- sat down to discuss the first episode of the long-running show (as well as our early interactions with the TV phenomenon), 'Simpsons Roasting on an Open Fire'.

Langdon conjures forth the Wizard's Castle once more, this time trapping Branson Reese (HELL WAS FULL, SWAN BOY, Rude Tales of Magic, and more) within its sorcerous corridors. While there, the two discuss what makes jokes funny, the impact of the morality of art, and The Simpsons (among other things). Music played - Yellow Eyes - Brush the Frozen Horse https://yelloweyes.bandcamp.com/track/brush-the-frozen-horse

Have you ever wondered how much Karl Stefanovic knows about the Sydney 2000 Olympics or if Leigh Sales could hold her own in pub trivia on The Simpsons? Gold Logie winner Tom Gleeson is hosting a special edition of Hard Quiz, pitting television royalty against each other in a battle for the Big Brass Mug. ABC’s Leigh Sales, Seven’s Larry Emdur, 10’s Angela Bishop and Nine’s Karl Stefanovic will face off in "Battle of the Networks" on Wednesday 17th December on ABC and streaming on ABC iview. The Quicky's Taylah Strano sat down with host and comedian Tom Gleeson for all the intel on the TV takedown of the year. And in headlines today, Storms and damaging winds will keep fire danger high across parts of Australia with 16 homes lost in NSW & 19 in Tasmania; The social media ban for Australians under 16 will kick in on Wednesday with the PM calling it a success while also admitting it won’t be perfect; Thomas Markle says he doesn't want to die estranged from his daughter, the Duchess of Sussex, after reports he had his leg amputated following surgery in the Philippines; Australian Margot Robbie understands the backlash to her and fellow Aussie Jacob Elordi's casting in Emerald Fennell's Wuthering Heights; The Wallaroos beat New Zealand to take out the title at the Cape Town 7s in South Africa; Aussie marathon runner Jessica Stenson finished 5th at a race in Spain, breaking the Australian record THE END BITS Support independent women's media Check out The Quicky Instagram here GET IN TOUCHShare your story, feedback, or dilemma! Send us a voice note or email us at thequicky@mamamia.com.au CREDITS Hosts: Taylah Strano & Claire Murphy Guests: Comedian Tom Gleeson Audio Producer: Lu Hill Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Drag Race winner Yvie Oddly (season 11) and co-host Ryan Mitchell (HIGHKEY!) join Nicole to overshare.Yvie discusses her reaction to Ariana Grande naming her a favorite, her thoughts on the internet's response to her season of Drag Race, the details of her open relationship, and getting stretched out by a didgeridoo. Ryan shares his history of dating terrible men, getting cheated on 7 times, and the time he followed a stranger to a hotel for a hookup that could've been a murder. They all discuss the craziest things a hookup has said while they were inside you, the hottest kind of dirty talk, and whether the Simpsons are Black. We had a wild time. Tune in!For more Yvie and Ryan, check out their podcast, HIGHKEY! Available on YouTube as well.Watch this episode on our YouTube channel at https://www.youtube.com/@WhyWontYouDateMePodcastSupport this podcast and get discounts by checking out our sponsors:Aura Frame: Exclusive $35 off Carver Mat at https://on.auraframes.com/DATEME. Promo Code DATEMEQuince: Find gifts so good you'll want to keep them with Quince. Go to Quince.com/dateme for free shipping on your order and 365-day returns. Now available in Canada, too.Planned Parenthood: Donate to support Planned Parenthood now at PlannedParenthood.org/DefendFollow:All Links: linktr.ee/whywontyoudatemeTour Dates: linktr.ee/nicolebyerwastakenYouTube: @WhyWontYouDateMePodcastTikTok: @whywontyoudatemepod Instagram: @nicolebyerX: @nicolebyerNicole's book, #VERYFAT #VERYBRAVE: indiebound.org/book/9781524850746This is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok. Advertise on Why Won't You Date Me? via Gumball.fm.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dec. 5- 11: Ian McKellen is an anti-hero, Kevin Bacon is a dog, the Father of the Bride is back, Seinfeld is sponge-worthy, The Simpsons perfect the clip show, big screen geishas and Narnias, George Clooney kills for oil, The Office does a Yankee swap, Adam Sandler heads to Netflix, and Chris Hemsworth takes to the sea. All that and more from 30, 20, and 10 years ago.

Bart is shocked to learn that there was once a better prankster at Springfield Elementary, and it turns out to be Jonah Hill! Well, kinda. Plus, Marge gets judged by the other mothers for the snacks she feeds her kids. Honestly, a pretty fun episode that pokes fun at youtuber pranks, as well as OTT parents who think everything is unhealthy.We also discuss how Guy has never heard 'Baby Shark', how Dando has never seen 'Twilight', why Dando's car decided to rip open his ear and more.If you enjoy this review, please consider supporting us on Patreon for as little as $1 per month at patreon.com/fourfingerdiscountListen on Spotify - spoti.fi/4fDcSY0Listen on Apple Podcasts - apple.co/4dgpW3ZCHECK OUT OUR OTHER PODCASTS:Goin' Down To South Park - spreaker.com/show/goin-down-to-south-parkThe Movie Guide with Maltin & Davis - themovieguidepodcast.comThe One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The Office Talk - spreaker.com/show/the-office-talk-podcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/four-finger-discount-simpsons-podcast--5828977/support.

IPS DEPROGRAM "Separating Psyops from Reality"a framework for understanding current events as a coordinated psychological operation (PSYOP) designed to create a parallel, fictional reality. This operation relies on a continuous programming timeline comprising elements such as predictive programming in entertainment, concurrent programming during the event, and reinforcement programming afterward. For instance, the recent Charlie Kirk incident is analyzed as evidence, detailing how a corresponding South Park episode served as a propaganda vector by containing highly specific, pre-staged nuances of the event. The speaker also strongly criticizes the alternative media landscape, arguing that these "truthers" are controlled opposition who rely on occultist and logically flawed methods, like gematria, rather than skeptical analysis of media fakery. The speaker emphasizes that these major news stories should be recognized not as hoaxes, but as staged historically significant events. The goal is to establish a new, separate platform that embraces an off-world stage perspective outside of the dominant media duopoly.• The speaker asserts that the recent Charlie Kirk event and shooting was a staged, historically significant event, evidenced by its close resemblance to details in South Park episode 330. Specific overlaps include the Kirk-esque character, the timing, the conversation context (gender), the appearance of the questioner/crisis actor, and the character being knocked off the chair to the left.• Alternative media (alt media) is harshly criticized for being "controlled opposition" and a "conspiracy against conspiracy theorists". Alt media channels are faulted for treating staged events as "organic with a secondary culprit," failing to entertain the idea that the events are entirely manufactured.• A major challenge for individuals caught in mainstream and alternative media narratives ("Trutherville") is the ego, preventing them from admitting they have been wrong or duped a second time. Both types of media function as a "religion" for their consumers, relying on low information, faith-based belief systems rather than rigorous critical analysis.• The speaker rejects the use of Gematria (numerical decoding) by groups like "Christian decoders," arguing that this practice is logically fallacious (specifically the Texas sharpshooter fallacy) and constitutes a form of occultism. These decoders add "noise" to the signal by attributing staged manipulation by man to something mystical, thereby functioning as disinformation.Key Quotes1. "We have to maintain a continuity here."2. "South Park's like the new Simpsons when it comes to predictive programming."3. "So what I'm pointing out here is that you can now look at this stuff as on a timeline. It's predictive programming, becomes concurrent programming, the day of, and then everything that follows is reinforcement programming because they just reinforce the official view."4. "Alt media is a huge hoax. Alt media is a conspiracy against conspiracy theorists."5. "The way to see through it isn't to look closer at the screen, but it's to take a different perspective."

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo.  Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.  We have a bonafide film and TV legend in our midst this week: director of ‘Broadcast News', ‘Terms of Endearment' and ‘As Good As It Gets'—not to mention co-creator of The Simpsons—James L Brooks. He talks to Simon about his new comedy drama ‘Ella McCay'—his first film in 15 years. He unpacks the movie starring Emma Mackey (yes, the names are confusing), Jamie Lee Curtis, Woody Harrelson and Jack Lowden—and tells us why he's nostalgic for 2008. Plus a bit of Simpsons chat—there are a few very familiar voices in this movie!   Mark reviews Eternity—the new A24 afterlife romcom that sees Elizabeth Olsen torn between two dead husbands, played by Miles Teller and Callum Turner. Plus we've got his verdict on the new film from exiled Iranian filmmaker Jafar Panahi too--'It Was Just an Accident'. This latest daring project has seen the banned filmmaker issued a jail sentence from the Iranian government. And finally, Five Nights at Freddy's 2....You might remember how much Mark loved the first one (not)... but could the sequel win him over? Spoilers: it doesn't—but strap in for a review that might be more entertaining than the movie.  All the box office top 10 news for you too, plus the weekly hilarity of the laughter lift. Enjoy!   Our LIVE Christmas Extravaganza at London's Prince Edward Theatre is this weekend! Join us on 7th December—with special guest Nia DaCosta, and Jason Isaacs beaming in from the USA. Tickets here: fane.co.uk/kermode-mayo      Timecodes (for Vanguardistas listening ad-free)  Eternity review: 09:10  BO10: 19:50  James L Brooks Interview: 37:10  It Was Just An Accident review: 52:30 Laughter Lift: 1:02:32  Five Nights at Freddy's 2 review: 01:07:32 Jay Kelly review: 01:14:41      You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

a framework for understanding current events as a coordinated psychological operation (PSYOP) designed to create a parallel, fictional reality. This operation relies on a continuous programming timeline comprising elements such as predictive programming in entertainment, concurrent programming during the event, and reinforcement programming afterward. For instance, the recent Charlie Kirk incident is analyzed as evidence, detailing how a corresponding South Park episode served as a propaganda vector by containing highly specific, pre-staged nuances of the event. The speaker also strongly criticizes the alternative media landscape, arguing that these "truthers" are controlled opposition who rely on occultist and logically flawed methods, like gematria, rather than skeptical analysis of media fakery. The speaker emphasizes that these major news stories should be recognized not as hoaxes, but as staged historically significant events. The goal is to establish a new, separate platform that embraces an off-world stage perspective outside of the dominant media duopoly.• The speaker asserts that the recent Charlie Kirk event and shooting was a staged, historically significant event, evidenced by its close resemblance to details in South Park episode 330. Specific overlaps include the Kirk-esque character, the timing, the conversation context (gender), the appearance of the questioner/crisis actor, and the character being knocked off the chair to the left.• Alternative media (alt media) is harshly criticized for being "controlled opposition" and a "conspiracy against conspiracy theorists". Alt media channels are faulted for treating staged events as "organic with a secondary culprit," failing to entertain the idea that the events are entirely manufactured.• A major challenge for individuals caught in mainstream and alternative media narratives ("Trutherville") is the ego, preventing them from admitting they have been wrong or duped a second time. Both types of media function as a "religion" for their consumers, relying on low information, faith-based belief systems rather than rigorous critical analysis.• The speaker rejects the use of Gematria (numerical decoding) by groups like "Christian decoders," arguing that this practice is logically fallacious (specifically the Texas sharpshooter fallacy) and constitutes a form of occultism. These decoders add "noise" to the signal by attributing staged manipulation by man to something mystical, thereby functioning as disinformation.Key Quotes1. "We have to maintain a continuity here."2. "South Park's like the new Simpsons when it comes to predictive programming."3. "So what I'm pointing out here is that you can now look at this stuff as on a timeline. It's predictive programming, becomes concurrent programming, the day of, and then everything that follows is reinforcement programming because they just reinforce the official view."4. "Alt media is a huge hoax. Alt media is a conspiracy against conspiracy theorists."5. "The way to see through it isn't to look closer at the screen, but it's to take a different perspective."

James L. Brooks (Ella McCay, The Simpsons, Taxi) is an Emmy, Golden Globe, and Academy Award-winning screenwriter, director, and producer. James joins the Armchair Expert to discuss being an industrious high school reporter interviewing Louis Armstrong and Anne Bancroft, his lucky break as a studio page bringing Edward R. Murrow coffee, and co-creating the Mary Tyler Moore Show with Alan Burns. James and Dax talk about why there's no better job in the world than on a television show that's working, seeing Andy Kaufman perform as the vile Tony Clifton for the first time, and that he thinks you go legally insane when directing. James explains what it was like giving notes to Jack Nicholson, starting The Simpsons which is still the longest-running scripted show in history, and what makes a contemporary female heroine in his new screwball comedy Ella McCay.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We've reached the end of the month, which means it's time for another episode of our community podcast! This time around, we're discussing the end of Al Jean's reign of laughter, Fortnite crossovers, news about the 800th episode, and the unfortunate loss of another great Simpsons writer. And, as always, we read and respond to your comments and questions from the last round of episodes. It's all happening on Talk to the Audience: the only thing more exciting than an optics festival! Support this podcast and get over 200 ad-free bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod, not to mention Bluesky and Instagram!

We're talking… Drake and Kim Kardashian playing Dungeons & Dragons, Henry Cavill's Warhammer obsession, stressful Lego builds, The Simpsons and Friends golden eras, Back To The Future on the What Went Wrong podcast, Sloth from the Goonies, Forrest Gump in Philadelphia, Grace's big birthday party, a unicorn cake disaster, Tom Fletcher's songs for the Paddington musical, a Royal Variety Performance, the brilliant Nick Helm and winter work-out struggles. For questions or comments, please email us at wolfowlpod@gmail.com - we'd love to hear from you. Instagram - @wolfowlpod TikTok - @wolfowlpodcast YouTube - www.youtube.com/WolfandOwlPodcast Merch & Mailing List - https://wolfandowlpod.com A Mighty Ranga Production For sales and sponsorship enquiries: HELLO@KEEPITLIGHTMEDIA.COM Learn more about your ad choices. Visit megaphone.fm/adchoices

Moc. Loose. Collectors. Forever.Tom “Dramatico” Sanford returns! This week, Mike and Tom welcome back their longtime friend from Ringside Collectibles to break down a HUGE week in wrestling figure news, surprise drops, holiday chaos, and collector heartbreak.

We're proud to announce we've been picked up by the Super Awesome Talent Agency! Well, not really, but a man can dream. This episode takes aim at the business ethics of Hollywood talent agencies, especially how they treat incredibly talented singers like the delicate, little flower, 'Wing'.We discuss whether we thoughts Parker and Stone were mocking or celebrating 'Wing', what she's up to these days, the career of Jeremy Piven, William Hung and more.LISTEN on Spotify - spoti.fi/4fzFQbj LISTEN on Apple - apple.co/4fCJmBvWATCH on YouTube - bit.ly/southparkpodcastSupport the Four Finger Discount Network for EARLY & AD-FREE access to every show we produce, as well as 100 hours of exclusive content! Join the FFD family today at patreon.com/fourfingerdiscountCHECK OUT OUR OTHER PODCASTS:Four Finger Discount (Simpsons) - fourfingerdiscount.com.auThe Movie Guide with Leonard Maltin - themovieguidepodcast.comSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSaturday Night Dive (SNL) - spreaker.com/podcast/saturday-night-dive-an-snl-podcastThe Office Talk - spreaker.com/show/the-office-talk-podcastGoin' Down To South Park is brought to you by The Four Finger Discount Network.

We finish our "non-racing vehicle game" category with a familiar and personal favorite IP. The Simpsons Road Rage was developed by Radical Entertainment and released in 2001 for the PlayStation 2, Xbox, and GameCube. Being huge fans of The Simpsons, we are excited to cover our second game set in the town of Springfield. This week the brothers ask which kind of game would you like to see copied in the Simpsons universe? A turn based RPG like Clair Obscur: Expedition 33, a kart racer like Mario Kart World, or a team based PvP shooter like Marvel Rivals.Follow us onX @BrosBossBattlesYouTube @BrosBossBattlesInstagram @BrosBossBattleshttps://brothersandbossbattles.com/

The imperial run of Harrison Whitaker marches on, and though he faces a couple tough challenges throughout the week, he heads into the weekend a 14-day champion. Ken also gets to feel like a champion on this episode as we get a few wonderful Ken's Korner moments, Jeopardy! fans fume about his Simpsons residuals, and we dive deep on Jim Thorpe. Plus, Harrison unknowingly gives us a couple gems of anecdotes and a response that tickles us. If you want to be tickled, why not donate to our Patreon? We won't actually tickle you, but our content might! Head on over to patreon.com/jeopardypodcast, where $5/month gets you a bonus episode every month, access to our entire back catalogue, access to our Discord, and MORE! Join today! SOURCE: Smithsonian Magazine: "Why Are Jim Thorpe's Olympic Records Still Not Recognized?" by Sally Jenkins Special thank you as always to the J-Archive and The Jeopardy! Fan. This episode was produced by Producer Dan. Music by Nate Heller. Art by Max Wittert.

Prof and Dev, Larry and Anthony, talk about the games they've been playing! Hyrule Warriors: Age of Imprisonment, ARC Radiers, The Simpsons, pinball, and Demon School.

You will also see Dexter, The Eras Tour, Hitman, Fast & Furious, and Just Cause Tributes. Is M. Night Shyamalan turning into a poor man's Quentin Tarantino?

Send us a textJoin director and former child actor Moosie Drier, and author, Jonathan Rosen, as they chat with the Emmy Award-winning writer of shows such as The Simpsons, Frasier, Malcolm in the Middle, and many more, Jay Kogen!Jay discusses writing for shows such as The Simpsons, Frasier, & Malcolm in the Middle, winning an Emmy Award, working at Nickelodeon on shows like Henry Danger, and Wendell & Vinnie, his thoughts on Dan Schneider, his own podcast Don't be Alone with Jay Kogen, & much more!Support the show

Help us, Dr. Zaius! This week we're revisiting the classic "A Fish Called Selma" with former Simpsons writer/showrunner, Josh Weinstein.We get first-hand insights into how the episode came together; the writing process of "Stop The Planet Of The Apes, I Want To Get Off!", Phil Hartman's live-action Troy McClure series, working with Jeff Goldblum and so much more.Plus we discuss whether Josh regrets leaving The Simpsons, how he and Bill Oakley joined the writing staff, as well as why they made "The Principal and the Pauper". A really fun show!Follow Josh on X at x.com/JoshstrangehillIf you enjoy this review, please consider supporting us on Patreon for as little as $1 per month at patreon.com/fourfingerdiscountListen on Spotify - spoti.fi/4fDcSY0Listen on Apple Podcasts - apple.co/4dgpW3ZCHECK OUT OUR OTHER PODCASTS:Goin' Down To South Park - spreaker.com/show/goin-down-to-south-parkThe Movie Guide with Maltin & Davis - themovieguidepodcast.comThe One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The Office Talk - spreaker.com/show/the-office-talk-podcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/four-finger-discount-simpsons-podcast--5828977/support.

Send us a textJoin director and former child actor Moosie Drier, and author, Jonathan Rosen, as they chat with the Emmy Award-winning writer of shows such as The Simpsons, Frasier, Malcolm in the Middle, and many more, Jay Kogen!Jay discusses writing for shows such as The Simpsons, Frasier, & Malcolm in the Middle, winning an Emmy Award, working at Nickelodeon on shows like Henry Danger, and Wendell & Vinnie, his thoughts on Dan Schneider, his own podcast Don't be Alone with Jay Kogen, & much more!Support the show

A film drama of uncommon power! Well, it's Thanksgiving, and yours truly has some bad news…I may have squandered all of the store's budget on that big Apocalypse Video Trivia Showdown episode this past Summer, and unfortunately that means there isn't enough money left over to provide for the annual Thanksgiving Day Employee Luncheon that my subordinates have come to expect. To be honest, I was seriously considering closing the place down and high tailing it to Citadel with all the store's remaining supplies and opening up a tiny video store kiosk in the Immortan Hoof mall. But my luck may have just changed… It turns out there's work available for those needing a large sum of money fast - dangerous work - but hell, it beats getting torn apart by angry employees demanding their yearly meal of Taco Bell Baja-Cranberry sauce and queso stuffing. I'm your host, Dave, and joining me as we embark on a dangerous mission that we may have already done in the form of an American remake years prior are fellow cinephiles Mike and Ryan. Topics of discussion in this episode include a film that is sure to cause clenched buttholes; we wonder if Nintendo used The Wages of Fear as inspiration for the naming of their two biggest mascots; and finally, we debate whether gags in things like The Simpsons have forever ruined the notion of adding “Fin” to the end of your movie. Be sure to rate, review and subscribe wherever you get your podcasts. You can also Like Us on Facebook, or shoot us an email at apocalypsevideopod@gmail.com That'll do it for another episode of “Dave Barely Manages to Save Himself From Getting Killed by his Employees”. We'll be back next time as the Apocalypse Video Bond Cast makes its long awaited return with For Your Eyes Only.

On today's episode, we welcome comedian Solomon Georgio to the show to go absolutely hamnuts in a conversation about Sailor Moon energy drinks, nipple concerns, Tyra's hot ice cream, and much more.*Follow Solomon on Instagram. *Celebrate 25 years of Bullseye!*Visit bit.ly/coolfight for the new comic series Predator Bloodshed, which drops Feb 25, 2026! *Order Jordan's Predator comic: Black, White & Blood!* Order Jordan's new Venom comic!* Donate to Al Otro Lado.* Purchase signed copies of *Youth Group* and *Bubble* from Mission: Comics And Art!JJGo MERCH ~Get Bronto Dino-Merch!Get our ‘Ack Tuah' shirt in the Max Fun store.Grab an ‘Ack Tuah' mug!The Maximum Fun Bookshop!Follow the podcast on Instagram and send us your dank memes!Check out Jesse's thrifted clothing store, Put This On, and use CODE JJGO for 10% off.Follow beloved former producer, Steven Ray Morris, on Instagram.Follow new producer, Jordan Kauwling, on Instagram.Visit Factormeals.com/JJGO50OFF for 50% off. Visit Auraframes.com and use Promo Code: GO

"The The Office of the US Trade Representative has released their 2024 Piracy Report listing the notorious markets for counterfeiting and piracy. The practice is alive and well. This report dedicated an entire section just to music. We will tell you what it said."

Spider-Man was huge in the mid 90s, the cartoon, comic books, trading cards, video games and of course Action Figures! We take a look at Spider-Man Wave 4! We also talk Zombie Sailor Toys, Hasttel Toy, Masterverse, Jada Toys Street Fighter, Mat Maniacs, Simpsons, Jazwares ROH, and My Fandom Spotlight!Also check out the TB Toycast YouTube Channel!https://youtube.com/@tbtoycast?si=sLFCQAAFfNZd1gFlAlso check out the Saturday Morning Rumble Wheel!https://podcasts.apple.com/us/podcast/the-saturday-morning-rumble-wheel/id1654659843?i=1000737894129

"What fun can you have in a pool anyway that you can't have in a bathtub with a garbage bag taped around your cast?" - Bart Simpson Broadcast season six kicks off with the Simpsons making their grandest upper-lower-middle-class purchase yet: a pool! Lisa is crowned the Queen of Summertime, while a treehouse mishap causes Bart to break his leg and become isolated and weird—but no more so than any child who would later grow up to become a podcast host. And did Ned Flanders kill his wife? Listen in as we wrap everything up in a NEAT LITTLE PACKAGE! (Sorry if that sounded sarcastic.) Our guest: Comedy writer Cody Ziglar Support this podcast and get over 200 ad-free bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod, not to mention Bluesky and Instagram!

The first season continues with one of the worst all time, but at least it's followed up with one of the better episodes from the first season. We talk Video Games, Simpsons merchandise and other random topics that come up when talking Simpsons and it's influence on society. X- @smellsJ Instagram - simpsons_ottosjacket Facebook - Smells Like Otto's Jacket Email - ottosjacketpodcast@gmail.com

SCTV's Dave Thomas talks about making bold life choices, growing up in Canada, Shakespeare saving his ass, choosing between big money success as an ad man or being a broke improviser at Second City, becoming head writer on SCTV, Martin Short, Dan Aykroyd, Harold Ramis, John Candy, Catherine O'Hara, Eugene Levy, Joe Flaherty, Andrea Martin, Grace Under Fire, running an animation studio, turning to dramas like Bones and The Black List, going to Ukraine, Thailand, Mad Magazine, The McKenzie Brothers, Chester Hope, and how, to make it in Hollywood, you need at least two of these three things, Talent, Drive, & Luck. Bio: David William Thomas was born May 20, 1949, in St. Catharines, Ontario. He is the eldest son of British parents, Moreen Duff Muir (May 4, 1928 – May 18, 2022), a church organist for thirty years originally from Glasgow, Scotland and composer of church music, and John E. Thomas (1926–1996), a medical ethicist from Merthyr Tydfil, Wales who was head of the Philosophy Department at McMaster University, and the author of several books. Dave's younger brother, Ian Thomas, is a Canadian singer-songwriter. The family moved temporarily to Durham, North Carolina, where his father attended Duke University and earned a PhD in philosophy. The family moved back to Dundas, Ontario, in 1961, where Dave attended Dundas District high school, and later graduated with an honours Bachelor of Arts degree in English literature from McMaster University in Hamilton, Ontario.[1]  Starting his career as a copywriter at ad agency McCann Erickson in 1974, Thomas became the head writer of the Coca-Cola account in Canada within a year. After watching a Second City stage show in Toronto, and while suffering from self-described "boredom" in his advertising work, he auditioned for the Second City troupe and was chosen as a performer.[2] He was a cast member of the Toronto production of Godspell, along with Victor Garber, Martin Short, Eugene Levy, Gilda Radner, and Andrea Martin.[3] Paul Shaffer was the musical director.[3 He first achieved fame as a cast member of the Canadian TV comedy series SCTV, joining Godspell castmates Levy, Martin and later Short, plus Rick Moranis, John Candy, Harold Ramis, Catherine O'Hara and others. Notable characters on the show include Doug McKenzie of beer-swilling brothers Bob and Doug McKenzie, editorialist Bill Needle, Scottish scone-chef/bluesman Angus Crock, motor-mouthed TV ad announcer Harvey K-Tel, Lowery organist/curio pitchman Tex Boil and the "Cruising Gourmet". Thomas's first film role was in Home to Stay, directed by Delbert Mann, in which Thomas played in a scene with Hollywood legend Henry Fonda. He then wrote, co-directed, and starred in the Bob & Doug McKenzie feature film Strange Brew. Soon after, he wrote for and acted in The New Show, produced by Lorne Michaels during his hiatus from Saturday Night Live. Short-lived, this show featured a powerhouse writing staff including Thomas along with Buck Henry, George Meyer, Jack Handey, Al Franken, Tom Davis, Valri Bromfield and Steve Martin. Thomas tried his hand at network television hour-long shows in 1986 when he wrote and co-executive produced Steel Collar Man for CBS. The pilot was produced but did not go to series. He co-wrote Spies Like Us (1985) with Dan Aykroyd.  In 1988, Thomas wrote another hour long show for CBS, B Men, which was back ordered, but Thomas took a directing job at Paramount, which caused the network to drop the series. He reportedly introduced John Travolta and Kelly Preston while directing them in the Paramount film The Experts.  He wrote for, produced, and starred in The Dave Thomas Comedy Show (1990). In 1991, he starred in the Showtime comedy, Public Enemy #2. In 1992, he tried his hand at reality TV and co-executive produced ABC's America's Funniest People with Vin Di Bona, but left after thirteen weeks to appear in the film Coneheads.  In 1993, he co-starred in ABC's Grace Under Fire with Brett Butler and Tom Poston and continued with the show for 5 seasons. In 1995 Thomas starred in the ABC television film Picture Perfect with Mary Page Keller and Richard Karn. In 1995 Thomas produced a pilot of a game show called Family Challenge for ABC. When ABC did not pick up the series, Thomas sold Family Challenge to the Family Channel, where he produced 144 episodes of the show spread over 2 seasons. In 1996, Thomas played the title role in the Fox television film Mr. Foster's Field Trip aka Kidz in the Wood with Julia Duffy. In 1996, he wrote the book SCTV: Behind the Scenes (McClelland & Stewart, publishers). From 1999–2002, he voiced various roles on the animated series Mission Hill. Thomas co-starred in the Paramount feature Rat Race. As of 2001, Thomas has been the Executive Creative Director of Animax Entertainment, an animation studio based officially in Culver City, California. In 2001–2002 Thomas appeared with Eugene Levy and Martin Short on Short's show Primetime Glick as Bob Hope (an impression he had first developed for SCTV with great success). In 2002, he co-starred with Jason Priestley, Dave Foley, and Ewen Bremner in Fancy Dancing. The next year he played a lead role in Beethoven's 5th. In 2003, he directed a hospital comedy feature film entitled Whitecoats, which he also wrote. As of 2004, Thomas was on the official Advisory Committee for the Comedy program at Humber College, the only such diploma program in the world. In 2004, he and Moranis again worked together voicing Rutt and Tuke, two moose based on the McKenzie Brothers, in Disney's animated feature Brother Bear.[4]  Thomas has had a long career doing voices for animation including Animaniacs, Duckman, CatDog, The Adventures of Tarzan, Justice League and multiple roles on The Simpsons, King of the Hill and Family Guy. In 2005, he had a guest stint as Charlize Theron's "Uncle Trevor" on Fox's Arrested Development. In 2006, he reprised his voice role in Brother Bear 2 and appeared as himself in the feature film The Aristocrats. He began production on ArnoldSpeaks.com, a video blog, as the voice of Arnold Schwarzenegger; Animax Entertainment won an Emmy for a broadband animated series produced for ESPN, Off Mikes.  In 2007, Thomas and Rick Moranis reprised their roles as Bob and Doug McKenzie in a one-hour special, Bob & Doug McKenzie's Two-Four Anniversary, for CBC Television. The show featured cameos from McKenzie celeb fans like Ben Stiller, Dave Foley, Tom Green, Paul Shaffer, Andy Dick, Matt Groening, Barry Pepper, Martin Short, and Geddy Lee. Former Prime Minister of Canada Paul Martin was the host. In 2008, Thomas revived Bob and Doug McKenzie in a new animated series, Bob & Doug. While Thomas reprises the character of Doug in the new series, Moranis chose not to voice the character of Bob, which instead is voiced by Dave Coulier. Moranis is, however, involved in the series as an executive producer.[5]  In November 2009, Thomas received an Honorary Doctor of Letters from his alma mater McMaster University and gave the fall convocation speech. In 2010 Animax continued to produce branded entertainment, advertising and digital shorts for corporations like Disney, Warner Brothers, NBC Universal, and Kodak. In 2011, Thomas's company Animax produced another animated show for MTV entitled Big Box along with numerous Internet shorts such as Life With Dad.[6][7]  In 2012 and 2013 Thomas guest starred in the dramatic shows Perception and Bones as well as comedy shows Comedy Bang! Bang! and How I Met Your Mother. In addition in 2013 Thomas voiced the recurring role of Jeff Foxworthy's father Jesco in the CMT show Bounty Hunters.  Thomas joined the writing staff of the Fox crime drama television series Bones beginning in 2013. Thomas worked for two seasons on Bones, writing several episodes and working on staff as consulting producer for two seasons.[8]  In 2015 Thomas joined the writing staff of NBC's The Blacklist as a consulting producer. In 2020 life-sized statues of Thomas and Rick Moranis as their characters Bob and Doug McKenzie were put in place at the ICE District Sports Arena in Edmonton, Alberta.[9] Also in 2020, the Governor-General of Canada announced that Thomas was being appointed to the Order of Canada,[10] Canada's highest civilian award. In 2021, Thomas and Max Allan Collins teamed to write a sci-fi mystery novel, The Many Lives of Jimmy Leighton.

The boys are back, but down one host who's off enjoying the Hawaii life this week. The crew kicks things off by recapping last week's wine tasting and dinner party before jumping into plans for the weekend, including pregaming a Chicago Bulls game. With CNN's “Five Things” gone, the guys craft their own version of the weekly rundown. They cover: ·        The push to release the Trump/Epstein list ·        Texas redistricting being blocked for 2026 and the issues that might cause ·        The Simpsons deciding to kill off a character ·        A major plunge in the crypto markets After that, they roll into their betting tips for the week and, as always, close the episode with some feel good stories.

It's time to take down to evil corporations with the power of podcasting, as we revisit "Die Hippie, Die", a fun episode that sees Cartman fulfill his purpose in life, destroying all hippies!A great parody of disaster films such as Armageddon and The Core, which is always a bug thumbs up in our book. Also the last speaking role from Isaac Hayes (boo).We also discuss whether Parker and Stone like hippies, the downfall of the Chef character, our love of The Nutty Professor and more.LISTEN on Spotify - spoti.fi/4fzFQbj LISTEN on Apple - apple.co/4fCJmBvWATCH on YouTube - bit.ly/southparkpodcastSupport the Four Finger Discount Network for EARLY & AD-FREE access to every show we produce, as well as 100 hours of exclusive content! Join the FFD family today at patreon.com/fourfingerdiscountCHECK OUT OUR OTHER PODCASTS:Four Finger Discount (Simpsons) - fourfingerdiscount.com.auThe Movie Guide with Leonard Maltin - themovieguidepodcast.comSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSaturday Night Dive (SNL) - spreaker.com/podcast/saturday-night-dive-an-snl-podcastThe Office Talk - spreaker.com/show/the-office-talk-podcastGoin' Down To South Park is brought to you by The Four Finger Discount Network.

Inspired by Guillermo del Toro's new take on Mary Shelley's classic creature, Adam and Nate invited film critic Dede Crimmins to help them reanimate Frankenstein (1931) and its multiple parodies in “Treehouse of Horror II” (S3E7). Together, we explore how this movie became one of the most referenced movies on The Simpsons, including the warnings and creepy credits at the beginning of almost every “Treehouse of Horror” episode.Also in this episode:• The silent magic of Boris Karloff's performance as the creature• When parodies set up false expectations for classic movies• That time Frankenstein inspired one of the most deep-cut references on The Simpsons ever• How the hell was this episode going to end with a Broadcast News parody?Plus, check out our show notes for a complete list of Simpsons references, double feature suggestions, and further reading.Next time, Nate and Adam go crazy for One Flew Over the Cuckoo's Nest (1975) at 50 and the forbidden episode…For more of Dede's movie reviews and more stay tuned to her Bluesky @dedecrim.bsky.social.For more Simpsons movie parody content, check out SpringfieldGoogolplex.com, or follow us at @simpsonsfilmpod on Instagram, TikTok, Threads, YouTube, and Letterboxd. Discover more great podcasts on the That Shelf Podcast Network.

This week's Wealth Formula Podcast is about the economics of sports—if you are a sports fan like me, you will love it. But before we get to that, I want to give you my two cents on one of the most important elements to financial success in anything: conviction. As I write this, Bitcoin sold off from a high of $126K to under $90K. Other cryptos have lost 50-90 percent of their value in the same time. It's been called a blood bath. Some are even saying it’s over for Bitcoin. I might even believe them if I hadn't seen the same story at least 5 times before over the past decade. True bitcoiners have tremendous belief in what bitcoin means to the world. Someone who bought $1,000 of Bitcoin in 2010 and simply refused to sell would now be sitting on hundreds of millions of dollars. That is the reward for true conviction. The irony of this bitcoin cycle is that many of those individuals with high conviction are finally cashing in on the fruit of their patience. Almost every day, another wallet that hasn't been active since 2011 is selling off a billion dollars into the market into the hands of Wall Street and governments. That's why prices are tumbling. But don't be fooled into thinking that these buyers are the dumb money holding the bag. The story does not end here. Nor is the Bitcoin story a one-off either. History repeats itself as the story of investments unfolds over time. In December 1999, Amazon stock traded at $106. After the dot-com crash, it fell to $5.97. Every talking head had a eulogy written for the company. But if you were crazy enough to hold through the storm, your conviction paid off spectacularly: $10,000 invested in Amazon in 2001 is worth over $20 million today. Now, moving on to the topics of sports. One of my favorite examples of conviction is from 1920, when George Halas bought the Chicago Bears franchise for $100. The Halas family could've “taken profits” countless times. They lived through multiple depressions, a world war, a dozen recessions, five or six league restructurings, labor disputes, player strikes, and decades of bad seasons. Anybody else would've bailed. But they didn't, and today, the Chicago Bears are valued at over $6.3 billion. These stories have different time periods and different industries, but they all teach the same lesson: Conviction is one of the most profitable assets you can own. That's the message I want to leave you before we move into a perhaps more entertaining topic: the economics of professional sports. Most people think of sports in terms of touchdowns, rivalries, and Super Bowl rings. But the truth is… professional sports is one of the greatest wealth-creation machines in American history. Few people understand those engines better than our guest this week. He's one of the clearest, most respected voices in sports economics today, and he's going to break it all down for us: salary caps, streaming deals, and team valuations. If you are a sports fan, you are going to love this week's episode of Wealth Formula Podcast! Transcript Disclaimer: This transcript was generated by AI and may not be 100% accurate. If you notice any errors or corrections, please email us at phil@wealthformula.com.  Donald Trump pretty much bankrupted the USFL by saying we’re gonna go head to head, uh, with the NFL instead of trying to build a a Spring Sports League. Welcome everybody. This is Buck Joffrey with the Wealth Formula podcast. Happy, uh, Thanksgiving week, uh, and uh, this week because it is a holiday week in, you know, football and all that kind of stuff that goes along with it. We’re gonna talk. About the economics of sports. And if you’re a sports fan like me, you’re gonna really like this. I really had fun with this interview actually. It was just like me asking a bunch of questions I always had. But anyway, before we get to that, I want to give you my 2 cents. One of the most important elements that I think there is give financial success in anything, and that is conviction. And I bring this up to you in part because Bitcoin sold off. Um, and well at least all the time, I’m recording this from a high of 126,000 and then it, it plunged actually below 90,000. And then of course, there were other cryptos that lost 50 to 90% of their value in the same time. Uh, yeah, it was a bit of a bloodbath. It’s been called a bloodbath and it is a blood bath. And of course, there are some who are declaring Bitcoin dead Again. Um, and you know what? I might even believe them if I hadn’t seen, uh, the same story, at least I’d say, I don’t know, maybe four or five times over the past I, eight years, nine years, whatever. True Bitcoiners though, have a tremendous belief in what Bitcoin means to the world and where this is headed. And some of them, well before I ever got in, right? I mean. That serious conviction because, you know, the people who were buying, you know, back in 2012, 13, I mean, this was completely outta nowhere, had no one’s, uh, no one’s support, nothing. In fact, in 2010, uh, you know, if, if you bought Bitcoin back then simply refuse to sell up until now, um, say you bought a thousand dollars of Bitcoin. You’d be sitting on hundreds of millions of dollars of Bitcoin, right? That’s the reward for true conviction. And those people, frankly deserve it. Because can you imagine if you just bought a thousand bucks or something and it was already up to a million, it was already up to 10 million and all the way up to 20 million, you still didn’t sell. I mean, I don’t even know if I could, I don’t know if I could do that. I don’t think I could. I mean, at some point I would be like, take the money and run. Right. Um. You know, it’s a funny thing though. The irony of this Bitcoin cycle that we have right now is that many of those individuals with, you know, super high conviction, um, the ones that were in way before any of us and before me, well, they’re actually, a lot of them are actually cashing out sort of the fruit of their patients. Right. Almost every day right now, you’re seeing a another wallet that’s been dormant since like 2011. And all of a sudden it sells. It’s something that has done nothing, but just sit there in storage, selling off a billion dollars into the market, probably, you know, started out as like 10 grand. Right? And where’s that money going? It’s going to the hands of Wall Street’s, going in the hands of, uh, governments. That’s actually the ironic part here. That’s why prices are tumbling. Because I think people are saying, well, gosh, we’re at a hundred grand. I’m sitting on hundreds of millions of dollars. I’m sitting on a billion dollars. Uh, I think it’s time to get out, right? But don’t be fooled, in my opinion, to think that these buyers are, uh, you know, they’re the dumb people holding the bag. I mean the, the people holding the bag, it’s Wall Street, right? They’re governments and reserves. And, uh, you know, big treasury companies, the story doesn’t end here. And the other thing is that Bitcoin story is not a one-off in history at all, right? In fact, you know, it, Bitcoin gets a lot of attention. But you even look at something like Amazon, right? December, 1999, Amazon stock trading at $106. Then the.com crash comes, and guess what? It fell down to $5 and 97 cents. That’s a Bitcoin like crash, right? And every talking had a eulogy written for the company. And if you were crazy enough to hold through that storm, your conviction paid off spectacularly. If you had $10,000 invested in Amazon in 2001, it’s worth over $20 million today. So anyway, that’s the point I have though. You know, it’s, the point is about conviction. Uh, and, and I’m not saying that you should just be dumb, buy something and be dumb about it, but especially on these asymmetric things where you think something could be really big, give yourself a time, a period, right? I mean. The only thing other than Bitcoin that I think I, I’m really interested in, in the crypto space is something called Solana. Solana is down like 50% from its ties, and I still think that, you know, when the dust settles, I think this is going to be something that’s gonna pay, pay off. Now if I were to watch it day by day, uh. It’s demoralizing, right? But, but I think the point is, if you have some conviction in something, give it some time. You know, say, I’m gonna watch this for at least five years if I can, if I don’t absolutely get into a situation where I need that money, which hopefully you don’t, because this is not where that kind of money belongs. Right? But give it some time and don’t look, there’s lots of noise, and, and, and then just give it some time and see what happens. Right? Now speaking of giving it some time, you know, a similar story in the sports arena in 1920, George Halas, I think it was Papa Bear, right? George Papa Bear. Halas bought the Chicago Bears franchise for a hundred bucks. Yep, a hundred bucks. Now the Halas family could have taken profits countless times, and they lived through lots of, uh, bad times. Depressions, uh, you know, world War, uh, a dozen recessions, five or six, uh, league restructurings, labor disputes, player strikes, decades of bad seasons. And maybe anybody else would’ve billed at some point if they’d made, you know, millions of dollars from the a hundred bucks. But they didn’t. And the Chicago Bears, as much as I don’t like the Chicago Bears, are valued over $6.3 billion. Now these stories, ultimately, they’re, you know, different time periods, different industries, but same lesson conviction, it’s one of the most profitable assets you can own or attributes at least. Maybe it’s not an asset, I don’t know. That’s a message I wanna leave you before we get into the topic of today, which is the economics of professional sports. Now, most people think of sports in terms of touchdowns, rivalries, super Bowl rings, all that kind of thing. But the truth is professional sports is one of the greatest wealth creation machines in American history, and few people understand those engines better than our guest this week. He’s one of the clearest, most respected voices of sports economics today. And he is gonna break it all down for us. We talk salary caps, streaming deals, team valuations. We talk about the Green Bay Packers and why they’re owned by the city of Green Bay instead of owners. All that kind of stuff that you might have wondered about but you never really knew. So if you’re a sports fan, enjoy it and happy Thanksgiving. We’ll have that interview for you right after these messages. Wealth formula banking is an ingenious concept powered by whole life insurance, but instead of acting just as a safety net, the strategy supercharges your investments. First, you create a personal financial reservoir that grows at a compounding interest rate much higher than any bank savings account. As your money accumulates, you borrow from your own. Bank to invest in other cash flowing investments. Here’s the key. Even though you’ve borrowed money at a simple interest rate, your insurance company keeps paying you compound interest on that money even though you’ve borrowed it. At result, you make money in two places at the same time. That’s why your investments get supercharged. This isn’t a new technique. It’s a refined strategy used by some of the wealthiest families in history, and it uses century old rock solid insurance companies as its backbone. Turbocharge your investments. Visit Wealth formula banking.com. Again, that’s wealth formula banking.com. Welcome back to the show everyone. Today. My guest on Wealth Formula podcast is, uh, Dr. Victor Matheson, professor of Economics and Accounting at College of Holy Cross. He’s a leading authority on sports economics, studying everything from the financial impact of mega events like the Olympics and World Cup, to the inner workings of professional sports leagues, lotteries, and public finance. Uh, welcome to the show. How are you? Well, thanks for having me. Great. Always happy to talk some sports economics. Oh gosh, this is interesting. I’m a huge, uh, I’m a huge sports fan, especially NFL and, uh, so, you know, instead of talking personal finance, you know, without, uh, without any, uh, uh, sports in it, this is definitely a, uh, welcome for me. So, um, well, vigor, let’s start, start with this, you know, um. Most of us who are big sports fans, you know, we’re really driven by the idea of the, the, you know, the, the emotion, the entertainment. Taking a step back from your perspective, how should we look at this whole ecosystem of sports as an economic system? Well, uh, first of all, it’s. It’s both bigger and smaller than, uh, than you would imagine. So if we think of the NFL, the NFL ha generat more revenue than any, uh, sports league in the world. Uh, this year it’ll come in somewhere around 22 ish billion dollars. Uh, that certainly seems like a lot of money. On the other hand, a Sherwin Williams paint store comes in at about that same sort of, uh, revenue, you know. On many podcasts talking about talking about paint, right? Um, if we talk worldwide, all the sports leagues all put together, uh, we’re talking about maybe a hundred billion or so, maybe 120 billion, roughly the same size as Johnson and Johnson. So, uh, you know, it’s a big industry. It’s a, you know, billions in with a B, but it’s also a tiny percentage of, of the total amount of economic. Being generated every year, and, and so we can easily get, uh, um, we can easily get ahead of ourselves and say, well, you know, uh, it’s the biggest company in the world, the NFL, it’s, it’s not even 500. Interesting. Um, so let’s talk a little bit about this, um, uh, how value is created in these leagues. So, so, you know, you said professional leagues are built on the economics of controlled scarcity. So talk a little bit about that, if you would, how this scarcity model drives value and, and, and protects, uh, uh, profitability. Right. So let’s compare, you know, let’s compare a Walmart. To the NFL, right? Uh, so Walmart takes a look at all these potential places that you could put a Walmart and they say, oh, this would be a good one. And a Walmart goes in. And now that Walmart’s generating economic impact and generating revenues for the, for the. For the company and all these sort of things. Now let’s look at the NFL, right? Uh, the NFL does the same thing. They said, Hey, uh, let’s look at Las Vegas. Would that be a good place for a, for a team? Uh, is is London gonna be a good place for a team? Uh, and they look at those. Uh, but here’s the deal. If Walmart looks at 50 places and says, Hey, these 35 would be good places. They’re not gonna just pick the best one for a franchise. They’re gonna put. Walmart’s in all of those, right? Uh, the NFL on the other hand, very specifically saying, you know, we actually don’t wanna put an NFL franchise in every place that we could, uh, make a profit in because we want to be in the, in a world where there are fewer NFL franchises than there are cities that want them, and that generates demand for this. Um, Walmart can’t do that because if Walmart doesn’t put in a franchise somewhere, uh, you know, Target’s gonna come in instead. Uh, that’s not gonna happen in the NFL, uh, because there’s no other competitor to that. So they can actually restrict the number of franchises they have, which means that every franchise is selling at a, a super premium price. These are, you know, at the lowest end, we’re talking five, six, $7 billion franchises. Now, uh, they could sell multiple new expansion franchises, but they choose not to. To maximize the value of those existing franchises. It’s been a while actually since the NFL expanded, um, the league. And I’m curious, what are, you know, what is it that drives them ultimately to do that? I mean, again, you just mentioned there’s this whole scarcity issue. I mean, what do you think are sort of the limitations or sort of the. You know, the, the, the points at which they say, well, gosh, maybe we do move to London, or maybe we do that. Like, do you have a sense of that? Yeah. So a couple things they wanna do. So first of all, one of the big things that all of the leagues in the United States have done is they want to be a big enough league to make sure that they cover all of the good spots or most of the good spots for a team. You don’t wanna leave enough good team locations that a rival league could come and start to challenge you. Right? So thinking back to the 1950s, uh, one of the most important sports leagues ever to come about in the United States. Actually never even existed. And this league is what was called the Continental League. And the Continental League in the 1950s arose as a challenger to major league baseball. Major League baseball in the 1950s was exactly the same size as it was in 1901. It was 16 teams. But the United States had grown immensely and the league had started to move, you know, the Dodgers to LA and the Giants to San Francisco, but you still had huge amounts of the country uncovered by baseball. And so this Continental League came about as an idea saying, you know what? We can take on Major League Baseball by putting franchises in places that it doesn’t exist. They said, oh, here’s our new eight league team. And the way Major League Baseball responded to that is before continental baseball could even start, uh, start existing, it said, oh yeah, well we’re gonna put a team in Minneapolis. We’re gonna put a team in Houston. We’re gonna put teams in these Lee in these cities that the Continental Baseball Association was gonna go into. And therefore, uh, continental baseball never got into existence because Major League Baseball expanded into those locations and everyone has taken that, that hit. You need to be big enough to make sure that every place with a, a good chance at having a team, or at least most of them, uh, are covered so that there’s 8, 10, 12 cities out there, uh, a big enough footprint that you could have your own new league. Uh, do that. So, I mean, if you look at the NHL, if you look at NBA major league baseball, NFL, all about 30 teams. There’s about 30 or a few more big cities. But what’s very important is there’s not 10 or 12 big cities out there, uh, without NFL teams, without football teams that. A rival league could move into that space. You know, I’m curious when you, you brought up that Continental league in baseball. It reminds me when I was a kid of, uh, the United States football, like the USFL and all, they got all these, uh, players, like I remember Herschel Walker started there and, and there was a number of actually guys who ended up in the NFL and being big stars there. So they, they definitely, uh, started out pretty strong. What went wrong for the USFL? It’s so funny you say that. Uh, the answer is actually one big, uh, name. It’s actually Donald Trump. Yeah. So, so what USFL did is, is they noticed that their niche was, um, was the spring, right? We play college football, we pay play high school football, and we play the NFL in the fall, which means that, uh, people out there in the spring, there’s no football out there to be had. The USFL said, you know, we could move into this market. So first of all, we’re gonna move into the spring where there’s not a rival. Second of all, we’re gonna take at least some cities where there’s not active, um, football teams either places like Birmingham, right? Uh, so any case, uh, what happened there is the USFL. Kind of got a little, its ego kind of got ahead of itself and it said, Hey, now that we’ve established ourselves in the spring, we do have some big stars like, uh, uh, Herschel Walker, like Doug Flutie, uh, some of these others. We’re gonna try to take the, uh, take the NFL on, uh, head to head and we’re gonna move from the spring to the fall. And the other thing they did that was very important is they filed a lawsuit against, uh, the NFL, saying that the NFL was engaging in antitrust activity that was keeping this rival league down. It was, uh, keeping them off TV by using their market power with some of the broadcasters. It was using its market power with stadiums to keep these teams out. And so they took him to court, and I think the, the hope was that there would have to be a settlement and that settlement would result in the USFL merging with the NFL. And the owners of the big teams in the USFL would kind of get a backdoor into the NFL this way. As it turns out, the court, in fact did find in favor of the USFL. Uh, they said yes, the NFL is engaging in illegal antitrust activity, but they also said. You guys are insane. Uh, going against the NFL in the fall, there was no way you’re gonna make it. So even though the NFL was found guilty, the jury only awarded $1 of damages. Uh, technically in antitrust cases, that’s tripled. So they actually were awarded $3 in damages and the league basically folded the next day. They won their lawsuit, but they folded the next day. But of course, the owner that had most. Most importantly pushed the league to go head to head against the NFL was the owner of the new, uh, New Jersey team, the Generals New Jersey Generals. Right? And it was Donald J. Trump. Donald Trump. Uh, so Donald Trump pretty much bankrupted the USFL. By, uh, by saying we’re gonna go head to head, uh, with the NFL instead of trying to build a, a Spring Sports League. Now, to be fair to Donald Trump, which I don’t necessarily want to be, but to be fair to him, um, there’s no guarantee that the USFL would’ve made it as a spring league either, but I think anyone, again, a jury looking at this said there was just no chance of that league, uh, surviving against, uh, the NFL. If you try to go head to head in the poll. Just, just outta curiosity, uh, you know, there, when you talk about Trump, I know like he’s had an interest in, you know, professional football teams for a long time where he did, at least, there’s a certain politics that goes into buying an NFL team as well, right? Right. So the NFL is a partnership. Yeah. Which means that they can choose who they decide to partner with. And, uh, the presumption was, uh, in the 1980s when Donald Trump was trying to become an NFL owner that Donald Trump, uh, neither had the money, nor had the friendships among other NFL player, uh, NFL owners, uh, to get into that very exclusive club. And so again, he was able to get into the USFL because it was a much lower buy-in, in terms of, of cost. The USFL owners couldn’t be as picky about who they wanted as fellow partners, and again, I think Donald Trump saw the USFL as a way to potentially get into the NFL through the back door through this lawsuit, and, and by moving directly in the, in the fall because the jury just didn’t find that, that there was any plan. By which the USFL teams could have ever become profitable, uh, going head to head in the fall against the NFL. Let’s talk a little bit about sort of valuations, because what’s interesting is, you know, you’ve talked about scarcity and, you know, the way that the leagues have manipulated, uh, that to make sure that there, you know, the values continue to grow, but at some point in the last 30, 40 years, the numbers just really skyrocketed, right? Where these football teams, you know. It wasn’t a straight line in terms of how much they were worth. What, what went into that massive inflection of, uh, of, of valuation? So, first of all, I think you’re exactly right. There has been this massive inflection. Uh, so I’ve been teaching sports economics since the 1990s and, and the 1990s were kind of at the end of an era where this was really one of the sames back in the seventies, eighties, and even as late as the early nineties, that if you wanna become a millionaire. Start out a multimillionaire and then buy a sports team because it was a, it was just a, uh, a dumpster fire that you could just burn up cash without any hope of any sort of real return. And that changed in probably the late eighties, early nineties. That really changed, uh, a couple things. Change that, uh, first of all. By the nineties and certainly by the two thousands, um, most of the big professional sports in the United States had solved lots of their labor relation problems with the, with the athletes. So there was always this question about, uh, you know, do athletes have the ability to bargain with other teams? Are they able to get free agent, uh, agency, are teams going to be constantly fighting and, and spending every dollar that they can down to the point of bankruptcy to buy that superstar team? And what happened again in the nineties, starting in the eighties through the nineties and the two thousands is pretty much leagues have, uh, agreed to a world where. We’re gonna limit the amount of spending, uh, that we’re gonna do on players so that we’re not all bankrupting each other, bidding for players. In order to get the players to go along with that, we come to an agreement that we’re gonna share basically half the money with the players. And that’s exactly how the NHL works, the NBA works and the NFL works. Major League Baseball is not like that yet. And we may see not this season, but the next one, um, them trying to finally join ranks with the other, uh, with the other leagues. Uh, the question is whether we’re gonna see that happen without a gigantic, uh, work stoppage that. You know, some people who are pessimistic think we’re, we may not have baseball at all in 2027. 2026 is fine, but 20, 27 may, may fall. So as soon as like your costs are all covered up, that you know that everyone is kind of playing on a level playing field. Once we know that we don’t have to worry about bankrupting ourselves. We are only paying players, what we’re bringing in as revenue. All of a sudden, this is a fairly safe investment in a way that it never was prior to, you know, this all dying down. Couple other things going on here as well is, of course, the country’s gotten bigger. We have gotten bigger, but without adding additional, many additional franchises, which means, uh, those, those tickets are becoming increasingly expensive. We’ve gotten richer in a, in a skewed fashion, so that, uh, that of course the rich have gotten richer, a lot faster than the poor have. But of course, going to a baseball game, especially with those luxury boxes and things like this, is, uh, an activity that is reserved for the wealthy. And as the wealthy have gotten more, uh, uh, have gotten, you know, increasingly rich, uh, that means that. You know, businesses like Major League Baseball in the NFL that cater to the upper class, uh, do disproportionately well. And the last thing, and I’m sure you’ve talked about, uh, this before, is on your show, obviously you can have, um, you can have investments that are irrational as long as you think there’s someone later that’s irrational, that you can, you can hand it off to, right? This is, this is all the Greater fool theory. Uh, although I don’t think necessarily in this case, the, the owners are fools, but. Sports teams are a toy of billionaires that you say, well, look, I, I am, I’m a Mark Cuban. I’ve made billions of dollars. Now I want to spend some of my, my money on a, a fun asset. You know, you and I might collect a baseball cards. Mark Cuban might collect baseball teams, right? Uh, so, uh, in a world you might be willing to overpay because you wanna be a sports soldier and you wanna rub elbows with. You know, KA Leonard, you wanna rub elbows with, uh, with, with Shhe Tani. Um, and you may be willing to overpay for that asset, but guess what? 20 years down the way, there’s still gonna be another billionaire who wants to rub elbows with that next generation of superstars. And so you’re fairly sure that the next time when it comes to sell your franchise, there will be another person who’s willing to pay a premium for that asset as well. So again, as we’ve gotten more billionaires, more billionaire wealth, um, this is something that, uh, you know, has attracted folks like Steve Ballmer to, to part with, with big money. And, uh, again, as billionaire assets have grown, uh, the ability and the desire to buy these teams has grown as well. I would think a major driver of the value. Is also coming from, um, the, the media sources, uh, that are changing, right? Where, I mean, I remember, you know, again, being a kid and there was this, you know, there was Monday night football and it was on NBC and. And that, that’s how it worked. But now there’s like bidding for these things and you’ve got Amazon, uh, doing Thursday night football, which is a little weird. Um, and you know, you sometimes you have, uh, uh, you have games on Peacock. What’s going on with that? How does it affect the economics? Uh, and ultimately, like where is this headed? So, uh, in a, in a league like the NFL, uh, over 60% of all revenues that they generate is media revenue, right? Because most of us aren’t going to games every day, uh, too expensive for us, or too time consuming or all sorts of other things. But, uh, lots of us tune in on tv. So we’re talking about, uh, well over $10 billion of annual media contracts with the NFL. Um, and those numbers have been going up, uh, at least in part because you have media companies, uh, in a pretty competitive environment bidding against one another for these things. Now, one of the things about, again, things like the NFL or the NBA is it allows broadcasters or other types of TV networks to bring in customers in a way that their regular programming doesn’t. So a, a company may actually be willing to overpay for the NFL, kind of as a way to get people to buy all of your other products. A famous example from early days, uh, is, is Fox, right? So in the old days there were three big networks. So old days, I’m talking, you know, 1970s, there were the three big networks, right? There was A, B, CNB, C, and CBS, and they all competed against one another. And then in the 1980s, this rival network came up and this is Fox. And they wanted to get into all these markets nationwide. Well, how do you make sure that a. A local station decides to pick up the Fox programming. So for example, I grew up in Denver and Denver had a, had a, an independent channel that, you know, played reruns and all sorts of other things, and, and so they have a broadcast license already. Fox goes up to them and says, Hey, would you like to carry our regular programming? And, and that, that channel said, well, I don’t really think so. We’re doing fine showing Gilligan’s Island and Love Boat and things like this, and we don’t need, uh, an entire set of your programming. We’re doing just fine, as as it is. Uh, so Fox couldn’t get a foothold in that Denver market. So what Fox does is they buy rights to the NFL. All of a sudden now they go back and say, Hey, we’ve got all this Fox programming, we’ve got the Simpsons, and we’ve got, I don’t know, uh, you know, uh, you know, these early, these early Fox programming. But, um, they say, but we also have the NFL. You can’t, you can’t turn down the NFL. And then all of a sudden that existing affiliate says, okay, all right, we’ll add the whole line of Fox programming because you’re right, we can’t turn down having the NFL. So what, what basically happens here is the NFL serves as this kind of must stock item. And uh, you know, Fox was willing to overpay for the NFL because now they’re gonna get everyone to be able to buy the Simpsons and everything else they were offering at the same time. Uh, and so media rights have gone much, have gone up much faster. And we see this all over the place, right? How do you get people to buy. Amazon Prime. Well, let’s say that’s the only way you get to watch, uh, football on Thursday nights. How do you get people to buy, you know, apple tv? You offer major league soccer games as part of their package, right? Uh, and so this is how you kinda legitimize yourself as an actual, real, uh, you know, quote real media company is by offering some, uh, live. Live sports. And that gets people who would not otherwise buy Netflix or Amazon Prime or Apple, uh, to actually purchase those because again, they’re offering this secondary item. Then presumably that in turn drives up the value of of the NFL and you know, they’re bringing in a lot more money because they’ve got not just the three major networks bidding on them, but they’ve got all sorts of big companies with deep pockets. Willing to, you know, increase their, their, their revenue is and, and that sort of snowballs. Is that, is that fair? No, and that’s exactly right. And, and for as much as I talk about, you know, that billionaire who wants the an NFL team or an NDA team as a. Prestige asset. Uh, they’re also concerned about having it as an actual functioning asset as well. So I’m willing to pay, you know, a lot more, even if I’m willing to pay a premium. That premium is based on a fundamental value in the first place. And how do you drive that fundamental value? You drive that fundamental value by maximizing the revenue you generate through things like media contracts, and by maximizing. And by minimizing your costs, by making sure that your labor costs aren’t gonna run away with you, uh, because again, hopefully you, uh, most of the leagues have solved kind of their long-term labor, uh, their labor strife between them and the players within each league. There is also some different rules, and specifically, again, being a big NFL fan, I love the fact that the NFL has a salary cap and profit sharing for each team. ’cause it makes for a much more competitive league, basically, you know, for people who don’t know what that means, essentially each team can pay, has a salary cap of how much they can pay players for a given year. But not all of the leagues have that. Uh, I don’t really follow the other ones. I, I’m not sure who has it, who doesn’t, but I know that, like in baseball, I don’t think they have that. And it creates a situation where you’ve got the Dodgers or the Yankees in, in, in the World Series. More often than not, and you know, you’re not getting the smaller teams usually. No. So you’re exactly right. So the NFL has what’s called a, uh, a salary cap, and it’s actually got what’s called a hard cap. So they’re actually quite serious about this, and there are very few exceptions that can be made to go over this cap. Uh, this cap is based on the total amount of revenue that’s being generated by the league. Uh, and again, the cap basically is the way that they make sure that they share. A fair proportion of the money with the players. Uh, what’s also important is they also have a floor. So the, the cap this year is about 225 million, if I remember right, but the floor is about 200 million. So every team in the league basically is spending the same amount on labor this season, which makes for a very even playing field. And we know that some teams are gonna lose and some teams are gonna win. And it seems like the Browns and the, and the jets never win. And it seems like other teams always do. But what’s important about that is it’s not just because they’re in a big city, that they have these gigantic revenue advantages and that they can buy a championship. It really is, you know, who is smartest with their money, who’s smartest with your coaching, who’s lucky with the draft and things like this. And, uh, that makes for a very nice thing here. What’s also super important is the NFL has a gigantic amount of revenue sharing, and the reason for this is every single game you watch on TV is part of a contract that’s being sold by the league, not the team. And because of that, the league is generating all these, all this revenue, and then is equally distributing that money to each of the individual teams. So a, a team playing in little tiny Green Bay is generating exactly the same amount of media revenue as the New York Giants. Or the LA Rams. So that’s really nice. Uh, again, gigantic amounts of, uh, again, even revenue sharing to all the participants. As a matter of fact, of all of the businesses in the United States, the NFL is probably the single most socialist company. In the United States. So this Great American pastime is wildly socialist when it comes to how they distribute their, their income. So what incentivizes a team to be better and to win Then from the ownership standpoint, if there’s revenue sharing, is it just at the, the other sources of income that come, like advertising, things like that. I’m, I’m just curious, like if there’s so much revenue sharing, what is it that drives a team to, you know, try to be better from the ownership standpoint? So first of all is that being bad doesn’t help you, right? This isn’t major league baseball, so we’re gonna go the o. The other extreme, at least for a US sport, is major League baseball. No, uh, salary cap there at all. So you can pay, uh, players as much as you want, although there is what’s called a luxury tax. So as you, as your, uh, salary, your total payroll gets too big, you start getting, uh, uh, paying penalties to the league, which is then redistributed to the poor teams in the league. That being said, you can spend as much as you want. So yeah, the Dodgers, they spent somewhere, uh, by some accounts somewhere around $400 million this year on talent, including, you know, gigantic contracts to folks like Shhe, Tani, right? Um, but there’s also no minimum either. So if you’re a team that decides, hey, we’re not even gonna bother to try to compete this year, uh, you are the. I don’t know to, if I should call them the Oakland A or the Las Vegas a a or the Sacramento A or the Traveling through the desert, sort of a for a while. Um, but, you know, this is a team that made a decision not to compete and had a, had a tiny payroll. Uh, other teams have decided to do this, and the, and the NFL you could decide that you didn’t wanna win. But it wouldn’t save you any money because again, not only is there a salary cap, there’s a salary floor. So if I have to pay $225 million each year anyway, I might as well try to win with that 225 million. Uh, ’cause I don’t have a choice to just collect my paycheck and hire, you know, the Minnesota Gophers for $20 million, uh, for my, for my team this year. ’cause that’s not an option. Right. Um, one of the things I wanted to just kind of, uh, drill down a little bit on is the model of the Green Bay Packers. As you um mentioned, it’s a tiny little town, northern Wisconsin. Uh, not much going on there. I’ve, I’ve been there myself for a game. It is unique in that it is owned, not by billionaires, but it’s owned essentially as by the fans. How, how does that work? And, and I guess the question is like, why, why aren’t other teams modeled that way? So other teams are not modeled that way because the NFL does not want other teams to be modeled that way, nor do any of the other, uh, major leagues out there. Uh, it’s not good for the NFL for a couple reasons. Uh, first of all. They have to open their books. If it’s a public company and they don’t like to open their books, um, you also don’t have a face for that, uh, league in a way that, that a person couldn’t, couldn’t be in there, uh, pouring extra money in as a kind of a, an, an angel investor. Uh, on top of that, uh, you can’t threaten to relocate to another city unless you get taxpayer subsidized. Um, you know, uh, stadiums and things because it’s a publicly owned team and we know that, that those public owners will not ever decide to move that team out. How did they get that status in the first place? That’s an interesting story, and it’s a story that’s not unique to. The Packers, but it is fairly unique to the United States. So, uh, in the rest of the world, this type of ownership model actually is fairly common. Um, teams that your, you know, listeners would’ve heard of, like Barcelona, like Al Madrid, these are club owned teams. Um, there is not an owner there. They are owned by the fans themselves, and they’re in the business of. Trying to stay in business every year while winning as many games as possible. Uh, there is, they’re not trying to win trophies for a, a Steinbrenner or a Mark Cuban. They’re trying to win, uh, trophies for that fan base. That literally, again, the, the season ticket holders are those owners. Um, the NFL itself, you know, was, was a very hard Scrabble league for a long time. It started in 1920, uh, and between 1920 and 1935. Roughly 55 teams played at least one season in the NFL. And of those 55 teams, basically all but about six of them, had gone outta business or relocated at some point in here. Uh, this is why actually we got such a socialist, uh, uh, business model here is because the owners of the big teams, the owners of the bears. Uh, the owners of the Giants, uh, they said, look, you know, this league isn’t gonna work if we can’t actually find someone to play. And yeah, we’re making money here, but we’re not gonna continue making money if we can’t find other teams that are gonna work in this league. So they said, Hey, we are gonna be very generous. We’re gonna make sure that, that we share our revenues with the people, uh, the other people in our league. We would rather have a small piece of a big pie, uh, than a big piece of a pie that is tiny or disappears completely. Uh, so that’s why we ended up with this, uh, revenue sharing. And of course they were very open to any sort of model that kept stable teams around, including a model where rather than some rich owner in, in Green Bay owns that team. Instead, it’s a municipally owned team. As long as that team had stability and conform long-term rivalries and can afford to put forward a product that’s gonna, that’s gonna work on a, you know, on an NFL field to make a competitive product, they were happy to kind of do whatever they needed to do because again, this was a, this was a really tough league to be in. For the first roughly 20 years with, you know, a lot more successes. There’s been a lot of talk, uh, I know about private equity entering the, uh, the NFL. Tell us, give us a little bit of an understanding of that. I mean, obviously, I, I kind of think of these owners in these buying groups as private equity already, so what’s the big deal? Is the point. So in most sports leagues have already allow private equity and already allow ownership groups with multiple owners, uh, to, to own teams. So again, uh, you know, the, the Red Sox, they have multiple owners of, of that team. Uh, again, Celtics, same sort of thing. Um, but in the NFL we have required basically one owner, right? So this is a, a person. That owns the team and is the face of the team and is this controlling majority owner, uh, they’re going to explicitly allow external people unrelated to the ownership group, to own pieces of NFL teams here. Uh, and I think the, the real issue here, uh, has to do with, uh, there are some franchises in the NFL where the owners are asset rich, but cash poor. I’m thinking actually, for example, the Bears. So the bears are still owned by the same group. Who bought the Bears back in 1920 ish. Right? So this, you know, the, the same family, the Halas, uh, have owned this team for a hundred years. Uh, by this point, you know, little pieces of the team have been handed down to all the cousins and the grandkids and the great grandkids and this sort of folks. Uh, so, uh, you know, I think in total there’s something like 86 different owners of the, of the Bears now, but they’re all part of that original ownership group that everyone. You know, has inherited a little, a little share here. Now mind you, you know, one 86th of the, uh, of the bears is like a hundred million dollars. You know, the bears are probably an $8 billion franchise. And so that’s a hundred million dollars of assets that each one of these grandkids has just because, you know, their grandfather made a smart, uh, smart investment a hundred years ago. Um, but it doesn’t mean that they can live the lifestyle of a person with a hundred million dollars. Because they’re not allowed to sell their share to anyone because private equity was never allowed. And the amount of money that that team is actually generating in terms of annual operating profits isn’t super high. So you’ve got a world where you’re wildly rich, but you can’t really do a lot with those riches. So you know, this is a team that would be prime for the idea of, well, let’s sell off 20% of this. 20% of the team is gonna be maybe a couple billion dollars. And, and then we will just share that basically it’s a big Christmas present to each one of these, uh, these kids here. And again, the, the thing here is that’s $2 billion in cash that each of these small minority owners gets rather than, you know, an asset that they can’t actually use. To buy a yacht in Monaco. Right? And so that’s giving these kids, or the, you know, these minority owners an option to basically, uh, you know, get liquidity for their ownership. And, and that’s the big difference, right? And of course the other thing is, is there are lots of wildly rich people who would like to be an owner of a team in a way that you could do that 20 or 30 years ago by being just a, you know, just a multimillionaire or a multi, multi multimillionaire. That was enough. Uh. You know, you can be a billionaire nowadays and not have nearly what it needs to become an owner in one of these big groups. So, uh, you know, if we think about, uh, Arod, right? Arod bought, uh, the Timberwolves, uh, in the NDA, um. But he couldn’t do it alone despite the fact that he was, uh, you know, for 10 years the highest paid athlete in the world, you know, signed the single biggest contract, uh, in the history of professional sports, uh, when he did so. Uh, and even a guy with that sort of money doesn’t have enough money to buy a sports franchise. So, uh, I think the NFL is, you know, looking down the, the road to a, a world where. Someone wants to sell, but there’s not that many folks with $10 billion out there. And so the idea that we were gonna keep a, a world where there’s gonna be one single owner forever, uh, you know that that’s a pretty small pool of people in a world where you’re thinking about selling franchises at $10 billion. But if we allow these to be sold private equity wise. Then people can live their dream of being a sports owner, you know, for a mere couple billion dollars. And of course, that increases the pool of, of potential people by a lot. You know, you, you mentioned, um, during, just a minute ago in, in passing that these teams don’t actually necessarily throw off a lot of cash. They’re not, you know, they’re not super profitable. It’s not like a bunch of money’s being distributed to owners. Uh, can you talk a little bit about that? I, I didn’t know that actually. Sure. So a bunch of these teams in, in fact, in terms of operating revenue, don’t actually generate gigantic amounts of, of money every year. Uh, again, taking an an NFL team, so an NFL team is gonna generate, you know, somewhere around $500 million, maybe six or $700 million a year, but you’re already competing about 250 million of that to, uh, to the players. So half of that revenue coming in automatically is going to the players. If you built yourself a new stadium anytime recently, obviously you could have big payments on that. Uh, there’s other operating expenses associated with that. Um, in, in a world where you’re not the NFL, but you’re a world like, uh, major League baseball, where. You have much more variability in your, in your player costs year to year and more variability in your revenue. Uh, you could easily end up with years where you’ve got negative cash flow or at least negative profits, and, uh, and that means that you need, you need to be able to weather that. And so of course that’s one of the reasons, for example, why the NFL, you know, wouldn’t just take anyone as an owner, you need to be for sure rich enough to, uh, to weather both the ups and the downs. Again, if you borrowed any money to, uh, to purchase the team, uh, that’s obviously a big, uh, big interest payment there as well. So you could easily have teams again, depending how the owner purchased that, that are not kicking out gigantic amounts of cash on a year to year basis. One of the things that I’ve been hearing about, I don’t really know how this would work, is the, is of private equity moving into potentially like college sports. So we’ve seen some changes in, uh, for example, in college football where now these players can legally get paid. So it’s, it’s starting to look more and more like a professional. Uh, professional league. So how would that work if you’ve got private money essentially buying, uh, the sports teams of an individual university? Or maybe I’m not, maybe that’s not exactly what’s happening, but that’s kind of the impression I got. So first of all, that is exactly what could be happening and, and what people are talking about. Uh, I am deeply skeptical that this is a good idea for the institutions involved. Um. So basically it works exactly like any other sort of, uh, sports franchise, right? Uh, basically you would have an owner, uh, you know, let’s call him Mark Cuban, although he’s not, you know, he’s, he’s not talking about doing this. But imagine Mark Cuban decided he wants to buy, uh, Ohio State, right? Uh, so he comes up with a a billion dollars hands over a billion dollars to Ohio State. And now Mark Cuban is the recipient of any revenues being generated by the Ohio State, uh, program here. Um, and so this works like, just like anything else, right? So this is, this is basically, um, a person like bringing money in, in exchange for a piece of the action. Uh, the reason I’m highly skeptical about this because. Uh, remember the name of your university is very, very strongly tied with the name of your athletic program, right? So, you know, the Ohio State University is the name of both the educational program as well as the, uh, you know, the sports teams, right? And so, uh, one of the reasons that that schools have sports teams in the first place. Is as a method of advertising for their other things, right? So they, they use spectator sports to bring in the students to, uh, bring in, uh, actually, you know, public taxpayer money, all sorts of things. Um, and of course if the school controls the money from the, uh, you know, controls the athletic program as well as the academic program, then we can presume that the interests of the athletic program and the academic program are aligned. As soon as you’ve sold off your, your athletic program to an external, uh, you know, an external buyer, then you have every reason to believe that the incentives of that athletic program, the incentives of the. Academic program are no longer aligned in, in a way that is useful. Um, for example, you could have that, that equity person say, you know what? I’m gonna make money no matter what, and I’m just gonna tank all of our programs because I’m gonna generate more revenue by spending less. And that’s what maximizes my profit. But that may very well harm the academic side. And so if you allow, you know, private equity to come in and they have any control. Over that, uh, athletic program, you basically outsourced an extremely important part of your business while still meaning that your business in the athletics is, is importantly tied to the other parts of your business that you haven’t outsourced. And, uh, that makes me deeply concerned for anyone who would consider going down this route. Is, is that likely to happen, do you think? I don’t think anyone who makes predictions about college sport to this point, uh, can, can do that with any certainty at all. It’s fascinating stuff. Um, and one last question I guess for you, which is, you know, we talk about like people who own teams, uh, being, you know, multi-billionaires. Um. Is there any way that fans can still get a stake if they’re just simple millionaires? Is that just not something that’s po un unless you’re live in Green Bay, I guess, is that pretty much non-existent? So it depends what you’re interested in doing, right? So if you’re a mere multimillionaire, uh, you’re not gonna become an NFL owner. You’re not gonna become an NDO owner. Right. Mm-hmm. Um, if you’re very famous and a multimillionaire, you might be able to come into an ownership group because they want you as the face of the organization. Right. Um, one example of this was George W. Bush who came in with a very tiny ownership stake, uh, when, uh, he bought the Texas Rangers and he owned about. 2% of that, that team. But he was the face of that because he was the son of the president. Right. Uh, and, and then when the Rangers did well, uh, you know, he, he made a fortune doing that as well. So, um, the answer is generally no. But as long as your heart isn’t wedded to the NFL or NBA, there are certainly options that you can come into. Right. Um, we have seen. One tier down, uh, buying into things like the WNBA or the, uh, NWSL in women’s soccer or, uh, or women’s basketball. Uh, even that’s become pricey nowadays. These are a hundred million dollar franchises now these days. Or you can take chances with lower level, essentially minor league, uh, soccer in the United States or, uh, elsewhere, uh, in, in the world. And I think you know where we’re going here. So if you’re a merely. Multimillionaire, uh, and you’re a, a famous, uh, movie star or two, you could put your money in and buy a football or soccer team in Wales, uh, called Reim. Right? And of course, that’s exactly what Ryan Reynolds did. And Malaney and, uh, you know, they did not have anywhere close to NFL money despite being famous guys, you know, big movie stars, you know, you know, tens of millions of dollars in, uh, in money. They’re nowhere close to being NFL owner money. Guess what they were wreck some owner money and, uh, they get all the fun and excitement of being an owner without needing to be a billionaire. Interesting. Well, listen, uh, I, I appreciate all your time and, uh, it’s, it’s fun for me personally as a sports fan to see how this stuff works. Um, do you have a site where you write, do you have people curious about this stuff or, or how can they learn more? So how people can learn more is, uh, is there is some fun sports economic stuff out there. Uh, the classic, uh, book in sports economics is of course Moneyball by Michael Lewis, who of course is a great writer about all things finance and, and people who are interested in, in general interest books about, you know, all sorts of things related from to the tech boom to, uh, obviously the financial crisis of the two thousands to. His early days in, in junk bonds in the 1980s. Uh, Michael Lewis is one of the, one of the great writers out there. Um, uh, other fun books by colleagues of mine, uh, omics by Stephan Semanski is, is a fun one. Uh, and, uh, you know, you can catch up, uh, with some, uh, some. Other podcasts that, uh, that follow these sort of things, including Freakonomics has often things on sports that are, that are fun as well. Uh, unfortunately if you wanna, you know, hear from me, it’s all textbook stuff and then I’ll have to give you a grade. And so probably that. Uh, but again, it, it’s a great time to be a fan of sports and of economics ’cause there’s just so much good stuff out there. Thanks so much for being on the program today. Again, my pleasure. You make a lot of money, but are still worried about retirement. Maybe you didn’t start earning until your thirties. Now you’re trying to catch up. Meanwhile, you’ve got a mortgage, a private school to pay for, and you feel like you’re getting further and further behind. Now, good news, if you need to catch up on retirement, check out a program put out by some of the oldest and most prestigious life insurance companies in the world. It’s called Wealth Accelerator, and it can help you amplify your returns quickly, protect your money from creditors, and provide financial protection to your family if something happens. Steve, the concepts here are used by some of the wealthiest families in the world, and there’s no reason why they can’t be used by you. Check it out for yourself by going to wealth formula banking.com. Welcome back to the show everyone. Hope you enjoyed it. And, uh, once again, uh, I wanna just wish you a happy Thanksgiving and, uh, thank you for, you know, being a listener of this show. And one more thing, just a reminder, uh, we are heading into sort of the last month or so. Of, uh, investment possibilities in the investor club. Wealth formula.com is where you go to join that group. And if you’re looking for a last minute tax mitigation type investment, make sure you sign up as soon as possible. Uh, that’s it for this week on Wealth Formula Podcast. Happy Thanksgiving. This is Buck Jre signing off. If you wanna learn more, you can now get free access to our in-depth personal finance course featuring industry leaders like Tom Wheel Wright and Ken McElroy. Visit wealthformularoadmap.com.

This week on The Nerdpocalypse Podcast, the guys return to discuss a little more about the Predator franchise, Frankenstein (2025), One Battle After Another, The Beast in Me, new Stargate series coming to Amazon, The Simpsons has a new dedicated channel on Disney+, David Fincher's American Squid Game filming in 2026, live-action trailer for Moana, and much more.CHECKED OUTPredator Badlands (quick conversation)Frankenstein (2025)One Battle After AnotherThe Beast in MeTOPICS - Section 1New Stargate series in the works at AmazonThe Simpsons get dedicated channel on Disney+, streaming show in order 24/7TOPICS - Section 2David Fincher's American Squid Game to film in 2026WTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/bounciiJay: https://tinyurl.com/tylefrogTRAILERSMoana (live action)TNP STUDIOS PREMIUM (www.TheNerdpocalypse.com/premium) $5 a month Access to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcast

The Fellowship is pleased to present our discussion of the career of legendary actor Dick Van Dyke. We wanted to celebrate him since he turns 100 in a few weeks, and he's done some great stuff to boot. Plus our usual crazy talk, geek news, and tangents

We were saddened to hear about the passing of Simpsons writer Dan McGrath, who wrote the episodes "Boy-Scoutz 'n the Hood" and "Bart of Darkness," and also co-wrote the Treehouse of Horror Segments "The Devil and Homer Simpson" and "Time & Punishment." Back in August of 2018, we were able to interview Dan, and because this podcast has never been available outside of our Patreon, we've decided to make it free for all to hear. So listen in, and celebrate the life of Dan McGrath: a writer who brought so much to The Simpsons, King of the Hill, Mission Hill, and more.

Do you remember when Marge was a Playboy cover girl? It happened! And so did this episode, where she posed for a sexy calendar and got extra horny, unfortunately Homer's new job as Carl's assistant (who was promoted to supervisor), means he's unable to act on it. It then ends up with Marge considering sleeping with Flanders...yeah.A lot of relatability here but also a lot that just felt unfinished or unnecessary. We also discuss sex games, kids complaining over nothing, our thoughts on Mountain Dew and more.If you enjoy this review, please consider supporting us on Patreon for as little as $1 per month at patreon.com/fourfingerdiscountListen on Spotify - spoti.fi/4fDcSY0Listen on Apple Podcasts - apple.co/4dgpW3ZCHECK OUT OUR OTHER PODCASTS:Goin' Down To South Park - spreaker.com/show/goin-down-to-south-parkThe Movie Guide with Maltin & Davis - themovieguidepodcast.comThe One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The Office Talk - spreaker.com/show/the-office-talk-podcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/four-finger-discount-simpsons-podcast--5828977/support.

Bassoonist Amy Harman and bandleader, jazz man and multi-instrumentalist Peter Long join Anna Phoebe and Jeffrey Boakye to add five more tracks, a journey which starts with a virtual cartoon band and ends up in Colombia, stopping off at Gotham City, Knebworth and the New York jazz scene in 1946.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Feel Good Inc by Gorillaz Main Title Theme from Batman by Danny Elfman Another One Bites the Dust (live) by Queen One Bass Hit by Dizzy Gillespie Posee un Corazón by Leonor DelyOther music in this episodeSteppin' Out by Joe Jackson Animal Crackers by Melanie The Laughing Policeman by Charles Penrose Sunny Afternoon by The Kinks Main Title Theme from Superman by John Williams Main Title Theme from Beetlejuice by Danny Elfman Journey to the Centre of the Earth by Bernard Herrmann Main Title Theme from The Simpsons by Danny Elfman Another One Bites the Dust by Queen

Dans l'émission du 20 novembre, Marc-Antoine Le Bret a imité les Simpsons, Jack Lang, Gabriel Attal, Mike Horne et Raphaël Quenard. Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"This is our annual Thanksgiving show. Thanksgiving is celebrated in many counties other than the United States. We will tell you the list and and how the people celebrate. Plus play songs about Thanksgiving food."

First crime in space, Dems want military to disobey President Trump’s orders, The Simpsons death, Epstein fatigue, Rocky and Bullwinkle, HCIS, game, etiquette rules See omnystudio.com/listener for privacy information.

What to NOT mention at Thanksgiving Dinner, Studies Have Shown & Rocco & Leah talk TV with DonnaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The 4th and 5th Episodes of the Simpsons are a little better than the previous. These two might be some of the stronger ones in the early episodes of the show. Nelson makes his debut and a classic scene in one of the episodes really pushed the show to becoming a hit.  Every Wednesday join Corson and Mackey (Brian's) as they rank every episode of the Simpsons in order. X- @smellsj Facebook - Smells Like Otto's Jacket Podcast Email - ottosjacketpodcast@gmail.com

Send us a textWhat happens when you strip the mystique from Scientology and just answer the hard questions? We open the inbox and go straight at the topics most people tiptoe around: where Shelly Miscavige is likely being held, why so few members ever reach OT 3, what really happens to body thetans, and why OT 9 and 10 never seem to materialize. No hedging, no euphemisms—just clarity from people who lived inside the system for years.We start by framing how control works at the top: pressure, punishment, and a culture that rewards obedience over truth. That lens makes sense of everything from CST properties and remote placements to the constant delays on new OT levels. If leadership could invent scriptures, why hasn't it? Because making up higher levels risks exposure if originals surface, which explains the obsessive surveillance of Pat Broeker and the endless “preservation” campaigns that raise money while keeping access scarce. We connect those dots to everyday experiences at Int Base, the few who actually reached OT 3, and why Xenu all but disappears after that—while BT cleanup becomes a life's work.We also talk about laughter as a pressure valve: South Park's “pneumonia” myth, The Simpsons' broadside, and the futility of gagging a culture built on parody. The point isn't to dunk; it's to show how public humor punctures private fear. Along the way, we share humane memories—cruise dinners with Ron Miscavige Sr., a trumpet rendition of Happy Birthday, the quiet rituals of parenting after indoctrination. Rebuilding happens in small, consistent choices: therapy, books, united decisions, and the stubborn act of asking better questions.If you're curious about Scientology, or you left and need language for what you saw, this Q&A is built to be useful. You'll hear how “religious proprietary secrets” function like trade secrets, why digital access threatened the money machine, and how secrecy keeps the illusion alive. Press play, then tell us the question you most want answered next. And if this helped, follow the show, share it with a friend, and leave a review so others can find it.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...

To kick off D'OH-vember 2025, we're taking a look at the first console game for the show - Bart vs the Space Mutants for the NES! This game is notoriously not one a lot of people enjoy, but it sold really well and led to a whole slew of other games - so let's try it again to see if this game really deserves it's bad reputation or a second chance. Welcome to D'OH-vember-- All Simpsons, all November. Join us over on our Discord to discuss the podcast, video games, or really anything over at https://discord.gg/pb76x32uWY __________________________ If you would like additional bonus episodes of Retrovaniacs or to request a game we must cover, our Patreon is located here : https://www.patreon.com/user?u=21041333 If you enjoy this podcast, why not write a review wherever you download it from? It's easy, and helps people find us by accident. Find everything Retrovaniacs at http://www.retrovania.net Intro song is "8-Bitter" by Subtastics, and is used with permission, mainly because Jeremy P is in that band.

Fortnite's new Simpsons update reimagines the entire experience through the decades-old cartoon. You can select from Homer, Lisa, Flanders, Moe, and other playable characters, then skydive into a faithful recreation of Springfield. The detail is absurd, down to the operable trap door button in Mr. Burns' office. It feels like the culmination of Epic Games' efforts to be the black hole that pulls in every corner of mainstream pop culture. Fortnite has become so big and so appealing that it raises the uncomfortable question floating around the rise of similar Forever Games: are most people motivated to play anything else? Get the full list of games (and other stuff) discussed at www.besties.fan. Want more episodes? Join us at patreon.com/thebesties for three bonus episodes each month!

September 19, 1994: a day that will live in... Wait, what's the opposite of infamy? 31 years ago, the lives of Simpsons fans changed forever when their favorite show went from a weekly thing to a twice-daily thing thanks to the power of syndication. In this week's format-breaking podcast, we take a look at the programming package that made a certain era of The Simpsons a second language for TV-addicted latchkey kids. Our guests: Joe Pickett and Nick Prueher from Found Footage Fest Support this podcast and get over 200 ad-free bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod, not to mention Bluesky and Instagram!